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< 返回 罗斯玛丽·布朗娱乐中心 hcma architecture + design 项目名称：罗斯玛丽·布朗娱乐中心 地点：本拿比，加拿大 设计团队：hcma architecture + design 建筑面积：8547 m² 竣工时间：2024年 摄影：Ema Peter 设计特色： 项目 - hcma architecture + design在加拿大BC省本拿比市打造了罗斯玛丽·布朗娱乐中心，彻底重新定义了冰上竞技场的设计理念。这座耗资4950万加元的建筑抛弃了传统的无窗的钢桁架冰场结构，转而采用温暖的木材、自然光线和透明开放的布局，为市民与游客创造了丰富而动态的体验。 设计团队通过创新的结构方法，让北向天窗的自然光线充满冰场，同时不影响冰面质量。外露的大型木材屋顶创造了温暖宜人的空间，适合运动员和观众。这种非常规的设计需要混合钢木屋顶系统，利用木材作为关键组成部分，以提供几何灵活性、便捷的施工过程和温暖吸引人的美学效果。 在这个紧凑的城市场地上，两个NHL规格的冰场采用了非传统的L形布局安排，中央大厅位于它们的交汇处。这种构造不仅改善了大厅与冰场之间的连接性和开放性，还为街道和周围社区提供了友好生动的立面。 娱乐中心内的多功能房间和大厅空间可用于冰上运动以外的各种活动，从匹克球和普拉提到季后赛观看派对。二楼的观景廊为观众提供舒适、无障碍的观赏体验，而后面的非正式游戏区则允许儿童进行休闲的自主游戏。包容性设计贯穿设施的各个方面，包括由hcma设计团队创建的盲文和触觉标识，确保所有社区成员都感到受欢迎的氛围。 罗斯玛丽·布朗娱乐中心以一位开创性的加拿大社会正义与平等倡导者的名字命名，体现了她的精神，成为所有本拿比居民聚集、游戏和比赛的场所。现已向公众开放，这个中心将成为本拿比南门社区的重要设施，邀请未来几代人在这个友好的社区冰场建立持久的回忆。 团队 - hcma architecture + design成立于1976年，最初由Roger Hughes以"Roger Hughes Architects"的名称创立，如今已发展成为加拿大最具创新性的跨学科设计事务所之一。该事务所在温哥华、埃德蒙顿和维多利亚三个城市设有办公室，通过细致入微的建筑设计风格，在创造促进社区参与和社会联系的空间方面确立了领导地位。 在现任领导团队的带领下，hcma已超越传统的建筑服务范畴，采用整体方法，整合建筑、品牌策略、导向设计、场所营造和包容性设计。这种跨学科的方法使实践能够从多个角度解决复杂的空间和社会挑战，创造出既满足功能需求又回应更广泛社区需求的项目。 事务所的作品集展示了他们在公共建筑领域的专业知识，包括获奖的萨里Grandview Heights水上中心（2016年），其特色是创新的波浪形屋顶结构；温哥华奥运会/残奥会中心改造成的Hillcrest中心（2011年）；以及最近完成的本拿比罗斯玛丽·布朗娱乐中心（2024年），通过精密的混合钢木结构系统重新构想了冰场类型。 作为一家获得B型企业认证的公司，hcma展示了他们致力于将设计作为积极社会和环境影响力的承诺。他们的实践强调包容性无障碍设施、环境可持续性和社区参与，贯穿整个设计过程——从初步可行性研究和利益相关者咨询到详细的建筑文档和入住后评估。通过跨学科方法和对有意义社会成果的努力，hcma继续重新定义当代加拿大建筑实践的边界。 Project Name: Rosemary Brown Recreation Centre Location: Burnaby, Canada Design Team: hcma architecture + design Total Floor Area: 8,547 m² Completion: 2024 Photography: Ema Peter Feature: Project - hcma architecture + design has created the Rosemary Brown Recreation Centre in Burnaby, British Columbia, radically redefining the concept of ice arena design. This CDN $49.5 million facility abandons the traditional cold, windowless, steel-trussed ice arena structure in favor of warm wood, natural light, and a transparent, open layout, creating a rich, dynamic experience for visitors both on and off the ice. The design team implemented an innovative structural approach that floods the rinks with north-facing light without impacting ice quality. The exposed mass timber roof creates a warm and inviting space for both players and spectators. This unconventional approach necessitated a hybrid steel-timber roof system, utilizing wood as a key component for its geometric flexibility, ease of construction, and warm, inviting aesthetic. On this compact urban site, the two NHL-sized ice sheets adopt a non-traditional L-shaped arrangement with a central lobby positioned at their intersection. This configuration not only improves the interface and openness between the lobby and ice sheets but also provides a friendly, animated elevation to the street and community beyond. The recreation center offers multipurpose rooms and spaces within the lobby for activities beyond ice sports, from pickleball and Pilates to playoff watch parties. Second-floor warm-side viewing galleries provide spectators with comfortable, accessible viewing experiences, while informal play areas directly behind allow children to engage in casual, self-directed play. Inclusive design extends to every aspect of the facility, with braille and tactile signage created by hcma's Communication Design team, ensuring all community members feel welcome. Named in honor of Rosemary Brown—a trailblazing Canadian advocate for social justice and equality—the recreation center embodies her legacy as a place for all Burnaby residents to gather, play, and compete. Now open to the public, the center is set to be an essential fixture in Burnaby's Southgate community, inviting future generations to build lasting memories at their friendly neighborhood rink. Design Team - Founded in 1976 by Roger Hughes as "Roger Hughes Architects," hcma architecture + design has evolved into one of Canada's most innovative interdisciplinary design practices. Operating from offices in Vancouver, Edmonton, and Victoria, the firm has established itself as a leader in creating spaces that foster community engagement and social connection through thoughtful architectural interventions. Under the current leadership team, hcma has expanded beyond traditional architectural services to embrace a holistic approach that integrates architecture, brand strategy, wayfinding, placemaking, and inclusive design. This interdisciplinary methodology allows the practice to address complex spatial and social challenges from multiple perspectives, resulting in projects that respond meaningfully to both programmatic requirements and broader community needs. The firm's portfolio showcases their expertise in civic architecture, with notable projects including the award-winning Grandview Heights Aquatic Centre in Surrey (2016), featuring an innovative undulating roof structure; the adaptive reuse of the Vancouver Olympic/Paralympic Centre into the Hillcrest Centre (2011); and most recently, the Rosemary Brown Recreation Centre in Burnaby (2024), which reimagines the ice arena typology through a sophisticated hybrid steel-timber structural system. As a Certified B Corporation, hcma demonstrates their commitment to using design as a force for positive social and environmental impact. Their practice emphasizes inclusive accessibility, environmental sustainability, and community engagement throughout the design process—from initial feasibility studies and stakeholder consultation to detailed architectural documentation and post-occupancy evaluation. Through their interdisciplinary approach and dedication to meaningful social outcomes, hcma continues to redefine the boundaries of architectural practice in contemporary Canada. 设计团队 旅游探访 8547 m² 本拿比，加拿大 2024 前一项 后一项

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Kronaus Mitterer Architekten（KMA）成立于2021年，在短短几年间已迅速发展成为中欧地区最具活力的建筑设计机构之一，目前在维也纳和柏林设有办事处。在创始合伙人克里斯蒂安·克罗瑙斯博士（Dr. Christian Kronaus）和彼得·米特勒（Peter Mitterer）的领导下，与合伙人彼得·穆勒（Peter Müller）共同执掌，该事务所凭借其在公共建筑和混合功能开发项目上的创新手法赢得了广泛赞誉。 Kronaus Mitterer Architekten (KMA), established in 2021, has rapidly emerged as one of Central Europe's most dynamic architectural practices, with offices strategically located in Vienna and Berlin. Under the leadership of founding partners Dr. Christian Kronaus and Peter Mitterer, alongside partner Peter Müller, the firm has garnered significant recognition for their innovative approach to public architecture and mixed-use developments. < Back Kronaus Mitterer Architekten 奥地利（AUSTRIA） Kronaus Mitterer Architekten（KMA）成立于2021年，在短短几年间已迅速发展成为中欧地区最具活力的建筑设计机构之一，目前在维也纳和柏林设有办事处。在创始合伙人克里斯蒂安·克罗瑙斯博士（Dr. Christian Kronaus）和彼得·米特勒（Peter Mitterer）的领导下，与合伙人彼得·穆勒（Peter Müller）共同执掌，该事务所凭借其在公共建筑和混合功能开发项目上的创新手法赢得了广泛赞誉。 作为一家拥有60名专业人员的建筑设计团队，Kronaus Mitterer Architekten在大型公共项目竞赛中屡获殊荣，尤其在需要复杂多功能空间规划方案的项目中表现突出。该事务所的设计方法论强调从概念构思到最终建成的全过程整体性思维。 事务所的与众不同之处在于他们对设计卓越性的执着追求。其综合项目交付模式确保了从前期设计到竣工验收的全过程品质把控，特别注重可持续发展解决方案和技术创新。目前，事务所的作品集中展现了他们在教育设施、文化机构和复杂城市开发项目等领域的专业造诣。 通过维也纳总部和柏林分部的协同运作，Kronaus Mitterer Architekten已确立了其在当代欧洲建筑界的领军地位，为公共空间设计和机构建筑带来了全新的设计视角。 Kronaus Mitterer Architekten (KMA), established in 2021, has rapidly emerged as one of Central Europe's most dynamic architectural practices, with offices strategically located in Vienna and Berlin. Under the leadership of founding partners Dr. Christian Kronaus and Peter Mitterer, alongside partner Peter Müller, the firm has garnered significant recognition for their innovative approach to public architecture and mixed-use developments. The practice, comprising a team of 60 professionals, has distinguished itself through numerous competition victories in large-scale public projects, particularly those demanding sophisticated solutions for multifunctional spatial programming. KMA's methodology is characterized by their holistic approach to architectural design and implementation, encompassing all project phases from initial concept to final execution. What sets KMA apart is their commitment to maintaining design excellence throughout the entire planning process. Their integrated project delivery method ensures seamless continuity from early design stages through to completion, with a particular emphasis on sustainable solutions and technological innovation. The firm's portfolio demonstrates their expertise in educational facilities, cultural institutions, and complex urban developments. Operating from their main studio in Vienna and their German headquarters in Berlin, KMA has established itself as a leading voice in contemporary European architecture, bringing fresh perspectives to the challenges of public space design and institutional architecture. WEBSITE PROJECT

