以空白搜尋找到 775 個結果
- Lighthouse 灯塔 3XN | Archicasting
< 返回 Lighthouse 灯塔 3XN 项目名称: Lighthouse 灯塔 地点: 奥胡斯,丹麦 设计团队: 3XN建筑事务所 面积: 44600 m² 完工时间: 2023年 摄影师: Adam Mork 主创设计师: Kim Herforth Nielsen(创始人兼创意总监) 景观设计: Schönherr, Danjord 产品制造商: Kalzip(屋面系统) 设计特色: 项目 - 丹麦建筑事务所3XN在奥胡斯完成了丹麦最高的住宅建筑,该建筑具有独特的菱形轮廓和圆角设计,其参数化设计的立面反映了周围的滨水环境。 这座名为"灯塔"的建筑项目位于奥胡斯港的尖端位置,通过其创新的"自下而上"城市发展方法重新诠释了滨水生活的概念。与传统的建筑先行方式不同,该项目首先建立了社会基础设施——包括咖啡馆、水上运动设施和城市农业计划,让社区反馈参与塑造最终的设计方案。 作为丹麦最高建筑,这座塔楼的雕塑般外形既呼应了其海滨环境,又传承了城市的建筑遗产。建筑通过菱形几何体和两个圆角创造出优雅的轮廓,形成一个纤细的剪影,从不同角度观察呈现出不同的面貌,有效消除了传统建筑正面与背面的概念。 该项目最引人注目的特征是其精密的立面系统,灵感来自水纹和反光效果。这些预制构件不仅创造出视觉趣味,还在减轻建筑重量方面发挥实际作用,同时将高层建筑与其周围的中层建筑统一为一个整体。 这座44600平方米的综合体巧妙平衡了私人和公共空间。滨水长廊上设有餐厅、咖啡馆和零售空间,营造出充满活力的公共领域,而受保护的庭院则为居民提供了更私密的社区环境。项目包含私人住宅和社会住房单元,每个单元都经过精心设计,通过朝南的朝向和私人户外空间最大限度地利用景观和自然采光。 全年性的项目规划为开发项目增添了活力,其设施支持包括冬泳在内的传统丹麦活动。公共屋顶餐厅的加入让所有人都能欣赏到奥胡斯湾和城市的全景,使建筑的高度成为整个社区而非仅仅是住户的资产。 团队 - 3XN成立于1986年的丹麦奥胡斯,现已发展成为一家以可持续设计创新和以人为本的建筑理念而闻名的全球性建筑事务所。目前由包括创意总监Kim Herforth Nielsen在内的五人高级合伙人团队领导,公司在哥本哈根、斯德哥尔摩、伦敦、纽约和悉尼设有办事处,建立起强大的国际网络。 该事务所通过柏林丹麦大使馆(1999年)和阿姆斯特丹音乐厅(1997年)等标志性项目获得国际认可,为建筑的场地适应性和功能创新树立了新标准。其作品组合涵盖从文化机构到可持续高层建筑等多种类型,近期完工的代表作包括洛桑奥林匹克委员会总部大楼和屡获殊荣的悉尼码头区塔楼。 2007年,3XN成立了内部研发部门GXN,专注于绿色创新、材料技术和循环设计原则。这种将研究驱动的可持续性与建筑实践相结合的方式,体现了该事务所致力于通过循证设计方法推动行业发展的承诺。事务所在坚持其基本理念的同时继续推动可持续建筑的边界,即创造既能造福使用者又能改善城市环境的建筑设计。 Project Name: Lighthouse Building Location: Aarhus, Denmark Design Team: 3XN Architects Area: 44,600 m² Completion: 2023 Photographer: Adam Mork Principal Designer: Kim Herforth Nielsen (Founder and Creative Director) Landscape Architect: Schönherr, Danjord Manufacturer: Kalzip (Roof System) Feature: Project - Danish architecture firm 3XN has completed Denmark's tallest residential building in Aarhus, featuring a distinctive rhomboid form with rounded corners and a parametrically designed façade that reflects the surrounding waterfront. The Lighthouse development, which marks a prominent position at the tip of Aarhus Harbor, represents a bold reimagining of waterfront living through its innovative "upside-down" approach to urban development. Rather than beginning with architecture, the project established social infrastructure first – including cafés, water sports facilities, and urban farming initiatives – allowing community feedback to shape the final design. Standing as the country's highest building, the tower's sculptural form responds to both its maritime context and the city's architectural heritage. The structure's elegant profile, achieved through a rhomboid geometry with two rounded corners, creates a slender silhouette that appears different from every angle, effectively eliminating the notion of a front or back façade. The development's most striking feature is its sophisticated façade system, which draws inspiration from water patterns and reflections. These prefabricated elements not only create visual intrigue but also serve a practical purpose in weight reduction. The unified architectural language extends across the entire complex, binding the high-rise structure with its mid-rise companions into a cohesive whole. 3XN's founder and creative director Kim Herforth Nielsen describes the project as "a lighthouse in more than one sense," referring to both its landmark status and its role as a prototype for community-centered urban development. The 44,600-square-metre mixed-use complex ingeniously balances private and public spaces. A waterfront promenade activated by restaurants, cafés, and retail spaces creates a vibrant public realm, while a protected courtyard offers residents a more intimate community setting. The development includes both private and social housing units, each carefully designed to maximize views and natural light through south-facing orientations and private outdoor spaces. Year-round programming adds vitality to the development, with facilities supporting traditional Danish activities like winter bathing. The addition of a public rooftop restaurant democratizes access to panoramic views over Aarhus Bay and the city, making the building's height an asset for the entire community rather than just its residents. Through its thoughtful integration of social spaces, architectural innovation, and contextual sensitivity, the Lighthouse development sets a new standard for how tall buildings can contribute to urban life while maintaining a strong connection to their surroundings. Design Team - Founded in 1986 in Aarhus, Denmark, 3XN has evolved into a global architectural practice renowned for its innovative approach to sustainable design and human-centered architecture. Currently led by a senior partner group of five with Kim Herforth Nielsen as Creative Director, the firm maintains offices in Copenhagen, Stockholm, London, New York, and Sydney, establishing a robust international presence. The practice gained international recognition through seminal projects like the Danish Embassy in Berlin (1999) and the Muziekgebouw Concert Hall in Amsterdam (1997), setting benchmarks for contextual sensitivity and programmatic innovation. Their portfolio encompasses a diverse range of typologies, from cultural institutions to sustainable high-rises, exemplified by recent completions such as the Olympic House IOC Headquarters in Lausanne and the award-winning Quay Quarter Tower in Sydney. In 2007, 3XN established GXN, an internal research and development department focused on green innovation, material technology, and circular design principles. This integration of research-driven sustainability with architectural practice demonstrates the firm's commitment to advancing the field through evidence-based design methodologies. The practice continues to push boundaries in sustainable architecture while maintaining its foundational philosophy of building design that benefits both users and urban context. 设计团队 旅游探访 44600 m² 奥胡斯,丹麦 2023 Previous Next
- Goldwin 原宿大厦 Studio Hashimura | Archicasting
< 返回 Goldwin 原宿大厦 Studio Hashimura 设计特色: 项目 – 这座Studio Hashimura设计的纤细建筑,座落在东京原宿中心明治大道的中心地带,作为户外运动服装公司Goldwin的总部。建筑师的设计意图是在现代主义建筑原型的基础上,叠加有机意象,来表达该品牌“功能极简主义”的本质。在这个狭小且不规则的场地限制下,立面成为建筑表达的唯一出口。对门窗间距和楼层高度的精细调节,营造了可扩展性和开放性的空间感觉。幕墙网格精准地将狭长的立面一分为三,边角间隙略有偏移,以达到视觉的均衡。越高楼层则更加宽敞的层高,暗喻了对更多阳光与空气的向往,就像植物向上生长一样。玻璃背后外露的室内空间,牢固的斜撑取代梁柱以减少视觉杂讯,实际上构成了立面的一部分。贯通的垂直空间将分割的零售楼层连接成统一的空间,最引人注目的是几乎没有地板向下挑空的入口层,同时也为人们准备了漂浮在广阔空气中的艺术装置。总体而言,相比较一般的封闭化设计,这种对立面和剖面细致的处理,让这栋紧凑的商业建筑在其密集的城市环境中,展现出宽广的通透和勇毅的轻盈,令人印象深刻。 团队 – Studio Hashimura 由日本建筑师桥村雄一于 2023 年创立(其前身是2015创立的Sawada Hashimura),是一家总部位于日本东京的建筑设计公司。 桥村雄一拥有十多年的国际经验,此前曾在伦敦的 Tony Fretton Architects 和 Carmody Groarke 等设计公司以及日本的新材料研究实验室工作。Studio Hashimura 承接的项目范围广泛,包括住宅、商业、办公和艺术设计相关委托。他们的作品组合涵盖新建、翻新和临时设施等。他们的设计方法的基础是致力于发掘每个项目中独特的空间潜力,不受风格限制,材料和形式总是由目的而不是偏好驱动。作为一家在东京注册的建筑事务所,Studio Hashimura提供包括建筑设计、项目管理和咨询在内的全面服务。无论是改造旧屋还是重新建造,设计团队都能敏感而精确地将创意愿景转化为功能性的建筑形式,尊重预算现实主义的同时积极突破界限,创造注重人类体验的丰富空间。 Feature: Project - Located along Meiji Dori in the heart of Harajuku, Tokyo, this slender building designed by Studio Hashimura serves as the headquarters for outdoor sportswear company Goldwin. The architectural intention was to express the brand's identity of “functional minimalism” while overlaying an organic imagery onto the modernist building archetype. Constrained on a small warped site, the facade became the sole outlet for architectural expression. Careful modulations in bay widths and floor heights give a sense of expandability and openness. The curtain wall grid divides the narrow frontage into accurate one-third segments, with slight deviations on the corner bays to achieve visual equality. The loftier ceilings on upper levels allude to the yearning for more light and air, not unlike the upward growth of plants. The exposed interior behind the glass, where sturdy braces replace beams to minimize visual clutter, essentially forms part of the layered facade. Vertical cut-through voids connect the split retail floors into singular spaces, most notably the entrance level which is left almost floorless, preparing visitors for an art installation floating in the voluminous air. Overall, rather than closing in, the sensitive treatment of the facade and section lends this compact building a valiant lightness against its dense urban surroundings. Design Team - Founded in 2023 by director Yuichi Hashimura, Studio Hashimura is an architectural design firm based in Tokyo, Japan. Hashimura brings over a decade of international experience, having previously worked at leading firms like Tony Fretton Architects and Carmody Groarke in London, as well as the New Material Research Laboratory in Japan. Studio Hashimura takes on projects across a wide range, including residential, commercial, office, and art-related commissions. Their portfolio covers new construction, renovations, and temporary installations. Underpinning their design approach is a commitment to uncover the unique spatial potential within each brief, free from stylistic limitations. Materials and forms are always driven by purpose rather than preference. As a Tokyo-registered architectural office, Studio Hashimura offers comprehensive services encompassing architectural design, project management, and consultancy. Whether adapting historical structures or building anew, Hashimura translates creative visions into functional built form with sensitivity and precision. The firm actively pushes boundaries while respecting budgetary realism, to create enriching spaces focused on human experience. 设计团队 旅游探访 392 m² 日本,东京 2022 Previous Next
- 中国美术学院良渚校区一期 非常建筑 | Archicasting
