< 返回 耕作之家 nevertheless / 佐河雄介建筑事务所 项目名称：耕作之家 地点：埼玉县，日本 设计团队：nevertheless / 佐河雄介建筑事务所 建筑面积：103.7 m² 竣工时间：2025年2月 摄影：Yosuke Harada 设计特色： 耕作之家由nevertheless / 佐河雄介建筑事务所设计，坐落于埼玉县一处紧邻农田的场地，展现了农业智慧与居住空间的深刻融合以及移动性生活模式的创新实践。这座103.70平方米的私人住宅以其独特的奥行式空间层次和几何学介入策略，重新定义了家庭关系演变与空间适应性的动态平衡。 该项目最引人注目的成就在于其智慧的农业类比设计策略。建筑师在农田旁长期工作的经历中观察到连作障害现象，同一作物反复种植会导致土壤养分失衡、生长受阻。这一农业原理启发了住宅的核心空间理念。佐河雄介认为人的居住与农作物栽培具有相同本质，均质空间长期使用会导致生活失衡。因此，这栋住宅并非采用同尺寸个室的平面重复，而是创造具有奥行感的空间层次，鼓励居住者随时间推移与家庭关系变化在不同居所间移动。这种策略性设计不仅优化了空间利用，更将物理限制与精神需求、功能布局以及情感体验紧密关联。 建筑叙事通过精妙的空间序列展开，展现出卓越的设计编排。住宅采用率直的轴组架构，同时在平面与断面进行数处几何学介入。屋顶以圆弧状切欠，创造出动态的天际线轮廓。这些介入手法在与畑地和土间等强烈地域语境建立关联的同时，通过极具力量感的几何形态切断某种既定关系。建筑师意图通过传统空间营造如大屋根和土间所蕴含的本质性活动，与异质几何形状的介入产生碰撞，在家族和时间维度之外，生成更为根源性的存在方式。 项目的决定性建筑元素是那创新的奥行式空间层次系统，展现出卓越的空间组织智慧。住宅通过深度方向的空间序列而非平面的反复，创造出部分与整体相互呼应的场所构成。小型居所空间依照家族关系的时间性变化而设定，居住者可以如同农作物轮作般在不同区域间迁移，维持生活的动态平衡。木造轴组工法的结构体系支撑起这一灵活布局，暴露材料原始之美，实现空间诚实性与适应性的统一。 立面处理展现了工艺精湛性。仕上材料以柳安合板为主，辅以白色、米色、粉色三色的散布配置。这些颜色通过丙烯颜料调色选定，不依照房间设定秩序，而是按照部位自由配置。因此，随着光线的摇曳，对比度时而浮现、时而淡化融合，在空间中生成细微的变奏效果。材料选择的差异化处理不仅是美学追求的策略，更成为空间叙事的重要元素，使整个住宅呈现出层次分明的质感与触觉性对话。 设计通过将建筑与农田景观相拥而非仅仅共存，在城市住宅区与自然节奏之间取得精妙平衡。窗台、笠木、厨房天板的厚度统一为60毫米，赋予手触部位以材料质感与物质量感。窗户在除窗台外的三方以5.5毫米柳安合板向外跳出40毫米，视觉上消解既成窗框，实现景观的框景效果。项目证明了深思熟虑的设计能够在紧凑场地环境中，通过策略性空间利用和创新结构应用，创造与自然节奏共生的永恒居所，同时回应家族关系的持续演变。 设计团队： nevertheless / 佐河雄介建筑事务所成立于2017年，由佐河雄介创立，是一家总部位于埼玉县所沢市的设计机构，专注于建筑设计、室内设计、家具设计以及平面设计，将场地观察灵感与空间构筑表面相平衡。主持建筑师佐河雄介秉持深度语境诠释的理念，拥有丰富的教育背景与实践经验，致力于综合传统空间原则与当代设计方法论。 在创立自己的事务所之前，佐河雄介通过在O.F.D.A.associates七年的建筑实践磨练专业技能，发展出植根于场地观察、文化延续性和空间创新性的设计理念，体现对传统空间营造的当代诠释。事务所领导团队专门提供全面的建筑服务，包括建筑设计、室内设计、家具设计和平面设计，通过挑战现状持续探索建筑的相关角色。佐河雄介同时担任日本工业大学建筑学部建筑学科非常勤讲师，在实践与教学之间保持积极对话。 该事务所在日本建筑界获得广泛认可，2015年荣获富士吉田地域设计竞赛物件改修部门最优秀奖，2017年获得日本建筑学会作品选集收录，2020年获得熊本艺术城立田山憩之森祭典广场公共厕所公开设计竞技佳作，2022年获得第10届埼玉建筑文化赏优秀赏。事务所多个项目获得专业媒体关注与报道，展现其在空间创新与文化诠释方面的持续探索。 nevertheless / 佐河雄介建筑事务所作为全方位服务的建筑实践机构，在多元建筑类型中展现专业能力，涵盖住宅建筑、室内设计、家具设计、平面设计的规划设计，以及各类创新改造项目的规划设计、文化整合和空间产品设计。事务所通过涵盖从私人住宅到公共设施的多样化作品集，在日本当代建筑领域建立了新的典范，展现出对创造真正人性化环境的持续承诺。对事务所而言，奥行赋予空间层次与深度感，对抗均质化的平面重复。事务所将奥行融入设计以创造移动性居所，从场地到建筑，唤起时间与关系感，以渐进有机的过渡引导居住者穿越空间。其获奖项目证明了事务所在当代日本建筑实践中的卓越地位。事务所的设计牢固植根并讲述场地语境的语言，同时展现出微妙而意想不到的个性。通过其设计哲学，事务所在令人深思的空间叙事与智能功能之间取得平衡，创造根源性存在的可能性。 设计团队 旅游探访 103.7 m² 埼玉县，日本 2025 Previous Next

< 返回 ITTI OSAKA ninkipen! 项目名称：ITTI OSAKA 地点：大阪，日本 设计团队：ninkipen! 建筑面积：83.34 m² 竣工时间：2025年11月 摄影：河田弘树 设计特色： 项目 – 日本建筑师今津康夫及其事务所ninkipen!在大阪完成了ITTI OSAKA零售空间，这是一个极简主义的室内设计项目，为色彩丰富的皮革制品提供了中性的展示背景。店铺精心编排的单色调色板使品牌充满活力的钱包、手袋和配饰成为空间的焦点。 今津康夫通过在单一米白色调中校准多种材料，实现了精致的视觉和谐。灰泥、马赛克瓷砖、和纸、石灰石和织物在地板、墙面、天花板和陈列什器上融为一体，创造出微妙的渐变效果，为空间注入活力而不争夺注意力。这种细致的材料选择展示了色彩上的克制如何通过质感和色调变化产生丰富性。 设计通过策略性的介入刻意打破自身的规则。再生柚木和树龄超过八十年的抛光杉木原木点缀在中性环境中，体现了ITTI品牌「既非现代亦非古典」的哲学理念。这些天然元素引入温暖和个性，同时保持空间的精致美学。 几何精确性定义了陈列什器的设计，大小不一的三角柱和四角柱呼应墙壁壁龛中显露的现有钢筋混凝土圆柱。这些建筑元素与其上展示的皮革制品的有机形态形成动态对比。什器的系统化排列建立了韵律和秩序，将零售环境转化为精心策划的画廊空间。 最终的室内设计如同一块空白画布，使每件产品成为引人注目的独立焦点。这种方法反映了对零售设计的根本理解：建筑应该框定商品而非掩盖商品。通过编排材料、限制色彩以及平衡几何什器与有机元素的介入，今津康夫创造了一个精致的环境，顾客可以在众多选择中发现属于自己的完美配饰。 设计团队 – 由今津康夫于2005年创立的ninkipen!是一家位于大阪的建筑设计事务所，以材料敏感性和空间克制为核心建立了独特的设计实践。工作室位于箕面市，通过精心校准材料而非大胆表达的方式创造环境，赢得了良好声誉。 今津康夫于2001年获得大阪大学建筑工程硕士学位，将严格的技术训练融入设计方法中。在2001年至2005年于远藤刚生建筑设计事务所积累专业经验后，他创立了ninkipen!，明确了平衡精确性与触觉温暖的建筑愿景。他在大阪大学、近畿大学和神戸芸术工科大学等院校担任讲师的学术参与，强化了事务所对概念严谨性的承诺。 工作室的方法论强调材料编排，通过微妙的渐变和质感关系创造空间叙事。这种方法获得了重要认可，包括JCD设计奖银奖、SDA奖最优秀奖和大阪建筑竞赛府知事奖。ninkipen!的作品展示了当代日本设计如何在尊重传统工艺的同时拥抱极简美学。每个项目都反映了事务所的核心信念：建筑应为人类体验提供精致框架，让空间通过使用而演变，而非强加预设氛围。 设计团队 旅游探访 83.34 m² 大阪，日本 2025 Previous Next

< 返回 六柱住宅 31/44 Architects 项目名称：六柱住宅 地点：伦敦，英国 设计团队：31/44 Architects 建筑面积：1640 m² 完工时间：2024年 摄影师：Nick Dearden 结构工程：Price & Myers 主要承包商：Altlant Construction 景观建筑：Aarde 设计特色： 项目 - 坐落在伦敦水晶宫郊区的绿树成荫之地，六柱住宅由31/44 Architects所精心打造，成为挑战传统住宅建筑的建筑设计杰作。荣获2024年英国皇家建筑师协会年度最佳住宅，这座为建筑师事务所创始人精心定制的家，是建筑智慧的见证，巧妙融合了个人叙事、场地呼应与前瞻性可持续设计。 由事务所创始人威尔·伯格斯为自己的家庭设计，这座住宅彻底颠覆了静态住宅设计的刻板印象。选址于一块此前未开发的边角花园，建筑以非凡的优雅姿态穿梭于复杂的场地约束中——甚至精心保护了一棵受保护的梧桐树。其创新的体量在梯形场地上扭转、跳跃，创造出一个动态的建筑形态，既尊重周边环境，又服务于更广阔的城市肌理。 项目的设计理念堪称革命性：将住宅视为一个"未完成"的有机体，能够随居住者的生活需求而不断演变。这一理念通过精心选择的材料和空间布局得到充分体现。裸露的木材、未上漆的松木细木工和野性的水泥板、喷漆砖块共同营造出一个原始而灵活的内部空间景观，摒弃了传统的装饰处理。 可持续性深深嵌入项目的基因。全电力驱动，依靠空气源热泵供能，该住宅每年仅产生1.78吨二氧化碳排放，是相对于传统住宅的极大进步。在结构创新上，通过避免混凝土桩基础，改用钢螺旋桩，建筑师们进一步彰显了他们对减少环境影响的坚持。 以六根标志性立柱为特征，融汇战后加州案例研究住宅与勒·柯布西耶早期现代主义的折衷风格，六柱住宅已不仅仅是一处庇护所，更成为当代建筑可能性的生动宣言。 团队 – 在当代建筑实践的动态景观中，31/44建筑事务所作为语境创新设计的典范，正在挑战城市建筑干预的传统边界。由威尔·伯格斯和斯蒂芬·戴维斯于2010年创立的这家位于伦敦的事务所，以其细致入微的方法而闻名，这种方法精确地将新的建筑干预融入现有的城市肌理。 怀着对场所营造的哲学承诺，31/44超越了单纯的建筑设计，精心编织能够深入共鸣历史、文化和空间语境的建筑叙事。他们的作品展现了对建筑形态学的复杂理解，每一个项目都成为对周边环境深思熟虑的贡献。 该事务所获得的国际认可——包括诸如英国皇家建筑师协会国家奖等荣誉——凸显了他们的设计卓越性。他们的作品在从伦敦到柏林的欧洲文化之都中备受赞誉，反映出一种兼具本地敏感性和全球影响力的设计语言。 由具有多元学术和专业背景的注册建筑师组成的跨学科团队领导，31/44以超越物理构建的智性严谨运作。通过在金斯顿艺术学院的教学工作室，他们确保理论探索与实践建筑实施之间保持持续对话。 最近荣获2024年英国皇家建筑师协会年度最佳住宅的六柱住宅，完美诠释了他们的设计理念——证明了他们将限制转化为建筑机遇的能力，创造出既具创新性、又可持续，同时深刻契合语境的空间。 Project Name: Six Columns House Location: London, United Kingdom Design Team: 31/44 Architects Building Area: 1,640 m² Completion Year: 2024 Photographer: Nick Dearden Special Honor: 2024 RIBA House of the Year Lead Designer: Will Burges Structural Engineering: Price & Myers Main Contractor: Altlant Construction Landscape Architecture: Aarde Feature： Project - Nestled in the leafy suburbs of Crystal Palace, London, the Six Columns House by 31/44 Architects emerges as a masterclass in adaptive, thoughtful design that challenges conventional residential architecture. Named RIBA House of the Year 2024, this bespoke family home is a testament to architectural ingenuity, seamlessly blending personal narrative, contextual sensitivity, and forward-thinking sustainability. Conceived by practice founder Will Burges for his own family, the house is a deliberate departure from static residential design. Situated on a previously undeveloped side garden, the structure navigates complex site constraints—including a protected sycamore tree—with remarkable grace. Its innovative form twists and steps across a trapezoidal plot, creating a dynamic architectural volume that respects both its immediate context and broader urban fabric. The project's design philosophy is revolutionary: a home conceived as an "unfinished" entity, capable of evolving with its inhabitants' changing needs. This approach is manifest in the carefully considered materiality and spatial arrangement. Exposed timber, unpainted pine joinery, and a brutalist palette of spruce paneling and painted brick create a raw, adaptable interior landscape that eschews traditional finish treatments. Sustainability is deeply embedded in the project's DNA. Fully electric and powered by an air-source heat pump, the house produces just 1.78 tonnes of CO2 annually—a fraction of a standard home's carbon footprint. Structural innovations, such as avoiding concrete-piled foundations and using steel screw piles, further demonstrate the architects' commitment to minimizing environmental impact. With its six defining columns and eclectic architectural references—from post-war California Case Study Houses to Le Corbusier's early modern joinery—the Six Columns House transcends mere shelter, becoming a living manifesto of contemporary architectural possibility. Design Team - In the dynamic landscape of contemporary architectural practice, 31/44 Architects emerges as a paradigm of contextual and innovative design, challenging conventional boundaries of urban architectural intervention. Founded in 2010 by Will Burges and Stephen Davies, the London-based practice has distinguished itself through a nuanced approach that meticulously integrates new architectural interventions within existing urban fabrics. With a philosophical commitment to place-making, 31/44 transcends mere building design, crafting architectural narratives that deeply resonate with historical, cultural, and spatial contexts. Their portfolio demonstrates a sophisticated understanding of architectural morphology, where each project becomes a deliberate, considerate contribution to its surrounding environment. The practice's international recognition—including prestigious accolades such as the Manser Medal and RIBA National Awards—underscores their design excellence. Their work has been celebrated across major European cultural capitals, from London to Berlin, reflecting a design language that is both locally sensitive and globally compelling. Led by a multidisciplinary team of chartered architects with diverse academic and professional backgrounds, 31/44 operates with an intellectual rigor that extends beyond physical construction. Their engagement with academic institutions, particularly through teaching studios at Kingston School of Art, ensures a continuous dialogue between theoretical exploration and practical architectural implementation. The Six Columns House, recently crowned RIBA House of the Year 2024, epitomizes their design philosophy—a testament to their ability to transform constraints into architectural opportunities, creating spaces that are simultaneously innovative, sustainable, and profoundly contextual. 设计团队 旅游探访 1640 m² 伦敦，英国 2024 Previous Next

