< 返回 "超级垫" Mega Mat MVRDV 项目名称： Mega Mat Installation 地点： 曼谷，泰国 设计团队： MVRDV 项目面积： 875 m² 竣工时间： 2025年2月 摄影： Depth of Field 客户： 泰国创意经济署 合作方： PTT Global Chemicals，荷兰大使馆 展期： 2025年2月8日至23日（曼谷设计周） 设计特色： 项目 – 在曼谷Lan Khon Mueang Town Square广场上，MVRDV建筑事务所以一个引人注目的临时装置作品"超级垫"(Mega Mat)，展现了可持续性与公共空间的创新结合。这个为2025年曼谷设计周打造的875平方米装置，巧妙地将500多个回收塑料垫重新设计成泰国传统"Sua"（一种在泰国家庭生活中代代相传的垫子）的放大版。 这个装置最引人注目的特点在于它同时具备公共空间和信息图表的双重功能。通过精心策划的渐变色彩，超级垫讲述了泰国塑料废物处理的故事：从代表不合格垃圾填埋场的红色区域，到象征回收材料的充满希望的绿色中心。这种巧妙的设计方法将数据可视化转化为沉浸式的空间体验，创造出一个访客可以实地走过和互动的叙事空间。 MVRDV的设计向当地建筑致敬，其抬起的边角和色彩方案呼应了附近善见寺(Wat Suthat Thepwararam)的屋顶线条。由532块模块组成，每块尺寸为1.8乘0.9米，整体装置展示了回收材料的多样性，同时融入了传统泰国纺织图案。这种将当代环保理念与文化遗产相结合的方式，有力地诠释了可持续设计在传承和发展传统实践中的作用。 最值得注意的是，该装置体现了循环设计原则——在曼谷设计周结束后，这些独立的垫子将被重新分配用作瑜伽垫、捐赠给当地寺庙或升级改造成新产品。这种对装置生命周期的深思熟虑的处理方式，使其从一个临时的建筑声明转变为催化持续可持续实践的动力，为临时装置如何产生持久影响提供了范例。 团队 – MVRDV由Winy Maas, Jacob van Rijs, 和 Nathalie de Vries于1993年创立，现已发展成为全球具有影响力的建筑事务所。事务所现由创始合伙人与Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, 以及Bertrand Schippan共同领导超过300名专业人员的团队，在鹿特丹、上海、巴黎、柏林和纽约设有战略性布局的多个办公室。 事务所以其研究导向的设计方法论著称，强调与客户、利益相关者和跨学科专家的早期协作。其专门的内部气候团队确保可持续性在所有项目中的整合，而MVRDV NEXT则专注于计算设计和技术创新。这种全面的方法促成了从混合用途开发到文化机构和城市总体规划等突破性项目。 事务所的作品组合展示了各种规模和类型的创新建筑解决方案，包括享誉世界的鹿特丹Markthal、阿姆斯特丹自然启发的Valley项目，以及开创性的Depot Boijmans Van Beuningen。他们的作品始终展现对可持续城市发展、社会参与和技术进步的承诺，赢得了众多国际奖项，确立了MVRDV在当代建筑实践中的先驱地位。 Project Name: Mega Mat Installation Location: Lan Khon Mueang Town Square, Bangkok, Thailand Design Team: MVRDV Area: 875 m² Completion: February 2025 Client: Creative Economic Agency, Thailand Partners: PTT Global Chemicals, Embassy of the Netherlands Exhibition Period: February 8-23, 2025 (Bangkok Design Week) Materials: 532 recycled plastic mats (1.8 x 0.9m each) Function: Temporary Installation, Public Space, Exhibition Space Photography: Depth of Field Feature： Project - In a vibrant statement on sustainability and public space, MVRDV has unveiled the Mega Mat, a striking temporary installation that transforms Bangkok's Lan Khon Mueang Town Square into an engaging social platform. The 875-square-metre installation, created for Bangkok Design Week 2025, ingeniously repurposes over 500 recycled plastic mats into a supersized version of the traditional Thai 'Sua' - a household mat that has been central to Thai family life for generations. The installation's most compelling feature is its dual function as both public space and infographic. Through a carefully orchestrated color gradient, the Mega Mat tells the story of Thailand's plastic waste journey: from red zones representing unsanitary landfills to the hopeful green center symbolizing recycled materials. This clever design approach transforms data visualization into an immersive spatial experience, creating a narrative that visitors can literally walk through and interact with. MVRDV's design pays homage to local architecture, with its lifted corner and color scheme echoing the rooflines of the nearby Wat Suthat Thepwararam temple. The modular composition, featuring 532 pieces each measuring 1.8 by 0.9 metres, demonstrates the versatility of recycled materials while incorporating traditional Thai textile patterns. This marriage of contemporary environmental concerns with cultural heritage creates a powerful statement about sustainable design's role in preserving and extending traditional practices. Perhaps most significantly, the installation embodies circular design principles in its planned afterlife - following Bangkok Design Week, the individual mats will be redistributed as yoga mats, donated to local temples, or upcycled into new products. This thoughtful approach to the installation's lifecycle transforms it from a temporary architectural statement into a catalyst for ongoing sustainable practices, offering a blueprint for how temporary installations can have lasting impact beyond their initial display. Design Team – MVRDV, established in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, has grown into a globally influential architecture practice. The firm now operates with a dynamic team of over 300 professionals led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, with offices strategically located in Rotterdam, Shanghai, Paris, Berlin, and New York. The practice is distinguished by its research-based design methodology, emphasizing early collaboration with clients, stakeholders, and multidisciplinary experts. Their dedicated in-house Climate Team ensures sustainability integration across all projects, while MVRDV NEXT specializes in computational design and technological innovation. This comprehensive approach has resulted in groundbreaking projects ranging from mixed-use developments to cultural institutions and urban masterplans. The firm's portfolio showcases innovative architectural solutions across various scales and typologies, including the world-renowned Markthal in Rotterdam, the nature-inspired Valley in Amsterdam, and the groundbreaking Depot Boijmans Van Beuningen. Their work consistently demonstrates a commitment to sustainable urban development, social engagement, and technological advancement, earning numerous international awards and establishing MVRDV as a pioneer in contemporary architectural practice. 设计团队 旅游探访 875 m² 曼谷，泰国 2025 Previous Next

< 返回 武汉西北湖国金中心 都设营造建筑设计 设计特色： 由都设营造建筑设计事务所打造的武汉西北湖国金中心项目最近完工，为汉口天际线增添了一道亮丽的风景线。该项目由两座高达240米和100米的办公塔楼组成，是该区域开发项目的压轴之作。设计最引人注目的特色是其大胆的钻石形斜切造型，为建筑群塑造了强烈的视觉标识。 这一标志性外形不仅重塑了该地区的天际线，还巧妙地呼应了城市肌理和附近的湖景。都设的设计方法在效率和美学之间取得了平衡。矩形的平面布局确保了空间的最大化利用，而通过精心设计的体量和立面处理，又为建筑注入了动感元素。幕墙系统在与顾问密切合作下精心设计，竖向装饰条的运用更是巧妙地强调了塔楼向上攀升的气势。室内设计同样出彩：大堂空间打破常规，采用流畅的洞穴式设计。曲线石材表面经过精心的理性化处理以控制成本，营造出一个极具雕塑感的环境，颠覆了人们对传统办公楼大堂的印象。 纵观整个项目，都设展现了对一体化设计和精细化施工的执着追求。通过为内外部元素开发全面的设计系统，他们打造出了一个在控制成本的同时又能产生强烈视觉冲击的地标性建筑，为武汉的大型城市开发项目树立了新标杆。 The Wuhan Northwest Lake Guojin Center, recently completed by DuShe Architectural Design, stands as a striking addition to the Hankou skyline. Composed of two office towers reaching heights of 240 and 100 meters, the project serves as the capstone to the Northwest Lake Business area development. The design's most distinctive feature is its bold diamond-shaped diagonal cut, which creates a powerful visual identity for the complex. This iconic form reshapes the area's skyline while responding to both the urban context and nearby lake views. DuShe's approach balances efficiency with aesthetics, employing rectangular floor plans for maximum usability while introducing dynamic elements through strategic massing and façade treatments. The curtain wall system, carefully developed in collaboration with consultants, incorporates vertical decorative strips that accentuate the towers' upward thrust. Inside, the lobby spaces break from convention with flowing, cave-like interiors. Curving stone surfaces, meticulously rationalized to minimize costs, create a sculptural environment that challenges typical office tower expectations. DuShe demonstrates a commitment to integrated design and refined construction throughout the project. By developing comprehensive systems for both exterior and interior elements, the firm has delivered a landmark that achieves visual impact within controlled costs – setting a new standard for large-scale urban developments in Wuhan. 设计团队： 都设营造建筑设计事务所（DuShe Design）自2004年创立以来，已发展成为中国建筑设计界的一支新锐力量。作为国内快速崛起的综合性设计公司之一，总部位于上海的都设在全国范围内拥有众多备受赞誉的标志性作品，以其创新性和对地域文化的深刻理解而闻名。核心团队在董事兼总建筑师凌克戈的带领下，其汇聚了数百名建筑、室内设计、城市规划等领域的精英人才。 都设营造的作品涵盖了从摩天大楼到文化地标、从精品酒店到城市综合体等多个类型，每一个项目都充分体现了他们对当地环境的深入理解和推动当代建筑发展的决心。代表作包括扬州虹桥坊、南京白云亭文化艺术中心、鲅鱼圈保利大剧院等，这些项目不仅重塑了城市天际线，也为城市注入了新的活力。 凭借其在建筑设计、室内设计和城市规划等领域的卓越表现，都设营造获得了业界的广泛认可，设计团队以其独特的设计理念和卓越的执行力，不断推动中国建筑设计的创新发展。他们致力于在每个项目中融入对可持续发展的思考，为打造宜居、智能、绿色的未来城市贡献力量。 DuShe Design, established in 2004, has emerged as a formidable force in China's architectural landscape. Based in Shanghai, this multidisciplinary firm specializes in architecture, interior design, and urban planning, leaving an indelible mark on skylines, campuses, and neighbourhoods across the nation. Under the visionary leadership of Ling Kege, a first-class registered architect and the firm's Principal Architect, DuShe has garnered numerous accolades for its innovative approach to design. Ling's personal achievements, including the Young Architect Award from the Architectural Society of Shanghai in 2005 and the prestigious Zhan Tianyou Award for the Chongqing University Main Building in 2007, underscore the firm's commitment to excellence. DuShe's portfolio showcases a diverse range of projects, from cultural centers and theatres to hotels and office complexes. Notable works include the Yangzhou Hongqiao Fang, Bai Yun Ting Cultural and Art Center in Nanjing, and the Poly Grand Theater in Bayuquan. These projects exemplify the firm's ability to integrate contemporary design with cultural context and environmental considerations seamlessly. The firm's design philosophy emphasizes a comprehensive approach, balancing aesthetics with functionality and sustainability. DuShe's expertise in facade engineering is particularly noteworthy, as evidenced by their first-prize win in the Architectural Curtain Wall category at the 2017-2018 China Architectural Society Architectural Design Awards. With a strong track record of creating iconic structures that respond sensitively to their surroundings, DuShe Design continues to shape the built environment of China, setting new standards for architectural innovation and urban development. 设计团队 旅游探访 134106 m² 中国，武汉 2024年 Previous Next

