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< 返回 白石小屋 Omar Gandhi Architects 项目名称：白石小屋 设计团队：Omar Gandhi Architects 面积：1500 ft² 地点：Gaspereau Valley, Nova Scotia, Canada 设计特色： 项目 – 耸立于新斯科舍省加斯珀罗谷的岩石山脊之巅，由 Omar Gandhi 建筑事务所设计的"白石小屋"项目重新定义了现代隐居建筑的概念。这座耐候钢包裹、架空于支柱之上的建筑摒弃了传统原木小屋的审美，转而采用大胆的极简主义手法。它在葱郁森林的衬托下勾勒出鲜明剪影，巧妙地将独处静谧与自然亲和融为一体。 Omar Gandhi的创新设计理念将建筑视为有生命的实体，这一哲学在"白石小屋"项目的茧状形态中得到了充分体现。这座建筑似乎悬浮于永恒与瞬逝之间，仿佛随时可能扎根或展翅高飞。这种二元性创造了一种引人入胜的视觉叙事，与项目作为冥想避所的宗旨完美契合。 这座双层小屋采用了克制的材料配色，以深沉的烟黑色和银灰色调为主。内部空间布局堪称对比的艺术：低矮压抑、光线黯淡的下层为私密空间，而上层则是宽敞明亮的开放式起居区。这种垂直布局不仅最大化了景观视野，还营造出一段从封闭亲密到开阔通透的感官之旅。 "白石"项目的耐候钢外墙不仅将建筑牢牢固定于场地，更与当地的地质特征相呼应。处处可见匠心独运的细节：客厅中怀旧风格的Arne Norell躺椅与现代元素形成鲜明对比，不锈钢为主的厨房配备了Fisher & Paykel的豪华电器。通过舱门进入的屋顶露台和沉浸式的森林淋浴进一步模糊了室内外的界限。 归根结底，"白石小屋"项目的成功在于其促进心理健康和自然连接的能力。从精心构框的景观到量身定制的家具，每一个元素都经过精心打造，营造出一种永恒优雅和内省的氛围。设计团队不仅打造了一座建筑，更创造了一处庇护所，呼应了我们在这个日益繁忙的世界中对宁静与反思的共同渴望。 团队 – Omar Gandhi Architects （OGA），成立于2010年加拿大，短短十余年间已跻身全球建筑设计的翘楚行列。该事务所的作品横跨创新住宅、城市更新到大型公共工程等多个领域，始终站在加拿大当代建筑设计的最前沿，荣获众多国际殊荣，彰显其卓越实力。 事务所的设计理念深植于对场域特性的深刻理解和建筑类型的创新演绎，塑造了一系列享誉全球的标志性建筑。OGA的建筑哲学超越了单纯的形式追求，致力于创造与环境共鸣、挑战使用者空间体验的建筑作品。这一理念体现在他们对地形、材料和细节的精心考量中。 OGA在多伦多和哈利法克斯设有设计工作室，通过协作性和研究导向的方法开展项目。事务所在构造表现力、材料创新和环境分析方面的专长，使其能够创造出前沿的、性能导向的建筑作品。 在首席建筑师Omar Gandhi的带领下，OGA的作品完美融合了加拿大传统建造方法与现代设计语言，不仅视觉冲击力强，还兼具高度功能性和环境适应性。从不列颠哥伦比亚省的施洛特费尔特住宅到新斯科舍省的峡谷小屋，OGA展现了将现代建筑与自然地貌和谐共生的卓越才能。 OGA曾获加拿大艺术委员会专业罗马奖和加拿大总督建筑奖章等重要奖项，进一步巩固了其在当代建筑实践中的领先地位。这种独特的艺术视野与技术实力的结合，使OGA持续引领北美建筑设计的创新潮流。 Project：White Rock House Team：Omar Gandhi Architects Size：1500 ft² Location：Gaspereau Valley, Nova Scotia, Canada Feature： Project - Perched atop a rocky ridge in Nova Scotia's Gaspereau Valley, White Rock by Omar Gandhi Architects redefines the modern retreat, eschewing traditional log cabin aesthetics for a bold, minimalist approach. This steel-clad structure on stilts cuts a striking silhouette against its lush forest backdrop, offering a unique blend of solitude and connection to nature. Gandhi's innovative design philosophy, which views buildings as living entities, is evident in White Rock's cocoon-like form. The structure appears to hover between permanence and transience, as if poised to either take root or take flight. This duality creates a compelling visual narrative that aligns perfectly with the project's purpose as a meditative escape. The two-level cabin employs a restrained material palette, dominated by dark smoky-black and silvery grey hues. The interior layout is a study in contrasts, with compressed, dimly lit lower levels housing private spaces, while the upper floor features an expansive, light-filled open-plan living area. This vertical arrangement maximizes views and creates a sensory journey from intimate enclosure to airy openness. White Rock's corten steel cladding not only anchors it to the site but also evokes the region's geological character. Thoughtful details abound, from the vintage Arne Norell lounge chair juxtaposed against modern elements, to the stainless steel kitchen featuring luxury Fisher & Paykel appliances. The rooftop patio, accessible via a hatch door, and the immersive forest shower further blur the lines between interior and exterior. Ultimately, White Rock's success lies in its ability to foster mental well-being and connection to nature. Every element, from the carefully framed views to the bespoke furniture, has been crafted to create an atmosphere of timeless elegance and introspection. In doing so, Gandhi and his team have created more than just a building – they've sculpted a sanctuary that speaks to our collective need for calm and reflection in an increasingly frenetic world. Design Team - Founded in 2010, Omar Gandhi Architects (OGA) has rapidly established itself as a vanguard in contemporary Canadian architecture. With design studios in Toronto and Halifax, the firm has cultivated a portfolio that spans from innovative residential projects to large-scale public works, each embodying a unique dialogue between site-specificity and architectural ingenuity. OGA's design philosophy is rooted in a deep engagement with context, where each project becomes an evolution or abstraction of familiar architectural typologies. The firm's approach involves a meticulous unraveling of client briefs, coupled with an astute analysis of site conditions, resulting in boldly reimagined forms that challenge conventional spatial experiences. Under the leadership of Principal Omar Gandhi, alongside Associates Jeff Shaw, Stephanie Hosein, and Jordan Rice, the practice has garnered international acclaim. Notable projects like the Schlotfeldt Residence in British Columbia and the Rabbit Snare Gorge cabin in Nova Scotia exemplify OGA's mastery in harmonizing modern interventions with rugged landscapes. The firm's work is characterized by its tectonic expressiveness, materiality, and attention to detail. OGA's designs often feature a juxtaposition of robust forms with delicate architectural refinements, creating spaces that are at once striking and intimately connected to their environment. Recognized with prestigious accolades including the Canada Council for the Arts Professional Prix de Rome and the Canadian Governor General's Medal in Architecture, OGA continues to push the boundaries of architectural discourse, cementing its position as a formidable force in contemporary design. 设计团队 旅游探访 1500 ft² Gaspereau Valley, Canada 2023 前一项 后一项

< 返回 格拉雷之家 ZAV Architects 地点：库萨尔，伊朗 设计团队：ZAV Architects 面积：200 m² 建成时间：2025 摄影：Parham Taghioff，Persia Photography Center 设计特色： 格拉雷之家位于伊朗厄尔布尔士省库萨尔，将一座原本用于周末停留的别墅改造成200 m²永久住宅。原建筑由伊朗建筑师Firouz Firouz设计，业主在购入相邻三块果园后，希望扩展日常生活，却没有以拆除重建抹去旧屋。ZAV Architects把扩建理解为一次嫁接：新的居住需求接入既有空间与建造逻辑，再从旧建筑内部向果园长出新的建筑肢体。 这套生长并不复制原有形式，也没有把新体量处理成彼此独立的附属物。旧别墅的正交几何逐渐转化为一组相互连接的曲线拱券；它们扭转、重叠、前后错动，并在远离主体时缓慢降低高度。连续壳体像分节的身体穿过树木之间的空地，使新旧边界在第一眼中并不明确，却能在行走时通过尺度和方向的变化被逐段辨认。 颜色承担了记录时间的作用。旧屋较为集中的暖色从中心向新分支展开，在橙、粉、白与淡蓝之间形成渐变，每一段拱壳都像建筑演化中的一个阶段。壳体并非封闭的彩色外衣，彼此叠合处留下顶部和侧向采光缝隙，日光沿弧面移动，把同一组构造转换成明暗不同的走廊、房间与庭院边界。 新增空间避开果树，落在果园原有的无树空地上，同时以曲线围合部分庭院和种植区域。住宅由此不再只是向外观看果园：照料、采摘、穿行与停留进入日常动线，树木也成为空间组织的一部分。平面中的放射状分支说明每个房间如何寻找自己的开口与庭院，而剖面和立面则进一步呈现拱壳高度、色彩与采光的连续变化。 项目延续原建筑的材料性格与当地可实施的建造方式，却用新的几何重新解释它们。低技术建造并未限制空间想象，反而把曲率、厚度、色彩和手工表面变成可以被身体直接感知的尺度。格拉雷之家最终留下的不是一条清晰的新旧分界线，而是一段从既有住宅走向果园、从单色走向光谱的缓慢过渡。 设计团队： ZAV Architects于2006年在德黑兰成为正式建筑事务所，由Mohamadreza Ghodousi与Parsa Ardam共同创立。Parsa Ardam于2013年离开团队后，Fateme Rezaei Fakhr、Golnaz Bahrami与Sheila Ehsaei先后成为合伙人，事务所也在持续的跨专业合作中形成开放的工作结构。 ZAV的实践以研究和现实条件为起点，不把预设造型当作设计的第一步。团队会从空间情境、功能组织、建筑类型、手工艺与施工技术中寻找能够被激活的资源，并关注建筑如何支持具体的社会与经济行动。这种务实方法并不放弃建筑品质，而是把材料、构造与空间经验视为实现目标的媒介。格拉雷之家于2026年获得Architizer A+Awards建筑与色彩类别大众选择奖及住宅改造与扩建类别特别提名。 设计团队 旅游探访 200 m² 库萨尔，伊朗 2025 前一项 后一项

