< 返回 Arc’teryx 东京创作中心 Torafu Architects 设计特色： 在东京充满活力的涩谷区中心，“Arc’teryx始祖鸟”东京创意中心如同创新设计和户外灵感的灯塔冉冉升起。由Torafu Architects的设计团队构思，这个改造项目将一座既有建筑转变为充满活力的创意与协作枢纽，标志着“Arc’teryx始祖鸟”在北美以外的首个创意中心诞生。 这座中心的设计理念巧妙地被称为"外部内化"，无缝融合了室内外元素，呼应了品牌与自然和谐共存的精神。这一理念通过一系列精心设计的建筑干预得以实现，从让人联想到始祖鸟标志性"A"字logo的藍染木质入口，到迎接访客的宏伟檜木展示墙，处处体现匠心。 每一层楼都有其独特用途，包括原型制作区、办公空间和提供壮丽景观的屋顶露台——所有这些都通过统一的设计语言紧密相连。一楼的中心是一圈呈圆形排列的扇形裁剪台，上方是具有吸音效果的柏木百叶天花板，形成了一个鼓励协作和创意的焦点。 项目中可能最引人注目的特色是遍布整个空间的艺术装置，每件作品都经过精心挑选，唤起山岳的本质——这是对始祖鸟品牌起源和核心价值观的致敬。从藍染绳索雕塑到大型摄影作品，这些艺术元素为环境注入了冒险精神和对自然的敬畏。 In the heart of Tokyo's vibrant Shibuya district, the Arc'teryx Tokyo Creation Center emerges as a beacon of innovative design and outdoor inspiration. Conceived by the visionary team at Suppose Design Office, this renovation project transforms an existing structure into a dynamic hub for creativity and collaboration, marking Arc'teryx's first creation center outside North America. The center's design philosophy, aptly dubbed "OUTSIDE IN," seamlessly blends interior and exterior elements, echoing the brand's ethos of harmony with nature. This concept is brilliantly executed through a series of thoughtful architectural interventions, from the indigo-dyed wooden entrance reminiscent of Arc'teryx's iconic 'A' logo to the expansive hinoki wood display wall that greets visitors upon entry. Each floor serves a distinct purpose, with areas dedicated to prototyping, office spaces, and a rooftop terrace offering breathtaking views – all interconnected by a cohesive design language. The centerpiece of the ground floor, a circular arrangement of fan-shaped cutting tables beneath an acoustic cypress louver ceiling, creates a focal point that encourages collaboration and creativity. Perhaps the most striking feature is the integration of art installations throughout the space, each piece carefully selected to evoke the essence of mountains – a nod to Arc'teryx's origins and core values. From indigo-dyed rope sculptures to large-scale photographic works, these artistic elements infuse the environment with a sense of adventure and reverence for nature. 设计团队： TORAFU ARCHITECTS（トラフ建築設計事務所）由铃野浩一和禿真哉于2004年共同创立，已成为建筑设计界的一股创新力量。这家总部位于东京的多元化事务所凭借其在建筑、室内设计、展览策划和产品设计方面的创新手法赢得了国际声誉。 该设计团队秉持以建筑思维为根基的理念，不断突破传统设计的界限。他们的作品集展现了惊人的多样性，涵盖从"港北住宅"等住宅项目到"NIKE 1LOVE"等商业空间，以及"空气之器"和"格列佛桌"等富有创意的产品设计。该事务所在创造沉浸式空间体验方面的专长，在2011年米兰设计周为佳能打造的"光之织机"装置中得到充分体现，并荣获ELITA设计大奖最佳展览奖。他们的作品屡获殊荣，包括多项优良设计奖和享有盛誉的红点设计大奖。 其设计方法特点在于对材料、空间效率和用户体验的敏锐关注。他们的项目经常以创新方式运用传统材料，打造既实用又美观的空间。该事务所在无缝融合室内外元素方面的能力尤为引人注目，最近项目中的"外部内化"概念就是很好的例证。 在两位创始人的持续领导下，TORAFU ARCHITECTS始终站在建筑创新的前沿，不断交付挑战认知、重新定义空间体验的项目。他们的作品持续影响着业界，为建筑设计领域的创造力和功能性树立了新标准。 TORAFU ARCHITECTS, founded in 2004 by Koichi Suzuno and Shinya Kamuro, has established itself as a visionary force in the architectural design industry. Based in Tokyo, this multidisciplinary firm has garnered international acclaim for its innovative approach to architecture, interior design, exhibition planning, and product design. With a philosophy rooted in architectural thinking, TORAFU ARCHITECTS consistently pushes the boundaries of conventional design. Their portfolio showcases a remarkable versatility, ranging from residential projects like the "Hongoku no Jutaku" to commercial spaces such as "NIKE 1LOVE" and inventive product designs like the "Air Vase" and "Gulliver Table." The firm's expertise in creating immersive spatial experiences is exemplified by their award-winning installation "Light Loom" for Canon at Milano Salone 2011, which received the ELITA Design Award for Best Exhibition. Their work has been recognized with numerous accolades, including multiple Good Design Awards and the prestigious Red Dot Award. A keen attention to materiality, spatial efficiency, and user experience characterizes TORAFU ARCHITECTS' approach. Their projects often feature innovative uses of traditional materials, creating functional and aesthetically striking spaces. The firm's ability to seamlessly blend interior and exterior elements is particularly noteworthy, as seen in their "OUTSIDE IN" concept for recent projects. Under the continued leadership of Suzuno and Kamuro, TORAFU ARCHITECTS remains at the forefront of architectural innovation, consistently delivering projects that challenge perceptions and redefine spatial experiences. Their work continues to influence the industry, setting new standards for creativity and functionality in architectural design. 设计团队 旅游探访 765.61 ㎡ 日本，东京 2023年 Previous Next

< 返回 塞拉尔维斯当代艺术博物馆新馆 阿尔瓦罗·西扎·维埃拉 设计特色： 项目 – 阿尔瓦罗·西扎设计的全新塞拉尔维斯博物馆新馆，巧妙地扩展了波尔图这一当代艺术机构，同时恭顺地融入了曼妙的园林环境。这座简约的混凝土、玻璃和木质结构有如一条拉长的亭棚从郁郁葱葱的绿色景观中延伸而出，为博物馆增添了4200平方米的全新展览空间，分布在其三层楼面。建筑物低调的体量和水平的构架使其与周边环境完美融合，一条高架长廊将其与既有博物馆建筑相连，同时保留了园区里的步行道和树木。落地玻璃窗将自然光线大量引入内部明亮的空间，同时将户外的秀丽园景尽收眼底。西扎一如既往地选用简约材质，如抹灰混凝土、上釉木料和抛光石材，为流畅的建筑形式增添温润质感。18个灵活的展厅空间符合博物馆标准，具备人工照明、空调和无障碍等配套设施。或许这个新馆最独特的设计在于它精心编排了人流和物流的分流路线。南侧的服务通道可接纳艺术品的运送，而东侧则设有一个宏伟的公共入口，通过一个遮挡雨雪的中庭，引领游客进入相互连通的展览空间。这无疑是一个建筑杰作，恰如其分地优化和丰富了周边环境。 团队 – 阿尔瓦罗·西扎是20世纪后期最具影响力的建筑大师之一，他在1954年毕业于波尔图大学后创立了自己的建筑事务所。如今这家老牌设计机构已走过69年风雨历程，目前由西扎本人和包括他儿子阿尔瓦罗·莱特·西扎在内的资深建筑师团队执掌。这位1992年普利兹克建筑奖得主的作品展现了对形式、材料和环境背景的细腻体现和把控。从标志性的早期作品波·诺瓦茶室（ Boa Nova Tea House），到波尔图塞拉阿尔维斯当代艺术博物馆等地标性项目，西扎的建筑无不熔铸了强烈的地域特色，并兼具雕塑般的造型美和实用主义的精髓。他的建筑语言巧妙地将现代主义理念与葡萄牙丰厚的营建传统融会贯通。在西扎精湛的手笔下，建筑物达到了结构上的卓越清晰，同时也为光影、质地和空间体验这些诗意元素留出了充分空间。凭借普利兹克建筑奖等殊荣，西扎长达六十年的职业生涯确立了他在当代建筑大师之列的地位，其遍布欧洲、亚洲和美洲的代表作无不彰显了对美学、真实性和设计卓越性的追求。 Feature： Project - Álvaro Siza Vieira's sculptural new wing for the Serralves Museum in Porto, Portugal elegantly expands the contemporary art institution while deferentially embracing its lush garden setting. The minimalist concrete, glass and wood structure emerges from the verdant landscape like an elongated pavilion, providing 4,200 square meters of new exhibition spaces distributed across three floors. The building's modest scale and horizontal massing allow it to blend seamlessly into the surroundings, with an elevated gallery connecting it to the existing museum while preserving pathways and mature trees. Floor-to-ceiling windows drench the luminous interior with natural light and frame picturesque views of the parkland outside. Siza's typically restrained material palette of Fair-Faced concrete, enameled wood and polished stone creates a warm, textural counterpoint to the sleek architectural forms. The 18 flexible gallery spaces are designed to museum standards with provisions for artificial lighting, climate control and accessibility. Perhaps the wing's most ingenious feature is its sensitive choreography of circulation routes that separate art handling from visitor flows. Service access on the south side discretely accommodates freight deliveries, while a monumental east-facing entrance welcomes the public through a sheltered atrium into the interconnected exhibition spaces. An exemplar of architectural Jose Mateus poetically enhancing its surroundings. Design Team - Álvaro Siza Vieira, one of the most influential architects of the late 20th century, has led an acclaimed practice founded in 1954 after graduating from the University of Porto. Now in its 69th year, the firm is helmed by Siza himself along with a team of associates including his son Álvaro Leite Siza Vieira. The Pritzker Prize laureate's oeuvre demonstrates an exquisite mastery of form, material, and context. From his seminal early works like the Boa Nova Tea House to landmarks such as the Serralves Museum and the reconstruction of Lisbon's Chiado district, Siza's buildings are imbued with a keen sense of place and a sculptural yet functional rigor. His architectural language adroitly synthesizes modernist principles with the rich traditions of Portuguese construction. Siza's deft hand creates buildings of great tectonic clarity yet ample room for poetic experiences of light, texture, and spatial choreography. With prestigious honors like the Pritzker, the Golden Lion for Lifetime Achievement, and the RIBA Royal Gold Medal, Siza's prolific six-decade career has secured his place among architecture's most revered living masters. His built works across Europe, Asia, and the Americas serve as an enduring legacy of beauty, authenticity, and a tireless pursuit of design excellence. 设计团队 旅游探访 4204 m² 葡萄牙，波尔图 2023年 Previous Next

