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< 返回 湄林之家 WOS Architects 设计特色： 项目 – 嵌入清迈宁静景致中的这座引人注目的住宅，在提供都市般舒适的同时，与大自然亲密融合。该作品由WOS Architects设计工作室精心打造，与环绕的翠绿景观完美融为一体，体现出新鲜空气、葱郁树木、山景畅目和迷人的溪流的意境。这座两层高的住宅呈现出细长的轮廓，极具戏剧性的坡屋顶向上层楼板边缘倾斜，保持了优雅的比例平衡。在布局方面，住宅分为两翼，由一个双层高的中庭空间连接，形成了整个居所的核心。这个通风的中央空间两侧敞开，利用山间微风实现自然交叉通风。私密性与开放性在此处获得了巧妙的平衡，南翼包含卧室，可欣赏到迷人的山景及溪流风光，而北翼则设有客房套间和与中庭相连的开放式休息区。在上层，陡峭的屋顶营造出阁楼般宽敞的生活空间，通过精心设计的采光切口和种植树木的种植池，避免了阁楼常见的窄小憋闷感。可持续性发展也是设计的重中之重，现有家具和电器均从客户原先在曼谷的家中迁移而来，营造出延续感。间接照明为空间笼罩上柔和漫射的光线，素雅的駝色调与自然环境相得益彰。湄林之家住宅是将居住与景观完美融合的杰作，堪称设计理念与合成艺术的典范。 团队 – WOS Architects创办于2019年，是一家坐落于曼谷的精品建筑工作室，由普策萨坤·科努顿和奥恩派林·丽拉斯里翁两位建筑师联袂领导。虽然规模不大，但WOS的作品有口皆碑，业务范围包括建筑设计、室内设计以及许多难以简单归类的创新项目。该工作室的设计理念追求简约实用，同时也大胆拥抱模糊性。WOS将建筑视为营造人与环境、主人与客人、人与自然之间的场所，他们的作品努力打破建筑与环境之间的界限。WOS这个名字本身就体现了他们的多元设计哲学——它可被视为三个无意义的英文字母，也可从泰语字母中解读为"足够"的含义。这种开放的解释性贯穿于他们的建筑语言中，拒绝刻板约束,而是根据具体环境因地制宜。从像JY住宅这样的城市紧凑型改造，到小C烘焙店这种更加宽阔的项目，WOS都能娴熟地在各种约束条件下，运用理性简约的手法。但他们也总能将微妙的模糊性融入其中，营造出引发新视角的空间体验。对于这个新兴工作室而言，创意源于探索可能性而非概率，他们的设计定义为简单、理性，但同时也充满了别具一格的多元性。 Feature： Project - Nestled in the serene Mae Rim landscapes of Chiang Mai, this striking residence offers a profound connection to nature while providing urban-style comforts. Designed by WOS Architects, the Mae Rim House seamlessly blends into its verdant surroundings, embracing fresh air, verdant trees, mountain vistas, and the soothing sounds of the Mae Sa Stream. The two-story dwelling features an elongated silhouette with a dramatically pitched roof that slopes towards the upper floor edges, maintaining an elegant proportional balance. Architecturally deft, the layout divides the residence into two wings united by a double-height atrium at the heart of the home. This airy central space, open on both sides to the outdoors, facilitates natural cross ventilation enhanced by the mountain breeze. Privacy and connection are masterfully balanced, with the southern wing housing bedrooms that offer picturesque mountain and stream views, while the northern wing contains a guest suite and open lounge linked to the atrium. On the upper level, the pitched roof creates lofty living spaces reminiscent of an attic yet without feeling confined, achieved through ingenious cutouts that allow natural light to pour in alongside planters with trees. Sustainability was also paramount, with existing furniture and appliances relocated from the client's former Bangkok home, lending a sense of continuity. Indirect lighting washes the spaces in a soft, diffused glow, while a serene taupe palette complements the natural surroundings. A triumph of design synthesis, Mae Rim House forges an indelible connection between dwelling and landscape. Design Team - Founded in 2019, WOS Architects is a boutique Bangkok-based practice helmed by the duo of Prueksakun Kornudom and Ornpailin Leelasiriwong. Kornudom received his architectural training at Assumption University, while Leelasiriwong holds degrees from Chulalongkorn University and ETH Zurich's prestigious MAS Urban Design program. Though small in size, WOS punches well above its weight class, with a portfolio encompassing architectural design, interiors, and innovative projects that defy simple categorization. The firm's design ethos prizes simplicity and practicality, but also actively embraces ambiguity. WOS conceives of architecture as crafting places not just for human dwellers, but for guests and nature as well - their work seeks to dissolve boundaries between building and environment. WOS's name itself exemplifies their multivalent approach - it can be read as three meaningless English letters, or interpreted from the Thai alphabet as meaning "enough." This openness to interpretation extends to their architectural language, which resists rigid codification in favor of nuanced, contextually-driven solutions. From compact urban renovations like the JY House to more expansive projects like the Little C Bakery Shop, WOS deftly navigates constraints with rational simplicity. Yet they also imbue each undertaking with a subtle ambiguity that provokes fresh perspectives. For this emerging studio, creativity arises from exploring possibility over probability - their practice is defined by simple, rational, yet delightfully multivalent outputs. 设计团队 旅游探访 500㎡ 泰国，清迈 2023年 前一项 后一项

< 返回 上海师范大学附属青浦实验学校 Brearley Architects + Urbanists 设计特色： 项目 – 位于上海青浦区的上海师范大学附属青浦实验学校项目，在教育建筑领域树立了新的典范。由Brearley Architects + Urbanists设计的这座校园，抛弃了中国学校建筑常见的工厂式单调造型，构筑出一个梦幻般的创新形态，旨在提高学生参与度和探究式学习体验。校园建筑外立面别具一格，扭曲的板状建筑向中央庭院内弯曲延伸，蜿蜒的阳台和拋物线状的凸窗仿佛正在震颤，流露出动态感。这种抒情性的形态语言源于已故建筑师张在元的手绘风格，以及场地毗邻的运河景致。但是这项独特设计不仅止于美学层面，通过可拆卸隔墙和将走廊改造成封闭的"街道"空间，原有的传统教室能够转化为开放式的非正式学习场所，用于举办展览和项目活动。此外，学校内还设有特色房间、休息空间和宽阔的走廊，为学生主导的活动如同伴互助学习、STEAM项目和数字化协作等提供便利。随着中国生育率的下降，预计未来教室规模将相应缩小，为此设计师着眼于未来，使校园建筑拥有向更加先进、以学生为中心的教学理念过渡的灵活性，期望通过环境和学术并重的方式，能激发学生的创造力，发掘每个学生的潜在才能。 团队 – Brearley Architects + Urbanists始创于1992年的澳大利亚墨尔本，如今已成为一家充满创新活力的跨领域设计机构，凝聚了一群怀抱理念的多元化人才。在James Brearley和方群两位创始人的领导下，BAU拥有一支由建筑师、城市设计师、规划师和景观设计师组成的卓越团队，全心致力于打造出色的建筑环境。BAU在澳大利亚和中国均设有办公室，秉承将"设计视为研究"的理念，在追求创新的同时，兼顾经济、社会、文化和环境的可持续发展需求。他们巧妙融合建筑、城市规划和景观设计，提出多层次的解决方案，超越了单一的美学层面。BAU先进的城市战略有助于培育不断演进的适应力强的城市，通过周密入微的规划，将对环境的影响降至最低。在建筑设计领域，BAU擅长将当代理论融入创新的空间造形，全面吸纳空间设计、秩序和美学等方面的先进理念。他们的建筑植根于现实语境，巧妙结合实用性与标志性象征，打造富有意义且可持续的建筑力作。 Feature： Project - The new Qingpu Experimental Middle School in Shanghai's Qingpu district presents a paradigm shift in educational architecture. Designed by BAU Brearley Architects + Urbanists, the 21,425 sqm campus eschews the typical factory-like aesthetic of Chinese schools in favor of a dreamlike, innovative form that prioritizes student engagement and inquiry-based learning. The building's striking facade features a distorted slab silhouette that bends and curves inwards toward the central courtyard, with undulating lines of balconies and parabolic bay windows that appear to vibrate with movement. This lyrical formal language takes inspiration from the whimsical drawings of the late architect Zhang Zai Yuan and the site's adjacent canal. But the unique design goes beyond just aesthetics. The flexible layout allows traditional classrooms to transform into open, informal learning spaces through the use of operable walls and enclosed corridor "streets" that can accommodate exhibitions and projects. Specialty rooms, nooks, and wide hallways further enable student-driven activities like peer learning, STEAM projects, and digital collaboration. With China's declining birth rates expected to reduce classroom sizes, the architects future-proofed the school to facilitate a shift toward more progressive, studentcentered pedagogies. The architecture envisions fostering creativity and unlocking every student's potential through environment as much as academics. Design Team - Founded in 1992 in Melbourne, Australia, BAU Brearley Architects + Urbanists has become a trailblazing multi-disciplinary firm united by a passion for innovative ideas. Under the leadership of Directors James Brearley and Fang Qun, BAU comprises a diverse team of architects, urban designers, planners, and landscape architects dedicated to delivering exceptional built environments. With offices in Australia and China, BAU adopts a design-as-research approach that pushes boundaries while being economically, socially, culturally, and environmentally sustainable. Their process seamlessly integrates architecture, urbanism, and landscape, resulting in multi-dimensional solutions that transcend mere aesthetics. BAU's pioneering urban strategies facilitate evolving, resilient cities through thoughtful planning that minimizes environmental impact. The firm's architectural prowess lies in innovative form-making informed by contemporary theory, embracing advances in space design, order, and aesthetics. BAU's architecture is deeply rooted in context, merging pragmatics with iconography to craft meaningful, sustainable built works. Their award-winning portfolio exemplifies design excellence across typologies. 设计团队 旅游探访 21425 m² 中国，上海 2023年 前一项 后一项

