< 返回 LIGHT UP COFFEE 三鹰店 Spicy Architects 设计特色： 项目 – Spicy Architects设计的 "LIGHT UP COFFEE 三鷹店"将一座旧车间改造成了一家充满魅力的咖啡馆兼烘焙坊。这座位于东京三鷹市的项目，将二层建筑的首层改造为开放式的烘焙空间，与咖啡馆无缝融合。项目的亮点在于将老板购入的一台1960年代德国制造的Probat UG22 咖啡烘焙机完美融入空间。建筑师听说这台机器曾启发老板对咖啡的热爱后，便萌生将其故事完美诠释于设计之意。设计师拆除了烘焙区与咖啡区的隔墙，让顾客能亲眼见证咖啡豆由生豆到上桌的全过程。原有的街边卷闸门在改造后可完全打开，将内外空间合而为一，让路人与咖啡馆保持亲密无间的联系。这种"街头客厅"的设计理念，让人们在喝咖啡的同时，仿佛置身于户外，与骑车经过的父子或遛狗的邻居无所隔阂。空间选用的是结节分明的实木红雪松，给人一种纯手工的质朴感，与这家手工烘焙咖啡馆的理念暗合，每一处木件接缝都是现场手工雕刻而成，映射出对咖啡烘焙工艺的赤子匠心。 团队 – Spicy Architects是一家2020年由山本稜创立的东京建筑设计事务所，因其巧妙的改建再利用项目而备受瞩目。事务所由山本稜领衔，他毕业于东京理科大学，并在里斯本Instituto Superior Técnico留学深造。该事务所善于发现现有建筑物内在的潜力，为每个委托项目注入全新的活力。他们最近完成的"LIGHT UP COFFEE 三鷹店"项目就体现出他们非凡的设计才华，将一家旧汽修厂改造成了引人入胜的咖啡馆兼烘焙坊。他们巧妙地将一台老式烘焙机融入空间，打造出一处沉浸式体验，弘扬着工匠精神与素材本真。Spicy Architects的作品体现出他们在商业室内、定制家具等多个领域的设计功力。他们的作品兼顾场域性，同时孕育着大胆的概念视野，能够压缩出空间的独特故事，为寻求真实设计体验的客户带来全新视角。这一支新锐设计力量展现出他们雕刻氛围空间、促进人与环境有意义联系的过人能力，Spicy Architects正逐步成为改建再利用设计领域的佼佼者。 Feature： Project - LIGHT UP COFFEE Mitaka by Spicy Architects is a captivating renovation that transforms a former auto repair shop into a vibrant cafe and roastery. The Tokyobased architects have adeptly repurposed the two-story building, dedicating the ground floor to an open roasting space seamlessly merged with the cafe area. A key highlight is the integration of a vintage 1960s Probat UG22 roasting machine, which sparked the idea for the project when acquired by the cafe's owner. Spicy Architects embraced the machine's romantic backstory, designing the interior to proudly showcase the roasting process. By omitting partitions between the roasting zone and cafe, visitors can witness the journey from green bean to freshly roasted coffee. The building's existing street-facing shutters have been ingeniously utilized, opening fully to dissolve the boundary between interior and exterior. This "street lounge" concept creates a liberated atmosphere where passersby on bicycles or walking dogs feel intimately connected to the cafe's vibrant setting. Material choices further enhance the artisanal ambiance, with solid cedar wood featuring pronounced knots evoking a handcrafted sensibility. Carefully assembled on-site, the detailing echoes the meticulous roasting process celebrated within this unique cafe experience. Design Team - Founded in 2020 by Ryo Yamamoto, Spicy Architects is a Tokyo-based architectural practice gaining recognition for its inventive adaptive reuse projects. Led by Yamamoto, who studied at Tokyo University of Science and Lisbon's Instituto Superior Técnico, the firm approaches each commission with a keen eye for uncovering latent potentials within existing structures. Their recent LIGHT UP COFFEE Mitaka exemplifies their design acumen, transforming a former auto repair shop into a captivating cafe and roastery. By deftly integrating elements like a vintage roasting machine, they craft immersive spaces that celebrate craftsmanship and material honesty. Spicy Architects' portfolio showcases a dexterity in programs ranging from commercial interiors to bespoke furniture pieces. Their work deftly balances contextual sensitivity with bold conceptual visions. With an ability to distill unique narratives, the firm brings a fresh perspective to adaptive reuse that resonates with discerning clients seeking authentic design experiences. As a rising creative force, Spicy Architects demonstrates an adept understanding of sculpting atmospheric spaces that foster meaningful connections between people and their surroundings. 设计团队 旅游探访 115.19 m² 日本，三鹰市 2024年 Previous Next

< 返回 六泉湖儿童乐园 HID翰地景观 项目名称： 六泉湖儿童乐园 地点：湖北省宜昌市，中国 设计团队： HID翰地景观 项目面积： 15000 m² 竣工时间： 2024年 摄影： IMA 设计特色： 项目 - HID翰地景观在中国宜昌揭幕了一座令人惊叹的六泉湖儿童乐园。这个位于六泉湖公园内的15000平方米项目，巧妙地将景观建筑与趣味创新融为一体，彻底革新了儿童游憩空间的概念。 项目最引人注目的特色是其水滴形的山麓环形设计，较场地最低点高出四米。这一建筑干预创造了一个立体的探索空间，突破了传统游乐场的布局限制。这个环形结构有效地连接了自然山脊、人工地形和游乐区域，成功模糊了结构化游戏空间与有机景观之间的界限。 设计团队从本土神话汲取灵感，将"猇"神兽的形象转化为一座标志性滑梯，既是景观地标，又是功能性游乐设施。这个核心装置完美展现了项目将文化叙事与现代游乐场设计相融合的成功之处。 游乐场的地形经过精心设计，打造出一个看似从周围山麓自然延伸而来的动态景观。翰地景观设计团队通过运用变化的高程、策略性视线规划以及硬软表面的和谐结合来实现这一效果，创造出一个既显设计感又具自然生长质感的空间。 场地内整合了十六种不同类型的游乐设施，为游客提供前所未有的多样化休闲选择。设计摒弃了传统游乐场的等级划分，转而营造出更为流畅、相互连接的空间，鼓励探索性游戏和创造性互动。 这个项目展示了当代景观建筑如何创造多功能空间：保护自然地形、传承文化遗产，同时为不同年龄段的访客提供创新的游乐体验。它代表了游乐场设计的新范式，其中景观本身成为游戏体验的重要组成部分。 团队 – HID翰地景观成立于2015年苏州工业园区，迅速发展成为中国最具创新性的景观设计事务所之一，将东方哲学原则与当代设计方法融为一体。在吴昊和张璐两位创始人的领导下，该事务所发展出一种超越传统学科界限的独特空间构成方法。 事务所的设计理念植根于他们所称的"现代生活空间逻辑"，这一框架将场地特定的环境条件与文化叙事相结合。这种方法在他们遍布中国的公共领域、文化景观和城市干预项目作品集中得到充分体现。 HID的严谨设计过程强调三个关键要素：全面的场地分析、反复的设计发展和严密的施工监督。他们对景观建筑的综合方法涵盖了从初始概念研究到详细实施的所有环节，确保各个尺度的设计完整性。 该事务所对环境管理的承诺体现在其可持续设计策略中，优先考虑本土物种选择、水敏性城市设计和现有场地元素的适应性再利用。目前总部位于苏州充满活力的设计区，HID的45名专业人员团队在深深植根于中国文化背景的同时，继续推动当代景观建筑的边界。 Project Name: Liuquan Lake Children's Paradise Location: Yichang, China Design Team: HID Landscape Architecture Project Area: 15,000 m² Completion: 2024 Photography: IMA Feature： Project - HID Landscape Architecture has unveiled a mesmerizing children's paradise in Yichang, China, that seamlessly merges landscape architecture with playful innovation. The 15,000-square-meter project, nestled within Liuquan Lake Park, revolutionizes the concept of children's recreational spaces by transforming natural topography into an adventurous playground. The project's most striking feature is its water drop-shaped foothill ring, elevated four meters above the site's lowest point. This architectural intervention creates a three-dimensional exploration space that challenges traditional playground layouts. The ring serves as a connecting thread between natural ridges, artificial elevations, and play areas, effectively blurring the boundaries between structured play and organic landscape. Drawing inspiration from local mythology, the designers incorporated a sculptural slide in the form of 'Yu Xiao', a mythical beast, which serves as both a landmark and a functional play element. This centerpiece exemplifies the project's successful fusion of cultural storytelling with contemporary playground design. The playground's terrain has been thoughtfully manipulated to create a dynamic landscape that appears to have emerged naturally from the surrounding foothills. The design team achieved this by implementing varying elevations, strategic sight lines, and a harmonious blend of hard and soft surfaces. This approach results in a space that feels both designed and organically grown. With sixteen distinct types of play equipment integrated throughout the site, the paradise offers an unprecedented variety of recreational opportunities. The design eschews traditional playground hierarchies in favor of a more fluid, interconnected space that encourages exploratory play and creative engagement. The project stands as a testament to how contemporary landscape architecture can create spaces that serve multiple purposes: preserving natural topography, celebrating cultural heritage, and providing innovative play opportunities for visitors of all ages. It represents a new paradigm in playground design where the landscape itself becomes an integral part of the play experience. Design Team - HID Landscape Architecture, established in Suzhou Industrial Park in 2015, has rapidly emerged as one of China's most innovative landscape design practices, synthesizing Eastern philosophical principles with contemporary design methodologies. Under the leadership of principals Wu Hao and Zhang Lu, the firm has developed a distinctive approach to spatial composition that transcends traditional disciplinary boundaries. The practice's design philosophy is anchored in what they term "spatial logic of modern life," a framework that integrates site-specific environmental conditions with cultural narratives. This methodology has been evident in their portfolio of works spanning public realms, cultural landscapes, and urban interventions across China. HID's rigorous design process emphasizes three key components: comprehensive site analysis, iterative design development, and meticulous construction oversight. Their integrated approach to landscape architecture encompasses everything from initial conceptual studies through to detailed implementation, ensuring design integrity at every scale. The firm's commitment to environmental stewardship is reflected in their sustainable design strategies, which prioritize native species selection, water-sensitive urban design, and adaptive reuse of existing site elements. Currently headquartered in Suzhou's vibrant design district, HID's team of 45 professionals continues to push the boundaries of contemporary landscape architecture while remaining deeply rooted in Chinese cultural context. 设计团队 旅游探访 15000 m² 湖北省宜昌市，中国 2024 Previous Next

< 返回 沃克街88号酒店办公综合体fitzpatrick+partners 设计特色： 项目 – 这座耸立于北悉尼天际线、高达50层的酒店及办公综合塔楼，极富造诣地融合了历史与现代主义。该塔楼由澳大利亚Fitzpatrick+Partners建筑事务所设计，由两个精致弧面玻璃外立面体贴合而成，一个落地于地面层，而另一个悬挑在空中，与周边粗犷的高楼形成强烈对比。它大胆地悬于一幢历史悠久的消防站上方，并巧妙地结合了精品办公空间和252间客房。该项目充分优化了这个极具挑战性的场地，开辟了崭新的人行通道，贯穿北悉尼正在快速变迁的CBD区域，并精心的规划将酒店与办公功能融合成一个雕塑式的地标作品。与此同时，其斜柱使南侧体量能够悬挑于现有的酒吧上方，形成开阔的600平方米空中观景平台，更将疏散楼梯移至立面外部，内部则呈现无柱的办公空间，拥有360度开阔景观。一个充满活力的多层大厅立于地面层，室内外形成无缝连接。它追求五星级可持续评级，其动感流畅的面貌为这个快速发展的商业中心注入活力与特色。 团队 – 来自澳大利亚的Fitzpatrick+Partners建筑设计事务所成立于2001年，由James Fitzpatrick在2000年11月创立个人工作室发展而来。Paul Reidy和Rod Pindar在2018年成为Fitzpatrick+Partners的合伙人。Fitzpatrick+Partners堪称澳大利亚最引人注目的建筑设计事务所之一，其作品结合了创新与可持续发展理念，充分体现高质量的设计思维。事务所深知优秀的建筑需要多方合作与协调，“就如电影导演引领每个环节朝共同目标不断进步”。他们致力于将客户的愿景演绎成场地限制下的成功项目，并为用户创造具有吸引力的工作与生活空间。在积极采用可持续系统的同时，Fitzpatrick+Partners不断突破并寻找更佳方案，并坚信合理的设计与施工可以使建筑持续适应变化，并将设计质量置于产量之上。 Feature： Project - Rising 50 stories above the North Sydney skyline, the slender 88 Walker Hotel and Office Building masterfully integrates heritage and modernity. Australian practice fitzpatrick+partners designed the tower as two curved forms - one grounded, one hovering - that contrast with the robust proportions of neighboring highrises. Cantilevering dramatically over a historic fire station, the shard-like tower combines boutique offices and a 252-room hotel. The project optimizes the challenging site to forge new pedestrian connections through North Sydney's transforming CBD. Careful planning stitches together hotel and office programs into a singular sculptural expression. Angled columns enable the southern volume to cantilever over the existing pub, creating expansive 600 sqm floorplates. Further sculpture is found in the moving of exit stairs to the exterior, leaving column-free office interiors blessed by panoramic views. The ground plane features a lively multi-story lobby, a seamless fusion of interior and exterior worlds. Designed for a 5-star sustainability rating, the tower's dynamic contours bring distinction to the crowd of boxy towers in this fast-developing corporate hub. Design Team - Founded in 2001, Fitzpatrick+Partners has emerged as one of Australia’s leading architectural design firms, with projects that combine innovation and sustainability. Like a movie director, the practice recognizes that excellent architecture requires coordination across disciplines to progressively realize a common vision. They aim to translate clients’ aspirations into successful projects within site constraints, creating engaging spaces for users. While actively adopting sustainable systems, Fitzpatrick+Partners continually questions and searches for optimal solutions. Looking ahead, they believe thoughtful design and construction can enable buildings to adapt to change over time, prioritizing quality over quantity. 设计团队 旅游探访 24300 m² 澳大利亚，悉尼 2023 Previous Next

