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< 返回 伦巴洛斯特大楼 Moriyama Teshima Architects 项目名称：Limberlost Place 地点：多伦多，加拿大 建筑事务所： Moriyama Teshima Architects 建筑面积：18884 m²（203,330 ft²） 完工时间：2025年 摄影：doublespace photography，Tom Arban 设计特色： 伦巴洛斯特大楼以十层之姿耸立于多伦多东部滨水区，是乔治布朗学院（George Brown College）委托建造的校园建筑，由森山特希马建筑事务所与阿克顿奥斯特里建筑事务所（Acton Ostry Architects）联合设计，于2025年竣工。这座建筑被广泛认定为全球第一座高层公共木构建筑，以约18884平方米的建筑面积容纳了学院建筑学院、布鲁克菲尔德可持续发展研究所、行政办公室、健身中心、托儿所及活动空间，设计容量达3400名学生。 建筑的设计立意根植于场地的原住民命名“Tkaronto”，意为“水中有树生长之处”，将生态记忆与文化认同融入日常学习体验之中。铜色调的外立面赋予建筑鲜明的地标性格，面向城市的大面积玻璃将室内温暖的木构肌理向外展示，形成建筑内外之间的视觉对话。 走进建筑，入口层名为“学习景观”（Learning Landscape）的公共大厅令人印象深刻。粗壮的黑云杉柱如密林般直立，最重者达两万两千磅；格栅状木质表面将自然光过滤成斑驳光影；两座九层高的太阳能烟囱通过纯被动通风向室内输送新鲜空气，无需任何机械能耗。专设的“呼吸室”配备橡木桌面与舒适声学环境，支持使用者的身心健康与专注体验。建筑顶层的活动空间则提供多伦多湖滨与城市天际线的全景视野。 在工程技术层面，设计团队与结构工程师Fast + Epp合作，研发出一套全新的结构体系，将胶合木柱（Glulam）、CLT混凝土板带与CLT填充板相结合，在严格的建筑高度限制内实现了十层楼无柱9米净跨空间。这一方案以纤细的构件呈现宽阔的室内，突破了木构建筑常与笨重体量相关联的固有印象。该结构创新已向行业开源共享，推动了加拿大及省级建筑法规的修订，为未来一代大型木构建筑树立了可供参照的技术范本。 设计团队： 森山特希马建筑事务所（Moriyama Teshima Architects，简称MTA）由雷蒙德·森山（Raymond Moriyama）与泰德·特希马（Ted Teshima）于1958年创立于多伦多，其核心信念是：建筑本质上是一种公民行为。事务所的创立深受创始人早年亲历流离与排斥经历的影响，由此形成了以尊严、民主与社会包容为核心的价值框架，并贯穿于此后历代实践之中。 安大略科学中心与日裔加拿大人文化中心等早期公共建筑委托项目，奠定了MTA在形式创新与公共性营造两个维度上的专业声誉。在现任主持建筑师卡罗尔·菲利普斯（Carol Phillips）与菲尔·西尔弗斯坦（Phil Silverstein）的带领下，事务所持续深化这一专业脉络，将工作重心拓展至低碳设计与大型木结构创新领域，同时积极推动技术知识的行业共享。 事务所曾荣获2022年“重新思考未来建筑、建造与设计奖”卓越创新奖，并于2025年入选Architizer A+奖“加拿大最佳三十家建筑与设计事务所”名单。伦巴洛斯特大楼在设计与建造过程中共接待逾350次参观访问，并荣获24项国际设计、可持续性及工程奖项，印证了MTA作为当代公共建筑领域领军实践者的深厚积累。历经六十余年的持续耕耘，森山特希马建筑事务所始终将建筑视为推动公共利益的核心手段。 设计团队 旅游探访 18884 m² 多伦多，加拿大 2025 前一项 后一项

Ming Architects由建筑师Tan Cher Ming于2015年在新加坡创立，专注于当代独立住宅的建筑与室内设计。Tan Cher Ming于2007年毕业于墨尔本大学，创立事务所前曾在Arc Studio、SCDA Architects与WOHA Architects等新加坡建筑事务所工作近十年，积累了住宅建筑、室内空间与热带环境设计经验。 < Back Ming Architects Singapore Ming Architects由建筑师Tan Cher Ming于2015年在新加坡创立，专注于当代独立住宅的建筑与室内设计。Tan Cher Ming于2007年毕业于墨尔本大学，创立事务所前曾在Arc Studio、SCDA Architects与WOHA Architects等新加坡建筑事务所工作近十年，积累了住宅建筑、室内空间与热带环境设计经验。 事务所将建筑与室内视为不可分割的整体，强调为不同场地、家庭结构和生活方式建立专属回应。团队的住宅作品通常以充足日光、自然通风、自然景观和克制的触觉材料为共同线索，并通过挑空、庭院、天窗、可操作立面与被框取的视野，让现代主义的清晰体量适应新加坡的热带气候。 Tan Cher Ming是新加坡注册建筑师及新加坡建筑师学会会员，并亲自参与从概念草图到交付的完整过程。Glade House由他担任主创建筑师，Erica Chan担任项目建筑师；项目获得2025年International Excellence Awards铂金奖、ADC Awards住宅设计金奖及Houzee Awards独立住宅建筑金奖。事务所此前亦凭Carve House获得2022年Singapore Tatler Homes Design Awards最佳建筑概念奖。 WEBSITE PROJECT

< 返回 Galeriah 住宅 Okha arquitetura e design 项目名称： Galeriah House 地点： 圣若泽杜斯坎普斯，巴西 设计团队： Okha arquitetura e design 主创建筑师： Priscila Pereira 建筑面积： 880 m² 竣工时间： 2024年 摄影： Nelson Kon 设计特色： 项目 - 巴西建筑工作室 Okha arquitetura e design 在圣若泽杜斯坎普斯完成了一座雕塑般的住宅新作品，通过其棱角分明的突出部分和动态立面元素，挑战了传统住宅的几何形态。 这座名为 Galeriah House 的住宅面积为880平方米，是在全球疫情期间为一对寻求与户外空间最大化连接的夫妇设计的。这座房子的独特形态体现在其刻意的非正交体量设计，以及一个由铝制遮阳板模块组成的精致第二表皮，创造出一个不断变化的内部立面。 该项目最引人注目的特色是其多功能画廊空间——房屋也因此得名——专门设计了没有任何干扰的墙面用于展示业主的艺术收藏。这种对艺术策展的重视延伸至整个房屋的材质选择中，建筑师 Priscila Pereira 采用了克制的材料搭配，主要使用了 Cosentino 的达克·密瓷（Dekton）材料，呈现出咖啡色和浅色中性色调的对比。 这座双层住宅巧妙地安排了流畅的空间序列，从咖啡色调的入口模块开始，过渡到更明亮、通透的空间。上层设有一间健身房，可以俯瞰保护完好的绿地，通过一个雕塑般的螺旋楼梯与主卧套房和地面层的休闲区域相连。 为了响应靠近帕拉伊巴河的平坦地形特点，设计通过宽敞的开口将室内空间与配备游泳池的大型休闲区域相连，最大限度地实现了室内外生活的融合。西立面的模块化遮阳板系统具有双重功能——既为卧室提供私密性，又在全天候创造动态的光影效果。 该项目展现了当代巴西住宅建筑在平衡私密性与开放性、形式精致与功能明确、艺术表现与实用生活空间方面的卓越能力。 团队 – Okha arquitetura e design 由建筑师 Priscila Pereira 于2010年创立，已成为巴西当代建筑领域的重要力量。工作室的名称源自"Oca"——意为传统的无内部分隔的原住民住所，这反映了他们创造连贯、整合空间体验的设计理念。 工作室位于圣若泽杜斯坎普斯，从 Pereira 在20世纪80年代于乌巴图巴的早期建筑观察，发展成为专注于高端住宅和商业项目的多学科工作室。Pereira 于2001年毕业于布拉斯库巴斯大学（Universidade Braz Cubas），现与主要团队成员包括来自陶巴特大学（Universidade de Taubaté）的 Cristiane Zanella 和来自帕拉伊巴河谷大学（Universidade do Vale do Paraíba）的 Ana Beatriz de Paula 共同领导事务所。 工作室的设计方法强调空间流动性和以用户为中心的解决方案，这在最近完成的 Galeriah House（2024）等项目中得到充分体现。他们的作品以对体量构成、材料表达和环境融合的精妙理解为特征。 Okha 的作品集展示了他们在创造建筑大胆又充满场地敏感性设计方面的专业知识。该事务所发展出独特的建筑语言，将巴西现代主义传统与当代空间创新相结合，成为巴西建筑话语中一个值得注意的贡献者。 Project Name: Galeriah House Location: São José dos Campos, Brazil Design Team: Okha arquitetura e design Lead Architect: Priscila Pereira Building Area: 880 m² Completion Year: 2024 Photography: Nelson Kon Feature： Project - Brazilian architecture studio Okha arquitetura e design has completed a sculptural residence in São José dos Campos that challenges conventional residential geometry through its angular projections and dynamic facade elements. Named Galeriah House, the 880-square-metre dwelling was conceived during the pandemic for a couple seeking to maximize their connection to outdoor spaces. The house's distinctive form is characterized by its deliberately non-orthogonal volumes and a sophisticated second skin of aluminum brise-soleil modules that create an ever-changing internal facade. The project's most striking feature is its multifunctional gallery space – from which the house derives its name – designed with uninterrupted walls specifically for displaying the owners' art collection. This dedication to art curation extends throughout the house's materiality, where architect Priscila Pereira employed a restrained palette dominated by Cosentino's Dekton surfaces in contrasting tones of coffee and light neutral. The two-storey residence orchestrates a fluid progression of spaces, beginning with a coffee-toned arrival module that transitions into lighter, airier volumes. The upper level houses a gym with views over preserved greenery, connected to both the master suite and ground-floor leisure areas via a sculptural spiral staircase. Responding to the site's flat topology near the Paraíba River, the design maximizes indoor-outdoor living through generous openings that connect interior spaces to a substantial leisure area featuring a swimming pool. The western facade's modular brise-soleil system serves dual purposes – offering privacy to the bedrooms while creating dynamic light patterns throughout the day. The project exemplifies contemporary Brazilian residential architecture's ability to balance privacy with openness, formal sophistication with functional clarity, and artistic expression with practical living spaces. Design Team - Founded in 2010 by architect Priscila Pereira, Okha arquitetura e design has established itself as a significant force in contemporary Brazilian architecture. The firm's name, derived from "Oca" - meaning a traditional indigenous dwelling without internal divisions - reflects their philosophy of creating cohesive, integrated spatial experiences. Based in São José dos Campos, the practice evolved from Pereira's early architectural observations in Ubatuba during the 1980s to become a multidisciplinary studio specializing in high-end residential and commercial projects. Pereira, who graduated from Universidade Braz Cubas in 2001, leads the firm alongside key team members including Cristiane Zanella from Universidade de Taubaté and Ana Beatriz de Paula from Universidade do Vale do Paraíba. The studio's design methodology emphasizes spatial fluidity and user-centric solutions, demonstrated in projects like the recently completed Galeriah House (2024). Their work is characterized by a sophisticated understanding of volumetric composition, material articulation, and environmental integration. Okha's portfolio showcases their expertise in creating architecturally bold yet contextually sensitive designs. The practice has developed a distinctive architectural language that combines Brazilian modernist traditions with contemporary spatial innovations, establishing themselves as a noteworthy contributor to Brazil's architectural discourse. 设计团队 旅游探访 880 m² 圣若泽杜斯坎普斯，巴西 2024 前一项 后一项