< 返回 中国美术学院良渚校区一期 非常建筑 设计特色: 项目 – 中国美术学院良渚校区一期是非常建筑用心挑战传统教育模式的设计作品。整个18万平米校园区,秉承亲身体验式教学理念,将“工坊”与“学舍”空间紧密融合,体现"活学活用"的创新理念。长长的工坊以及其拱券屋顶,打破私密同公共空间的界限。内部光线好,作为多功能场所,不但平常使用作设计评审会、展览或表演,有时还举行各类活动。学生宿舍就安排工坊上面,方便下楼即达。整个建筑群体现"开放性"理念,空间可随需随时调整改造。图书馆由9座塔楼构成:其中8座用作学习和研究,另设有1座独立研究塔楼,供人冥想;体育馆适合举办各类庆典活动;工坊内部则设有独特的错视画设计,凸显艺术特性。最与众不同的是,校园里处处可见师生创作介入的痕迹,如学生拍的投影片、现场装置等,呈现建筑与教学内容的互动对话。非常建筑设计团队正是希望透过这份用户参与感,不断重新探讨建筑空间的可能性。 团队 – 非常建筑由张永和(1956年生)与鲁力佳(1960年生)于1993年在美国创立,从一个注重研究和创新的个人工作室发展成一个国际知名的建筑设计事务所。近30年来,非常建筑在建筑、文化艺术和设计领域产生了深远的影响,其坚持建造工艺创新的研究导向为其荣获众多重要奖项。从吉首美术馆、舍得文化中心到上海当代艺术博物馆,非常建筑展现了极富前瞻性的视野、丰富的经验和独特的创造力。无论是桥梁艺术馆、重新诠释乡土语汇还是在博物馆内嵌“店面”,非常建筑的实验精神和对场地的敏锐把握孕育出令人难忘的空间,提升了城市生活品质,他们大胆的再创造为中国快速发展的建筑文化注入活力。 Feature: Project - Challenging conventional education models, the recently completed CAA Liangzhu Campus Phase I by Atelier FCJZ pioneers an innovative living-learning environment that intertwines academic and residential spaces. The 180,000 sqm campus in Hangzhou embraces hands-on pedagogy and an open, flexible architectural approach that prioritizes user participation. The stretching studio spaces, topped by vaulted arches, dissolve boundaries between private and public realms. Designed for multifunctionality, these light-filled volumes host design reviews, exhibitions, performances and even sports activities alongside daily creative work. Dormitories are stacked atop the studios, allowing students to transition seamlessly between living and learning. Openness is a driving concept, with the architects designing changeable spaces that can adapt to evolving needs. The vertically-organized library comprises research towers and a "view-finder" for meditation. The gymnasium's simplicity enables diverse events, while trompe l'oeil window frames in studios blur the lines between 2D and 3D. Exemplifying the vision of architecture shaped by its users, interventions and installations by students and faculty activate spaces across the campus. This dynamic interplay showcases the dialogue Atelier FCJZ has fostered between the built environment and CAA's pioneering educational approach. Design Team - Founded in 1993 by Yonghe Zhang and Lijia Lu, Atelier FCJZ has grown from an innovative research studio into an internationally renowned firm. For over 20 years, FCJZ has made significant impacts in architecture, arts and design, garnering prestigious awards for their research-driven approach focused on construction innovation. Key projects like the Jishou Art Museum, Shedian Culture Center and Shanghai PS1 demonstrate FCJZ's forward-thinking vision, rich experience and unique creativity across disciplines. Whether building an art bridge, reimagining vernacular forms or inserting boxed "storefronts" into a museum, FCJZ's experimental spirit and contextual sensitivity yield engaging spaces that enhance urban life. Their bold reinventions anchor cultural vibrancy in China's rapid development. 设计团队 旅游探访 180000 m² 中国,杭州良渚 2023年 Previous Next
- 微风礼堂 是所设计 | Archicasting
< 返回 微风礼堂 是所设计 项目名称: 微风礼堂 地点: 虹口区,上海市,中国 设计团队: 是所设计 建筑面积: 680 m² 完工时间: 2024年 摄影师: 朱润资,吕晓斌,DONG建筑影像,撒尼夫,叶建源 设计特色: 项目 - 坐落于上海标志性的鲁迅公园内,由是所设计打造的微风礼堂成为现代建筑与自然和谐共生的典范之作。这座680平方米的礼堂,将公园一隅曾被遗忘的角落转化为一处光影流转的庄重空间,既服务于庄重仪式,又满足多样化的公共活动需求。 建筑最引人注目的特征是其羽翼般的钢结构框架,轻盈地悬浮于景观基座之上。建筑师在结构设计上达到了卓越的效率:仅用100x150毫米的纤细工字钢柱,就支撑起了长42米、宽15米、高12米的开敞空间。这一工程壮举通过精心设计的双层穿孔板屋顶系统得到升华,构筑出一个随天气变化而呈现不同氛围的环境过滤器。 项目的成功源于对两大关键挑战的巧妙应对:在有限预算和工期内实现高品质建造,同时打造具有地标性的精神建筑,并使其与周边环境和谐共处。解决方案体现在建筑的双重性格中——上部是高耸的仪式空间,下部则是与景观完美融合的地形基座,通过台阶、观景平台和水景等元素实现无缝衔接。 建筑的参观路线设计格外引人深思。访客需穿过古朴的条石台阶和竹林,循序渐进地感知建筑的存在,这一进程逐步将人们从城市的喧嚣中抽离。这段旅程最终到达戏剧性的主空间,为婚礼、展览等各类公共活动提供了一个理想的场所。 环境友好的理念贯穿整个设计。低矮的屋檐过滤了临近商业街的噪声,而建筑的形态则通过烟囱效应促进自然通风,即使在上海潮湿闷热的夏季也能营造出习习凉风。特意保持自然状态的水池已然成为本地野生动物的栖息地,使这座建筑意外地成为了城市生态系统的一部分。 投入使用的短短半年内,微风礼堂已然成为文化催化剂,举办了从花市到国际时装发布会等形式多样的活动,在社交媒体上累积超过3000万的阅读量。通过将庄重仪式感与人性化细节的巧妙结合,这个项目开创了公共建筑的新类型——既能承载城市生活中的重要时刻,又能服务于日常的静谧节奏。 团队 - 是所设计创立于2023年,总部设于上海,代表着中国当代建筑实践的新浪潮,在现象学敏感性与构造创新之间架起桥梁。由建筑师撒尼夫和长山共同创立的工作室,凭借其对材料性与空间叙事的细腻处理方式,迅速崛起为亚洲建筑领域的重要声音,获得了国际范围内的广泛认可。 事务所的设计理念植根于他们所定义的"真实构造学"——这一方法论强调建造逻辑的诚实表达,同时对场所精神保持深刻敬意。尽管成立时间尚短,其作品集却展现出跨越尺度的非凡多样性,从城市规划到室内细部,践行着"从城市到勺子"的现代主义整体设计理想。 在撒尼夫和长山的领导下,是所发展出独特的设计语言,将现象学体验与构造清晰性融为一体。他们的作品获得了包括Wallpaper*、Dezeen和ArchDaily等国际知名出版物的关注,确立了他们作为当代建筑话语中新兴力量的地位。 事务所对材料真实性和空间诗意的追求,在诸如微风礼堂(2024)等项目中得到充分体现,结构表现主义与沉思性的空间营造在其中完美融合。这种设计方法使是所跻身于中国新一代建筑师的前列,他们正在重新定义传统空间概念与当代建筑表达之间的关系。 Project Name: Breeze Auditorium Location: Hongkou District, Shanghai, China Design Team: SHISUO Design Office Building Area: 680 m² Completion: 2024 Photographers: Zhu Runzi, Lv Xiaobin, DONG Architecture Photography, Sa Nifu, Ye Jianyuan Feature: Project - Nestled within Shanghai's historic Lu Xun Park, the Breeze Auditorium by SHISUO Design emerges as a masterful synthesis of contemporary architecture and natural harmony. This 680-square-meter pavilion transforms a formerly forgotten corner of the park into a luminous sanctuary that serves both as a ceremonial space and a vital public amenity. The structure's most striking feature is its wing-like steel framework that appears to float above a landscaped base. The architects achieved remarkable structural efficiency using slender I-beam columns—measuring just 100x150mm—to support an impressive span of 42 meters in length, 15 meters in width, and 12 meters in height. This engineering feat is enhanced by a sophisticated double-layer perforated roof system that acts as an environmental filter, creating subtly different atmospheric conditions depending on the weather. The project's success lies in its response to two critical challenges: achieving high-quality construction within budget and time constraints, while creating a landmark spiritual architecture that harmonizes with its surroundings. The solution manifests in the building's dual nature—a soaring ceremonial space above and a topographic plinth below that seamlessly integrates with the landscape through a series of steps, viewing platforms, and water features. The careful choreography of approach is particularly noteworthy. Visitors traverse ancient stone steps and bamboo groves before encountering the hall's presence, creating a processional experience that gradually separates them from the urban bustle. This journey culminates in a dramatic main space that serves as a blank canvas for various public events, from weddings to exhibitions. Environmental sensitivity is evident throughout the design. The low eaves filter noise from nearby commercial streets, while the building's form facilitates natural ventilation through stack effect, creating a microclimate of gentle breezes even during Shanghai's humid summers. The water pool, deliberately left untreated, has become a sanctuary for local wildlife, transforming the structure into an unexpected urban ecosystem. In its first six months, Breeze Auditorium has already established itself as a cultural catalyst, hosting events ranging from flower markets to international fashion shows, accumulating over 30 million social media impressions. Through its thoughtful integration of ceremonial grandeur and human-scale details, the project represents a new typology of public architecture—one that celebrates both the extraordinary moments and the quiet daily rhythms of urban life. Design Team - SHISUO Design Office, established in 2023 in Shanghai, represents a new wave of contemporary Chinese architectural practice that bridges phenomenological sensitivity with tectonic innovation. Founded by architects Sa Nifu and Chang Shan, the studio has rapidly emerged as a significant voice in Asia's architectural landscape, gaining international recognition for their nuanced approach to materiality and spatial narrative. The firm's design philosophy is anchored in what they term "authentic tectonics" - a methodology that emphasizes the honest expression of construction logic while maintaining deep respect for genius loci. Their portfolio, though young, demonstrates remarkable versatility across scales, from urban planning to interior detailing, embracing the modernist ideal of total design "from city to spoon." Under the leadership of Sa Nifu and Chang Shan, SHISUO has developed a distinctive design language that synthesizes phenomenological experience with constructional clarity. Their work has garnered attention from prestigious international publications including Wallpaper*, Dezeen, and ArchDaily, establishing them as a emerging force in contemporary architectural discourse. The practice's commitment to material authenticity and spatial poetry is evident in projects like the Breeze Auditorium (2024), where structural expressionism meets contemplative space-making. This approach has positioned SHISUO at the forefront of a new generation of Chinese architects who are redefining the relationship between traditional spatial concepts and contemporary architectural expression. 设计团队 旅游探访 680 m² 上海,中国 2024 Previous Next
- Cycle Cycle巡游亭 F.O.G.建筑事务所 | Archicasting
< 返回 Cycle Cycle巡游亭 F.O.G.建筑事务所 设计特色: Cycle Cycle巡游亭是一座可移动的巧夺天工的流动面包咖啡店,由F.O.G.建筑事务所精心设计。项目用建筑的语言巧妙探索了食物、土地和人之间的相互关联。这座移动面包房的朴素美学灵感来自传统农舍和乡村民居風格。外立面由叠放的布袋构筑而成,将砖块的造型与粮袋的质地巧妙融合,视觉上给人以坚固耐用但又亲和有好感的效果。布袋墙身上开有细长的窗洞,让人一窥其内制作烘焙的景象,同时又将设备等道具隐藏其后,营造出"前台"和"后台"的神秘感。Cycle Cycle 最与众不同之处,在于它注重促进人与人之间的互动和连结。十分接地气的座位设计源自农村常见的矮板凳,让使用者贴近地面、亲密体会空间的尺度比例。人们也可掀开遮阳板和拉开帘幕,打造出半私密的聚会临时空间。这个项目巧妙融合了农事意象、体贴入微的空间布局和互动元素,令人细细体会到人与食物生产及土地之间天然而深层的连结。这虽只是一座简朴的小型面包店,却饶有深意地探究了我们社会的根源所在。 Cycle Cycle is a delightfully whimsical pop-up café and bakery that takes the form of a movable pavilion. Designed by F.O.G. Architecture, the project thoughtfully explores the interconnected relationship between food, land, and people through an architectural lens. The mobile bakehouse's rustic aesthetic draws inspiration from traditional barn structures and rural vernacular. Its facades are crafted from stacked cloth bags, blending the shapes of bricks with the texture of grain sacks to create a visually sturdy yet approachable effect. Elongated openings punctuate the sack walls, allowing glimpses of the baking activities inside while concealing equipment to maintain a "backstage" mystery. What makes Cycle Cycle truly unique is its emphasis on facilitating interaction and fostering connections. Low slung seating evocative of rural stools encourages users to experience the space at an intimate, human scale close to the ground. A temporary rest area can be created by propping up sunshade panels and curtains, carving out a semi-private gathering zone. Through its clever fusion of agricultural motifs, thoughtful spatial cues, and interactive elements, Cycle Cycle subtly reminds us of the deep, intrinsic bonds between people, food production, and the land itself. It's a humble yet profound exploration of society's roots manifested as a humble baked goods kiosk. 设计团队: F.O.G.建筑事务所于2018年在伦敦创立,秉承着"卓越的空间应充满情感,与人建立永恒的连结"这一信念。这一理念促使该事务所迅速成长为一个拥有伦敦、上海和重庆分所的国际化设计团队。F.O.G.注重探索定义空间的运作逻辑,将每个项目视为探索材料、设计和美学本质的机会。他们追求唤醒空间内在的情感潜能,赋予空间崇高的稳定感。通过不断审视材料、光线、景观、功能和文化语境带来的多重感官体验,F.O.G.致力于以结构化的方式凝练"体验"和"感受",由此让形式和空间自然流露。事务所由两位创始合伙人郑宇(驻上海)和詹迪(驻重庆)领衔,在他们的带领下,F.O.G.一直走在富有情感、植根于语境的卓越设计的前沿。 Founded in London in 2018, F.O.G. Architecture operates under the belief that truly great spaces transcend physicality by evoking emotion and forming a timeless connection with their occupants. This guiding philosophy has propelled the practice's rapid growth into an international design team with studios spanning London, Shanghai, and Chongqing. F.O.G. Architecture focuses intently on the operational logic that defines spaces, committing to view each project as an opportunity to explore the essence of materials, design, and aesthetics through an inquisitive lens. The firm seeks to unlock the emotional potential inherent within the built environment while endowing a sublime sense of stability and permanence. Through a continuous examination of the multi-sensory experiences elicited by materials, light, landscape, function, and cultural context, F.O.G. aspires to solidify "experience" and "feeling" into structured, tangible form. This allows the resulting architectural realizations to emerge as spaces of remarkable depth and resonance. The firm is led by founding partners Zheng Yu, RIBA, AA Diploma based in Shanghai, and Zhan Di, RIBA, AA Diploma, BA(Hons) in Chongqing. Under their direction, F.O.G. Architecture operates at the vanguard of emotional, contextually grounded design excellence. 设计团队 旅游探访 18 ㎡ 中国,杭州 2023年 Previous Next