< 返回 GALAXIE eR 幼儿园 RG architects studio 设计特色： 在位于捷克斯卢克诺夫山脚下的瓦恩斯多夫迷人小镇，一座精巧有趣的“极简风格”幼儿园已建成落地，这座单层椭圆形建筑由RG architects studio团队设计，巧妙地将有机曲线形态与全面培养幼童发展的理念融为一体。建筑轮廓优雅流畅，体现了开放、自由活动和和谐统一的理念，这些都是孩童健康成长、发挥创意的重要元素。其核心是一片绿色中庭，新植樱花树点缀其间，吸引孩子们在这祥和环绕中尽情游戏。 这所幼儿园的独特之处在于其巧妙融合了室内外空间。落地玻璃窗和经过精心设计的窗户，将毗邻的花园尽收眼底，室内外界限变得模糊，自然与建筑相得益彰，营造出和谐氛围，滋养着孩子们的感官体验，培养他们与大自然的深厚联系。内部布局经过细致考量，分为两个对称的区域，每个区域可容纳25名幼童，配有独立设施，并在园区中心设有多功能厅。活动室可作为庆祝派对、体育锻炼等用途，也可在课余时间举办文化活动，促进社区交流。 GALAXIE eR幼儿园以有机流畅的曲线、无缝内外过渡和贴近自然的氛围著称，体现了一种全方位的早期教育理念，为孩子们的茁壮成长创造了一方绿色乐园。 In the picturesque town of Varnsdorf, nestled in the Šluknov foothills of the Czech Republic, a remarkable architectural gem has emerged – the Kindergarten GALAXIE eR. Designed by the visionary team at RG architects studio, this single-story elliptical structure seamlessly blends organic forms with a profound commitment to nurturing the holistic development of young minds. The building's shape is a symphony of curved lines, embodying the principles of openness, freedom of movement, and harmony – essential elements for fostering a child's growth and creativity. At its heart lies a verdant atrium, adorned with newly planted sakura trees, inviting children to embrace tranquility and engage in imaginative play. What sets this kindergarten apart is its seamless integration of indoor and outdoor spaces. Floor-to-ceiling glazing and strategically placed windows offer captivating views of the adjacent garden, blurring the boundaries between the built environment and nature. This synergy creates a harmonious atmosphere that nourishes the senses and nurtures a deep connection with the natural world. The internal layout is thoughtfully divided into two symmetrical wings, each accommodating 25 children, complete with dedicated facilities and a multifunctional hall at the center. This versatile space can host various activities, from children's parties to cultural events, fostering a vibrant community spirit. With its emphasis on organic forms, seamless indoor-outdoor transitions, and a nurturing environment, Kindergarten GALAXIE eR exemplifies a holistic approach to early childhood education, providing a sanctuary where young minds can blossom and flourish. 设计团队： RG architects studio源自1995年Radomír Grafek创立的RG projekt工作室，如今已成为捷克共和国极简主义建筑风格的先锋。工作室由Radomír Grafek和他多年好友Zdeněk Navrátil领导，他们的设计理念围绕着创造原创作品，植根于简单、纯粹、平衡和光线等原则。他们的作品组合多种多样，包括住宅、别墅、公寓楼、室内设计和公共建筑项目，其中许多作品还在享誉建筑界的权威杂志上获得专题报导。Grafek在瓦恩斯多夫和大舍諾夫的住宅设计更在2013年和2016年分别获得《Můj dům》杂志评选的"年度住宅设计"大奖。 Grafek的设计哲学深受极简主义影响，崇尚基本建筑元素的力量——体量、比例、几何、空间、材质和光线。这种纯粹视野与每个独特场所的精神气质完美交融,营造出建筑、自然和人性体验之间无懈可击的联系。秉承对概念简洁和细节用心的坚定追求，RG architects studio不断突破界限，将复杂的设计挑战浓缩为优雅的雕塑般作品，将平凡朴素提升为非凡。他们的建筑语言流露出永恒的简约风格，充分体现了对平衡和宁静的追求。 Founded in 1995 as a continuation of Radomír Grafek's firm RG projekt, RG architects studio has emerged as a vanguard of minimalist architectural expression in the Czech Republic. Led by Radomír Grafek and his longtime colleague Zdeněk Navrátil, the studio's ethos revolves around creating original designs grounded in the principles of simplicity, purity, equilibrium, and light. Their portfolio showcases a diverse array of residences, villas, apartment buildings, interiors, and public projects across the nation, many of which have garnered recognition through features in prestigious architectural publications. Grafek's dwellings in Varnsdorf and Velký Šenov were even crowned "House of the Year" by readers of Můj dům magazine in 2013 and 2016 respectively. Grafek's design philosophy is profoundly influenced by a minimalist approach that celebrates fundamental architectural elements – mass, volume, proportion, geometry, repetition, space, material, surface, and light. This purist vision harmoniously intertwines with the unique genius loci of each site, forging an inextricable link between the built form, nature, and human experience. With an unwavering commitment to conceptual clarity and meticulous detailing, RG architects studio continues to push boundaries, distilling complex design challenges into eloquent sculptural statements that elevate the humble to the extraordinary. Their architectural language resonates with a timeless simplicity that channels the eternal pursuit of balance and serenity. 设计团队 旅游探访 1120㎡ 捷克共和国，瓦恩斯多夫 2023年 Previous Next

< 返回 Upper House 高层公寓 高田浩一建筑事务所 设计特色： 项目 – 在布里斯班的城市滨河地带，一座33层高的新住宅楼"Upper House"近期开楼惊现，其外立面设计独树一帜，宛如三条巨大的生物根系盘绕攀升，为城市天际线注入无与伦比的动感有机造型。这座瞩目摩天住宅，出自于在澳大利亚小有名气的日裔建筑师高田浩一之手。作为曾在卡塔尔、上海等地打造过诸多生物雕塑般建筑作品的资深建筑师，高田浩一这次直接将澳大利亚国宝级植物丹翠雨林的根系形态化作建筑外型，除了形神兼备外，三条分别长达30米的木质根系造型也成为楼身最大的视觉焦点。不过，这座摩天住宅不仅在立面设计上惊艳夺目，其内部设计理念和软实力同样令人印象深刻。顶层设有澳洲首个双层高度的"樂活俱乐部"天空休闲空间，面积逾1000平方米，超大无边际游泳池、私人影院等高级设施应有尽有，让住户无需出门即可尽享度假般的高级生活。整座住宅塔楼在设计理念上也极为彰显人性化以及环保可持续发展元素。从采用具代表意义的原住民艺术家雕塑作品装点外立面，到绿化覆盖率颇高的室外庭园，处处可见人文与自然的巧妙融合。此外，大量节能环保设施如雨水收集系统、太阳能发电、电动汽车充电站等设备的配备，都让这座顶级住宅作品展现出与自然和谐共生的面貌。这无疑是目前布里斯班最与众不同、最引人注目的住宅楼，设计师高田浩一先生也再次诠释了他一贯对生物有机造型和可持续发展理念的执着追求。而对于这座著名旅游城市而言，拥有一幢如此具代表性的地标性建筑，必将为城市增添无可取代的文化品味。 团队 – 成立于2008年的高田浩一建筑事务所，一直是生物仿生和有机建筑设计的先锋力量。在创始人高田浩一的领导下，这家分别驻扎在悉尼和布里斯班的建筑工作室，致力于打造与大自然和谐共生的建筑，汲取自然生态系统内在的美与智慧为灵感源泉。高田浩一将日式建筑情怀融入独具澳洲风格的设计，通过有机流畅的造型和对人性化体验的精心考量，营造出引人共鸣的情感体验。该事务所屡获殊荣的作品遍布悉尼、布里斯班、墨尔本、东京、上海、洛杉矶、多哈和墨西哥城等地。高田浩一精湛地将"自然化"设计理念转化为实践，巧妙融合自然与都市生活。其创新方法让这家事务所成为可持续、以人为本的建筑设计的代表，其作品有助于增进人与地球的连接。在有机融合自然之美的同时，高田浩一建筑事务所时刻关注建筑与周边环境的和谐共生，以及建筑对居住者和使用者身心健康的正面影响，开创了生物建筑设计的新典范。 Feature：Project - In Brisbane's South Bank, Koichi Takada Architects has unveiled Upper House, a 33-story residential tower that intertwines nature and architecture in an unprecedented way. Drawing inspiration from the iconic Moreton Bay fig tree's serpentine aerial root system, the building's facade flows upwards in three colossal timber-clad "roots" crafted from locally-sourced hardwood. This organic, sculptural form punctuates the skyline, celebrating Australia's ancient rainforests. But Upper House isn't just a feat of biomimetic design - it reimagines the high-rise typology entirely. The tower's crown jewel is the Upper Club, Australia's first double-height rooftop amenity spanning two floors. Here, a 1,000 sq m tropical oasis offers an infinity pool, fitness facilities, outdoor lounges and lush landscaping, fostering community connections often lacking in vertical developments. Sustainability principles guided every decision, from rainwater harvesting and solar power to electric car-sharing and over 3,500 regionally-adapted plants insulating the terraces. Indigenous artist Judy Watson's five-story facade artwork also roots the design in cultural narratives. The result transcends a typical residential tower, expressing Takada's vision for enhanced wellbeing through nature-inspired, socially-catalytic architecture. Design Team - Established in 2008, Koichi Takada Architects has emerged as a vanguard in biomimetic and organic architectural design. Led by principal Koichi Takada, the Sydney and Brisbane-based firm develops architecture that harmoniously coexists with the natural world, drawing inspiration from the inherent beauty and intelligence of ecological systems. At the helm, Takada imbues his Japanese sensibilities into distinctly Australian designs that elicit emotional resonance through organic forms and a profound consideration for the human experience. The practice's award-winning portfolio spans an array of typologies across Sydney, Brisbane, Melbourne, Tokyo, Shanghai, Los Angeles, Doha, and Mexico City. Koichi Takada Architects' multidisciplinary team, comprising directors Georgia Wilson, Richard Storey, Fabiola Monasterio, and Masa Sado, excels in translating Takada's "naturalized" design philosophy into built environments that seamlessly interweave nature and urban living. Their innovative approach positions the firm as a frontrunner in sustainable, human-centric architecture that empowers connection with the planet. 设计团队 旅游探访 19700 m² 澳大利亚，南布里斯班 2023年 Previous Next