< 返回 Hawthorn Hood 别墅 BENT Architecture 设计特色： 项目 – Hawthorn Hood House是一栋巧妙平衡历史建筑保护和现代生活需求的阳光充足的家庭住宅。最初设计师们被雇来翻新现有房屋，但他们最终引导客户购买了更合适的项目地皮：一座具有浓郁历史特色但布局和日照受限的历史住宅。设计团队选择了与古宅的原有比例和质感对话，而不是与现代扩建形成鲜明对比，特别是其宏伟的室内空间和精致的琉璃屋顶。改建首先移除后部的旧扩建，重新利用阳光充沛的后院。新的起居空间面朝北方，拥抱自然光并框住花园景观，用标志性的屋顶线条感性交织，外观定义了整体空间。气势恢宏却亲密舒适的室内空间汲取了原有空间的宏伟，同时满足了业主作为永久家园的全部愿景。卧室和生活空间保留了正立面古典样貌，与周边环境谐和统一。项目新旧对话巧妙平衡，营造温暖明亮的家，兼顾场地保护、功能性和美学愉悦。 团队 – 来自澳大利亚的BENT Architecture建筑事务所成立于2003年，由Paul Porjazoski（创始人）和Merran Porjazoski主持领导。该事务所总部位于墨尔本，业务范围广泛，完成了众多在本地和国际上获奖、发表和展出的各类项目，并为客户提供全方位的设计服务，涵盖建筑、室内、景观和城市设计等。他们在可持续建筑设计、社会与公共住房、商业和公共改造以及绿色屋顶设计方面处于业内领先。BENT Architecture建筑事务所注重打造环境和社会可持续的建成环境，擅长将建筑与景观整合，打造富有启发性的建筑空间。 Feature： Project - The Hawthorn Hood House is a light-filled family home that skillfully balances heritage sensitivities with modern living needs. Originally approached to renovate an existing property, BENT Architecture ultimately guided their clients to purchase a more suitable site - a period home with strong character but limitations in layout and sunlight. Rather than contrast the modern addition, the architects chose to thoughtfully engage with and reinterpret the home's original proportions and textures, especially its grand interior volumes and intricate terracotta roof form. The project began by removing a previous rear extension to harness the sun-drenched backyard. New living spaces were then oriented northwards to embrace natural light and frame garden views, defined externally by the home's signature roofline folding down in sympathetic response. The soaring yet cosy interiors draw upon the grandeur of the original while fulfilling all the family's aspirations for their forever home. Bedrooms and utilities remain nestled in the heritage envelope to the front as a nod to the surrounding neighborhood. The thoughtful dialogue between old and new creates a warm, light-filled home that deftly balances site sensitivity, functionality and aesthetic delight. Design Team - BENT Architecture was founded in 2003 by Directors Paul and Merran Porjazoski. Based in Brunswick, Melbourne, the practice has delivered award-winning and published projects across diverse sectors. They are recognized as leaders in environmentally sustainable architecture, affordable social and public housing, commercial refurbishments and green roof design. With a focus on enriching people's lives through creative placemaking, BENT emphasizes architecture's integration with landscape to foster engagement. The firm provides comprehensive consultancy encompassing architecture, interior, landscape and urban design. 设计团队 旅游探访 451 m² 澳大利亚 霍索恩 2024 Previous Next

< 返回 无印良品代官山店 SANAA 项目名称： 无印良品代官山店 地点： 东京，日本 设计团队： SANAA 建筑面积： 498.24平方米 竣工时间： 2024年10月 设计特色： 项目 - 在东京时尚代官山区的中心，SANAA建筑师事务所的妹岛和世与西泽立卫将无印良品旗舰店改造成了一个革命性的零售空间，在这里，商品本身成为了建筑的一部分。这个于2024年10月完工的项目，代表了零售设计的彻底重新思考，商品超越了其商业角色，成为室内设计不可分割的组成部分。 旗舰店分为两个独特的空间：一个面向街道的服装区和一个略微后置的生活用品区。服装区最引人注目的特征是创新的天花板网格系统，由悬挂的环形装置组成，服装仿佛漂浮在空中。这种空灵的展示方式让服装可以从多个角度观赏，创造出一种近乎戏剧性的体验，让衣物在空间中成为动态雕塑。 在生活用品区，SANAA开发了一个引人入胜的空间叙事，将三面墙壁转变为从地板延伸到天花板的货架单元，只留下面向街道的立面保持透明。这种布置将展示的商品转化为定义空间本身的建筑元素。中央区域成为精心策划的舞台，展示精选商品供近距离观察，鼓励顾客与产品之间更亲密的互动。 两个空间都采用了大面积玻璃，消解了室内外的界限，创造出与街道的动态视觉关系。这种透明性不仅让路人可以观察商品，还能看到购物者在空间中移动的编排，将零售体验转变为一种公共表演。 该项目的独特之处在于能够通过建筑表达提升无印良品简约优质生活的理念。服装区和生活用品区的不同层高，使SANAA创造出既宏伟又亲密的空间体量，展示了周到的空间设计如何将日常购物转化为非凡体验。 团队 – SANAA（妹岛和世与西泽立卫事务所）由普利兹克奖获得者妹岛和世与西泽立卫于1995年创立，已经确立了其作为建筑界最具影响力的事务所之一的地位，以其在透明性、材料性和空间构成方面的创新方法而闻名。这家总部位于东京的事务所通过其独特的极简主义美学和突破性的结构解决方案，不断推动着当代建筑的边界。 他们的作品集展现了对光线、形式和空间的精湛操控，这在诸如洛桑联邦理工学院的如梦似幻的劳力士学习中心、托莱多艺术博物馆的水晶般的玻璃馆和纽约新当代艺术博物馆的雕塑般的建筑等标志性项目中得到了充分体现。该事务所的作品特点是通透的立面、流动的空间布局，以及对室内外空间关系的非凡关注。 SANAA的建筑语言虽然深深植根于现代主义原则，但通过创新使用透明材料和看似无重力的结构超越了传统界限。他们的设计经常采用超薄结构元素、无缝玻璃延展面和精心制作的细节，挑战传统的建筑层级。该事务所通过对空间、光线和人类体验的严谨探索，继续影响着全球建筑话语，保持着他们在当代建筑实践前沿的地位。 Project Name: MUJI Daikanyama Location: Tokyo, Japan Design Team: SANAA (Kazuyo Sejima, Ryue Nishizawa) Design Team Members: Junko Tanase, Mano Yagi, Miku Naganuma, Zhang Jiaqi Design Collaboration: Ryohin Keikaku Design Supervision Collaboration: HiP (Junji Minamino, Yuki Watanabe) Floor Area: 498.24 m² Apparel Section: 268.76 m² Household Goods Section: 229.48 m² Completion Date: October 2024 Lighting Design: Quilt Planning (Shozo Toyohisa, Harunobu Izumo) Construction: Nisso Kogei (Hironori Iwasaki) Furniture: Sankyo Tateyama (Masaki Kumode, Noriki Kakinuma, Keiko Yamakawa) HVAC: Kando (Makoto Furuya) Plumbing: Kando (Takehiko Takada) Electrical: Power Source (Ken Ide) Feature： Project - In the heart of Tokyo's trendy Daikanyama district, SANAA architects Kazuyo Sejima and Ryue Nishizawa have transformed MUJI's flagship store into a revolutionary retail space where products themselves become the architecture. The project, completed in October 2024, represents a radical rethinking of retail design, where merchandise transcends its commercial role to become an integral part of the interior design. The flagship store is split into two distinct spaces: an apparel section facing the street and a household goods area set slightly back. The most striking feature of the apparel space is an innovative ceiling grid system of suspended rings, from which clothing hangs as if floating in mid-air. This ethereal display method allows garments to be viewed from multiple angles, creating an almost theatrical experience where clothes become kinetic sculptures in space. In the household goods section, SANAA has developed a compelling spatial narrative by turning three walls into floor-to-ceiling shelving units, with only the street-facing facade remaining transparent. This arrangement transforms the displayed products into architectural elements that define the space itself. The central area becomes a carefully curated stage where selected items are presented for closer inspection, encouraging a more intimate interaction between customers and products. Both spaces feature generous glazing that dissolves the boundary between interior and exterior, creating a dynamic visual relationship with the street. This transparency allows passersby to observe not just the products, but also the choreography of shoppers moving through the space, turning the retail experience into a kind of public performance. The project's genius lies in its ability to elevate MUJI's philosophy of simplified, quality living through architectural expression. With ceiling heights of 4,275mm in the apparel section and 3,925mm in the household goods area, SANAA has created volumes that feel both monumental and intimate, demonstrating how thoughtful spatial design can transform everyday shopping into an extraordinary experience. Design Team - Founded in 1995 by Pritzker Prize laureates Kazuyo Sejima and Ryue Nishizawa, SANAA (Sejima and Nishizawa and Associates) has established itself as one of architecture's most influential practices, renowned for its innovative approach to transparency, materiality, and spatial composition. Based in Tokyo, the firm has consistently pushed the boundaries of contemporary architecture through their distinctive minimalist aesthetic and groundbreaking structural solutions. Their portfolio exemplifies a masterful manipulation of light, form, and space, evident in landmark projects such as the ethereal Rolex Learning Center at EPFL Lausanne, the crystalline Glass Pavilion at Toledo Museum of Art, and the sculptural New Museum in New York. The practice's work is characterized by diaphanous facades, fluid spatial arrangements, and an extraordinary attention to the relationship between interior and exterior spaces. SANAA's architectural language, while deeply rooted in modernist principles, transcends conventional boundaries through its innovative use of transparent materials and seemingly weightless structures. Their designs often feature ultra-thin structural elements, seamless glass expanses, and meticulously crafted details that challenge traditional architectural hierarchies. The firm continues to influence global architectural discourse through their rigorous exploration of space, light, and human experience, maintaining their position at the forefront of contemporary architectural practice. 设计团队 旅游探访 498.24 m² 东京，日本 2024 Previous Next