- 多伦多劳力士精品店 Partisans | Archicasting
< 返回 多伦多劳力士精品店 Partisans 设计特色: 多伦多布鲁尔街迎来了一座令人瞩目的建筑杰作,它巧妙地将尖端科技与永恒优雅融为一体。加拿大建筑设计团队Partisans为劳力士精品店打造了一个突破性的立面设计,为这条高端购物街增添了一道引人注目的视觉地标。 这个项目最出彩的特色是其起伏波动的石灰岩店面,这是先进参数化建模技术的结晶。这个雕塑般的立面包裹着一座现有高楼的底层,以其流畅、有机的形态重塑了街道景观。设计巧妙地呼应了劳力士著名的钟表设计,石柱的节奏仿佛手表表带的图案,弧形元素则唤起了奢华钟表制作的精密感。 Partisans与Arturo Tedeschi的合作,成就了一个既美观动人又技术创新的立面。通过数字化制造方法精心塑造的石灰岩板,在上方刚硬的现代主义结构与新的、富有动感的街道层面之间创造了和谐的对话。 这个项目展现了石材作为当代建筑材料的优雅复兴。通过利用3D扫描和数控技术,Partisans在将新立面与现有建筑融合方面达到了前所未有的精准度。这种对细节的关注延伸到了石材与玻璃的交界处,形成了材料的无缝融合,提升了整体设计的连贯性。 夜晚,内置的嵌灯将立面变成了柔和发光的雕塑,进一步强调了其曲线和质感。建筑的东立面还刻有复杂的参数化构图,为这一非凡的建筑成就增添了另一层视觉魅力。 Toronto's Bloor Street has been graced with a stunning architectural marvel that seamlessly blends cutting-edge technology with timeless elegance. Architecture studio Partisans has unveiled a new Rolex boutique that pushes the boundaries of facade design, creating a striking visual landmark in the city's upscale shopping district. The project's standout feature is its undulating limestone storefront, a result of advanced parametric modelling techniques. This sculptural facade wraps the ground floor of an existing high-rise, transforming the streetscape with its fluid, organic forms. The design ingeniously references Rolex's renowned timepieces, with the rhythm of stone columns echoing watch band patterns and curved elements evoking the precision of luxury watchmaking. Partisans' collaboration with computational designer Arturo Tedeschi has yielded a facade that is both aesthetically captivating and technically innovative. The limestone panels, carefully shaped using digital fabrication methods, create a harmonious dialogue between the rigid modernist structure above and the new, dynamic street-level presence. The project exemplifies a renaissance in stone as a contemporary building material. By leveraging 3D scanning and CNC technology, Partisans has achieved unprecedented levels of accuracy in integrating the new facade with the existing architecture. This attention to detail extends to the interface between stone and glass, resulting in a seamless fusion of materials that enhances the overall design coherence. At night, integrated cove lighting transforms the facade into a softly glowing sculpture, further emphasizing its curves and textures. The eastern elevation features an intricately etched parametric composition, adding another layer of visual intrigue to this remarkable architectural achievement. 设计团队: PARTISANS建筑设计事务所,由Alex Josephson和Pooya Baktash于2012年在多伦多创立,迅速崛起为加拿大最具创新精神和突破性的建筑工作室之一。目前由Josephson领导的这家事务所,凭借其前卫大胆的设计理念,将尖端科技与艺术视野完美融合,赢得了国际声誉。 PARTISANS以其将复杂挑战转化为开创性建筑方案的能力而闻名,在加拿大的建筑环境中留下了不可磨灭的印记。他们的作品涵盖了令人印象深刻的多个尺度和类型,从精雕细琢的Bar Raval室内设计,到雄心勃勃的Innisfil Orbit城市总体规划。 PARTISANS的设计理念植根于突破建筑学科界限的承诺,经常运用参数化建模和数字制造技术来实现他们富有远见的概念。多伦多劳力士精品店起伏的石灰岩立面就是这种方法的典范,巧妙地将计算设计与传统工艺相融合。 PARTISANS的作品以对材料、形态和文化语境的深入探索而著称。他们的项目,如Grotto Sauna和安大略广场的改造,展现了创造既具功能创新又富美学吸引力空间的卓越能力。 PARTISANS荣获多项殊荣,包括2020年加拿大皇家建筑学会(RAIC)新锐建筑实践奖。他们持续重新定义建筑在塑造我们的城市肌理和文化景观中的角色,为建筑界注入新的活力和创意。 PARTISANS, founded in 2012 by Alex Josephson and Pooya Baktash, has rapidly emerged as one of Toronto's most innovative and boundary-pushing architecture studios. Currently led by Josephson, the firm has garnered international acclaim for its avant-garde approach to design, seamlessly integrating cutting-edge technology with artistic vision. Renowned for their ability to transform complex challenges into groundbreaking architectural solutions, PARTISANS has left an indelible mark on Canada's built environment. Their portfolio spans an impressive range of scales and typologies, from the intimate, sculpted interiors of Bar Raval to the ambitious urban planning of the Innisfil Orbit masterplan. The studio's design philosophy is rooted in a commitment to push the boundaries of architectural discourse, often employing parametric modeling and digital fabrication techniques to realize their visionary concepts. This approach is exemplified in projects like the undulating limestone facade of the Rolex Boutique in Toronto, which seamlessly merges computational design with traditional craftsmanship. A deep engagement with materiality, form, and cultural context characterizes PARTISANS' work. Their projects, such as the Grotto Sauna and the revitalization of Ontario Place, demonstrate a keen ability to create spaces that are both functionally innovative and aesthetically captivating. Recognized with numerous awards, including the 2020 RAIC Emerging Architectural Practice Award, PARTISANS continues redefining architecture's role in shaping our urban fabric and cultural landscapes. 设计团队 旅游探访 150 m² 加拿大,多伦多 2024年 Previous Next
- Kliphuis 山谷品酒体验馆 Slee & Co Architects | Archicasting
< 返回 Kliphuis 山谷品酒体验馆 Slee & Co Architects 设计特色: 坐落在南非斯泰伦博斯美丽的班胡克山谷中,"石屋"(Kliphuis)项目堪称因地制宜建筑设计的典范。这座由Slee & Co建筑事务所设计的423平方米建筑,与其令人惊叹的自然环境完美融合,展现了建筑形态与自然景观之间的和谐对话。 项目最突出的特点是其对本地材料和传统建造技术的巧妙运用。建筑的基础由延伸现有梯田墙形成,采用就地取材的石块,以非正式的手工方式砌筑。这种做法不仅将建筑牢固地锚定在其所在地,还向该地区的建筑传统致敬。 全部来自农场外来树种清除工程的木材在整个项目中扮演着主角。从屋顶结构到地板、墙壁,甚至定制家具,这些当地采伐的木材的使用营造出温暖、富有质感的体验,呼应着外部的自然世界。 设计对环境的敏感度还体现在低矮的深色波纹屋顶上,它们仿佛漂浮在石墙之上。大型可收缩玻璃门模糊了内外界限,使品酒区域自然延伸到宽敞的门廊。这种室内外的连接不仅最大限度地展现了西蒙斯山和德拉肯斯坦山脉的美景,还通过将访客沉浸在赋予卡彭西斯葡萄酒独特品质的风土中,提升了品酒体验。 Nestled in the picturesque Banhoek Valley of Stellenbosch, South Africa, the Kliphuis for Capensis Wines emerges as a testament to thoughtful, site-specific architecture. Designed by Slee & Co Architects, this 423-square-meter structure seamlessly blends into its breathtaking surroundings, offering a harmonious dialogue between built form and natural landscape. The project's standout feature is its commitment to utilizing local materials and traditional construction techniques. The building's foundation is formed by extending existing terrace walls, using stone harvested on-site and laid in an informal, handcrafted manner. This approach anchors the structure to its location and pays homage to the region's architectural heritage. Timber, sourced entirely from alien deforestation efforts on the farm, plays a starring role throughout the project. From the roof structure to the floors, walls, and even custom furniture, the use of this locally harvested wood creates a warm, tactile experience that echoes the natural world outside. The low-slung, dark corrugated roofs that seem to float above the stone walls further exemplify the design's sensitivity to its environment. Large, retractable glazed doors blur the boundaries between inside and out, allowing the tasting area to flow seamlessly onto a generous stoep. This indoor-outdoor connection maximizes views of the Simonsberg and Drakenstein mountain ranges and enhances the wine-tasting experience by immersing visitors in the terroir that gives Capensis wines their unique character. 设计团队: 始创于1986年的Slee & Co.建筑事务所,由Johann Slee创立,已成为南非建筑设计界的一支重要力量。该事务所最初位于约翰内斯堡,17年前迁至斯泰伦博斯,在历史悠久的多普街设立工作室。他们在多普街101号的项目荣获2011年开普建筑学会奖,充分展现了他们将现代设计巧妙融入历史环境的能力。 该事务所的设计理念聚焦于创造一种本土建筑,既尊重客户的愿景和当地文化,又善用先进技术。他们的建筑色彩灵感源自大地,采用柔和的色调和质感丰富的表面处理,呼应南非充沛的阳光。在过去的几十年里,Slee & Co.专注于高端住宅项目、度假屋和精选商业工程,在管理复杂设计和整合精密服务系统方面积累了丰富经验。 可持续性是他们实践的基石,设计充分考虑场地条件和气候特征。事务所采用被动式设计策略来调节热得与热损,并辅以热交换器和太阳能加热等创新系统,打造节能建筑。他们的作品多次获得南非建筑师协会等权威机构的奖项,彰显了他们在住宅和商业设计领域的卓越表现。 在Johann Slee的带领下,事务所保持着一个精干而经验丰富的核心团队,必要时辅以外部服务。这种精简的结构使得项目管理更加灵活,能为客户提供个性化服务,巩固了Slee & Co.作为南非环境敏感型、可持续建筑设计领导者的声誉。 Slee & Co. Architects, founded in 1986 by principal partner Johann Slee, has established itself as a prominent force in South African architecture. Originally based in Johannesburg, the firm relocated to Stellenbosch 17 years ago, setting up studio in the historic Dorp Street. Their 2011 Cape Institute of Architecture Award-winning infill project at 101 Dorp Street exemplifies their skillful integration of contemporary design within historical contexts. The firm's design philosophy centers on creating a vernacular architecture that respects client aspirations and local heritage while embracing advanced technologies. Their architectural palette draws inspiration from the earth, featuring muted colors and textured finishes that respond to the abundant South African sunlight. Specializing in high-end residential projects, holiday homes, and select commercial work, Slee & Co. has honed their expertise in managing complex designs and intricate service integrations over the past quarter-century. Sustainability is a cornerstone of their practice, with designs that respond effectively to site conditions and climate. The firm employs passive design strategies to manage heat gain and loss, complemented by innovative systems like heat exchangers and solar heating to create energy-efficient buildings. Their portfolio boasts numerous awards from prestigious institutions such as the South African Institute of Architects, showcasing their consistent excellence in residential and commercial design. Led by Johann Slee, the practice maintains a small, highly experienced core team, supplemented by outsourced services when necessary. This lean structure allows for agile project management and personalized client attention, solidifying Slee & Co.'s reputation as a leader in contextually sensitive, sustainable architecture in South Africa. 设计团队 旅游探访 423 ㎡ 南非,斯泰伦博斯 2024年 Previous Next
- 东京学艺大学"学习之所” VUILD | Archicasting