< 返回 丛林健身房 VOID 项目名称：丛林健身房 地点：哥斯达黎加，圣何塞 设计团队：VOID 建筑面积：134 m² 完成时间：2024年 摄影：Andres Garcia Lachner 设计特色： 项目 - 丛林健身房展现了一种突破性的建筑设计方法，将现代建筑与原始热带环境完美融合。这座位于圣何塞郊区的134平方米建筑，展示了VOID建筑事务所对环境友好型设计的创新理念，将建筑转化为与自然景观和谐共生的漂浮平台。 项目由两个主要水平面构成：一个似乎悬浮于地面之上的底板，最大限度地减少了对地形的影响；另一个则是遮阳顶板，为功能空间提供必要的庇护，同时巧妙地框定周围景观。建筑采用极简主义美学，通过战略性地运用自然采光和通风，创造出明亮通透的空间体验。大面积开窗不仅增强了室内外的视觉联系，还显著降低了对人工照明和机械通风的依赖。 该项目最显著的成就在于其对热带环境的精准响应和对可持续设计的深度实践。通过采用当地材料和建造技术，建筑展现出对场地环境的高度敏感性。整体设计强调与自然的真实连接，使建筑成为促进身心健康的理想场所，树立了热带气候下可持续建筑设计的新标准。 团队 - VOID建筑事务所成立于2012年，由建筑师Sergio Frugone、Felipe Rossi和Ricardo Sevilla携手创立，是一家极具创新精神的国际建筑设计机构。事务所以其独特的"虚空设计理念"著称，摒弃了传统的形式主义方法，而是通过深思熟虑的设计过程，将形式与功能融为一体，从虚空中雕刻出建筑空间。 事务所的组织架构建立在三大支柱之上：体验、性能和执行，这些元素以客户为中心相互交织。在创始合伙人的带领下，VOID培养了强大的跨学科合作文化，每位合伙人都在各自的专业领域建立了深厚的专业背景。Sergio Frugone担任体验实践总监，在总体规划、博物馆和酒店设计方面拥有丰富经验；Felipe Rossi领导性能实践部门，专注于大型复杂项目的开发；Ricardo Sevilla作为执行实践总监，为项目实施提供关键技术支持。 VOID的项目组合涵盖了各类建筑类型，从私人住宅到公共建筑。事务所致力于每年开展一到两个公益项目，展现了其对社会责任的承诺。他们的作品因其创新性和可持续性而备受认可，获得多项国际大奖，包括2024年中美洲最佳国际商业建筑事务所奖等重要荣誉。 Project Name: Jungle Gym Location: San José, Costa Rica Design Team: VOID Area: 134 m² Year: 2024 Photographs: Andres Garcia Lachner Feature： Project - Jungle Gym represents a groundbreaking architectural approach that seamlessly merges modern design with pristine tropical surroundings. Located in suburban San José, this 134-square-meter structure showcases VOID's innovative eco-conscious design philosophy, transforming architecture into a floating platform that coexists harmoniously with the natural landscape. The project is composed of two primary horizontal planes: a base that appears to hover above the ground, minimizing site impact, and a shading canopy that provides essential shelter while artfully framing the surrounding landscape. The building employs minimalist aesthetics while strategically utilizing natural light and ventilation to create bright, permeable spaces. Large apertures not only enhance visual connections between interior and exterior but significantly reduce reliance on artificial lighting and mechanical ventilation. The project's most remarkable achievement lies in its precise response to the tropical environment and deep commitment to sustainable design principles. Through the thoughtful application of local materials and construction techniques, the architecture demonstrates exceptional site sensitivity. The overall design emphasizes authentic connections with nature, transforming the building into an ideal sanctuary for physical and spiritual well-being, setting new standards for sustainable architectural design in tropical climates. Design Team - VOID, established in 2012 by architects Sergio Frugone, Felipe Rossi, and Ricardo Sevilla, is an innovative international architectural practice. The firm is distinguished by its unique "void design philosophy," which moves away from traditional formalist approaches, instead sculpting architectural space from the void through a thoughtful process that integrates form and function. The practice is structured around three pillars: Experience, Performance, and Execution, all converging with the client at their center. Under the leadership of its founding partners, VOID has cultivated a strong culture of multidisciplinary collaboration, with each partner bringing deep expertise in their respective areas. Sergio Frugone serves as Director of Experience Practice, with extensive experience in master planning, museums, and hospitality design; Felipe Rossi leads the Performance Practice, focusing on large-scale complex project development; and Ricardo Sevilla, as Director of Execution Practice, provides critical technical expertise for project implementation. VOID's portfolio encompasses a diverse range of architectural typologies, from private residences to public buildings. The firm commits to undertaking one to two pro bono projects annually, demonstrating their dedication to social responsibility. Their work has been widely recognized for its innovation and sustainability, earning numerous international accolades, including the 2024 International Commercial Architecture Firm of Central America award among other significant honors. 设计团队 旅游探访 134 m² 哥斯达黎加，圣何塞 2024 Previous Next

< 返回 湄林之家 WOS Architects 设计特色： 项目 – 嵌入清迈宁静景致中的这座引人注目的住宅，在提供都市般舒适的同时，与大自然亲密融合。该作品由WOS Architects设计工作室精心打造，与环绕的翠绿景观完美融为一体，体现出新鲜空气、葱郁树木、山景畅目和迷人的溪流的意境。这座两层高的住宅呈现出细长的轮廓，极具戏剧性的坡屋顶向上层楼板边缘倾斜，保持了优雅的比例平衡。在布局方面，住宅分为两翼，由一个双层高的中庭空间连接，形成了整个居所的核心。这个通风的中央空间两侧敞开，利用山间微风实现自然交叉通风。私密性与开放性在此处获得了巧妙的平衡，南翼包含卧室，可欣赏到迷人的山景及溪流风光，而北翼则设有客房套间和与中庭相连的开放式休息区。在上层，陡峭的屋顶营造出阁楼般宽敞的生活空间，通过精心设计的采光切口和种植树木的种植池，避免了阁楼常见的窄小憋闷感。可持续性发展也是设计的重中之重，现有家具和电器均从客户原先在曼谷的家中迁移而来，营造出延续感。间接照明为空间笼罩上柔和漫射的光线，素雅的駝色调与自然环境相得益彰。湄林之家住宅是将居住与景观完美融合的杰作，堪称设计理念与合成艺术的典范。 团队 – WOS Architects创办于2019年，是一家坐落于曼谷的精品建筑工作室，由普策萨坤·科努顿和奥恩派林·丽拉斯里翁两位建筑师联袂领导。虽然规模不大，但WOS的作品有口皆碑，业务范围包括建筑设计、室内设计以及许多难以简单归类的创新项目。该工作室的设计理念追求简约实用，同时也大胆拥抱模糊性。WOS将建筑视为营造人与环境、主人与客人、人与自然之间的场所，他们的作品努力打破建筑与环境之间的界限。WOS这个名字本身就体现了他们的多元设计哲学——它可被视为三个无意义的英文字母，也可从泰语字母中解读为"足够"的含义。这种开放的解释性贯穿于他们的建筑语言中，拒绝刻板约束,而是根据具体环境因地制宜。从像JY住宅这样的城市紧凑型改造，到小C烘焙店这种更加宽阔的项目，WOS都能娴熟地在各种约束条件下，运用理性简约的手法。但他们也总能将微妙的模糊性融入其中，营造出引发新视角的空间体验。对于这个新兴工作室而言，创意源于探索可能性而非概率，他们的设计定义为简单、理性，但同时也充满了别具一格的多元性。 Feature： Project - Nestled in the serene Mae Rim landscapes of Chiang Mai, this striking residence offers a profound connection to nature while providing urban-style comforts. Designed by WOS Architects, the Mae Rim House seamlessly blends into its verdant surroundings, embracing fresh air, verdant trees, mountain vistas, and the soothing sounds of the Mae Sa Stream. The two-story dwelling features an elongated silhouette with a dramatically pitched roof that slopes towards the upper floor edges, maintaining an elegant proportional balance. Architecturally deft, the layout divides the residence into two wings united by a double-height atrium at the heart of the home. This airy central space, open on both sides to the outdoors, facilitates natural cross ventilation enhanced by the mountain breeze. Privacy and connection are masterfully balanced, with the southern wing housing bedrooms that offer picturesque mountain and stream views, while the northern wing contains a guest suite and open lounge linked to the atrium. On the upper level, the pitched roof creates lofty living spaces reminiscent of an attic yet without feeling confined, achieved through ingenious cutouts that allow natural light to pour in alongside planters with trees. Sustainability was also paramount, with existing furniture and appliances relocated from the client's former Bangkok home, lending a sense of continuity. Indirect lighting washes the spaces in a soft, diffused glow, while a serene taupe palette complements the natural surroundings. A triumph of design synthesis, Mae Rim House forges an indelible connection between dwelling and landscape. Design Team - Founded in 2019, WOS Architects is a boutique Bangkok-based practice helmed by the duo of Prueksakun Kornudom and Ornpailin Leelasiriwong. Kornudom received his architectural training at Assumption University, while Leelasiriwong holds degrees from Chulalongkorn University and ETH Zurich's prestigious MAS Urban Design program. Though small in size, WOS punches well above its weight class, with a portfolio encompassing architectural design, interiors, and innovative projects that defy simple categorization. The firm's design ethos prizes simplicity and practicality, but also actively embraces ambiguity. WOS conceives of architecture as crafting places not just for human dwellers, but for guests and nature as well - their work seeks to dissolve boundaries between building and environment. WOS's name itself exemplifies their multivalent approach - it can be read as three meaningless English letters, or interpreted from the Thai alphabet as meaning "enough." This openness to interpretation extends to their architectural language, which resists rigid codification in favor of nuanced, contextually-driven solutions. From compact urban renovations like the JY House to more expansive projects like the Little C Bakery Shop, WOS deftly navigates constraints with rational simplicity. Yet they also imbue each undertaking with a subtle ambiguity that provokes fresh perspectives. For this emerging studio, creativity arises from exploring possibility over probability - their practice is defined by simple, rational, yet delightfully multivalent outputs. 设计团队 旅游探访 500㎡ 泰国，清迈 2023年 Previous Next

< 返回 “设计师自宅” 尼克尔之家 Helen Agustine Studio 项目名称: 尼克尔之家 地点：南丹格朗，印度尼西亚 设计团队：Helen Agustine Studio 面积：278 平方米 年份：2024 摄影师：Arte Haus 设计特色： 项目 – 尼克尔之家由Helen Agustine Studio设计，重新诠释了印度尼西亚南丹格朗的热带生活。这个创新项目包括两座相互连接的房屋——一个家庭住宅和一个祖母的度假屋，通过一个宁静的内院相连。设计注重亲密感和空间体验，适度比例的房间促进了更紧密的家庭关系。 可持续性是核心，宽敞的窗户最大化了自然通风，而裸露的铁木等原始材料则拥抱自然老化的美感。一个无化学物质的迷你泳池增添了令人舒缓的水元素，而三维藤编等手工细节则展示了当地工艺。项目的突出特色是其无缝的室内外流动，体现在压缩-扩张的入口序列和连接两个生活空间的庭院中。 Agustine作为建筑师和房主的双重角色允许持续的实验，最终创造出一个庆祝材料之美和热带生活的永恒环境。 团队 – Helen Agustine Studio是一家总部位于印度尼西亚的建筑和室内设计公司，由首席建筑师Helen Agustine于2016年创立。该工作室最初名为Seniman Ruang，已发展成为一个充满活力的实践，无缝融合艺术和建筑。工作室注重平衡功能性和情感化设计元素，在项目方法上优先考虑质量而非数量。 工作室提供从概念开发到现场监督的全面服务，Helen的获奖作品展示了她将简单设计注入独特风格和叙事深度的能力。可持续性是一个关键焦点，体现在他们对材料和空间的创新使用上。 近期荣誉包括2024年Kinematic Pavilion项目获得的Arch Id最佳展台奖和2023年Honestree项目获得的BCI亚洲室内设计奖，凸显了该工作室在建筑设计行业日益增长的影响力。 Project Name: Nickhel Home Location: South Tangerang, Indonesia Design Team: Helen Agustine Studio Area: 278 m² Year: 2024 Photographer: Arte Haus Feature： Project - Nickhel Home, designed by Helen Agustine Studio, reimagines tropical living in South Tangerang, Indonesia. This innovative project features two interconnected houses – a family residence and a grandmother's retreat – linked by a serene inner courtyard. The design prioritizes intimacy and spatial experience, with modestly proportioned rooms fostering closer family relationships. Sustainability is at the core, with generous windows maximizing cross-ventilation and raw materials like exposed ironwood embracing natural aging. A chemical-free mini pool adds a soothing water element, while handcrafted details like 3D rattan weaving showcase local artistry. The project's standout feature is its seamless indoor-outdoor flow, epitomized by the compression-expansion entry sequence and the courtyard connecting both living spaces. Agustine's dual role as architect and homeowner allowed for continuous experimentation, resulting in a timeless environment that celebrates material beauty and tropical living. Design Team - Helen Agustine Studio, an architectural and interior design firm based in Indonesia, was founded in 2016 by principal architect Helen Agustine. Originally known as Seniman Ruang, the studio has evolved into a dynamic practice that seamlessly blends art and architecture. With a focus on balancing functional and emotional design elements, the firm prioritizes quality over quantity in its approach to projects. The studio offers comprehensive services from concept development to site supervision, with Helen's award-winning work showcasing her ability to infuse simple designs with unique twists and narrative depth. Sustainability is a key focus, reflecting in their innovative use of materials and space. Recent accolades include the 2024 Arch Id Best Booth Awards for the Kinematic Pavilion and the 2023 BCI Asia Interior Design Awards for Honestree, highlighting the studio's growing influence in the architectural design industry. 设计团队 旅游探访 278 m² 南丹格朗，印尼 2024 Previous Next