< 返回 高峰森林幼儿园 山下贵成建筑设计事务所 设计特色： 项目 – 一条蜿蜒的小路通向"高峰森林幼儿园"这座别出心裁的幼儿园，它由山下贵成与姜英雅共同设计。整个建筑沐浴在连绵起伏的森林绿荫之中，由8座曲线柔和的馆式建筑环绕而成，仿若依循自然地形蜿蜒盘旋。设计师们精心考虑了如何为不同年龄段的孩子营造既能互动交流、又能保持适当距离的成长环境。他们的解决方案是让各个馆式建筑环绕一个中央庭院，视野得以贯通，但同时每座建筑又有独立出入口，私密性不受影响。一座起伏蜿蜒的大屋顶将众多建筑巧妙联系成一个有机整体，其流畅的曲线恰如大自然地势的建筑化诠释。深深垂落的曲檐遮蔽出一片柔和过渡空间，让内外界限变得模糊渗透。建筑与自然在这里达成了一种诗意的对话，天窗营造出点点斑驳森光洒进室内，绿色景观被拥抱在僻静的角落，宛若建筑本身就是森林的延伸。 团队 – 山下贵成建筑设计事务所创立于2015年，是一家总部位于东京的设计机构，由山下贵成和姜英雅共同领衔。凭借对环境脉络细腻入微的建筑理念，该事务所迅速获得了国际认可。山下贵成出生于1980年的福冈县，毕业于东海大学建筑系及东京艺术大学研究生院后，在著名的妹岛和世事务所SANAA任职逾10年，参与了多个重要项目，锻炼出了扎实的专业素养。2017年姜英雅也加入了事务所，她也曾在SANAA工作，毕业于多伦多大学建筑学院和宾夕法尼亚大学研究生院。这支跨国设计团队将日本建筑传统底蕴与国际视野完美融合。他们凭借对材质、几何体型和光影运用的精湛驾驭，打造出如获奖的"河口湖幼儿园"和"森之诊所"等作品，营造出与环境融和谐一体的温馨人性化空间。通过在京都艺术大学等高校的教学任职以及多次荣获大奖，山下贵成建筑设计事务所很快就成为了日本最值得关注的新锐力量之一，为世人表达一种精致而富有童趣的环境融合建筑理念。 Feature： Project - A winding path leads through a densely forested site to the Takane no Mori Nursery School, an ingeniously designed childcare facility by Takashige Yamashita + Young-A Kang. Nestled amongst the rolling terrain, the nursery comprises eight gently curving pavilions arranged in a circular plan that embraces the natural landscape. The architects carefully considered how to provide children of different ages with an environment that nurtures interaction while maintaining appropriate separation. Their solution allows all the pavilions to open onto a shared courtyard at the center, enabling visual connections, while each pavilion has its own discrete entrance from the encircling path. A sweeping, undulating roof ties the pavilions together into a cohesive whole, with its curved form conceived as an architectural echo of the site's undulating topography. Deep overhanging eaves create sheltered transitional zones, blurring the boundaries between inside and out. Throughout, the nursery establishes a poetic dialogue between built form and nature. Openings punctuate the roof to draw dappled forest light into the interiors, while sheltered corners embrace small trees, making the forest feel like an extension of the architecture itself. Design Team - Founded in 2015, Takashige Yamashita Office is a Tokyo-based practice led by principal Takashige Yamashita and partner YoungAh Kang. The firm has rapidly gained international recognition for its sensitive, contextual designs that poetically integrate architecture with the natural environment. Takashige Yamashita, born in Fukuoka in 1980, studied architecture at Tokai University and Tokyo University of the Arts before joining celebrated firm SANAA, where he honed his skills on prominent projects for over a decade. In 2017, he was joined by Kang, who brought experience from positions at SANAA and the Architectural Association's Design Research Lab after studying at the University of Toronto and University of Pennsylvania. This multigenerational, multinational team combines a grounding in Japanese architectural tradition with global perspectives. Their projects, such as the awardwinning Kawaguchiko Toranoko Nursery School and Mori no Clinic, demonstrate a deft handling of materiality, geometry, and lighting to create warm, humane spaces deeply attuned to their settings. With academic appointments at institutions like Kyoto Arts University and several prestigious awards, Takashige Yamashita Office has rapidly become one of Japan's most promising emerging practices, offering a refined yet playful vision of environmental integration. 设计团队 旅游探访 1008.69 ㎡ 日本，静冈县御殿场市 2023年 前一项 后一项

< 返回 法式溪工坊住宅 Wittman Estes 项目名称：法式溪工坊住宅 地点：斯诺霍米什，华盛顿州，美国 设计团队：Wittman Estes 建筑面积：2471平方米 竣工时间：2024年 摄影：Andrew Pogue 设计特色： Wittman Estes设计的法式溪工坊住宅展现了如何通过创新的庭院组织策略和巧妙的适老化设计哲学融合技术，将一座位于四英亩半前动物保护区地块上的住宅转化为充满创作活力和自然沉浸感的当代退休居所。 这座2471平方米的住宅戏剧性地坐落在湿地旁的起伏地形之上，呈现为对当代太平洋西北地区居住生活方式、创意工作空间整合和建筑环境响应性融合的深刻思考。它通过精心的空间组织和材料选择，创造出一个将手工艺创作与日常生活无缝交织的居住体验。 项目的绝妙之处在于对"创造"这一主题的根本性回应与重新构想。面对退休夫妇对木工、金工和玻璃艺术等多种创意工作的需求，建筑师采用庭院式平面构型创造中央水景花园作为住宅与工作室的组织核心，同时框定周围湿地和自然景观的视野。这种设计策略创造了建筑与自然环境的持续对话，实现了生活空间与创作空间的平衡共生。 Wittman Estes的设计语言流利地表达着太平洋西北地区建筑方言，运用战略性的材料对比和结构轻盈化来重新定义自然景观中的居住与创作体验。住宅采用单层平面消除台阶障碍，宽敞门道、齐平门槛和喷砂混凝土地面提供安全防滑的流线。工作室建筑通过倾斜屋顶和朝北高侧窗引入均匀柔和的自然光，为手工艺创作提供理想照明条件。这种大胆的功能性与诗意性统一策略不仅满足了适老化居住需求，同时巧妙地适应了当代创作者对专业工作空间与生活空间整合的双重需求。 最引人瞩目的是，建筑师通过受古罗马天井启发的雨水收集系统创造诗意的气候响应装置。中央庭院收集周围屋顶的雨水并引导至一系列倒影水池，将太平洋西北地区的多雨气候从挑战转化为景观体验。降雨时，雨水从屋檐边缘倾泻而下，如帘幕般流入花园。这种水景设计被整合为建筑语言的一部分，实现功能性排水的同时创造出"建筑与气候共舞"的视觉效果和声音体验。 住宅组织为主体建筑与工作室建筑两个体量。主体建筑适应地形坡度通过平缓台地自然融入场地，容纳生活空间，包括起居室、餐厅、主卧室和客房。室内外地面采用浇筑混凝土并配置地暖系统，从室内无缝延伸至露台和步道，强化内外空间连续性。工作室建筑集中布置木工、金工和玻璃艺术等专属创作空间，通过有顶走廊与主体建筑相连，其位置经过精心考量以减少噪音和杂物干扰，同时围合出中央庭院空间。 材料策略延续了这种建筑与语境和谐共生的设计理念。通过使用本地资源强化与语境的整合，包括当地采购的冷杉和雪松木材、水磨石和混凝土表面，与红褐色檐口和鲜艳蓝色厨房墙面的色彩点缀相互作用。由屋主亲手制作的条板木屏风过滤光线并围合室外装卸区，他们手工吹制的玻璃艺术品点缀在餐厅展示架上。景观设计采用分层递进的花园序列，从入口的精心培育花园逐渐过渡到野生状态，全部由屋主自行维护。项目以可持续景观替代传统草坪，减少环境影响并强化与地域的连接，展示了Wittman Estes对环境责任和地域真实性的承诺。 设计团队 ：Wittman Estes作为当代美国建筑实践的杰出代表，由建筑师Matt Wittman（美国建筑师协会会员、LEED认证专业人士）和建筑师Jody Estes于2012年在西雅图西区创立，自成立以来已确立其在当代住宅、多户住宅和机构设计以及景观建筑语言创新领域的先锋地位。这家立足西雅图历史悠久的乔治城社区的事务所通过设计与自然景观的协调整合，重新定义当代美国建筑师在国际设计话语中的角色。 在创始合伙人Matt Wittman和Jody Estes，以及合伙人兼所有者Ashton Wesely（美国建筑师协会会员、LEED认证专业人士）的领导下，该事务所为建筑实践带来了卓越的生态敏感性设计视角和对材料整合方法的深刻理解。该事务所因其将项目和谐融入周边自然景观的承诺而获得认可，创造消解室内外界限的空间体验。其创新贡献获得了诸多重要奖项，包括Tsuga联排别墅荣获的美国建筑师协会国家住宅奖、Othello Gardens项目获得的哈佛大学住房研究联合中心表彰，以及67号消防站获得的2023年模块化建筑协会奖。 该事务所的设计哲学强调建筑应该超越形式限制，不仅仅是为了满足功能需求而设计，更是为了与周边环境和自然景观有机融合。通过对场地特定性认知和空间连续性的深度关注，开展从独栋住宅、多户住宅到商业及机构项目的多元化作品，相信最好的建筑是通过精准和深思熟虑的过程产生的语境响应式干预。Matt Wittman专注于创新住宅设计，提供丰富的居住体验并与自然环境协调。Jody Estes是敏锐的社会和自然现象观察者，热衷园艺，对普吉特海湾生态系统的本土动植物有专业研究。Ashton Wesely的多功能性和项目管理经验使她能够平衡美学与技术约束。 除实践外，该事务所通过对本地材料与现代建造方法的深思熟虑结合、地形条件和结构创新的运用、以及经过验证的可持续景观智慧，Wittman Estes已确立自己作为当代太平洋西北地区建筑话语重要贡献者的地位，创造出既具环境回应性又保持建筑卓越性的作品。在Wittman、Estes和Wesely的持续领导下，该事务所目前在美国充满活力的建筑景观中占据独特地位，专注于创造通过材料整合、结构创新和语境敏感性来实现建筑品质的空间体验，相信建筑与自然可以结合成为一个相互连接的整体。 设计团队 旅游探访 2471 m² 斯诺霍米什，美国 2024 前一项 后一项