< 返回 东京学艺大学"学习之所” VUILD 设计特色: 项目 – 在东京郊区小金井,VUILD揭开了一个雄心勃勃的新型教育设施的面纱,旨在塑造未来学习的形态。这个由东京学艺大学委托建造的"学习之所"项目,是一个实验性的建筑,运用尖端制造技术打造出一个独特灵活可适应的学习环境。设计的核心在于使用数控加工技术,利用CLT材料制作出复杂曲线的木质模板系统。这些受自然叶脉图案启发的精致木质构件,不仅作为建筑的结构框架,还被保留在建筑中成为其不可或缺的一部分。这种创新的"嵌入式模板"方法,使建筑同时具备物理结构和教育工具的功能,模糊了建筑、建造和教学之间的界限。关键的是,该项目被设计成一个"开放式"的空间,初始条件仅有一个大型屋顶结构和数控加工设备,让使用者可以不断扩展和改造设施以满足不断变化的需求。这种灵活性,加上建筑本身的实验性质,使它成为下一代教育空间的一个勇敢尝试的原型。 团队 – 2017年创立的VUILD,是一个致力于通过数字化制造技术来推动设计创新的前卫建筑设计公司。这家公司由热情洋溢的设计师、技术人员和制造商组成,利用自有的数字化生产能力,实现了从概念到建造的无缝对接。VUILD起源于家具设计,随后将专业领域拓展至住宅和商业建筑。他们在2019年完成的代表作" Marebito 住宅"广受好,甚至获得了知名的设计金奖。凭借这一成功,VUILD随后承接了更多富有野心的建筑委托,不断挑战行业惯例。VUILD秉持协作、创新和再生的设计理念,与客户密切合作,打造体验性强、环保性能优越的建筑,重塑了建筑环境的可能性。他们不断质疑现有假设,开拓创新的制造工艺,引领建筑行业走向更加创新、可持续和民主的未来。在首席执行官秋吉浩気(Koki Akiyoshi)的领导下,VUILD才华横溢的建筑师、工程师和制造商团队,齐心协力实现为下一代创造启迪灵感的建筑设计愿景。 Feature:Project - In the Tokyo suburb of Koganei, VUILD has unveiled an ambitious new education facility that aims to shape the future of learning. The "Learning Space" project, commissioned by Tokyo Gakugei University, is an experimental architectural intervention that utilizes cutting-edge fabrication techniques to create a uniquely flexible and adaptable learning environment. At the heart of the design is the use of 5-axis CNC milling to create a complex, sinuous timber formwork system out of cross-laminated timber (CLT). These intricate wooden forms, inspired by organic leaf vein patterns, not only serve as the structural framework for the building, but are left exposed to become an integral part of the architecture itself. This innovative "embedded formwork" approach allows the building to function as both a physical structure and an educational tool, blurring the boundaries between architecture, construction, and pedagogy. Crucially, the project is designed as an "open-ended" space, with the initial conditions of a large roof structure and CNC fabrication equipment allowing users to continuously expand and adapt the facilities to suit their evolving needs. This flexibility, combined with the building's experimental nature, positions it as a bold prototype for the next generation of educational spaces. Design Team - Established in 2017, VUILD is a visionary architecture collective dedicated to pushing the boundaries of design through the seamless integration of digital fabrication technologies. Comprising passionate designers, technicians, and fabricators, the firm harnesses the power of its in-house digital manufacturing capabilities to deliver innovative architectural solutions from concept to construction. Starting from their roots in furniture design, VUILD has since expanded their expertise into the realms of residential and commercial architecture. Their 2019 debut project, "House for Marebito," earned widespread acclaim. Emboldened by this success, VUILD has since taken on an array of ambitious architectural commissions, always striving to challenge conventional industry norms. Guided by a collaborative, inventive, and regenerative design philosophy, the VUILD team works closely with clients to create experiential, high-performance buildings that redefine the possibilities of the built environment. By constantly questioning existing assumptions and pioneering novel fabrication processes, the firm is leading the charge towards a more innovative, sustainable, and democratized future for architecture. Under the visionary leadership of CEO Hiroki Akiyoshi, VUILD's talented roster of architects, engineers, and fabricators are united in their mission to co-create inspiring visions for the next generation. With a growing portfolio of awards and accolades, VUILD is firmly established as a trailblazer in the architecture industry, pushing the boundaries of what's possible through the power of digital design and manufacturing. 设计团队 旅游探访 295.9 m² 日本,东京 2023年 Previous Next
- 牵手之家 nendo | Archicasting
< 返回 牵手之家 nendo 项目名称:hand-in-hand house 地点:长野县轻井沢町,日本 设计团队:nendo 项目面积:142.48 m² 竣工时间:2024年6月 摄影: Masahiro Ohgami 设计特色: 项目 – 在一次突破性的建筑亲密性探索中,nendo将位于轻井泽的一块5800平方米的斜坡地转变为一个革命性的周末度假住宅,挑战了传统的住宅设计。"牵手之家"作为家庭生活的激进重新诠释,建筑本身成为了家庭联系的隐喻。 为四口之家设计的这个项目巧妙地将传统的单体住宅拆解为六个独特的20平方米小屋,每个小屋都经过精心定位,以捕捉令人惊叹的景观和浅间山的美景。这些微型结构不仅仅是功能空间,更是经过精心编排的体量,既尊重个人隐私,又保持着深刻的统一感。 最引人注目的设计干预在于这些小屋的精心定位。略微错位且屋顶高度各异,它们创造了一种动态的空间叙事,既尊重每个家庭成员对个人空间的需求,又同时培养集体归属感。从厨房到餐厅和卧室的功能区被策略性地分布在这些小屋中,通过柔和、流动的建筑语言相互连接,宛如温柔地牵手。 一个戏剧性突出于斜坡地形的宽阔露台成为项目的基础姿态,模糊了内部和外部的边界。这一建筑手法不仅最大化了场地的自然地形,还与周围茂密的森林创造了无缝的对话。设计团队nendo的方法超越了单纯的建筑设计;它是对家庭动态的深刻探索,空间成为表达情感联系和个人身份的媒介。 团队 – 由建筑师Oki Sato于2002年创立的nendo,已成为一支在全球获得认可的设计力量,超越了传统建筑的界限。总部设在东京,并在米兰设有办事处,该公司一直通过其独特的极简主义方法和创新空间概念重新定义当代设计。 出生于多伦多、毕业于早稻田大学的Oki Sato,将nendo定位为国际公认的设计实践,并多次因开创性的建筑和设计解决方案而备受推崇。该公司的作品集展示了将功能性与诗意空间叙事相结合的卓越能力,将平凡环境转变为非凡体验。 拥有30多名设计师的多学科团队,nendo的方法超越了传统建筑实践。他们的设计理念以创造对人类体验敏感的空间为中心,运用注重策略的极简主义,优先考虑情感和功能的连通性。无论是住宅、商业还是装置项目,每一个作品都体现了对细节的细致关注和对空间动态的深刻理解,使其在全球设计领域脱颖而出。 通过在Maison & Objet的年度设计师奖和dezeen设计师热榜等众多设计奖项中的全球认可,nendo继续推动建筑和设计思维的边界,不断挑战和重新想象我们的建筑环境。 Project Name: hand-in-hand house Location: Karuizawa Town, Japan Design Team: nendo Project Area: Site Area 5,812.39 m², Building Area 158.53 m², Total Floor Area 142.48 m² Building Type: Weekend Villa Structure: Steel Construction Design Period: January 2022 to December 2023 Construction Period: January 2024 to May 2025 Completion Date: June 2024 Photography: Masahiro Ohgami Feature: Project - In a groundbreaking exploration of architectural intimacy, nendo has transformed a sloping 5,800-square-meter site in Karuizawa into a revolutionary weekend retreat that challenges conventional residential design. The hand-in-hand house emerges as a radical reinterpretation of family living, where architecture becomes a metaphorical representation of familial connections. Designed for a family of four, the project ingeniously dismantles the traditional single-volume residence into six distinct 20-square-meter pavilions, each carefully oriented to capture the breathtaking landscape and views of Mount Asama. These micro-structures are not merely functional spaces but carefully choreographed volumes that speak to individual privacy while maintaining a profound sense of collective unity. The most striking design intervention lies in the deliberate positioning of these pavilions. Slightly misaligned and varying in roof heights, they create a dynamic spatial narrative that respects each family member's need for personal space while simultaneously fostering a sense of togetherness. Functional zones—from kitchen to dining and bedrooms—are strategically distributed across these pavilions, connected through a soft, fluid architectural language that mimics the gentle act of holding hands. A expansive terrace that dramatically protrudes from the sloping terrain serves as the project's foundational gesture, blurring boundaries between interior and exterior. This architectural move not only maximizes the site's natural topography but also creates a seamless dialogue with the lush surrounding forest. Nendo's approach transcends mere architectural design; it is a profound exploration of familial dynamics, where space becomes a medium for expressing emotional connections and individual identities. Design Team - Founded in 2002 by visionary architect Oki Sato, nendo has emerged as a globally recognized design powerhouse that transcends traditional architectural boundaries. Headquartered in Tokyo with an additional Milan office, the firm has consistently redefined contemporary design through its distinctive minimalist approach and innovative spatial conceptualization. Sato, born in Toronto and educated at Waseda University, has positioned nendo as an internationally acclaimed design practice, repeatedly recognized for groundbreaking architectural and design solutions. The firm's portfolio demonstrates an exceptional ability to blend functionality with poetic spatial narratives, transforming mundane environments into extraordinary experiences. With a multidisciplinary team of over 30 designers, nendo's approach goes beyond conventional architectural practice. Their design philosophy centers on creating spaces that respond sensitively to human experiences, utilizing a strategic minimalism that prioritizes emotional and functional connectivity. Each project—whether residential, commercial, or installation—reflects a meticulous attention to detail and an understanding of spatial dynamics that sets them apart in the global design landscape. Acclaimed globally through numerous prestigious awards including Designer of the Year at Maison & Objet and top rankings in dezeen's Designers Hot List, nendo continues to push the boundaries of architectural and design thinking, consistently challenging and reimagining our built environment. 设计团队 旅游探访 142.48 m² 长野县轻井沢町,日本 2024 Previous Next
- 藤井寺之家 藤原・室 建筑设计事务所 | Archicasting
< 返回 藤井寺之家 藤原・室 建筑设计事务所 设计特色: 项目 – 隐匿于藤井寺市郊区的这座当代日本住宅,极为巧妙地应对了狭窄场地的挑战,为一个四口之家营造出光线充足、功能多元的居所。设计团队巧妙地采用了锯齿状平面布局,使这栋房屋最大限度地利用了场地的长条形尺寸,既开辟出了家庭共享的交流空间,也留出了独处的隐秘之处。经过巧妙设计的窗景引入绿树成荫的花园美景,深入室内;与世隔绝的房间则提供安静隐秘的藏身之所。虽然这栋住宅的面积仅有163平方米,但通过围绕光线充沛的走廊巧妙布置的空间,室内感觉宽敞通透。一楼有流畅动线的车库、厨房、餐厅和客厅,既适合家庭聚会,也兼顾个人专注时的需求。二楼两侧则布置有卧室和私人空间,且向外面的花园敞开。从自发的家庭互动,到享受宁静独处,该平面布局通过巧妙引导自然光线,平衡了共同生活和私人空间之间的关系。在狭长的场地内展现出连接性与界限距离,这栋住宅为当代家庭生活定制了恰到好处的空间。 团队 – 藤原・室建筑设计事务所成立于2002年,由藤原慎太郎(1974年生)和室喜夫(1974年生)这对建筑师搭档致力于营造“有趣的空间”,透过建筑创造独特的生活体验,实现业主的梦想。他们精心设计每一个项目,注重光线和材质的细节,赋予建筑独特的品质和个性。无论是私人住宅还是办公空间,每一个方案都融合了独特的空间语言和世界观。重要的是,他们的设计充满乐趣、激发想象,为使用者带来生活和工作的愉悦。20多年来,这对建筑师搭档已经在日本国内外获得广泛认可。他们的作品光彩夺目、富有激情,为人们提供多姿多彩的建筑体验。 Feature: Project - Nestled in the quiet suburbs of Fujiidera city, this contemporary Japanese home masterfully tackles the challenges of a narrow site to create a light-filled, multifunctional residence for a family of four. Architects Shintaro Fujiwara and Yoshio Muro arrange the layout in a zig-zag pattern, taking advantage of the elongated dimensions to carve out both communal gatherings spaces and private retreats. Strategically-placed windows draw verdant garden vistas deep into the interior, while secluded rooms provide quiet refuge. Though compact at just 163 square meters, the residence feels spacious thanks to the clever configuration centered around a light-filled corridor. The ground floor offers fluid transitions between parking, kitchen, dining and living areas to accommodate both family time and individual focus. Upstairs, bedrooms and personal nooks line both sides opening out towards the gardens. From spontaneous interactions to peaceful solitude, the layout balances togetherness and privacy through the artful channelling of natural light. Forging connectivity and distance within a slender site, this home tailors its spaces to the rhythms of contemporary family life. Design Team - Shintaro Fujiwara and Yoshio Muro, the architectural duo behind FujiwaraMuro Architects, are committed to creating "interesting spaces" - buildings that provide unique life experiences and make dreams a reality. Meticulous in every design, they pay close attention to light, materials and details to instill buildings with distinct character and identity. Whether a private residence or office space, each project incorporates a singular spatial language and worldview. Importantly, their designs brim with playfulness and imagination, bringing delight to living and working. Over 20 years, the partnership has gained wide acclaim both in Japan and abroad for creating vibrant, passionate architecture that provides rich and varied spatial experiences. 设计团队 旅游探访 163 m² Fujiidera, JAPAN 2023 Previous Next
- MARUWA濑户工厂 Gensler + 竹中工务店 | Archicasting