< 返回 "涛 TOH" 聆听酒吧 TORAFU ARCHITECTS 项目名称：涛 TOH 地点：东京，日本 设计团队： TORAFU ARCHITECTS 建筑面积：118.84 m² 完成时间：2025年3月 摄影：阿野太一 设计特色： 项目 - 涛 TOH位于东京繁华的涩谷区，是由TORAFU ARCHITECTS设计的一家隐秘的聆听酒吧，将卓越的音响体验与创新建筑设计完美融合。"TOH"（日语中"波浪"之意）如同一处隐秘的避风港，位于一栋各层为单一租户的商业建筑内，通过一扇原本作为后门的铁门进入，营造出一种独特的环境氛围。 进入空间后，昏暗的店内设计巧妙地分为三个独特的音乐体验区域：环绕DJ台的VIP座位区、中央的客座区以及对面的发光天板吧台区。设计团队精心考虑了不同的聆听方式，创造出多样化的音乐体验空间。VIP座位区呈马蹄形围绕DJ台和定制扬声器，类似于厨房旁的主厨桌，提供亲密的音乐体验。 DJ台背后的墙面陈列着精心挑选的1960-70年代日本爵士乐黑胶唱片，而带有石英成分的花岗岩台面的吧台在金色窗帘背景下发出柔和的光芒，黑暗中看去仿若漂浮空中。中央区域设有重心较低的定制休闲椅和沙发，让访客能够舒适地沉浸在音乐之中。 在音响设计方面，该项目体现了传统与前沿技术的完美结合。主扬声器由纽约扬声器品牌OJAS的Devon Turnbull制作，DJ台配备了三种不同特性的唱盘系统，包括经典的Garrard 301和Technics SL系列。 设计师保留了空间原有的混凝土墙面和百叶窗等粗犷元素，同时通过双色LED照明创造出现代感，展示了对材料质感与光线运用的精准把控。作为一个不到120平方米的小型空间，涛 TOH通过精心设计的声学环境和独特的空间序列，为客人提供了多种音乐聆听体验，成为音乐爱好者的理想目的地。 团队 - TORAFU ARCHITECTS由铃野浩一和秃真哉于2004年在日本创立，是一家多领域的设计工作室，活动范围涵盖建筑设计、室内设计、展览规划、产品设计、空间装置和影像制作等多个领域，以建筑思维为基础进行跨界创作。 工作室的代表作品包括"Template in Claska"、"NIKE 1LOVE"、"港北住宅"、"空气之器"、"Gulliver Table"和"Big T"等。其中，为Canon米兰家具展2011创作的"光之织机"被评为展会最佳展示，获得ELITA设计奖最高荣誉。2015年，"空气之器"被蒙特利尔美术馆收录为永久藏品。 在创始人铃野浩一和秃真哉的领导下，工作室获得了众多国际奖项，包括iF设计奖、日本优良设计奖、红点最佳设计奖和亚洲设计大奖等。铃野浩一出生于1973年神奈川县，毕业于东京理科大学工学部建筑学科，曾在多所知名大学担任教师职位。秃真哉出生于1974年岛根县，毕业于明治大学理工学部建筑学科，曾在青木淳建筑计划事务所工作。 TORAFU ARCHITECTS的设计理念强调过程导向和空间实验，通过材料研究和概念严谨性创造出独特的空间体验。工作室出版的著作包括《TORAFU ARCHITECTS 2004-2011：创意与过程》和《TORAFU ARCHITECTS：由内而外》（TOTO出版，2016年），展示了其丰富多样的作品背后的设计思考和技术创新。 通过对细节的精心关注和对空间序列的深刻理解，TORAFU ARCHITECTS不断打造超越功能需求的空间，创造出既增强人类体验又尊重周围环境的作品，在全球设计界赢得了广泛认可。 Project Name: TOH Location: Shibuya, Tokyo, Japan Design Team: TORAFU ARCHITECTS Total Floor Area: 118.84 m² Completion: March 2025 Photography: Daici Ano Feature: Project - TOH, located in the bustling district of Shibuya, Tokyo, is a clandestine listening bar designed by TORAFU ARCHITECTS. Produced by COMBO of NUBIAN, this project occupies a floor in a commercial building where each level houses a single tenant, creating a hidden sanctuary accessed through an original steel door that once served as a back entrance. Upon entering, the dimly lit interior is thoughtfully divided into three distinct zones for musical experiences: VIP seating surrounding the DJ counter, central guest seating, and a counter with luminous tabletop opposite. The design team carefully considered various listening styles, creating diversified spaces for music appreciation. The VIP seating forms a horseshoe arrangement around the DJ counter and custom speakers, reminiscent of a chef's table adjacent to a kitchen, offering an intimate musical experience. Behind the DJ counter, the wall displays a carefully selected collection of rare vinyl records from Japan's jazz era of the 1960s-70s, while the counter with quartz-infused granite tabletop emits a gentle glow against a backdrop of gold curtains. The central area features custom-designed lounge chairs and sofas with a lower center of gravity, allowing visitors to comfortably immerse themselves in the music. In terms of acoustic design, the project embodies a perfect integration of tradition and cutting-edge technology. The main speakers are crafted by Devon Turnbull of New York speaker brand OJAS, while the DJ counter is equipped with three turntable systems of different characteristics, including the classic Garrard 301 and Technics SL series. The designers preserved original elements such as concrete walls and shutters, while introducing modernity through two-tone LED lighting, demonstrating precise control over material textures and light application. As a compact space of only 118.84 square meters, TOH creates multiple music listening experiences through carefully designed acoustics and unique spatial sequencing, becoming an ideal destination for music enthusiasts. Design Team - TORAFU ARCHITECTS was founded in Japan in 2004 by Koichi Suzuno and Shinya Kamuro as a multidisciplinary design studio whose activities span architecture, interior design, exhibition planning, product design, spatial installations, and film production, approaching cross-disciplinary creation with architectural thinking as its foundation. The studio's representative works include "Template in Claska," "NIKE 1LOVE," "Kohoku House," "Air Vase," "Gulliver Table," and "Big T." Their "Loom of Light" created for Canon at Milan Furniture Fair 2011 was recognized as the best exhibition, receiving the highest honor at the ELITA Design Awards. In 2015, their "Air Vase" was inducted into the permanent collection of the Montreal Museum of Art. Under the leadership of founders Koichi Suzuno and Shinya Kamuro, the studio has garnered numerous international awards, including the iF Design Award, Japan Good Design Award, Red Dot Best of the Best Award, and Asia Design Prize. Koichi Suzuno, born in Kanagawa Prefecture in 1973, graduated from Tokyo University of Science's Department of Architecture and has held teaching positions at several prestigious universities. Shinya Kamuro, born in Shimane Prefecture in 1974, graduated from Meiji University's Department of Architecture and previously worked at Jun Aoki & Associates. TORAFU ARCHITECTS' design philosophy emphasizes process-oriented approaches and spatial experimentation, creating unique spatial experiences through material research and conceptual rigor. The studio has published works including "TORAFU ARCHITECTS 2004-2011: Ideas and Processes" and "TORAFU ARCHITECTS: Inside Out" (TOTO Publishing, 2016), showcasing the design thinking and technical innovation behind their diverse portfolio. Through meticulous attention to detail and profound understanding of spatial sequencing, TORAFU ARCHITECTS continues to create spaces that transcend functional requirements, producing works that enhance human experience while respecting surrounding environments, earning widespread recognition in the global design community. 设计团队 旅游探访 118.84 m² 东京，日本 2025 前一项 后一项

< 返回 银泉西新桥大厦 日建设计 设计特色： 这座坐落于东京市中心繁华十字路口的12层办公大楼，其独特的分层叠落式立面设计令人印象深刻。建筑师们巧妙地将日式传统民居的重叠屋檐元素融入现代建筑之中，为钢筋混凝土与玻璃幕墙平添一抹古朴温馨的气息。 沿街叠落的深厚木质檐廊不仅起到遮阳挡雨的实用功能，更为喧嚣的街景与办公室内宁静的工作环境创造了一重有力的缓冲过渡。檐廊结构采用多种颜色搭配的木材拼接而成，质朴的木纹肌理为单调的几何立面增添生机和视觉温度。 进入室内，典型的办公层布局巧妙地避开了西面受阳严重的一侧，大面积的落地玻璃幕墙则将自然采光引入，办公空间也借由檐廊下方临时形成的半开放"阳台"而拓展了视野。这座现代办公楼在吸收传统建筑设计元素的同时，也很好地诠释了当代都市办公建筑该有的环保理念和舒适氛围。银泉西新桥大厦巧妙地将现代与传统完美融合，为密集的东京市区注入了别样的人文气息。 In the bustling heart of Tokyo, the Ginsen Nishi Shimbashi Building by Nikken Sekkei Ltd stands out with its striking multi-layered facade that pays homage to traditional Japanese residential architecture. Situated at a prominent intersection, the 12-story office tower features a series of angled overhanging eaves that cascade down the building's exterior, reminiscent of the layered rooflines found in historic Japanese homes. This unique facade design serves multiple purposes beyond its symbolic nod to the past. The deep wooden eaves provide shade and act as a psychological buffer between the lively street scene and the serene office interiors. Crafted from a varied mix of cedar wood pieces certified for carbon capture, the textured eaves add warmth and visual interest. Inside, the typical floors optimize environmental performance by orienting the office spaces away from the harsh western sun exposure. Floor-to-ceiling windows along the north and east sides extend the workspace outwards, blurring the lines between inside and the semi-outdoor "veranda" spaces created underneath the overhangs. With its distinctive yet functional form inspired by vernacular architecture, the Ginsen Nishi Shimbashi Building exemplifies how contemporary urban offices can blend modern needs with contextual design rooted in local traditions. The resulting symbiosis enriches the dense Tokyo streetscape. 设计团队： 日建设计（NIKKEN SEKKEI）可以追溯其历史源头至1900年，已经成长为国际建筑界的一支重要力量。作为世界上最大的设计公司之一，总部位于东京的日建设计在50个国家拥有众多标志性作品，以其创新和贴近当地实际的设计方式广受赞誉。在现任社长兼CEO龟井忠夫（Tadao Kamei）领导下，日建设计拥有2600多名专业人才，在建筑、工程、规划和城市设计等领域汇聚了丰富经验。 无论是摩天大楼、文化地标还是基础设施和可持续发展的总体规划，该公司精心设计的作品都充分体现了对当地环境的深入理解，以及不断推动当代建筑发展的决心。日建设计在亚洲、中东和欧洲等地设有分支机构，凭借遍布全球的项目获得了国际社会的广泛赞誉，确立了其作为首屈一指的设计强企的地位。 随着持续重塑城市天际线、转变城市面貌的众多杰作，日建设计以其出色的设计业绩继续引领建筑设计界的前沿潮流。 Tracing its origins back to 1900, Nikken Sekkei has established itself as a prominent force in the international architectural arena. As one of the world's largest design practices, the Tokyo-headquartered firm boasts a diverse portfolio of iconic projects across 50 countries, solidifying its reputation for innovative, context-sensitive design. Under the leadership of President and CEO Tadao Kamei, Nikken Sekkei's team of over 2,600 professionals harnesses its extensive expertise in architecture, engineering, planning, and urban design to craft visionary built environments. From skyscrapers and cultural landmarks to infrastructure and sustainable masterplans, the firm's meticulously crafted designs showcase a keen understanding of local contexts and a commitment to pushing the boundaries of contemporary architecture. With a global footprint that includes offices spanning Asia, the Middle East, and Europe, Nikken Sekkei's diverse projects have garnered international acclaim, cementing its status as a preeminent design powerhouse. As it continues to redefine skylines and transform urban landscapes worldwide, the firm's legacy of design excellence positions it as a true leader in the architectural industry. 设计团队 旅游探访 7776.26 ㎡ 日本，东京 2024年 前一项 后一项