< 返回 青山住宅 芦沢啓治建築設計事務所 设计特色： 坐落于东京港区核心地带的"青山之家"，出自芦沢启治建筑设计事务所之手，堪称艺术、家具与建筑空间和谐共存的典范。这座四层混凝土住宅，由艺术与家具鉴赏家委托打造，重新定义了现代都市住宅的概念。 设计最引人注目的特点在于其对艺术品、家具与空间元素之间互动关系的精妙考虑。芦泽团队超越传统的比例和布局限制，着力于精细的细节设计，以完美契合业主的高雅收藏。最终呈现的是一个活生生的艺术长廊，每个角落都经过精心策划，旨在强化艺术与建筑之间的对话。 创新的混凝土表面处理使该项目脱颖而出。从肋状天花板到质感丰富的墙面，裸露的室内混凝土表面经过精心挑选，与艺术品和家具和谐统一。这种方法挑战了现代艺术需要白墙的传统观念，而是创造出一个丰富的、具有触感的背景，提升了整体的生活体验。 隐私和光线管理通过巧妙布置的阳台（配有茂盛的植物）和百叶外立面得到巧妙处理。这些元素与巧妙定位的天窗相结合，确保了充足的自然光照，同时不影响居住者在繁华都市环境中的私密性。"青山之家"作为住宅建筑的大胆宣言，无缝融合了艺术感性与功能设计。它展示了一个家如何超越单纯庇护所的角色，成为生活与艺术的动态画布。 In the heart of Tokyo's Minato ward, "House in Aoyama" by Keiji Ashizawa Design Studio emerges as a testament to the harmonious coexistence of art, furniture, and architectural space. This four-story concrete residence, commissioned by art and furniture connoisseurs, redefines the concept of a modern urban dwelling. The design's most striking feature is its meticulous consideration of the interplay between artworks, furnishings, and spatial elements. Ashizawa's team went beyond conventional proportions and placement, focusing on intricate details that complement the clients' sophisticated collection. The result is a living gallery where every corner is curated to enhance the dialogue between art and architecture. Innovative use of concrete finishes sets this project apart. The exposed interior concrete surfaces, ranging from ribbed ceilings to textured walls, were carefully selected to harmonize with the artworks and furniture. This approach challenges the notion that modern art requires white walls, instead creating a rich, tactile backdrop that elevates the entire living experience. Privacy and light management are ingeniously addressed through strategically placed balconies with lush plantings and a louvered façade. These elements, combined with cleverly positioned skylights, ensure ample natural illumination without compromising the inhabitants' seclusion in the bustling urban setting. 设计团队： 芦沢启治建筑设计事务所（Keiji Ashizawa Design），由芦沢启治于2005年创立，已然成为东京蓬勃发展的建筑设计行业中的一颗明珠。这家多元化设计工作室以其前瞻性视角和创新精神引领业界潮流。工作室汇聚了19位建筑师、室内设计师、3位产品设计师和1位艺术总监，在"诚实设计"（Honest Design）理念的指引下，践行全方位的空间设计方法论。工作室的专业领域横跨建筑、室内设计、景观设计、家具设计和品牌塑造，使其能够在项目中无缝整合多元素。这种全面的技能组合使芦泽启治设计工作室得以打造出精心雕琢的空间，充分体现了对材料和现场条件的深刻理解。 自成立以来，工作室的业务版图已扩展至亚洲、美国和欧洲的国际项目，与知名建筑师和制造商展开合作。近期的代表作包括东京新宿区的奢华酒店综合体和位于涩谷的创新型Trunk酒店。 芦泽启治及其设计团队对社会责任的承诺体现在其十年来对石巻工房（Ishinomaki Laboratory）家具项目的持续参与，该项目源于灾后重建工作。这一倡议已演变为"本地制造"（Made in Local）项目，在全球范围内推动可持续的区域发展。工作室与Peter Stutchbury、atelier oï和NORM ARCHITECTS等国际设计公司的合作，充分展现了其协作精神，进一步巩固了其作为建筑设计行业前瞻性领导者的地位。 芦沢启治建筑设计事务所通过其独特的设计理念和跨界合作，不断推动着建筑与设计领域的创新发展，为现代空间营造注入新的活力和可能性。 Keiji Ashizawa Design, founded in 2005 by Keiji Ashizawa, has established itself as a pioneering multidisciplinary design studio in Tokyo's vibrant architectural landscape. With a team of 19 architects, interior designers, three product designers, and an art director, the firm embodies a holistic approach to spatial design under the guiding principle of 'Honest Design'. The studio's expertise spans architecture, interior design, landscape architecture, furniture design, and branding, allowing for a seamless integration of diverse elements in their projects. This comprehensive skill set enables Keiji Ashizawa Design to create meticulously crafted spaces that reflect a deep understanding of materials and on-site conditions. Since its inception, the firm has expanded its portfolio to include international projects across Asia, the United States, and Europe, collaborating with renowned architects and manufacturers. Notable recent works include a luxurious hotel complex in Tokyo's Shinjuku district and the innovative Trunk Hotel in Shibuya. Keiji Ashizawa Design's commitment to social responsibility is evident in their decade-long involvement with the Ishinomaki Laboratory furniture project, which emerged from post-disaster recovery efforts. This initiative has evolved into the 'Made in Local' project, promoting sustainable regional development globally. The firm's collaborative spirit is exemplified through partnerships with international design firms like Peter Stutchbury, atelier oï, and NORM ARCHITECTS, further solidifying their position as a forward-thinking leader in the architectural design industry. 设计团队 旅游探访 377.31 ㎡ 日本，东京 2023年 Previous Next

< 返回 蒜山荞麦馆 STUDIO YY 项目名称：蒜山荞麦馆 地点：冈山县真庭市，日本 设计团队：STUDIO YY 建筑面积：271.64平方米 竣工时间：2022年 摄影：秋田広树（エスエス） 设计特色： STUDIO YY完成了位于冈山县真庭市的蒜山荞麦馆，这是一座将传统建筑形式与现代木材技术相融合的当代荞麦面餐厅。该项目重建了一座因火灾而毁坏的深受喜爱的市营餐厅，将其转变为一个文化目的地，让访客既能体验当地荞麦文化，又能感受地域工艺。 最显着的特征是创新性地使用CLT（正交胶合木）板材来创造入母屋（日本传统歇山屋顶）的现代诠释。四块巨大的CLT板材相互倾斜支撑，形成无柱的室内空间，可不受阻碍地欣赏周围景观。这一结构方案代表了乡土建筑与来自真庭市自身林业的当代工程木材技术的卓越融合。24块互相连接的CLT板材（厚度150毫米，5层5层板）共同构成了能够承受积雪高度140厘米的大屋顶，客席区域梁间9.1米乘桁行12.74米的跨度完全无需中间支撑。 环绕主体结构的是一个精致的三维曲面檐篷，直接呼应远处蒜山山脉起伏的山脊线。这个优雅倾斜的屋檐不仅框取了山脉的全景视野，还能防止积雪，这在冬季积雪深度达140厘米的多雪地区尤为重要。檐篷由纤细的钢框架和木质化妆椽木构成，创造出类似缘侧的过渡空间，模糊了室内用餐区域与壮丽自然环境之间的界限。建筑师巧妙地将地震时水平力的大部分导向厨房侧，从而实现了客席部分的大开口，使建筑与周边环境形成无缝关系。 STUDIO YY在整个设计中融入了多种本地工艺传统。入口处的门帘描绘了蒜山标志性的三座山峰，采用附近胜山保存的传统染色技术制作。室内家具融入了组子细工，这是另一项地域特色工艺。建筑师参照了大宫踊，这是一种在入母屋屋顶下表演的非物质文化遗产舞蹈，在建筑形式与活态传统之间建立了连续性。低矮的檐篷和三个方向的大开口使访客既能欣赏蒜山夏季的山峦景色，又能享受冬季银白世界的美丽全景。 通过采用24块相互连接的CLT板材及外露接缝，并将结构创新与文化敏感性相结合，该项目展示了当代建筑如何在尊重地域特性的同时，创造灵活宜人的公共空间，既颂扬美食体验，又礼赞景观之美。建筑成功地将蒜山的文化、风景、传统、产业、技术和观光连接起来，成为地域振兴的重要节点。 设计团队： STUDIO YY由田中裕一和中本刚志于2015年创立，已成为一家创新型建筑事务所，将日本传统建筑文化与当代建造技术相融合。两位主持建筑师均拥有丰富的国际经验，田中裕一曾任职于NAP建筑设计事务所和荷兰NL Architects，而中本刚志则在纽约的知名事务所磨练专业技能，包括OMA、REX Architects和Asymptote。 这家东京建筑事务所因其对场地环境敏感的设计而获得广泛认可，这些设计整合了地域材料、本地工艺和文化遗产。其作品集在公共和文化设施领域展现出卓越水准，涵盖道路驿站、社区中心和教育建筑。蒜山荞麦馆和佐川町牧野道路驿站等代表作品展示了事务所运用工程木材系统，特别是CLT板材，重新诠释乡土建筑类型以适应当代使用的能力。 STUDIO YY的设计理念强调创造能够促进社区参与的建筑，同时颂扬特定的地理和文化特性。事务所在设计竞赛中持续获胜，展现了在满足复杂功能需求的同时保持建筑严谨性和场所敏感性的能力。其作品获得众多荣誉，包括2025年日本空间设计大奖年度大奖（最优秀赏）、2025年木材设计奖最优秀赏（环境大臣赏）、2024年日事连建筑奖一般建筑部门优秀赏、2024年优良设计奖以及2023年木材设计奖国际博览会担当大臣赏等。 田中裕一1982年出生于福岛县，2006年毕业于横滨国立大学工学部，2009年从横滨国立大学院建筑都市文化专攻Y-GSA毕业。在创立STUDIO YY之前，他曾在荷兰NL Architects工作，并在NAP建筑设计事务所担任职务至2014年。中本刚志1977年出生于鸟取县，2005年毕业于加州州立理工大学圣刘易斯奥比斯波分校建筑环境学部建筑学科。他在纽约积累了丰富的国际经验，先后在Asymptote、REX Architects和OMA工作，之后回到日本在NAP建筑设计事务所任职至2014年。 除实践外，通过对地域材料的创新运用、对场所特定性的深入研究以及对文化遗产的持续探索，STUDIO YY已确立自己作为当代日本建筑话语重要贡献者的地位，创造出既具环境回应性又保持建筑卓越性的作品。在田中裕一和中本刚志的持续领导下，该事务所目前在日本建筑景观中占据独特地位，专注于创造融合传统智慧与当代技术、充满生命力的建筑空间。 设计团队 旅游探访 271.64 m² 冈山县真庭市，日本 2022 Previous Next

< 返回 五月天咖啡厅 SPACE DOT 项目名称：五月天咖啡厅 地点：骊州 ， 韩国 设计团队：SPACE DOT 建筑面积：330 m² 竣工时间：2022年 摄影：SPACE DOT 设计特色： 项目 - SPACE DOT在韩国骊州太平里这个历史悠久的村庄中创建了一座静谧的咖啡厅，这里曾是学者们前往首都途中艰难旅程的歇脚之地。这座330平方米的五月天咖啡厅将这个具有文化意义的场所转化为城市居民寻求远离都市生活喘息的现代圣地。 该项目最独特的特色在于其对一棵名为"오월이"（意为"五月"）高大雪松的建筑回应。这棵雄伟的树木从单一主干向天空分叉成两臂，直接启发了咖啡厅的双建筑配置。建筑师将A栋定位为厨房和服务区域，而B栋则通过四面落地窗全景开放，提供山脊线的无遮挡视野。 SPACE DOT的设计理念围绕创造一个"拥抱天空的空间"，呼应雪松向上伸展的形态。建筑物战略性地位于村庄的最高点，最大化室内与景观的连接。戏剧性的入口序列沿着令人印象深刻的石墙展开，让人联想到传统韩式庄园建筑，在揭示咖啡厅宁静庭院之前营造期待感。 材料选择致敬了场地被破坏的地形——这是开发对山地地形造成创伤的后果。石材和木材饰面原产于原始景观，既是美学选择也是环境纪念。建筑两侧宁静的反射池捕捉不断变化的天空，而温暖木材与白色空间空隙的相互作用创造出深刻宁静的氛围。 这种文化记忆、自然灵感和当代酒店设计的整合，使五月天咖啡厅不仅仅是一个商业空间——它成为韩国传统旅行者歇脚点的现代诠释。 团队 - SPACE DOT成立于2021年，由李胜元（Seungwon Lee）和金京一（Kyung Il Kim）共同创立。该事务所专注于酒店和商业建筑设计，以其对空间基础主义的独特理解而闻名——认为建筑始于汇聚成线条、表面，最终形成连贯空间体验的单个点。 事务所的代表作品体现了其对语境响应式设计的承诺，在短短几年内获得了国际认可，包括2024年联合国教科文组织主办的凡尔赛建筑奖餐厅类别、2025年世界三大设计奖项之一的iF设计奖室内建筑类别，以及2024年全球餐厅与酒吧设计奖亚洲咖啡厅类别。 在李胜元和金京一的持续领导下，SPACE DOT已确立了其在韩国新兴建筑实践中的地位。该事务所的设计方法论超越了传统的美学考量，优先考虑感官和情感参与，同时保持功能性能。他们在适应性场地策略、材料真实性和生物亲和性设计整合方面展现出特殊的专业能力。 SPACE DOT的创作理念强调每个项目都应承载独特的品牌叙事，将场所的文化意义与当代功能需求相结合。他们相信空间是最贴近我们生活的艺术形式，因此致力于创造不仅在视觉上令人印象深刻，更能在感官和情感层面与使用者产生共鸣的建筑体验。五月天咖啡厅项目充分展现了他们将品牌概念转化为建筑体验的卓越能力。 Project Name: MAY DAY CAFE Location: Yeoju-si, South Korea Design Team: SPACE DOT Total Floor Area: 330 m² Completion: 2022 Photography: Courtesy of SPACE DOT Feature: Project - SPACE DOT transformed a site in the historic village of Taepyeong-ri, Yeoju into May Day Cafe. Completed in 2022, the project fully embodies the core philosophy of providing "complete rest" spaces for urban dwellers. Taepyeong-ri has historically been a place where scholars traveling to Hanyang for civil service examinations would pause to rest, named for its peaceful and harmonious energy. The design of May Day Cafe began with a clear concept: creating a space that could "embrace the sky." The architects were inspired by a towering cedar tree named "Owol-i" (May) at the center of the site, whose form—branching skyward from a single trunk into two arms—directly influenced the cafe's twin-building configuration. The architects positioned Building A to house the kitchen and staff areas, while Building B opens panoramically through floor-to-ceiling windows on all four sides, offering unobstructed views of the mountain ridgeline. The core highlight of the project is its sensitive response to the site's disrupted topography from development. To conceal the incongruous retaining walls created by construction, Building A was strategically arranged as a screen, while Building B, positioned at the village's highest point, maximizes connection with the natural landscape. The architects chose stone and wood as primary materials—elements once native to the land—as a gesture of homage to the nature lost to development. In terms of material selection, the architects deliberately chose elements that echo the site's original natural state. Stone and wood finishes serve not only as aesthetic choices but also as environmental memorials. Tranquil reflecting pools on either side of the building capture the ever-changing colors of the sky as they shift with wind, while a large window beneath the grand roof fully frames the sky and scenery of Taepyeong-ri, and lower side windows bring in natural light that transforms with the seasons. The lighting design emphasizes the seasonal variations of natural light, with the interplay of warm timber and overall white spatial voids creating a soothing and serene atmosphere. The central cedar "Owol-i" serves not only as the source of design inspiration but also becomes a key element symbolizing the cafe's identity—a space providing May-like warmth, comfort, and stability for rest. By combining cultural memory, natural inspiration, and contemporary architectural design, SPACE DOT created a modern sanctuary that transcends traditional commercial spaces, authentically expressing a contemporary interpretation of Korea's traditional rest stops, providing a place of tranquility and restoration for weary urban travelers. Design Team - SPACE DOT was established in 2021 by Seungwon Lee and Kyung Il Kim. The firm specializes in hospitality and commercial architecture design, known for its unique understanding of spatial fundamentalism—believing that architecture begins with individual points that aggregate into lines, surfaces, and ultimately cohesive spatial experiences. The firm's representative works demonstrate their commitment to contextually responsive design, gaining international recognition within just a few years, including the UNESCO Prix Versailles 2024 for Restaurants, the iF Design Award 2025 in Interior Architecture (one of the world's top three design awards), and the Restaurant & Bar Design Awards 2024 Asia-Café category. Under the continued leadership of Seungwon Lee and Kyung Il Kim, SPACE DOT has established its position among Korea's emerging architectural practices. The firm's design methodology transcends conventional aesthetic considerations, prioritizing sensory and emotional engagement while maintaining functional performance. They demonstrate particular expertise in adaptive site strategies, material authenticity, and biophilic design integration. SPACE DOT's creative philosophy emphasizes that each project should carry unique brand narratives, combining the cultural significance of place with contemporary functional requirements. They believe space is the art form closest to our lives, therefore committed to creating architectural experiences that not only impress visually but also resonate with users on sensory and emotional levels. The May Day Cafe project fully demonstrates their exceptional ability to transform brand concepts into architectural experiences. 设计团队 旅游探访 330 m² 骊州，韩国 2022 Previous Next