< 返回 SKIN1004旗舰店 LMTLS 设计特色： 项目 – 这家位于首尔明洞中心的SKIN1004旗舰店，它粗犷的岩石立面与这个邻里典型的玻璃店面形成了强烈对比。项目空间巧妙地在城市环境中汲取“未被触碰的自然”的本质，使用代表“马达加斯加”未开垦景观的丰富的大地色调、有机形状和纹理。走进嶙峋的石头门脸，游客穿过芦苇环绕的“小径”，遇见飘动的巨幅多媒体自然场景，让人完全没入原生态的多感官体验。一楼展览区和二楼休息厅及零售区域之间精心制造的照明效果和视觉连通性加强了这两个空间的凝聚力，它们通过一个有机雕塑中心装置连接在一起。这一极具创新精神的设计由韩国LMTLS设计工作主导，它摆脱了对自然的老套描绘，以充满活力的沙质色调和粗粝质感掩盖了复杂而精心设计的天然灵感与当代风格的融合。这种具创造性的方法塑造了一个引人入胜又意想不到的避风港，与外面喧嚣的城市生活形成强烈对比，作为一个独特的零售环境存在让人神往- 就好像其产品是从地球原生环境提纯出来的一样。 团队 – LMTLS是一家总部位于纽约和首尔的建筑设计工作室，其三位共同创始人Daeho Lee、Beomki Lee和Jaeyual Lee在麻省理工学院(MIT)攻读建筑学硕士学位期间开始了合作。通过他们多年来的默契合作，目前已获得不俗的口碑，其致力于通过创新的设计推动变革，为每个项目找到最佳的设计方向。 Feature： Project - The new SKIN1004 flagship store in the heart of Myeong-dong, Seoul emerges as a striking presence with its textured rock façadecontrasting with the glass storefronts typical of the neighborhood. The space artfully brings the essence of “untouched nature” into the urban setting through rich earth tones, organic shapes and textures that reference the untamed landscapes of Madagascar. Upon entering the craggy stone frontage, visitors traverse reed-lined “trails” and encounter swaying video walls depicting natural scenes, fostering an immersive multisensory connection with raw, primordial nature. Carefully orchestrated lighting and visibility between the exhibition-focused ground floor and the product lounge and retail area above enhance the continuity between the spaces tied together by an organic sculptural centerpiece. The innovative scheme spearheaded by Korean firm LMTLS liberates the brand identity from clichéd representations of nature with vibrant sand-hued tones and rough-hewn textures belying the sophisticated blend of natural inspirations filtered through contemporary form. The creative approach shapes an intriguing and unexpected haven contrasting the teeming urban activity outside, standing as a distinctive retail environment where cosmetics emerge as if concentrated from the very essence of the earth. Design Team - LMTLS is a New York & Seoul based architectural design group whose three co-founders, Daeho Lee, Beomki Lee, and Jaeyual Lee, began their collaboration at the Massachusetts Institute of Technology (MIT) during their Master of Architecture studies. Founded in 2015, the firm is committed to catalyzing change through innovative design, navigating towards the optimal design direction for each project. As stated in their manifesto: "Beyond limits, our creative design thinking transcends constraints, weaving a tapestry of boundless possibilities. Embracing diverse approaches, free from stereotypes, we manifest an endless expression without boundaries." 设计团队 旅游探访 350 m² 韩国 首尔 2023 前一项 后一项

< 返回 尚浦领世办公园区 gmp建筑事务所 项目名称： 尚浦领世办公园区 地点： 上海，中国 设计团队： gmp建筑事务所 建筑面积： 193540 m² 竣工时间： 2024年 摄影师： CreatAR Images 客户：铁狮门 中国合作事务所：同济大学建筑设计研究院（集团）有限公司 设计特色： 项目 - 德国建筑事务所gmp在上海杨浦区完成了一个引人注目的办公园区，其特色是六座以独特的风车形态排列的塔楼，在快速发展的尚浦领世区域打造了一个全新的城市枢纽。 尚浦领世多功能中心面积193540平方米，是一个大胆的建筑表达，将高密度办公空间与有机形态的零售裙房完美融合。该项目最显著的特征是其高层建筑的排列方式：两座塔楼通过三层连廊相连，并微妙地错开，其中一对塔楼旋转90度，创造出动态的空间关系。 塔楼高度在100至133米之间，其特色是精良的水平铝制百叶立面系统，延伸超出建筑边缘。铜色的遮阳构件不仅提供了实用的气候调节功能，还为这座宏伟的建筑群增添了温暖的材质感。 这个由铁狮门开发的项目是90公顷尚浦领世开发区的核心，目前是抖音集团的所在地。项目的成功之处在于对公共和私人空间的深思熟虑的整合，餐厅和零售店铺既激活了街道立面，又带动了内部步行街的生机。 最值得注意的是，该建筑群在塔楼顶部设计了一系列空中花园，既创造了自然通风通道，又为办公用户提供了优质的休闲空间。这些建筑体量的虚空成为了项目在上海天际线上的标志性元素。 该开发项目以行人为本的设计，配备相互连接的天桥和多样化的步行路径，创造了一个全天候充满活力的城市环境，成功地连接了包括奥雷·舍人建筑事务所和亨宁·拉森等国际建筑师的相邻项目。 团队 – 德国gmp建筑事务所由建筑师Meinhard von Gerkan和Volkwin Marg于1965年创立，现已发展成为全球最具影响力的建筑设计机构之一。这家总部位于汉堡的事务所目前由创始人与执行合伙人Nikolaus Goetze、Hubert Nienhoff、Stephan Schütz和Wu Wei共同领导，其设计实践完美展现了理性功能与场地语境的无缝融合。 从1965年柏林泰格尔机场国际竞赛的突破性获胜作品，到目前横跨23个国家的项目组合，gmp在文化建筑到交通基础设施等多种建筑类型中持续展现其卓越的设计水平。他们的设计理念强调空间的清晰性、结构的逻辑性和材料的真实性，同时积极应对城市化、数字化和既有建筑改造等当代挑战。 拥有13个全球办事处和300多名专业人员，gmp已获得超过600个建筑奖项，其中包括400个一等奖。他们对可持续设计的承诺通过众多LEED和区域绿色建筑认证得到证实。2008年成立的建筑文化学院（Academy for Architectural Culture）进一步彰显了他们致力于促进跨文化建筑对话和创新的决心。 gmp近500个已完工项目的丰富组合展现了他们创造持久建筑的能力，这些建筑完美平衡了美学的持久性与环境责任，始终将公共价值置于建筑设计方案的首要位置。 Project Name: Dynamic Center for "The Springs" Location: Shanghai, China Design Team: gmp Architects Project Area: 193,540 m² Completion: 2024 Photography: CreatAR Images Client: Tishman Speyer Partner Practice In China: Tongji Architectural Design Group Feature： Project - German architecture firm gmp Architects has completed a striking office campus in Shanghai's Yangpu District, featuring six towers arranged in a distinctive windmill formation that creates a new urban hub in the rapidly developing area of The Springs. The Dynamic Center complex, spanning 193,540 square meters, represents a bold architectural statement that seamlessly integrates high-density office space with an organically shaped retail podium. The development's most distinctive feature is its arrangement of high-rise slabs, where pairs of towers are connected by three-story bridges and subtly offset from one another, with one pair rotated 90 degrees to create dynamic spatial relationships. Rising between 100 and 133 meters, the towers are characterized by a sophisticated facade system of horizontal aluminum slats that extend beyond the building edges. The copper-colored sun protection elements not only provide practical climate control but also lend a warm materiality to the otherwise monumental scale of the development. The project, commissioned by Tishman Speyer, serves as the centerpiece of the 90-hectare Springs development and is currently home to the Douyin Group, the Chinese version of TikTok. Its success lies in the thoughtful integration of public and private spaces, with restaurants and retail outlets activating both street frontages and interior promenades. Perhaps most notably, the complex introduces a series of sky gardens at the towers' ends, creating natural ventilation channels while offering premium amenity spaces for office users. These architectural voids become a defining element of the project's silhouette against Shanghai's skyline. The development's pedestrian-focused design, complete with interconnecting bridges and varied pathways, creates a vibrant urban environment that remains active throughout the day, successfully bridging adjacent developments by other international architects including Büro Ole Scheeren and Henning Larsen. Design Team - Established in 1965 by visionary architects Meinhard von Gerkan and Volkwin Marg, gmp Architects has evolved into one of the world's most influential architectural practices. The Hamburg-based firm, now led by its founders alongside executive partners Nikolaus Goetze, Hubert Nienhoff, Stephan Schütz, and Wu Wei, exemplifies the seamless integration of rational functionality with contextual sensitivity. From their breakthrough project - the Berlin Tegel Airport competition win in 1965 - to their current portfolio spanning 23 countries, gmp has consistently demonstrated mastery in architectural typologies ranging from cultural institutions to transportation infrastructure. Their design philosophy emphasizes spatial clarity, structural logic, and material authenticity, while addressing contemporary challenges of urbanization, digitalization, and adaptive reuse. With 13 global offices and over 300 professionals, gmp has garnered more than 600 architectural awards, including 400 first prizes. Their commitment to sustainable design is evidenced by numerous LEED and regional green building certifications. The firm's establishment of the Academy for Architectural Culture in 2008 further demonstrates their dedication to fostering cross-cultural architectural dialogue and innovation. gmp's extensive portfolio of nearly 500 completed projects showcases their ability to create enduring architecture that harmoniously balances aesthetic longevity with environmental responsibility, consistently prioritizing public value in their architectural solutions. 设计团队 旅游探访 193540 m² 上海，中国 2024 前一项 后一项

< 返回 Cycle Cycle巡游亭 F.O.G.建筑事务所 设计特色： Cycle Cycle巡游亭是一座可移动的巧夺天工的流动面包咖啡店，由F.O.G.建筑事务所精心设计。项目用建筑的语言巧妙探索了食物、土地和人之间的相互关联。这座移动面包房的朴素美学灵感来自传统农舍和乡村民居風格。外立面由叠放的布袋构筑而成，将砖块的造型与粮袋的质地巧妙融合，视觉上给人以坚固耐用但又亲和有好感的效果。布袋墙身上开有细长的窗洞，让人一窥其内制作烘焙的景象，同时又将设备等道具隐藏其后，营造出"前台"和"后台"的神秘感。Cycle Cycle 最与众不同之处，在于它注重促进人与人之间的互动和连结。十分接地气的座位设计源自农村常见的矮板凳，让使用者贴近地面、亲密体会空间的尺度比例。人们也可掀开遮阳板和拉开帘幕，打造出半私密的聚会临时空间。这个项目巧妙融合了农事意象、体贴入微的空间布局和互动元素，令人细细体会到人与食物生产及土地之间天然而深层的连结。这虽只是一座简朴的小型面包店，却饶有深意地探究了我们社会的根源所在。 Cycle Cycle is a delightfully whimsical pop-up café and bakery that takes the form of a movable pavilion. Designed by F.O.G. Architecture, the project thoughtfully explores the interconnected relationship between food, land, and people through an architectural lens. The mobile bakehouse's rustic aesthetic draws inspiration from traditional barn structures and rural vernacular. Its facades are crafted from stacked cloth bags, blending the shapes of bricks with the texture of grain sacks to create a visually sturdy yet approachable effect. Elongated openings punctuate the sack walls, allowing glimpses of the baking activities inside while concealing equipment to maintain a "backstage" mystery. What makes Cycle Cycle truly unique is its emphasis on facilitating interaction and fostering connections. Low slung seating evocative of rural stools encourages users to experience the space at an intimate, human scale close to the ground. A temporary rest area can be created by propping up sunshade panels and curtains, carving out a semi-private gathering zone. Through its clever fusion of agricultural motifs, thoughtful spatial cues, and interactive elements, Cycle Cycle subtly reminds us of the deep, intrinsic bonds between people, food production, and the land itself. It's a humble yet profound exploration of society's roots manifested as a humble baked goods kiosk. 设计团队： F.O.G.建筑事务所于2018年在伦敦创立，秉承着"卓越的空间应充满情感，与人建立永恒的连结"这一信念。这一理念促使该事务所迅速成长为一个拥有伦敦、上海和重庆分所的国际化设计团队。F.O.G.注重探索定义空间的运作逻辑，将每个项目视为探索材料、设计和美学本质的机会。他们追求唤醒空间内在的情感潜能，赋予空间崇高的稳定感。通过不断审视材料、光线、景观、功能和文化语境带来的多重感官体验，F.O.G.致力于以结构化的方式凝练"体验"和"感受"，由此让形式和空间自然流露。事务所由两位创始合伙人郑宇（驻上海）和詹迪（驻重庆）领衔，在他们的带领下，F.O.G.一直走在富有情感、植根于语境的卓越设计的前沿。 Founded in London in 2018, F.O.G. Architecture operates under the belief that truly great spaces transcend physicality by evoking emotion and forming a timeless connection with their occupants. This guiding philosophy has propelled the practice's rapid growth into an international design team with studios spanning London, Shanghai, and Chongqing. F.O.G. Architecture focuses intently on the operational logic that defines spaces, committing to view each project as an opportunity to explore the essence of materials, design, and aesthetics through an inquisitive lens. The firm seeks to unlock the emotional potential inherent within the built environment while endowing a sublime sense of stability and permanence. Through a continuous examination of the multi-sensory experiences elicited by materials, light, landscape, function, and cultural context, F.O.G. aspires to solidify "experience" and "feeling" into structured, tangible form. This allows the resulting architectural realizations to emerge as spaces of remarkable depth and resonance. The firm is led by founding partners Zheng Yu, RIBA, AA Diploma based in Shanghai, and Zhan Di, RIBA, AA Diploma, BA(Hons) in Chongqing. Under their direction, F.O.G. Architecture operates at the vanguard of emotional, contextually grounded design excellence. 设计团队 旅游探访 18 ㎡ 中国，杭州 2023年 前一项 后一项