< 返回 松岛小屋 Bureau Tempo + Thom Fougere Studio 项目名称：松岛小屋 地点：乔治亚湾，安大略省，加拿大 设计团队：Bureau Tempo + Thom Fougere Studio 建筑面积： 325 m² 完成时间：2024 摄影：Alex Lesage, Thom Fougere 设计特色： 项目 - 松岛小屋位于加拿大安大略省乔治亚湾的一座隐秘岛屿上，由Bureau Tempo和Thom Fougere Studio设计的室内空间与Gren Weis Architect建筑事务所的建筑设计相得益彰。这座度假住宅创造了一种空间体验，回应了岛屿的岩石地形，同时为家庭提供了一个与自然环境紧密连接的栖息地。 展馆的外形设计呈T字型布局，巧妙地顺应岛屿的自然地形，从较高处的卧室区域逐渐下降到朝水面的公共空间。设计团队与业主一起沿岛屿岩石海滩漫步，寻求将这种户外触感体验转化为室内设计的方式。 游客通过一个精心设计的橡木门进入，配有形似鹅卵石的门把手，引导人们进入低矮、柔和灯光照明的橡木镶板入口。空间随着地板的阶梯式下降而逐渐开阔，天花板高度增加，材料色调变亮，揭示出主要生活空间。 家居核心区域是厨房——配有储藏室、吧台和早餐角——其中心是由粗犷野石打造的岛台，唤起了常在岛屿岩石海岸上进行的休闲聚会的感觉。从厨房延伸出的是位于天窗下的餐厅区域，然后是带有内置沙发的休息空间，以野石壁炉为界。双面壁炉是小屋流通的中心，同时温暖室内和封闭的户外门廊。 通过精心的材料选择和空间组织，小屋不仅尊重了自然环境，唤起了场所感，还为居住者提供了与岛屿景观深度融合的生活体验。作为一个注重可持续性和触感体验的住宅，它展示了设计师所描述的"既粗犷又宁静"的独特氛围。 这座度假屋是家庭与自然环境交流的重要平台，每一个设计细节都经过深思熟虑，包括定制铸造的壁灯和由当地铁匠打造的锻铁扶手，展示了如何平衡自然材质与现代舒适，形成了自己的微观世界，反映了设计师对材料、光线和空间的敏锐理解。 团队 - Thom Fougere Studio是一家多学科设计事务所，专注于家具设计、产品开发、创意指导和建筑空间，由Thom Fougere于2021年在加拿大蒙特利尔创立。在成立之初，该事务所就建立在对材料对话、空间序列和细致入微的细节关注的设计哲学基础上。 在创立自己的工作室之前，Thom Fougere曾担任加拿大设计公司EQ3的创意总监长达九年，在此期间他为公司设计了众多产品系列，并引领品牌完成了全球化重新定位。这包括设计EQ3纽约旗舰店，该项目于2019年完成。这些经验培养了他跨不同规模协调统一设计语言的能力，影响了工作室当前的实践。 Thom Fougere Studio相信优秀设计是通过对环境深刻理解和对材料诚实表达实现的。工作室采用Fougere所说的"最小触点，最大影响"方法——这在松岛小屋等项目中得到了体现，在那里，当地采购的材料和经过深思熟虑的空间序列创造了既粗犷又宁静的环境。事务所的作品超越了传统建筑范畴，包括为Mjölk和Division Twelve (Keilhauer)等品牌设计的家具系列，以及与艺术家Wanda Koop合作创作的NIX展馆。 Thom Fougere Studio是加拿大新一代设计人才的代表，其作品曾在米兰、斯德哥尔摩、纽约、蒙特利尔和多伦多的设计展览中展出。工作室获得了众多荣誉，包括2024年多伦多设计场外展最佳节日奖：评委选择奖和2023年优良设计奖（Spinni凳系列）。通过对环境因素、材料真实性和人体体验的细致关注，Thom Fougere Studio持续打造超越功能需求的空间——创造既增强人类体验又尊重自然环境的作品。 Project Name: Pine Island Cottage Location: Georgian Bay, Ontario, Canada Design Team: Bureau Tempo + Thom Fougere Studio Total Floor Area: 3,500 ft² (325 m²) Completion: 2024 Photography: Alex Lesage, Thom Fougere Feature: Project - Located on a secluded island in Georgian Bay, Ontario, Canada, Pine Island Cottage features interiors by Bureau Tempo and Thom Fougere Studio that complement the architectural design by Gren Weis Architect. This holiday residence creates a spatial experience that responds to the island's rocky terrain while providing a habitat that connects deeply with the natural environment. The cottage is designed in a T-shaped layout that cleverly follows the natural topography of the island, cascading from the bedroom wings at higher elevation down to the communal spaces that face the water. The design team walked along the island's rocky beaches with the clients, seeking ways to translate this outdoor tactile experience into the interior design. Visitors enter through a thoughtfully designed oak door with a pebble-shaped handle, leading into a low, gently lit, oak-lined entryway. The space gradually opens as the floors terrace down, the ceiling height grows, and the material palette lightens, revealing the main living space. At the heart of the home, the kitchen—complete with a pantry, bar and breakfast nook—is anchored by a fieldstone island evoking the feel of casual gatherings that often take place on the island's rocky shores. Extending from the kitchen is the dining area positioned under a skylight, followed by a lounge space with a built-in sofa bounded by a fieldstone hearth. The double-sided hearth is central to the cottage's circulation, warming both the interior and the screened outdoor porch. Through careful material selection and spatial organization, the cottage honors the natural environment, evokes a sense of place, and provides residents with a living experience deeply integrated with the island landscape. As a dwelling that emphasizes sustainability and tactile experience, it showcases what the designers describe as an atmosphere that is "at once rugged and serene." This holiday home serves as an important platform for family engagement with the natural environment, with every design detail thoughtfully considered, including custom cast wall sconces and wrought iron handrails crafted by a local blacksmith, demonstrating how to balance natural materials with modern comfort, forming its own microcosm that reflects the designers' acute understanding of material, light, and space. Design Team - Thom Fougere Studio is a multidisciplinary design practice focused on furniture design, product development, creative direction, and architectural space, founded by Thom Fougere in 2021 in Montréal, Canada. From the very beginning, the practice was founded on a design philosophy of material dialogue, spatial sequencing, and meticulous attention to detail. Prior to establishing his own studio, Thom Fougere served as creative director at Canadian design house EQ3 for nine years, where he crafted numerous product collections for the company and led the brand through a transformative global re-positioning. This included designing EQ3's New York flagship building, which was completed in 2019. These experiences cultivated his ability to coordinate a unified design language across different scales, influencing the studio's current practice. Thom Fougere Studio believes good design is achieved through profound understanding of context and honest expression of materials. The studio employs what Fougere calls "minimum touch with maximum impact"—an approach exemplified in projects like Pine Island Cottage, where locally-sourced materials and thoughtful spatial sequencing create environments that are simultaneously rugged and serene. The firm's work extends beyond traditional architecture into furniture collections for brands including Mjölk and Division Twelve (Keilhauer), as well as installations like the NIX pavilion created with artist Wanda Koop. Thom Fougere Studio represents a new generation of Canadian design talent, with work exhibited internationally at design fairs in Milan, Stockholm, New York, Montréal, and Toronto. The studio has received numerous accolades including the 2024 Toronto Design Offsite Best in Festival: Juror's Choice Award and the 2023 Good Design Award for the Spinni Stools collection. Through meticulous attention to contextual factors, material authenticity, and human experience, Thom Fougere Studio continues to produce spaces that transcend functional requirements—creating works that enhance human experience while respecting the natural environment. 设计团队 旅游探访 325 m² 乔治亚湾，加拿大 2024 Previous Next

< 返回 罗州白宅 PLAN建筑事务所 项目名称：罗州白宅 地点：罗州市，韩国 设计团队：PLAN建筑事务所 建筑面积：236平方米 竣工时间：2024年 摄影：尹俊焕 设计特色： PLAN建筑事务所设计的"罗州白宅"展现了如何通过创新的错层空间整合策略和巧妙的中央庭院设计哲学融合技术，将一座位于死胡同入口的住宅转化为充满多代家庭凝聚力和空间和谐的现代居住圣所。 这座236平方米的住宅戏剧性地分布在三个楼层上，呈现为对当代韩国多代同堂生活方式、家庭私密性保护和传统空间元素融合的深刻冥思。它通过精心的空间组织和材料选择，创造出一个将功能性与情感联系无缝交织的居住体验。 项目的绝妙之处在于对家庭成员不同生活节奏的根本性尊重与重新构想。中央花园不仅作为景观元素，更成为空间组织的核心，确保客厅、厨房和工作室优雅地环绕这个情感中心。这种设计策略创造了家庭成员之间的持续对话，实现了视觉上的和谐共生效果。 PLAN的设计语言流利地表达着当代韩国建筑方言，运用天然材料如木材、石材和混凝土的现代应用来重新定义多代居住体验。统一的白色外观被创新性地用于统一建筑语言，同时巧妙地创造内部空间的丰富层次。这种大胆的整合策略不仅增加了空间的视觉连续性，同时巧妙地适应了多代家庭生活的复杂功能需求。 最引人注目的是，建筑师通过不同楼层高度和空间序列的巧妙操控在不同功能区域间创造舒适的居住环境。位于基准层的祖父母房间配有可移动隔断的设计，配以战略性的楼层分布让视线连接充满整个住宅，而夫妻的私人空间则通过2.5层的高处位置与全景视野建立视觉连接，营造出既独立又相连的氛围。 空间策略延续了这种家庭成员间和谐共生的设计理念。内部小巷与缓坡引导访客进入住宅，粗糙的岩石、石板、土壤、树木和草地保留了建设前土地的特性，强化了住宅与自然环境的整合。不同楼层高度促进家庭成员间的目光交流和充沛自然光线，确保温馨宜人的居住环境，完美适合家庭生活和多代共居。 设计团队： PLAN建筑事务所作为新一代韩国建筑实践的杰出代表，由林泰亨主持建筑师带领，由具有多元文化背景和价值观的年轻专业人士组成，自成立以来已确立其在当代住宅设计和环境响应式建筑语言创新领域的先锋地位。这家立足光州的事务所通过设计与环境的协调整合，重新定义当代韩国建筑师在国际设计话语中的角色。 PLAN为建筑实践带来了卓越的空间敏感性设计视角和对场地特定性方法的深刻理解。该事务所因其将传统韩国建筑智慧与当代国际现代主义结合的承诺而获得认可，在住宅、机构和文化项目领域积累了丰富经验，其代表作品包括荣获2022年光州建筑奖大奖的地山石屋、获得国际认可的永川三兄弟之家，以及荣获2021年韩国建筑文化大奖正奖的龟尾良浦市立图书馆。 该事务所的设计哲学强调建筑应该超越物理空间限制，不仅仅是为了满足基本功能需求而设计，更是为了成为在城市、环境和文化语境前沿支撑人类生活的基础背景。通过对场地特定性认知和感官体验的深度关注，开展从住宅到公共空间的多元化项目，相信最好的建筑是通过探索多种可能性而非寻求单一解决方案的智识探究过程产生的。PLAN相信建筑应该成为居住者生活方式和家庭记忆的载体，通过策略性的空间组织和材料选择创造独特的环境响应式居住体验。 除实践外，该事务所通过对天然材料与现代建造方法的深思熟虑结合、本地文化条件和国际设计元素的运用，以及经过时间验证的韩国建筑智慧，PLAN已确立自己作为当代韩国建筑话语重要贡献者的地位，创造出既具环境回应性又拥抱全球设计视野的建筑作品。该事务所目前在韩国地区建筑景观中占据独特地位，专注于创造在普遍性与公共性领域内可消费的高品质建筑文化。 设计团队 旅游探访 236 m² 罗州市，韩国 2024 Previous Next

