< 返回 NUBIAN SAPPORO PARCO TORAFU建筑设计事务所 项目名称：NUBIAN SAPPORO PARCO 地点：北海道，日本 设计团队：TORAFU建筑设计事务所 建筑面积：265 m² 竣工时间：2025年 摄影：Daici Ano 设计特色： TORAFU建筑设计事务所为时尚精选店NUBIAN在札幌PARCO打造了一个颠覆常规的零售空间，通过将储藏室置于入口处重新构想传统店铺布局，创造出引人入胜的空间序列体验。这个265平方米的店铺位于商业设施二层，横跨主楼和副楼，是NUBIAN在北海道的首次亮相，也是继原宿、渋谷PARCO、名古屋PARCO和大阪之后在日本的第四个城市据点。 项目最卓越的设计在于其非常规的空间组织策略。建筑师大胆将通常隐藏的储藏室设置在前端区域，黑色墙面形成戏剧性门户，圆形照明装置勾勒出一条引导路径，将访客从功能性入口空间吸引至更深处的零售区域。这种反传统手法将储藏室转化为空间叙事的开篇，为接下来的购物体验营造期待感和探索欲。 主零售区域与深色入口形成鲜明视觉对比，采用白色和银色的克制色调，在粗犷工业元素与精致表面材料之间建立微妙平衡。裸露的天花板管道和结构构件保留了街头文化固有的原始粗糙感，而镜面和亚克力材料则引入多层次的光线反射与空间透明效果，创造出丰富的空间深度和精致氛围。 店铺形象的核心是两排象征性长挂架，顶部装配点状光盒装置，戏剧性地照亮陈列商品。沿建筑立面的展架背面采用冲孔金属材料，柔和过滤进入的自然光线，在室内营造渐变光影效果，增强整体空间的开放感。声学环境同样受到精心设计，扬声器被策略性整合在展示柜台上方、内部以及天花板分布点位，让音乐自然融入空间氛围，构建沉浸式听觉体验。 TORAFU的设计在保持NUBIAN品牌现有店铺连贯性的同时，引入了专属于札幌地域的独特空间表达方式。最终呈现的是一个简约而富有层次的购物环境，光线、声音和材料质感相互作用，创造出独特的零售氛围，成功融合了国际时尚美学与街头文化特质。 设计团队 - TORAFU建筑设计事务所由铃野浩一和秃真哉于2004年创立，已发展成为一家将建筑思维应用于多元设计领域的实践机构。事务所总部位于东京，业务涵盖建筑设计、室内设计、展览会场构成、产品设计、空间装置和影像制作等多个领域，在不同项目类型中始终贯彻以建筑学思考为基础的设计方法论。 在创始合伙人铃野浩一和秃真哉的持续领导下，TORAFU建筑设计事务所积累了丰富的设计成果，代表作品包括Template in Claska、NIKE 1LOVE、港北住宅、空气之器、Gulliver Table和Big T等。2011年为佳能在米兰设计周创作的装置"光之织机"荣获会期内最优秀展示的ELITA设计奖最优秀奖，而标志性产品空气之器于2015年被蒙特利尔美术馆认定为永久馆藏。 铃野浩一毕业于东京理科大学工学部建筑学科，后于横浜国立大学取得建筑学硕士学位，曾在Coelacanth K&H及澳大利亚墨尔本的Kerstin Thompson Architects工作。秃真哉毕业于明治大学理工学部建筑学科并取得硕士学位，曾在青木淳建筑计划事务所积累专业经验。两位主持建筑师均活跃于设计教育领域，担任多所大学的客座教授和非常勤讲师，铃野浩一同时担任优良设计奖审查委员。 TORAFU建筑设计事务所的设计理念强调概念清晰性和创新空间解决方案，累积了众多国际荣誉，包括多项优良设计奖、iF设计奖、红点最佳设计奖和亚洲设计奖等。事务所出版了多部专着记录其设计过程和理论方法，包括《空气之器的本》《TORAFU ARCHITECTS 2004-2011 TORAFU建筑设计事务所的理念与过程》《TORAFU的小小都市计划》以及《TORAFU建筑设计事务所 Inside Out》等，系统阐述了他们将建筑概念转化为跨尺度空间体验的独特方法论。 设计团队 旅游探访 265 m² 北海道，日本 2025 Previous Next

< 返回 上目黒之家 森田悠纪建筑设计事务所 项目名称：上目黒之家 地点：东京 ， 日本 设计团队：森田悠纪建筑设计事务所 建筑面积：127.79 m² 竣工时间：2025年 摄影：西川公朗 设计特色： 项目 - 位于东京目黒区的上目黒之家，由森田悠纪建筑设计事务所设计，展现了对场地特殊条件的精妙回应和独特的建筑语言表达。这座两层木结构住宅坐落在一条由暗渠化河流形成的绿道旁，创造出远离都市喧嚣的宁静居所，通过创新的空间策略在城市与自然之间建立起微妙的平衡关系。 该设计最独特的特征是其创新的"壁柱列柱"设计概念。建筑采用一系列垂直于绿道的壁柱，创造出列柱般的空间品质。这种富有韵律的结构元素同时实现了多重功能，框取通向葱郁绿道的视野，提供必要的私密性以隔离行人视线，并成为采用耐热强化玻璃的大面积开口的结构支撑。壁柱按半间间隔约910毫米布置，建立起一种节奏感，塑造了建筑的外部表情与内部空间体验。这种设计确保了沿壁柱方向的视线通透性，同时有效遮挡来自斜向的视线，创造出守护与开放并存的空间氛围。 项目的建筑叙事通过精妙的空间层次展开，回应场地复杂的地形与环境条件。场地从街道向绿道方向下降约一米，位于南北台地之间的谷地中。建筑师设计了沿不规则用地边界雁行的平面布局，这种之字形配置最大化了对角线方向的视线通透性，充分利用场地形状固有的空间潜力。在剖面设计中，两片屋顶回应地形并引导视线朝向下方绿意，低矮的屋檐阻挡来自北侧建筑的视线，同时保持亲切的尺度感，在严格的斜线限制中实现了舒适的空间体验。 材料选择体现了当代设计的精致性与对场地条件的务实回应。考虑到敷地预计会发生内涝，住宅采用高基础设计，混凝土体量围合内部空间，提供结构安全与心理安全感。木结构系统与混凝土基础的结合确保了建筑的结构完整性和长期耐久性，同时保持了温暖宜人的居住氛围。 立面处理展现了结构与环境空间的亲密关系。壁柱创造的回廊般空间成为历史上用于隔离与连接不同领域的建筑元素在当代的重新诠释，在这里作为街道、绿道与住宅接触的临界空间而存在。这种过渡性空间创造出业主所描述的时间流逝变慢的独特体验。壁柱框定的深邃开口强化了室内静谧与外部动态的对比意识，将风中摇曳的绿道树木和行人动态清晰地框取出来，而内部的宁静在这种对比中得到强化，营造出仿佛从洞穴中观察外部世界般的原初感受，让意识向当下这一瞬间敞开。 项目的显着特色是其精心编排的场地响应策略和空间体验价值。上目黒之家位于袋小路的最深处，附近没有车辆通行，形成了远离都市喧嚣的静谧环境。然而绿道上行人往来频繁且距离较近，需要建立恰当的内外关系而非简单地开放。建筑师通过雁行的列柱创造的回廊般空间，精确地回应了这一矛盾需求。这是一座为提升日常生活质量而设计的建筑，证明了在密集的城市环境中，建筑可以通过深思熟虑的设计创造出丰富的空间体验和情感共鸣。建筑与城市的联系在精致平衡的对话中无缝整合，创造了居住和感知当下的意义空间。曾经的河流已转变为人们往来的绿道，这座住宅也将随着庭木的生长被绿意包围，在这些变化中，建筑始终如一地将人的感觉引向"当下"。 设计团队 - 森田悠纪建筑设计事务所由建筑师森田悠纪于2015年创立，是一家总部位于东京的设计事务所，致力于创造能够深刻打动人心的空间。如今，在创始人兼主持建筑师森田悠纪的带领下，事务所保持着精炼而专注的团队结构，从东京调布市的工作室开展设计实践。 在森田悠纪的创意指导下，上目黒之家项目体现了事务所核心的设计理念和方法论。森田是一级注册建筑师兼代表董事，曾在里斯本工业大学建筑学部学习，具有国际学术经验，并在小川广次建筑设计事务所和Work Visions等日本知名事务所接受专业训练。他目前在爱知产业大学、千叶大学和共立女子短期大学担任非常勤讲师，在保持活跃的设计实践的同时为建筑教育做出贡献。 事务所的设计哲学聚焦于创造"触动人心的空间"，认为优秀的空间具有打动人心的力量，从瞬间鲜明的感受到长时间静静渗透的影响都包含其中。他们的设计方法论强调不拘泥于特定风格，让场地条件和业主价值观引导设计方向，从概念构想、基本规划到材料选择、细部设计、家具和照明设计，跨越尺度认真对待每一个项目。事务所追求最大限度地引出场地本来具有的魅力，为使用者创造"独一无二"的不可替代空间，在信息泛滥、流行更迭的当代，目标是创造经得起时间考验、长久被珍视的建筑。 显着成就包括小诸之家、稲城之家、春日之家、国分寺之家等住宅项目，作品在《新建筑住宅特集》《住宅建筑》《Casa Brutus》《I'm home》《Modern Living》《Detail》等主要建筑出版物中获得广泛认可。事务所的作品还在architecturephoto、TECTURE MAG等专业媒体平台上得到深入报道和评析。 森田悠纪建筑设计事务所通过涵盖住宅、集合住宅、商业设施和各类公共设施的多样化作品集，在日本当代建筑领域建立了独特的设计立场，展现出对场地特性深入理解、对空间品质持续追求以及对长久价值坚定承诺的设计态度。 设计团队 旅游探访 127.79 m² 东京，日本 2025 Previous Next

< 返回 深业泰富罗湖城市会客厅 GROUNDWORK 设计特色： 在深圳笋岗区的现代都市氛围中，"面纱"城市会客厅犹如一抹清新雅致的风景线。这座由Groundwork精心打造的创新空间，巧妙融合了中国山水画的灵动意境，重新定义了社区中心的概念。 最引人注目的设计元素莫过于其雕塑般的内部空间。优雅起伏的曲面墙体仿佛水墨画中流畅的笔触，贯穿三层楼空间，引导访客踏上一段明暗交织、开阔与私密并存的感官之旅。 Groundwork的创始人阮文韬巧妙地将形式与功能融为一体，将一个普通的销售中心蜕变成多功能的城市绿洲。玻璃外立面与柔和有机的内部空间形成鲜明对比，与周边粗犷的城市肌理和谐共处。 自然光在设计中扮演着关键角色。阳光透过几何形状的天窗和格栅洒落，在曲面墙上投射出变幻莫测的光影图案，为空间注入活力，随时间流转呈现不同面貌。"面纱"内设有咖啡厅、图书馆、展览区和工作空间等多元功能区，旨在促进社区交流，同时为个人提供沉思空间。从戏剧性的中庭到顶层宁静的图书馆，每一层都别具风格，后者更可饱览城市全景。 这个项目堪称建筑诗学的典范，为深圳市民提供了一处宁静港湾，让他们在都市喧嚣中寻得联结、创造和放松的时刻。"面纱"城市会客厅不仅仅是一座建筑，更是一座文化地标，彰显了空间营造的艺术，以及中国美学在当代语境中的永恒魅力。 In a striking blend of elegance and urban grit, The Veil City Lounge emerges as a captivating oasis in Shenzhen's Sungang district. Designed by Groundwork Architects & Associates, this innovative space redefines the community hub concept, drawing inspiration from the delicate artistry of Chinese landscape painting. The Veil's most arresting feature is its sculptural interior, dominated by gracefully curved walls that evoke the fluid lines of ink-wash paintings. These undulating surfaces create a seamless flow throughout the three-story structure, guiding visitors on a sensory journey between light and shadow, openness and intimacy. Groundwork's founder, Manfred Yuen, has masterfully integrated form and function, transforming a former sales center into a multifaceted urban retreat. The design juxtaposes the building's glass exterior with its soft, organic interior, creating a harmonious contrast with the surrounding neighborhood's rugged character. Natural light plays a crucial role, filtering through geometric roof windows and trellises to cast ever-changing patterns on the curved walls. This interplay of light and shadow brings the space to life, imbuing it with a dynamic energy that evolves throughout the day. The Veil houses a diverse array of spaces, including a café, library, exhibition areas, and work zones, all designed to foster community interaction and individual contemplation. Each floor offers a unique atmosphere, from the dramatic central atrium to the serene upper-level library with its panoramic city views. This project stands as a testament to the power of architectural poetry, offering Shenzhen residents a tranquil haven where they can connect, create, and find moments of repose amidst the urban bustle. The Veil City Lounge is more than just a building; it's a cultural landmark that celebrates the art of space-making and the enduring allure of Chinese aesthetics in a contemporary context. 设计团队： GROUNDWORK始创于2007年伦敦，2011年在香港正式成立，迅速成为实验性建筑、城市设计和景观建筑领域的先锋。在建筑师阮文韬的带领下，这家公司以其在社会性建筑方面的创新方法而闻名，在业界开辟了独特的一席之地。 GROUNDWORK的" Unglamorous Architecture"理念挑战了传统美学观念，转而专注于创造服务于集体人类需求的体验式空间。这一理念使得事务所的项目组合极为多样，从大规模城市干预到精致的室内设计，无一不体现出对场地语境和社会动态的深度契合。事务所的跨学科方法融合了建筑、城市规划和社会研究，香港街市项目就是其中的代表作。 GROUNDWORK的设计过程以叙事性建筑、严谨的模型制作为特色，并善于将限制条件转化为创意催化剂。在阮文韬带领的充满激情的设计团队努力下，GROUNDWORK凭借其具有社会响应性和美学创新性的项目赢得了国际赞誉。事务所致力于"雕琢体验"而非仅仅设计建筑结构，这一理念使其跻身于新一代建筑实践的前沿，将人性体验和城市语境置于传统建筑成功标准之上。 GROUNDWORK的作品遍布多个国家，展现了其创造与当地社区共鸣同时又推动建筑话语边界的能力。这种独特的社会意识、设计创新和实际执行能力的融合，使GROUNDWORK在塑造未来城市环境方面发挥着举足轻重的作用。 Founded in 2007 in London and formally established in Hong Kong in 2011, GROUNDWORK has rapidly emerged as a vanguard in the field of experimental architecture, urban design, and landscape architecture. Under the leadership of Manfred Yuen, a Cambridge-educated architect known for his innovative approach to social architecture, the firm has carved out a unique niche in the industry. GROUNDWORK's philosophy of "Unglamorous Architecture" challenges conventional notions of beauty, focusing instead on creating experiential spaces that serve collective human needs. This ethos has led to a diverse portfolio of projects, ranging from large-scale urban interventions to intimate interior designs, all characterized by a deep engagement with site context and social dynamics. The firm's multidisciplinary approach integrates architecture, urban planning, and social research, as exemplified by their groundbreaking work on Hong Kong's street market revitalization project. GROUNDWORK's design process is distinguished by its emphasis on narrative architecture, rigorous model-making, and a willingness to embrace constraints as catalysts for creativity. With a team of passionate designers led by Manfred Yuen, GROUNDWORK has garnered international recognition for its socially responsive and aesthetically innovative projects. The firm's commitment to "sculpting experiences" rather than merely designing structures has positioned it at the forefront of a new wave of architectural practices that prioritize human experience and urban context over conventional metrics of architectural success. GROUNDWORK's portfolio, spanning multiple countries, demonstrates its ability to create impactful designs that resonate with local communities while pushing the boundaries of architectural discourse. This unique blend of social consciousness, design innovation, and practical execution has established GROUNDWORK as a significant player in shaping the future of urban environments. 设计团队 旅游探访 1800 m² 中国，深圳 2024年 Previous Next