< 返回 NOT A HOTEL FUKUOKA axonometric + NKS2 architects 项目名称：NOT A HOTEL FUKUOKA 地点：福冈，日本 设计团队：axonometric + NKS2 architects 建筑面积：1259.42 m² 完工时间：2023年8月 摄影师：YASHIRO PHOTO OFFICE、小島康敬 设计特色： 项目 - 在福冈静谧的住宅区核心地带，一个革命性的酒店概念应运而生，挑战了传统的居住和旅行观念。由axonometric和NKS2 architects设计的NOT A HOTEL FUKUOKA，是一个颠覆性的城市住宿概念——一个模糊了临时停留与永久居住界限的"分布式酒店"。 该项目最引人注目的创新在于其雕塑般的垂直性，被构思为一个"三维城市"，八个概念各异的房间被精心堆叠，反映了当代生活方式的多样性。每个房间都是一个独特的生态系统，从配备宽敞办公桌的专用工作空间，到为私人厨师体验而设计的美食特色空间。 建筑地邻近公园，其设计与周边城市肌理进行了细致的对话。建筑师巧妙地分解了建筑体量，将体量分解至与周边独立住宅相近的尺度。这种方法创造了一个立面，既像一座小山，又如有机的城市景观，同时尊重并改造了其周边环境。 精妙的环境考量体现在精心设计的倾斜阳台上，每个阳台都被独特的植物环绕，并经过定位以减少视觉侵扰，同时保持开放的、面向绿色的方向。其结果是一个建筑干预，既与现有的城市生态系统无缝整合，又指向未来的生活范式。 凭借其灵活的技术基础设施，NOT A HOTEL FUKUOKA使用者能够重新想象旅行即生活方式——一种超越传统酒店边界的流动、互联的体验。 团队 – 在当代日本建筑实践中，axonometric作为一家具有前瞻性的设计事务所，突破了传统学科的界限。该事务所于2021年成立，总部位于日本福冈，通过整合建筑、室内设计、景观和城市规划的全面方法，迅速使自己脱颖而出。 由首席执行官兼创始合伙人佐々木慧领导，他是一位获得一级建筑师资格、拥有九州大学和东京艺术大学杰出学术背景的建筑师。佐々木在藤本壮介建筑设计事务所的工作经验显著地影响了公司的创新设计理念，其特点是对空间关系的细腻理解和对环境的敏感性。 该事务所的作品集，以NOT A HOTEL FUKUOKA等项目为代表，展示了对建筑干预的精妙理解。他们的设计方法不仅仅是简单的建造，而是专注于创造能够响应人类不断演变的体验的适应性环境。通过由建筑师、城市发展顾问和设计专业人员组成的多学科团队，axonometric已经获得了显著的认可，包括入选2025年日本世界博览会设计提案和国际竞赛的决赛入围者。 通过无缝地融合技术创新、环境意识和深刻的空间智慧，axonometric正在为21世纪重新定义建筑实践。 Project Name: NOT A HOTEL FUKUOKA Location: Fukuoka, Japan Design Team: axonometric + NKS2 architects Total Floor Area: 1,259.42 m² Completion Date: August 2023 Photographers: YASHIRO PHOTO OFFICE, Kosei Kojima Structural Design: Mika Araki Structural Design Office (now Graph Studio) Main Contractor: Matsuyama Construction Landscape Design: DESIGN NETWORK ASSOCIATES Interior Design: Nomura Kogei A.N.D. Mechanical Engineering: SEED Design Supervision: IMD Alliance + Orange and Partners Lighting Design: ModuleX Building Height: 19.92 meters Floors: 5 above ground Site Area: 530.20 m² Feature： Project - In the heart of Fukuoka's tranquil residential landscape, a revolutionary hospitality concept emerges that challenges traditional notions of living and travel. NOT A HOTEL FUKUOKA, designed by axonometric and NKS2 architects, stands as a radical reimagining of urban accommodation—a "distributed hotel" that blurs the boundaries between temporary stay and permanent residence. The project's most striking innovation lies in its sculptural verticality, conceived as a "three-dimensional city" where eight distinctly conceptualized rooms are meticulously stacked to reflect contemporary lifestyle diversity. Each room is a unique ecosystem, ranging from dedicated workspace configurations with expansive desks to culinary-focused spaces designed for private chef experiences. Strategically nestled adjacent to a park and shrine, the building's design demonstrates a nuanced dialogue with its surrounding urban fabric. The architects have masterfully fragmented the building's volume, breaking down the mass to echo the scale of neighboring detached houses. This approach creates a facade that resembles both a small mountain and an organic urban landscape, simultaneously respecting and transforming its context. Sophisticated environmental consideration is evident in the carefully angled terraces, each surrounded by distinctive plantings and positioned to mitigate visual intrusion while maintaining an open, green-facing orientation. The result is an architectural intervention that seamlessly integrates with the existing urban ecosystem while pointing towards future living paradigms. With its flexible technological infrastructure, NOT A HOTEL FUKUOKA enables users to reimagine travel as a lifestyle—a fluid, interconnected experience that transcends traditional hospitality boundaries. Design Team - In the dynamic landscape of contemporary architectural practice, axonometric emerges as a visionary design firm that transcends traditional disciplinary boundaries. Established in 2021 and headquartered in Fukuoka, Japan, the practice has rapidly distinguished itself through a holistic approach to spatial design that integrates architecture, interior design, landscape, and urban planning. Led by CEO and founding principal Kei Sasaki, a first-class architect with a distinguished academic background from Kyushu University and Tokyo University of Arts, axonometric represents a new generation of design thinking. Sasaki's prior experience at SOU FUJIMOTO ARCHITECTS has significantly influenced the firm's innovative design philosophy, characterized by nuanced spatial relationships and contextual sensitivity. The firm's portfolio, exemplified by projects like NOT A HOTEL FUKUOKA, demonstrates a sophisticated understanding of architectural intervention. Their design methodology goes beyond mere construction, focusing on creating adaptive environments that respond to evolving human experiences. With a multidisciplinary team of architects, urban development consultants, and design professionals, axonometric has already garnered significant recognition, including selection for the 2025 Japan World Exposition design proposals and finalist status in international competitions. By seamlessly blending technological innovation, contextual awareness, and profound spatial intelligence, axonometric is redefining architectural practice for the 21st century. 设计团队 旅游探访 1259.42 m² 福冈，日本 2023 Previous Next

< 返回 科林达住宅 BENT Architecture 项目名称：科林达住宅 地点：澳大利亚，维多利亚州普伦蒂 设计团队：BENT Architecture 建筑面积：472平方米 竣工时间：2025年 摄影：Tatjana Plitt 设计特色： BENT Architecture设计的科林达住宅坐落在墨尔本边缘六英亩的斜坡丛林地上，这座472平方米的住宅通过一系列分散的砌体体块和精心设计的过渡空间，成功地将当代居住需求与原生自然环境融为一体。 项目的起源颇具戏剧性。当延岩路的扩建计划威胁到业主家庭原有的住宅时，他们没有选择离开这片生活多年的土地，而是决定向更深的丛林腹地迁移。这个大胆的决定最终催生了一座真正与场地对话的建筑。 设计最显著的特点是对单一建筑体量的拒绝。建筑师将住宅分解为多个独立的砌体"模块"，这些体块覆以粗糙的木纤维混凝土，质感接近周围的灌木和岩石。每个模块容纳着不同的私密功能：绘画工作室、主卧套房、儿童卧室，所有卧室都设有宽敞的日光床凹室，可以捕捉正午的阳光。室内采用V型槽板、表现力强的墙纸和再生木地板，营造出温暖而亲密的氛围。 这些实体体块之间是住宅真正"呼吸"的地方。厨房、餐厅和公共活动空间都位于这些通透的过渡区域，由粗锯硬木、裸露砖墙和抛光混凝土界定。砖铺装从室内延伸到室外，形成台阶，勾勒庭院边缘，托起壁炉，让建筑牢牢扎根于起伏的地形之中。 住宅的中心是一个绿意盎然的庭院，由建筑和丛林共同围合。庭院一侧是通向工作室的木质走廊，被设想为展示家庭收藏和未来创作的画廊空间。厨房的设计格外用心：宽大的岛台配有雕塑感的钢制脚踏板，深蓝色橱柜嵌入木纤维混凝土墙体，每个细节都透露出设计师的关怀。 建筑沿着地形缓缓抬升，从厨房到泳池露台再到安静的休息室，最终到达树冠之上的图书馆，折叠式屋顶框取远处的景色。考虑到场地的高山火风险等级，住宅配备了太阳能电池板、储能电池、水箱等离网设施，所有材料都满足防火要求。周围的景观延续了这种与自然共生的理念，耐旱的本土植物、灌木石材和新生植被共同编织出一幅复兴的图景。 设计团队 BENT Architecture由保罗·波尔贾佐斯基和梅兰·波尔贾佐斯基夫妇于2003年在墨尔本布伦瑞克创立。二十多年来，这家事务所在住宅设计、可持续建筑和景观整合领域建立了扎实的声誉。 事务所的工作涵盖住宅、商业、教育和社区项目，提供从可行性研究、总体规划到施工管理的全流程服务。设计团队包括迈克尔·杰尔马诺、拉娜·希利等经验丰富的建筑师，他们在不同类型和规模的项目中积累了丰富的实践经验。 BENT Architecture的设计理念建立在三个支柱之上：人、环境和愉悦。他们认为建筑首先要服务于使用者，创造健康舒适的生活空间；其次要尊重环境，采用被动式设计原则减少能源消耗；最后，好的建筑应该带来惊喜和快乐，而不是枯燥乏味。 这种理念在他们的项目中得到了充分体现。从独栋住宅到社会保障房，从办公空间到屋顶花园，每个项目都力图在功能需求、环境责任和设计创新之间找到平衡点。事务所相信，通过对场地的深入理解和与客户的充分沟通，可以创造出既实用又富有表现力的建筑。 BENT Architecture的作品获得了广泛认可。2023年，埃利扎山住宅获得澳大利亚设计奖金奖；2018年，凤凰屋顶花园项目获得可持续发展奖；2017年，商业与艺术地下室项目获得伦敦设计奖金奖。除此之外，事务所还赢得了两项开放式设计竞赛，包括"成长中"绿色屋顶和"生活场所郊区复兴"公共住房项目。 值得一提的是，BENT这个名字来自梅兰的祖父乔治·"巴泽"·本特。他是一位自行车冠军选手，曾入选澳大利亚奥运代表队，至今仍保持着布伦瑞克的自行车纪录。这个家族姓氏后来成为事务所探索建筑可能性的载体，代表着一种质疑常规、追求独特的设计态度。 设计团队 旅游探访 472 m² 澳大利亚，普伦蒂 2025 Previous Next

< 返回 轻井泽“墙屋” nendo 设计特色： 日本设计团队nendo将其建筑创意带到了长野县轻井泽镇的一处狭长三角形地块，创造了"墙之屋"。面对来自邻近道路的视线以及如何欣赏周围郁郁葱葱的环境的双重挑战，设计师们构思出一个绝妙的"过滤"解决方案：一系列倾斜的混凝土块砌墙。这些墙由约2050块使用吸收二氧化碳的"CO2-SUICOM®"混凝土砌块建造而成，呈五行并列的排布方式穿插在110米长的地块上。生活空间巧妙地嵌入这些墙与墙之间的缝隙，视线则通过每个3度角的调整来精心控制。在只有单列墙的区域，视线是单向的，而在双列重叠的区域，由于砌块的对齐或错位，会产生透明和封闭感的动态变化。卧室和浴室遮蔽以确保隐私，而生活区则拥有对周边景致适度开放的感受。这座建筑是一个运用实体和空隙营造视觉渗透性的开创性实验。nendo凭借这些独特的"过滤墙"打造出一座启发性居所，在那里，开阔视野与隐蔽庇护完美共存。 Nendo brings its architectural ingenuity to a narrow triangular site in Karuizawa, Nagano with the "Wall House." Faced with the challenge of blocking views from the adjacent road while still enjoying the verdant surroundings, the designers conceived a brilliant "filter" solution - a series of angled concrete block walls. The walls, constructed from approximately 2,050 blocks using CO2-absorbing "CO2-SUICOM®" concrete, are arrayed in five parallel rows across the 110-meter site. The living spaces are cleverly tucked into the gaps between these walls, with sightlines carefully controlled by adjusting the angle of each block in 3-degree increments. In areas with a single wall, views are unidirectional, while overlapping double walls create a dynamic play of transparency and enclosure depending on the alignment of the blocks. Bedrooms and bathrooms are shielded for privacy, while living areas enjoy a calibrated sense of openness to the landscape. The resulting architecture is a pioneering experiment in cultivating visual permeability through mass and void. Nendo has crafted an inspired residence where prospect and refuge seamlessly coexist behind the smart screening of these remarkable "filter walls." 设计团队： 由日本建筑师Oki Sato于2002年创立的nendo设计工作室，迅速成为当今最具影响力的设计公司之一。以Oki Sato为首席设计师，这家总部设在东京和米兰的工作室雇佣了逾40名设计师。nendo以人为本的设计理念造就了概念创新与功能精准并重的作品。他们擅长巧妙操纵材料、形式和比例，重新诠释视觉期待，设计风格极具识别度。这种对细节的敏锐把控体现在他们跨建筑、室内外设计、产品设计、家具乃至装置等多元化的作品中。凭借可圈可点的创意和丰富多样的经典作品，nendo在国际上也获得诸多奖项，其是唯一一个同时获得"Wallpaper*年度最佳设计师"、ELLE DECO"年度最佳设计师"、Maison&Objet"年度最佳设计师"和Interior Design"年度最佳设计"四大年度大奖的工作室。他们革新性的设计作品还赢得了30多个其他著名奖项。汲取了建筑到雕塑等多领域的影响，nendo不断拓展新的创作空间，这个多学科设计团队创作出令人惊叹、获益和灵感的非凡设计。 Established in 2002 by Oki Sato, nendo has rapidly ascended as one of the most influential and awarded design firms. Led by Chief Designer Sato and Managing Directors Akihiro Ito and Takaaki Hama, the Tokyo and Milan-based practice employs over 40 designers across numerous disciplines. nendo's human-centred approach results in designs that are conceptually innovative and functionally precise. With a distinctive flair for playing with visual perception, their work reinterprets the expected through clever manipulations of material, form, and scale. This sensitive mastery is evident across their diverse portfolio spanning architecture, interior design, product design, furniture, and installations. The firm's prolific output and consistent ingenuity have earned nendo widespread international acclaim. They are the only design studio to be awarded all four top annual design prizes - the Wallpaper* "Designer of the Year," ELLE DECO "Designer of the Year," Maison&Objet "Designer of the Year," and the Interior Design "Best of Year." Their pioneering designs have also received over 30 other prestigious awards. With influences ranging from architecture to sculpture, nendo continues exploring new creative territories. Under Sato's visionary leadership, this exceptional multidisciplinary team crafts designs that surprise, delight, and inspire. 设计团队 旅游探访 70.74 ㎡ 日本，轻井泽 2023年 Previous Next

