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< 返回 东京公寓改造：材料之舞 ARED ARCHITECTS 设计特色： 项目 – Material Waltz是一处位于东京世田谷的公寓改造项目，设计团队从华尔兹创作过程中汲取灵感，试图在改造设计中表达空间与装饰的“材料之舞”。他们将现有公寓的规则视为“乐谱”，并沿着“倾斜的空间轴”构建新的“五线谱”，将材料当作“音符”，赋予它们超越功能的形式。这22度倾斜的空间轴线尊重并组织建筑内外的要素，营造出统一却不单调的氛围，具有独特个性——地面规划和布置蕴含音乐节奏与和声。该项目不仅在功能和美学上出色，更希望通过这种音乐手法唤起访客的情感和体验。建筑师集中称呼材料为“音符”，通过奇思妙想的设计赋予它们独特的“个性”，不仅体现现代实用性。老材料与新材料在这一室空间中彼此争辩，并且每种材料都会在一个房间的空间中开始做出自己的陈述，就像舞者随着生活中“早中晚”的朝夕晨昏这难以避免的“华尔兹三拍”翩翩起舞。 团队 – 日本建筑师赤池一仁（1990年生）于2023年创立了ARED ARCHITECTS。作为其主持设计师及日本一级注册建筑士，他拥有设计小体量住宅到大型综合体的经验，和从独创性理念到可靠细节的全面设计专长。他擅长独特的造型设计，在关注客户共鸣的同时，致力于让项目实现最大潜力。其设计工作室提供建筑、家具、产品设计以及创意指导等全方位服务。迄今为止，他已经与各种客户成功完成许多不同项目。 Feature： Project - Material Waltz is an apartment renovation in Setagaya, Tokyo designed by Akaike Kazuhito of ARED Architects. Taking inspiration from the creative process behind waltz compositions, the architects sought to express the "dance of decoration" within renovation design. They viewed the existing rules of the apartment as a "musical score" and constructed a new “sheet music” along “skewed spatial axes”, treating materials as “musical notes” and giving them form beyond function. The 22 degree angle spatial axes pay respect to and organize the elements inside and outside the building, creating a unified yet non-monotonic atmosphere with its own unique personality - one where floorplans and arrangements take on musical rhythm and harmony. Beyond functionalism and aesthetics, the architects hoped to appeal to visitors’ emotions and experiences through this musical approach. They gave the materials, viewed collectively as “notes”, distinct “personalities” with whimsical designs that convey more than just modern practicality. The old and new materials assert themselves within the one-room space, crossing brightly like dancers waltzing to the inevitable beats of morning, day and night. Design Team - ARED ARCHITECTS was founded in 2023 by Akaike Kazuhito, the Managing Director and a first-class architect. With professional experience at both top contractors and design studios, he is highly versed in architectural designs ranging from small houses to large complexes, and everything from innovative concepts to solid details. Skilled at one-of-a-kind sculptural design, he strives to unlock projects' fullest potential while emphasizing client empathy. The firm provides comprehensive services encompassing architecture, furniture, product design and creative direction. So far, ARED has successfully completed a diverse range of projects in close cooperation with various clients. 设计团队 旅游探访 84 m² 日本 東京 2023 前一项 后一项

< 返回 鸡英雄互动亭 RAD+ar 项目名称：鸡英雄互动亭（Chicken Hero Pavilion） 设计团队：RAD+ar 项目地点：雅加达，印度尼西亚 项目面积：900 m² 竣工时间：2024年 摄影：Mario Wibowo 设计特色： 项目 – 在雅加达城市森林中，RAD+ar设计事务所的"鸡英雄互动亭"以令人惊叹的创新方式重新定义了可持续建筑与社区参与。这座建筑巧妙地融入景观，宛如公园中的一座自然小丘，其内部洞穴般的隧道通往一个鸡舍空间，不仅是建筑，更是一个社会和环境变革的平台。 这个设施可持续发展的原型，巧妙应对了印度尼西亚每人每年约300公斤的食物浪费问题。通过循环经济模式，它将餐厅废弃物转化为资源，在短短四周内为六家餐厅处理有机废弃物，并每天生产约40枚鸡蛋。 建筑的设计极其巧妙：采用回收竹材的绿色屋顶，内部空间通风良好，被间接自然光照亮。这不仅为鸡群提供了舒适的环境，还有效管理了废弃物并保护绿色区域。 "鸡英雄互动亭"不仅仅是一个建筑，更是一个社会催化剂。通过创造游客与鸡群之间的互动空间，RAD+ar挑战了后院养鸡的既有刻板印象。设计体现了"全球本地化"理念——一个具有全球可持续性意义的超本地解决方案。 这个建筑干预代表了一个大胆的声明：当以创造力、同理心和对本地情境的深入理解进行设计时，可持续性可以变得触手可及、引人入胜且根本性地变革。 RAD+ar的这一设计不仅是建筑，更是一种社会实践，展示了如何在发展中国家通过创新设计推动可持续发展。 团队 – RAD+ar是一家成立于2017年的雅加达建筑事务所,由Antonius Richard创立。该事务所在2021年德赛文设计大奖的新晋建筑工作室类别中获得提名。RAD+ar的主要关注点是拓展适应性热带建筑的创新应用。该公司相信,只有启发大众,真正的可持续性和建筑才能实现。 该事务所在热带和发展中背景下探索建筑的核心价值。其项目融合文化和自然,展示如何摆脱历史上对热带气候的固有观念。RAD+ar通过富有挑战性、实验性和研究驱动的方式来推广可持续建筑。其设计团队旨在重新定义全球化和本地化背景下建筑的价值,扩展我们对"建筑"的认知边界。 Project Name: Chicken Hero Pavilion Design Team: RAD+ar (Research Artistic Design + Architecture) Location: Jakarta, Indonesia Project Area: 900 m² Completion Year: 2024 Photography: Mario Wibowo Feature： Project - Nestled within Jakarta's Urban Forest, the Chicken Hero Pavilion by RAD+ar emerges as a radical reimagining of sustainable design and community engagement. Seamlessly blending into the landscape like an organic hill, this innovative structure transcends traditional architectural boundaries, transforming a simple chicken coop into a provocative platform for social and environmental transformation. Designed as a prototype for decentralized sustainability, the pavilion tackles Indonesia's critical food waste challenge through an ingenious circular economy approach. The project addresses the country's alarming statistic of approximately 300 kilograms of food waste per person annually by creating a symbiotic ecosystem that turns waste into resource. The pavilion's architectural brilliance lies in its multifunctional design. A cave-like tunnel leads visitors into a cross-ventilated space illuminated by indirect daylight, with a green roof crafted from reclaimed bamboo. Over just four weeks, the structure processed food waste from six on-site restaurants, generating approximately 40 eggs daily and converting organic materials into garden compost. More than just a structure, the Chicken Hero Pavilion is a social catalyst. By creating a reciprocal space between visitors and chickens, RAD+ar challenges existing stigmas around backyard poultry farming. The design embodies the concept of "Glocalization" - a hyper-local solution with global sustainability implications. This architectural intervention represents a bold statement: sustainability can be accessible, engaging, and fundamentally transformative when designed with creativity, empathy, and deep understanding of local contexts. Design Team - RAD+ar is a Jakarta-based architecture studio founded in 2017 by Antonius Richard. Longlisted for Dezeen Awards 2021 emerging architecture studio of the year, the firm focuses on extending the creative application of adaptive tropical architecture. RAD+ar believes true sustainability and architecture can only be achieved by inspiring the masses. The studio explores the core values of architecture in tropical and developing contexts. Its projects connect culture and nature, showcasing how to escape historical notions of tropicality. RAD+ar promotes sustainable architecture through a provocative, experimental, and research-driven approach. The firm aims to redefine the value of architecture in globalization and localization, expanding the limits of what we call "architecture." 设计团队 旅游探访 900 m² 雅加达，印度尼西亚 2024 前一项 后一项

Shape Architecture Practice + Research由Abdulla Al-Shamsi于2006年在阿联酋创立，迅速成为中东地区设计卓越的典范。Abdulla Al-Shamsi毕业于哥伦比亚大学， SHAPE的理念深深植根于将尖端数字设计和生产技术融入建筑过程。这种创新承诺与他们坚信研究能够提升设计成果和方法的理念相辅相成。 Founded in 2006 by Abdulla Al-Shamsi, SHAPE Architecture Practice and Research has established itself as a beacon of design excellence in the Middle East. Al-Shamsi, who holds an MSAAD from Columbia University under the tutelage of Bernard Tschumi and a B.Arch from the American University of Sharjah, brings a wealth of expertise to the firm's leadership. < Back Shape Architecture Practice + Research 阿联酋（UAE） Shape Architecture Practice + Research由于2006年在阿联酋创立，迅速成为中东地区设计卓越的典范。Abdulla Al-Shamsi毕业于哥伦比亚大学， SHAPE的理念深深植根于将尖端数字设计和生产技术融入建筑过程。这种创新承诺与他们坚信研究能够提升设计成果和方法的理念相辅相成。 事务所的作品涵盖广泛，从精致的住宅项目到大规模工业城市开发均有涉猎。SHAPE的多学科方法建立在研究、可持续性和技术三大核心支柱之上。这三位一体的方法使事务所能够打造创新解决方案，将全球设计视角与当地文化特色完美融合。 SHAPE的与众不同之处在于其通过严谨研究和先进技术集成来推动建筑设计边界的决心。事务所利用最先进的BIM技术和参数化设计来优化性能，实现突破性成果。可持续性不是事后考虑，而是其设计理念的基本方面，在应对气候挑战的同时提高能源效率和空间质量。 随着SHAPE的不断发展，它始终致力于在阿联酋及其他地区树立建筑卓越的新标准，巩固其作为区域设计领域开拓者的地位。 Founded in 2006 by Abdulla Al-Shamsi, SHAPE Architecture Practice and Research has established itself as a beacon of design excellence in the Middle East. Al-Shamsi, who holds an MSAAD from Columbia University under the tutelage of Bernard Tschumi and a B.Arch from the American University of Sharjah, brings a wealth of expertise to the firm's leadership. SHAPE's ethos is firmly rooted in the integration of cutting-edge digital design and production technologies within the architectural process. This commitment to innovation is complemented by a steadfast belief in the transformative power of research to enhance design outcomes and methodologies. The practice's portfolio spans an impressive range of typologies, from intimate residential projects to large-scale industrial urban developments. SHAPE's multi-disciplinary approach is built upon three core pillars: research, sustainability, and technology. This trifecta enables the firm to craft innovative solutions that seamlessly blend global design perspectives with local cultural nuances. What sets SHAPE apart is its dedication to pushing the boundaries of architectural design through rigorous research and advanced technological integration. The firm leverages state-of-the-art BIM techniques and parametric design to optimize performance and achieve groundbreaking results. Sustainability is not an afterthought but a fundamental aspect of their design philosophy, addressing climate challenges while enhancing energy efficiency and spatial quality. As SHAPE continues to evolve, it remains committed to setting new standards for architectural excellence in the UAE and beyond, solidifying its position as a trailblazer in the regional design landscape. WEBSITE PROJECT