< 返回 迪里耶未来艺术中心 Schiattarella Associati 项目名称：迪里耶未来艺术中心 地点：利雅得，沙特阿拉伯 设计团队：Schiattarella Associati 建筑面积：12000 m² 完工时间：2024年 摄影师：Mohamed Somji, Antoine Horenbeek, Hassan Al Shatti, Guido Petruccioli 设计特色： 项目 - 坐落在利雅得附近的沙漠边缘，迪里耶未来艺术中心作为一个开创性的文化地标，巧妙地将建筑创新与内志地区丰富的历史纹理编织在一起。由意大利建筑事务所 Schiattarella Associati 设计，这座12000平方米的综合体是海湾地区首个专门致力于数字艺术的博物馆，体现了沙特阿拉伯文化转型的雄心勃勃的2030愿景。 这不仅仅是一座博物馆，更是当代设计与古老景观之间的复杂对话。毗邻图赖夫古城世界文化遗产地，该建筑打破了传统博物馆的类型学。它不是一个紧凑的结构，而是展开为一系列细长的体量，沿哈尼法谷水平延伸，创造出一种动态的空间交错，呼应了该地区传统建筑原则。 建筑师的愿景在其方法上是激进的：创造一个看似从大地生长而出的建筑。"我们希望建筑能给人一种仿佛从地面生长出来的感觉，"设计团队解释道。这种理念转化为一种尊重并回应其环境的设计，通过狭窄的冷却通道和精心考虑的体量，重新连接城市和农业区。 可持续性是该项目DNA的内在部分。通过对本地材料的智能运用和被动设计策略，该中心实现了零废弃。利用当地石材、生土和石灰，建筑在材料上与场地建立了强大的连续性。诸如地热制冷和雨水回收等创新功能，展示了超越美学的环境管理承诺。 室内同样引人入胜。设计团队精心打造了融合本地物质性与当代功能性的空间。从现代诠释的传统木制花窗，到浸泡在精心编排自然光中的地下实验室，艺术中心成为艺术探索和文化创新的画布。 作为沙特阿拉伯文化复兴的开创性项目，迪里耶未来艺术中心不仅仅是一座建筑——它是一个宣言。它挑战全球建筑同质化，相反，它庆祝场所、传统和前瞻性设计的独特潜能。 团队 – 成立于1970年，Schiattarella Associati已成为一家突破传统设计范式的开创性建筑事务所。总部位于罗马，该公司始终挑战建筑学的传统观念，探索几何精确性与空间随机性之间的深刻关系，建立了一种独特的设计理念，将建筑的虚空视为根本的设计元素。 由阿梅迪奥、安德烈亚和保拉·斯齐亚塔雷拉这三位富有远见的建筑师领导，该事务所以其实验性方法而闻名，每个项目都被转化为严谨的建筑探索。他们的方法巧妙地整合了复杂的几何原则和动态空间配置，创造出与其环境景观密切互动的空间。 凭借横跨欧洲和中东的丰富作品集，Schiattarella Associati在创新文化和公共空间设计方面建立了卓越声誉。该事务所在韩国的国际项目经验，以及近期在沙特阿拉伯的开创性工作，展示了他们将本地建筑语汇转化为当代设计语言的能力。 他们最近的迪里耶未来艺术中心完美体现了他们的设计理念：一个从沙漠语境中有机生长的项目，挑战全球建筑同质化，同时庆祝场地特定的建筑表达。通过持续突破学科边界，Schiattarella Associati不断重新定义21世纪的建筑话语。 Project Name: Diriyah Art Futures Center Location: Riyadh, Saudi Arabia Design Team: Schiattarella Associati Building Area: 12,000 m² Completion Year: 2024 Photographers: Mohamed Somji, Antoine Horenbeek, Hassan Al Shatti, Guido Petruccioli Feature： Project - Nestled on the desert's edge near Riyadh, the Diriyah Art Futures Center emerges as a groundbreaking cultural landmark that seamlessly weaves architectural innovation with the rich historical fabric of the Nejd region. Designed by Italian architectural firm Schiattarella Associati, this 12,000-square-meter complex stands as the Gulf's first museum dedicated to digital arts, embodying Saudi Arabia's ambitious 2030 Vision of cultural transformation. More than just a museum, the center is a sophisticated dialogue between contemporary design and ancient landscape. Strategically positioned adjacent to the UNESCO World Heritage site of Diriyah's historic city, the building defies conventional museum typologies. Instead of a compact structure, it unfolds as a series of elongated volumes that horizontally extend across the Hanifa Valley, creating a dynamic interplay of spaces that echo the region's traditional architectural principles. The architects' vision is radical in its approach: to create a building that appears to grow organically from the earth itself. "We wanted the architecture to feel like it emerged from the ground," explains Amedeo Schiattarella. This philosophy translates into a design that respects and responds to its context, with narrow, cooling passages and carefully considered volumes that reconnect urban and agricultural zones. Sustainability is intrinsic to the project's DNA. The center achieves zero waste through intelligent use of local materials and passive design strategies. Utilizing local stones, raw earth, and lime, the building establishes a powerful material continuity with its site. Innovative features like geothermal cooling and rainwater recycling demonstrate a commitment to environmental stewardship that goes beyond mere aesthetics. The interior is equally compelling. Paola Schiattarella has crafted spaces that blend local materiality with contemporary functionality. From modern interpretations of traditional mashrabiya wooden screens to underground laboratories bathed in carefully choreographed natural light, the center becomes a canvas for artistic exploration and cultural innovation. As a pioneering project under Saudi Arabia's cultural renaissance, the Diriyah Art Futures Center is not just a building—it's a statement. It challenges global architectural homogenization, celebrating instead the unique potential of place, tradition, and forward-thinking design. Design Team - Founded in 1970, Schiattarella Associati has emerged as a groundbreaking architectural practice that transcends conventional design paradigms. Headquartered in Rome, the firm has consistently challenged architectural orthodoxies by exploring the profound relationship between geometric precision and spatial randomness, establishing a unique design philosophy that views architectural voids as fundamental design elements. Led by the visionary trio Amedeo, Andrea, and Paola Schiattarella, the practice has distinguished itself through an experimental approach that transforms each project into a rigorous architectural investigation. Their methodology seamlessly integrates complex geometric principles with dynamic spatial configurations, creating environments that dialogue intimately with their contextual landscapes. With a robust portfolio spanning Europe and the Middle East, Schiattarella Associati has developed a reputation for innovative cultural and public space interventions. The firm's international project experience—including significant commissions in South Korea and recent groundbreaking work in Saudi Arabia—demonstrates their ability to translate local architectural vernaculars into contemporary design languages. Their recent Diriyah Art Futures Center exemplifies their design ethos: a project that emerges organically from its desert context, challenging global architectural homogenization while celebrating site-specific architectural expression. By consistently pushing disciplinary boundaries, Schiattarella Associati continues to redefine architectural discourse in the 21st century. 设计团队 旅游探访 12000 m² 利雅得，沙特阿拉伯 2024 Previous Next

< 返回 F 住宅 KamakuraStudio 项目名称： HOUSE F 地点： 流山市，日本 设计团队： KamakuraStudio 项目面积： 169㎡ 竣工时间： 2022年 摄影： Koji Fujii (Torel), Shinkenchiku-sha, Keisuke Fukui (KamakuraStudio) 设计特色： 项目 – 日本建筑事务所KamakuraStudio设计了一座混合住宅办公建筑，通过精心的建筑设计重新诠释了社区参与的概念，挑战了私人和公共空间之间的传统界限。 这座名为House F的建筑面积为169平方米，既是建筑师的住所，也是其工作室。其一层特意设计为一个流动的、面向社区的空间，鼓励邻里之间的随意互动。该项目针对其特殊的地理环境做出回应——这是一个相对较新的住宅区，75%的居民都是在过去十年内搬入的。 该设计最引人注目的特点是其创新的室内外连接方式，通过材料、建筑元素和地面高度的无缝处理来实现。这种连续性通过建筑上层的一个独特的对角开口得到进一步加强，不仅允许南向阳光渗透，还为一个雄心勃勃的垂直花园创造了空间。 House F的与众不同之处在于其融入了"微干预"——一系列促进社区参与的细致入微的设计决策。一层空间可以灵活转换多种功能：既可以是与邻居分享咖啡的咖啡馆，也可以是收藏社区居民捐赠图书的临时图书馆，还可以是配备投影仪的临时影院。 建筑立面特别引人注目的是其三维种植策略，这建立在现有的邻里"植物共享网络"基础之上。这个绿色元素通过平面和剖面上交替的露台和室内空间营造出森林般的氛围。 自2022年完工以来，House F已成为促进社区互动的催化剂，举办了从工作坊到电影放映等各种活动。该项目展示了建筑如何成为促进社会凝聚力的工具，为面对日本人口老龄化和人口减少的可持续社区建设提供了全新的视角。 团队 – KamakuraStudio成立于2016年，是一家新兴的日本建筑事务所，已迅速确立了其在日本当代建筑领域的重要地位。事务所由主创建筑师福井啓介和森川啓介共同领导，两人均毕业于日本大学建筑学科，目前的事务所位于千叶县流山市。 事务所的项目类型广泛，从独立住宅、多单元住宅到商业设施和公共机构均有涉猎。他们的建筑设计方法注重场地语境，以对空间层次和功能灵活性的深刻理解见长，这一点在他们对公共领域和私人空间的整合中尤为突出。 KamakuraStudio的设计理念围绕着他们所称的"最大化连接"展开——这是一种细致考虑建筑形态与社会基础设施交汇的方法论。这一理念在他们备受赞誉的HOUSE F项目中得到充分体现，该项目巧妙地消解了传统居住空间与社区空间之间的界限。 在曾就职于NAP建筑事务所的福井啓介，以及具有久米设计和北川原温建筑都市研究所从业经验的森川啓介的领导下，事务所发展出了独特的日本当代建筑设计方法，强调通过建筑干预实现社会可持续性和社区参与。 Project Name: HOUSE F Location: Nagareyama, Japan Architecture Firm: KamakuraStudio Lead Architects: Keisuke Fukui, Keisuke Morikawa Design Team: Keisuke Fukui Technical Team: Keisuke Morikawa Area: 168㎡ Completion Year: 2022 Photography: Koji Fujii (Torel), Shinkenchiku-sha, Keisuke Fukui (KamakuraStudio) Feature： Project - Japanese architecture firm KamakuraStudio has designed a hybrid home-office in Japan that reimagines community engagement through thoughtful architectural intervention, challenging the conventional boundaries between private and public spaces. Named House F, the 168-square-metre building serves as both the architect's residence and studio, with its ground floor deliberately designed as a fluid, community-oriented space that invites casual neighborhood interaction. The project responds to the unique context of its location – a relatively new residential area where 75 percent of residents have moved in within the last decade. The most striking feature of the design is its innovative approach to indoor-outdoor connectivity, achieved through a seamless treatment of materials, architectural elements, and floor levels. This continuity is further enhanced by a distinctive diagonal opening that cuts through the building's upper levels, allowing southern light to penetrate while creating space for an ambitious vertical garden. What sets House F apart is its integration of "micro-interventions" – small, thoughtful design decisions that foster community engagement. The ground floor transforms fluidly between various functions: a café where extra coffee is shared with neighbors, an impromptu library filled with community-donated books, and an occasional cinema space complete with a projector. The building's facade is particularly noteworthy for its three-dimensional planting strategy, which builds upon an existing neighborhood "plant-sharing network." This green element creates a forest-like atmosphere through alternating terraces and interior rooms in both plan and section. Since its completion in 2022, House F has become a catalyst for community interaction, hosting various events from workshops to film screenings. The project demonstrates how architecture can serve as a tool for social cohesion, offering a fresh perspective on sustainable community building in the face of Japan's aging society and population decline. Design Team - Founded in 2016, KamakuraStudio is an emerging Japanese architectural practice that has rapidly established itself as a significant voice in contemporary Japanese architecture. Led by co-principals Keisuke Fukui and Keisuke Morikawa, both graduates of Nihon University's Department of Architecture, the firm operates from their base in Nagareyama City, Chiba Prefecture. The practice's portfolio spans an impressive range of typologies, from single-family residences and multi-unit housing to commercial facilities and public institutions. Their contextual approach to architecture is characterized by a sophisticated understanding of spatial hierarchy and programmatic flexibility, particularly evident in their integration of public and private realms. KamakuraStudio's design philosophy centers on what they term "maximizing connections" - a methodology that carefully considers the intersection of built form with social infrastructure. This is exemplified in their award-winning HOUSE F project, where the traditional boundaries between residential and community spaces are thoughtfully dissolved. Under the leadership of Fukui, who previously worked at NAP Architects, and Morikawa, whose experience includes Kume Sekkei and Kitagawara Atsushi Architecture & Urban Design Institute, the firm has developed a distinctive approach to contemporary Japanese architecture that emphasizes social sustainability and community engagement through architectural intervention. 设计团队 旅游探访 169 m² 流山市，日本 2022 Previous Next

