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< 返回 西贡南国际学校 Flansburgh Architects 项目名称：西贡南国际学校 地点：胡志明市，越南 设计团队：Flansburgh Architects 主要建筑师：David Croteau（项目负责人）, Madeleine Le（项目建筑师） 建筑面积：277723 ft² 竣工时间：2024年 摄影：Matthew Millman, Jonathan Mitchell 设计特色： 项目 - 在这个将创新设计与教育卓越完美融合的开创性教育项目中，Flansburgh建筑事务所在越南西贡南国际学校推出了他们的最新杰作——新建中学和STEAM设计中心。这个277723平方英尺的项目代表着21世纪教育建筑的大胆重构。 该项目由两座独特和谐相连的建筑组成，充分利用了位于迪亚运河沿岸的独特水景资源。建筑师们从越南标志性的萨帕梯田汲取灵感，打造出引人注目的外观设计，包括起伏的曲线和种植本土植物的层叠花园，创造出建筑形态与自然元素之间的动态交融。 这个项目的与众不同之处在于它巧妙地将生物亲和设计原则与尖端教育空间相结合。STEAM设计中心配备了最先进的设施，包括五个科学实验室、专业艺术工作室和灵活的室内外展览空间，而中学建筑则设有令人印象深刻的天窗中庭、220平方米的剧场和适应多样化教学方法的灵活学习空间。 建筑师们通过智能设计方案巧妙地应对了热带气候的挑战。大量运用自然光线，再加上中庭战略性地布置竹元素，不仅降低了能耗，还创造出向当地建筑传统致敬的宁静学习环境。两座建筑位于运动场的对侧，既最大化了通风效果，又营造出作为校园核心的中央社区空间。 最值得注意的是，该项目与城市环境的关系为教育建筑设立了新标准。项目位于一个适合步行的混合功能岛屿社区内，通过精心设计的步道和公共空间加强了社区联系。弧形阳台与下方蜿蜒的水道相呼应，提供壮丽的景观，同时在建筑环境与自然景观之间创造出视觉对话。 这个项目代表着教育建筑的重要进步，将可持续性、文化敏感性和教育创新融为一体，创造出激发学习热情并促进社区参与的空间。 团队 – Flansburgh建筑事务所成立于1963年，总部位于马萨诸塞州波士顿，在其六十年的发展历程中已成为教育建筑和可持续设计领域的先驱力量。该事务所现由总裁David Croteau领导，在30个国家建立了令人印象深刻的项目组合，特别专注于教育设施、文化中心和公共机构建筑。 事务所的领导架构由四位经验丰富的主要合伙人组成，确保每个项目都得到直接参与。执行团队包括执行副总裁Jorge Cruz、高级副总裁Kent Kovacs和副总裁Joseph Marshall，每位成员都在可持续设计到建筑信息模型（BIM）等不同领域带来专业支持。 Flansburgh的与众不同之处在于其对可持续建筑和文化敏感性的承诺，这一点从其员工资质可见一斑——三分之二的建筑师持有LEED认证，平均拥有十五年的专业经验。事务所保持着精简但高度专业的11-50人团队规模，营造了一个创新与执行并重的环境。 他们的设计理念强调将本地文化元素与当代建筑解决方案相结合，这在最近的项目中得到充分体现，如西贡南国际学校。事务所在教育建筑方面的方法着重于创造适应性强、面向未来的学习环境，既满足教育需求，又考虑环境因素。 Flansburgh在建筑领域的持久性和持续相关性源于其平衡创新设计解决方案与实用功能的能力，同时保持对可持续性和以客户为中心的服务交付的坚定承诺。 Project Name: Saigon South International School Location: Ho Chi Minh City，Vietnam Design Team: Flansburgh Architects Lead Architects: David Croteau (Principal-In-Charge), Madeleine Le (Project Architect) Building Area: 277,723 square feet Completion Date: 2024 Photography: Matthew Millman, Jonathan Mitchell Collaborating Partners: Architecture Consultant: Sino-Pacific Construction Consultancy Co., LTD Acoustic Consultant: Acentech MEP Consultant: Atelier Management & Design Consultancy Co., LTD Structural Consultant: Sino-Pacific Construction Consultancy Co., LTD Interior Design: BOHO Decor General Contractor: VICONS Construction and Engineering Co., LTD Feature： Project - In a groundbreaking educational project that seamlessly merges innovative design with pedagogical excellence, Flansburgh Architects has unveiled their latest masterpiece - the New Middle School and STEAM Design Center at Saigon South International School in Vietnam. This ambitious 277,723-square-foot development represents a bold reimagining of educational architecture for the 21st century. The project comprises two distinct yet harmoniously connected buildings that embrace the site's unique waterfront location along the Dia Canal. Drawing inspiration from Vietnam's iconic Sa Pa rice terraces, the architects have created a striking exterior featuring undulating curves and cascading planters that host native species, creating a dynamic interplay between built form and natural elements. What sets this project apart is its thoughtful integration of biophilic design principles with cutting-edge educational spaces. The STEAM Design Center houses state-of-the-art facilities including five science labs, specialized art studios, and a versatile indoor/outdoor gallery space, while the Middle School building features a dramatic skylit atria, a 220-square-meter black box theater, and flexible learning environments that adapt to diverse teaching methodologies. The architects have masterfully addressed the tropical climate through intelligent design solutions. The extensive use of natural light, coupled with the strategic placement of bamboo elements in the atria, not only reduces energy consumption but also creates a serene learning environment that pays homage to local architectural traditions. The buildings' positioning on opposite sides of an athletic field maximizes cross-ventilation while creating a central community space that serves as the campus heart. Perhaps most notably, the project's relationship with its urban context sets new standards for educational architecture. Situated within a walkable, mixed-use island neighborhood, the development strengthens community connections through thoughtfully designed pathways and public spaces. The curving balconies, which mirror the meandering waterway below, offer stunning views while creating a visual dialogue between the built environment and the natural landscape. This project represents a significant advancement in educational architecture, where sustainability, cultural sensitivity, and pedagogical innovation converge to create spaces that inspire learning and foster community engagement. Design Team - Flansburgh Architects, established in 1963 in Boston, Massachusetts, has emerged as a pioneering force in educational architecture and sustainable design over its six-decade journey. The firm, currently led by President David Croteau, AIA, LEED AP, has cultivated an impressive portfolio spanning 30 countries, with particular expertise in educational facilities, cultural centers, and civic institutions. The practice's leadership structure, comprising four principals with extensive industry experience, ensures hands-on involvement in every project. The executive team includes Jorge Cruz as Executive Vice President, Kent Kovacs as Senior Vice President, and Joseph Marshall as Vice President, each bringing specialized expertise in areas ranging from sustainable design to Building Information Modeling (BIM). What distinguishes Flansburgh is its commitment to sustainable architecture and cultural sensitivity, evidenced by their impressive staff credentials - two-thirds of their architects hold LEED certification, with an average of fifteen years of professional experience. The firm maintains a lean yet highly skilled team of 11-50 employees, fostering an environment where innovation meets execution. Their design philosophy emphasizes the integration of local cultural elements with contemporary architectural solutions, as demonstrated in their recent projects like the Saigon South International School. The firm's approach to educational architecture focuses on creating adaptive, future-ready learning environments that respond to both pedagogical needs and environmental considerations. Flansburgh's longevity and continued relevance in the architectural landscape stem from their ability to balance innovative design solutions with practical functionality, while maintaining a strong commitment to sustainability and client-centered service delivery. 设计团队 旅游探访 277723 ft² 胡志明市，越南 2024 前一项 后一项

< 返回 郑州黄河国家博物馆 gmp建筑师事务所 项目名称：郑州黄河国家博物馆 地点：郑州市 ， 中国 设计团队：gmp建筑师事务所 建筑面积：100300 m² 竣工时间：2025年 摄影：Marcus Bredt 设计特色： 项目 - 德国gmp建筑师事务所在中国郑州市北郊完成了黄河国家博物馆项目，创造了一座蜿蜒曲折的建筑，其形态忠实地追随着这条5000公里长河流的蜿蜒路径。该项目不仅探索了黄河的文化意义，更深入研究了其在塑造景观中的作用，将新博物馆建筑与周围公园融为一体，形成了自然与文明之间的物理和概念桥梁。 该项目最引人注目的特色是与景观的无缝融合——绿色屋顶延伸至40米高的观景台，创造出连续的地形，模糊了建筑与自然的界限。蜿蜒的屋顶步道引导游客穿行于原生植被环境、野餐区和露天剧场，提供北望黄河、南眺郑州市区的全景视野。 建筑的核心是一个雕塑般的中庭，可通过瀑布水幕进行戏剧性增强，成为博物馆体验的光线充足的核心空间。多边形结构温和地起伏，跨越公园内的水道，在交汇点形成了建筑的光明核心。 立面展示了天然石材的模块化幕墙系统，垂直韵律质感呼应河流的流动模式。公共区域通过细长的垂直窗户引入自然光，而展览空间则避免直射光线。北侧三扇大窗参照了黄河标志性的窑洞民居，框取了广阔的景观视野。 主入口位于建筑南侧最高点下方，是一个玻璃开口，仿佛直接从巨大体量中雕刻而出。这个切口以其微妙闪烁的黄色调黄铜包层给人留下深刻印象，从立面延续到天花板，并在室内延续：弯曲的墙面如同侵蚀的岩石，柔和反射的淡黄色天花板引导游客进入博物馆。 该项目位于黄河国家文化公园的核心位置，博物馆以流线型形态从起伏的河滨景观中升起，将周围的绿色空间连接成一个整体。作为公共公园的延伸，博物馆体现了黄河作为中华文明摇篮的深刻文化象征意义。 设计团队 - 由迈因哈德·冯·格康(Meinhard von Gerkan)和福尔克温·马格(Volkwin Marg)于1965年在汉堡创立的gmp建筑师事务所，已发展成为拥有超过50年经验的全球知名建筑设计机构。该事务所采用通才模式，在汉堡、柏林、亚琛、慕尼黑、北京、上海、深圳和河内设有八个国际办公室，承接从住宅开发到城市规划的各种规模项目。 gmp的设计哲学围绕四个核心原则：简洁性、多样性中的统一、独特性和结构秩序。他们称之为"对话设计"的方法论，在建筑概念与场地特定参数之间建立了互动式设计方法。事务所对功能优化的承诺意味着建筑通过功能相关性、构造逻辑、材料适宜性和环境响应性进行评估。 该事务所的综合作品集涵盖文化机构、交通基础设施、商业开发和体育设施，项目遍布各大洲。近期成就包括因广州中建科工科技创新大厦获得多项CTBUH奖项，以及北京中国传统文化博物馆等项目的认可。 gmp的整体可持续发展方法优先考虑气候适应性建造标准和适应性再利用策略，确保建筑的长期相关性超越临时的风格趋势。他们的辩证设计过程将理念转化为建成现实，同时保持对环境背景和社会需求的敏感性。 Project Name: Yellow River National Museum Location: Zhengzhou , China Design Team: gmp Architects Total Floor Area: 100,300 m² Completion: 2025 Photography: Marcus Bredt Feature: Project - German architecture firm gmp Architects completed the Yellow River National Museum in Zhengzhou, China, creating a sinuous structure that literally follows the meandering path of the 5,000-kilometer-long river. The project explores not only the river's cultural significance but also its role in shaping the landscape, with both the new museum building and surrounding park tracing the river's course to form a physical and conceptual bridge between nature and civilization. The museum's most striking feature is its seamless integration with the landscape – the green roof extends upward to a 40-meter observation deck, creating a continuous topography that blurs the boundaries between architecture and nature. Winding rooftop paths lead visitors through native vegetation environments, picnic areas, and an open-air theater, offering panoramic views of both the Yellow River to the north and Zhengzhou city to the south. At the building's heart lies a sculptural atrium that can be dramatically enhanced with a cascading water curtain, serving as the light-filled core of the museum experience. The polygonal structure gently rises and falls as it bridges a watercourse within the park, with the crossing point forming the luminous heart of the building. The façade showcases a modular curtain wall system of natural stone with vertical rhythmic texturing that echoes the river's flow patterns. Public zones are punctuated by slender vertical windows that admit natural light, while exhibition spaces are shielded from direct illumination. Three large north-facing windows reference the Yellow River's iconic cave dwellings while framing sweeping landscape views. The main entrance, positioned beneath the building's tallest southern point, appears as a glazed opening carved directly from the massive volume. This cutout impresses with its subtly shimmering yellow-toned brass cladding along the façade and ceiling, which continues on the inside: curved walls resembling eroded rock and softly reflective yellowish ceilings guide visitors into the museum. Located at the heart of the Yellow River National Cultural Park, the museum rises from the rolling riverside landscape in a streamlined form, connecting the surrounding green spaces into a cohesive whole. As an extension of the public park, the museum embodies the profound cultural symbolism of the Yellow River as the cradle of Chinese civilization. Design Team - Founded in Hamburg in 1965 by Meinhard von Gerkan and Volkwin Marg, gmp Architects has evolved into a globally recognized architectural practice with over 50 years of experience in delivering contextually responsive design solutions. The firm operates on a generalist approach across eight international offices in Hamburg, Berlin, Aachen, Munich, Beijing, Shanghai, Shenzhen, and Hanoi, tackling projects at all scales from residential developments to urban planning initiatives. gmp's design philosophy centers on four core principles: simplicity, unity in diversity, uniqueness, and structural order. Their approach, termed "designing in dialogue," establishes an interactive methodology between architectural concepts and site-specific parameters. The firm's commitment to functional optimization means buildings are evaluated through programmatic relevance, constructional logic, material appropriateness, and contextual responsiveness. The practice's comprehensive portfolio spans cultural institutions, transportation infrastructure, commercial developments, and sports facilities across all continents. Recent achievements include multiple CTBUH Awards for the CSCEC Science and Innovation Building in Guangzhou and recognition for projects like the Chinese Traditional Culture Museum in Beijing. gmp's holistic sustainability approach prioritizes climate-aware construction standards and adaptive reuse strategies, ensuring long-term architectural relevance beyond temporary stylistic trends. Their dialectical design process transforms ideas into built reality while maintaining sensitivity to environmental contexts and societal requirements. 设计团队 旅游探访 100300 m² 郑州市，中国 2025 前一项 后一项