< 返回 EDGE Stadium 办公楼 Atelier PRO architects 设计特色： 项目 – 最近在阿姆斯特丹转型升级的EDGE Stadium 办公楼项目，通过对现有结构的再利用，为可持续办公设计树立了新的标准。该建筑最初建于2001年，现在由Atelier PRO建筑事务所对其进行了重新构想以满足当代的需求。在升级建筑性能的同时保留原设计本质尤为关键，重新设计的核心在于以人为本——提供灵活的工作空间以及邀请性的社交区域，以激发创造力。中庭的改造体现了这一目标，如今充满了丰富的植被和木质装饰，它形成了建筑充满活力的心脏。在技术上，项目也毫不逊色：这是阿姆斯特丹第一座获得 BREEAM “Excellent”优异评级 和 WELL Core & Shell Gold 黄金认证的建筑，并且在智能连接方面获得最高评级。随着现有结构的再利用，原有的地板采暖制冷系统得以保留并改进，这巩固了该项目的可持续信誉。该项目通过以人为本的设计理念和智能技术改造，使得现有建筑改造成鼓舞人心的健康工作空间。 团队 – 来自荷兰的Atelier PRO建筑事务所成立于1976年海牙，40多年来一直致力于以局地文化和场所精神为导向的前瞻性和社会意识形态的设计。当前由Dorte Kristensen（1963年生）领导的45人设计团队，设计了从学校、剧院到像EDGE Stadium这样注重可持续发展的翻新办公楼等功能性的公共建筑。为了通过优化环境来提升社区，Atelier PRO的公益组合集中在社会基础设施上。他们在对历史建筑环境的深刻认识指导下，对现有建筑进行再创造，在保护与创新之间取得平衡。Atelier PRO也注重面向未来——追求健康城市生活和可持续设计的创新。他们的远见卓识和开拓精神为他们赢得了开创性的可持续认证，推进了教育设施的新方向以及可以促进人类繁荣的充满活力的工作场所。 Feature： Project - The recently transformed Office EDGE Stadium in Amsterdam sets a new standard for sustainable office design through its adaptive reuse of an existing structure. Originally built in 2001 with progressive green features, the building has now been reimagined by Dutch firm Atelier PRO architects to meet contemporary needs. Preserving the original design’s essence while upgrading its performance was key. Central to the redesign is a focus on people – providing flexible work spaces alongside inviting social areas to stimulate creativity. The atrium’s transformation embodies this aim; now filled with abundant plants and timber finishes, it forms the vibrant heart of the building. Wellness is also prioritized, with excellent air quality, access to outdoor terraces, and use of natural materials. Technologically, EDGE Stadium doesn’t disappoint. It’s Amsterdam’s first building to achieve the high sustainability credentials of BREEAM Excellent and WELL Core & Shell Gold, plus a top rating in smart connectivity. The original in-slab heating and cooling system was retained and improved. Along with the reuse of existing structures, this cements the project’s sustainable credentials. Ultimately, EDGE Stadium shows that with a people-centric vision and smart technological enhancements, existing buildings can be adapted to provide inspiring and healthy workplaces. Atelier PRO’s design sets the benchmark for giving enduring structures renewed life in the 21st century. Design Team - Established in The Hague in 1976, Atelier PRO architects has spent over four decades pioneering context-driven and socially-conscious designs grounded in genius loci principles. Currently led by director Dorte Kristensen, the 45-person firm creates surprising yet functional public architecture, from schools and theaters to renovated office spaces like the sustainability-minded EDGE Stadium. Seeking to uplift communities by improving their environments, Atelier PRO's civic-minded portfolio concentrates on social infrastructure. They reimagine existing buildings guided by a deep appreciation of historic built fabric, balancing preservation with creative revitalization. Atelier PRO stays future-focused as well - pursuing innovation in healthy urban living and sustainable design. Their visionary thinking and entrepreneurial spirit have earned pioneering sustainability certifications, advancing new strategies for educational facilities, and vibrant workplaces that foster human flourishing. 设计团队 旅游探访 29221 m² 荷兰 阿姆斯特丹 2023 Previous Next

< 返回 反转住宅 TIMM建筑事务所 项目名称: 反转住宅 地点:第比利斯,格鲁吉亚 设计团队:TIMM建筑事务所 建筑面积:1010 m² 竣工时间:2025年 摄影:Grigoriy Sokolinsky 设计特色: 反转住宅由TIMM建筑事务所设计,位于格鲁吉亚首都第比利斯市郊Okrokana区,通过将房屋本身转化为保护性围墙,颠覆了传统郊区住宅模式,在消除传统围栏需求的同时创造了一个内向型庇护所。这座1010平方米的住宅以其独特的空间倒置逻辑和精妙的材料过渡,重新定义了密集郊区环境中的居住可能性。 该项目最引人注目的设计成就在于其对城市环境限制的创造性转化。Okrokana区以狭窄街道、小地块和高大围墙为特征,场地三面被邻舍围墙包围,第四面临街,导致完全缺乏外向视野和有限的日光获取。不同于试图向受限环境开放的传统做法,建筑师将这些条件视为提出替代住宅模型的机遇。建筑包裹在场地边缘,将所有主要生活空间朝向内部,从而实现建筑本身成为围护结构,而非置于围栏之后。 空间组织围绕两个花园展开,展现出卓越的空间层次性。内部庭院作为住宅的真正核心,所有主要居住空间,包括入口门厅、客厅和厨房,均朝向这一中央空隙。一个悬浮的游泳池横跨这一空隙,在下方创造出有顶的户外空间,同时在视觉上连接上层。外部花园则调节住宅与街道的关系。建筑沿街道略微后退,消除了独立围栏的需求,软化了公共与私人空间之间的边界。 剖面设计体现了精妙的空间策略和垂直组织。建筑在后部升至三层,而朝向街道则呈现为单层体量,这种变化实现了双层高客厅空间,并插入中间半层,产生渐进而流畅的空间序列。这种分层布局不仅最大化了空间体验的丰富性,还优化了每个功能区域与庭院的关系,确保自然光线和视觉连接贯穿整个住宅。 材料过渡强化了项目的倒置逻辑,创造出从外部到内核的空间非物质化序列。朝向街道的立面采用烧焦木材包层,这是一种历史上用于保护木材免受风化的传统技术,在此形成密实而保护性的外壳。进入庭院内部,这种深色外壳转变为自然、未经处理的木材,引入温暖、质感和触感。室内空间以白色饰面处理,使光线、比例和空间关系成为定义氛围的主导因素。这种从烧焦木材到自然木材再到抽象白色的渐进过渡,体现了从外部领域到内部核心的运动,强化了空间的层次感和私密性的递进。 项目的另一大特色是其对场地限制的创造性转化和高品质建筑实践。通过重新定义围栏作为可居住建筑的角色,该项目为密集郊区条件提出了新的居住类型学。住宅不是抵抗其限制,而是将其内化,将围护转化为空间资产。通过其内向定位、分层组织和材料过渡,项目构建了一个受保护但又宽敞的居住世界,从内部建立其丰富性。反转住宅证明了建筑限制如何在密集郊区环境中成为生成性设计机遇,在不牺牲空间品质、构造清晰性或居住舒适的前提下,创造出回应城市环境和气候的住宅建筑。 设计团队: TIMM代表无形人造建筑,作为一个国际合作伙伴网络运营,在第比利斯、伊斯坦布尔和米兰设有办公室。该事务所将建筑视为设计、研究和文化探索的综合体,认识到每个客户都有独特的目标和愿望,需要量身定制的解决方案。 在联合创始人Nikoloz Lekveishvili和Giorgi Pailodze以及首席执行官兼城市设计部门负责人Nutsa Kandelaki的领导下,TIMM已成为一家多学科实践机构,致力于通过创造性地整合人类需求、环境管理、价值创造、科学和艺术来提供卓越的设计。该事务所的协作方法鼓励专业团队研究替代方案、分享知识并构想创新方法来应对当代建筑挑战。 TIMM的多元化团队包括多个学科的专家,从3D扫描和室内设计到城市规划,反映了该事务所对综合设计解决方案的承诺。该实践保持强大的国际影响力,Malkhaz Lekveishvili领导3D扫描部门,Natia Lekveishvili主导室内设计项目,Jeff Radom管理美国业务,并得到Francesco Adorni、Liudmyla Bielashova、Ana Kipiani等建筑师以及遍布其网络各地的专家的支持。这种地理和学科多样性使TIMM能够通过文化知情、技术严谨的设计思维来处理复杂的建筑项目。 设计团队 旅游探访 1010 m² 第比利斯，格鲁吉亚 2025 Previous Next

< 返回 “晴耕雨读” 大地图书馆 NAP Architects 设计特色： 被冠以"地中图书馆"的名号，这个恬静的地下阅读天地将游客沉浸在一个赤土般、子宫般的空间之中，彰显了其所在地农场的农业根源。由中村拓志&NAP建筑设计事务所设计，这座半地下图书馆就像是大地上一个鼓胀的突起物，温柔地浮现于所占据的郁郁葱葱的山谷之中。一条刻意不起眼的路径悄然将人们引入雕塑般被草坪覆盖的地下走廊，两旁排列着书架。建筑设计被简化到了极致，摒弃了柱梁等构件，一个夸张的空心混凝土板单臂伸展，唯一依托为周边的土钉墙。平滑的泥土饰面与下垂的植被毛毡般融为一体，注入空间一丝湿润氛围。天花高度起伏跌宕，衍生出孩子们才能进入的矮小隐蔽空间和私密的读书角落。在最深处，一个环绕书架的阶梯状剧场区域为讲故事活动提供了场所，那里摆放着供当地农场工人和儿童阅读的书籍。40毫米厚的实木书架横桁向上延伸成为结构肋，相互支撑的荷载传递路径象征着创造社区空间所需要的相互依存。一面天窗将流动的云朵镶嵌于画框之中，宛如通向这个乡村净土所服务的更广阔世界的窗口。 Titled "Library in the Earth," this tranquil sunken reading retreat immerses visitors in an earthy, womb-like space celebrating the agricultural roots of its location within the KURKKUFIELDS farm in Kisarazu, Chiba Prefecture. Designed by Takushi Nakamura & NAP Architects, the subterranean library gently emerges from the verdant valley it occupies like a bulbous protrusion from the earth itself. An intentionally understated approach path subtly draws people into the sculpted, grassy underground corridor lined with bookshelves. The architecture is pared back, eschewing columns and beams, with a dramatically cantilevered concrete void slab resting only on perimeter retaining walls. The seamless soil-finished surfaces blend into a carpet of drooping vegetation that introduces a hushed humidity. The ceiling heights fluctuate to create hidden child-scaled spaces and intimate reading nooks. At the deepest point, a terraced amphitheater encircled by shelves houses a storytelling area filled with books for local farm workers and children. The 40mm thick wooden shelf slats extend upwards as structural ribs, their interconnected load paths representing the interdependence required to create resilient community spaces. An overhead skylight frames circling clouds like a portal to the wider world this rural oasis ultimately serves. 设计团队： 中村拓志&NAP建筑设计事务所成立于2002年，这家总部位于东京的工作室已然成为有机、因地制宜设计的佼佼者，他们巧妙地将建筑与自然和人性体验融合。该事务所采用"微观"手法，从自然现象、人类行为和情感体验中汲取设计灵感。他们的设计理念核心是在建筑环境、自然和人体之间营造有机关系。中村拓志旨在创造"只能在那里发现的建筑"，通过巧妙融入当地历史、文化、产业和材料等独特区域元素。近年来，该事务所从传统日式建筑和园林文化的精髓中获得设计理念的启迪，并将其积极重构于当代作品。中村拓志&NAP拥有40名建筑师和设计师团队，提供建筑设计、城市规划、产品设计、策略咨询、教育项目和研究计划等全方位服务。他们屡获殊荣的作品在众多享有声誉的竞赛和刊物中受到国际认可。 Established in 2002 by Hiroshi Nakamura, the Tokyo-based practice Hiroshi Nakamura & NAP has emerged as a leading voice in organic, contextual design thatharmonizes architecture with nature and human experiences. Led today by Nakamura and a team of directors including Soichiro Takai, Naoko Sumitani, Hirotoshi Koizumi, Masaki Hirakawa, Kohei Omori, Tomohiko Kimura, and Sadaharu Aoto, the firm takes a "microscopic" approach that draws inspiration from natural phenomena, human behavior, and emotional responses. Their design philosophy centers on fostering an organic relationship between the built environment, nature, and the human body. Nakamura aims to create "architecture that can only be found there" by thoughtfully responding to the unique regional context - incorporating local history, culture, industry, and materials. In recent years, the firm has looked to the essence of traditional Japanese architecture and garden design to inform their contemporary work. With a staff of 40 architects and designers, Hiroshi Nakamura & NAP offers full services including architectural design, urban planning, product design, strategic consulting, education programs, and research initiatives. Their award-winning projects have been internationally recognized across numerous prestigious competitions and publications. 设计团队 旅游探访 113.09 ㎡ 日本，木更津市 2023年 Previous Next