< 返回 安昙川之家 atelier umi 项目名称：安昙川之家 地点：滋贺县高岛市，日本 建筑事务所：atelier umi 建筑面积：92.72 m² 完工时间：2025年4月 摄影：贝出翔太郎 设计特色： 安昙川之家矗立于日本滋贺县高岛市琵琶湖国定公园腹地，是近年来关西地区最值得关注的住宅项目之一。这座平屋建筑由建筑事务所 atelier umi 主持建筑师藤田时彦领衔设计，坐落于一处面积逾1200平方米的广阔场地之上，以一种精准内敛的建筑语言，将"栖居于森林之中"这一业主的根本诉求转译为清晰的空间秩序。 设计以雁行式平面布局为核心策略，各功能房间依次错落展开，空间序列从公共领域向私密领域层层递进。从入口向内行进，视线的穿透与景深的变化共同模拟了漫步林间的空间感知，令居住者在建筑内部即可感受自然林地的方向感与层次性。建筑最具辨识度的形式语言，在于各房间天花板高度的持续变化与室内贯穿始终的柔和圆弧造型，两者共同唤起了低垂枝叶之下漫步前行的感官体验，赋予整个空间以有机而流动的建构韵律。 下沉式起居区低于栗木地板一级，铺设地毯以收纳悠闲的居住时光。面向庭院的障子屏风将格栅削减至极限纤细，以最克制的材料处理方式塑造出静谧安然的室内氛围，让漫射入室的自然光成为空间中最主要的感官语言。餐厨空间以一张倒角大桌为中心，既是日常饮食的舞台，亦是两代人传承食艺的场所。随着场地内植物的持续生长，建筑师预见建筑与景观将随时间逐渐融合，最终在最完整的意义上，成为一处真正的"森林中的居所"。 设计团队： atelier umi 由建筑师藤田时彦于2014年以 TODs. 为名正式创立，并于2021年更名为现称，事务所注册于日本滋贺县高岛市。藤田时彦毕业于京都建筑大学校，先后完成本科与专科课程，此后在奈良一家建筑设计事务所从业八年，在此期间积累了深厚的施工细部推敲与地域建造文化方面的专业底蕴。 事务所由主持建筑师藤田时彦（Fujita Tokihiko）独立领导，持有日本一级建筑士执照（第347153号）。业务范围涵盖住宅、别墅、商业店铺、办公及酒店等多种建筑类型，并延伸至室内设计、翻新改造、产品与家具设计、展览装置及景观规划等多元领域，承接范围不受地域限制。 作品已获 architecturephoto、《现代生活》（モダンリビング）、《LiVES》及 TECTURE MAG 等国内重要建筑专业媒体的广泛报道与认可。atelier umi 的核心设计哲学在于：深入读取业主的真实意图与场所固有的空间气质，以对材料与工艺的充分尊重作为建造的精神前提，持续探索能够随时间积淀情感厚度、在日常生活的细微瞬间触动人心的建筑空间。 设计团队 旅游探访 92.72 m² 高岛市，日本 2025 前一项 后一项

< 返回 现代国际高中学校 Studio SKLIM 设计特色： 项目 – 这座新建的印度加尔各答的国际高中学校，通过策略性空间和立面设计，让学生们在这嘈杂的城市环境中也能享受舒适学习氛围。两个精巧的“光峡谷”加一个中心“光井”，将自然光引入公共区域，令人印象深刻。这些空间联通了错落有致的讨论区，设计灵感来源印度传统的户外“古鲁库尔”教学模式，文艺气息十足。其国际文凭课程需要开放有弹性的学习空间，而教室环绕双层高的休闲区域，沿着弯弯曲曲的走道布局，环环相扣。一个整层楼面专供图书馆，提供专注学习的安静区域，外部玻璃幕墙开启270度全景视野，舒心舒神。相邻是一个举办展览和访问学者工作坊的活动空间，功能强大。设计团队采用的创新结构，如14米跨度的后张预应力梁，使南面的教室实现无柱空间，增加自然采光，同时平台阻隔日晒，两全其美。通风立面陶板减少热量和眩光问题。可持续发展战略帮助学校获得了印度绿色建筑委员会享有盛誉的白金评级，这在西孟加拉邦尚属首次。总体来说，该设计通过对城市背景的灵敏回应，促进了正规和即兴这两种学习空间与氛围，给学生带来全方位成长。 团队 – Studio SKLIM在新加坡成立，其创始人是Kevin Lim，以其定制与实验性强的空间设计著称。这家屡获殊荣的建筑工作室横跨建筑、室内、产品设计等领域，对亚洲地区文化有独特的敏锐性，,每一项目都能对场地响应到位且有创新举措。Studio SKLIM秉持设计是协作与探索的理念，从环境和文化条件中提炼机遇，方法论注重概念明晰、当代研究和材料实验。工作室在住宅、商业、酒店、零售和机构项目积累了很多项目作品。标志性项目包括新加坡高端室内项目，以及印度加尔各答的国际学校等。SKLIM在全球多个设计展亮相，并上榜各大设计媒体。创始人Kevin Lim在新加坡建筑先驱William Lim门下打磨技艺，也曾在伦敦、新加坡和北京的各种国际设计事务所中工作，包括荷兰建筑事务所、雷姆·库哈斯的大都会建筑事务所(OMA)。其核心团队还包括Ashwin Bafna，一位在印度项目历练丰富的项目建筑师及合伙人，2018年加入后一直共同合作至今。 Feature： Project - The new Modern High School International in Kolkata, India designed by Singapore-based Studio Sklim features a strategic layout and facade to provide students with a comfortable learning environment despite the city's noisy, polluted context. Two carved "light canyons" and a central "light atrium" punctuate the rectangular building mass, emitting natural light into communal spaces. These voids create a visual connection between staggered discussion areas, inspired by traditional Indian "gurukul" outdoor classes. The school's International Baccalaureate curriculum called for flexible, open learning spaces. Classrooms surround double-height gathering nooks along winding circulation paths. An entire floor houses the library, with quiet zones for focused study and a glazed facade offering panoramic views. Adjacent is an event space for exhibitions and guest workshops. Studio Sklim's structural innovations, like post-tensioned beams spanning 14 meters, allowed for column-free southern classrooms. This increased natural light, while cantilevered platforms filter direct sun. The ventilated ceramic facade mitigates heat gain and glare. Sustainable strategies helped the school achieve the Indian Green Building Council's prestigious Platinum rating, a first for West Bengal. Overall, the design facilitates both formal and informal learning through a sensitive response to the urban context. Design Team - Singapore-based Studio SKLIM is led by principal Kevin Lim and known for its bespoke and experimental spatial design. The award-winning practice works across architecture, interiors, and product design in Asia, crafting sensitive responses to local contexts. Studio SKLIM embraces design as a collaborative, investigative process, extracting opportunities from environmental and cultural conditions. Their methodology values conceptual clarity, contemporary research, and material experimentation. Simple solutions conjure complex spatial relationships, while constraints breed creativity. The studio has built an impressive portfolio across residential, commercial, hospitality, retail, and institutional projects. Notable works include high-end interiors in Singapore and the new Modern High School International in Kolkata, India. Studio SKLIM has exhibited globally and received press in major design publications. Kevin Lim, founder and principal, honed his skills under architectural pioneer William Lim. The firm's core team includes Ashwin Bafna, an associate with experience on Studio SKLIM's India projects. Together, they bring technical excellence and creative problem-solving to bespoke commissions across Asia. 设计团队 旅游探访 8000 m² 印度，加尔各答 2023 前一项 后一项

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< 返回 轻井泽“墙屋” nendo 设计特色： 日本设计团队nendo将其建筑创意带到了长野县轻井泽镇的一处狭长三角形地块，创造了"墙之屋"。面对来自邻近道路的视线以及如何欣赏周围郁郁葱葱的环境的双重挑战，设计师们构思出一个绝妙的"过滤"解决方案：一系列倾斜的混凝土块砌墙。这些墙由约2050块使用吸收二氧化碳的"CO2-SUICOM®"混凝土砌块建造而成，呈五行并列的排布方式穿插在110米长的地块上。生活空间巧妙地嵌入这些墙与墙之间的缝隙，视线则通过每个3度角的调整来精心控制。在只有单列墙的区域，视线是单向的，而在双列重叠的区域，由于砌块的对齐或错位，会产生透明和封闭感的动态变化。卧室和浴室遮蔽以确保隐私，而生活区则拥有对周边景致适度开放的感受。这座建筑是一个运用实体和空隙营造视觉渗透性的开创性实验。nendo凭借这些独特的"过滤墙"打造出一座启发性居所，在那里，开阔视野与隐蔽庇护完美共存。 Nendo brings its architectural ingenuity to a narrow triangular site in Karuizawa, Nagano with the "Wall House." Faced with the challenge of blocking views from the adjacent road while still enjoying the verdant surroundings, the designers conceived a brilliant "filter" solution - a series of angled concrete block walls. The walls, constructed from approximately 2,050 blocks using CO2-absorbing "CO2-SUICOM®" concrete, are arrayed in five parallel rows across the 110-meter site. The living spaces are cleverly tucked into the gaps between these walls, with sightlines carefully controlled by adjusting the angle of each block in 3-degree increments. In areas with a single wall, views are unidirectional, while overlapping double walls create a dynamic play of transparency and enclosure depending on the alignment of the blocks. Bedrooms and bathrooms are shielded for privacy, while living areas enjoy a calibrated sense of openness to the landscape. The resulting architecture is a pioneering experiment in cultivating visual permeability through mass and void. Nendo has crafted an inspired residence where prospect and refuge seamlessly coexist behind the smart screening of these remarkable "filter walls." 设计团队： 由日本建筑师Oki Sato于2002年创立的nendo设计工作室，迅速成为当今最具影响力的设计公司之一。以Oki Sato为首席设计师，这家总部设在东京和米兰的工作室雇佣了逾40名设计师。nendo以人为本的设计理念造就了概念创新与功能精准并重的作品。他们擅长巧妙操纵材料、形式和比例，重新诠释视觉期待，设计风格极具识别度。这种对细节的敏锐把控体现在他们跨建筑、室内外设计、产品设计、家具乃至装置等多元化的作品中。凭借可圈可点的创意和丰富多样的经典作品，nendo在国际上也获得诸多奖项，其是唯一一个同时获得"Wallpaper*年度最佳设计师"、ELLE DECO"年度最佳设计师"、Maison&Objet"年度最佳设计师"和Interior Design"年度最佳设计"四大年度大奖的工作室。他们革新性的设计作品还赢得了30多个其他著名奖项。汲取了建筑到雕塑等多领域的影响，nendo不断拓展新的创作空间，这个多学科设计团队创作出令人惊叹、获益和灵感的非凡设计。 Established in 2002 by Oki Sato, nendo has rapidly ascended as one of the most influential and awarded design firms. Led by Chief Designer Sato and Managing Directors Akihiro Ito and Takaaki Hama, the Tokyo and Milan-based practice employs over 40 designers across numerous disciplines. nendo's human-centred approach results in designs that are conceptually innovative and functionally precise. With a distinctive flair for playing with visual perception, their work reinterprets the expected through clever manipulations of material, form, and scale. This sensitive mastery is evident across their diverse portfolio spanning architecture, interior design, product design, furniture, and installations. The firm's prolific output and consistent ingenuity have earned nendo widespread international acclaim. They are the only design studio to be awarded all four top annual design prizes - the Wallpaper* "Designer of the Year," ELLE DECO "Designer of the Year," Maison&Objet "Designer of the Year," and the Interior Design "Best of Year." Their pioneering designs have also received over 30 other prestigious awards. With influences ranging from architecture to sculpture, nendo continues exploring new creative territories. Under Sato's visionary leadership, this exceptional multidisciplinary team crafts designs that surprise, delight, and inspire. 设计团队 旅游探访 70.74 ㎡ 日本，轻井泽 2023年 前一项 后一项