< 返回 绿色之家 Boniface Oleksiuk Politano Architects 项目名称：The Green House 地点：吉布森斯，加拿大 设计团队：Boniface Oleksiuk Politano Architects 建筑面积：153 m² 竣工时间：2024年 摄影：Brett Hitchins 设计特色： 项目 – 绿色之家由Boniface Oleksiuk Politano建筑事务所设计，坐落于不列颠哥伦比亚省吉布森斯一座小型农场的森林与溪流之间，展现了谦逊建筑姿态与精妙空间策略的完美结合。这座153平方米的家庭住宅以其熟悉而朴素的建筑轮廓，重新定义了紧凑空间内的当代生活体验。 该项目最引人注目的成就在于其智慧的"中央脊柱"组织策略。建筑围绕中央入口和服务脊柱组织，将私密空间置于北侧，社交空间置于南侧。这个双层高的核心空间既是交通轴线又是垂直连接器，在保持功能分区明确的同时维持了整体视觉连通性。从二层夹层俯瞰的趣味性"朱丽叶阳台"为中央空间增添了意想不到的愉悦时刻，强化了住宅的垂直开阔感。 建筑叙事通过精妙的空间层次展开，展现出卓越的空间智慧。二层夹层悬挑于起居空间之上，为办公室、儿童活动或客人提供了从主要生活空间抽离的机会。北侧的私密区域享有树木和附近溪流的私密景观，而南侧的主要聚集和生活空间则配置了宽敞的玻璃幕墙和通往南向户外露台的门扇。 材料选择体现了当代设计的务实性。住宅采用传统建造方法，主要为轻型木框架结构，包括预制屋顶桁架。建筑配备高性能围护结构，采用外保温系统以确保最大能源效率。从能源角度来看，该住宅超越了规范要求，配备热泵和辐射地板采暖系统。 立面处理展现了策略性开窗设计的精致性。每一扇窗户的位置都精确回应其环境语境，从私人卧室框取周围溪流和森林的亲密景观，同时从南侧起居区提供开阔的玻璃幕墙和直通露台的通道。这种精心编排的开口系统将森林环境转化为日常生活不断变化的背景幕布。 项目的另一大特色是其对环境挑战的创新应对和高性能建筑实践。尽管业主拥有10英亩土地，但施工过程中发现土壤条件极具挑战性，需要运入大量碎石和土方以确保稳定的地基。此外，建筑在严重的成本通胀和供应链挑战时期建造完成。住宅外观呈现出刻意朴素的轮廓：简洁的山墙形体以鲜明的绿色呈现，既趣味性地呼应其名称，又与自然环境形成对话。源自一个年轻家庭（包括一位景观设计师）将泥泞田野转变为草甸家园的愿景，绿色之家证明了设计能够在不牺牲温暖、个性或环境责任的前提下，实现建筑的精妙性。 设计团队 - Boniface Oleksiuk Politano建筑事务所成立于2019年，由主持建筑师Alan Boniface、Shane Oleksiuk和Adrian Politano领导，现已发展成为加拿大领先的建筑实践机构，以其在当代住宅和混合用途项目领域的创新方法而闻名。事务所总部位于温哥华，业务延伸至北美各地项目，展现了卓越的设计实力。 在Alan Boniface、Shane Oleksiuk和Adrian Politano的创意指导下，事务所领导着充满活力的跨学科团队，包括建筑师、设计师和城市规划专家。Alan Boniface拥有超过35年的实践经验，曾担任建筑实践机构的管理合伙人、ULI主席和温哥华城市规划委员会主席等多项领导职务。Shane Oleksiuk的设计方法平衡了理想主义与实用主义，追求既慷慨又坚定的建筑。Adrian Politano在过去20年中为维多利亚、多伦多和温哥华的事务所贡献并领导了众多项目。他们的协作方式获得了众多客户的持续支持和市政机构的认可。 事务所的设计哲学聚焦于建筑与周边环境的连接性，建筑支持街道生活，充满活力的公共领域创造更好的生活环境。他们的设计方法论强调高密度混合用途在近距离内产生更好的社区生活，最终创造更好的社会。事务所始终如一地交付平衡理想主义与实用主义、环境可持续性与经济活力的项目。 Boniface Oleksiuk Politano建筑事务所作为全方位服务的建筑实践机构，在多元建筑类型中展现专业能力，涵盖各种尺度的住宅开发、酒店建筑、办公楼宇、社区设施、总体规划、城市设计和混合用途项目。事务所通过涵盖从大型总体规划到精致社区项目的多样化作品集，在北美当代建筑领域建立了新的典范，展现出对创造持久社区的持续承诺。这些社区充满活力、可持续且适合步行。事务所相信城市场所的生命力，并在所有工作中注入对使城市生活充满活力的要素的奉献精神。 设计团队 旅游探访 153 m² 吉布森斯，加拿大 2024 前一项 后一项

< 返回 罗斯玛丽·布朗娱乐中心 hcma architecture + design 项目名称：罗斯玛丽·布朗娱乐中心 地点：本拿比，加拿大 设计团队：hcma architecture + design 建筑面积：8547 m² 竣工时间：2024年 摄影：Ema Peter 设计特色： 项目 - hcma architecture + design在加拿大BC省本拿比市打造了罗斯玛丽·布朗娱乐中心，彻底重新定义了冰上竞技场的设计理念。这座耗资4950万加元的建筑抛弃了传统的无窗的钢桁架冰场结构，转而采用温暖的木材、自然光线和透明开放的布局，为市民与游客创造了丰富而动态的体验。 设计团队通过创新的结构方法，让北向天窗的自然光线充满冰场，同时不影响冰面质量。外露的大型木材屋顶创造了温暖宜人的空间，适合运动员和观众。这种非常规的设计需要混合钢木屋顶系统，利用木材作为关键组成部分，以提供几何灵活性、便捷的施工过程和温暖吸引人的美学效果。 在这个紧凑的城市场地上，两个NHL规格的冰场采用了非传统的L形布局安排，中央大厅位于它们的交汇处。这种构造不仅改善了大厅与冰场之间的连接性和开放性，还为街道和周围社区提供了友好生动的立面。 娱乐中心内的多功能房间和大厅空间可用于冰上运动以外的各种活动，从匹克球和普拉提到季后赛观看派对。二楼的观景廊为观众提供舒适、无障碍的观赏体验，而后面的非正式游戏区则允许儿童进行休闲的自主游戏。包容性设计贯穿设施的各个方面，包括由hcma设计团队创建的盲文和触觉标识，确保所有社区成员都感到受欢迎的氛围。 罗斯玛丽·布朗娱乐中心以一位开创性的加拿大社会正义与平等倡导者的名字命名，体现了她的精神，成为所有本拿比居民聚集、游戏和比赛的场所。现已向公众开放，这个中心将成为本拿比南门社区的重要设施，邀请未来几代人在这个友好的社区冰场建立持久的回忆。 团队 - hcma architecture + design成立于1976年，最初由Roger Hughes以"Roger Hughes Architects"的名称创立，如今已发展成为加拿大最具创新性的跨学科设计事务所之一。该事务所在温哥华、埃德蒙顿和维多利亚三个城市设有办公室，通过细致入微的建筑设计风格，在创造促进社区参与和社会联系的空间方面确立了领导地位。 在现任领导团队的带领下，hcma已超越传统的建筑服务范畴，采用整体方法，整合建筑、品牌策略、导向设计、场所营造和包容性设计。这种跨学科的方法使实践能够从多个角度解决复杂的空间和社会挑战，创造出既满足功能需求又回应更广泛社区需求的项目。 事务所的作品集展示了他们在公共建筑领域的专业知识，包括获奖的萨里Grandview Heights水上中心（2016年），其特色是创新的波浪形屋顶结构；温哥华奥运会/残奥会中心改造成的Hillcrest中心（2011年）；以及最近完成的本拿比罗斯玛丽·布朗娱乐中心（2024年），通过精密的混合钢木结构系统重新构想了冰场类型。 作为一家获得B型企业认证的公司，hcma展示了他们致力于将设计作为积极社会和环境影响力的承诺。他们的实践强调包容性无障碍设施、环境可持续性和社区参与，贯穿整个设计过程——从初步可行性研究和利益相关者咨询到详细的建筑文档和入住后评估。通过跨学科方法和对有意义社会成果的努力，hcma继续重新定义当代加拿大建筑实践的边界。 Project Name: Rosemary Brown Recreation Centre Location: Burnaby, Canada Design Team: hcma architecture + design Total Floor Area: 8,547 m² Completion: 2024 Photography: Ema Peter Feature: Project - hcma architecture + design has created the Rosemary Brown Recreation Centre in Burnaby, British Columbia, radically redefining the concept of ice arena design. This CDN $49.5 million facility abandons the traditional cold, windowless, steel-trussed ice arena structure in favor of warm wood, natural light, and a transparent, open layout, creating a rich, dynamic experience for visitors both on and off the ice. The design team implemented an innovative structural approach that floods the rinks with north-facing light without impacting ice quality. The exposed mass timber roof creates a warm and inviting space for both players and spectators. This unconventional approach necessitated a hybrid steel-timber roof system, utilizing wood as a key component for its geometric flexibility, ease of construction, and warm, inviting aesthetic. On this compact urban site, the two NHL-sized ice sheets adopt a non-traditional L-shaped arrangement with a central lobby positioned at their intersection. This configuration not only improves the interface and openness between the lobby and ice sheets but also provides a friendly, animated elevation to the street and community beyond. The recreation center offers multipurpose rooms and spaces within the lobby for activities beyond ice sports, from pickleball and Pilates to playoff watch parties. Second-floor warm-side viewing galleries provide spectators with comfortable, accessible viewing experiences, while informal play areas directly behind allow children to engage in casual, self-directed play. Inclusive design extends to every aspect of the facility, with braille and tactile signage created by hcma's Communication Design team, ensuring all community members feel welcome. Named in honor of Rosemary Brown—a trailblazing Canadian advocate for social justice and equality—the recreation center embodies her legacy as a place for all Burnaby residents to gather, play, and compete. Now open to the public, the center is set to be an essential fixture in Burnaby's Southgate community, inviting future generations to build lasting memories at their friendly neighborhood rink. Design Team - Founded in 1976 by Roger Hughes as "Roger Hughes Architects," hcma architecture + design has evolved into one of Canada's most innovative interdisciplinary design practices. Operating from offices in Vancouver, Edmonton, and Victoria, the firm has established itself as a leader in creating spaces that foster community engagement and social connection through thoughtful architectural interventions. Under the current leadership team, hcma has expanded beyond traditional architectural services to embrace a holistic approach that integrates architecture, brand strategy, wayfinding, placemaking, and inclusive design. This interdisciplinary methodology allows the practice to address complex spatial and social challenges from multiple perspectives, resulting in projects that respond meaningfully to both programmatic requirements and broader community needs. The firm's portfolio showcases their expertise in civic architecture, with notable projects including the award-winning Grandview Heights Aquatic Centre in Surrey (2016), featuring an innovative undulating roof structure; the adaptive reuse of the Vancouver Olympic/Paralympic Centre into the Hillcrest Centre (2011); and most recently, the Rosemary Brown Recreation Centre in Burnaby (2024), which reimagines the ice arena typology through a sophisticated hybrid steel-timber structural system. As a Certified B Corporation, hcma demonstrates their commitment to using design as a force for positive social and environmental impact. Their practice emphasizes inclusive accessibility, environmental sustainability, and community engagement throughout the design process—from initial feasibility studies and stakeholder consultation to detailed architectural documentation and post-occupancy evaluation. Through their interdisciplinary approach and dedication to meaningful social outcomes, hcma continues to redefine the boundaries of architectural practice in contemporary Canada. 设计团队 旅游探访 8547 m² 本拿比，加拿大 2024 前一项 后一项