青天制作所由包理佳 (Freja Bao)于2023年创立，是一家致力于在历史与当代相关性之间对话的创新建筑工作室。工作室名称意为“青天”，源自古代东方文化对青色的崇尚，彰显了其文化重要性。青天制作所的业务涵盖建筑设计、改造、艺术策展和产品设计，致力于将本地文化遗产与现代建筑美学相结合，丰富公共空间。 Founded in 2023 by Freja Bao, Tsing-Tien Making is an innovative architectural studio that approaches each project as a dialogue between historical roots and contemporary relevance. The studio’s name, meaning “Cyan Sky,” is derived from a traditional Chinese phrase highlighting the cultural significance of cyan in ancient China. With expertise spanning architectural design, renovation, art curation, and product design, Tsing-Tien Making aims to enrich public spaces by intertwining local cultural heritage with modern architectural sensibilities. < Back 青天制作所 中国（CHINA） 青天制作所由包理佳 (Freja Bao)于2023年创立，是一家致力于在历史与当代相关性之间对话的创新建筑工作室。工作室名称意为“青天”，源自古代东方文化对青色的崇尚，彰显了其文化重要性。青天制作所的业务涵盖建筑设计、改造、艺术策展和产品设计，致力于将本地文化遗产与现代建筑美学相结合，丰富公共空间。 包理佳在英国和日本的国际经验，深刻影响了她的设计理念，将文化细节与当代美学桥接。在她的领导下，青天制作所的设计过程始于对传统的深厚尊重，通过细致地探讨历史脉络，创造与当代生活产生共鸣的设计。工作室的项目基于审慎的材料选择与空间和谐，创造出既具功能性又象征深刻的环境。 在苏州公文中心等项目中，青天制作所体现了其社区为本的建筑理念，将公共空间重新定义为引人入胜的艺术地标。工作室对模块化和适应性的重视确保了每个空间能随社区演变而发展，增进包容性和易达性。通过重新诠释建筑形式，青天制作所将人类体验置于核心，增强了公众与其文化和社会结构的联系。 Founded in 2023 by Freja Bao, Tsing-Tien Making is an innovative architectural studio that approaches each project as a dialogue between historical roots and contemporary relevance. The studio’s name, meaning “Cyan Sky,” is derived from a traditional Chinese phrase highlighting the cultural significance of cyan in ancient China. With expertise spanning architectural design, renovation, art curation, and product design, Tsing-Tien Making aims to enrich public spaces by intertwining local cultural heritage with modern architectural sensibilities. Freja Bao’s international experience in the UK and Japan has deeply influenced her design philosophy, bridging cultural nuances with contemporary aesthetics. Under her leadership, Tsing-Tien Making’s design process begins with a profound respect for tradition, meticulously delving into historical narratives to craft designs that resonate with contemporary life. The studio’s projects are grounded in an architectural language that blends thoughtful material choices with spatial harmony, creating environments that are not only functional but also symbolically potent. Through projects such as the Suzhou Civic Cultural Center, Tsing-Tien Making manifests its commitment to community-centered architecture, reimagining public spaces as engaging, artistic landmarks. The studio’s focus on modularity and adaptability ensures each space can evolve with its community, fostering inclusivity and accessibility. By reinterpreting architectural forms, Tsing-Tien Making places human experience at the forefront, enhancing the public's connection to the cultural and social fabric of their environment. WEBSITE PROJECT

Stempel & Tesar Architects于2008年由扬·斯坦普尔与扬·雅库布·特萨尔共同创立，总部设于布拉格，专注于住宅建筑与公共建筑设计，是捷克当代建筑实践领域的重要事务所之一。事务所坚持严格的主创负责制，每一项目均由两位主持人直接主导，并由结构工程、建筑技术及景观设计等专业团队协同支持，长期与景观合作机构Terra Florida共同完成相关设计。事务所已完成逾百项建成作品，五度入选捷克《建筑师+》杂志百强事务所榜单，以场地回应、空间清晰度及对居住品质的持续关注，确立了其在当代捷克建筑实践中的专业地位。 < Back Stempel & Tesar Architects Czech Republic Stempel & Tesar Architects于2008年由扬·斯坦普尔与扬·雅库布·特萨尔共同创立，总部设于布拉格，专注于住宅建筑与公共建筑设计，是捷克当代建筑实践领域的重要事务所之一。 主持建筑师扬·斯坦普尔现任捷克技术大学建筑学院教授，是捷克建筑界最具代表性的人物之一。他早年就读于传奇性的SIAL工作室，后以联合主持人身份执掌ADNS建筑事务所，积累了跨越四十年的丰富实践经验。其设计哲学以对建造工艺、材料真实性及建筑持久使用品质的严格追求为核心。 联合主持人扬·雅库布·特萨尔具有国际化的教育背景，毕业于荷兰知名学府代尔夫特理工大学，并在简·德克尔斯建筑事务所完成专业实习，积累了深厚的荷兰空间文化与建构精度的实践训练。毕业返回布拉格后，应斯坦普尔教授之邀，两人共同创立了现在的事务所。 事务所坚持严格的主创负责制，每一项目均由两位主持人直接主导，并由结构工程、建筑技术及景观设计等专业团队协同支持，长期与景观合作机构Terra Florida共同完成相关设计。事务所已完成逾百项建成作品，五度入选捷克《建筑师+》杂志百强事务所榜单，以场地回应、空间清晰度及对居住品质的持续关注，确立了其在当代捷克建筑实践中的专业地位。 WEBSITE PROJECT

MRDK成立于2013年，作为名义合伙关系将两家独立的蒙特利尔事务所整合于同一协作空间之下：Guillaume Ménard Design和David Dworkind Architect，自成立以来已确立其在商业室内设计、住宅建筑以及细节导向型建筑语言创新领域的先锋地位。这家在加拿大蒙特利尔设有办公室的事务所通过设计对场地、客户、工匠和材料性的尊重整合，重新定义当代建筑师在北美设计话语中的角色。 < Back MRDK CANADA MRDK成立于2013年，作为名义合伙关系将两家独立的蒙特利尔事务所整合于同一协作空间之下：Guillaume Ménard Design和David Dworkind Architect，自成立以来已确立其在商业室内设计、住宅建筑以及细节导向型建筑语言创新领域的先锋地位。这家在加拿大蒙特利尔设有办公室的事务所通过设计对场地、客户、工匠和材料性的尊重整合，重新定义当代建筑师在北美设计话语中的角色。 MRDK为建筑实践带来了卓越的细节敏感性设计视角和对工艺驱动方法的深刻理解。该事务所因其创造每个元素都与中心叙事相关联的连贯空间体验的承诺而获得认可，满足使用者的功能需求和情感共鸣。其创新贡献体现在将客户愿景和需求转化为具有强烈材料性和空间品质的当代建筑语言的能力上。 该事务所的设计哲学强调建筑应该超越功能限制，不仅仅是为了满足实用需求而设计，更是为了与场地特质和使用者需求有机融合。通过对材料性和空间序列的深度关注，开展从餐饮空间到住宅别墅再到办公室内的多元化作品，相信最好的建筑是通过与熟练工匠密切合作、探索创新工艺和材料的精准和深思熟虑过程产生的语境响应式干预。MRDK相信建筑应该成为客户愿景的深刻表达，通过策略性的材料选择和创新空间组织创造独特的建筑体验。 除实践外，通过对美学与功能性的深思熟虑结合、工艺导向方法和材料创新的运用、以及经过验证的细节驱动设计智慧，MRDK已确立自己作为加拿大当代商业室内和住宅建筑话语重要贡献者的地位，创造出既具功能响应性又保持材料真实性的作品。在Guillaume Ménard和David Dworkind的持续领导下，该事务所目前在加拿大充满活力的建筑景观中占据独特地位，专注于创造通过材料性、空间序列和工艺敏感性来实现建筑品质的空间体验。 WEBSITE PROJECT

