以空白搜尋找到 815 個結果
- Villa M R.E.A.D. & Architects | Archicasting
< 返回 Villa M R.E.A.D. & Architects 项目名称:Villa M 地点:长野县轻井泽町,日本 设计团队:R.E.A.D. & Architects 建筑面积:151.54 m² 竣工时间:2024年 摄影:DAICI ANO, Kosuke Ino 设计特色: R.E.A.D. & Architects设计的"Villa M"展现了如何通过创新的L形空间构型策略和巧妙的环境融合技术,将一个原始森林场地转化为充满诗意的当代别墅隐居之所。 这座151.54平方米的住宅戏剧性地坐落在轻井泽的原始林地中,呈现为对日式传统与现代生活方式融合的深刻沉思。它没有破坏现有的森林景观,而是通过精心的建筑干预,创造出一个将传统山小屋形态与当代空间需求无缝交织的居住体验。 项目的绝妙之处在于对传统别墅布局的根本性重新构想。建筑采用独特的"键ノ字状"(L形)平面构成,如飞机双翼般将主寝室和客房分别延伸至南北两端,中央的LDK空间作为社交核心连接两翼。这种折角形态不仅确保了主人与客人的隐私需求,同时创造了两个截然不同的庭园体验——北侧的自然高原植物入口庭园和南侧的精心设计的景观露台。 R.E.A.D. & Architects的设计语言流利地表达着对自然环境的深度敬意,运用科学化的色彩分析方法重新定义建筑与景观的关系。建筑师实地采集现有树木(橡树、水楢、枫树等)的树皮样本进行色彩研究,最终选用与树皮呼应的炭灰色粗面杉木板作为外墙材料。这种大胆的环境融合策略不仅让建筑在视觉上"消失"在森林冠层中,同时创造了建筑与自然的有机对话。 最引人注目的是,建筑师通过创新的结构技术在空间内创造情感层次。LDK空间采用日本传统的Home Connector工法,通过将登梁在顶部进行"く"字形刚接合并一体化连接,如肋骨般的结构系统实现了室内无柱大空间,营造出开阔而温馨的聚会氛围。 景观策略延续了这种建筑与自然共生的设计理念。建筑的折角形态将场地自然分隔为两个功能性庭园,北侧庭园保持轻井泽典型的高原野趣,南侧庭园则通过木制露台、草坪和标志性树木营造非日常的度假氛围。从北侧入口进入住宅的瞬间,南侧庭园的壮丽景色通过大面积玻璃窗映入眼帘,创造出戏剧性的空间序列体验。 设计团队 - R.E.A.D. & Architects作为当代日本建筑实践的杰出代表,由建筑师冈田一树于2017年12月在东京创立,自成立以来已确立其在住宅设计和环境融合建筑语言创新领域的先锋地位。这家立足东京的事务所通过建筑、景观、室内和展览设计的综合整合,重新定义当代日本建筑师在国际设计话语中的角色。 R.E.A.D. & Architects为建筑实践带来了卓越的文化建筑设计视角和对跨学科方法的深刻理解。该事务所因其将传统日本建造智慧与当代空间创新结合的承诺而获得认可,创始人冈田一树为京都工芸繊维大学的杰出毕业生并获得享有盛誉的近代建筑赏,曾在普利兹克奖得主谷口吉生领导的谷口建筑设计研究所受训长达8年(2009-2017)。冈田在谷口事务所期间参与了铃木大拙馆、京都国立博物馆平成知新馆等重要文化项目的设计,这种高端文化建筑经验与住宅设计的结合,使R.E.A.D. & Architects在日本建筑景观中占据独特地位。 该事务所的设计哲学强调建筑应该超越简单的遮蔽功能——通过细致解读场地的"关系性"(Relationship)和"环境"(Environment),运用"建筑"(Architecture)和"设计"(Design)创造新的空间关系和更优质的环境品质。通过可持续的环境保护和创新方法,开展从住宅、文化设施到展览空间的多元化项目,相信最好的建筑是通过精准分析和深思熟虑过程产生的精致干预。R.E.A.D. & Architects相信建筑应该成为人与自然关系的媒介,通过策略性的空间组织和材料选择创造独特的居住体验。 除实践外,该事务所通过其全方位的设计服务保持着强有力的项目整合能力,涵盖建筑设计、室内设计、景观设计、展示设计等领域。通过对传统日本工艺与现代建造方法的深思熟虑结合、本地材料的精心运用,以及经过时间验证的环境智慧,R.E.A.D. & Architects已确立自己作为当代日本建筑话语重要贡献者的地位,创造出既具地域特色又拥抱国际设计视野的建筑作品。该事务所已获得包括石川建筑赏、BCS赏、京都景観赏等多项重要奖项,冈田一树作为新生代日本建筑师代表在国内外建筑界获得广泛认可。 设计团队 旅游探访 151.54 m² 长野县轻井泽町,日本 2024 Previous Next
- Dove 城市小屋 AGATHOM | Archicasting
< 返回 Dove 城市小屋 AGATHOM 设计特色: 项目 – 坐落于加拿大多伦多如画风景中的" Dove 住宅",由本地设计团队AGATHOM设计,重新定义了现代住宅的概念,将建筑与自然完美融合。这座建于2021年、面积5000平方英尺的设计作品,摒弃了传统的房间布局,采用一系列相互连接的“帐篷”体量空间设计,创造出一种空间漫游体验,仿佛置身于安大略省的树林和草地之中。 这座L形住宅的设计理念以环境管理和仿生原则为中心,旨在培养居住者与周围环境的深度联系。建筑师巧妙地设计了一系列令人惊喜的空间变化,从高耸的天花高度过渡到温馨适宜的低矮空间。住宅的核心是壁炉,被包裹在独具气势的混凝土主体中,仿佛森林中的一片空地。 " Dove 住宅"的可持续发展特征同样令人印象深刻。该住宅利用地热能和太阳能,41块光伏板甚至能产生剩余电力。建筑物的保温性能通过绿色屋顶和全方位的隔热层得到了进一步提升。 受自然启发的材料选择包括耐候钢、白桦木和质感丰富的混凝土,创造出丰富的触觉体验。AGATHOM公司的整体设计方法还延伸到定制照明灯具、定制地毯和综合景观设计,最终呈现出建筑与环境的和谐融合,推动了住宅设计的愿景边界。 团队 – AGATHOM是一家屡获殊荣的加拿大建筑设计工作室,成立于2005年,位于多伦多,由充满活力的搭档Adam Thom和Katja Aga Sachse Thom领导,凭借其独特的设计理念和客户关系处理方式,在建筑界赢得了独特的地位。 该工作室的理念围绕着精心调校的协作流程,以丰富的技术专长和对工艺的坚定承诺为基础。AGATHOM的与众不同之处在于注重与客户、内部团队以及专业工匠建立深厚关系,从而实现卓越的项目管理和对客户需求的深入理解。 AGATHOM在处理多样化且相互关联的挑战方面表现出色,能够无缝整合规划、景观、室内细节和建筑设计。他们的作品以对场地背景的敏感度著称,并坚信建筑有能力提升居住者的幸福感,同时兼顾功能性和美学愉悦。 公司的作品涵盖住宅和商业项目、公共艺术装置和展览。他们富有创意的设计赢得了多项声望卓著的奖项,包括2016年Architizer A+奖和2009年OAA卓越奖等,与此同时,AGATHOM的作品多次被《Dwell》、《OBJEKT©International》和《Azure》等influential有影响力的出版物报道。 作为加拿大皇家建筑学会成员,Adam和Katja为每个项目带来丰富的经验和新颖的视角。他们在雕塑和北欧设计传统方面的背景,为建筑实践注入了艺术性、功能性和可持续解决方案的独特融合。随着对公共空间的日益关注,以及对富有远见、因地制宜的建筑设计的持续承诺,AGATHOM公司正在塑造加拿大设计的未来。 Feature: Project - Nestled in the picturesque landscape of Toronto, Canada, Dove Cottage by AGATHOM Co. redefines the concept of a modern residence, seamlessly blending architecture with nature. This 5,000 square-foot masterpiece, completed in 2021, eschews traditional room layouts in favor of a series of interconnected pavilions, creating an immersive journey through space that mimics a walk through Ontario's woods and meadows. The L-shaped home's design philosophy centers on environmental stewardship and biomorphic principles, fostering a deep connection between occupants and their surroundings. The architects have ingeniously crafted a succession of surprises, with spaces transitioning from soaring heights to intimate, low-ceilinged areas. At the heart of the home, back-to-back fireplaces encased in monolithic concrete trunks serve as a focal point, reminiscent of a clearing in the forest. Dove Cottage's sustainability features are as impressive as its design. The home harnesses geothermal energy and solar power, with 41 photovoltaic panels generating surplus electricity. The structure's thermal performance is enhanced by green roofs and a robust insulation envelope. The material palette, inspired by nature, includes weathering steel, white birch, and textured concrete, creating a rich tactile experience. AGATHOM Co.'s holistic approach extends to custom lighting fixtures, bespoke rugs, and integrated landscaping, resulting in a harmonious fusion of architecture and environment that pushes the boundaries of residential design. Design Team - AGATHOM Co., an award-winning architectural studio and workshop founded in 2005, stands at the forefront of innovative design in Toronto, Canada. Led by the dynamic duo of Adam Thom and Katja Aga Sachse Thom, the firm has carved a niche in the architectural landscape with its unique approach to design and client relationships. The studio's philosophy revolves around a finely-calibrated collaborative process, underpinned by extensive technical expertise and an unwavering commitment to craftsmanship. AGATHOM's distinctive approach lies in its focus on fostering deep relationships with clients, in-house team members, and skilled artisans, resulting in superior project management and a nuanced understanding of client needs. AGATHOM excels in projects that present a diverse array of interconnected challenges, seamlessly integrating planning, landscape, interior detailing, and building design. Their work is characterized by a sensitivity to site context and a belief in architecture's power to enhance occupant well-being while providing functionality and aesthetic delight. The firm's portfolio spans residential and commercial projects, public art installations, and exhibitions. Their innovative designs have garnered prestigious accolades, including the 2016 Architizer A+ Award and the 2009 OAA Award of Excellence. AGATHOM's work has been extensively featured in influential publications such as Dwell, OBJEKT©International, and Azure. As Fellows of the Royal Architectural Institute of Canada, Adam and Katja bring a wealth of experience and a fresh perspective to each project. Their backgrounds in sculpture and Nordic design traditions infuse their architectural practice with a unique blend of artistry, functionality, and sustainable solutions. With a growing focus on public spaces and a continued commitment to visionary, site-specific architecture, AGATHOM Co. is poised to shape the future of Canadian design. 设计团队 旅游探访 5000 ft² TORONTO, CANADA 2021 Previous Next
- Portlantis 游客体验中心 MVRDV | Archicasting
< 返回 Portlantis 游客体验中心 MVRDV 项目名称:Portlantis游客体验中心 地点:鹿特丹,荷兰 设计团队:MVRDV 建筑面积:3533 m² 竣工时间:2025年 摄影:Ossip van Duivenbode 设计特色: 项目 - Portlantis游客体验中心位于鹿特丹港最西端,由MVRDV设计,于2025年3月22日正式向公众开放。这座"没有藏品的博物馆"是为了展示鹿特丹与其港口之间的密切关系而建造的。该建筑采用了旋转堆叠式设计,由五个旋转展览空间组成,每个空间都通过精心定位的"世界之窗"朝向不同方向,提供了对北海、海岸线和港口设施的全景视角。 建筑中心是一个22米高的中庭,悬挂着黄色雕塑和动态装置,象征港口的永恒活动。展览区域由Kossmanndejong设计,从一楼展示鹿特丹当前的港口活动,二楼探索港口的历史影响,三楼则关注未来发展和全球角色,最后在四楼探讨环境挑战和可持续解决方案。每个楼层的展览内容与其窗外景观直接对应。 建筑外部以明亮的红色楼梯为特色,这些楼梯环绕建筑盘旋而上,提供免费的公共通道通往各层观景平台和屋顶。这一设计使Portlantis不仅成为展览中心,还成为公共观景塔,在景观中起到了灯塔般的存在。 可持续性是项目的核心,采用了可拆卸结构、循环经济原则和能源正效益运营,产生的能源比消耗的多30%。建筑采用从港口采购的耐用材料,能够承受海洋环境的严酷条件,体现了鹿特丹的工业精神和港口向可持续未来转型的雄心。 团队 - MVRDV于1993年由Winy Maas、Jacob van Rijs和Nathalie de Vries创立。现在,三位创始合伙人与Frans de Witte、Fokke Moerel、Wenchian Shi、Jan Knikker和Bertrand Schippan一起,领导着一支由300多名专业人员组成的充满活力和乐观的团队。该事务所总部位于鹿特丹,并在上海、巴黎、柏林和纽约设有办事处,业务范围覆盖全球,为世界各地的当代建筑和城市问题提供解决方案。 MVRDV采用高度协作、基于研究的设计方法,从创意过程的早期就让客户、利益相关者和来自各个领域的专家参与其中。事务所拥有内部气候团队,为整个公司的设计团队提供咨询,确保工作的可持续性和弹性。作为专家团队,MVRDV NEXT开发和实施计算工作流程和新技术,使设计更加合理化,加快流程,并使项目在面对变化时更加高效和适应性强。 MVRDV的作品在全球范围内展出和发表,并获得了众多国际奖项。事务所的独特设计方法产生了各种成果,包括各种类型和规模的建筑、城市规划和远景、众多出版物、装置和展览。事务所因设计创新、意想不到且充满活力的混合用途建筑而闻名,如鹿特丹的Markthal(住宅和零售的结合)、纽约市色彩鲜艳的Radio Hotel and Tower,以及阿姆斯特丹三座戏剧性、受自然启发、植物覆盖的Valley塔楼。 