< 返回 GIGI VERDE 奈良店 SIDES CORE 项目名称： GIGI VERDE 奈良店 地点： 奈良市，日本 设计团队： SIDES CORE 项目面积： 43 m² 竣工时间： 2024年9月1日 摄影： Yosuke Ohtake 设计特色： 项目 – 设计工作室SIDES CORE为GIGI VERDE奈良店打造了一个创新的室内空间，在仅43平方米的空间内巧妙地整合了零售、工作室和咨询区域。 设计的核心是一个从入口到柜台再到夹层的连续上升地面，创造出呼应奈良山地景观的地形效果。这个雕塑般的元素采用泥土色调的抹灰处理，既服务于多种功能，又为展示的鲜花提供了一个能突显其色彩的中性背景。 "在如此有限的空间内创造不同的区域而又不设置硬性边界是一个挑战，"设计师解释道。解决方案体现在微妙的高度变化上，自然地划分了不同区域。通过一条柔和弧形的路径可到达夹层，那里设有适合婚礼客户洽谈的宁静空间，而下层则是一个宽敞的工作区，可容纳多位花艺师同时工作。 商店的创新储物解决方案巧妙地融入建筑元素中——近1米高的柜台下方和架高地板形成的空腔空间都被充分利用。这种智能的空间利用确保了这个紧凑的室内空间即使在繁忙的花店运营中也能保持整洁。 SIDES CORE在照明设计上展现了对氛围细节的关注。空间后部精心布置的吊灯引导访客的视线穿过整个室内，增强了空间的深度和高度感。采用有机曲线的阶梯式展示系统不仅可以灵活展示不同数量的库存，还让路人能够观察到花艺师的工作过程，将零售空间转变为一个透明的工作室。 这个项目展示了如何通过精致设计将空间限制转化为创新挑战，创造出一个能够提升顾客体验和运营效率的个性化环境。 团队 – SIDES CORE成立于2005年，由荒尾宗平和荒尾澄子共同创立，已发展成为日本最具创新性的多学科设计工作室之一，总部位于大阪西区充满活力的京町堀。工作室的名称反映了他们对空间设计的理念——从多个角度和视角探索空间的核心本质。 该事务所因其在建筑和室内设计领域的整体性方法而获得国际认可，特别是在零售和住宅领域。他们的作品展现出独特的极简主义美学，将日本空间概念与当代设计原则无缝融合。SIDES CORE的专业领域涵盖多种类型，从精心打造的美发沙龙和餐厅到定制化住宅项目。 在荒尾宗平的领导下，工作室已扩展到产品设计领域，与欧洲著名制造商展开合作。其中最著名的是2013年为西班牙品牌Punt Mobles设计的"Bevel"凳子系列。其对空间创新的努力在其近期项目中得到充分体现，他们始终展现出在形态、光线和材料运用方面的卓越掌控力，创造出富有氛围感的环境。他们的作品在国际上广受关注，包括在2022年瓦伦西亚世界设计之都和多次米兰家具展上展出，加强了他们在全球设计界的地位。 Project Name: GIGI VERDE Nara Location: Nara City, Japan Design Team: SIDES CORE Area: 43 m² Completion: September 1, 2024 Photography: Yosuke Ohtake Lighting Design: DAIKO Electric Co., Ltd. Construction: THE Ltd. Design Period: May 7, 2024 - June 27, 2024 Construction Period: July 15, 2024 - August 6, 2024 Feature： Project - In a masterful demonstration of spatial efficiency, Japanese design studio SIDES CORE, led by Sohei Arao, has created an innovative interior for GIGI VERDE Nara, a flower shop that seamlessly integrates retail, workshop, and consultation spaces within a modest 43-square-meter footprint. The design's centerpiece is a continuously rising floor plane that transforms from entrance to counter to mezzanine, creating a topographical intervention that echoes the mountainous landscape of Nara. This sculptural element, finished in earthy plaster tones, serves multiple functions while providing a neutral backdrop that amplifies the vivid colors of the flowers on display. "The challenge was to create distinct zones without rigid boundaries in such a limited space," explains Arao. The solution manifests in subtle level changes that create natural transitions between areas. The elevated mezzanine, reached by a gently curved path, houses a tranquil consultation area for bridal clients, while the lower level accommodates a spacious workshop where multiple florists can work simultaneously. The shop's innovative storage solutions are integrated within the architectural elements – beneath the 950mm-high counter and within the void spaces created by the elevated floor sections. This intelligent use of space ensures the compact interior remains uncluttered despite the demands of a working flower shop. SIDES CORE's attention to atmospheric detail is evident in the lighting design, developed in collaboration with DAIKO Electric. A carefully positioned pendant light at the rear of the space draws visitors' gaze through the interior, enhancing the perception of depth and height. The stepped display system, featuring organic curves, not only serves as a flexible showcase for varying inventory but also allows passersby to observe florists at work, transforming the retail space into a transparent atelier. This project exemplifies how thoughtful architectural intervention can transform spatial constraints into opportunities for innovation, creating a harmonious environment that enhances both the customer experience and operational efficiency. Design Team - Founded in 2005 by Sohei and Sumiko Arao, SIDES CORE has established itself as one of Japan's most innovative multidisciplinary design studios, operating from their base in Osaka's vibrant Nishiku district. The firm's name reflects their philosophical approach to spatial design - exploring the core essence of spaces from multiple sides and perspectives. The practice has gained international recognition for their holistic approach to architecture and interior design, particularly in the retail and residential sectors. Their portfolio showcases a distinctive minimalist aesthetic that seamlessly integrates Japanese spatial concepts with contemporary design principles. SIDES CORE's expertise spans across various typologies, from meticulously crafted hair salons and restaurants to bespoke residential projects. Under the leadership of Sohei Arao, the studio has expanded into product design, collaborating with prestigious European manufacturers. Notable among these is their "Bevel" stool collection for Spanish brand Punt Mobles in 2013. Their work has garnered numerous accolades, including recognition from Dezeen Awards, ArchDaily Building of the Year nominations, and an American Architecture Prize Bronze Award in 2016. The practice's commitment to spatial innovation is evident in their recent projects, where they consistently demonstrate mastery in manipulating form, light, and material to create atmospherically rich environments. Their work has been exhibited internationally, including at the World Design Capital Valencia 2022 and multiple appearances at Salone del Mobile Milano, cementing their position in the global design community. 设计团队 旅游探访 43 m² 奈良市，日本 2024 Previous Next

< 返回 三联住宅 Superhelix Pracownia Projektowa 项目名称: 三联住宅 地点：加伊，波兰 设计团队：Superhelix Pracownia Projektowa 面积：220 平方米 完成时间：2024 摄影师：Bartłomiej Drabik 设计特色： 项目 – 坐落于波兰克拉科夫郊区的"三联住宅"是由Superhelix Pracownia Projektowa打造的一座建筑问题解决的典范之作。这座住宅巧妙地应对了当地分区法规和不规则地块带来的挑战，创造出一个与周围丘陵环境和谐共存的居住空间。 项目最引人注目的特色是其三段式布局，这也是房屋名称的由来。这一巧妙的分割设计使建筑师能够遵守当地严格的规定——要求房脊必须与邻近道路平行，同时又充分利用了地块的潜力。最终呈现的效果是一座仿佛在景观中自然展开的建筑，每个部分都各司其职。 三联住宅的核心是一个宽敞的中央空间，包含厨房、餐厅和起居区。这里，三米高的转角窗户模糊了室内外的界限，与精心规划的户外空间无缝衔接。超过四米的屋檐延伸提供了庇护，进一步融合了内外空间。 材料的选择在项目的美学和功能成功中起着关键作用。外部采用了钛锌板和西部红雪松木作为饰面，这两种材料都能随时间优雅老化，无需过多维护。令人惊喜的是，屋檐下方和山墙的部分区域使用了抛光不锈钢，在夜晚反射光线，为露台增添了微妙的光亮。 这座住宅不仅是一个家，更是一件艺术品，展现了如何在严格的规划限制下创造出富有想象力且实用的生活空间。三联住宅成功地将功能性、美学和创新设计融为一体，为现代住宅建筑树立了新的标杆。 团队 – Superhelix Pracownia Projektowa成立于2015年，是一支别具自身风格的设计团队。事务所总部位于波兰克拉科夫，由Bartłomiej Drabik领导，凭借着对环境敏感的设计和建筑与环境的紧密联系而广受赞誉。事务所的核心理念是创造可持续且适应性强的建筑，尤其注重将室内外空间无缝融合的住宅项目。 在Drabik的领导下，Superhelix以将传统建筑工艺与现代技术相结合的能力而闻名。像 三联住宅 这样的项目展示了他们在满足客户需求和应对场地限制的同时，打造功能性与美观性兼备空间的能力。Superhelix以使用耐用且低维护的材料著称，确保其设计在经得起时间考验的同时，维护成本最低。 Superhelix Pracownia Projektowa继续在波兰及其他地区推动住宅建筑的边界，提供在形式、功能和环境可持续性之间取得平衡的创新解决方案。 Project Name: Triple House Location: Gaj, Poland Architects: Superhelix Pracownia Projektowa Size: 220 m² Completion:2024 Photographs: Bartłomiej Drabik Feature： Project - Nestled on the outskirts of Krakow, Poland, the Triple House by Superhelix Pracownia Projektowa is a masterful exercise in architectural problem-solving. This 220-square-meter residence, completed in 2024, deftly navigates the challenges posed by local zoning laws and an irregularly shaped plot to create a harmonious living space that seamlessly blends with its hilly surroundings. The project's defining feature is its tripartite layout, which gives the house its name. This clever segmentation allowed the architects to adhere to strict local regulations requiring the ridge to be parallel to the adjacent road while simultaneously optimizing the site's potential. The result is a structure that appears to organically unfold across the landscape, each segment serving a distinct purpose. At the heart of the Triple House lies an expansive central volume housing the kitchen, dining, and living areas. Here, corner windows stretching three meters high dissolve the boundary between interior and exterior, creating a seamless connection to the meticulously planned outdoor spaces. A generous roof overhang extends more than four meters, providing shelter and further blurring the line between inside and out. Materiality plays a crucial role in the project's aesthetic and functional success. The exterior is clad in titanium-zinc sheets and western red cedar, both chosen for their ability to age gracefully without requiring extensive maintenance. In a surprising twist, polished stainless steel lines the eaves and parts of the gable walls, reflecting light in the evenings and adding a subtle luminosity to the terrace. Design Team - Superhelix Pracownia Projektowa, founded in 2015, is a rising star in the world of contemporary architecture. Based in Krakow, Poland, and led by Bartłomiej Drabik, the firm has gained recognition for its context-sensitive designs that focus on enhancing the connection between buildings and their environments. The practice's core philosophy revolves around creating architecture that is both sustainable and adaptable, with a particular emphasis on residential projects that blend indoor and outdoor spaces seamlessly. Under Drabik's leadership, the firm has established a reputation for combining traditional construction methods with modern techniques. Projects like Triple House exemplify their ability to craft functional yet aesthetically pleasing spaces that respond to the specific needs of the client and the constraints of the site. Superhelix is known for its use of durable, low-maintenance materials, ensuring that their designs stand the test of time while requiring minimal upkeep. Superhelix Pracownia Projektowa continues to push the boundaries of residential architecture in Poland and beyond, delivering innovative solutions that balance form, function, and environmental sustainability. 设计团队 旅游探访 220 m² 加伊，波兰 2024 Previous Next