< 返回 Kliphuis 山谷品酒体验馆 Slee & Co Architects 设计特色： 坐落在南非斯泰伦博斯美丽的班胡克山谷中，"石屋"（Kliphuis）项目堪称因地制宜建筑设计的典范。这座由Slee & Co建筑事务所设计的423平方米建筑，与其令人惊叹的自然环境完美融合，展现了建筑形态与自然景观之间的和谐对话。 项目最突出的特点是其对本地材料和传统建造技术的巧妙运用。建筑的基础由延伸现有梯田墙形成，采用就地取材的石块，以非正式的手工方式砌筑。这种做法不仅将建筑牢固地锚定在其所在地，还向该地区的建筑传统致敬。 全部来自农场外来树种清除工程的木材在整个项目中扮演着主角。从屋顶结构到地板、墙壁，甚至定制家具，这些当地采伐的木材的使用营造出温暖、富有质感的体验，呼应着外部的自然世界。 设计对环境的敏感度还体现在低矮的深色波纹屋顶上，它们仿佛漂浮在石墙之上。大型可收缩玻璃门模糊了内外界限，使品酒区域自然延伸到宽敞的门廊。这种室内外的连接不仅最大限度地展现了西蒙斯山和德拉肯斯坦山脉的美景，还通过将访客沉浸在赋予卡彭西斯葡萄酒独特品质的风土中，提升了品酒体验。 Nestled in the picturesque Banhoek Valley of Stellenbosch, South Africa, the Kliphuis for Capensis Wines emerges as a testament to thoughtful, site-specific architecture. Designed by Slee & Co Architects, this 423-square-meter structure seamlessly blends into its breathtaking surroundings, offering a harmonious dialogue between built form and natural landscape. The project's standout feature is its commitment to utilizing local materials and traditional construction techniques. The building's foundation is formed by extending existing terrace walls, using stone harvested on-site and laid in an informal, handcrafted manner. This approach anchors the structure to its location and pays homage to the region's architectural heritage. Timber, sourced entirely from alien deforestation efforts on the farm, plays a starring role throughout the project. From the roof structure to the floors, walls, and even custom furniture, the use of this locally harvested wood creates a warm, tactile experience that echoes the natural world outside. The low-slung, dark corrugated roofs that seem to float above the stone walls further exemplify the design's sensitivity to its environment. Large, retractable glazed doors blur the boundaries between inside and out, allowing the tasting area to flow seamlessly onto a generous stoep. This indoor-outdoor connection maximizes views of the Simonsberg and Drakenstein mountain ranges and enhances the wine-tasting experience by immersing visitors in the terroir that gives Capensis wines their unique character. 设计团队： 始创于1986年的Slee & Co.建筑事务所，由Johann Slee创立，已成为南非建筑设计界的一支重要力量。该事务所最初位于约翰内斯堡，17年前迁至斯泰伦博斯，在历史悠久的多普街设立工作室。他们在多普街101号的项目荣获2011年开普建筑学会奖，充分展现了他们将现代设计巧妙融入历史环境的能力。 该事务所的设计理念聚焦于创造一种本土建筑，既尊重客户的愿景和当地文化，又善用先进技术。他们的建筑色彩灵感源自大地，采用柔和的色调和质感丰富的表面处理，呼应南非充沛的阳光。在过去的几十年里，Slee & Co.专注于高端住宅项目、度假屋和精选商业工程，在管理复杂设计和整合精密服务系统方面积累了丰富经验。 可持续性是他们实践的基石，设计充分考虑场地条件和气候特征。事务所采用被动式设计策略来调节热得与热损，并辅以热交换器和太阳能加热等创新系统，打造节能建筑。他们的作品多次获得南非建筑师协会等权威机构的奖项，彰显了他们在住宅和商业设计领域的卓越表现。 在Johann Slee的带领下，事务所保持着一个精干而经验丰富的核心团队，必要时辅以外部服务。这种精简的结构使得项目管理更加灵活，能为客户提供个性化服务，巩固了Slee & Co.作为南非环境敏感型、可持续建筑设计领导者的声誉。 Slee & Co. Architects, founded in 1986 by principal partner Johann Slee, has established itself as a prominent force in South African architecture. Originally based in Johannesburg, the firm relocated to Stellenbosch 17 years ago, setting up studio in the historic Dorp Street. Their 2011 Cape Institute of Architecture Award-winning infill project at 101 Dorp Street exemplifies their skillful integration of contemporary design within historical contexts. The firm's design philosophy centers on creating a vernacular architecture that respects client aspirations and local heritage while embracing advanced technologies. Their architectural palette draws inspiration from the earth, featuring muted colors and textured finishes that respond to the abundant South African sunlight. Specializing in high-end residential projects, holiday homes, and select commercial work, Slee & Co. has honed their expertise in managing complex designs and intricate service integrations over the past quarter-century. Sustainability is a cornerstone of their practice, with designs that respond effectively to site conditions and climate. The firm employs passive design strategies to manage heat gain and loss, complemented by innovative systems like heat exchangers and solar heating to create energy-efficient buildings. Their portfolio boasts numerous awards from prestigious institutions such as the South African Institute of Architects, showcasing their consistent excellence in residential and commercial design. Led by Johann Slee, the practice maintains a small, highly experienced core team, supplemented by outsourced services when necessary. This lean structure allows for agile project management and personalized client attention, solidifying Slee & Co.'s reputation as a leader in contextually sensitive, sustainable architecture in South Africa. 设计团队 旅游探访 423 ㎡ 南非，斯泰伦博斯 2024年 前一项 后一项

< 返回 漫步花园住宅 IKAWAYA Architects 项目名称：漫步花园住宅 地点：日本 设计团队：IKAWAYA Architects 建筑面积：688.93 m² 竣工时间：2024年5月 摄影：三嶋一路 设计特色： 项目 -在日本东部的住宅区内，这座"漫步花园住宅"以其创新的设计理念脱颖而出。该项目坐落于一块不规则形状的地块上，IKAWAYA Architects面对这一挑战，创造了一种将自然与日常生活无缝融合的居住体验。 建筑的核心理念是"多方向堆叠花园"，通过在不同层次和方向上创建大小各异的花园空间，使居住者能够在日常活动中持续感受自然的存在。建筑师采用的解决方案是将住宅分解成多个"小盒子"，而非一个庞大的整体结构，这些小体量沿着不规则地块边界巧妙排列，既适应了场地限制，又与周围住宅区的尺度和谐共存，避免了对街区造成视觉压迫。 这种构成方式创造了丰富的空间序列，形成独特的回游性体验。居住者可以在不同的空间中体验开放与私密的变化，每个区域都提供了不同的居住可能性，满足家庭多样化的生活需求。这种回游设计灵感源自传统日本庭园，但被重新诠释为一种当代生活方式。 立面设计反映了内部空间的多样性，精心布置的开窗与庭院创造了内外空间的对话关系。手工制作的材料和质朴的表面处理强调了与自然的联系，创造出温暖而富有触感的环境。建筑师对细节的关注体现在每个连接点和转角处，展现了对工艺的执着追求。 "漫步花园住宅"展示了如何将看似限制性的场地条件转化为独特设计优势的典范。在这里，庭院不仅是装饰性元素，而是生活体验的核心部分，促使居住者意识到自己是自然循环的一部分。该项目成功地平衡了当代生活的实用需求与对自然体验的渴望，创造出一个既先锋又亲切的家庭环境。 团队 - IKAWAYA Architects由井川充司于2017年创立，已发展成为日本最具创新性的建筑事务所之一。井川充司1980年出生于大阪， 2004年毕业于东京都立大学硕士课程，随后在中村拓志&NAP建筑设计事务所积累了丰富经验。 目前，IKAWAYA团队由8名专业人员组成，提供建筑设计、室内设计、景观规划及项目监理等全方位服务。该事务所以其对空间体验的敏锐理解和对自然元素的巧妙融合而闻名，作品常常展现出流动的空间序列和丰富的材料表达。 IKAWAYA的设计理念强调建筑应回应使用者的情感和生理需求，创造既实用又富有诗意的环境。他们将建筑视为一个整体，精心考虑每个细节如何影响居住体验的质量。 该事务所因其卓越的设计而获得众多奖项，包括2024年DFA亚洲设计大奖银奖和铜奖、2023年现代生活大奖和JID大奖等。井川充司本人也自2021年起担任东京都立大学访问教授，继续影响和培养下一代建筑师。 通过"漫步花园住宅"等项目，IKAWAYA建筑设计展示了其创造既回应当地环境又满足现代生活需求的建筑作品的独特能力，代表了日本当代住宅设计的前沿实践。 Project Name: Strolling Gardens & House Location: Eastern Japan Design Team: IKAWAYA Architects Total Floor Area: 688.93 m² Completion: May 2024 Photography: Michikado Mishima Feature: Project - In a residential area of eastern Japan, the "Strolling Gardens & House" stands out for its innovative design approach. Situated on an irregularly shaped plot, IKAWAYA Architects responded to this challenge by creating a living experience that seamlessly integrates nature with daily life. The core concept of the building is "stacking gardens in multiple directions," creating garden spaces of varying sizes at different levels and orientations, allowing residents to continuously experience nature throughout their daily activities. Rather than designing one large monolithic structure, the architects chose to break the house into multiple "small boxes" cleverly arranged along the irregular site boundaries. This solution not only adapts to the site constraints but also harmonizes with the scale of the surrounding residential area, avoiding visual imposition on the neighborhood. This composition creates a rich spatial sequence, forming a unique circulatory experience. Residents can experience variations between openness and privacy as they move through different spaces, with each area offering different dwelling possibilities that meet the diverse living needs of the family. This circulatory design draws inspiration from traditional Japanese strolling gardens but reinterprets them for contemporary living. The façade design reflects the diversity of interior spaces, with carefully placed windows and courtyards creating a dialogue between interior and exterior spaces. Handcrafted materials and tactile surface treatments emphasize the connection to nature, creating a warm and textured environment. The architects' attention to detail is evident at every junction and turn, demonstrating a commitment to craftsmanship. "Strolling Gardens & House" exemplifies how seemingly restrictive site conditions can be transformed into unique design advantages. Here, gardens are not merely decorative elements but central components of the living experience, prompting residents to recognize themselves as part of natural cycles. The project successfully balances practical requirements of contemporary living with the desire for natural experiences, creating a family environment that is both avant-garde and intimate. Design Team - IKAWAYA Architects was established by Atsushi Ikawa in 2017 and has grown to become one of Japan's most innovative architectural practices. Born in Osaka in 1980 and raised in Gifu, Ikawa completed his Master's program at Tokyo Metropolitan University in 2004, followed by formative experience at Hiroshi Nakamura & NAP architectural office. Currently, the IKAWAYA team consists of 8 professionals providing comprehensive services including architectural design, interior design, landscape planning, and project supervision. The firm is known for its keen understanding of spatial experience and clever integration of natural elements, with works often showcasing fluid spatial sequences and rich material expressions. IKAWAYA's design philosophy emphasizes architecture that responds to both emotional and physiological needs of users, creating environments that are both practical and poetic. They view architecture holistically, carefully considering how each detail affects the quality of the living experience. The firm has received numerous awards for excellence in design, including the 2024 DFA Design for Asia Silver and Bronze Awards, the 2023 Modern Living Grand Prize, and the JID Award. Ikawa himself has been serving as a Visiting Professor at Tokyo Metropolitan University since 2021, continuing to influence and nurture the next generation of architects. Through projects like "Strolling Gardens & House," IKAWAYA Architects demonstrates its unique ability to create architectural works that both respond to local environments and meet the demands of modern living, representing the forefront of contemporary residential design in Japan. 设计团队 旅游探访 688.93 m² 日本 2024 前一项 后一项