FAAB建筑事务所由亚当·比亚沃布热斯基（Adam Bialobrzeski）与亚当·菲古尔斯基（Adam Figurski）于2003年联合创立，两位创始人此前均在波兰国内及海外多家建筑事务所积累了五年以上的专业从业经验。事务所的业务范围横跨建筑设计、景观与城市设计、室内设计及视觉传达设计，并将前沿工程技术与专业咨询服务深度整合其中。凭借严谨的研究方法与精细的设计管理，FAAB持续输出具有形式张力与功能深度的建成作品，在波兰建筑行业中树立了鲜明的专业形象。 < Back FAAB Poland FAAB建筑事务所由亚当·比亚沃布热斯基（Adam Bialobrzeski）与亚当·菲古尔斯基（Adam Figurski）于2003年联合创立，两位创始人此前均在波兰国内及海外多家建筑事务所积累了五年以上的专业从业经验。事务所的业务范围横跨建筑设计、景观与城市设计、室内设计及视觉传达设计，并将前沿工程技术与专业咨询服务深度整合其中。凭借严谨的研究方法与精细的设计管理，FAAB持续输出具有形式张力与功能深度的建成作品，在波兰建筑行业中树立了鲜明的专业形象。 事务所目前由两位联合创始人与创意总监共同主持管理，三方协力推动事务所的长期战略规划与创作方向。在此核心团队的引领下，FAAB已在波兰多地完成了一系列重要的公民、文化及医疗类项目，涵盖华沙波兰科学基金会总部、贝乌哈图夫PGE办公楼，以及正持续推进中的索波特ECR医疗综合体。 FAAB的每个项目均由专属团队负责推进，团队以主创建筑师为核心，统筹项目管理工作，并由项目建筑师及跨领域外部专家网络协同支撑。这一协作模式以事务所所倡导的「好奇心、开放性与对卓越的持续追求」为内核驱动，使FAAB得以在复杂多变的当代建成环境需求面前，始终以智识深度与材料精准性作出有力回应。 WEBSITE PROJECT

娜塔莉·蒂博多建筑事务所（Nathalie Thibodeau Architecte）是一家立足魁北克的建筑实践机构，其工作的出发点是一个根本性的追问：人究竟如何真正地栖居于空间之中？事务所的业务聚焦于住宅与工作场所建筑领域，在场地回应性、空间敏感性与建造严谨性的交汇处展开实践。 < Back Nathalie Thibodeau Architecte Canada 娜塔莉·蒂博多建筑事务所（Nathalie Thibodeau Architecte）是一家立足魁北克的建筑实践机构，其工作的出发点是一个根本性的追问：人究竟如何真正地栖居于空间之中？事务所的业务聚焦于住宅与工作场所建筑领域，在场地回应性、空间敏感性与建造严谨性的交汇处展开实践。 事务所由主创建筑师娜塔莉·蒂博多领衔，她同时持有魁北克建筑师协会（OAQ）与魁北克私人执业建筑师协会（AAPPQ）双重执业资质。建筑师西蒙·伊莎贝尔亦为核心团队成员，具备 OAQ 注册建筑师及经 Passivhaus Institut 认证的被动式建筑设计师资质。这一复合专业背景使 NTA 得以站在建筑品质与环境责任深度融合的实践前沿。 被动式建筑（PassivHaus）标准是事务所核心设计理念的重要组成部分。NTA 将其视为提升建造标准、优化居住舒适度与增强建筑长期耐久性的系统框架，而非设计的限制条件。事务所坚信，当今的 PassivHaus 技术指标将成为未来负责任建造的基准规范。在每一个项目中，NTA 始终追求精准而审慎的建筑表达，致力于重新诠释人们占据和体验空间背后更为深层的内在动因。 WEBSITE PROJECT

< 返回 Veron the Shop商店 IOG Arhitectura 项目名称：Veron the Shop商店 地点：布加勒斯特，罗马尼亚 设计团队：IOG Arhitectura 建筑面积：22 m² 竣工时间：2024年 摄影：Sabin Prodan 设计特色： 项目 - Veron The Shop位于客户家族所拥有的一座中心建筑的前车库内。由于周边环境的退化，这个车库数十年来一直闲置未用。客户希望通过将这个闲置空间改造成一个销售配饰和时尚商品的精品店来重新激活它。这个22平方米的空间包括一个原本用于停车的主要房间，以及一个在设计方案中变成试衣间的小储藏室。挑战在于为这个虽然面向街道但由于位于地下室而不被路人看见的小商店创造一个现代身份。 设计方案包括用淡粉色瓷砖全面覆盖空间，根据位置使用不同的规格。墙壁被拉直以容纳10/10厘米的瓷砖规格，地板则铺设以人字形图案排列的矩形瓷砖，而中心岛和配饰展示台则使用5/5厘米的瓷砖。由于空间天花板高度较低，仅有230厘米，为了通过反射创造增高效果，天花板覆盖了与瓷砖颜色相似的有机玻璃。 为了保持流畅的氛围，金属家具与墙壁分离。服装架由波浪形金属杆制成，波浪形状规定了展示产品的最大数量，从而保持空间的清爽氛围。接待台由一块蓝色金属板制成，包裹着柜台并与墙壁分离。即使试衣间也是一个独立的元素，由一个独立的镜子组合和周围的窗帘组成。 唯一的固定元素是覆盖着5/5厘米陶瓷瓷砖的中心岛，以及放置在入口附近的配饰展示台。现有的明显退化的木质车库门并非原始门。因此，对于主入口，设计方案复制了原始金属车库门的设计，但使用透明玻璃代替不透明材料，以便自然光照亮内部空间并提供街道层面的可见性。这样，商店成为从建筑立面剪切出来的一幅框架画，增加了街道正面的深度。 在消除已损坏的通道坡道时，创造了一个小庭院，并通过使用地面高度差异来保护其免受人行道影响。这样，商店向社区开放，提供了一种熟悉的氛围。项目的主要成功在于重新激活了一个闲置空间，通过这次干预，它已成为充满活力的中心城市社区本地商业的一部分。 团队 - IOG Arhitectura是一家知名的罗马尼亚布加勒斯特设计事务所，由Omid Ghannadi和Ilinca Ghannadi于2010年创立。该事务所的实践理念是将建筑设计视为裁缝店般精细，注重那些使设计成为独一无二作品的细节。IOG的项目因其材料、颜色和纹理的独特组合而闻名并获奖，这些组合为使用者创造出沉浸式体验。 Omid Ghannadi负责设计过程管理和协调项目的整个设计过程。Ilinca Ghannadi拥有建筑理论博士学位，她主要负责概念开发和项目实施管理。Ana Georgescu是IOG Arhitectura的高级建筑师和合伙人，完成了事务所许多具代表性的项目。她在事务所的专长是概念开发和可视化过程。而另一位合伙人Teo Staicu不仅因办公室项目的实施质量而受到认可，也因在建筑设计过程和细节处理中的严谨规划而获得赞誉。 Project Name: Veron the Shop Location: Bucharest, Romania Design Team: IOG Arhitectura Total Floor Area: 22 m² Completion: 2024 Photography: Sabin Prodan Feature: Project - Veron The Shop is located in a former garage of a central building owned by the clients' family since its completion. Due to the successive layers of pavement added to the sidewalk and the degradation of the access ramp, the garage remained unused for decades. The client sought to revitalize the unused space by converting it into a small boutique for accessories and fashion items. The 22 sqm space consists of a main room that was intended for parking and a small storage room that, in the proposal, became the fitting room. The challenge was to create a contemporary identity for a small shop that, although street-facing, was not visible to passersby, as it is located in the basement level. The proposal involved fully covering the space with pale pink ceramic tiles, using different formats depending on their placement. The walls were straightened out to accommodate the 10/10 cm format, the floor was tiled with a rectangular format laid in a herringbone pattern, and 5/5 cm tiles were used for the central island and accessory pedestal. The space has a low ceiling height of 230 cm, so to create a heightening effect through reflection, the ceiling was covered with plexiglass in a colour similar to the tiling. To maintain the fluid atmosphere, the metal furniture was detached from the walls. The clothing racks are made of wavy metal bars, with the waves dictating a maximum number of displayed products, thus keeping the space's crisp ambiance. The reception desk is made from a blue metal sheet that wraps around the countertop and is detached from the walls. Even the fitting room is a detached element, consisting of a freestanding mirror ensemble surrounded by a curtain. The only fixed elements remain the central island, covered in 5/5 cm ceramic tiles, and a pedestal for accessories placed near the entrance. The existing visibly deteriorated wooden garage door was not the original one. So for the main entrance, the proposed door replicates the design of the original metal garage door, but using clear glass instead of opaque, to naturally light the interior space and provide street-level visibility. This way, the store becomes a framed picture cut out from the building's facade, contributing to the depth of the street front. When eliminating the destroyed access ramp, a small courtyard was created, framed by the existing garden planters and protected from the sidewalk by using the ground level difference. In this way, the store opens up to the neighbourhood, offering a familiar atmosphere. The main success of the project is the revitalization of an unused space, which, through this intervention, has become part of the local commerce of a vibrant central city neighbourhood. Design Team - IOG Arhitectura is a well-known Bucharest based design & architecture office, founded by Omid Ghannadi and Ilinca Ghannadi in 2010. The office practice is defined by the desire to make architecture like a tailor's shop, with attention to the details that make a design become one of a kind. IOG's projects are known and awarded for the uncanny mix of materials, colours and textures that make each design an immersive experience for its users. Omid Ghannadi is a founding partner of IOG Arhitectura and is credited for his contribution in the design process management and coordination of the entire design process of the projects. Ilinca Ghannadi is a founding partner of IOG Arhitectura, with a PhD in architecture theory, she is credited with concept development and implementation management of the projects. Ana Georgescu is a senior architect and partner at IOG Arhitectura, credited with the completion of many representative projects of the office. Her expertise in the office is concept development and visualisation process. Teo Staicu is a senior architect and partner at IOG Arhitectura, credited with the quality of the implementation process of the office projects but also for the rigorous planning of the design process in the architecture design process and detailing. 设计团队 旅游探访 22 m² 布加勒斯特，罗马尼亚 2024 前一项 后一项