< 返回 Hirotaka福冈店 TORAFU建筑设计事务所 项目名称：Hirotaka福冈店 地点：福冈市，日本 设计团队：TORAFU建筑设计事务所 建筑面积：39.36 m² 竣工时间：2025年 摄影：太田拓实 设计特色： Hirotaka福冈店堪称空间叙事的杰作，TORAFU建筑设计事务所在福冈天神新地标"ONE FUKUOKA BLDG."的39.36平方米紧凑空间内，创造出了一个无缝融合怀旧中世纪美学与当代精致感的零售环境。该项目作为Hirotaka珠宝品牌在九州岛的首家直营店以及日本第十家门店，体现了建筑师对"中世纪现代主义"主题的深刻理解和精湛演绎。 设计理念以"柔软"和"光泽"为核心指导原则，通过精心策划的材料调色板得到完美体现。温润的黄铜带有微妙的包浆效果，丰富着色的木材纹理，以及光泽象牙色调的饰面，共同营造出既熟悉又令人耳目一新的复古未来主义氛围。建筑师巧妙地为展示设施赋予圆润的形态，创造出独特的复古未来主义印象，将怀旧情怀与现代创新完美融合。 空间的核心设计元素是一个多体量层叠的雕塑式展示岛台，在近乎方形的平面布局中起到空间锚定的作用，同时在紧凑的足迹内建立起强烈的建筑戏剧感。正面设置了荷兰设计师Dirk van der Kooij设计的再生塑料"The Fresnel"灯具，投射出空灵柔和的光线，不仅改变了空间的物质性质，更让柔和的光线遍布整个空间，创造出引人入胜的氛围体验。 最引人注目的是后墙设置的复古物件，其形态让人联想到民族文化符号，为空间提供了宁静与象征性的存在感。镜面抛光黄铜、木材以及受光凸显的边缘装饰相互重叠，营造出如同"当代图腾"般的独特氛围。这些元素与隐藏在墙角的间接照明以及从地面延伸至天花板的镜面相互作用，创造出无限的空间反射，将空间体验放大到远超其物理边界的程度。 建筑师对感官过渡表现出卓越的关注细节，引入具有吸音性能的压缩毡质地毯，当顾客从大楼坚硬的公共石材表面踏入这个私密的珠宝环境时，能够立即感受到空气质感的微妙变化。这种设计手法体现了建筑师对用户体验的深刻理解，创造出建筑师所描述的"密度丰富的慷慨虚空，静静地放大了Hirotaka珠宝的精致力量"。 设计团队 - TORAFU建筑设计事务所作为一家杰出的日本建筑实践机构，由铃野浩一和秃真哉于2004年创立，现位于东京，在创始合伙人的创意指导下，该事务所发展出突破传统建筑边界的先锋多学科实践声誉。该事务所以"建筑思维"为基础运营，将严谨的空间逻辑应用于多元项目类型，包括建筑设计、室内环境、展览策展、产品开发、空间装置和影像制作。 铃野浩一和秃真哉为事务所带来了卓越的建筑经验和对当代建筑实践的深刻理解。在创始合伙人的领导下，该事务所培养了独特的设计方法论，无缝整合概念严谨性与材料创新。他们的作品集涵盖了"TEMPLATE IN CLASKA"、"NIKE 1LOVE"、"港北住宅"等地标项目，以及国际知名的"空气の器"系列。该事务所的实验性空间设计方法通过"光の织机"（Canon Milano Salone 2011）得到体现，该作品获得了享有盛誉的Elita设计奖大奖。 该事务所的设计哲学强调跨学科协作与建筑精确性同等重要，不急于寻求标准化建筑解决方案，而是相信建筑应该是对空间条件、文化背景和项目要求透彻理解的结果。通过与客户的深入对话，他们制定项目的核心要素，然后提供专业知识将创意构想转化为建筑现实。TORAFU建筑设计事务所相信卓越的设计来自与专业顾问和工匠的协作，他们热爱挑战自己并进一步推动设计边界，创新是保持其实践活力的关键。 通过对当代材料使用、传统空间逻辑理解和前卫建筑语言的深思熟虑的综合，TORAFU建筑设计事务所已确立自己作为日本当代建筑话语重要贡献者的地位，创造出既扎根于地方文化又拥抱全球设计视野的建筑作品。他们的作品屡获殊荣，包括多项国际建筑奖项，体现了其将大胆概念构想转化为有形建筑成就的能力。 Project Name: Hirotaka Fukuoka Store Location: Fukuoka City, Japan Design Team: TORAFU ARCHITECTS Total Floor Area: 39.36 m² Completion: 2025 Photography: Takumi Ota Feature: The Hirotaka Fukuoka Store stands as a masterpiece of spatial storytelling, where TORAFU ARCHITECTS has created a retail environment that seamlessly bridges nostalgic mid-century aesthetics with contemporary sophistication within the compact 39.36-square-meter space in Fukuoka's prestigious "ONE FUKUOKA BLDG." This project, serving as the jewelry brand's first directly operated store in Kyushu and tenth location in Japan, exemplifies the architects' profound understanding and masterful interpretation of the "Mid-Century Modern" theme. The design philosophy centers on "softness" and "luster" as core guiding principles, manifesting through a carefully curated material palette that achieves perfect expression. Warm brass with subtle patina effects, richly stained timber textures, and glossy ivory-toned finishes collectively create a retro-futuristic atmosphere that feels both familiar and refreshingly modern. The architects skillfully imbued the display fixtures with rounded forms, creating a unique retro-futuristic impression that perfectly merges nostalgic sentiment with contemporary innovation. The space's central design element is a multi-volumetric sculptural display island that serves as a spatial anchor within the nearly square floor plan, while establishing powerful architectural drama within the compact footprint. The front features "The Fresnel," a recycled plastic lighting fixture designed by Dutch designer Dirk van der Kooij, which casts ethereal, gentle illumination that not only transforms the space's materiality but also allows soft light to permeate throughout the entire space, creating a captivating atmospheric experience. Most striking is the vintage object positioned on the rear wall, whose form evokes ethnographic shields, providing a presence of tranquility and symbolism to the space. Mirror-polished brass, wood, and light-catching trim details overlap and interweave, creating a unique atmosphere resembling a "contemporary totem." These elements interact with indirect lighting concealed behind wall corners and floor-to-ceiling mirrors, generating infinite spatial reflections that amplify the spatial experience far beyond its physical boundaries. The architects demonstrate exceptional attention to sensory transition details, introducing sound-absorbing compressed felt carpeting that allows customers to immediately perceive subtle changes in air quality when stepping from the building's hard public stone surfaces into this intimate jewelry environment. This design approach reflects the architects' profound understanding of user experience, creating what the architects describe as "a dense, generous void that quietly amplifies the delicate strength of Hirotaka's jewelry." Design Team - TORAFU ARCHITECTS stands as a distinguished Japanese architectural practice founded by Koichi Suzuno and Shinya Kamuro in 2004, based in Tokyo, under the creative direction of founding partners, the firm has developed a reputation for pioneering multidisciplinary practice that transcends conventional architectural boundaries. The practice operates on the foundation of "architectural thinking," applying rigorous spatial logic across diverse project typologies including architectural design, interior environments, exhibition curation, product development, spatial installations, and film production. Koichi Suzuno and Shinya Kamuro bring exceptional architectural experience and deep understanding of contemporary building practices to the firm. Under the leadership of founding partners, the practice has cultivated a distinctive design methodology that seamlessly integrates conceptual rigor with material innovation. Their portfolio encompasses landmark projects such as "TEMPLATE IN CLASKA," "NIKE 1LOVE," "HOUSE IN KOHOKU," and the internationally acclaimed "airvase" series. The firm's experimental approach to spatial design was exemplified by "Light Loom" (Canon Milano Salone 2011), which received the prestigious Elita Design Award Grand Prize. The firm's design philosophy emphasizes that cross-disciplinary collaboration is as important as architectural precision, not rushing to standardized architectural solutions but believing that architecture should be a result of thorough understanding of spatial conditions, cultural contexts, and programmatic requirements. Through in-depth dialogue with clients, they formulate the core elements of the project then offer their expertise to transform creative concepts into architectural reality. TORAFU ARCHITECTS believes that exceptional design comes from collaboration with specialized consultants and artisans, they love to challenge themselves and push the design boundary further, with innovation being the key to maintaining their practice vitality. Through this thoughtful synthesis of contemporary material usage, understanding of traditional spatial logic, and avant-garde architectural language, TORAFU ARCHITECTS has established itself as a significant contributor to Japan's contemporary architectural discourse, creating architectural works that are both rooted in local culture and embrace global design vision. Their work has been recognized with numerous international awards, demonstrating their ability to transform bold conceptual ideas into tangible architectural achievements. 设计团队 旅游探访 39.36 m² 福冈市，日本 2025 Previous Next

< 返回 DILLY DALLY餐厅 axonometric 项目名称：DILLY DALLY 地点：福冈县福津市，日本 设计团队：axonometric 建筑面积：147.53平方米 竣工时间：2023年 摄影：YASHIRO PHOTO OFFICE 设计特色： 建筑工作室axonometric在福冈福津市海滨完成了DILLY DALLY餐厅项目，细长的建筑体量环绕中央广场布局，为访客营造出可抵御季节性强风的庇护空间。该项目展示了建筑如何在壮丽自然景观与严苛环境条件之间建立平衡。 场地位于以壮观日落闻名的海滨地带,面临独特挑战：强劲的海风曾使户外活动在特定季节完全无法进行。axonometric没有对抗这些自然条件，而是将建筑构思为保护性屏障，将纤细的体量围绕公共广场排布，形成建筑师所描述的岩石阴影般的避风港。 这一设计最显著的特征是其响应风力的建筑形态,通过详细的空气动力学分析发展而成。建筑外壳精心调节气流，将风速降至舒适水平的同时保持与周边景观的联系。这种科学方法使广场能够全年举办烧烤及各类活动，将原本恶劣的场地转变为社交聚集空间。 建筑策略延伸至视觉编排层面。垂直墙体选择性地遮挡周边杂乱视线，同时框取森林与海洋的纯净景观。餐厅占据最佳观海位置，玻璃立面后方，使广场访客能够透过室内空间眺望大海。这种层次化的空间序列创造出对海滨环境的多样化体验。 DILLY DALLY的独特之处在于axonometric完全从环境分析中提取建筑形式，而非依据内在设计逻辑的方法论。木构建筑作为对风力模式、视线关系和自然地形的直接回应而生成。通过将外部条件置于形式预设之上，建筑师展示了严谨的环境解读如何生成与场所不可分割的建筑，创造出人类活动与自然力量和谐共存的景观融合场所。 设计团队 - axonometric作为新一代日本建筑实践的杰出代表，由建筑师佐々木慧于2021年在福冈创立，自成立以来已确立其在当代环境响应式建筑设计和跨学科空间创新领域的先锋地位。这家立足福冈、辐射日本国内外的事务所通过设计与环境的协调整合，重新定义当代日本建筑师在国际设计话语中的角色。 axonometric为建筑实践带来了卓越的环境分析设计视角和对跨学科方法的深刻理解。该事务所因其将环境条件置于形式预设之上、追求"非建筑"设计哲学的承诺而获得认可，佐々木慧为九州大学芸術工学部和东京艺术大学研究生院的杰出毕业生，并曾在藤本壮介建筑设计事务所等知名实践中受训，担任九州大学、九州产业大学、九州工业大学非常勤讲师。 该事务所的设计哲学强调建筑应该超越内在设计逻辑的限制，不仅仅是为了满足形式美学而设计，更是为了与场所的环境条件和自然力量共同有机演进。通过对"非建筑"（消解传统建筑等级关系、将各要素平等关联的设计方法）的深度关注，开展从建筑到家具、室内、景观、城市规划、设计咨询的多元化项目，相信最好的设计是通过严谨的环境解读和最小化操作产生的场所特定表达。axonometric相信设计应该成为环境循环和场所记忆的载体，通过策略性的环境响应和材料选择创造独特的体验环境。 除实践外，该事务所通过佐々木慧在九州大学、九州产业大学、九州工业大学的讲师职位保持着强有力的学术整合。通过对环境条件与建筑形态的深思熟虑结合、科学分析工具的运用，以及经过实践验证的可持续建筑智慧，axonometric已确立自己作为当代日本建筑话语重要贡献者的地位，创造出既具场所回应性又拥抱环境设计视野的建筑作品。该事务所目前拥有包括董事兼城市发展顾问倉員香織、项目经理兼建筑师齋藤結衣、近藤まいこ、康未来，以及建筑师奥川莉帆、杉原康太、北野湧也、佐藤紗織在内的专业建筑师团队，在福冈充满活力的建筑景观中占据独特地位。 成立仅三年，axonometric便获得了包括iF设计奖金奖、亚洲最具影响力设计奖大奖、亚太区室内设计大奖金奖、优良设计奖特别奖、Frame Awards获奖者、日本空间设计奖审查员特别奖、建筑九州奖新人奖在内的国际权威认可，并入选Dezeen奖长名单。该事务所代表作品包括NOT A HOTEL FUKUOKA、DILLY DALLY餐厅及2025年大阪关西世博会临时舞台，展现了精密的环境分析能力、场地敏感性以及创新的结构解决方案，挑战传统建筑思维的同时回应当代可持续发展命题。 设计团队 旅游探访 147.53 m² 福冈县福津市，日本 2023 Previous Next

< 返回 路易威登"远见之旅" 首尔展览 OMA / 重松象平 项目名称：路易威登"远见之旅"首尔展览 地点：首尔，韩国 设计团队：OMA / 重松象平 展览面积：1300平方米 开幕时间：2025年11月 设计特色： OMA合伙人重松象平设计的"远见之旅"首尔展览展现了如何通过创新的空间策略和灵活的展陈系统，将传统百货大楼转化为融合零售、文化与公共体验的动态连接器，创造出一个横跨六层楼的沉浸式品牌叙事空间。 这个占地1,300平方米的展览位于首尔新世界百货本店内，作为路易威登全新多层体验"LV The Place Seoul"的文化核心。项目回应了品牌在历史性零售建筑中展开大规模文化展览的需求，与此前在曼谷和上海的"远见之旅"不同，首尔版本首次将展览嵌入一座百年百货大楼的建筑肌理中。设计挑战在于如何在保持建筑历史特征的同时，创造出能够展示路易威登200多件作品的空间序列，同时实现展览空间与零售楼层、咖啡厅及公共通道的开放性连接。 项目的核心设计策略在于将展览构想为"小售空间与公共空间之间的连接器"。建筑师利用百货大楼现有的楼层配置和历史性楼梯中庭，创造出一个非线性的空间体验。11个主题展厅（其中一半为首次亮相）和两个大型装置作品通过多个入口向其他展厅和项目开放，打破了传统展览的单一动线，让参观者能够自由选择探索路径。 OMA的设计语言流利地表达着主题性与开放性的平衡。展览从五层的"起源"展厅开始，品牌历史以文物、文献和剪报云的形式在多面木质框架上呈现，这一框架呼应了韩国传统屏风的形态。地面层设有由270个"Boite Chapeau"帽盒构成的拱形"箱包景观"装置，形成一个沉浸式入口，引导访客进入路易威登商店。展览空间涵盖多样化的展陈策略："手表"展厅以时间顺序展示路易威登设计的时计作品，手表箱包的图案转化为包裹房间的面板和屏幕；"野餐"展厅营造出"户外"氛围，便携箱包、餐具和露营车陈列在草坪上；"个性化定制"展厅将定制箱包拆解，创造出画廊式档案空间，展示每件独一无二的作品。 工艺主题的展厅揭示了路易威登卓越的手工技艺。"工坊"展厅重现了阿斯尼埃尔工作室，既是工匠现场演示的场景，也是展示草图和工具的画廊。"测试"展厅通过机械对各种包袋进行强度和耐久性的实时测试演示，将实验室场景呈现给公众。"标志性作品"展厅在从地板到天花板的万花筒般展柜中呈现历代标志性皮具创作。"字母组合图案"展厅通过环绕房间的从地板到天花板的Monogram墙面，以模板切割的方式展现动物造型包袋、航海小物件等趣味十足的多样形态。 中央中庭设置了高耸的光结构装置，引导参观者前往四层展区。以Monogram图案韩纸制作的"箱包"以不同配置垂直堆叠，从内部发光，形成悬挂于天花板的柱状灯笼。四层的展厅探索路易威登作为不断生成新艺术表达模式的平台。"音乐"展厅在消音室中突出展示路易威登设计的乐器、箱盒和音响。"合作"展厅中，艺术家设计的包袋在旋转木马上旋转，其艺术作品在数字屏幕上放大显示，并在镜面包袋墙上反射，将空间转化为变幻莫测的画布。"时尚"展厅汇集历代创意总监构建的世界观，造型快照、情绪板、舞台设计和秀场画面在翻板显示屏上闪烁呈现。 材料策略强化了展览的叙事层次。展示结构有时像商店"立面"一样向外表达，创造出与百货大楼历史楼梯中庭的对话关系。多个入口产生对其他展厅和项目的视线，让参观者能够打破线性行进。精选展厅设计具有适应性，可在展览的长期展出期间容纳未来内容和活动，回应路易威登的创新精神和文化灵活性。 空间组织策略优先考虑品牌叙事的多样性与连续性。通过将主题环境向历史楼梯中庭开放，设计创造出动态视线，展现路易威登创意的多元性。环绕的动线不仅提供了多样化的观展体验，还强化了展览与百货大楼零售空间、公共通道的持续对话。这种设计手法创造出一个既具有强烈文化特征又能唤起商业活力的空间环境，将展示性、互动性和商业性需求综合为和谐的空间整体。 设计团队 ：OMA由雷姆·库哈斯于1975年创立，是一家国际知名的建筑事务所，在建筑、城市规划和文化研究的交汇处运作。目前由七位合伙人领导，包括雷姆·库哈斯、雷尼尔·德·格拉夫、重松象平、伊亚德·阿尔萨卡、克里斯·范·杜因、杰森·朗以及执行合伙人兼建筑师大卫·吉亚诺滕，该事务所在鹿特丹、纽约、香港和澳大利亚设有战略办公室。 OMA通过对空间创新和功能复杂性的严谨态度，确立了自己作为当代建筑先驱的地位。事务所的作品集涵盖多样化的类型，从文化机构到城市总体规划，展示了跨尺度和语境的卓越多样性。著名的已完成项目包括北京的央视总部大楼（2012年）、西雅图中央图书馆（2004年）、波尔图音乐厅（2005年）、米兰普拉达基金会（2018年）、柏林Axel Springer园区（2020年），以及最近的布法罗AKG艺术博物馆（2023年）、曼彻斯特的阿维瓦工作室（2023年）和东京虎之门Hills站塔楼（2023年）。 OMA的研究部门AMO将建筑思维延伸到传统边界之外，涉及时尚、品牌和文化战略。AMO自2001年起与普拉达合作，设计了纽约和洛杉矶的Epicenter旗舰店，自2004年以来一直负责设计品牌的秀场。AMO还与环球影城、阿姆斯特丹史基浦机场、喜力、宜家、康泰纳仕、哈佛大学、Stone Island等机构合作，并在古根海姆博物馆策划了"乡村：未来"展览，在威尼斯建筑双年展策划了多个展览。这种双重结构使综合设计解决方案能够将空间设计与更广泛的文化论述相结合。 重松象平作为OMA纽约办公室的合伙人，领导了多个文化和商业项目的设计，包括康奈尔大学米尔斯坦厅、迈阿密Faena论坛和洛杉矶Audrey Irmas展馆等。在本项目中，重松象平与项目负责人Jesse Catalano共同领导设计团队，包括Benedetta Gatti、Blake Kem、Eugene Kim、Niccolo Baldi、Francesca Parmiggiani、Titouan Chapouly和Vicky Cao。 在重松象平的领导下，OMA运用严谨的语境分析和创新的空间策略，在追求文化叙事深度的同时优先考虑空间体验的多样性。事务所的设计流程以对场地特定参数的响应性和技术精确性为特征，同时保持对材料真实性、空间流动性和功能创新的承诺。OMA的作品涵盖文化、商业和城市设计类型，展现出对多样环境条件和文化语境的适应能力，其设计始终致力于创造超越形式趋势的空间环境，关注叙事、体验、材料性和人类互动等永恒品质。 设计团队 旅游探访 1300 m² 首尔，韩国 2025 Previous Next