< 返回 “引庭”大连文化创意园区 如恩设计研究室 项目名称：引庭 - 大连文化创意园区 地点：大连 ， 中国 设计团队：如恩设计研究室 建筑面积：4631 m² 竣工时间：2025年 摄影：DONG 建筑影像, 朱润资 设计特色： 项目 - 总部位于上海的如恩设计研究室为大连一处被遗忘的工业园区注入新的生命力，将一组老化的化学研究院建筑群改造成"引庭"——一个颂扬适应性改造诗意的复合文化目的地。 这个4631平方米的项目解决了建筑学最引人深思的挑战之一：如何统一高度各异、立面迥异且经历数十年临时性改造的分散结构。如恩的解决方案既优雅又深刻——一个连续的耐候钢板墙体、屏风和雨棚系统环绕现有的U型建筑布局，将其完善为一个封闭的庭院，汲取传统中国园林设计的灵感。 引庭的独特之处在于其对阈限与过渡的精妙处理。设计并未强加单一的建筑语言，而是通过精心编排的材料对话来颂扬新旧之间的张力。选用原始耐候钢——因其工业相关性和记录时间流逝的能力而被选中——创造了一个次级立面层，在现有的灰泥建筑和改造后的内部空间之间进行调解。 功能规划同样周到，容纳了画廊、生活方式零售、酒店、电影院、剧场和办公空间，同时保持园区的内省特质。位于入口附近的公共图书馆作为对周边大学社区的欢迎姿态，而前工人宿舍则找到了作为现代办公空间的新用途。 最值得注意的是，如恩将曾经内向的停车场改造成以大型景石为中心的静思广场——这一举措强化了项目的园林品质，同时创造了一个远离城市喧嚣的庇护所。其结果是既尊重记忆又大胆拥抱转型的建筑，证明了适应性改造既可以是保护，也可以是重新发明。 设计团队 - 如恩设计研究室由郭锡恩和胡如珊于2006年在中国上海共同创立，已确立其在当代亚洲建筑领域的领军地位。在创始合伙人郭锡恩（美国加州大学伯克利分校建筑学学士、哈佛大学设计研究生院建筑学硕士）和胡如珊（台湾辅仁大学建筑学学士、普林斯顿大学建筑学硕士）的协作领导下，该事务所培养了严谨的设计方法论，优先考虑跨学科设计和文化完整性。 如恩的建筑哲学专注于对多样化建筑类型学的深入研究，特别强调材料表达和空间创新。事务所的方法综合了全球化视野和本土化敏感性，创造出在文化传承和现代功能方面都有所突破的场所响应式建筑。这种跨文化方法论使该事务所在过去十九年中处于中国建筑话语的前沿。 工作室对研究驱动设计的承诺在其对适应性改造技术的系统性探索中得到体现，最近在引庭项目中展现得淋漓尽致。在此项目中，如恩对新旧建筑语言融合系统和材料对话体系的掌握，充分体现了其在推进设计边界的同时尊重历史文脉的执着追求。 如恩在上海设有总部，维持着由来自全球各地的国际合作者组成的充满活力的团队，使用超过30种语言，为事务所不断演进的设计话语做出贡献。这种多元文化结构使该事务所能够以全球化意识和本土化理解来应对复杂的建筑挑战，确立了如恩作为中国乃至更广范围内当代建筑创作重要贡献者的地位。 Project Name: The Yard, Dalian Cultural Center Location: Dalian , China Design Team: Neri&Hu Design and Research Office Total Floor Area: 4631 m² Completion: 2025 Photography: DONG Image, Runzi Zhu Feature: Project - Neri&Hu Design and Research Office completed a striking adaptive reuse project in the heart of Dalian, transforming urban industrial heritage through innovative architectural language and thoughtful site integration. The Yard, Dalian Cultural Center converts a 40-year-old chemical research institute compound into a vibrant cultural destination, demonstrating the perfect synthesis of traditional industrial architecture with contemporary design thinking. The compound is strategically positioned near university campuses and software parks, this 4631-square-meter complex captures the innovative spirit of adaptive reuse while paying homage to the region's industrial memory. The project's most distinctive feature lies in its continuous weathering Corten steel system that transforms the original U-shaped building configuration into an enclosed courtyard space, creating a new spatial order through a series of walls, screens and canopies. Neri&Hu's ingenious design solution unifies 6 existing buildings with varying heights and distinct facades. The architects employed Corten steel as the primary surface material, chosen for its industrial relevance and capacity to record the passage of time through weathering processes. This material strategy creates a secondary facade layer that mediates between existing stucco facades and transformed interior spaces, generating architectural poetry through new-old dialogue. The compound's programming encompasses galleries, lifestyle retail, hospitality, cinema, theater, and office space. The former workers' dormitory has been converted into office space, while a small library positioned near the entrance serves the public and surrounding university community. Segmented yet continuous spaces create natural narrative pauses within the circulation path, allowing each functional area to shine within the broader cultural narrative. Most notably, the project transforms what was once an introverted parking lot into a contemplative plaza centered around a large rock feature, drawing inspiration from Chinese garden design principles. This demonstrates how contemporary adaptive reuse can push the boundaries of urban renewal possibilities while respecting historical memory. Design Team - Founded in 2006 by principals Lyndon Neri and Rossana Hu in Shanghai, China, Neri&Hu Design and Research Office has established itself as a pioneering force in contemporary Asian architectural practice, consistently bridging rigorous design methodology with cultural innovation technologies. With headquarters in Shanghai, the firm has established itself as a comprehensive interdisciplinary consultancy providing professional design services across diverse building typologies throughout China and the broader international region. Lyndon Neri, a graduate of University of California, Berkeley (Bachelor of Architecture) with a Master's degree from Harvard Graduate School of Design, co-leads the practice with principal Rossana Hu (Bachelor of Architecture from Fu Jen Catholic University, Taiwan, and Master of Architecture from Princeton University), bringing international academic background to their work. The Neri&Hu name reflects the foundational philosophy of achieving design excellence through cross-cultural collaboration------a principle that manifests throughout their comprehensive project methodology. The firm's design philosophy centers on thorough investigation of diverse building typologies, with particular emphasis on material expression and spatial innovation. This approach synthesizes global perspectives with localized sensibilities, yielding significant works from adaptive reuse projects to contemporary cultural institutions that demonstrate continuous advancement of place-responsive architecture that breaks through in both cultural heritage and modern functionality. Neri&Hu's mastery of new-old architectural language integration systems and material dialogue methodologies, along with applications of advanced adaptive reuse techniques, underscores their contribution to China's evolving architectural discourse. Their recent work on The Yard project exemplifies their persistent pursuit of pushing design boundaries while respecting historical contexts------positioning them as thought leaders in contemporary cross-cultural architectural practice. Neri&Hu maintains headquarters in Shanghai with a vibrant team composed of international collaborators from around the globe, speaking over 30 languages and contributing to the firm's continuously evolving design discourse. This multicultural structure enables the firm to address complex architectural challenges with global consciousness and localized understanding, establishing Neri&Hu as an important contributor to contemporary architectural creation in China and beyond. 设计团队 旅游探访 4631 m² 大连，中国 2025 前一项 后一项

< 返回 LIGHT UP COFFEE 三鹰店 Spicy Architects 设计特色： 项目 – Spicy Architects设计的 "LIGHT UP COFFEE 三鷹店"将一座旧车间改造成了一家充满魅力的咖啡馆兼烘焙坊。这座位于东京三鷹市的项目，将二层建筑的首层改造为开放式的烘焙空间，与咖啡馆无缝融合。项目的亮点在于将老板购入的一台1960年代德国制造的Probat UG22 咖啡烘焙机完美融入空间。建筑师听说这台机器曾启发老板对咖啡的热爱后，便萌生将其故事完美诠释于设计之意。设计师拆除了烘焙区与咖啡区的隔墙，让顾客能亲眼见证咖啡豆由生豆到上桌的全过程。原有的街边卷闸门在改造后可完全打开，将内外空间合而为一，让路人与咖啡馆保持亲密无间的联系。这种"街头客厅"的设计理念，让人们在喝咖啡的同时，仿佛置身于户外，与骑车经过的父子或遛狗的邻居无所隔阂。空间选用的是结节分明的实木红雪松，给人一种纯手工的质朴感，与这家手工烘焙咖啡馆的理念暗合，每一处木件接缝都是现场手工雕刻而成，映射出对咖啡烘焙工艺的赤子匠心。 团队 – Spicy Architects是一家2020年由山本稜创立的东京建筑设计事务所，因其巧妙的改建再利用项目而备受瞩目。事务所由山本稜领衔，他毕业于东京理科大学，并在里斯本Instituto Superior Técnico留学深造。该事务所善于发现现有建筑物内在的潜力，为每个委托项目注入全新的活力。他们最近完成的"LIGHT UP COFFEE 三鷹店"项目就体现出他们非凡的设计才华，将一家旧汽修厂改造成了引人入胜的咖啡馆兼烘焙坊。他们巧妙地将一台老式烘焙机融入空间，打造出一处沉浸式体验，弘扬着工匠精神与素材本真。Spicy Architects的作品体现出他们在商业室内、定制家具等多个领域的设计功力。他们的作品兼顾场域性，同时孕育着大胆的概念视野，能够压缩出空间的独特故事，为寻求真实设计体验的客户带来全新视角。这一支新锐设计力量展现出他们雕刻氛围空间、促进人与环境有意义联系的过人能力，Spicy Architects正逐步成为改建再利用设计领域的佼佼者。 Feature： Project - LIGHT UP COFFEE Mitaka by Spicy Architects is a captivating renovation that transforms a former auto repair shop into a vibrant cafe and roastery. The Tokyobased architects have adeptly repurposed the two-story building, dedicating the ground floor to an open roasting space seamlessly merged with the cafe area. A key highlight is the integration of a vintage 1960s Probat UG22 roasting machine, which sparked the idea for the project when acquired by the cafe's owner. Spicy Architects embraced the machine's romantic backstory, designing the interior to proudly showcase the roasting process. By omitting partitions between the roasting zone and cafe, visitors can witness the journey from green bean to freshly roasted coffee. The building's existing street-facing shutters have been ingeniously utilized, opening fully to dissolve the boundary between interior and exterior. This "street lounge" concept creates a liberated atmosphere where passersby on bicycles or walking dogs feel intimately connected to the cafe's vibrant setting. Material choices further enhance the artisanal ambiance, with solid cedar wood featuring pronounced knots evoking a handcrafted sensibility. Carefully assembled on-site, the detailing echoes the meticulous roasting process celebrated within this unique cafe experience. Design Team - Founded in 2020 by Ryo Yamamoto, Spicy Architects is a Tokyo-based architectural practice gaining recognition for its inventive adaptive reuse projects. Led by Yamamoto, who studied at Tokyo University of Science and Lisbon's Instituto Superior Técnico, the firm approaches each commission with a keen eye for uncovering latent potentials within existing structures. Their recent LIGHT UP COFFEE Mitaka exemplifies their design acumen, transforming a former auto repair shop into a captivating cafe and roastery. By deftly integrating elements like a vintage roasting machine, they craft immersive spaces that celebrate craftsmanship and material honesty. Spicy Architects' portfolio showcases a dexterity in programs ranging from commercial interiors to bespoke furniture pieces. Their work deftly balances contextual sensitivity with bold conceptual visions. With an ability to distill unique narratives, the firm brings a fresh perspective to adaptive reuse that resonates with discerning clients seeking authentic design experiences. As a rising creative force, Spicy Architects demonstrates an adept understanding of sculpting atmospheric spaces that foster meaningful connections between people and their surroundings. 设计团队 旅游探访 115.19 m² 日本，三鹰市 2024年 前一项 后一项