< 返回 上海师范大学附属青浦实验学校 Brearley Architects + Urbanists 设计特色： 项目 – 位于上海青浦区的上海师范大学附属青浦实验学校项目，在教育建筑领域树立了新的典范。由Brearley Architects + Urbanists设计的这座校园，抛弃了中国学校建筑常见的工厂式单调造型，构筑出一个梦幻般的创新形态，旨在提高学生参与度和探究式学习体验。校园建筑外立面别具一格，扭曲的板状建筑向中央庭院内弯曲延伸，蜿蜒的阳台和拋物线状的凸窗仿佛正在震颤，流露出动态感。这种抒情性的形态语言源于已故建筑师张在元的手绘风格，以及场地毗邻的运河景致。但是这项独特设计不仅止于美学层面，通过可拆卸隔墙和将走廊改造成封闭的"街道"空间，原有的传统教室能够转化为开放式的非正式学习场所，用于举办展览和项目活动。此外，学校内还设有特色房间、休息空间和宽阔的走廊，为学生主导的活动如同伴互助学习、STEAM项目和数字化协作等提供便利。随着中国生育率的下降，预计未来教室规模将相应缩小，为此设计师着眼于未来，使校园建筑拥有向更加先进、以学生为中心的教学理念过渡的灵活性，期望通过环境和学术并重的方式，能激发学生的创造力，发掘每个学生的潜在才能。 团队 – Brearley Architects + Urbanists始创于1992年的澳大利亚墨尔本，如今已成为一家充满创新活力的跨领域设计机构，凝聚了一群怀抱理念的多元化人才。在James Brearley和方群两位创始人的领导下，BAU拥有一支由建筑师、城市设计师、规划师和景观设计师组成的卓越团队，全心致力于打造出色的建筑环境。BAU在澳大利亚和中国均设有办公室，秉承将"设计视为研究"的理念，在追求创新的同时，兼顾经济、社会、文化和环境的可持续发展需求。他们巧妙融合建筑、城市规划和景观设计，提出多层次的解决方案，超越了单一的美学层面。BAU先进的城市战略有助于培育不断演进的适应力强的城市，通过周密入微的规划，将对环境的影响降至最低。在建筑设计领域，BAU擅长将当代理论融入创新的空间造形，全面吸纳空间设计、秩序和美学等方面的先进理念。他们的建筑植根于现实语境，巧妙结合实用性与标志性象征，打造富有意义且可持续的建筑力作。 Feature： Project - The new Qingpu Experimental Middle School in Shanghai's Qingpu district presents a paradigm shift in educational architecture. Designed by BAU Brearley Architects + Urbanists, the 21,425 sqm campus eschews the typical factory-like aesthetic of Chinese schools in favor of a dreamlike, innovative form that prioritizes student engagement and inquiry-based learning. The building's striking facade features a distorted slab silhouette that bends and curves inwards toward the central courtyard, with undulating lines of balconies and parabolic bay windows that appear to vibrate with movement. This lyrical formal language takes inspiration from the whimsical drawings of the late architect Zhang Zai Yuan and the site's adjacent canal. But the unique design goes beyond just aesthetics. The flexible layout allows traditional classrooms to transform into open, informal learning spaces through the use of operable walls and enclosed corridor "streets" that can accommodate exhibitions and projects. Specialty rooms, nooks, and wide hallways further enable student-driven activities like peer learning, STEAM projects, and digital collaboration. With China's declining birth rates expected to reduce classroom sizes, the architects future-proofed the school to facilitate a shift toward more progressive, studentcentered pedagogies. The architecture envisions fostering creativity and unlocking every student's potential through environment as much as academics. Design Team - Founded in 1992 in Melbourne, Australia, BAU Brearley Architects + Urbanists has become a trailblazing multi-disciplinary firm united by a passion for innovative ideas. Under the leadership of Directors James Brearley and Fang Qun, BAU comprises a diverse team of architects, urban designers, planners, and landscape architects dedicated to delivering exceptional built environments. With offices in Australia and China, BAU adopts a design-as-research approach that pushes boundaries while being economically, socially, culturally, and environmentally sustainable. Their process seamlessly integrates architecture, urbanism, and landscape, resulting in multi-dimensional solutions that transcend mere aesthetics. BAU's pioneering urban strategies facilitate evolving, resilient cities through thoughtful planning that minimizes environmental impact. The firm's architectural prowess lies in innovative form-making informed by contemporary theory, embracing advances in space design, order, and aesthetics. BAU's architecture is deeply rooted in context, merging pragmatics with iconography to craft meaningful, sustainable built works. Their award-winning portfolio exemplifies design excellence across typologies. 设计团队 旅游探访 21425 m² 中国，上海 2023年 前一项 后一项

< 返回 消失的村落客栈 本瀬斋田建筑设计事务所 设计特色： 在富山县南砺市的中心地带，一场令人瞩目的设计蜕变为一个荒废的山村注入了新的生命力。由本瀬斋田建筑设计事务所设计的"消失村落中的客栈"项目，巧妙地将一个几乎被遗忘的村落变成一个前卫的美食胜地和精品住宿体验。这个项目坐落在一个被河流雕琢而成的半岛状悬崖上，沿着山谷提供令人惊叹的景观。建筑师们巧妙地将新建筑与现有景观融为一体，保留了古老的石墙，并利用自然地形创造出新旧和谐共存的画面。 项目最突出的特色是其应对极端天气条件的创新方法。考虑到这里的降雪量超过3米，餐厅区域及其入口被提升到二楼，确保全年都能欣赏到无遮挡的美景，同时保持了村落的低调。分散布局的小木屋住宿区向原有村庄格局致敬，让客人能够沉浸在周围的花草和雪景中。可持续性和本地融合是这个设计的核心。建筑师们融入了传统的屋顶元素，如"雪割"（分雪构件），并重新利用了现有房屋的材料。为了呼应当地做法，项目还利用了山涧溪水，与居民合作维护这一传统。 这个富有远见的项目不仅重振了一个被遗忘的村落，还创造了一个独特的体验目的地，在这里，前卫料理与传统日本山村生活相遇，为可持续的乡村振兴提供了一个典范。 In the heart of Nanto City, Toyama Prefecture, a remarkable transformation has breathed new life into an abandoned mountain village. The "Auberge in a Vanishing Village" project, designed by Motose Saita Architects, reimagines a deserted settlement as a cutting-edge culinary destination and boutique lodging experience. Perched on a peninsula-like cliff carved by a river, the site offers breathtaking views along the valley. The architects have masterfully integrated the new structures with the existing landscape, preserving ancient stone walls and utilizing the natural topography to create a harmonious blend of old and new. The project's standout feature is its innovative approach to extreme weather conditions. With snowfall exceeding 3 meters, the dining area and its approach are elevated to the second floor, ensuring unobstructed views year-round while maintaining the village's modest scale. The cottage accommodations, arranged in a dispersed layout, pay homage to the original settlement pattern and allow guests to immerse themselves in the surrounding flora and snow-covered scenery. Sustainability and local integration are at the core of this design. The architects have incorporated traditional roof elements like "yukiwari" (snow-splitting components) and repurposed materials from existing houses. In a nod to local practices, the project utilizes mountain stream water, collaborating with residents to maintain this heritage. This visionary project revitalizes a forgotten village and creates a unique destination where avant-garde cuisine meets traditional Japanese mountain life, offering a model for sustainable rural rejuvenation. 设计团队： 本瀬斋田建筑设计事务所成立于2015年，迅速成为日本建筑界的一支开拓性力量。由齋田武亨和本瀬あゆみ两位建筑师领衔，事务所汇聚了来自隈研吾建筑都市设计事务所和藤本壮介建筑设计事务所等知名事务所的丰富经验。该工作室的设计理念深深植根于对环境的敏感度和可持续设计原则，其获奖项目"消失村落中的客栈"就是最好的证明。这个项目展示了他们在重振废弃乡村地区的同时，尊重当地传统和环境条件的卓越能力。 本瀬斋田建筑设计事务所在各类项目中都表现出色，从公共设施到住宅设计无所不包。他们的作品以创新应对场地特定挑战而著称，如极端天气条件和地形限制。事务所在将传统日本建筑元素与当代设计相融合方面的专长赢得了广泛认可，包括荣获茨城建筑文化奖和北陸建筑文化奖等殊荣。 事务所在富山和东京都设有办公室，同时与乡村和城市环境保持紧密联系。他们对教育事业的投入体现在在东京艺术大学和金泽工业大学等知名院校的教学岗位上。作为日本建筑学会的成员，并参与建筑师职业责任保险计划，本瀬斋田建筑设计事务所展现了他们在建筑领域追求专业卓越和职业道德的决心。 Founded in 2015, Motose Saita Architects (本瀬齋田建築設計事務所) has quickly established itself as a pioneering force in Japan's architectural landscape. Led by Takeyuki Saita and Ayumi Motose, both certified first-class architects (一級建築士), the firm brings a wealth of experience from prestigious practices such as Kengo Kuma and Associates and Sou Fujimoto Architects. The studio's approach is deeply rooted in contextual sensitivity and sustainable design principles, as evidenced by their award-winning project "Auberge in a Vanishing Village." This project exemplifies their ability to breathe new life into abandoned rural areas while respecting local traditions and environmental conditions. Motose Saita Architects excels in various projects, from public facilities to residential designs. Innovative responses to site-specific challenges, such as extreme weather conditions and topographical constraints characterize their work. The firm's expertise in integrating traditional Japanese architectural elements with contemporary design has garnered recognition, including the Ibaraki Architecture Culture Award and the Hokuriku Architecture Culture Award. With offices in Toyama and Tokyo, the practice maintains a strong connection to both rural and urban contexts. Their commitment to education is evident through teaching positions at prestigious institutions like Tokyo University of the Arts and Kanazawa Institute of Technology. As members of the Architectural Institute of Japan and participants in professional liability insurance programs, Motose Saita Architects demonstrates a dedication to professional excellence and ethical practice in the field of architecture. 设计团队 旅游探访 868.35 m² 日本，南砺市 2024年 前一项 后一项