< 返回 欧艾拉斯住宅 OODA 项目名称： Oeiras House 地点： 欧艾拉斯，葡萄牙 设计团队： OODA 项目面积： 350㎡ 竣工时间： 2024年 景观设计： p4 Engineering Tekk, A3R Lda 工程设计： TEKK, A3R Lda 摄影： Fernando Guerra | FG+SG 设计特色： 项目 – 在葡萄牙欧艾拉斯(Oeiras)，OODA建筑事务所最新的住宅项目展现了地形与建筑创新的完美融合。这座建于2024年、面积350平方米的欧艾拉斯住宅，充分展示了如何将具有挑战性的场地条件转化为非凡的设计机遇。 该项目最引人注目的特征是其中心空间——一个调节庭院，既作为住宅的核心，又能巧妙地分配功能空间。建筑师没有与场地的显著坡度对抗，而是充分利用它，创造了一个半地下入口。通过一个兼具景观功能的水池，为地下空间引入自然光线和倒影，戏剧性地展现建筑形态。 房屋的构成特别之处在于其围绕中心虚空的三面布局，其中社交空间和私密空间通过透明的连接元素统一起来。这种透明性在关键节点处营造出空灵的质感，在入口处尤为明显。建筑体量同时呈现出深深扎根于斜坡却又仿佛漂浮的效果，让自然景观能够在室外和室内空间之间无缝流动。 这个设计最具创新性的方面可能是屋顶的处理方式。屋顶不仅仅是简单的覆盖物，而是转变为一个可进入的斜面，延伸了住宅的叙事性和功能性。横截面中的对角交叉动线为建筑的水平强调创造了动态对比，而建筑外表皮不同程度的透明度则强化了建筑师对统一建筑体验的设计愿景。 OODA的设计将本可能成为场地限制的因素转化为项目的定义特征，展示了当代住宅建筑如何既能够进行改造又能保持稳定性，在与自然环境对话的同时为其环境增添实质性的品质。 团队 – OODA是一家充满活力的建筑事务所，成立于2010年的葡萄牙波尔图。通过其创新的设计方法和国际化视野，已在当代建筑领域崭露头角。该事务所由Diogo Brito和Rodrigo Vilas-Boas共同创立，他们将各自在伦敦和鹿特丹积累的国际经验相结合，打造出一个能够融合本土敏感性与全球设计思维的实践平台。 事务所的领导层经过战略性扩张，2011年Francisco Lencastre加入，随后在2018年João Jesus和Julião Pinto Leite的加入，形成了现今稳健的五人合伙人架构。这种协作式领导推动OODA的项目组合涵盖了广泛的类型，从定制住宅项目到大型城市干预和机构建筑。 OODA目前在马托西纽什和里斯本设有双总部，培养了一支由来自不同国籍的50多名专业人士组成的多元化团队，营造了丰富的跨文化设计对话。事务所在14年间横跨四大洲完成了超过100个项目的作品集，展现了他们在建筑规划和尺度处理上的多样性。他们的作品以对场地融入、构造表达和功能创新的深刻理解为特征，在推动当代建筑话语边界的同时，始终保持着与地域建筑传统的紧密联系。 Project Name: Oeiras House Location: Oeiras, Portugal Design Team: OODA Project Area: 350㎡ Completion: 2024 Landscape Design: p4 Engineering Tekk, A3R Lda Engineering: TEKK, A3R Lda Photography: Fernando Guerra | FG+SG Feature： Project - In a masterful interplay of topography and architectural innovation, OODA's latest residential project in Oeiras, Portugal, emerges as a compelling study in harmonizing built form with natural terrain. The 350-square-metre Oeiras House, completed in 2024, demonstrates how challenging site conditions can be transformed into extraordinary design opportunities. The project's most striking feature is its central void – a regulating patio that serves as both the heart of the home and a sophisticated distribution mechanism for the program. Rather than struggling against the site's significant slope, the architects have embraced it, creating a half-buried entrance that dramatically reveals itself through a water feature that doubles as a scenic pool, introducing natural light and reflection into the subterranean space. The house's composition is particularly noteworthy for its three-sided arrangement around the central void, where social and private spaces are unified through transparent interconnecting elements. This transparency creates an ethereal quality where the architecture appears to dematerialize at key junctures, most notably at the entrance. The building mass simultaneously appears to be both deeply anchored to the slope and floating, allowing the natural landscape to flow seamlessly between exterior and interior spaces. Perhaps the most innovative aspect of the design is the treatment of the roof. Far from being a simple covering, it becomes an accessible, sloping plane that extends the house's narrative and functionality. The diagonal cross-movements animated in the transversal section create a dynamic contrast to the structure's horizontal emphasis, while varying degrees of transparency throughout the building envelope reinforce the architect's vision of a total, unified architectural experience. OODA's intervention transforms what could have been a challenging site constraint into the project's defining feature, demonstrating how contemporary residential architecture can be both transformative and stabilizing, adding tangible quality to its context while maintaining a dialogue with the natural environment. Design Team - OODA, a dynamic architectural practice founded in 2010 in Porto, Portugal, has emerged as a significant force in contemporary architecture through its innovative approach to design and international perspective. The firm was established by Diogo Brito and Rodrigo Vilas-Boas, who brought together their diverse international experiences from London and Rotterdam, creating a practice that bridges local sensibilities with global design thinking. The practice's leadership expanded strategically over the years, with Francisco Lencastre joining in 2011, followed by João Jesus and Julião Pinto Leite in 2018, forming a robust five-partner structure. This collaborative leadership has driven OODA's portfolio to encompass a remarkable range of typologies, from bespoke residential projects to large-scale urban interventions and institutional complexes. Operating from dual headquarters in Matosinhos and Lisbon, OODA has cultivated a diverse team of over 50 professionals from various nationalities, fostering a rich cross-cultural design dialogue. The firm's portfolio, spanning four continents and encompassing over 100 projects in 14 years, demonstrates their versatility in architectural programming and scale. Their work is characterized by a sophisticated understanding of contextual integration, tectonic expression, and programmatic innovation, consistently pushing the boundaries of contemporary architectural discourse while maintaining a strong connection to regional architectural traditions. 设计团队 旅游探访 350 m² 欧艾拉斯，葡萄牙 2024 Previous Next

< 返回 伊甸园怡人之家 Wallflower Architecture + Design 设计特色： 项目 – 在新加坡植物园葱郁翠绿氛围中，这栋引人注目的“伊甸园怡人之家”完美地将自然元素融入建筑设计。Wallflower Architecture + Design事务所构思的这栋1374平方米的宅邸，透过全落地玻璃窗完全消解室内外界限，沉浸在热带雨林的宁静氛围中。项目战略性设置在高处，环绕树冠景观的隐秘空间营造出一片静谧。室内光影的变幻纷呈，穿过郁郁葱葱的树冠滤下的阳光为空间笼罩上金色的光晕。大自然的气息无处不在——藤蔓蜿蜒游走于外立面，院子里绽放出精心规划的花园。这座住宅谐调城市生活与自然环境，提供灵域般的避世场所。环绕在热带翠绿中的静思空间滋养创造力，覆盖在参天植被下的独特外立面与植物园历史意蕴的建筑互相呼应。在设计团队和业主的合作下，它巧妙地融合当代奢华与生物群落的理念。这个感官避难所尽享大自然慈爱的怀抱，是城市中一个“神奇的圣地”。 团队 – 来自新加坡的Wallflower Architecture + Design建筑设计事务所由Tan Chai Chong Robin和Cecil Chee于1999年共同创立，多年来汇聚了商业和住宅项目的丰富经验。早在成立之初，新加坡信息传播与艺术部就已将其认定为设计行业的领先者。Wallflower提供全方位的设计服务，涵盖建筑、室内、照明和家具等。从私人住宅到多功能综合体，Wallflower设计的作品为每个项目提供定制解决方案。他们的设计理念是从必要性中提炼创新精华，相信智慧和美是密不可分的。Wallflower巧妙地将城市环境与自然光和绿化融为一体，其屡获殊荣的作品丰富了人性的精神世界。 Feature： Project - Nestled in Singapore's lush Botanic Gardens, the striking Touching Eden House seamlessly integrates nature into its design. Conceived by Wallflower Architecture + Design, the residence embraces the tranquility of its rainforest surroundings with floor-to-ceiling windows that dissolve boundaries between interior and exterior. Strategically elevated sanctuaries positioned to embrace panoramic treetop views establish an atmosphere of calm. The interplay of light and shadow permeates the interior, bathing the space in the golden glow of sunlight filtered through a leafy canopy. Nature asserts its presence at every turn - vines cascade down the façade while the grounds host meticulously landscaped gardens. Evoking harmony between urban living and the natural environment, Touching Eden House provides an ethereal retreat from city life. Its contemplative spaces nurture creativity amid lush tropical greenery. The expressive exterior cloaked in vegetation establishes a symbiotic dialogue with the Botanic Gardens' heritage. Conscientiously crafted by teams of specialists overseen by the visionary owner, Touching Eden House masterfully blends contemporary luxury with biophilic sensibilities. A respite for the senses, this sanctuary in the city marvels in the beauty of nature's all-encompassing embrace. Design Team - Founded in 1999 by Tan Chai Chong Robin and Cecil Chee, Wallflower Architecture + Design brings extensive experience across commercial and residential projects. Recognized early on by Singapore's Ministry of Information, Communication and the Arts as an industry leader, Wallflower offers comprehensive design encompassing architecture, interiors, lighting and furnishings. Spanning private residences to mixed-use developments, Wallflower's portfolio reveals creative solutions tailored to each project. Their design philosophy distills innovative virtue out of necessity, believing intelligence and beauty are inextricable. Seamlessly fusing urban environments with natural light and greenery, Wallflower's award-winning work enriches the human spirit. 设计团队 旅游探访 1374 m² 新加坡 武吉知马 2023 Previous Next

< 返回 卡尔德花园 赫尔佐格与德梅隆建筑事务所 项目名称：Calder Gardens 地点：费城，美国 设计团队：赫尔佐格与德梅隆建筑事务所 建筑面积：1691 m² 竣工时间：2025年 摄影：Iwan Baan 设计特色： 赫尔佐格与德梅隆建筑事务所设计的"Calder Gardens"（卡尔德花园）展现了如何通过革命性的博物馆类型学策略和精妙的地景建筑融合技术，将费城本杰明·富兰克林公园大道上一块69325平方英尺的城市边缘地块转化为充满沉思性的艺术体验建筑。 这座1691平方米的文化建筑戏剧性地坐落在费城的文化走廊中，呈现为对传统博物馆建筑类型、城市景观整合和当代美国文化建筑融合的深刻探索。它没有采用纪念性的建筑语言，而是通过精心的地景策略，创造出一个将艺术展示与自然体验无缝交织的文化环境。 该项目最独特的设计特色在于其"隐形"建筑策略——从街道层面看去，建筑以花园的形态呈现，通过锥形金属墙体和公共草甸花园的组合，将参观者逐步引导至地下的画廊空间。这种渐进式空间体验将建筑从传统的文化机构转变为多层次的艺术朝圣之地，动态响应不同的观展需求和冥想体验。 赫尔佐格与德梅隆的设计语言流利地表达着建筑与景观的对话，运用大型圆形平台作为中心元素，既在地面形成公共广场，又为地下画廊提供庇护。下沉花园和痕迹花园这两个对比鲜明的外部空间被雕刻进大地，既为亚历山大·卡尔德的雕塑作品提供受保护的展示环境，又将自然光线引入地下深处。这种大胆的地景重新诠释不仅增加了空间的诗意和文化深度，同时巧妙地将建筑锚定在费城的艺术遗产之中。 建筑师通过垂直组织和空间序列的巧妙操控在不同功能层次间创造多元体验。从木质内衬的入口大厅开始，参观者下降至高速公路画廊夹层，通过长窗框景城市景观，然后进入光线充足的开放式画廊，最终到达内省式的曲线画廊，每个空间都为观赏卡尔德多面向的艺术作品提供独特的视角和氛围。 材料策略延续了这种建筑与景观无缝融合的设计理念。锥形金属墙体与黑化木材外壳形成对比，混凝土基础墙面与木质内饰元素共同营造出既现代又温馨的展示环境。艺术般的材料运用为参观者创造沉浸式感官体验，每个设计元素都承载着场地记忆、艺术传承和深层文化特色。 设计团队 - 赫尔佐格与德梅隆建筑事务所成立于1978年，总部位于瑞士巴塞尔，现已发展为全球最具影响力的建筑设计机构之一，由创始合伙人雅克·赫尔佐格和皮埃尔·德梅隆领导。这家国际知名事务所拥有来自50个国家的500多名专业人士，充分体现了其对全球合作和跨文化设计卓越性的承诺。 该事务所的设计理念超越了传统建筑边界，承担着通过创新空间解决方案应对当代社会挑战的责任。凭借遍布40个国家的600多个项目经验，赫尔佐格与德梅隆始终提供与场地条件、文化语境和功能需求深度契合的定制化建筑回应。 该事务所因其将材料创新与空间体验结合的承诺而获得认可，项目负责合伙人杰森·弗兰岑领导的团队包括项目总监奥雷利安·卡埃塔诺和梅赫迈特·诺扬，以及来自巴塞尔总部的跨学科专家团队。这种国际经验与本地专业知识的结合，使赫尔佐格与德梅隆在全球建筑景观中占据独特地位。 该事务所的设计哲学强调建筑应该通过创新的类型学研究超越表面形式——不仅仅是为了视觉冲击而设计，更是为了与社会文化需求和场地特定条件有机响应。通过可持续设计策略和跨学科协作方法，开展从文化建筑到城市规划的多元化项目，相信最好的建筑是通过对有形和无形语境因素的综合分析产生的精确干预。赫尔佐格与德梅隆相信建筑应该成为文化身份和社会意识的载体，通过策略性的空间组织和创新材料运用创造具有场所感的建筑体验。 除实践外，该事务所通过与全球顶级专业顾问的紧密合作保持着强有力的技术整合，包括结构工程师盖伊·诺登森事务所、景观设计师皮特·奥多夫等。通过对先进建造技术与人文设计理念的深思熟虑结合、创新材料的突破性运用，以及对建筑文化传承的深刻理解，赫尔佐格与德梅隆已确立自己作为当代国际建筑话语重要贡献者的地位，创造出既具创新性又拥抱深层文化内涵的建筑作品。该事务所已获得众多国际认可，包括普利兹克建筑奖（2001年）、英国皇家建筑师学会皇家金奖（2007年）、高松宫殿下纪念世界文化奖（2007年）以及路易斯·卡恩奖（2023年）等权威荣誉。 设计团队 旅游探访 1691 m² 费城，美国 2025 Previous Next