< 返回 凹透镜之家 Yusuke Ando Architects 设计特色： 在小镇生活的大胆重塑中，Yusuke Ando Architects将一座有32年历史的木造房屋，改造成了一个“模糊了地面住宅和星际飞船界限的未来主义住宅”。这个被称为"凹透镜之家"的创新改造项目为现有建筑注入了新的生命力，为一个从城市核心地带搬迁到乡村的家庭创造了一个引人入胜的叙事。 设计理念围绕"承载家庭的宇宙飞船"这一隐喻展开，巧妙地将业主的迁居之旅与建筑的演变交织在一起。这种以叙事为驱动的方法不仅指导了空间构成和材料选择，还鼓励客户以热情拥抱改造过程，将其视为创造比新建更有趣东西的机会。 房子最引人注目的特征是它的一系列凹透镜窗户，具有双重用途。在想象中的"太空飞行"中，这些窗户充当鱼眼镜头，提供广阔的外部视野。"着陆"后，它们又成为天窗，将自然光漫射到整个室内。这个既顽皮又实用的设计元素配上了一个形似宇宙飞船驾驶舱的L形水平窗，现在成为周围景观的观景窗。 设计团队巧妙地平衡了新旧元素，将现有家具与定制家具相结合，并外露原有的木结构。结果是在过去和现在之间创造了一种紧张而和谐的平衡，打造出一个真正独特的生活空间，讲述了一个关于迁居、适应和新开始的引人入胜的家庭故事。 In a bold reimagining of rural living, Japanese architecture firm Yusuke Ando Architects has transformed a 32-year-old wooden house in Saijo, Ehime Prefecture, into a futuristic dwelling that blurs the line between earthbound home and interstellar vessel. Dubbed the " House of Aliens with Concave Lenses," this innovative renovation project breathes new life into an existing structure, creating a captivating narrative for a family relocating from the urban core to the countryside. The design concept revolves around the metaphor of a "spaceship carrying the family," cleverly intertwining the homeowners' journey with the building's architectural evolution. This narrative-driven approach not only informed the spatial composition and material selection but also encouraged the clients to embrace the renovation process with enthusiasm, viewing it as an opportunity to create something more intriguing than a new build. The most striking feature of the house is its array of concave lens windows, which serve dual purposes. During the imaginary "space flight," these windows act as fish-eye lenses, offering expansive views of the exterior. Post-"landing," they function as skylights, diffusing natural light throughout the interior. This playful yet functional design element is complemented by an L-shaped horizontal window with a counter resembling a spaceship cockpit, which now frames picturesque views of the surrounding rural landscape. Yusuke Ando Architects has masterfully balanced old and new, integrating existing furniture with custom-built pieces and exposing the original timber structure. The result is a tensioned harmony between past and present, creating a truly unique living space that tells a compelling story of relocation, adaptation, and new beginnings. 设计团队： Yusuke Ando Architects是于2017年在东京成立的新锐建筑事务所，凭借其创新性和以叙事为驱动的设计方法迅速赢得了业界认可。在首席建筑师Yusuke Ando的带领下，事务所专注于建筑设计、室内与家具设计，以及数字艺术装置，为项目带来多学科的设计视角。 事务所的作品集展现了概念思维与实际执行的独特融合，这一点在"凹透镜之家"等项目中尤为突出，该项目通过太空时代的视角重新诠释了乡村生活。他们的作品屡获殊荣，包括2021年的日本优秀设计奖和日本空间设计奖的认可。 事务所现有三人团队，利用其精简规模保持对每个项目的亲力亲为。他们的专业知识已超越传统建筑范畴，涵盖城市更新咨询和数字软件研究，使他们立足于当代设计实践的前沿。 设计团队的背景包括在安藤忠雄建筑研究所的工作经验和牛津布鲁克斯大学的硕士学位，为事务所注入了国际视野和对细节的关注。这种国际经验与本土敏感度的融合，使安藤祐介建筑空间研究所能够创造出既符合当地语境又具前瞻性的空间，推动着日本乃至全球建筑话语的边界。 Yusuke Ando Architects, founded in 2017 in Tokyo, is an emerging architectural practice that has quickly gained recognition for its innovative and narrative-driven design approach. Led by principal architect Yusuke Ando, the firm specializes in architectural design, interior and furniture design, as well as digital art installations, bringing a multidisciplinary perspective to their projects. The studio's portfolio showcases a unique blend of conceptual thinking and practical execution, evident in projects like the " House of Aliens with Concave Lenses," which reimagines rural living through a space-age lens. Their work has garnered numerous accolades, including the prestigious Good Design Award in 2021 and recognition in the Japan Space Design Award. With a team of three, including Ando himself, the firm leverages its compact size to maintain a hands-on approach to each project. Their expertise extends beyond traditional architecture, encompassing urban revitalization consulting and digital software research, positioning them at the forefront of contemporary design practice. Yusuke Ando's background, which includes experience at Tadao Ando Architect & Associates and a master's degree from Oxford Brookes University, informs the firm's global perspective and attention to detail. This synthesis of international experience and local sensibility allows Yusuke Ando Architects to create spaces that are both contextually relevant and forward-thinking, pushing the boundaries of architectural discourse in Japan and beyond. 设计团队 旅游探访 163.26 m² Saijo City, Japan 2023 Previous Next

< 返回 Marga Klompé 大楼 Powerhouse Company 设计特色： 项目 – 荷兰新落成的 Marga Klompé 大楼为欧洲可持续大学建筑树立了新基准，蒂尔 堡大学的这座近乎能源中性的建筑是第一座完全由实木建造的大学建筑，设有门厅、1 个礼堂、13 个报告厅以及可容纳约 1000 名学生的自习空间。该项目的环保决心通过其 对木材、石材和灰泥等可再生材料的创新使用来体现。独特的干式建筑系统采用木肋 板（用梁加固的 CTL 板），可实现较大的自由跨度，同时满足演讲厅和礼堂空间严格的 声学要求。与此同时，建筑外形致敬 1962 年 Jos Bedaux 设计的著名哥本哈根大楼， 正方体体量外覆葡萄牙天然石材，嵌入式窗檐线条分明。但它绝非简单的复刻，通过 一体化光伏系统、高效空调设备和部分使用再生废牛仔布做绝缘等环保策略，实现了 与时代的超越。在室内，材料及色调有着与众不同的质感，实木横梁、人造石地面和 家具组合营造出静谧读书氛围，泼洒而入的自然光线使千余个座位的学习空间充满活 力。这座项目不仅获得了绿色建筑可持续发展评估体系 BREEAM 的最高级别“杰出”评 级，更以首位女部长的名字 Marga Klompé 命名，弘扬她倡导社会公平正义的理念， 展现了高校对可持续发展的执著追求。 团队 – Powerhouse Company 成立于 2005 年，总部位于荷兰鹿特丹，现已成为国际 建筑设计团队的先锋代表。在创始人 Nanne de Ru 以及合伙人 Paul Stavert、Stefan Prins、Albert Takashi Richters、Sander Apperlo 和 Johanne Borthne 的领导下，该公 司组建了一支由 100 多名专业人士组成的多学科设计团队。Powerhouse Company 的 产品组合体现了对充满创新的永恒设计的执着追求。他们的多元化作品涵盖变革性的 城市规划、与自然无缝融合的定制住宅、面向未来的工作空间以及重新定义城市景观 的综合体开发项目。每个项目都证明了公司的综合方法，将深入的背景研究与美学视 野和功能性能相结合。其设计核心是一种协作精神，积极吸引客户共同实现经济、社 会和可持续目标。这种包容性精神延伸到与其他设计者的共同创造，促进创造性的协 同作用。 Powerhouse Company 的工作使建筑超越了单纯的结构，精心设计超越平凡 的叙事，塑造有意义的空间以改善生活。 Feature： Project - Powerhouse Company's Marga Klompé Building sets a new benchmark for sustainable university architecture in Europe. This nearly energy-neutral complex at Tilburg University in the Netherlands is the first college building constructed entirely from solid wood. The project's circular ambitions are embodied through its innovative use of renewable materials like wood, terrazzo and plasterwork throughout. A unique dry construction system utilizing wooden ribbed floors allows large free spans while meeting stringent acoustic requirements for the lecture halls and auditorium spaces. The exterior form pays homage to the campus' iconic 1962 Cobbenhagen Building with its cubic massing clad in Portuguese natural stone facades with deep reveals. But the building transcends mere imitation through thoughtful sustainable strategies like integrated photovoltaics, efficient climate systems, and insulation partly made from recycled denim jeans. Indoors, the material palette cultivates a serene atmosphere for the 1,000 students the building serves. Exposed wood beams work in concert with warm terrazzo flooring and furniture to create tranquil study areas flooded with natural light. With its BREEAM Outstanding certification, the Marga Klompé Building represents a holistic vision for the future of education facilities. Its name honors the first female Dutch minister who championed social equity - values this environmentally-progressive project admirably upholds. Design Team - Founded in 2005 and rooted in Rotterdam, Netherlands, Powerhouse Company has emerged as a pioneering international architectural practice. Under the leadership of founder Nanne de Ru alongside partners Paul Stavert, Stefan Prins, Albert Takashi Richters, Sander Apperlo, and Johanne Borthne, the firm has assembled a multidisciplinary tour de force of over 100 professionals. Powerhouse Company's portfolio exemplifies a profound commitment to timeless design imbued with innovation. Their diverse body of work spans transformative urban interventions, bespoke residences seamlessly integrated with nature, future-proof workspaces, and mixed-use developments that redefine cityscapes. Each project is a testament to the firm's comprehensive approach, synthesizing in-depth contextual research with aesthetic vision and functional performance. At the core of their practice is a collaborative ethos that actively engages clients to coalesce economic, social, and sustainable objectives. This inclusive spirit extends to co-creating with other design practices, fostering creative synergies. Powerhouse Company's work elevates architecture beyond mere structures, crafting narratives that transcend the ordinary and shape meaningful spaces to enhance lives. 设计团队 旅游探访 5000 m² 荷兰，蒂尔堡 2023年 Previous Next