< 返回 每日互动（个推）总部 零壹城市建筑 设计特色： 项目 – 如出水的巨鲸般高高跃起，杭州每日互动（个推）总部大楼由零壹城市建筑事务所设计，可谓一座引人注目的地标性建筑。这座总部大楼建筑面积达87000平方米，集研发、办公、会议、展览、休闲娱乐等多功能于一体，最多可容纳5000名员工同时工作。以"巨鲸出水"为设计理念，建筑呈现出动态、造型感十足的形态。三座塔楼采用围合式布局，通过一个广阔的裙房连接在一起，营造出连续、灵活的室内协作环境。裙房起伏的屋顶则提供了丰富多样的社交和休闲空间，而三座塔楼错落有致的高低变化，也为城市天际线增添了视觉变化。受客户"鲸鱼"LOGO的启发，建筑立面采用了富有独特韵律感的斜向元素和梯形窗户，随着阳光角度的变化，散发出犹如鱼鳞般的生机勃勃的质感。“海洋文化”被融合进室内设计，得益于设计团队创新研发的"主题色天插系统"和巧妙设置的白板墙，室内空间洋溢着开放、融合的气息，营造出随时随地的讨论氛围。通过建筑、室内和景观的无缝融合，零壹城市为每日互动打造了一座充满活力、前卫创新的总部大楼，完美地体现了企业动感十足的文化，并增强了员工的归属感。 团队 – 零壹城市建筑事务所（LYCS Architecture）成立于2011年，随着项目渐渐广为人知，其目前已成为中国建筑先锋设计事务所中的佼佼者。该事务所被《BUILD》杂志评为"最具创新设计奖"，入选ArchDaily中国十大新锐设计事务所，以其创新和技术先进的建筑、室内和展览设计而闻名。其创始人为中国美术学院建筑艺术学院教授阮昊，领导着一个拥有国际视野和本土设计经验的专业团队，零壹城市擅长为高密度城市环境下的用户需求和行为特点创造出贴心的空间。他们采用以研究为驱动、高度协作的设计流程,汇聚各领域专家的智慧，交付超越当代设计范式的创意解决方案。该事务所的项目类型涵盖办公和总部、教育、住宅、酒店、文化、商业等领域，始终秉持为用户打造功能性与美学性兼备的空间，提升使用体验。通过应用先进技术和可持续设计策略，零壹城市正引领中国建筑和城市发展的未来。 Feature： Project - Soaring like a breaching whale, the Merit Interactive Headquarters in Hangzhou, China, is a striking landmark designed by LYCS Architecture. Spanning over 87,000 square meters, the office complex houses research and development, workspaces, conference facilities, exhibition halls, and leisure amenities for up to 5,000 occupants. The design concept of "the giant whale leaping out of the ocean" is evident in the building's dynamic, sculptural form. Three towers are arranged in a wraparound layout, connected by an expansive podium that creates a continuous, adaptable indoor environment for collaborative work. The podium's undulating roof provides a diverse array of social and recreational spaces, while the towers' staggered heights introduce visual interest to the skyline. Inspired by the client's "whale" logo, the facade features a distinctive pattern of diagonal elements and trapezoidal windows that shimmer with a fish-scale-like vitality as the sun's angle changes. Internal spaces are imbued with a sense of openness and integration, thanks to the design team's innovative "theme color sky insertion system" and the strategic placement of whiteboard walls for impromptu discussions. By seamlessly merging the building's architecture, interior, and landscape, LYCS Architecture has created a vibrant, forward-thinking headquarters that reflects Merit Interactive's dynamic company culture and enhances employee well-being. Design Team - Founded in 2011, LYCS Architecture has rapidly established itself as a leading multidisciplinary design firm in China. Recognized as the Best Innovative Design Firm by BUILD Magazine and one of ArchDaily's Top 10 Avant-garde Design Firms in China, the practice is known for its innovative and technologically advanced approach to architectural, interior, and exhibition design. Headed by a team of design professionals with international experience and a strong local design sensibility, LYCS Architecture excels at creating spaces that cater to the unique needs and behaviors of users in high-density urban environments. Their design process is research-driven and highly collaborative, drawing on expertise from various fields to deliver creative solutions that push the boundaries of contemporary design typologies. With a diverse portfolio spanning office and headquarters, education, residential, hospitality, cultural, and commercial projects, LYCS Architecture has consistently demonstrated its ability to create functional yet aesthetically engaging spaces that enhance the user experience. By applying advanced technologies and sustainable design strategies, the firm is at the forefront of shaping the future of architecture and urban development in China. 设计团队 旅游探访 87000 m² 中国，杭州 2023年 前一项 后一项

< 返回 Riba 住宅 TEC - Taller EC 项目名称：Riba House 地点：普恩博，厄瓜多尔 设计团队：TEC - Taller EC 建筑面积：520 m² 竣工时间：2025年 摄影：Lorena Darquea Schettini 设计特色： 项目 - 坐落于厄瓜多尔安第斯山脉普恩博山谷的Riba住宅，由TEC - Taller EC设计，展现了情境敏感设计的诗意表达。这座520平方米的住宅位于转角弯曲地块上，其地理位置和朝向成为设计的根本要素，突出了场地中央一棵角豆树的存在，它成为项目的概念轴线和框取基多市景观的视点。 该项目最引人注目的成就在于其革命性的"由内而外"设计理念。建筑师们没有移除现有植被，而是将角豆树作为概念起点，创造出一个拥抱并框围这棵树的条状建筑，提出对空间的亲密解读。从首次踏足土地起，角豆树就标定了概念起点：一座从内部向外构建的房屋，每个区域都与这个自然元素保持直接关系。 建筑形态通过精妙的弯曲条状配置组织，分布于两个层次。首层为住宅的公共区域，围绕中央庭院展开，与前街道保持直接关系，寻求对周围环境的透明性和开放性。上层的私密空间朝向山脉，通过延伸建筑体验至地平线的露台与安第斯景观融为一体。 立面轻盈而通透，通过垂直元素的韵律强化体量的弯曲形状，为整体提供节奏感和统一性。一个大型开口的战略性布置，标示主要入口并提供视觉停顿，强化了住宅的冥思特质。 材料运用体现了与场所的深度对话。这座住宅被构想为一个建筑姿态，向场所、树木以及建成材料与自然之间的本质连接致敬，展现出当代厄瓜多尔建筑在处理复杂场地条件时的成熟度和创新性。 设计团队 - TEC - Taller EC于2015年创立，已确立其作为杰出建筑实践机构的地位，超越传统学科界限，将建筑、景观、城市规划与艺术无缝整合为统一的设计解决方案。事务所总部位于厄瓜多尔基多，业务延伸至西班牙马德里，由创始合伙人Pablo Castro Guijarro和Roberto Morales Guijarro领导。 在Castro Guijarro和Morales Guijarro的创意指导下，TEC - Taller EC追求解散建筑、景观、城市规划与艺术之间学科边界的整体设计方法论。每个项目都转化为复杂系统，不同层面形成包容性动态，体现了他们对多元文化协作和全球视野的承诺。 事务所的设计哲学围绕"让不同层面构成复杂系统，产生包容性动态"的理念展开，这一原则体现在以情境敏感性、可持续性和社会责任为特征的项目中。TEC - Taller EC的作品集展现了在创造平衡功能性能与环境和谐的环境方面的持续卓越，确立了事务所作为拉丁美洲当代建筑话语重要贡献者的地位。 该实践将建筑理解为扩展学科，涵盖跨文化实践、基于实践的研究和理论探索。通过建筑设计、城市规划、景观建筑、材料研究和设计咨询等综合专业服务，TEC - Taller EC致力于通过创新的包容性设计实践重新定义建筑，在国际舞台上展现拉丁美洲设计的本质和创新。著名作品包括获奖的Edificio Halcón大楼、Casas FF住宅综合体、文化项目Gastrópolis以及住宅开发项目Vivazz，每个项目都展现了事务所应对多样化功能要求的能力。 设计团队 旅游探访 520 m² 普恩博，厄瓜多尔 2025 前一项 后一项

< 返回 My Front Yard Architectkidd 项目名称：My Front Yard 地点：普吉岛，泰国 设计团队：Architectkidd 建筑面积：5000 m² 竣工时间：2025年 摄影：Korpong Sahana 设计特色： 项目 - Architectkidd以My Front Yard重新构想了传统零售体验，这是一个位于普吉岛的5000平方米的社区导向开发项目，消解了商业、休闲与景观之间的界限。这家曼谷工作室摒弃了单体大盒子类型学，构思出一个由分散白色亭阁组成的步行村落，通过一条独特的黄色高架步道相互连接，如同鲜艳的丝带在场地中穿梭。 项目的标志性特征是这一连续的桥梁系统，以醒目的黄色涂装，与洁白的建筑体量和葱郁的热带绿意形成强烈的视觉对比。高架路径不仅仅是交通动线，更将移动转化为体验，提供山坡环境的多重视角，同时在下方创造出荫蔽的巷道。这种双层互动鼓励访客以自己的节奏探索综合体，沿着蜿蜒路径发现专为人类和宠物设计的庭院与绿色口袋空间。 Architectkidd将零售功能分解为更小的街区，以刻意的非线性布局排列。这种集群策略产生了内部庭院和景观空隙，促进自然通风，这对普吉岛的热带气候至关重要。白色零售单元采用圆角和柔化几何形态，抵抗建筑的压迫感，而其宽阔的抹灰表面为醒目的商业标识提供了中性画布。 通过将整个开发项目视为公共的"前院"，建筑师优先考虑社交基础设施而非交易效率。设计语言保持连贯却不突兀，允许个体品牌身份在统一的建筑框架内蓬勃发展。纹理白色抹灰与玻璃和金属装饰相结合，创造出触感丰富、平易近人的表面，邀请互动。 My Front Yard展示了周到的空间编排如何将日常活动提升为有意义的相遇。在这里，目的地之间的旅程变得与目的地本身同样宝贵，将零售建筑转化为社区生活的框架。 设计团队 - Architectkidd是一家总部位于曼谷的建筑与设计事务所，成立于2003年，现已成为当代东南亚建筑领域的领军声音。工作室目前由主持建筑师Udomsak Komonvilas、Jariyawadee Lekawatana和Luke Yeung共同协调管理，他们为事务所的设计方法论带来了多元的国际视野。 该事务所通过精准的空间规划和对场地的敏感性，在挑战传统建筑类型学方面建立了卓越声誉。Architectkidd的作品集展现了对热带建筑策略的持续探索，优先考虑自然通风、以行人为导向的城市主义，以及将景观元素融入建成环境。其设计手法强调消解室内外空间的刚性边界，创造出回应泰国气候条件的流动过渡。 事务所的建筑语言以简洁的几何体量、战略性地运用色彩作为导向和体验工具，以及对材料性的细致关注为特征。Architectkidd持续展现出将大型功能需求分解为人性化尺度介入的专业能力，促进社区互动和社会参与。 事务所位于曼谷素坤逸区，业务涵盖多种尺度，从住宅和商业项目到机构委托。其作品反映了致力于创造服务于社会连接的建筑基础设施，同时保持环境性能和空间品质高标准的承诺。 设计团队 旅游探访 5000 m² 普吉岛，泰国 2025 前一项 后一项