< 返回 广州美国人外籍人员子女学校 Perkins&Will 设计特色： 项目 – 这座由 Perkins&Will 设计的广州美国人外籍人员子女学校校区扩建项目，重新 定义了未来学习环境的理念。作为 1981 年中国南方第一所这类国际学校，其 38823 平 方米的全新校园在开拓者的基础上搭建了一流的教育设施。设计的亮点是动态课堂， 它们设有可折叠隔断和模块化家具，无缝切换协作项目与独立学习的空间形态。活动 隔墙使课室可延伸至走廊区域，将其改造为分组学习的突破性空间，激发师生探索创 意的广阔视野。校园核心是一个采光优异的中庭区，它兼具多媒体图书馆的功能，配 备录音室、讨论区和数字媒体工作室，营造跨学科创新学习的理念氛围。连接学术、 艺术文化、运动娱乐三大区域的天桥，通过其透明玻璃借景临近荔枝林的自然风貌。 项目注重可持续性，充分复用现有基础框架以减少碳足迹。屋顶运动场所提供优良隔 热，当地植被、透水地面和原有树木巩固了环境的弹性。分阶段的翻新策略使校园内 学生的学习在施工期间得以持续，展现了这所 21 世纪国际教育设施杰作的卓越智慧。 团队 – Perkins&Will 建筑设计公司由 Lawrence Perkins 和 Philip Will Jr.于 1935 年在芝 加哥创立，如今已成为全球建筑界的翘楚。自 2006 年以来，公司一直由首席执行官 Phil Harrison 领导，旗下拥有逾 2500 名专业人士，分布于全球 28 个办公室。2022 年 Perkins&Will 创收 5.7 亿美元，稳居美国第二大建筑设计公司。该公司因其创新和可持 续设计而赢得了广泛赞誉，拥有比任何其他北美建筑设计事务所更多的 LEED 认证专业 人士。获得 LEED 铂金认证的 Dockside Green Phase II 综合体和 VanDusen 植物园游 客中心等开创性项目，彰显了公司在环保建筑方面的杰出造诣。涉足教育、商业、医 疗和公共等多个领域，这家跨领域建筑设计巨头不断突破建筑界限，代表作包括波音 国际总部大楼和普利司通大厦等，展现了公司在创作贴合当地语境、技术先进的建筑 杰作方面的非凡能力，推动了建筑语言的新高度。 Feature： Project - Redefining the future of learning environments, the newly reconstructed and expanded American International School of Guangzhou Science Park Campus by Perkins&Will offers a forward-thinking interdisciplinary space tailored for diverse learning styles. As the first international school of its kind established in southern China in 1981, the revamped 38,823 square meter campus builds upon its pioneering legacy with world-class educational facilities. The standout design features dynamic classrooms with folding partitions and modular furnishings that enable easy adaptation from collaborative projects to independent study sessions. Retractable walls allow classrooms to expand into corridor areas, transforming them into breakout spaces that empower teachers and students to explore creative horizons through a wide range of learning experiences. At the heart of the campus lies a luminous atrium that doubles as a multimedia library hub equipped with recording studios, discussion areas, and digital media suites - fostering an innovative atmosphere of interdisciplinary learning. A skyway bridge with transparent glass walls connects the academic, arts/culture, and athletics/recreation clusters while framing views of the adjacent lychee forest. Sustainability was paramount, with much of the existing infrastructure reused to reduce carbon footprint. The rooftop recreation areas provide robust insulation, while native vegetation, permeable paving, and preserved trees enhance environmental resilience. A phased renovation strategy ensured uninterrupted learning during construction on this ingenious campus that epitomizes 21st century international education. Design Team - Founded in 1935 in Chicago by Lawrence Perkins and Philip Will Jr., Perkins&Will has emerged as a global powerhouse in the architectural realm. Led by CEO Phil Harrison since 2006, the multidisciplinary practice boasts a workforce exceeding 2,500 professionals across 28 offices worldwide. In 2022, Perkins&Will's revenue of $572.47 million solidified its position as the second-largest architecture firm in the United States. The firm has garnered widespread acclaim for its innovative and sustainable designs, claiming more LEED-accredited professionals than any other North American practice. Pioneering projects like the LEED Platinum Dockside Green Phase Two complex and the VanDusen Botanical Garden Visitor Centre exemplify Perkins&Will's expertise in environmentally conscious architecture. With a rich portfolio spanning educational, commercial, healthcare, and civic typologies, the multidisciplinary giant continues to push boundaries. Notable works include the iconic Crow Island School, the Boeing International Headquarters, and Bridgestone Tower, showcasing the firm's prowess in crafting contextually responsive and technically advanced built environments that redefine the architectural discourse. 设计团队 旅游探访 38823 m² 中国，广州 2024年 Previous Next

< 返回 六柱住宅 31/44 Architects 项目名称：六柱住宅 地点：伦敦，英国 设计团队：31/44 Architects 建筑面积：1640 m² 完工时间：2024年 摄影师：Nick Dearden 结构工程：Price & Myers 主要承包商：Altlant Construction 景观建筑：Aarde 设计特色： 项目 - 坐落在伦敦水晶宫郊区的绿树成荫之地，六柱住宅由31/44 Architects所精心打造，成为挑战传统住宅建筑的建筑设计杰作。荣获2024年英国皇家建筑师协会年度最佳住宅，这座为建筑师事务所创始人精心定制的家，是建筑智慧的见证，巧妙融合了个人叙事、场地呼应与前瞻性可持续设计。 由事务所创始人威尔·伯格斯为自己的家庭设计，这座住宅彻底颠覆了静态住宅设计的刻板印象。选址于一块此前未开发的边角花园，建筑以非凡的优雅姿态穿梭于复杂的场地约束中——甚至精心保护了一棵受保护的梧桐树。其创新的体量在梯形场地上扭转、跳跃，创造出一个动态的建筑形态，既尊重周边环境，又服务于更广阔的城市肌理。 项目的设计理念堪称革命性：将住宅视为一个"未完成"的有机体，能够随居住者的生活需求而不断演变。这一理念通过精心选择的材料和空间布局得到充分体现。裸露的木材、未上漆的松木细木工和野性的水泥板、喷漆砖块共同营造出一个原始而灵活的内部空间景观，摒弃了传统的装饰处理。 可持续性深深嵌入项目的基因。全电力驱动，依靠空气源热泵供能，该住宅每年仅产生1.78吨二氧化碳排放，是相对于传统住宅的极大进步。在结构创新上，通过避免混凝土桩基础，改用钢螺旋桩，建筑师们进一步彰显了他们对减少环境影响的坚持。 以六根标志性立柱为特征，融汇战后加州案例研究住宅与勒·柯布西耶早期现代主义的折衷风格，六柱住宅已不仅仅是一处庇护所，更成为当代建筑可能性的生动宣言。 团队 – 在当代建筑实践的动态景观中，31/44建筑事务所作为语境创新设计的典范，正在挑战城市建筑干预的传统边界。由威尔·伯格斯和斯蒂芬·戴维斯于2010年创立的这家位于伦敦的事务所，以其细致入微的方法而闻名，这种方法精确地将新的建筑干预融入现有的城市肌理。 怀着对场所营造的哲学承诺，31/44超越了单纯的建筑设计，精心编织能够深入共鸣历史、文化和空间语境的建筑叙事。他们的作品展现了对建筑形态学的复杂理解，每一个项目都成为对周边环境深思熟虑的贡献。 该事务所获得的国际认可——包括诸如英国皇家建筑师协会国家奖等荣誉——凸显了他们的设计卓越性。他们的作品在从伦敦到柏林的欧洲文化之都中备受赞誉，反映出一种兼具本地敏感性和全球影响力的设计语言。 由具有多元学术和专业背景的注册建筑师组成的跨学科团队领导，31/44以超越物理构建的智性严谨运作。通过在金斯顿艺术学院的教学工作室，他们确保理论探索与实践建筑实施之间保持持续对话。 最近荣获2024年英国皇家建筑师协会年度最佳住宅的六柱住宅，完美诠释了他们的设计理念——证明了他们将限制转化为建筑机遇的能力，创造出既具创新性、又可持续，同时深刻契合语境的空间。 Project Name: Six Columns House Location: London, United Kingdom Design Team: 31/44 Architects Building Area: 1,640 m² Completion Year: 2024 Photographer: Nick Dearden Special Honor: 2024 RIBA House of the Year Lead Designer: Will Burges Structural Engineering: Price & Myers Main Contractor: Altlant Construction Landscape Architecture: Aarde Feature： Project - Nestled in the leafy suburbs of Crystal Palace, London, the Six Columns House by 31/44 Architects emerges as a masterclass in adaptive, thoughtful design that challenges conventional residential architecture. Named RIBA House of the Year 2024, this bespoke family home is a testament to architectural ingenuity, seamlessly blending personal narrative, contextual sensitivity, and forward-thinking sustainability. Conceived by practice founder Will Burges for his own family, the house is a deliberate departure from static residential design. Situated on a previously undeveloped side garden, the structure navigates complex site constraints—including a protected sycamore tree—with remarkable grace. Its innovative form twists and steps across a trapezoidal plot, creating a dynamic architectural volume that respects both its immediate context and broader urban fabric. The project's design philosophy is revolutionary: a home conceived as an "unfinished" entity, capable of evolving with its inhabitants' changing needs. This approach is manifest in the carefully considered materiality and spatial arrangement. Exposed timber, unpainted pine joinery, and a brutalist palette of spruce paneling and painted brick create a raw, adaptable interior landscape that eschews traditional finish treatments. Sustainability is deeply embedded in the project's DNA. Fully electric and powered by an air-source heat pump, the house produces just 1.78 tonnes of CO2 annually—a fraction of a standard home's carbon footprint. Structural innovations, such as avoiding concrete-piled foundations and using steel screw piles, further demonstrate the architects' commitment to minimizing environmental impact. With its six defining columns and eclectic architectural references—from post-war California Case Study Houses to Le Corbusier's early modern joinery—the Six Columns House transcends mere shelter, becoming a living manifesto of contemporary architectural possibility. Design Team - In the dynamic landscape of contemporary architectural practice, 31/44 Architects emerges as a paradigm of contextual and innovative design, challenging conventional boundaries of urban architectural intervention. Founded in 2010 by Will Burges and Stephen Davies, the London-based practice has distinguished itself through a nuanced approach that meticulously integrates new architectural interventions within existing urban fabrics. With a philosophical commitment to place-making, 31/44 transcends mere building design, crafting architectural narratives that deeply resonate with historical, cultural, and spatial contexts. Their portfolio demonstrates a sophisticated understanding of architectural morphology, where each project becomes a deliberate, considerate contribution to its surrounding environment. The practice's international recognition—including prestigious accolades such as the Manser Medal and RIBA National Awards—underscores their design excellence. Their work has been celebrated across major European cultural capitals, from London to Berlin, reflecting a design language that is both locally sensitive and globally compelling. Led by a multidisciplinary team of chartered architects with diverse academic and professional backgrounds, 31/44 operates with an intellectual rigor that extends beyond physical construction. Their engagement with academic institutions, particularly through teaching studios at Kingston School of Art, ensures a continuous dialogue between theoretical exploration and practical architectural implementation. The Six Columns House, recently crowned RIBA House of the Year 2024, epitomizes their design philosophy—a testament to their ability to transform constraints into architectural opportunities, creating spaces that are simultaneously innovative, sustainable, and profoundly contextual. 设计团队 旅游探访 1640 m² 伦敦，英国 2024 Previous Next