< 返回 反坡住宅 YH2 Architecture 项目名称：反坡住宅（Counter-Slope House） 地点：波顿，加拿大 设计团队：YH2 Architecture 建筑面积：420 平方米 竣工时间：2024 年 摄影：Maxime Brouillet 设计特色： 反坡住宅坐落于加拿大魁北克省波顿地区梅姆弗雷马戈格湖南岸，由蒙特利尔YH2建筑事务所设计，竣工于2024年，建筑面积约420平方米。这座住宅以一种克制而审慎的姿态嵌入陡峭坡地，在频繁被山影笼罩的湖岸地带，以建筑的沉静在场回应场地的原始力量。设计团队将项目定义为一次与地形的协同栖居实践，而非对场地的征服与改造。 这一项目最具辨识度的设计语言，在于两个相互关联的建筑体量所构成的片段式构图。每个体量均以双坡屋顶收顶，通过主坡与反坡的叠合，与周遭山地的棱角几何形成静默呼应，同时在视觉上分解了整体建筑的尺度感。住宅并未凌驾于地形之上，而是以刻意的轻盈姿态融入坡地，仿佛从来便生长于此。这一"反坡"的形态策略，既是对场地自然地貌的致敬，亦成为整个项目最深刻的场所叙事。 主体体量的屋顶被创造性地转化为一处观景台式露台，成为全案最富诗意的空间发明。在一个完全由下行坡势主导的场地中，这一水平面格外珍贵，它既是进入住宅的门槛，也是驻足远望湖景的高台，将进入建筑这一日常动作升华为一场景观沉思的仪式。主体建筑沿自然台地纵向展开，最大限度地减少开挖量，被动融入地形肌理。起居空间通过大面积落地玻璃完全向湖面敞开，室内地板向外延伸为露台，内与外的边界趋于消弭，构成建筑与自然的连续感知序列。 材料策略进一步深化了这一场地哲学。自然风化的雪松木包覆建筑外墙，与湖岸的矿物色调和植被色彩浑然相融。室内大量运用白橡木，营造温暖而宁静的居家气息，与窗外未被驯化的自然景观形成张力对比。精确布置的黑色建筑构件穿插于空间序列之中，如同视觉仪器，以电影般的精准构图将目光引向不同深度与维度的湖岸景观。反坡住宅是一场关于建筑如何居住于场地的深刻沉思，它以在场与退隐、建筑自信与谦逊姿态之间的精妙张力，实现了建筑对场所体验的主动揭示与深化。 设计团队： YH2建筑事务所由建筑师玛丽-克劳德·哈默兰与卢卡斯·雅各瓦基斯于1994年在蒙特利尔联合创立，三十年来已发展成为加拿大最具学术声誉且屡获殊荣的住宅建筑事务所之一。两位创始合伙人均毕业于蒙特利尔大学建筑学院，并各自携带深刻的实践积淀走入创业之路。雅各瓦基斯曾先后在建筑师梅尔文·查尼与马里奥·比奥卡的事务所完成建筑实习，积累了丰富的城市设计经验；哈默兰则曾参与丹尼尔·里布斯金德在意大利主持的建筑工作坊，并赴以色列大学进行学术访问交流。 事务所的核心理念是将建筑理解为场所营造的艺术，将其视为一种对现实进行严谨再造的创意工具。YH2刻意将项目承接数量控制在有限范围内，以确保每个委托项目均能获得主创团队的全程深度介入。每个项目均以整体视角展开推进，涵盖场地融合、概念设计、施工图文件、建筑细部及室内设计等全流程维度。事务所的形式语言精准而克制，摒弃一切冗余，每一构成元素均服务于整体的构图逻辑。 这一严格的设计方法论为YH2赢得了魁北克建筑师协会颁发的多次卓越奖项，涵盖"木构建筑"单户住宅类建筑卓越奖及"拉科隆比尔"单户住宅类建筑评审团一等奖。事务所同时荣获多项设计大奖，以及住宅、商业与酒店等多种建筑类型的国际奖项认可，在国际木构建筑奖住宅类中更斩获国际大奖。时至今日，事务所仍由两位创始人玛丽-克劳德·哈默兰与卢卡斯·雅各瓦基斯亲自主持，持续以场所精神、空间精准与材料诚实为核心语汇，推进加拿大建筑设计实践的边界探索。反坡住宅项目设计团队成员包括：卡尔·肖凯特（Karl Choquette）与丽莎·布斯梅（Lisa Busmey），充分体现了事务所深度协作的工作方式。 设计团队 旅游探访 4530 ft² 波顿，加拿大 2024 前一项 后一项

< 返回 BIJOUPIKO Fukui珠宝首饰店 Oniki Design Studio 项目名称：BIJOUPIKO Fukui 设计团队：Oniki Design Studio 面积：299.33 m² 地点：福井市，日本 设计特色： 项目 – 在日本福井郊区，ODS建筑事务所打造了一座突破传统零售设计的珠宝店。BIJOUPIKO福井店以其精妙的空间序列设计脱颖而出，将建筑本身转化为一场充满探索欲的奇妙之旅。 这座作品最引人注目的特点在于其精巧的建筑构图，巧妙地在截然不同的空间体验之间营造和谐对话。建筑核心是一个双层零售区，以温暖的棕色调墙面打造出私密氛围——这一精心的设计选择为婚戒的挑选提供了理想环境。 中心区域的两侧是双层挑高的开放空间，呈现出完全不同的空间品质。这些通透的展示区采用纯净的白色装修，北立面采用整面落地玻璃，东西两侧则巧妙设置了高窗，确保空间内充满柔和而持续的自然光线，将过渡空间升华为超凡脱俗的体验场所。 为应对当地气候特点，建筑采用了实用的人字坡屋顶以抵御大雪，同时融入了一处可从室内欣赏的枯山水花园。这种将户外元素巧妙整合的手法扩展了视觉体验的边界。 这座建筑面积达299平方米，于2024年4月竣工，位于福井新干线站延伸段开通后约15分钟车程处。它开创了零售建筑的新典范，通过精心编排的空间序列提升购物体验。BIJOUPIKO福井店展现了建筑叙事如何能够升华珠宝选购的仪式感，让顾客在光线、空间与材质中展开一段难忘的探索体验。 团队 – Oniki Design Studio（ODS）由Koichiro Oniki于2015年创立，现已发展成为日本最具创新力的建筑设计事务所之一。该事务所专注于突破传统界限的空间设计，并于2017年正式改制为股份公司。事务所的业务范畴横跨建筑设计、室内设计和展览设计领域，其作品以精妙的空间序列和卓越的体验品质著称。 主创建筑师Koichiro Oniki 1977年生于东京，童年时期在英国度过，这段经历为其注入了独特的国际视角。在早稻田大学完成建筑学业后，他首先加入了日本顶尖建筑设计公司日建设计（Nikken Sekkei）。随后在全球知名设计工作室nendo担任首席空间设计总监长达十年，主导了众多国际项目，这段经历深刻塑造了事务所现今的设计理念。 目前为止，事务所斩获了诸多重要奖项，包括2023年ELLE DECO设计大奖之日本最佳室内设计奖、多次荣获Sky设计大奖金奖（2020-2023年），以及2017年Architizer A+大奖评委会奖等。事务所的作品组合涵盖零售空间、文化场所和定制室内设计，每一个项目都完美诠释了他们对打造沉浸式建筑体验的不懈追求。 现任核心设计团队通过跨学科的设计方法和对细节的精益求精，持续推动着空间设计的边界。该事务所以其精准的设计语言、细腻的空间营造和对使用者体验的深入思考在业界备受推崇。其作品不仅展现了对建筑空间的深刻理解，更体现了当代日本设计美学的精髓。 Project：BIJOUPIKO Fukui Team：Oniki Design Studio Size：299.33 m² Location：Fukui City, Japan Feature： Project - In the suburban landscape of Fukui, Japan, architect Koichiro Oniki of ODS has crafted a jewelry store that transcends conventional retail design. BIJOUPIKO Fukui emerges as a masterful exploration of spatial sequencing, where the architecture itself becomes an invitation to wander and discover. The project's most striking feature lies in its thoughtful architectural composition, which orchestrates a harmonious dialogue between contrasting spatial experiences. At its core, a sophisticated two-story volume houses the main retail area, characterized by its warm brown-toned walls and intimate atmosphere – a deliberate choice that creates an ideal environment for the considered selection of bridal rings. This central space is flanked by double-height voids that introduce an entirely different spatial quality. These light-filled galleries, finished in pristine white, feature full-height glazing on the northern façade and carefully positioned clerestory windows on the east and west elevations. This configuration ensures a constant, diffused natural illumination that transforms these transitional spaces into ethereal volumes. Responding to the local climate, the building adopts a practical gabled roof designed to withstand heavy snowfall, while incorporating a contemplative rock garden visible from the interior. This thoughtful integration of exterior elements extends the visual journey beyond the building's confines. The 299-square-meter structure, completed in April 2024, represents a new typology in retail architecture where the shopping experience is elevated through a carefully choreographed sequence of spaces. Located just 15 minutes by car from the newly extended Shinkansen station at Fukui, BIJOUPIKO demonstrates how architectural narrative can enhance the ritual of jewelry selection, creating a memorable journey through light, space, and material. Design Team - Founded in 2015 by Koichiro Oniki, ODS (Oniki Design Studio) has established itself as one of Japan's most innovative architectural practices, specializing in spatial design that transcends conventional boundaries. The studio, which reorganized as a corporation in 2017, operates at the intersection of architecture, interior design, and exhibition design, delivering projects characterized by their sophisticated spatial sequences and attention to experiential quality. Principal architect Koichiro Oniki, born in 1977 in Tokyo, brings a unique international perspective to the practice, shaped by his formative years in the United Kingdom. Following his architectural studies at Waseda University, Oniki honed his expertise at Nikken Sekkei, one of Japan's leading architectural firms. His decade-long tenure as Chief Spatial Design Director at nendo, where he spearheaded numerous international projects, significantly influenced the studio's current design philosophy. Under Oniki's leadership, the firm has garnered prestigious accolades, including the 2023 ELLE DECO Design Awards for Best Japanese Interior Design, multiple Sky Design Awards Gold Prizes (2020-2023), and the 2017 Architizer A+ Award Jury Winner. The practice's portfolio spans retail environments, cultural spaces, and bespoke interiors, each exemplifying their commitment to creating immersive architectural experiences. The current design team, including key members Keisuke Fujiki, Hiroyuki Tanimoto, and Sakura Itazaki, continues to push the boundaries of spatial design through their interdisciplinary approach and meticulous attention to detail. 设计团队 旅游探访 299.33 m² 福井市，日本 2024 前一项 后一项