Society of Architecture (SoA)是2010年在首尔创立的充满活力的建筑设计团队，正逐步打破建筑设计的界限。这个年轻团队由姜叙麟和李智勋两位主理人带领，他们以调查研究的方式出发，深入分析建筑与城市主义的社会环境，从中汲取灵感，实践多元且跨尺度的创作。 - Founded in 2010 in Seoul, Society of Architecture (SoA) is a dynamic collective pushing the boundaries of architectural practice. Led by principals Yerin Kang and Chihoon Lee, this young firm takes an investigative approach, analyzing the social conditions of architecture and urbanism to inform their diverse, multi-scalar work. < Back Society of Architecture 韩国（SOUTH KOREA） Society of Architecture (SoA)是2010年在首尔创立的充满活力的建筑设计团队，正逐步打破建筑设计的界限。这个年轻团队由姜叙麟和李智勋两位主理人带领，他们以调查研究的方式出发，深入分析建筑与城市主义的社会环境，从中汲取灵感，实践多元且跨尺度的创作。SoA团队对现代生活方式有着深刻的理解，他们不断探寻新的可能性，希望通过建筑思维拓展建筑环境的内涵，将之运用于家具、室内、公共艺术、研究、出版等多个领域。他们的实践还与城市社会学、政治地理学、历史学、艺术等不同学科开展了丰富的跨界合作。SoA凭借创新的作品，曾获得诸多殊荣，包括2020韩国设计大奖、2020首尔建筑大奖及2023年韩国建筑史学会设计大奖等。除了在威尼斯双年展、光州设计双年展、MAXXI、国立现代美术馆、首尔市立美术馆等知名场馆举办展览，SoA还曾担任2017年"首尔建筑与城市主义双年展"的"生产城市"策展人，并受邀参加2023年威尼斯双年展韩国馆。一直以来，Society of Architecture以其超越传统的跨领域求知欲和参与度，成为当代建筑设计团队中充满创新活力的新生代先锋。 Founded in 2010 in Seoul, Society of Architecture (SoA) is a dynamic collective pushing the boundaries of architectural practice. Led by principals Yerin Kang and Chihoon Lee, this young firm takes an investigative approach, analyzing the social conditions of architecture and urbanism to inform their diverse, multi-scalar work. With a deep understanding of modern lifestyles, SoA searches for new possibilities to enrich the built environment through architectural thinking applied across furniture, interiors, public art, research, publications, and more. Their practice is enriched by collaborations spanning urban sociology, political geography, history, and art. SoA's inventive work has earned significant recognition, including the 2015 Young Architects Project award for Upo Nature Library, The Rabbit, and the Gender Equality Policy Expert Library. They were winners of the 2015 Young Architects Program organized by MMCA, MoMA, and Hyundai Card, later nominated as 2016 AR Emerging Architecture finalists for Roof Sentiment. With an impressive array of awards, exhibitions at prestigious venues like the Venice Biennale, and thought-provoking publications, SoA exemplifies an architectural practice transcending traditional boundaries through its multidisciplinary curiosity and engagement. WEBSITE PROJECT

< 返回 “回应之歌” 贡多拉屋 Furuya Design 设计特色： 项目 – 古老的温泉旅馆在雪中小村庄里获得当代新馆：由Furuya Design Architects完成的新馆，位于长野县野泽温泉村，是对1969年由著名建筑师吉阪隆正（Takamasa Yosizaka）设计的原有旅馆的罕见现代演绎，延续了前作的精神，同时启发出全新的建筑风格。野泽温泉村以本州罕见的粉雪和温泉街的氛围而闻名，吸引了许多长期停留的外国游客。这座被命名为" GONDOLA HOUSE"的建筑，采用了白色的外墙，与当地人亲切称为"牛油果屋"的绿顶原馆形成鲜明对比。新馆在外形上延续了原作的造型曲线，却因白色墙面在冬季能与白雪融为一体，从而塑造出独树一帜的现代建筑风格。设计团队表示："这项设计旨在呼应吉阪建筑的亲密氛围，在外形上致敬前作，同时通过材质的反差营造出全新的辉映效果。新旧两馆的关系有如双干式盆景中主干和辅干的关系。" 起伏的屋顶造型有助于减轻积雪的压力，而开口处的支撑结构则是对原作的隐晦致意。新馆针对海外家庭游客，三层设计开阔空间，馆内的上层空间可容纳7人，旨在为到此的住客打造如同"乘滑雪缆车"般与野泽温泉文化及景观融为一体的独特体验，“我们希望它功能完善，外观也讨人喜爱，让人久久不愿离去”。 团队 – Furuya Design Architects由日本建筑师古谷俊一（1974年出生）于2009年在东京创立，是一家备受赞誉的建筑及景观设计事务所。该事务所的设计理念植根于营造建筑与自然环境之间亲密连接，通过对场所及传统的体恤之作，屡获殊荣。Furuya Design Architects采用跨领域手法，巧妙融合建筑、室内、景观和家具设计。其代表作品如清酒酿造综合設施ESHIKOTO，深大寺庭园，以及涩谷modi等，充分展现了该事务所通过精心塑造量体、选用材质和种植绿植，使空间与环境和谐共生的高超技艺。该事务所的多元化作品包括住宅、商业、酒店和公共项目，尽管项目类型迥异，却统一彰显了对场所和传统的敬重。凭借日本空间设计大奖、日本建筑师学会奖、东京建筑奖等多个奖项，古谷设计团队不断推陈出新，同时唤起人们对归属感的渴望。如今，Furuya Design Architects由古谷俊一及秋真人、豊岛香代子等共同领导，致力于"如同培育植物般雕琢建筑"，孜孜不倦追求对场所最恰当精心的设计。 设计团队 旅游探访 173.85 m² 日本，长野县 2024年 前一项 后一项

Design Studio MAOOM成立于2016年，已发展成为韩国最具创新力的建筑设计事务所之一，以其"Flexibility to change"（灵活求变）的设计理念和独特的空间设计方法而闻名。这家总部位于首尔的工作室由首席建筑师崔民奎（Minkyu Choi）、金延钟（Yeonjong Kim）和李正焕（Jeonghwan Lee）领衔，凭借将以人为本的设计原则与当代建筑元素的巧妙融合而获得国际认可。 < Back Design Studio MAOOM South Korea Design Studio MAOOM成立于2016年，已发展成为韩国最具创新力的建筑设计事务所之一，以其"Flexibility to change"（灵活求变）的设计理念和独特的空间设计方法而闻名。这家总部位于首尔的工作室由首席建筑师崔民奎（Minkyu Choi）、金延钟（Yeonjong Kim）和李正焕（Jeonghwan Lee）领衔，凭借将以人为本的设计原则与当代建筑元素的巧妙融合而获得国际认可。 该事务所专注于多元化的项目类型，涵盖商业空间、餐饮场所、住宅项目和展览空间等。他们的作品集展现了对空间构成、材料运用和照明设计的精湛理解，这一点在其备受赞誉的餐饮项目中尤为突出。MAOOM的作品特点在于能够创造超越纯功能性的氛围环境，着重打造富有意义的空间体验。 在现任领导团队的带领下，MAOOM设有空间设计、物品设计和品牌识别等专业部门，发展出强调空间和谐与材质触感的独特设计语言。他们的项目多次被ArchDaily、Frame和Interior Design Korea等权威建筑杂志报道，其中包括CUNN Coffee（2020年）、NAP Coffee Roasters（2018年）和最新的HORONG面包店（2023年）等标志性作品。 工作室的设计方法将严谨的建筑规划与对用户体验的敏锐洞察相结合，成功在美学品质与实用功能之间取得平衡。他们在建筑界日益增长的影响力通过不断扩大的高端项目组合和在国际设计领域的持续存在得到证明。 Founded in 2016, Design Studio Maoom is an innovative architectural practice guided by the philosophy of "Flexibility to change." Under the leadership of Principal Architects Minkyu Choi, Yeonjong Kim, and Jeonghwan Lee, the studio focuses on combining human-centric design with contemporary architectural innovation. The practice specializes in a comprehensive range of projects including commercial spaces, F&B establishments, offices, residential projects, and exhibition spaces, offering integrated services in spatial design, object design, and brand identity. Their work is renowned for precise control of spatial composition, materiality, and lighting design, receiving widespread recognition in international design media such as ArchDaily and Frame. The studio's methodology combines rigorous architectural planning with deep understanding of user experience, dedicated to creating emotional spatial experiences that transcend pure functionality. Through representative works such as NAP Coffee Roasters (2018) and CUNN Coffee (2020), the studio has demonstrated its unique ability to transform everyday spaces into meaningful environments. WEBSITE PROJECT

< 返回 上海浦东田园住宅 柯笠建筑 设计特色： 藏匿于上海浦东郊区乡间的柯笠建筑设计的田园住宅项目，将自然与当代生活完美融合。2018年，业主委托将旧宅拆除，打造一处现代乡间周末别墅，为兄妹两家人提供休憩之所。设计师巧妙地将绿植引入室内，汲取传统中国庭院的理念，通过内庭院和天窗，使自然光线能够穿透室内，室内外界限渐次消弭。别墅外形遵循乡村建筑规范，具有合规的坡屋顶及限高设计，但其独特之处在于主体量21米的悬挑形态，向果林延伸，西侧更一直悬挑至基地边缘，创造出宽阔的庇护空间，扩展了室内活动场所。 项目设计团队指导缺乏现代建筑施工经验的工人，运用最基本的钢混结构与砖体填充的方式，巧夺天工地将现代手法与乡土工艺交融。这座别墅恰到好处地诠释了当代乡村生活的新形态——将都市舒适与乡间宁静和谐共融。通过现代手法的引入，项目探索出一种崭新的中国乡村住宅类型，在设计理念、空间营造和施工工艺等层面，为21世纪乡村建筑注入全新的活力。 Nestled in the idyllic countryside of Shanghai's Pudong district, the Pudong Villa by Atelier Li presents a serene retreat that harmoniously blends contemporary design with traditional Chinese garden philosophy. Commissioned for two families seeking a weekend escape from urban life, the architects demolished an existing structure to erect this striking new residence. Central to the concept is the integration of nature into the living spaces, drawing inspiration from classical courtyard houses. Multiple internal courtyards and skylights filter in natural light, blurring the boundaries between indoor and outdoor. The elongated main volume dramatically cantilevers over 21 meters towards an adjacent orchard, creating expansive sheltered zones that expand the living areas. While adhering to local rural building codes with prescribed heights and a sloping tiled roof, the bold modern form makes an architectural statement. The interior layout deftly arranges communal spaces around the courtyards, fostering interaction between family members. Open-plan living areas and a double-height living room all open onto these verdant pocket gardens. By introducing distinctly contemporary elements into the countryside setting, the Pudong Villa reimagines the typology of the Chinese rural residence for the 21st century. The innovative design reconciles urban comfort with rural tranquillity, celebrating nature while providing a peaceful oasis tailored for multi-generational living. 设计团队： 柯笠建筑成立于2018年，是一家总部位于上海的建筑设计事务所，由建筑师李柏和李璇共同领衔。他们的设计理念旨在将当代生活方式与东方自然意境完美融合，无论是建筑、室内还是景观项目，都运用现代建筑语言传达舒适自然的生活理念，并着力彰显公共空间在当代社会中的重要性。 李柏是柯笠建筑的创始合伙人和主持建筑师，同济大学景观学系毕业后获ENSA Paris-Belleville法国巴黎美丽城国立高等建筑学院硕士、法国国家建筑师文凭（DEA）。他曾实践于巴黎ASA建筑事务所、直向建筑和同济大学建筑设计研究院，2018年入选CASABELLA"30岁以下建筑师"专辑。 李璇是另一位创始合伙人和设计总监，毕业于同济大学哲学系，获 Universite Paris 8法国巴黎第八大学哲学硕士，主修艺术哲学；创立柯笠建筑设计事务所以来，负责设计工作及项目的主题定位和美学策划，在留字和旅行考察后，立足于上海的建造实践，结合现代建筑语言、欧洲文化生活体验与庭园自然美学，探索适合当下居住和使用的现代建筑。 在两位创始人共同领导下，柯笠建筑追求在精心营造的环境中实现自然与现代主义的和谐统一，打造具有建筑意义却又适合实际生活的人性化空间。 Founded in 2018, Atelier Li is a Shanghai-based architectural practice led by principals Li Bai and Li Xuan. Their design approach seamlessly integrates contemporary lifestyles with natural Oriental atmospheres across architectural, interior, and landscape projects. Through a modern architectural language, they strive to create spaces that promote comfortable, nature-inspired living while emphasizing the importance of public realms in today's society. Li Bai, the founding partner and lead architect, graduated from Tongji University's Landscape Architecture program before obtaining his Master's and France's national architectural degree (DEA) from ENSA Paris-Belleville. His diverse experience spans firms like ASA Architectes in Paris, Vector Architects, and Tongji University's Architectural Design Institute (TJAD). Li Bai was selected for CASABELLA's "Architects Under 30" issue in 2018. Li Xuan, the other founding partner and design director, holds a Philosophy Master's from the Université Paris 8, specializing in art philosophy. Since establishing Atelier Li, she has directed design concepts, thematic positioning, and aesthetic strategies. Grounded in Shanghai's construction practices but influenced by European lifestyles and garden aesthetics, Li Xuan explores modern architectural typologies suited to contemporary living. Under the leadership of Li Bai and Li Xuan, Atelier Li creates architecturally significant yet livable spaces that poetically unite nature and modernity through their refined, contextualized approach. 设计团队 旅游探访 430㎡ 中国，上海 2024年 前一项 后一项