< 返回 阿什兰住宅 Dimster Architecture 项目名称： Ashland Residence 地点： 圣莫尼卡，美国 设计团队： Dimster Architecture 项目面积： 669㎡ (7202 ft²) 竣工时间： 2023年 摄影： Courtesy of Dimster Architecture 设计特色： 项目 – 在圣莫尼卡的中心地带，海风与都市精致完美交融，Dimster Architecture 建筑事务所展现了他们最新的住宅杰作——阿什兰住宅。这座600多平米的住宅，成为加州现代主义建筑的典范，在这里建筑设计成为隐私与开放、形式与功能之间的对话。 这座住宅最引人注目的特点是其创新的L形布局，这是对其优越转角地块位置的战略性回应。这种建筑手法创造了一种刻意的二元性：在面向街道的一侧提供防护屏障，同时向私密花园空间和珍贵的午后阳光大方开放。建筑体量分为两个独特的结构，通过雕塑般的曲线切割柔化，为其现代形式增添了一层视觉诗意。 设计的核心是下沉式客厅，10英尺高的推拉门消除了室内外空间的界限。这一精心设计的元素具有双重功能——促进自然通风的同时，与精心布置的花园实现无缝连接。建筑师采用了先进的木制雨幕墙系统，展现了他们对美学和功能性的共同追求。这一技术解决方案创造了一个空气间隙，既作为热缓冲区和隔音屏障，又确保了天然材料的持久性。 住宅的流线动线通过两个独特的入口体验精心编排。正式入口引导访客穿过本土植物园，而更随意的侧入口则位于两个主体建筑之间，在格栅遮阳篷下，提供通往厨房或泳池区域的过渡空间。室内空间设计灵活多变，既能容纳盛大聚会，也适合私密家庭聚会，同时巧妙地将未来多代同堂的可能性融入设计之中。 通过优雅的遮蔽楼梯可到达上层，主卧套房横跨整个建筑宽度，而其他卧室则位于可以欣赏独特树顶景观的位置。整个项目采用和谐的材料搭配，营造出宁静连贯的氛围，强化了这座住宅与加州海岸环境的联系。 团队 – 成立于2001年的Dimster Architecture已发展成为一家以精致的极简主义方法和环境敏感性著称的卓越建筑事务所。由Don Dimster领导，他从南加州大学到耶鲁大学的卓越学术背景，塑造了事务所的哲学基础，为当代建筑带来了精炼的视角。 事务所的设计理念受到Don在欧洲现代主义大师，特别是在德国和维也纳师从Oswald Matias Ungers期间的深刻影响，体现在对空间清晰度和材料真实性的追求中。这种国际经验与深厚的加州根基相结合，使Dimster Architecture能够创造出既呼应全球设计潮流又富有地方特色的作品。 该事务所已获得重要认可，尤其是通过Don自己的威尼斯住宅项目，该项目荣获2013年AIA建筑卓越奖。事务所的作品组合涵盖住宅、商业和文化项目，每个项目都以对构造学的严谨关注和程序创新为特征。他们的综合设计方法不仅包括建筑服务，还延伸至定制家具设计和全面的室内解决方案。 Dimster Architecture立足洛杉矶，其设计方法强调因地制宜的响应和可持续策略，打造出在展现卓越空间品质的同时，也能应对当代环境挑战的建筑。他们的作品始终体现了对形式、功能和人性体验和谐平衡的承诺。 Project Name: Ashland Residence Location: Santa Monica, United States Design Team: Dimster Architecture Project Area: 669㎡ (7,202 ft²) Completion Year: 2023 Photography: Courtesy of Dimster Architecture Feature： Project - In the heart of Santa Monica, where coastal breezes meet urban sophistication, Dimster Architecture has unveiled their latest residential masterpiece - the Ashland Residence. This 7,202-square-foot dwelling stands as a testament to thoughtful California modernism, where architecture becomes a dialogue between privacy and openness, form and function. The residence's most striking feature is its innovative L-shaped configuration, a strategic response to its privileged corner lot position. This architectural gesture creates a deliberate duality: a protective shield from the street-facing sides while opening generously to private garden spaces and the coveted afternoon light. The building's mass, split between two distinct structures, is softened by sculptural curved carvings that add a layer of visual poetry to its contemporary form. At the heart of the design lies a sunken living room, where 10-foot sliding doors dissolve the boundaries between interior and exterior spaces. This thoughtful element serves a dual purpose - facilitating natural ventilation while creating seamless connections to the meticulously landscaped gardens. The architects have employed a sophisticated rainscreen system for the wood siding, demonstrating their commitment to both aesthetics and functionality. This technical solution creates an air gap that serves as a thermal buffer, acoustic barrier, and ensures the longevity of the natural materials. The home's circulation has been carefully choreographed through two distinct entry experiences. The formal approach guides visitors through a garden of native plants, while a more casual side entrance, nestled between the two main volumes under a trellised canopy, offers a transitional journey to either the kitchen or the pool area. Interior spaces are designed with remarkable flexibility, accommodating everything from grand entertaining to intimate family gatherings, with the potential for future multi-generational living thoughtfully integrated into the plan. The upper level, accessed via an elegantly screened staircase, houses a master suite that spans the building's width, while secondary bedrooms are positioned to capture unique treetop vistas. Throughout the project, a harmonious material palette creates a sense of calm and continuity, reinforcing the home's connection to its coastal California context. Design Team - Founded in 2001, Dimster Architecture has established itself as a distinguished architectural practice known for its sophisticated minimalist approach and contextual sensitivity. Led by Don Dimster, a second-generation architect whose architectural lineage and academic excellence - from USC to Yale - has shaped the firm's philosophical foundation, the practice brings a refined perspective to contemporary architecture. The firm's design ethos, influenced by Don's formative years working alongside European modernist masters, particularly under the mentorship of Oswald Matias Ungers in Germany and Vienna, manifests in projects that celebrate spatial clarity and material authenticity. This international experience, combined with deep California roots, enables Dimster Architecture to create works that resonate with both global design currents and local sensibilities. The practice has garnered significant recognition, notably through Don's own Venice residence, which received the 2013 AIA Award for Excellence in Architecture. The firm's portfolio spans residential, commercial, and cultural projects, each characterized by rigorous attention to tectonics and programmatic innovation. Their integrated design approach encompasses not only architectural services but extends to bespoke furniture design and comprehensive interior solutions. Operating from their Los Angeles base, Dimster Architecture's methodology emphasizes site-specific responses and sustainable strategies, resulting in buildings that demonstrate exceptional spatial quality while addressing contemporary environmental challenges. Their work consistently reflects a commitment to creating architecture that harmoniously balances form, function, and human experience. 设计团队 旅游探访 669 m² 圣莫尼卡，美国 2023 前一项 后一项

< 返回 FENIX艺术博物馆 MAD建筑事务所 项目名称：FENIX艺术博物馆 地点：鹿特丹，荷兰 设计团队：MAD建筑事务所 建筑面积：8000 m² 竣工时间：2025年 摄影：Iwan Baan, Titia Hahne, Iris van den Broek 设计特色： 项目 - MAD建筑事务所将鹿特丹港区一座具有历史意义的16000平方米航运仓库改造为FENIX艺术博物馆，这是一座专门通过艺术视角探索移民主题的全新文化机构。该项目于2025年完工，标志着MAD建筑事务所首个欧洲公共文化建筑项目的落成，同时也是首座由中国建筑事务所在欧洲建造的博物馆。 FENIX艺术博物馆的设计围绕一个清晰的概念展开：在尊重工业遗产的基础上，创造连接过去与未来的文化空间。建筑师没有彻底重建这座百年仓库，而是通过精心的修复和当代介入，保留了建筑的历史特征，包括恢复172米长立面至1950年代的战后外观，修复特色滑动门并重新涂成原始绿色。 项目的核心亮点是位于建筑中心的"龙卷风"（Tornado）——一座双螺旋楼梯，由297块抛光不锈钢板包覆，从地面层螺旋上升穿透屋顶，通向24米高的户外观景平台。这一动态结构不仅提供了壮观的鹿特丹和马斯河全景，更成为整个博物馆的视觉和精神核心。龙卷风内部是一条550米长的双螺旋木质楼梯，采用可持续的挪威Kebony改性木材制成。 材料选择方面，建筑师特意保留了仓库原有的混凝土柱和开放空间，创造了跨越两层的灵活展览空间。地面层包含展览和活动空间，而楼上画廊则专门陈列FENIX收藏品。建筑中央的玻璃屋顶为龙卷风提供自然采光，同时照亮下方的入口中庭。 可持续性设计方面，建筑配备了6750平方米的景天植物绿色屋顶，按照呼应龙卷风形态的同心圆图案布局。建筑采用热能储存系统（TES），将建筑多余热量储存在土壤中，通过热泵产生适宜的室内温度，可节省高达60%的供暖能耗和80%的制冷能耗。 通过将历史保护、当代介入与可持续技术相结合，MAD建筑事务所创造了一个超越传统博物馆概念的文化目的地，真实地表达了FENIX博物馆通过艺术探索人类迁徙历史的使命，同时为鹿特丹港区注入了新的活力。 设计团队 - MAD建筑事务所成立于2004年，由马岩松创立，目前由马岩松、党群和早野洋介共同领导。该事务所致力于发展未来主义、有机化、技术先进的设计，体现了对东方自然亲和力的当代诠释。 事务所的代表作品包括鄂尔多斯博物馆（2011年）、哈尔滨大剧院（2015年）、光之隧道（2018年，日本）和海口云洞图书馆（2021年）等，其中哈尔滨大剧院被《电讯报》评为"世界最佳音乐厅"，并荣获ArchDaily年度建筑奖文化建筑类别奖项。 在马岩松、党群和早野洋介的持续领导下，MAD已获得多项国际认可，包括多次荣获A+设计奖、世界建筑新闻奖（WAN Awards）和高层建筑与城市住宅委员会奖（CTBUH）。马岩松毕业于北京建筑工程学院和耶鲁大学建筑学院；党群毕业于清华大学建筑学院和伊利诺伊理工学院；早野洋介毕业于京都工艺纤维大学和哥伦比亚大学建筑学院，三人的国际化背景为事务所带来了多元视角。 MAD的设计方法论强调基于居民精神和情感需求的未来城市愿景，努力在人性、城市和环境之间创造平衡。他们将建筑视为连接传统与现代、东方与西方的桥梁，在FENIX艺术博物馆项目中充分展现了这一理念。 Project Name: FENIX ART MUSEUM Location: Rotterdam, Netherlands Design Team: MAD Architects Total Floor Area: 8000 m² Completion: 2025 Photography: Iwan Baan, Titia Hahne, Iris van den Broek Design Features: Project - MAD Architects transformed a historic 16,000-square-meter shipping warehouse in Rotterdam's port district into the FENIX Art Museum, a major new cultural institution exploring migration through the lens of art. Completed in 2025, this project marks MAD Architects' first public cultural building in Europe and represents the first museum built by a Chinese architecture firm in Europe. The design of FENIX Art Museum began with a clear concept: creating a cultural space that connects past and future while respecting industrial heritage. Rather than completely rebuilding the century-old warehouse, the architects implemented careful restoration and contemporary interventions, preserving the building's historic character including restoring the 172-meter-long façade to its 1950s post-war appearance and refurbishing the characteristic sliding doors in their original green color. The core highlight of the project is the centrally positioned "Tornado"—a double-helix staircase clad in 297 polished stainless steel panels that spirals from the ground floor through the roof to an outdoor viewing platform 24 meters above ground level. This dynamic structure not only provides spectacular panoramic views of Rotterdam and the Maas River but also serves as the visual and spiritual core of the entire museum. Inside the Tornado is a 550-meter-long double-helix wooden staircase made from sustainable Norwegian Kebony modified wood. In terms of material selection, the architects deliberately preserved the warehouse's original concrete columns and open spaces, creating flexible exhibition areas across two floors. The ground floor contains exhibition and programming spaces, while the upper galleries are dedicated to the FENIX Collection. A glass roof above the central atrium provides natural light for the Tornado while illuminating the entrance lobby below. Regarding sustainable design, the building features a 6,750-square-meter green roof planted with sedum arranged in concentric patterns echoing the Tornado's form. The building employs a Thermal Energy System (TES) that stores excess heat in the soil and uses a heat pump to generate appropriate indoor temperatures, saving up to 60% in heating energy and 80% in cooling energy. By combining historic preservation, contemporary intervention, and sustainable technology, MAD Architects has created a cultural destination that transcends traditional museum concepts, authentically expressing FENIX Museum's mission to explore human migration history through art while injecting new vitality into Rotterdam's port district. Design Team - MAD Architects was established in 2004 by Ma Yansong and is currently led by Ma Yansong, Dang Qun, and Yosuke Hayano. The firm is committed to developing futuristic, organic, technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature. Representative works include Ordos Museum (2011), Harbin Opera House (2015), Tunnel of Light (2018, Japan), and Cloudscape of Haikou (2021), with Harbin Opera House being recognized as one of "The World's Best Concert Halls" by Telegraph and winning the ArchDaily Building of the Year Award in the Culture Architecture category. Under the continued leadership of Ma Yansong, Dang Qun, and Yosuke Hayano, MAD has gained international recognition, including multiple A+ Awards, WAN Awards, and Council on Tall Buildings and Urban Habitat (CTBUH) awards. Ma Yansong graduated from Beijing University of Civil Engineering and Architecture and Yale School of Architecture; Dang Qun graduated from Tsinghua University School of Architecture and Illinois Institute of Technology; Yosuke Hayano graduated from Kyoto Institute of Technology and Columbia University Graduate School of Architecture, their international backgrounds bringing diverse perspectives to the firm. MAD's design methodology emphasizes a vision for future cities based on residents' spiritual and emotional needs, striving to create balance between humanity, the city, and the environment. They view architecture as a bridge connecting tradition and modernity, East and West, a philosophy fully demonstrated in the FENIX Art Museum project. 设计团队 旅游探访 8000 m² 鹿特丹，荷兰 2025 前一项 后一项