< 返回 南昌保利大剧院 PES-Architects 项目名称： 南昌保利大剧院 地点： 南昌，中国 设计团队： PES-Architects 建筑面积： 45000 m² 完工时间： 2024年 摄影师： Yuhao Ding，Virgile Bertrand 设计特色： 项目 - 由芬兰PES建筑事务所设计的南昌保利大剧院正式落成，这座位于江西省省会的标志性文化建筑以其独特的透光陶瓷表皮惊艳亮相。这座总建筑面积达45000平方米的文化综合体坐落于风景优美的九龙湖畔，作为南昌市南部新城快速发展区域的文化地标，展现出令人瞩目的建筑魅力。 建筑最显著的特色在于其创新性的立面系统——以中国白瓷为灵感的陶瓷遮阳百叶帘立面。这种经过先进结构模拟设计、由钢索支撑的精密外表皮系统，巧妙地诠释了当地著名的透光米瓷工艺传统。该设计不仅在空间的内外渗透中营造出动态的视觉效果，同时也具备实用的遮阳功能。 项目由1600座的歌剧厅、450座的多功能厅以及文化中心三大功能板块构成，通过一条贯穿建筑的中央公共通廊有机串联。这条具有传统中国街巷特质的公共空间不仅强化了建筑与周边环境的联系，更通过咖啡厅、展览和各类文化活动为建筑注入持续的活力。 室内设计彰显出传统与创新的完美融合。演艺空间采用防火处理的染色竹材包覆，其中主歌剧厅的有机曲面设计不仅确保了最佳声学效果，其灵感源自九龙湖的涟漪，与竹材和陶土色调的内饰相得益彰，营造出温润质感的空间氛围。 可持续性贯穿整个设计过程，从陶瓷立面的被动式降温功能，到屋顶太阳能收集系统与雨水回收利用装置，无不体现出对环境的深度考量。作为2024年竣工的重点文化项目，南昌保利大剧院成功实现了文化象征、环境意识与建筑创新的完美统一，为中国当代表演艺术场馆树立了新的范式。 团队 - 成立于1968年的PES建筑事务所由Pekka Salminen教授在赫尔辛基创立，现已发展成为芬兰最具国际影响力的建筑设计机构之一。在萨米宁教授的远见卓识引领下，事务所凭借其在复杂建筑挑战方面的创新方法获得了全球认可，特别是在表演场馆和文化设施领域的卓越成就。 事务所的项目组合展现了跨类型的非凡创造力，从荣获中国土木工程詹天佑奖的福州海峡文化艺术中心，到技术先进的赫尔辛基机场航站楼扩建工程。他们的作品以精湛的材料应用著称，这一点在其开创性的陶瓷系统运用和可持续设计解决方案中得到充分体现。 总部位于赫尔辛基的PES建筑事务所拥有超过100名来自不同国际背景的专业人士，并于2011年在上海成立了子公司，成功架起了欧亚建筑传统的桥梁。事务所采用综合设计方法，涵盖建筑设计、室内设计、城市规划、结构工程和项目管理，特别注重建筑信息模型（BIM）和可持续技术的应用。 近期代表作包括南昌保利大剧院（2024年）和无锡大剧院，这些项目都充分展现了事务所在文化建筑领域的专长，成功实现了场地语境敏感性与技术创新的和谐统一。他们的项目始终展现出对表演空间声学、可持续建筑系统和创新材料应用的深刻理解。 Project Name: Nanchang Grand Theatre Location: Nanchang, Jiangxi Province, China Design Team: PES-Architects Building Area: 45,000 m² Completion Date: 2024 Photographers: Yuhao Ding, Virgile Bertrand Feature： Project - Finnish architecture firm PES-Architects has unveiled the Nanchang Grand Theatre, a striking cultural complex in China's Jiangxi Province that masterfully blends traditional materials with contemporary design. The 45,000-square-metre structure stands as a translucent ceramic-clad cube beside the scenic Jiulong Lake, serving as the cultural heart of Nanchang's rapidly developing South New City district. The building's most distinctive feature is its innovative facade system - a delicate "veil" of China White ceramic louvers that draws inspiration from the region's celebrated rice porcelain tradition. This sophisticated exterior envelope, engineered through advanced structural modeling and supported by steel cables, creates a dynamic interplay between interior and exterior spaces while providing practical solar shading. Housing a 1,600-seat opera hall, a 450-seat multipurpose venue, and a cultural centre, the complex is organized around a central public passage that functions like a traditional Chinese street. This thoroughfare not only connects the building to its surroundings but also animates the space with cafes, exhibitions, and events throughout the day. The interior spaces showcase a thoughtful material palette that combines tradition with innovation. The performance venues are clad in fireproof stained bamboo, with the main opera hall featuring organically shaped, acoustically optimized surfaces inspired by Jiulong Lake's rippling waters. This careful attention to materiality extends throughout the project, where bamboo and terracotta finishes create warm, tactile environments. Sustainability is integrated into every aspect of the design, from the ceramic facade's passive cooling properties to rooftop solar collectors and rainwater harvesting systems. Completed in 2024, the Nanchang Grand Theatre represents a sophisticated fusion of cultural symbolism, environmental consciousness, and architectural innovation, establishing itself as a new paradigm for contemporary performing arts venues in China. Design Team - Founded in 1968 by Professor Pekka Salminen in Helsinki, PES-Architects has established itself as one of Finland's most internationally acclaimed architectural practices. Under Salminen's visionary leadership, the firm has garnered worldwide recognition for its innovative approach to complex architectural challenges, particularly in performance venues and cultural facilities. The practice's portfolio demonstrates exceptional versatility across typologies, from the award-winning Fuzhou Strait Culture and Arts Center - recipient of the prestigious China Civil Engineering Zhan Tianyou Award - to the technologically advanced Helsinki Airport Terminal expansions. Their work is characterized by sophisticated material applications, as evidenced in their pioneering use of ceramic systems and sustainable design solutions. With headquarters in Helsinki employing over 100 professionals from diverse international backgrounds, and a wholly-owned subsidiary established in Shanghai in 2011, PES-Architects has successfully bridged European and Asian architectural traditions. The firm's integrated design approach encompasses architecture, interior design, urban planning, structural engineering, and project management, with a particular emphasis on Building Information Modeling (BIM) and sustainable technologies. Notable recent works include the Nanchang Grand Theatre (2024) and Wuxi Grand Theater, both exemplifying the firm's commitment to cultural architecture that harmoniously blends contextual sensitivity with technical innovation. Their projects consistently demonstrate a sophisticated understanding of performance space acoustics, sustainable building systems, and innovative material applications. 设计团队 旅游探访 45000 m² 南昌，中国 2024 前一项 后一项

< 返回 ASTILE广尾住宅 黑川智之建筑设计事务所 项目名称:ASTILE广尾住宅 地点:东京涉谷区,日本 设计团队:黑川智之建筑设计事务所 建筑面积:711.64 m² 竣工时间:2024年 摄影:中山保寛 设计特色: 项目 ：位于东京涉谷区成熟住宅地的ASTILE广尾,由黑川智之建筑设计事务所设计,展现了都市密度与宜居环境完美平衡的杰作表达。这座711.64平方米的集合住宅如精心编排的城市雕塑般矗立,重新定义了东京当代都市居住建筑的设计范式。 该设计最独特的特征是其创新的体量分节策略。建筑采用雁行式平面布局结合梯田状断面构成,将庞大的建筑体量分解为一系列相互关联的小型单元。这种分节手法创造了住宅地应有的人性尺度,使建筑能够与周围成熟社区的既有肌理建立和谐对话。通过将建筑斜向配置于基地,外周部产生了小型庭院空间,为居住者提供了自然渗透的场所,同时在视觉上减轻了高密度建筑对周边环境的压迫感。 建筑的核心设计理念体现在其对角线配置策略上。建筑相对于基地呈斜角布置,这一看似简单的手法产生了深远的空间效果。周边创造的小型庭院不仅确保了充足的采光与通风,更提供了视线的延伸与景观的开阔感。这些间隙绿地成为建筑与城市之间的缓冲带,创造出丰富的空间层次,让居住者在高密度都市环境中仍能感受到自然的存在。 立面处理展现了结构与环境的亲密关系。梯田状的退台设计使建筑随着高度逐层后退,每个单元都能获得充足的日照和开阔的视野。这种垂直层次结构不仅优化了每户的居住品质,更创造了动态的光影效果,使建筑在不同时刻呈现出丰富的表情变化。 项目的显着特色是其对当代生活方式的敏锐回应。一层设置了适合SOHO使用的长屋式住户,回应了在宅办公与多样化工作方式日益普及的社会趋势。这种职住一体的空间配置为居住者提供了灵活的生活可能性,同时也为街道层面带来了活力,增强了建筑与社区的互动关系。整个项目在追求高密度的同时,创造了让人能够感受自然、享受宁静的都市居住空间,实现了居住者舒适性与对地域开放姿态的双重目标。 设计团队 ：黑川智之建筑设计事务所成立于2012年,由黑川智之在东京创立,现已发展成为日本领先的建筑实践机构,以其在都市住宅设计和空间创新领域的卓越方法而闻名。事务所业务涵盖住宅、公共和商业项目,展现了卓越的设计实力。 在首席建筑师黑川智之的创意指导下,事务所领导着充满活力的设计团队。黑川智之生于1977年神奈川县,2001年毕业于东京工业大学工学部建筑学科,2003年完成东京工业大学大学院理工学研究科建筑学专攻硕士课程。他拥有丰富的国际经验,包括2008至2009年作为文化厅新进艺术家海外研修制度研修员在瑞士巴塞尔的赫尔佐格与德梅隆事务所工作,以及2010至2012年在隈研吾建筑都市设计事务所的实践经历。在此之前,他于2003至2008年在竹中工务店积累了扎实的建筑实践基础。 事务所的设计哲学聚焦于场所特性的精密解读与人性尺度的创造,超越单纯的功能性需求,追求创造与城市环境和谐共存的建筑生态。他们的设计方法论强调通过体量分节与空间层次的精心构建,在高密度都市中实现空间丰富性、自然光线、视野开阔与私密性的平衡,在居住者与环境之间建立深刻的情感联系。 显着成就包括2021年下马集合住宅获得优良设计奖,2022年大冈山集合住宅获得东京建筑奖集合住宅部门优秀奖,2023年KEITOKU大楼获得优良设计奖,以及2025年国立台地获得TECTURE奖建筑集合住宅类别第一名和优良设计奖,同年广尾集合住宅也获得优良设计奖,验证了他们对建筑创新的持续承诺。自2018年起,黑川智之担任一般社团法人日瑞建筑文化协会理事兼事务局长,并自2022年起在昭和女子大学环境设计学部担任非常勤讲师,2025年起在武藏野大学工学部建筑设计学科任教。目前,建筑事务所承接多个都市住宅项目,同时维持对建筑教育和文化交流的积极参与。黑川智之建筑设计事务所通过涵盖集合住宅、保育园和商业建筑的多样化作品集,在日本当代建筑领域建立了新的典范,展现出对环境敏感性和空间品质的持续承诺。 设计团队 旅游探访 711.64 m² 东京，日本 2024 前一项 后一项

< 返回 上海蒂芙尼太古里门店 MVRDV 设计特色： 荷兰建筑事务所MVRDV为蒂芙尼在上海太古里前滩的最新力作，堪称奢华珠宝与建筑创新的完美融合。这家荷兰公司将店铺外立面打造成一道令人目眩神迷的景观，装饰了近7000颗手工制作的玻璃"钻石"，向这个标志性珠宝品牌的传统致敬。 这个引人注目的外观在上海高端购物区的中心地带成为一个大胆的宣言。白天，外立面栩栩如生，每一个玻璃元素都反射并折射周围环境，创造出闪烁变幻的视觉效果。夜幕降临时，整合的变色LED照明系统让商店能够散发出多种色彩，包括品牌标志性的蒂芙尼蓝®。设计的精妙之处在于其看似简单却蕴含深意。MVRDV的方法将蒂芙尼的传统与前沿建筑技术完美结合，打造出一个吸引路人驻足的三维画布。精心设计的结构确保了可持续性，每个组件都考虑到了未来的拆解和回收利用。 通过汲取上海缤纷天际线的灵感，MVRDV为蒂芙尼的全球形象创造了一个本地化诠释。这个项目不仅提升了品牌的视觉形象，还为零售建筑设立了新标准，将艺术、技术和奢华完美融合，成为城市中一颗难忘的明珠。 MVRDV's latest creation for Tiffany & Co. in Shanghai's Taikoo Li Qiantan retail development is a dazzling testament to the fusion of luxury jewelry and architectural innovation. The Dutch firm has transformed the store's facade into a mesmerizing spectacle, adorning it with nearly 7,000 handcrafted glass "diamonds" that pay homage to the iconic jeweler's legacy. This striking exterior serves as a bold statement in the heart of Shanghai's high-end shopping district. During daylight hours, the facade comes alive as each glass element reflects and refracts its surroundings, creating a shimmering, ever-changing display. As night falls, the integration of color-changing LED lighting allows the store to radiate in a spectrum of hues, including the brand's signature Tiffany Blue®. The design's brilliance lies in its deceptive simplicity. MVRDV's approach marries Tiffany's heritage with cutting-edge architectural techniques, resulting in a three-dimensional canvas that captivates passersby. The carefully engineered structure ensures sustainability, with each component designed for future disassembly and recycling. By drawing inspiration from Shanghai's vibrant skyline, MVRDV has created a localized interpretation of Tiffany's global presence. This project not only elevates the brand's visual identity but also sets a new standard for retail architecture, seamlessly blending art, technology, and luxury in an unforgettable urban jewel. 设计团队： MVRDV建筑事务所于1993年由维尼·马斯（Winy Maas）、雅各布·范赖斯（Jacob van Rijs）和娜塔莉·德弗里斯（Nathalie de Vries）共同创立，如今已成为创新建筑设计和城市规划领域的先锋。目前，除创始合伙人外，弗朗斯·德维特（Frans de Witte）、福克·莫雷尔（Fokke Moerel）、石文倩（Wenchian Shi）、扬·克尼克（Jan Knikker）和贝特朗·希潘（Bertrand Schippan）也加入领导团队。这家总部位于鹿特丹的公司已经在全球扩张，在上海、巴黎、柏林和纽约都设有办事处。 MVRDV的设计方法以严谨的研究、多学科协作和对可持续性的承诺为特征。他们内部的气候团队确保每个设计都符合生态环保理念，而MVRDV NEXT则不断推动计算机辅助设计和技术集成的边界。该公司的作品涵盖了令人印象深刻的多种建筑类型，从鹿特丹标志性的混合用途建筑Markthal到具有重要文化意义的项目，如博伊曼斯·范伯宁恩美术馆藏品库。 MVRDV的作品经常挑战传统建筑规范，比如地拉那金字塔的改造项目和天津滨海图书馆等。在300多名专业人士的努力下，MVRDV持续塑造着建筑和城市规划的未来。他们强调创意、功能性和社会责任的设计理念赢得了国际赞誉和众多奖项。通过其附属智库"未来工厂"（The Why Factory），MVRDV还为学术讨论做出贡献，构想未来城市，并不断推动建筑思想的边界。 Founded in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, MVRDV has established itself as a vanguard in innovative architectural design and urban planning. Now led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, this Rotterdam-based firm has expanded globally with offices in Shanghai, Paris, Berlin, and New York. MVRDV's approach is characterized by rigorous research, multidisciplinary collaboration, and a commitment to sustainability. Their in-house Climate Team ensures eco-conscious designs, while MVRDV NEXT pushes the boundaries of computational design and technology integration. The firm's portfolio spans an impressive range of typologies, from mixed-use developments like the iconic Markthal in Rotterdam to culturally significant projects such as the Depot Boijmans Van Beuningen. MVRDV's work often challenges conventional architectural norms, as seen in projects like the Pyramid of Tirana transformation and the Tianjin Binhai Library. With a team of over 300 professionals, MVRDV continues to shape the future of architecture and urbanism. Their design philosophy, which emphasizes creativity, functionality, and social responsibility, has garnered international acclaim and numerous awards. Through their associated think tank, The Why Factory, MVRDV also contributes to academic discourse, envisioning future cities and pushing the boundaries of architectural thought. 设计团队 旅游探访 533 m² 中国，上海 2024年 前一项 后一项