< 返回 Meander 住宅 Steven Holl Architects 项目名称：Meander住宅 地点：芬兰，赫尔辛基 建筑师：Steven Holl建筑事务所 面积：8886平方米 竣工年份：2024年 摄影：Kuvatoimisto Kuvio Oy, Jenny Kallio 设计特色： 项目 – Steven Holl建筑事务所在赫尔辛基文化区Taka-Töölö推出了"Meander"项目，通过其独特的蜿蜒形态重新定义了当代城市生活。这座建于2024年完工的8886平方米住宅项目包含115套独特公寓，沿着180米长的蜿蜒结构展开，建筑高度在二层到七层之间变化。 建筑最引人注目的特征是其对空间的概念性处理，蛇形建筑创造出一系列精心编排的花园和公共区域。立面设计灵感来自"玻璃瓶中的木船"这一诗意意象，通过承重混凝土墙和水平铰接玻璃板的精妙组合实现。建筑外观采用当地芬兰云杉木材，用于外部包覆、阳台和窗户，进一步强化了这一建筑表达。 项目在环境性能方面表现卓越，配备十六口地热井用于供暖制冷，并在整栋建筑中采用辐射地板系统。大面积绿色屋顶、太阳能阵列和雨水收集系统展现了全面的可持续发展策略。室内空间特点是高窗和私人阳台，提供波罗的海地平线或赫斯珀利安公园的景观视野。 Meander项目的与众不同之处在于其对细节的关注和对艺术整合的承诺。定制元素包括门把手、灯具，甚至铸造的狗碗都呼应着建筑的蜿蜒形态。项目还特别邀请芬兰视觉艺术家Fanny Tavastila为每位住户的家和公共区域创作独特艺术品，建立起建筑与艺术之间的无缝对话。 团队 – Steven Holl建筑事务所成立于1977年纽约，现已发展成为一家在纽约、哈德逊谷和北京设有办公室的国际知名建筑事务所。在Steven Holl与合伙人Noah Yaffe、Roberto Bannura、Dimitra Tsachrelia和Olaf Schmidt的领导下，事务所通过其对空间和光线的概念性处理方式，持续推动着建筑创新的边界。 事务所以其现象学建筑方法著称，每个项目都从其特定环境和功能需求出发，创造独特的空间体验。他们的作品组合涵盖从文化机构到教育设施等多个领域，标志性项目包括赫尔辛基当代艺术博物馆（1998年）和最近完成的上海中粮文化健康中心。 事务所的设计理念强调将可持续技术与前瞻性城市主义相结合。他们对环境管理的承诺体现在对自然光的创新运用、精良的材料选择和先进的建筑系统中。这种方法为他们赢得了众多声望显赫的奖项，包括美国建筑师协会金奖（2012年）和日本高松宫殿下世界文化奖（2014年），确立了他们在诗意建筑表达与环境责任相结合方面的先驱地位。 Project Name: Meander Residence Location: Helsinki, Finland Architects: Steven Holl Architects Area: 8886 m² Year: 2024 Photographs: Kuvatoimisto Kuvio Oy, Jenny Kallio Feature： Project - Steven Holl Architects has unveiled Meander, an innovative residential development in Helsinki's cultural district Taka-Töölö that redefines contemporary urban living through its distinctive serpentine form. The 8,886-square-meter project, completed in 2024, features 115 unique apartments arranged along a 180-meter meandering structure that varies in height from two to seven floors. The building's most striking feature is its conceptual approach to void spaces, where the serpentine form creates a series of carefully orchestrated gardens and communal areas. The facade design evokes the poetic image of a wooden ship inside a glass bottle, achieved through a sophisticated combination of load-bearing concrete walls and horizontally hinged glass panels. This architectural expression is further enhanced by the use of locally sourced Finnish spruce for exterior cladding, balconies, and windows. The project excels in its environmental performance, incorporating sixteen geothermal wells for heating and cooling, alongside radiant floor systems throughout. The extensive green roof, solar array, and rainwater collection systems demonstrate a comprehensive approach to sustainability. Interior spaces are characterized by high windows and private balconies offering views toward either the Baltic Sea horizon or Hesperianpuisto Park. What sets Meander apart is its attention to detail and commitment to artistic integration. Custom elements including door handles, light fixtures, and even cast dog bowls echo the building's meandering form. The project also features unique artworks by Finnish visual artist Fanny Tavastila, created specifically for each resident's home and common areas, establishing a seamless dialogue between architecture and art. Design Team - Steven Holl Architects, established in 1977 in New York City, has evolved into a globally renowned architecture practice with offices in New York, Hudson Valley, and Beijing. Under the leadership of Steven Holl and partners Noah Yaffe, Roberto Bannura, Dimitra Tsachrelia, and Olaf Schmidt, the firm has consistently pushed the boundaries of architectural innovation through its conceptual approach to space and light. The practice is distinguished by its phenomenological approach to architecture, where each project emerges from its specific context and program to create unique spatial experiences. Their portfolio spans from cultural institutions to educational facilities, with landmark projects including the Kiasma Museum of Contemporary Art in Helsinki (1998) and the recent Cofco Cultural and Health Center in Shanghai. The firm's design philosophy emphasizes the integration of sustainable technologies with forward-thinking urbanism. Their commitment to environmental stewardship is evident in their innovative use of natural light, sophisticated material selections, and advanced building systems. This approach has earned them numerous prestigious accolades, including the AIA Gold Medal (2012) and the Praemium Imperiale Award (2014), establishing their position as pioneers in combining poetic architectural expression with environmental responsibility. 设计团队 旅游探访 8886 m² 芬兰，赫尔辛基 2024 Previous Next

< 返回 奥尔哈尔之家 Tati Tavares + Alex Dalcin 设计特色： 项目 – 这座位于巴西戈亚尼亚的引人注目的“奥尔哈尔之家”，通过精心设计融合室内外优美的景色，同时营造宜人的室内温度，避开猛烈的日晒。该住宅为一对刚组建新家庭的社交型夫妇设计，充分利用角落地块来满足家庭成员聚会和分享生活的需求。开放式布局贯通起居室、餐厅和室外露台，家中最核心的聚焦点就是框景住宅外城市风光的落地窗。二楼主卧也通过可调节的木板百叶和通高玻璃墙尽享无敌全景。被动式太阳能策略塑造这座住宅的形式，深檐和垂直遮阳板减轻西面外墙日晒，而天窗则引日光深入到起居区的室内核心。高度调整后的吊顶隐藏了送风管道，中央空调让室内温度舒适。与此同时，这座别墅干净利落的线条和舒适的材料配色营造宁静氛围，与风景宜人的环境相得益彰。 团队 – Tati Tavares + Alex Dalcin Arquitetura由合伙人Tati Tavares和Alex Dalcin在巴西戈亚尼亚共同创立，致力于打造以生活品质为中心的定制化住宅和商业空间。Tati Tavares带来一种与客户保持亲密透明沟通的设计方法，深入了解并转换成设计诉求；而Alex Dalcin则汲取各种艺术表现手法的灵感，构思出切实可行的设计方案。虽然这家公司很年轻，但Tati Tavares + Alex Dalcin Arquitetura已经用其雕塑般光影充盈的设计在戈亚尼亚的设计界中树立起知名度，实现舒适性和视觉冲击的平衡。 Feature： Project - The striking Casa do Olhar in Goiânia, Brazil frames captivating views while creating a thermally comfortable oasis from the intense afternoon sun. Designed by Tati Tavares and Alex Dalcin for a social couple starting their family, the 574 sqm residence optimizes its corner plot to foster shared experiences. Strategic shading devices and operable screens allow abundant natural light without sacrificing views or overheating interiors. Floating beams and slender columns create airy double-height interiors, minimizing visual barriers between the home’s fluid spaces. The open-plan layout connects the living room, dining room and patio through the home’s focal point – a framed view of the surrounding city. Upstairs, an intimate primary suite also enjoys panoramic outlooks from behind adjustable wood slats or full-height glass. Passive solar strategies shape the home’s form. Deep overhangs and vertical brise soleil screens cut harsh western sun along the perimeter, while central skylights pull daylight into core living areas. Lowered plaster ceilings conceal ductwork for centralized cooling that keeps interiors comfortable. Through simple but clever environmental solutions, the Casa do Olhar’s contemporary form harmonizes with its context. The home’s strategic openings, clean lines and tranquil material palette create a serene setting suited to its picturesque locale. Flowing living spaces soaked in diffused light provide a soothing, inspiring backdrop for making memories. Design Team - Founded by partners Tati Tavares and Alex Dalcin, the Goiânia-based firm Tati Tavares + Alex Dalcin Arquitetura creates bespoke residential and commercial spaces centered on quality of life. Tavares brings an approach based on intimacy and transparency with clients to understand and translate aspirations, while Dalcin draws on artistic expressions to conceive tangible, viable designs. Though a young firm, Tati Tavares + Alex Dalcin Arquitetura has already made its mark on Goiânia’s design scene with sculptural, light-filled interiors that balance comfort and visual impact. 设计团队 旅游探访 574 m² 巴西 戈亚尼亚 2023 Previous Next

< 返回 法灵登路 68-86 号大楼 Sheppard Robson 设计特色： Sheppard Robson在伦敦富于活力的克拉肯维尔地区，巧妙改造了一处曾经作为多层停车场的复杂场址，创造了68-86 Farringdon Road这一大胆的综合体建筑。该项目将一家180间客房的酒店与一座写字楼完美结合，底层的零售和公共空间更为街道增添了活力。这两栋建筑虽有分隔但又巧妙相连，通过精心设计的体量分割，重新定义了此地一贯的线性城市肌理。 设计灵感源自维多利亚时期曾在此地的住宅区，一系列相互连通的凸室组合勾勒出立面轮廓。酒店北侧的高度恰到好处地与周边住宅相和谐，而向南则逐步增高以与更高大的写字楼遥相呼应。与此同时，不同的材质让两栋楼各具个性。酒店外覆以古铜色金属瓦，将慢慢风化成与邻近砖房相近的颜色;写字楼则选择了更为现代清冷的锌板作为建筑表皮。 两栋楼身的折叠式立面随着光线变化而产生动态质感。项目下方的既有地基被巧妙保留，在其上仅修建轻型钢架构，以减小噪音和振动对酒店的影响，写字楼部分则采用隔音混凝土结构。立面的阴影设计还可产生被动式的散热效果。通过这些精心设计和可持续的手段，法灵登路 68-86 号大楼不仅修复了城市肌理，更将这一老旧场址焕然一新，成为当代魅力重镇。 Sheppard Robson's 68-86 Farringdon Road marks a bold intervention revitalizing a complex, formerly car park-occupied site in London's eclectic Clerkenwell neighborhood. The mixed-use development harmoniously merges a 180-key hub by Premier Inn hotel with a speculative office building, anchored by activating ground floor retail and public spaces. The two distinct yet connected volumes deftly redefine the linear urban block through an architecturally scaled massing strategy. Taking cues from the proportions of Victorian residential blocks once situated here, a series of interconnected bays articulates the elevations. Towards the northern end, the hotel's height responds contextually to surrounding residences, while gaining stature to address larger-scale office buildings southwards. Material choices imbue each component with its own distinctive personality. The hotel's bronze-toned metal shingle cladding will naturally patina over time to relate to neighboring brick facades. Contrastingly, the office block's cooler zinc skin provides a crisp, modern counterpoint. Across both volumes, folded, sculptural facades create dynamic, transformative surfaces that respond to changing light conditions. An ingenious foundation strategy minimized embedded carbon by retaining existing groundworks, upon which lightweight steel superstructures optimized for acoustics were erected. Environmental responsiveness extends to passive cooling via strategic facade shading. Through such nuanced, sustainable interventions redefining an underutilized site, 68-86 Farringdon Road emerges as a compelling, forward-looking anchor repairing the urban fabric. 设计团队： Sheppard Robson是一家来自英国的跨领域建筑与设计机构，始于1938年由Sir Richard Sheppard和Jean Shufflebottom夫妇创立，后于上世纪50年代迎来了Geoffrey Robson作为合伙人加入。如今，这家拥有360名员工的事务所已发展成为一个不断演进的创意平台，团队由建筑师、室内设计师和总体规划师组成，在合伙人的带领下通力合作。 该事务所将设计视为一个驱动型过程，过程中蕴含着创意、技术和理念的交流。他们以人为本的方法会借助解读性互动环节，听取最终用户的心声，并据此检验和优化创新理念，力求在保留先锋精神的同时予以完善。每一个项目的实践都将促进Sheppard Robson重新思考我们的生活、工作、学习和娱乐方式，以求在有限资源的地球上实现人与自然的更好平衡。设计团队的专长包括室内设计部门ID:SR以及基础设施专家AXIS，使精湛的设计工艺得以延伸至跨领域。同时，事务所还通过社区活动和开放包容的工作室文化，积极培养下一代人才。 秉承可持续发展和回应社会需求的优良传统，Sheppard Robson一直致力于应对紧迫的全球挑战，靠协作交流的力量，谋求打造一个更为包容、资源友好的建筑环境。 Sheppard Robson is an interdisciplinary architecture and design collective founded in 1938 by Sir Richard Sheppard and Jean Shufflebottom, later joined by Geoffrey Robson as a partner in the 1950s. Today, the 360-person strong firm operates as an ever-evolving creative hub encompassing architects, interior designers, and master planners under a collaborative partnership model. The practice approaches design as a transformative process driven by creative, technical, and intellectual exchange. Their people-centric methodology engages end-users through an interpretive process to test and fine-tune pioneering ideas without compromising innovative spirit. Each project advances Sheppard Robson's mission to rethink how we live, work, learn and play in pursuit of a better human-nature balance. Key specialisms include Sheppard Robson's interior design arm ID:SR and infrastructure experts AXIS, extending the collective's design precision across disciplines. The firm is actively cultivating the next generation through community initiatives and an open studio culture that nurtures emerging talents. With a robust legacy prioritizing sustainability and societal impact, Sheppard Robson continues probing urgent global challenges. The current partnership admirably upholds the founders' vision - harnessing the power of collaborative exchange to shape a more inclusive, resource-conscious built environment. 设计团队 旅游探访 9690 ㎡ 英国，伦敦 2023年 Previous Next