< 返回 Itsumo 甜品店 空间构想 地点：巴淡市，印度尼西亚 设计团队：空间构想 面积：300 m² 建成时间：2025 摄影：Kung Photograph 设计特色： 空间构想在印度尼西亚巴淡岛完成Itsumo Dessert Shop的改造。项目位于当地常见的“Ruko”商住店屋中，也是品牌最初诞生的门店。面对一座曾由业主自行设计、被实用逻辑和人工材料包围的既有建筑，设计没有用醒目的装饰强化商业识别，而是以白色外壳、自然材料与克制光线，在喧闹街区中建立一段安静而细腻的空间经验。 临街立面几乎不透露内部状态。纯白的几何界面以有限开口回应周围连续店屋，入口则被压低并向内收拢，使访客从明亮街道进入灰黑色空间时经历一次明确的感知转换。这种封闭并非拒绝城市，而是将注意力从外部招牌和车流转向材料、声音与光的变化，为甜品店建立与周边快速商业环境相反的节奏。 建筑最重要的遗存，是贯穿二、三层的双层挑空与位于中央的旧混凝土结构框架。设计将新结构嵌入旧框架之内，通过调整楼板位置重新组织座席、吧台和楼梯，也使原本可能被视为障碍的梁柱成为分隔视线与标定尺度的核心。粗粝混凝土如同一座留在室内的笼架，在不同楼层反复进入画面，让改造前后的时间并置可见。 与挑空等长的天窗从上方切取天空，并把自然光引入纵深狭长的店屋。业主希望“让雨落进建筑”，设计因此将这处空间命名为“RAIN VOID”，在天窗和内庭周边隐藏导水构件，使雨水能够进入室内。道路一侧两面失稳的旧外墙则被拆除重建，内侧覆盖当地bankirai硬木，让阳光、雨水与湿热气候在表面留下持续变化的痕迹。 室内以黑色为主，却没有依赖单一涂层制造戏剧效果。团队研究石材、金属、木材等天然或可染深色的材料，将安山岩、深色木板、金属栏杆与裸露灰色混凝土叠合，利用纹理、反射和明度差异建立层次。Itsumo Dessert Shop由此把一次商业改造转化为对巴淡店屋原型的重新阅读：旧结构没有被抹去，热带雨水也不再只停留在建筑之外。 设计团队： 空间构想由建筑师川添善行主持，总部位于东京，并在印度尼西亚雅加达设有海外基地。川添善行1979年生于神奈川县，毕业于东京大学建筑学科，曾赴荷兰学习，现任东京大学准教授。他在建筑实践、城市再生研究与写作之间持续展开工作，项目涵盖图书馆、博物馆、酒店、商业空间、教育设施和城市公共空间。 事务所相信优质空间能够丰富人的生活与社会关系，并以“为场所寻找真正合适的空间”为实践方向。其工作常在建筑、文化、工程与地方经验之间建立联系，从既有结构和环境条件中辨认可被延续的价值。事务所曾参与东京大学综合图书馆、印度理工学院中央图书馆、四国村美术馆与望洋楼等项目，获得东京建筑奖最优秀奖、日本建筑学会作品选集新人奖、BELCA奖及GOOD DESIGN AWARD等荣誉。Itsumo Dessert Shop由空间构想设计，Room Studio施工，ERRE Luce负责照明。 设计团队 旅游探访 300 m² 巴淡市，印度尼西亚 2025 前一项 后一项

< 返回 SAB办公大楼 谢尔盖·乔班建筑事务所 项目名称： SAB办公大楼 地点： 德国，柏林 设计团队： 谢尔盖·乔班建筑事务所 建筑面积： 6150平方米 竣工时间： 2024年 摄影师： HG Esch 设计特色： 项目 - 建筑师Sergei Tchoban在柏林普伦茨劳贝格区揭幕了一座引人注目的办公建筑，在这里，当代工业建筑的诠释与历史酿酒遗产完美融合。SAB办公大楼于2024年竣工，坐落在柏林最大的历史啤酒厂之一——柯尼斯城啤酒厂的旧址上，通过其独特的形态和材质处理，巧妙地实现了过去与现在的过渡。 建筑最引人注目的特征是其动态的体量构成，上层楼面在实心红砖基座之上做出了大胆的15度旋转。这种几何变化营造出轻盈的错觉，同时为周围历史性啤酒厂建筑开辟了新的视觉通廊。立面处理通过锯齿状、鳞片般的深色铝框窗户强化了这种雕塑感，配合交替出现的双层凸窗，突出了建筑的旋转美学。 Sergei Tchoban的设计对场地的工业遗产表现出特殊的敏感性，将原始啤酒厂的拱形地窖遗迹融入了悬挑上层建筑下方的户外空间。这种建筑的层叠重写创造了新旧之间的戏剧性对话，而建筑的红砖基座则与周围威廉时期建筑建立起材质联系。 这座六层建筑通过将首层半埋入地形，巧妙地回应了场地的坡度特征。建筑师通过精心设计的日式花园、带中庭的会议中心和绿色屋顶等元素提升了工作环境品质，技术设备被巧妙地隐藏起来，不影响临近建筑的视线。最引人注目的是，建筑的玻璃立面创造出不断变化的反射效果，在视觉上将历史街景与当代建筑编织在一起，展示了现代建筑如何在历史环境中既能独树一帜又能和谐共存。 团队 – 谢尔盖·乔班建筑事务所成立于1996年柏林，已发展成为欧洲最杰出的建筑事务所之一，以其在情境设计和可持续城市发展方面的创新方法而闻名。创始人谢尔盖·乔班毕业于圣彼得堡艺术学院这所久负盛名的学府，在他的带领下，事务所始终展现出将当代建筑表达与历史城市肌理融合的卓越能力。 事务所的作品类型广泛，从文化机构到商业开发项目，在建筑改造和城市更新项目方面具有特殊专长。乔班独特的设计理念源于其作为建筑绘图师的深厚功底，强调手绘在概念设计过程中的重要性，这使得他们的建筑作品在立面表现和空间构成上都体现出非凡的细节关注。 事务所荣获众多奖项，包括芝加哥雅典娜建筑与设计博物馆颁发的2018年欧洲建筑奖，以及多项国际建筑奖。在现任项目合伙人菲利普·鲍尔等人的领导下，事务所持续推动建筑创新的边界，同时保持对城市语境的深刻理解。他们最近的项目，如柏林SAB办公大楼，通过精妙的体量处理和材料表达，展现了他们在当代建筑与历史环境对话方面的卓越才能。 Project Name: SAB Office Building Location: Prenzlauer Berg district, Berlin, Germany Design Team: Sergei Tchoban Architects Project Partner: Philipp Bauer Project Leaders: Philipp Bauer, Kenan Ozan Design Team Members: Valeria Kashirina, René Hoch, Puk Paludan, Manel Reig Florensa, Azzurra Pippia General Contractor: OTTO WULFF Bauunternehmung GmbH, Berlin Project Management: N.D.C Projektentwicklung GmbH, AO Berlin Lighting Design: jack be nimble Lichtplaner & Ingenieure, Berlin Total Floor Area: 6,150 m² Structure: Reinforced Concrete Skeleton Structure Floors: 5 Stories Above Ground, 2 Basement Levels Special Features: Historical Beer Cellar Integration, Green Roof Capacity: 400 Workstations Completion: 2024 Photographer: HG Esch Feature： Project - Architect Sergei Tchoban has unveiled a striking office building in Berlin's Prenzlauer Berg district, where a contemporary interpretation of industrial architecture meets historical brewing heritage. The SAB Office Building, completed in 2024, stands on the former site of the Koenigstadt Brewery, one of Berlin's largest historical breweries, and masterfully negotiates the transition between past and present through its distinctive form and materiality. The building's most compelling feature is its dynamic volumetric composition, where the upper floors execute a bold 15-degree rotation above a solid clinker brick base. This geometric manipulation creates an illusion of lightness while opening up new visual corridors to the surrounding historical brewery buildings. The facade treatment reinforces this sculptural gesture through sawtooth-like, scaly windows in dark aluminum frames, complemented by alternating two-story bay windows that emphasize the building's rotational aesthetic. Tchoban's design demonstrates particular sensitivity to the site's industrial heritage by incorporating remnants of the original brewery's vaulted beer cellar into an outdoor space beneath the cantilevered upper floors. This architectural palimpsest creates a dramatic dialogue between old and new, while the building's clinker brick base establishes a material connection to the surrounding Wilhelminian-era architecture. The six-story structure, accommodating 400 workstations, intelligently responds to its sloping site by embedding the ground floor half a story into the terrain. The architect has enhanced the workplace environment through thoughtful additions including a Japanese garden, a conference center with a central foyer, and a green roof that conceals technical equipment from neighboring viewpoints. Perhaps most notably, the building's glazed facades create an ever-changing display of reflections that visually weave together the historical streetscape with its contemporary intervention, demonstrating how modern architecture can both stand out and belong in a historical context. Design Team - Sergei Tchoban Architects, established in Berlin in 1996, has emerged as one of Europe's most distinguished architectural practices, renowned for its innovative approach to contextual design and sustainable urban development. Led by founding principal Sergei Tchoban, who trained at the prestigious Academy of Arts in Saint Petersburg, the firm has consistently demonstrated excellence in integrating contemporary architectural expressions with historical urban fabrics. The practice's portfolio spans across typologies, from cultural institutions to commercial developments, with a particular expertise in adaptive reuse and urban regeneration projects. Tchoban's distinctive design philosophy, influenced by his background as an accomplished architectural draftsman, emphasizes the importance of hand drawing in the conceptual process, resulting in buildings with extraordinary attention to facade articulation and spatial composition. The firm's work has garnered numerous accolades, including the European Prize for Architecture 2018 from the Chicago Athenaeum Museum of Architecture and Design, and multiple International Architecture Awards. With a current leadership team including project partners like Philipp Bauer, the practice continues to push boundaries in architectural innovation while maintaining a deep respect for urban context. Their recent projects, such as the SAB Office Building in Berlin, exemplify their ability to create dialogue between contemporary architecture and historical surroundings through sophisticated volumetric manipulation and material expression. 设计团队 旅游探访 6150 m² 柏林 ，德国 2024 前一项 后一项