< 返回 北京艺术中心 SHL + Perkins&Will 项目名称：北京艺术中心 设计团队：SHL+Perkins&Will 面积：125350 m² 地点：中国，北京 设计特色： 项目 – 在历史传承与现代设计的完美融合中，北京艺术中心崛起为大运河畔的文化地标。由 SHL+Perkins&Will 联袂打造，这座多功能艺术综合体重新诠释了场地的丰富遗产，将古老粮仓的遗志转化为现代"文化容器"。 项目由三个独特的建筑体量组成，分别容纳歌剧院、剧院和音乐厅，通过起伏的屋顶结构统一在一起，呼应传统“粮仓”的轮廓。这一建筑手法不仅致敬场地的过往，更在北京天际线上塑造了令人过目难忘的视觉形象。建筑折叠式立面巧妙地结合了运河船帆和舞台幕布的流动感，将历史背景与戏剧魅力完美融合。 功能性和美学在设计中得到和谐统一，每栋建筑都根据其特定的表演需求量身定制。尤其是歌剧院，其形态经过精心设计以满足严格的声学标准，充分体现了这种融合。创新的可持续特征，包括穿孔铝板和"海绵"景观设计，凸显了项目对环境管理的承诺。 通过共享平台将各个建筑连接并延伸至周围景观，中心鼓励公众参与，为联合国教科文组织世界遗产大运河提供了新的观景点。建筑与环境的这种互动打造了一个充满活力的文化中心，不仅举办世界级演出，还重振了滨水区，势必成为本地居民和游客青睐的活力目的地。 团队 – 施密特·哈默·拉森建筑事务所（SHL），始创于1986年丹麦奥胡斯，已然崛起为全球建筑界的翘楚。该事务所的作品涵盖文化、教育、商业和住宅等多个领域，始终站在北欧设计原则的前沿，荣获逾百项国内外殊荣，彰显其卓越实力。 事务所的设计理念深植于民主、可持续性和社会责任等核心价值观，塑造了众多享誉全球的标志性建筑。SHL的建筑哲学超越了单纯的美学追求，致力于创造与文化共鸣、改变使用者环境认知的空间。这一理念体现在他们对场地环境、光线和材料的精心考量中。 SHL 在2018年与Perkins&Will的合并更是扩大了其全球影响力，尤其在可持续设计领域。事务所在参数化设计、建筑信息模型（BIM）和先进环境分析方面的专长，使其能够创造出前沿的、性能导向的建筑作品。 SHL通过哥本哈根、奥胡斯和上海的办事处，以协作性和研究导向的方法开展项目。他们的作品完美融合了斯堪的纳维亚极简主义与创新科技，不仅视觉冲击力强，还兼具高度功能性和环保意识。这种独特的艺术视野与技术实力的结合，使SHL持续引领当代建筑实践的潮流。 Project：Beijing Performing Arts Centre Team：Schmidt Hammer Lassen + Perkins&Will Size：125350 m² Location：Beijing, China Feature： Project - In a striking fusion of historical reverence and contemporary design, the Beijing Performing Arts Center emerges as a cultural landmark along the banks of the Grand Canal. Designed by Schmidt Hammer Lassen and Perkins&Will, this multi-functional art complex reimagines the site's rich heritage, transforming the legacy of ancient granaries into a modern "container of culture." The center's three distinct volumes, housing an opera house, theatre, and concert hall, are unified by swooping roof structures that echo the silhouette of traditional storehouses. This architectural gesture not only pays homage to the site's past but also creates a visually captivating presence on the Beijing skyline. The buildings' folding facades ingeniously reference both the sails of canal boats and the fluid movement of stage curtains, seamlessly blending historical context with theatrical allure. Functionality and aesthetics coalesce in the design, with each structure tailored to its specific performance requirements. The opera house, in particular, demonstrates this synthesis, its form meticulously shaped to meet demanding acoustic standards. Innovative sustainable features, including perforated aluminum panels and a "sponge" landscape design, underscore the project's commitment to environmental stewardship. Connected by a shared platform that extends into the surrounding landscape, the center invites public engagement, offering new vantage points of the UNESCO-listed Grand Canal. This interplay between architecture and environment creates a dynamic cultural hub that not only hosts world-class performances but also revitalizes the waterfront, promising to become a vibrant destination for both locals and visitors alike. Design Team - Schmidt Hammer Lassen Architects (SHL), founded in 1986 in Aarhus, Denmark, has emerged as a powerhouse in the global architectural landscape. With a portfolio spanning cultural, educational, commercial, and residential projects, SHL has consistently pushed the boundaries of Nordic design principles, earning over 100 national and international accolades. The firm's design philosophy, deeply rooted in concepts of democracy, sustainability, and social responsibility, has shaped iconic structures worldwide. SHL's approach to architecture transcends mere aesthetics, focusing on creating spaces that resonate culturally and transform users' understanding of their environment. This ethos is evident in their meticulous attention to context, light, and materiality. Under the leadership of partners Kristian Lars Ahlmark, Chris Hardie, Kasper Frandsen, Morten Schmidt, Kim Holst Jensen, and Sanne Wall-Gremstrup, SHL continues to evolve. Their 2018 merger with Perkins&Will has further amplified their global impact, particularly in sustainable design. The firm's expertise in parametric design, building information modeling (BIM), and advanced environmental analysis allows them to create cutting-edge, performance-driven architecture. From their offices in Copenhagen, Aarhus, and Shanghai, SHL tackles projects with a collaborative, research-based approach. Their work exemplifies a harmonious blend of Scandinavian minimalism and innovative technology, resulting in buildings that are not just visually striking but also highly functional and environmentally conscious. This unique combination of artistic vision and technical prowess continues to position SHL at the forefront of contemporary architectural practice. 设计团队 旅游探访 125350 m² Beijing, China 2023 前一项 后一项

< 返回 尼尔坎贝尔赛艇中心 MJMA Architecture & Design 设计特色： 项目 – 全新启用的尼尔·坎贝尔赛艇中心展现了可持续设计的卓越性。该中心座落于加拿大圣凯瑟琳斯的Henley赛艇场，这座近500平米的建筑为精英运动员们提供全年训练的同时，也达到净零能源和碳排放的标准。该建筑由MJMA建筑设计事务所设计，结构形体来自一种创新性的木结构屋顶系统，使用加拿大胶合板材料。精简钢柱将屋顶结构高高提起，建立室内外保护空间，将赛艇运动员活动与水面顺势相连。包容性设计是建筑的重要一环，其提供无障碍空间和全性别洗手间以最大限度地提高可及性。玻璃、钢材和木材组成简约却坚固的材料语言，构成标志性建筑外立面，营造温暖内部空间的同时也提供高性能建筑围护结构。被动式日照控制和高效机械系统实现净零运营，并致力于获得生命力建筑挑战（Living Building Challenge简称LBC）认证。作为社区的新中心，该中心为运动员和观众提供广受欢迎的荫凉，成为开阔景观中既存在建筑的绝佳衬托。其面向未来的、可持续主导的设计体现了典型划艇建筑集会中心的传统。 团队 – MJMA建筑设计事务所成立于1988年的多伦多，在社区建筑领域已有30余年的创新设计经验。最初从一个设计竞赛中脱颖而出的娱乐综合体项目开始，现在MJMA发展成为一家屡获殊荣的设计公司，推动着社区中心的建筑类型发展。公司初始的三位创始合伙人John MacLennan, Viktors Jaunkalns和David Miller奠定了致力于水域和娱乐项目的卓越设计理念。随着公司在安大略省的强大作品组合不断扩大，后来加入的合伙人Filarski，Allen和Watson继承了可持续、易于访问和公共导向建筑的领导力。目前，公司由多位合伙人共同领导，MJMA在自我认同、团结一致和集体责任的环境指导下，继续设计公共、教育和康乐领域建筑。 Feature： Project - The newly opened Neil Campbell Rowing Centre demonstrates sustainable design excellence. Located in St. Catharines, Canada along the Henley Rowing Course, the 5,700 square foot facility provides elite athletes with year-round training while achieving Net Zero Energy and Carbon Emission benchmarks. Designed by MJMA Architecture & Design, the building's form is generated by an innovative mass timber roof system made of Canadian glue-laminated and cross-laminated timber. Held aloft by minimal steel columns and a centralized service core, the dynamic roof structure establishes protected indoor/outdoor spaces and connects rowers to the water. Inclusive design was integral, with universal areas and all-gender washrooms maximizing accessibility. A simple yet robust material palette of glass, steel and wood envelops the space in warmth while supporting a high-performance building envelope. Passive sun control and efficient mechanical systems enable net-zero operations and pursue Living Building Challenge certification. As the new heart of the Henley Island community, the Centre provides athletes and spectators welcoming shade and amenity amongst the open landscape and existing structures. Its forward-thinking, sustainably-driven design realizes the tradition of the classic boathouse as a gathering hub for water sports. Design Team - Founded in Toronto in 1988, MJMA has innovated in community architecture for over 30 years. Originating from a competition-winning recreation complex design, MJMA has grown into an award-winning firm advancing the community center typology. Early partners MacLennan, Jaunkalns and Miller established a commitment to design excellence focused on aquatic and recreation projects. As the firm expanded its robust portfolio across Ontario, subsequent partners Filarski, Allen and Watson upheld leadership in sustainable, accessible, civic-minded buildings. Currently led by principals Burbidge, Dolyniuk, Ng and partners Belanger, Allen and Watson, MJMA continues to design institutional, academic and recreational architecture guided by identity, connectivity and responsible environmental stewardship. 设计团队 旅游探访 529 m² St. Catharines, CANADA 2023 前一项 后一项