Project Name: Portlantis Visitor and Exhibition Center Location: Rotterdam, The Netherlands Design Team: MVRDV Total Floor Area: 3533 m² Completion: 2025 Photography: Ossip van Duivenbode Feature: Project - The Portlantis Visitor and Exhibition Center, designed by MVRDV and located at the westernmost point of the Port of Rotterdam, opened to the public on March 22nd, 2025. This "museum with no collection" was created to showcase the intimate relationship between Rotterdam and its port. The building takes the form of a stack of five rotated exhibition spaces, each strategically oriented to frame specific views of the surroundings through carefully positioned "windows to the world" that offer panoramic vistas of the North Sea, coastline, and port facilities. At the heart of the building is a 22-meter-tall atrium featuring suspended yellow sculptures and a kinetic installation that symbolizes the perpetual motion of port activities. The exhibition areas, designed by Kossmanndejong, unfold across the floors – beginning with Rotterdam's current port operations on the first level, exploring its historical significance on the second, focusing on future developments and global role on the third, and addressing environmental challenges and sustainable solutions on the fourth. Each level's exhibition content directly corresponds to the view framed by its window. The building's exterior is characterized by bright red staircases that twist their way up the structure, providing free public access to viewing platforms on each level and the rooftop. This design element transforms Portlantis into not just an exhibition center but also a public viewing tower, creating a beacon-like presence in the landscape. Sustainability anchors the project through demountable structures, circular economy principles, and energy-positive operations, generating 30 percent more energy than it consumes. Constructed from resilient, port-sourced materials designed to withstand maritime conditions, the building embodies both the industrial spirit of Rotterdam and the port's ambitious transition toward a sustainable future. Design Team - MVRDV was founded in 1993 by Winy Maas, Jacob van Rijs and Nathalie de Vries. Now, the three founding partners lead a dynamic and optimistic team of over 300 alongside partners Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan. Based in Rotterdam, Shanghai, Paris, Berlin, and New York, the firm has a global scope, providing solutions to contemporary architectural and urban issues in all regions of the world. MVRDV employs a highly collaborative, research-based design method that involves clients, stakeholders, and experts from a wide range of fields from early on in the creative process. The firm has an in-house Climate Team, which consults with design teams across the entire company to ensure the sustainability and resilience of their work. As a group of specialists, MVRDV NEXT develops and implements computational workflows and new technologies to rationalize designs, speed up processes, and make projects more efficient and adaptable in the face of change. The work of MVRDV is exhibited and published worldwide and has received numerous international awards. The products of the firm's unique approach to design vary, ranging from buildings of all types and sizes, to urban plans and visions, numerous publications, installations, and exhibitions. The firm has a reputation for designing innovative, unexpected, and joyful mixed-use buildings such as the Markthal, a combination of housing and retail in Rotterdam, Radio Hotel and Tower, a brightly colored leisure and office tower complex in New York City, and Valley, three dramatic, nature-inspired, plant-covered towers in Amsterdam. 设计团队 旅游探访 3533 m² 鹿特丹,荷兰 2025 Previous Next
- “金丝雀” 之家 Selgascano + Diego Cano | Archicasting
< 返回 “金丝雀” 之家 Selgascano + Diego Cano 设计特色: 项目 – 由 Selgascano 和 Diego Cano 共同设计的 La Canaria House 坐落在洛杉矶华 盛顿山附近的山丘上,与这座城市标志性的日落美景和阳光环境形成了鲜明的对比。 这座个性化住宅无缝地将室内和室外生活融为一体,巧妙地拥抱了这一地区宜人的气 候。这个项目最显眼的特色,就是那道金色的铝制网格外壳,将整个内部空间和宽阔 的露台环绕其中。这种错综复杂的金属格栅不仅起到了优秀的遮阳作用,过滤了加州 强烈的阳光,同时也将从洛杉矶繁华市中心一直延伸到好莱坞山的 180 度广阔全景尽 收眼底。建筑师们的设计充分体现了内外空间的流动性,在建筑环境和大自然之间营 造了和谐的对话。这种开放式的网格结构为绿色植被的生长创造了条件,未来各种爬 山虎、灌木丛以及 10 棵 3 种不同品种的棕榈树将逐步占领这个鲜艳的金黄色"笼舍", 使建筑与景观的界限变得模糊。在不损及工艺品质的同时,实现经济实惠是设计师的 另一重要考虑。他们对房屋的每个部件进行了精心的预制和运输安排,从而实现了高 效的现场装配。这种做法很好地保证了定制手工的质量,而且在这个以高房地产价格 著称的城市也保持了良好的成本效益,可谓是一个非凡的成就。 团队 – 由 José Selgas 和 Lucía Cano(两人均为 1965 年生)于 1998 年在马德里创立 的 SelgasCano 建筑事务所,已成为备受推崇的先锋建筑设计团队。这个西班牙设计工 作室因其在材料运用、色彩设计以及建筑与自然环境的和谐融合方面的创新做法,而 在全球范围内赢得了赞誉。在两位远见卓识的创始人的领导下,SelgasCano 勇于探索 非常规材料,并努力在建筑与周边景观之间营造出无缝对话。SelgasCano 的作品系列 展现了多元的杰出项目,包括音乐厅、会议中心、办公建筑和展览馆等,每一件作品 都彰显了该事务所对于突破常规、挑战建筑规范的执着追求。他们的设计作品以大胆 运用多种色彩、采用诸如 ETFE 和聚碳酸酯等材料打造的半透明外立面,以及对现有自 然环境的由衷尊重而闻名。凭借众多殊荣,包括德国柏林艺术学院艺术奖和德国品牌 设计委员会的"年度建筑师"大奖,SelgasCano 已稳稳站在当代建筑设计先锋的位置, 不断重新定义建筑与自然环境之间的关系。 Feature: Project - Nestled in the hills of Los Angeles' Mount Washington neighborhood, the La Canaria House by Selgascano and Diego Cano offers a remarkable response to the city's iconic sunset views and unrelenting sunshine. This residential gem seamlessly blends indoor and outdoor living, embracing the region's temperate climate with a ingenious design approach. The standout feature of the project is its striking golden aluminum mesh envelope, which envelops both the interior spaces and the expansive outdoor terrace. Acting as a visually arresting sunshade, this intricate lattice not only filters the intense California rays but also frames the breathtaking 180-degree panoramas that stretch from downtown LA to the Hollywood hills. Selgascano and Cano's design celebrates the fluidity between interior and exterior realms, creating a harmonious dialogue between the built environment and nature. The envelope's open structure invites verdant growth, with plans for various creepers, bushes, and ten different palm tree varieties to eventually colonize the vibrant canary-yellow cage, blurring the boundaries between architecture and landscape. Driven by a desire for affordability without compromising craftsmanship, the architects meticulously prefabricated and shipped the house's components, enabling efficient on-site assembly. This approach yielded a bespoke, handcrafted quality while maintaining costeffectiveness – a remarkable achievement in a city renowned for its high construction expenses. Design Team - Founded in Madrid in 1998 by José Selgas and Lucía Cano, SelgasCano has emerged as a pioneering architectural practice renowned for its innovative approach to materiality, color, and the harmonious integration of the built environment with nature. Led by the visionary duo, this Spanish atelier has garnered global acclaim for its creative exploration of unconventional materials and the seamless dialogue it fosters between architecture and its surrounding landscapes. SelgasCano's portfolio showcases a diverse array of remarkable projects, including auditoriums, congress centers, office buildings, and pavilions, each a testament to the firm's commitment to pushing boundaries and challenging conventional architectural norms. Their designs are characterized by a bold use of polychromy, translucent facades crafted from cutting-edge materials like ETFE and polycarbonate, and a profound respect for the existing natural context. With numerous accolades, including the Kunstpreis by the Akademie der Künste in Berlin and the Architects of the Year prize by the German Design Council, SelgasCano has solidified its position as a vanguard in the realm of contemporary architecture, continuously redefining the relationship between the built and natural environments. 设计团队 旅游探访 240 m² 美国,洛杉矶 2023年 Previous Next
- 维也纳 Leopold Kohr-Straße 中小学 Franz&Sue | Archicasting
< 返回 维也纳 Leopold Kohr-Straße 中小学 Franz&Sue 设计特色: Franz&Sue在维也纳设计并落成的Leopold Kohr-Straße 中小学,为当代教育环境树立了新的标杆。这所学校坐落在城北的"特兰斯达努比亚"地区,凭借其既回应周边环境又具创新性的设计,在该区域持续的城市发展中扮演了重要角色。 最引人注目的设计亮点,就是校园中布满宽敞的有顶棚遮阳平台,将建筑立面打造成一座立体花园。这些户外空间被巧妙规划为全年可使用的学习与休闲场所,内外空间界线模糊渗透。教室与开放性空间相间分布,每个教学群落都直接通往自有的遮阳平台,孩子们可以在这里自由探索学校的每个角落。 学校核心区是一个空间感十足的中央天井,镜面反射天桥元素赋予了整个区域动感与探索体验。这个中央导向枢纽将所有楼层与迷人的室外露台连接起来。即便是内部的阅览室,也能通过通高落地玻璃,望见郁郁葱葱的校内花园。 在休息时段,学生们可以漫步跨级阶梯或从高层滑梯迅速抵达户外园区。部分运动设施在课余时间也向社区居民开放,从而丰富了整个街区的公共设施。这所学校巧妙地将大自然、社区与教育空间融合,充分体现了前瞻性的教育设计理念。 Franz&Sue's recently completed Leopold-Kohr-Straße Primary and Secondary School in Vienna sets a new benchmark for contemporary learning environments. Situated in the city's northern "Transdanubia" district, the school anchors ongoing urban development with a design that responds innovatively to its surroundings. The standout feature is the abundance of spacious, covered terraces that transform the facade into a vertical garden. These outdoor spaces articulate areas for learning and leisure that can be used year-round, blurring the boundaries between inside and out. Classrooms alternate with open niches, and each classroom cluster has direct access to its own sheltered terrace, allowing children to playfully discover their school's nooks and crannies. At the heart of the all-day school, a soaring atrium with reflective bridge elements instills a sense of movement and discovery. This central orientation hub connects all levels to the inviting outdoor terraces. Even interior spaces like the library offer views to the verdant school garden through full-height glazing. On breaks, pupils can quickly escape to the gardens via large stairs and even a slide from upper floors. Some sports facilities remain open to the public after hours, enhancing the neighborhood's amenities. With its clever connectedness to nature and community, the school exemplifies forward-thinking educational design. 