< 返回 Portlantis 游客体验中心 MVRDV 项目名称：Portlantis游客体验中心 地点：鹿特丹，荷兰 设计团队：MVRDV 建筑面积：3533 m² 竣工时间：2025年 摄影：Ossip van Duivenbode 设计特色： 项目 - Portlantis游客体验中心位于鹿特丹港最西端，由MVRDV设计，于2025年3月22日正式向公众开放。这座"没有藏品的博物馆"是为了展示鹿特丹与其港口之间的密切关系而建造的。该建筑采用了旋转堆叠式设计，由五个旋转展览空间组成，每个空间都通过精心定位的"世界之窗"朝向不同方向，提供了对北海、海岸线和港口设施的全景视角。 建筑中心是一个22米高的中庭，悬挂着黄色雕塑和动态装置，象征港口的永恒活动。展览区域由Kossmanndejong设计，从一楼展示鹿特丹当前的港口活动，二楼探索港口的历史影响，三楼则关注未来发展和全球角色，最后在四楼探讨环境挑战和可持续解决方案。每个楼层的展览内容与其窗外景观直接对应。 建筑外部以明亮的红色楼梯为特色，这些楼梯环绕建筑盘旋而上，提供免费的公共通道通往各层观景平台和屋顶。这一设计使Portlantis不仅成为展览中心，还成为公共观景塔，在景观中起到了灯塔般的存在。 可持续性是项目的核心，采用了可拆卸结构、循环经济原则和能源正效益运营，产生的能源比消耗的多30%。建筑采用从港口采购的耐用材料，能够承受海洋环境的严酷条件，体现了鹿特丹的工业精神和港口向可持续未来转型的雄心。 团队 - MVRDV于1993年由Winy Maas、Jacob van Rijs和Nathalie de Vries创立。现在，三位创始合伙人与Frans de Witte、Fokke Moerel、Wenchian Shi、Jan Knikker和Bertrand Schippan一起，领导着一支由300多名专业人员组成的充满活力和乐观的团队。该事务所总部位于鹿特丹，并在上海、巴黎、柏林和纽约设有办事处，业务范围覆盖全球，为世界各地的当代建筑和城市问题提供解决方案。 MVRDV采用高度协作、基于研究的设计方法，从创意过程的早期就让客户、利益相关者和来自各个领域的专家参与其中。事务所拥有内部气候团队，为整个公司的设计团队提供咨询，确保工作的可持续性和弹性。作为专家团队，MVRDV NEXT开发和实施计算工作流程和新技术，使设计更加合理化，加快流程，并使项目在面对变化时更加高效和适应性强。 MVRDV的作品在全球范围内展出和发表，并获得了众多国际奖项。事务所的独特设计方法产生了各种成果，包括各种类型和规模的建筑、城市规划和远景、众多出版物、装置和展览。事务所因设计创新、意想不到且充满活力的混合用途建筑而闻名，如鹿特丹的Markthal（住宅和零售的结合）、纽约市色彩鲜艳的Radio Hotel and Tower，以及阿姆斯特丹三座戏剧性、受自然启发、植物覆盖的Valley塔楼。 Project Name: Portlantis Visitor and Exhibition Center Location: Rotterdam, The Netherlands Design Team: MVRDV Total Floor Area: 3533 m² Completion: 2025 Photography: Ossip van Duivenbode Feature: Project - The Portlantis Visitor and Exhibition Center, designed by MVRDV and located at the westernmost point of the Port of Rotterdam, opened to the public on March 22nd, 2025. This "museum with no collection" was created to showcase the intimate relationship between Rotterdam and its port. The building takes the form of a stack of five rotated exhibition spaces, each strategically oriented to frame specific views of the surroundings through carefully positioned "windows to the world" that offer panoramic vistas of the North Sea, coastline, and port facilities. At the heart of the building is a 22-meter-tall atrium featuring suspended yellow sculptures and a kinetic installation that symbolizes the perpetual motion of port activities. The exhibition areas, designed by Kossmanndejong, unfold across the floors – beginning with Rotterdam's current port operations on the first level, exploring its historical significance on the second, focusing on future developments and global role on the third, and addressing environmental challenges and sustainable solutions on the fourth. Each level's exhibition content directly corresponds to the view framed by its window. The building's exterior is characterized by bright red staircases that twist their way up the structure, providing free public access to viewing platforms on each level and the rooftop. This design element transforms Portlantis into not just an exhibition center but also a public viewing tower, creating a beacon-like presence in the landscape. Sustainability anchors the project through demountable structures, circular economy principles, and energy-positive operations, generating 30 percent more energy than it consumes. Constructed from resilient, port-sourced materials designed to withstand maritime conditions, the building embodies both the industrial spirit of Rotterdam and the port's ambitious transition toward a sustainable future. Design Team - MVRDV was founded in 1993 by Winy Maas, Jacob van Rijs and Nathalie de Vries. Now, the three founding partners lead a dynamic and optimistic team of over 300 alongside partners Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan. Based in Rotterdam, Shanghai, Paris, Berlin, and New York, the firm has a global scope, providing solutions to contemporary architectural and urban issues in all regions of the world. MVRDV employs a highly collaborative, research-based design method that involves clients, stakeholders, and experts from a wide range of fields from early on in the creative process. The firm has an in-house Climate Team, which consults with design teams across the entire company to ensure the sustainability and resilience of their work. As a group of specialists, MVRDV NEXT develops and implements computational workflows and new technologies to rationalize designs, speed up processes, and make projects more efficient and adaptable in the face of change. The work of MVRDV is exhibited and published worldwide and has received numerous international awards. The products of the firm's unique approach to design vary, ranging from buildings of all types and sizes, to urban plans and visions, numerous publications, installations, and exhibitions. The firm has a reputation for designing innovative, unexpected, and joyful mixed-use buildings such as the Markthal, a combination of housing and retail in Rotterdam, Radio Hotel and Tower, a brightly colored leisure and office tower complex in New York City, and Valley, three dramatic, nature-inspired, plant-covered towers in Amsterdam. 设计团队 旅游探访 3533 m² 鹿特丹，荷兰 2025 前一项 后一项

< 返回 绍尔住宅 Measured Architecture 项目名称：Shor House 设计团队：Measured Architecture 面积：330 m² 地点：Vancouver, Canada 设计特色： 项目 – 坐落于加拿大BC省美丽如画的梅恩岛上，绍尔住宅（Shor House）悄然而起，成为可持续建筑和材料炼金术的典范。这座由Measured Architecture设计的滨水度假屋，将废弃木材蜕变成一个引人入胜的重生和智慧利用的故事。 该项目最引人注目的特点是其对回收利用的坚定承诺。原址建筑的回收木材构成了新房屋的骨架，而来自远方的再生材料-包括百年铁路枕木，在室内编织出丰富的历史感。这种"零取用"方法不仅仅是简单的重复使用；它是对废弃元素潜力的重新想象和创新实践。 从美学角度来看，绍尔住宅呈现出经典盐盒式建筑的现代诠释。为了延长使用寿命和可回收性而选用的耐候钢外观，与内部温暖的再生木材形成绝妙对比。大面积的玻璃窗墙将海峡的壮丽景色尽收眼底，模糊了室内外空间的界限。 室内设计摒弃了石膏板，转而采用威尼斯灰泥和外露的木质元素，营造出触感丰富、诚实朴实的内部空间。受唐纳德·贾德马尔法园区的启发，住宅布局强调极简主义和实用性，同时不失舒适感。 绍尔住宅不仅仅是一座普通的房子；它是可持续设计新时代的宣言，在这里，历史得到尊重，而新建筑如炼金术一般化腐朽为神奇。 团队 – 位于温哥华的Measured Architecture建筑事务所自2007年成立以来，已然成为加拿大西海岸建筑设计领域的重要力量。该事务所专注于现代设计、室内设计和景观设计，为公共和私人领域打造出令人耳目一新、与周围环境浑然一体的卓越空间。 由Clinton Cuddington创立，并于2009年迎来合伙人Piers Cunnington加入的Measured Architecture，多年来精心打造了一系列考究、创新且品质卓越的项目。他们独树一帜的"情境现代主义"设计理念，是一种以人为本、因地制宜的方法，将客户愿景、场地潜力以及市政规划、预算和工期等因素融会贯通。 Measured Architecture的设计哲学体现在对客户需求的深入理解上，创造出既实用高效又美观雅致的空间。他们的作品犹如精心编织的背景，与使用者的生活完美契合，突出了空间流动性和和谐感。 从住宅到商业项目，Measured Architecture的作品无不彰显其对环境敏感设计、可持续发展和创新材料运用的执着追求。他们屡获殊荣，包括多次荣膺《Western Living》杂志年度建筑设计师大奖，足见其在加拿大建筑界的重要地位。 Project：Shor House Team：Measured Architecture Size：330 m² Location：Vancouver, Canada Feature： Project - Nestled on the picturesque Mayne Island in British Columbia, Shor House stands as a testament to sustainable architecture and material alchemy. Designed by Measured Architecture, this waterfront retreat transforms discarded wood into a compelling narrative of rebirth and resourcefulness. The project's most striking feature is its unwavering commitment to recycling. Salvaged lumber from the site's original structures forms the backbone of the new house, while reclaimed materials from distant sources - including century-old railroad ties - weave a rich tapestry of history throughout the interior. This "zero-take approach" extends beyond mere reuse; it's an exercise in reimagining the potential of discarded elements. Aesthetically, Shor House presents a modern interpretation of the classic saltbox form. Its Corten steel exterior, chosen for longevity and recyclability, contrasts beautifully with the warmth of the repurposed wood within. Large glazed sections frame breathtaking views of Navy Channel, blurring the line between indoor and outdoor spaces. Inside, the absence of drywall in favor of Venetian plaster and exposed wooden elements creates a tactile, honest interior. The home's layout, inspired by Donald Judd's Marfa compound, emphasizes minimalism and practicality without sacrificing comfort. Shor House isn't just a home; it's a manifesto for a new era of sustainable design, where the past is honored, and waste becomes wonder. Design Team - Measured Architecture, founded in 2007 by Clinton Cuddington, has established itself as a leading force in Vancouver's architectural landscape. Specializing in modern design, interiors, and landscapes, the firm has consistently delivered exceptional public and private environments that are both stimulating to occupy and fundamental to their surroundings. The practice, led by Cuddington and Piers Cunnington, who joined in 2009, has cultivated a portfolio that showcases their ability to craft considered, innovative, and high-quality projects. Their unique approach, dubbed "situational modernism," is a subject-based, humanist methodology that carefully considers each project through the lens of client aspirations, site opportunities, and municipal, budgetary, and scheduling constraints. Measured Architecture's design philosophy is characterized by a meticulous understanding of client needs, resulting in spaces that are both functionally efficient and aesthetically pleasing. The firm's projects serve as thoughtful backdrops for their clients' lives, with an emphasis on flow and spatial harmony. From residential to commercial projects, Measured Architecture's work exemplifies a commitment to context-sensitive design, sustainability, and innovative use of materials. Their growing list of accolades, including multiple Western Living Magazine Architecture Designer of the Year awards, underscores their significant impact on the Canadian architectural scene. 设计团队 旅游探访 330 m² Vancouver, Canada 2022 前一项 后一项