< 返回 ONE HUNDRED大楼 Studio Gang 项目名称：ONE HUNDRED大楼 地点：美国，圣路易斯 设计团队：Studio Gang 建筑面积：48308 m² (520,000 ft²) 完工时间：2020年 摄影：Tom Harris, Sam Fentress 设计特色： 项目 - ONE HUNDRED是一座位于圣路易斯的创新型住宅塔楼，体现了当代建筑设计对环境响应与用户体验的深度融合。这座380英尺高的地标性建筑通过其独特的"叶形"平面和层级式体量，在城市景观中创造出引人注目的视觉效果。 建筑最显著的特色是其四层一组的错层设计策略，每组住宅单元都配有延伸的户外空间。这种创新的立面设计不仅为四分之一的公寓提供了私密露台，还在裙楼绿色屋顶上创造了共享的社交空间。通过精心计算的角度设计，每个单元都能将西侧的森林公园和东侧的门户拱门的壮丽景观尽收眼底。 在环境性能方面，建筑的"叶形"平面和层级式体量不仅具有美学价值，更是基于对场地朝向和环境因素的深入分析。这种设计显著降低了建筑的整体能耗，同时提升了居住者的舒适度。外立面的几何构造既作为被动式遮阳系统，又创造出动态的光影效果，使建筑与自然环境形成和谐对话。 该项目因其对可持续设计的创新诠释而脱颖而出，将环境效能、用户体验和建筑美学完美融合，创造出一个既富有未来感又深度融入城市语境的居住空间。 团队 - Studio Gang由美国建筑师Jeanne Gang于1997年创立，现已发展成为一家在芝加哥、纽约、旧金山和巴黎具有战略布局的全球影响力建筑和城市设计事务所。事务所独特的设计方法整合了严谨的研究、材料创新和生态意识，不断推动可持续建筑和社会影响力的边界。事务所设计了一系列令人瞩目的项目，展现了他们致力于通过周到的设计干预将人们与环境联系起来的承诺。 事务所的方法论以其对生态系统的深度参与和创新材料应用而著称，这在Populus酒店和美国自然历史博物馆的Richard Gilder科学、教育和创新中心等项目中得到充分体现。他们的工作范围超越传统的建筑服务，涵盖研究计划和公共倡议，特别是在环境管理和社会公平领域。事务所对可持续发展和社区参与的综合方法为他们赢得了众多赞誉，包括库珀·休伊特国家设计建筑奖，以及《时代》杂志将Jeanne Gang评为世界最具影响力人物之一。 目前在Jeanne Gang和核心合伙人的领导下，事务所保持着强调知识共享和跨学科创新的协作工作室文化。他们对环境责任的承诺不仅体现在设计中，还体现在运营实践中，包括缩小性别工资差距和促进建筑实践多样性的倡议。Studio Gang的作品组合涵盖文化中心、教育设施、城市住宅开发和公共空间，每一个项目都展示了他们创造能够回应本地语境同时应对全球挑战的建筑的能力。他们的工作持续展示着建筑创新如何推动积极的社会和环境变革，确立了他们在环保意识和社会责任建筑领域的先驱地位。 Project Name: One Hundred Location: St. Louis, United States Design Team: Studio Gang Area: 48,308 m² (520,000 ft²) Year: 2020 Photographs: Tom Harris, Sam Fentress Feature： Project - One Hundred represents a groundbreaking approach to residential tower design, seamlessly integrating environmental responsiveness with user experience in contemporary architecture. Rising 380 feet above St. Louis, this landmark building creates a striking presence in the urban landscape through its distinctive leaf-shaped plan and tiered massing. The building's most remarkable feature is its four-story tier strategy, where each residential cluster is complemented by extended outdoor spaces. This innovative facade design provides private terraces for a quarter of the apartments while creating shared social spaces atop the green roof podium. Through carefully calculated angles, each unit maximizes views of Forest Park to the west and the Gateway Arch to the east. In terms of environmental performance, the building's leaf-shaped plan and tiered massing serve both aesthetic and functional purposes, resulting from deep analysis of site orientation and environmental factors. This design significantly reduces the overall energy load while enhancing occupant comfort. The geometric composition of the facade acts as a passive solar control system while creating dynamic light effects, establishing a harmonious dialogue between architecture and nature. The project stands out for its innovative interpretation of sustainable design, where environmental efficiency, user experience, and architectural aesthetics converge to create a living space that is both forward-looking and deeply connected to its urban context. Design Team - Studio Gang, established in 1997 by visionary architect Jeanne Gang, has evolved into a globally influential architecture and urban design practice with strategic presence in Chicago, New York City, San Francisco, and Paris. The firm's distinctive methodology integrates rigorous research, material innovation, and ecological awareness, consistently pushing the boundaries of sustainable architecture and social impact. Under Gang's leadership, the practice has developed a remarkable portfolio that demonstrates their commitment to connecting people with their environment through thoughtful design interventions. The firm's approach is characterized by its deep engagement with ecological systems and innovative material applications, as evidenced in projects like the Populus Hotel and the Richard Gilder Center for Science, Education, and Innovation at the American Museum of Natural History. Their work extends beyond traditional architectural services to encompass research initiatives and public advocacy, particularly in areas of environmental stewardship and social equity. The practice's integrated approach to sustainability and community engagement has earned them numerous accolades, including the Cooper Hewitt National Design Award in Architecture and TIME magazine's recognition of Jeanne Gang as one of the most influential people in the world. Currently led by Gang alongside key partners, the firm maintains a collaborative studio culture that emphasizes knowledge sharing and interdisciplinary innovation. Their commitment to environmental responsibility is reflected not only in their designs but also in their operational practices, including initiatives to close the gender wage gap and promote diversity in architectural practice. Studio Gang's portfolio spans cultural centers, educational facilities, urban residential developments, and civic spaces, each demonstrating their ability to create architecture that responds to local contexts while addressing global challenges. Their work consistently demonstrates how architectural innovation can drive positive social and environmental change, establishing them as pioneers in the field of environmentally conscious and socially responsible architecture. 设计团队 旅游探访 48308 m² 美国，圣路易斯 2020 前一项 后一项

< 返回 十字交叉之家 察社办公室 项目名称：十字交叉之家 地点：北京，中国 设计团队：察社办公室 建筑面积：334 m² 竣工时间：2024年 摄影：朱雨蒙 设计特色： 项目 - 位于北京通州区的十字交叉之家是察社办公室对疫情后生活方式转变的回应，被设计为一个可以容纳三代人同时生活和工作的单层住宅。面对严格的建筑法规限制——住宅地块只允许建造单层结构，檐高不超过3米——设计团队将这些约束转化为创造性的机遇。 这座334平方米的住宅采用了创新的十字形布局，其各个翼部向不同方向延伸并在末端相连。为维持中央庭院的比例，侧翼被整合并从周边拉开，创造了后部的狭长次级庭院。同样，面向北方的主厅被向南移动，开辟了一个后院。每个翼部现在都享有双面自然采光，整个庭院受益于畅通无阻的视线。 结构上的独创性成为了一个显著特点——建筑框架向屋脊收缩，同时结构元素在剪力墙核心处汇聚，创造了建筑师所描述的"蘑菇状"支撑系统。这使得建筑周边不受结构约束，消解了室内外空间的界限。落地玻璃将生活空间与院落相连，创造出从"院落到房屋再到院落"的连续视线。尽管如此透明，设计通过将屋檐梁降至2.4米来保持私密性，使屋顶像保护性的帽檐一样向下延伸。这一解决方案在保持舒适的层高的同时，也创造了一种庇护感——无论是在阳光明媚还是大雨滂沱的日子，坐在窗边的人仿佛是栖息在蘑菇帽下的小生物，感到受保护和安心。 十字形的空间布局处理了多代同堂生活的需求，将私人空间设计在四个末端，提供了亲密性与分隔的平衡。祖父母、父母、孩子和客人各有隐私空间，而中心区域则自然成为家庭聚集和互动的公共区域。 十字交叉之家通过当代材料创造了一种既现代又根植于地域的建筑语言，展现了察社办公室对应对实际生活挑战而非追求抽象传统的设计理念。 团队 - 察社办公室由成直于2017年正式创立，其名称最初是作为平行于"基本联合工作室"的观察研究机构而设立的。每年承接约三个项目，长期保持小型工作室的规模，主要由成直一人主导，偶尔与年轻建筑师合作。 成直在2008年硕士毕业后，在都市实践北京办公室工作了六年，之后与大学同学创立了"基本联合工作室"，并在2017年转为独立设计机构。察社办公室的设计方法超越了常规的建筑实践，将设计视为多学科方法中的一个方面，包括研究、写作、纪录和理论探索。 工作室的设计特色在于对场地特定条件和隐藏空间秩序的回应，受到成直正在进行的研究项目如"无常几种"的影响——这是对城市中经久物随时间变化的考察。成直的设计方法将建筑与观察研究、阅读和写作平行进行，相互滋养，形成独特的设计视角。 察社办公室的项目展现了对法规约束、空间创新和环境敏感性的深思熟虑的调和，如北京通州区的十字交叉之家就是这种设计理念的典范。 Project Name: House of Cross Location: Beijing, China Design Team: Chaoffice Total Floor Area: 334 m² Completion: 2024 Photography: Zhu Yumeng Feature: Project - Located in Beijing's Tongzhou District, the House of Cross represents Chaoffice's response to post-pandemic lifestyle shifts, designed as a single-story residence that accommodates three generations living and working together. Facing strict building regulations—residential plots limited to single-story structures with eaves no higher than 3 meters—the design team transformed these constraints into creative opportunities. The 334-square-meter residence adopts an innovative cross-shaped layout with wings extending in different directions and joining at their ends. To maintain the proportions of the central courtyard, the side wings were consolidated and pulled away from the perimeter, creating a narrow secondary courtyard at the rear. Similarly, the north-facing main hall was shifted southward, opening up a backyard. Each wing now enjoys dual-sided natural light, while the entire courtyard benefits from uninterrupted sightlines. The building's structural framework ingeniously recedes toward the roof ridge, with structural elements converging at the shear wall cores to form a cross-shaped structural anchor. The house, much like a mushroom, is supported at its center while its eaves extend outward in all directions. Freeing the perimeter from structural constraints allows the façade to dissolve, merging interior and exterior spaces. The cross-shaped layout creates a view that moves from near to far—courtyard, house, courtyard again—revealing overlapping scenes of daily life. The connection between glass façade frames and eaves was carefully designed: the eaves beams were lowered to 2.4 meters, allowing the eaves to extend downward like the edge of a mushroom cap. This solution maintains a comfortable ceiling height while creating a sense of shelter—whether under bright sun or during heavy rain, those sitting by the window feel like small creatures nestled beneath a mushroom cap, protected and at ease. The cross-configuration spatial arrangement addresses the needs of multi-generational living, with private spaces positioned at the four terminal points, providing a balance of intimacy and separation. Grandparents, parents, children, and guests each have their private spaces, while the central areas naturally become public zones where the family gathers and interacts. House of Cross creates an architectural language that is both contemporary and rooted in place through the combination of materials like laminated eucalyptus plywood and bridge-cut-off aluminum alloy windows, demonstrating Chaoffice's design philosophy of addressing real-life challenges rather than pursuing abstract traditions. Design Team - Chaoffice was officially established by Cheng Zhi in 2017, initially named as an observation and research institution parallel to "OEU Studio." Taking on approximately three projects annually, it has maintained the scale of a small studio, primarily led by Cheng Zhi with occasional collaboration from junior architects. After obtaining his master's degree in 2008, Cheng Zhi worked at URBANUS Beijing for six years before founding "OEU Studio" with university classmates and transitioning to independent practice in 2017. Chaoffice's methodology transcends conventional architectural practice, positioning design as one facet of a multidisciplinary approach that includes research, writing, documentation, and theoretical exploration. The studio's work is characterized by its response to site-specific conditions and hidden spatial orders, informed by Cheng's ongoing research projects such as "Impermanence in Various Forms"—an investigation into enduring urban elements that transform over time, echoing Aldo Rossi's theories on urban permanences. Cheng's design approach places architecture in parallel with observational research, reading, and writing, which mutually nourish each other to form a unique design perspective. Chaoffice's projects demonstrate a thoughtful reconciliation of regulatory constraints, spatial innovation, and contextual sensitivity, as exemplified by the House of Cross in Beijing's Tongzhou District. 设计团队 旅游探访 334 m² 北京，中国 2024 前一项 后一项