设计团队: Franz&Sue建筑设计事务所由两家原本独立的维也纳事务所于2017年合并而成。在创始合伙人Harald Höller, Michael Anhammer, Robert Diem, Erwin Stättner, 以及Christian Ambos的领导下,再加上2022年新晋合伙人Corinna Toell和Björn Haunschmid-Wakolbinger的加入,这家拥有90名来自18个国家的跨领域设计团队,迅速成为奥地利最成功、最具创新力的建筑设计力量之一。 该事务所的设计理念追求简洁高雅,工艺精湛,对质量的执著恪守令人钦佩。他们的优势项目类型包括教育、住宅和办公等,通过50多个竞赛的斩获,目前手头正在进行25个项目。这家事务所秉持"通过对话实现设计"的理念,他们力求打造可持续适应未来的作品,摒弃肤浅的装饰主义。 近年来,该事务所曾在2020年获得Lower Austrian Culture Prize建筑类别奖,以及奥地利国家建筑奖等,这彰显了他们勇于创新但同时立足大众的设计方法。他们的作品巧妙平衡了概念深度与人性化空间塑造,为文化地产注入新的活力与意义。 Founded in 2017 through the merger of two independent Viennese practices, Franz&Sue has swiftly risen as one of Austria's most successful and innovative architectural voices. Led by the core team of founding partners Harald Höller, Michael Anhammer, Robert Diem, Erwin Stättner, and Christian Ambos, along with new partners Corinna Toell and Björn Haunschmid-Wakolbinger since 2022, the firm's 90-person multidisciplinary staff represents 18 nationalities. Franz&Sue's design approach prioritizes clarity, reduction, and a steadfast commitment to quality. Their portfolio spans educational, residential, and office typologies, with over 50 competition wins translating to 25 projects currently underway. The practice's architectural language articulates a dialogue-driven ethos, eschewing superficiality in favor of designs that prove adaptable and self-sustaining over time. Recent accolades include the Lower Austrian Culture Prize for Architecture in 2020, exemplifying Franz&Sue's forward-thinking yet grounded methodology. The firm's work deftly balances conceptual rigor with an innate understanding of crafting spaces tailored for human experience and enduring cultural relevance. 设计团队 旅游探访 11551 ㎡ 奥地利,维也纳 2023年 Previous Next
- ID 住宅 Wahana Architects | Archicasting
< 返回 ID 住宅 Wahana Architects 设计特色: 项目 – 位于雅加达的住宅区内,新近完成的ID 住宅恰到好处地融合了室内外生活与促进家庭成员之间的互动和关系。其设计的中心理念是营造促进家庭成员之间联系的共享空间。从三层布局的巧妙空间安排中可见这一理念的体现,一个大型中庭贯通整个房屋,连接公共活动区域。这座别墅的三层布局各有分工:首层为开敞式设计,生活区和餐厅区域界限分明,与户外花园形成自然融洽的氛围。室内外无缝衔接营造出宁静祥和的环境。二层则设置了会客休息室、客房和书房,中庭空间将其与下方的家庭活动室和餐厅连接,增进家庭成员之间的互动。三层为私密休憩之所,整层属于主卧和子女卧室。这种空间分区提供家庭成员必要的私密空间,而下两层则保持公共活动和交流的功能。从室内外环境的和谐到悬浮建筑元素的精妙设计,这栋住宅完美诠释促进家人联系的建筑与空间美学。 团队 – Wahana Architects建筑事务所成立于 1995 年,由Rudy Kelana(1968年生)创立并领到至今,主要从事住宅、办公和商业项目。对于住宅项目,该设计团队的标志性设计风格是将自然元素作为应对气候变化的一种方式。其相信建筑不仅是形态,更是塑造生活的艺术。他们以人为本的设计理念,不将功能空间限制在僵化的规划中,而是通过流动的形式来满足使用者需求。这种考虑心理学的方法源自这样的信念:房屋若无法满足使用需求就失去其存在的意义。成功的建筑不在视觉美感,而在理解使用者,实现自我认同感,支持人际交流。当空间和使用者产生和谐共鸣时,真正的居住功能才得以实现。从初期构想到建造监管,他们提供全过程服务,将建筑有机地融入使用者生活。通过与客户深入合作,他们营造共振的空间,让使用者感受到理解、安心和隐私。这种精心呵护的建筑设计理念造就了他们屡获殊荣的获奖项目。 Feature: Project - Nestled within a housing complex in Yakarta, Indonesia, the recently completed ID House by Wahana Architects masterfully blends indoor and outdoor living across its 500 square meters. Guiding the design is a central goal - to create shared spaces that encourage connection between family members. This ethos manifests through thoughtful spatial arrangements across the home's three floors, culminated by a large central void that bridges communal areas. Split across tri-level floors, the home features an open-plan first floor that dissolves boundaries between living spaces and the outdoor garden. The seamless flow between interior and exterior creates a tranquil environment in harmony with nature. Upstairs, the second floor houses private bedrooms alongside a family room and home office connected by the open void. This impressive architectural feat forges cohesion between the family room below and dining area above, promoting togetherness. Crowning the home, the third floor provides quiet personal retreats with the master bedroom and children's bedrooms. Dedicated to relaxation and solitude, these rooms allow privacy while the lower levels remain communal. From its tranquil integration of indoor/outdoor to impressive floating architectural details, the ID House is a testament to design that connects. Design Team - Believing architecture transcends forms to shape lives, Wahana Architects places people at the heart of their humanistic design process. Rather than forcing inhabitable spaces to conform to rigid plans, the studio adapts flowing forms to satisfy user needs. This psychology-driven approach stems from a conviction that buildings failing user needs fail their very purpose. Success lies not in visual appeal alone but in understanding personalities, fulfilling identities, and enabling connections. Such harmony between spaces and inhabitants enables true dwelling. From initial concepts to supervised construction, Wahana Architects' holistic process attunes buildings to those they serve. Through intimate client collaboration, they craft resonant spaces where people feel understood, at home with themselves and others. Such thoughtfulness breathed life into their award-winning INDE Shortlisted and ArchDaily nominated projects. 设计团队 旅游探访 500 m² Yakarta, INDONESIA 2023 Previous Next
- 莱科之家 OYO Architects | Archicasting
< 返回 莱科之家 OYO Architects 项目名称:Lyco House 地点:佩平恩, 比利时 设计团队:OYO Architects 建筑面积:312 m² 竣工时间:2024年 摄影:Karen Van der Biest 设计特色: 比利时建筑工作室OYO Architects设计的莱科之家(Lyco House)展现了如何通过大胆的建筑创新设计将历史谷仓转化为当代可持续住宅的典范。这座312平方米的住宅位于距离布鲁塞尔不到30公里的佩平恩乡村,以其独特的三角形切割干预重新定义了乡村适应性再利用的概念。 该项目的精彩之处在于其战略性的空间重构。建筑师通过移除建筑体量的一部分,创造了一个中央庭院,将原本黑暗封闭的空间转变为充满光线的避风港。这一巧妙的三角形切割不仅为室内带来了充足的自然光线,还在室内外空间之间产生了流畅的过渡,同时保持了传统谷仓的街道立面。 设计团队的空间编排通过精心安排的层次、夹层和双高空间展开,这些空间由Atelier Manus定制设计的几何绿色钢楼梯连接。这种垂直对话增强了紧凑占地面积内的空间感,将卧室与起居区、厨房与花园、客厅与高架露台连接起来,模糊了室内外的界限。 居住空间围绕厨房展开,鲑鱼粉色的大型岛台成为引人注目的焦点。天花板的浅色松木与抛光的灰色水泥形成对比,而Hout en Interieur定制的深色木制家具增添了温暖感。客厅位于厨房上方略高的层面,其富有暗示性的木质天花板和面向户外露台的大窗户营造出独特的氛围。 房屋的材料色调体现了对传统与创新的表达。精心挑选的中性色调家具配以绿色和陶土色的色彩点缀,在温暖平衡的环境中营造出柔和自然的氛围。为确保热舒适性、可持续性和能源效率,设计团队在建造过程中融入了生态和循环材料,完全翻新了旧石棉屋顶,并在房屋中安装了太阳能电池板和其他生态技术。 Denis Dujardin的景观设计通过使用当地植被,实现了与周围乡村景观的流畅和谐融合。此外,还开发了一个巧妙而谨慎的解决方案来管理该地区的多余雨水,将其引导到天然池塘中进行净化并逐渐过滤到地下。 这座住宅体现了不俗的适应性再利用方法,展示了如何在不牺牲原有本质和环境责任的情况下,将充满历史的谷仓转化为适应当代生活需求的现代住宅。 设计团队 - OYO Architects作为一家杰出的比利时建筑事务所,由Nigel Jooren、Eddy Soete、Veroniek Vanhaecke、Lies Willaert和Ferran Massip于2011年创立,现在根特和巴塞罗那设有办公室,十多年来,该事务所发展出涵盖住宅、社区开发和工业建筑类型学的创新解决方案口碑。 OYO Architects为事务所带来了卓越的多学科协作经验和对可持续建筑实践的深刻理解。在创始合伙人的领导下,以及包括25名设计师、建筑师、城市规划师和咨询专家在内的团队支持下,该事务所因其对生态系统思维的承诺和对工艺的执着而获得认可。这种整体方法与当代设计创新的结合,使OYO Architects在欧洲建筑景观中占据独特地位。 该事务所的设计哲学强调空间目的与建筑执行同等重要,不急于寻求标准化建筑解决方案,而是相信建筑应该是对社会、环境和经济可持续性透彻理解的结果。通过与客户的深度协作,他们定义项目的空间目的——即空间应对其居住者产生的积极影响。OYO Architects相信最好的空间为人们提供了发挥最佳状态的环境,他们致力于挑战传统,揭示空间的真正潜力。 通过对慷慨住宅、繁荣社区和再生工业的深思熟虑综合,OYO Architects已确立自己作为当代建筑话语重要贡献者的地位,创造出既扎根于地方又拥抱全球设计视野的建筑作品。 Project Name: Lyco House Location: Pepingen, Belgium Design Team: OYO Architects Total Floor Area: 312 m² Completion: 2024 Photography: Karen Van der Biest Feature: Belgian architecture studio OYO Architects completed the Lyco House project in Pepingen, creating a contemporary sustainable home that exemplifies how bold architectural intervention can transform historic barns into modern living spaces. The project is positioned within the green countryside less than 30 kilometers from Brussels, drawing inspiration from Belgium's rural heritage to create an architectural work that both celebrates agricultural building traditions and embodies innovative adaptive reuse strategies. The project's most compelling design feature lies in its strategic spatial reconfiguration through a dramatic triangular cut carved from the original barn volume. Rather than choosing conventional renovation approaches, the architects masterfully created a central courtyard that transforms the previously dark and enclosed space into a light-filled sanctuary. This ingenious triangular intervention not only floods the interior with natural light but also generates fluid transitions between indoor and outdoor spaces while maintaining the traditional barn facade that preserves the building's agricultural character. The building's spatial choreography unfolds through carefully orchestrated levels, mezzanines, and double-height spaces connected by a striking geometric green steel staircase custom-designed by Atelier Manus. This vertical dialogue enhances the sense of spaciousness within the compact footprint, connecting bedrooms with living areas, kitchen with garden, and living room with elevated terrace, effectively blurring the boundaries between interior and exterior environments. The living spaces center around the kitchen, where a large salmon pink island stands out as a bold focal point. The light pine wood ceiling contrasts with polished grey cement floors, while custom-made dark wood furniture by Hout en Interieur adds warmth and craftsmanship. The living room, positioned on a slightly higher level above the kitchen, features a suggestive wooden ceiling and large windows that open onto the outdoor terrace, creating a unique spatial experience. Material selection