< 返回 SA住宅 73.Onze Arquitetura 项目名称：SA住宅 地点：特兰科索，巴西 设计团队：73.Onze Arquitetura 建筑面积：1094.55 m² 竣工时间：2023年 摄影：OKA Fotografia 设计特色： 项目 - 在巴西南巴伊亚州的田园般的特兰科索，由73.Onze Arquitetura设计的SA住宅，是当代巴西住宅建筑尊重并提升自然环境的典范之作。这座建于2023年完工的1094平方米住宅，通过其精心设计的体量、材料和空间关系，完美地平衡了精致感与地域特色。 在建筑师Julia Regis Bittencourt的主导下，设计巧妙地回应了场地平坦的地形和茂密的本土植被。这座住宅并非强加于景观之上，而是与之保持着持续的对话。两个垂直交错的建筑体量战略性地布局，保留了现有的橡胶树和英加树，同时为住宅框定了朝向小区公共绿地的视野。 该项目的独特之处在于通过对比鲜明的建筑元素巧妙地划分社交和私密空间。单层卧室翼楼采用平坦的绿色屋顶，既具美学价值又实用功能兼备，既容纳了技术设备又提供了隔热效果。这一体量与带有传统斜顶屋顶的双层主体形成了刻意的对比，在整个构图中创造出动态的视觉张力。 渗透性定义了空间体验，可伸缩的玻璃墙面消解了室内外生活空间之间的界限。建筑采用了精巧的木质百叶系统，具有多重功能：提供隐私、控制阳光照射，以及投射随时间变化的光影图案，为空间全天带来生动的变化。 同样由Bittencourt工作室设计的室内装潢，通过并置干净的现代线条与本地工艺，反映了这种深思熟虑的设计方法。白色表面和磨光水泥地板的克制色调，为温暖的土色调和精心挑选的手工艺品提供了中性背景，使住宅深深扎根于其文化语境之中。 通过对气候、地形和当地材料的细致回应，SA住宅实现了既大胆现代又深具地域性的罕见品质——一处庆祝巴伊亚海岸独特特性的住宅圣地，为现代生活提供了精致的框架。 团队 - 73.ONZE Arquitetura e Design是一家于2018年由来自巴伊亚的建筑师Julia Regis Bittencourt创立的建筑事务所，在圣保罗和特兰科索之间运营。凭借在Superlimão和Paula Neder Arquitetura等知名事务所的先前经验，该事务所的建筑风格将简约元素与对细节的精细关注相结合。 事务所的双重位置战略代表了看似对立的环境的有意识融合：特兰科索自然景观的恢复性质量与圣保罗的当代城市动态。这种地理上的二元性为他们的作品注入了独特的空间敏感性，既响应环境又满足大都市需求，从而实现越来越可持续的建筑干预。 该事务所从创立之初就融合了特兰科索和圣保罗的特质，将自然提供的福祉与城市生活方式相结合，满足当代需求，并努力创造越来越可持续的建筑。 73.ONZE专注于开发定制的住宅、商业和企业项目，每个项目都根据客户的风格和需求量身定制。从概念到实现，他们优先考虑功能性和伦理性，为每个个人或品牌独特地调整建筑。 在Bittencourt的领导下，该事务所培养了一种独特的建筑语言，特点是体量清晰、材料真实和环境响应。他们的作品始终展示了对创造个性化空间体验的承诺，巧妙地平衡实用性考虑与诗意表达，将73.ONZE确立为巴西不断发展的建筑领域中的新兴力量。 Project Name: SA House Location: Trancoso, Brazil Design Team: 73.Onze Arquitetura Total Floor Area: 1,094.55 m² Completion: 2023 Photography: OKA Fotografia Feature: Project - In the idyllic setting of Trancoso, southern Bahia, the SA House by 73.Onze Arquitetura stands as a masterful example of contemporary Brazilian residential architecture that respects and enhances its natural surroundings. Completed in 2023, this 1,094-square-meter residence seamlessly balances sophistication with regional sensitivity through its thoughtful composition of volumes, materials, and spatial relationships. Led by architect Julia Regis Bittencourt, the design responds ingeniously to the site's flat topography and dense native vegetation. Rather than imposing upon the landscape, the house engages in a constant dialogue with it. The strategic organization of two perpendicular volumes preserves existing rubber and ingá trees while simultaneously framing views toward the condominium's common green space. What distinguishes this project is its clever articulation of social and private spaces through contrasting architectural elements. The single-story bedroom wing features a flat green roof that serves both aesthetic and functional purposes, housing technical equipment while providing thermal insulation. This volume stands in deliberate contrast to the two-story main block with its more traditional pitched roof, creating a dynamic visual tension throughout the composition. Permeability defines the spatial experience, with retractable glass panels dissolving boundaries between interior and exterior living spaces. The architecture employs a sophisticated system of wooden brises-soleil that perform multiple functions: providing privacy, controlling solar gain, and casting ever-changing patterns of light and shadow that animate the spaces throughout the day. The interior design, also developed by Bittencourt's studio, mirrors this thoughtful approach by juxtaposing clean contemporary lines with local craftsmanship. A restrained palette of white surfaces and burnished cement flooring serves as a neutral backdrop for warm earth tones and carefully selected handcrafted pieces that root the dwelling in its cultural context. Through its nuanced response to climate, topography and local materials, SA House achieves that elusive quality of seeming both boldly contemporary and deeply contextual – a residential sanctuary that celebrates the unique character of coastal Bahia while providing a sophisticated framework for modern living. Design Team - 73.ONZE Arquitetura e Design is an architectural practice established between São Paulo and Trancoso, founded in 2018 by Bahian architect Julia Regis Bittencourt. With previous experience at renowned firms such as Superlimão and Paula Neder Arquitetura, the firm's architectural style combines simple elements with meticulous attention to detail. The firm's dual-location strategy represents a conscious synthesis of seemingly opposing contexts: the restorative qualities of Trancoso's natural landscape with São Paulo's contemporary urban dynamics. This geographical duality infuses their portfolio with a unique spatial sensibility that responds to both environmental and metropolitan imperatives, resulting in increasingly sustainable built interventions. The office was born from the fusion between Trancoso and São Paulo, combining the well-being provided by nature with the urban lifestyle, meeting contemporary demands and seeking to create increasingly sustainable buildings. 73.ONZE specializes in developing customized residential, commercial, and corporate projects, each tailored to the style and needs of each client. From conception to realization, they prioritize functionality and ethics, adapting architecture uniquely for each individual or brand. Under Bittencourt's leadership, the studio has cultivated a distinctive architectural language characterized by volumetric clarity, material authenticity, and environmental responsiveness. Their work consistently demonstrates a commitment to crafting personalized spatial experiences that thoughtfully balance pragmatic considerations with poetic expression, establishing 73.ONZE as an emerging force in Brazil's evolving architectural landscape. With 73.ONZE Arquitetura e Design, you will find an approach that combines simplicity, attention to detail, and respect for the environment, creating spaces that reflect the personality and aspirations of their clients. 设计团队 旅游探访 1094.55 m² 特兰科索，巴西 2023 Previous Next

< 返回 迷迭香咖啡馆 Chiasmus Partners 项目名称：迷迭香咖啡馆 地点：城南市，韩国 设计团队：Chiasmus Partners 建筑面积：570 m² 竣工时间：2024年 摄影：Namsun Lee 设计特色： 项目 - 坐落于韩国城南市大王水库旁边的迷迭香咖啡馆（Rosemary Cafe），由Chiasmus Partners设计，呈现出一种诗意的建筑表达，消融了建筑形式与自然景观之间的边界。这个于2024年完工的570平方米项目由两栋独特的建筑组成，通过一个中央楼梯巧妙连接，该楼梯既是物理上的也是概念上的桥梁。 咖啡馆最引人注目的特点是其类似DNA的螺旋结构，有机地连接了两层楼的四个内部空间，以及屋顶区域。这种创新的空间组织在法律上分离的建筑之间创造了连续的流动感，形成了六个相互连接的区域，每个区域都框定了周围环境的独特视角。 Chiasmus Partners在整个设计中巧妙运用了曲线几何。外立面的优美曲线最大限度地展示了大王水库的全景视野和背后茵陵山的森林景观。这些曲线从外部无缝延伸至内部，创造出亭子般的空间，仿佛漂浮在景观之中。 建筑外观特色是三层垂直堆叠的弧形阳台，配以水晶玻璃幕墙，反映出水的透明特质，同时唤起常常笼罩周围山脉的层层雾气。这种材料策略在光线条件全天变化的过程中，创造了建筑与环境之间不断变化的对话。 室内，弧形天花板呼应了外部的流动形态，而柱子则似乎从上方流下，创造出一种连贯的空间体验。通过保持内外材料的连续性，建筑师们实现了一种独特、统一的空间感，尽管建筑的组织结构复杂。 这个项目被构思为一个让游客能从高处体验自然的休闲目的地，它去除了不必要的功能元素，创造出沉思的空间，优先考虑周围的景观。它既作为框架又作为画布，用于体验其环境的自然美景。 团队 -Chiasmus Partners于2005年在纽约成立，现在在首尔和北京设有办公室。这家国际建筑事务所由三位主要合伙人领导：李炫昊、野村千佳和柯卫， 该事务所专注于多种类型的建筑项目，涵盖文化设施、教育机构、商业开发和住宅项目等。其代表作品包括庆熙大学校园总体规划（Space21）、仁川IFEZ艺术中心，以及获得多项建筑奖项的住宅项目。 李炫昊具有美国建筑师协会（AIA）资格，现任职于弘益大学建筑城市大学担任院长，并自2006年起担任Chiasmus Partners合伙人。野村千佳拥有日本建筑师资格，自2017年起担任Chiasmus Partners合伙人，并在弘益大学建筑城市大学担任兼任教授。柯卫自2006年起成为Chiasmus Partners合伙人，曾在北京Atelier FCJZ担任高级设计师。 Chiasmus的设计方法论建立在对每个场地固有特质的严格研究基础上，形成的建筑解决方案中，形式和内容成为功能和意义不可分割的表达。该事务所曾获得多项荣誉，包括2018年建筑大师奖、2018年世界建筑奖，以及2022年Dezeen奖提名等。 他们相信建筑具有魔力，能够保存、转化和加强场所的本质品质和人类体验。他们的作品既与当代设计理念产生共鸣，又体现了永恒的建筑原则。 Project Name: Rosemary Cafe Location: Seongnam City, South Korea Design Team: Chiasmus Partners Total Floor Area: 570 m² Completion: 2024 Photography: Namsun Lee Feature: Project - Nestled beside the Daewang Reservoir in Seongnam, South Korea, the Rose Mary Cafe by Chiasmus Partners emerges as a poetic architectural statement that dissolves boundaries between built form and natural landscape. Completed in 2024, this 570-square-meter project comprises two distinct buildings ingeniously connected by a central staircase that functions as both physical and conceptual bridge. The cafe's most striking feature is its DNA-like spiral structure that organically connects four interior spaces across two floors, plus rooftop areas. This innovative spatial organization creates a continuous flow between the legally separated buildings, resulting in six interconnected zones that each frame distinctive views of the surrounding environment. Chiasmus Partners, led by architects Hyunho Lee, Chika Nomura, and James Wei Ke, have masterfully employed curved geometries throughout the design. The facade's sweeping curves maximize exposure to the panoramic vistas of Daewang Reservoir and the forested Inreungsan Mountain backdrop. These curves continue seamlessly from exterior to interior, creating pavilion-like spaces that appear to float within the landscape. The architectural envelope features three layers of curved balconies stacked vertically, complemented by crystal glass curtain walls that reflect the transparent qualities of water and evoke the layered fog that often shrouds the surrounding mountains. This material strategy creates a constantly changing dialogue between the building and its setting as light conditions shift throughout the day. Inside, curved ceilings mirror the exterior's fluid forms, while columns appear to flow downward from above, creating a cohesive spatial experience. By maintaining material continuity between inside and out, the architects have achieved a sense of singular, unified space despite the building's complex organization. Conceived as a leisure destination where visitors can experience nature from an elevated perspective, Rose Mary Cafe strips away unnecessary functional elements to create contemplative spaces that prioritize the surrounding landscape. The result is an architectural pavilion that serves as both frame and canvas for experiencing the natural beauty of its setting. Design Team - Chiasmus Partners was founded in New York in 2005, with current offices in Seoul and Beijing. This international architectural firm is led by three principal partners: Hyunho Lee, Chika Nomura, and James Wei Ke, with a design team that includes talented professionals such as Yeongwoo Son and Seongyeol Lee. The firm focuses on various types of architectural projects, encompassing cultural facilities, educational institutions, commercial developments, and residential projects. Their representative works include the Kyunghee University Campus Masterplan (Space21), the IFEZ Arts Center in Incheon, and numerous award-winning residential projects. Hyunho Lee is qualified with the American Institute of Architects (AIA) and currently serves as the Dean of the College of Architecture and Urban Planning at Hongik University, while being a partner at Chiasmus Partners since 2006. Chika Nomura holds Japanese architectural qualifications and has been a partner at Chiasmus Partners since 2017, also serving as an adjunct professor at Hongik University's College of Architecture and Urban Planning. James Wei Ke has been a partner at Chiasmus Partners since 2006 and previously worked as a senior designer at Atelier FCJZ in Beijing. Chiasmus's design methodology is built on rigorous investigation of each site's inherent qualities, resulting in architectural solutions where form and content become inseparable expressions of function and meaning. The firm has received numerous honors, including the 2018 Architecture Master Prize, the 2018 World Architecture Award, and nomination for the 2022 Dezeen Award. They believe in the magical ability of architecture to preserve, transform, and intensify the essential qualities of places and human experience. Their work resonates with both contemporary design discourse and timeless architectural principles. 设计团队 旅游探访 570 m² 城南市，韩国 2024 Previous Next