< 返回 MARUWA濑户工厂 Gensler + 竹中工务店 项目名称: MARUWA Seto Factory 地点: 爱知县瀬戸市,日本 设计团队: Gensler 项目面积: 7054㎡ 竣工时间: 2023年5月 摄影: Kenta Hasegawa、铃木文人 设计特色: 项目 – 在日本爱知县,MARUWA濑户工厂以其融合工业传统与现代设计的创新方式,树立了一个具有变革性的建筑典范。这座由Gensler与竹中工务店合作设计的制造工厂,超越了传统工业建筑的范畴,成为了技术创新和社区融合的有力象征。 项目最显著的特征是其引人注目的"BRIDGE"(桥梁)概念,这一理念在设计中得到了字面和隐喻的双重体现。动态的水平屋顶横跨整个场地,在两个生产区域之间创造出引人注目的视觉连接。这一建筑手法不仅是一个强有力的美学声明,还通过其东西向布局巧妙地利用自然通风,捕捉来自南北的主导风。 在设施的核心处,一个充满自然光的中庭不仅仅是一个连接空间——它是对传统工厂设计的一次深思熟虑的改革,将人性体验置于优先地位。这个中央空间引入充足的自然光线,促进员工之间的自发互动,同时智能化的自动通风系统能够根据外部环境条件做出响应,保持最佳舒适度。 更值得注意的是,该项目将一个曾经的非法垃圾倾倒场地转变为了具有价值的社区资产。景观设计从濑户著名的陶瓷传统中汲取灵感,融入了一个既是储水池又是景观水景的精妙设计。这个多功能元素不仅创造了一个引人入胜的公共广场,还作为建筑通风系统的创新冷却机制。 该设施对环境整合的承诺还体现在其精密的"雨水景观"系统上,通过随降雨模式变化的动态景观来可视化水资源管理。这种方法展示了工业建筑如何能够超越纯功能性,同时成为高性能设施和对其环境的有意义贡献。 通过对先进制造需求、员工福祉和社区参与的深思熟虑的整合,MARUWA濑户工厂为工业建筑树立了新的范式——证明制造设施可以同时实现高效率、环保意识和建筑学的重要性。 团队 – Gensler作为全球最大的建筑设计公司之一,自1965年由Art Gensler、Drue Gensler和James Follett在美国旧金山创立以来,始终引领着全球建筑创新的前沿。在现任全球联席主席Andy Cohen和Diane Hoskins,以及联席首席执行官Jordan Goldstein和Elizabeth Brink的领导下,公司已从最初专注的企业室内设计,发展成为一家在17个国家53个城市都有影响力的建筑巨擘。 作为一家在2023年创造了18.4亿美元营收的卓越机构,Gensler的实践展现了设计卓越性与运营规模的完美结合。公司的多学科方法涵盖建筑设计、室内设计、城市策略、品牌设计和数字体验设计,通过这些专业领域的整合来创造跨越不同类型的革新环境。 通过Gensler研究所和工作场所绩效指数(WPI)等研究计划,体现了其以研究驱动设计的承诺。而Gensler城市气候挑战(GC3)和开创性的产品可持续性标准的建立,则展示了该公司在通过建筑创新应对气候变化方面的领导地位。 标志性项目如上海中心大厦和旧金山国际机场航站楼的设计,展现了Gensler在保持设计完整性和环境责任的同时,执行复杂大型开发项目的能力。这种创意愿景、技术专长和可持续实践的平衡,使Gensler成为塑造当代建筑话语和实践的决定性力量。 Project Name: MARUWA Seto Factory Location: Seto City, Japan Design Team: Gensler Project Area: 7,054㎡ Completion Date: May 2023 Photography: Kenta Hasegawa, Fumihito Suzuki Feature: Project - In a groundbreaking fusion of industrial heritage and contemporary design, MARUWA's new Seto Factory emerges as a transformative architectural statement in Aichi, Japan. Conceived by Gensler in collaboration with Takenaka Corporation, this manufacturing facility transcends the conventional industrial typology to become a powerful symbol of technological innovation and community integration. The factory's most distinctive feature is its compelling "BRIDGE" concept, which manifests both literally and metaphorically throughout the design. A dynamic horizontal roof plane stretches across the landscape, creating a striking visual connection between the facility's dual production zones. This architectural gesture not only serves as a powerful aesthetic statement but cleverly harnesses natural ventilation through its east-west orientation, capturing prevailing winds from the north and south. At the heart of the facility, a light-filled atrium serves as more than just a connecting space – it's a deliberate intervention in traditional factory design that prioritizes human experience. This central void introduces abundant natural light and promotes spontaneous interaction among employees, while an intelligent automated ventilation system responds to external conditions to maintain optimal comfort. Perhaps most remarkably, the project transforms what was once an illegal dumping site into a valuable community asset. The landscaping draws inspiration from Seto's celebrated ceramic heritage, incorporating a sophisticated water feature that doubles as a retention pond. This multifunctional element not only creates an engaging public plaza but also serves as an innovative cooling mechanism for the building's ventilation system. The facility's commitment to environmental integration extends to its sophisticated "Rainwater Scape" system, which visualizes water management through a dynamic landscape that transforms with rainfall patterns. This approach exemplifies how industrial architecture can transcend pure functionality to become both a high-performance facility and a meaningful contribution to its context. Through its thoughtful synthesis of advanced manufacturing requirements, employee wellbeing, and community engagement, MARUWA's Seto Factory establishes a new paradigm for industrial architecture – one that proves manufacturing facilities can be simultaneously efficient, environmentally conscious, and architecturally significant. Design Team - Gensler, the world's largest architectural design firm by revenue and workforce, stands at the forefront of global architectural innovation since its founding in 1965 by Art Gensler, Drue Gensler, and James Follett in San Francisco. Under the current leadership of Global Co-Chairs Andy Cohen and Diane Hoskins, alongside Co-CEOs Jordan Goldstein and Elizabeth Brink, the practice has evolved from its origins in corporate interiors to become an architectural powerhouse, shaping the built environment across 53 cities in 17 countries. With an impressive portfolio generating $1.84 billion in revenue (2023), Gensler's practice exemplifies the synthesis of design excellence and operational scale. The firm's multidisciplinary approach encompasses architecture, interior design, urban strategies, brand design, and digital experience design, leveraging these disciplines to create transformative environments across diverse typologies. Their commitment to research-driven design is evidenced through initiatives like the Gensler Research Institute and the Workplace Performance Index (WPI), which continuously inform their design methodology. The practice's dedication to sustainability is manifested in the Gensler Cities Climate Challenge (GC3) and their pioneering Product Sustainability Standards, demonstrating leadership in addressing climate change through architectural innovation. Notable projects like the Shanghai Tower and SFO Airport terminals showcase Gensler's capacity to execute complex, large-scale developments while maintaining design integrity and environmental responsibility. This balance of creative vision, technical expertise, and sustainable practice positions Gensler as a definitive force in shaping contemporary architectural discourse and practice. 设计团队 旅游探访 7054㎡ 爱知县瀬戸市,日本 2023 Previous Next
- 鹰屋 Stanley Office of Architecture | Archicasting
< 返回 鹰屋 Stanley Office of Architecture 项目名称:Eagle House 地点:尼尔森,加拿大 设计团队:Stanley Office of Architecture 建筑面积:5400 ft² 竣工时间:2024年 摄影:Bryce Duffy 设计特色: Stanley Office of Architecture设计的"Eagle House"(鹰屋)展现了如何通过创新的天窗系统和巧妙的结构策略将不列颠哥伦比亚省库特奈地区充满挑战的山地地形转化为捕捉壮丽景观与珍贵日光的建筑杰作。 这座5400平方英尺的住宅戏剧性地栖息在俯瞰尼尔森市和库特奈湖的陡峭森林坡地上,呈现为对隐私、光线和景观融合的深刻冥想。它没有被周围群山遮蔽日光的限制所束缚,而是向上仰望天空,创造出一个以天窗为核心的光影交响空间序列,逐渐揭示科卡尼冰川的全景。 项目的绝妙之处在于对山地住宅类型学的根本性重新构想。住宅采用双翼构成——私密安静的卧室区与高挑开放的生活区,沿着精心设计的入口空间连接,这个入口既是结构节点又是景观框架。钢柱钢梁结构网格支撑双层胶合木椽子,创造出面向北方景观的大面积窗墙系统。 Stanley Office of Architecture的设计语言流利地表达着本土建筑方言,运用当地道格拉斯冷杉和铁杉等木材模糊室内外边界,同时保持与森林环境的和谐关系。质感丰富的近黑色纤维水泥墙面和温暖的木质表面呼应着塞尔柯克山脉的建筑基因,而策略性的天窗系统将珍贵的南向日光过滤到每个生活角落。石材包覆的户外壁炉强化了建筑与山地景观的联系。 最引人注目的是,建筑师创造了外观上看似融入森林背景、内部却揭示复杂光影体验的作品。精心布置的天窗系统展示了当代建筑如何在应对严酷气候条件的同时尊重当地建筑传统。大型玻璃墙面完全打开视野,将生活空间转化为框取无限山景的观景平台。 景观策略延续了这种建筑与自然之间的对话,针叶林植被和户外平台定义着过渡空间,而覆盖式户外生活区在这个建筑圣殿中提供了与自然亲密接触的终极体验。 设计团队 - Stanley Office of Architecture作为加拿大西部地区性现代建筑实践的杰出代表,由首席建筑师Matthew Stanley于2014年在尼尔森创立,自创立以来已确立其在当代住宅设计和本土材料创新领域的先锋地位。这家立足尼尔森的事务所通过设计、建造和社区参与的无缝整合,重新定义建筑与自然环境的关系。 Stanley Office of Architecture为建筑实践带来了卓越的多尺度设计视角和对跨学科方法的深刻理解。该事务所因其对当代设计语汇出发、将传统工艺与新技术结合的承诺而获得认可,创始人Matthew Stanley曾在包括蒙特利尔、卡尔加里、维多利亚、艾哈迈达巴德和巴塞罗那等国际知名城市学习和工作。这种国际化经验与麦吉尔大学和卡尔加里大学建筑教育精准性的结合,使Stanley Office of Architecture在加拿大建筑景观中占据独特地位。 该事务所的设计哲学强调建筑形式与地区景观关系的重要性,以跨尺度的方法开展从住宅到社区项目的多元化实践,相信建筑应该是对语境整合和材料真实性深度尊重的结果。高级设计师Damian Jensen贡献了超过二十年在住宅、商业、教育和社区项目方面的国际经验,设计师Tobias Gray作为库特奈本地人,具备木工专业技能,为团队带来实践性建造知识。Stanley Office of Architecture相信最好的建筑能够通过策略性的天窗、庭院和过渡空间运用,模糊室内外边界并创造独特的山地居住体验。 除实践外,该事务所保持着强有力的社区联系,团队成员积极参与当地户外运动和社区建设。通过对传统工艺与现代制造方法结合、本地材料和经时间验证的建造技术的运用,Stanley Office of Architecture已确立自己作为当代加拿大建筑话语重要贡献者的地位,创造出既具地方回应性又拥抱现代生活方式的建筑作品。 设计团队 旅游探访 5400 ft² 尼尔森,加拿大 2024 Previous Next
- 松本市博物馆 KUME SEKKEI Co. | Archicasting
< 返回 松本市博物馆 KUME SEKKEI Co. 设计特色: 松本市新博物馆坐落于日本松本市历史悠久的三之丸地区,由KUME SEKKEI株式会社设计,堪称城市更新与文化传承的典范之作,巧妙地将现代设计与深厚的本地传统融为一体。 博物馆最引人注目的特色是其创新的屋顶结构——由6毫米厚的钢板打造的折板设计,跨度惊人地达到18米。这一工程奇迹不仅在18米高度限制内最大化了展览空间,还巧妙致敬了雄伟的北阿尔卑斯山脉和精致的松本手鞠(当地传统工艺)图案。 KUME SEKKEI的设计巧妙地解决了在历史重地建造现代设施的挑战。建筑朝向大名町街的东立面采用了降低的屋顶线条,与周围城市肌理自然过渡。沿土手小路街设置的创新"橱窗画廊"则成为博物馆与城市互动的活力界面,不断展示松本市的蓬勃文化。 室内设计同样别出心裁,精心设计的参观动线呼应了城堡入口独特的"枡形"布局,营造出一段充满叙事性的博物馆之旅。这条建筑漫步路线始于宏伟的楼梯,蜿蜒穿过开放的中庭空间,为参观者带来层次丰富的体验,与松本山城的特色相得益彰。 松本市新博物馆在保护与创新、公众参与与馆藏需求、地方特色与当代设计之间取得了完美平衡,成为了一个充满生机的文化枢纽。它不仅传承了周边丰厚的文化遗产,更有望激发新的探索与活动,引领松本文化走向未来。 Nestled in the historic Sannomaru area of Matsumoto, Japan, the new Matsumoto City Museum by KUME SEKKEI Co. stands as a testament to thoughtful urban regeneration and cultural preservation. This 7774-square-meter structure, completed in 2022, seamlessly blends contemporary design with deep-rooted local traditions. The museum's most striking feature is its innovative roof structure - a folded-plate design crafted from 6mm steel plates spanning an impressive 18 meters. This engineering marvel maximizes exhibition space within the 18-meter height limit and pays homage to the majestic Northern Alps and the intricate patterns of Matsumoto Temari, a traditional local craft. KUME SEKKEI's design brilliantly navigates the challenge of integrating a modern facility into a historically significant area. The building's eastern facade, facing Daimyo-cho Street, features a lowered roofline that elegantly transitions into the surrounding urban fabric. Along Dotekoji Street, an innovative "window gallery" serves as a dynamic interface between the museum and the city, constantly showcasing Matsumoto's vibrant culture. Inside, a thoughtfully designed circulation path echoes the distinctive "Masugata" shape of the castle entrance, creating a narrative journey through the museum's spaces. This architectural promenade, beginning with grand stairs and winding through open voids, offers visitors a multi-layered experience that resonates with Matsumoto's mountain city character. By balancing preservation with innovation, public engagement with curatorial needs, and local identity with contemporary design, the Matsumoto City Museum emerges as a living cultural hub, poised to inspire new discoveries and activities while honoring the rich heritage of its surroundings. 设计团队: 久米设计株式会社创立于1932年,在日本建筑设计界占据翘楚地位,以其创新的综合设计与工程方法闻名遐迩。作为一家拥有90多年悠久历史的设计事务所,久米设计始终致力于将美学视野与技术专长完美融合,打造出众多卓越作品。 在藤泽进社长的领导下,久米设计已发展成为一家全方位的设计巨擘,拥有约650名员工,其中包括350名注册建筑师。公司高层管理团队汇聚了副社长小西威史、常务董事三浦健、上田克行和能口卓也等业界精英,他们在建筑领域的各个方面都拥有丰富经验。 久米设计的作品涵盖广泛,从城市规划、商业综合体到文化机构和医疗设施,无一不彰显其实力。代表作包括九州国立博物馆、惠比寿花园广场和霞关公共大门等,充分展现了公司驾驭复杂大型项目的非凡能力。 作为"全面设计解决方案公司",久米设计不局限于传统的建筑设计服务,还提供城市规划、结构工程、环境系统设计和项目管理等全方位服务,彰显了公司对创新的坚定承诺。 2011年,久米设计提出了"生活持续建筑"(LCB)概念,这一开创性的抗震设计理念旨在保护建筑资产价值,充分体现了公司前瞻性的思维方式。 如今,久米设计不仅在日本国内享有盛誉,还在中国和越南设有国际办事处。凭借独特的设计卓越性和技术创新,久米设计持续在建筑环境领域发挥着重要影响力。 