< 返回 森之木露台 SUEP. + Tomoki Nagase Architects 地点：广岛，日本 设计团队：SUEP. + 永濑智基建筑设计事务所 面积：589.6 m² 建成时间：2025 摄影：Kai Nakamura 设计特色： 森之木露台位于广岛县厅建筑群内，场地原是一片来访者停车区。SUEP.与永濑智基建筑设计事务所以官民合作为起点，将封闭于行政功能中的城市余地改造为两座木结构平屋、草坪、树下小径与可穿行的檐下空间。项目没有以醒目的大型体量重塑县厅前景，而是降低建筑高度、保留并移植原有树木，让城市中心重新出现一片接近日常尺度的公共地景。 两座建筑围绕县厅之森分开布置，体量之间留下多条通往广场、骑楼和街道的路径。咖啡、餐饮与零售店面直接面向这些半室外空间，行政街区由此不再只是办理事务时才会抵达的目的地，也成为午间休息、散步、会面与小型活动可以自然发生的场所。成熟树冠越过低矮屋顶，建筑在视觉上退到绿荫之后，行人的移动反而成为空间主角。 项目必须回应约20年的事业周期。设计采用节点简洁、便于拆卸的SE木构体系，使构件未来能够移筑或重新利用；同时依据2019年修订后的日本建筑法规，以延烧防止建筑的方式处理防火区域中的木造商业建筑。外墙与檐底满足耐火条件，柱梁则以燃烧余量设计保持裸露，让木材的触感从室内连续到檐下。 材料进一步把广岛各地的生产与生活带入县厅核心。外墙竖向格栅使用县产木材，铺地、混凝土坐凳与种植池掺入当地生产和消费后回收的牡蛎壳；檐下展示窗则陈列并销售广岛工艺与产业产品。建筑不只借用地方材料的表面印象，而是让森林资源、海洋副产物、手工艺与商业运营共同进入公共空间。 从旅行者角度看，最值得观察的并非某一个造型瞬间，而是旧行政街区怎样被重新编织：树木、低屋顶、灰色铺地和连续檐廊把广岛城一带的城市漫步延伸到县厅内部。森之木露台把一项有期限的开发转化为可拆卸、可循环、也可被市民持续使用的公共建筑原型。 设计团队： SUEP.由建筑师末光阳子于2003年创立，末光弘和此后加入并共同主持事务所。团队在东京与福冈开展实践，长期围绕自然与建筑的共生展开研究，并将风、热、光与材料循环等环境模拟转化为空间和结构策略。末光弘和毕业于东京大学，曾在伊东丰雄建筑设计事务所工作；末光阳子毕业于广岛大学，曾任职于佐藤综合计划。事务所的项目从住宅、教育和文化设施延伸至公共空间与城市更新，曾获吉冈奖、芦原义信奖及优良设计奖金奖。 永濑智基建筑设计事务所由永濑智基于2023年创立。永濑于名古屋市立大学取得艺术工学博士学位，2015年加入SUEP.，2018年成为合伙人，随后开展独立实践。事务所关注人类使用与场地生态之间的相互影响，希望建筑不只改善居住者的生活，也使周边植物、动物和环境获得更丰富的关系。森之木露台延续了他在SUEP.时期积累的环境建筑经验，并于2025年获得日本优良设计奖。 设计团队 旅游探访 589.6 m² 广岛，日本 2025 前一项 后一项

成立于2014年的浜田晶则建筑事务所（AHA）已迅速崛起为日本最具创新力的建筑事务所之一，其独特之处在于将计算化设计与日本传统空间概念进行开创性融合。事务所由毕业于东京大学建筑学研究生院的主持建筑师浜田晶则(1984年生)领衔，在东京日本桥区和富山县设有双工作室，这种布局使其能够同时深入把握城市与区域建筑语境。 Founded in 2014, Aki Hamada Architects (AHA) has rapidly emerged as one of Japan's most innovative architectural practices, distinguished by its pioneering approach to integrating computational design with traditional Japanese spatial concepts. Led by Principal Architect Aki Hamada, who holds a Master's degree from the University of Tokyo, the firm operates from dual locations in Tokyo's Nihonbashi district and Toyama Prefecture, enabling a unique perspective that bridges urban and regional architectural contexts. < Back Akinori Hamada Architects 日本（JAPAN） 成立于2014年的浜田晶则建筑事务所（AHA）已迅速崛起为日本最具创新力的建筑事务所之一，其独特之处在于将计算化设计与日本传统空间概念进行开创性融合。事务所由毕业于东京大学建筑学研究生院的主持建筑师浜田晶则(1984年生)领衔，在东京日本桥区和富山县设有双工作室，这种布局使其能够同时深入把握城市与区域建筑语境。 事务所倡导的"超自然主义建筑"设计理念，巧妙地将以人为本的设计思维、环境意识和技术创新三者融为一体。这一理念在实践中取得显著成就，其代表作"綾瀬基板工厂"项目先后荣获2017年亚洲设计大奖优异奖（DFA Design for Asia Awards Merit Award）和2019年Iconic Award最佳设计奖等重要国际奖项。 目前，事务所拥有十一位专业建筑师的精英团队，成员来自立陶宛、阿根廷、澳大利亚和中国等多个国家，形成了独特的跨文化设计氛围。团队成员分别毕业于东京大学、墨尔本大学和南加州大学建筑学院等世界顶尖院校，这种多元化的学术背景使事务所能够在每个项目中实现全球视野与地方特色的完美结合。 浜田晶则建筑事务所立足于计算化设计与构造创新的前沿领域，以适应性（Adaptability）、元素性（Elementality）和个性化（Individuality）为核心设计原则，已然成为日本当代建筑界最具影响力的声音之一。 Founded in 2014, Aki Hamada Architects (AHA) has rapidly emerged as one of Japan's most innovative architectural practices, distinguished by its pioneering approach to integrating computational design with traditional Japanese spatial concepts. Led by Principal Architect Aki Hamada, who holds a Master's degree from the University of Tokyo, the firm operates from dual locations in Tokyo's Nihonbashi district and Toyama Prefecture, enabling a unique perspective that bridges urban and regional architectural contexts. The practice's philosophy, centered on what they term "Hyper naturalism Architecture," represents a sophisticated fusion of human-centric design, environmental consciousness, and technological innovation. This approach has garnered international recognition, notably through their award-winning Substrate Factory Ayase project, which received the prestigious DFA Design for Asia Awards Merit Award (2017) and the Iconic Award Best of Best (2019). The firm's current team of eleven professionals brings together a remarkably diverse international expertise, including architects from Lithuania, Argentina, Australia, and China, creating a dynamic cross-cultural design environment. This multicultural perspective, combined with the team's varied academic backgrounds from institutions such as the University of Tokyo, Melbourne University, and USC School of Architecture, enables AHA to approach each project with a unique global-local synthesis. Operating at the intersection of computational design and tectonic innovation, AHA's work is characterized by their three core principles: Adaptability, Elementality, and Individuality, establishing them as a leading voice in contemporary Japanese architecture. WEBSITE PROJECT

< 返回 TOM WOOD SHIBUYA TORAFU ARCHITECTS 地点：东京涩谷，日本 设计团队：TORAFU ARCHITECTS 面积：300 ㎡ 建成时间：2026年 施工：D.BRAIN 照明设计：BRANCH LIGHTING DESIGN 木质家具：北田浩二郎 植物设计：TOO GARDEN 摄影：Keishin Horikoshi 设计特色： TOM WOOD SHIBUYA位于东京涩谷一层沿街空间，是挪威珠宝品牌TOM WOOD在日本开设的第二家旗舰店。面对人流与信息高度密集的城市环境，设计没有把店铺处理成封闭的陈列盒子，而是以门式框架构成清晰的入口界面，让街道的流动、店内的秩序与品牌一贯克制的材料语言在同一视野中相遇。 穿过入口，空间围绕一座长约7.2米的中央玻璃展柜展开。展柜既是珠宝陈列的核心，也是组织动线的尺度基准；顾客可以沿其四周自然回游，在不同距离和角度中观看产品。原有偏心柱没有被隐藏，设计以不锈钢柜台环抱柱体，把结构限制转化为空间节点，也让连续的行走节奏获得停顿。 沿墙设置的通高玻璃展柜尽量收起五金构件，以安静、连续的背景承托尺度细小而具有雕塑感的珠宝。销售区旁嵌入休息区，北田浩二郎设计的木质座椅取意于斯堪的纳维亚森林中的倒木，为明亮而冷静的金属与玻璃空间引入温度。回游与停留不再被严格分开，浏览、交谈与试戴可以在同一条空间路径上自然发生。 店铺后部设置档案抽屉与TOM WOOD LAB。透过开口和玻璃界面，维修、刻字、尺寸调整等珠宝工艺成为顾客能够感知的日常过程，零售空间由此从产品展示延伸到长期保养与制作文化。实验室的专业设备、不锈钢工作台和定制照明并未被完全藏在后台，而是成为品牌关于工艺与责任的可见部分。 材料选择延续TOM WOOD既有门店的触觉特征，同时回应日本本地制作。喷砂混凝土、镜面与发丝纹不锈钢、高透明玻璃，以及本地松木和橡木共同构成克制而富有层次的环境。TORAFU ARCHITECTS没有依靠强烈造型制造注意力，而是在涩谷的喧闹中插入一段明亮、流动而安静的空间，使建筑、陈列与服务共同呈现品牌的新阶段。 设计团队： TORAFU ARCHITECTS由建筑师铃野浩一与秃真哉于2004年在东京共同创立。铃野浩一先后就读于东京理科大学与横滨国立大学，曾任职于Coelacanth K&H及墨尔本Kerstin Thompson Architects；秃真哉毕业于明治大学，并曾在青木淳建筑计划事务所工作。两位创始人此后持续共同主持事务所的设计实践。 事务所以建筑思维为工作基础，实践范围横跨建筑、室内、展览空间、产品设计、空间装置与影像制作。团队并不以项目尺度划分设计的重要性，而是从人的动作、物件的使用方式和场所关系中寻找空间结构，使家具、展柜、室内与建筑能够在同一套逻辑中相互回应。 事务所的代表作包括TEMPLATE IN CLASKA、NIKE 1LOVE、港北住宅、airvase、Gulliver Table与Big T等。其“Light Loom”获得2011年Elita Design Award最高奖，airvase于2015年被蒙特利尔美术馆纳入永久收藏。TOM WOOD SHIBUYA延续了团队在零售空间中的长期探索：通过精确的构造、回游动线与物件尺度，让品牌体验在克制的环境中逐渐展开。 设计团队 旅游探访 300 m² 东京涩谷，日本 2026 前一项 后一项