LIFE建筑事务所成立于韩国首尔，是一家将创新设计思维与场地敏感度完美融合的建筑实践机构。事务所由两位主创建筑师领衔：韩志映（韩国注册建筑师）和黄秀容（弘益大学兼任教授），两人均获建筑学硕士学位，他们在城市环境中的建筑干预方面发展出独特的设计方法。 < Back LIFE Architects South Korea LIFE建筑事务所成立于韩国首尔，是一家将创新设计思维与场地敏感度完美融合的建筑实践机构。事务所由两位主创建筑师领衔：韩志映（韩国注册建筑师）和黄秀容（弘益大学兼任教授），两人均获建筑学硕士学位，他们在城市环境中的建筑干预方面发展出独特的设计方法。 自成立以来，LIFE建筑事务所通过多元化的项目展现了其专业实力，并获得多项荣誉，包括2021年韩国建筑文化大奖新进建筑师优秀奖和2021年济州建筑大奖住宅类本奖。他们的设计理念强调建筑与日常生活之间的密切关系，突破传统建筑边界，探索新的空间可能性和材料应用。 该事务所的设计方法以严谨的城市条件研究和创新的材料应用为特征，他们的作品始终展现出对改造僵化城市景观的承诺，通过深思熟虑的建筑干预来回应当代社会和环境需求。 LIFE建筑事务所保持着协作式的工作室文化，将资深设计师的专业经验与新晋人才的创新视角相结合。他们的跨学科方法整合了建筑、城市设计和研究，创造出既挑战传统类型又与场地和使用者保持紧密联系的项目。 LIFE Architects, established in Seoul, South Korea, represents a dynamic architectural practice that seamlessly merges innovative design thinking with contextual sensitivity. Led by principals Jeeyoung Han (KIRA registered architect) and Sooyong Hwang (Adjunct Professor at Hongik University), both holding Master's degrees in Architecture, the firm has cultivated a distinctive approach to architectural interventions in urban environments. Since its founding, LIFE Architects has demonstrated their expertise through a diverse portfolio of projects, garnering recognition including the 2021 Korea Architecture Culture Award in the Emerging Architect category and the 2021 Jeju Architecture Award in the residential sector. Their design philosophy emphasizes the intricate relationship between architecture and everyday life, pushing beyond conventional architectural boundaries to explore new spatial possibilities and material applications. The practice's methodology is characterized by their rigorous investigation of urban conditions and innovative material applications, as evidenced in projects like the Folded Ground Neighborhood Facility (2023). Their work consistently demonstrates a commitment to transforming rigid urban landscapes through thoughtful architectural interventions that respond to contemporary social and environmental demands. LIFE Architects maintains a collaborative studio culture, combining the expertise of experienced designers with fresh perspectives from emerging talents. Their interdisciplinary approach integrates architecture, urban design, and research, resulting in projects that challenge traditional typologies while maintaining a strong connection to their context and users. WEBSITE PROJECT

< 返回 Curtain House Johnsen Schmaling Architects 地点：密尔沃基，美国 设计团队：Johnsen Schmaling Architects 面积：307.14 m² 建成时间：2023年 主持设计：Brian Johnsen、Sebastian Schmaling 结构工程：Core 4 Engineering 摄影：John J. Macaulay 设计特色： Curtain House位于美国密尔沃基下东区一块长期空置的狭长地块上，总面积为307.14 m²。地块宽度仅约7.32 m，两侧紧邻两座已有百年历史的住宅。业主是一对长期生活在城市中的夫妇，他们从密尔沃基市发展局购得这块填充用地，希望在市中心建造自己的第一座住宅。Johnsen Schmaling Architects没有把新建筑处理成街区中的孤立物件，而是让三层体量与相邻屋脊保持接近的高度，在修补街道边界的同时，明确表达当代住宅的身份。 受狭窄地块与城市停车要求限制，首层被分配给纵列车库、小型门厅、设备空间及面向后院的家庭活动室。楼梯将访客带至二层，两座双层高体量在前后两端相对布置，共同夹合一座线性露天庭院；一条与庭院平行的玻璃廊道把两者连接起来。开放起居厅整合厨房、餐厅与休息空间，一侧通向庭院平台，另一侧连接可眺望密尔沃基河的小阳台。由玻璃板支撑的轻薄楼梯继续通往上层主卧套房与家庭办公室，庭院另一端则容纳两间卧室。 住宅最具辨识度的街道立面，来自日常窗帘中一组看似矛盾的需求：城市住宅希望借玻璃获得光线与开放感，却又必须通过遮挡维护私密。设计没有在透明与封闭之间选择其一，而是把窗帘的褶皱转译为一整面固定百叶。竖向构件以逐渐旋转的角度紧密排列，开合密度随背后的窗、实体墙和车库门连续变化；对应玻璃的位置更通透，面对实墙时则趋于完全封闭。立面由此不是覆盖建筑的均质表皮，而是一张直接记录内部空间需求的深浅图谱。 当行人沿街移动时，固定百叶因视角变化呈现出类似织物摆动的错觉，住宅的正面在透明、半透明与不透明之间不断切换。这层表皮同时承担南向遮阳，降低过热和过量太阳辐射。百叶采用获得Eco Mark认证的木材与铝材复合挤压构件，以兼顾木质触感、尺寸稳定性和长期耐久性；高性能玻璃与整体着色的三层水泥基灰泥进一步构成克制的外围护材料系统。 室内以白色与灰色为主，让经百叶过滤的自然光成为空间中的主要变化。开放起居厅内，胡桃木厨房柜体以较深的暖色集中标记家庭生活的核心；庭院、玻璃廊道和前后开口则把原本狭长的平面分解为一系列可跨越、可对望的空间片段。Curtain House最终把一座私人住宅的光线、隐私与气候控制，转化为街道能够感知的建筑表情：它既没有复制邻居的历史形式，也没有拒绝街区尺度，而是用一层具有不同开放密度的“帘幕”重新建立住宅与城市之间的边界。 设计团队： Johnsen Schmaling Architects由Brian Johnsen与Sebastian Schmaling于2003年在美国密尔沃基共同创立。两人相识于威斯康星大学密尔沃基分校建筑研究生阶段，此后曾在同一家密尔沃基建筑事务所共事多年。Brian Johnsen在威斯康星大学密尔沃基分校获得建筑学硕士学位；出生于柏林的Sebastian Schmaling先后就读于柏林工业大学、威斯康星大学密尔沃基分校与哈佛大学设计研究生院，并以优异成绩取得建筑与城市设计硕士学位。 事务所专注于高品质住宅与商业建筑，同时提供总体规划、方案设计、施工管理、家具及平面设计等完整服务。其工作方法以对场地和功能的细致理解为起点，将材料、构造与建筑技术纳入概念形成过程；形式通常保持克制，却通过比例、表皮深度、构造精度和光线关系建立鲜明的空间性格。 两位创始人现均在威斯康星大学密尔沃基分校担任实践教授，并持续在美国及欧洲讲学。事务所于2008年获得纽约建筑联盟Emerging Voices奖，并入选《Architectural Record》Design Vanguard；其作品已获得70余项专业设计奖，其中包括美国建筑师协会国家及地区级荣誉奖与优异奖。Curtain House由Brian Johnsen与Sebastian Schmaling共同主持，并于2022年至2025年间先后获得AIA Wisconsin优异奖、Residential Design Architecture Award、Milwaukee Magazine Home + Design金奖及American Architecture Award。 设计团队 旅游探访 307.14 m² 密尔沃基，美国 2023 前一项 后一项

< 返回 科莱雷1600云七山地酒店 P2A Design 地点：科莱雷，意大利 设计团队：P2A Design 建筑面积：约2800 m² 年份：2026 项目类型：山地酒店改造 客房数量：28间 结构设计：M.G. Engineering 机电与消防：Studio Emi 电气设计：Studio Luigi Motta 总承包：Ecocostruzioni 定制家具：Artenike 摄影：Francesca Iovene 设计特色： Colere 1600 by Cloud 7 Hotels位于意大利贝加莫省科莱雷的Polzone地区，海拔1600米，处在奥罗比山自然公园与Presolana山脉之间。P2A Design面对的是一座约2800 m²的既有山地服务建筑：它长期依附滑雪季运行，体量也在多次增建中逐渐失去清晰秩序。改造没有把原建筑包装成带有怀旧意味的木屋，而是从清理附加体量开始，使这里从匆匆经过的滑雪节点，转向可以容纳住宿、餐饮、康养与公共活动的四季目的地。 设计保留原有主体结构，同时重新校准入口、屋顶与山体之间的比例。入口侧一处破坏整体关系的附加体量被移除，建筑后部则以坡屋顶扩展，使复杂轮廓重新获得接近阿尔卑斯山地建筑的简洁尺度。奥罗比山石构成稳固基座，两座新增石砌体量分别容纳自助餐厅与酒吧，并拥有独立出入口；两者之间的宽阔门廊标记酒店入口，也把日间滑雪客与住宿客人的流线自然分开。 南向立面几乎完全向风景打开。连续玻璃把大堂、休息厅、酒吧和餐厅与室外日光露台连成一体，Presolana的山体不再只是窗外背景，而成为公共空间始终可见的方向。首层在高峰时段需要同时承接滑雪者、餐饮访客与酒店住客，设计因此没有依赖封闭走廊划分功能，而是以门厅为铰接点，让不同使用者在清楚的视线和短路径中完成分流。 原本处于地下的楼层被扩展为SPA与多功能会议区域。设计在山坡中切出一处下沉露台，为泳池、康养空间与会议前厅带入自然光和通风，也使地下空间获得独立出入与向外停留的可能。首层之上的两层布置28间客房，涵盖Superior、Deluxe、Suite与Family Suite等房型；住宿尺度由公共空间的开阔山景逐渐收束为更安静的木质内景。 室内没有复制传统山间旅馆常见的粗犷符号，而是以橡木、落叶松、天然石材、缎面钢和漆面构成细腻的材料层次。木质天花与织物吸收大面积玻璃空间中的回声，红色格栅、深绿色瓷砖和局部艺术作品为浅木与灰石加入节奏。光、声音、触感与视线被当作同一套设计系统处理，使这座原本服务单一季节的基础设施，在保留山地建筑克制姿态的同时，获得适合整日停留与全年使用的新生活。 设计团队： P2A Design由建筑师Alessandro Pasini与Paola Renda于2017年共同创立，总部位于米兰。Pasini于2009年毕业于米兰理工大学，早期从声学设计进入建筑实践，曾任arcHITects合伙人；Renda于2015年毕业于米兰理工大学，并于佛罗伦萨大学完成博物馆展陈方向深造。两位创始人亦长期参与米兰理工大学、POLI.design及SPD米兰理工设计学院的教学工作。 事务所的实践涵盖建筑、室内与家具设计，尤其关注录音及音乐制作空间、博物馆展陈、酒店和住宅等需要同时处理空间、声音与感官体验的项目。团队以跨专业方式统筹建筑、声学、视听系统、材料和照明，不把这些内容视为后期附加的技术层，而是从项目开始便共同塑造空间。其“Shaping Human Spaces”理念强调人在空间中的行动、协作与持续感受，试图在效率与美感之间建立完整而可使用的平衡。 设计团队 旅游探访 2800 m² 科莱雷，意大利 2026 前一项 后一项