< 返回 Entreverdes住宅 24 7 Arquitetura 项目名称：Entreverdes住宅 地点：坎皮纳斯，巴西 设计团队：24 7 Arquitetura 建筑面积：445 m² 竣工时间：2024年 摄影：Adriano Pacelli 设计特色： 项目 - 坐落在巴西一块具有8米高度差的挑战性地块上，由24 7 Arquitetura设计的Entreverdes住宅代表了对疫情时期从城市中心向乡村生活迁移的回应。这座445平方米的住宅巧妙地利用其1200平方米的场地，通过一系列战略性设计决策，将地形限制转化为建筑机遇。 建筑师创新的方法始于一条侧面车辆坡道，巧妙地将汽车从街道视线中隐藏起来，同时消除了对第三层楼的需求。这一功能性解决方案服务于创造整个住宅流畅空间分布的更大目的，使结构能够和谐地顺应土地的自然轮廓。 从上方观看，这座住宅呈现出实与虚的构图，其中蜿蜒的小径、草坪区域、绿色屋顶和精心放置的天窗创造了建筑形式与景观之间的动态互动。将底层楼地面定位在规定允许的最高水平，加强了住宅与毗邻的浓密保护森林的联系，同时提供了与街道水平的隐私。 或许最引人注目的特色是部分悬挑的混凝土盒子，其中容纳了游泳池，从公共空间看不到。这一建筑手法体现了项目将体验式奢华与低调优雅融合的承诺。结构系统结合了混凝土和金属桁架梁，创造出美学上令人愉悦的体量表达。 功能区域布局将私人区域放置在上层，配有专为欣赏森林景观而设计的户外看台。同时，底层容纳了位于地块前部的休闲空间，以最大限度地增加阳光照射和私密性。两个策略性的空隙分布在客厅两侧，确保了充足的自然光线和通风，而住宅向北面和南面开放，同时避开了强烈的西面光照。 Entreverdes住宅创造了一种建筑体验，使居住者与周围的森林保持持续对话，将一个充满挑战的场地转变为一个沉思的住所，体现了当代巴西住宅建筑的特色。 团队 - 24 7 Arquitetura于2008年由三位大学同学在校期间成立，其名称反映了他们"每天24小时、每周7天思考和呼吸建筑"的承诺，如今已发展成为巴西领先的建筑实践之一，以其深思熟虑、对环境敏感的设计而闻名。 由创始合伙人Giuliano Pelaio领导的团队，融合了从当代建筑设计到可持续系统与技术的广泛专业知识。这种学术基础体现在他们的设计理念中，可持续性和当代表达密不可分。 事务所的作品集展现了显著的多样性，包括高端住宅项目、社会住房开发、商业翻新和大型机构项目。他们的设计方法将建筑和室内设计视为不可分割的学科，创造出技术系统、空间组织和材料性共同作用的整体环境。 24 7 Arquitetura的与众不同之处在于其基于证据的可持续发展方法，仔细考虑每个项目的朝向、形式、结构、能源系统和热性能，以优化自然资源利用。这种技术严谨性与实验性思维相平衡，拥抱创新工具、材料和技术，创造出超越纯视觉吸引力的建筑，成为可居住的、持久的环境，在建筑的整个生命周期中积极影响使用者。 Project Name: Entreverdes House Location: Campinas, Brazil Design Team: 24 7 Arquitetura Total Floor Area: 445 m² Completion: 2024 Photography: Adriano Pacelli Feature: Project - Nestled on a challenging 8-meter sloped plot in Brazil, the Entreverdes House by 24 7 Arquitetura represents a thoughtful response to the pandemic-era migration from urban centers to countryside living. The 445-square-meter residence skillfully navigates its 1200-square-meter site through a series of strategic design decisions that transform topographical constraints into architectural opportunities. The architects' innovative approach begins with a lateral vehicle ramp that cleverly conceals cars from street view while eliminating the need for a third floor. This functional solution serves a greater purpose in creating fluid spatial distribution throughout the home, allowing the structure to harmoniously follow the natural contours of the land. Viewed from above, the residence reveals itself as a captivating composition of solid and void, where winding pathways, grassy areas, a green roof, and carefully placed skylights create a dynamic interplay between built form and landscape. The deliberate positioning of the ground floor at the highest permissible level strengthens the home's connection to the adjacent dense preservation forest while simultaneously providing privacy from street level. Perhaps the most striking feature is the partially cantilevered concrete box housing the swimming pool, which remains invisible from public spaces. This architectural gesture exemplifies the project's commitment to blending experiential luxury with discreet elegance. The structural system combines concrete with metal truss beams, creating an aesthetically pleasing volumetric expression. The programmatic organization places private areas on the upper floor, complete with an outdoor bleacher designed for contemplation of the forest views. Meanwhile, the ground floor accommodates leisure spaces at the front of the plot to maximize sun exposure and privacy. Two strategic voids flanking the living room ensure abundant natural light and ventilation throughout, while the home opens itself to northern and southern exposures while remaining closed to harsh western light. Through this thoughtful design, Entreverdes House creates an architectural experience where residents remain in constant dialogue with the surrounding forest, transforming a challenging site into a contemplative dwelling that epitomizes contemporary Brazilian residential architecture. Design Team - Founded in 2008 by three university classmates while still in school, 24 7 Arquitetura—whose name reflects their commitment to "thinking and breathing architecture 24 hours a day, 7 days a week"—has established itself as one of Brazil's leading architectural practices known for its thoughtful, context-sensitive designs. Led by founding partner Giuliano Pelaio, the team blends expertise spanning from Contemporary Architectural Design to Sustainable Systems and Technology. This academic foundation manifests in their design philosophy, where sustainability and contemporary expression are inextricably linked. The firm's portfolio demonstrates remarkable versatility, encompassing high-end residential projects like the recently completed Entreverdes House, social housing developments, commercial renovations, and large-scale institutional work. Their design methodology treats architecture and interior design as inseparable disciplines, creating holistic environments where technical systems, spatial organization, and materiality work in concert. What distinguishes 24 7 Arquitetura is their evidence-based approach to sustainability, carefully considering each project's orientation, form, structure, energy systems, and thermal performance to optimize natural resource utilization. This technical rigor is balanced by an experimental mindset that embraces innovative tools, materials, and technologies to create buildings that transcend mere visual appeal to become livable, enduring environments that positively impact users throughout the building's lifecycle. 设计团队 旅游探访 445 m² 坎皮纳斯，巴西 2024 Previous Next

< 返回 “攀岩者之家” BLOK House Quinzhee Architecture 项目名称：BLOK House 地点：魁北克城，加拿大 设计团队：Quinzhee Architecture 建筑面积：59 m² 竣工时间：2024年 摄影：Adrien Williams 设计特色： 项目 - Quinzhee Architecture在魁北克拉克-博波特地区玛尔斯特罗姆山顶部打造了BLOK House，一处为攀岩爱好者量身定制的理想休憩处。这座59平方米的建筑位于一处天然攀岩处的顶部，为攀岩者提供了完美的避难所。 设计团队通过不对称的形态和灰色石膏外观，创造了一个棱角分明的整体体量，巧妙地呼应了攀岩石块的形态。外立面上不规则排列的开口犹如攀岩抓手，形成了一个如同攀岩路线般引导视线和攀爬的立面。在这个方形平面内，加热的室内空间与遮蔽的户外区域共存，既增加了生活空间的面积，又提供了沉浸于自然中的体验。 从建筑体量的截角处进入，访客首先发现的是受到保护的户外空间，远离恶劣天气和窥探的目光。在地面层，攀岩墙让攀岩者能够练习技艺，而水疗区则邀请人们在训练间隙放松身心。上层的露台提供了一个友好的空间，可以在观赏周围自然景观的同时烹饪和共享美食。 BLOK House的加热空间也延伸至多个层次。在地面层，卧室享受着周围森林的宁静与私密。上层的生活空间则受益于充足的光线和开阔的景观视野。厨房上方的宽敞夹层可容纳更多客人。所有空间都采用木材包裹，在室内和室外生活区域之间创造了和谐的视觉连续性，同时与建筑外壳的原始矿物质特性形成对比。 BLOK House不仅仅是一处庇护所，更是攀岩文化的庆典，通过建筑形式表达了攀岩精神。这座建筑同时作为目的地、避难所和景观中的雕塑性介入，展示了Quinzhee Architecture将功能性需求与诗意设计灵感完美融合的能力。 团队 – 来自加拿大的Quinzhee Architecture成立于2013年，由建筑师Guillaume Fafard创立，是一家体现其同名雪屋特征的建筑事务所：充满趣味性、生态意识和北欧风格。事务所目前由Fafard与资深建筑师Catherine Parent共同领导，发展出一种独特的设计方法，将客户参与无缝整合到设计过程中。 该事务所的方法论将沟通和想法分享置于前沿，认为这些元素是创新、高质量建筑解决方案的基本基础。通过让所有利益相关者参与关于建筑使用和环境背景的讨论，事务所有效地评估了全方位的可能性，从而确定最佳设计策略。 Quinzhee的作品集展现了卓越的多样性，涵盖从住宅和商业建筑到城市规划、家具设计，甚至滑雪板制作等多个领域。这种有意识的跨学科方法推动了他们的创意视野，并使他们的实践在建筑景观中脱颖而出。 团队多位成员持有被动房设计师认证，体现了事务所对可持续性的承诺，Quinzhee以环保意识和技术精确度对待每一个委托项目。事务所重视创意实验，同时保持务实的解决方案，以响应客户目标。 虽然总部位于魁北克的利莫卢，但Quinzhee的业务范围远超过大都市区，涵盖了各种不同背景的项目。他们接受新挑战的唯一前提保持一致：有机会通过挑战传统建筑思维的另类视角来构思项目。 Project Name: BLOK House Location: Quebec City, Canada Design Team: Quinzhee Architecture Total Floor Area: 59 m² Completion: 2024 Photography: Adrien Williams Feature: Project - Quinzhee Architecture has created BLOK House at the top of Mount Le Maelstrom in Lac-Beauport, Quebec, as an ideal retreat tailored specifically for climbing enthusiasts. This 59-square-meter structure, located at the summit of a natural climbing wall, provides the perfect refuge for climbers. The design team has crafted a monolithic volume with angular edges through asymmetrical forms and gray stucco materiality, cleverly evoking the form of a climbing block. Irregularly arranged openings on the façade resemble climbing holds, creating a surface that guides the gaze and ascent like a climbing route. Within this square plan, heated indoor spaces coexist with sheltered outdoor areas, both increasing the living space and providing an immersive experience in nature. Entering through the truncated corner of the volume, visitors first discover the protected outdoor spaces, sheltered from harsh weather and prying eyes. On the ground level, climbing walls allow climbers to practice their sport, while a spa invites relaxation between training sessions. The upper-level terrace provides a convivial space for cooking and sharing meals while contemplating the surrounding natural landscape. The heated spaces of BLOK House also extend across multiple levels. At ground level, bedrooms enjoy the calm and intimacy of the surrounding forest. The upper-level living spaces benefit from abundant light and unobstructed landscape views. A spacious mezzanine above the kitchen accommodates additional guests. All spaces are clad in wood, creating a harmonious visual continuity between interior and exterior living areas, while contrasting with the raw, mineral character of the building's envelope. BLOK House is not merely a shelter but a celebration of climbing culture expressed through architectural form. This building functions simultaneously as destination, refuge, and sculptural intervention in the landscape, demonstrating Quinzhee Architecture's ability to perfectly blend functional requirements with poetic design inspiration. Design Team - Founded in 2013 by architect Guillaume Fafard, Quinzhee Architecture is a firm embodying the characteristics of its namesake snow shelter: playful, ecological, and Nordic in style. Currently led by Fafard alongside senior architect Catherine Parent, the practice has developed a distinctive design approach that seamlessly integrates client participation into the design process. The firm's methodology places communication and idea-sharing at the forefront, considering these elements essential foundations for innovative, high-quality architectural solutions. By engaging all stakeholders in deliberations about building occupation and environmental context, the practice effectively evaluates the full spectrum of possibilities before identifying optimal design strategies. Quinzhee's portfolio demonstrates remarkable versatility, spanning multiple scales from residential and commercial architecture to urban planning, furniture design, and even ski fabrication. This deliberate cross-disciplinary approach fuels their creative vision and distinguishes their practice within the architectural landscape. With multiple team members holding Passive House Designer certifications, demonstrating the firm's commitment to sustainability, Quinzhee approaches each commission with environmental consciousness and technical precision. The practice values creative experimentation while maintaining pragmatic solutions that respond to client objectives. Though headquartered in Limoilou, Quebec, Quinzhee's operational reach extends well beyond the metropolitan area, embracing projects across diverse contexts. Their only prerequisite for taking on new challenges remains consistent: the opportunity to conceptualize projects through an alternative lens that challenges conventional architectural thinking. 设计团队 旅游探访 59 m² 魁北克城，加拿大 2024 Previous Next