demonstrates exceptional sensitivity to heritage and innovation. Carefully selected furniture in neutral tones is complemented by chromatic accents in green and terracotta, generating a soft and natural atmosphere in a warm and balanced environment. To ensure thermal comfort, sustainability, and energy efficiency, OYO Architects incorporated ecological and circular materials during construction, completely renovating the old asbestos roof and installing solar panels and other eco-technologies throughout the house. Denis Dujardin's landscape design plays a crucial role in shaping the setting, achieving fluid and respectful integration with the surrounding rural landscape through the use of local vegetation. Additionally, an ingenious and discrete solution has been developed to manage the area's excess rainwater, channeling it into a natural pond where it is purified and gradually filtered into the ground. Lyco House represents a thoughtful adaptive reuse approach, demonstrating how historic agricultural buildings can be transformed to meet contemporary living needs while respecting their original essence and environmental responsibility. Design Team - OYO Architects stands as a distinguished Belgian architectural practice that has established an exceptional reputation in innovative sustainable design. Founded by Nigel Jooren, Eddy Soete, Veroniek Vanhaecke, Lies Willaert, and Ferran Massip in 2011 and based in Ghent and Barcelona, under the creative direction of founding partner Nigel Jooren and design direction of partner Ferran Massip, the firm has developed a reputation for creating innovative solutions across residential, community development, and industrial architecture typologies. OYO Architects brings exceptional multidisciplinary collaborative experience and deep understanding of sustainable building practices to the practice. Under the leadership of founding partners, supported by a 25-person team including designers, architects, urban planners, and consultative specialists, the practice has garnered recognition for its commitment to ecosystem thinking and dedication to craftsmanship. This combination of holistic approach with contemporary design innovation positions OYO Architects uniquely within Europe's architectural landscape. The firm's design philosophy emphasizes that spatial purpose is as important as architectural execution, not rushing to standardized architectural solutions but believing that architecture should be a result of thorough understanding of social, environmental, and economic sustainability. Through intensive collaboration with clients, they define the project's spatial purpose—the positive impact the space should have on those that inhabit it. OYO Architects believes that the best spaces provide the setting for people to be at their best, challenging convention to reveal the true potential of space. Through this thoughtful synthesis of generous homes, thriving communities, and regenerative industry, OYO Architects has established itself as a significant contributor to contemporary architectural discourse, creating architectural works that are both rooted in place and embrace global design vision. 设计团队 旅游探访 312 m² 佩平恩, 比利时 2024 Previous Next
- LANTERN 艺术中心 OMA | Archicasting
< 返回 LANTERN 艺术中心 OMA 设计特色: 项目 – OMA的首个底特律项目LANTERN,将一座破旧的商业面包房改造成了小村庄区的一处光芒四射的混合用途艺术中心。在资深合伙人Jason Long的带领下,这座占地2072平方米的综合体巧妙地将20世纪初的旧仓库重新定义,将其破损部分化为建筑自身的亮点。这栋建筑过去残破不堪、部分屋顶和墙体遗失,正是该项目设计理念的驱动力。OMA巧妙地在大楼中心植入一个2000平方米的中庭,作为充满活力的公共入口和社区聚集地。这一户外中心区域为所有租户(包括两家本地艺术非营利机构和进步艺术工作室集体)提供了主要入口和一个活跃而诱人的面貌。贯彻"开放城市"理念,设计将各种功能串联在一起,最大限度地提高了可及性和互动性。生产区和工作室为阿米蒂街景观增添活力;画廊环绕中庭,凸显其公共意义;零售和社区设施则集中在热闹的凯丘瓦大道沿线,将内部功能与街道生活融为一体。LANTERN凭借原始的工业风格和巧妙的再利用策略,成为底特律复兴创意力量中的全新艺术地标。 团队 – 1975年由雷姆·库哈斯创立的OMA(Office for Metropolitan Architecture,大都会建筑事务所)已发展成为一家享誉国际的先锋建筑设计机构,以其前卫设计和理论探索而著称。OMA总部位于鹿特丹,在纽约、香港和澳大利亚还设有分支办事处,在建筑与城市规划领域处于国际领军地位。在由8位合伙人领导下,OMA在全球范围内赢得赞誉, OMA的作品跨越多种建筑类型和规模,从文化机构、综合体到城市总体规划和基础设施项目,屡屡突破常规。OMA代表作包括西雅图中央图书馆、北京中央电视台新址大楼、米兰普拉达基金会和台北表演艺术中心等。OMA以批判性思维挑战学科界限,通过实体建筑和由其智囊AMO开展的学术研究,不断重新定义建筑话语。作为建筑创新的先锋,OMA的跨学科实践持续塑造着有关建筑环境演进的论述。 Feature: Project - OMA's first foray into Detroit, LANTERN, has transformed a dilapidated commercial bakery into a luminous mixed-use art hub in the city's Little Village neighborhood. Led by partner Jason Long, the 2,072 square meter complex adeptly reinvents the early 20th century warehouse, turning spaces of disrepair into architectural virtues. The building's former state of ruin, with sections of roof and walls missing, becomes the project's driving concept. OMA capitalizes on these voids by inserting a 2,000 square meter courtyard at the heart of the complex, serving as a vibrant public gateway and community condenser. This central outdoor space provides the primary entrance and frontage for all tenants including two local arts nonprofits - SignalReturn and Progressive Arts Studio Collective. Embracing an "open city" ethos, the design strings together various programs to maximize accessibility and interaction. Production zones and studios animate the Amity Street facade, while galleries line the courtyard reinforcing its public significance. Retail and community amenities consolidate along busy Kercheval Avenue, blending interior functions with streetlife. With raw industrial aesthetics and clever adaptive reuse strategies, LANTERN exemplifies an ingenious new arts anchor for Detroit's resurging creative fabric. Design Team - Founded in 1975 by Rem Koolhaas, OMA (Office for Metropolitan Architecture) has evolved into a leading international architectural practice renowned for its avant-garde designs and theoretical explorations. Headquartered in Rotterdam, with offices in New York, Hong Kong, and Australia, OMA operates at the vanguard of architecture and urbanism. Under the leadership of eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – OMA has garnered global acclaim for pioneering buildings that transcend conventional typologies. The firm's oeuvre encompasses a diverse array of architectural scales and programs, from cultural institutions and mixed-use developments to urban masterplans and infrastructural projects. OMA's repertoire is punctuated by iconic works such as the Seattle Central Library, CCTV Headquarters in Beijing, Fondazione Prada in Milan, and the Taipei Performing Arts Centre. With a critical approach that challenges disciplinary boundaries, OMA continuously redefines architectural discourse through built form and scholarly research undertaken by its think-tank AMO. As vanguards of architectural innovation, OMA's multidisciplinary practice continually shapes the discourse on the built environment's evolution. 设计团队 旅游探访 2072 ㎡ 美国,底特律 2023年 Previous Next
- 养正图书馆 SAKO建筑设计工社 | Archicasting
< 返回 养正图书馆 SAKO建筑设计工社 设计特色: 项目 – 日本建筑师迫庆一郎和他领导的SAKO建筑设计工社,打造了一座极具特色的公共图书馆,这也是中国首个实现碳中和的文化设施。这个公益项目由SOHO中国的董事长潘石屹先生发起,这座位于甘肃省天水市潘集寨村的养正图书馆,完美融合了建筑与自然环境。这座约800平方米的图书馆改造自一座百年历史的祖宅原址,被设计成一个充满活力的社区中心,承载着家庭聚会、教育培训等多种功能。设计师巧妙处理了这个"杂乱环境"的场地,通过最小化外围窗户来确保内部的静谧,同时在中央庭院用无框玻璃实现大开敞。图书馆的正方形平面和立面设计,灵感源自曼陀罗,营造出一种清静有序的空间体验。不断变幻的天空景象,随着光线、云朵和雨水的变化而起伏,给阅读空间注入一种冥想般的氛围。模块化的书架也呼应了这种几何语汇,与建筑外观自然融合。除了出色的被动式设计策略,包括出色的隔热性能、现场太阳能和风力发电以及地源热泵供暖等,这座公益图书馆还是中国可持续乡村振兴的先驱性范例,不仅丰富了当地社区生活,也为这个区域树立了绿色地标。 团队 – SAKO建筑设计工社创立于2004年,其创始人迫庆一郎以独特的视角,打造了众多富有洞见的可持续建筑作品,已成长为业界翘楚。自在北京设立首个境外分所后,公司陆续在东京和福冈开设办事处,足迹遍布中国、日本、韩国、蒙古国和西班牙,完成了160余个项目。迫庆一郎此前曾在山本理显(2024年普利兹建筑奖获得者)的事务所任职,积累了丰富的设计经验,为SAKO建筑设计工社赋予了多样化的设计语汇。该所涵盖私人住宅、商业零售、养老设施、公共图书馆等各类型项目,并在建筑、室内和城市规划层面提供全面的整体解决方案。SAKO建筑设计工社屡获殊荣,包括日本的Good Design奖以及JCD设计奖,美国的Vanceva World of Color Awards 2020年大奖等等,在中国也曾被选入《在中国最有影响力的10位建筑家》。迫庆一郎还担任了日本人在海外企业家团体《WAOJE》( World Association of Overseas Japanese Entrepreneurs )的第一任代表理事,展现了非凡的领导力。SAKO建筑设计工社不断推动创新,丰富社区生活,其持续努力正将梦想化为精心雕琢的现实。 设计团队 旅游探访 772 m² 中国,甘肃天水 2024年 Previous Next
- 广州美国人外籍人员子女学校 Perkins&Will | Archicasting