Founded in 1932, KUME SEKKEI Co., Ltd. has established itself as a leading architectural design firm in Japan, renowned for its innovative approach to integrated design and engineering. With a rich history spanning over nine decades, the firm has consistently delivered projects that seamlessly blend aesthetic vision with technical expertise. Under the leadership of President Susumu Fujisawa, KUME SEKKEI has evolved into a comprehensive design powerhouse, employing approximately 650 staff members, including 350 licensed architects. The firm's executive team, featuring Vice President Takeshi Konishi and Managing Directors Takeshi Miura, Katsuyuki Ueda, and Takuya Noguchi, brings a wealth of experience across various architectural disciplines. KUME SEKKEI's portfolio showcases a diverse range of projects, from urban planning and commercial complexes to cultural institutions and healthcare facilities. Notable works include the Kyushu National Museum, Ebisu Garden Place, and the Kasumigaseki Common Gate, demonstrating the firm's ability to tackle complex, large-scale developments. The company's commitment to innovation is evident in its "Total Design Solution Firm" approach, offering a comprehensive suite of services that extends beyond traditional architectural design. This includes urban planning, structural engineering, environmental systems design, and project management. KUME SEKKEI's forward-thinking ethos is further exemplified by its introduction of the Life Continuity Building (LCB) concept in 2011, a pioneering approach to earthquake-resistant design that preserves architectural asset value in the face of seismic events. With a strong presence across Japan and international offices in China and Vietnam, KUME SEKKEI continues to shape the built environment with its unique blend of design excellence and technical innovation. 设计团队 旅游探访 7774 ㎡ 日本,松本市 2024年 Previous Next
- 贝壳餐厅 Pablo Luna Studio | Archicasting
< 返回 贝壳餐厅 Pablo Luna Studio 项目名称:贝壳餐厅 地点:巴厘岛,印度尼西亚 设计团队:Pablo Luna Studio 建筑面积:265 m² 竣工时间:2024年 摄影:Tommaso Riva 设计特色: 项目 - Pablo Luna Studio 在巴厘岛努沙佩尼达岛钻石海滩的悬崖上,通过贝壳餐厅项目,打造了一处与自然融为一体的有机建筑空间。这座265平方米的结构是Intaaya度假村的重要组成部分,巧妙地将生物模拟设计与环境可持续性相结合,创造出一个突破传统餐厅设计的独特用餐场所。 设计团队以海洋贝壳和波浪运动为灵感,精心打造了一个有机且温馨的结构,在这里,自然元素与建筑形态完美融合。项目最引人注目的特色是其创新的竹构造系统,由13个竹制成的交错桁架组成,从地面自然延伸,形成如贝壳肋骨般的有机屋顶。这些结构桁架与手工编织的竹编天花板和木瓦相配合,保持了设计的自然材质感。 室内空间展现了对环境与功能需求的深刻理解,创造出开放而灵活的布局。前方的树状竹柱不仅提供结构支撑,还允许自然光线渗透空间,增强室内氛围并减少人工照明需求。设计团队对空间体验的细致考虑体现在建筑的渐进式扩展上,随着访客的移动,结构在垂直和水平方向上逐渐展开,创造出有意义的空间转换。 贝壳餐厅的与众不同之处在于其全面的可持续设计方法。项目采用雨水收集系统、高效用水设备和与生物圈基金会合作开发的废水处理系统,形成了再生水循环。太阳能光伏板满足了大部分电力需求,而建筑过程中实施的可持续建设计划则防止了污染和废物管理问题。 这个项目展示了如何将生物启发设计与环保实践相结合,为印度尼西亚快速发展的旅游景观中的建筑设计树立了新标准。它证明了建筑不仅可以适应自然环境,还能成为增强环境价值的积极贡献者。 团队 - Pablo Luna Studio成立于2016年,已发展成为印度尼西亚最具创新力的建筑设计事务所之一,以其仿生与可持续设计理念而闻名。这家总部位于巴厘岛乌布的工作室由智利裔建筑师Pablo Luna创立,他拥有秘鲁-黎巴嫩血统,在纽约哥伦比亚大学接受建筑教育后,于2014年移居巴厘岛专研可持续设计和竹建筑。 该事务所是一个由设计师、建筑师和工匠组成的动态团队,专注于创造与自然和谐共存的空间。他们的设计方法深深植根于亲生物学原则,从有机形态、模式和自然世界中的过程汲取灵感。工作室强调使用因地制宜的当地材料,包括竹子、回收木材、夯土、石灰岩、泥土和砖块等,相信生态平衡和设计和谐源于与当地采购材料的互动。 在Pablo Luna的领导下,工作室已完成了100多个独特项目,足迹遍布印度尼西亚、智利、墨西哥、印度、西班牙、葡萄牙、乌干达和哥斯达黎加等地。他们的作品特点在于将深入的环境分析与客户需求相结合,拥抱当地建筑技术、材料和法规,将工作与手工艺和法律合规性融为一体。 工作室的设计方法将严谨的研究与对自然的深刻理解相结合,创造出不仅仅是建造而是经过深思熟虑融入环境的项目,留下持久的积极影响。Pablo Luna Studio的作品多次获得国内外认可,证明了其在有机建筑领域日益增长的影响力和不断扩大的国际项目组合。 Project Name: Shell Restaurant Location: Nusa Penida, Bali, Indonesia Design Team: Pablo Luna Studio Total Floor Area: 265 m² Completion: 2024 Photography: Tommaso Riva Feature: Project - Pablo Luna Studio has completed their latest project - Shell Restaurant on the cliffs of Diamond Beach in Nusa Penida, Bali. This 265-square-meter structure serves as an integral part of the Intaaya Retreat, seamlessly integrating biomimetic design with environmental sustainability. The project's most distinctive feature is its innovative structural system composed of 13 alternating-height trusses crafted from yellow Petung bamboo. These trusses rise naturally from the ground like the ribbed interior of a seashell, forming an organic roof that emerges as a direct response to the surrounding landscape. The framework is complemented by a hand-woven bamboo ceiling and wooden shingles that maintain the natural materiality of the design. The spatial layout is carefully orchestrated to create an open and adaptable interior, free from intermediate supports. Tree-like bamboo columns at the front edge not only provide structural support but also allow natural light to penetrate the space, enhancing the interior atmosphere and reducing dependency on artificial illumination. The spatial experience was thoughtfully choreographed through a gradual expansion both vertically and horizontally as visitors move through the building, creating meaningful transitions that connect diners to the surrounding landscape. The project's uniqueness lies in its comprehensive approach to sustainability. It incorporates rainwater harvesting, efficient water appliances, and a sophisticated wastewater treatment system developed with the Biosphere Foundation, forming a regenerative water cycle. Photovoltaic solar panels meet a large portion of the electricity demand, while a Sustainable Construction Plan implemented during the building process prevented pollution and waste management issues. This is not merely a restaurant but a vivid demonstration of how biomimetically inspired design can be combined with environmental practices to create architecture that doesn't just adapt to its natural surroundings but actively contributes to enhancing environmental value. Design Team - Founded in 2016, Pablo Luna Studio has established itself as one of Indonesia's most innovative architectural practices, renowned for its biomimetic and sustainable design philosophy. This Ubud, Bali-based studio was established by Chilean-born architect Pablo Luna, who has Peruvian-Lebanese heritage and received his architectural education at Columbia University in New York before relocating to Bali in 2014 to explore sustainable design and bamboo construction. The studio is a dynamic group of designers, architects, and artisans focused on creating spaces that harmonize with nature. Their design approach is deeply rooted in biophilic principles, drawing inspiration from organic forms, patterns, and processes found in the natural world. The practice emphasizes using locally appropriate materials including bamboo, reclaimed wood, rammed earth, limestone, cob, and bricks, believing that ecological balance and harmony in design stem from engagement with locally sourced materials. Under Pablo Luna's leadership, the studio has completed over 100 unique projects across Indonesia, Chile, Mexico, India, Spain, Portugal, Uganda, and Costa Rica. Their work is characterized by combining in-depth environmental analysis with client needs, embracing local building techniques, materials, and regulations, integrating their work with craftsmanship and legal compliance. The studio's methodology combines rigorous research with profound understanding of nature, creating projects that are not just constructed but thoughtfully integrated into their surroundings, leaving a lasting positive impact. Pablo Luna Studio's work has received recognition both within Indonesia and internationally, demonstrating its growing influence in the field of organic architecture and expanding international portfolio. 设计团队 旅游探访 265 m² 巴厘岛,印度尼西亚 2024 Previous Next
- 西新町住宅 TYdo architects | Archicasting
< 返回 西新町住宅 TYdo architects 设计特色: 项目 – 坐落于静冈县磐田市的一处住宅区内,TYdo architects 设计的"西新町住宅"巧妙 地重新定义了公共和私人领域之间的传统界限。这栋住宅位于一处临校路的角地,建 筑师们设计了一面曲线 RC 混凝土墙环绕一楼私人空间,巧妙地在隐私保护和便利行人 通行之间取得平衡。这面雕塑般的"围墙"环绕着整个地块,灵活地融入了景观种植和圆 角设计,确保行人可以畅通无阻地通行。墙内形成一个封闭的户外空间,可用于露天 浴、桑拿后的冷却放松等活动,进一步增强了私密性。与此同时,墙与挑檐统一设计, 营造的狭缝营造出动人的光影效果。二楼的开放式起居区通过不同的天花高度以及两 个半户外阳台,室内外空间界限变得暧昧模糊。这些半户外起居空间加强了室内通风 和采光,同时也强化了它们各自独特的用途。建筑师表示:"我们不断探索在这里究竟 什么才算是普遍富足的生活方式,同时牢记本地庆典活动所塑造的社区、习俗和气候 环境。"这个项目是距离其事务所 1 公里范围内的第七个项目,充分体现了 TYdo 植根当 地的建筑营造理念。 团队 – TYdo architects 成立于 2016 年,是一家总部设于东京的设计公司,由首席建筑 师高塚陽介领衔。凭借将建筑与相关创意学科巧妙融合的独到眼光,该事务所开创了 独树一帜的营运模式,提供跨足平面设计、网页开发、品牌行销等综合协调性服务。 在高塚陽介的领导下,TYdo 全力展现将客户构想精准付诸实现、精心打造的高超能力。 他们超越学科疆界的建筑设计手法,透过缜密的问题解决方式和富创意的概念塑造, 追求最佳解决方案。该事务所的作品巧妙融入当地脉络与社区纽带,如西町住宅这件 作品充分展现了对磐田市传统庆典文化的体现。TYdo 对在地人文着墨甚深,创作出扎 根当地却极具创意的现代建筑。作为不断推进创意的设计团队,创新的建筑设计风格 以及多元化的服务,使其成为日本建筑界的优质设计先锋。 Feature: Project - Nestled in a residential neighborhood of Iwata City, Shizuoka, the House in Nishinmachi by Yosuke Takatsuka / TYdo architects reinvents the traditional boundaries between public and private realms. Situated on a corner plot facing a school route, the architects devised an ingenious RC concrete wall that curves around the ground floor private quarters, deftly balancing privacy with considerations for pedestrian flow. This sculptural "fence" envelops the site, thoughtfully integrating planter boxes and rounded corners to facilitate seamless movement. Its interior forms an enclosed exterior space for activities like sauna cool-downs, heightening the sense of seclusion. Unified with the projecting eaves, the wall's slit apertures create a striking play of light and shadow. Upstairs, the open-plan living area is gently delineated through ceiling height variations and two balconies that blur indoor/outdoor boundaries. These semi-outdoor living extensions enhance cross ventilation and daylighting while reinforcing their distinctive purposes. Yosuke Takatsuka reflects, "We constantly explore what constitutes a universally enriching lifestyle here, keeping in mind the community, customs and climate shaped by regional events." This seventh project within 1km of their Iwata office exemplifies TYdo's localized approach to architectural placemaking. Design Team - Founded in 2016, TYdo architects is a Tokyo-based design firm helmed by principal architect Yosuke Takatsuka. With a keen eye for integrating architecture with allied creative disciplines, the practice has carved a unique niche by offering comprehensive coordination services spanning graphic design, web development, branding, and more. Under Takatsuka's leadership, TYdo has amassed an impressive portfolio showcasing their adept ability to translate client visions into tangible, thoughtfully-crafted solutions. Their architectural approach transcends disciplinary boundaries, seeking optimal resolutions through meticulous problem-solving and inventive conceptualization. The firm's work deftly navigates context and community, exemplified by projects like the Nishimachi Residence which celebrates the festival heritage of Iwata City. With a keen awareness of locality, TYdo creates architecture that is sensitively grounded yet uncompromisingly contemporary. As an architectural design consultancy pushing creative frontiers, TYdo architects epitomizes professionalism backed by a passionate, multidisciplinary ethos. Their innovative buildings and diverse services position them as vanguards within Japan's architectural vanguard. 设计团队 旅游探访 181.1 m² 日本,静冈县磐田市 2023年 Previous Next