< 返回 反转住宅 TIMM建筑事务所 项目名称: 反转住宅 地点:第比利斯,格鲁吉亚 设计团队:TIMM建筑事务所 建筑面积:1010 m² 竣工时间:2025年 摄影:Grigoriy Sokolinsky 设计特色: 反转住宅由TIMM建筑事务所设计,位于格鲁吉亚首都第比利斯市郊Okrokana区,通过将房屋本身转化为保护性围墙,颠覆了传统郊区住宅模式,在消除传统围栏需求的同时创造了一个内向型庇护所。这座1010平方米的住宅以其独特的空间倒置逻辑和精妙的材料过渡,重新定义了密集郊区环境中的居住可能性。 该项目最引人注目的设计成就在于其对城市环境限制的创造性转化。Okrokana区以狭窄街道、小地块和高大围墙为特征,场地三面被邻舍围墙包围,第四面临街,导致完全缺乏外向视野和有限的日光获取。不同于试图向受限环境开放的传统做法,建筑师将这些条件视为提出替代住宅模型的机遇。建筑包裹在场地边缘,将所有主要生活空间朝向内部,从而实现建筑本身成为围护结构,而非置于围栏之后。 空间组织围绕两个花园展开,展现出卓越的空间层次性。内部庭院作为住宅的真正核心,所有主要居住空间,包括入口门厅、客厅和厨房,均朝向这一中央空隙。一个悬浮的游泳池横跨这一空隙,在下方创造出有顶的户外空间,同时在视觉上连接上层。外部花园则调节住宅与街道的关系。建筑沿街道略微后退,消除了独立围栏的需求,软化了公共与私人空间之间的边界。 剖面设计体现了精妙的空间策略和垂直组织。建筑在后部升至三层,而朝向街道则呈现为单层体量,这种变化实现了双层高客厅空间,并插入中间半层,产生渐进而流畅的空间序列。这种分层布局不仅最大化了空间体验的丰富性,还优化了每个功能区域与庭院的关系,确保自然光线和视觉连接贯穿整个住宅。 材料过渡强化了项目的倒置逻辑,创造出从外部到内核的空间非物质化序列。朝向街道的立面采用烧焦木材包层,这是一种历史上用于保护木材免受风化的传统技术,在此形成密实而保护性的外壳。进入庭院内部,这种深色外壳转变为自然、未经处理的木材,引入温暖、质感和触感。室内空间以白色饰面处理,使光线、比例和空间关系成为定义氛围的主导因素。这种从烧焦木材到自然木材再到抽象白色的渐进过渡,体现了从外部领域到内部核心的运动,强化了空间的层次感和私密性的递进。 项目的另一大特色是其对场地限制的创造性转化和高品质建筑实践。通过重新定义围栏作为可居住建筑的角色,该项目为密集郊区条件提出了新的居住类型学。住宅不是抵抗其限制,而是将其内化,将围护转化为空间资产。通过其内向定位、分层组织和材料过渡,项目构建了一个受保护但又宽敞的居住世界,从内部建立其丰富性。反转住宅证明了建筑限制如何在密集郊区环境中成为生成性设计机遇,在不牺牲空间品质、构造清晰性或居住舒适的前提下,创造出回应城市环境和气候的住宅建筑。 设计团队: TIMM代表无形人造建筑,作为一个国际合作伙伴网络运营,在第比利斯、伊斯坦布尔和米兰设有办公室。该事务所将建筑视为设计、研究和文化探索的综合体,认识到每个客户都有独特的目标和愿望,需要量身定制的解决方案。 在联合创始人Nikoloz Lekveishvili和Giorgi Pailodze以及首席执行官兼城市设计部门负责人Nutsa Kandelaki的领导下,TIMM已成为一家多学科实践机构,致力于通过创造性地整合人类需求、环境管理、价值创造、科学和艺术来提供卓越的设计。该事务所的协作方法鼓励专业团队研究替代方案、分享知识并构想创新方法来应对当代建筑挑战。 TIMM的多元化团队包括多个学科的专家,从3D扫描和室内设计到城市规划,反映了该事务所对综合设计解决方案的承诺。该实践保持强大的国际影响力,Malkhaz Lekveishvili领导3D扫描部门,Natia Lekveishvili主导室内设计项目,Jeff Radom管理美国业务,并得到Francesco Adorni、Liudmyla Bielashova、Ana Kipiani等建筑师以及遍布其网络各地的专家的支持。这种地理和学科多样性使TIMM能够通过文化知情、技术严谨的设计思维来处理复杂的建筑项目。 设计团队 旅游探访 1010 m² 第比利斯，格鲁吉亚 2025 前一项 后一项

< 返回 La Source Vive音乐厅 PCA-STREAM 地点：埃维昂莱班，法国 设计团队：PCA-STREAM 面积：2150 m² 建成时间：2026年 艺术指导：Patrick Bouchain 主持建筑师：Philippe Chiambaretta、Salomé Rigal、Sébastien Truchot、Francesco Cazzola 声学顾问：Albert Xu 声学工程：Meta 结构与立面工程：Bollinger+Grohmann 景观设计：Coloco 摄影：Salem Mostefaoui、Jean-Philippe Mesguen、SkyXpertDrone 设计特色： La Source Vive位于法国埃维昂莱班、日内瓦湖上方的林地中，与Patrick Bouchain于1993年完成的La Grange au Lac共同组成Les Mélèzes音乐园区。新建筑并未以更醒目的体量竞争，而是落入树林中一处原本较为空旷的圆形场地，部分埋入坡地。它延续埃维昂近半个世纪的音乐传统，同时以一座490席室内乐厅回应全年演出、排练与录音的技术需求。 建筑的形态首先由声音决定。圆形基地向上收拢为非对称锥体，椭圆平面结合围绕舞台展开的阶梯座席，在传统“鞋盒式”音乐厅和“葡萄园式”大厅之间建立混合类型。每位观众约对应11 m³室内容积，数字孪生模型则持续模拟混响时间、清晰度、侧向声能与视线。设计并非在形体完成后校正声学，而是让声音从一开始就参与空间生成。 从结构上看，音乐厅如同一层层包裹的乐器。混凝土基座承托舞台和座席，其上形成混凝土声学壳体，内侧覆盖手工塑形的原色灰泥；外部经过设备与保温空腔，再由木结构支撑预氧化铜屋面。沉重内壳负责隔声与稳定，较轻外壳回应气候与森林环境，不同层次在入口、屋面边缘和施工剖面中保持清楚可读。 室内最具辨识度的并非装饰，而是墙面随高度变化的灰泥波纹。观众耳部附近的起伏深达约8 cm、间距约50 cm，以加强高低频扩散；向上则逐渐疏朗、变浅，最终消失在顶部自然光中。粉色山毛榉舞台背景、皮革座椅、隐藏吸声层与可开启的铝制声学顶篷共同完成约1.8秒的目标混响，让“温暖而柔滑”的声音成为能够被看见的构造秩序。 顶部圆形天窗为音乐家带来自然光，也让封闭的声学容器持续感知天空。建筑周围新增150余棵树和200株灌木，入口门厅则以木与玻璃连接新旧两座音乐厅。La Source Vive因此不仅是一座高精度演出设施，也把步入森林、穿过低矮门厅、进入矿物质壳体和仰望天光组织成完整的身体经验：建筑在这里不是声音的背景，而是参与演奏的另一件乐器。 设计团队： PCA-STREAM由建筑师Philippe Chiambaretta于2000年在巴黎创立。事务所把建筑实践与跨学科研究并置，通过STREAM研究平台连接建筑、城市、艺术、社会科学与环境议题，项目范围涵盖办公、商业、文化空间及城市更新。 事务所的工作方法强调以研究、模拟和协作回应复杂问题，而非先设定固定形式。La Source Vive由Philippe Chiambaretta与艺术总监Patrick Bouchain共同构思，在两种互补方法之间展开：Bouchain以材料、模型与现场制作推进直觉性的实验，PCA-STREAM则通过数字模型和工程协调，把声学目标转化为可建造的结构与细部。 项目由PCA-STREAM的Philippe Chiambaretta、Salomé Rigal、Sébastien Truchot与Francesco Cazzola主持，执行建筑师为Alliance Engineering Creatives，结构与立面顾问为Bollinger+Grohmann，Meta负责声学工程，Coloco负责景观设计。声学顾问Albert Xu、舞台灯光顾问Philippe Berthomé及多位工匠共同参与，使测量、手工塑形与演奏体验在同一设计过程中彼此校准。 设计团队 旅游探访 2150 m² 埃维昂莱班，法国 2026 前一项 后一项

< 返回 大治之家 Ryota Sekiya Architecture 设计特色： 项目 – 位于爱知县海部郡的“大治之家”，在相似的密集住宅区内营造出“心理隐私感”。建筑师放弃视觉屏障，而以模糊的周边环境关系营造庇护所式的家庭空间。通过四个轴线操作墙体角度，转换方位感知。郊区场地由紧邻的小型住宅场地组成，每个约200平方米。但业主渴望专属于家庭的空间和时间，远离外人注视。实体隔绝如设置栅栏等固然可行，设计团队另辟蹊径，追求解除方位感带来的解放感。房屋脱离主要方位，同时“存在”又“难以察觉”。设计中直线体量与斜向45度的网格叠加，斜向网格扰乱预期的邻近关系，使相邻房屋的传统预感位置难以判断。由于人的空间感知依赖视觉参照，扭曲这些线索可以解放感知。不同质感强调光影变化，强调阳光穿过三个庭院和两个开放空间的通道。虽然一开始会让人迷失方向，但这种自由让居住者对太阳的日常运动敏感，将他们与自然节奏联系起来。当人们在早上、下午和晚上欣赏不同地区的气氛时，一种丰富的家庭生活就会出现。 团队 – 2015年成立的Ryota Sekiya Architecture在日本和海外为业主打造支持其生活方式的定制住宅。这个来自日本名古屋的设计工作室由日本建筑师关谷凉太创立与领导，迄今为止在100多个住宅项目中积累了丰富经验。其设计团队通过密切合作为每个项目提供从规划到施工的一体化服务。关谷凉太在大型住宅公司的背景使其可高效实现业主的愿景。之后在建筑公司和承包商的工作经历磨练了其对材料和细节的敏感性。该工作室通过功能性和氛围质量的融合，营造建筑作为业主价值观反映的效果。他将建筑看作一种充实自我而非创造资产的手段，设计解决方案证明珍视家庭纽带超越追逐时尚，与此同时敏锐地将人与环境相连，让家成为生命意义的瑰丽背景。 Feature： Project - "Oji House" in Aichi prefecture creates a sense of psychological privacy within a dense neighborhood of similar homes. Seeking to provide a refuge for family life, architect Ryota Sekiya eschewed visual barriers in favor of ambiguous relationships with the surroundings. Manipulating the angles of the walls along four axes obscures perceptions of orientation. The suburban site comprises small, adjoining properties of around 200 sqm. Clients desired spaces and times belonging solely to the family, free of watching eyes. Physical seclusion was possible but Sekiya pursued the liberating effect of losing directional awareness. The home feels unmoored from cardinal points, simultaneously "there" yet unrecognized. The composition overlays rectilinear volumes with diagonal walls and ceilings. Skewed grids displace the expected adjacencies, making the precise locations of neighbors' houses uncertain. As human spatial senses rely on visual references, distorting these cues liberates perception. Varied textures accentuate shifting light and shadow, underscoring sunlight's passage through three courtyards and two open volumes. Though initially disorienting, this freedom sensitizes occupants to the sun's daily movement, linking them to natural rhythms. A rich domesticity emerges as one appreciates the atmospheric qualities of different areas over morning, afternoon and evening. Design Team - Founded in 2015, Ryota Sekiya Architecture creates bespoke homes that support owners' lifestyles in Japan and beyond. Led by principal architect Ryota Sekiya, the Nagoya-based firm brings extensive experience from over 100 residential projects. Offering integrated services from planning to construction, Ryota Sekiya Architecture tailors each commission through close collaboration. Sekiya’s background at a leading housing company enables streamlined delivery of clients’ aspirations. Subsequent work for architectural firms and contractors honed sensitivity to materials and detailing. This holistic approach placed Ryota Sekiya Architecture among an elite group of winners at the 15th Architecture Competition. Blending functionality with atmospheric qualities, the studio realizes buildings as reflections of owners’ values. It construes architecture as a means of enrichment rather than asset creation. Designs emerge from probing discussion to crystallize essentials like natural light over universal principles. Bespoke solutions prove that cherishing family bonds transcends fashion. Sensitively connecting residents to their environment, it homes become treasured backdrops for life’s meanings. 设计团队 旅游探访 127.6 m² 日本，爱知县海部郡 2023 前一项 后一项