< 返回 Río住宅 LABarq 项目名称：Río住宅 地点：圣地亚哥德克雷塔罗，墨西哥 设计团队：LABarq 建筑面积：559平方米 竣工时间：2025年 摄影：Ariadna Polo 设计特色： LABarq设计的Río住宅展现了如何通过创新的V形构型策略和巧妙的地形响应设计哲学融合技术，将一座位于不规则梯形地块上的住宅转化为充满景观连续性和空间透明性的当代居住之家。 这座559平方米的住宅戏剧性地坐落在起伏地形之上，呈现为对当代墨西哥住宅生活方式、地形适应性和建筑轻盈感融合的深刻冥思。它通过精心的空间组织和材料选择，创造出一个将功能性与自然环境无缝交织的居住体验。 项目的绝妙之处在于对场地挑战的根本性回应与重新构想。面对不规则梯形地块的复杂条件，建筑师采用V形平面构型创造中心花园作为住宅的组织核心，同时框定周围自然景观的视野。这种设计策略创造了建筑与自然环境的持续对话，实现了空间上的消解效果，使建筑在树木间视觉后退。 LABarq的设计语言流利地表达着当代墨西哥建筑方言，运用战略性的立面对比和结构轻盈化来重新定义自然景观中的居住体验。前侧和侧面立面呈现庄重坚实的形态作为私密性屏障，而后侧则通过落地玻璃窗完全开放，消解室内外边界。这种大胆的二元性策略不仅增加了空间的私密性，同时巧妙地适应了当代家庭生活对开放性与私密性的双重需求。 最引人瞩目的是，建筑师通过纤细钢柱、钢板和金属拉索的巧妙操控创造轻盈的结构系统。第一个体量的侧墙悬浮于地面之上，强化了轻盈感和透明性的感知。在卧室中，金属拉索不仅调节阳光，还引导视线，增强与外部环境的连接。这种结构设计被整合为建筑语言的一部分，实现大跨度的同时创造出"建筑漂浮于景观之上"的视觉效果。 住宅组织为两个主要体量。第一个倾斜体量适应地形坡度，容纳社交空间，包括双层高客厅和餐厅、具有独立出入口的办公室以及扩大内部空间的夹层。外部设有泳池和火塘，在建筑与景观之间创造连续性。第二个体量在首层集中布置服务空间，包括厨房、电视室、露台和交通核心，以及设有储藏室和服务区的地下室。上层专门用于私密空间，主卧室配有步入式衣柜，三间次卧战略性地朝向西北立面开放，在不影响私密性的前提下实现可控视野。 材料策略延续了这种建筑与语境和谐共生的设计理念。通过使用本地资源强化与语境的整合，包括圣托马斯大理石、胡桃木饰面和仿木肋状镶板，与可控砾石的干旱花园和本土低耗水植被相互作用。项目以可持续景观替代传统草坪，减少环境影响并强化与地域的连接，展示了LABarq对环境责任和地域真实性的承诺。 设计团队 ：LABarq作为当代墨西哥建筑实践的杰出代表，由建筑师胡安·卡洛斯·凯利和建筑师宝琳娜·莫雷诺于2013年在克雷塔罗创立，自成立以来已确立其在当代住宅、商业和机构设计以及语境敏感型建筑语言创新领域的先锋地位。这家立足克雷塔罗的事务所通过设计与自然景观的协调整合，重新定义当代墨西哥建筑师在国际设计话语中的角色。 LABarq为建筑实践带来了卓越的地形响应性设计视角和对材料整合方法的深刻理解。该事务所因其将项目和谐融入周边形态与自然景观的承诺而获得认可，创造消解室内外界限的空间体验。其创新贡献获得了诸多重要奖项，包括墨西哥城亚里士多德235住宅综合体荣获的Obra大奖、Distrito Marqués项目获得的Interceramic奖，以及Lomas del Campanario Norte项目在Noldi Schreck奖中获得的第三名。 该事务所的设计哲学强调建筑应该超越形式限制，不仅仅是为了满足功能需求而设计，更是为了与周边环境和自然景观有机融合。通过对场地特定性认知和空间连续性的深度关注，开展从公寓、住宅到商业及机构项目的多元化作品，相信最好的建筑是通过精准和深思熟虑的过程产生的语境响应式干预。LABarq相信建筑应该成为居住者生活方式的载体，通过策略性的空间组织和本地材料选择创造独特的建筑体验。 除实践外，该事务所通过对本地材料与现代建造方法的深思熟虑结合、地形条件和结构创新的运用、以及经过验证的可持续景观智慧，LABarq已确立自己作为当代墨西哥建筑话语重要贡献者的地位，创造出既具环境回应性又保持建筑卓越性的作品。在凯利和莫雷诺的持续领导下，该事务所目前在墨西哥充满活力的建筑景观中占据独特地位，专注于创造通过材料整合、结构创新和语境敏感性来实现建筑品质的空间体验。 设计团队 旅游探访 559 m² 圣地亚哥德克雷塔罗，墨西哥 2025 前一项 后一项

< 返回 HOUSE X Tsutsumi & Associates 项目名称： HOUSE X 地点： 北京，中国 设计团队：堤由匡建筑设计工作室 面积： 235 m² 完工时间： 2024年5月 摄影师：Misae Hiromatsu / Ruijing Photo 设计特色： 项目 - 日本建筑事务所堤由匡建筑设计工作室（TSUTSUMI & ASSOCIATES）在北京完成了"HOUSE X"项目——一处经过精心改造的私人住宅。该项目通过自然采光和通风的视角重新诠释了无障碍设计的概念。这座面积为235平方米的住宅，突破了传统无障碍生活空间的设计方法，将阳光和气流视为通用设计的基本要素。 这个于2024年5月竣工的项目，将一个原本黑暗、带有欧式官邸风格台阶的住所，改造成了一个明亮流畅的空间，完美适应三代人的共同生活需求。这次改造是应一位50多岁的业主委托进行的，因为他与年迈的父母共同居住，这促使建筑师堤由匡开发出一种突破传统解决方案的创新无障碍设计方法。 "我们认为，让健康的光线和舒适的微风在室内自由流动，才是最终极的无障碍设计，"堤由匡如是解释。这一理念通过多种实用的设计干预得以实现，例如将客厅地面抬高30厘米以创造统一的生活空间水平面，同时巧妙地融入下沉式座椅区，使其兼具咖啡区功能。 项目最引人注目的特色或许是那个具有日式风格的户外浴场，它通过木质走廊与主卧浴室相连。浴场展现了设计工作室对隐私与开放性的细腻处理——下部保持开放，而腰部以上则用木质推拉门环绕。屋顶的倾斜百叶既能遮挡来自上方的视线，又保持了与天空的联系。 在整个项目中，传统的无障碍元素都被赋予了建筑学的优雅特质。扶手兼具照明功能，避免了辅助生活空间常见的机构化美学特征。推拉门的设计考虑到轮椅通行需求，而贯通式厕所则为未来的护理需求提供便利，同时不影响设计的完整性。 事务所对自然采光和通风的重视，直接回应了他们认为的住宅开发中的普遍问题——过分重视建筑面积而忽视环境品质。通过将所有浴室布置在外墙，并设置多个推拉门，设计确保日光可以深入渗透到生活空间，同时促进自然通风。 这种将无障碍设计与空间氛围质量相结合的整体性方法，显着区别于传统的无障碍建筑，为中国城市多代同堂的生活空间提供了一个新范式。 团队 - 堤由匡建筑设计工作室由堤由匡（1978年生）于2009年在北京创立，现已发展成为一家在东京和北京均设有办公室的国际知名建筑事务所。作为一级建筑师事务所，该事务所成功地在日本建筑精密性与中国当代城市发展之间架起了独特的桥梁。 堤由匡2003年毕业于东京大学建筑学科，随后在SAKO建筑设计工社（2004-2008）积累了丰富的专业经验，之后创立了自己的建筑事务所。事务所的发展轨迹标志性地经历了战略性扩张，先后于2020年在广岛开设办公室，并于2022年迁至东京。 事务所的作品获得了众多国际重要奖项的认可，包括日本JCD设计大奖金奖、银奖和西泽立卫奖，香港DFA大奖银奖，以及来自全球性竞赛的荣誉，如美国建筑大师奖（The Architecture MasterPrize）和意大利A' Design Award银奖。他们的作品以空间效率的精妙整合、文化敏感性和创新的无障碍解决方案著称，这些特点在其遍布亚洲的住宅和商业项目中尤为突出。 事务所现同时运营两个战略据点——位于板桥区的东京总部和位于朝阳区的北京办公室。堤由匡建筑设计工作室持续扩大其在全球建筑领域的影响力，专注于开发能够连接东西方建筑范式的场域响应式设计解决方案。 Project Name: HOUSE X - Universal Design Residence with an Outdoor Bath Location: Beijing, China Design Team: TSUTSUMI & ASSOCIATES Area: 235 m² Completion: May 2024 Photography: Misae Hiromatsu / Ruijing Photo Feature： Project - Japanese architecture firm TSUTSUMI & ASSOCIATES has completed HOUSE X, a thoughtfully renovated ground-floor apartment in Beijing that reimagines barrier-free design through the lens of natural light and ventilation. The 235-square-meter residence challenges conventional approaches to accessible living spaces by treating sunlight and airflow as fundamental aspects of universal design. The project, which was completed in May 2024, transforms a previously dark apartment with European mansion-inspired level changes into a luminous, fluid space that seamlessly accommodates three generations. The renovation was commissioned by a client in his 50s who lives with his elderly parents, prompting architect Yoshimasa Tsutsumi to develop an innovative approach to accessibility that goes beyond standard solutions. "We believe that healthy light and pleasant breezes moving freely within the home represent the ultimate form of barrier-free design," explains Tsutsumi. This philosophy manifests in practical interventions, such as raising the living room floor by 30 centimeters to create a unified level throughout the main living spaces, while cleverly incorporating a sunken seating area that doubles as a coffee space. The most striking feature is perhaps the Japanese-inspired outdoor bath, connected to the main bedroom's bathroom via a wooden corridor. The bathing area demonstrates the studio's nuanced approach to privacy and openness – its lower section remains open while wooden sliding doors enclose the space from waist height. Angled louvers in the roof structure shield from overlooking views while maintaining a sense of connection with the sky. Throughout the apartment, conventional accessibility elements are reimagined with architectural sophistication. Handrails double as lighting fixtures, avoiding the institutional aesthetic often associated with assisted living spaces. Sliding doors are designed to accommodate wheelchair access, while a walk-through toilet anticipates future caregiving needs without compromising on design integrity. The firm's emphasis on natural light and ventilation responds directly to what they identify as a common problem in Chinese residential developments – the tendency to prioritize floor area at the expense of environmental quality. By positioning all bathrooms along exterior walls and incorporating numerous sliding doors, the design ensures that daylight penetrates deep into the living spaces while facilitating cross-ventilation. This holistic approach to universal design, where accessibility meets atmospheric quality, represents a significant departure from conventional barrier-free architecture, offering a new paradigm for multi-generational living spaces in urban China. Design Team - Founded in 2009 in Beijing by Yoshimasa Tsutsumi (born 1978 in Fukuoka), TSUTSUMI & ASSOCIATES has evolved into a distinguished international architectural practice with offices in both Tokyo and Beijing. The practice, officially registered as a First-Class Architectural Firm (Tokyo Governor Registration No. 65108), represents a unique bridge between Japanese architectural precision and contemporary Chinese urban development. Tsutsumi, who graduated from the University of Tokyo's Department of Architecture in 2003, refined his expertise at SAKO Architects (2004-2008) before establishing his own practice. The firm's trajectory has been marked by strategic expansion, with the opening of a Hiroshima office in 2020 and relocation to Tokyo in 2022. The studio's portfolio has garnered international recognition through numerous prestigious awards, including the JCD Design Award Gold and Silver Medals and the Ryue Nishizawa Prize in Japan, the DFA Award Silver Prize in Hong Kong, and distinctions from global competitions such as The Architecture MasterPrize (USA) and A' Design Award Silver Prize (Italy). Their work is characterized by a sophisticated integration of spatial efficiency, cultural sensitivity, and innovative barrier-free solutions, particularly evident in residential and commercial projects across Asia. Operating from two strategic locations - their Tokyo headquarters in Itabashi and their Beijing office in Chaoyang District - TSUTSUMI & ASSOCIATES continues to expand its influence in the global architectural landscape, specializing in context-responsive design solutions that bridge Eastern and Western architectural paradigms. 设计团队 旅游探访 235 m² 北京，中国 2024 前一项 后一项