< 返回 吉索尔文化中心 richter architectes et associés 地点：吉索尔，法国 设计团队：richter architectes et associés 面积：2650 m² 建成时间：2026 摄影：Luc Boegly 设计特色： 吉索尔文化中心位于法国诺曼底大区埃普特河畔，一片长期处于城市中心边缘的填土地曾被地面停车场占据。污染土壤、战前工业遗迹、高地下水位与洪水风险共同限制着场地，也使河流从日常视野中消失。richter architectes et associés没有将这些条件逐项遮蔽，而是以一座2650 m²文化设施为契机，把三厅影院、媒体图书馆、滨河公园与防洪基础设施组织成新的城市地理。 项目连接的不只是两种文化功能。市政厅广场及周边公共建筑、历史中心与开放乡野、商业街和埃普特河岸，被重新纳入连续的步行序列。建筑因此不以孤立地标出现，而被处理成一段逐步显露城市关系的旅程：教堂、战后重建建筑、河水与既有街区在行走中不断被框取，原本彼此割裂的片段获得新的邻接关系。 公园、媒体图书馆与影院构成项目的三个主体，一条东西向长廊将它们串联。设计借鉴吉索尔历史上建筑与水的关系，从15世纪洗衣房的有顶廊道，到战后市政厅的纪念性楼梯与柱廊，再把这一类型转化为临河公共界面。长廊既是交通空间，也是城镇与乡野、安静阅读与沉浸观影、建筑与景观之间持续变化的门槛。 原有停车需求被移至建筑下方，可周期性承受洪水的基础设施释放出完整地面，使场地重新成为可步行、停留和亲近河水的公共公园。开放后，附近养老院居民、放学后的学生与日常散步者共同使用河岸和长廊，植被与生物多样性也重新返回。项目的公共价值由此不只发生在馆内，而落实在一片无需特定活动也能被使用的城市地面。 建筑群以温暖浅色的石质纹理混凝土回应教堂、市政厅与战后建筑的矿物色调，带有金色反光的金属构件和门窗则随光线显出更细腻的层次。室内刻意形成两种气氛：影院以深红、哑黑与克制照明建立包裹感；媒体图书馆则通过柔和自然光、浅色木材、光滑混凝土与轻质织物保持开放和安静。影院可转换为演出空间，图书馆亦能容纳展览、讲座与音乐工作室，使建筑在不同时间继续承接城市生活。 设计团队： richter architectes et associés由拥有法德双重文化背景的兄妹建筑师Pascale Richter与Jan Richter创立。两人先后在斯特拉斯堡国立高等建筑学院及巴黎贝尔维尔学习建筑，并于1999年在斯特拉斯堡建立事务所；建筑师Anne-Laure Better于2007年加入，现由三位合伙人共同主持。团队在斯特拉斯堡与巴黎设有工作室，长期从事文化、教育、医疗、公共服务与城市更新等项目。 事务所的早期实践多服务于医疗照护及其他需要细致回应的使用人群，这段经验使其持续关注边界、过渡、方向感、光线与自然如何影响人的日常感受。团队常在室内与室外、亲密与共享、矿物与植物之间建立具有厚度的中间空间，并把建筑理解为城市和景观关系的背景，而非自足物体。事务所凭梅斯克勒精神医疗中心获得2018年法国银角尺奖，三位合伙人也分别在巴黎与斯特拉斯堡的建筑院校任教。 设计团队 旅游探访 2650 m² 吉索尔，法国 2026 前一项 后一项

< 返回 Entreverdes住宅 24 7 Arquitetura 项目名称：Entreverdes住宅 地点：坎皮纳斯，巴西 设计团队：24 7 Arquitetura 建筑面积：445 m² 竣工时间：2024年 摄影：Adriano Pacelli 设计特色： 项目 - 坐落在巴西一块具有8米高度差的挑战性地块上，由24 7 Arquitetura设计的Entreverdes住宅代表了对疫情时期从城市中心向乡村生活迁移的回应。这座445平方米的住宅巧妙地利用其1200平方米的场地，通过一系列战略性设计决策，将地形限制转化为建筑机遇。 建筑师创新的方法始于一条侧面车辆坡道，巧妙地将汽车从街道视线中隐藏起来，同时消除了对第三层楼的需求。这一功能性解决方案服务于创造整个住宅流畅空间分布的更大目的，使结构能够和谐地顺应土地的自然轮廓。 从上方观看，这座住宅呈现出实与虚的构图，其中蜿蜒的小径、草坪区域、绿色屋顶和精心放置的天窗创造了建筑形式与景观之间的动态互动。将底层楼地面定位在规定允许的最高水平，加强了住宅与毗邻的浓密保护森林的联系，同时提供了与街道水平的隐私。 或许最引人注目的特色是部分悬挑的混凝土盒子，其中容纳了游泳池，从公共空间看不到。这一建筑手法体现了项目将体验式奢华与低调优雅融合的承诺。结构系统结合了混凝土和金属桁架梁，创造出美学上令人愉悦的体量表达。 功能区域布局将私人区域放置在上层，配有专为欣赏森林景观而设计的户外看台。同时，底层容纳了位于地块前部的休闲空间，以最大限度地增加阳光照射和私密性。两个策略性的空隙分布在客厅两侧，确保了充足的自然光线和通风，而住宅向北面和南面开放，同时避开了强烈的西面光照。 Entreverdes住宅创造了一种建筑体验，使居住者与周围的森林保持持续对话，将一个充满挑战的场地转变为一个沉思的住所，体现了当代巴西住宅建筑的特色。 团队 - 24 7 Arquitetura于2008年由三位大学同学在校期间成立，其名称反映了他们"每天24小时、每周7天思考和呼吸建筑"的承诺，如今已发展成为巴西领先的建筑实践之一，以其深思熟虑、对环境敏感的设计而闻名。 由创始合伙人Giuliano Pelaio领导的团队，融合了从当代建筑设计到可持续系统与技术的广泛专业知识。这种学术基础体现在他们的设计理念中，可持续性和当代表达密不可分。 事务所的作品集展现了显著的多样性，包括高端住宅项目、社会住房开发、商业翻新和大型机构项目。他们的设计方法将建筑和室内设计视为不可分割的学科，创造出技术系统、空间组织和材料性共同作用的整体环境。 24 7 Arquitetura的与众不同之处在于其基于证据的可持续发展方法，仔细考虑每个项目的朝向、形式、结构、能源系统和热性能，以优化自然资源利用。这种技术严谨性与实验性思维相平衡，拥抱创新工具、材料和技术，创造出超越纯视觉吸引力的建筑，成为可居住的、持久的环境，在建筑的整个生命周期中积极影响使用者。 Project Name: Entreverdes House Location: Campinas, Brazil Design Team: 24 7 Arquitetura Total Floor Area: 445 m² Completion: 2024 Photography: Adriano Pacelli Feature: Project - Nestled on a challenging 8-meter sloped plot in Brazil, the Entreverdes House by 24 7 Arquitetura represents a thoughtful response to the pandemic-era migration from urban centers to countryside living. The 445-square-meter residence skillfully navigates its 1200-square-meter site through a series of strategic design decisions that transform topographical constraints into architectural opportunities. The architects' innovative approach begins with a lateral vehicle ramp that cleverly conceals cars from street view while eliminating the need for a third floor. This functional solution serves a greater purpose in creating fluid spatial distribution throughout the home, allowing the structure to harmoniously follow the natural contours of the land. Viewed from above, the residence reveals itself as a captivating composition of solid and void, where winding pathways, grassy areas, a green roof, and carefully placed skylights create a dynamic interplay between built form and landscape. The deliberate positioning of the ground floor at the highest permissible level strengthens the home's connection to the adjacent dense preservation forest while simultaneously providing privacy from street level. Perhaps the most striking feature is the partially cantilevered concrete box housing the swimming pool, which remains invisible from public spaces. This architectural gesture exemplifies the project's commitment to blending experiential luxury with discreet elegance. The structural system combines concrete with metal truss beams, creating an aesthetically pleasing volumetric expression. The programmatic organization places private areas on the upper floor, complete with an outdoor bleacher designed for contemplation of the forest views. Meanwhile, the ground floor accommodates leisure spaces at the front of the plot to maximize sun exposure and privacy. Two strategic voids flanking the living room ensure abundant natural light and ventilation throughout, while the home opens itself to northern and southern exposures while remaining closed to harsh western light. Through this thoughtful design, Entreverdes House creates an architectural experience where residents remain in constant dialogue with the surrounding forest, transforming a challenging site into a contemplative dwelling that epitomizes contemporary Brazilian residential architecture. Design Team - Founded in 2008 by three university classmates while still in school, 24 7 Arquitetura—whose name reflects their commitment to "thinking and breathing architecture 24 hours a day, 7 days a week"—has established itself as one of Brazil's leading architectural practices known for its thoughtful, context-sensitive designs. Led by founding partner Giuliano Pelaio, the team blends expertise spanning from Contemporary Architectural Design to Sustainable Systems and Technology. This academic foundation manifests in their design philosophy, where sustainability and contemporary expression are inextricably linked. The firm's portfolio demonstrates remarkable versatility, encompassing high-end residential projects like the recently completed Entreverdes House, social housing developments, commercial renovations, and large-scale institutional work. Their design methodology treats architecture and interior design as inseparable disciplines, creating holistic environments where technical systems, spatial organization, and materiality work in concert. What distinguishes 24 7 Arquitetura is their evidence-based approach to sustainability, carefully considering each project's orientation, form, structure, energy systems, and thermal performance to optimize natural resource utilization. This technical rigor is balanced by an experimental mindset that embraces innovative tools, materials, and technologies to create buildings that transcend mere visual appeal to become livable, enduring environments that positively impact users throughout the building's lifecycle. 设计团队 旅游探访 445 m² 坎皮纳斯，巴西 2024 前一项 后一项