< 返回 "超级垫" Mega Mat MVRDV 项目名称： Mega Mat Installation 地点： 曼谷，泰国 设计团队： MVRDV 项目面积： 875 m² 竣工时间： 2025年2月 摄影： Depth of Field 客户： 泰国创意经济署 合作方： PTT Global Chemicals，荷兰大使馆 展期： 2025年2月8日至23日（曼谷设计周） 设计特色： 项目 – 在曼谷Lan Khon Mueang Town Square广场上，MVRDV建筑事务所以一个引人注目的临时装置作品"超级垫"(Mega Mat)，展现了可持续性与公共空间的创新结合。这个为2025年曼谷设计周打造的875平方米装置，巧妙地将500多个回收塑料垫重新设计成泰国传统"Sua"（一种在泰国家庭生活中代代相传的垫子）的放大版。 这个装置最引人注目的特点在于它同时具备公共空间和信息图表的双重功能。通过精心策划的渐变色彩，超级垫讲述了泰国塑料废物处理的故事：从代表不合格垃圾填埋场的红色区域，到象征回收材料的充满希望的绿色中心。这种巧妙的设计方法将数据可视化转化为沉浸式的空间体验，创造出一个访客可以实地走过和互动的叙事空间。 MVRDV的设计向当地建筑致敬，其抬起的边角和色彩方案呼应了附近善见寺(Wat Suthat Thepwararam)的屋顶线条。由532块模块组成，每块尺寸为1.8乘0.9米，整体装置展示了回收材料的多样性，同时融入了传统泰国纺织图案。这种将当代环保理念与文化遗产相结合的方式，有力地诠释了可持续设计在传承和发展传统实践中的作用。 最值得注意的是，该装置体现了循环设计原则——在曼谷设计周结束后，这些独立的垫子将被重新分配用作瑜伽垫、捐赠给当地寺庙或升级改造成新产品。这种对装置生命周期的深思熟虑的处理方式，使其从一个临时的建筑声明转变为催化持续可持续实践的动力，为临时装置如何产生持久影响提供了范例。 团队 – MVRDV由Winy Maas, Jacob van Rijs, 和 Nathalie de Vries于1993年创立，现已发展成为全球具有影响力的建筑事务所。事务所现由创始合伙人与Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, 以及Bertrand Schippan共同领导超过300名专业人员的团队，在鹿特丹、上海、巴黎、柏林和纽约设有战略性布局的多个办公室。 事务所以其研究导向的设计方法论著称，强调与客户、利益相关者和跨学科专家的早期协作。其专门的内部气候团队确保可持续性在所有项目中的整合，而MVRDV NEXT则专注于计算设计和技术创新。这种全面的方法促成了从混合用途开发到文化机构和城市总体规划等突破性项目。 事务所的作品组合展示了各种规模和类型的创新建筑解决方案，包括享誉世界的鹿特丹Markthal、阿姆斯特丹自然启发的Valley项目，以及开创性的Depot Boijmans Van Beuningen。他们的作品始终展现对可持续城市发展、社会参与和技术进步的承诺，赢得了众多国际奖项，确立了MVRDV在当代建筑实践中的先驱地位。 Project Name: Mega Mat Installation Location: Lan Khon Mueang Town Square, Bangkok, Thailand Design Team: MVRDV Area: 875 m² Completion: February 2025 Client: Creative Economic Agency, Thailand Partners: PTT Global Chemicals, Embassy of the Netherlands Exhibition Period: February 8-23, 2025 (Bangkok Design Week) Materials: 532 recycled plastic mats (1.8 x 0.9m each) Function: Temporary Installation, Public Space, Exhibition Space Photography: Depth of Field Feature： Project - In a vibrant statement on sustainability and public space, MVRDV has unveiled the Mega Mat, a striking temporary installation that transforms Bangkok's Lan Khon Mueang Town Square into an engaging social platform. The 875-square-metre installation, created for Bangkok Design Week 2025, ingeniously repurposes over 500 recycled plastic mats into a supersized version of the traditional Thai 'Sua' - a household mat that has been central to Thai family life for generations. The installation's most compelling feature is its dual function as both public space and infographic. Through a carefully orchestrated color gradient, the Mega Mat tells the story of Thailand's plastic waste journey: from red zones representing unsanitary landfills to the hopeful green center symbolizing recycled materials. This clever design approach transforms data visualization into an immersive spatial experience, creating a narrative that visitors can literally walk through and interact with. MVRDV's design pays homage to local architecture, with its lifted corner and color scheme echoing the rooflines of the nearby Wat Suthat Thepwararam temple. The modular composition, featuring 532 pieces each measuring 1.8 by 0.9 metres, demonstrates the versatility of recycled materials while incorporating traditional Thai textile patterns. This marriage of contemporary environmental concerns with cultural heritage creates a powerful statement about sustainable design's role in preserving and extending traditional practices. Perhaps most significantly, the installation embodies circular design principles in its planned afterlife - following Bangkok Design Week, the individual mats will be redistributed as yoga mats, donated to local temples, or upcycled into new products. This thoughtful approach to the installation's lifecycle transforms it from a temporary architectural statement into a catalyst for ongoing sustainable practices, offering a blueprint for how temporary installations can have lasting impact beyond their initial display. Design Team – MVRDV, established in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, has grown into a globally influential architecture practice. The firm now operates with a dynamic team of over 300 professionals led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, with offices strategically located in Rotterdam, Shanghai, Paris, Berlin, and New York. The practice is distinguished by its research-based design methodology, emphasizing early collaboration with clients, stakeholders, and multidisciplinary experts. Their dedicated in-house Climate Team ensures sustainability integration across all projects, while MVRDV NEXT specializes in computational design and technological innovation. This comprehensive approach has resulted in groundbreaking projects ranging from mixed-use developments to cultural institutions and urban masterplans. The firm's portfolio showcases innovative architectural solutions across various scales and typologies, including the world-renowned Markthal in Rotterdam, the nature-inspired Valley in Amsterdam, and the groundbreaking Depot Boijmans Van Beuningen. Their work consistently demonstrates a commitment to sustainable urban development, social engagement, and technological advancement, earning numerous international awards and establishing MVRDV as a pioneer in contemporary architectural practice. 设计团队 旅游探访 875 m² 曼谷，泰国 2025 Previous Next

< 返回 武汉西北湖国金中心 都设营造建筑设计 设计特色： 由都设营造建筑设计事务所打造的武汉西北湖国金中心项目最近完工，为汉口天际线增添了一道亮丽的风景线。该项目由两座高达240米和100米的办公塔楼组成，是该区域开发项目的压轴之作。设计最引人注目的特色是其大胆的钻石形斜切造型，为建筑群塑造了强烈的视觉标识。 这一标志性外形不仅重塑了该地区的天际线，还巧妙地呼应了城市肌理和附近的湖景。都设的设计方法在效率和美学之间取得了平衡。矩形的平面布局确保了空间的最大化利用，而通过精心设计的体量和立面处理，又为建筑注入了动感元素。幕墙系统在与顾问密切合作下精心设计，竖向装饰条的运用更是巧妙地强调了塔楼向上攀升的气势。室内设计同样出彩：大堂空间打破常规，采用流畅的洞穴式设计。曲线石材表面经过精心的理性化处理以控制成本，营造出一个极具雕塑感的环境，颠覆了人们对传统办公楼大堂的印象。 纵观整个项目，都设展现了对一体化设计和精细化施工的执着追求。通过为内外部元素开发全面的设计系统，他们打造出了一个在控制成本的同时又能产生强烈视觉冲击的地标性建筑，为武汉的大型城市开发项目树立了新标杆。 The Wuhan Northwest Lake Guojin Center, recently completed by DuShe Architectural Design, stands as a striking addition to the Hankou skyline. Composed of two office towers reaching heights of 240 and 100 meters, the project serves as the capstone to the Northwest Lake Business area development. The design's most distinctive feature is its bold diamond-shaped diagonal cut, which creates a powerful visual identity for the complex. This iconic form reshapes the area's skyline while responding to both the urban context and nearby lake views. DuShe's approach balances efficiency with aesthetics, employing rectangular floor plans for maximum usability while introducing dynamic elements through strategic massing and façade treatments. The curtain wall system, carefully developed in collaboration with consultants, incorporates vertical decorative strips that accentuate the towers' upward thrust. Inside, the lobby spaces break from convention with flowing, cave-like interiors. Curving stone surfaces, meticulously rationalized to minimize costs, create a sculptural environment that challenges typical office tower expectations. DuShe demonstrates a commitment to integrated design and refined construction throughout the project. By developing comprehensive systems for both exterior and interior elements, the firm has delivered a landmark that achieves visual impact within controlled costs – setting a new standard for large-scale urban developments in Wuhan. 设计团队： 都设营造建筑设计事务所（DuShe Design）自2004年创立以来，已发展成为中国建筑设计界的一支新锐力量。作为国内快速崛起的综合性设计公司之一，总部位于上海的都设在全国范围内拥有众多备受赞誉的标志性作品，以其创新性和对地域文化的深刻理解而闻名。核心团队在董事兼总建筑师凌克戈的带领下，其汇聚了数百名建筑、室内设计、城市规划等领域的精英人才。 都设营造的作品涵盖了从摩天大楼到文化地标、从精品酒店到城市综合体等多个类型，每一个项目都充分体现了他们对当地环境的深入理解和推动当代建筑发展的决心。代表作包括扬州虹桥坊、南京白云亭文化艺术中心、鲅鱼圈保利大剧院等，这些项目不仅重塑了城市天际线，也为城市注入了新的活力。 凭借其在建筑设计、室内设计和城市规划等领域的卓越表现，都设营造获得了业界的广泛认可，设计团队以其独特的设计理念和卓越的执行力，不断推动中国建筑设计的创新发展。他们致力于在每个项目中融入对可持续发展的思考，为打造宜居、智能、绿色的未来城市贡献力量。 DuShe Design, established in 2004, has emerged as a formidable force in China's architectural landscape. Based in Shanghai, this multidisciplinary firm specializes in architecture, interior design, and urban planning, leaving an indelible mark on skylines, campuses, and neighbourhoods across the nation. Under the visionary leadership of Ling Kege, a first-class registered architect and the firm's Principal Architect, DuShe has garnered numerous accolades for its innovative approach to design. Ling's personal achievements, including the Young Architect Award from the Architectural Society of Shanghai in 2005 and the prestigious Zhan Tianyou Award for the Chongqing University Main Building in 2007, underscore the firm's commitment to excellence. DuShe's portfolio showcases a diverse range of projects, from cultural centers and theatres to hotels and office complexes. Notable works include the Yangzhou Hongqiao Fang, Bai Yun Ting Cultural and Art Center in Nanjing, and the Poly Grand Theater in Bayuquan. These projects exemplify the firm's ability to integrate contemporary design with cultural context and environmental considerations seamlessly. The firm's design philosophy emphasizes a comprehensive approach, balancing aesthetics with functionality and sustainability. DuShe's expertise in facade engineering is particularly noteworthy, as evidenced by their first-prize win in the Architectural Curtain Wall category at the 2017-2018 China Architectural Society Architectural Design Awards. With a strong track record of creating iconic structures that respond sensitively to their surroundings, DuShe Design continues to shape the built environment of China, setting new standards for architectural innovation and urban development. 设计团队 旅游探访 134106 m² 中国，武汉 2024年 Previous Next

< 返回 NOT A HOTEL FUKUOKA axonometric + NKS2 architects 项目名称：NOT A HOTEL FUKUOKA 地点：福冈，日本 设计团队：axonometric + NKS2 architects 建筑面积：1259.42 m² 完工时间：2023年8月 摄影师：YASHIRO PHOTO OFFICE、小島康敬 设计特色： 项目 - 在福冈静谧的住宅区核心地带，一个革命性的酒店概念应运而生，挑战了传统的居住和旅行观念。由axonometric和NKS2 architects设计的NOT A HOTEL FUKUOKA，是一个颠覆性的城市住宿概念——一个模糊了临时停留与永久居住界限的"分布式酒店"。 该项目最引人注目的创新在于其雕塑般的垂直性，被构思为一个"三维城市"，八个概念各异的房间被精心堆叠，反映了当代生活方式的多样性。每个房间都是一个独特的生态系统，从配备宽敞办公桌的专用工作空间，到为私人厨师体验而设计的美食特色空间。 建筑地邻近公园，其设计与周边城市肌理进行了细致的对话。建筑师巧妙地分解了建筑体量，将体量分解至与周边独立住宅相近的尺度。这种方法创造了一个立面，既像一座小山，又如有机的城市景观，同时尊重并改造了其周边环境。 精妙的环境考量体现在精心设计的倾斜阳台上，每个阳台都被独特的植物环绕，并经过定位以减少视觉侵扰，同时保持开放的、面向绿色的方向。其结果是一个建筑干预，既与现有的城市生态系统无缝整合，又指向未来的生活范式。 凭借其灵活的技术基础设施，NOT A HOTEL FUKUOKA使用者能够重新想象旅行即生活方式——一种超越传统酒店边界的流动、互联的体验。 团队 – 在当代日本建筑实践中，axonometric作为一家具有前瞻性的设计事务所，突破了传统学科的界限。该事务所于2021年成立，总部位于日本福冈，通过整合建筑、室内设计、景观和城市规划的全面方法，迅速使自己脱颖而出。 由首席执行官兼创始合伙人佐々木慧领导，他是一位获得一级建筑师资格、拥有九州大学和东京艺术大学杰出学术背景的建筑师。佐々木在藤本壮介建筑设计事务所的工作经验显著地影响了公司的创新设计理念，其特点是对空间关系的细腻理解和对环境的敏感性。 该事务所的作品集，以NOT A HOTEL FUKUOKA等项目为代表，展示了对建筑干预的精妙理解。他们的设计方法不仅仅是简单的建造，而是专注于创造能够响应人类不断演变的体验的适应性环境。通过由建筑师、城市发展顾问和设计专业人员组成的多学科团队，axonometric已经获得了显著的认可，包括入选2025年日本世界博览会设计提案和国际竞赛的决赛入围者。 通过无缝地融合技术创新、环境意识和深刻的空间智慧，axonometric正在为21世纪重新定义建筑实践。 Project Name: NOT A HOTEL FUKUOKA Location: Fukuoka, Japan Design Team: axonometric + NKS2 architects Total Floor Area: 1,259.42 m² Completion Date: August 2023 Photographers: YASHIRO PHOTO OFFICE, Kosei Kojima Structural Design: Mika Araki Structural Design Office (now Graph Studio) Main Contractor: Matsuyama Construction Landscape Design: DESIGN NETWORK ASSOCIATES Interior Design: Nomura Kogei A.N.D. Mechanical Engineering: SEED Design Supervision: IMD Alliance + Orange and Partners Lighting Design: ModuleX Building Height: 19.92 meters Floors: 5 above ground Site Area: 530.20 m² Feature： Project - In the heart of Fukuoka's tranquil residential landscape, a revolutionary hospitality concept emerges that challenges traditional notions of living and travel. NOT A HOTEL FUKUOKA, designed by axonometric and NKS2 architects, stands as a radical reimagining of urban accommodation—a "distributed hotel" that blurs the boundaries between temporary stay and permanent residence. The project's most striking innovation lies in its sculptural verticality, conceived as a "three-dimensional city" where eight distinctly conceptualized rooms are meticulously stacked to reflect contemporary lifestyle diversity. Each room is a unique ecosystem, ranging from dedicated workspace configurations with expansive desks to culinary-focused spaces designed for private chef experiences. Strategically nestled adjacent to a park and shrine, the building's design demonstrates a nuanced dialogue with its surrounding urban fabric. The architects have masterfully fragmented the building's volume, breaking down the mass to echo the scale of neighboring detached houses. This approach creates a facade that resembles both a small mountain and an organic urban landscape, simultaneously respecting and transforming its context. Sophisticated environmental consideration is evident in the carefully angled terraces, each surrounded by distinctive plantings and positioned to mitigate visual intrusion while maintaining an open, green-facing orientation. The result is an architectural intervention that seamlessly integrates with the existing urban ecosystem while pointing towards future living paradigms. With its flexible technological infrastructure, NOT A HOTEL FUKUOKA enables users to reimagine travel as a lifestyle—a fluid, interconnected experience that transcends traditional hospitality boundaries. Design Team - In the dynamic landscape of contemporary architectural practice, axonometric emerges as a visionary design firm that transcends traditional disciplinary boundaries. Established in 2021 and headquartered in Fukuoka, Japan, the practice has rapidly distinguished itself through a holistic approach to spatial design that integrates architecture, interior design, landscape, and urban planning. Led by CEO and founding principal Kei Sasaki, a first-class architect with a distinguished academic background from Kyushu University and Tokyo University of Arts, axonometric represents a new generation of design thinking. Sasaki's prior experience at SOU FUJIMOTO ARCHITECTS has significantly influenced the firm's innovative design philosophy, characterized by nuanced spatial relationships and contextual sensitivity. The firm's portfolio, exemplified by projects like NOT A HOTEL FUKUOKA, demonstrates a sophisticated understanding of architectural intervention. Their design methodology goes beyond mere construction, focusing on creating adaptive environments that respond to evolving human experiences. With a multidisciplinary team of architects, urban development consultants, and design professionals, axonometric has already garnered significant recognition, including selection for the 2025 Japan World Exposition design proposals and finalist status in international competitions. By seamlessly blending technological innovation, contextual awareness, and profound spatial intelligence, axonometric is redefining architectural practice for the 21st century. 设计团队 旅游探访 1259.42 m² 福冈，日本 2023 Previous Next