< 返回 广州美国人外籍人员子女学校 Perkins&Will 设计特色: 项目 – 这座由 Perkins&Will 设计的广州美国人外籍人员子女学校校区扩建项目,重新 定义了未来学习环境的理念。作为 1981 年中国南方第一所这类国际学校,其 38823 平 方米的全新校园在开拓者的基础上搭建了一流的教育设施。设计的亮点是动态课堂, 它们设有可折叠隔断和模块化家具,无缝切换协作项目与独立学习的空间形态。活动 隔墙使课室可延伸至走廊区域,将其改造为分组学习的突破性空间,激发师生探索创 意的广阔视野。校园核心是一个采光优异的中庭区,它兼具多媒体图书馆的功能,配 备录音室、讨论区和数字媒体工作室,营造跨学科创新学习的理念氛围。连接学术、 艺术文化、运动娱乐三大区域的天桥,通过其透明玻璃借景临近荔枝林的自然风貌。 项目注重可持续性,充分复用现有基础框架以减少碳足迹。屋顶运动场所提供优良隔 热,当地植被、透水地面和原有树木巩固了环境的弹性。分阶段的翻新策略使校园内 学生的学习在施工期间得以持续,展现了这所 21 世纪国际教育设施杰作的卓越智慧。 团队 – Perkins&Will 建筑设计公司由 Lawrence Perkins 和 Philip Will Jr.于 1935 年在芝 加哥创立,如今已成为全球建筑界的翘楚。自 2006 年以来,公司一直由首席执行官 Phil Harrison 领导,旗下拥有逾 2500 名专业人士,分布于全球 28 个办公室。2022 年 Perkins&Will 创收 5.7 亿美元,稳居美国第二大建筑设计公司。该公司因其创新和可持 续设计而赢得了广泛赞誉,拥有比任何其他北美建筑设计事务所更多的 LEED 认证专业 人士。获得 LEED 铂金认证的 Dockside Green Phase II 综合体和 VanDusen 植物园游 客中心等开创性项目,彰显了公司在环保建筑方面的杰出造诣。涉足教育、商业、医 疗和公共等多个领域,这家跨领域建筑设计巨头不断突破建筑界限,代表作包括波音 国际总部大楼和普利司通大厦等,展现了公司在创作贴合当地语境、技术先进的建筑 杰作方面的非凡能力,推动了建筑语言的新高度。 Feature: Project - Redefining the future of learning environments, the newly reconstructed and expanded American International School of Guangzhou Science Park Campus by Perkins&Will offers a forward-thinking interdisciplinary space tailored for diverse learning styles. As the first international school of its kind established in southern China in 1981, the revamped 38,823 square meter campus builds upon its pioneering legacy with world-class educational facilities. The standout design features dynamic classrooms with folding partitions and modular furnishings that enable easy adaptation from collaborative projects to independent study sessions. Retractable walls allow classrooms to expand into corridor areas, transforming them into breakout spaces that empower teachers and students to explore creative horizons through a wide range of learning experiences. At the heart of the campus lies a luminous atrium that doubles as a multimedia library hub equipped with recording studios, discussion areas, and digital media suites - fostering an innovative atmosphere of interdisciplinary learning. A skyway bridge with transparent glass walls connects the academic, arts/culture, and athletics/recreation clusters while framing views of the adjacent lychee forest. Sustainability was paramount, with much of the existing infrastructure reused to reduce carbon footprint. The rooftop recreation areas provide robust insulation, while native vegetation, permeable paving, and preserved trees enhance environmental resilience. A phased renovation strategy ensured uninterrupted learning during construction on this ingenious campus that epitomizes 21st century international education. Design Team - Founded in 1935 in Chicago by Lawrence Perkins and Philip Will Jr., Perkins&Will has emerged as a global powerhouse in the architectural realm. Led by CEO Phil Harrison since 2006, the multidisciplinary practice boasts a workforce exceeding 2,500 professionals across 28 offices worldwide. In 2022, Perkins&Will's revenue of $572.47 million solidified its position as the second-largest architecture firm in the United States. The firm has garnered widespread acclaim for its innovative and sustainable designs, claiming more LEED-accredited professionals than any other North American practice. Pioneering projects like the LEED Platinum Dockside Green Phase Two complex and the VanDusen Botanical Garden Visitor Centre exemplify Perkins&Will's expertise in environmentally conscious architecture. With a rich portfolio spanning educational, commercial, healthcare, and civic typologies, the multidisciplinary giant continues to push boundaries. Notable works include the iconic Crow Island School, the Boeing International Headquarters, and Bridgestone Tower, showcasing the firm's prowess in crafting contextually responsive and technically advanced built environments that redefine the architectural discourse. 设计团队 旅游探访 38823 m² 中国,广州 2024年 Previous Next
- OZBE咖啡馆 KKOL Studio | Archicasting
< 返回 OZBE咖啡馆 KKOL Studio 项目名称: OZBE Cafe 地点: 安东市,韩国 设计团队: KKOL Studio 项目面积: 495 m² 竣工时间: 2025年 施工单位: IAAP STUDIO 摄影: Donggyu Kim 设计特色: 项目 – 在韩国充满活力的咖啡馆文化中,由KKOL工作室设计的OZBE咖啡馆以工业美学与有机生命力的完美融合脱颖而出。这座建于2025年、面积495平方米的建筑,通过将高端水果市场与精致的休闲空间相结合,跨越四层精心打造的空间,重新定义了传统咖啡馆的类型学。 项目的概念基础源自一个独特的灵感:从混凝土缝隙中绽放的花朵。这种诗意的诠释贯穿整个空间,原始的混凝土表面刻意为新鲜水果和精心策划的植物展示创造了一个朴实的背景。KKOL工作室的设计方法挑战了工业材料与有机元素之间预期的不协调,而是构建了一种和谐的对话,增强了两者的特性。 空间规划反映了深思熟虑的垂直层级:一层设有水果市场,与街道层面的活动建立直接联系,而上层则过渡为更私密的休息空间。材料选择以裸露的混凝土和温暖的硬木之间的互动为主,创造了一个精致的基调,让色彩缤纷的农产品自然地融入室内设计方案中。 OZBE的与众不同之处在于其包容性的设计方法,满足了预期客户群的多样化需求。工作室开发了一系列定制家具,吸引多个年龄层的访客——从能引起年轻访客兴趣的曲线条板条长凳,到为成年顾客精心考虑的人体工程学座椅布置。这种对多代功能性的关注将空间从单纯的美学考虑提升为真正以用户为中心的环境。 最终呈现的是一个突破传统分类的革新性零售咖啡馆混合空间,在这里工业建筑成为展现自然丰富性的画布,每一个设计决策都强化了生命力从结构简朴中涌现的核心理念。 团队 – KKOL工作室成立于2021年7月的韩国,在当代空间设计领域迅速崭露头角。在创始合伙人Euisun Yoon和Hongbeom An的领导下,工作室以精品工作室的形式运营,为各种规模的建筑和室内设计项目带来精密的设计方法。 工作室的设计理念集中在空间品质的民主化,摒弃了传统的项目规模层级观念,转而采用更细腻的、以叙事为驱动的设计方法。他们的方法论特点是采用整体性的设计过程,将每个空间元素都视为整体建筑构成的重要组成部分。 自成立以来,KKOL工作室已经建立了涵盖零售、酒店和商业领域的独特项目组合。他们的作品以对材料性的深刻理解以及创造超越典型功能限制的沉浸式空间体验的能力而著称。工作室最近完成的OZBE咖啡馆项目充分展示了他们在平衡原始建筑元素与精致细节和周到规划方面的才能。 工作室通过慎重选择委托项目来保持其创作完整性,由四人核心设计团队负责监督设计过程的各个方面,从概念发展到材料规范和施工文件编制。这种亲力亲为的方法确保了所有项目都保持一致的质量标准和对细节的关注。 Project Name: OZBE Cafe Location: Andong,South Korea Design Team: KKOL Studio Project Area: 495 m² Completion Date: 2025 Construction: IAAP STUDIO Photography: Donggyu Kim Feature: Project - In a striking convergence of industrial aesthetics and organic vitality, OZBE Cafe by KKOL Studio emerges as a masterful exploration of contrast in Andong's vibrant cafe scene. This 495-square-meter establishment, completed in 2025, reimagines the conventional cafe typology by integrating a premium fruit market with sophisticated lounging spaces across four meticulously crafted floors. The project's conceptual foundation draws inspiration from an unlikely source: flowers emerging from concrete crevices. This poetic interpretation manifests throughout the space, where raw concrete surfaces create a deliberately austere backdrop for the vibrant display of fresh fruits and carefully curated vegetation. KKOL Studio's approach challenges the expected discord between industrial materials and organic elements, instead crafting a harmonious dialogue that enhances both. The spatial programming reflects a thoughtful vertical hierarchy: the ground floor houses the fruit market, establishing an immediate connection with street-level activity, while the upper floors transition into more intimate lounging spaces. The material palette is anchored by the interplay between exposed concrete and warm maple hardwood, creating a sophisticated foundation that allows the colorful produce to become an integral part of the interior design scheme. What sets OZBE apart is its inclusive design approach, addressing the diverse needs of its anticipated clientele. The studio has developed a series of bespoke furniture pieces that appeal to multiple generations – from playful curved benches with slatted details that intrigue younger visitors to ergonomically considered seating arrangements for mature patrons. This attention to multi-generational functionality elevates the space beyond mere aesthetic consideration into a truly user-centric environment. The result is a revolutionary retail-cafe hybrid that transcends conventional categorization, where industrial architecture serves as a canvas for celebrating natural abundance, and where every design decision reinforces the core concept of vital energy emerging from structural austerity. Design Team - KKOL Studio, established in July 2021 in South Korea, has rapidly emerged as a notable presence in contemporary spatial design. Under the leadership of founding partners Euisun Yoon and Hongbeom An, the practice operates as an intimate atelier-style studio, bringing a meticulous approach to architectural and interior interventions across various scales. The studio's design philosophy centers on the democratization of spatial quality, rejecting the conventional hierarchy of project scale in favor of a more nuanced, narrative-driven approach. Their methodology is characterized by a holistic design process that considers every spatial element as an integral part of the overall architectural composition. Since its inception, KKOL Studio has developed a distinctive portfolio that spans retail, hospitality, and commercial sectors. Their work is marked by a sophisticated understanding of materiality and an ability to create immersive spatial experiences that transcend typical programmatic constraints. The studio's recent completion of OZBE Cafe exemplifies their talent for balancing raw architectural elements with refined details and thoughtful programming. The practice maintains its creative integrity through a deliberately selective approach to commissions, operating with a core team of four designers who oversee all aspects of the design process, from conceptual development through to material specification and construction documentation. This hands-on methodology ensures a consistent level of quality and attention to detail across all projects. 设计团队 旅游探访 495 m² 安东,韩国 2025 Previous Next
- Y住宅 小松隼人建筑设计事务所 | Archicasting