< 返回 BIG 新总部 BIG 项目名称： BIG总部 地点： 丹麦，哥本哈根 设计团队： BIG 面积： 4488平方米 建筑高度： 27米，7层 完工时间： 2024年春季 主要合作方： LM Byg, Unicon, Energy Machines, El-Team Vest, Eiler Thomsen, HB Trapper 可持续认证： DGNB金级认证目标 公共空间： 1500平方米公共公园 特色功能： 140米外部螺旋楼梯 设计特色： 项目 - 丹麦建筑事务所BIG最近揭幕了其位于哥本哈根的新总部，这是一座引人注目的七层混凝土建筑，不仅展示了可持续创新，更传承了工业遗产特色。坐落于哥本哈根诺德港区桑德莫伦码头的尖端位置，这座建筑面积为4488平方米，充分展现了事务所的LEAPP整合方法——将景观、工程、建筑、规划和产品设计融为一体。 这座27米高建筑最独特的特征是其140米长的螺旋式外部楼梯，从屋顶一直延伸到地面，为每层楼创造了可进入的露台空间，同时作为备用消防通道。这一创新解决方案消除了传统核心筒的需求，使室内空间更加灵活。 建筑内部展现了卓越的结构效率，仅使用一根承重柱——这根独特的"图腾柱"由六种不同的岩石构成，在每层楼都会旋转以配合支撑梁。室内空间通过戏剧性的皮拉内西式视角展现自己，一座由黑色钢材打造的之字形楼梯在视觉和物理上连接着所有七层空间。 该项目首次采用了与优尼康公司（Unicon）合作开发的Uni-Green混凝土，与传统混凝土相比，二氧化碳排放减少了25%。建筑的可持续性特征还体现在其能源系统上，60%依赖可再生能源，地热系统提供84%的供暖需求和全部制冷需求。在地面层，BIG将原有的停车场改造成了1500平方米的公共公园，融入了丹麦本土海岸森林元素，在哥本哈根工业港区创造了一个全新的公共空间。 团队 - 比亚克·英格尔斯建筑事务所（BIG）成立于2006年，已发展成为当代最具影响力的建筑设计事务所之一，通过其在可持续设计和城市发展方面的创新方法，彻底改变了建筑景观。该事务所在哥本哈根、纽约、伦敦、巴塞罗那、深圳、奥斯陆和洛杉矶设有全球战略中心，已确立其作为多学科领域的领军地位，业务范围涵盖建筑设计、城市规划、室内设计、景观建筑、产品设计、工程和城市规划。 在创始人比亚克·英格尔斯的创意指导下，以及包括安德烈亚斯·克洛克·彼得森、比特·申克和首席执行官希拉·迈尼·索加德在内的24位合伙人组成的强大领导团队的带领下，该事务所目前在全球拥有超过700名专业人员。BIG的设计理念常被描述为"务实的乌托邦建筑"，将创新的可持续解决方案与趣味性的空间体验相结合，在不同规模和类型的项目中创造出变革性的作品。 事务所的代表作包括集成创新型滑雪坡道的阿马格焚烧发电厂、曼哈顿创新的"庭院摩天楼"VIA 57 West，以及最近完工的纽约超高层建筑The Spiral。BIG对可持续发展的承诺通过其整合的LEAPP方法得到体现，该方法将景观、工程、建筑、规划和产品设计融合为一个整体性方法论。 近期重要成就包括2024年完工的哥本哈根新总部，该项目采用创新的Uni-Green混凝土技术，以及赢得布拉格伏尔塔瓦爱乐厅和纳什维尔田纳西表演艺术中心等重要项目的委托。通过其研发部门BIG IDEAS Lab，该事务所持续在建筑创新领域突破界限，探索前沿技术和面向未来的可持续解决方案。 Project Name: BIG HQ Location: Copenhagen, Denmark Design Team: BIG – Bjarke Ingels Group Area: 4,488 m² Building Height: 27 meters, 7 stories Completion: Spring 2024 Key Collaborators: LM Byg, Unicon, Energy Machines, El-Team Vest, Eiler Thomsen, HB Trapper Sustainability Certification: DGNB Gold Target Public Space: 1,500 m² Public Park Special Feature: 140-meter External Spiral Staircase Feature： Project - Danish architecture studio BIG has unveiled its new Copenhagen headquarters, a striking seven-story concrete structure that doubles as a testament to sustainable innovation and industrial heritage. Located at the tip of Sundmolen in Copenhagen's Nordhavn district, the 4,488-square-meter building showcases the firm's integrated LEAPP approach – combining Landscape, Engineering, Architecture, Planning, and Product Design in one cohesive project. The most distinctive feature of the 27-meter-tall structure is its spiraling 140-meter-long external staircase, which wraps around the building from roof to ground, creating accessible terraces on each floor while serving as a secondary fire escape. This innovative solution eliminates the need for a traditional core, allowing for more flexible interior spaces. Inside, the building demonstrates remarkable structural efficiency with just a single load-bearing column – a sculptural "totem pole" composed of six different rock types that rotate on each floor to align with the supporting beams. The interior space reveals itself through dramatic Piranesian views, with a blackened steel zigzag staircase connecting all seven levels both visually and physically. The project pioneers the use of Uni-Green concrete, developed in collaboration with Unicon, which achieves a 25% reduction in CO2 emissions compared to traditional concrete. The building's sustainability credentials extend to its energy systems, with 60% reliance on renewables and a geothermal system providing 84% of heating and all cooling needs. At ground level, BIG has transformed the former parking area into a 1,500-square-meter public park, integrating native Danish coastal forest elements and creating a new public space in Copenhagen's industrial harbor. Design Team - Founded in 2006, Bjarke Ingels Group (BIG) has emerged as one of the most influential contemporary architecture practices, revolutionizing the architectural landscape through its innovative approach to sustainable design and urban development. Operating from strategic global hubs in Copenhagen, New York City, London, Barcelona, Shenzhen, Oslo, and Los Angeles, BIG has established itself as a multidisciplinary powerhouse encompassing architecture, urbanism, interior design, landscape architecture, product design, engineering, and urban planning. Under the creative direction of founder Bjarke Ingels and a robust leadership team of 24 partners, including key figures such as Andreas Klok Pedersen, Beat Schenk, and Sheela Maini Sogaard as CEO, the practice has grown to employ over 700 professionals worldwide. BIG's design philosophy, often characterized by its pragmatic utopian architecture, combines innovative sustainable solutions with playful spatial experiences, resulting in transformative projects across diverse scales and typologies. The firm's portfolio showcases groundbreaking projects such as the waste-to-energy plant Amager Bakke with its pioneering ski slope integration, the innovative "courtscraper" VIA 57 West in Manhattan, and the recently completed supertall The Spiral in New York City. BIG's commitment to sustainability is exemplified through their integrated LEAPP approach, combining Landscape, Engineering, Architecture, Planning, and Product Design in a holistic methodology. Notable recent achievements include the completion of their new Copenhagen headquarters in 2024, featuring innovative Uni-Green concrete technology, and winning prestigious commissions such as the Vltava Philharmonic Hall in Prague and the Tennessee Performing Arts Center in Nashville. The practice continues to push boundaries in architectural innovation through BIG IDEAS Lab, their research and development division, which explores cutting-edge technologies and sustainable solutions for future-oriented architecture. 设计团队 旅游探访 4488 m² 丹麦，哥本哈根 2024 Previous Next

< 返回 山庾茶肆 Ao.ArchLab 设计特色： 项目 – 在传统与现代的巧妙融合中，一座百年老宅华丽蜕变为令人心驰神往的商业茶馆。这个开创性项目坐落于莫干山脚下，为该地区仅存的“抬梁式重檐五开间”江南传统民居建筑注入了新的生命力。 设计师们巧妙平衡了保护与创新，打造出一个既尊重历史根源又满足现代需求的空间。通过策略性地修剪外立面、屋顶和二楼地板的部分区域，自然光线和空气得以渗透曾经阴暗的内部，彻底改变了空间体验。 此次改造最引人入胜的莫过于两座玻璃亭屋的引入。第一座玻璃亭屋与历史建筑结构完美融合，在不影响建筑真实性的前提下，提供了温控茶饮区。其钢架结构与原有木梁交织，创造出新旧之间的迷人对话。第二座独立玻璃亭屋矗立于庭院中，容纳了茶吧和配套设施。其竹钢复合结构呼应了传统屋檐的曲线轮廓，为传统工艺提供了一个现代诠释。 水景从庭院延伸至室内，模糊了界限，创造出室内外空间的流畅过渡。这种元素的相互作用营造出一个充满活力、引人深思的环境，邀请访客思考过去与现在的关系。 通过这次精巧的改造设计，设计师不仅保存了一段百年建筑遗产，更创造了一个精致、引人入胜的空间，在尊重历史根源的同时，与现代审美产生共鸣。 团队 – 奥室建筑（Ao. Archlab）成立于2020年，总部位于上海，迅速崛起为一家前沿的建筑设计公司，不断突破空间实验的界限，以用户体验为中心进行设计创新。"奥室"一词源自建筑物内最隐秘的空间，完美诠释了其探索人类体验与建筑形态之间深刻关系的核心理念。 奥室建筑由首席建筑师杨奡和首席合伙人詹梦婕领衔，汇聚了丰富的国际专业经验。杨奡毕业于清华大学和东京大学，曾在隈研吾建筑都市设计事务所工作；詹梦婕则在布林茅尔学院和哥伦比亚大学攻读城市学和历史保护，为项目带来了对建筑场地和其历史的深刻理解。 奥室建筑的设计方法特点在于对建筑元素（尺度、功能和材质）与人类行为和情感之间互动关系的精细关注。公司采用实验性方法研究人体与空间形态的关系，最终打造出以用户体验为核心的环境。 他们的作品集展示了从历史建筑改造到前卫新建筑的多样化项目，每一个都体现了创新与环境敏感度之间的完美平衡。奥室建筑始终致力于创造既富有功能效率又能引发情感共鸣的空间。 通过将严谨的学术研究与实用的设计方案相结合，奥室建筑正在重新定义当代中国建筑的边界，创造出不仅仅是被建造，更是被深刻体验的空间。 Feature： Project - In a striking fusion of heritage and modernity, a century-old wooden Chinese residence has been masterfully transformed into a captivating commercial teahouse. This groundbreaking project, nestled at the foot of Moganshan, breathes new life into one of the last remaining examples of traditional Jiangnan architecture in the area. The designers have deftly balanced preservation with innovation, creating a space that respects its historical roots while embracing contemporary needs. By strategically trimming sections of the exterior surface, roof, and second-story floorboards, they have allowed natural light and air to permeate the once-dark interior, dramatically altering the spatial experience. Perhaps the most intriguing aspect of the redesign is the introduction of two glass pavilions. The first, seamlessly integrated within the historic structure, provides climate-controlled tea-drinking areas without compromising the building's authenticity. Its steel frame interlaces with the original wooden beams, creating a captivating dialogue between old and new. The second pavilion, standing independently in the courtyard, houses a tea bar and amenities. Its bamboo-steel composite structure echoes the curvilinear profile of the historic eaves, offering a contemporary interpretation of traditional craftsmanship. Water features extend from the courtyard into the interior, blurring boundaries and creating a fluid transition between indoor and outdoor spaces. This interplay of elements generates a dynamic, thought-provoking environment that invites visitors to contemplate the relationship between past and present. Through this thoughtful renovation, the designers have not only preserved a piece of architectural heritage but have also created a sophisticated, engaging space that resonates with modern sensibilities while honoring its historical roots. Design Team - Founded in Shanghai in 2020, Ao. Archlab has quickly established itself as a cutting-edge architectural design firm, pushing the boundaries of spatial experimentation and user-centric design. The name "Ao," referring to the most intimate spaces within a building, reflects the firm's core philosophy of exploring the profound relationship between human experience and architectural form. Led by principal architect Ao Yang and principal partner MJ Zhan, Ao. Archlab brings together a wealth of international expertise. Yang, with degrees from Tsinghua University and the University of Tokyo, honed his skills at Kengo Kuma & Associates, while Zhan's background in urban studies and historic preservation from Bryn Mawr College and Columbia University brings a nuanced understanding of context and heritage to their projects. Ao. Archlab's approach is characterized by a meticulous focus on the interplay between architectural elements - scale, function, and materiality - and their impact on human behavior and emotion. The firm employs experimental methodologies to investigate the relationship between the human body and spatial morphology, resulting in environments that prioritize user experience. Their portfolio showcases a range of projects that demonstrate a masterful balance between innovation and contextual sensitivity. From adaptive reuse of heritage structures to avant-garde new constructions, Ao. Archlab consistently delivers spaces that are both functionally efficient and emotionally resonant. By combining rigorous academic research with practical design solutions, Ao. Archlab is redefining the boundaries of contemporary Chinese architecture, creating spaces that are not just built, but profoundly experienced. 设计团队 旅游探访 380 m² Huzhou, China 2024 Previous Next