< 返回 科林达住宅 BENT Architecture 项目名称：科林达住宅 地点：澳大利亚，维多利亚州普伦蒂 设计团队：BENT Architecture 建筑面积：472平方米 竣工时间：2025年 摄影：Tatjana Plitt 设计特色： BENT Architecture设计的科林达住宅坐落在墨尔本边缘六英亩的斜坡丛林地上，这座472平方米的住宅通过一系列分散的砌体体块和精心设计的过渡空间，成功地将当代居住需求与原生自然环境融为一体。 项目的起源颇具戏剧性。当延岩路的扩建计划威胁到业主家庭原有的住宅时，他们没有选择离开这片生活多年的土地，而是决定向更深的丛林腹地迁移。这个大胆的决定最终催生了一座真正与场地对话的建筑。 设计最显著的特点是对单一建筑体量的拒绝。建筑师将住宅分解为多个独立的砌体"模块"，这些体块覆以粗糙的木纤维混凝土，质感接近周围的灌木和岩石。每个模块容纳着不同的私密功能：绘画工作室、主卧套房、儿童卧室，所有卧室都设有宽敞的日光床凹室，可以捕捉正午的阳光。室内采用V型槽板、表现力强的墙纸和再生木地板，营造出温暖而亲密的氛围。 这些实体体块之间是住宅真正"呼吸"的地方。厨房、餐厅和公共活动空间都位于这些通透的过渡区域，由粗锯硬木、裸露砖墙和抛光混凝土界定。砖铺装从室内延伸到室外，形成台阶，勾勒庭院边缘，托起壁炉，让建筑牢牢扎根于起伏的地形之中。 住宅的中心是一个绿意盎然的庭院，由建筑和丛林共同围合。庭院一侧是通向工作室的木质走廊，被设想为展示家庭收藏和未来创作的画廊空间。厨房的设计格外用心：宽大的岛台配有雕塑感的钢制脚踏板，深蓝色橱柜嵌入木纤维混凝土墙体，每个细节都透露出设计师的关怀。 建筑沿着地形缓缓抬升，从厨房到泳池露台再到安静的休息室，最终到达树冠之上的图书馆，折叠式屋顶框取远处的景色。考虑到场地的高山火风险等级，住宅配备了太阳能电池板、储能电池、水箱等离网设施，所有材料都满足防火要求。周围的景观延续了这种与自然共生的理念，耐旱的本土植物、灌木石材和新生植被共同编织出一幅复兴的图景。 设计团队 BENT Architecture由保罗·波尔贾佐斯基和梅兰·波尔贾佐斯基夫妇于2003年在墨尔本布伦瑞克创立。二十多年来，这家事务所在住宅设计、可持续建筑和景观整合领域建立了扎实的声誉。 事务所的工作涵盖住宅、商业、教育和社区项目，提供从可行性研究、总体规划到施工管理的全流程服务。设计团队包括迈克尔·杰尔马诺、拉娜·希利等经验丰富的建筑师，他们在不同类型和规模的项目中积累了丰富的实践经验。 BENT Architecture的设计理念建立在三个支柱之上：人、环境和愉悦。他们认为建筑首先要服务于使用者，创造健康舒适的生活空间；其次要尊重环境，采用被动式设计原则减少能源消耗；最后，好的建筑应该带来惊喜和快乐，而不是枯燥乏味。 这种理念在他们的项目中得到了充分体现。从独栋住宅到社会保障房，从办公空间到屋顶花园，每个项目都力图在功能需求、环境责任和设计创新之间找到平衡点。事务所相信，通过对场地的深入理解和与客户的充分沟通，可以创造出既实用又富有表现力的建筑。 BENT Architecture的作品获得了广泛认可。2023年，埃利扎山住宅获得澳大利亚设计奖金奖；2018年，凤凰屋顶花园项目获得可持续发展奖；2017年，商业与艺术地下室项目获得伦敦设计奖金奖。除此之外，事务所还赢得了两项开放式设计竞赛，包括"成长中"绿色屋顶和"生活场所郊区复兴"公共住房项目。 值得一提的是，BENT这个名字来自梅兰的祖父乔治·"巴泽"·本特。他是一位自行车冠军选手，曾入选澳大利亚奥运代表队，至今仍保持着布伦瑞克的自行车纪录。这个家族姓氏后来成为事务所探索建筑可能性的载体，代表着一种质疑常规、追求独特的设计态度。 设计团队 旅游探访 472 m² 澳大利亚，普伦蒂 2025 Previous Next

< 返回 轻井泽“墙屋” nendo 设计特色： 日本设计团队nendo将其建筑创意带到了长野县轻井泽镇的一处狭长三角形地块，创造了"墙之屋"。面对来自邻近道路的视线以及如何欣赏周围郁郁葱葱的环境的双重挑战，设计师们构思出一个绝妙的"过滤"解决方案：一系列倾斜的混凝土块砌墙。这些墙由约2050块使用吸收二氧化碳的"CO2-SUICOM®"混凝土砌块建造而成，呈五行并列的排布方式穿插在110米长的地块上。生活空间巧妙地嵌入这些墙与墙之间的缝隙，视线则通过每个3度角的调整来精心控制。在只有单列墙的区域，视线是单向的，而在双列重叠的区域，由于砌块的对齐或错位，会产生透明和封闭感的动态变化。卧室和浴室遮蔽以确保隐私，而生活区则拥有对周边景致适度开放的感受。这座建筑是一个运用实体和空隙营造视觉渗透性的开创性实验。nendo凭借这些独特的"过滤墙"打造出一座启发性居所，在那里，开阔视野与隐蔽庇护完美共存。 Nendo brings its architectural ingenuity to a narrow triangular site in Karuizawa, Nagano with the "Wall House." Faced with the challenge of blocking views from the adjacent road while still enjoying the verdant surroundings, the designers conceived a brilliant "filter" solution - a series of angled concrete block walls. The walls, constructed from approximately 2,050 blocks using CO2-absorbing "CO2-SUICOM®" concrete, are arrayed in five parallel rows across the 110-meter site. The living spaces are cleverly tucked into the gaps between these walls, with sightlines carefully controlled by adjusting the angle of each block in 3-degree increments. In areas with a single wall, views are unidirectional, while overlapping double walls create a dynamic play of transparency and enclosure depending on the alignment of the blocks. Bedrooms and bathrooms are shielded for privacy, while living areas enjoy a calibrated sense of openness to the landscape. The resulting architecture is a pioneering experiment in cultivating visual permeability through mass and void. Nendo has crafted an inspired residence where prospect and refuge seamlessly coexist behind the smart screening of these remarkable "filter walls." 设计团队： 由日本建筑师Oki Sato于2002年创立的nendo设计工作室，迅速成为当今最具影响力的设计公司之一。以Oki Sato为首席设计师，这家总部设在东京和米兰的工作室雇佣了逾40名设计师。nendo以人为本的设计理念造就了概念创新与功能精准并重的作品。他们擅长巧妙操纵材料、形式和比例，重新诠释视觉期待，设计风格极具识别度。这种对细节的敏锐把控体现在他们跨建筑、室内外设计、产品设计、家具乃至装置等多元化的作品中。凭借可圈可点的创意和丰富多样的经典作品，nendo在国际上也获得诸多奖项，其是唯一一个同时获得"Wallpaper*年度最佳设计师"、ELLE DECO"年度最佳设计师"、Maison&Objet"年度最佳设计师"和Interior Design"年度最佳设计"四大年度大奖的工作室。他们革新性的设计作品还赢得了30多个其他著名奖项。汲取了建筑到雕塑等多领域的影响，nendo不断拓展新的创作空间，这个多学科设计团队创作出令人惊叹、获益和灵感的非凡设计。 Established in 2002 by Oki Sato, nendo has rapidly ascended as one of the most influential and awarded design firms. Led by Chief Designer Sato and Managing Directors Akihiro Ito and Takaaki Hama, the Tokyo and Milan-based practice employs over 40 designers across numerous disciplines. nendo's human-centred approach results in designs that are conceptually innovative and functionally precise. With a distinctive flair for playing with visual perception, their work reinterprets the expected through clever manipulations of material, form, and scale. This sensitive mastery is evident across their diverse portfolio spanning architecture, interior design, product design, furniture, and installations. The firm's prolific output and consistent ingenuity have earned nendo widespread international acclaim. They are the only design studio to be awarded all four top annual design prizes - the Wallpaper* "Designer of the Year," ELLE DECO "Designer of the Year," Maison&Objet "Designer of the Year," and the Interior Design "Best of Year." Their pioneering designs have also received over 30 other prestigious awards. With influences ranging from architecture to sculpture, nendo continues exploring new creative territories. Under Sato's visionary leadership, this exceptional multidisciplinary team crafts designs that surprise, delight, and inspire. 设计团队 旅游探访 70.74 ㎡ 日本，轻井泽 2023年 Previous Next