< 返回 ST Engineering 总部中心 Kyoob Architects 设计特色： 项目 – 新加坡新落成的ST Engineering （新加坡科技工程有限公司）总部中心，凭借其有机又高科技的形式，巧妙地将科技与自然融为一体。项目位于新加坡新兴的裕廊东商业区，用于容纳ST Engineering的智慧城市和网络安全业务。设计灵感来源于电路板的图案，外立面巧妙地将公司的标志融入底座部分的建筑外围护表皮设计。这个视觉上引人注目的底座将塔楼固定在上面，其曲线设计元素柔化了整体体量。生机勃勃的景观绿化遍布中心，包括天空花园和层次丰富的阳台，不仅达到被动降温的效果，也营造出阶梯状的动态轮廓和开阔的视野。中心内部以光线充沛的中庭为核心。一个关键的挑战是在现有建筑保持全面运营的情况下建造新的附楼。精心的分阶段计划和后勤工作使日常功能保持畅通无阻。从精致的外观到空间规划，该设计体现了与ST Engineering这家公司技术领先地位相称的创新精，且将高科技与自然元素无缝融合，体现了智能、可持续和以人为本的工作场所。 团队 – 成立于2003年的Kyoob Architects建筑事务所，已发展成为一家获奖无数的建筑设计团队，汇聚了50多位富有创造力的专业人士，共同追求设计卓越。其项目组合跨越各种不同类型，正在进行的项目总价值超过10亿新元。在创始人兼董事总经理Lau Chee Ming，联合创始人兼董事 Julian Chia 以及董事 Sandy Ng 和 Edmond Koh 的领导下，发挥其16年以上的丰富设计经验，为客户量身定制解决方案，兼顾场地背景和目标。Kyoob Architects提供的服务涵盖建筑、室内设计、总体规划、可持续规划，以及建筑信息模型、可视化和动画等设计交流服务。通过倾听和理解每个项目的独特需求，Kyoob Architects从概念到落地，无论项目规模或复杂程度，均创造出精彩的设计。在创造力和决心的驱动下追求卓越，设计团队将各方专长融合，塑造极富效用的空间和体验。 Feature： Project - The newly completed ST Engineering Jurong East Hub designed by Kyoob Architects skillfully blends technology with nature through its organic yet high-tech form. Situated in Singapore's emerging Jurong East commercial district, the hub houses ST Engineering's Smart City and Cyber businesses. Inspired by circuit board patterns, the facade subtly incorporates the company's logo into an architectural screen wrapping the podium. This visually striking base anchors the tower above, with curves softening the overall massing. Greenery abounds through a sky garden and cascading terraces which also passively reduce solar gain. The terraced levels create a dynamic profile with tiered spaces and wide views. Inside, a light-filled atrium forms the heart of the building. A key challenge was constructing the new annex while the existing building remained fully operational. Careful phasing and logistics maintained day-to-day functions unimpeded. From its sophisticated facade down to spatial planning, the design embodies an innovative spirit befitting ST Engineering's technology leadership. Seamlessly blending high-tech with natural elements, the Hub exemplifies a smart, sustainable and human-centric workplace. Design Team - Founded in 2003, Kyoob Architects has grown into an award-winning practice of over 50 creative professionals committed to design excellence. With an impressive portfolio spanning diverse project types and an ongoing construction value exceeding S$1 billion, Kyoob brings together interdisciplinary expertise to create enriching spaces and buildings. Led by Founder and Managing Director Lau Chee Meng along with Co-Founder and Director Julian Chia and Directors Sandy Ng and Edmond Koh, Kyoob leverages over 16 years of experience designing compelling solutions tailored to client needs and site context. With a rigorous yet sensitive approach, the firm aims to produce timeless, sustainable designs contributing to the built environment. Services encompass architecture, interior design, master planning, sustainability planning, health and wellness design, and design communication including BIM, visualization, and animation. By listening intently and understanding each unique brief, Kyoob creates elegant designs from concept to completion, no matter the scale or complexity. With creativity and determination driving excellence, the passionate team brings people together to shape highly effective spaces and experiences. 设计团队 旅游探访 33682 m² 新加坡，裕廊东 2023 前一项 后一项

Reiulf Ramstad Arkitekter由同名建筑师Reiulf Ramstad创立，已跻身挪威建筑界的翘楚，以其创新性和对环境敏感的设计而闻名。该事务所在奥斯陆、奥胡斯和哥本哈根设有办事处，自成立以来，已在住宅、文化和公共项目领域构建了丰富多样的作品集。 Reiulf Ramstad Arkitekter, founded by the eponymous architect Reiulf Ramstad, has emerged as a powerhouse of Norwegian architecture, renowned for its innovative and context-sensitive designs. With offices in Oslo, Aarhus, and Copenhagen, the firm has cultivated a diverse portfolio spanning residential, cultural, and public projects since its inception. < Back Reiulf Ramstad Arkitekter 挪威（NORWAY） Reiulf Ramstad Arkitekter由同名建筑师Reiulf Ramstad创立，已跻身挪威建筑界的翘楚，以其创新性和对环境敏感的设计而闻名。该事务所在奥斯陆、奥胡斯和哥本哈根设有办事处，自成立以来，已在住宅、文化和公共项目领域构建了丰富多样的作品集。 事务所现由创始人兼设计总监雷Reiulf Ramstad领衔，与合伙人共同的领导下，事务所形成了独特的设计理念，将强烈的概念性方法与务实解决方案巧妙融合。 RRA的作品以对场地的敏锐感知为特征，运用构造性形式来连接室外和室内景观。从屡获殊荣的特罗尔斯蒂根国家旅游路线到创新的谷物之家，他们的项目展现了建筑与复杂地形和文化语境的巧妙整合。 事务所对可持续发展的承诺体现在他们对先进数字技术的运用上，如BIM和VR，同时也保留了传统的模型制作技术。这种先进设计方法，加上他们基于对话的设计过程，为RRA赢得了众多荣誉，包括密斯·凡·德罗奖提名和Reiulf Ramstad本人获得的美国建筑师协会（AIA）荣誉会员资格。RRA持续推动当代斯堪的纳维亚建筑的边界，创造出与环境和使用者产生共鸣的空间。 Reiulf Ramstad Arkitekter, founded by the eponymous architect Reiulf Ramstad, has emerged as a powerhouse of Norwegian architecture, renowned for its innovative and context-sensitive designs. With offices in Oslo, Aarhus, and Copenhagen, the firm has cultivated a diverse portfolio spanning residential, cultural, and public projects since its inception. At the helm of this dynamic practice are Reiulf Ramstad as Design Director and Founder, alongside partners Kristin Stokke Ramstad, Anja H. Strandskogen, Christian Skram Fuglset, and Thomas Carstens. Their leadership has steered the firm towards a distinct design philosophy that interweaves strong conceptual approaches with pragmatic solutions. RRA's work is characterized by a keen sensitivity to place, employing tectonic forms that bridge exterior and interior landscapes. Their projects, from the award-winning Trollstigen National Tourist Route to the innovative Kornets Hus, showcase a masterful integration of architecture with challenging topographies and cultural contexts. The firm's commitment to sustainability is evident in their use of advanced digital technologies, including BIM and VR, alongside traditional model-making techniques. This hybrid approach, combined with their dialogue-based design process, has garnered RRA numerous accolades, including the Mies van der Rohe Award nominations and the prestigious AIA Honorary Fellowship for Reiulf Ramstad. RRA continues to push the boundaries of contemporary Scandinavian architecture, creating spaces that resonate with their environment and users alike. WEBSITE PROJECT