< 返回 爱庄町药房 ninkipen! 设计特色： 在滋贺县爱荘町的中心，一个令人瞩目的建筑项目应运而生，巧妙地将历史背景与现代设计融为一体。由ninkipen!事务所的今津康夫构思的"招き屋根药房"，在中山道沿线的这个昔日宿场町中，成为了城市融合的典范。这家药房坐落于爱知川宿——中山道的第65个驿站，汲取了该地区丰富的文化遗产。今津的设计向曾经繁华的宿场町时代致敬，这种氛围在周围的历史建筑中依然可见。建筑师面临的挑战是创造一座与这种历史背景产生共鸣，同时又能满足现代需求的建筑。 项目的独特之处包括巧妙的"招き屋根"设计，它最大化了从街道可见的屋顶面积，向路人展现出欢迎的姿态。与之相得益彰的是"街道檐廊"元素，形成了连接内外空间的半室外区域。一个关键的创新是采用了"厨子二阶"（微型二层）结构，在保持低调外观的同时确保了充足的内部空间。这种巧妙的空间布局使建筑能够与周围环境和谐共处，同时不影响功能性。 药房的外观以重叠的屋顶和檐廊为特征，创造出一种动态的视觉构图，巧妙地向传统日本建筑致敬。整个结构广泛使用木材，增添了温暖感，并将建筑与其历史背景联系起来。今津的设计理念在每个细节中都得到了体现，创造出一个不仅满足实用目的，还能为城市肌理做出积极贡献的空间。"招き屋根药房"成为了建筑创新的精品，在一个既实用又深深植根于文化语境中的结构里，无缝地融合了过去与现在。 A remarkable architectural project has emerged in the heart of Aisho, Shiga Prefecture, seamlessly blending historical context with contemporary design. The "Inviting Roof Pharmacy," conceived by Yasuo Imazu of ninkipen!, stands as a testament to thoughtful urban integration in a former post town along the Nakasendo road. This pharmacy, situated in the 65th post station of Echigawa-juku, draws inspiration from the area's rich cultural heritage. Imazu's design pays homage to the lingering essence of the bustling post town era, visible in the surrounding historical structures. The architect's challenge was to create a building that resonates with this historical backdrop while serving modern needs. The project's unique features include an ingenious "inviting roof" design, which maximizes the visible roof area from the street, creating a welcoming gesture to passersby. This is complemented by a "street eaves" element, forming a semi-outdoor space that bridges the interior and exterior realms. A key innovation is the use of a "zushi-nikai" (miniature second floor) structure, which maintains a low profile while ensuring ample interior volume. This clever spatial arrangement allows the building to harmonize with its surroundings without compromising functionality. The pharmacy's facade, characterized by overlapping roofs and eaves, creates a dynamic visual composition that subtly nods to traditional Japanese architecture. The use of wood throughout the structure adds warmth and connects the building to its historical context. Imazu's design philosophy shines through in every aspect, creating a space that not only serves its practical purpose but also contributes positively to the urban fabric. The "Inviting Roof Pharmacy" stands as a beacon of architectural innovation, seamlessly merging past and present in a structure that is both functional and deeply rooted in its cultural context. 设计团队： ninkipen!建筑设计事务所成立于2005年，由今津康夫创立，总部位于日本大阪府箕面市。这个富有创意的名字巧妙地结合了日语中"受欢迎"和"笔"的含义，体现了事务所的设计理念。短短十几年间，ninkipen!已在当代建筑领域树立了不俗的声誉。 今津康夫1976年出生于山口县，2001年在大阪大学建筑工程专业取得硕士学位。在创立ninkipen!之前，他曾在远藤刚生建筑设计事务所工作（2001-2005年），这段经历为日后ninkipen!的发展奠定了坚实基础。ninkipen!的作品涵盖住宅和商业项目，每一个设计都体现了形式与功能的巧妙融合。该事务所的设计方法以敏锐的环境洞察力、创新的材料运用以及对使用者需求的深刻理解而著称。 在今津康夫的带领下，ninkipen!斩获多项大奖，包括2008年和2011年的JCD设计奖银奖，以及2008年极具分量的SDA大奖。这些荣誉彰显了事务所在建筑界日益增长的影响力和对卓越设计的不懈追求。 ninkipen!的作品特点是将传统日本建筑原则与现代设计理念完美融合。他们的项目常常展现出巧妙的空间布局、创新的结构解决方案，以及对自然材料（尤其是木材）的深度运用。随着事务所的不断发展，ninkipen!始终致力于突破建筑设计的界限，同时保持对文化和环境语境的深刻理解。凭借不断壮大的优秀团队和涵盖住宅、商业及公共项目的丰富作品集，ninkipen!可以预期在未来继续引领日本建筑设计的潮流。 Founded in 2005 by Yasuo Imazu, ninkipen! is a pioneering architectural design firm based in Minoh, Osaka Prefecture, Japan. With a name that playfully combines the Japanese words for "popular" and "pen," the firm has quickly established itself as a formidable presence in the contemporary architectural landscape. Imazu, born in 1976 in Yamaguchi Prefecture, laid the groundwork for ninkipen! during his master's studies at Osaka University, where he completed his degree in Architectural Engineering in 2001. The firm's ethos was shaped by Imazu's early professional experiences, including his tenure at Takeo Endo's architectural office from 2001 to 2005. ninkipen!'s portfolio showcases a diverse range of projects, from residential to commercial, each characterized by a thoughtful integration of form and function. The firm's approach is distinguished by its keen attention to context, innovative use of materials, and a commitment to creating spaces that resonate with both users and the surrounding environment. Under Imazu's leadership, ninkipen! has garnered numerous accolades, including the JCD Design Award Silver Prize in 2008 and 2011, and the prestigious SDA Award Grand Prize in 2008. These recognitions underscore the firm's growing influence in the architectural community and its dedication to excellence in design. ninkipen!'s work is characterized by a harmonious blend of traditional Japanese architectural principles and contemporary design sensibilities. The firm's projects often feature clever spatial arrangements, innovative structural solutions, and a profound respect for natural materials, particularly wood. As ninkipen! continues to evolve, it remains committed to pushing the boundaries of architectural design while maintaining a deep connection to cultural and environmental contexts. With a growing team of talented professionals and a portfolio that spans residential, commercial, and public projects, ninkipen! is poised to shape the future of Japanese architecture for years to come. 设计团队 旅游探访 131.75 m² 日本，爱庄町 2023年 Previous Next

< 返回 Tapa别墅 Studio Tanama 项目名称：Tapa别墅 地点：巴厘岛，印度尼西亚 设计团队：Studio Tanama 建筑面积：260 m² 竣工时间：2025年 摄影：Thomas Irsyad 设计特色： Studio Tanama在巴厘岛塔巴南地区宁静的贝拉班村落打造了一座典范性的现代热带住宅，通过创新的开放式设计重新定义居住理念。Tapa别墅证明了建筑如何在体现侘寂哲学的同时，为当代生活开创可持续和谐的先河。 建筑最引人注目的特色是其独特的现代热带设计语言，灵感来源于巴厘岛朴实优雅与图卢姆自由不羁魅力的融合。这种有机整合创造出流动的室内外边界，大面积开口围绕空间布置，体现了自然环境与人居空间的"无缝对话"理念：代表和谐与真实生活。开放式平面将传统住宅格局转化为动态的生活场所，让居住者能够聚集、放松并与自然环境建立深层联系。 Studio Tanama在这座260平方米的住宅中巧妙融入了侘寂设计原则。粗粝质感和风化饰面创造出诚实的材料表达，而周围稻田景观不仅将自然声景融入日常生活，还帮助建筑与热带环境和谐统一。大面积的开放空间设计增强了自然通风效果，强化了该住宅对气候响应性设计的承诺。 项目的可持续发展理念同样令人印象深刻，通过自然通风、优化朝向和全面的被动式设计策略实现舒适的居住环境。最大化的自然采光消除了日间人工照明需求，而诚实材料的运用超越了传统装饰性建筑的表面效果。最值得注意的是，这座建筑的适应性设计在建筑学上如此精妙，以至于它不仅是居住空间，更是一个关于时间、自然与人类生活和谐共存的诗意表达。 设计团队 - 由Ryan B. Saputra创立，Studio Tanama已发展成为一家屡获殊荣的建筑与室内设计咨询机构，总部位于印度尼西亚巴厘岛，致力于通过创意、和谐和关怀创造富有生命力的人居空间。在创始人兼主持建筑师Ryan B. Saputra和工作室负责人Dhana的领导下，该事务所已在酒店业建筑设计领域建立了提供创新、可持续且符合语境响应建筑的声誉。 该事务所的设计理念围绕建筑的变革力量展开，从印度尼西亚独特的热带特色中汲取灵感，同时应对当代全球生活方式挑战。Studio Tanama的综合方法整合了多学科协作、先进设计工具和严格的可持续性原则，以打造超越客户期望并丰富其居住环境的空间。 该事务所经验丰富的专业团队：包括概念发展部主管Alfariz、助理概念发展师Winata Tri Aditya和Wirahandika、项目建筑师Jefri Zain、制图师Utari和Lina Prawisti、室内设计部主管Alita Putri、室内设计师Gova Sarma、项目监理Ngurah Darma------汇集了涵盖住宅、酒店和商业项目的集体专业知识。他们的协作方法确保从概念设计到施工管理的无缝项目交付。 Studio Tanama对设计卓越的承诺通过其多元化的项目组合得到证明，展现了各个尺度的建筑创新。通过平衡美学精致性与功能性能和环境管理，该事务所创造持久的建筑解决方案，连接人与场所，并在尊重印度尼西亚设计传统的同时预见未来需求。 设计团队 旅游探访 260 m² 巴厘岛，印度尼西亚 2025 Previous Next

< 返回 ASTILE广尾住宅 黑川智之建筑设计事务所 项目名称:ASTILE广尾住宅 地点:东京涉谷区,日本 设计团队:黑川智之建筑设计事务所 建筑面积:711.64 m² 竣工时间:2024年 摄影:中山保寛 设计特色: 项目 ：位于东京涉谷区成熟住宅地的ASTILE广尾,由黑川智之建筑设计事务所设计,展现了都市密度与宜居环境完美平衡的杰作表达。这座711.64平方米的集合住宅如精心编排的城市雕塑般矗立,重新定义了东京当代都市居住建筑的设计范式。 该设计最独特的特征是其创新的体量分节策略。建筑采用雁行式平面布局结合梯田状断面构成,将庞大的建筑体量分解为一系列相互关联的小型单元。这种分节手法创造了住宅地应有的人性尺度,使建筑能够与周围成熟社区的既有肌理建立和谐对话。通过将建筑斜向配置于基地,外周部产生了小型庭院空间,为居住者提供了自然渗透的场所,同时在视觉上减轻了高密度建筑对周边环境的压迫感。 建筑的核心设计理念体现在其对角线配置策略上。建筑相对于基地呈斜角布置,这一看似简单的手法产生了深远的空间效果。周边创造的小型庭院不仅确保了充足的采光与通风,更提供了视线的延伸与景观的开阔感。这些间隙绿地成为建筑与城市之间的缓冲带,创造出丰富的空间层次,让居住者在高密度都市环境中仍能感受到自然的存在。 立面处理展现了结构与环境的亲密关系。梯田状的退台设计使建筑随着高度逐层后退,每个单元都能获得充足的日照和开阔的视野。这种垂直层次结构不仅优化了每户的居住品质,更创造了动态的光影效果,使建筑在不同时刻呈现出丰富的表情变化。 项目的显着特色是其对当代生活方式的敏锐回应。一层设置了适合SOHO使用的长屋式住户,回应了在宅办公与多样化工作方式日益普及的社会趋势。这种职住一体的空间配置为居住者提供了灵活的生活可能性,同时也为街道层面带来了活力,增强了建筑与社区的互动关系。整个项目在追求高密度的同时,创造了让人能够感受自然、享受宁静的都市居住空间,实现了居住者舒适性与对地域开放姿态的双重目标。 设计团队 ：黑川智之建筑设计事务所成立于2012年,由黑川智之在东京创立,现已发展成为日本领先的建筑实践机构,以其在都市住宅设计和空间创新领域的卓越方法而闻名。事务所业务涵盖住宅、公共和商业项目,展现了卓越的设计实力。 在首席建筑师黑川智之的创意指导下,事务所领导着充满活力的设计团队。黑川智之生于1977年神奈川县,2001年毕业于东京工业大学工学部建筑学科,2003年完成东京工业大学大学院理工学研究科建筑学专攻硕士课程。他拥有丰富的国际经验,包括2008至2009年作为文化厅新进艺术家海外研修制度研修员在瑞士巴塞尔的赫尔佐格与德梅隆事务所工作,以及2010至2012年在隈研吾建筑都市设计事务所的实践经历。在此之前,他于2003至2008年在竹中工务店积累了扎实的建筑实践基础。 事务所的设计哲学聚焦于场所特性的精密解读与人性尺度的创造,超越单纯的功能性需求,追求创造与城市环境和谐共存的建筑生态。他们的设计方法论强调通过体量分节与空间层次的精心构建,在高密度都市中实现空间丰富性、自然光线、视野开阔与私密性的平衡,在居住者与环境之间建立深刻的情感联系。 显着成就包括2021年下马集合住宅获得优良设计奖,2022年大冈山集合住宅获得东京建筑奖集合住宅部门优秀奖,2023年KEITOKU大楼获得优良设计奖,以及2025年国立台地获得TECTURE奖建筑集合住宅类别第一名和优良设计奖,同年广尾集合住宅也获得优良设计奖,验证了他们对建筑创新的持续承诺。自2018年起,黑川智之担任一般社团法人日瑞建筑文化协会理事兼事务局长,并自2022年起在昭和女子大学环境设计学部担任非常勤讲师,2025年起在武藏野大学工学部建筑设计学科任教。目前,建筑事务所承接多个都市住宅项目,同时维持对建筑教育和文化交流的积极参与。黑川智之建筑设计事务所通过涵盖集合住宅、保育园和商业建筑的多样化作品集,在日本当代建筑领域建立了新的典范,展现出对环境敏感性和空间品质的持续承诺。 设计团队 旅游探访 711.64 m² 东京，日本 2024 Previous Next