< 返回 欧艾拉斯住宅 OODA 项目名称： Oeiras House 地点： 欧艾拉斯，葡萄牙 设计团队： OODA 项目面积： 350㎡ 竣工时间： 2024年 景观设计： p4 Engineering Tekk, A3R Lda 工程设计： TEKK, A3R Lda 摄影： Fernando Guerra | FG+SG 设计特色： 项目 – 在葡萄牙欧艾拉斯(Oeiras)，OODA建筑事务所最新的住宅项目展现了地形与建筑创新的完美融合。这座建于2024年、面积350平方米的欧艾拉斯住宅，充分展示了如何将具有挑战性的场地条件转化为非凡的设计机遇。 该项目最引人注目的特征是其中心空间——一个调节庭院，既作为住宅的核心，又能巧妙地分配功能空间。建筑师没有与场地的显著坡度对抗，而是充分利用它，创造了一个半地下入口。通过一个兼具景观功能的水池，为地下空间引入自然光线和倒影，戏剧性地展现建筑形态。 房屋的构成特别之处在于其围绕中心虚空的三面布局，其中社交空间和私密空间通过透明的连接元素统一起来。这种透明性在关键节点处营造出空灵的质感，在入口处尤为明显。建筑体量同时呈现出深深扎根于斜坡却又仿佛漂浮的效果，让自然景观能够在室外和室内空间之间无缝流动。 这个设计最具创新性的方面可能是屋顶的处理方式。屋顶不仅仅是简单的覆盖物，而是转变为一个可进入的斜面，延伸了住宅的叙事性和功能性。横截面中的对角交叉动线为建筑的水平强调创造了动态对比，而建筑外表皮不同程度的透明度则强化了建筑师对统一建筑体验的设计愿景。 OODA的设计将本可能成为场地限制的因素转化为项目的定义特征，展示了当代住宅建筑如何既能够进行改造又能保持稳定性，在与自然环境对话的同时为其环境增添实质性的品质。 团队 – OODA是一家充满活力的建筑事务所，成立于2010年的葡萄牙波尔图。通过其创新的设计方法和国际化视野，已在当代建筑领域崭露头角。该事务所由Diogo Brito和Rodrigo Vilas-Boas共同创立，他们将各自在伦敦和鹿特丹积累的国际经验相结合，打造出一个能够融合本土敏感性与全球设计思维的实践平台。 事务所的领导层经过战略性扩张，2011年Francisco Lencastre加入，随后在2018年João Jesus和Julião Pinto Leite的加入，形成了现今稳健的五人合伙人架构。这种协作式领导推动OODA的项目组合涵盖了广泛的类型，从定制住宅项目到大型城市干预和机构建筑。 OODA目前在马托西纽什和里斯本设有双总部，培养了一支由来自不同国籍的50多名专业人士组成的多元化团队，营造了丰富的跨文化设计对话。事务所在14年间横跨四大洲完成了超过100个项目的作品集，展现了他们在建筑规划和尺度处理上的多样性。他们的作品以对场地融入、构造表达和功能创新的深刻理解为特征，在推动当代建筑话语边界的同时，始终保持着与地域建筑传统的紧密联系。 Project Name: Oeiras House Location: Oeiras, Portugal Design Team: OODA Project Area: 350㎡ Completion: 2024 Landscape Design: p4 Engineering Tekk, A3R Lda Engineering: TEKK, A3R Lda Photography: Fernando Guerra | FG+SG Feature： Project - In a masterful interplay of topography and architectural innovation, OODA's latest residential project in Oeiras, Portugal, emerges as a compelling study in harmonizing built form with natural terrain. The 350-square-metre Oeiras House, completed in 2024, demonstrates how challenging site conditions can be transformed into extraordinary design opportunities. The project's most striking feature is its central void – a regulating patio that serves as both the heart of the home and a sophisticated distribution mechanism for the program. Rather than struggling against the site's significant slope, the architects have embraced it, creating a half-buried entrance that dramatically reveals itself through a water feature that doubles as a scenic pool, introducing natural light and reflection into the subterranean space. The house's composition is particularly noteworthy for its three-sided arrangement around the central void, where social and private spaces are unified through transparent interconnecting elements. This transparency creates an ethereal quality where the architecture appears to dematerialize at key junctures, most notably at the entrance. The building mass simultaneously appears to be both deeply anchored to the slope and floating, allowing the natural landscape to flow seamlessly between exterior and interior spaces. Perhaps the most innovative aspect of the design is the treatment of the roof. Far from being a simple covering, it becomes an accessible, sloping plane that extends the house's narrative and functionality. The diagonal cross-movements animated in the transversal section create a dynamic contrast to the structure's horizontal emphasis, while varying degrees of transparency throughout the building envelope reinforce the architect's vision of a total, unified architectural experience. OODA's intervention transforms what could have been a challenging site constraint into the project's defining feature, demonstrating how contemporary residential architecture can be both transformative and stabilizing, adding tangible quality to its context while maintaining a dialogue with the natural environment. Design Team - OODA, a dynamic architectural practice founded in 2010 in Porto, Portugal, has emerged as a significant force in contemporary architecture through its innovative approach to design and international perspective. The firm was established by Diogo Brito and Rodrigo Vilas-Boas, who brought together their diverse international experiences from London and Rotterdam, creating a practice that bridges local sensibilities with global design thinking. The practice's leadership expanded strategically over the years, with Francisco Lencastre joining in 2011, followed by João Jesus and Julião Pinto Leite in 2018, forming a robust five-partner structure. This collaborative leadership has driven OODA's portfolio to encompass a remarkable range of typologies, from bespoke residential projects to large-scale urban interventions and institutional complexes. Operating from dual headquarters in Matosinhos and Lisbon, OODA has cultivated a diverse team of over 50 professionals from various nationalities, fostering a rich cross-cultural design dialogue. The firm's portfolio, spanning four continents and encompassing over 100 projects in 14 years, demonstrates their versatility in architectural programming and scale. Their work is characterized by a sophisticated understanding of contextual integration, tectonic expression, and programmatic innovation, consistently pushing the boundaries of contemporary architectural discourse while maintaining a strong connection to regional architectural traditions. 设计团队 旅游探访 350 m² 欧艾拉斯，葡萄牙 2024 Previous Next

< 返回 伊甸园怡人之家 Wallflower Architecture + Design 设计特色： 项目 – 在新加坡植物园葱郁翠绿氛围中，这栋引人注目的“伊甸园怡人之家”完美地将自然元素融入建筑设计。Wallflower Architecture + Design事务所构思的这栋1374平方米的宅邸，透过全落地玻璃窗完全消解室内外界限，沉浸在热带雨林的宁静氛围中。项目战略性设置在高处，环绕树冠景观的隐秘空间营造出一片静谧。室内光影的变幻纷呈，穿过郁郁葱葱的树冠滤下的阳光为空间笼罩上金色的光晕。大自然的气息无处不在——藤蔓蜿蜒游走于外立面，院子里绽放出精心规划的花园。这座住宅谐调城市生活与自然环境，提供灵域般的避世场所。环绕在热带翠绿中的静思空间滋养创造力，覆盖在参天植被下的独特外立面与植物园历史意蕴的建筑互相呼应。在设计团队和业主的合作下，它巧妙地融合当代奢华与生物群落的理念。这个感官避难所尽享大自然慈爱的怀抱，是城市中一个“神奇的圣地”。 团队 – 来自新加坡的Wallflower Architecture + Design建筑设计事务所由Tan Chai Chong Robin和Cecil Chee于1999年共同创立，多年来汇聚了商业和住宅项目的丰富经验。早在成立之初，新加坡信息传播与艺术部就已将其认定为设计行业的领先者。Wallflower提供全方位的设计服务，涵盖建筑、室内、照明和家具等。从私人住宅到多功能综合体，Wallflower设计的作品为每个项目提供定制解决方案。他们的设计理念是从必要性中提炼创新精华，相信智慧和美是密不可分的。Wallflower巧妙地将城市环境与自然光和绿化融为一体，其屡获殊荣的作品丰富了人性的精神世界。 Feature： Project - Nestled in Singapore's lush Botanic Gardens, the striking Touching Eden House seamlessly integrates nature into its design. Conceived by Wallflower Architecture + Design, the residence embraces the tranquility of its rainforest surroundings with floor-to-ceiling windows that dissolve boundaries between interior and exterior. Strategically elevated sanctuaries positioned to embrace panoramic treetop views establish an atmosphere of calm. The interplay of light and shadow permeates the interior, bathing the space in the golden glow of sunlight filtered through a leafy canopy. Nature asserts its presence at every turn - vines cascade down the façade while the grounds host meticulously landscaped gardens. Evoking harmony between urban living and the natural environment, Touching Eden House provides an ethereal retreat from city life. Its contemplative spaces nurture creativity amid lush tropical greenery. The expressive exterior cloaked in vegetation establishes a symbiotic dialogue with the Botanic Gardens' heritage. Conscientiously crafted by teams of specialists overseen by the visionary owner, Touching Eden House masterfully blends contemporary luxury with biophilic sensibilities. A respite for the senses, this sanctuary in the city marvels in the beauty of nature's all-encompassing embrace. Design Team - Founded in 1999 by Tan Chai Chong Robin and Cecil Chee, Wallflower Architecture + Design brings extensive experience across commercial and residential projects. Recognized early on by Singapore's Ministry of Information, Communication and the Arts as an industry leader, Wallflower offers comprehensive design encompassing architecture, interiors, lighting and furnishings. Spanning private residences to mixed-use developments, Wallflower's portfolio reveals creative solutions tailored to each project. Their design philosophy distills innovative virtue out of necessity, believing intelligence and beauty are inextricable. Seamlessly fusing urban environments with natural light and greenery, Wallflower's award-winning work enriches the human spirit. 设计团队 旅游探访 1374 m² 新加坡 武吉知马 2023 Previous Next

< 返回 卡尔德花园 赫尔佐格与德梅隆建筑事务所 项目名称：Calder Gardens 地点：费城，美国 设计团队：赫尔佐格与德梅隆建筑事务所 建筑面积：1691 m² 竣工时间：2025年 摄影：Iwan Baan 设计特色： 赫尔佐格与德梅隆建筑事务所设计的"Calder Gardens"（卡尔德花园）展现了如何通过革命性的博物馆类型学策略和精妙的地景建筑融合技术，将费城本杰明·富兰克林公园大道上一块69325平方英尺的城市边缘地块转化为充满沉思性的艺术体验建筑。 这座1691平方米的文化建筑戏剧性地坐落在费城的文化走廊中，呈现为对传统博物馆建筑类型、城市景观整合和当代美国文化建筑融合的深刻探索。它没有采用纪念性的建筑语言，而是通过精心的地景策略，创造出一个将艺术展示与自然体验无缝交织的文化环境。 该项目最独特的设计特色在于其"隐形"建筑策略——从街道层面看去，建筑以花园的形态呈现，通过锥形金属墙体和公共草甸花园的组合，将参观者逐步引导至地下的画廊空间。这种渐进式空间体验将建筑从传统的文化机构转变为多层次的艺术朝圣之地，动态响应不同的观展需求和冥想体验。 赫尔佐格与德梅隆的设计语言流利地表达着建筑与景观的对话，运用大型圆形平台作为中心元素，既在地面形成公共广场，又为地下画廊提供庇护。下沉花园和痕迹花园这两个对比鲜明的外部空间被雕刻进大地，既为亚历山大·卡尔德的雕塑作品提供受保护的展示环境，又将自然光线引入地下深处。这种大胆的地景重新诠释不仅增加了空间的诗意和文化深度，同时巧妙地将建筑锚定在费城的艺术遗产之中。 建筑师通过垂直组织和空间序列的巧妙操控在不同功能层次间创造多元体验。从木质内衬的入口大厅开始，参观者下降至高速公路画廊夹层，通过长窗框景城市景观，然后进入光线充足的开放式画廊，最终到达内省式的曲线画廊，每个空间都为观赏卡尔德多面向的艺术作品提供独特的视角和氛围。 材料策略延续了这种建筑与景观无缝融合的设计理念。锥形金属墙体与黑化木材外壳形成对比，混凝土基础墙面与木质内饰元素共同营造出既现代又温馨的展示环境。艺术般的材料运用为参观者创造沉浸式感官体验，每个设计元素都承载着场地记忆、艺术传承和深层文化特色。 设计团队 - 赫尔佐格与德梅隆建筑事务所成立于1978年，总部位于瑞士巴塞尔，现已发展为全球最具影响力的建筑设计机构之一，由创始合伙人雅克·赫尔佐格和皮埃尔·德梅隆领导。这家国际知名事务所拥有来自50个国家的500多名专业人士，充分体现了其对全球合作和跨文化设计卓越性的承诺。 该事务所的设计理念超越了传统建筑边界，承担着通过创新空间解决方案应对当代社会挑战的责任。凭借遍布40个国家的600多个项目经验，赫尔佐格与德梅隆始终提供与场地条件、文化语境和功能需求深度契合的定制化建筑回应。 该事务所因其将材料创新与空间体验结合的承诺而获得认可，项目负责合伙人杰森·弗兰岑领导的团队包括项目总监奥雷利安·卡埃塔诺和梅赫迈特·诺扬，以及来自巴塞尔总部的跨学科专家团队。这种国际经验与本地专业知识的结合，使赫尔佐格与德梅隆在全球建筑景观中占据独特地位。 该事务所的设计哲学强调建筑应该通过创新的类型学研究超越表面形式——不仅仅是为了视觉冲击而设计，更是为了与社会文化需求和场地特定条件有机响应。通过可持续设计策略和跨学科协作方法，开展从文化建筑到城市规划的多元化项目，相信最好的建筑是通过对有形和无形语境因素的综合分析产生的精确干预。赫尔佐格与德梅隆相信建筑应该成为文化身份和社会意识的载体，通过策略性的空间组织和创新材料运用创造具有场所感的建筑体验。 除实践外，该事务所通过与全球顶级专业顾问的紧密合作保持着强有力的技术整合，包括结构工程师盖伊·诺登森事务所、景观设计师皮特·奥多夫等。通过对先进建造技术与人文设计理念的深思熟虑结合、创新材料的突破性运用，以及对建筑文化传承的深刻理解，赫尔佐格与德梅隆已确立自己作为当代国际建筑话语重要贡献者的地位，创造出既具创新性又拥抱深层文化内涵的建筑作品。该事务所已获得众多国际认可，包括普利兹克建筑奖（2001年）、英国皇家建筑师学会皇家金奖（2007年）、高松宫殿下纪念世界文化奖（2007年）以及路易斯·卡恩奖（2023年）等权威荣誉。 设计团队 旅游探访 1691 m² 费城，美国 2025 Previous Next