< 返回 蒲江观景台 MVRDV 项目名称：蒲江观景台 地点：成都市，中国 设计团队：MVRDV 建筑面积：414平方米 竣工时间：2022-2025年 摄影：Arch-Exist 设计特色： 坐落于成都南部丘陵地带的蒲江观景台由MVRDV设计,是一座覆土木结构展馆,既是旅游目的地,也是多功能活动空间,充分利用了中国中部地区壮丽的自然美景。这座建筑旨在融入自然,同时从下方平原望去又如灯塔般醒目,覆土木拱结构采用望远镜式造型,将访客引向突出于山坡之上的宽阔观景窗和阳台。 。 设计源于一个惊人的发现:原有的山顶在先前观景平台建设期间被削平了。MVRDV没有简单地建造另一座建筑,而是构思了一个被泥土和植被覆盖的拱形展馆,重建了山丘原有的轮廓。这一环境修复的姿态定义了项目的本质,创造出既融入又提升景观的建筑。 建筑的望远镜式形态引导访客体验层次丰富的空间。入口通过嵌入土丘的低调玻璃立面进入,打开后是一个内部空间,倾斜的地板和天花板沿着山坡的自然坡度延伸。这形成了一个类似阶梯看台的空间,非常适合举办演示活动或安静沉思。空间旅程在一面十米高的玻璃幕墙处达到高潮,超大推拉门消解了内外界限,连接到一个俯瞰邛崃山脉的戏剧性悬挑阳台。 MVRDV采用木结构建造具有双重目的:降低隐含碳排放,同时展示木材在中国建筑行业的可行性,该行业对大规模采用木材仍持谨慎态度。建筑师用全面的被动式策略补充了这一结构选择,包括具有保温作用的覆土层、通过分层天花板实现的自然通风、战略性的太阳朝向以及地热热泵。 一座扭转的楼梯通向第二个圆形观景平台,完善了环形路径系统,改善了场地流线。夜晚,从展馆窗户散发出的光芒将其转变为从下方平原可见的灯塔,创造出一个尊重而非主导其壮观自然环境的地标。 设计团队 ：MVRDV由Winy Maas、Jacob van Rijs和Nathalie de Vries于1993年联合创立,已成为全球最具影响力的建筑事务所之一。事务所总部位于鹿特丹,在上海和巴黎设有分支机构,拥有超过250名建筑师、设计师和专业人员,他们将严谨的技术专长和创新研究方法应用于每个项目。 MVRDV的设计方法从根本上植根于研究和多学科协作,在整个创作过程中与专家、客户和利益相关方密切合作。这种方法论产生了大胆、直接的建筑解决方案,涵盖城市规划、建筑设计和景观建筑。事务所的作品集展现了卓越的多样性,从2000年汉诺威世博会荷兰馆和鹿特丹市集住宅等开创性项目,到天津滨海图书馆和首尔路7017空中花园等变革性城市干预。 该事务所通过参数化城市主义和数据驱动的设计策略脱颖而出,解决当代城市密度和可持续性挑战。他们的理论研究发表在包括《FARMAX》(1998)、《MetaCity/Datatown》(1999)和《垂直村落》(2012)等开创性著作中,塑造了关于未来城市的国际话语。遍布欧洲、亚洲和北美的在建项目延续了这一创新传统,将环境责任与空间创造力相结合。在三位创始合伙人的持续领导下,MVRDV始终坚持高设计标准,同时开拓建筑在塑造公平、可持续城市未来中的新可能性。 设计团队 旅游探访 414 m² 成都市，中国 2025 前一项 后一项

< 返回 岩石与河流之间 Mimosa architects 项目名称：岩石与河流之间 地点：克哈尼采，捷克 设计团队：Mimosa architects 面积：78 m² 完工时间：2025年 摄影：Petr Polák 设计特色： 捷克建筑事务所 Mimosa architects 在萨扎瓦河畔完成了一座面积78平方米的小型木屋，以炭化落叶松与石砌基座的鲜明对比，回应场地的自然条件与历史记忆。 这座小屋建于前一座木屋被大火烧毁的原址之上。旧建筑留下的石砌基座被新结构直接吸纳，成为抵御洪水的防护层，也成为俯瞰河流的观景台。炭化处理的落叶松外墙不仅提升了木材耐久性，更以一种近乎隐喻的方式与那场火灾建立了联结，令新建筑带有一种对场地历史的沉默致敬。 建筑内部以云杉木板覆面，黑色金属楼梯、壁炉及细部构件与炭黑外墙在色调与气质上高度统一，营造出一种洞穴般的内聚感，而非传统意义上的房子加家具的组合。主空间通高，面向河流一侧全面玻璃化，并设有抬高的露台，提供开阔的萨扎瓦河景。露台可由折叠百叶完全闭合，使整座小屋在无人使用时化为一只密封的黑色盒子，沉默地融入林间。 楼上的小阁楼卧室被刻意压缩至仅满足睡眠需求的尺度，将空间资源最大限度地还给共享的主空间。建筑师认为，离开城市的意义在于人与人之间真实的相聚，而非对私人空间的占有。小屋依靠自备水井与蓄水罐实现生活用水的自给自足，以柴火炉与电暖器取暖，除接入电力外，完全独立运转。岩石与河流之间，这座小屋以克制的材料语言和精准的空间逻辑，在自然景观中确立了一种安静而坚定的存在。 设计团队： Mimosa architects 于2007年创立于布拉格，由 Petr Moráček、Jana Zoubková 和 Pavel Matyska 共同主持。事务所立足简洁的设计原则，致力于探索建筑与场所之间的氛围与性格，在捷克及周边地区完成了涵盖住宅、餐饮、文化、工业及公共建筑等多种类型的项目实践。 事务所的设计理念拒绝冗余的形式姿态，专注于空间本质：如何在自然中植入一座建筑而不破坏其原有面貌，如何在功能性场所中制造情感张力，如何在历史语境中实现新旧的有机融合。这一方法论在多个获奖项目中得到充分体现。Javornice 酿酒厂于2017年同时荣获捷克建筑大奖与捷克建筑奖，Trautenberk 啤酒厂于2018年获捷克建筑奖，Prachatice 露天电影院亦于2024年入围同一奖项。 事务所现由 Petr Moráček、Jana Zoubková、Pavel Matyska 领衔，与 Kateřina Slezáková、Dalibor Pospíšil、Martina Bjalková、Uladzislau Sauko 组成完整的设计团队，具备从方案设计到施工图文件编制、承包商遴选及施工监理的全流程服务能力。 设计团队 旅游探访 78 m² 克哈尼采，捷克 2025 前一项 后一项

< 返回 21-24 Nikkakjøkken餐厅 OFFICE INAINN 项目名称：21-24 Nikkakjøkken餐厅 地点：锡尔特，挪威 设计团队：OFFICE INAINN 建筑面积：127 m² 竣工时间：2025年 主持建筑师：Maksymilian Sawicki 设计特色： 项目 - 位于挪威锡尔特的21-24 Nikkakjøkken餐厅，由OFFICE INAINN设计，展现了当代介入如何在尊重建筑遗产的同时创造精致的用餐环境。这座127平方米的项目是可逆设计的典范，一个独立的木结构插入体为历史悠久的挪威谷仓注入新生命，同时完全保持其原有结构的完整性。 该设计最独特的特征是其创新的插入式设计哲学。建筑师没有选择重建或大规模改造，而是创造了一个自成体系的木质核心，在现有壳体内独立运作并提供完整的餐厅功能。这个轻量化模块被设计为可在未来拆卸而不损伤遗产结构，展现了对建筑保护和可持续性的深刻理解。服务设施、储藏空间和后勤功能巧妙地整合在插入体内，保持原有桁架结构的清晰性和空间流动的连贯性，让历史结构的韵律与比例成为空间的主角。 项目的建筑叙事通过精妙的材料克制策略展开，回应遗产保护与当代功能需求的统一。外部轮廓忠实于景观，现有开口经过精心调整而非扩大。所有新介入呈现为次要层次，采用干式、隐蔽的固定方式，尊重建筑的历史叙事。全部新增构造均使用木材，建立起材料的连续性，同时显著降低环境影响。这种材料选择不仅体现了斯堪的纳维亚设计传统，更展现了对场地特性和可持续建造的纯粹回应。 细部处理展现了创意执行力与历史敏感性的亲密关系。新地板精确呼应现有木板的不规则宽度，创造出新旧交织的无缝场域，在这里历史与当代以视觉和谐的方式共存。门槛和通风格栅被处理为细线条，确保裸露的结构框架和桁架下的韵律比例保持清晰可辨。这种对细节的极致关注不仅是技术上的成就，更是对建筑历史价值的尊重表达。 空间处理展现了经济性策略与环境责任的深度融合。作为改造项目，建筑师通过重复利用现有结构显著降低隐含碳排放。可拆卸的构造方式、有限的湿作业和分阶段实施策略既保留建筑身份，又确保维护符合当地能力。这种设计方法超越了单纯的美学追求，将可持续性理念深度整合到设计决策的每个层面。 项目的显著特色是其精心编排的保护策略和空间体验价值。21-24 Nikkakjøkken餐厅位于锡尔特，将历史谷仓转化为精致的当代用餐空间，同时完整保留其农业遗产特征。建筑师通过插入而非重建的策略，精确地回应了遗产保护与功能更新之间的复杂关系。这是一座为提升用餐体验而设计的建筑，证明了在历史建筑环境中，建筑可以通过深思熟虑的设计创造出丰富的空间体验和可持续价值。建筑与景观的联系在精致平衡的对话中无缝整合，创造了尊重过去同时拥抱未来的意义空间。这个项目成为可逆设计和文化遗产保护的典范，展示了如何在不损害历史结构的前提下实现当代功能需求。 设计团队 - OFFICE INAINN由建筑师Maksymilian Sawicki于2020年创立，是一家总部位于挪威奥勒松的独特建筑事务所，在设计、研究和环境敏感性的交汇点开展实践。如今，在创始人兼主持建筑师Sawicki的带领下，事务所保持着严谨而专注的团队结构，从奥勒松的基地开展植根于斯堪的纳维亚设计哲学的情境敏感介入实践。 在Sawicki的创意指导下，21-24 Nikkakjøkken餐厅项目体现了事务所核心的设计理念和方法论。Sawicki将建筑视为一门包含艺术探索和实践型研究的扩展学科，他的方法论涉及对空间关系的严格分析，解构建筑元素以理解其对人类体验和自然环境的根本影响。这一理论框架转化为以精细细部和材料精准为特征的建成作品，展现了从战略规划到材料细节各个尺度的设计控制力。 事务所的设计哲学聚焦于情境敏感性和环境责任，强调简约、功能性和对自然环境的深刻尊重。他们的设计方法论建立在人、自然和环境之间的对话基础上，每个项目都成为对景观、文化和日常生活之间复杂关系的回应。事务所的实践强调持久性和责任感，创造的不仅是功能性结构，更是以深思熟虑和尊重方式转化周边环境的介入。事务所的业务范围涵盖从战略规划到材料细节的全尺度设计，与挪威各地的市政当局和私人客户合作，在建筑、研究和艺术实践的交叉领域开展工作。 显著成就包括作品在国际知名平台上发表，包括Wallpaper、Architectural Digest和Dezeen等专业媒体。事务所与奥勒松市政府、峡湾市政府等公共机构以及多家私营企业建立合作关系，展现出对材料本质的深入理解、对空间品质的持续追求以及对可持续设计的坚定承诺。Sawicki在研究、长期合作和对情境的精确理解基础上建立的设计方法，确保每个项目都根植于其独特的场地条件和文化背景。 OFFICE INAINN通过涵盖建筑设计、实践型研究和理论探索的多样化作品集，在当代斯堪的纳维亚建筑领域建立了独特的立场，展现出将环境敏感性与设计卓越相结合、探索建筑如何以最小环境影响创造持久和谐空间的设计态度，致力于创造既回应情境又尊重自然的建筑介入。 设计团队 旅游探访 127 m² 锡尔特，挪威 2025 前一项 后一项