< 返回 Y住宅 小松隼人建筑设计事务所 设计特色: 项目 – House Y座落于西日本一处环绕林木的宽阔平地上,建筑师巧妙运用了放射状布局,使这座住宅能够从多个角度与秀美的自然环境互动。这片隐蔽的地点北西侧可远眺瀬户内海的落日余晖,东南方则可欣赏雄伟的群山环抱。建筑并未孤立地屹立在这片辽阔景致之中,而是采用了“树干与枝桠”的造型理念。中央的起居空间扮演“树干”的角色,卧室则如树枝般向四周延伸。沿这些"枝干"的宽阔段落,成为了内外交融的休闲区。离开主起居空间,走向卧室,空间渐趋私密,天花板也逐步降低,这种若有若无的压迫感反而加强了漫步其间的体验感。放射状分支上一路的落地玻璃,将沿途变换多端的自然景观尽收眼底。户外区域精心划分为数个小天地,各自将不同的景致入画入框——有的是日落的写照、有的是海景;有的则是在晨光中恣意伸展,还有对山色的专注凝视。住户可以在这片世外桃源中闲逛,随着季节和时间的变换体会它的新颖与变化。Y住宅以其创新的分支式设计布局,诗意地将建筑与景观融为一体,构筑了一场持续展开的多元体验。 团队 – 小松隼人建筑设计事务所由日本建筑师小松隼人(1979年生)于2009年在广岛创立,迅速成为日本最具创新力的建筑设计事务所之一。这家事务所跨足建筑、室内、景观和产品等多个领域,推崇综合性设计方法。在小松隼人的领导下,该事务所凭借坚实的工艺和巧妙融合建筑与环境景观的作品,赢得了广泛赞誉。这家事务所的设计理念是寻找位于建筑这片"黑"与自然环境这抹"白"之间的"灰色地带"。他们屡获殊荣的住宅建筑巧妙地协调边界感,在营造舒适生活空间的同时,赋予空间敞开朗通与环境背景的视觉连接。小松隼人事务所精致而富温度的现代主义作品也经常发布于权威建筑杂志上,基于多元综合的设计手法,以及对场地环境的敏锐把握,其不断呈现出巧妙融合人工与自然景观的杰作,将人居体验提升到全新层次。 Feature: Project - Set amidst a lush woodland on a vast, flat plot in western Japan, House Y by Hayato Komatsu Architects adopts an innovative radial plan that allows the dwelling to engage with its picturesque surroundings from multiple vantage points. The secluded site offers tranquil views of the Seto Inland Sea to the northwest and dramatic mountains capes to the southeast. Rather than situating the house in isolation amid this expansive landscape, the architects devised a branching layout inspired by the form of a tree. A central living pavilion anchors the plan, with private bedroom wings radiating outward like boughs. Wider sections along these wings create lounge areas that blur the boundaries between indoors and out. The further one moves from the main living space toward the bedrooms, the more intimate and compressed the spaces become through lowered ceilings. This subtle compression and release heightens the sense of journey. Floor-to-ceiling glazing along the radiating wings frames shifting perspectives of the natural scenery with each step. Exterior spaces are delicately subdivided into a series of gardens tailored to distinct views - one framing the sunset, another the sea, a courtyard catching morning light, and so on. Residents can wander this secluded paradise, discovering anew its varied charms with each season and time of day. Through its innovative branching form, House Y poetically intertwines architecture and landscape into a unified, constantly unfolding experience. Design Team - Founded in 2009 by Hayato Komatsu, the eponymous HAYATO KOMATSU ARCHITECTS has emerged as one of Japan's most innovative architectural practices. Based in Hiroshima, the firm takes a multidisciplinary approach, offering services in architecture, interior design, landscape, and product design. Under Komatsu's leadership as Principal Architect, along with Directors Ryoko Komatsu, Shinmei Chono, Shinro Ueki, Naoji Natsume, Suzumi Nishihara, and Shuguma Tanaka, the firm has gained worldwide recognition for its sleek, site-specific designs that poetically interweave the built and natural environments. Guided by a philosophy of finding the "gray" between architectural black and environmental white, their award-winning residential works skillfully negotiate boundaries while fostering comfortable living spaces imbued with a sense of openness and connection to context. HAYATO KOMATSU ARCHITECTS' refined yet warm modernism has earned publication in numerous prestigious journals. With their diverse, integrated approach and commitment to contextual sensitivity, this Hiroshima-based firm continues to produce architecture that elevates the human experience through its seamless blending of the manmade and organic worlds. 设计团队 旅游探访 462.62 m² 日本,濑户内海 2023年 Previous Next
- 大馆住宅 W | Archicasting
< 返回 大馆住宅 W 项目名称:大馆住宅 地点:秋田县大馆市,日本 设计团队:W 建筑面积:128.49平方米 竣工时间:2023年 摄影:Daisuke Kondo 设计特色: 由渡部光树和渡部梨华领导的东京建筑事务所W在秋田县大馆市完成了一座引人注目的住宅,该项目对日本地方建筑的传统方法提出了挑战。该项目细致回应了地方发展的独特条件,在那些建筑规范较为宽松的地区,往往导致杂乱无章、缺乏联系的城市肌理。 该场地位于大馆站附近一个时间仿佛停滞的前矿业小镇,坐落在空地和老化建筑散落的景观之中。建筑师没有屈从于这种分散的特征,而是构思了一座通过精妙的庭院策略来明确定义其与外部空间关系的住宅。 这座128平方米住宅的核心特征是其创新的双庭院配置。通过在20米乘10米场地的周边布置建筑体量,W创造了两个具有对比性格的独特户外空间,由一座横贯中央虚空的透明起居室桥梁统一在一起。北侧体量高达两层,以最大化起居空间的自然采光,而包含实用功能的紧凑单层翼楼固定了南侧边缘。 东侧庭院作为半公共门槛空间,可从入口和车库进入,逐渐演变为绿意盎然的宾客聚集场所。西侧庭院在挑空式屋顶的庇护下,提供了邻近厨房的私密半室内空间,供家庭用餐和休闲。这种策略性的划分创造了分层的私密性,同时保持了整个场地的视觉和空间联系。 这些户外空间与玻璃墙起居室之间的相互作用产生了显著的空间深度。故意设计的复杂动线路径鼓励在房屋中漫游,使感知尺度超越了其谦逊的占地面积。该项目展示了在那些监管自由往往导致建筑漠然的地区,如何通过对外部空间的有意识互动来创造密集而有意义的生活环境。 设计团队 :W作为当代日本建筑实践的杰出代表,由建筑师渡部光树和建筑师渡部梨华于2021年在东京创立,自成立以来已确立其在当代住宅设计以及语境敏感型建筑语言创新领域的先锋地位。这家立足东京国立市和秋田县的事务所通过设计与场地特性的协调整合,重新定义当代日本地方建筑师在设计话语中的角色。 W为建筑实践带来了卓越的场地响应性设计视角和对空间组织方法的深刻理解。该事务所因其将项目和谐融入地方语境与自然景观的承诺而获得认可,创造重层的空间体验。渡部光树1979年出生于秋田,在ISSEI KATOH设计事务所工作近十年后,于2014年成立独立事务所。他的教育基础涵盖千叶大学的设计研究和秋田建筑专门学校的专业建筑培训。渡部梨华同样出生于秋田,1983年出生,2014年加入事务所,随后于2017年至2019年在武藏野美术大学小泉诚研究室攻读研究生课程,丰富了其设计视野。 该事务所的设计哲学强调建筑应该超越形式限制,不仅仅是为了满足功能需求而设计,更是为了与地方环境和外部空间有机融合。通过对场地特定性认知和空间连续性的深度关注,开展从住宅到改造及家具设计的多元化作品,相信最好的建筑是通过精准和深思熟虑的过程产生的语境响应式干预。W相信建筑应该成为居住者生活方式的载体,通过策略性的空间组织和复杂动线设计创造超越面积限制的建筑体验。 除实践外,该事务所通过对木造建造方法的深思熟虑运用、地方建设特征和空间创新的理解、以及经过验证的庭院空间智慧,W已确立自己作为当代日本地方建筑话语重要贡献者的地位,创造出既具环境回应性又保持建筑卓越性的作品。在渡部光树和渡部梨华的持续领导下,该事务所目前在日本建筑景观中占据独特地位,专注于创造通过空间组织、动线设计和语境敏感性来实现建筑品质的空间体验。 设计团队 旅游探访 128.49 m² 秋田县大馆市,日本 2023 Previous Next
- 上海蒂芙尼太古里门店 MVRDV | Archicasting
< 返回 上海蒂芙尼太古里门店 MVRDV 设计特色: 荷兰建筑事务所MVRDV为蒂芙尼在上海太古里前滩的最新力作,堪称奢华珠宝与建筑创新的完美融合。这家荷兰公司将店铺外立面打造成一道令人目眩神迷的景观,装饰了近7000颗手工制作的玻璃"钻石",向这个标志性珠宝品牌的传统致敬。 这个引人注目的外观在上海高端购物区的中心地带成为一个大胆的宣言。白天,外立面栩栩如生,每一个玻璃元素都反射并折射周围环境,创造出闪烁变幻的视觉效果。夜幕降临时,整合的变色LED照明系统让商店能够散发出多种色彩,包括品牌标志性的蒂芙尼蓝®。设计的精妙之处在于其看似简单却蕴含深意。MVRDV的方法将蒂芙尼的传统与前沿建筑技术完美结合,打造出一个吸引路人驻足的三维画布。精心设计的结构确保了可持续性,每个组件都考虑到了未来的拆解和回收利用。 通过汲取上海缤纷天际线的灵感,MVRDV为蒂芙尼的全球形象创造了一个本地化诠释。这个项目不仅提升了品牌的视觉形象,还为零售建筑设立了新标准,将艺术、技术和奢华完美融合,成为城市中一颗难忘的明珠。 MVRDV's latest creation for Tiffany & Co. in Shanghai's Taikoo Li Qiantan retail development is a dazzling testament to the fusion of luxury jewelry and architectural innovation. The Dutch firm has transformed the store's facade into a mesmerizing spectacle, adorning it with nearly 7,000 handcrafted glass "diamonds" that pay homage to the iconic jeweler's legacy. This striking exterior serves as a bold statement in the heart of Shanghai's high-end shopping district. During daylight hours, the facade comes alive as each glass element reflects and refracts its surroundings, creating a shimmering, ever-changing display. As night falls, the integration of color-changing LED lighting allows the store to radiate in a spectrum of hues, including the brand's signature Tiffany Blue®. The design's brilliance lies in its deceptive simplicity. MVRDV's approach marries Tiffany's heritage with cutting-edge architectural techniques, resulting in a three-dimensional canvas that captivates passersby. The carefully engineered structure ensures sustainability, with each component designed for future disassembly and recycling. By drawing inspiration from Shanghai's vibrant skyline, MVRDV has created a localized interpretation of Tiffany's global presence. This project not only elevates the brand's visual identity but also sets a new standard for retail architecture, seamlessly blending art, technology, and luxury in an unforgettable urban jewel. 设计团队: MVRDV建筑事务所于1993年由维尼·马斯(Winy Maas)、雅各布·范赖斯(Jacob van Rijs)和娜塔莉·德弗里斯(Nathalie de Vries)共同创立,如今已成为创新建筑设计和城市规划领域的先锋。目前,除创始合伙人外,弗朗斯·德维特(Frans de Witte)、福克·莫雷尔(Fokke Moerel)、石文倩(Wenchian Shi)、扬·克尼克(Jan Knikker)和贝特朗·希潘(Bertrand Schippan)也加入领导团队。这家总部位于鹿特丹的公司已经在全球扩张,在上海、巴黎、柏林和纽约都设有办事处。 MVRDV的设计方法以严谨的研究、多学科协作和对可持续性的承诺为特征。他们内部的气候团队确保每个设计都符合生态环保理念,而MVRDV NEXT则不断推动计算机辅助设计和技术集成的边界。该公司的作品涵盖了令人印象深刻的多种建筑类型,从鹿特丹标志性的混合用途建筑Markthal到具有重要文化意义的项目,如博伊曼斯·范伯宁恩美术馆藏品库。 MVRDV的作品经常挑战传统建筑规范,比如地拉那金字塔的改造项目和天津滨海图书馆等。在300多名专业人士的努力下,MVRDV持续塑造着建筑和城市规划的未来。他们强调创意、功能性和社会责任的设计理念赢得了国际赞誉和众多奖项。通过其附属智库"未来工厂"(The Why Factory),MVRDV还为学术讨论做出贡献,构想未来城市,并不断推动建筑思想的边界。 Founded in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, MVRDV has established itself as a vanguard in innovative architectural design and urban planning. Now led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, this Rotterdam-based firm has expanded globally with offices in Shanghai, Paris, Berlin, and New York. MVRDV's approach is characterized by rigorous research, multidisciplinary collaboration, and a commitment to sustainability. Their in-house Climate Team ensures eco-conscious designs, while MVRDV NEXT pushes the boundaries of computational design and technology integration. The firm's portfolio spans an impressive range of typologies, from mixed-use developments like the iconic Markthal in Rotterdam to culturally significant projects such as the Depot Boijmans Van Beuningen. MVRDV's work often challenges conventional architectural norms, as seen in projects like the Pyramid of Tirana transformation and the Tianjin Binhai Library. With a team of over 300 professionals, MVRDV continues to shape the future of architecture and urbanism. Their design philosophy, which emphasizes creativity, functionality, and social responsibility, has garnered international acclaim and numerous awards. Through their associated think tank, The Why Factory, MVRDV also contributes to academic discourse, envisioning future cities and pushing the boundaries of architectural thought. 设计团队 旅游探访 533 m² 中国,上海 2024年 Previous Next
- Havenwood住宅 Atlas Architects | Archicasting