< 返回 广州美国人外籍人员子女学校 Perkins&Will 设计特色： 项目 – 这座由 Perkins&Will 设计的广州美国人外籍人员子女学校校区扩建项目，重新 定义了未来学习环境的理念。作为 1981 年中国南方第一所这类国际学校，其 38823 平 方米的全新校园在开拓者的基础上搭建了一流的教育设施。设计的亮点是动态课堂， 它们设有可折叠隔断和模块化家具，无缝切换协作项目与独立学习的空间形态。活动 隔墙使课室可延伸至走廊区域，将其改造为分组学习的突破性空间，激发师生探索创 意的广阔视野。校园核心是一个采光优异的中庭区，它兼具多媒体图书馆的功能，配 备录音室、讨论区和数字媒体工作室，营造跨学科创新学习的理念氛围。连接学术、 艺术文化、运动娱乐三大区域的天桥，通过其透明玻璃借景临近荔枝林的自然风貌。 项目注重可持续性，充分复用现有基础框架以减少碳足迹。屋顶运动场所提供优良隔 热，当地植被、透水地面和原有树木巩固了环境的弹性。分阶段的翻新策略使校园内 学生的学习在施工期间得以持续，展现了这所 21 世纪国际教育设施杰作的卓越智慧。 团队 – Perkins&Will 建筑设计公司由 Lawrence Perkins 和 Philip Will Jr.于 1935 年在芝 加哥创立，如今已成为全球建筑界的翘楚。自 2006 年以来，公司一直由首席执行官 Phil Harrison 领导，旗下拥有逾 2500 名专业人士，分布于全球 28 个办公室。2022 年 Perkins&Will 创收 5.7 亿美元，稳居美国第二大建筑设计公司。该公司因其创新和可持 续设计而赢得了广泛赞誉，拥有比任何其他北美建筑设计事务所更多的 LEED 认证专业 人士。获得 LEED 铂金认证的 Dockside Green Phase II 综合体和 VanDusen 植物园游 客中心等开创性项目，彰显了公司在环保建筑方面的杰出造诣。涉足教育、商业、医 疗和公共等多个领域，这家跨领域建筑设计巨头不断突破建筑界限，代表作包括波音 国际总部大楼和普利司通大厦等，展现了公司在创作贴合当地语境、技术先进的建筑 杰作方面的非凡能力，推动了建筑语言的新高度。 Feature： Project - Redefining the future of learning environments, the newly reconstructed and expanded American International School of Guangzhou Science Park Campus by Perkins&Will offers a forward-thinking interdisciplinary space tailored for diverse learning styles. As the first international school of its kind established in southern China in 1981, the revamped 38,823 square meter campus builds upon its pioneering legacy with world-class educational facilities. The standout design features dynamic classrooms with folding partitions and modular furnishings that enable easy adaptation from collaborative projects to independent study sessions. Retractable walls allow classrooms to expand into corridor areas, transforming them into breakout spaces that empower teachers and students to explore creative horizons through a wide range of learning experiences. At the heart of the campus lies a luminous atrium that doubles as a multimedia library hub equipped with recording studios, discussion areas, and digital media suites - fostering an innovative atmosphere of interdisciplinary learning. A skyway bridge with transparent glass walls connects the academic, arts/culture, and athletics/recreation clusters while framing views of the adjacent lychee forest. Sustainability was paramount, with much of the existing infrastructure reused to reduce carbon footprint. The rooftop recreation areas provide robust insulation, while native vegetation, permeable paving, and preserved trees enhance environmental resilience. A phased renovation strategy ensured uninterrupted learning during construction on this ingenious campus that epitomizes 21st century international education. Design Team - Founded in 1935 in Chicago by Lawrence Perkins and Philip Will Jr., Perkins&Will has emerged as a global powerhouse in the architectural realm. Led by CEO Phil Harrison since 2006, the multidisciplinary practice boasts a workforce exceeding 2,500 professionals across 28 offices worldwide. In 2022, Perkins&Will's revenue of $572.47 million solidified its position as the second-largest architecture firm in the United States. The firm has garnered widespread acclaim for its innovative and sustainable designs, claiming more LEED-accredited professionals than any other North American practice. Pioneering projects like the LEED Platinum Dockside Green Phase Two complex and the VanDusen Botanical Garden Visitor Centre exemplify Perkins&Will's expertise in environmentally conscious architecture. With a rich portfolio spanning educational, commercial, healthcare, and civic typologies, the multidisciplinary giant continues to push boundaries. Notable works include the iconic Crow Island School, the Boeing International Headquarters, and Bridgestone Tower, showcasing the firm's prowess in crafting contextually responsive and technically advanced built environments that redefine the architectural discourse. 设计团队 旅游探访 38823 m² 中国，广州 2024年 Previous Next

< 返回 六柱住宅 31/44 Architects 项目名称：六柱住宅 地点：伦敦，英国 设计团队：31/44 Architects 建筑面积：1640 m² 完工时间：2024年 摄影师：Nick Dearden 结构工程：Price & Myers 主要承包商：Altlant Construction 景观建筑：Aarde 设计特色： 项目 - 坐落在伦敦水晶宫郊区的绿树成荫之地，六柱住宅由31/44 Architects所精心打造，成为挑战传统住宅建筑的建筑设计杰作。荣获2024年英国皇家建筑师协会年度最佳住宅，这座为建筑师事务所创始人精心定制的家，是建筑智慧的见证，巧妙融合了个人叙事、场地呼应与前瞻性可持续设计。 由事务所创始人威尔·伯格斯为自己的家庭设计，这座住宅彻底颠覆了静态住宅设计的刻板印象。选址于一块此前未开发的边角花园，建筑以非凡的优雅姿态穿梭于复杂的场地约束中——甚至精心保护了一棵受保护的梧桐树。其创新的体量在梯形场地上扭转、跳跃，创造出一个动态的建筑形态，既尊重周边环境，又服务于更广阔的城市肌理。 项目的设计理念堪称革命性：将住宅视为一个"未完成"的有机体，能够随居住者的生活需求而不断演变。这一理念通过精心选择的材料和空间布局得到充分体现。裸露的木材、未上漆的松木细木工和野性的水泥板、喷漆砖块共同营造出一个原始而灵活的内部空间景观，摒弃了传统的装饰处理。 可持续性深深嵌入项目的基因。全电力驱动，依靠空气源热泵供能，该住宅每年仅产生1.78吨二氧化碳排放，是相对于传统住宅的极大进步。在结构创新上，通过避免混凝土桩基础，改用钢螺旋桩，建筑师们进一步彰显了他们对减少环境影响的坚持。 以六根标志性立柱为特征，融汇战后加州案例研究住宅与勒·柯布西耶早期现代主义的折衷风格，六柱住宅已不仅仅是一处庇护所，更成为当代建筑可能性的生动宣言。 团队 – 在当代建筑实践的动态景观中，31/44建筑事务所作为语境创新设计的典范，正在挑战城市建筑干预的传统边界。由威尔·伯格斯和斯蒂芬·戴维斯于2010年创立的这家位于伦敦的事务所，以其细致入微的方法而闻名，这种方法精确地将新的建筑干预融入现有的城市肌理。 怀着对场所营造的哲学承诺，31/44超越了单纯的建筑设计，精心编织能够深入共鸣历史、文化和空间语境的建筑叙事。他们的作品展现了对建筑形态学的复杂理解，每一个项目都成为对周边环境深思熟虑的贡献。 该事务所获得的国际认可——包括诸如英国皇家建筑师协会国家奖等荣誉——凸显了他们的设计卓越性。他们的作品在从伦敦到柏林的欧洲文化之都中备受赞誉，反映出一种兼具本地敏感性和全球影响力的设计语言。 由具有多元学术和专业背景的注册建筑师组成的跨学科团队领导，31/44以超越物理构建的智性严谨运作。通过在金斯顿艺术学院的教学工作室，他们确保理论探索与实践建筑实施之间保持持续对话。 最近荣获2024年英国皇家建筑师协会年度最佳住宅的六柱住宅，完美诠释了他们的设计理念——证明了他们将限制转化为建筑机遇的能力，创造出既具创新性、又可持续，同时深刻契合语境的空间。 Project Name: Six Columns House Location: London, United Kingdom Design Team: 31/44 Architects Building Area: 1,640 m² Completion Year: 2024 Photographer: Nick Dearden Special Honor: 2024 RIBA House of the Year Lead Designer: Will Burges Structural Engineering: Price & Myers Main Contractor: Altlant Construction Landscape Architecture: Aarde Feature： Project - Nestled in the leafy suburbs of Crystal Palace, London, the Six Columns House by 31/44 Architects emerges as a masterclass in adaptive, thoughtful design that challenges conventional residential architecture. Named RIBA House of the Year 2024, this bespoke family home is a testament to architectural ingenuity, seamlessly blending personal narrative, contextual sensitivity, and forward-thinking sustainability. Conceived by practice founder Will Burges for his own family, the house is a deliberate departure from static residential design. Situated on a previously undeveloped side garden, the structure navigates complex site constraints—including a protected sycamore tree—with remarkable grace. Its innovative form twists and steps across a trapezoidal plot, creating a dynamic architectural volume that respects both its immediate context and broader urban fabric. The project's design philosophy is revolutionary: a home conceived as an "unfinished" entity, capable of evolving with its inhabitants' changing needs. This approach is manifest in the carefully considered materiality and spatial arrangement. Exposed timber, unpainted pine joinery, and a brutalist palette of spruce paneling and painted brick create a raw, adaptable interior landscape that eschews traditional finish treatments. Sustainability is deeply embedded in the project's DNA. Fully electric and powered by an air-source heat pump, the house produces just 1.78 tonnes of CO2 annually—a fraction of a standard home's carbon footprint. Structural innovations, such as avoiding concrete-piled foundations and using steel screw piles, further demonstrate the architects' commitment to minimizing environmental impact. With its six defining columns and eclectic architectural references—from post-war California Case Study Houses to Le Corbusier's early modern joinery—the Six Columns House transcends mere shelter, becoming a living manifesto of contemporary architectural possibility. Design Team - In the dynamic landscape of contemporary architectural practice, 31/44 Architects emerges as a paradigm of contextual and innovative design, challenging conventional boundaries of urban architectural intervention. Founded in 2010 by Will Burges and Stephen Davies, the London-based practice has distinguished itself through a nuanced approach that meticulously integrates new architectural interventions within existing urban fabrics. With a philosophical commitment to place-making, 31/44 transcends mere building design, crafting architectural narratives that deeply resonate with historical, cultural, and spatial contexts. Their portfolio demonstrates a sophisticated understanding of architectural morphology, where each project becomes a deliberate, considerate contribution to its surrounding environment. The practice's international recognition—including prestigious accolades such as the Manser Medal and RIBA National Awards—underscores their design excellence. Their work has been celebrated across major European cultural capitals, from London to Berlin, reflecting a design language that is both locally sensitive and globally compelling. Led by a multidisciplinary team of chartered architects with diverse academic and professional backgrounds, 31/44 operates with an intellectual rigor that extends beyond physical construction. Their engagement with academic institutions, particularly through teaching studios at Kingston School of Art, ensures a continuous dialogue between theoretical exploration and practical architectural implementation. The Six Columns House, recently crowned RIBA House of the Year 2024, epitomizes their design philosophy—a testament to their ability to transform constraints into architectural opportunities, creating spaces that are simultaneously innovative, sustainable, and profoundly contextual. 设计团队 旅游探访 1640 m² 伦敦，英国 2024 Previous Next