< 返回 浮空酒店 MORE Architecture 设计特色： 项目 – MORE Architecture这家荷兰建筑事务所在中国乡村落成了一座与竹林峰峦浑然一体、宛如凌空漂浮的别致酒店。这座酒店被命名为"浮空酒店"，抬高的建筑使住客能够沉浸在自然景观中，尽赏极致美景。这座6000平方米的度假胜地坐落于湖州安吉县，18间客房均隐匿于锌板折角式斜顶之下。将这抽象造型的屋顶抬离地面,使密集的竹林能够在建筑之下自在延伸。设计团队受到'建筑浮于竹林之上'的理念启发，将酒店抬高，，让环境景观绿意盎然地延续其下。三座玻璃活动亭分别用于瑜珈、用餐和其他活动，巧妙隐匿于蜿蜒屋顶之下。客房的设计则致力于加强与周遭环境的联系。"走廊式"长房提供全景视野，而角落套房则能同时俯瞰两个视角。通高落地玻璃营造了内外空间的无缝过渡，直接通往环绕式木质露台。钢柱将酒店抬高8米，底层形成一个巨大空间，容纳户外游泳池。温馨的木质内装和定制家具，打造出一个舒适迷人的氛围。 团队 – 在阿姆斯特丹和上海两地联动的MORE Architecture建筑事务所，是一家于2013年由荷兰建筑师Daan Roggeveen和华裔美籍建筑师Robert Chen创立的研究导向型设计实践工作室。该工作室跨建筑、室内设计和城市规划战略等多个领域，采用多元化融合的设计手法。其在两地办公室均拥有精干的高水平建筑师和设计师团队，专注于打造经过深思熟虑且可持续发展的环境。该事务所的作品包罗文化、酒店、办公和展览等多种空间类型，追求创造动态、包容且注重社区的设计。核心团队成员包括创始合伙人Roggeveen和Chen，以及阿姆斯特丹合伙人Ties Kweekel和Chloe Oosterwoud，上海团队则由合伙人Pey Lung和Mae Sszto领衔。MORE Architecture广泛开展城市研究，结合总体规划和因地制宜的细致设计，开发以人为本的解决方案，巧妙融合欧陆和中华元素。该事务所的作品秉承混合功能、提升可及性和营造公共领域的理念，旨在建构新的集体认同感。 Feature： Project - Dutch firm More Architecture has realized a striking bamboo-lined boutique hotel in rural China that seems to levitate ethereally above the mountainous terrain. Named Floating Hotel, the elevated building offers guests an immersive relationship with nature while framing dramatic vistas. Situated in the bucolic Dachangping region near Shanghai, the 6,000-square-metre retreat contains 18 guest suites sheltered beneath an angular folded roof clad in weathered zinc. Raising the sculptural roof volume off the ground allows the lush bamboo forest to flow uninterrupted underneath. "We took the idea of a building 'floating above the bamboo' as inspiration to elevate the hotel, letting the landscape continue beneath it," explained partner Daan Roggeveen. Three glazed amenity pavilions for yoga, dining and events are tucked under the zigzagging roofline. The rooms themselves are designed to heighten the connection with their surroundings. Elongated "corridor" rooms offer panoramic vistas, while corner suites take advantage of dual aspectS. Floor-to-ceiling glazing blurs the transition between inside and out onto a wraparound wood-decked terrace. Steel columns elevate the hotel 8 metres off the ground, creating a cavernous space underneath for an outdoor pool. Warm wood lines the interiors and custom furniture to foster an inviting atmosphere. Design Team - Based in Amsterdam and Shanghai, MORE Architecture is a researchdriven design practice founded in 2013 by Dutch architect Daan Roggeveen and Chinese-American architect Robert Chen. The studio takes an interdisciplinary approach that spans architecture, interior design, and urban planning and strategy. With a lean team of highly skilled architects and designers across both offices, MORE Architecture focuses on creating considered and sustainable environments. The firm's portfolio showcases a range of cultural, hospitality, workplace, and exhibition projects that strive for dynamic, inclusive, and community-oriented designs. Key team members lending their expertise include founding partners Roggeveen and Chen, along with Amsterdam partners Ties Kweekel and Chloe Oosterwoud. The Shanghai office is led by partners Pey Lung and Mae Sszto, with Xiangcheng Xing also serving as a skilled project architect. Combining extensive urban research with masterplanning and sensitive contextual design, MORE Architecture develops human-centered solutions that blend European and Chinese influences. The practice's work is guided by principles of mixing uses, promoting accessibility, and establishing public realms that foster a new sense of collective identity. 设计团队 旅游探访 6000 ㎡ 中国，湖州市安吉县 2023年 Previous Next

< 返回 西贡南国际学校 Flansburgh Architects 项目名称：西贡南国际学校 地点：胡志明市，越南 设计团队：Flansburgh Architects 主要建筑师：David Croteau（项目负责人）, Madeleine Le（项目建筑师） 建筑面积：277723 ft² 竣工时间：2024年 摄影：Matthew Millman, Jonathan Mitchell 设计特色： 项目 - 在这个将创新设计与教育卓越完美融合的开创性教育项目中，Flansburgh建筑事务所在越南西贡南国际学校推出了他们的最新杰作——新建中学和STEAM设计中心。这个277723平方英尺的项目代表着21世纪教育建筑的大胆重构。 该项目由两座独特和谐相连的建筑组成，充分利用了位于迪亚运河沿岸的独特水景资源。建筑师们从越南标志性的萨帕梯田汲取灵感，打造出引人注目的外观设计，包括起伏的曲线和种植本土植物的层叠花园，创造出建筑形态与自然元素之间的动态交融。 这个项目的与众不同之处在于它巧妙地将生物亲和设计原则与尖端教育空间相结合。STEAM设计中心配备了最先进的设施，包括五个科学实验室、专业艺术工作室和灵活的室内外展览空间，而中学建筑则设有令人印象深刻的天窗中庭、220平方米的剧场和适应多样化教学方法的灵活学习空间。 建筑师们通过智能设计方案巧妙地应对了热带气候的挑战。大量运用自然光线，再加上中庭战略性地布置竹元素，不仅降低了能耗，还创造出向当地建筑传统致敬的宁静学习环境。两座建筑位于运动场的对侧，既最大化了通风效果，又营造出作为校园核心的中央社区空间。 最值得注意的是，该项目与城市环境的关系为教育建筑设立了新标准。项目位于一个适合步行的混合功能岛屿社区内，通过精心设计的步道和公共空间加强了社区联系。弧形阳台与下方蜿蜒的水道相呼应，提供壮丽的景观，同时在建筑环境与自然景观之间创造出视觉对话。 这个项目代表着教育建筑的重要进步，将可持续性、文化敏感性和教育创新融为一体，创造出激发学习热情并促进社区参与的空间。 团队 – Flansburgh建筑事务所成立于1963年，总部位于马萨诸塞州波士顿，在其六十年的发展历程中已成为教育建筑和可持续设计领域的先驱力量。该事务所现由总裁David Croteau领导，在30个国家建立了令人印象深刻的项目组合，特别专注于教育设施、文化中心和公共机构建筑。 事务所的领导架构由四位经验丰富的主要合伙人组成，确保每个项目都得到直接参与。执行团队包括执行副总裁Jorge Cruz、高级副总裁Kent Kovacs和副总裁Joseph Marshall，每位成员都在可持续设计到建筑信息模型（BIM）等不同领域带来专业支持。 Flansburgh的与众不同之处在于其对可持续建筑和文化敏感性的承诺，这一点从其员工资质可见一斑——三分之二的建筑师持有LEED认证，平均拥有十五年的专业经验。事务所保持着精简但高度专业的11-50人团队规模，营造了一个创新与执行并重的环境。 他们的设计理念强调将本地文化元素与当代建筑解决方案相结合，这在最近的项目中得到充分体现，如西贡南国际学校。事务所在教育建筑方面的方法着重于创造适应性强、面向未来的学习环境，既满足教育需求，又考虑环境因素。 Flansburgh在建筑领域的持久性和持续相关性源于其平衡创新设计解决方案与实用功能的能力，同时保持对可持续性和以客户为中心的服务交付的坚定承诺。 Project Name: Saigon South International School Location: Ho Chi Minh City，Vietnam Design Team: Flansburgh Architects Lead Architects: David Croteau (Principal-In-Charge), Madeleine Le (Project Architect) Building Area: 277,723 square feet Completion Date: 2024 Photography: Matthew Millman, Jonathan Mitchell Collaborating Partners: Architecture Consultant: Sino-Pacific Construction Consultancy Co., LTD Acoustic Consultant: Acentech MEP Consultant: Atelier Management & Design Consultancy Co., LTD Structural Consultant: Sino-Pacific Construction Consultancy Co., LTD Interior Design: BOHO Decor General Contractor: VICONS Construction and Engineering Co., LTD Feature： Project - In a groundbreaking educational project that seamlessly merges innovative design with pedagogical excellence, Flansburgh Architects has unveiled their latest masterpiece - the New Middle School and STEAM Design Center at Saigon South International School in Vietnam. This ambitious 277,723-square-foot development represents a bold reimagining of educational architecture for the 21st century. The project comprises two distinct yet harmoniously connected buildings that embrace the site's unique waterfront location along the Dia Canal. Drawing inspiration from Vietnam's iconic Sa Pa rice terraces, the architects have created a striking exterior featuring undulating curves and cascading planters that host native species, creating a dynamic interplay between built form and natural elements. What sets this project apart is its thoughtful integration of biophilic design principles with cutting-edge educational spaces. The STEAM Design Center houses state-of-the-art facilities including five science labs, specialized art studios, and a versatile indoor/outdoor gallery space, while the Middle School building features a dramatic skylit atria, a 220-square-meter black box theater, and flexible learning environments that adapt to diverse teaching methodologies. The architects have masterfully addressed the tropical climate through intelligent design solutions. The extensive use of natural light, coupled with the strategic placement of bamboo elements in the atria, not only reduces energy consumption but also creates a serene learning environment that pays homage to local architectural traditions. The buildings' positioning on opposite sides of an athletic field maximizes cross-ventilation while creating a central community space that serves as the campus heart. Perhaps most notably, the project's relationship with its urban context sets new standards for educational architecture. Situated within a walkable, mixed-use island neighborhood, the development strengthens community connections through thoughtfully designed pathways and public spaces. The curving balconies, which mirror the meandering waterway below, offer stunning views while creating a visual dialogue between the built environment and the natural landscape. This project represents a significant advancement in educational architecture, where sustainability, cultural sensitivity, and pedagogical innovation converge to create spaces that inspire learning and foster community engagement. Design Team - Flansburgh Architects, established in 1963 in Boston, Massachusetts, has emerged as a pioneering force in educational architecture and sustainable design over its six-decade journey. The firm, currently led by President David Croteau, AIA, LEED AP, has cultivated an impressive portfolio spanning 30 countries, with particular expertise in educational facilities, cultural centers, and civic institutions. The practice's leadership structure, comprising four principals with extensive industry experience, ensures hands-on involvement in every project. The executive team includes Jorge Cruz as Executive Vice President, Kent Kovacs as Senior Vice President, and Joseph Marshall as Vice President, each bringing specialized expertise in areas ranging from sustainable design to Building Information Modeling (BIM). What distinguishes Flansburgh is its commitment to sustainable architecture and cultural sensitivity, evidenced by their impressive staff credentials - two-thirds of their architects hold LEED certification, with an average of fifteen years of professional experience. The firm maintains a lean yet highly skilled team of 11-50 employees, fostering an environment where innovation meets execution. Their design philosophy emphasizes the integration of local cultural elements with contemporary architectural solutions, as demonstrated in their recent projects like the Saigon South International School. The firm's approach to educational architecture focuses on creating adaptive, future-ready learning environments that respond to both pedagogical needs and environmental considerations. Flansburgh's longevity and continued relevance in the architectural landscape stem from their ability to balance innovative design solutions with practical functionality, while maintaining a strong commitment to sustainability and client-centered service delivery. 设计团队 旅游探访 277723 ft² 胡志明市，越南 2024 Previous Next