< 返回 "PUNTA BIANCA"建筑设计竞赛 截止日期：2025-6-20 TerraViva启动"PUNTA BIANCA"建筑设计竞赛，旨在重新构想位于西西里岛阿格里真托海岸的一座历史悠久的海关废墟。竞赛总奖金为8263美元，邀请全球设计师将这座废弃建筑改造成现代化的游客空间，同时保护自然保护区的原始景观。 该竞赛的灵感来源于阿格里真托被评为2025年意大利文化之都，评审团包括著名建筑师卡洛斯·德·里亚诺·洛萨诺、马里奥·科托内和居斌等国际评委。 参赛者可分三个阶段报名：早鸟票（79欧元）、标准票（99欧元）和晚期票（129欧元）。竞赛于1月21日开始，最终作品提交截止日期为2025年6月20日。参赛作品需提交两张A1横向展板和250-500字的提案说明。 立刻前往 前一项 后一项

< 返回 越池之家 i.House Architecture and Construction 设计特色： 项目 – 位于越南北部的越池小镇，这栋窄小的管状住宅，长19.5 米，宽5 米，总面积 292.5 平方米，原本的布局存在诸多问题：布置拥挤不堪，采光和通风不佳，阴暗狭小的楼梯几乎占去全部空间和视线。房屋西面朝向直接承受了炎夏烈日的晒射，导致室内气温难以忍受。繁忙的街道位置更加剧了噪音和污染，周围丰富的绿地和开阔空间也都未得到利用。I.HOUSE设计团队欣然接受了这个挑战，将项目命名为“越池之家”。他们巧妙的翻新既尊重了原有部分，又优化了空间和连接。起居室、餐厅、厨房和车库保留原样，而后侧则得到了彻底改造：将楼梯重新定位到前方,解决了交通流线问题，并实现了跨层通风。大胆增加西立面的垂直花园不仅提供遮阳，也营造了令人目不暇接的视觉愉悦。私密的房间被推至后方,确保了舒适与隐私。I.HOUSE 采用极简主义和天然物料如玄武岩和混凝土，在城市中心营造出了一处宁静的绿洲。策略性设置的玻璃窗和门让人享受郁郁葱葱的景观，同时最大化自然采光。入口的玄武岩墙体表面玩味光影的变幻交织，增添了丰富的质感与美感。越池之家已经远远超越了单纯的实用翻新，而成为了极富诗意的定制建筑作品，通过体量、材质、光影的互动，将居者更深度地拉近自然。它既符合现代美学，也尊重文化根基。 团队 – I.HOUSE建筑与建造设计公司成立于2007年，是越南建筑设计、室内设计和建筑施工领域的先锋力量，专注于“生态极简主义”，并且在2012年获得越南知识产权局的正式知识产权保护。生态极简主义强调在塑造生活空间时追求优雅、平衡和可持续发展，通过减去不必要的元素来创建简单、舒适和宁静的环境。I.HOUSE的设计团队与其工作环境是探索的世界，孕育测试新想法和开拓新领域。从研究到设计，从构思到实物化，每一步都以构建独特的“首要场所”为目标。与此同时，其汇聚了分享创意、思考和反馈的活力团队，共同发展鼓舞人心的未来生态极简主义建筑。 Feature： Project - Stepping into the sweltering heat of a Viet Tri summer afternoon, we were greeted by the homeowner with a warm smile and a simple request - "Help me transform this into a more livable place." The narrow tube house at 5m x 19.5m with a total area of 292.5 m2 suffered from poor layout, lack of light and ventilation. A dark, cramped staircase monopolized movement and views. The west-facing orientation bore the brunt of afternoon sun, resulting in unbearable heat. The busy street location only exacerbated noise and pollution. Surrounding greenery and open spaces were untapped assets. I.HOUSE embraced the challenge, dubbing it the "Viet Tri House" project. Their deft renovations honored the original while optimizing space and connections. Living, dining, kitchen and garage remained intact, while the rear was radically reconfigured. Relocating the staircase to the front solved circulation issues and enabled cross-ventilation. The bold addition of lush hanging gardens along the western facade provided shade and a visual delight. Private rooms were pushed to the back for seclusion and comfort. By embracing minimalism and natural materials like basalt and concrete, I.HOUSE created a tranquil oasis in the heart of the city. Strategic glass windows and doors framed verdant views and amplified natural light. The shifting interplay of light enhances the textural beauty of the entrance's floating basalt wall. Far beyond a practical restoration, Viet Tri House embodies bespoke architectural poetry. Each space sings with harmony and flow, drawing residents and visitors closer to nature through the interplay of volumes, materials and light. A serene urban refuge tuned to modern sensibilities while respecting cultural roots. Design Team - Established in 2007, I.HOUSE Architecture & Construction pioneers Vietnam’s architecture, interior design and construction, specializing in “Eco-minimalism”. Obtaining intellectual property protection in 2012, its elegant, balanced and sustainable approach shapes living spaces by removing unnecessary elements for straightforward, cozy and tranquil environments. I.HOUSE ’s studio fuels exploration where ideas are tested and new frontiers discovered. From brainstorming to models and eco-friendly innovations, architects unite to make their mark. The studio also houses the mission behind each project. From research to design, ideas transformed into built form - every step aims to construct unmatched “first places”. Above all, the studio connects passionate teams who share ideas, thoughts and feedback to develop inspiring eco-minimalist architecture - the architecture of the future. 设计团队 旅游探访 292.5 m² 越南 越池市 2023 前一项 后一项

Johnsen Schmaling Architects由Brian Johnsen与Sebastian Schmaling于2003年在美国密尔沃基共同创立。两人相识于威斯康星大学密尔沃基分校建筑研究生阶段，此后曾在同一家密尔沃基建筑事务所共事多年。Brian Johnsen在威斯康星大学密尔沃基分校获得建筑学硕士学位；出生于柏林的Sebastian Schmaling先后就读于柏林工业大学、威斯康星大学密尔沃基分校与哈佛大学设计研究生院，并以优异成绩取得建筑与城市设计硕士学位。事务所专注于高品质住宅与商业建筑，同时提供总体规划、方案设计、施工管理、家具及平面设计等完整服务。 < Back Johnsen Schmaling Architects United States Johnsen Schmaling Architects由Brian Johnsen与Sebastian Schmaling于2003年在美国密尔沃基共同创立。两人相识于威斯康星大学密尔沃基分校建筑研究生阶段，此后曾在同一家密尔沃基建筑事务所共事多年。Brian Johnsen在威斯康星大学密尔沃基分校获得建筑学硕士学位；出生于柏林的Sebastian Schmaling先后就读于柏林工业大学、威斯康星大学密尔沃基分校与哈佛大学设计研究生院，并以优异成绩取得建筑与城市设计硕士学位。 事务所专注于高品质住宅与商业建筑，同时提供总体规划、方案设计、施工管理、家具及平面设计等完整服务。其工作方法以对场地和功能的细致理解为起点，将材料、构造与建筑技术纳入概念形成过程；形式通常保持克制，却通过比例、表皮深度、构造精度和光线关系建立鲜明的空间性格。 两位创始人现均在威斯康星大学密尔沃基分校担任实践教授，并持续在美国及欧洲讲学。事务所于2008年获得纽约建筑联盟Emerging Voices奖，并入选《Architectural Record》Design Vanguard；其作品已获得70余项专业设计奖，其中包括美国建筑师协会国家及地区级荣誉奖与优异奖。Curtain House由Brian Johnsen与Sebastian Schmaling共同主持，并于2022年至2025年间先后获得AIA Wisconsin优异奖、Residential Design Architecture Award、Milwaukee Magazine Home + Design金奖及American Architecture Award。 WEBSITE PROJECT