< 返回 Meander 住宅 Steven Holl Architects 项目名称：Meander住宅 地点：芬兰，赫尔辛基 建筑师：Steven Holl建筑事务所 面积：8886平方米 竣工年份：2024年 摄影：Kuvatoimisto Kuvio Oy, Jenny Kallio 设计特色： 项目 – Steven Holl建筑事务所在赫尔辛基文化区Taka-Töölö推出了"Meander"项目，通过其独特的蜿蜒形态重新定义了当代城市生活。这座建于2024年完工的8886平方米住宅项目包含115套独特公寓，沿着180米长的蜿蜒结构展开，建筑高度在二层到七层之间变化。 建筑最引人注目的特征是其对空间的概念性处理，蛇形建筑创造出一系列精心编排的花园和公共区域。立面设计灵感来自"玻璃瓶中的木船"这一诗意意象，通过承重混凝土墙和水平铰接玻璃板的精妙组合实现。建筑外观采用当地芬兰云杉木材，用于外部包覆、阳台和窗户，进一步强化了这一建筑表达。 项目在环境性能方面表现卓越，配备十六口地热井用于供暖制冷，并在整栋建筑中采用辐射地板系统。大面积绿色屋顶、太阳能阵列和雨水收集系统展现了全面的可持续发展策略。室内空间特点是高窗和私人阳台，提供波罗的海地平线或赫斯珀利安公园的景观视野。 Meander项目的与众不同之处在于其对细节的关注和对艺术整合的承诺。定制元素包括门把手、灯具，甚至铸造的狗碗都呼应着建筑的蜿蜒形态。项目还特别邀请芬兰视觉艺术家Fanny Tavastila为每位住户的家和公共区域创作独特艺术品，建立起建筑与艺术之间的无缝对话。 团队 – Steven Holl建筑事务所成立于1977年纽约，现已发展成为一家在纽约、哈德逊谷和北京设有办公室的国际知名建筑事务所。在Steven Holl与合伙人Noah Yaffe、Roberto Bannura、Dimitra Tsachrelia和Olaf Schmidt的领导下，事务所通过其对空间和光线的概念性处理方式，持续推动着建筑创新的边界。 事务所以其现象学建筑方法著称，每个项目都从其特定环境和功能需求出发，创造独特的空间体验。他们的作品组合涵盖从文化机构到教育设施等多个领域，标志性项目包括赫尔辛基当代艺术博物馆（1998年）和最近完成的上海中粮文化健康中心。 事务所的设计理念强调将可持续技术与前瞻性城市主义相结合。他们对环境管理的承诺体现在对自然光的创新运用、精良的材料选择和先进的建筑系统中。这种方法为他们赢得了众多声望显赫的奖项，包括美国建筑师协会金奖（2012年）和日本高松宫殿下世界文化奖（2014年），确立了他们在诗意建筑表达与环境责任相结合方面的先驱地位。 Project Name: Meander Residence Location: Helsinki, Finland Architects: Steven Holl Architects Area: 8886 m² Year: 2024 Photographs: Kuvatoimisto Kuvio Oy, Jenny Kallio Feature： Project - Steven Holl Architects has unveiled Meander, an innovative residential development in Helsinki's cultural district Taka-Töölö that redefines contemporary urban living through its distinctive serpentine form. The 8,886-square-meter project, completed in 2024, features 115 unique apartments arranged along a 180-meter meandering structure that varies in height from two to seven floors. The building's most striking feature is its conceptual approach to void spaces, where the serpentine form creates a series of carefully orchestrated gardens and communal areas. The facade design evokes the poetic image of a wooden ship inside a glass bottle, achieved through a sophisticated combination of load-bearing concrete walls and horizontally hinged glass panels. This architectural expression is further enhanced by the use of locally sourced Finnish spruce for exterior cladding, balconies, and windows. The project excels in its environmental performance, incorporating sixteen geothermal wells for heating and cooling, alongside radiant floor systems throughout. The extensive green roof, solar array, and rainwater collection systems demonstrate a comprehensive approach to sustainability. Interior spaces are characterized by high windows and private balconies offering views toward either the Baltic Sea horizon or Hesperianpuisto Park. What sets Meander apart is its attention to detail and commitment to artistic integration. Custom elements including door handles, light fixtures, and even cast dog bowls echo the building's meandering form. The project also features unique artworks by Finnish visual artist Fanny Tavastila, created specifically for each resident's home and common areas, establishing a seamless dialogue between architecture and art. Design Team - Steven Holl Architects, established in 1977 in New York City, has evolved into a globally renowned architecture practice with offices in New York, Hudson Valley, and Beijing. Under the leadership of Steven Holl and partners Noah Yaffe, Roberto Bannura, Dimitra Tsachrelia, and Olaf Schmidt, the firm has consistently pushed the boundaries of architectural innovation through its conceptual approach to space and light. The practice is distinguished by its phenomenological approach to architecture, where each project emerges from its specific context and program to create unique spatial experiences. Their portfolio spans from cultural institutions to educational facilities, with landmark projects including the Kiasma Museum of Contemporary Art in Helsinki (1998) and the recent Cofco Cultural and Health Center in Shanghai. The firm's design philosophy emphasizes the integration of sustainable technologies with forward-thinking urbanism. Their commitment to environmental stewardship is evident in their innovative use of natural light, sophisticated material selections, and advanced building systems. This approach has earned them numerous prestigious accolades, including the AIA Gold Medal (2012) and the Praemium Imperiale Award (2014), establishing their position as pioneers in combining poetic architectural expression with environmental responsibility. 设计团队 旅游探访 8886 m² 芬兰，赫尔辛基 2024 Previous Next

< 返回 奥尔哈尔之家 Tati Tavares + Alex Dalcin 设计特色： 项目 – 这座位于巴西戈亚尼亚的引人注目的“奥尔哈尔之家”，通过精心设计融合室内外优美的景色，同时营造宜人的室内温度，避开猛烈的日晒。该住宅为一对刚组建新家庭的社交型夫妇设计，充分利用角落地块来满足家庭成员聚会和分享生活的需求。开放式布局贯通起居室、餐厅和室外露台，家中最核心的聚焦点就是框景住宅外城市风光的落地窗。二楼主卧也通过可调节的木板百叶和通高玻璃墙尽享无敌全景。被动式太阳能策略塑造这座住宅的形式，深檐和垂直遮阳板减轻西面外墙日晒，而天窗则引日光深入到起居区的室内核心。高度调整后的吊顶隐藏了送风管道，中央空调让室内温度舒适。与此同时，这座别墅干净利落的线条和舒适的材料配色营造宁静氛围，与风景宜人的环境相得益彰。 团队 – Tati Tavares + Alex Dalcin Arquitetura由合伙人Tati Tavares和Alex Dalcin在巴西戈亚尼亚共同创立，致力于打造以生活品质为中心的定制化住宅和商业空间。Tati Tavares带来一种与客户保持亲密透明沟通的设计方法，深入了解并转换成设计诉求；而Alex Dalcin则汲取各种艺术表现手法的灵感，构思出切实可行的设计方案。虽然这家公司很年轻，但Tati Tavares + Alex Dalcin Arquitetura已经用其雕塑般光影充盈的设计在戈亚尼亚的设计界中树立起知名度，实现舒适性和视觉冲击的平衡。 Feature： Project - The striking Casa do Olhar in Goiânia, Brazil frames captivating views while creating a thermally comfortable oasis from the intense afternoon sun. Designed by Tati Tavares and Alex Dalcin for a social couple starting their family, the 574 sqm residence optimizes its corner plot to foster shared experiences. Strategic shading devices and operable screens allow abundant natural light without sacrificing views or overheating interiors. Floating beams and slender columns create airy double-height interiors, minimizing visual barriers between the home’s fluid spaces. The open-plan layout connects the living room, dining room and patio through the home’s focal point – a framed view of the surrounding city. Upstairs, an intimate primary suite also enjoys panoramic outlooks from behind adjustable wood slats or full-height glass. Passive solar strategies shape the home’s form. Deep overhangs and vertical brise soleil screens cut harsh western sun along the perimeter, while central skylights pull daylight into core living areas. Lowered plaster ceilings conceal ductwork for centralized cooling that keeps interiors comfortable. Through simple but clever environmental solutions, the Casa do Olhar’s contemporary form harmonizes with its context. The home’s strategic openings, clean lines and tranquil material palette create a serene setting suited to its picturesque locale. Flowing living spaces soaked in diffused light provide a soothing, inspiring backdrop for making memories. Design Team - Founded by partners Tati Tavares and Alex Dalcin, the Goiânia-based firm Tati Tavares + Alex Dalcin Arquitetura creates bespoke residential and commercial spaces centered on quality of life. Tavares brings an approach based on intimacy and transparency with clients to understand and translate aspirations, while Dalcin draws on artistic expressions to conceive tangible, viable designs. Though a young firm, Tati Tavares + Alex Dalcin Arquitetura has already made its mark on Goiânia’s design scene with sculptural, light-filled interiors that balance comfort and visual impact. 设计团队 旅游探访 574 m² 巴西 戈亚尼亚 2023 Previous Next

< 返回 法灵登路 68-86 号大楼 Sheppard Robson 设计特色： Sheppard Robson在伦敦富于活力的克拉肯维尔地区，巧妙改造了一处曾经作为多层停车场的复杂场址，创造了68-86 Farringdon Road这一大胆的综合体建筑。该项目将一家180间客房的酒店与一座写字楼完美结合，底层的零售和公共空间更为街道增添了活力。这两栋建筑虽有分隔但又巧妙相连，通过精心设计的体量分割，重新定义了此地一贯的线性城市肌理。 设计灵感源自维多利亚时期曾在此地的住宅区，一系列相互连通的凸室组合勾勒出立面轮廓。酒店北侧的高度恰到好处地与周边住宅相和谐，而向南则逐步增高以与更高大的写字楼遥相呼应。与此同时，不同的材质让两栋楼各具个性。酒店外覆以古铜色金属瓦，将慢慢风化成与邻近砖房相近的颜色;写字楼则选择了更为现代清冷的锌板作为建筑表皮。 两栋楼身的折叠式立面随着光线变化而产生动态质感。项目下方的既有地基被巧妙保留，在其上仅修建轻型钢架构，以减小噪音和振动对酒店的影响，写字楼部分则采用隔音混凝土结构。立面的阴影设计还可产生被动式的散热效果。通过这些精心设计和可持续的手段，法灵登路 68-86 号大楼不仅修复了城市肌理，更将这一老旧场址焕然一新，成为当代魅力重镇。 Sheppard Robson's 68-86 Farringdon Road marks a bold intervention revitalizing a complex, formerly car park-occupied site in London's eclectic Clerkenwell neighborhood. The mixed-use development harmoniously merges a 180-key hub by Premier Inn hotel with a speculative office building, anchored by activating ground floor retail and public spaces. The two distinct yet connected volumes deftly redefine the linear urban block through an architecturally scaled massing strategy. Taking cues from the proportions of Victorian residential blocks once situated here, a series of interconnected bays articulates the elevations. Towards the northern end, the hotel's height responds contextually to surrounding residences, while gaining stature to address larger-scale office buildings southwards. Material choices imbue each component with its own distinctive personality. The hotel's bronze-toned metal shingle cladding will naturally patina over time to relate to neighboring brick facades. Contrastingly, the office block's cooler zinc skin provides a crisp, modern counterpoint. Across both volumes, folded, sculptural facades create dynamic, transformative surfaces that respond to changing light conditions. An ingenious foundation strategy minimized embedded carbon by retaining existing groundworks, upon which lightweight steel superstructures optimized for acoustics were erected. Environmental responsiveness extends to passive cooling via strategic facade shading. Through such nuanced, sustainable interventions redefining an underutilized site, 68-86 Farringdon Road emerges as a compelling, forward-looking anchor repairing the urban fabric. 设计团队： Sheppard Robson是一家来自英国的跨领域建筑与设计机构，始于1938年由Sir Richard Sheppard和Jean Shufflebottom夫妇创立，后于上世纪50年代迎来了Geoffrey Robson作为合伙人加入。如今，这家拥有360名员工的事务所已发展成为一个不断演进的创意平台，团队由建筑师、室内设计师和总体规划师组成，在合伙人的带领下通力合作。 该事务所将设计视为一个驱动型过程，过程中蕴含着创意、技术和理念的交流。他们以人为本的方法会借助解读性互动环节，听取最终用户的心声，并据此检验和优化创新理念，力求在保留先锋精神的同时予以完善。每一个项目的实践都将促进Sheppard Robson重新思考我们的生活、工作、学习和娱乐方式，以求在有限资源的地球上实现人与自然的更好平衡。设计团队的专长包括室内设计部门ID:SR以及基础设施专家AXIS，使精湛的设计工艺得以延伸至跨领域。同时，事务所还通过社区活动和开放包容的工作室文化，积极培养下一代人才。 秉承可持续发展和回应社会需求的优良传统，Sheppard Robson一直致力于应对紧迫的全球挑战，靠协作交流的力量，谋求打造一个更为包容、资源友好的建筑环境。 Sheppard Robson is an interdisciplinary architecture and design collective founded in 1938 by Sir Richard Sheppard and Jean Shufflebottom, later joined by Geoffrey Robson as a partner in the 1950s. Today, the 360-person strong firm operates as an ever-evolving creative hub encompassing architects, interior designers, and master planners under a collaborative partnership model. The practice approaches design as a transformative process driven by creative, technical, and intellectual exchange. Their people-centric methodology engages end-users through an interpretive process to test and fine-tune pioneering ideas without compromising innovative spirit. Each project advances Sheppard Robson's mission to rethink how we live, work, learn and play in pursuit of a better human-nature balance. Key specialisms include Sheppard Robson's interior design arm ID:SR and infrastructure experts AXIS, extending the collective's design precision across disciplines. The firm is actively cultivating the next generation through community initiatives and an open studio culture that nurtures emerging talents. With a robust legacy prioritizing sustainability and societal impact, Sheppard Robson continues probing urgent global challenges. The current partnership admirably upholds the founders' vision - harnessing the power of collaborative exchange to shape a more inclusive, resource-conscious built environment. 设计团队 旅游探访 9690 ㎡ 英国，伦敦 2023年 Previous Next