< 返回 前桥商业廊综合体 平田晃久建筑设计事务所 设计特色： 在日本群马县前桥市的中心，一个突破性的建筑项目已经崛起，挑战了传统的城市生活和社区空间概念。由建筑师平田晃久设计的前桥画廊是一个多面体综合体，巧妙地融合了住宅单元、商业空间和充满活力的中央广场。该项目最引人注目的特点是其创新的结构构成。二十六个住宅单元，每个都拥有自己的花园，悬浮在地面之上，营造出一个漂浮村落的幻象。这种空中布局为下方创造了一个宽敞的公共广场，培育了私人和公共空间之间独特的共生关系。平田的设计灵感来自于绳文时代环状聚落的尺度，而非传统的西方广场。这一成果是构建一个亲密而开放的环境，吸引居民和访客与空间互动。住宅看似三角形的平面布局，配以斜向的墙壁，与各自的花园建立了流畅的连接，模糊了内部和外部的界限。前桥画廊超越了其作为混合用途开发项目的功能分类。它代表了一个大胆的建筑声明，重新构想了广场的概念，将一个曾经的停车场转变为充满活力的城市生态系统。通过将生活空间与公共设施交织在一起，该项目体现了前桥市"绿意萌发"的愿景，为深深植根于其环境、同时伸向天空的城市建筑提供了一种新的范例。 In the heart of Maebashi, Gunma Prefecture, a groundbreaking architectural project has emerged, challenging conventional notions of urban living and community spaces. The Maebashi Galleria, designed by renowned architect Akihisa Hirata, is a multifaceted complex that seamlessly integrates residential units, commercial spaces, and a vibrant central plaza. The project's most striking feature is its innovative structural composition. Twenty-six residential units, each with its own garden, are suspended above ground level, creating the illusion of a floating village. This aerial arrangement allows for an expansive public plaza beneath, fostering a unique symbiosis between private and communal spaces. Hirata's design draws inspiration from the scale of Jomon period circular settlements rather than traditional Western plazas. The result is an intimate yet open environment that invites both residents and visitors to engage with the space. The seemingly triangular floor plans of the apartments, featuring diagonal walls, establish a fluid connection with the individual gardens, blurring the boundaries between inside and outside. The Maebashi Galleria transcends its functional classification as a mixed-use development. It represents a bold architectural statement that reimagines the concept of a plaza, transforming a former parking lot into a dynamic urban ecosystem. By intertwining living spaces with public amenities, the project embodies Maebashi's aspiration to "sprout with greenery," offering a new paradigm for civic architecture that is deeply rooted in its context while reaching for the sky. 设计团队： 平田晃久建筑设计事务所成立于2005年，由日本建筑师平田晃久（1971年生）创立，这家位于东京的同名事务所一直在突破建筑设计的界限，模糊了自然环境与人造环境之间的界线。平田晃久自2015年起担任京都大学教授，他领导着一个跨学科设计团队，以对生态系统的深刻理解和对可持续设计原则的坚定承诺来处理每一个项目。该事务所的作品集展示了各种类型的项目，从私密的住宅设计到广阔的文化机构，所有作品都以其创新的空间布局和与周围景观的融合而著称。代表作包括荣获2018年村野藤吾奖和2022年日本建筑学会奖的太田市美术馆图书馆（2017年），以及体现了事务所"纠缠"概念的树状住宅（2017年）。"纠缠"概念是指结构、功能与自然之间充满活力的相互作用。该事务所的实验性设计方法在2012年第13届威尼斯国际建筑双年展上荣获金狮奖这一殊荣。通过重新构想建筑与其语境之间的关系，平田晃久建筑设计事务所持续影响着21世纪城市设计的全球话语，营造出既呼应生态又富有社会参与性的环境。 Founded in 2005 by visionary Japanese architect Akihisa Hirata, the eponymous Tokyo-based practice has consistently pushed the boundaries of architectural design, blurring the lines between the natural and built environments. Hirata, a professor at Kyoto University since 2015, leads a multidisciplinary team that approaches each project with a deep understanding of ecological systems and a commitment to sustainable design principles. The firm's portfolio showcases a diverse range of projects, from intimate residential designs to expansive cultural institutions, all characterized by their innovative spatial arrangements and integration with surrounding landscapes. Notable works include the award-winning Art Museum & Library in Ota (2017), recipient of the 2018 Murano Togo Prize and the 2022 Architectural Institute of Japan (AIJ) Prize, and the Tree-ness House (2017), which exemplifies the studio's concept of "tangling" - a dynamic interplay between structure, function, and nature. Hirata's theoretical framework, explored in publications such as "Tangling" (2011) and "Discovering New" (2018), has garnered international acclaim. The practice's experimental approach was recognized with the prestigious Golden Lion at the 13th International Architecture Exhibition - La Biennale di Venezia in 2012. By reimagining the relationship between architecture and its context, Akihisa Hirata Architecture Office continues to influence the global discourse on 21st-century urban design, fostering environments that are both ecologically responsive and socially engaging. 设计团队 旅游探访 2018.69 ㎡ 日本，前桥市 2023年 前一项 后一项

< 返回 林科纳达住宅 Oioioi 项目名称：House Rinconada 地点：马利纳尔科，墨西哥 设计团队：Oioioi 建筑面积：1110 m² 竣工时间：2024年 摄影：Cesar Belio 设计特色： 项目 - 坐落于墨西哥壮丽景观之中，Oioioi建筑事务所设计的林科纳达住宅呈现了一场关于建筑克制与环境和谐的精湛演绎。这座1110平方米的住宅展现了当代设计如何通过微妙的手法而非大胆的宣言来实现深刻的影响力。 该项目最引人注目的特色在于其水平构图——一系列单体石材体量以线性方式排列，顶部覆以看似无重量地悬浮于地形之上的混凝土浮板。这种建构编排创造出强烈的视觉韵律，同时保持着尊重自然地形的亲密尺度。 Oioioi的设计理念通过实体与虚空的精心互动得以体现。暴露的混凝土屋顶延伸至石墙之外，形成深邃的阴影，在提供自然降温的同时框定了周围景观的特定视野。这些体量间的中介空间发挥着双重作用：既控制光线渗透，又促进交叉通风，展现了建筑师对环境设计的深刻理解。 材料选择体现了耐久性与语境的双重考量。火山石砌筑技术根植于当地建筑传统，构成主要结构元素，而现浇混凝土则提供了优雅的水平对位。这种结合创造了古老工艺与当代建筑表达之间的对话。 最值得称道的是，景观策略将住宅视为现有生态系统的延伸，而非对其的强加。野生本土植物和精心定位的水景特色促进了生物多样性，同时仅需最少的维护——这是该项目对环境管理承诺的有力证明。 林科纳达住宅实现了罕见的成就：既具纪念性又保持谦逊，创造出既有庇护感又向自然世界开放的空间。 设计团队 - Oioioi作为一家杰出的建筑实践机构，位于墨西哥城，自2019年成立以来专业从事建筑设计与建造。在创始合伙人埃内斯托·佩雷斯·雷亚·洪卡（Ernesto Pérez Rea Juncá）和巴勃罗·赫尔梅诺斯·加西亚（Pablo Germenos García）的领导下，该事务所培养了独特的设计理念，通过多学科协作和持续实验挑战传统设计范式。 事务所的设计卓越性体现在其对建筑二元对立的质疑------物理与无形、历史与当代、整体与细节之间的界限。这种方法产生的建筑解决方案既抵制同质化，又保持严格的设计标准。Oioioi的跨学科理念超越了传统建筑服务范畴，既作为设计工作室又作为建造实践运营。 Oioioi的建筑方法论展现了对空间关系、材料属性和环境响应性的精深理解。其项目持续展现精湛的建构技艺、自然元素的深思熟虑整合，以及尊重当地建造传统同时拥抱前瞻设计原则的语境敏感性。该事务所以多学科精神和协作理念为核心，从团队合作的协同效应中汲取营养，使探索和持续学习成为实践的基石。 该事务所的设计思维围绕着寻求结合多元视角以重新构想建筑可能性的探索，每个项目都在持续反馈循环的响应中发展演进，证明了其对抵制同质化的承诺。通过建筑设计与建造等综合专业服务，Oioioi致力于通过创新设计实践挑战定义建筑范式的传统界限，在当代墨西哥建筑领域中彰显其独特的创新精神与环境敏感性。 Project Name: House Rinconada Location: Malinalco, Mexico Design Team: Oioioi Total Floor Area: 1110 m² Completion: 2024 Photography: Cesar Belio Design Features: Project - Mexican architecture studio Oioioi completed the House Rinconada project in Malinalco, creating a subtle dialogue between architecture, landscape, and living through this 1110-square-meter residence situated in a privileged natural setting. The project unfolds on a single level, prioritizing horizontality as a strategy to blend harmoniously with the land and surrounding garden, demonstrating how contemporary design can achieve profound impact through restraint rather than bold gestures. The project's most compelling design feature lies in its linear arrangement of stone volumes------a series of monolithic stone blocks arranged in linear succession, defined by walls of constant height that emphasize spatial and structural continuity. Above these volumes, horizontal planes of exposed concrete rest like floating roofs, generating deep shadows and framing specific views of the landscape. This tectonic gesture provides unity to the ensemble, while the intermediate voids allow for controlled entry of light and natural ventilation. Oioioi's masterful control of material expression seamlessly integrates traditional building techniques with contemporary architectural language. The construction system combines volcanic stone masonry and cast-in-place concrete, both low-maintenance materials with strong local roots. The material palette integrates harmoniously with the indigenous vegetation, reinforcing the sense of permanence and serenity throughout the composition. The relationship between architecture and landscape demonstrates a sophisticated understanding of environmental stewardship. The landscape design is envisioned as a natural extension of the field, with chosen species primarily consisting of wild plants and shallow bodies of water that promote biodiversity, reduce water consumption, and bring seasonal dynamism to the ensemble. The house does not impose itself on the site: it rests upon it. This thoughtful treatment of the interplay between mass and void creates an ever-changing spatial experience that blurs the boundaries between interior and exterior. The intermediate spaces not only control light penetration and facilitate cross-ventilation but also serve as spatial connectors linking different parts of the architecture. House Rinconada is more than just a residence------it becomes a spatial meditation on architectural humility, environmental sensitivity, and gentle reconnection with nature's essential rhythms. Design Team - Oioioi stands as a distinguished architectural practice located in Mexico City, specializing in architectural design and construction since its establishment in 2019. Under the leadership of founding principals Ernesto Pérez Rea Juncá and Pablo Germenos García, the firm has cultivated a distinctive design philosophy that challenges conventional design paradigms through multidisciplinary collaboration and continuous experimentation. The studio's design excellence manifests through its questioning of traditional architectural dichotomies------the boundaries between physical and intangible, historical and contemporary, holistic and detailed. This approach generates architectural solutions that resist uniformity while maintaining rigorous design standards. Oioioi's multidisciplinary ethos extends beyond conventional architectural services, functioning as both design studio and construction practice. Oioioi's architectural methodology demonstrates a sophisticated understanding of spatial relationships, material properties, and environmental responsiveness. Their projects consistently exhibit masterful tectonic craftsmanship, thoughtful integration of natural elements, and contextual sensitivity that respects local building traditions while embracing progressive design principles. The practice operates with a multidisciplinary spirit and collaborative approach, drawing nourishment from the synergy of teamwork, making exploration and continuous learning the cornerstone of their practice. The firm's design thinking revolves around seeking to combine diverse perspectives to reimagine what is possible in architecture, with each project evolving in response to continuous feedback loops, testimony to their commitment to resisting uniformity. Through comprehensive professional services including architectural design and construction, Oioioi is committed to challenging the traditional boundaries that define architectural paradigms through innovative design practices, demonstrating unique innovative spirit and environmental sensitivity within the contemporary Mexican architectural landscape. 设计团队 旅游探访 1110 m² 马利纳尔科，墨西哥 2024 前一项 后一项

