设计特色：      

项目 – 这座跨于湖面且长达1公里的水上美术馆，是日本建筑师石上纯也诗意设计理念的完美写照，成功化解了建筑与自然的界限。石上纯也力图打破自然环境的宽广与建筑之间的不平衡关系，他将纤细狭长的建筑形态蔓延至整个湖面，仿佛“轻轻触碰水面”。这种设计拒绝了传统上的那种与环境隔绝、防御性的建筑形式，而是深深拥抱周遭的环境，将其融入建筑之中。美术馆由玻璃柱廊组成，没入湖中，而转折多变的屋顶则如丝带一般漂浮飞扬。参观者仿若行走梦境，玻璃开口处构成画框，把景色和微风引入其中。与此同时，部分区域由广袤的展厅变为被水包围的狭窄陆地。这种水与天空、光与表面之间流动的感官对话，旨在营造建筑内部全新的自然氛围 —— 一个“友好的自然环境”。石上纯也力图通过消解传统二分法的方式，提升人的精神世界。这长长的、低矮的曲线呼应着悠远的地形，与当代建筑的疏离形成对比。美术馆轻轻降落在水面，几乎未侵扰地平线，与地形和谐一体，共融于时光。

团队 – 石上纯也建筑事务所由日本建筑师石上纯也（1974年生）于 2004 年在东京创立，现已成为日本最具创新性和远见的建筑设计公司之一。石上纯也在为普利兹克奖获得者妹岛和世 (Kazuyo Sejima) 的 SANAA 工作多年后，创立了自己的公司 ，并于 2009 年获得了日本建筑学会奖。随后又取得了进一步的成功，包括 2010 年威尼斯建筑双年展上的金狮奖。石上的实验性和受自然启发的设计方法消除了建筑、景观和环境之间的界限。其项目范围从概念装置到与周围环境无缝融合的建筑，以扩大可能性为指导。石上注重宁静、简约和透明，探求一种生活按照有机原则展开的建筑，其主要项目包括哥本哈根和平之家（2014年）、中国山谷教堂（2016年）和伦敦蛇形画廊（2019年）等。该公司的突破性设计探索使其成为享有盛誉的奥地利2024 Frederick Kiesler（弗雷德里克·基斯勒）建筑与艺术奖的获得者。 Feature：

Project - Unveiled as a concept in 2016, this 1km-long art museum hovering over a lake in Rizhao, China manifests architect Junya Ishigami's poetic vision for a building that blurs the boundaries between architecture and nature. Aspiring to create a more equal relationship between construction and the vast environment of China, Ishigami stretches the narrow footprint across the entire expansive lake, enabling the structure to "gently touch the water surface."

Rejecting isolated, defensive architecture, the design embraces the surroundings, pulling them inside. The museum's glass-infused colonnade sinks into the lake while the rippling roof floats above like a ribbon. The spectator moves through a dreamlike landscape, with glass openings framing views and letting in breezes. Sections morph from broad floors for exhibits to narrow landstrips bounded by water.

This sensuous interplay between water and sky, light and surface aims to conjure a novel sense of nature within the building - a "friendly new natural environment." Ishigami seeks to uplift the human spirit by dissolving old dichotomies. The long, low curves respond to the languid topography, a counterpoint to the alienation of contemporary Chinese buildings. Alighting gently on the water without disrupting the horizon, the museum integrates harmoniously into the terrain.

Design Team - Founded in Tokyo in 2004 by Junya Ishigami, junya.ishigami+associates has emerged as one of the most innovative and visionary architectural firms in Japan. Ishigami gained international acclaim following the completion of the Kanagawa Institute of Technology's KAIT Workshop in 2007, winning the Architectural Institute of Japan Prize in 2009. Further success followed, including the Golden Lion at the 2010 Venice Architecture Biennale. Ishigami's experimental and nature-inspired approach dissolves boundaries between architecture, landscape, and environment. Projects range from conceptual installations to buildings that integrate seamlessly with their surroundings, guided by a drive to expand possibilities. With a focus on tranquility, simplicity and transparency, Ishigami envisions an architecture where life unfolds according to organic principles. Major projects include the House of Peace in Copenhagen (2014), the Church in the Valley in China (2016), and the Serpentine Pavilion in London (2019). The firm's boundary-pushing explorations make it a worthy recipient of the prestigious Austrian Frederick Kiesler Prize for Architecture and the Arts in 2023.