< 返回 鸟名子新社屋 ninkipen! 地点：福知山，京都，日本 设计团队：ninkipen! 面积：390.71 m² 建成时间：2025年 摄影：河田弘樹 设计特色： 鸟名子是1976年在丹波福知山创立的鸟料理专门店新社屋，位于福知山城脚下的城下町与由良川之间。项目面对逐渐消失的传统街景，从地方的历史语境和河流、山地的自然气息中寻找建筑姿态，也把一个企业的新工作基地放回城市记忆的连续线上。 为回应景观地区的街道尺度，建筑覆以瓦片大屋顶，外墙采用带有深阴影的烧杉。瓦屋面与烧杉外墙并非简单复刻传统，而是通过屋顶、墙面和阴影的层叠，形成一幅能够被远处识别的屋顶景观；建筑在街道一侧保持低调，却以材料的厚度建立新社屋的存在感。 一层被安排为中央厨房及包装、发货空间，二层办公空间则向东西两侧切出屋顶露台，形成一条可让光、风以及山与河的气息穿过的“隧道”。露台既是办公环境的延伸，也为一年一度的烟火大会提供临时的观景席，让日常运营与城市节庆在同一空间结构中相遇。 从大屋顶上方抬起的越屋顶体量构成三层物见塔，将福知山城及四周山地纳入360度的视野。塔并非孤立的标志物，而是把“讲述自己的城市”变成空间体验：来访者在这里看到的不只是工作场所，也能读到城下町、河流与山围合出的地方尺度。 面向街道的前庭向城市开放，在活动时成为连接城与街区的节点。建筑最终把鸟名子的历史与品牌身份转译为一处可持续使用的场所：前庭负责迎接，屋顶负责远眺，内部则承载厨房、物流与办公，让新社屋同时具有工作基地、城市界面和地方记忆容器的多重角色。 设计团队： ninkipen!一級建築士事務所由建筑师今津康夫于2005年在大阪府箕面市创立，事务所的前身为2000年组建的pen!。今津康夫生于1976年，毕业于大阪大学建筑工学修士课程，曾于远藤刚生建筑设计事务所工作，实践范围涵盖建筑与室内设计、设计监理及家具设计。 事务所的工作往往从场地关系与日常行为出发，关注建筑如何在既有街区、自然线索和使用者之间建立具体联系。几何形体、材料质感和光线被用作调整尺度与气氛的工具，使住宅、商店、办公与公共类项目在功能之外形成对场所的回应。ninkipen!现总部位于大阪府箕面市，设计负责人为今津康夫；事务所作品曾入选 Residential Lighting Awards 2006，今津康夫也曾在多所大学担任非常勤讲师。 设计团队 旅游探访 390.71 m² 京都，日本 2025 前一项 后一项

< 返回 纽约艺术家住宅与工作室 水平线设计 项目名称：纽约艺术家住宅与工作室 项目地址：纽约，美国 设计团队：水平线设计 建造时间： 2025年 项目规模：1026 ㎡ 设计特色： 这座坐落于纽约州北部卡茨基尔山区的艺术家住宅与工作室，由水平线设计主持完成，是一次东方哲学思想与美洲原野自然之间罕见而深刻的融合。项目历经六年，跨越疫情阻断、造价调整与深度的设计共创，于2025年最终建成。这幢建筑面积达1026平方米的住宅，属于艺术家Emily Cheng与她的丈夫Wolf-Dieter Stoeffelmeier，是近年来该地区最具文化厚度的住宅项目之一。 项目由设计合伙人琚宾、杨玲与潘琴超主持，以中国古典园林中游园的空间逻辑为核心，将建筑体块以非线性方式穿插排布，各个体量之间自然生长出形态各异的庭院。每处庭院朝向不同，呈现出各自独特的光线质感、情绪氛围，以及与周遭树木和野生动物之间微妙而真实的关系。一条贯通全宅的中央展廊既承担交通流线功能，亦成为艺术作品的展示空间，在建筑层面回应着屋主作为艺术家的日常生命状态。 这座建筑并非凌驾于土地之上，而是主动谦让、顺势而为。百年老树的位置决定了局部平屋顶的落点，那里成为可以仰望星月的露台。多折坡屋顶以朴素的方式化解卡茨基尔冬季的积雪压力。隔热混凝土模块取代最初设想的清水混凝土，浅色木材饰面随四季流转缓缓生长，与居住者共同老去。 然而，最令这个项目与众不同之处，在于其背后的哲学立场。正如主持设计师琚宾所言：以善意连接这片场地，尊重万物本来的规律，再从人的五感出发，酝酿空间中可以承载的各种情绪，这才是设计最核心的事。 设计团队： 水平线设计成立于2003年，总部位于深圳，并在北京设有分支机构，是中国当代最具影响力的综合设计事务所之一。事务所由创始合伙人琚宾、杨玲与潘琴超主持，业务横跨建筑设计、室内设计、景观设计与产品设计，致力于为项目提供同时回应技术逻辑与空间体验的整合性解决方案。 水平线设计的核心设计方法论，建立于对东方文化传统的系统性研究之上，尤其是道家与佛家哲学对空间序列组织、材料运用以及建筑与自然关系的深层影响。这一文化立场与前沿数字分析工具及国际化设计方法相结合，使事务所得以创作出既植根于中国文化语境、又与当代全球设计话语保持对话的建筑实践。 自成立以来，水平线设计在国际设计领域持续获得广泛认可，多次入选AD100中国最具影响力100位建筑和室内设计精英，并先后斩获2020年德国设计奖、IFI全球卓越设计大奖金奖及2019年AHEAD全球最佳度假酒店奖等重要荣誉。事务所的项目涵盖酒店、住宅、文化及商业等多种建筑类型，遍布中国及海外市场。 设计团队 旅游探访 1026 ㎡ 纽约，美国 2025 前一项 后一项

< 返回 西西里岛庭院住宅 SOLUM Studio 项目名称：Patio House 地点：阿沃拉，意大利 设计团队：SOLUM Studio 建筑面积：400 m² 竣工时间：2025年 摄影：Nicolò Panzeri 设计特色： SOLUM Studio设计的"Patio House"（庭院住宅）展现了如何通过创新的内院空间组织策略和巧妙的景观整合技术将西西里岛的狭长悬崖地块转化为充满私密性的海滨居住绿洲。 这座400平方米的住宅戏剧性地栖息在锡拉库萨海岸线上，呈现为对隐私、光线和景观融合的深刻冥想。它没有与壮观的海景竞争，而是向内转向，创造出一个迷宫般的私密空间序列，逐渐揭示地中海全景。 项目的绝妙之处在于对传统庭院住宅类型学的根本性重新构想。五间独立卧室各自面向私人庭院，沿着一条蜿蜒的内部通道精心编排，这条通道既是流线主干又是体验之旅。这条未覆盖的"小巷"在压缩与扩展的空间间穿梭，在抵达壮观的面海起居区前营造期待感。 Solum Studio的设计语言流利地表达着“本土方言”，运用连续设计的墙体模糊内外边界，同时保持绝对隐私。质感丰富的土色表面和温暖的混凝土地面呼应着西西里岛的建筑基因，而策略性的空隙穿透看似坚实的体量，将珍贵的日光过滤到每个角落。外部玻璃的缺失强化了建筑神秘、堡垒般的特征。 最引人注目的是，建筑师创造了外观上看似简单线性体量，内部却揭示复杂空间矩阵的作品。只有从上方才能看到的迷宫式平面图，展示了当代建筑如何在推进空间边界的同时尊重当地建筑传统。大型推拉窗完全消失在墙体中，将起居空间转化为框取无限地平线的露天凉亭。 景观策略延续了这种内向与揭示之间的对话，自然植被和干砌诺托石露台定义着户外空间，而熔岩石泳池在这个“迷宫之家”中提供了私人海滨沐浴的终极奢华。 设计团队 - SOLUM Studio作为新一代意大利建筑实践的杰出代表，由四位门德里西奥建筑学院毕业生于2019年在米兰创立：Mattia Agates、Lorenzo Campagna、Filippo Gismondi和Alessandro Loda，自创立以来已确立其在当代住宅设计和材料创新领域的先锋地位。这家立足米兰的事务所通过设计、研究和教学的无缝整合，重新定义建筑与环境的关系。 SOLUM Studio为建筑实践带来了卓越的多尺度设计视角和对跨学科方法的深刻理解。该事务所因其对当代设计语汇出发、将传统工艺与新技术结合的承诺而获得认可，创始团队曾在包括里斯本Manuel Aires Mateus事务所和伦敦Al-Jawad Pike建筑师事务所等知名实践中受训。这种国际化经验与瑞士建筑教育精准性的结合，使SOLUM Studio在意大利建筑景观中占据独特地位。 该事务所的设计哲学强调建筑形式与景观关系的重要性，以跨尺度的方法开展从城市规划到室内设计的多元化项目，相信建筑应该是对语境整合和材料真实性深度尊重的结果。通过在多项国内外竞赛中的成功参与和获奖，他们致力于探索当代空间需求与传统建造智慧的结合。SOLUM Studio相信最好的建筑能够通过策略性的庭院、天井和过渡空间运用，模糊室内外边界并创造独特的居住体验。 除实践外，该事务所保持着强有力的学术联系，合伙人担任米兰理工大学和门德里西奥建筑学院USI的设计教学助理。通过对传统工艺与现代制造方法结合、本地材料和经时间验证的建造技术的运用，SOLUM Studio已确立自己作为当代意大利建筑话语重要贡献者的地位，创造出既具地方回应性又拥抱全球设计视野的建筑作品。 设计团队 旅游探访 400 m² 阿沃拉，意大利 2025 前一项 后一项

HAS design and research由洪人杰和Kulthida Songkittipakdee创立，在曼谷和上海设有办公室，已发展成为亚洲最具创新性的建筑事务所之一。该事务所的理念核心是独特的"设计+研究"方法论，探索当代亚洲城市主义中自然环境与人造环境的交汇。 HAS design and research, established by Jenchieh Hung and Kulthida Songkittipakdee with offices in Bangkok and Shanghai, has emerged as one of Asia's most innovative architectural practices. The firm's philosophy centers on a unique "design + research" methodology that explores the intersection of natural and manufactured environments in contemporary Asian urbanism. < Back HAS design and research 泰国（Thailand） HAS design and research由洪人杰和Kulthida Songkittipakdee创立，在曼谷和上海设有办公室，已发展成为亚洲最具创新性的建筑事务所之一。该事务所的理念核心是独特的"设计+研究"方法论，探索当代亚洲城市主义中自然环境与人造环境的交汇。 事务所的设计方法被称为"即兴、制造和变色龙建筑"，着重研究城市现象与建筑干预之间的综合。他们的作品涵盖文化机构、宗教建筑、装置艺术和实验性项目，特别关注临时构筑物和非正式空间如何在密集的城市环境中创造新形式的"自然"。 在洪人杰和Kulthida Songkittipakdee的领导下，两位主创均因其学术和专业成就而备受推崇，事务所已获得众多国际荣誉，包括2024年Architonic十大策划项目奖和2023年INDE奖。他们的作品以对材料性、构造表现和环境敏感性的深刻理解为特征。 事务所的研究导向方法超越了传统的建筑实践范畴，两位主创均在知名院校担任客座教授，并通过出版物、展览和讲座为建筑话语做出贡献，确立了他们作为塑造当代亚洲建筑的关键人物的地位。 HAS design and research, established by Jenchieh Hung and Kulthida Songkittipakdee with offices in Bangkok and Shanghai, has emerged as one of Asia's most innovative architectural practices. The firm's philosophy centers on a unique "design + research" methodology that explores the intersection of natural and manufactured environments in contemporary Asian urbanism. The practice's design approach, which they term "The Improvised, MANufAcTURE and Chameleon Architecture," investigates the synthesis between urban phenomena and architectural intervention. Their portfolio encompasses cultural institutions, religious architecture, installations, and experimental projects, with a particular focus on how temporary structures and informal spaces can create new forms of "nature" within dense urban environments. Under the leadership of Hung and Songkittipakdee, both acclaimed for their academic and professional achievements, the firm has garnered numerous international accolades, including the 2024 Architonic Top 10 Curated Projects and the 2023 INDE Award. Their work is characterized by a sophisticated understanding of materiality, tectonic expression, and environmental sensitivity. The firm's research-driven approach extends beyond conventional architectural practice, with both principals serving as visiting professors at prestigious institutions and contributing to architectural discourse through publications, exhibitions, and lectures, establishing them as key figures in shaping contemporary Asian architecture. WEBSITE PROJECT