< 返回 首都国际会展中心 扎哈·哈迪德建筑事务所 项目名称：首都国际会展中心 地点：北京，中国 设计团队：扎哈·哈迪德建筑事务所 建筑面积：611000 m² 竣工时间：2025年 摄影：Virgile Simon Bertrand 设计特色： 项目 - 扎哈·哈迪德建筑事务所在北京顺义区揭幕了首都国际会展中心(CIECC)，确立了该市迄今为止最大且最先进的展览场馆。这座611000平方米的庞大建筑群响应了北京日益增长的国际会议和展览空间需求，因为该市的服务业和数字技术行业持续扩张。 其独特设计以一系列流畅的"飘带"为特色，将九个展厅、三个接待厅、一个可容纳9000名代表的会议中心和一个拥有410间客房的酒店编织在一起。这些飘带状的连接创造了统一的建筑语言，同时在各种活动空间之间提供实用的室内流通。 建筑群的核心是一条中央南北轴线，既作为主要连接器，又作为带有景观花园的遮蔽户外聚集空间。悬挂在这个中央庭院上方的桥梁进一步增强了连通性，同时创造了一个视觉上引人注目的建筑特色。 CIECC最显著的设计元素是其对称几何形状的复合屋顶系统，创造了一个隔热、轻量级的结构，提供了具有最大适应性的无柱空间。这种模块化方法不仅缩短了开发时间，还最大限度地减少了投资和运营成本。 项目极具特色的外观由褶皱状、深铜色的外立面和凹入式窗户组成，经过精心设计，平衡了建筑的庞大工业规模与建筑上的精致感和视觉吸引力。 可持续性在设计中占据突出位置，该中心获得了中国绿色建筑评价标准的最高认证。智能建筑管理系统、混合通风、雨水收集、灰水回收和现场光伏发电都有助于减少该建筑群的环境足迹。 首都国际会展中心战略性地位于北京首都国际机场附近，并与城市地铁网络相连，成为中国在全球商业和文化交流中日益重要地位的关键场所。 团队 - 扎哈·哈迪德建筑事务所 扎哈·哈迪德建筑事务所是由已故建筑大师扎哈·哈迪德创立的国际知名建筑设计公司，现由帕特里克·舒马赫（Patrik Schumacher）领导。该事务所以其前卫、创新的设计理念和流畅、动态的建筑形态而闻名于世，在全球范围内完成了众多标志性建筑项目。 该事务所的设计方法融合了尖端技术与艺术创造力，专注于创造可持续发展、面向未来的建筑解决方案。他们的作品集跨越了多种建筑类型，包括文化机构、公共建筑、商业设施、住宅项目和大型城市规划。通过参数化设计和计算机辅助建模技术的运用，事务所能够实现复杂的几何形态和创新的空间构造。 扎哈·哈迪德建筑事务所的项目常常挑战传统建筑概念，呈现出独特的视觉语言和空间体验。在首都国际展览会议中心项目中，设计团队由佐藤大（Satoshi Ohashi）和保罗·弗洛雷斯（Paulo Flores）担任项目总监，与丁荻（Di Ding）、马丁·普弗莱格（Martin Pfleger）和克拉拉·马丁斯（Clara Martins）等项目负责人共同合作，展现了事务所对大型公共设施的专业设计能力和创新思维。 事务所的设计哲学强调建筑与环境的和谐融合，以及对用户体验的深入考量，这一点在CIECC项目中得到充分体现，使其不仅成为功能先进的展览场所，更是一座具有艺术价值和城市象征意义的建筑杰作。 Project Name: Capital International Exhibition and Convention Center Location: Beijing, China Design Team: Zaha Hadid Architects Total Floor Area: 611,000 m² Completion: 2025 Photography: Virgile Simon Bertrand Feature: Project - Zaha Hadid Architects In Beijing's Shunyi District, adjacent to Capital International Airport, Zaha Hadid Architects has created the Capital International Exhibition and Convention Center (CIECC), Beijing's largest and most advanced exhibition and convention venue. This sprawling 611,000-square-meter complex responds to the growing demand for international conferences and industry expos in Beijing as a leading center of commerce, culture, and government, particularly with the significant expansion of the city's service and digital technology industries. The design team conceived the project as fluid "ribbons" that weave together nine new exhibition halls, three reception halls, a conference center for 9,000 delegates, and a hotel with 410 rooms. The most striking design element is the composite roof system of symmetric geometries, creating an insulated, lightweight, large-span structure providing column-free spaces that can be quickly adapted to changes in exhibitions. This modular fabrication and construction minimized the center's development time, investment, and operational costs. The center's central north-south axis serves as the primary connector between the nine exhibition halls, providing navigational clarity, maximum flexibility and efficiency, while creating a central courtyard and gathering place within sheltered outdoor event spaces and landscaped gardens. Bridges above this central courtyard connect the exhibition halls, conference center, and hotel, providing indoor circulation between event spaces. The center's exterior is defined by a pleated, deep copper-colored façade with recessed windows, thoughtfully designed to balance the immense industrial scale of the building with materiality. CIECC achieved the highest certification of China's Green Building Program, using smart building management systems with hybrid ventilation, ensuring optimum natural ventilation supported by high-efficiency HVAC equipment to enhance indoor air quality and minimize energy consumption. Rainwater collection throughout CIECC's extensive footprint, grey water recycling, and photovoltaics for on-site energy generation reduce water and energy demand from the city's municipal supply. Design Team - Zaha Hadid Architects Zaha Hadid Architects is an internationally renowned architectural design firm founded by the late architectural master Zaha Hadid, now led by Patrik Schumacher. The firm is famous for its avant-garde, innovative design concepts and fluid, dynamic architectural forms, having completed numerous iconic architectural projects worldwide. The firm's design approach combines cutting-edge technology with artistic creativity, focusing on creating sustainable, forward-looking architectural solutions. Their portfolio spans multiple building types, including cultural institutions, public buildings, commercial facilities, residential projects, and large-scale urban planning. Through the application of parametric design and computer-aided modeling techniques, the firm is able to achieve complex geometric forms and innovative spatial constructions. Projects by Zaha Hadid Architects often challenge traditional architectural concepts, presenting unique visual language and spatial experiences. In the Capital International Exhibition and Convention Center project, the design team was led by Project Directors Satoshi Ohashi and Paulo Flores, working in collaboration with project associates Di Ding, Martin Pfleger, and Clara Martins, demonstrating the firm's professional design capabilities and innovative thinking for large-scale public facilities. The firm's design philosophy emphasizes the harmonious integration of architecture with the environment and in-depth consideration of user experience, which is fully embodied in the CIECC project, making it not only an advanced functional exhibition venue but also an architectural masterpiece with artistic value and urban symbolic significance. 设计团队 旅游探访 611000 m² 北京，中国 2025 前一项 后一项

< 返回 House M KAMIJIMA Architects 项目名称：House M 地点：东京，日本 设计团队：KAMIJIMA Architects 面积：112.62 m² 完工时间：2025年 摄影：堀越圭晋 / SS Tokyo 设计特色： 日本建筑事务所KAMIJIMA Architects近日完成了House M住宅项目。这是位于东京风致保护地区的一处住宅改建工程，业主从事植栽相关工作。项目将私人住所转化为家庭与街区之间柔和的过渡空间，其设计概念源于一个朴素的观察：业主旧宅庭院中种植的珍稀植物，长期以来吸引着邻里居民驻足交谈，成为自然而然的社交媒介。 建筑师上岛直树将这一社交逻辑延伸至建筑空间本身，以渐进式的层次将平面从公共过渡至私密。出挑的屋檐在入口处形成庇护性灰空间，为邻里间的随意交谈提供场所；下沉的土间入口（入口门廊）以现代手法重新诠释日本传统的"土间"形式，引导访客迈入更深处；而更内侧的居住空间则完全归属于家庭成员。这一序列刻意回避了截然的界限，提出住宅可以同时承载社群关系与私人生活，各得其所，恰到好处。 在结构上，建筑采用木结构框架，地上两层，四面大幅退让于用地边界，以回应风致地区严格的规划限制。建筑最具辨识度的特征是一座坡度达七寸（坡度角35°）的陡峭切妻屋顶（双坡屋顶），其妻侧（山墙面）正对街道。这一形式为住宅与相邻建筑之间带来充裕的空间与自然采光，同时在街景中确立了一个沉静而独特的轮廓。 竣工之时，场地植栽刻意保持克制：保留自旧宅移植的乔木、少量新增植被以及临时性碎石铺地。上岛直树设想，建筑真正意义上的「完成」将随时间缓慢到来。随着业主凭借其专业积累逐渐丰富庭院植栽，当绿植最终覆盖平面布局与屋顶所留出的余白，那座切妻山墙（山墙）呈现的将不再是一件纯粹的建筑作品，而是一个真正生长入土地的家。 设计团队： KAMIJIMA Architects于2021年在东京涩谷创立，是一家持有一级建筑士事务所资质的建筑设计事务所（东京都知事登录番号第64432号），由主持建筑师上岛直树领衔主持。上岛直树于2012年取得千叶工业大学大学院建筑都市环境学专攻修士学位，此后在NIIZEKI STUDIO从事近十年的专业实践，参与设计了涵盖企业总部、酒店、住宅及商业等多种建筑类型的项目。 事务所的业务范围涵盖建筑设计、室内设计、改造更新以及家具与产品设计，提供从前期策划、方案设计到施工监理的全程专业服务。其设计理念以对项目所涉及的一切事项、环境与人的诚实与坦率为基础，主张每一项设计提案都应在委托方的预期之外发现新的可能性，并致力于使建筑与空间在被实际体验时，能够以一种沉静而直接的方式抵达使用者内心。 2024年起，上岛直树兼任千叶工业大学非常勤讲师，持续参与建筑学科的教学实践与学术交流。 设计团队 旅游探访 112.62 m² 东京，日本 2025 前一项 后一项