< 返回 上海世博文化公园温室 Delugan Meissl Associated Architects 项目名称： 上海世博文化公园温室 地点： 上海，中国 设计团队： Delugan Meissl Associated Architects 建筑面积： 47000 平方米 完工时间： 2024年9月 摄影师： CreatAR Images 设计特色： 项目 - 在最近一次开创性的建筑干预中，Delugan Meissl Associated Architects（DMAA）重新构想了城市空间：上海世博文化公园温室。这座位于上海迅速演变的浦东区的创新综合体，代表了可持续建筑的大胆想象，将前工业荒地转变为充满活力的生态展示场。 在工业遗产和生态创新的微妙边界上，温室综合体作为城市再生的强有力声明应运而生。建筑师巧妙地重新利用了原工业厅的钢结构，在其几何框架内创造了有机场馆，形成了动态的空间组织。这种硬性工业基础设施与流动自然形态之间的建筑对话，完美诠释了上海技术进步与环境意识的复杂叙事。 该项目最引人注目的创新在于其对能源效率的激进方法。挑战传统温室设计，DMAA通过复杂的环境策略创造了一座零能耗建筑。通过精确的模拟计算，使用单层玻璃——这是一个违反直觉的选择——该结构在最大限度地利用自然光和维护植物健康的同时，最大程度地减少了能源消耗。 三个不同的展馆为游客提供了沉浸式的生态系统之旅：从荒凉的岩石沙漠景观，到热带雨林的丰茂生机，最后是多功能的垂直花园。每个空间不仅展示了生物多样性，还作为一个微妙的环境教育平台，引起人们对植物保护和气候适应全球挑战的关注。 通过将工业场地转变为充满生机的生态中心，DMAA不仅仅交付了一个温室——他们创造了一份将自然置于建筑创新核心的城市再生宣言。 团队 – 成立于1993年的奥地利维也纳，Delugan Meissl Associated Architects（DMAA）已成为一家不断挑战传统设计范式的先锋建筑实践。拥有40多名国际专业人士的强大团队，该事务所通过在欧洲、中国、美国、南美洲和中东地区的100多个创新项目，建立了全球影响力。 自2004年以来，由创始合伙人Elke Delugan-Meissl, Roman Delugan, alongside Dietmar Feistel 和 Martin Josst领导，DMAA以其对语境和实验性设计的激进承诺而著称。他们的建筑理念超越了单纯的功能解决方案，进而探索了建成环境、社会动态和生态命题之间错综复杂的关系。 该事务所的作品集展现了卓越的多样性，涵盖文化地标、教育设施、展览、医疗综合体和城市干预。阿姆斯特丹电影博物馆、斯图加特保时捷博物馆和埃尔音乐节大厅等标志性项目，展示了他们创造空间动态且概念复杂的建筑体验的能力。 DMAA的方法以对创新的坚定奉献为特征，通过精确的设计干预推动建筑边界，这些干预对本地语境积极回应，同时保持大胆、前瞻性的设计语言。 Project Name: Expo Cultural Park Greenhouse Location: Shanghai, China Design Team: Delugan Meissl Associated Architects (DMAA) Building Area: 47,000 square meters Completion Date: September 2024 Photographer: CreatAR Images Feature： Project - In a groundbreaking architectural intervention, Delugan Meissl Associated Architects (DMAA) has reimagined urban space through their latest project: the Expo Cultural Park Greenhouse. Nestled in Shanghai's rapidly evolving Pudong district, this innovative complex represents a bold reimagining of sustainable architecture, transforming a former industrial wasteland into a vibrant ecological showcase. Straddling the delicate boundary between industrial heritage and ecological innovation, the greenhouse complex emerges as a powerful statement on urban regeneration. The architects have masterfully repurposed an existing steel structure from a former industrial hall, creating a dynamic framework that seamlessly integrates organic pavilions within its geometric embrace. This architectural dialogue between hard industrial infrastructure and fluid natural forms encapsulates Shanghai's complex narrative of technological progress and environmental consciousness. The project's most striking innovation lies in its radical approach to energy efficiency. Challenging conventional greenhouse design, DMAA has created a zero-energy building through sophisticated environmental strategies. Utilizing single glazing—a counterintuitive choice validated by precise simulative calculations—the structure minimizes energy consumption while maximizing natural light and plant health. Three distinct pavilions offer visitors an immersive journey through diverse ecosystems: from the stark, rocky landscapes of arid deserts to the lush abundance of tropical rainforests, and finally to versatile vertical flower gardens. Each space not only showcases botanical diversity but also serves as a subtle environmental education platform, drawing attention to global challenges of plant conservation and climate adaptation. By transforming an industrial site into a living, breathing ecological center, DMAA has delivered more than just a greenhouse—they've created a manifesto for urban regeneration that places nature at the heart of architectural innovation. Design Team - Founded in Vienna, Austria in 1993, Delugan Meissl Associated Architects (DMAA) has emerged as a pioneering architectural practice that consistently challenges conventional design paradigms. With a robust team of over 40 international professionals, the firm has established a global footprint through more than 100 innovative projects across Europe, China, the United States, South America, and the Middle East. Led by founding partners Elke Delugan-Meissl, Roman Delugan, alongside Dietmar Feistel and Martin Josst since 2004, DMAA distinguishes itself through a radical commitment to contextual and experimental design. Their architectural philosophy transcends mere functional solutions, instead exploring the intricate relationships between built environments, social dynamics, and ecological imperatives. The firm's portfolio exemplifies a remarkable versatility, spanning cultural landmarks, educational facilities, exhibitions, healthcare complexes, and urban interventions. Iconic projects like the EYE Filmmuseum in Amsterdam, the Porsche Museum in Stuttgart, and the Festspielhaus Erl demonstrate their ability to create spatially dynamic and conceptually sophisticated architectural experiences. DMAA's approach is defined by an unwavering dedication to innovation, pushing architectural boundaries through precise interventions that respond sensitively to local contexts while maintaining a bold, forward-thinking design language. 设计团队 旅游探访 47000 m² 上海，中国 2024 Previous Next

< 返回 幸原村 STUDIO MONAKA 项目名称： 幸原村 (Sachibaru Village) 地点：南城市，日本 设计团队： STUDIO MONAKA 建筑面积： 142.42平方米 竣工时间： 2024年3月 摄影师： 井田佳明 设计特色： 项目 - 在冲绳南城市海岸附近的一片古老森林中，坐落着一个突破性的建筑项目——幸原村(Sachibaru Village)。STUDIO MONAKA建筑事务所通过这个项目巧妙地颠覆了"形式追随功能"的现代主义格言，创造出令人惊叹的建筑作品。 该项目最独特之处在于它刻意摒弃了预设的使用模式。响应业主对未定义用途的期望，建筑师们打造了他们称之为"第三空间"的场所——一个能够为儿童成长和学习提供自由画布的流动性环境。这种理念体现在设计中，与其历史环境和谐共存，巧妙地在现有的琉球石灰岩构造和百年古树之间穿行。 这座建筑面积为142平方米的建筑展现出卓越的环保意识，建筑师在建造过程中坚持不砍伐任何树木。相反，他们让场地的自然地形引导建筑的形态，在建筑干预与景观之间创造对话。这片标志着琉球王国时期古老农业梯田的场地，在保持其历史特征的同时，也融入了现代设计元素。 幸原村的与众不同之处在于其创新性地优先考虑室外空间，将室内区域仅作为补充要素。这种传统建筑层次的颠覆产生了一系列相互连接的空间，模糊了内外界限。该项目体现了独特的冲绳式空间营造方法，以开放性和包容性为特征，同时为重视自由性和自发性而非严格功能性的教育环境建立了新范式。 这座建成的建筑总占地面积为122.55平方米，分布在两层楼上，展示了当代建筑如何在尊重历史背景的同时，突破常规项目定义的界限。这个作品完美诠释了如何在保护自然环境的前提下，创造出具有前瞻性和创新性的建筑空间。 团队 – STUDIO MONAKA成立于2015年，总部位于日本京都，是一家突破传统设计界限的创新建筑事务所。由三位建筑师——冈山泰士、森田修平和仲本兼一郎（均出生于1987年）共同创立，事务所已发展成为一个多学科工作室，将建筑设计视为促进社区参与和环境和谐的催化剂。 事务所通过两个总部运营——位于京都历史悠久的船冈公园的主要工作室，以及2018年成立的冲绳分部。这种地理多样性使他们能够敏锐地应对城市和热带环境的设计挑战。他们的作品组合涵盖住宅、商业和公共领域项目，特别强调创造他们称之为"背景建筑"的空间——自然促进人际互动和环境联系的场所。 STUDIO MONAKA的设计理念以其独特的建筑规划方法而著称，通常在开发室内解决方案之前先进行外部空间规划。这种方法获得了广泛认可，包括2020年第六届冲绳建筑奖的优秀奖。事务所的专业领域包括总体规划、建筑设计、室内设计和环境咨询，特别注重社区驱动型项目。 在冈山、森田和仲本的领导下，加上包括注册建筑师和项目设计师在内的11名专业人员的支持，STUDIO MONAKA继续推动当代日本建筑的边界，同时保持对环境和文化敏感性的深度尊重。 Project Name: Sachibaru Village Location: Nanjo City, Okinawa, Japan Design Team: STUDIO MONAKA Total Floor Area: 142.42 m² Building Footprint: 122.55 m² Site Area: 584.39 m² Structure: Wooden construction, 2 stories above ground Design Period: January 2022 - January 2023 Construction Period: May 2023 - March 2024 Completion Date: March 2024 General Contractor: Arakaki Construction Structural Engineer: Ensake Structural Design / Ko Ensake Photographer: Yoshiaki Ida Feature： Project - Nestled in an ancient forest near the ocean in Nanjo City, Okinawa, Sachibaru Village emerges as a groundbreaking architectural project that challenges conventional design principles. STUDIO MONAKA, led by architects Yasushi Okayama, Shuhei Morita, and Kenichiro Nakamoto, has created a remarkable space that inverts the modernist dictum "form follows function" to spectacular effect. The project's most distinctive feature lies in its deliberate rejection of predetermined usage patterns. Responding to the client's desire for an undefined purpose, the architects crafted what they call a "third place" - a fluid environment that serves as a canvas for children's growth and learning. This philosophical approach manifests in a design that harmoniously integrates with its historic setting, carefully weaving between existing Ryukyu limestone formations and centuries-old trees. The 142-square-metre structure demonstrates exceptional environmental sensitivity, with the architects refusing to fell any trees during construction. Instead, they allowed the natural topography of the sloped site to guide the building's form, creating a dialogue between architectural intervention and landscape. The site, marked by ancient agricultural terraces dating back to the Ryukyu Kingdom period, retains its historical character while embracing contemporary design elements. What sets Sachibaru Village apart is its innovative prioritization of exterior spaces, with interior areas serving merely as complementary elements. This reversal of traditional architectural hierarchy results in a series of interconnected spaces that blur the boundaries between inside and out. The project exemplifies a distinctly Okinawan approach to space-making, characterized by generosity and openness, while establishing a new paradigm for educational environments that prioritize freedom and spontaneity over rigid functionality. The completed structure, with its modest footprint of 122.55 square metres spread across two floors, stands as a testament to how contemporary architecture can respect historical context while pushing the boundaries of conventional program definition. Design Team - STUDIO MONAKA, established in 2015 in Kyoto, Japan, stands as an innovative architectural practice that transcends conventional design boundaries. Founded by three visionary architects - Yasushi Okayama, Shuhei Morita, and Kenichiro Nakamoto - all born in 1987, the firm has evolved into a multidisciplinary studio that approaches architecture as a catalyst for community engagement and environmental harmony. The practice operates through dual headquarters - their main studio in Kyoto's historic Funaoka Park and a satellite office in Okinawa, established in 2018. This geographical diversity allows them to respond sensitively to both urban and tropical contextual challenges. Their portfolio spans residential, commercial, and public realm projects, with a particular emphasis on creating what they term "background architecture" - spaces that naturally foster human interaction and environmental connection. STUDIO MONAKA's design philosophy is distinguished by their unique approach to architectural programming, often beginning with exterior spatial planning before developing interior solutions. This methodology has garnered recognition, including the 6th Okinawa Architecture Award's Encouragement Prize in 2020. The firm's expertise encompasses master planning, architectural design, interior design, and environmental consulting, with a strong focus on community-driven projects. Under the leadership of Okayama, Morita, and Nakamoto, supported by a team of eleven professionals including certified architects and project designers, STUDIO MONAKA continues to push the boundaries of contemporary Japanese architecture while maintaining a deep respect for contextual and cultural sensitivities. 设计团队 旅游探访 142.42 m² 南城市，日本 2024 Previous Next