< 返回 North of Brooklyn Pizzeria MRDK 项目名称：North of Brooklyn Pizzeria 地点：多伦多，加拿大 设计团队：MRDK 建筑面积：237平方米 竣工时间：2025年 摄影：David Dworkind 设计特色： MRDK设计的North of Brooklyn Pizzeria展现了如何通过创新的材料连续性策略和巧妙的空间分层设计哲学融合技术，将一座位于多伦多伊陶碧谷社区的两层空间转化为充满电影感叙事和材料表现力的当代餐饮建筑典范。 这座237平方米的双重概念场所戏剧性地融合了North of Brooklyn外卖披萨店的活力能量与楼上Low Rise酒吧的精致氛围，呈现为对怀旧意大利设计语汇、当代商业功能和建筑体验创新融合的深刻思考。它通过精心的空间组织和材料选择，创造出一个将休闲餐饮功能与精致用餐体验无缝交织的建筑环境。 项目的绝妙之处在于对材料边界的根本性挑战与重新构想。面对在有限空间内创造强烈视觉冲击的同时保持功能效率的挑战，建筑师采用DTILE模压瓷砖完全包裹一层外卖区，从墙面连续流动至天花板的雕塑性姿态，甚至向外折叠形成功能性商品展示挂钩，模糊表面与固定装置之间的界限。这种设计策略创造了建筑材料与空间功能的持续对话，实现了美学雄心与实用功能的当代融合效果，使空间完美呼应North of Brooklyn品牌的活力特质。 MRDK的设计语言流利地表达着当代材料驱动建筑方言，运用战略性的材料选择和空间序列编排来重新定义餐饮建筑体验。印有North of Brooklyn标志的大型灯箱雨篷从外部延伸至内部，形成外卖区的天花板，创造让人联想到《星球大战》片头字幕的电影感入口时刻。楼上，40座的Low Rise空间围绕纪念碑式吧台展开，覆以翻滚大理石马赛克并冠以设计为通过时间锈蚀形成特色的锌质台面，营造当代与怀旧交织的氛围。 最引人瞩目的是，建筑师通过巧妙的空间问题解决策略创造富有创意的建筑体验。为解决低天花板高度的挑战，机械系统被集中在周边区域，使中央天花板得以抬升。这个圆角矩形区域通过凹槽照明突出现有爆米花纹理，转化为刻意的设计特征，与下方高光漆面突出部分形成引人注目的对比。新开凿的侧立面窗户使自然光线涌入空间，完美框定嵌于窗龛内从墙面悬臂而出的胡桃木餐桌。这种结构设计被整合为建筑语言的一部分，创造出空间层次性和视觉戏剧性的完美平衡。 餐厅组织为清晰的功能分层。一层容纳North of Brooklyn厨房和外卖柜台，材料包裹策略创造沉浸式品牌体验。楼上Low Rise酒吧和用餐室呈现截然不同的氛围特质。受Joe Colombo标志性Tube Chair启发的绿色皮革卡座搭配从墙面悬臂而出的胡桃木餐桌，休憩于折叠钢脚之上，创造色彩、材料和形式的微妙互动。In Common With设计的凹槽吊灯投射温暖光晕，为私密用餐体验定下基调。 材料策略延续了这种建筑与品牌叙事和谐共生的设计理念。通过使用对比鲜明的材料强化与建筑形态和功能分区的整合，包括一层的DTILE模压瓷砖完全包裹，反映品牌的现代活力特质。楼上翻滚大理石马赛克、锌质台面、胡桃木和绿色皮革的组合，唤起怀旧意大利设计的精致感性。通过侧立面新开窗户策略优化自然采光，被动式设计手法提升空间品质。材料的触觉变化进一步强化功能分区的清晰度，展示了MRDK对材料创新和空间叙事的承诺。 设计团队 ：MRDK成立于2013年，作为名义合伙关系将两家独立的蒙特利尔事务所整合于同一协作空间之下：Guillaume Ménard Design和David Dworkind Architect，自成立以来已确立其在商业室内设计、住宅建筑以及细节导向型建筑语言创新领域的先锋地位。这家在加拿大蒙特利尔设有办公室的事务所通过设计对场地、客户、工匠和材料性的尊重整合，重新定义当代建筑师在北美设计话语中的角色。 MRDK为建筑实践带来了卓越的细节敏感性设计视角和对工艺驱动方法的深刻理解。该事务所因其创造每个元素都与中心叙事相关联的连贯空间体验的承诺而获得认可，满足使用者的功能需求和情感共鸣。其创新贡献体现在将客户愿景和需求转化为具有强烈材料性和空间品质的当代建筑语言的能力上。 该事务所的设计哲学强调建筑应该超越功能限制，不仅仅是为了满足实用需求而设计，更是为了与场地特质和使用者需求有机融合。通过对材料性和空间序列的深度关注，开展从餐饮空间到住宅别墅再到办公室内的多元化作品，相信最好的建筑是通过与熟练工匠密切合作、探索创新工艺和材料的精准和深思熟虑过程产生的语境响应式干预。MRDK相信建筑应该成为客户愿景的深刻表达，通过策略性的材料选择和创新空间组织创造独特的建筑体验。 除实践外，通过对美学与功能性的深思熟虑结合、工艺导向方法和材料创新的运用、以及经过验证的细节驱动设计智慧，MRDK已确立自己作为加拿大当代商业室内和住宅建筑话语重要贡献者的地位，创造出既具功能响应性又保持材料真实性的作品。在Guillaume Ménard和David Dworkind的持续领导下，该事务所目前在加拿大充满活力的建筑景观中占据独特地位，专注于创造通过材料性、空间序列和工艺敏感性来实现建筑品质的空间体验。 设计团队 旅游探访 237 m² 多伦多，加拿大 2025 前一项 后一项

< 返回 白丁图书馆 源境建筑 设计特色： 项目 – 坐落于安徽省大圩村优美的田野中，由Protoscapes设计的"白丁图书馆"可谓是一座献给阅读、讲故事和无边想象力的建筑杰作。这个宁静的避世之所被设想为一个悬浮于大地之上的思考式客厅，诱使游客在大自然的恬静中拓展对时空的感知。这座图书馆的外形体现了一种鲜明的双重性——一个扎根大地的雕塑般单体楼底平滑过渡到一个悬浮的透明棱柱体。这两个不同的量体营造了不同的视角框景，将绵延起伏的田野和广阔天空尽收眼底。底层包括一个舒适的大堂咖啡馆，而一条雕塑般的通道将参观者引领至上层的棱柱式阅读空间。为了尽量减小对景观的占用面积，图书馆的核心结构柱集中成簇，周边自由开放出整个阅读空间。悬挑4米的环绕式景观平台营造出"悬浮于田园"的错觉。一条蜿蜒盘旋如古树般的橡木书架围绕核心而上，其照明的"树枝"节奏性地与双层玻璃幕墙单元相呼应，划分出一个个供远眺的个人阅读空间。白丁图书馆不仅是藏书的空间，更是一个文化纽带，有望为当地的教育事业赋能，并在自然宁静与人群喧闹之间架起一座对话的桥梁。 团队 – 源境建筑设计是一家新锐的建筑及城市设计事务所，总部位于中国厦门。该工作室由黄瑾慧和陈百健两位毕业于麻省理工学院的建筑师于2017年创立，致力于在中国城市化的新阶段重新塑造建筑环境的美学、技术、社会和生态可能性。作为一个前瞻性的设计智库，源境建筑设计将中国快速城市化转型作为试验田，植根于城市密度、社区赋权、包容多元和生物营造设计理念，开拓了具有开创性的场所创作新叙事。通过与客户的密切合作，该团队挑战项目约束条件，确保他们的建筑介入为营造更有前景和可持续发展的未来带来改变。两位创始人都曾在知名设计公司工作，如香港刘荣广伍振民建筑师事务所、隈研吾建筑都市设计事务所等，如今带领着一支卓越的团队，在各个尺度探索创新的空间类型。无论是室内外建筑，还是城市总体规划，源境建筑设计都致力于孕育"原景（Protoscapes）"——赋能我们集体生活、思考和感知的动态建筑栖息地。 Feature： Project - Nestled in the picturesque prairies of Dawei Village in Anhui Province, China, the Horizon Library by Protoscapes stands as an architectural ode to reading, storytelling, and the boundless imagination. Envisioned as a contemplative living room hovering above the landscape, this idyllic retreat beckons visitors to expand their perception of time and space amidst nature's tranquility. The library's form embodies a striking duality – a grounded, carved monolith seamlessly transitions into a hovering, transparent prism. This interplay of volumes calibrates distinct vantage points, framing the vast expanse of the surrounding fields and sky. The ground floor houses a cozy lobby café, while a carved corridor ushers guests upwards into the prismatic reading sanctuary above. Minimizing its footprint, the library's core columns cluster to liberate the perimeter, dedicating it entirely to the centerpiece reading room. Here, a panoramic veranda cantilevers 4 meters outwards, creating the illusion of levitating over the terrain. An expansive oak bookshelf winds its way around the core, ascending towards the ceiling like an ancient tree. Its illuminated branches rhythmically pair with double-glazed curtain walls, outlining intimate reading alcoves that offer distant vistas. More than a repository of books, the Horizon Library serves as a cultural nexus, poised to invigorate the region's educational tapestry while fostering a dialogue between nature's tranquility and the vibrance of communal gathering. Design Team - Founded in 2017 at MIT by principals Jinhui Huang and Pak Kin Chan, Protoscapes is a vanguard architecture and urban design practice based in Xiamen, China. The emerging studio is committed to re-envisioning the aesthetic, technical, social, and ecological possibilities of the built environment during China's next phase of urbanization. As a forward-thinking design think-tank, Protoscapes taps into the rapid urban transformations across China as a testing ground for pioneering placemaking narratives rooted in urban intensity, community empowerment, inclusive diversity, and biophilic design principles. Through close collaboration with civic and private clients, the firm challenges constraints to ensure their architectural interventions create more prospective and sustainable futures. Jinhui Huang, a MIT M.Arch graduate and former designer at celebrated firms like Weiss/Manfredi, and Pak Kin Chan, an urbanist with experience at DLN and Kengo Kuma & Associates, lead a talented team exploring innovative spatial typologies across all scales. From interiors and structures to urban masterplans, Protoscapes aspires to seed "protoscapes" - dynamic architectural habitats empowering how we collectively live, think and feel. 设计团队 旅游探访 756 m² 中国，合肥 2023年 前一项 后一项