< 返回 第二抚子幼儿园 川久保智康建筑设计事务所 项目名称：第二抚子幼儿园 地点：埼玉县熊谷市，日本 设计团队：川久保智康建筑设计事务所 建筑面积：1720.63平方米 竣工时间：2024年3月 摄影师：傍岛利浩 设计特色： 项目 - 在日本关东平原的中心地带，第二抚子幼儿园以其创新设计矗立于此，这座精心设计的教育设施巧妙地将建筑创新与环境意识融为一体。这个新落成的项目可容纳200多名儿童，在日本最炎热的城市熊谷，它完美地回应了教育需求与气候挑战。 建筑最引人注目的特征是其独特的屋顶线条，它诗意地映射了周围的山脉轮廓。从富士山到筑波山，建筑形态与这些标志性山峰展开视觉对话，将当地景观融入儿童的日常体验中。这一设计选择将建筑转化为记忆制造装置，让幼年经历与地域地理产生内在联系。 这座两层建筑采用钢筋混凝土与木材相结合的混合结构系统。底层容纳0-2岁儿童的设施，采用坚固的混凝土结构以承受活跃的游戏活动，而容纳3-5岁儿童的上层则采用更为轻盈的木质结构。尽管防火规范要求用耐火石膏板覆盖复杂的木框架，但这种结构组合使建筑标志性的自由形态屋顶得以实现。 为应对熊谷极端的炎热天气，建筑师实施了多重降温策略。建筑达到最高隔热等级（4级），二层的外部百叶窗提供必要的遮阳控制。设计包含有遮阳走廊、骑楼和檐廊，创造重要的阴凉区域，并配备创新的喷雾系统，利用蒸发制冷原理。 该设施与室外空间的关系特别值得关注。每间教室都与室外保持紧密联系，连接着精心设计的空间，包括安全的庭院、有顶广场和与周围乡村景观融为一体的开放式平台。这种布局让孩子们可以自由选择他们喜欢的环境，同时通过细心的监护确保他们的安全。 团队 – 川久保智康建筑设计事务所成立于2005年，是一家位于东京的建筑事务所，凭借其创新的住宅和商业项目在建筑界掀起波澜。在建筑师川久保智康的带领下，这个紧密团结的团队以全新的创造力面对每一个委托项目。 川久保智康最初在著名的矶崎新建筑事务所工作，随后于2002年开始独立执业。他对空间规划的精通和对细节的敏锐洞察力，在其设计中得到充分体现，既确保功能最大化，又表达出独特的美学视野。事务所的住宅作品，如获奖的藏前小住宅（Kuramae Small House）和西原联排住宅（Nishihara Row Houses），展现了他们在受限的城市场地中打造高度宜居空间的能力。 在川久保的领导下，事务所采用跨学科的方法，经常模糊建筑与产品设计之间的界限。这种交叉融合创造出引人入胜的环境，定制家具和装置与建筑理念完美融为一体。 除了设计创新建筑，事务所还深度参与建筑教育。川久保自2014年起在日本大学工学院任教，并担任客座研究员，致力于培养新一代人才。 通过获得国际赞誉的建成作品和对推进建筑行业的承诺，川久保智康建筑设计事务所已确立其作为日本最令人兴奋的新兴建筑事务所之一的地位。 Project Name: Dai 2 Nadeshiko Nursery School Location: Kumagaya City, Saitama Prefecture, Japan Design Team: Kawakubo Tomoyasu Architects Structural Design: Kume Hiroki Structural Engineers Construction: Ishikawa Construction Co., Ltd. Total Floor Area: 1,720.63 m² Site Area: 4,239.29 m² Structure: Reinforced Concrete + Partial Timber Construction Floors: 2 Stories Above Ground Design Period: June 2019 - February 2023 Construction Period: March 2023 - March 2024 Completion: March 2024 Photographer: Sobajima Toshihiro Feature： Project - In the heart of Japan's Kanto Plain, Dai 2 Nadeshiko Nursery School emerges as a thoughtfully designed educational facility that harmoniously blends architectural innovation with environmental consciousness. This newly completed project, accommodating over 200 children, represents a sophisticated response to both pedagogical needs and climatic challenges in Kumagaya, famously known as Japan's hottest city. The building's most striking feature is its distinctive roofline, which poetically mirrors the surrounding mountain ranges visible from the site. From Mount Fuji to Mount Tsukuba, the architectural form creates a visual dialogue with these iconic peaks, embedding the local landscape into the children's daily experience. This design choice transforms the building into a memory-making device, where early childhood experiences are intrinsically linked to the regional geography. The two-story structure employs a hybrid construction system that combines reinforced concrete and timber. The ground floor, housing facilities for children aged 0-2, utilizes robust concrete construction to withstand active play, while the upper level, dedicated to 3-5 year olds, features a more delicate wooden structure. Although fire regulations necessitate covering the complex wooden framework with fire-resistant plasterboard, this combination enables the creation of the building's signature free-form roof. In response to Kumagaya's extreme heat, the architects implemented multiple cooling strategies. The building achieves the highest insulation rating (Grade 4), while external blinds on the second floor provide essential solar control. The design incorporates covered walkways, pilotis, and eaves that create vital shade, complemented by an innovative mist system that leverages evaporative cooling. The facility's relationship with its outdoor spaces is particularly noteworthy. Each classroom maintains a strong connection to the exterior, opening onto a series of thoughtfully designed spaces including a secure courtyard, covered plaza, and open decks that merge with the surrounding rural landscape. This arrangement gives children the freedom to choose their preferred environment while ensuring their safety through careful oversight. Design Team - Founded in 2005, Kawakubo Tomoyasu Architects is a Tokyo-based architectural firm making waves with their innovative residential and commercial projects. Led by principal architect Tomoyasu Kawakubo, a first-class certified architect, the firm's tight-knit team approaches each commission with fresh creative energy. Kawakubo cut his teeth at the renowned Isozaki Arata & Associates before branching out on his own in 2002. His mastery of spatial planning and keen eye for detail shine through in designs that maximize functionality while expressing a distinct aesthetic vision. The firm's residential work, such as the award-winning Kuramae Small House and Nishihara Row Houses, demonstrates an ability to craft highly livable spaces on constrained urban sites. With Kawakubo at the helm, the practice embraces an interdisciplinary approach, often blurring the lines between architecture and product design. This cross-pollination results in compelling environments where customized furniture and fixtures seamlessly integrate with the architectural concepts. Beyond designing innovative buildings, the firm is deeply engaged in architectural education. Kawakubo has taught at Nihon University's College of Engineering since 2014 and serves as a visiting researcher, nurturing the next generation of talent. Through built works earning international acclaim and a commitment to advancing the profession, Kawakubo Tomoyasu Architecture & Associates has cemented its position as one of Japan's most exciting emerging practices. 设计团队 旅游探访 1720.63 m² 埼玉县熊谷市，日本 2024 Previous Next

< 返回 18-07度假别墅 OFFICE INAINN 项目名称：18-07度假别墅 地点：瓦尔达尔，挪威 设计团队：OFFICE INAINN 建筑面积：127 m² 竣工时间：2025年 摄影：ONI Studio 设计特色： 项目 - 坐落于挪威西海岸的峭壁之上，由OFFICE INAINN设计的18-07度假别墅展现了建筑敏感性的极致体现。这座127平方米的住宅于2025年4月竣工，将在陡峭岩石地形上建造的挑战转化为结构与景观创新对话的机遇。 该项目最引人注目的成就在于其对现有地形的尊重态度。建筑师们没有平整具有挑战性的山坡场地，而是拥抱自然轮廓，创造出两个微妙错位的体量，顺应坡地的有机节奏。这一决策消除了挡土墙的需求，同时产生天花板高度和空间体验的自然变化，营造出与场所真实连接的感受。 建筑叙事通过精心编排的运动序列展开。访客沿着岩层和建筑围护结构之间的狭窄路径前行，过渡到高大的线性走廊，它作为狂野海岸景观与温暖室内港湾之间的温和桥梁。光线成为动态设计元素，透过回应海岸色调变化的木质墙体过滤，最终在每个房间独特框景的峡湾景观中达到高潮。 材料选择体现了情境融合的哲学理念。本地采购和具有原生感的材料创造出触觉丰富、低调内敛的调色板，增强而非竞争自然环境。木质外墙回应海岸环境的情绪变化，而室内饰面保持与粗犷外部景观的连接。 这个OFFICE INAINN与深深植根于该地区的客户之间的合作项目，展示了当代建筑如何在提供现代功能性的同时尊重场所。其结果是一座仿佛从景观中生长出来的住宅，体现了自然应当引领建筑决策的指导原则。 设计团队 - 由建筑师马克西米利安·萨维茨基于2020年创立的OFFICE INAINN事务所，已成为当代斯堪的纳维亚建筑领域的独特声音，建立了一个超越传统学科边界的实践体系。总部位于挪威奥勒松的事务所，在建筑、艺术与实践型研究的关键交汇点运营，开发创新方法论以应对以用户为中心的设计与场地特定环境条件。 在萨维茨基的领导下，OFFICE INAINN将建筑实践重新定义为创造情境敏感空间干预的过程，深深植根于斯堪的纳维亚设计哲学。工作室的方法强调人、自然与建成环境之间的动态对话，每个项目都作为对景观地形学、文化语境与当代生活模式之间复杂关系的深思熟虑回应而产生。 事务所的设计方法论广泛汲取斯堪的纳维亚现代主义的基本原则——简洁性、功能性与环境管理——同时通过严谨的研究框架推进超越传统应用的实践。这种方法在项目中体现为对自然系统的深刻尊重，最小化生态影响的同时创造持久、可持续且和谐融合的建筑解决方案。 OFFICE INAINN的扩展学科方法涵盖跨多重尺度的战略规划、材料规格与详细施工文档。事务所对持久性与环境责任的承诺确保每项建筑干预不仅仅作为功能结构运作，而是通过尊重且可持续的设计策略对其直接语境进行深思熟虑的转化。 设计团队 旅游探访 127 m² 瓦尔达尔，挪威 2025 Previous Next