< 返回 “回应之歌” 贡多拉屋 Furuya Design 设计特色： 项目 – 古老的温泉旅馆在雪中小村庄里获得当代新馆：由Furuya Design Architects完成的新馆，位于长野县野泽温泉村，是对1969年由著名建筑师吉阪隆正（Takamasa Yosizaka）设计的原有旅馆的罕见现代演绎，延续了前作的精神，同时启发出全新的建筑风格。野泽温泉村以本州罕见的粉雪和温泉街的氛围而闻名，吸引了许多长期停留的外国游客。这座被命名为" GONDOLA HOUSE"的建筑，采用了白色的外墙，与当地人亲切称为"牛油果屋"的绿顶原馆形成鲜明对比。新馆在外形上延续了原作的造型曲线，却因白色墙面在冬季能与白雪融为一体，从而塑造出独树一帜的现代建筑风格。设计团队表示："这项设计旨在呼应吉阪建筑的亲密氛围，在外形上致敬前作，同时通过材质的反差营造出全新的辉映效果。新旧两馆的关系有如双干式盆景中主干和辅干的关系。" 起伏的屋顶造型有助于减轻积雪的压力，而开口处的支撑结构则是对原作的隐晦致意。新馆针对海外家庭游客，三层设计开阔空间，馆内的上层空间可容纳7人，旨在为到此的住客打造如同"乘滑雪缆车"般与野泽温泉文化及景观融为一体的独特体验，“我们希望它功能完善，外观也讨人喜爱，让人久久不愿离去”。 团队 – Furuya Design Architects由日本建筑师古谷俊一（1974年出生）于2009年在东京创立，是一家备受赞誉的建筑及景观设计事务所。该事务所的设计理念植根于营造建筑与自然环境之间亲密连接，通过对场所及传统的体恤之作，屡获殊荣。Furuya Design Architects采用跨领域手法，巧妙融合建筑、室内、景观和家具设计。其代表作品如清酒酿造综合設施ESHIKOTO，深大寺庭园，以及涩谷modi等，充分展现了该事务所通过精心塑造量体、选用材质和种植绿植，使空间与环境和谐共生的高超技艺。该事务所的多元化作品包括住宅、商业、酒店和公共项目，尽管项目类型迥异，却统一彰显了对场所和传统的敬重。凭借日本空间设计大奖、日本建筑师学会奖、东京建筑奖等多个奖项，古谷设计团队不断推陈出新，同时唤起人们对归属感的渴望。如今，Furuya Design Architects由古谷俊一及秋真人、豊岛香代子等共同领导，致力于"如同培育植物般雕琢建筑"，孜孜不倦追求对场所最恰当精心的设计。 设计团队 旅游探访 173.85 m² 日本，长野县 2024年 Previous Next

< 返回 Uparati别墅 Wittman Estes 项目名称： Uparati别墅 地点： 惠德贝岛，美国 设计团队： Wittman Estes 建筑面积： 1880 ft² 竣工时间： 2024年 摄影： Andrew Pogue 设计特色： 项目 - Uparati别墅由Wittman Estes设计，坐落在惠德贝岛起伏的地形之上，是一个展现建筑克制和生态敏感性的杰作。这座1880平方英尺的现代度假屋通过优先考虑与自然环境的深度连接，挑战了传统住宅设计理念。 项目的核心理念源自梵语"uparati"（意为静止），并被巧妙地转化为建筑语言。建筑师Matt Wittman和Jody Estes精心打造了这座住宅，它不仅仅是占据景观，更成为景观的有机组成部分。房屋仿佛悬浮在草地之上，其雪松外表与周围的蓝燕麦草和墨西哥羽毛草自然融为一体。 创新的可持续性是设计的核心。通过采用地面框架基础系统，与传统混凝土基础相比，碳足迹减少了77%。建筑结构遵循精确的4英尺网格，使用现成的TJI梁，创造出理性、经济的施工方法，同时保持美学优雅。 室内设计体现了极简主义风格，胶合板墙面、雪松榫槽天花板和白橡木地板营造出中性背景，让戏剧性的景观成为主要视觉焦点。落地窗消除了室内外的界限，提供了通向无用湾和奥林匹克山脉的全景视野。 Uparati别墅不仅仅是一座房子，更是一个冥想圣所——一处现代度假胜地，邀请居住者停下脚步，思考，重新与自然世界建立联系。 团队 - Wittman Estes建筑事务所由Matt Wittman和Jody Estes于2012年创立，已发展成为一家致力于重新定义建筑环境与自然景观关系的先锋建筑事务所。该事务所位于西雅图历史悠久的乔治城社区，以其超越传统建筑界限的整体设计方法而闻名。 事务所因其创新的住房解决方案和景观整合而备受业界赞誉，曾获得美国建筑师协会全国住房奖，并多次在众多著名建筑平台上发表作品。事务所的设计理念着重于创造室内外相互融合的互联空间，积极应对城市密集化和气候挑战。 在创始人Matt Wittman、Jody Estes以及主要合伙人Ashton Wesely的带领下，事务所已在太平洋西北部、加利福尼亚和纽约等地完成了大量住宅和多户型项目。他们的作品以对可持续发展的严格承诺、材料创新和重视人与自然环境连接的体验式设计为特色。 凭借多学科的建筑师和设计师团队，Wittman Estes继续推动当代建筑实践的边界，提供既环保又深度契合人性体验的综合设计解决方案。 Project Name: Whidbey Uparati House Location: Whidbey Island, United States Design Team: Wittman Estes Total Floor Area: 1,880 sq ft Completion: 2024 Photography: Andrew Pogue Feature: Project - Nestled on the rolling landscape of Whidbey Island, the Uparati House by Wittman Estes emerges as a masterful exercise in architectural restraint and ecological sensitivity. Spanning 1,880 square feet, this contemporary retreat challenges traditional notions of residential design by prioritizing a profound connection with its natural surroundings. The project's core philosophy revolves around the Sanskrit concept of "uparati" – meaning stillness – which is eloquently translated into architectural language. Architects Matt Wittman and Jody Estes have crafted a dwelling that doesn't merely occupy the landscape but becomes an integral part of it. The house appears to float above a meadow, its cedar-clad exterior blending seamlessly with the native Blue Oat Grasses and Mexican Feather Grasses that surround it. Innovative sustainability is at the heart of the design. By employing a Ground Frame foundation system, the architects dramatically reduced the carbon footprint by 77% compared to traditional concrete foundations. The structure follows a precise 4-foot grid, utilizing off-the-shelf TJIs and creating a rational, cost-effective construction method that doesn't compromise on aesthetic elegance. The interior is a testament to minimalist design, with plywood walls, cedar tongue and groove ceilings, and white oak floors creating a neutral canvas that allows the dramatic landscape to become the primary visual narrative. Floor-to-ceiling windows transform the boundaries between interior and exterior, offering panoramic views of Useless Bay and the Olympic Mountains. More than just a house, the Uparati House is a meditative sanctuary – a contemporary retreat that invites its inhabitants to pause, reflect, and reconnect with the natural world. Design Team - Founded in 2012 by Matt Wittman and Jody Estes, Wittman Estes has emerged as a vanguard architectural practice committed to reimagining the relationship between built environments and natural landscapes. Situated in the historic Georgetown neighborhood of Seattle, the firm has distinguished itself through a holistic design approach that transcends traditional architectural boundaries. Recognized for their innovative housing solutions and landscape integration, Wittman Estes has garnered significant industry acclaim, including the AIA National Housing Award and multiple publications in prestigious architectural platforms like Dezeen, ArchDaily, and Dwell. The firm's design philosophy centers on creating interconnected spaces that blur the lines between interior and exterior, responding critically to urban densification and climate challenges. Led by founding principals Matt Wittman and Jody Estes, alongside principal Ashton Wesely, the practice has developed a robust portfolio of residential and multi-family projects spanning the Pacific Northwest, California, and New York. Their work is characterized by a rigorous commitment to sustainability, material innovation, and experiential design that prioritizes human connection to natural environments. With a multidisciplinary team of architects and designers, Wittman Estes continues to push the boundaries of contemporary architectural practice, offering integrated design solutions that are both environmentally responsive and deeply attuned to human experience. 设计团队 旅游探访 1880 ft² 惠德贝岛，美国 2024 Previous Next

< 返回 CM住宅 AtelierM + Nicolas Krause 项目名称：House CM 地点：布宜诺斯艾利斯，阿根廷 设计团队：AtelierM + Nicolas Krause 建筑面积：315 m² 竣工时间：2022年 摄影：AtelierM 设计特色： 项目 -- 坐落于阿根廷布宜诺斯艾利斯埃斯科瓦尔的House CM，由AtelierM与Nicolas Krause共同设计，展现了将规范限制转化为建筑创新的智慧表达。这座315平方米的住宅位于一个封闭社区最后可用地块之一，其独特的三体量配置和横向悬浮手法成为设计的根本要素，突出了传统住宅类型学在当代语境中的大胆重新诠释。 该项目最引人注目的成就在于其革命性的空间组织策略。建筑师们没有遵循严格的坡屋顶规范带来的传统形象，而是将法规要求作为概念起点，创造出一个融合典型形态与当代空间体验的建筑构成，提出对郊区住宅潜力的全新解读。从最初的设计构思起，三个简单的坡屋顶砖体量就标定了概念起点：一座从典型形态向外构建的住宅，每个功能区域都与创新的空间关系保持直接联系。 建筑形态通过精妙的体量编排组织，一个体量横向搁置在另外两个之上，分布于紧凑而高效的空间配置中。内部为住宅的完整功能区域，围绕开放的底层公共空间展开，与后方森林景观保持直接关系，寻求对自然环境的透明性和开放性。抬升设计朝向多功能应用，通过解放地平面与城市天际线和自然景观融为一体。 立面轻盈而连贯，通过单一砖材料强化体量的整体性，墙体、屋顶和结构元素无缝融合，为整体提供材料一致性和永恒性。维护免费的砖材选择，战略性地适应环境可持续性需求，标示着设计的耐久性特质并强化了住宅的创新性格。 材料运用体现了与可持续性的深度对话。House CM被构想为一个建筑重新诠释，向传统建造技术、环境责任以及建成材料与自然之间的本质连接致敬，通过交叉通风、自然采光控制和被动式热性能展现出当代阿根廷建筑在处理规范约束时的成熟度和创新性。 设计团队 -- AtelierM由Matias Mosquera于2020年在阿根廷布宜诺斯艾利斯创立，已确立其作为致力于循环经济原则和可持续设计创新的领先建筑实践地位。该工作室作为协作性创意工坊运作，在不同尺度和类型中进行持续实验，同时对环境责任和材料耐久性保持严格关注。 在Mosquera的指导下，在合伙人Camila Gianicolo、Francisco Gómez Paratcha、Cristian Grasso、Carolina Tobar和Milagros Vita的支持下，事务所因其前卫的当代建筑方法获得了国际认可。实践哲学以永恒探索为中心，将每个设计过程视为即兴创作，参数化技术与古老建造工艺相融合，生成出乎意料的场地特定解决方案。 AtelierM的方法论超越了传统可持续性指标，通过闭环系统追求事务所所称的"生产性建筑"，重新教育居住者行为，同时最小化对外部基础设施网络的依赖。这一承诺体现在优先考虑自然通风策略、被动式热性能和材料持久性的项目中，砖材、木材和区域性采购材料构成了工作室的建构词汇。 事务所的设计哲学围绕将限制转化为创新机遇的理念展开，这一原则体现在以材料一致性、环境被动策略和空间流动性为特征的项目中。AtelierM的作品集展现了在创造平衡功能性能与环境和谐的建筑方面的持续卓越，确立了事务所作为当代可持续住宅建筑重要贡献者的地位。 该实践将建筑理解为扩展学科，涵盖跨学科协作、材料实验和社会责任。事务所的作品获得了显著认可，包括2025年Architizer将其列为阿根廷最佳建筑和设计公司第七名、2024年CAPBA建成作品奖第二名，以及多次金特列齐尼奖荣誉提名。Mosquera自2018年起同时担任布宜诺斯艾利斯大学建筑设计教授，确保实践在专业创新之外保持学术严谨性。通过综合专业服务包括建筑设计、参数化技术应用和可持续建造咨询，AtelierM致力于通过创新的可持续设计实践重新定义住宅建筑，在国际舞台上展现阿根廷设计的本质和创新。著名作品包括获奖的House CM、ZigZag住宅、MeCa住宅以及遍布阿根廷的多个住宅和公共项目，每个项目都展现了事务所应对多样化功能要求和环境挑战的能力。 设计团队 旅游探访 315 m² 布宜诺斯艾利斯，阿根廷 2022 Previous Next