- Richter中心 Zoboki Design and Architecture | Archicasting
< 返回 Richter中心 Zoboki Design and Architecture 项目名称:Richter中心 地点:布达佩斯,匈牙利 设计团队:Zoboki Design and Architecture 建筑面积:17000 m² 竣工时间:2024年 摄影:Dániel Dömölky 设计特色: 项目 - 在布达佩斯的中心地带,由ZDA建筑事务所打造的新Richter中心成为了建筑才华的象征,它无缝地将企业传统与前瞻性设计融为一体。这座17000平方米的制药公司Richter Gedeon总部标志着公司发展的关键时刻,它既是对悠久历史的致敬,也是对未来发展方向的大胆宣言。 建筑最引人注目的特色无疑是其起伏波动的外立面系统。每个百叶窗都遵循精确的参数化规则,同时保持个体的独特性——这是制药行业创造性发明与严格监管双重性质的物理体现。这种外立面创造了一种迷人的效果,从远处看是一个有凝聚力的艺术整体,而近距离观察则能发现其精妙的细节。 Richter中心位于公司的历史生产基地内,是ZDA为该园区制定的20年总体规划中的关键环节。它的战略位置通过优雅的会议单元和连接桥梁与化学研究和办公大楼(同样由ZDA在2007年设计)相连,象征性地将研究活动与企业领导层统一起来。 在室内,建筑继续延续其流动的语言,采用精妙的楼梯结构,将交通区域转变为充满活力的社交空间。这些宏伟的公共区域需要创新的结构解决方案,包括特殊尺寸的钢梁和玻璃柱。 设计理念牢固地建立在三大支柱上:优先考虑员工福祉的功能性、通过前沿建筑技术表达的创新性,以及确保建筑既现代又永恒的优雅节制。这种三位一体的方法创造了促进协作的空间,同时保持了适合领先制药企业的精致企业形象。 通过对宽敞公共区域、精确参数化设计和可持续工程解决方案的和谐整合,Richter中心展示了深思熟虑的建筑如何能够体现公司价值观,同时创造一个激发创新的工作场所。 团队 - Zoboki Design and Architecture成立于1997年,已发展成为中欧地区最重要的建筑工作室之一,在匈牙利设计市场占据决定性地位,并逐步拓展国际项目,如在中国等地的设计任务。 该事务所由Gábor Zoboki DLA habil.领导,作为Ybl奖、Pro Architectura奖和Prima Primissima奖的获得者,他带领团队坚持将高质量的建筑设计与专业技术知识相结合,并采用盎格鲁-撒克逊工作原则和方法论,进一步提高了工作效率。 事务所的项目类型广泛多样,包括多功能文化中心、采用尖端技术的研究建筑、特别注重人际交流的办公建筑,以及历史建筑的重建任务和精美的酒店与住宅项目。他们在所有这些领域都创造了具有特色的案例,并获得了众多国内外奖项。工作室的业务范围还扩展到概念性城市规划任务和大型项目的可行性研究。 ZDA在具有独特技术背景的文化建筑方面取得了特别重要的成就,因此赢得了大量国外委托。他们的国际关系在设计合作伙伴、专业顾问和建筑事务所方面也变得非常广泛。 事务所的服务涵盖整个设计过程:从城市规划、建筑和室内设计到施工过程的工程协调,甚至包括汇集数百人的国际创意社区。在Zoboki看来,建筑师的职业有两个方面:一个是人文主义的、由理想驱动的、不断重新思考人类生存条件的创造者;另一个则是掌握技术和工艺知识的物质主义者。他相信,要创造良好的建筑,必须努力在这两种品质上都达到高水平。 Project Name: Richter Center Location: Budapest, Hungary Design Team: ZDA - Zoboki Design and Architecture Total Floor Area: 17000 m² Completion: 2024 Photography: Dániel Dömölky Feature: Project - ZDA - Zoboki Design and Architecture has completed their latest project - Richter Center on the company's historical production site in Budapest, creating a headquarters building that both pays homage to tradition and looks toward the future. This 17,000-square-meter structure skillfully combines functionality, sustainability, and distinctive form, marking a new era for the pharmaceutical company Richter Gedeon. The design team based their work on three main principles: functionality, innovation, and moderation, carefully crafting a corporate space that both meets efficient office requirements and presents a unique appearance. The project's most distinctive feature is its undulating façade system, where each louver follows uniform rules while maintaining unique forms, symbolizing the dual nature of research and development work: invention and strict regulation. This parametric design required new tool-based collaboration between architects and engineers, creating a unified artistic whole when viewed from a distance, while revealing precision in details up close. The interior design continues the sense of flow seen on the exterior, especially in the building's central space, where virtuoso stair structures not only serve circulation but create places for communication and meetings. Creating large communal spaces required overcoming structural challenges, including the use of specially dimensioned steel beams and glass pillars. The design team also gave special attention to sustainability issues, such as solutions for heat absorption by large surfaces, ensuring ideal interior comfort. What makes this project unique is how it successfully connects the Richter company with the Chemical Research and Office Building (also designed by ZDA in 2007) through a conference unit, forming a symbolic bridge that unites research and corporate management both functionally and symbolically. Design Team - Founded in 1997, ZDA has evolved into one of the most important architectural workshops in the Central European region, establishing a determinant position in the Hungarian design market while gradually expanding into international projects, including work in China. The firm is led by Gábor Zoboki DLA habil., recipient of the Ybl, Pro Architectura, and Prima Primissima awards, who guides the team in coupling high-quality architectural design with professional technical knowledge, further strengthened by Anglo-Saxon working principles and methodology. The practice undertakes a wide range of project types, including multifunctional cultural centers, research buildings with state-of-the-art technology, office buildings that especially inspire human contact, as well as reconstruction assignments of historic buildings and lovely hotels and residential projects. They have created characteristic examples in all these areas, receiving numerous domestic and international awards. The studio's portfolio also extends to conceptual urban-planning tasks and feasibility studies for large-scale projects. ZDA has achieved particularly important successes in cultural buildings with unique technological backgrounds, resulting in numerous foreign commissions. Their international connections have become extensive regarding design partners, professional consultants, and architectural offices. The firm's services encompass the entire design process: from urban planning through architectural and interior design to the engineering coordination of construction processes, embracing international creative communities counting even several hundred persons. According to Zoboki, the architect's vocation has two facets: one humanistic, driven by ideals, constantly rethinking the conditions of human existence; the other materialistic, mastering technical and technological knowledge. He believes that to create good architecture, one must strive for high-level cultivation of both these qualities. 设计团队 旅游探访 17000 m² 布达佩斯,匈牙利 2024 Previous Next
- 中卫沙漠钻石酒店 水石设计 | Archicasting
< 返回 中卫沙漠钻石酒店 水石设计 项目名称:中卫沙漠钻石酒店 设计团队:水石设计 面积:6866 m² 地点:宁夏沙坡头旅游区,中国 设计特色: 项目 – 坐落于中国腾格里沙漠边缘的中卫沙漠钻石酒店,由水石建筑设计打造,犹如一座棱角分明的绿洲,巧妙地融入起伏的沙丘之中。这座位于宁夏沙坡头景区的奢华户外精品度假酒店,为游客呈现出一个超现实的避世天堂,与其严酷却迷人的环境浑然一体。 酒店设计灵感源自钻石的多面性,将其几何之美转化为一系列雕塑般的建筑结构。这些晶体状的形态与柔和起伏的沙漠地貌形成戏剧性的对比,其灰白色外表在沙漠阳光下闪烁,宛如沙粒般熠熠生辉。 水石建筑在沙漠建筑设计方面的创新理念在酒店布局中得到充分体现。从空中俯瞰,整个酒店犹如一条钻石项链:中央公共区域和标志性的星空大厅宛如璀璨的吊坠,而30间客房则如两翼般曲线延伸,每间都拥有独特的沙漠景致。 建筑师们巧妙地将沙漠体验融入设计的方方面面。钻石形状的窗户框住令人惊叹的美景,私人露台和泡泡池让客人沉浸于壮阔景致之中。夜幕降临时,镶嵌的三角形星光灯被点亮,营造出令人陶醉的光影秀,与璀璨的沙漠星空遥相呼应。 水石建筑通过将"无数不可能变为可能",精心打造了这座非凡的沙漠庇护所。它不仅尊重周围环境,更放大了沙漠的自然之美,为游客带来一段难忘的腾格里沙漠之旅。 团队 – 成立于1999年的水石设计,已跻身中国领先的综合设计公司之列,提供涵盖城市规划、建筑设计、景观设计和室内设计的全方位服务。总部坐落上海,分支机构遍布全国,水石设计已然成为建筑设计行业的中坚力量。 公司拥有建筑工程、风景园林工程设计和城乡规划编制等多项甲级资质,彰显其专业实力。水石设计的核心技术能力涉猎广泛,从品质人居、城市综合体到产业园区、文化旅游项目,无不显现其多元化的设计才能。 水石设计以其精益求精、融会贯通的设计理念赢得了业界赞誉。公司特别注重价值挖掘、产品创新,以及设计图纸与建成效果的高度还原。 水石设计的客户群包括金地、龙湖、万科等知名开发商,其作品已遍布全国180多个城市。公司设有城市再生中心、技术研发中心和EPC中心等专门机构,凸显了其对研发创新的不懈追求。作为中国城市景观的塑造者,水石设计始终站在创新与可持续设计解决方案的最前沿,持续回应当代社会不断演进的需求。 Project:ZhongWei Desert Diamond Hotel Team:SHUISHI Size:6866 m² Location:Zhongwei, Ningxia, China Feature: Project - Nestled on the edge of China's Tengger Desert, the ZhongWei Desert Diamond Hotel by SHUISHI architects emerges as a striking oasis of angular forms amidst rolling sand dunes. This luxurious outdoor boutique resort, located in the Shapotou scenic area of Ningxia, offers a surreal retreat that blends seamlessly with its harsh yet mesmerizing surroundings. The hotel's design draws inspiration from the multifaceted nature of diamonds, translating their geometric brilliance into a series of sculptural structures. These crystalline forms create a dramatic contrast against the soft, undulating landscape, while their greyish-white exterior shimmers like sand grains under the desert sun. SHUISHI's innovative approach to desert architecture is evident in the hotel's layout, which resembles a diamond necklace when viewed from above. The central public areas and iconic Star Hall serve as dazzling pendants, while 30 guestrooms extend like two curving wings, each offering unique desert vistas. The architects have masterfully integrated the desert experience into every aspect of the design. Diamond-shaped windows frame breathtaking views, while private terraces and bubble pools allow guests to immerse themselves in the landscape. As night falls, embedded triangular star lights come to life, creating a mesmerizing display that echoes the brilliant desert sky. By turning "innumerable impossibilities into possibilities," SHUISHI has crafted a remarkable desert sanctuary that not only respects its environment but amplifies its natural beauty, offering guests an unforgettable journey into the heart of the Tengger Desert. Design Team - Founded in 1999, SHUISHI has emerged as a leading multidisciplinary design firm in China, offering comprehensive services in urban planning, architecture, landscape design, and interior design. With its headquarters in Shanghai and multiple branch offices across the country, SHUISHI has established itself as a powerhouse in the architectural design industry. The firm boasts top-tier qualifications, including Class A certifications in architectural engineering, landscape engineering, and urban-rural planning. SHUISHI's core technical capabilities span a wide range of project types, from quality residential developments and urban complexes to industrial parks and cultural tourism destinations. Under the leadership of its board of directors and president's office, SHUISHI has cultivated a reputation for meticulous, integrated design approaches. The firm emphasizes value excavation, product innovation, and high fidelity between design drawings and completed projects. SHUISHI's portfolio includes collaborations with renowned developers such as Gemdale, Longfor, and Vanke, with completed works in over 180 cities nationwide. The firm's commitment to research and development is evident in its dedicated centers for urban regeneration, technical R&D, and EPC (Engineering, Procurement, and Construction). As it continues to shape China's urban landscape, SHUISHI remains at the forefront of innovative, sustainable design solutions that respond to the evolving needs of contemporary society. 设计团队 旅游探访 6866 m² Zhongwei, Ningxia, China 2024 Previous Next
- Torrey View 生物科技园区 Flad Architects | Archicasting