< 返回 卡尔顿大学尼科尔楼 Hariri Pontarini Architects 设计特色： 项目 – Hariri Pontarini Architects最新力作——卡尔顿大学斯普罗特商学院尼科尔大楼广受好评，这座地标建筑巍然矗立在校园关键十字路口，彰显创意与创新精神。 建筑最引人注目的特色莫过于其柔美的弧形轮廓——宛如一个拥抱，热情迎接来访者与学子。这道优雅的弧线贯穿内外，从立面一直延伸到建筑核心处戏剧性的天窗中庭，营造出浑然一体的美学体验。 可持续发展理念与创新手法在尼科尔大楼中得到巧妙融合。外立面采用大胆的预制混凝土竖向肋板，不仅突出了建筑的曲线轮廓，还有效降低太阳辐射室内得热量。内部空间运用了名为"BubbleDeck"的创新建造技术，利用回收塑料球体替代部分混凝土，打造出开阔的无柱空间。 这座六层建筑内设有配备先进技术的教室、协作空间以及创新中心，旨在促进跨学科交流与产学合作。凭借其位于校园地下通道系统之上的优越位置和明亮通透的室内环境，尼科尔大楼在漫长的渥太华冬季里依然温暖宜人。 这一前瞻性设计不仅为校园提供了一流的学习环境，更是斯普罗特商学院形象与价值观的有力诠释。 团队 – Hariri Pontarini Architects（HPA）自1994年由Siamak Hariri 和 David Pontarini创立以来，已然成为加拿大建筑与城市设计领域的先锋。这家总部位于多伦多的事务所现已发展至150人规模，以其对卓越设计的执着追求和通过持久建筑与富有灵感的公共空间塑造更美好城市的承诺而闻名遐迩。 HPA的作品涵盖文化、学术、综合用途、住宅、医疗保健和商业等多元类型项目。他们的设计理念根植于体验导向的方法，着重于材质、光线和触感品质，打造超越纯粹功能性的空间体验。 HPA的设计方法特点在于深入研究和对细节的一丝不苟，由此缔造出既呼应场地环境又富有前瞻性的建筑作品。事务所对可持续发展的承诺体现在其全面、多角度的建筑设计方法中，优先考虑碳减排和韧性社区营造。 作为领先机构和开发商的可信赖顾问，HPA已然成为创新设计的实验室，研究与创意在此交汇碰撞。他们的作品不断突破建筑实践的边界，从单体建筑到大尺度城市干预，始终着眼于塑造加拿大乃至全球城市的未来。 Feature： Project - Hariri Pontarini Architects has unveiled the Nicol Building, a striking new home for Carleton University's Sprott School of Business in Ottawa, Canada. This 10,684-square-meter landmark structure stands as a beacon of creativity and innovation at a pivotal campus crossroads. The building's most distinctive feature is its gentle, curving form - an architectural embrace that greets visitors and students alike. This sweeping arc is expressed both externally and internally, creating a unified aesthetic that flows seamlessly from the façade to the dramatic skylit atrium at the heart of the structure. Sustainability and innovation are woven into the fabric of the Nicol Building. The exterior is clad in bold vertical precast fins that not only accentuate its curved silhouette but also serve to reduce solar heat gain. Inside, the architects have employed an ingenious construction technique called BubbleDeck, utilizing recycled plastic spheres to displace concrete and create expansive, column-free spaces. The six-story structure houses a vibrant mix of technology-enabled classrooms, collaborative spaces, and an Innovation Hub designed to foster cross-disciplinary interaction and industry partnerships. With its strategic location above the campus pedestrian tunnel system and its light-filled interiors, the Nicol Building creates a welcoming environment that defies Ottawa's long winters. This forward-thinking design not only provides a state-of-the-art learning environment but also serves as a powerful expression of the Sprott School of Business's core values. Design Team - Hariri Pontarini Architects (HPA), founded in 1994 by Siamak Hariri and David Pontarini, has emerged as a vanguard in Canadian architecture and urban design. This Toronto-based practice, now 150 strong, is renowned for its commitment to design excellence and city-building through enduring architecture and inspired public realms. Led by Hariri and Pontarini, alongside key partners Doron Meinhard and Ladan Niknam, HPA's portfolio spans a diverse typology of cultural, academic, mixed-use, residential, healthcare, and commercial projects. Their design philosophy is rooted in an experiential approach, focusing on materiality, light, and tactile qualities to create spaces that transcend mere functionality. HPA's methodology is characterized by intensive research and meticulous attention to detail, resulting in buildings that are both contextually responsive and forward-thinking. The firm's commitment to sustainability is evident in their comprehensive, multi-faceted architectural approach, prioritizing carbon reduction and resilient community building. As trusted advisors to leading institutions and developers, HPA has become a laboratory for innovative design where research meets creativity. Their work consistently pushes the boundaries of architectural practice, from single buildings to large-scale urban interventions, always with an eye towards shaping the future of cities across Canada and globally. 设计团队 旅游探访 10684 m² Ottawa, Canada 2021 Previous Next

< 返回 PK 住宅 8x8 Design Studio Co. 设计特色： 项目 – 位于菲律宾卡拉塔根的山顶上的PK 住宅，由8x8 Design Studio设计，作为对传统菲律宾茅屋“Bahay Kubo”的当代诠释。这座面积2400平米的周末度假屋，由三个层级的体量组成渐缩的金字塔形，提供层层阴凉并拥有俯瞰周围热带风景的全景视野。作为住宅的支点的是其一层开放的“Silong”空间（菲律宾传统房屋特色）,设想为一个流动的公共区域，中心是一个细长的铁木餐桌，流线穿梭室外庭院和游泳池，打破室内与室外的界限。 上层是玻璃围合的透明“Bulwagan”客厅，通高落地玻璃可以通过滑动完全打开。 最顶层是私人的主人套房，其可旋转的窗户让室内与外部阳台融为一体。建筑钢结构利用伸出的部分作为遮阳装置，表面涂以耐候材料以抵御海边气候。室内漂白的木质表面设计唤起传统菲律宾建筑回忆，与当代家具形成对比。主浴室的Inoki浴池也是一个引人注目的设计亮点。总体来说，这个项目将本土风格转化为一个与周围环境相连的宁静现代之家。 团队 – 8x8设计工作室成立于2012年，由Adrian Alfonso和Pearl Robles创立，这是一家位于菲律宾马卡蒂的年轻建筑设计公司，致力于打造富有激发性的空间环境。“8x8”这个名字来源于无限延伸的理念，以开发组织空间的新方法。无限是他们设计过程的核心，通过对场地空间机会和项目需求的研究，内嵌于每个项目中。8x8通过深入探索轻盈体量、立体姿态、空间质感等策略，孕育建筑词汇，为菲律宾当代建筑开辟新方向。作为一个小型工作室，8x8仅服务于选定的项目，从概念到落地提供充分的设计与管控，详细的3D建模和全面的细节关注确保设计得以精确转化为落地建筑。他们专长于现代建筑，为住宅、商业和酒店提供建筑和室内设计的创新解决方案。在2016年，8X8被选为威尼斯建筑双年展菲律宾国家馆的九个参与者之一。 Feature： Project - Set atop a hill in Calatagan, Philippines, the striking PK House designed by 8x8 Design Studio serves as a contemporary reinterpretation of the traditional Filipino Bahay Kubo. The 2400 sqm weekend retreat comprises three cascading volumes that create a tapering pyramidal form, providing shade and framing panoramic views of the surrounding tropical landscape. Anchoring the home is the ground floor Silong, conceived as a fluid communal area with an elongated ironwood dining table at its core. This flows into exterior courtyards and pools, blurring indoor/outdoor boundaries. Cantilevered above is the transparent Bulwagan living pavilion, enveloped in full-height glazing that opens fully via sliding panels. At the top, the private master suite has turnable windows that allow it to become one with the exterior deck. The steel-framed volumes employ overhangs as solar shading devices and are finished with weather-resistant materials to withstand the seaside climate. Inside, bleached wooden surfaces evoke traditional Philippine architecture, offset by contemporary furnishings and sculptural light fixtures. An Inoki soaking tub makes a striking statement in the master bath. Overall, the project translates vernacular influences into a tranquil modern sanctuary that connects with the surrounds. Design Team - Founded in 2012 by partners Adrian Alfonso and Pearl Robles, 8x8 Design Studio is a young architecture firm based in Makati, Philippines dedicated to crafting inspired spatial environments. The name "8x8" stems from the concept of multiplying infinities to develop novel approaches in composing space. Infinities are core to their design process, embedded in each project through studies of site spatial opportunities and program requirements. 8x8 rigorously explores strategies for lightness, object stance, and spatial grain to grow an architectural vocabulary that defines new directions for Philippine architecture. As a small studio catering to select projects, 8x8 offers substantial design control from conception through realization. Detailed 3D modeling and comprehensive attention to detail ensure designs are precisely translated into built form. Specializing in modern architecture, they provide fresh residential, commercial, and hospitality solutions encompassing architecture and interiors. Their recent accolades include Arch+ Planetary Urbanism publication in Germany and the Philippines Pavilion at the 2016 Venice Architecture Biennale. 设计团队 旅游探访 2400 m² 菲律宾 卡拉塔根 2023 Previous Next

< 返回 鸟之塔 Atelier Íchiku 项目名称：鸟之塔 地点：香川县高见岛，日本 设计团队：大室佑介 建筑面积：2.48平方米 竣工时间：2025年9月 摄影：若林勇人 设计特色： 由建筑师大室佑介领导的Atelier Íchiku在香川县高见岛创作了一座冥想之塔，作为2025年濑户内国际艺术节秋季会期的一部分。这座"鸟之塔"矗立在一个人口不足30人的荒岛上，是一次精致的建筑介入，提供了一个垂直的庇护所，与濑户内海的水平广阔形成对比。 该结构在建筑表达上体现了克制。这座4.65米高的塔楼并非将自己打造成主导性地标，而是被构想为景观中的谦逊添加物，既尊重岛屿雄伟的自然环境，也考虑到其毗邻墓地的位置，该墓地保留了高见岛独特的传统"两墓制"。正八角形的外部覆盖着波纹金属板，强调垂直线条，在保持2.48平方米的谦逊占地面积的同时，引导视线向上延伸。 这个项目的独特之处在于其几何外部与圆柱形内部之间的相互作用。规整的正八角形平面在内部转变为直径1.5米的圆形空间，创造出意想不到的空间体验。自然光透过半透明屋顶过滤而下，将抹灰的内墙转化为一个发光的井。在弯曲的表面上嵌入了艺术家中谷美智子创作的两件名为"青い鸟"的凹型浮雕作品，充填着透明树脂，微妙地反射光线，为宁静的氛围增添柔和的动感。 入口按照1比1加1.618的比例设计，参考了黄金比例，标志着外部水平海景与内部垂直冥想空间之间的阈限。这座塔由大室佑介和一小组协作者在现场手工组装，既作为与艺术一对一相遇的展览空间，也作为体验自然声音和光线的装置，与周围的海洋景观相隔离。 项目的绝妙之处在于对高见岛特殊场所精神的建筑性回应与几何纯粹性的精准控制。设计团队将塔这一历史悠久的建筑原型转化为当代冥想空间，通过正八角形到圆形的几何转换，构建出既具仪式感又不失亲密尺度的垂直体验。波纹金属板、半透明屋顶和漆喰墙面等材料的组合，创造出光线与质感相互作用的诗意氛围。 最引人注目的是，建筑师通过对比例和光线的巧妙操控在极小尺度中创造出超越其物理尺寸的空间体验。自然光透过半透明屋顶洒落，如同一口光之井，配以中谷美智子的浮雕作品和透明树脂的微妙反射，整个内部空间充满静谧的灵性氛围。而主要空间则通过圆筒状布局与精心设计的开口建立天地之间的视觉联系，营造出超脱日常的沉思体验。 空间策略延续了这种场所敬意与建筑介入和谐统一的设计理念。精准的几何控制和克制的材料运用相互呼应，正八角形平面强化了结构的稳定性与象征性。垂直向度的强调促进从水平海景到垂直天空的视线转换，确保舒适专注的艺术体验环境，完美契合艺术祭对场所特定性与沉浸式体验的期待。 设计团队： Atelier Íchiku由建筑师大室佑介于2009年创立，已成为日本当代建筑中的独特声音，以创造平衡几何严谨性与诗意敏感性的冥想空间而闻名。大室佑介1981年生于东京，通过在多摩美术大学的教育以及2007年至2009年在普利兹克奖得主矶崎新事务所工作的形成期，培养了精致的设计敏感度。 该事务所在东京和三重县设有双基地，使公司能够参与日本各地的城市和乡村环境。这种地理双重性影响了Atelier Íchiku的设计理念，始终如一地展现出对自然景观的尊重，同时探索纯粹几何形式的表现潜力。 大室佑介的建筑方法的特点是对比例和材料真实性的细致关注。他的作品揭示了对简单几何变换如何创造深刻空间体验的深刻理解，正如鸟之塔等项目所证明的，八角形外部无缝过渡到圆柱形内部体量。该事务所擅长创造与周围环境进行深思熟虑对话的亲密尺度介入，而非主导环境。 工作室的设计哲学优先考虑场所精神与空间叙事的有机结合，强调每个项目应回应其独特的地理与文化语境。这一方法在建筑界获得广泛认可，体现在从小型装置到建筑项目的多元实践中。事务所的设计声誉建立在对工艺的承诺和对细节的执着追求之上，确立了Atelier Íchiku作为具有深刻人文关怀并兼具几何精确性与空间诗意的重要事务所地位。 该事务所的设计哲学强调建筑设计应该超越形式追求，不仅仅是为了创造视觉冲击而设计，更是为了与场所精神和使用者体验共同有机演进。通过对项目场所性认知和材料表达的深度关注，开展从装置到建筑的多元化项目，相信最好的设计是通过精准和深思熟虑的过程产生的谦逊介入。Atelier Íchiku相信空间应该成为场所记忆和自然体验的载体，通过策略性的几何组织和材料选择创造独特的冥想式设计。 经过超过十五年的独立实践，通过对几何纯粹性与场所敬意的深思熟虑结合、自然光线和空间叙事的运用，以及经过时间验证的建筑智慧，Atelier Íchiku已确立自己作为当代日本建筑话语重要贡献者的地位，创造出既具精神性又拥抱工艺精神的作品。该事务所目前在日本建筑景观中占据独特地位，专注于创造记忆深刻且富有场所诗意的空间体验。 设计团队 旅游探访 2.48 m² 香川县高见岛，日本 2025 Previous Next