Ming Architects由建筑师Tan Cher Ming于2015年在新加坡创立，专注于当代独立住宅的建筑与室内设计。Tan Cher Ming于2007年毕业于墨尔本大学，创立事务所前曾在Arc Studio、SCDA Architects与WOHA Architects等新加坡建筑事务所工作近十年，积累了住宅建筑、室内空间与热带环境设计经验。 < Back Ming Architects Singapore Ming Architects由建筑师Tan Cher Ming于2015年在新加坡创立，专注于当代独立住宅的建筑与室内设计。Tan Cher Ming于2007年毕业于墨尔本大学，创立事务所前曾在Arc Studio、SCDA Architects与WOHA Architects等新加坡建筑事务所工作近十年，积累了住宅建筑、室内空间与热带环境设计经验。 事务所将建筑与室内视为不可分割的整体，强调为不同场地、家庭结构和生活方式建立专属回应。团队的住宅作品通常以充足日光、自然通风、自然景观和克制的触觉材料为共同线索，并通过挑空、庭院、天窗、可操作立面与被框取的视野，让现代主义的清晰体量适应新加坡的热带气候。 Tan Cher Ming是新加坡注册建筑师及新加坡建筑师学会会员，并亲自参与从概念草图到交付的完整过程。Glade House由他担任主创建筑师，Erica Chan担任项目建筑师；项目获得2025年International Excellence Awards铂金奖、ADC Awards住宅设计金奖及Houzee Awards独立住宅建筑金奖。事务所此前亦凭Carve House获得2022年Singapore Tatler Homes Design Awards最佳建筑概念奖。 WEBSITE PROJECT

< 返回 Tinyleaf 户外小屋 GO'C 设计特色： 项目 – 坐落于梅索谷（Methow Valley）腹地的"珍叶小屋"（Tinyleaf Cabin）是GO'C建筑事务所在紧凑居住和可持续设计方面的杰作。这座15英尺×22英尺的前哨站巧妙地依山而建，作为未来开发的先驱，让业主能比传统建筑方式更早地享受到这里壮丽的景观和全年的休闲机会。 小屋的设计充分展现了因地制宜的建筑艺术，通过精心挑选的材料与周围环境完美融合。钢制外墙和混凝土墙面呼应了自然景观的色调，确保"小屋"无论在哪个季节都仿佛与这片土地浑然一体。 这个项目的与众不同之处在于其对空间利用的创新方法。内部设计堪比船舱，是空间效率的典范。每一寸空间都通过巧妙的储物方案和多功能元素得到最大化利用，从带隐藏抽屉的升高床铺到拉出式储物板，无不体现匠心独运。这种周到的设计让小小的空间感觉意外地宽敞舒适。 小屋与户外的联系是重中之重，南立面的大片玻璃推拉门将自然景观引入室内。平坦的屋顶既可作为露台空间，又能在冬季存积雪提供保温效果。一条线性天窗为后墙洒下自然光，进一步模糊了室内外的界限。 这座户外小屋堪称极简主义奢华的典范，证明了通过智慧设计，即使是最小的空间也能提供舒适、实用性和与自然的深度连接。 团队 – GO'C是一家诞生于美国太平洋西北地区的获奖建筑设计工作室，自成立以来一直致力于推动富有表现力的本土化建筑设计的边界。由创始合伙人Jon Gentry和Aimée O'Carroll领衔，这家事务所将实用主义与想象力巧妙融合，打造出一系列深度契合环境的场地特定作品。 GO'C的作品组合涵盖住宅、商业和艺术导向的公共空间，每个项目都体现了理性设计与艺术表达相结合的深刻理念。他们的设计过程植根于民主化方法，鼓励集体探索并挑战传统等级制度。这种理念使他们在2018年荣获了美国建筑师协会（AIA）西北太平洋地区新锐事务所奖。 该工作室的作品以其触感性著称，通过对场地、材料和工艺的深入研究来指导概念探索。从备受赞誉的Tinyleaf小屋到创新的Mini Mart City Park项目，GO'C始终呈现出形式与功能完美平衡的杰作。 核心团队包括合伙人Jon Gentry和Aimée O'Carroll，以及建筑师Max Hunold和设计师Wenya Zhao。GO'C持续培养协作式的设计理念，他们的方法既严谨又大胆，将富有创意的想法转化为切实可行的方案，服务于客户、社区和自然景观。 Feature： Project - Nestled in the heart of the Methow Valley, Tinyleaf Cabin by GO'C is a masterclass in compact living and sustainable design. This 15'x22' outpost, ingeniously bermed into the hillside, serves as a precursor to future development, allowing the client to embrace the site's dramatic views and year-round recreational opportunities sooner than traditional building approaches would permit. The cabin's design is a testament to the power of contextual architecture, seamlessly blending with its surroundings through carefully chosen materials that age gracefully. Steel cladding and concrete walls echo the natural palette of the landscape, ensuring Tinyleaf appears as if it has always been part of the site, regardless of the season. What sets Tinyleaf apart is its innovative approach to space utilization. The interior, reminiscent of a ship's cabin, is a marvel of efficiency. Every inch is maximized through clever storage solutions and multi-functional elements, from a raised bed with concealed drawers to pull-out pantry panels. This thoughtful design allows the small footprint to feel surprisingly spacious and livable. The cabin's connection to the outdoors is paramount, with large glazed sliding doors on the south facade inviting the landscape in. A flat roof doubles as a deck space while providing thermal benefits by retaining snow in winter. A linear skylight washes the rear wall with natural light, further blurring the lines between inside and out. Tinyleaf Cabin stands as a beacon of minimalist luxury, proving that with intelligent design, even the smallest spaces can offer comfort, functionality, and a deep connection to nature. Design Team - Founded in the Pacific Northwest, GO'C is an award-winning architecture and design studio that has been pushing the boundaries of contextual and expressive architecture since its inception. Led by founding partners Jon Gentry and Aimée O'Carroll, the firm brings together a unique blend of practicality and imagination to create site-specific works that enrich their surroundings. GO'C's portfolio spans residential, commercial, and arts-focused civic spaces, with each project demonstrating a deep commitment to rational design fused with artistic expression. Their process is rooted in a democratic approach, fostering collective exploration and challenging conventional hierarchies. This ethos has led to numerous accolades, including the AIA Northwest and Pacific Region Emerging Firm Award in 2018. The studio's work is characterized by its tactile nature, with a close study of site, material, and craft guiding their conceptual exploration. From the award-winning Tinyleaf Cabin to the innovative Mini Mart City Park, GO'C consistently delivers projects that showcase a masterful balance of form and function. With a core team that includes partners Jon Gentry and Aimée O'Carroll, along with architect Max Hunold and designer Wenya Zhao, GO'C continues to cultivate a collaborative design ethos. Their approach is as rigorous as it is daring, turning brave ideas into tangible realities that serve clients, communities, and landscapes alike. 设计团队 旅游探访 8 m² Mazama，United States 2024 前一项 后一项

< 返回 贝壳之家 Alhumaidhi Architects 项目名称：贝壳之家 地点：阿卜杜拉萨利姆，科威特 设计团队：Alhumaidhi Architects 建筑面积：1788平方米 竣工时间：2025年 设计特色： Alhumaidhi Architects 在科威特阿卜杜拉萨利姆区一处转角地块上完成了贝壳之家，这座建筑面积达1788平方米的住宅以流动的曲线形态重新诠释了传统庭院住宅，从贝壳的有机形态中汲取灵感，外壳坚实而具有防护性，内部却开放、温润、充满生机。项目核心是一处种植丰茂的亲密庭院，泳池居中而设，从主要起居区与家庭健身房均可一览无余，成为整座建筑在空间与情感层面的双重锚点。建筑温柔地环绕这一核心展开，一系列柔和的曲线界定了建筑的整体形态，并引导着贯穿始终的空间体验。 住宅沿三个层次的室外空间徐徐展开，每一层次均经过精心定位，以最大化私密性、开放感与全年可用性。地面层，主要起居区直接通向遮阴花园与泳池区域，落地推拉板连接着退让花园，令居者得以自由切换封闭与开放两种状态。上方，宽敞的阳台露台延伸了上层起居室，构成一处在眺望与私密之间保持平衡的抬升户外厅堂。整段空间旅程终结于屋顶，日光室与全面玻璃围合的房间共同呈现出城市全景，是一处逃离日常、沉思凝望与视觉释放的场所。 建筑策略以连续性与场地关联为核心。建筑体量逐级退让，由街道一侧望去，整栋住宅宛如单层建筑，而在内部却沿垂直方向徐徐展开，光线充盈的露台由此形成。这一处理方式柔化了建筑的城市界面，层叠种植的植被不仅提供了私密屏障，更将阳光过滤引入室内，投下随时间流转的生动光影，并改善全年的热工舒适性。材料选择以气候适应性与触感品质为导向，浅调灰泥与柔和石材的组合既能反射科威特强烈的日照，又与周遭沙漠地景形成自然呼应，而以本土耐旱植物为核心的种植策略，则彰显了设计对可持续性与低维护生活方式的承诺。贝壳之家是一次对克制、亲密与空间慷慨的研究，以内敛取胜却宽广开放，雕塑感十足却宁静从容，扎根于传统却大胆指向未来。 设计团队： Alhumaidhi Architects 成立于1992年，总部位于科威特，是一家综合性建筑设计事务所，历经三十余年的持续深耕，在住宅与商业建筑领域构建起多元而卓越的项目档案，业务覆盖本地及海湾地区。事务所现由主持建筑师 Abdulaziz AlHumaidhi 领衔，他毕业于罗德岛设计学院，同时持有建筑学与美术双学位，凭借超过21年的从业经验，以其将当代设计语言与科威特文化传承及气候背景深度融合的能力，在区域建筑领域树立了鲜明的设计立场。 事务所以设计即遗产作为核心哲学，将每一个项目视为对场地条件、文化语境与业主生活方式的精准回应。设计方法论强调从概念生成到施工落地的全周期介入，注重空间逻辑的清晰性与材料语言的严谨性，并将可持续策略纳入设计框架的最初阶段，以确保建筑在视觉品质、气候适应性与社会责任三个维度上达到高度统一。 在 Abdulaziz AlHumaidhi 的带领下，事务所将技术深度与探索性的设计态度相结合，持续推进以创新、精确与持久价值为核心的建筑实践。其项目档案涵盖定制豪宅及商业建筑等多种类型，每一件作品均是对所在场地与文化背景的定制化诠释，将功能合理性、文化相关性与美学卓越性融为一体，在海湾地区建筑设计领域持续彰显其不可忽视的专业地位。 设计团队 旅游探访 1788 m² 阿卜杜拉萨利姆，科威特 2025 前一项 后一项