< 返回 2025年大阪世博会巴林国家馆 Lina Ghotmeh Architecture 项目名称： 2025年大阪世博会巴林国家馆 地点：大阪，日本 设计团队：Lina Ghotmeh Architecture 建筑面积：998 m² 完成时间：2025 摄影：Iwan Baan, Ishaq Madan 设计特色： 项目 - 位于日本大阪"赋能生活"区域的巴林王国馆由Lina Ghotmeh Architecture设计，以"连接海洋"为主题，为2025世博会打造了一个独特的文化体验空间。这座展馆创造了一种空间体验，回应了巴林的航海传统与历史，同时为游客提供了一个沉浸式环境，让他们能够感受巴林与海洋的深厚联系。 展馆高度从13米到17米不等，跨越四层，俯瞰海滨。其设计灵感源自王国的航海遗产和传统单桅帆船（dhow）建造技术，同时巧妙融合了日本木结构工艺。这种跨文化的技术融合创造了一个独特的建筑表达，反映了两个岛国与海洋的共同联系。 展馆由约3000块未经工程处理的木材通过复杂的榫卯结构组装而成，这种方法最大限度地减少了建筑废料。设计采用了最小化基础以避免使用混凝土，确保几乎所有材料可重复使用，并利用海风进行被动冷却以减少能源消耗，使其成为世博会中最可持续的建筑之一。 参观者通过一个多感官展览体验探索展馆，由巴林文化和古物管理局策划，与多位艺术家合作，包括Shepherd Studio、Sissel Tolaas、Hassan Hujairi和La Méduse，通过一系列展厅叙述贸易、工艺、制造、采珠和生态连接的主题。中央空间在白天提供静思的场所，夜晚则转变为表演和活动的场地。 展馆还包括一个由获奖厨师Tala Bashmi设计的咖啡厅，提供融合巴林本地风味与日本食材的季节性菜单，以及由巴林经济发展委员会开发的专门商务区，展示王国作为开放、全球经济投资中心的战略地位。 作为一个高度可持续和包容性的展馆，它展示了巴林如何平衡传统与现代技术，形成了自己的文化微观世界，反映了其与海洋长期共存的历史。预计2025年大阪世博会将吸引超过2800万来自世界各地的游客，巴林展馆将作为文化交流的重要平台。 团队 - Lina Ghotmeh Architecture是一家享有国际声誉的建筑、设计和研究机构，总部位于巴黎，由法籍黎巴嫩建筑师Lina Ghotmeh于2016年创立。该事务所的核心理念是"未来考古学"，每个项目都通过对历史的深入研究和材料的敏感探索而发展，创造出能唤起记忆和感官的精致干预。 Lina Ghotmeh是建筑行业领先的国际从业者之一，完成了多个获奖项目，包括获得2016年AFEX大奖的爱沙尼亚国家博物馆（同时入围2017年密斯·凡·德·罗奖）。她的创新和富有诗意的作品体现了对建筑的跨学科多元化方法。 事务所致力于公平和可持续的未来，采用深入的历史和材料敏感的方法进行项目设计。他们的设计在生态和可持续性方面表现突出：项目的美学源于与自然的密切关系，表达了材料的本质。事务所的项目规模多样（从物品到博物馆）且地理分布广泛（从法国到日本），包括巴黎可持续木结构塔楼"Réalimenter Masséna"（获得城市创新项目大奖）、2021年Dezeen建筑奖获奖作品"Stone Garden"（位于贝鲁特的住宅塔楼，内有中东研究中心）、诺曼底的被动式低碳建筑"爱马仕工作坊"，以及美丽的东京宫当代艺术博物馆前餐厅"Les Grands Verres"的翻新（2018年最佳室内设计奖）。 设计团队获得众多奖项，其作品曾在威尼斯第17届建筑双年展、罗马MAXXI博物馆、伦敦V&A建筑中心和哥本哈根丹麦建筑中心等场所展出。Lina Ghotmeh本人被欧洲建筑评论选为"新十年愿景建筑师"之一，并获得多项荣誉，包括2008年法国文化部AJAP奖、2016年法国建筑学院Dejean奖、2019年法国美术学院Cardin奖、2020年Tamayouz"杰出成就女性"奖以及2021年享有盛誉的谢林基金会建筑奖。 通过对环境因素、文化背景和材料创新的细致关注，丽娜·戈特梅建筑事务所持续打造超越建筑本身的作品——创造既增强人类体验又解决紧迫全球挑战的空间。巴林世博会馆充分体现了事务所对文化交流、可持续性和与自然和谐共存的坚定承诺。 Project Name: Bahrain Pavilion Osaka Expo 2025 Location: Osaka, Japan Design Team: Lina Ghotmeh Architecture Total Floor Area: 998 m² Completion: 2025 Photography: Iwan Baan, Ishaq Madan Feature: Project - Located in the "Empowering Lives" zone in Osaka, Japan, the Kingdom of Bahrain Pavilion designed by Lina Ghotmeh Architecture creates a unique cultural experience for Expo 2025 under the theme "Connecting Seas." The pavilion creates a spatial experience that echoes Bahrain's seafaring traditions and history, while providing an immersive environment that connects visitors with Bahrain's deep relationship with the sea. The pavilion rises from 13 to 17 meters in height across four levels, overlooking the seafront. Its design draws inspiration from the Kingdom's seafaring heritage and traditional dhow construction techniques, while ingeniously integrating Japanese joinery craftsmanship. This cross-cultural technical fusion creates a unique architectural expression reflecting the shared connection to the sea of both island nations. The structure is assembled from approximately 3,000 pieces of unengineered wood through intricate joinery, an approach that minimizes construction waste. The design incorporates minimal foundations to avoid concrete usage, ensures nearly all materials are reusable, and employs passive cooling through coastal winds to reduce energy consumption, making it one of the most sustainable buildings in the Expo. Visitors explore the pavilion through a multisensory exhibition experience curated by the Bahrain Authority for Culture and Antiquities, featuring collaborations with artists including Shepherd Studio, Sissel Tolaas, Hassan Hujairi, and La Méduse to narrate themes of connectivity through trade, crafts, manufacture, pearling, and ecology across a series of galleries. The central space provides moments of quiet reflection during the day and transforms into a venue for performances and events at night. The pavilion also includes a café designed by award-winning chef Tala Bashmi offering seasonal menus blending local Bahraini flavors with Japanese ingredients, and a dedicated business area developed by Bahrain's Economic Development Board showcasing the Kingdom's strategic position as an open, global economic hub for investment. As a highly sustainable and inclusive pavilion, it demonstrates how Bahrain balances tradition with modern technologies, forming its own cultural microcosm that reflects its long history of coexistence with the sea. Expo 2025 Osaka is expected to attract over 28 million visitors from around the world, with the Bahrain Pavilion serving as an important platform for cultural exchange. Design Team - Lina Ghotmeh Architecture is an internationally acclaimed firm of architects, designers, and researchers based in Paris, established by French-Lebanese architect Lina Ghotmeh in 2016. The practice is centered around the concept of "Archaeology of the Future," where each project is developed through thorough historical research and material exploration, creating exquisite interventions that enliven memories and the senses. Lina Ghotmeh is one of the industry's leading international practitioners, having completed several award-winning projects, including the Estonian National Museum, winner of the AFEX Grand Prix 2016 and nominee for the Mies Van Der Rohe Award 2017. Her innovative and poetic work reveals a transversal and multi-disciplinary approach to architecture. The firm is committed to a fair and sustainable future, taking an in-depth, historical, and materially sensitive approach to projects. Their designs excel in ecological and sustainable aspects: projects derive their aesthetics from their close relationship with nature and express the essence of the materials from which they are fashioned. The firm's projects range in scale (from objects to museums) and geography (from France to Japan), including "Réalimenter Masséna," a sustainable wooden tower in Paris (winner of the city's appeal for innovative projects); "Stone Garden," winner of the 2021 Dezeen Architecture Award, a residential tower in Beirut housing the Mina Image Centre for Middle Eastern Studies; "Hermès workshops," a passive, low-carbon building in Normandy; and the beautiful renovation of "Les Grands Verres," former restaurant of the Palais de Tokyo Contemporary Arts Museum (best Interior Fooding Award in 2018). Lina Ghotmeh Architecture's work has been honored with numerous awards and exhibited at venues including the 17th Biennale of Architecture in Venice, the MAXXI in Rome, the Building Centre V&A in London, and the Danish Architecture Center in Copenhagen. Lina Ghotmeh herself was selected by the European Architects Review as one of 10 "Visionary Architects for a New Decade" and has won awards including the AJAP Prize of the French Ministry of Culture (2008), the Dejean Prize of the French Academy of Architecture (2016), the Cardin Award of the French Fine Arts Academy (2019), the Tamayouz "Woman of Outstanding Achievement" Award (2020), and the prestigious Schelling Foundation Architecture Prize (2021). Through meticulous attention to environmental factors, cultural context, and material innovation, Lina Ghotmeh Architecture continues to produce works that transcend mere buildings—creating spaces that enhance human experience while addressing pressing global challenges. The Bahrain Pavilion exemplifies the firm's commitment to cultural exchange, sustainability, and harmonious coexistence with nature. 设计团队 旅游探访 998 m² 大阪，日本 2025 前一项 后一项

< 返回 La Source Vive音乐厅 PCA-STREAM 地点：埃维昂莱班，法国 设计团队：PCA-STREAM 面积：2150 m² 建成时间：2026年 艺术指导：Patrick Bouchain 主持建筑师：Philippe Chiambaretta、Salomé Rigal、Sébastien Truchot、Francesco Cazzola 声学顾问：Albert Xu 声学工程：Meta 结构与立面工程：Bollinger+Grohmann 景观设计：Coloco 摄影：Salem Mostefaoui、Jean-Philippe Mesguen、SkyXpertDrone 设计特色： La Source Vive位于法国埃维昂莱班、日内瓦湖上方的林地中，与Patrick Bouchain于1993年完成的La Grange au Lac共同组成Les Mélèzes音乐园区。新建筑并未以更醒目的体量竞争，而是落入树林中一处原本较为空旷的圆形场地，部分埋入坡地。它延续埃维昂近半个世纪的音乐传统，同时以一座490席室内乐厅回应全年演出、排练与录音的技术需求。 建筑的形态首先由声音决定。圆形基地向上收拢为非对称锥体，椭圆平面结合围绕舞台展开的阶梯座席，在传统“鞋盒式”音乐厅和“葡萄园式”大厅之间建立混合类型。每位观众约对应11 m³室内容积，数字孪生模型则持续模拟混响时间、清晰度、侧向声能与视线。设计并非在形体完成后校正声学，而是让声音从一开始就参与空间生成。 从结构上看，音乐厅如同一层层包裹的乐器。混凝土基座承托舞台和座席，其上形成混凝土声学壳体，内侧覆盖手工塑形的原色灰泥；外部经过设备与保温空腔，再由木结构支撑预氧化铜屋面。沉重内壳负责隔声与稳定，较轻外壳回应气候与森林环境，不同层次在入口、屋面边缘和施工剖面中保持清楚可读。 室内最具辨识度的并非装饰，而是墙面随高度变化的灰泥波纹。观众耳部附近的起伏深达约8 cm、间距约50 cm，以加强高低频扩散；向上则逐渐疏朗、变浅，最终消失在顶部自然光中。粉色山毛榉舞台背景、皮革座椅、隐藏吸声层与可开启的铝制声学顶篷共同完成约1.8秒的目标混响，让“温暖而柔滑”的声音成为能够被看见的构造秩序。 顶部圆形天窗为音乐家带来自然光，也让封闭的声学容器持续感知天空。建筑周围新增150余棵树和200株灌木，入口门厅则以木与玻璃连接新旧两座音乐厅。La Source Vive因此不仅是一座高精度演出设施，也把步入森林、穿过低矮门厅、进入矿物质壳体和仰望天光组织成完整的身体经验：建筑在这里不是声音的背景，而是参与演奏的另一件乐器。 设计团队： PCA-STREAM由建筑师Philippe Chiambaretta于2000年在巴黎创立。事务所把建筑实践与跨学科研究并置，通过STREAM研究平台连接建筑、城市、艺术、社会科学与环境议题，项目范围涵盖办公、商业、文化空间及城市更新。 事务所的工作方法强调以研究、模拟和协作回应复杂问题，而非先设定固定形式。La Source Vive由Philippe Chiambaretta与艺术总监Patrick Bouchain共同构思，在两种互补方法之间展开：Bouchain以材料、模型与现场制作推进直觉性的实验，PCA-STREAM则通过数字模型和工程协调，把声学目标转化为可建造的结构与细部。 项目由PCA-STREAM的Philippe Chiambaretta、Salomé Rigal、Sébastien Truchot与Francesco Cazzola主持，执行建筑师为Alliance Engineering Creatives，结构与立面顾问为Bollinger+Grohmann，Meta负责声学工程，Coloco负责景观设计。声学顾问Albert Xu、舞台灯光顾问Philippe Berthomé及多位工匠共同参与，使测量、手工塑形与演奏体验在同一设计过程中彼此校准。 设计团队 旅游探访 2150 m² 埃维昂莱班，法国 2026 前一项 后一项