< 返回 Jean & Ric Edelman化石公园与博物馆 Ennead Architects 项目名称：Jean & Ric Edelman化石公园与博物馆 地点：新泽西州曼图阿镇，美国 设计团队：Ennead Architects 建筑面积：44000 ft² 完成时间：2025 摄影：Brett Beyer 设计特色： 项目 - 作为一个前沿性的可持续设计典范，建筑工作室Ennead Architects打造了Jean & Ric Edelman化石公园与博物馆——一座碳净零排放的建筑，将前采石场改造为沉浸式古生物学探索中心。这座44000平方英尺的建筑代表了可持续建筑领域的重大突破，被认为是新泽西州最大的公共碳净零排放建筑之一。 曼图阿镇的这一地标性项目展示了设计的核心创新：独特的"透镜"形木材包裹体量，每个矩形体量向内收缩形成中央窗口，创造出设计师所称的"穿越时空的窗口"——这是Ennead设计理念的标志性表达。策略性地位于两个采石坑之间的高地上，建筑以尊重的姿态融入场地，北侧为双层结构，而面向挖掘区的一侧则降为单层。 材料选择在这个项目中扮演着关键角色，采用了胶合木、混凝土和钢材的混合结构系统，不仅为了可持续性考量，更是为了强化建筑的表现力。大面积的玻璃元素经过精心定位，以控制太阳能获取，同时在室内外之间创造视觉连接，框住周围65英亩化石公园的自然景观。 使Edelman化石公园与博物馆区别于传统博物馆的是其全面的可持续性方法。遵循能源认证标准，项目采用全电力机械系统和地热井，确保建筑保持零碳足迹，而东西向的建筑朝向则最大限度地提高了能源效率。 Ennead设计团队创造了一个多功能空间，包括沉浸式展览厅、138座剧院、VR工作室、保护区和咖啡厅。展览设计由G&A工作室完成，带领访客穿越晚白垩纪时期，通过真实大小的恐龙模型和交互式展品，将远古灭绝事件与当代气候挑战联系起来。 Edelman化石公园与博物馆成为当代建筑实践的重要贡献——一个融合科学探索、建筑创新和环境管理的项目，证明可持续设计不必牺牲建筑表现力和用户体验。 团队 - Ennead Architects是一家国际知名的建筑事务所，总部位于纽约市，在洛杉矶和上海设有办事处，在南佛罗里达也有业务。拥有超过59年的历史，该事务所由十位合伙人共同领导。 作为一家拥有200多名专业人员的公司，Ennead Architects因其规划和设计卓越性而享誉国际，其多元化的作品组合包括新建筑、翻新和扩建、历史保护、室内设计和总体规划，以及为公共和私人机构及政府机构提供的前期设计咨询服务和专业建议。 Ennead创造强大而动态的设计，推进新范式，强化机构身份，建立场所感，促进共享体验，提高用户表现并改善现有条件。事务所的协作过程建立在广泛的研究基础上，包括对环境的分析、公共形象、新兴技术和对可持续解决方案的承诺。 自1963年成立以来，塑造公共领域一直是Ennead实践的核心。他们因其作品的形式和情感力量、技术精湛、可持续设计、对社区文化生活的重大贡献以及对物理环境的提升而备受赞誉。Ennead致力于综合建筑解决方案的变革性发展，并与项目团队合作，将固有挑战视为增强与自然和社会环境重要联系的机会。 Project Name: Jean & Ric Edelman Fossil Park & Museum Location: Mantua Township, New Jersey, United States Design Team: Ennead Architects Total Floor Area: 44,000 ft² Completion: 2025 Photography: Brett Beyer Feature: Project - As a pioneering example of sustainable design excellence, architecture studio Ennead Architects has created the Jean & Ric Edelman Fossil Park & Museum — a carbon net-zero facility that transforms a former quarry into an immersive paleontological center. The 44,000-square-foot structure represents a significant advancement in sustainable architecture, recognized as one of New Jersey's largest public net-zero carbon emissions buildings. The landmark Mantua Township installation showcases the concept's core innovation: distinctive "lens" timber-clad volumes, each rectangular form tapering inward to create central windows, establishing what the designers call "windows through deep time" — a signature expression of Ennead's design philosophy. Strategically positioned on an elevated ridge between two quarry pits, the building integrates respectfully with the site, featuring two storeys on the north side while reducing to a single storey facing the dig area. Materiality plays a crucial role in the project, with a hybrid structural system of glulam timber, concrete, and steel selected not merely for sustainability credentials but to enhance the building's expressiveness. The generous glazed elements are carefully positioned to control solar gain while creating visual connections between interior and exterior, framing the surrounding 65-acre fossil park landscape. What distinguishes the Edelman Fossil Park & Museum from conventional museums is its comprehensive approach to sustainability. Following the Energy Petal Certification of the Living Building Challenge, the project employs all-electric mechanical systems and geothermal wells to ensure the building maintains a zero-carbon footprint, while its east-west orientation maximizes energy efficiency. Ennead's design team has created a multifunctional space encompassing immersive exhibition galleries, a 138-seat theater, VR studio, conservation area, and café. Exhibition design by G&A studios guides visitors through the Late Cretaceous Period through life-sized dinosaur models and interactive exhibits that connect ancient extinction events to contemporary climate challenges. The Edelman Fossil Park & Museum emerges as a significant contribution to contemporary architectural practice — a project that merges scientific discovery, architectural innovation, and environmental stewardship, proving that sustainable design need not compromise architectural expression and user experience. Design Team - Ennead Architects is an internationally-acclaimed practice based in New York City with offices in Los Angeles and Shanghai, and a presence in South Florida. With over 59 years of history, the firm is led by ten partners: Grace Chen, Stephen Chu, V. Guy Maxwell, Kevin McClurkan, Molly McGowan, Richard Olcott, Tomas Rossant, Peter Schubert, David Tepper and Thomas Wong. As a 200+ person company, Ennead Architects is internationally recognized for planning and design excellence, with a diverse portfolio including new construction, renovation and expansion, historic preservation, interior design and master planning, as well as pre-design advisory services and professional counsel to public and private institutions and government agencies. Ennead creates powerful and dynamic designs that advance new paradigms, reinforce institutional identity, establish a sense of place, facilitate shared experiences, enhance user performance and improve existing conditions. The firm's collaborative process is based in extensive research involving the analysis of context, public image, emerging technologies and a commitment to sustainable solutions. Since its founding in 1963, shaping the public realm has been central to Ennead's practice. They have been acclaimed for the formal and affective power of their work, for technical virtuosity, for sustainable design, for significant contributions to the cultural life of communities and the enhancement of physical contexts. Ennead is committed to the transformative development of integrated architectural solutions and, in partnership with project teams, approaches inherent challenges as opportunities to enhance vital connections to natural and social environments. 设计团队 旅游探访 44000 ft² 新泽西州曼图阿镇，美国 2025 Previous Next

< 返回 Cave 公寓 EARTHEN 项目名称：Cave 地点：富山市，日本 设计团队：EARTHEN 建筑面积：67.17 m² 竣工时间：2023年7月 摄影：MASATOMO MORIYAMA 设计特色： 项目 - 坐落于富山市历史悠久的住宅区内，Cave公寓改造项目由EARTHEN设计，不仅仅是一次室内翻新，它是用建筑语言重新诠释居住本质的空间宣言。项目直接受到场地深厚考古背景启发而生，这片土地曾发现日本最大规模的竖穴住居遗迹，建筑师将对原始庇护所的向往转化为革新性的空间重构。 该项目最引人注目的设计元素是建筑师独创的"直线与曲线的柔和融合"方法论，通过将手绘的有机曲线叠加在公寓原有的理性网格系统上实现。这一建筑姿态不仅解决了67平方米空间的功能重组需求，更创造出如"土的洞窟"般的原始氛围，仿佛整个居住空间都从大地中自然生长而出。手绘线条经历反复推敲后演化为三维墙体、家具和艺术装置，实现了从概念到实体的诗意转换。 在这个核心空间内是住宅的生活序列：起居、用餐、休息和冥想功能在流动的空间中无缝融合。这些功能的组织旨在促进内省和宁静，体现逃离都市喧嚣的生活理念。Cave定位为"休憩之所"与外部世界之间的过渡空间，连接物质文明与精神回归的两种状态。 项目的空间品质在功能性中形成对比。拆除原有隔墙并重新整合管线系统，为居住者提供必要的流动性和开放感。曲线墙面不仅提供空间分隔，更兼作光线调节器，成为空间中"栖居线索"的提供者，帮助定义不同的活动氛围。 Cave公寓因此成为超越传统居住定义的建筑表达。它讲述着一个故事，在现代生活方式、创新设计方法论与场地历史记忆之间建立敏感对话。一个回归原始而诗意的空间栖息于富山都市——对编织生活、记忆与空间艺术的静默致敬。 设计团队 - EARTHEN由首席建筑师奈良祐希于2021年创立并于2022年完成法人改组，总部位于日本金泽，经过四年的专业卓越发展，已迅速崛起为日本最具创新性的建筑与陶艺融合实践机构。事务所由创始人建筑师奈良祐希领导，其专业实践建立在对土地精神和材料本质的深度理解基础上，始终寻求为每个项目提供独特且不可复制的解决方案。 将建筑设计与陶艺创作同步、无意识偶然性与设计意图性的融合、以及对空间原始性的探索等基本原则是贯穿所有作品的特色。结合这些理念，团队的工作以日本传统工艺精神为起点，重新思考其在当代建筑中的应用，以创新方式回应建筑领域的本质问题。 事务所的设计方法论融合三项基本原则：建筑与陶艺工艺的无缝整合、材料真实性的诚实表达，以及将大地意识作为设计核心驱动力的战略性思考。这些核心理念贯穿每个项目尺度，从综合性空间规划到精心制作的工艺细节。 EARTHEN的建筑手法深受日本传统工艺文化启发，同时挑战传统范式以应对当代居住挑战。事务所对创新的坚持赢得了国际认可，包括代表作《Bone Flower》被21世纪金泽美术馆永久收藏、《Node Kanazawa》荣获第33回AACA芦原义信新人奖史上最年轻得主等殊荣。其建筑项目体现了技术精通与概念严谨之间的精妙平衡，通过严谨的材料研究和空间探索，为日本当代建筑树立了新的标杆。 设计团队 旅游探访 67.17 m² 富山市，日本 2023 Previous Next

< 返回 罗密欧罗马酒店 扎哈·哈迪德建筑事务所 项目名称：罗密欧罗马酒店 设计团队：扎哈·哈迪德建筑事务所 项目地点：罗马，意大利 建筑类型：酒店改造 客房数量：74间 竣工时间：2024年 摄影师：Chris Dalton，Jacopo Spilimbergo 设计特色： 项目 – 扎哈·哈迪德建筑事务所将罗马一座16世纪的宫殿改造成豪华酒店，通过对传统罗马拱顶的重新诠释，在历史建筑与当代设计之间创造出引人注目的对话。罗密欧罗马酒店展现了该事务所标志性的流动美学，同时保留了这座建筑跨越五个世纪的历史元素。 在项目总监保拉·卡塔林的带领下，这项翻新工程从罗马建筑的层积性——不同历史时期的叠加——中汲取灵感，特别关注该城市的拱顶传统。建筑师将这一建筑元素作为概念基础，发展出一种当代诠释，从天花板设计延伸到家具，在整个空间中创造出连贯的设计语言。 这家拥有74间客房的酒店的特色在于每个空间都经过独特设计，摒弃了酒店建筑的典型模块化方法。相反，每个房间都呈现出独特的空间配置，响应宫殿不规则的几何结构。设计团队开发了一个精妙的"第二表皮"解决方案，在保护原有建筑的同时将现代设施整合到历史建筑中，在现有墙壁和新室内表面之间创造一个薄腔来容纳技术设施。 在这项需要230个不同建筑许可并涉及49家公司的翻新工程中，工人们发现了一个此前未知的古罗马工作坊，其特色是块菱形石砌面（opus reticulatum）——一种有2000年历史的砌筑方式。这一考古发现被保留下来，通过花园下方的90平方米展览厅融入酒店设计中，可以通过酒店游泳池的玻璃地板观赏。 该项目展示了历史保护与当代设计的巧妙融合，卡拉拉白色雕像用大理石、马卡萨黑檀木和黄铜等材料营造出丰富的层次感室内空间，呼应着建筑累积的历史，同时开启了其建筑演变的新篇章。 团队 – 扎哈·哈迪德建筑事务所（Zaha Hadid Architects, ZHA）由已故普利兹克奖得主扎哈·哈迪德于1979年创立，如今已发展成为世界上最具影响力的建筑事务所之一。目前，ZHA以员工福利信托（Employee Benefit Trust）的形式运营，由首席建筑师帕特里克·舒马赫（Patrik Schumacher）领导。总部位于伦敦克拉肯维尔，该事务所拥有约500名员工，持续推动参数化设计与计算建筑的界限。 ZHA以其独特的建筑语言而闻名，其特点是流线型几何和创新的空间概念。在公共、文化和商业领域，ZHA始终交付具有开创性的项目，其代表作品包括罗马的MAXXI国家21世纪艺术博物馆（2010年斯特林奖）、巴库的海达尔·阿利耶夫文化中心，以及北京大兴国际机场航站楼。 自2016年舒马赫接任领导以来，事务所在技术能力上实现了显著扩展，特别是成立了专注于人工智能驱动设计方法的部门——ZHAI（Zaha Hadid Analytics + Insights）。事务所的当代作品继续展现其对研究导向建筑、可持续创新以及复杂几何优化的承诺，同时保持了其在城市融合与场地响应方面的标志性方法。最近完成的项目如阿联酋BEEAH总部，展示了ZHA在结合参数化设计与环保意识方面日益成熟的专业水平。 Project Name: Hotel Romeo Roma Design Team: Zaha Hadid Architects (ZHA) Location: Rome, Italy Building Type: Hotel Renovation Number of Rooms: 74 Completion: 2024 Photographer：Chris Dalton，Jacopo Spilimbergo Feature： Project - Zaha Hadid Architects has transformed a 16th-century palazzo in Rome into a luxury hotel, creating a striking dialogue between historical architecture and contemporary design through a reinterpretation of traditional Roman vaults. The Hotel Romeo Roma, located on Via di Ripetta near Piazza del Popolo, showcases the firm's signature fluid aesthetics while preserving the building's historical elements spanning five centuries. Led by project director Paola Cattarin, the renovation project takes inspiration from Rome's architectural palimpsest - the layering of different historical periods - with a particular focus on the city's tradition of vaulted ceilings. The architects used this architectural element as a conceptual foundation, developing a contemporary interpretation that extends from the ceiling designs to the furniture, creating a cohesive design language throughout the space. The 74-room hotel features individually designed spaces that reject the typical modular approach of hotel architecture. Instead, each room presents its own unique spatial configuration, responding to the palazzo's irregular geometry. The design team developed a sophisticated "second skin" solution to integrate modern amenities within the historical structure, creating a thin cavity between the existing walls and new interior surfaces to house technical services while preserving the original architecture. During the renovation, which required 230 different building permissions and involved 49 companies, workers discovered a previously unknown Roman workshop featuring opus reticulatum - a 2,000-year-old diamond-shaped stone facing. This archaeological finding has been preserved and incorporated into the hotel design through a 90-square-meter gallery beneath the garden, visible through the glass floor of the hotel's swimming pool. The project demonstrates a masterful blend of historical preservation and contemporary design, where materials such as Carrara Statuarietto marble, Makassar ebony, and brass create rich, layered interiors that echo the building's accumulated history while establishing a new chapter in its architectural evolution. Design Team - Zaha Hadid Architects (ZHA), established in 1979 by the late Pritzker Prize laureate Zaha Hadid, has evolved into one of the world's most influential architectural practices, now operating as an Employee Benefit Trust under the leadership of Principal Patrik Schumacher. With headquarters in Clerkenwell, London, the 500-strong firm continues to push the boundaries of parametric design and computational architecture. Known for their distinctive architectural language characterized by fluid geometries and innovative spatial concepts, ZHA has consistently delivered groundbreaking projects across civic, cultural, and commercial sectors. Their portfolio includes iconic works such as the MAXXI Museum in Rome (Stirling Prize 2010), the Heydar Aliyev Center in Baku, and the Beijing Daxing International Airport terminal. Under Schumacher's direction since 2016, the practice has expanded its technological capabilities, notably establishing ZHAI (Zaha Hadid Analytics + Insights), a dedicated unit exploring AI-driven design methodologies. The firm's contemporary work continues to exemplify their commitment to research-driven architecture, sustainable innovation, and complex geometry optimization, while maintaining the practice's signature approach to urban integration and contextual response. Recent projects like the BEEAH Headquarters in UAE showcase their evolving expertise in combining parametric design with environmental consciousness. 设计团队 旅游探访 74间 罗马，意大利 2024 Previous Next