< 返回 AEAJ 绿色露台 隈研吾建筑都市设计事务所 设计特色： 项目 – 这座位于东京涩谷核心地带的AEAJ绿色露台，由隈研吾建筑都市设计事务所设计，将大自然与建筑完美融合。这个令人着迷的文化设施为日本芳香环境协会而建，其惹人注目的造型宛如一棵优雅的树木。这个项目真正的精髓在于它精心组装的方式，小小的105毫米x105毫米日本杉木板块巧妙地交错编织而成别致通透的立面。玻璃外壳内，木质格栅散发温暖的木香气息，遍布整个空间，让人身临其境地沉浸在多感官体验中，感受木材的芳香。隈研吾在设计中巧妙地融合结构元素，精心调整钢材尺寸使之与纤细的木质构件相得益彰。如此和谐的材料组合令内部空间显得透亮通逸，仿佛建筑本身就是延伸自拥抱它的大自然。从巧夺天工的悬挑平台上，可一览明治神宫前的林木苍翠，细心构思的立面造型，与丹下健三标志性作品代代木国家体育馆隔铁路相望，形成独特的对比。AEAJ绿色露台堪称隈研吾构筑人与自然深厚联系空间的杰作。 团队 – 1990年，著名日本建筑师隈研吾（1954年生）创立了隈研吾建筑都市设计事务所(Kengo Kuma and Associates，简称KKAA)。经过多年发展，该事务所已成为全球领先且富有经验的情境驱动设计公司，在东京、巴黎、北京和上海均设有办事处，在40多个国家完成了众多创新项目，巧妙融合建筑与自然环境。隈研吾的设计理念强调与场地的深度联系，巧妙运用自然材料，通过细致入微的干预手法，打造出既尊重当地文化与生态，又能提升人文体验的建筑作品。从大型文化设施到尺度宜人的度假别墅，KKAA的作品涵盖多种尺度和类型，但无一例外地体现了可持续发展和对人与环境关系的深刻理解。在隈研吾的带领下，KKAA不断推进当代建筑的边界，融合创新技术和传统工艺，实现了远见卓识的设计，重塑了建筑环境的角色定位。迈入第四个十年，KKAA凭借卓越的设计品质和持续的创新精神，已经成为建筑及设计行业的全球重要力量。 Feature： Project - Nestled in the heart of Shibuya, Tokyo, the AEAJ Green Terrace by Kengo Kuma & Associates offers a breathtaking fusion of nature and architecture. This captivating cultural facility, designed for the Aroma Environment Association of Japan, beckons visitors with its striking form that emulates the graceful silhouette of a tree. The true genius of this project lies in its meticulous assembly, where small 105mm x 105mm Japanese cypress pieces interlock to create an intricate, permeable façade. Encased within a glass envelope, the wooden latticework exudes a warm, woody fragrance that permeates the entire space, immersing occupants in a multi-sensory experience that celebrates the aroma of wood. Kengo Kuma's design seamlessly blends the structural elements, with steel members carefully scaled to complement the delicate wooden components. This harmonious marriage of materials lends the interior a sense of lightness and transparency, as if the structure itself is an extension of the natural world it seeks to embrace.From the cleverly cantilevered terrace that offers panoramic views of the verdant Jingumae woods, to the thoughtful contrast with Kenzo Tange's iconic Yoyogi National Gymnasium across the railway tracks, the AEAJ Green Terrace stands as a remarkable testament to Kengo Kuma's mastery of crafting spaces that foster a profound connection between people and nature. Design Team - Founded in 1990 by renowned Japanese architect Kengo Kuma, Kengo Kuma and Associates (KKAA) has established itself as a global leader in thoughtful, context-driven design. With a team of highly skilled professionals across offices in Tokyo, Paris, Beijing, and Shanghai, the firm has completed innovative projects in over 40 countries, seamlessly blending architecture with the natural environment. Kuma's design philosophy emphasizes a deep connection to place, using natural materials and sensitive interventions to craft buildings that elevate the human experience while respecting local cultures and ecologies. From large-scale cultural institutions to intimate residential retreats, KKAA's portfolio showcases a mastery of scale and typology, united by a commitment to sustainability and an innate understanding of how architecture can foster meaningful relationships between people and their surroundings. With Kuma at the helm, KKAA continues to push the boundaries of contemporary architecture, integrating innovative technologies and traditional craftsmanship to realize visionary designs that redefine the role of the built environment. As the firm enters its fourth decade, its reputation for excellence and innovation continues to grow, solidifying its position as a global leader in the field. 设计团队 旅游探访 491 m² 日本，涩谷市 2023年 前一项 后一项

< 返回 "dots n"农业住宅综合体 阿曽芙実建筑设计事务所 项目名称：dots n 地点：淡路市 ， 日本 设计团队：阿曽芙実建筑设计事务所 建筑面积：53.82 m² 竣工时间：2024年 摄影：小川重雄 / 小川重雄写真事务所 设计特色： 项目 - 日本阿曽芙实建筑设计事务所在兵库县淡路市完成了一个由五栋住宅单元组成的项目，每栋都配有私人花园，旨在为有志从事农业的人们提供城乡生活之间的过渡体验。该项目受淡路市委托作为市政设施建设，既满足了城市居民重新连接农业生活的日益增长的愿望，同时也解决了农村人口流失和耕地荒废的问题。 设计理念的核心是创造一个既现代又怀旧的"独属于此地的风景"。建筑师通过独特的寄棟屋顶形式实现了这一概念，屋顶顶部设有通风塔，精心定位以最大程度减少对周围农田的阴影影响。每栋50平方米的住宅都配有同等面积的私人地块，营造出鼓励亲身参与农业活动的亲密尺度。 该项目最具创新性的特色在于其空间布局，基于传统日式"田の字"网格平面，创造了户外农业活动与室内生活空间之间的无缝流动。这种配置允许居民直接从园艺工作过渡到宽敞的遮蔽区域，然后穿过土间客厅，最终进入主要室内空间——全程都可以穿着泥靴。这种刻意模糊室内外界限的做法体现了独特的农业生活方式，与城市住宅典型的清晰分隔形成鲜明对比。 材料性在将建筑植根于当地环境中发挥着关键作用。认识到淡路岛缺乏林业资源但拥有丰富的粘土传统，建筑师在整个项目中融入了当地采购的土质材料。屋顶瓦片、土墙、门把手甚至门牌都取材于岛上的粘土文化遗产，创造了微妙而有意义的地域连接。 该项目采用租赁模式运营，最长五年的租期旨在提供真正的农业体验，同时为居民和当地社区保持灵活性。五个单元已全部入住，证明了对这种过渡性乡村生活安排的巨大需求，为城市居民提供了通往农业生活的便捷途径。 设计团队 - 阿曽芙实建筑设计事务所由主持建筑师阿曽芙实于2006年创立，已确立其作为专注于住宅和社区建筑的杰出事务所地位，致力于将当代设计与深厚的文化共鸣相结合。事务所总部位于神户，秉承着每栋建筑都承载着嵌入式历史——场所历史、委托方愿景和设计经验——这些必须被精心编织到新的建筑叙事中的设计理念。 阿曽芙实毕业于金泽工业大学，为事务所带来了近二十年的设计专业经验。她的设计方法强调语境敏感性和材料真实性，这在获奖项目如淡路市"dots n"农业住宅综合体中尤为明显，该项目将传统日式空间概念与当代乡村生活需求无缝融合。 事务所的设计方法论以深入的场地分析和客户协作为核心，始终如一地创造出既具创新性又深深植根于环境的建筑。这种方法获得了重要认可，包括2019年获得著名的渡边节奖、2022年获得日本建筑家协会北陆支部建筑文化奖，以及2024年被日本建筑设计学会评选为年度建筑师。 在阿曽芙实的领导下，事务所继续探索如何通过设计来应对当代社会挑战，同时尊重定义特定场所建筑身份的文化和环境语境。 Project Name: dots n / Agricultural Housing Complex Location: Nodao District, Awaji City, Hyogo Prefecture , Japan Design Team: FUMIASO ARCHITECT & ASSOCIATES Total Floor Area: 53.82 m² Completion: 2024 Photography: Shigeo Ogawa / Shigeo Ogawa Photography Office Feature: Project - FUMIASO ARCHITECT & ASSOCIATES completed an innovative agricultural housing complex in Nodao District, Awaji City, Hyogo Prefecture, seamlessly integrating five residential units with private farming plots to provide urban residents with a unique transitional living experience towards agricultural life. This groundbreaking project, commissioned by Awaji City as a municipal facility, addresses rural depopulation and abandoned farmland issues while fulfilling urbanites' growing desire to reconnect with the land. The project's most distinctive feature lies in its spatial arrangement based on the traditional Japanese "ta-no-ji" grid plan, creating seamless transitions from outdoor farming activities to interior living spaces. Each approximately 50-square-meter dwelling is paired with an equally sized private agricultural plot, establishing an intimate scale that encourages hands-on agricultural engagement. The hip-roof design crowned with ventilation towers ensures the buildings cast minimal shadows on surrounding farmland from any direction. FUMIASO ARCHITECT & ASSOCIATES ' design philosophy centers on creating "landscapes that feel both new and nostalgic, unique to this place alone." The architects ingeniously connected large eaves spaces, earthen-floor living areas, and main residential zones, allowing residents to transition directly from garden work into interior spaces while wearing muddy boots, embodying a distinctly agricultural way of living that contrasts sharply with urban residential conventions. Material selection is deeply rooted in local cultural traditions. Recognizing Awaji Island's lack of forestry resources but rich clay heritage, the architects incorporated locally-sourced earth materials throughout the project. Roof tiles, earthen walls, door handles, and even nameplates all draw from the island's clay traditions, creating profound cultural connections to place. The building's strategic positioning captures layered landscapes from serene terraced rice fields to sparkling ocean surfaces, extending to Osaka's urban skyline in the distance. This design approach establishes subtle balance between urban consciousness and rural tranquility, allowing residents to experience "time unique to this place alone." Most notably, the dots n project demonstrates how contemporary residential architecture can achieve social functionality while creating living spaces intimately connected to traditional agricultural culture, establishing a new paradigm for Japanese rural revitalization and urban-rural exchange. Design Team - Founded in 2006 by principal architect Fumi Aso, FUMIASO ARCHITECT & ASSOCIATES has established itself as a distinguished practice specializing in residential and community-focused architecture that bridges contemporary design with deep cultural resonance. Based in Kobe, the firm operates under Design Director Fumi Aso's leadership, with core team members including Saya Baba and other professionals, adhering to the philosophy that every building carries embedded histories. Principal architect Fumi Aso graduated from Kanazawa Institute of Technology with a Master's degree in Architecture, bringing nearly two decades of design expertise to the practice. Her approach emphasizes contextual sensitivity and material authenticity, a philosophy that permeates projects ranging from residential renovations to community facilities. The firm's design philosophy of "the client's aspirations become the architecture itself" demonstrates deep understanding and respect for client visions. FUMIASO ARCHITECT & ASSOCIATES ' methodology centers on intensive site analysis and client collaboration, consistently producing architecture that feels both innovative and deeply rooted in its environment. This approach has garnered significant recognition, including the prestigious Watanabe Setsu Prize at the 63rd Osaka Architecture Competition in 2019, the Hokuriku Architecture Culture Award from the Japan Institute of Architects Hokuriku Branch in 2022, and selection as Architects of the Year 2024 by the Japan Architectural Design Association. The firm's commitment to sustainability and future-oriented design is evident in its diverse portfolio, from award-winning residential projects like Hat house to community facilities like dots n, demonstrating excellence across different project scales and complexities. Through unique cultural sensitivity and professional excellence, FUMIASO ARCHITECT & ASSOCIATES continues to shape Japan's contemporary architectural landscape while maintaining strong client relationships and community engagement. The firm actively participates in architectural education and social activities, with Fumi Aso serving as part-time lecturer at Mukogawa Women's University and Setsunan University. Through various exhibitions, lectures, and workshops, the practice contributes to the preservation and development of Japanese architectural culture, establishing itself as an important voice in contemporary cross-cultural architectural discourse. 设计团队 旅游探访 53.82 m² 淡路市，日本 2024 前一项 后一项

JAK Architecture是一家位于澳大利亚维多利亚州的建筑事务所，工作室分布在墨尔本Clifton Hill与贝拉林半岛Point Lonsdale。团队以住宅新建和既有建筑改造为主要实践方向，重视场地、光线、景观、材料与地方历史，并通过可持续材料和低环境影响的建造方式，创造温暖、舒展且富有个性的生活空间。 < Back JAK Architecture Australia JAK Architecture是一家位于澳大利亚维多利亚州的建筑事务所，现由建筑师Jackson Wylie主持，工作地点分布于墨尔本Clifton Hill与贝拉林半岛Point Lonsdale。团队服务范围覆盖墨尔本、贝拉林半岛、Surf Coast与Otway Ranges，实践重点包括住宅新建、扩建与既有建筑更新。 事务所强调对场所的深入回应，从每块基地的光线、景观、质感与历史出发组织建筑。团队希望创造温暖、舒展且具有个性的生活空间，并通过符合伦理来源的材料、可持续施工方法和克制的环境介入，降低建筑对自然的负担。面对改造项目，JAK Architecture重视既有结构的可用价值；面对新建住宅，则让尺度、构造、室内与户外生活围绕具体地形和家庭需求形成整体。 事务所近年的代表性住宅项目包括Barwon Heads的Wood House、Point Lonsdale的Fellows House、Newtown的Hermitage House以及Thornton的Cathedral House。Cathedral House是一座245平方米的乡村周末住宅，以L形体量、中央庭院、木材与板模混凝土回应山坡、山火风险和大教堂山脉景观，体现了团队以场所为先、兼顾耐久性与日常生活体验的设计方向。 WEBSITE PROJECT