< 返回 苏州金鸡驿09 Bjarke Ingels Group 项目名称：苏州金鸡驿09 地点：苏州，中国 设计团队：BIG (Bjarke Ingels Group) 建筑面积：1200 m² 竣工时间：2025年 摄影：StudioSZ Photo / Justin Szeremeta 设计特色： 项目 - BIG建筑事务所在中国完成了其最新项目——一座1200平方米的苏州金鸡驿09馆，通过当代设计元素重新诠释了中国传统院落建筑。这座位于苏州金鸡湖畔的建筑，既是公共集会空间，也是一处精致的休闲场所。 这座亭馆最引人注目的特色是其创新的屋顶设计，BIG将其描述为"像素化的树叶"。这个双层顶棚系统将穿孔遮阳元素与玻璃瓦片相结合，创造出精妙的光影效果，呼应周围香樟树的自然纹理。这一技术解决方案不仅提供了最佳的热工性能，还在建筑与自然之间建立起富有诗意的对话。 亭馆由四个互连的建筑单元围绕中央庭院布置，空间功能经过精心策划，包括咖啡店、精品店、餐厅和游客中心。设计通过大面积的玻璃立面和反射周围景观的抛光钢材表面，刻意打破了室内外空间的传统界限，有效地模糊了建筑形态与自然环境之间的区分。 这个项目的独特之处在于它对中国建筑元素的精妙重新诠释。传统茶馆通常使用釉面陶瓦，而BIG则用玻璃构件取而代之，将透明性的概念推向新的高度。亭馆的形态通过四个戏剧性地向上抬升的双层入口得到进一步强化，创造出引人入胜的门户空间，将访客引向以一棵独树为焦点的中央庭院。 作为金鸡湖13公里步道上11座永久性亭馆之一，这座建筑标志着BIG在苏州完成的首个项目，也是即将完工的苏州当代艺术博物馆的姊妹作品，展现了该建筑事务所将文化敏感性与当代建筑创新相融合的能力。 团队 - 比亚克·英格尔斯建筑事务所（BIG）成立于2006年，已发展成为当代最具影响力的建筑设计事务所之一，通过其在可持续设计和城市发展方面的创新方法，彻底改变了建筑景观。该事务所在哥本哈根、纽约、伦敦、巴塞罗那、深圳、奥斯陆和洛杉矶设有全球战略中心，已确立其作为多学科领域的领军地位，业务范围涵盖建筑设计、城市规划、室内设计、景观建筑、产品设计、工程和城市规划。 在创始人比亚克·英格尔斯的创意指导下，以及包括安德烈亚斯·克洛克·彼得森、比特·申克和首席执行官希拉·迈尼·索加德在内的24位合伙人组成的强大领导团队的带领下，该事务所目前在全球拥有超过700名专业人员。BIG的设计理念常被描述为"务实的乌托邦建筑"，将创新的可持续解决方案与趣味性的空间体验相结合，在不同规模和类型的项目中创造出变革性的作品。 事务所的代表作包括集成创新型滑雪坡道的阿马格焚烧发电厂、曼哈顿创新的"庭院摩天楼"VIA 57 West，以及最近完工的纽约超高层建筑The Spiral。BIG对可持续发展的承诺通过其整合的LEAPP方法得到体现，该方法将景观、工程、建筑、规划和产品设计融合为一个整体性方法论。 近期重要成就包括2024年完工的哥本哈根新总部，该项目采用创新的Uni-Green混凝土技术，以及赢得布拉格伏尔塔瓦爱乐厅和纳什维尔田纳西表演艺术中心等重要项目的委托。通过其研发部门BIG IDEAS Lab，该事务所持续在建筑创新领域突破界限，探索前沿技术和面向未来的可持续解决方案。 Project Name: Jinji Lake Pavilion Location: Suzhou, Jiangsu, China Design Team: BIG (Bjarke Ingels Group) Total Floor Area: 1,200 m² Completion: 2025 Photography: StudioSZ Photo / Justin Szeremeta Feature: Project - BIG has reimagined the traditional Chinese courtyard typology through the Jinji Lake Pavilion project. This 1,200-square-meter public structure, located along Suzhou's Jinji Lake waterfront, is one of eleven permanent pavilions designed to create a vibrant promenade in the area. The project's most distinctive feature is its innovative "pixelated leaves" roof system. This dual-layer canopy combines perforated shading elements with glass tiles, providing optimal thermal performance while creating dappled shadow patterns reminiscent of natural foliage. The building is organized as four interconnected volumes around a courtyard, housing a coffee shop, boutique, restaurant, and visitor center. The pavilion engages with its surroundings through generous glass facades and polished steel surfaces that reflect natural light and greenery. Four dramatically lifted double-height entrances guide visitors into the central courtyard, where a single tree serves as a tranquil focal point. This design not only pays homage to traditional Chinese teahouse architecture but elevates it through the use of contemporary materials. Design Team - Founded in 2006, Bjarke Ingels Group (BIG) has emerged as one of the most influential contemporary architecture practices, revolutionizing the architectural landscape through its innovative approach to sustainable design and urban development. Operating from strategic global hubs in Copenhagen, New York City, London, Barcelona, Shenzhen, Oslo, and Los Angeles, BIG has established itself as a multidisciplinary powerhouse encompassing architecture, urbanism, interior design, landscape architecture, product design, engineering, and urban planning. Under the creative direction of founder Bjarke Ingels and a robust leadership team of 24 partners, including key figures such as Andreas Klok Pedersen, Beat Schenk, and Sheela Maini Sogaard as CEO, the practice has grown to employ over 700 professionals worldwide. BIG's design philosophy, often characterized by its pragmatic utopian architecture, combines innovative sustainable solutions with playful spatial experiences, resulting in transformative projects across diverse scales and typologies. The firm's portfolio showcases groundbreaking projects such as the waste-to-energy plant Amager Bakke with its pioneering ski slope integration, the innovative "courtscraper" VIA 57 West in Manhattan, and the recently completed supertall The Spiral in New York City. BIG's commitment to sustainability is exemplified through their integrated LEAPP approach, combining Landscape, Engineering, Architecture, Planning, and Product Design in a holistic methodology. Notable recent achievements include the completion of their new Copenhagen headquarters in 2024, featuring innovative Uni-Green concrete technology, and winning prestigious commissions such as the Vltava Philharmonic Hall in Prague and the Tennessee Performing Arts Center in Nashville. The practice continues to push boundaries in architectural innovation through BIG IDEAS Lab, their research and development division, which explores cutting-edge technologies and sustainable solutions for future-oriented architecture. 设计团队 旅游探访 1200 m² 苏州，中国 2025 前一项 后一项

< 返回 三联住宅 Superhelix Pracownia Projektowa 项目名称: 三联住宅 地点：加伊，波兰 设计团队：Superhelix Pracownia Projektowa 面积：220 平方米 完成时间：2024 摄影师：Bartłomiej Drabik 设计特色： 项目 – 坐落于波兰克拉科夫郊区的"三联住宅"是由Superhelix Pracownia Projektowa打造的一座建筑问题解决的典范之作。这座住宅巧妙地应对了当地分区法规和不规则地块带来的挑战，创造出一个与周围丘陵环境和谐共存的居住空间。 项目最引人注目的特色是其三段式布局，这也是房屋名称的由来。这一巧妙的分割设计使建筑师能够遵守当地严格的规定——要求房脊必须与邻近道路平行，同时又充分利用了地块的潜力。最终呈现的效果是一座仿佛在景观中自然展开的建筑，每个部分都各司其职。 三联住宅的核心是一个宽敞的中央空间，包含厨房、餐厅和起居区。这里，三米高的转角窗户模糊了室内外的界限，与精心规划的户外空间无缝衔接。超过四米的屋檐延伸提供了庇护，进一步融合了内外空间。 材料的选择在项目的美学和功能成功中起着关键作用。外部采用了钛锌板和西部红雪松木作为饰面，这两种材料都能随时间优雅老化，无需过多维护。令人惊喜的是，屋檐下方和山墙的部分区域使用了抛光不锈钢，在夜晚反射光线，为露台增添了微妙的光亮。 这座住宅不仅是一个家，更是一件艺术品，展现了如何在严格的规划限制下创造出富有想象力且实用的生活空间。三联住宅成功地将功能性、美学和创新设计融为一体，为现代住宅建筑树立了新的标杆。 团队 – Superhelix Pracownia Projektowa成立于2015年，是一支别具自身风格的设计团队。事务所总部位于波兰克拉科夫，由Bartłomiej Drabik领导，凭借着对环境敏感的设计和建筑与环境的紧密联系而广受赞誉。事务所的核心理念是创造可持续且适应性强的建筑，尤其注重将室内外空间无缝融合的住宅项目。 在Drabik的领导下，Superhelix以将传统建筑工艺与现代技术相结合的能力而闻名。像 三联住宅 这样的项目展示了他们在满足客户需求和应对场地限制的同时，打造功能性与美观性兼备空间的能力。Superhelix以使用耐用且低维护的材料著称，确保其设计在经得起时间考验的同时，维护成本最低。 Superhelix Pracownia Projektowa继续在波兰及其他地区推动住宅建筑的边界，提供在形式、功能和环境可持续性之间取得平衡的创新解决方案。 Project Name: Triple House Location: Gaj, Poland Architects: Superhelix Pracownia Projektowa Size: 220 m² Completion:2024 Photographs: Bartłomiej Drabik Feature： Project - Nestled on the outskirts of Krakow, Poland, the Triple House by Superhelix Pracownia Projektowa is a masterful exercise in architectural problem-solving. This 220-square-meter residence, completed in 2024, deftly navigates the challenges posed by local zoning laws and an irregularly shaped plot to create a harmonious living space that seamlessly blends with its hilly surroundings. The project's defining feature is its tripartite layout, which gives the house its name. This clever segmentation allowed the architects to adhere to strict local regulations requiring the ridge to be parallel to the adjacent road while simultaneously optimizing the site's potential. The result is a structure that appears to organically unfold across the landscape, each segment serving a distinct purpose. At the heart of the Triple House lies an expansive central volume housing the kitchen, dining, and living areas. Here, corner windows stretching three meters high dissolve the boundary between interior and exterior, creating a seamless connection to the meticulously planned outdoor spaces. A generous roof overhang extends more than four meters, providing shelter and further blurring the line between inside and out. Materiality plays a crucial role in the project's aesthetic and functional success. The exterior is clad in titanium-zinc sheets and western red cedar, both chosen for their ability to age gracefully without requiring extensive maintenance. In a surprising twist, polished stainless steel lines the eaves and parts of the gable walls, reflecting light in the evenings and adding a subtle luminosity to the terrace. Design Team - Superhelix Pracownia Projektowa, founded in 2015, is a rising star in the world of contemporary architecture. Based in Krakow, Poland, and led by Bartłomiej Drabik, the firm has gained recognition for its context-sensitive designs that focus on enhancing the connection between buildings and their environments. The practice's core philosophy revolves around creating architecture that is both sustainable and adaptable, with a particular emphasis on residential projects that blend indoor and outdoor spaces seamlessly. Under Drabik's leadership, the firm has established a reputation for combining traditional construction methods with modern techniques. Projects like Triple House exemplify their ability to craft functional yet aesthetically pleasing spaces that respond to the specific needs of the client and the constraints of the site. Superhelix is known for its use of durable, low-maintenance materials, ensuring that their designs stand the test of time while requiring minimal upkeep. Superhelix Pracownia Projektowa continues to push the boundaries of residential architecture in Poland and beyond, delivering innovative solutions that balance form, function, and environmental sustainability. 设计团队 旅游探访 220 m² 加伊，波兰 2024 前一项 后一项