< 返回 星野集团界波罗多 NAP Architects 设计特色： 坐落于北海道洞爷湖畔的"界 波罗多"温泉度假村，是一座将阿伊努文化与现代设计完美融合的开创性建筑。由中村拓志&NAP建筑设计事务所精心打造，这座独特的度假胜地不仅向阿伊努原住民致敬，还为游客带来奢华的温泉体验。 项目最引人注目的特色是其景观设计，巧妙地在园区内再现了当地生态系统的缩影。设计灵感源自阿伊努人对"mem"（天然泉水）的崇敬，建筑师们在场地内巧妙地融入了波罗多湖流域的微缩版。这一创新手法不仅保护了当地自然风光，还让客人能够追溯阿伊努人曾经沿水路迁徙的历史足迹。 跨越人工溪流的客房设计融入了传统阿伊努民居的元素。每间房的中心都设有一张带间接照明的矮桌，仿佛阿伊努的"chise"（房屋）中的"irori"（炉灶）。这样的设计鼓励亲密聚会，呼应了阿伊努文化中的家庭纽带。最引人瞩目的建筑元素莫过于浴场设施，其灵感来自阿伊努人在狩猎时使用的"kucha"（临时小屋）。这些三角形结构以其独特的"ketunni"框架，在景观中勾勒出和谐的轮廓。设计巧妙利用自然光线和通风，打造出一种既原始又现代的生态友好型沐浴体验。 "界 波罗多"是一座彰显深思熟虑、以文化为导向的建筑杰作，为客人提供了沉浸式的阿伊努文化之旅，同时为酒店业的可持续奢华设计树立了新标准。 Nestled on the shores of Lake Poroto in Hokkaido, KAI Poroto emerges as a groundbreaking ryokan that seamlessly blends Ainu culture with contemporary design. Architect Hiroshi Nakamura and NAP Architectural Design Office have crafted a unique retreat that pays homage to the indigenous Ainu people while offering a luxurious hot spring experience. The project's most striking feature is its landscape design, which creates a microcosm of the local ecosystem. Drawing inspiration from the Ainu people's reverence for mem (natural springs), the architects have integrated a miniature version of Lake Poroto's watershed into the site. This innovative approach not only preserves the area's natural beauty but also allows guests to trace the historical path of the Ainu along the waterways. The guest rooms, spanning across the man-made stream, incorporate elements of traditional Ainu dwellings. Central to each space is a low table with indirect lighting, reminiscent of the irori (hearth) found in Ainu chise (houses). This design encourages intimate gatherings and storytelling, echoing the familial bonds of Ainu culture. Perhaps the most striking architectural element is the bathing facility, inspired by the kucha (temporary huts) used by the Ainu during hunting expeditions. These triangular structures, with their distinctive ketunni framework, create a harmonious silhouette against the landscape. The design allows for natural light and ventilation, resulting in an eco-friendly bathing experience that feels both primeval and modern. KAI Poroto stands as a testament to thoughtful, culture-driven architecture, offering guests an immersive journey into Ainu heritage while setting new standards for sustainable luxury in hospitality design. 设计团队： 中村拓志&NAP建筑设计事务所成立于2002年，这家总部位于东京的工作室已然成为有机、因地制宜设计的佼佼者，他们巧妙地将建筑与自然和人性体验融合。该事务所采用"微观"手法，从自然现象、人类行为和情感体验中汲取设计灵感。他们的设计理念核心是在建筑环境、自然和人体之间营造有机关系。 中村拓志旨在创造"只能在那里发现的建筑"，通过巧妙融入当地历史、文化、产业和材料等独特区域元素。近年来，该事务所从传统日式建筑和园林文化的精髓中获得设计理念的启迪，并将其积极重构于当代作品。 中村拓志&NAP拥有40名建筑师和设计师团队，提供建筑设计、城市规划、产品设计、策略咨询、教育项目和研究计划等全方位服务。他们屡获殊荣的作品在众多享有声誉的竞赛和刊物中受到国际认可。 Established in 2002 by Hiroshi Nakamura, the Tokyo-based practice Hiroshi Nakamura & NAP has emerged as a leading voice in organic, contextual design that harmonizes architecture with nature and human experiences. Led today by Nakamura and a team of directors including Soichiro Takai, Naoko Sumitani, Hirotoshi Koizumi, Masaki Hirakawa, Kohei Omori, Tomohiko Kimura, and Sadaharu Aoto, the firm takes a "microscopic" approach that draws inspiration from natural phenomena, human behavior, and emotional responses. Their design philosophy centers on fostering an organic relationship between the built environment, nature, and the human body. Nakamura aims to create "architecture that can only be found there" by thoughtfully responding to the unique regional context - incorporating local history, culture, industry, and materials. In recent years, the firm has looked to the essence of traditional Japanese architecture and garden design to inform their contemporary work. With a staff of 40 architects and designers, Hiroshi Nakamura & NAP offers full services including architectural design, urban planning, product design, strategic consulting, education programs, and research initiatives. Their award-winning projects have been internationally recognized across numerous prestigious competitions and publications. 设计团队 旅游探访 4951 m² 日本，北海道 2024年 前一项 后一项

< 返回 Blue Bottle Coffee 镰仓咖啡馆 ninkipen! 项目名称：Blue Bottle Coffee 镰仓咖啡馆 地点：镰仓市，日本 设计团队：ninkipen! 建筑面积：133.25 m² 竣工时间：2026年5月 摄影：河田弘树 设计特色： 日本建筑师今津康夫（ninkipen!）在神奈川县镰仓市完成了Blue Bottle Coffee镰仓咖啡馆项目，将一片不锈钢格天井悬挂于店内上方，呼应传统日式格天井的样式，又赋予其当代表达。 这座建筑面积133.25平方米的咖啡馆，坐落于连接热闹的小町通与樱花夹道的若宫大路之间的一条小径上，恰好位于镰仓站与鹤冈八幡宫的中间。建筑师希望为这座寺社林立、兼具山海魅力的古都，找到一处与之相称的咖啡空间。 天花板的设计灵感来自坂仓准三1951年设计的邻近作品镰仓文华馆鹤冈美术馆（原神奈川县立近代美术馆镰仓馆）。该建筑底层架空空间的天花板，曾映照出旁侧莲池水面粼粼的光影。今津康夫据此将不锈钢面板均匀悬吊，形成类似建长寺等日本传统建筑中常见的格天井样式。金属面板细腻地映出店内灯光与人们的举止，随时间静静变换表情，为身处其下的人们带来心地舒适的微微摇曳之感。 咖啡馆深处的长椅背墙采用手工和纸，以咖啡反复细致染制而成。悬于空间中央的定制吊灯，令人联想起鹤冈八幡宫的“雪洞祭”，其和纸灯罩中漉入了废弃的咖啡渣，二者皆被开发为源自咖啡本身的原创材料。吊灯的截面造型呈现出鹤冈八幡宫名称中“八”的形态，长椅织物则选用了象征镰仓初夏的绣球花色。 设计团队： ninkipen!是建筑师今津康夫主持的建筑与室内设计事务所，总部位于大阪箕面，于2005年创立。今津康夫1976年生于日本山口县，自幼在大阪长大，在大阪大学攻读建筑工学硕士期间与友人共同组建设计团队“pen!”，毕业后曾任职于远藤刚生建筑设计事务所，2001年至2005年间参与多个公共建筑与集合住宅项目的设计工作。 自创立ninkipen!以来，今津康夫的设计实践涵盖住宅、咖啡馆、面包店与服饰店铺，遍布尔日本各地，每一个项目都被视为对业主、预算、时代背景与场地脉络之间关系的解读。代表作品包括位于轻井泽的周末住宅“翠荘”、位于羽曳野的庭院住宅“钩之离”，以及位于京都的服饰店“camisimo”。 事务所的工作已获得国际关注，曾被英国设计媒体Dezeen报道，并获得东京中城设计大奖佐藤卓奖及“有屋顶的建筑作品竞赛”伊礼智奖等多项荣誉。今津康夫还曾在摄南大学、大阪大学、近畿大学及神户艺术工科大学担任兼职讲师，从事建筑教育工作。 设计团队 旅游探访 133.25 m² 镰仓市，日本 2026 前一项 后一项