< 返回 S住宅 PL.Architekci 项目名称：S住宅 地点：波兹南，波兰 设计团队：PL.Architekci 建筑面积：439 m² 竣工时间：2024年 摄影：Tom Kurek 设计特色： 项目 - PL.Architekci建筑事务所在波兹南完成了一座蜿蜒的单层住宅，房屋优雅地在现有树木间穿行，创造了室内外空间的无缝对话。这座439平方米的S住宅既因其蛇形形态得名，也因客户姓氏而命名，体现了建筑服务于自然而非主导自然的设计哲学。 建筑的核心理念是"蜿蜒于树木间的住宅"，通过将传统矩形体量在两个关键位置进行"挤压"和扭转，创造出独特的S形平面布局。这种解决方案不仅适应了复杂的功能需求，还完美地避开了场地内的每一棵树木，使建筑如同一座现代大型花园雕塑般融入自然环境。建筑师采用的策略是将住宅设计为一个玻璃展馆，与美丽的花园和森林环境建立开放性对话。 这种构成方式创造了丰富的空间体验，形成独特的蜿蜒玻璃走廊。居住者在其中行走时，仿佛置身于花园小径，打破了传统的室内外界限。每个空间都提供了与周围自然环境"几乎直接接触"的体验，满足现代家庭对宁静与沉思空间的需求。 立面设计以落地玻璃窗为主导，消解了内外界限。手风琴式屋顶设计源于当地规划要求的20度坡屋顶限制，但建筑师将这一约束转化为设计优势，在室内展露折叠天花板，创造出不同的房间高度，并为照明和通风系统提供整合管道。白色树脂地面无缝延伸至环绕建筑的混凝土带，强调了与自然的连续性。 材料及色调极其克制，以白色为主调，仅以深棕色橡木贴面结构作为点缀，创造出建筑师所描述的"宁静与沉思之所"。建筑师对细节的关注体现在每个空间转换处，展现了对整体设计哲学的坚持。 "S住宅"展示了如何将环境约束转化为独特设计优势的典范。在这里，自然不仅是背景，而是生活体验的核心部分，促使居住者意识到自己与自然环境的共生关系。该项目成功地平衡了现代生活的实用需求与对自然体验的渴望，创造出一个既前卫又温馨的家庭环境。 设计团队 - PL.Architekci建筑事务所由Katarzyna Cynka-Bajon和Bartłomiej Bajon于2005年创立，两位创始人均毕业于波兹南理工大学建筑与城市规划学院。这家总部位于波兹南的建筑事务所已确立其作为波兰最杰出当代建筑实践之一的地位，通过整体性设计方法，无缝融合建筑与室内设计，持续展现卓越的设计水准。 在创始合伙人的持续领导下，工作室培养了以环境敏感性和环境和谐为核心的设计理念。其作品组合涵盖住宅、公共和商业项目，尤其在创新单体住宅设计方面备受认可，这些作品能够智慧地回应场地约束条件，同时保持建筑的精致性。 事务所对设计卓越性的承诺赢得了业界的广泛认可，包括荣获著名的SARP大奖，以及多次获得波兰最高建筑荣誉的提名。 PL.Architekci目前的团队包括才华横溢的建筑师Agnieszka Jurenko、Bartosz Stanek、Karol Kremski、Zofia Piwińska，室内建筑师Agnieszka Sukienniczak，以及建筑助理Michał Rams。这种协作结构使事务所能够在多样化的项目类型中保持其标志性的整合设计方法，持续交付超越建筑形式与自然环境传统界限的建筑作品。 Project Name: S House Location: Poznań, Poland Design Team: PL.Architekci Total Floor Area: 439 m² Completion: 2024 Photography: Tom Kurek Feature: Project - In Poznań, Poland, the "S House" stands out for its innovative design approach that creates harmony between architecture and nature. Situated on a plot with mature trees, PL.Architekci responded to this challenge by creating a living experience that seamlessly integrates built form with natural landscape, completing construction without felling a single tree. The core concept of the building is "a house winding between trees," achieved by "squeezing" and twisting a traditional rectangular volume at two strategic points to create the distinctive S-shaped plan. This solution not only accommodates complex functional requirements but also perfectly avoids every tree on the site, allowing the building to integrate into the natural environment like a modern large garden sculpture. The architects' strategy was to design the residence as a glazed pavilion that establishes an open dialogue with the beautiful garden and forest surroundings. This composition creates a rich spatial experience, forming a unique winding glass corridor. As residents move through it, they feel as though they are walking along garden paths, breaking down traditional indoor-outdoor boundaries. Each space provides an experience of "almost direct contact" with the surrounding natural environment, meeting modern families' needs for spaces of silence and contemplation. The façade design is dominated by floor-to-ceiling glazing that dissolves interior-exterior boundaries. The concertina roof design originated from local planning requirements for 20-degree sloped roofs, but the architects transformed this constraint into a design advantage, exposing the folded ceiling indoors to create varying room heights and provide integrated channels for lighting and ventilation systems. White resin floors flow seamlessly into the concrete band surrounding the building, emphasizing continuity with nature. The material palette is extremely restrained, predominantly white with only dark brown oak-veneered structures as accents, creating what the architects describe as "a place of silence and contemplation." The architects' attention to detail is evident at every spatial transition, demonstrating commitment to their overall design philosophy. "S House" exemplifies how environmental constraints can be transformed into unique design advantages. Here, nature is not merely a backdrop but a central component of the living experience, prompting residents to recognize their symbiotic relationship with the natural environment. The project successfully balances practical requirements of modern living with the desire for natural experiences, creating a family environment that is both avant-garde and intimate. Design Team - PL.Architekci was established by Katarzyna Cynka-Bajon and Bartłomiej Bajon in 2005, both graduates of the Faculty of Architecture and Urban Planning at Poznań University of Technology. Katarzyna received a scholarship to study at the Faculty of Architecture at the University of Hannover, Germany, from 2004-2005. This Poznań-based architectural practice has grown to become one of Poland's most influential contemporary architectural firms. Currently, the PL.Architekci team is led by the founding partners and includes 8 professionals: architects Agnieszka Jurenko, Bartosz Stanek, Karol Kremski, Zofia Piwińska, interior architect Agnieszka Sukienniczak, and architectural assistant Michał Rams, providing comprehensive services including architectural design and interior design. The firm is known for its keen understanding of spatial experience and environmentally sensitive design, with works often showcasing seamless integration of architecture and interior design. PL.Architekci's design philosophy emphasizes "the holistic nature of architecture and interior design," believing that interiors create architecture and architecture creates interiors. They view each project as a complete environmental experience, carefully considering how restrained choices of materials, colors, and art affect living quality. The firm has received numerous awards for excellence in design, including recognition in the 2025 Architectural Digest AD 100 inaugural Polish list, the 2024 SARP Poznań Grand Prix for the Wielkopolska Province Architectural Award, and multiple nominations for national SARP architectural awards. Both founders are members of the Wielkopolska Chamber of Architects, the Polish Architects Association SARP, and the Interior Architects Association SAW. Through projects like "S House," PL.Architekci demonstrates its unique ability to create architectural works that both respond to natural environments and meet the demands of modern living, representing the forefront of contemporary residential design in Poland. 设计团队 旅游探访 439 m² 波兹南，波兰 2024 Previous Next

< 返回 Triplex Fabre 住宅 Atelier l'Abri 设计特色： 项目 – 在蒙特利尔充满活力的小劳里埃社区(Petit Laurier)中心，Atelier l'Abri建筑事务所的Triplex Fabre项目为这座城市具有标志性的建筑遗产注入了新的生命力。这个跨代居住的翻新项目巧妙地保留了该地区特色复式和三层公寓的精髓，同时为城市生活引入了现代风格。 该项目最突出的特点是对传统蒙特利尔公寓布局的巧妙重新诠释。通过将卧室和浴室等私密空间最小化，建筑师创造了宽敞、明亮的生活区域，营造出开放和流畅的感觉。这种创新方法挑战了传统的空间层次结构，优先考虑公共区域，并无缝融合室内外生活。 Atelier l'Abri对材料统一性的关注在整个项目中显而易见。引人注目的勃艮第红外立面向周边建筑风格致敬，而室内空间则采用更加柔和的色调，为其跨代家庭创造了一个宁静的避风港。背立面加大的开口和宽敞的阳台模糊了内外界限，为每个单元提供了私密的户外休憩空间。 Triplex Fabre项目成为协作设计的典范，家庭成员积极参与其中。这种个人参与不仅使住宅尊重城市环境，还深刻反映了居住者的需求和愿望，为密集城市环境中的跨代居住设立了新标准。 团队 – 成立于2013年的Atelier L'Abri已迅速成为加拿大蒙特利尔建筑界的一支开拓性力量。这家多学科建筑事务所由一群充满活力的建筑师和设计师领导，凭借其对可持续发展和以人为本的设计理念，在业界开辟了独特的一席之地。 其项目组合涵盖住宅、商业和城市装置，充分展示了他们的多才多艺和创新精神。该事务所的设计理念植根于这样一种信念：建筑不仅应该尊重其所处环境，还应积极为提高生活质量做出贡献。这种理念体现在他们对尺度、材料和空间流动性的精心考量上。 Atelier L'Abri与众不同之处在于其整合的设计-建造方法。通过姊妹公司Construction Modulor，他们提供从初始概念到最终执行的全方位服务。设计与施工的这种协同效应使项目交付更加明智、高效和连贯。 该事务所对可持续发展的承诺不仅仅停留在口头上。他们积极推广和实施生态友好的设计标准，在不影响建筑质量的前提下优先考虑使用者的福祉。他们的项目成为美学、环境责任和人类舒适和谐共存的典范。 Feature： Project - In the heart of Montreal's vibrant Petit Laurier neighborhood, Atelier l'Abri's Triplex Fabre project breathes new life into the city's iconic architectural heritage. This multigenerational renovation masterfully preserves the essence of the area's characteristic duplexes and triplexes while introducing a contemporary twist to urban living. The project's standout feature is its thoughtful reinterpretation of traditional Montreal apartment layouts. By minimizing private spaces like bedrooms and bathrooms, the architects have created expansive, light-filled living areas that foster a sense of openness and fluidity. This innovative approach challenges conventional spatial hierarchies, prioritizing communal zones and seamlessly blending indoor and outdoor living. Atelier l'Abri's attention to material cohesion is evident throughout the project. The striking burgundy-red façade pays homage to the neighborhood's architectural vocabulary, while the interior spaces adopt a more subdued palette, creating a serene sanctuary for its multigenerational inhabitants. The rear façade's enlarged openings and generous balconies blur the boundaries between inside and out, offering each unit a private outdoor retreat. The Triplex Fabre project stands as a testament to collaborative design, with family members actively participating in its creation. This personal involvement has resulted in a home that not only respects its urban context but also intimately reflects the needs and aspirations of its occupants, setting a new standard for multigenerational living in dense urban environments. Design Team - Founded in 2013, Atelier L'Abri has rapidly established itself as a pioneering force in Montreal's architectural landscape. This multidisciplinary firm, led by a dynamic team of architects and designers, has carved out a unique niche in the industry with its holistic approach to sustainable, human-centric design. Atelier L'Abri's portfolio spans residential, commercial, and urban installation projects, showcasing their versatility and innovative spirit. The firm's design philosophy is rooted in the belief that architecture should not only respect its context and environment but actively contribute to improving quality of life. This ethos is evident in their meticulous attention to scale, materiality, and spatial flow. What sets Atelier L'Abri apart is their integrated design-build approach. Through their sister company, Construction Modulor, they offer a comprehensive service from initial concept to final execution. This synergy between design and construction allows for a more informed, efficient, and cohesive project delivery. The firm's commitment to sustainability goes beyond mere rhetoric. They actively promote and implement eco-friendly design standards that prioritize occupant well-being without compromising architectural quality. Their projects serve as testaments to the harmonious coexistence of aesthetics, environmental responsibility, and human comfort. 设计团队 旅游探访 280 m² Montreal, Canada 2023 Previous Next