< 返回 Havenwood住宅 Atlas Architects 项目名称:Havenwood住宅 地点:布莱顿,澳大利亚 设计团队:Atlas Architects 建筑面积:334 m² 竣工时间:2025年 摄影:Tess Kelly 设计特色: 由Atlas Architects设计的Havenwood住宅竣工于2025年,坐落于布莱顿一处宁静的尽端路之中,建筑面积334平方米。这座住宅的诞生历经重重磨难,包括漫长的规划争议、维多利亚州民事与行政审裁处的审查程序,以及原施工方的中途破产。然而正是在这一系列挫折之后,一座极具思考深度的当代住宅得以最终成形,成为近年澳大利亚住宅建筑中令人瞩目的作品之一。 Havenwood最为突出之处,在于其对传统郊区住宅布局的根本性颠覆。大多数住宅选择背向街道,以围墙与树篱将自身封闭,而这座住宅则以开放的姿态面向公共领域。主要起居空间朝向经过精心设计的前庭花园,将街道上一棵成熟大树的身影纳入视野,与周边社区形成一种低调而温暖的对话。这一设计姿态既慷慨又睿智,在不扩大建筑占地的前提下,有效延展了空间的感知尺度。 建筑语言沉稳而具有说服力。悬浮感十足的上层体量以炭化木材包覆,赋予立面以质朴而经久的触感。室内延续这一材料基调,木质衬板与纹理丰富的石材饰面相互呼应,营造出兼具温度与层次的居住氛围。精心布置的开窗将树梢与天空收入画框,使上层空间脱离了周边郊区环境的喧嚣,更接近于一处远离都市的静谧山居。 功能性贯穿设计始终。底层围绕户外休闲空间展开布局,主卧套房、厨房与主要起居区域均设置于地面层,充分考量了多代同堂与居家养老的长期需求。上层则设有三间卧室、一处学习区及活动室,可随家庭结构的演变灵活调整使用方式。被动式太阳能朝向与自然通风的设计策略,在保障环境性能的同时,亦未对空间品质作出任何妥协。 项目的精细工艺同样令人称道。建筑师、施工方与各专项工程师之间的紧密协作,使每一处材料衔接与构造节点均得到精确实现。以入口超大尺度旋转门为例,其内外两侧均以相同材料包覆,使门扇在视觉上与实体墙面浑然一体,这种对细节的执着贯穿项目始终。Havenwood住宅证明了一件事:当逆境以坚定的设计信念加以回应,最终呈现的往往是一种更为纯粹、更为卓越的建筑。 设计团队: Atlas Architects由董事Aaron Neighbour与Ton Vu于2015年4月共同创立,是一家总部位于墨尔本的建筑设计事务所,设有Footscray与冲浪海岸(Surf Coast)两处工作室。事务所以"通过可持续、创新且务实的建筑设计提升社区生活品质"为核心愿景,深耕低层住宅领域,持续输出注重空间品质、环境性能与长期宜居性的建筑作品。 两位董事均以优异成绩获得皇家墨尔本理工大学(RMIT University)建筑学硕士学位,并同时持有被动房研究所(Passive House Institute)颁发的认证被动房设计师资格,使事务所在严谨的技术能力与成熟的设计思维之间形成了高度融合。Neighbour深耕建筑测量领域,精通澳大利亚国家建筑规范,尤其擅长将建筑形态与沿海及自然景观进行相互协调的整合设计。Vu则将其成长于西贡城市巷弄中所形成的空间敏感性与社区意识带入建筑实践,并长期于RMIT大学及墨尔本大学从事建筑与城市设计领域的学术研究与教学工作。 事务所以精简而协作的团队结构运营,确保在设计及施工文件编制的各个阶段均能与业主保持紧密沟通。事务所荣获2024年度澳大利亚By Design Cult大众评选奖,进一步确立了其在澳大利亚建筑设计行业中的专业地位。其作品体现出对材料选用、被动式环境策略与人本化居住空间组织的高度克制与严格把控,这些特质共同构成了Atlas Architects对技术完善且真正宜居建筑的一贯追求。 设计团队 旅游探访 334 m² 布莱顿,澳大利亚 2025 Previous Next
- 麓湖CPI岛 几里建筑 | Archicasting
< 返回 麓湖CPI岛 几里建筑 设计特色: 坐落于成都麓湖生态城核心地带的麓湖CPI岛项目,由几里建筑操刀设计,堪称城市更新的一次突破性尝试,巧妙地将建筑创新与成都悠闲的城市气质融为一体。这个面积7000平方米的项目,将一群过去的别墅样板间蝶变成为充满活力的商业社交中心,重新定义了滨水生活与城市动态之间的关系。 几里建筑的设计理念受到日本哲学家鹫田清一"平热"(日常温度)和"淡景"(幽隐风景)概念的启发,巧妙地捕捉了成都闻名遐迩的轻松氛围。项目的设计哲学核心在于打造能够体现城市"巴适"生活方式的空间。 建筑师巧妙地改造了十栋既有建筑,同时引入十栋新建筑,塑造出一个和谐的整体,既尊重场地原有的空间关系,又注入了新的生命力。项目的一大亮点是对微地形的巧妙利用,创造出一系列台地和错层空间,既保证了私密性,又提供了引人入胜的景观视野。 项目的独特设计元素包括模糊了建筑与自然界限的宽敞灰空间、散发亲和力的简约立体主义形式,以及统一多样材料的协调色彩方案。六个各具特色的功能组团,每个都以富有吸引力的广场为核心,构建出一个鼓励探索和社交互动的互联空间网络。这一深思熟虑的城市干预不仅让一座被遗忘的岛屿重获新生,更彰显了成都不断演进的城市特质——一个传统与创新和谐共存的地方。 In the heart of Chengdu's Luhu Eco-City, the Luhu CPI Island project by JILI Architecture emerges as a groundbreaking urban renewal initiative, seamlessly blending architectural innovation with the city's laid-back ethos. This 7,000-square-meter development transforms a cluster of abandoned villa showrooms into a vibrant commercial and social hub, redefining the relationship between waterfront living and urban dynamics. JILI Architecture's approach, inspired by Japanese philosopher Kiyokazu Washida's concepts of "heinessei" (everyday warmth) and "tanke" (subtle scenery), masterfully captures Chengdu's renowned relaxed atmosphere. The project's design philosophy centers on creating spaces that embody the city's quintessential "comfortable" lifestyle, locally known as "bashi." The architects have ingeniously repurposed ten existing structures and introduced ten new buildings, crafting a harmonious ensemble that respects the site's original spatial relationships while infusing new life. A standout feature is the clever manipulation of micro-topography, resulting in a series of terraces and split-level spaces offering privacy and captivating views. The project's unique design elements include expansive grey spaces that blur the lines between architecture and nature, simplified cubist forms that exude approachability, and a cohesive color palette that unifies diverse materials. Six distinct functional clusters, each anchored by inviting plazas, create a network of interconnected spaces that encourage exploration and social interaction. This thoughtful urban intervention not only revitalizes a forgotten island but also serves as a testament to Chengdu's evolving urban identity – a place where tradition and innovation coexist in perfect harmony. 设计团队: 几里建筑成立于2014年,迅速成为中国建筑领域的一支生力军。凭借战略性布局在深圳和重庆的工作室,这家独立设计事务所因其多元化的城市和建筑设计方法而备受瞩目。由创始合伙人齐帆和杨丁亮领衔,几里建筑汇聚了丰富的国际专业经验。齐帆毕业于浙江大学建筑系和宾夕法尼亚大学景观建筑系,致力于将学术理论与本土实践相结合。杨丁亮现为哈佛大学设计研究生院讲师,专注于跨尺度城市创新策略研究。目前为止,他们已完成165个项目,斩获11项设计大奖。他们的作品涵盖从城市总体规划到室内改造的各个尺度,始终强调人与城市环境之间的关键互动。 几里建筑的方法论特点是采用"由宏观到微观"的方式,从城市宏观研究入手,将洞见逐步细化到建筑、室内和景观尺度。这种全局视角使事务所能够通过他们称之为"城市针灸"的方法——即有的放矢的干预来引发更广泛的积极变革——来应对复杂的城市挑战。事务所致力于在城市更新时代提升公共生活品质,这一理念在他们富有思考性的商业、零售和公共空间设计中得到充分体现。通过将严谨分析与创意愿景相结合,几里建筑正在持续塑造中国城市的未来,一个项目接一个项目地推进。 Founded in 2014, VARY Design has rapidly established itself as a dynamic force in the architectural landscape of China. With studios strategically located in Shenzhen and Chongqing, this independent practice has garnered attention for its multifaceted approach to urban and architectural design. Led by founding partners Fan Qi and Dingliang Yang, VARY Design brings together a wealth of international expertise. Fan Qi, with his background in architecture from Zhejiang University and landscape architecture from the University of Pennsylvania, spearheads the firm's focus on integrating academic theory with local practice. Dingliang Yang, a lecturer at Harvard University's Graduate School of Design, contributes cutting-edge research on cross-scale urban strategies. In just eight years, VARY Design has amassed an impressive portfolio of 165 completed projects, serving 53 clients and earning 11 design awards. Their work spans a spectrum of scales, from urban masterplans to interior renovations, always emphasizing the critical interplay between people and their urban environments. VARY Design's methodology is characterized by a "zoom-in" approach, beginning with macro-level urban studies and distilling insights down to architectural, interior, and landscape scales. This holistic perspective allows the firm to address complex urban challenges through what they term "urban acupuncture" – targeted interventions that catalyze broader positive change. The firm's commitment to enhancing public life in the era of urban renewal is evident in their thoughtful commercial, retail, and public space designs. By blending rigorous analysis with creative vision, VARY Design continues to shape the future of Chinese cities, one project at a time. 设计团队 旅游探访 7000 m² 中国,成都 2024年 Previous Next
- meet tree 东京银座店 Naruse·Inokuma Architects | Archicasting
< 返回 meet tree 东京银座店 Naruse·Inokuma Architects 设计特色: 项目 – 东京银座中心如今新伫立着一个“森林”——meet tree GINZA,这是日本品牌meet tree的新门店。meet tree背后是一家位于岐阜县中津川拥有100年历史的木材公司,一直在木曾川上游地区对贵重的日本柏进行可持续培育。为展示其所珍视的柏木的魅力,该公司构想此门店为一个庇护所,顾客可以在这里体验由森林恩赐精心制作的商品。5.3米的首层高大空间激发了一个大胆的木质拱穹的设计,让顾客沉浸在深绿色的柏木林中。两个柏木拱穹浮于空间之上,散发出独特的悬浮感,同时在城市景观中展现出一种壮观的存在感。而拱穹轻柔地划分了糖果区域和化妆品区域。拱穹的每一片木构件都使用产自中津川的柏木制成,通过巧妙的梯形切割并用长螺丝固定组装成扶疏的弧形。伴随着优雅又自然的姿态,拱穹设计将森林的奇妙体验感移植到了银座繁华的混凝土丛林中。 团队 – Naruse·Inokuma Architects(成瀬・猪熊建筑设计事务所)成立于2007年,是一家总部设在东京的屡获奖项的建筑设计公司,由成瀬友梨和猪熊纯两位日本建筑师共同领导。他们的设计理念致力于通过创新建筑适应迅速变化的社会,从而重新定义生活的丰富性。他们在设计各种多样的住宅、连接不同地区的住区、注重体验的商业设施以及其他促进共享和社区的空间方面拥有丰富的经验。他们的设计流程强调密切对话和交互沟通,以确保空间满足预期用途。该设计事务所拥有15多名建筑师和设计师,为建筑、景观和室内项目提供全面的规划、设计和监督服务。他们还提供产品设计、商业咨询、研讨会和工作坊,分享其独特视角与理念,并且一直致力于通过思考性的以人为本的设计塑造未来社会。 Feature: Project - Nestled in the heart of Ginza lies a forest - meet tree GINZA, the new shop designed by Marui Namiki for the sweets and cosmetics brand meet tree. Behind meet tree stands a timber company in Nakatsugawa, Gifu Prefecture, with over 100 years of history sustainably nurturing the revered hinoki cypress forests of the Kiso River upstream region. To showcase the allure of their treasured cypress wood, the company envisioned this shop as a sanctuary where customers can experience goods thoughtfully crafted from the blessings of the forest. The outstanding environment of the first floor with 5.3m high ceiling inspired an audacious wooden vaulted roof that immerses customers in a deep green hinoki forest. Two powerful 105-sided cypress vaults float over the space, emanating a unique sense of levitation while asserting an imposing presence on the cityscape. The vaults gently delineate areas for sweets and cosmetics. Every piece of the vaults is built from Nakatsugawa cypress, imaginatively cut into trapezoids and fixed together with long screws to form the sweeping arcs. Suspended from the walls and slender steel pillars, the vaults are engineering marvels transposing the wonder of the forest into the concrete jungle of Ginza. Design Team - Founded in 2007, NARUSE・INOKUMA ARCHITECTS is an award-winning Tokyo-based architectural design firm led by president and CEO Yuri Naruse and president Jun Inokuma, both first-class licensed architects. Their design philosophy centers on creating shared spaces that redefine richness in life through innovative architecture adapting to our rapidly changing society. They have extensive experience designing diverse housing, lodging connecting regions, commercial facilities focused on experience, and other spaces promoting sharing and community. Their design process emphasizes close dialogue and interactive modeling to ensure spaces fulfill their intended uses. With over 15 skilled architects and designers, NARUSE・INOKUMA ARCHITECTS offers full-service planning, design, and supervision for architectural, landscape, and interior projects. They also provide product design, business consulting, seminars, and workshops sharing their unique perspective. The firm aspires to shape future society through thoughtful, human-centric design. 设计团队 旅游探访 80 m² 日本,东京 2023年 Previous Next