< 返回 F住宅 Kamakura Studio 项目名称：F住宅 地点：千叶县流山市，日本 设计团队：Kamakura Studio 建筑面积：168.79 m² 竣工时间：2022年1月 摄影：TOREAL 藤井浩司，新建築社写真部 设计特色： 项目 -在千叶县流山市的F住宅是一座168.79平方米的住宅兼办公建筑杰作，体现了社区参与式建筑设计与日常生活无缝融合的精妙平衡。该项目坐落在一个75%居民在过去十年内搬入的新兴社区中，创造出一种建筑作为社区催化剂与邻里连接器的非凡社会功能。 该项目最具革命性的设计特色是其多功能底层空间配置：一个开放式办公空间同时作为半公共区域，邻居们可以自然聚集。这一创新的空间策略不仅允许建筑师将私人生活向社区延展，更创造了一个灵活转换的多功能场所——通过分享多煮的咖啡变成小型咖啡厅、通过社区图书馆功能成为文化交流中心、通过投影设备举办电影放映会。建筑实际上为社区互动在其核心空间的展开让出了位置。 鎌仓工作室的设计策略围绕着建筑边界模糊与空间连续性之间的核心平衡展开。连续的材料、设计元素和地面标高模糊了室内外的传统界限，创造出"无论在家里还是家外，都能共享某些东西"的空间感受。分离的屋顶与立体化的立面绿化系统相结合，在视觉上与周围环境融为一体，呼应了当地已发展至数十户家庭的植物分享网络。 主要立面作为社区界面发挥作用，将建筑的公共功能向街道展示，同时保持住宅的私密性。内部空间优先考虑功能的灵活性和适应性，房间配置被设计为可灵活使用并适应不断变化的社区活动需求。从咖啡分享、图书交流到工作坊、讲座和电影放映，建筑都能服务于多样化的社区功能需求。 立体绿化系统、自然通风设计、以及开放式空间布局显著提高了建筑的环境适应性，能够承受日本气候条件的外部材料进一步提高了建筑的耐久性和寿命。平面和剖面中交替出现的露台与室内空间创造出如同居住在森林树木间的丰富空间体验。 自建成以来，这座住宅已举办了众多社区活动，产生了建筑师所描述的"涟漪效应"，影响延伸到建筑本身之外。该项目展示了创新的住宅设计如何服务于社会连接的基础设施，为不断演变的现代社区建设提供了可复制的模式。 设计团队 - Kamakura Studio是一家专业从事创造促进社区连接并培养居民与所居场所之间深度关系的建筑设计的全方位服务事务所。在主持建筑师福井启介和森川启介的协作领导下，该事务所对场所营造和社区建设的关注体现了当代日本建筑实践中的前瞻性思维。 福井启介拥有扎实的建筑教育背景，2007年毕业于日本大学理工学部建筑学科，2010年于横浜国立大学大学院Y-GSA完成研究生学业。他曾在NAP建筑设计事务所积累实践经验，2012年成立个人事务所，2016年与森川启介共同创立鎌仓工作室。森川启介同样毕业于日本大学理工学部建筑学科，后于首都大学东京（现东京都立大学）完成硕士学位，曾在久米设计和北川原温建筑都市研究所工作，为事务所带来了丰富的设计经验。 该事务所的哲学基础以相信建筑应该促进社区内部对话为核心，使居民能够成为街区发展的"当事者"而不是"旁观者"。这一理念驱动了他们独特的"生活延展"方法论——一个将日常生活功能向社区开放的综合性设计过程，始于对每个社区想要成为什么样子的深刻理解，探索人口结构、社会需求、文化背景和未来发展潜力。 鎌仓工作室的多学科方法认识到住宅建筑位于私人与公共、个体与集体的交汇点，将创造性空间策略与严格的功能分析编织在一起，交付深思熟虑、鼓舞人心、可持续且真实的社区建筑。该事务所自成立以来已获得包括优良设计奖2022、IF设计奖、千叶县建筑文化奖在内的多项国内外奖项认可，体现了其在社区响应式建筑设计领域的专业水准和创新能力。 Project Name: HOUSE F Location: Ootakanomori, Nagareyama City, Chiba, Japan Design Team: Kamakura Studio Total Floor Area: 168.79 m² Completion: January 2022 Photography: TOREAL Koji Fujii, Shinkenchiku-sha Design Features: Project - Kamakura Studio's HOUSE F is a 168.79-square-metre residential and office masterpiece that embodies the sophisticated balance between community-engaged architectural design and seamless integration with daily life. The project is situated in an emerging neighborhood where 75% of residents have moved in within the past decade, creating an extraordinary social function where architecture serves as both community catalyst and neighborhood connector. The building's most revolutionary design feature lies in its multifunctional ground-floor spatial configuration: an open office space that simultaneously functions as a semi-public zone where neighbors can naturally gather. This innovative spatial strategy not only allowed the architects to extend private life toward the community, but also created a flexibly transforming multifunctional venue—becoming a small café through sharing extra coffee, serving as a cultural exchange center through community library functions, and hosting film screenings with projection equipment. The building literally makes space for community interaction to unfold at its core. Kamakura Studio's design strategy revolves around the central balance between blurred architectural boundaries and spatial continuity. Continuous materials, design elements, and floor levels blur traditional distinctions between interior and exterior, creating a spatial experience of "sharing something together, whether inside or outside the house." Separated roofs combined with a three-dimensional façade greening system visually integrate with the surrounding environment, responding to the local plant-sharing network that has developed across dozens of households. The principal façades operate as community interfaces, displaying the building's public functions to the street while maintaining residential privacy. Interior spaces prioritize functional flexibility and adaptability, with room configurations designed for flexible use and adaptation to evolving community activity needs. From coffee sharing and book exchanges to workshops, lectures, and film screenings, the architecture serves diverse community functional requirements. Three-dimensional greening systems, natural ventilation design, and open-plan spatial layouts significantly enhance the building's environmental adaptability. Exterior materials capable of withstanding Japanese climatic conditions further increase the building's durability and longevity. Terraces and interior spaces that alternate throughout both plan and section create rich spatial experiences reminiscent of living among forest trees. HOUSE F represents a paradigm of community-responsive residential architecture: an architectural language that prioritizes social connection, neighborhood interaction, and architecture as community infrastructure in perfect symbiosis between private residence and public function. Design Team - Kamakura Studio Co., Ltd. is a full-service, design-forward practice focused on creating architecture that fosters community connections and cultivates deep relationships between residents and the places they inhabit. Led by principal architects Keisuke Fukui and Keisuke Morikawa in collaborative leadership, the firm's focus on place-making and community building embodies forward-thinking approaches within contemporary Japanese architectural practice. Keisuke Fukui brings solid architectural educational foundation, graduating from Nihon University College of Science and Technology Department of Architecture in 2007, and completing graduate studies at Y-GSA (Yokohama National University Graduate School) in 2010. He gained practical experience at NAP Architectural Design Office, established his individual practice in 2012, and co-founded Kamakura Studio with Keisuke Morikawa in 2016. Keisuke Morikawa also graduated from Nihon University College of Science and Technology Department of Architecture, later completing his master's degree at Tokyo Metropolitan University, and worked at Kume Sekkei and Atsushi Kitagawara Architects, bringing rich design experience to the firm. The firm's philosophical foundation centers on the belief that architecture should facilitate dialogue within communities, enabling residents to become "stakeholders" in neighborhood development rather than "bystanders." This ethos drives their distinctive "Life Extension" methodology—a comprehensive design process that opens daily life functions to the community, beginning with profound understanding of what each community wants to become, exploring demographic structures, social needs, cultural contexts, and future development potential. Kamakura Studio's multidisciplinary approach recognizes that residential architecture exists at the intersection of private and public, individual and collective, weaving creative spatial strategies with rigorous functional analysis to deliver thoughtful, inspiring, sustainable, and authentic community architecture. Since its establishment, the firm has received multiple domestic and international awards including Good Design Award 2022, IF Design Award, and Chiba Prefecture Architectural Culture Award, demonstrating professional standards and innovative capabilities in community-responsive architectural design. 设计团队 旅游探访 168.79 m² 千叶县流山市，日本 2022 前一项 后一项

< 返回 上海世博文化公园温室 Delugan Meissl Associated Architects 项目名称： 上海世博文化公园温室 地点： 上海，中国 设计团队： Delugan Meissl Associated Architects 建筑面积： 47000 平方米 完工时间： 2024年9月 摄影师： CreatAR Images 设计特色： 项目 - 在最近一次开创性的建筑干预中，Delugan Meissl Associated Architects（DMAA）重新构想了城市空间：上海世博文化公园温室。这座位于上海迅速演变的浦东区的创新综合体，代表了可持续建筑的大胆想象，将前工业荒地转变为充满活力的生态展示场。 在工业遗产和生态创新的微妙边界上，温室综合体作为城市再生的强有力声明应运而生。建筑师巧妙地重新利用了原工业厅的钢结构，在其几何框架内创造了有机场馆，形成了动态的空间组织。这种硬性工业基础设施与流动自然形态之间的建筑对话，完美诠释了上海技术进步与环境意识的复杂叙事。 该项目最引人注目的创新在于其对能源效率的激进方法。挑战传统温室设计，DMAA通过复杂的环境策略创造了一座零能耗建筑。通过精确的模拟计算，使用单层玻璃——这是一个违反直觉的选择——该结构在最大限度地利用自然光和维护植物健康的同时，最大程度地减少了能源消耗。 三个不同的展馆为游客提供了沉浸式的生态系统之旅：从荒凉的岩石沙漠景观，到热带雨林的丰茂生机，最后是多功能的垂直花园。每个空间不仅展示了生物多样性，还作为一个微妙的环境教育平台，引起人们对植物保护和气候适应全球挑战的关注。 通过将工业场地转变为充满生机的生态中心，DMAA不仅仅交付了一个温室——他们创造了一份将自然置于建筑创新核心的城市再生宣言。 团队 – 成立于1993年的奥地利维也纳，Delugan Meissl Associated Architects（DMAA）已成为一家不断挑战传统设计范式的先锋建筑实践。拥有40多名国际专业人士的强大团队，该事务所通过在欧洲、中国、美国、南美洲和中东地区的100多个创新项目，建立了全球影响力。 自2004年以来，由创始合伙人Elke Delugan-Meissl, Roman Delugan, alongside Dietmar Feistel 和 Martin Josst领导，DMAA以其对语境和实验性设计的激进承诺而著称。他们的建筑理念超越了单纯的功能解决方案，进而探索了建成环境、社会动态和生态命题之间错综复杂的关系。 该事务所的作品集展现了卓越的多样性，涵盖文化地标、教育设施、展览、医疗综合体和城市干预。阿姆斯特丹电影博物馆、斯图加特保时捷博物馆和埃尔音乐节大厅等标志性项目，展示了他们创造空间动态且概念复杂的建筑体验的能力。 DMAA的方法以对创新的坚定奉献为特征，通过精确的设计干预推动建筑边界，这些干预对本地语境积极回应，同时保持大胆、前瞻性的设计语言。 Project Name: Expo Cultural Park Greenhouse Location: Shanghai, China Design Team: Delugan Meissl Associated Architects (DMAA) Building Area: 47,000 square meters Completion Date: September 2024 Photographer: CreatAR Images Feature： Project - In a groundbreaking architectural intervention, Delugan Meissl Associated Architects (DMAA) has reimagined urban space through their latest project: the Expo Cultural Park Greenhouse. Nestled in Shanghai's rapidly evolving Pudong district, this innovative complex represents a bold reimagining of sustainable architecture, transforming a former industrial wasteland into a vibrant ecological showcase. Straddling the delicate boundary between industrial heritage and ecological innovation, the greenhouse complex emerges as a powerful statement on urban regeneration. The architects have masterfully repurposed an existing steel structure from a former industrial hall, creating a dynamic framework that seamlessly integrates organic pavilions within its geometric embrace. This architectural dialogue between hard industrial infrastructure and fluid natural forms encapsulates Shanghai's complex narrative of technological progress and environmental consciousness. The project's most striking innovation lies in its radical approach to energy efficiency. Challenging conventional greenhouse design, DMAA has created a zero-energy building through sophisticated environmental strategies. Utilizing single glazing—a counterintuitive choice validated by precise simulative calculations—the structure minimizes energy consumption while maximizing natural light and plant health. Three distinct pavilions offer visitors an immersive journey through diverse ecosystems: from the stark, rocky landscapes of arid deserts to the lush abundance of tropical rainforests, and finally to versatile vertical flower gardens. Each space not only showcases botanical diversity but also serves as a subtle environmental education platform, drawing attention to global challenges of plant conservation and climate adaptation. By transforming an industrial site into a living, breathing ecological center, DMAA has delivered more than just a greenhouse—they've created a manifesto for urban regeneration that places nature at the heart of architectural innovation. Design Team - Founded in Vienna, Austria in 1993, Delugan Meissl Associated Architects (DMAA) has emerged as a pioneering architectural practice that consistently challenges conventional design paradigms. With a robust team of over 40 international professionals, the firm has established a global footprint through more than 100 innovative projects across Europe, China, the United States, South America, and the Middle East. Led by founding partners Elke Delugan-Meissl, Roman Delugan, alongside Dietmar Feistel and Martin Josst since 2004, DMAA distinguishes itself through a radical commitment to contextual and experimental design. Their architectural philosophy transcends mere functional solutions, instead exploring the intricate relationships between built environments, social dynamics, and ecological imperatives. The firm's portfolio exemplifies a remarkable versatility, spanning cultural landmarks, educational facilities, exhibitions, healthcare complexes, and urban interventions. Iconic projects like the EYE Filmmuseum in Amsterdam, the Porsche Museum in Stuttgart, and the Festspielhaus Erl demonstrate their ability to create spatially dynamic and conceptually sophisticated architectural experiences. DMAA's approach is defined by an unwavering dedication to innovation, pushing architectural boundaries through precise interventions that respond sensitively to local contexts while maintaining a bold, forward-thinking design language. 设计团队 旅游探访 47000 m² 上海，中国 2024 前一项 后一项