< 返回 “环境恢复别墅” Villa Beusi Calvi Ceschia Viganò architetti associati 项目名称：Villa Beusi 地点：圣雷莫，意大利 设计团队：Calvi Ceschia Viganò architetti associati 建筑面积：250 m² 竣工时间：2021年 摄影：Aldo Amoretti 设计特色： 项目 - 在意大利农业景观的中心地带，Villa Beusi别墅项目代表了一次激进的环境恢复，将混凝土荒地转变为建筑与自然和谐对话的典范。这座250平方米的独立住宅通过精心设计，实现了土地的再生与建筑的克制之间的完美平衡。 项目最引人注目的特色是其对土地复垦的严谨方法。设计团队将曾经布满石棉覆盖棚屋的混凝土平台进行了彻底改造，将87%的表面恢复到自然状态，仅重建了原有建筑体量的25%。这种显著的减少创造了建筑节制的典范案例。 建筑设计刻意简约，尊重周围建筑的类型特征。这座单层结构通过一系列不同深度的体量序列与景观建立和谐关系。在入口处，建筑体量变窄且被开放的通道穿越，确保与景观的通透性，并在屋顶下方形成覆盖式过渡空间。 景观设计采用渐进式植被配置，随着接近住宅而变得更加结构化。从地中海灌木丛开始，依次是开放式耕种区、橄榄树林和果园、为住宅服务的芳香草本花园，以及带有攀爬植物的"过滤"绿区，这些植物柔化了高度变化并允许种植新树。 Villa Beusi别墅的每一处细节都极为简约和克制，偶尔通过精湛的工艺展现微妙的精致之处——例如，外部裸露的混凝土与内部木质天花板之间实现视觉连续性。这个项目展示了如何通过建筑设计恢复环境平衡，创造与自然和谐共存的人类栖息地。 团队 - Calvi Ceschia Viganò architetti associati诞生于友谊、理念共享及将三位建筑师个人路径融合为共同愿景的认知。该建筑事务所由Marco Calvi、Gaetano Ceschia和Andrea Viganò创立，每位成员都拥有超过三十年的研究和工作经验。 事务所的设计理念将城市和领域视为集体和多元事实，是社区公共价值的表达；而建筑则被视为个体和独特时刻，基于每个人的特殊视角。他们通过精确的设计方案解决这些之间的内在矛盾。 作为一个灵活的设计集体，Calvi Ceschia Viganò在设计领域扮演总承包商角色，协调定制的专业团队，以满足每个项目的具体需求。这种适应性组织结构使事务所能够以精确性和情境敏感性处理各种规模和类型的项目。 他们的多学科团队包括建筑师、工程师、城市规划师和室内设计师，共同开发全面的设计解决方案。这种整合方法使事务所能够协调公共和私人价值、历史连续性和当代表达之间的复杂关系，这些特点体现在他们遍布意大利和法国的获奖建筑作品中。 通过Villa Beusi别墅等项目，Calvi Ceschia Viganò展示了他们创造既尊重环境又富有建筑表现力的空间能力，为当代建筑实践设立了新标准。 Project Name: Villa Beusi Location: Sanremo, Italy Design Team: Calvi Ceschia Viganò architetti associati Total Floor Area: 250 m² Completion: 2021 Photography: Aldo Amoretti Feature: Project - In the heart of Italy's agricultural landscape, Villa Beusi represents a radical environmental recovery that transforms a concrete wasteland into a harmonious dialogue between architecture and nature. This 250-square-meter single-family home achieves a perfect balance between land regeneration and architectural restraint through meticulous design. The project's most distinctive feature is its rigorous approach to land reclamation. The design team thoroughly transformed what was once a concrete platform cluttered with asbestos-covered sheds, returning 87% of surfaces to their natural state while reconstructing only 25% of the original building volume. This significant reduction creates an exemplary case of architectural restraint. The architectural design is intentionally simple, respecting the typological characteristics of surrounding buildings. The single-story structure establishes a harmonious relationship with the landscape through a sequence of volumes of varying depths. At the entrance, the building volume narrows and is traversed by open pathways, ensuring permeability with the landscape and retreating from the roof to create covered transition spaces. The landscape design employs a graduated approach to vegetation, becoming increasingly structured as one approaches the residence. Beginning with Mediterranean scrub, it progresses to open-air cultivations, olive groves and orchards, a garden of aromatic herbs serving the residence, and "filter" green areas with climbing plants that soften elevation changes and allow for the planting of new trees. Every detail of Villa Beusi is minimal and deliberately understated, occasionally allowing for subtle refinements through skilled craftsmanship—for example, achieving visual continuity between the exposed concrete exterior and the wooden ceiling interior. The project demonstrates how architectural design can restore environmental balance and create human habitats that coexist harmoniously with nature. Design Team - Calvi Ceschia Viganò architetti associati was born from friendship, shared ideas, and the awareness that uniting three individual architectural paths into a common vision would extend everyone's perspective. The firm was founded by Marco Calvi, Gaetano Ceschia, and Andrea Viganò, each bringing over thirty years of research and work experience. The firm's design philosophy views city and territory as collective and plural facts, expressions of a community's public values, while architecture is seen as an individual and singular moment, based on each person's particular vision. They carefully resolve the implicit contradictions between these through precise design solutions. Operating as a flexible design collective, Calvi Ceschia Viganò functions as a general contractor in the design realm, coordinating bespoke professional teams tailored to each project's specific requirements. This adaptable organizational structure allows the practice to address projects of various scales and typologies with precision and contextual sensitivity. Their multidisciplinary team includes architects, engineers, urban planners, and interior designers who collaborate to develop comprehensive design solutions. This integrated approach enables the firm to negotiate the complex relationships between public and private values, historical continuity, and contemporary expression that characterize their award-winning architectural works throughout Italy and France. Through projects like Villa Beusi, Calvi Ceschia Viganò demonstrates their ability to create spaces that both respect the environment and are architecturally expressive, setting new standards for contemporary architectural practice. 设计团队 旅游探访 250 m² 圣雷莫，意大利 2021 前一项 后一项

< 返回 "鲑鱼之眼"Iris 餐厅 NORM Architects + Kvorning Design 项目名称：Iris 餐厅 设计团队：NORM Architects + Kvorning Design 面积：1000 m² 地点：罗森达尔, 挪威 设计特色： 项目 – 矗立于挪威哈当厄尔峡湾波光粼粼的水面之上， 全新开放的Iris 餐厅犹如一座耀眼的美食灯塔，巧妙地融入了创新的"鲑鱼之眼"（Salmon Eye）装置建筑之中。这家米其林星级餐厅坐落于一座漂浮的椭圆形建筑内，将尖端建筑设计与私密用餐体验完美结合。NORM建筑事务所的室内设计巧妙地平衡了由Kvorning设计的极致外观与温馨就餐环境之间的张力。 餐厅的设计理念围绕着对比与和谐展开。起伏的曲线和定制家具呼应了建筑的有机形态，而温暖的胡桃木材质和柔软的地毯则柔化了钢铁外壳的冷硬。这种并置手法在辽阔的北欧景观中营造出一个舒适的庇护所。 通过巧妙的空间划分，设计师们精心打造了私密感，引导食客踏上一段探索之旅。透过如“鲑鱼鱼鳞般”的外墙，峡湾和群山的全景尽收眼底，进一步提升了感官体验。 可持续发展理念在菜单和设计方法中均占据核心地位。本地食材和对海洋生物的关注塑造了餐厅的烹饪特色，而室内的自然质地和流畅线条则强化了与周围生态系统的联系。 "鲑鱼之眼"不仅仅是一家餐厅，它还是一个漂浮的水产养殖中心，其醒目的外形并已迅速成为新地标。这座多功能建筑代表了体验式建筑的新范式，将教育、美食和设计融为一体，创造出一个独一无二体验感的美好场所。 团队 – 成立于2008年的Norm Architects已然成为当代丹麦设计领域的中坚力量，通过感官参与和极简主义美学重新诠释了建筑环境。这家总部位于哥本哈根的多专业设计工作室由创始合伙人Jonas Bjerre-Poulsen和Kasper Rønn Von Lotzbeck领衔，培育出一种独特的设计方法，巧妙融合了建筑、室内设计和工业设计。 凭借15年的国际经验，Norm Architects的作品涵盖住宅、酒店和商业项目，每一个项目都体现了他们对触觉设计原则的坚持。该工作室的核心理念在于将复杂的设计挑战提炼为纯粹、共鸣的形式，在满足普遍人性需求的同时，对特定场地环境保持高度敏感。 Norm的设计哲学植根于一个精细的简化过程，寻求功能与美学达到完美平衡的精确时刻。这种对本质的追求不仅满足视觉标准，还能调动人类全方位的感官体验，在使用者与环境之间构建深层连接。 工作室的作品以对材质、光线和比例的细腻理解见长，这一理解既源于斯堪的纳维亚设计传统，又融合了全球当代影响。通过触觉体验重新激活建筑的感官属性，Norm Architects创造出能在人性深处引起共鸣的环境，满足人类对归属感、自主性和身份认同的内在渴望。 Project：Restaurant Iris Team：NORM Architects + Kvorning Design Size：1000 m² Location：Rosendal, Norway Feature： Project - Perched atop the shimmering waters of Norway's Hardangerfjord, Restaurant Iris emerges as a culinary beacon within the innovative Salmon Eye installation. This Michelin-starred dining destination, nestled inside a floating ellipsoid structure, marries cutting-edge architecture with intimate gastronomy. NORM Architects' interior design deftly navigates the tension between the brutalist exterior, crafted by Kvorning Design, and the need for a welcoming dining environment. The restaurant's design ethos revolves around contrast and harmony. Undulating curves and bespoke furniture echo the structure's organic form, while warm materials like walnut wood and plush carpets soften the steel shell. This juxtaposition creates a cocoon of comfort amidst the vast Nordic landscape. Intimacy is cultivated through a thoughtful division of space, guiding diners on a journey of discovery. The sensory experience is heightened by panoramic views of fjords and mountains, visible through the building's fish-scale-like exterior. Sustainability takes center stage, both in the menu and the design approach. Local ingredients and a focus on marine life inform the culinary offerings, while the interior's natural textures and flowing lines reinforce a connection to the surrounding ecosystem. More than just a restaurant, Salmon Eye functions as a floating aquaculture center, its striking form visible for miles. This dual-purpose structure exemplifies a new paradigm in experiential architecture, where education, gastronomy, and design converge in a truly unique setting. Design Team - Established in 2008, Norm Architects has emerged as a pivotal force in contemporary Danish design, reimagining the built environment through a lens of sensory engagement and minimalist sophistication. This Copenhagen-based multidisciplinary studio, led by founding partners Jonas Bjerre-Poulsen and Kasper Rønn Von Lotzbeck, has cultivated a distinctive approach that seamlessly blends architecture, interior design, and industrial design. Drawing on 15 years of international experience, Norm Architects' portfolio spans residential, hospitality, and commercial projects, each exemplifying their commitment to haptic design principles. The firm's ethos centers on distilling complex design challenges into pure, resonant forms that address universal human needs while remaining acutely attuned to site-specific contexts. Norm's design philosophy is rooted in a meticulous process of reduction, seeking the precise moment when function and aesthetics achieve perfect equilibrium. This pursuit of essence results in spaces and objects that not only satisfy visual criteria but also engage the full spectrum of human senses, fostering a profound connection between user and environment. The studio's work is characterized by a nuanced understanding of materiality, light, and proportion, informed by both Scandinavian design traditions and global contemporary influences. By re-sensualizing architecture through tactile experiences, Norm Architects creates environments that resonate on a deeply human level, addressing innate desires for belonging, autonomy, and identity. 设计团队 旅游探访 1000 m² Rosendal, Norway 2024 前一项 后一项