< 返回 东急歌舞伎町塔 永山裕子+久米设计 设计特色： 项目 – 东京新落成的东急歌舞伎町塔是一座令人瞩目的综合体项目，颂扬了这个著名娱乐区的蓬勃活力与精神。由永山裕子建筑事务所、久米设计和Tokyu Architects & Engineers合作设计，这座48层高塔的外立面设计别出心裁，向曾经坐落于该址的喷泉致敬。设计团队采用了独一无二的手法，在塔楼上层安装了超过4000块印花玻璃，陶瓷点状图案象征着喷泉的活力水花。下方的玻璃幕墙则精心雕琢了波浪形纹路，令人联想到水流飞溅的动态景象。底层以类似青海波图案的铸铝框架建筑外表皮，融入了传统日式文化元素，其颜色来源于前米兰剧院的红棕色外墙，作为对过往岁月的一种致敬，构筑了半透明的外立面效果。整体设计远离了传统摩天大楼那种睥睨威严的表达，而是努力捕捉歌舞伎町自由奔放的生命活力，塑造了一种若即若离的飘渺之感。正如永山裕子所言:"这种流动的设计已成为当地全新的地标符号"。在室内设计上其延续了波浪的主题，天花板仿佛在起伏流动，部分玻璃幕墙更营造出漫流的水波之感，其他墙壁搭配金属材料如管状铝件组合，塑造出喷泉冰瀑等不同奇妙氛围。整个空间氛围赋予人们沉浸式的体验，如同投身于一处精心构筑的泉水中，让其感到暂时逃离现实的囹圄。 团队 – 永山裕子建筑事务所由日本建筑师永山裕子于2002年在东京创立，近年来迅速成为日本最富创意和雄心勃勃的建筑设计团队之一。该事务所以挑战传统、将传统元素重新诠释为当代建筑语言而著称。在永山裕子的领导下，事务所屡获殊荣，其富有诗意的Teshima Yokoo House于2014年获颁日本建筑师协会青年建筑师奖。著名地标Goddess of the Forest Central Garden更于2017年荣获山梨县建筑文化奖及2018年东京建筑奖卓越奖。最近其Jins Park Maebashi还获得2023年iF设计大奖。其设计团队巧妙融合了建筑、艺术及环境元素，无论是住宅、文化、商业还是公共建筑，均展现出大胆概念化的设计风格，通过赋予空间叙事性，升华使用者的体验。凭借无穷无尽的创意激情与精湛技艺，永山裕子建筑事务所持续开拓超越功能性需求，启发人与自然世界更深层连结的建筑创作之路。 Feature： Project - The newly completed Tokyu Kabukicho Tower in Tokyo is a striking mixed-use development that celebrates the iconic energy and spirit of the city's famous Kabukicho entertainment district. Designed by a team including Yuko Nagayama & Associates, KUME SEKKEI Co., and Tokyu Architects & Engineers, the 48-story tower features a distinct facade that pays homage to the fountain that once graced the site's public plaza. In a unique design move, over 4,000 printed glass panels adorn the tower's upper levels, their ceramic dot patterns representing the dynamic spray of the former fountain. Below, intricate wave patterns across the glazing and gradient window arches further evoke the sense of flowing water. The lower portion features a lace-like cast aluminum exterior incorporating traditional Japanese waveform motifs in a translucent veil. The design rejects the typical authoritarian expression of skyscrapers, instead aiming to capture the free-spirited vitality of Kabukicho through an ephemeral, almost phantom-like form. As Yuko Nagayama & Associates explains, "This wavering design has become a new symbol of the district." Inside, the wave-like motif continues in ceilings that appear to undulate and water-inspired features like chain-link glazing meant to mimic liquid flow. The immersive environment extends the fountain concept to provide an imaginative escape. Design Team - Founded in 2002 by principal architect Yuko Nagayama, YUKO NAGAYAMA & ASSOCIATES has rapidly emerged as one of Japan's most creative and ambitious architectural practices. Headquartered in Tokyo, the firm is renowned for its explorative designs that challenge conventions and reinterpret traditional elements into contemporary architectural language. Under Nagayama's visionary direction, the studio has garnered numerous accolades, including the prestigious 2014 JIA Young Architect Award for their poetic Teshima Yokoo House. Their landmark Goddess of the Forest Central Garden captured the 2017 Yamanashi Cultural Prize of Architecture and 2018 Tokyo Architecture Award for Excellence. Most recently, their JINS PARK Maebashi project received a 2023 iF Design Award. The firm's multidisciplinary team, including design principals Tomosuke Hanatsumi and Misaki Ide, seamlessly integrates architecture, art, and environment. Their diverse portfolio spans residential, cultural, commercial, and public projects unified by a bold, conceptual approach that elevates user experiences through evocative spatial narratives. With restless creativity and technical mastery, YUKO NAGAYAMA & ASSOCIATES continues pioneering architecture that transcends mere functional needs to inspire deeper connections between the built and natural worlds. 设计团队 旅游探访 87400 m² 日本，东京 2023年 Previous Next

< 返回 Bodegas Faustino 酒庄 Foster + Partners 项目名称： Bodegas Faustino 酒庄访客中心 设计团队： Foster + Partners 面积：1090 m² 地点：奥永，西班牙 设计特色： 项目 –福斯特建筑事务所在西班牙为历史悠久的Bodegas Faustino酒庄打造了一座突破性的访客中心，将建筑创新与环保意识完美融合。这座位于里奥哈-阿拉维萨产区的扩建项目，不仅庆祝了这座酒庄160周年历程，更树立了可持续酿酒建筑的新标杆。 项目的核心是一座令人惊叹的桶型拱顶建筑，跨度达50米，最高处攀升至10米。作为一座"地球1.0"建筑（即其碳足迹可被地球自然系统所消化），这座访客中心展现了福斯特事务所在美学卓越性与环境管理方面的非凡造诣。创新的木制拱架系统打造出无柱室内空间，既向酒庄的工业传统致敬，又体现了当代可持续设计理念。 环境表现是设计的重中之重，建筑通过屋顶大面积光伏阵列实现了能源正效益，为整个园区提供剩余电力。建筑通过战略性的悬挑设计减少太阳得热，同时精心选用以木材为主的天然材料，搭配土色调，与周围葡萄园景观形成和谐对话。 这个项目远超普通的建筑干预，而是对整个场地进行了全方位的改造。从现有酒窖的翻新到创新的景观策略——包括提升生物多样性和应对气候变化，这座扩建项目代表了葡萄酒庄设计的整体性方案，为葡萄酒行业的可持续建筑树立了新标准。 团队 – 福斯特建筑事务所（Foster + Partners）由普利兹克建筑奖得主诺曼·福斯特勋爵于1967年创立，历经六十载发展，现已成为全球建筑界最具影响力的事务所之一，在可持续设计和技术创新领域始终引领潮流。从伦敦总部起步，事务所如今的代表作遍布全球，包括伦敦地标"小黄瓜"大楼、库比蒂诺的苹果园区总部，以及柏林国会大厦的修复工程等标志性项目。 在福斯特勋爵的持续领导下，并自2021年起与Hennick & Company建立战略合作伙伴关系后，事务所秉持整合性设计理念，将建筑设计、工程技术和工业设计完美融合。他们独特的方法论体现在其专有的"福斯特责任框架"（FRF）中，该框架涵盖能源效率、碳减排和生态影响等十大环境主题。 事务所的组织架构体现了其协作精神，设计委员会对各建筑工作室的所有项目进行统筹把控。这种系统化的设计方法为事务所赢得了多项英国皇家建筑师协会斯特林奖在内的众多殊荣，并在45个国家打造了众多地标建筑。 目前，福斯特建筑事务所在伦敦、纽约、香港和马德里的办公室共拥有约1500名专业人士。他们持续突破建筑创新的边界，同时坚守以可持续性和用户为中心的创始理念。事务所的作品充分展现了卓越建筑如何既能应对当代挑战，又能为后世创造持久价值。 Project：Bodegas Faustino Winery Team：Foster + Partners Size：1090 m² Location： Oyón-Oion，Spain Feature： Project - Foster + Partners has masterfully reimagined the historic Bodegas Faustino winery in Spain with a revolutionary visitor centre that marries architectural innovation with environmental consciousness. The extension, marking the vineyard's 160th anniversary in Rioja Alavesa, emerges as a testament to sustainable design while honoring the region's rich winemaking heritage. The centerpiece of this transformation is an ambitious barrel-vaulted structure that spans 50 meters, reaching skyward to a height of 10 meters. Designed as a 'Planet 1.0' building – indicating its minimal carbon footprint can be absorbed by Earth's natural systems – the visitor centre showcases Foster + Partners' expertise in merging aesthetic excellence with environmental stewardship. The column-free interior, achieved through an innovative timber arch system, creates a remarkably versatile space that references the winery's industrial past while embracing contemporary sustainable principles. Environmental performance stands at the forefront of the design, with the building achieving Energy Plus status through its extensive photovoltaic array that generates surplus power for the entire estate. The architecture responds thoughtfully to its context with strategic overhangs mitigating solar gain, while the careful selection of materials – predominantly timber and earth tones – creates a harmonious dialogue with the surrounding vineyard landscape. The project transcends mere architectural intervention, encompassing a comprehensive transformation of the site. From the renovation of existing cellars to the implementation of innovative landscape strategies addressing biodiversity and climate resilience, the extension represents a holistic approach to winery design that sets new standards for sustainable architecture in the wine industry. Design Team - Foster + Partners, established in 1967 by Pritzker Prize laureate Norman Foster, stands as one of architecture's most influential practices, pioneering sustainable design and technological innovation across six decades. From its London headquarters, the practice has evolved into a global powerhouse with a portfolio spanning landmark projects such as the Gherkin in London, Apple Park in Cupertino, and the Reichstag restoration in Berlin. Under the continued leadership of Lord Foster and the stewardship of Hennick & Company since 2021, the practice operates through an integrated design approach, combining architecture, engineering, and industrial design. Their methodology is distinguished by a commitment to sustainability, embodied in their proprietary Foster + Partners Responsibility Framework (FRF), which addresses ten crucial environmental themes including energy efficiency, carbon reduction, and ecological impact. The firm's organizational structure reflects its collaborative ethos, with design oversight maintained through a Design Board that reviews all projects across their architectural studios. This systematic approach has garnered numerous accolades, including multiple RIBA Stirling Prizes, and has shaped iconic structures across 45 countries. With approximately 1,500 professionals across offices in London, New York, Hong Kong, and Madrid, Foster + Partners continues to push the boundaries of architectural innovation while maintaining its founding principles of sustainable, user-centered design. Their work demonstrates how architectural excellence can address contemporary challenges while creating enduring value for future generations. 设计团队 旅游探访 1090 m² 奥永，西班牙 2024 Previous Next

< 返回 "鲑鱼之眼"Iris 餐厅 NORM Architects + Kvorning Design 项目名称：Iris 餐厅 设计团队：NORM Architects + Kvorning Design 面积：1000 m² 地点：罗森达尔, 挪威 设计特色： 项目 – 矗立于挪威哈当厄尔峡湾波光粼粼的水面之上， 全新开放的Iris 餐厅犹如一座耀眼的美食灯塔，巧妙地融入了创新的"鲑鱼之眼"（Salmon Eye）装置建筑之中。这家米其林星级餐厅坐落于一座漂浮的椭圆形建筑内，将尖端建筑设计与私密用餐体验完美结合。NORM建筑事务所的室内设计巧妙地平衡了由Kvorning设计的极致外观与温馨就餐环境之间的张力。 餐厅的设计理念围绕着对比与和谐展开。起伏的曲线和定制家具呼应了建筑的有机形态，而温暖的胡桃木材质和柔软的地毯则柔化了钢铁外壳的冷硬。这种并置手法在辽阔的北欧景观中营造出一个舒适的庇护所。 通过巧妙的空间划分，设计师们精心打造了私密感，引导食客踏上一段探索之旅。透过如“鲑鱼鱼鳞般”的外墙，峡湾和群山的全景尽收眼底，进一步提升了感官体验。 可持续发展理念在菜单和设计方法中均占据核心地位。本地食材和对海洋生物的关注塑造了餐厅的烹饪特色，而室内的自然质地和流畅线条则强化了与周围生态系统的联系。 "鲑鱼之眼"不仅仅是一家餐厅，它还是一个漂浮的水产养殖中心，其醒目的外形并已迅速成为新地标。这座多功能建筑代表了体验式建筑的新范式，将教育、美食和设计融为一体，创造出一个独一无二体验感的美好场所。 团队 – 成立于2008年的Norm Architects已然成为当代丹麦设计领域的中坚力量，通过感官参与和极简主义美学重新诠释了建筑环境。这家总部位于哥本哈根的多专业设计工作室由创始合伙人Jonas Bjerre-Poulsen和Kasper Rønn Von Lotzbeck领衔，培育出一种独特的设计方法，巧妙融合了建筑、室内设计和工业设计。 凭借15年的国际经验，Norm Architects的作品涵盖住宅、酒店和商业项目，每一个项目都体现了他们对触觉设计原则的坚持。该工作室的核心理念在于将复杂的设计挑战提炼为纯粹、共鸣的形式，在满足普遍人性需求的同时，对特定场地环境保持高度敏感。 Norm的设计哲学植根于一个精细的简化过程，寻求功能与美学达到完美平衡的精确时刻。这种对本质的追求不仅满足视觉标准，还能调动人类全方位的感官体验，在使用者与环境之间构建深层连接。 工作室的作品以对材质、光线和比例的细腻理解见长，这一理解既源于斯堪的纳维亚设计传统，又融合了全球当代影响。通过触觉体验重新激活建筑的感官属性，Norm Architects创造出能在人性深处引起共鸣的环境，满足人类对归属感、自主性和身份认同的内在渴望。 Project：Restaurant Iris Team：NORM Architects + Kvorning Design Size：1000 m² Location：Rosendal, Norway Feature： Project - Perched atop the shimmering waters of Norway's Hardangerfjord, Restaurant Iris emerges as a culinary beacon within the innovative Salmon Eye installation. This Michelin-starred dining destination, nestled inside a floating ellipsoid structure, marries cutting-edge architecture with intimate gastronomy. NORM Architects' interior design deftly navigates the tension between the brutalist exterior, crafted by Kvorning Design, and the need for a welcoming dining environment. The restaurant's design ethos revolves around contrast and harmony. Undulating curves and bespoke furniture echo the structure's organic form, while warm materials like walnut wood and plush carpets soften the steel shell. This juxtaposition creates a cocoon of comfort amidst the vast Nordic landscape. Intimacy is cultivated through a thoughtful division of space, guiding diners on a journey of discovery. The sensory experience is heightened by panoramic views of fjords and mountains, visible through the building's fish-scale-like exterior. Sustainability takes center stage, both in the menu and the design approach. Local ingredients and a focus on marine life inform the culinary offerings, while the interior's natural textures and flowing lines reinforce a connection to the surrounding ecosystem. More than just a restaurant, Salmon Eye functions as a floating aquaculture center, its striking form visible for miles. This dual-purpose structure exemplifies a new paradigm in experiential architecture, where education, gastronomy, and design converge in a truly unique setting. Design Team - Established in 2008, Norm Architects has emerged as a pivotal force in contemporary Danish design, reimagining the built environment through a lens of sensory engagement and minimalist sophistication. This Copenhagen-based multidisciplinary studio, led by founding partners Jonas Bjerre-Poulsen and Kasper Rønn Von Lotzbeck, has cultivated a distinctive approach that seamlessly blends architecture, interior design, and industrial design. Drawing on 15 years of international experience, Norm Architects' portfolio spans residential, hospitality, and commercial projects, each exemplifying their commitment to haptic design principles. The firm's ethos centers on distilling complex design challenges into pure, resonant forms that address universal human needs while remaining acutely attuned to site-specific contexts. Norm's design philosophy is rooted in a meticulous process of reduction, seeking the precise moment when function and aesthetics achieve perfect equilibrium. This pursuit of essence results in spaces and objects that not only satisfy visual criteria but also engage the full spectrum of human senses, fostering a profound connection between user and environment. The studio's work is characterized by a nuanced understanding of materiality, light, and proportion, informed by both Scandinavian design traditions and global contemporary influences. By re-sensualizing architecture through tactile experiences, Norm Architects creates environments that resonate on a deeply human level, addressing innate desires for belonging, autonomy, and identity. 设计团队 旅游探访 1000 m² Rosendal, Norway 2024 Previous Next