< 返回 JINS川岛互通店 Fumiko Takahama Architects 项目名称：JINS川岛互通店 地点：埼玉县比企郡，日本 设计团队：髙滨史子小松智彦建筑设计 建筑面积：199.69 m² 竣工时间：2023年10月 摄影：阿野太一 设计特色： 项目 -在埼玉县比企郡川岛互通附近的购物中心区域，通过JINS川岛互通店项目，创造了一处与周边宁静乡村景观和谐共存的建筑。这座约200平方米的空间巧妙地平衡了独特的建筑形态与自然环境的融合，创造出一个突破传统零售店设计的独特体验场所。 设计团队以寄栋（四坡屋顶）为基础概念，精心打造了一个与周围环境相协调的空间，在这里，建筑的每个立面都呈现出不同的视觉效果。项目最引人注目的特色是其V形切口的创新处理手法，这些战略性开口既向外展示店内活动，又将外部自然景观引入室内空间。这种内外交融的设计理念在创造透明度的同时又保持了空间的完整性。 室内建筑展现了对空间层次的深刻理解，屋顶形状直接反映在内部空间中，创造出天花板高度从2米到5米不等的动态环境。设计团队对顾客体验的细致考虑体现在视觉通透性上，顾客在选择眼镜时可以同时欣赏外部的绿色植被和天空。 JINS川岛互通店的与众不同之处在于它成功地将紧凑的建筑体量与宽阔的植栽区域相结合。这种设计既避免了周边大型商业设施常见的工业化氛围，又为访客提供了交流互动的空间。这个项目代表了零售设计的重要成就，将建筑转化为一个"似生物体"般的有机存在，在外部塑造亲切记忆点的同时，内部创造出动感而开放的空间体验。 这个项目展示了周到的设计如何将日常零售空间转变为与环境对话的有意义场所，为日本郊区商业建筑设计树立了新标准。 团队 -髙滨史子小松智彦建筑设计成立于2012年4月（初名为+ft+/高滨史子建筑设计事务所），于2024年10月重组更名，已发展成为日本具有创新力的建筑设计事务所之一，以其对空间构成和环境融合的独特理解而闻名。这家总部位于东京世田谷区的工作室由首席建筑师高滨史子和小松智彦领衔，凭借将精确的空间分析与环境敏感性的巧妙融合而获得业界认可。 高滨史子（生于1979年）在京都大学完成本科学业后，在东京大学大学院继续深造，并曾在瑞士联邦理工学院留学期间于Christian Kerez和HHF Architects实习。2007年硕士毕业后，她在国际知名的Herzog & de Meuron工作至2012年，积累了丰富的专业经验。她的学术背景还包括在神户大学、东京大学的研究职位以及在工学院大学和芝浦工业大学的教学工作。 小松智彦（生于1989年）毕业于东京理科大学工学部，随后在东京大学大学院攻读硕士学位。在学习期间，他进行了世界一周旅行并在Aires Mateus实习。2015年获得硕士学位后，他在坂茂建筑设计工作至2021年，之后于2022年加入高滨史子的工作室，成为共同主持人。 该事务所专注于多元化的项目类型，不论规模大小和用途，涵盖新建筑、改建工程、室内设计、家具和照明设计以及城市规划等领域。他们的代表作品包括JINS Holdings东京总部、新加坡Christian Dada以及大矶的Giant House等，展现了他们对空间构成和材料运用的精湛理解。 工作室的设计方法将严谨的建筑规划与对用户体验的敏锐洞察相结合，成功在美学品质与实用功能之间取得平衡。他们对建筑的创新理解和对环境的敏感态度使其作品在日本当代建筑领域占有一席之地。 Project Name: JINS Kawajima Inter Store Location: Hiki District, Saitama, Japan Design Team: Fumiko Takahama Architects Total Floor Area: 199.69 m² Completion: October 2023 Photography: Taichi Ano Feature: Project - Fumiko Takahama Architects has completed their latest project - JINS Kawajima Inter Store near Kawajima Interchange, creating a structure that harmoniously coexists with the surrounding tranquil rural landscape. This approximately 200-square-meter space skillfully balances unique architectural forms with natural environmental integration, establishing a distinctive experiential venue that transcends traditional retail design. The design team, using a hip-roof structure as their conceptual foundation, meticulously crafted a space that coordinates with the surrounding environment, where each elevation of the building presents a different visual effect. The project's most striking feature is its innovative treatment of V-shaped incisions - these strategic apertures both showcase interior activities to the outside while drawing the external natural landscape into the interior space. This concept of interior-exterior fusion creates transparency while maintaining spatial integrity. The interior architecture demonstrates a profound understanding of spatial hierarchy, with the roof shape directly reflected in the interior space, creating a dynamic environment where ceiling heights vary from 2 to 5 meters. The design team's careful consideration of customer experience is evident in the visual permeability, allowing customers to appreciate external greenery and sky while selecting eyewear. What distinguishes the JINS Kawajima Inter Store is its successful combination of compact building volume with expansive planted areas. This design both avoids the industrial atmosphere common to surrounding large commercial facilities and provides space for visitor interaction. This project represents a significant achievement in retail design, transforming architecture into an "organism-like" organic presence, creating memorable external focal points while simultaneously developing dynamic and open interior spatial experiences. This is not merely an eyewear store but a vivid lesson demonstrating how thoughtful design can transform everyday retail spaces into meaningful places that dialogue with their environment, establishing new standards for suburban commercial architectural design in Japan. Design Team - Fumiko Takahama Architects, established in April 2012 (initially named +ft+/Takahama Fumiko Architecture Office) and reorganized in October 2024, has developed into one of Japan's innovative architectural design firms, renowned for its unique understanding of spatial composition and environmental integration. This Tokyo-based studio, located in Setagaya Ward and led by principal architects Fumiko Takahama and Tomohiko Komatsu, has gained industry recognition for its skillful fusion of precise spatial analysis with environmental sensitivity. Fumiko Takahama (born 1979) completed her undergraduate studies at Kyoto University before continuing her education at the University of Tokyo Graduate School, where she also studied abroad at ETH Zurich and interned at Christian Kerez and HHF Architects. After obtaining her master's degree in 2007, she worked at the internationally renowned Herzog & de Meuron until 2012, accumulating rich professional experience. Her academic background also includes research positions at Kobe University and the University of Tokyo, as well as teaching positions at Kogakuin University and Shibaura Institute of Technology. Tomohiko Komatsu (born 1989) graduated from the Faculty of Engineering at Tokyo University of Science and subsequently pursued a master's degree at the University of Tokyo Graduate School. During his studies, he undertook a world tour and interned at Aires Mateus. After obtaining his master's degree in 2015, he worked at Shigeru Ban Architects until 2021, before joining Takahama's studio in 2022 as co-director. The firm focuses on diverse project types regardless of scale and purpose, encompassing new construction, renovation projects, interior design, furniture and lighting design, and urban planning. Their representative works include JINS Holdings Tokyo Headquarters, Christian Dada Singapore, and Giant House in Oiso, demonstrating their sophisticated understanding of spatial composition and material application. The studio's design methodology combines rigorous architectural planning with keen insight into user experience, successfully balancing aesthetic quality with practical functionality. Their innovative understanding of architecture and sensitive attitude toward the environment have established their work in Japan's contemporary architectural field. 设计团队 旅游探访 199.69 m² 埼玉县比企郡，日本 2023 Previous Next

< 返回 “小炉子&小树桩“ 咖啡馆与游乐场 NITAPROW 设计特色： 坐落在曼谷郊区运河畔的“小炉子&小树桩”，NITAPROW为孩子们和其家人营造了一个梦幻般的仙境。这个双重项目包括一个295平方米的咖啡馆和一个256平方米的室内外游乐场，总占地4600平方米。 设计师从泰语单词"Rom"汲取灵感，它同时意味着"伞"和"遮蔽区域"。建筑师巧妙重新诠释了这些概念，打造出一种富有童趣的设计语言。咖啡馆的曲线天花和遮阳棚让人联想到自然舒展开的伞面，为户外座位区提供充足的遮荫，与郁郁葱葱的园林环境融为一体。但真正捕捉想象力的是毗邻的“小树桩”游乐场。其灵感来自一本儿童读物，这个等身大小的建筑诠释将一个中空树桩重新构想为孩子们探索思维的乐园。仿佛树干的立柱、窗户"树洞"和起伏的造型在围绕一个中庭"大树"的无缝室内外空间里交相辉映。 设计贯穿始终的是对年轻感知力的体贴考量，从小小的窗户和家具到引人入胜的分层水磨石墙，处处彰显对好奇心的关怀。“小炉子&小树桩“不仅是个咖啡店或游乐场，更是一个沉浸式环境，让现实与幻想交错，以游戏作为通用语言来滋养创造力、学习和成长。 Nestled along a canal in the outskirts of Bangkok, NITAPROW has created a whimsical wonderland for children and adults alike with Little Stove & Little Stump. This dual project comprises a 295 sq.m cafe and a 256 sq.m indoor-outdoor playground, situated on a 4,600 sq.m plot. Taking inspiration from the Thai word "Rom," which means both "umbrella" and "sheltered area," the architects crafted a design language that playfully reinterprets these concepts. The cafe's curving roof and canopy evoke the organic lines of an unfurled umbrella, providing ample shaded outdoor seating that embraces the lush garden surroundings. But it's the adjacent Little Stump playground that truly captures the imagination. Inspired by a children's book, this full-scale architectural interpretation reimagines a hollowed tree stump as an exploratory realm for young minds. Treetrunk-like columns, window "hollows," and undulating forms come together in a seamless indoor-outdoor space anchored by a courtyard "tree." Throughout, thoughtful details cater to youthful sensibilities, from miniature windows and furniture to layered terrazzo walls that beckon curious eyes. More than just a playground, Little Stove & Little Stump fosters an immersive environment where reality and fantasy intertwine, nurturing creativity, learning, and growth through the universal language of play. 设计团队： 成立于2013年的泰国NITAPROW建筑设计事务所，由合伙人尼塔·尤瓦本Nita Yuvaboon和普劳·普拖贺鲁Prow Puttorngul共同创立，是一家坐落于曼谷的建筑和室内设计事务所。凭借多年的综合设计经验，事务所的作品范围涵盖新建筑、室内外翻新、展览、定制家具以及总体规划等。通过对启发性研究的钻研，以及与创意思想家、企业家、工程师、设计师和视觉艺术家的无数合作，NITAPROW精心酝酿富有概念性的设计理念，并融入社会、历史和环境意识。他们以"简单"为原则，采取大胆与均衡并重的建筑手法，让每个项目最富个性的一面绽放光芒。 尼塔·尤瓦本拥有罗德岛设计学院建筑学和美术学士学位，以及哥伦比亚大学建筑保护与规划研究生院的城市设计硕士学位。普劳·普拖贺鲁则同样毕业于罗德岛设计学院，获得建筑学和美术学士学位，后在哥伦比亚大学建筑保护与规划研究生院取得高级建筑设计硕士学位。这支充满活力的团队推动着NITAPROW探索性的设计过程，持续交付出在建筑品质和语境共鸣方面均卓有成就的作品。 Founded in 2013 by partners Nita Yuvaboon and Prow Puttorngul, NITAPROW is a Bangkok-based design practice specializing in architecture and interior design. With 15-17 years of experience, the firm's portfolio encompasses newly constructed buildings, interior and exterior renovations, exhibitions, custom furniture, and master planning. Through meticulous research and collaborations with creative thinkers, entrepreneurs, engineers, designers, and artists, NITAPROW develops conceptually engaging designs imbued with social, historical, and environmental awareness. Their "simple" architectural approach balances boldness with restraint, allowing each project's unique personality to shine. Nita Yuvaboon holds a Bachelor of Architecture and Fine Arts from RISD, and a Master of Science in Advanced Urban Design from Columbia University's GSAPP. Prow Puttorngul also earned degrees from RISD (Bachelor of Architecture and Fine Arts) and Columbia GSAPP (Master of Science in Advanced Architectural Design). This dynamic group drives NITAPROW's exploratory design process, consistently delivering architecturally excellent and contextually resonant works. 设计团队 旅游探访 606 ㎡ 泰国，曼谷 2023年 Previous Next