< 返回 武汉甘露山国际滑雪场 CLOU Architects 项目名称：武汉甘露山国际滑雪场 地点：武汉，中国 设计团队：CLOU Architects 建筑面积：178000 m² 完工时间：2024年 摄影师：存在建筑、须然建筑摄影 设计特色： 项目 - 在武汉的中心，CLOU柯路建筑（CLOU Architects）重新构想了滑雪场的概念，将其从简单的运动设施转变为革命性的24小时城市娱乐综合体。这个创新项目为中国的综合休闲目的地设立了新标准，无缝融合了室内冬季运动、零售体验和景观设计。 该度假区最引人注目的特点是其长达半公里、高达100米的室内滑雪道，外部包裹着开创性的像素化多媒体立面。这座建筑奇迹远远超越了传统滑雪设施，创造了一个令人沉浸的环境，消除了室内和室外空间的界限。设计师巧妙地围绕中央湖区布置各种娱乐、体育和零售设施，打造了一个充满活力的"城市客厅"，全天候焕发能量。 受北京冬奥会带来的雪上运动在年轻一代中日益流行的文化浪潮的推动，该项目不仅仅是一个滑雪场，而是一个包含滑雪学校、俱乐部、专业体育场地、酒店和主题公园的全面娱乐生态系统。由层叠的三维像素组成的模块化立面系统，创造了一个独特的视觉识别，反映了这个复合体的多面性，将黄陂区转变为庆祝运动和休闲的当代地标。 这座滑雪场不仅仅是一个建筑项目，更是一种生活方式的表达。它体现了中国城市空间发展的新趋势：将运动、娱乐、商业和社交完美融合，创造多功能、高度互动的城市景观。通过其创新的设计理念，武汉甘露山国际滑雪场不仅满足了人们对冬季运动的渴望，还提供了一个全新的社交和休闲平台。 团队 – 由德国建筑师Jan Clostermann创立的柯路建筑，已成为一个超越传统建筑界限的富有远见的设计实践。该事务所以全球视野建立，在北京、上海和里斯本设有国际工作室，拥有一支由70多位富有创新精神的建筑师和设计师组成的动态团队，致力于创造世界级的社交空间。 柯路的建筑理念以通过智能、整体的设计解决方案，将普通空间转化为非凡环境为中心。该事务所专注于复杂的城市发展、商业目的地和大型综合项目，展现了将经济、社会和环境考量融合成连贯建筑叙事的卓越能力。 该事务所的设计方法以细致的方法论为特征，结合深入的研究、分析严谨性和创造性概念化。通过理解每个项目的独特背景挑战，柯路制定定制的设计策略，不仅满足功能需求，还能生成有意义的空间体验，催化社交互动。 在Jan Clostermann的带领下，这个多学科团队汇集了国际专业知识，将先进的计算设计技术与以人为本的设计理念相结合。他们的项目组合展示了卓越的创新能力，能够敏感地回应当代城市条件，同时推动建筑表达的边界。 以可持续、以背景为驱动的设计为承诺，柯路继续将自己确立为一个在创造充满活力、社会参与的空间环境方面处于前沿的进步性建筑事务所。 Project Name: Wuhan Ski Resort Location: Wuhan, China Design Team: CLOU Architects Building Area: 178,000 m² Completion Year: 2024 Photographers: Arch Exist, Shrimp Studio Lead Architect: Jan Clostermann Landscape Design: Waterlily Design Studio Client: Wuhan Urban Construction Group Design Team Members: Jan Clostermann, Zhi Zhang, Sebastian Loaiza, Zihao Ding, Liang Hao, Yiqiao Zhao, Christopher Biggin, Principia Wardhani, Artur Nitribitt, Jing Shuang Zhao, Liu Liu, Yinuo Zhou, Yuan Yuan Sun, Haiwei Xie Collaborating Design Institute: China Construction Shenzhen Decoration Co., Ltd Feature： Project - In the heart of Wuhan, CLOU Architects has reimagined the concept of a ski resort, transforming it from a simple sporting facility into a revolutionary 24-hour urban entertainment complex. Spanning an impressive 178,000 square meters, this innovative project sets a new standard for integrated leisure destinations in China, seamlessly blending indoor winter sports, retail experiences, and landscape design. The resort's most striking feature is its half-kilometer-long indoor ski slope, soaring 100 meters high and wrapped in a groundbreaking pixelated multi-media façade. This architectural marvel goes far beyond traditional ski facilities, creating an immersive environment that dissolves boundaries between indoor and outdoor spaces. The design strategically arranges various entertainment, sports, and retail facilities around a central lake, creating a dynamic "urban living room" that pulses with energy throughout the day and night. Driven by the growing popularity of snow sports among younger generations in China, the project responds to the cultural momentum sparked by the Beijing Winter Olympics. It's not just a ski resort, but a comprehensive entertainment ecosystem that includes ski schools, clubs, professional sports venues, hotels, and themed parks. The modular façade system, composed of terraced three-dimensional pixels, creates a unique visual identity that reflects the complex's multifaceted nature, transforming the Huangpi district into a contemporary landmark that celebrates both sport and leisure. Design Team - Founded by German architect Jan Clostermann, CLOU Architects has emerged as a visionary design practice that transcends traditional architectural boundaries. Established with a global perspective, the firm maintains international studios in Beijing, Shanghai, and Lisbon, comprising a dynamic team of over seventy innovative architects and designers dedicated to creating world-class social spaces. CLOU's architectural philosophy centers on transforming ordinary spaces into extraordinary environments through intelligent, holistic design solutions. Specializing in complex urban developments, commercial destinations, and large-scale mixed-use complexes, the practice demonstrates an exceptional ability to synthesize economic, social, and environmental considerations into cohesive architectural narratives. The firm's design approach is characterized by a meticulous methodology that combines in-depth research, analytical rigor, and creative conceptualization. By understanding each project's unique contextual challenges, CLOU develops bespoke design strategies that not only meet functional requirements but also generate meaningful spatial experiences that catalyze social interactions. Led by Jan Clostermann, the multidisciplinary team brings together international expertise, integrating advanced computational design techniques with a human-centric design philosophy. Their portfolio showcases a remarkable capacity to deliver innovative projects that respond sensitively to contemporary urban conditions while pushing the boundaries of architectural expression. With a commitment to sustainable, context-driven design, CLOU continues to establish itself as a progressive architectural practice at the forefront of creating dynamic, socially engaged spatial environments. 设计团队 旅游探访 178000 m² 武汉，中国 2004 Previous Next

< 返回 2025大阪世博会沙特阿拉伯馆 福斯特建筑事务所 项目名称：2025大阪世博会沙特阿拉伯馆 地点：大阪，日本 设计团队：福斯特建筑事务所 建筑面积：3542.54 m² 完成时间：2025 摄影：Nigel Young 设计特色： 项目 - 位于日本大阪梦洲海滨的沙特阿拉伯王国馆由福斯特建筑事务所设计，为2025世博会打造了一个独特的文化体验空间。这座展馆创造了一种空间体验，回应了沙特阿拉伯城镇与城市的探索，同时为游客提供了一个沉浸式环境，让他们能够与沙特阿拉伯王国的未发现奇迹建立联系。 展馆的外形轮廓令人联想到传统沙特村落的有机形态，设计团队通过计算流体动力学模拟精心打造了建筑形态，使夏季高温时西面的凉风能够流入街道。在较冷的四月和十月，前庭的景观设计则作为屏障，保护展馆免受更为强烈的北风影响。 游客通过种植有沙特本土植物的前庭进入，沿着狭窄的街道行进，这些街道通向沙特中庭，这里是整个方案的核心。中庭在白天提供静思的空间，夜晚则转变为表演和活动的场所。从这里，游客被邀请探索一个"村落"，其中蜿蜒的街道上有窗户和门户，通向一系列沉浸式空间，这些空间是与Journey（59 Productions和Squint/Opera）密切合作设计的。 通过精心的材料选择和空间组织，展馆不仅尊重了沙特的建筑文化传统，唤起了场所感，还为游客提供了一瞥其街道日常生活和城市肌理的机会。作为一个高度可持续和包容性的展馆，它被设计为实现运营零碳排放，并获得了日本绿色建筑评级系统的最高级别（CASBEE S）。 这座展馆是沙特与日本文化交流的重要平台，每天可接待23100名游客，展示了沙特阿拉伯如何平衡传统与现代技术，形成了自己的城市微观世界，反映了其正在进行的国家转型。 团队 - 福斯特建筑事务所是一家全球性的可持续建筑、城市规划、工程和设计工作室，由诺曼·福斯特爵士于1967年创立。自成立以来，该事务所就建立在创新、可持续性和设计的哲学基础上，不断从过去中学习，创造性地迎接未来的挑战，坚信良好的设计能够带来改变。 作为股东的合伙人是事务所的核心。他们对所有项目负责，这些项目分布在各个建筑工作室中。设计委员会负责维护事务所的设计理念，审查每个项目的各个阶段。日常管理由管理委员会负责，其成员来自更广泛的高级合伙人和合伙人群体。合伙人委员会则监督整个事务所的战略方向。 福斯特建筑事务所相信，优秀、负责任的设计只有在不同学科的重要贡献下才能实现。这使他们能够从多个角度快速探索广泛的解决方案。建筑团队从最早的草图到战略设计、施工图纸和完工，设计并交付项目。他们在整个过程中与专业设计团队密切合作，以实现统一的愿景。这些团队包括结构和环境工程、可持续性、城市和景观设计、工业设计、工作场所和室内设计，以及自己的技术和研究团队。 福斯特建筑事务所是英国最大的建筑公司，在全球拥有超过1400名员工。该事务所设计了许多备受关注的建筑，获得多项史特灵奖。通过对环境因素、技术进步和生态考量的细致关注，福斯特建筑事务所持续打造超越建筑本身的作品——创造既增强人类体验又解决紧迫全球挑战的空间。 Project Name: KSA Pavilion Expo 2025 Osaka Location: Yumeshima, Osaka, Japan Design Team: Foster + Partners Total Floor Area: 3,542.54 m² Completion: 2025 Photography: Nigel Young Feature: Project - Located on the Yumeshima waterfront in Osaka, Japan, the Kingdom of Saudi Arabia Pavilion designed by Foster + Partners creates a unique cultural experience for Expo 2025. The pavilion creates a spatial experience that echoes the exploration of Saudi Arabian towns and cities, while providing a setting for immersive engagement that connects visitors with the undiscovered wonders of the Kingdom. The pavilion's massing recalls the organic shapes of traditional Saudi villages. The design has been carefully crafted using computational fluid dynamics simulations to allow cool winds from the west into the streets during the height of summer. In the cooler months of April and October, the landscaped forecourt acts as a barrier to protect the pavilion from harsher northerly winds. Visitors enter the Pavilion through the forecourt, planted with native Saudi Arabian flora, and travel through narrow streets that lead to the Saudi Courtyard, which is the beating heart of the scheme. The Courtyard allows for moments of quiet reflection during the day and transforms into a venue for performances and events at night. From here, visitors are invited to explore a 'village' of meandering streets, with windows and doorways into a series of immersive spaces, designed in close collaboration with Journey (59 Productions and Squint/Opera). Through careful material selection and spatial organization, the pavilion honors Saudi's architectural heritage, evokes a sense of place, and provides visitors with a glimpse into the daily life and urban fabric of the Kingdom's streets. As a highly sustainable and inclusive pavilion, it has been designed to be net-zero operational carbon and aims to achieve the Japanese green building rating system's highest level (CASBEE S). The pavilion serves as an important platform for cultural exchange between Saudi Arabia and Japan, with capacity for 23,100 visitors per day, showcasing how Saudi Arabia balances tradition and heritage with modern technologies, forming its own urban microcosm that reflects the national transformation of the Kingdom. Design Team - Foster + Partners is a global studio for sustainable architecture, urbanism, engineering and design, founded by Norman Foster in 1967. From the very beginning, the practice was founded on a philosophy of innovation, sustainability and design, continuing to learn from the past and creatively embracing the challenges of the future, with a firm belief that good design makes a difference. The partners, who are all shareholders, are the core of the practice. They take responsibility for all projects, which are shared amongst architectural studios. The Design Board reviews every project at all its different stages, maintaining the design ethos of the practice. Day-to-day management is provided by the Management Board, which is drawn from the wider group of senior partners and partners. The Partnership Board oversees the strategic direction of the entire practice. Foster + Partners believes that good, responsible design is only possible with significant contributions from different disciplines. This allows them to rapidly explore a wide range of solutions from many points of view. Their architectural teams design and deliver projects from the earliest sketch through to strategic design, construction drawings and completion. They work closely with specialist design teams throughout the process to deliver an integrated vision. These teams include structural and environmental engineering, sustainability, urban and landscape design, industrial design, workplace and interior design together with their own technology and research teams. Foster + Partners is the largest architectural firm in the UK with over 1,400 employees worldwide. The firm has designed numerous high-profile buildings and received multiple Stirling Prizes. Through meticulous attention to contextual factors, technological advancements, and ecological considerations, Foster + Partners continues to produce architecture that transcends mere building—creating spaces that enhance human experience while addressing pressing global challenges. 设计团队 旅游探访 3542.54 m² 大阪，日本 2025 Previous Next