- 波兹南奢华公寓 Studio GAB | Archicasting
< 返回 波兹南奢华公寓 Studio GAB 项目名称:波兹南奢华公寓 地点:波兹南,波兰 设计团队:Studio GAB 建筑面积:107 m² 竣工时间:2025年 摄影:Oni Studio 设计特色: 项目 - 位于波兰波兹南的奢华公寓由Studio GAB设计,展现了当代都市居住的精致典范,以清晰、优雅和微妙的亲密感为设计理念。这套107平方米的公寓布局既拥抱开放性又保持私密性,创造出一个既宽敞又经过精巧设计分区的居住空间。 该项目最引人注目的设计成就在于其巧妙平衡开放性与私密性的空间策略。公寓核心是起居室与相邻厨房,通过隔墙巧妙分离。这一解决方案保持空间明亮通风,同时让厨房保持略微隐蔽,确保主要生活区域保持干净、整洁的氛围。卧室被构想为私人静修空间,配有独立浴室,提供舒适和隐私,而第三个房间作为灵活的客房空间。 室内设计的显著特色是对天然材料的运用。地面铺设优雅大理石,赋予奢华感和永恒性,而定制木质内装增添温暖和触觉品质,在精致与舒适之间取得平衡。这些元素共同创造出精致与自然简约之间的对话,塑造出既宁静又温馨的氛围。 材料表达体现了与空间的深度对话。Studio GAB的设计强调功能性而不牺牲美感。自然光线、精致纹理和克制的色彩搭配汇聚一起,将紧凑的都市公寓转变为和谐温馨的生活环境。这个项目体现了工作室的设计哲学:创造不仅在美学上引人注目,而且深度契合日常生活节奏的空间。 设计团队 - Studio GAB由Katarzyna Osipowicz-Grabowska和Piotr Grabowski于2016年创立,已确立其作为杰出建筑实践机构的地位,总部位于波兹南,通过屡获殊荣的住宅设计和深思熟虑的适应性改造项目确立了自身地位。工作室的首个项目——Nowa Górka住宅——荣获享有盛誉的SARP 2016奖项荣誉提名,为其致力于卓越建筑品质奠定了发展轨迹。 在Osipowicz-Grabowska和Grabowski的创意指导下,Studio GAB追求以居住者与建成环境之间基本关系为核心的设计方法论。工作室的设计起点是接受者与环境的关系——人与建筑以及周围环境的关系。其设计方法的关键是巧妙理解客户需求并将其转化为建筑运营方式。 工作室的设计哲学围绕"不仅解决空间问题"的理念展开,对地点、现有组织、项目和预算的理解使他们能够创造新的机会,发现潜力并为特定地点增添新价值。在环境意识和人口变化加深的时代,其项目基于最可能和理性的技术解决方案有意识地创建,使设计的建筑经久耐用并允许未来适应其他用途。 该实践理解建筑为个性化学科,每个案例都努力不重复以前获得的模式。两位主创均在波兹南理工大学建筑学院从事建筑教育,Katarzyna自2019年任教,Piotr自2020年任教。教学建立了更具反思性和分析性的态度,专业经验通过对自己项目更有意义的方法得到补充。著名作品包括获得SARP 2016奖项荣誉提名的Nowa Górka住宅、Czerniakowski港船员办公楼竞赛一等奖以及Burkietowicz集团办公楼投资竞赛一等奖。 设计团队 旅游探访 107 m² 波兹南,波兰 2025 Previous Next
- 罗克斯伯勒住宅 gh3* | Archicasting
< 返回 罗克斯伯勒住宅 gh3* 项目名称:罗克斯伯勒住宅 地点:多伦多,加拿大 设计团队:gh3 * 建筑面积:2690 ft² 竣工时间:2022年 摄影:Raymond Chow 设计特色: 项目 - 位于多伦多南罗斯戴尔历史保护区,gh3*建筑事务所巧妙地将一座20世纪20年代的爱德华式住宅改造成一个连接历史保护与极简设计理念的当代住宅。罗克斯伯勒住宅的翻新巧妙地解决了尊重严格的遗产保护限制与满足客户现代化需求之间的复杂挑战。 该项目最独特的特点是其经过后部改造,两个新的砖砌结构——一个两层的扩建部分和一个多功能车库——创造出一个私密的庭院花园。建筑师为这些元素采用了手工模制的砖块,保持与周边原有砖石立面的视觉和谐。在可持续发展方面,他们将原有房屋的横梁回收利用于车库建造,在新旧结构之间建立了材料上的对话。 在室内,gh3*在不改变原有功能布局的情况下重新构想了空间流动性。一层的重新组织围绕着沿西墙的连续走廊展开,该走廊融入了原有的彩色玻璃窗,这些窗户从其原有背景中解放出来,创造出抽象的构图。这些不同的开口产生了全天候的光影变化韵律,为室内空间注入活力。 这次翻新通过元素化的形式提升了极简美学——皂石厨房岛台、拱形的储藏室前厅以及通往主卧室的深拱形走廊。这些简洁而有力的几何干预统一了空间和功能,同时创造出视觉上的趣味。 特别值得注意的是后部扩建部分的新家庭入口,由拱形结构庇护,精心放置的天窗和窗户模糊了室内外空间的界限。这种与庭院花园的巧妙连接强化了该项目对建筑和景观的整体性方法。 罗克斯伯勒住宅体现了gh3*标志性的设计理念——抽象和提炼,创造出材料连续性、精确比例和细致光线调控的空间,同时保持对多伦多建筑遗产的深刻尊重。 团队 - gh3*成立于2006年,已发展成为加拿大最具创新性的建筑设计事务所之一,在建筑、城市规划和景观设计领域获得同行认可和众多奖项。由创始人兼创意总监Pat Hanson领导,该事务所在各种类型和规模的项目中建立了设计完整性的声誉。 事务所的跨学科团队,包括主要领导Raymond Chow、Elise Shelley和Joel Di Giacomo,以现代主义者对秩序和社会可能性的敏感度,同时保持强烈的环保意识,处理每个项目。这种方法形成了一个令人印象深刻的作品组合,从私密住宅项目到复杂的市政基础设施。 gh3*的作品获得国际赞誉,包括多个总督勋章。该事务所在2020年被Fast Company评为全球二十大最具创新性公司之一,表彰其在城市基础设施方面的开创性工作。 工作室的设计理念强调在城市环境中创造建筑与景观之间的有意义连接。他们的项目展示了超越纯功能需求的承诺,将实用需求与诗意表达相结合,创造美学上具有冲击力的环境,提升日常体验。 通过以客户为中心的方法和环境责任,gh3*继续创造出能激发市民自豪感的空间感染力场所,同时推进当代建筑中可持续设计实践的讨论。 Project Name: Roxborough House Location: Toronto, Canada Design Team: gh3 * Total Floor Area: 2,690 ft² Completion: 2022 Photography: Raymond Chow Feature: Project - Situated in Toronto's South Rosedale heritage conservation district, gh3* architects have masterfully transformed an Edwardian home from the 1920s into a contemporary dwelling that bridges historical preservation with minimalist design sensibilities. The Roxborough House renovation navigates the complex challenge of respecting stringent heritage restrictions while fulfilling the client's desire for modernization. The project's most distinctive feature is its thoughtful rear intervention, where two new brick-clad structures—a two-story addition and a multipurpose garage—create an intimate courtyard garden. The architects employed hand-molded brick for these elements, maintaining visual harmony with the neighborhood's original masonry facades. In a sustainable gesture, reclaimed joists from the existing house were repurposed for the garage construction, establishing a material dialogue between old and new. Inside, gh3* has reimagined the spatial flow without altering the original program. The ground floor's reorganization revolves around a continuous hallway along the western wall, which incorporates original leaded windows now liberated from their previous contexts to create an abstract composition. These varied openings produce a rhythmic play of daylight throughout the day, animating the interior spaces. The renovation elevates the minimalist aesthetic through elemental forms—a soapstone kitchen island, an arched ante-room pantry, and a deeply vaulted hallway leading to the principal bedroom. These simple yet powerful geometric interventions unify space and function while creating visual intrigue. Particularly noteworthy is the rear addition's new family entrance, sheltered by a vaulted structure with strategically placed skylights and windows that blur the boundary between interior and exterior spaces. This thoughtful connection to the courtyard garden reinforces the project's holistic approach to architecture and landscape. The Roxborough House exemplifies gh3*'s signature design philosophy of abstraction and distillation, creating spaces of material continuity, precise proportions, and carefully calibrated light—all while maintaining a profound respect for Toronto's architectural heritage. Design Team - Founded in 2006, gh3* has established itself as one of Canada's most innovative architectural design practices, earning peer recognition and numerous prestigious awards for its distinctive approach to the intersection of architecture, urbanism, and landscape. Led by Founding Principal and Creative Director Pat Hanson (BFA, MArch, OAA, AAA, FRAIC), the firm has cultivated a reputation for design integrity across diverse typologies and scales. The practice's interdisciplinary team, including key leaders Raymond Chow, Elise Shelley, and Joel Di Giacomo, approaches each project with a modernist sensibility toward order and social possibility, while maintaining a strong environmental consciousness. This methodology has resulted in an impressive portfolio spanning intimate residential projects to complex civic infrastructure. gh3*'s work has garnered international acclaim, including multiple Governor General's Medals for projects such as the Stormwater Facility, Borden Park Natural Swimming Pool, and the Photographers Studio over a Boathouse. The firm's pioneering work in urban water infrastructure earned it recognition as one of the World's Twenty Most Innovative Companies by Fast Company in 2020. The studio's design philosophy emphasizes the creation of meaningful connections between architecture and landscape within urban contexts. Their projects demonstrate a commitment to transcending purely functional requirements, instead integrating pragmatic needs with poetic expression to create aesthetically impactful environments that enhance everyday experiences. Through their client-centered approach and environmental responsibility, gh3* continues to produce spatially engaging places that inspire civic pride while advancing the discourse on sustainable design practices in contemporary architecture. 设计团队 旅游探访 2690 ft ² 多伦多,加拿大 2022 Previous Next
- 博罗斯度假屋 Claesson Koivisto Rune | Archicasting
< 返回 博罗斯度假屋 Claesson Koivisto Rune 项目名称:Borås Getaway House 地点:博罗斯,瑞典 设计团队:Claesson Koivisto Rune 建筑面积:65 平方米 竣工时间:2024 年 摄影:Åke E-son Lindman 设计特色: 这座位于瑞典博罗斯湖畔、依山而建的度假小屋,由瑞典建筑事务所 Claesson Koivisto Rune 设计,于 2024 年竣工。项目以 65 平方米的严苛限制,完成了一次关于斯堪的纳维亚极简主义的精彩诠释。四座分散布置的立方体建筑轻盈地悬浮于林间,宛如从古老岩层中迸裂而出的晶体结构,以一种近乎超现实的姿态融入场地之中。 这座专为四口之家打造的周末栖居地,面临着双重严峻挑战:坡度陡峭、几乎无路可达的地形,以及极为有限的建筑指标。面对这些制约,建筑师并未与场地抗争,而是将主屋锚固于一个向下延伸的中央核心基础之上,使建筑得以如蘑菇伞盖一般向外大幅悬挑,将对地面的干扰降至最低。 项目的材料语言简练而坚定。玻璃与镀锌钢板构成建筑外皮,后者刻意保持未经处理的原始状态,任由自然氧化逐渐形成包浆,与周遭的苔藓和花岗岩缓慢融合。每个立方体均沿水平中线一分为二,下半部分全为玻璃,上半部分全为金属,这一切割既消弭了室内与自然之间的边界,也有效避免了玻璃对湖面造成刺眼的反光。 主屋内部暗藏更为精妙的空间构想:一个以木材饰面的内核立方体在外壳内旋转 45 度植入,将厨房、卫浴与储藏功能整合其中,同时以几何逻辑自然分隔出入口区、餐厅、客厅与卧室四个各具属性的生活空间。木质的温润与混凝土及钢铁的硬朗形成感官上的对话,令整个室内叙事张弛有度。金属上层体量之内,一处隐匿的下沉屋顶露台将居住者真正托举至林冠之中,构筑出一个与日常世界彻底隔绝的私密天地。 设计团队: Claesson Koivisto Rune 于 1995 年由建筑师 Mårten Claesson、Eero Koivisto 与 Ola Rune 共同创立于斯德哥尔摩,历经三十年的稳健发展,已从一家瑞典本土建筑事务所成长为在国际舞台上具有高度影响力的跨学科设计机构。三位创始合伙人均持有 SAR SIR/MSA 建筑师认证,并分别求学于斯德哥尔摩、赫尔辛基、哥本哈根、纽约及伦敦等地的顶尖院校,这一横跨欧美的学术背景深刻塑造了事务所兼具严谨理性与文化敏锐度的设计立场。 三十年间,事务所始终坚守建筑与产品设计并重的双轨实践路径,业务范围涵盖公共建筑、酒店、住宅、展览空间及工业设计,合作品牌逾 80 家,产品线延伸至家具、照明、纺织品及卫浴器具等多个领域。事务所于 2004 年成为首家在威尼斯建筑双年展国际展区参展的瑞典机构,三位创始人亦于 2021 年荣获瑞典国王卡尔十六世古斯塔夫亲授的尤金亲王勋章,以表彰其在建筑艺术领域的卓越成就。 事务所目前由三位创始合伙人携手资深团队成员 Oliver Cap、Deta Koivisto Gemzell 及 Patrick Coan 共同主持,持续以空间节制、材料诚实与构成克制为核心语汇,推进当代建筑设计实践的边界探索。事务所的获奖记录横跨多个国际体系,涵盖十项美国优良设计奖(2009 至 2018 年)、德国联邦共和国颁发的 Designpreis Deutschland 金奖与银奖(2011 年)、瑞典《Elle Deco》年度设计师(2011 年)及年度家具(2012 年),以及 Red Dot Design Award 最佳中的最佳(2014 年),使事务所成为首家同时在五个不同产品类别中荣获该奖项的设计机构。 设计团队 旅游探访 65 m² 博罗斯,瑞典 2024 Previous Next