< 返回 苏黎世大学儿童医院 赫尔佐格和德梅隆 项目名称：苏黎世大学儿童医院 地点：瑞士，苏黎世 设计团队：赫尔佐格和德梅隆 面积：96316平方米 完成时间：2024年 设计特色： 项目 – 赫尔佐格和德梅隆设计的苏黎世大学儿童医院重新定义了医疗建筑，创新设计与患者福祉相结合。这个新综合体由两个独特的建筑组成：一个木质外墙的急诊护理设施和一个圆柱形研究中心，通过种植了250多棵树的茂密景观统一起来。 急诊医院被设计成"像一个小镇"，采用独特的布局，将各个部门构想为由"街道"和"广场"相连的邻里。这种方法增强了导航性，为年轻患者创造了更舒适的环境。建筑外观采用温暖的木板嵌入混凝土框架，提供了一个与传统医院美学形成对比的欢迎性外观。 内部设计优先考虑自然光和空间多样性，主要通道上点缀着庭院。顶层设有114间病房，每间都设计成"木屋"，营造家的氛围。相邻的圆柱形研究设施最大限度地利用了周围果园的景观，同时通过中央中庭设计促进研究人员之间的合作。 可持续性是重中之重，两栋建筑都达到了瑞士可持续建筑委员会的白金标准。该项目体现了赫尔佐格和德梅隆的理念，即建筑可以促进治疗，为优先考虑患者体验和环境融合的医疗保健设计提供了新的视角。 团队 – 赫尔佐格和德梅隆于1978年在瑞士巴塞尔成立，已成为当代建筑的先锋力量。在创始合伙人雅克·赫尔佐格和皮埃尔·德梅隆的领导下，该公司已发展成为一家国际性的建筑事务所，拥有来自50个国家的500多名员工，在40个国家承接项目。 该工作室的方法特点是致力于超越传统建筑界限。他们从小型建筑到大型城市总体规划，涉足广泛的项目，始终寻求通过他们的工作解决更广泛的社会和环境问题。赫尔佐格和德梅隆的作品集展示了他们创造创新、对环境敏感的设计的能力，这些设计经常挑战传统类型。他们在苏黎世大学儿童医院的工作就是这种方法的典范，重新构想了医疗保健建筑，优先考虑患者福祉和可持续性。 该公司对建筑的贡献得到广泛认可，获得了众多奖项，包括2001年的普利兹克建筑奖。他们对可持续性、协作设计过程以及将尖端技术与传统工艺相结合的承诺，继续将赫尔佐格和德梅隆置于建筑创新的前沿。 Project Name: Children's Hospital Zurich Location: Zurich, Switzerland Design Team: Herzog & de Meuron Area: 96316 m² Year: 2024 Feature： Project - Herzog & de Meuron's University Children's Hospital in Zurich reimagines healthcare architecture, blending innovative design with a focus on patient well-being. The complex comprises two distinct buildings: a wood-clad acute-care facility and a cylindrical research center, unified by a lush landscape featuring over 250 trees. The acute-care hospital, designed to function "like a town," boasts a unique layout with departments conceived as neighborhoods connected by "streets" and "squares." This approach enhances navigation and creates a more comforting environment for young patients. The building's facade, featuring warm wooden panels slotted into a concrete frame, offers a welcoming exterior that contrasts with traditional hospital aesthetics. Inside, the design prioritizes natural light and spatial variety, with courtyards punctuating the main thoroughfare. The top floor houses 114 patient rooms, each designed as a "wooden cottage" to create a homely atmosphere. The adjacent cylindrical research facility maximizes views of the surrounding orchard while fostering collaboration among researchers through its central atrium design. Sustainability is at the forefront, with both buildings achieving the Swiss Sustainable Building Council's platinum standard. The project exemplifies Herzog & de Meuron's belief that architecture can contribute to healing, offering a fresh perspective on healthcare design that prioritizes patient experience and environmental integration. Design Team - Herzog & de Meuron, founded in 1978 in Basel, Switzerland, has established itself as a pioneering force in contemporary architecture. Led by founding partners Jacques Herzog and Pierre de Meuron, the firm has grown into an international practice with over 500 employees from 50 countries, tackling projects across 40 nations. The studio's approach is characterized by its commitment to going beyond conventional architectural boundaries. They engage in a wide range of projects, from small-scale buildings to large urban masterplans, always seeking to address broader societal and environmental issues through their work. Herzog & de Meuron's portfolio showcases their ability to create innovative, context-sensitive designs that often challenge traditional typologies. Their work on the University Children's Hospital in Zurich exemplifies this approach, reimagining healthcare architecture to prioritize patient well-being and sustainability. The firm's contributions to architecture have been widely recognized, with numerous prestigious awards including the Pritzker Architecture Prize in 2001. Their commitment to sustainability, collaborative design processes, and the integration of cutting-edge technology with traditional craftsmanship continues to position Herzog & de Meuron at the forefront of architectural innovation. 设计团队 旅游探访 96316 m² 苏黎世，瑞士 2024 前一项 后一项

< 返回 Sagehaus办公花园 RAD+ar 项目名称：Sagehaus办公花园 地点：雅加达，印度尼西亚 设计团队：RAD+ar 建筑面积：2000 m² 完成时间：2025 摄影：Mario Wibowo 设计特色： 项目 - RAD+ar在雅加达推出了一个创新的2000平方米办公综合体，无缝地将可持续发展原则与创意工作空间设计融为一体。2025年完工的Sagehaus办公花园通过其独特的"风之穹顶"概念，为热带城市建筑的挑战提供了一个精妙的解决方案。 该项目的显著特点是其反向雕刻空间，巧妙地引导雅加达温和的微风穿过遮阴的聚集区域，尽管该城市湿度较高，仍创造出自然冷却的环境。这种建筑干预将可能是标准办公楼的空间转变为一系列动态互连的空间，这些空间既优化了工作效率，又促进了社交互动。 该综合体组织为三个视觉相连的水平区域，底层提供公共创意空间，中间是受控的办公环境，顶部是灵活的休闲绿色屋顶，兼作办公健身房。这种垂直分层在保持公共和私人领域无缝过渡的同时，最大限度地发挥了场地的潜力。 该建筑的整体外观经过精心雕琢，提供了足够的热质量，而外立面的战略性"切片和穿孔"设计最大限度地减少了直接的太阳热量吸收，同时仍允许充足的自然光线深入建筑内部。这些精心设计的开口避免了热带气候中大面积玻璃表面通常会产生的温室效应。 从功能角度看，平面图展示了一个深思熟虑的组织布局，将高安全性区域置于核心位置，周围是灵活的开放式工作空间和各种会议室。在正式工作区域之间添加入口花园和休闲互动空间，鼓励了移动和协作。 也许最值得注意的是该项目对服务设施的处理方式，卫生间被设计为"花园卫生间"，并置于单独的翼楼中——这种考虑既提高了舒适度，又减少了能源消耗。这种对细节的关注体现了RAD+ar致力于创造可持续热带建筑的承诺，该建筑能够智能地响应环境条件和人类需求。 团队 - RAD+AR是一个以印度尼西亚为基地的建筑师团队，专注于设计实践、建筑、城市规划、研究和开发，致力于将建筑理念作为一种艺术形式来利用空间，以最具启发性的方式进行乌托邦研究导向的设计。 由Antonius Richard Rusli对热带建筑进步的好奇心而形成，RAD+AR相信，为了塑造更好、更可持续的今日挑战版本，建筑可以成为最值得探索的领域之一。 RAD+AR通过重新定义建筑价值在全球化和本地化中的作用进行探索和实验。超越空间和建筑，它连接历史、文化叙事，扩展了我们所称的建筑界限。通过在每个项目中系统整合多学科协作，使RAD+AR能够不断创新和实验。 Project Name: Sagehaus Office Garden Location: Jakarta, Indonesia Design Team: RAD+ar (Research Artistic Design + architecture) Total Floor Area: 2000 m² Completion: 2025 Photography: Mario Wibowo Feature: Project - Sagehaus Office Garden is a specialized office for athletic sportswear products located in West Jakarta, designed by RAD+ar (Research Artistic Design + architecture). This project aimed to resolve the paradox of balancing two objectives: maintaining a flexible and creative blank canvas of possibilities on one hand, and providing a secure and efficient learning and working environment on the other. The design strategy creates three visually connected horizontal zones: a public space for combined creative and social activities below, effective and controlled office environments in the middle, and a flexible public garden activity on the rooftop above. Sagehaus Office is a "Dome for Wind," a reversed carved space designed to channel and intensify Jakarta's gentle breezes through shaded, sheltered gathering and social spaces, creating a pleasant and safe environment for all staff activities. The enclosed breezeways between the blocks are designed for maximum comfort and interaction, offering spaces for groups of various sizes to engage and relax. This wind-directing design has proven to be both successful and extremely comfortable, providing constant cooling breezes despite Jakarta's high humidity. Meanwhile, the rooftop is designed as a large recreational green roof and office gym. The design sought to integrate architectural strategies that ensure efficient energy performance while establishing the building's character. The public space at the core of the site was treated as a carved monolith to provide sufficient thermal mass. Simultaneously, the design of the staircases serves as a focal point, encouraging use and providing a viable alternative to elevators. In terms of the facades, large openings were carved to minimize direct heat from the sun while still allowing ample natural light through the "slices and punctures" of the facade. All recessed and indirect openings were carefully designed to avoid direct solar radiation and, consequently, the greenhouse effect. From a user functionality perspective, the mixed-use design conceals a high-security file room at the deep center, surrounded by flexible open-plan workspaces, and flanked by a series of mini to large meeting rooms, with a foyer pocket garden and casual spaces in between. This layout fosters short connections within each floor, facilitating movement from conventional desks to meeting rooms, lounges, and leisure spaces within the building, all designed with democratic access and subtle variations across different levels. A consistent feature throughout all floors is that services and restrooms are located in separate wings, designed as garden toilets to ensure optimal comfort in a tropical context while minimizing energy consumption. Design Team - RAD+AR (Research Artistic Design + architecture) is an Indonesian based group of architects, designers, and thinkers operating within the field of design practice, architecture, urbanism, research and development which focus to bring the idea of Architecture as an art of utilizing space in most provocative to utopian-research based approach. Formed from the curiosity of the advancement of Tropical Architecture by Antonius Richard Rusli, RAD+AR believes that in order to shape a better and more sustainable version of today's challenges, architecture can profitably be one of the most worth-exploring field. RAD+AR explores and experiments to redefine the value of architecture in both globalization and localization. Beyond spaces and building, it connects history, narrative of cultures, expanding beyond limits of what we call architecture. Collaboration of multidisciplinary at each portfolio through systematic integration, allow RAD+AR to always innovate and experiments. 设计团队 旅游探访 2000 m² 雅加达，印度尼西亚 2025 前一项 后一项

是所设计创立于2023年，总部设于上海，代表着中国当代建筑实践的新浪潮，在现象学敏感性与构造创新之间架起桥梁。由建筑师撒尼夫和长山共同创立的工作室，凭借其对材料性与空间叙事的细腻处理方式，迅速崛起为亚洲建筑领域的重要声音，获得了国际范围内的广泛认可。 SHISUO Design Office, established in 2023 in Shanghai, represents a new wave of contemporary Chinese architectural practice that bridges phenomenological sensitivity with tectonic innovation. Founded by architects Sa Nifu and Chang Shan, the studio has rapidly emerged as a significant voice in Asia's architectural landscape, gaining international recognition for their nuanced approach to materiality and spatial narrative. < Back SHISUO Design Office 中国（CHINA） 是所设计创立于2023年，总部设于上海，代表着中国当代建筑实践的新浪潮，在现象学敏感性与构造创新之间架起桥梁。由建筑师撒尼夫和长山共同创立的工作室，凭借其对材料性与空间叙事的细腻处理方式，迅速崛起为亚洲建筑领域的重要声音，获得了国际范围内的广泛认可。 事务所的设计理念植根于他们所定义的"真实构造学"——这一方法论强调建造逻辑的诚实表达，同时对场所精神保持深刻敬意。尽管成立时间尚短，其作品集却展现出跨越尺度的非凡多样性，从城市规划到室内细部，践行着"从城市到勺子"的现代主义整体设计理想。 在撒尼夫和长山的领导下，是所发展出独特的设计语言，将现象学体验与构造清晰性融为一体。他们的作品获得了包括Wallpaper*、Dezeen和ArchDaily等国际知名出版物的关注，确立了他们作为当代建筑话语中新兴力量的地位。 事务所对材料真实性和空间诗意的追求，在诸如微风礼堂（2024）等项目中得到充分体现，结构表现主义与沉思性的空间营造在其中完美融合。这种设计方法使是所跻身于中国新一代建筑师的前列，他们正在重新定义传统空间概念与当代建筑表达之间的关系。 SHISUO Design Office, established in 2023 in Shanghai, represents a new wave of contemporary Chinese architectural practice that bridges phenomenological sensitivity with tectonic innovation. Founded by architects Sa Nifu and Chang Shan, the studio has rapidly emerged as a significant voice in Asia's architectural landscape, gaining international recognition for their nuanced approach to materiality and spatial narrative. The firm's design philosophy is anchored in what they term "authentic tectonics" - a methodology that emphasizes the honest expression of construction logic while maintaining deep respect for genius loci. Their portfolio, though young, demonstrates remarkable versatility across scales, from urban planning to interior detailing, embracing the modernist ideal of total design "from city to spoon." Under the leadership of Sa Nifu and Chang Shan, SHISUO has developed a distinctive design language that synthesizes phenomenological experience with constructional clarity. Their work has garnered attention from prestigious international publications including Wallpaper*, Dezeen, and ArchDaily, establishing them as a emerging force in contemporary architectural discourse. The practice's commitment to material authenticity and spatial poetry is evident in projects like the Breeze Auditorium (2024), where structural expressionism meets contemplative space-making. This approach has positioned SHISUO at the forefront of a new generation of Chinese architects who are redefining the relationship between traditional spatial concepts and contemporary architectural expression. WEBSITE PROJECT