< 返回 Torrey View 生物科技园区 Flad Architects 设计特色: 坐落于圣地亚哥如画风景中的Torrey View 生物科技园区,由Flad Architects设计,重新定义了现代生命科学园区的概念。该项目计划于2024年夏季开放,大胆融合了前沿设计与环保意识,提供总计515000平方英尺的尖端科研工作场所和配套设施。 这个开发项目最引人注目的特征是其动感十足的镶嵌式外立面,灵感源自场地的地质层状结构。陡峭的坡度窗户面板创造出一个凹槽状的外观,不仅视觉效果惊艳,还最大化了能源效率和室内自然采光。这种创新的建筑表皮设计使托里维尤在科研办公建筑领域独树一帜。 建筑师们巧妙利用场地的斜坡地形,打造了一个步行友好的园区。通过将停车场设置在地下,他们腾出了空间建造了一个向公众开放的景观广场,成为整个园区的核心。这个中心"台地"不仅统一了整个园区,还为员工提供了重要的户外联系,提升了整体的工作环境。 项目对可持续发展的承诺体现在其获得的LEED金级认证以及正在申请的Fitwel认证上。其中一个亮点是配套设施楼的绿色屋顶,不仅减少了热量吸收,管理了雨水径流,还为上层楼座提供了赏心悦目的景观。 Torrey View 生物科技园区代表了自然与科技的和谐对话,在提供太平洋壮丽景观的同时,还为生物科技公司提供了灵活、充满自然光的室内空间,满足其严格的需求。这个开发项目为生命科学园区树立了新标准,证明了严格的科研要求可以与鼓舞人心、注重健康的设计和谐共存。 Nestled in the picturesque landscape of San Diego, the Torrey View Campus by Flad Architects redefine the concept of a modern life science campus. Set to open in summer 2024, this ambitious project seamlessly blends cutting-edge design with environmental consciousness, offering 515,000 square feet of state-of-the-art scientific workplaces and amenities. The development's most striking feature is its dynamic, tessellated facade, inspired by the site's layered geologic formations. Steeply graded window panels create a coffered exterior that serves as a visual spectacle and maximizes energy efficiency and interior daylighting. This innovative approach to the building envelope sets Torrey View apart in the realm of scientific workplace design. Flad Architects have used the site's sloping terrain to create a pedestrian-friendly campus. By tucking parking below grade, they've liberated space for a publicly accessible, landscaped plaza that serves as the heart of the development. This central mesa unifies the campus and provides a crucial connection to the outdoors, enhancing the overall work environment. The project's commitment to sustainability is evident in its LEED Gold certification and pursuit of Fitwel certification. A standout feature is the amenity building's green roof, which not only reduces heat gain and manages rainwater runoff but also offers an appealing vista from the upper levels. Torrey View represents a harmonious dialogue between nature and technology, offering exceptional views of the Pacific Ocean while providing flexible, daylight-infused interiors that cater to the exacting needs of biotechnology firms. This development sets a new standard for life science campuses, proving that rigorous scientific requirements can coexist with inspiring, wellness-focused design. 设计团队: 自1927年创立以来, Flad Architects一直是建筑创新设计的领军力量,不断重新定义综合规划和设计的格局。这家国际化设计事务所凭借近百年的辉煌历史,持续推动着各个领域人类潜能提升环境的设计边界。 在总裁兼首席执行官劳拉·塞雷宾(Laura Serebin)的领导下,Flad Architects在设计尖端医疗设施、世界级教育机构和创新科研中心方面巩固了其领先地位。塞雷宾女士是美国建筑师协会会员和LEED认证专业人士,她富有远见的方法强调了空间的适应性,能够随需求变化和新技术的出现而进化,这是事务所持续成功的关键因素。 Flad Architects的作品集展示了他们对复杂功能需求的精湛掌控,这在获奖项目如加州大学戴维斯分校教学与研究酿酒厂和印第安纳大学跨学科科学楼中尤为明显。这些设施完美诠释了事务所将先进研究能力与可持续设计原则无缝融合的能力。 该事务所对可持续发展的承诺进一步体现在其对LEED标准的早期采用上,他们在2001年设计了首批获得LEED金级认证的研究设施之一。这种开拓精神延伸到Flad Architects在先进能源研究领域的工作中,以石溪大学先进能源研究与技术中心等项目为代表。 凭借协作精神和遍布全国十个办事处的多元化团队,Flad Architects持续塑造着建筑环境,创造的空间不仅满足当前需求,更预见了医疗、教育和科学发现领域的未来创新。 As a leading force in architectural innovation since its founding in 1927, Flad Architects has continually redefined the landscape of integrated planning and design. With a century-long legacy, this national firm has consistently pushed the boundaries of creating environments that enhance human potential across various sectors. Under the leadership of President and CEO Laura Serebin, AIA, LEED AP, Flad has solidified its position at the forefront of designing cutting-edge healthcare facilities, world-class educational institutions, and innovative scientific research centers. Serebin's visionary approach emphasizes adaptive spaces that can evolve with changing needs and emerging technologies, a crucial factor in the firm's enduring success. Flad's portfolio showcases a mastery of complex programmatic requirements, evident in projects like the award-winning University of California, Davis Teaching and Research Winery, and the Indiana University Multidisciplinary Science Building. These facilities exemplify the firm's ability to seamlessly integrate advanced research capabilities with sustainable design principles. The firm's commitment to sustainability is further demonstrated by its early adoption of LEED standards, having designed one of the first research facilities to achieve LEED Gold certification in 2001. This pioneering spirit extends to Flad's work in advanced energy research, epitomized by projects such as the Stony Brook University Advanced Energy Research & Technology Center. With a collaborative ethos and a diverse team spread across ten offices nationwide, Flad Architects continues to shape the built environment, creating spaces that not only meet current needs but anticipate future innovations in healthcare, education, and scientific discovery. 设计团队 旅游探访 515000 ft² 美国,圣地亚哥 2024年 Previous Next
- Alba温泉水疗中心 Hayball | Archicasting
< 返回 Alba温泉水疗中心 Hayball 项目名称:Alba温泉水疗中心 地点:芬戈尔,维多利亚州,澳大利亚 设计团队:Hayball 建筑面积:150000 m² 竣工时间:2022年 摄影:Willem-Dirk Du Toit 设计特色: 项目 - 坐落于莫宁顿半岛的15公顷场地上,由Hayball设计的Alba温泉水疗中心展现了景观整合建筑设计的创新典范。这座世界级康养目的地将原有绿地转化为融合32个地热水池、水景和水疗建筑的沉浸式沐浴与康养胜地,所有设施巧妙嵌入第三纪沙丘景观之中。 该项目最引人注目的成就在于其半地下式建筑策略。建筑师没有简单地在场地上设置独立建筑,而是创造了一个与地形融为一体的设计概念,主体结构部分嵌入山顶,营造出建筑仿佛在景观中隐没又重现的戏剧性效果。这一设计理念通过精心编排的抵达体验展开,为访客创造悬念感和期待感,强化了康养目的地的转换性特质。 建筑叙事通过弧形混凝土墙体的纯粹形式语言展开。这些墙体以原始混凝土饰面呈现,表面带有肋状纹理,切穿地形创造出下沉庭院,将自然光引入室内深处。青铜玻璃和金属饰面为建筑增添了坚固质感,使其在自然环境中保持谦逊的姿态。弧形墙体不仅界定空间,更通过光影变化策划出丰富的空间体验。 设施可容纳多达400位宾客,包含35个精心布置的水池,涵盖盐水浴池、地热池、冷水浸浴池和草本浸泡池。半地下入口层设有接待区、更衣室和行政管理区域。上层拥有21间专属水疗护理室,配备干蒸桑拿、蒸汽房、维希淋浴以及单人或双人按摩室。餐厅与周围景观齐平,提供一系列健康餐饮选择以滋养身体,专注于本地时令食材。餐厅与水疗护理区共享的宽阔屋顶露台经过精心设计,从主建筑顶部的每个角度捕捉全景视野。 室内设计延续极简主义美学。简洁的形式和圆形母题贯穿始终,通过弧形墙体、圆形窗户和大型天窗得以表达,这些天窗在空间中穿插布置,照亮室内环境。螺旋楼梯从反射性室内水池中升起,既是雕塑性元素,也是界定公共与私密空间的机制,彰显了抵达过程的仪式感。 原始材料性通过手工西班牙砖瓦特色墙面、混凝土柱和地面得以表达,这些元素通过木质镶板的点缀得以柔化。本土景观元素如瓶刷树种荚、桉树果实和贝壳在休息室和水疗护理室中得到呼应。天然触觉材料的运用和色调色彩搭配强化了室内外连接。 沿着蜿蜒石径分布的沐浴体验中,所有水池形成简洁几何形态家族,实现直观的寻路、分散的人流和公平的沐浴体验,同时确保运营效率和材料可靠性。尽管形式简洁、细节精准,每个水池通过其有意识的选址、与地形的互动、景观视野、植物配置、季节变化和微气候的关系,策划出独特体验。在起伏的沙丘中,私密的圆形水池栖息在金色海岸矛草的顶端,随云雾般的盐灌木一同摇曳。最大沙丘周围的水池齐平围绕中央水景,其流动程序模拟潮汐,而其地质特征暗示着在千年流沙下暴露的永恒性。正式的植物水池隐藏在茶树灌木的沟壑中,斑驳的阴影在温暖石材的直线上跃动。山脊上的浅水池低矮而适合斜倚,将整个身体浸没在风外,弧形池缘适合仰望云朵从海湾向海洋疾驰。 Alba温泉水疗中心将自身呈现为世界级康养目的地,实现了建筑、景观与环境的统一。这种整体性方法把握了场地的环境复杂性,捕捉了大自然的转瞬即逝品质,创造出重新校准的感官体验。 设计团队 - 由Len Hayball于1983年创立的Hayball,已成为澳大利亚全国性建筑实践的领军力量,在40多年间建立了专注于文化、社区和学习的卓越声誉。在墨尔本、悉尼、布里斯班和堪培拉设有工作室,该事务所已发展为在社会价值、环境可持续性和社区福祉方面具有独特见解的建筑力量。 Hayball的实践建立在创始人设定的核心原则之上,即必须关注人,关注我们为之设计的人和社区,以及我们事务所的员工,通过机会转移和彼此的慷慨实现真诚的协作。这一简单的指导原则在今天仍然激励和鼓舞着团队。 在David Tordoff和Chad Brown等注册建筑师的当前领导下,Hayball的设计理念以严谨研究和包容性咨询流程为基础的用户中心方法为核心。通过让多方利益相关者参与项目愿景的构建,该事务所创造出能够通过所促进的福祉产生可衡量社会价值的环境。这种方法论认识到设计对居住者的影响,确保每项建筑干预不仅作为功能空间运作,更为人类、社区和地球的繁荣做出积极贡献。 事务所的设计方法论强调创新始于探究。以研究为基础的用户中心设计方法为人类和地球创造更可持续的成果。从正式合作到内部导向探索的多元研究方法增强了设计流程,显著降低了从初始设计阶段到项目交付的风险。该实践认为最佳设计源于探索、研究、不同思维方式和思想的开放交流。 Hayball的设计作品在国际上获得广泛认可,包括2023年Dezeen奖的年度可持续建筑和年度住宅项目双料大奖(Nightingale Village项目)、澳大利亚建筑师协会(AIA)国家建筑奖David Oppenheim可持续建筑奖,以及Alba温泉水疗中心在2022年Spa与康养奖中获得的澳大拉西亚最佳水疗中心奖。事务所对社区连接、环境和谐与社会影响的承诺确保了每项建筑作品都为文化、社区和学习领域的卓越设计树立新标准。 设计团队 旅游探访 150000 m² 芬戈尔,澳大利亚 2022 Previous Next
- T-A-圣日尔曼图书馆 ACDF Architecture | Archicasting
< 返回 T-A-圣日尔曼图书馆 ACDF Architecture 设计特色: 坐落于魁北克圣亚森特市中心的T-A-St-Germain图书馆由ACDF建筑事务所设计,是城市更新和可持续设计的典范。这座文化枢纽将一栋废弃的办公楼改造成充满活力的社区空间,巧妙地融合了保护和创新理念。 该项目最引人注目的特点是其改造再利用的方法。ACDF没有选择拆除重建,而是决定为这座1987年后现代主义建筑注入新的生命力。这一决定不仅降低了项目的碳排放,还提出了一个独特的设计挑战:如何在原有建筑的限制下打造一个标志性的文化目的地。 ACDF的解决方案既优雅又实用。新增的玻璃外立面延伸部分与现有结构相得益彰,创造出新旧之间的和谐对话。这一新增部分提供了高耸、充满光线的空间,与原建筑更加私密的区域形成鲜明对比。最终呈现出的多样化室内景观满足了各种活动和用户偏好。 图书馆的设计不仅仅停留在美学层面。它作为城市复兴的催化剂,成为新滨水走廊的锚点,吸引人们重返圣亚森特的历史市中心。凭借其多功能的规划和富有吸引力的空间,T-A-St-Germain图书馆重新定义了现代文化机构的角色,同等程度地促进社区联系和智力成长。 Nestled in the heart of Saint-Hyacinthe, Quebec, the newly inaugurated T-A-St-Germain Library by ACDF Architecture stands as a testament to thoughtful urban renewal and sustainable design. This 52,200 square foot cultural hub transforms a once-vacant office building into a vibrant community space, seamlessly blending preservation with innovation. The project's most striking feature is its approach to adaptive reuse. Rather than demolition, ACDF chose to breathe new life into the 1987 postmodern structure. This decision not only reduced the project's carbon footprint but also presented a unique design challenge: creating an iconic cultural destination while working within the constraints of the original building. ACDF's solution is both elegant and pragmatic. A new glass-clad extension complements the existing structure, creating a harmonious dialogue between old and new. This addition provides soaring, light-filled spaces that contrast beautifully with the more intimate areas of the original building. The result is a diverse interior landscape that caters to a wide range of activities and user preferences. The library's design goes beyond mere aesthetics. It catalyzes urban regeneration, anchoring a new waterfront corridor and drawing people back to Saint-Hyacinthe's historic downtown. With its versatile programming and inviting spaces, the T-A-St-Germain Library redefines the role of a modern cultural institution, fostering community connection and intellectual growth in equal measure. 设计团队: ACDF建筑事务所成立于2006年,迅速成为加拿大建筑界的领军力量。这家总部位于蒙特利尔的事务所由合伙人Maxime-Alexis Frappier、Joan Renaud和Étienne Laplante Courchesne领导,凭借其创新的设计理念赢得了国际声誉,巧妙地将北美的务实主义与欧洲的华丽风格融为一体。 ACDF的作品涵盖多种类型,从文化机构、商业空间到大型综合开发项目。86人的精干团队运用清晰而大胆的设计语言,以精湛的细节处理和对材料的敏锐洞察力著称。这种方法为事务所赢得了众多荣誉,其中包括2010年获得的加拿大总督建筑奖章。 事务所的成功源于其对叙事驱动设计的执着追求。在Frappier的创意指导下,每个项目都围绕一个丰富的概念框架展开,巧妙回应场地环境和客户需求。这种设计理念,结合Renaud的整体性方法和Laplante Courchesne的项目管理专长,使ACDF能够打造出既富空间感又功能高效的建筑作品。 ACDF的作品以持续创新为特征,通过不断的研究和实验来推动发展。这种精神使事务所在当代建筑实践中始终处于领先地位,不断在形式和功能上突破界限。 Founded in 2006, ACDF Architecture has rapidly established itself as a leading force in the Canadian architectural landscape. The Montreal-based firm, led by partners Maxime-Alexis Frappier, Joan Renaud, and Étienne Laplante Courchesne, has gained international recognition for its innovative approach to design that seamlessly blends North American pragmatism with European flair. ACDF's portfolio spans a diverse range of typologies, from cultural institutions and commercial spaces to large-scale mixed-use developments. The firm's 86-strong team employs a clear and bold design language, characterized by sophisticated detailing and a keen attention to materiality. This approach has garnered numerous accolades, including the prestigious Governor General's Medal in Architecture in 2010. The firm's success is rooted in its commitment to narrative-driven design. Under Frappier's creative direction, each project is developed around a rich conceptual framework that responds thoughtfully to site context and client objectives. This design philosophy, coupled with Renaud's holistic approach and Laplante Courchesne's expertise in project management, enables ACDF to deliver spatially compelling and functionally efficient buildings. A constant drive marks ACDF's work for innovation, fostered through ongoing research and experimentation. This ethos has positioned the firm at the forefront of contemporary architectural practice, consistently pushing boundaries in both form and function. 设计团队 旅游探访 52200 ft² 加拿大,圣亚森特 2024年 Previous Next