< 返回 玻璃生态宅 Unknown Surface Studio 项目名称：玻璃生态宅 地点：曼谷，泰国 设计团队：Unknown Surface Studio 建筑面积：450 m² 竣工时间：2025年 摄影：Rungkit Charoenwat 设计特色： 玻璃生态宅由Unknown Surface Studio设计，坐落于曼谷拉普劳区一处独特的勺状地块，展现了空间限制转化与内向型设计策略的完美平衡以及被动式采光系统的精妙运用。这座450平方米的私人住宅以其独特的序列性抵达体验和中央庭院生态箱配置，重新定义了高密度城市环境内的自然融合与空间宁静。 该项目最引人注目的成就在于其智慧的场地应对策略。建筑面临两大核心挑战：仅三米宽的狭窄入口道路带来的可达性限制，以及四面被邻居包围导致的隐私与采光问题。Unknown Surface Studio的设计回应是将空间限制转化为最大资产，创造一个完全向内聚焦的自给自足世界。这种策略性翻转不仅优化了场地利用，更将物理约束与精神需求、功能布局以及情感体验紧密关联。 建筑叙事通过精妙的抵达序列展开，展现出卓越的空间编排。狭长的入口通道被转化为过渡性隧道，两侧天然石材墙面与延展的木质天花板抑制城市噪音，营造期待感，创造进入内部圣所前的平静时刻。中央庭院作为住宅的情感核心，保留场地原有树木，建筑如玻璃展柜般环绕自然，形成活体生态箱。这个翠绿的核心功能作为被动光源，阳光透过层层树叶过滤，在木质内饰上投下不断变化的阴影，随着太阳移动，每时每刻改变住宅氛围。 项目的决定性建筑元素是那创新的无柱结构系统，展现出卓越的工程设计智慧。尽管被周围建筑包围，室内空间却呈现无界感受。双层高起居区与弧形玻璃墙消解转角，创造一层与二层之间的无缝视觉流动。二层设计为私密顶层空间，容纳艺术收藏与主卧室，与内部花园保持持续对话。钢材与Takian木框架承担屋顶重量，暴露材料原始之美，实现无柱空间的结构诚实性。 立面处理展现了工艺精湛性。作为建筑承包商的住所，这栋房子是工艺的宣言。七种不同木材经过精心选择并化学漂白，达到统一的类似日本扁柏的色调。这种设计手法充分利用材料的独特特性，创造出色调和谐的居住环境。材料选择的差异化处理不仅是美学追求的策略，更成为空间叙事的重要元素，使整个住宅呈现出层次分明的质感与触觉性对话。 设计通过将建筑与自然相拥而非仅仅共存，在城市混乱与内部宁静之间取得精妙平衡。玻璃展柜配置不仅是功能性解决方案，更成为空间体验的核心元素，将物理限制转化为设计契机。项目证明了深思熟虑的设计能够在密集城市环境中，通过策略性场地利用和创新结构应用，创造感觉远离城市的永恒绿洲，同时最大化自然光线与绿色景观的渗透。 设计团队： Unknown Surface Studio于2020年由Cievanard Nattabowonphal、Piyanat Songkhroh和Nonglak Boonsaeng共同创立，是一家总部位于曼谷的设计机构，专注于创造建筑未来性的城市空间、有机形态建筑和创新项目，将自然灵感与建筑建造表面相平衡。三位创始合伙人秉持"为您打造专属表皮"的理念，拥有挑战传统形态并拥抱新技术与新理念的优秀教育背景与实践经验。 在创立自己的事务所之前，三位创始人通过多年的建筑实践磨练专业技能，发展出植根于未来主义、有机性和技术先进性的设计理念，体现对自然亲和力的当代诠释。事务所领导团队专门提供全面的建筑服务，包括建筑设计、城市设计、室内设计和创新空间开发，通过挑战现状持续探索建筑的相关角色。 该事务所在国际建筑界获得广泛认可，2025年荣获Prix Versailles"全球最美餐厅"奖项中Curvy Dining餐厅的殊荣，2024年获得台湾设计研究院金点设计奖Uncloud Coffee项目的标章优胜以及最佳设计入围，同年获得Room x Living东盟精选奖最具吸引力空间咖啡厅类别奖项。事务所多个项目获得ArchDaily年度建筑大奖提名，包括2025年Uncloud Coffee和2024年Canvas House。事务所的作品持续探索曲线运用、流动性创造以及自然与建筑的整合，在东南亚当代建筑领域确立了独特的声音。 Unknown Surface Studio作为全方位服务的建筑实践机构，在多元建筑类型中展现专业能力，涵盖住宅建筑、商业空间、餐饮设施、城市设计的规划设计，以及各类创新改造项目的规划设计、景观整合和空间产品设计。事务所通过涵盖从私人住宅到公共设施的多样化作品集，在东南亚当代建筑领域建立了新的典范，展现出对创造真正人性化环境的持续承诺。对事务所而言，曲线赋予流动性与柔软感，对抗自然中常见的刚性线条。事务所将曲线融入设计以软化尖锐线条，从景观到建筑，唤起流动与运动感，以柔和有机的过渡引导使用者穿越空间。其获奖项目证明了事务所在当代东南亚建筑实践中的卓越地位。事务所的设计牢固植根并讲述场地语境的语言，同时展现出微妙而意想不到的个性。通过其设计哲学，事务所在令人兴奋的美学与智能功能之间取得平衡，创造未知表面的可能性。 设计团队 旅游探访 450 m² 曼谷，泰国 2025 Previous Next

< 返回 Winkelhaus住宅 estudio kmmk 项目名称：Winkelhaus 地点：温克尔，瑞士 设计团队：estudio kmmk 建筑面积：643 m² 竣工时间：2026年 摄影：Archibatch, Frederico Montanha 设计特色： 这座由estudio kmmk设计的弧形独栋住宅坐落于瑞士温克尔的坡地之上，展示了当代建筑如何通过形式与功能实现与自然的和谐共生。Winkelhaus是该工作室在瑞士的首个项目，呈现了一种从最初概念阶段就将景观、工程与设计融合的整体性方法。 住宅的核心特征是其流畅的弧形几何形态，使每个室内空间都朝向周围的森林和远处广阔的山谷。这一精心设计的形式策略确保居住者能够通过建筑与景观之间的持续对话，体验四季更迭。建筑仿佛从场地中有机生长而出，其景观整合营造出一种永久归属感，而非新近介入的痕迹。 材料选择强化了这种场所联系。质感丰富的青铜窗框随光线变化而改变色彩，呼应相邻森林的秋日色调，而手工加工的天然石板则致敬当地罗马遗迹，承认该地区的历史厚度。与之形成鲜明对比的是，室内空间拥抱克制美学：无缝白色地面、白色水洗木材表面和纯净的粉刷墙面，共同创造出宁静的背景，框取戏剧性的自然景观。 除了美学成就，Winkelhaus还通过完全能源自主开创了可持续生活方式。地热和太阳能系统完全为住宅供能，而半地下设计利用热质量实现全年自然气候调节。智能家居技术无缝优化能源消耗。 项目的创新延伸至建造方法。与苏黎世联邦理工学院研究人员的合作为户外厨房生产了3D打印模板，连接古老工艺与尖端机器人技术。手工雕刻的黏土模型经数字扫描后由机器人制造，将原始艺术表达与精密技术融合。这体现了estudio kmmk的理念：将巧妙设计与先进工程统一，创造尊重并回应自然语境的建筑。 设计团队： estudio kmmk成立于瑞士苏黎世，代表了两位杰出建筑师职业生涯的汇聚。由Angela Kurmann和Frederico Martins Montanha创立，该事务所是他们始于巴西的个人职业轨迹的自然融合与延续。作为家族运营的事务所，estudio kmmk为建筑带来了独特的人文主义方法，设计发展与客户及其愿景深度协同。 事务所的设计哲学以语境响应和场地特定性为核心。每个项目都针对其特定位置精心发展，具有双重目标：提升使用者生活质量的同时丰富场所本身的内在特质。这一承诺反映了事务所的理解，即每项委托既承担着对客户目标的责任，又提供了通过审慎设计干预为周边环境做出有意义贡献的机会。 在苏黎世设立基地之前，领导团队汲取了横跨巴西、澳大利亚和瑞士三大洲的丰富专业经验，培养出植根于尊重地方文化、传统和建造方法论的全球视野。建筑旅行仍是工作室DNA的核心组成部分，提供持续灵感并加深对个体和集体人类需求的理解。事务所坚持建筑构成一个持续的实验、进化和学习之旅，体现全球思考、地方行动的原则，对地域语境和技术可能性保持坚定尊重。 设计团队 旅游探访 643 m² 温克尔，瑞士 2026 Previous Next