< 返回 Orford 别墅住宅 Thellend Fortin Architectes 设计特色： 项目 – 坐落于魁北克东部地区核心地带的奥福德住宅，出自Thellend Fortin建筑事务所之手，是当代住宅设计与自然环境和谐共融的典范之作。这座于独栋住宅取代了原址上的旧建筑，同时巧妙地保留了场地的丰富历史底蕴和令人屏息的自然景观。 建筑师们成功地将传统元素与现代美学融为一体，呈现出一种对本土建筑的精妙诠释。双坡屋顶和木质外墙向当地建筑传统致敬，而简洁的线条和宽阔的玻璃立面则彰显了住宅的当代特质。 奥福德住宅的与众不同之处在于其对场地地形的巧妙利用。设计巧妙地利用了斜坡地势，创造出一种多层次的生活体验，仿佛模仿了森林的层次感。从贴近地面的花园层到仿佛置身树冠的顶层，整个住宅提供了一段独特的空间旅程，让人仿佛漫步林间。 项目对环境的敏感度体现在其紧凑的占地面积和对现有场地元素的充分利用上。大面积的落地窗将周围群山和森林的壮丽景色尽收眼底，模糊了室内外的界限。建筑与自然之间的这种和谐对话，创造出一个既彰显当代设计理念，又颂扬其优美环境的独特居所。 团队 – 成立于2007年的Thellend Fortin建筑事务所已然成为魁北克建筑界的领军力量。在Louis Thellend和Lisa-Marie Fortin这对充满活力的搭档的带领下，该事务所因其创新的设计方法而备受赞誉，尤其体现在其对环境语境的无缝融入和对生态敏感性的高度重视。 事务所的作品集涵盖了广泛的项目，从像奥福德住宅这样的住宅杰作到更大规模的公共建筑等。他们的设计理念植根于对当代生活模式的深刻理解，以及对当前建筑挑战的积极回应。 Thellend Fortin的作品以形式与功能的巧妙结合而著称，常常运用融合本地特色和现代美学的材料组合。事务所在因地制宜的解决方案上表现卓越，比如在奥福德住宅项目中对地形的巧妙利用和自然元素的融入就是明证。 两位主创为事务所带来了丰富的国际经验。Lisa-Marie Fortin在社区生态住宅开发方面的背景，以及Louis Thellend在大型公共建筑项目上的专长，为事务所的全方位建筑实践奠定了基础。 凭借众多奖项和荣誉，Thellend Fortin建筑事务所不断推动当代设计的边界，创造出不仅视觉上引人注目，而且深度回应环境和文化语境的空间作品。 Feature： Project - Nestled in the heart of Quebec's Eastern Townships, the Orford House by Thellend Fortin Architectes is a striking example of contemporary residential design that seamlessly integrates with its natural surroundings. This single-family dwelling, completed in 2022, replaces an older structure while maintaining a deep connection to the site's rich history and breathtaking landscape. The architects faced the challenge of blending traditional elements with modern aesthetics, resulting in a sophisticated interpretation of vernacular architecture. Double-sloped roofs and wood cladding nod to the region's heritage, while clean lines and expansive glazing anchor the home firmly in the present. What sets the Orford House apart is its thoughtful response to the site's topography. The design cleverly utilizes the sloping terrain to create a multi-level living experience that mimics the layers of the forest. From the garden level's grounded spaces to the canopy-like upper floor, the home offers a unique spatial journey that echoes the experience of walking through the woods. The project's commitment to environmental sensitivity is evident in its compact footprint and use of existing site elements. Large windows frame spectacular views of the surrounding mountains and forests, blurring the boundaries between interior and exterior. This harmonious dialogue between architecture and nature creates a retreat that is both a testament to contemporary design and a celebration of its picturesque setting. Design Team - Founded in 2007, Thellend Fortin Architectes has established itself as a leading force in Quebec's architectural landscape. Led by the dynamic duo of Louis Thellend and Lisa-Marie Fortin, the firm has garnered recognition for its innovative approach to design that seamlessly integrates with context and prioritizes environmental sensitivity. The practice's portfolio showcases a diverse range of projects, from residential masterpieces like the Orford House to larger-scale institutional works. Their design philosophy is rooted in a deep understanding of contemporary living patterns and a commitment to addressing current architectural challenges. Thellend Fortin's work is characterized by a sophisticated interplay of form and function, often employing a material palette that references local vernacular while embracing modern aesthetics. The firm excels in site-specific solutions, as evidenced by their skillful manipulation of topography and integration of natural elements in projects like the Orford House. The principals bring a wealth of international experience to their practice. Lisa-Marie Fortin's background in community-based ecological residential development and Louis Thellend's expertise in large-scale institutional projects contribute to the firm's holistic approach to architecture. With numerous awards and accolades to their name, Thellend Fortin Architectes continues to push the boundaries of contemporary design, creating spaces that are not only visually striking but also deeply responsive to their environmental and cultural contexts. 设计团队 旅游探访 600 m² Orford，Canada 2023 前一项 后一项

< 返回 玉山岚峰 Wutopia Lab 项目名称：玉山岚峰 正大太阳河咖啡小镇艺术中心 设计团队：Wutopia Lab 面积：2606 m² 地点：中国，海南万宁 设计特色： 项目 – 在海南万宁的中心地带，一座令人叹为观止的建筑精品悄然崛起，将昔日朴实的咖啡种植园蜕变成一座文化地标。由知名设计事务所Wutopia Lab精心打造的玉山岚峰-正大太阳河咖啡小镇艺术中心，不仅是人类韧性的见证，更是建筑创新的璀璨明珠。 这座2606平方米的杰作于2024年落成，彻底重新诠释了传统艺术中心的概念。设计灵感源自印尼华侨的传奇历史，巧妙地将自然元素、神话传说与现代建筑语汇融为一体，令人耳目一新。 项目的核心亮点在于对中国传统"一池三山"意象的大胆演绎。三座独特的建筑体被半透明的薄膜笼罩，仿佛三座神秘的山峰从人工湖面上拔地而起。这一视觉奇观不仅向那些在这片曾经荒蛮之地开疆拓土的先辈们致敬，更创造出光影交错的迷人景象。 Wutopia Lab创新性地运用了不同穿孔率的法拉利膜，巧妙营造出渐变效果，使建筑在强烈的海南阳光下仿佛在闪烁，逐渐消融于天际。这种空灵的质感将整个建筑群从冰冷的混凝土转化为富有生命力的有机体，与周围环境和谐共鸣。 室内空间的设计同样令人惊叹。精心编排的参观路线犹如登山之旅，引导访客层层攀升，感受空间的层次变化。从水波荡漾的一层大厅，到能俯瞰全景的屋顶咖啡花园，每一层都带来崭新的视角和体验。 当夜幕降临，艺术中心仿佛施了魔法般焕然一新。精心设计的灯光将半透明的"山峰"变成五彩斑斓的色彩万花筒，象征着社区多元的憧憬与理想。这种昼夜更迭、宁静与活力并存的双重性，正是该项目的精髓所在，架起了过去与未来、传统与创新之间的桥梁。 玉山岚峰不仅仅是一座建筑，更是一个用建筑语言讲述的故事，是对文化遗产的礼赞，更是对中国公共空间未来的大胆畅想。 团队 – Wutopia Lab，这个由俞挺和闵而妮这对才华横溢的建筑师夫妇于2013年创立的设计事务所，已然成为当代中国建筑界的一颗璀璨明星。扎根于上海这座国际大都市，Wutopia Lab以其独特的设计理念，在传统中华文化元素与前卫设计原则之间架起了一座桥梁，塑造出一种与21世纪中国时代精神共鸣的独特建筑语言。 其掌舵人俞挺，拥有清华大学建筑学博士学位，曾在中国最大的国有设计公司之一——华东建筑设计研究院（ECADI）积累了丰富的经验。事务所的设计哲学深深植根于"魔幻现实主义"概念，这一理念在他们的项目中体现为复杂性与简约性、传统与现代的和谐融合。 Wutopia Lab的作品涵盖了广泛的建筑类型，从文化场所到综合体开发项目无所不包。他们的代表作如"八分园"和"扬州慢新华书店"，充分展现了他们在创造多层次空间体验方面的卓越才能，不断挑战着传统建筑范式。事务所在材料运用上的创新，尤其是对半透明和穿孔外立面的探索，已成为他们设计方法的一大特色。 通过摒弃"偏执的极简主义"和"夸张的场景营造"，Wutopia Lab培育出了一种独特的建筑词汇，颂扬矛盾与并置的美学。他们的设计常常融入城市叙事元素，编织出反映上海丰富文化底蕴和当代城市动态的故事。这种方法使Wutopia Lab站在了中国建筑复兴的前沿，为建成环境提供了一种既扎根本土又具全球视野的全新视角。 Wutopia Lab的作品不仅仅是建筑，更是对中国当代城市生活的深刻诠释和大胆想象。他们以建筑为媒介，不断探索和推动着社会学层面的进步，为我们展现了一个充满活力、创新和文化自信的新时代中国。 Project：Flickering Peak Team：Wutopia Lab Size：2606 m² Location：Hainan, China Feature： Project - In the heart of Wanning, Hainan, a remarkable architectural marvel has emerged, transforming the landscape of a once-humble coffee plantation into a beacon of cultural significance. The Yushan Lanfeng Art Center, meticulously crafted by Wutopia Lab, stands as a testament to human resilience and artistic innovation. This 2,606-square-meter masterpiece, completed in 2024, reimagines the concept of a traditional art center. Drawing inspiration from the rich history of Indonesian-Chinese immigrants who cultivated the land, the design ingeniously weaves together elements of nature, mythology, and contemporary architecture. The centerpiece of the project is a striking reinterpretation of the classic Chinese "one pool, three mountains" motif. Three distinct structures, shrouded in semi-transparent membranes, emerge like mystical peaks from a serene artificial lake. This visual spectacle not only pays homage to the pioneers who forged a new life in this once-wild terrain but also creates a mesmerizing interplay of light and shadow. Wutopia Lab's innovative use of Ferrari membranes with varying perforation rates achieves a gradient effect, making the buildings appear to flicker and fade into the sky. This ethereal quality transforms the complex from mere buildings into living, breathing entities that respond to the intense Hainan sunlight. The interior spaces are equally captivating, with a masterful choreography of pathways that guide visitors through a journey of ascent, mimicking the experience of mountain climbing. From the ground-floor hall, where water seems to flow indoors, to the rooftop coffee garden offering panoramic views, each level unveils new perspectives and experiences. At night, the art center undergoes a magical metamorphosis. Carefully orchestrated lighting transforms the translucent peaks into a kaleidoscope of colors, symbolizing the diverse aspirations of the community. This duality of day and night, of serenity and vibrancy, encapsulates the project's essence as a bridge between past and future, tradition and innovation. The Yushan Lanfeng Art Center is more than just a building; it's a narrative etched in architecture, a celebration of cultural heritage, and a bold vision for the future of public spaces in China. Design Team - Founded in 2013 by the visionary duo Yu Ting and Min Erni, Wutopia Lab has rapidly emerged as a trailblazing force in contemporary Chinese architecture. Based in Shanghai, this innovative practice has carved out a unique niche by seamlessly blending traditional Chinese cultural elements with avant-garde design principles, creating a distinctive architectural language that resonates with the zeitgeist of 21st-century China. At the helm of Wutopia Lab, Yu Ting, armed with a doctorate from Tsinghua University, brings a wealth of experience from his tenure at the East China Architecture and Design Institute (ECADI). The firm's design philosophy is deeply rooted in the concept of "magical realism," which manifests in their projects as a harmonious fusion of complexity and simplicity, tradition and modernity. Wutopia Lab's portfolio is characterized by its diverse array of typologies, ranging from cultural institutions to mixed-use developments. Their projects, such as the Eight Tenths Garden and the Slow Yangzhou × Xinhua Bookstore, exemplify their mastery in creating multifaceted spatial experiences that challenge conventional architectural paradigms. The firm's innovative use of materials, particularly their exploration of translucent and perforated facades, has become a hallmark of their design approach. By rejecting both "obsessive minimalism" and "exaggerated scenes," Wutopia Lab has cultivated a unique architectural vocabulary that celebrates contradiction and juxtaposition. Their designs often incorporate elements of urban storytelling, weaving narratives that reflect Shanghai's rich cultural tapestry and contemporary urban dynamics. This approach has positioned Wutopia Lab at the forefront of China's architectural renaissance, offering a fresh perspective on the built environment that is both locally rooted and globally relevant. 设计团队 旅游探访 2606 m² Hainan, China 2024 前一项 后一项

< 返回 "鲑鱼之眼"Iris 餐厅 NORM Architects + Kvorning Design 项目名称：Iris 餐厅 设计团队：NORM Architects + Kvorning Design 面积：1000 m² 地点：罗森达尔, 挪威 设计特色： 项目 – 矗立于挪威哈当厄尔峡湾波光粼粼的水面之上， 全新开放的Iris 餐厅犹如一座耀眼的美食灯塔，巧妙地融入了创新的"鲑鱼之眼"（Salmon Eye）装置建筑之中。这家米其林星级餐厅坐落于一座漂浮的椭圆形建筑内，将尖端建筑设计与私密用餐体验完美结合。NORM建筑事务所的室内设计巧妙地平衡了由Kvorning设计的极致外观与温馨就餐环境之间的张力。 餐厅的设计理念围绕着对比与和谐展开。起伏的曲线和定制家具呼应了建筑的有机形态，而温暖的胡桃木材质和柔软的地毯则柔化了钢铁外壳的冷硬。这种并置手法在辽阔的北欧景观中营造出一个舒适的庇护所。 通过巧妙的空间划分，设计师们精心打造了私密感，引导食客踏上一段探索之旅。透过如“鲑鱼鱼鳞般”的外墙，峡湾和群山的全景尽收眼底，进一步提升了感官体验。 可持续发展理念在菜单和设计方法中均占据核心地位。本地食材和对海洋生物的关注塑造了餐厅的烹饪特色，而室内的自然质地和流畅线条则强化了与周围生态系统的联系。 "鲑鱼之眼"不仅仅是一家餐厅，它还是一个漂浮的水产养殖中心，其醒目的外形并已迅速成为新地标。这座多功能建筑代表了体验式建筑的新范式，将教育、美食和设计融为一体，创造出一个独一无二体验感的美好场所。 团队 – 成立于2008年的Norm Architects已然成为当代丹麦设计领域的中坚力量，通过感官参与和极简主义美学重新诠释了建筑环境。这家总部位于哥本哈根的多专业设计工作室由创始合伙人Jonas Bjerre-Poulsen和Kasper Rønn Von Lotzbeck领衔，培育出一种独特的设计方法，巧妙融合了建筑、室内设计和工业设计。 凭借15年的国际经验，Norm Architects的作品涵盖住宅、酒店和商业项目，每一个项目都体现了他们对触觉设计原则的坚持。该工作室的核心理念在于将复杂的设计挑战提炼为纯粹、共鸣的形式，在满足普遍人性需求的同时，对特定场地环境保持高度敏感。 Norm的设计哲学植根于一个精细的简化过程，寻求功能与美学达到完美平衡的精确时刻。这种对本质的追求不仅满足视觉标准，还能调动人类全方位的感官体验，在使用者与环境之间构建深层连接。 工作室的作品以对材质、光线和比例的细腻理解见长，这一理解既源于斯堪的纳维亚设计传统，又融合了全球当代影响。通过触觉体验重新激活建筑的感官属性，Norm Architects创造出能在人性深处引起共鸣的环境，满足人类对归属感、自主性和身份认同的内在渴望。 Project：Restaurant Iris Team：NORM Architects + Kvorning Design Size：1000 m² Location：Rosendal, Norway Feature： Project - Perched atop the shimmering waters of Norway's Hardangerfjord, Restaurant Iris emerges as a culinary beacon within the innovative Salmon Eye installation. This Michelin-starred dining destination, nestled inside a floating ellipsoid structure, marries cutting-edge architecture with intimate gastronomy. NORM Architects' interior design deftly navigates the tension between the brutalist exterior, crafted by Kvorning Design, and the need for a welcoming dining environment. The restaurant's design ethos revolves around contrast and harmony. Undulating curves and bespoke furniture echo the structure's organic form, while warm materials like walnut wood and plush carpets soften the steel shell. This juxtaposition creates a cocoon of comfort amidst the vast Nordic landscape. Intimacy is cultivated through a thoughtful division of space, guiding diners on a journey of discovery. The sensory experience is heightened by panoramic views of fjords and mountains, visible through the building's fish-scale-like exterior. Sustainability takes center stage, both in the menu and the design approach. Local ingredients and a focus on marine life inform the culinary offerings, while the interior's natural textures and flowing lines reinforce a connection to the surrounding ecosystem. More than just a restaurant, Salmon Eye functions as a floating aquaculture center, its striking form visible for miles. This dual-purpose structure exemplifies a new paradigm in experiential architecture, where education, gastronomy, and design converge in a truly unique setting. Design Team - Established in 2008, Norm Architects has emerged as a pivotal force in contemporary Danish design, reimagining the built environment through a lens of sensory engagement and minimalist sophistication. This Copenhagen-based multidisciplinary studio, led by founding partners Jonas Bjerre-Poulsen and Kasper Rønn Von Lotzbeck, has cultivated a distinctive approach that seamlessly blends architecture, interior design, and industrial design. Drawing on 15 years of international experience, Norm Architects' portfolio spans residential, hospitality, and commercial projects, each exemplifying their commitment to haptic design principles. The firm's ethos centers on distilling complex design challenges into pure, resonant forms that address universal human needs while remaining acutely attuned to site-specific contexts. Norm's design philosophy is rooted in a meticulous process of reduction, seeking the precise moment when function and aesthetics achieve perfect equilibrium. This pursuit of essence results in spaces and objects that not only satisfy visual criteria but also engage the full spectrum of human senses, fostering a profound connection between user and environment. The studio's work is characterized by a nuanced understanding of materiality, light, and proportion, informed by both Scandinavian design traditions and global contemporary influences. By re-sensualizing architecture through tactile experiences, Norm Architects creates environments that resonate on a deeply human level, addressing innate desires for belonging, autonomy, and identity. 设计团队 旅游探访 1000 m² Rosendal, Norway 2024 前一项 后一项

< 返回 阿那亚金山岭荒野植物园 大于建筑 项目名称：阿那亚金山岭荒野植物园 地点：承德市，河北省，中国 设计团队：大于建筑 建筑面积：199 m² 完工时间：2024年 摄影师：刘松恺 设计特色： 项目 - 大于建筑完成了阿那亚金山岭荒野植物园项目，这座融合混凝土与木材的深思熟虑之作坐落于中国承德崎岖的山景之中，既是教育设施，也是本土植物物种的庇护所。 这座建于2024年、面积199平方米的建筑从其山地环境中优雅地展现，展示了建筑干预与自然野趣之间的精妙互动。由郭宇辰、杨思齐和詹孛迪领衔的设计团队精心打造了一个有意模糊建筑形态与有机环境界限的空间。 "项目的核心使命是创造一个不仅展示自然，更积极参与自然保护的空间，同时促进人与荒野之间更深层次的联系，"建筑师如是解释。 建筑最引人注目的特征是其环绕中央庭院的U形布局。落地窗经过战略性布置，既捕捉自然光线，又与室内植物形成动态的光影演绎。经过重新设计的北侧入口引导访客穿行于巨石与本土植被之间，营造出精心策划的体验旅程。 这座两层建筑在一层设有展览空间，而以其慷慨的层高和充足天窗著称的上层则用作植物教育和手工艺活动的工作室空间。这种垂直的功能布局创造了一个从观察到主动参与自然的叙事旅程。 材料的选择着重考虑了其优雅老化的特性以及与周边景观的和谐统一。原始的混凝土步道和结构元素与古老的石块形成当代对比，而美松木板和回收老木则为室内空间注入温暖和质感。 最值得注意的是，该项目在细节处理上表现出非凡的克制。建筑师摒弃了装饰性元素，而选择让材料的固有美感和自然光线来定义空间，创造了他们所描述的"一个让荒野不仅被观察，更成为日常生活不可分割部分的庇护所"。 团队 - STUDIO YUDA（大于建筑）成立于2016年，在上海和纳什维尔设有双总部，是一家迅速崭露头角的多学科设计事务所，以其在建筑设计、景观设计、室内设计和装置艺术领域的创新方法而备受瞩目。该事务所由四位富有远见的建筑师共同创立：郭宇辰、詹孛迪、杨思齐和Alex Darsinos，他们共同为实践带来了多元的国际视角。 事务所的设计理念深深植根于通过材料性、色彩构成和构造表达来探索空间叙事。他们的作品展现了对建筑话语中短暂性与永恒性辩证关系的深刻理解，在推动当代设计边界的同时，始终保持对场所语境和人文体验的深切尊重。 STUDIO YUDA跨越不同尺度和类型进行设计实践，已经发展出一个独特的作品集，其特点是形式、功能和现象学考量的巧妙整合。事务所对实验性设计方法的追求，加上对施工细节的严谨关注，使其成为中国新兴建筑领域中具有影响力的声音。 事务所位于上海历史悠久的徐汇区，通过协作式的设计方法持续拓展其实践范围，促进东西方建筑传统之间的对话。 Project Name: Aranya Jinshanling Wilderness Botanical Garden Location: Chengde City, Hebei Province, China Design Firm: STUDIO YUDA Area: 199 m² Completion Year: 2024 Photographer: Liu Songkai Feature： Project - STUDIO YUDA has completed the Aranya Jinshanling Wilderness Botanical Garden, a contemplative concrete and timber structure nestled within the rugged landscape of Chengde, China, that serves as both an educational facility and a sanctuary for native plant species. The 199-square-meter building, completed in 2024, emerges from its mountainous context as a sophisticated interplay between architectural intervention and natural wilderness. The design team, led by Guo Yuchen, Yang Siqi, and Zhan Bodi, has crafted a space that deliberately blurs the boundaries between built form and organic environment. "The project's core mission was to create a space that doesn't merely display nature but actively participates in its preservation while fostering a deeper human connection with the wilderness," explained the architects. The building's most striking feature is its U-shaped layout, which wraps around a central courtyard. Floor-to-ceiling windows have been strategically positioned to capture natural light and create dynamic shadow play with interior plantings, while the relocated northern entrance guides visitors through a carefully choreographed journey past monolithic rocks and indigenous vegetation. The two-story structure houses an exhibition space on the ground floor, while the upper level – distinguished by its generous height and abundant skylights – functions as a workshop space for botanical education and craft activities. This vertical programming creates a narrative journey from observation to active engagement with nature. Materials were chosen for their ability to age gracefully and complement the surrounding landscape. Raw concrete pathways and structural elements provide a contemporary counterpoint to ancient stone formations, while methadone pine boards and reclaimed timber introduce warmth and tactility to the interior spaces. Perhaps most notably, the project demonstrates remarkable restraint in its detailing. The architects have eschewed decorative elements in favor of allowing the inherent beauty of materials and natural light to define the space, creating what they describe as "a sanctuary where wilderness is not merely observed but experienced as an integral part of daily life." Design Team - STUDIO YUDA, established in 2016 with dual headquarters in Shanghai and Nashville, is an emerging multidisciplinary design practice that has rapidly gained recognition for its innovative approach to architectural design, landscape architecture, interior design, and installation art. The firm was co-founded by four visionary architects: Guo Yuchen, Zhan Bodi, Yang Siqi, and Alex Darsinos, who collectively bring diverse international perspectives to their practice. The studio's design philosophy is deeply rooted in the exploration of spatial narratives through materiality, chromatic composition, and tectonic expression. Their work demonstrates a sophisticated understanding of the dialectic between ephemerality and permanence in architectural discourse, consistently pushing the boundaries of contemporary design while maintaining a profound respect for context and human experience. Operating across various scales and typologies, STUDIO YUDA has developed a distinctive portfolio characterized by its thoughtful integration of form, function, and phenomenological considerations. The practice's commitment to experimental design methodologies, coupled with rigorous attention to construction detailing, has established them as an influential voice in China's emerging architectural scene. Based in Shanghai's historic Xuhui District, the studio continues to expand its practice through a collaborative approach to design, fostering dialogue between Eastern and Western architectural traditions. 设计团队 旅游探访 199 m² 承德市，河北省，中国 2024 前一项 后一项