< 返回 LADOR 首尔旗舰店 Indiesalon 设计特色： 项目 – 在首尔城东区充满活力的街道上，一处原本普通的零售空间经过翻天覆地的改造，化身为一处沉浸式护发场所，颠覆了传统产品陈列的理念。这巧夺天工的杰作出自Indiesalon设计工作室的匠心独具，LADOR首尔旗舰店邀请顾客步入一场多感官的体验之旅，将简单的护发升华为一门精致艺术。这绝妙建筑的核心是那醒目的"浴池魔方"——一座颇具雕塑感的空间装置，致敬了LADOR品牌的独特气质。这魔方仿佛一潭湛蓝池水，内里铺设着芬芳的泡沫浴缸，诱人沉浸其中，享受品牌的缤纷香氛世界。除了这抢眼的焦点装置，整个空间沿袭着一系列精心编织的空间小品。标志性的"绿洲之桌"以流畅的曲线和嵌入式产品陈列，引导顾客遨游探索的旅程。与此同时，豪华的休闲包厢则散发着欧洲风情，将顾客拥入无上体贴的放松殿堂。但这里的非凡之处在于内外空间的巧妙融合。室外的露天淋浴区撩拨着过路人的好奇，将目光引入室内，吸引他们踏上这场化妆品与体验空间交相辉映的护发奇遇。 团队 – Indiesalon于2013年在首尔创立，是一家空间设计工作室，其设计理念源自两大支柱——"独立精神"蕴含着创造力和自主性，而"沙龙"则是文化交流与思想碰撞的平台。两者交融孕育了他们的设计手法，倡导自由思考与开放交流作为空间诠释和实践的媒介。在创始人兼首席建筑师장석준（张锡骏）的领导下，Indiesalon的跨领域团队精心编织沉浸式的空间体验，超越了单纯的物理空间。他们的设计诉求在打造建筑环境与多元文化之间建立共生交互。无论是零售、酒店还是住宅项目，Indiesalon非凡造诣在于塑造出激发对话、维系社群、倡导文化共享探索的空间，他们协作有加的方式和对设计审美的执着，奠定了其在韩国建筑界的先锋地位。 Feature： Project - In the vibrant Seongdong district of Seoul, a former retail space has undergone a transformative metamorphosis into an immersive haircare sanctuary that transcends conventional notions of product merchandising. Envisioned by the ingenious minds at Indiesalon, the LADOR Seongsu Store beckons customers into a multisensory experience that elevates haircare into an indulgent art form. The heart of this architectural marvel is the striking "bath cube" – a sculptural centerpiece that pays homage to LADOR's brand identity. Clad in a soothing sky blue hue, this striking installation houses an inviting bathtub brimming with scented bubbles, enticing visitors to immerse themselves in the brand's aromatic world. Beyond this captivating focal point, the space unfurls into a series of thoughtfully curated vignettes. The signature "oasis table," with its sinuous curves and integrated product displays, guides customers on a seamless journey of discovery. Meanwhile, opulent lounge booths exude an air of European sophistication, transporting patrons into a realm of indulgent pampering. But the true genius lies in the subtle yet ingenious interplay between indoor and outdoor realms. An alfresco shower area tantalizes passersby, drawing their gaze inward and enticing them to embark on a transformative haircare odyssey that blurs the boundaries between retail and experiential refuge. Design Team - Founded in 2013, Indiesalon is a Seoul-based spatial design studio that derives its ethos from the convergence of two philosophical cornerstones – the 'Indie Spirit' rooted in creativity and autonomy, and the 'Salon,' a forum for cultural discourse. This duality manifests in their approach, which champions free thinking and open communication as conduits to insightful spatial interpretations and implementations. Under the guidance of founder and principal architect Seokjoon Jang, Indiesalon's multidisciplinary team, comprising designers Wona Kim, Seonghyun Hong, and Jisu Kang, alongside management support lead Sayup Kwon, orchestrates immersive spatial experiences that transcend mere physicality. Their design narratives foster a symbiotic exchange between built environments and the multifaceted cultures they aim to celebrate. With a portfolio spanning retail, hospitality, and residential realms, Indiesalon's prowess lies in crafting spaces that ignite dialogue, nurture communities, and serve as catalysts for shared cultural explorations. Their collaborative approach and commitment to design integrity have solidified their reputation as vanguards in Korea's architectural landscape. 设计团队 旅游探访 175 m² 韩国，首尔 2024年 Previous Next

< 返回 沙漠之家度假屋 Industry of All Nations 设计特色： 项目 – 这栋名为“着陆之家”的现代木结构度假屋深藏于加利福尼亚州约书亚树国家公园边界处莫哈韦沙漠的岩石地貌之间，与周围环境融为一体，可谓生态敏感型建筑的典范，其低矮的水平体量、对原生地形的融入、以及对当地材料的广泛运用，完美结合了可持续性和现代设计美学。沿着蜿蜒的400码长的道路前行，当地标志性的约书亚树和沙漠巨石把这栋单层住宅遮掩在沙漠尽头。两个简约形式建筑体量围绕一个泳池，大面积玻璃墙面模糊了室内外的界限，与以雪松为主的室内装修相呼应，与周围的沙漠色调产生共鸣。房屋的细节处处体现巧思：从其中一个卧室墙面上若隐若现的圆形窗，到巧妙隐藏在一处岩石群后作为瑜伽活动空间的角落。这个项目对环境影响的考量甚至延伸至地基处理——直接建造于石灰岩土层之上，避免了深度开挖。正如设计师们所说，“我们选择了非常简单、低维护的材料，包括混凝土、雪松和玻璃，它们会在周围环境中自然老化”，这个项目“完全源自大自然的景观建筑”，是人与自然和谐共生的生态建筑典范。 团队 – 来自美国加州洛杉矶的Industry of All Nations （IOAN）成立于2010年，由建筑师 Fernando Gerscovich和其伙伴们共同领导主持，是一家致力于重新思考消费品生产方法的设计和开发工作室，其致力于将制造业带回产品和材料的原产地，帮助创造更具竞争力的市场。他们推出与世界各地当地社区合作横向开发的日常用品，通过传统和创新的工业流程创造新颖的产品。IOAN 还在世界范围内寻找标志性产品，这些产品以不变的身份呈现给公众——处于潜在状态等待被发现的出色匿名设计。 Feature： Project - Nestled into the rugged Mojave Desert landscape on the edge of California's Joshua Tree National Park, The Landing House is a modern wood pavilion that masterfully blends sustainability and design. Created by Industry of All Nations, this desert retreat exemplifies eco-sensitive architecture through its modest horizontal form, integration with the natural terrain, and extensive use of regional materials. Upon approach along a winding 400-yard road, the home's low-slung profile surprises the eye, concealed until the last moment by the iconic Joshua trees and boulders native to the site. Two illuminated volumes connected by a central breezeway divide the house into dual wings that frame a plunge pool courtyard beyond. Floor-to-ceiling glazing blurs indoor/outdoor boundaries and complements the predominantly cedar interior finishes, echoing the surrounding desert hues. Thoughtful details abound, from the round window puncturing one bedroom to the yoga nook tucked discreetly behind a rock outcropping. And the project's sensitivity to environmental impact even extends to its very foundations – built directly upon the desert caliche to eliminate digging and disturbance. As the designers put it, "the landscape architecture is delivered courtesy of Mother Nature," a prime exemplar of humble, sustainable architecture in harmony with the land. Design Team - In April 2010, Industry of All Nations became a design and development office founded with a commitment to rethink methods of production for consumer goods. IOAN takes manufacturing back to the regions where products and materials originate, bringing unique local businesses to an international market. IOAN introduces everyday goods that are developed horizontally in collaboration with local communities around the world, creating novel products through traditional and innovative industrial processes. IOAN also searches the world for iconic products that are brought to the public with an identity unaltered - superb anonymous designs in a latent state waiting to be discovered. IOAN is determined to combine environmental and social awareness while promoting fair trade and open borders for all nations. 设计团队 旅游探访 850 ft² 美国 约书亚树国家公园 2023 Previous Next

< 返回 〇 IGArchitects 项目名称：〇 地点：东京，日本 设计团队：IGArchitects 建筑面积：132.50平方米 竣工时间：2025年12月 摄影：Ooki Jingu 设计特色： 由建筑师五十岚理人领导的东京建筑事务所IGArchitects完成了涩谷一处单层办公空间的改造，通过插入六个超越传统建筑等级的圆形元素，创造出一个持续适应性的工作空间。这个简单命名为"〇"的项目，将传统办公环境重新构想为一个流动场域，其中用途不断转换和重叠，而非固定于预设区域，展示了如何通过空间余地本身作为设计策略，在不确定的功能需求中创造出能够持续更新的空间骨架。 该项目的核心挑战在于应对非固定用途的办公需求。客户寻求的不是特定功能的办公空间，而是能够容纳员工福利、接待等多种未固定使用模式的场所。通过一系列讨论，建筑师发现客户对单层空间内部的空间偏向和占据场所持有直觉感知。五十岚理人没有将这些模糊的需求规划为固定的功能区域，而是将空间余地本身构想为主要的建筑命题。 该建筑的核心特征是其创新的六个无尺度环形元素配置。五十岚理人没有用传统墙体或刚性隔断分割这个132.5平方米的空间，而是引入从建筑构件到类家具组件跨越尺度的环形元素。这些环形既不是分隔空间的墙体，也不是明确定义的房间，而是作为温和引导人的驻留、视线和行为的装置进行配置。 各个环形元素体现了矛盾特质，同时具备连接与分离、包围与向外开放的相反性质，在空间中产生引力与斥力，持续更新人与空间的关系。当火炉燃起时，高度差异产生显着的环境变化。这种策略性设计创造了分层的空间体验，使办公空间能够根据使用者的行为和情境有机地涌现不同关系。 由这些环形群构成的单层空间既没有明确的中心也没有边缘，成为用途和占据模式持续波动的场域。空间不承载固定意义，也不被归入单一功能。关系根据行为和情境涌现，使用模式随时间转移、重叠并反复更新。该项目展示了如何通过直接回应客户需求而不将其定义为单一用途，建立能够抵御变化的空间骨架。 在当代语境中，多样化的功能和行为已无法仅用"办公室"一词涵盖，它们在楼层中重叠和延展。通过重新诠释楼层内部潜在的环境差异和关系，该设计探索了一种既不分割空间也不依赖明确分区的共存配置，创造出充满生命力且与使用需求共生的工作空间。 设计团队 ：IGArchitects作为当代日本建筑实践的先锋力量，由出生于东京的建筑师五十岚理人于2020年创立，自成立以来已确立其在当代建筑设计以及空间关系创新领域的重要地位。这家立足东京的事务所通过探索建筑元素如何在居住者与环境之间生成新的关系，重新定义当代日本建筑师在设计话语中的角色。 五十岚理人为建筑实践带来了卓越的空间构成设计视角和对结构表达的深刻理解。该事务所因其将结构形式作为承重系统和空间组织者进行持续研究的承诺而获得认可。五十岚理人1983年出生于东京，2008年从工学院大学大学院建筑学专攻毕业后在清水建设株式会社设计部工作，2014年加入SUPPOSE DESIGN OFFICE，积累了丰富的实践经验，于2019年开始独立设计活动，2020年建立独立事务所。他的教学参与涵盖东京理科大学、东京电机大学和法政大学的兼职讲师职位，现与员工矢崎裕希共同领导该事务所。 该事务所的设计哲学强调建筑应该超越传统的功能定义，探索如何通过结构和空间的创新配置创造新的居住关系。事务所相信通过对场地特定条件的细致观察和对空间组织的深度研究，建筑能够挑战静态的居住和空间定义观念。通过对空间构成和结构表达的实验性手法，开展从住宅到办公建筑及室内设计的多元化作品。 该事务所在建筑界获得了显着认可，ピラミッドハット项目荣获2026年建筑九州岛赏JIA特别赏、2025年JCD OKINAWA空间デザイン赏大赏。事务所还在2025年获得ArchDaily Next Practices Awards及archello评选的25家日本最佳建筑事务所。家の躯体项目获得2025年JIA关东甲信越支部住宅部会赏室伏次郎赏，一本足の家入选2025年日本建筑学会作品选集并获得2025年建筑九州岛赏佳作。柱群の家获得2024年ASIA ARCHITECTURE DESIGN AWARD住宅室内设计最优秀赏。 除实践外，通过对空间尺度的精准把握、结构创新的深入研究以及空间关系的持续探索，IGArchitects已确立自己作为当代日本建筑话语重要贡献者的地位，创造出既具实验性又保持建筑卓越性的作品。日本、台湾、法国、意大利、西班牙、德国、澳大利亚和韩国的出版物均报道了他们的项目，认可其对推进建筑话语的贡献。在五十岚理人的持续领导下，该事务所目前在日本建筑景观中占据独特地位，专注于创造挑战静态居住观念、充满生命力的建筑空间。 设计团队 旅游探访 132.50 m² 东京，日本 2025 Previous Next

< 返回 红海 Ummahat 9-3 岛屿度假别墅 隈研吾建筑都市设计事务所 设计特色： 项目 – 隈研吾建筑都市设计事务所将红海边的乌玛哈特-阿尔沙伊赫岛（Ummahat AlShaykh ）打造成了一处独特的度假胜地。这位日本建筑大师的设计深深扎根于当地的独特地貌，实现了与周围环境的完美融合。虽然脆弱的海岛生态给设计带来了不少挑战，但隈研吾仍然巧妙地设计出了一系列低矮、水平伸展的"陆地别墅"，屋顶呈现柔和的弧形，完美与自然沙丘相呼应。这不仅确保了客人的隐私，也最大限度地保护了岛屿的地貌特征，减少了人工填充。与此同时，蒙受海底丰富珊瑚生态的启发，隈研吾在海上设计了一些螺旋形的"海上别墅"，优雅地从海中屹立，让游客尽享无阻碍的海景。所有建筑，包括酒店设施，都以珊瑚和沙丘为灵感，体现了建筑与环境的深度融合。在材料选择上，隈研吾尽量减少混凝土的使用，转而采用木材和粘土，为建筑注入自然质感。耐盐的云杉木和反映沙丘纹理的粘土，强化了建筑与大自然的联系。屋顶则采用了以自然美感和抗风雨能力著称的雪松木瓦。整个项目体现了隈研吾的全方位、可持续的设计理念，将建筑完美地融入到这片令人叹为观止的沙漠海岸之中。 团队 – 1990年，著名日本建筑师隈研吾（1954年生）创立了隈研吾建筑都市设计事务所(Kengo Kuma and Associates，简称KKAA)。经过多年发展，该事务所已成为全球领先且富有经验的情境驱动设计公司，在东京、巴黎、北京和上海均设有办事处，在40多个国家完成了众多创新项目，巧妙融合建筑与自然环境。隈研吾的设计理念强调与场地的深度联系，巧妙运用自然材料，通过细致入微的干预手法，打造出既尊重当地文化与生态，又能提升人文体验的建筑作品。从大型文化设施到尺度宜人的度假别墅，KKAA的作品涵盖多种尺度和类型，但无一例外地体现了可持续发展和对人与环境关系的深刻理解。在隈研吾的带领下，KKAA不断推进当代建筑的边界，融合创新技术和传统工艺，实现了远见卓识的设计，重塑了建筑环境的角色定位。迈入第四个十年，KKAA凭借卓越的设计品质和持续的创新精神，已经成为建筑及设计行业的全球重要力量。 设计团队 旅游探访 17000 m² 沙特阿拉伯 2024年 Previous Next