< 返回 Blue Bottle Coffee 福冈天神咖啡厅 CASE-REAL 设计特色： 项目 – 位于福冈市中心的“蓝瓶咖啡”福冈天神分店，是一处极具特色的项目。这家咖啡馆由知名建筑事务所CASE-REAL设计，巧妙地融合了繁华都市与静谧神社两种截然不同的环境元素。设计的核心在于将厨房置于空间中央，形成一个象征性的舞台，视觉上连接着咖啡馆周围两条截然不同的动线。这种巧妙的布局不仅强化了蓝瓶咖啡的品牌特色，也使得繁忙的街道一侧和静谧的神社通道之间实现了和谐过渡。建筑师巧妙地解决了场地内50厘米的高低差。他们逐步提高空间高度，在街道一侧营造了活跃的站立区域，而在神社通道一侧则营造了舒适的沙发休憩区，营造了截然不同的氛围。建筑材料采用浅米色的挤压水泥板和温暖的胡桃木，巧妙平衡了都市与自然的元素，使咖啡馆的内部空间与周围环境融为一体。通过这种周到的设计，CASE-REAL成功地打造了一处连接城市与神社的独特空间，邀请访客沉浸其中，感受这两种截然不同世界的交织。 团队 – 成立于2000年并于2009年正式注册创立的CASE-REAL，已经发展成为一家享负盛名的建筑和设计公司，由设计师二俣公一（1975年生）领导，总部位于福冈和东京。该公司以跨界的设计方法见长，专注于打造出色的空间设计，涵盖室内设计、家具、产品以及建筑等领域。CASE-REAL的作品集展现了该公司将创新创意与对每个项目独特环境和目标的深入理解完美结合的卓越能力。在二俣公一精湛的细节把控和富有创意的思维引领下，CASE-REAL才华横溢的团队持续交出令人震撼的设计解决方案，不仅视觉震撼，在功能和概念层面也同样出色。该公司屡获殊荣，包括入围Dezeen Awards和FRAME Awards等著名奖项，充分彰显了CASE-REAL在建筑设计领域的非凡实力。CASE-REAL的作品不仅受到众多知名出版物的关注，甚至还进入了旧金山现代艺术博物馆的永久收藏，进一步巩固了其在设计界的卓越声誉。 Feature： Project - Nestled within the vibrant heart of Fukuoka, the Blue Bottle Coffee Fukuoka Tenjin café stands as a captivating intersection between the bustling city and the serene tranquility of the Kego Shrine. Designed by the esteemed architecture firm CASE-REAL, this remarkable project seamlessly integrates the contrasting elements of its urban and spiritual surroundings. At the core of the design lies a strategic decision to centralize the kitchen, transforming it into a symbolic stage that visually connects the two distinct pathways around the café. This thoughtful layout not only establishes a strong identity reminiscent of Blue Bottle's brand, but also serves to create a harmonious flow between the bustling street-facing side and the more serene approach to the shrine. Further enhancing the spatial experience, the architects have ingeniously addressed the site's 50-centimeter height difference between the street and the shrine approach. By gradually raising the height towards the shrine, they have crafted a vibrant standing area on the street side, while the shrine-facing side offers a calming atmosphere with comfortable sofa spaces. The material palette, featuring light beige-toned extruded cement panels and warm walnut wood, strikes a delicate balance between the urban and the natural, seamlessly blending the café's interiors with the surrounding environment. Through this thoughtful design, CASE-REAL has succeeded in creating a sanctuary that serves as a gentle link between the city and the shrine, inviting visitors to immerse themselves in the unique intersection of these two distinct realms. Design Team - Established in 2000 and formally founded in 2009, CASE-REAL has emerged as a renowned architecture and design firm led by the visionary designer Koichi Futatsumata. With a multidisciplinary approach, the studio specializes in crafting exceptional spatial designs, from interiors and furniture to products and architecture. CASE-REAL's portfolio showcases a remarkable ability to seamlessly blend cutting-edge creativity with a deep understanding of each project's unique environment and objectives. Guided by Futatsumata's keen eye for detail and innovative mindset, the talented team at CASE-REAL consistently delivers design solutions that are not only visually striking but also functionally and conceptually robust. The firm's diverse range of accolades, including prestigious awards and global recognition, such as shortlistings for the Dezeen Awards and the FRAME Awards, underscores the studio's exceptional prowess in the architectural design industry. CASE-REAL's work has been featured in renowned publications and has even found a permanent home in the San Francisco Museum of Modern Art, solidifying its reputation as a formidable force in the world of design. 设计团队 旅游探访 335.55 m² 日本，福冈 2023年 前一项 后一项

< 返回 十字交叉之家 察社办公室 项目名称：十字交叉之家 地点：北京，中国 设计团队：察社办公室 建筑面积：334 m² 竣工时间：2024年 摄影：朱雨蒙 设计特色： 项目 - 位于北京通州区的十字交叉之家是察社办公室对疫情后生活方式转变的回应，被设计为一个可以容纳三代人同时生活和工作的单层住宅。面对严格的建筑法规限制——住宅地块只允许建造单层结构，檐高不超过3米——设计团队将这些约束转化为创造性的机遇。 这座334平方米的住宅采用了创新的十字形布局，其各个翼部向不同方向延伸并在末端相连。为维持中央庭院的比例，侧翼被整合并从周边拉开，创造了后部的狭长次级庭院。同样，面向北方的主厅被向南移动，开辟了一个后院。每个翼部现在都享有双面自然采光，整个庭院受益于畅通无阻的视线。 结构上的独创性成为了一个显著特点——建筑框架向屋脊收缩，同时结构元素在剪力墙核心处汇聚，创造了建筑师所描述的"蘑菇状"支撑系统。这使得建筑周边不受结构约束，消解了室内外空间的界限。落地玻璃将生活空间与院落相连，创造出从"院落到房屋再到院落"的连续视线。尽管如此透明，设计通过将屋檐梁降至2.4米来保持私密性，使屋顶像保护性的帽檐一样向下延伸。这一解决方案在保持舒适的层高的同时，也创造了一种庇护感——无论是在阳光明媚还是大雨滂沱的日子，坐在窗边的人仿佛是栖息在蘑菇帽下的小生物，感到受保护和安心。 十字形的空间布局处理了多代同堂生活的需求，将私人空间设计在四个末端，提供了亲密性与分隔的平衡。祖父母、父母、孩子和客人各有隐私空间，而中心区域则自然成为家庭聚集和互动的公共区域。 十字交叉之家通过当代材料创造了一种既现代又根植于地域的建筑语言，展现了察社办公室对应对实际生活挑战而非追求抽象传统的设计理念。 团队 - 察社办公室由成直于2017年正式创立，其名称最初是作为平行于"基本联合工作室"的观察研究机构而设立的。每年承接约三个项目，长期保持小型工作室的规模，主要由成直一人主导，偶尔与年轻建筑师合作。 成直在2008年硕士毕业后，在都市实践北京办公室工作了六年，之后与大学同学创立了"基本联合工作室"，并在2017年转为独立设计机构。察社办公室的设计方法超越了常规的建筑实践，将设计视为多学科方法中的一个方面，包括研究、写作、纪录和理论探索。 工作室的设计特色在于对场地特定条件和隐藏空间秩序的回应，受到成直正在进行的研究项目如"无常几种"的影响——这是对城市中经久物随时间变化的考察。成直的设计方法将建筑与观察研究、阅读和写作平行进行，相互滋养，形成独特的设计视角。 察社办公室的项目展现了对法规约束、空间创新和环境敏感性的深思熟虑的调和，如北京通州区的十字交叉之家就是这种设计理念的典范。 Project Name: House of Cross Location: Beijing, China Design Team: Chaoffice Total Floor Area: 334 m² Completion: 2024 Photography: Zhu Yumeng Feature: Project - Located in Beijing's Tongzhou District, the House of Cross represents Chaoffice's response to post-pandemic lifestyle shifts, designed as a single-story residence that accommodates three generations living and working together. Facing strict building regulations—residential plots limited to single-story structures with eaves no higher than 3 meters—the design team transformed these constraints into creative opportunities. The 334-square-meter residence adopts an innovative cross-shaped layout with wings extending in different directions and joining at their ends. To maintain the proportions of the central courtyard, the side wings were consolidated and pulled away from the perimeter, creating a narrow secondary courtyard at the rear. Similarly, the north-facing main hall was shifted southward, opening up a backyard. Each wing now enjoys dual-sided natural light, while the entire courtyard benefits from uninterrupted sightlines. The building's structural framework ingeniously recedes toward the roof ridge, with structural elements converging at the shear wall cores to form a cross-shaped structural anchor. The house, much like a mushroom, is supported at its center while its eaves extend outward in all directions. Freeing the perimeter from structural constraints allows the façade to dissolve, merging interior and exterior spaces. The cross-shaped layout creates a view that moves from near to far—courtyard, house, courtyard again—revealing overlapping scenes of daily life. The connection between glass façade frames and eaves was carefully designed: the eaves beams were lowered to 2.4 meters, allowing the eaves to extend downward like the edge of a mushroom cap. This solution maintains a comfortable ceiling height while creating a sense of shelter—whether under bright sun or during heavy rain, those sitting by the window feel like small creatures nestled beneath a mushroom cap, protected and at ease. The cross-configuration spatial arrangement addresses the needs of multi-generational living, with private spaces positioned at the four terminal points, providing a balance of intimacy and separation. Grandparents, parents, children, and guests each have their private spaces, while the central areas naturally become public zones where the family gathers and interacts. House of Cross creates an architectural language that is both contemporary and rooted in place through the combination of materials like laminated eucalyptus plywood and bridge-cut-off aluminum alloy windows, demonstrating Chaoffice's design philosophy of addressing real-life challenges rather than pursuing abstract traditions. Design Team - Chaoffice was officially established by Cheng Zhi in 2017, initially named as an observation and research institution parallel to "OEU Studio." Taking on approximately three projects annually, it has maintained the scale of a small studio, primarily led by Cheng Zhi with occasional collaboration from junior architects. After obtaining his master's degree in 2008, Cheng Zhi worked at URBANUS Beijing for six years before founding "OEU Studio" with university classmates and transitioning to independent practice in 2017. Chaoffice's methodology transcends conventional architectural practice, positioning design as one facet of a multidisciplinary approach that includes research, writing, documentation, and theoretical exploration. The studio's work is characterized by its response to site-specific conditions and hidden spatial orders, informed by Cheng's ongoing research projects such as "Impermanence in Various Forms"—an investigation into enduring urban elements that transform over time, echoing Aldo Rossi's theories on urban permanences. Cheng's design approach places architecture in parallel with observational research, reading, and writing, which mutually nourish each other to form a unique design perspective. Chaoffice's projects demonstrate a thoughtful reconciliation of regulatory constraints, spatial innovation, and contextual sensitivity, as exemplified by the House of Cross in Beijing's Tongzhou District. 设计团队 旅游探访 334 m² 北京，中国 2024 前一项 后一项

Habitat Studio Architects 于 2010 年创立，总部位于澳大利亚黄金海岸伯利角，是一家在严谨设计思维与场地环境回应之间深度融合的精品多元化建筑事务所。事务所在首席建筑师兼总监 Wayne Greenland 的带领下，形成了以场地特定性、气候适应性与材料真实性为核心的设计哲学，致力于使每一个项目都能在其物质与文化语境中清晰表达出独特的场所精神。环境可持续性是事务所设计流程的内在组成部分，而非附加选项，贯穿于从初步构思到竣工落成的全部实践阶段。 < Back Habitat Studio Architects Australia Habitat Studio Architects 于 2010 年创立，总部位于澳大利亚黄金海岸伯利角，是一家在严谨设计思维与场地环境回应之间深度融合的精品多元化建筑事务所。事务所在首席建筑师兼总监 Wayne Greenland 的带领下，形成了以场地特定性、气候适应性与材料真实性为核心的设计哲学，致力于使每一个项目都能在其物质与文化语境中清晰表达出独特的场所精神。环境可持续性是事务所设计流程的内在组成部分，而非附加选项，贯穿于从初步构思到竣工落成的全部实践阶段。 作为澳大利亚建筑师协会认证的 A+ 级事务所，Habitat Studio 拥有涵盖高端住宅与海滨别墅、多户联排住宅与公寓、混合用途商业、酒店及室内设计的多元化项目类型。事务所迄今已完成包括 79 个独立住宅、51 个多户住宅、48 个商业及 129 个改建翻新在内的逾 300 个项目，项目版图沿澳大利亚东海岸延伸，从凯恩斯、艾尔利海滩、黄金海岸直至墨尔本，并拓展至新加坡与巴布亚新几内亚等国际市场。 事务所现由 Wayne Greenland 主持，核心团队由具备丰富跨类型实践经验的建筑师与设计师共同构成，包括建筑师 Cale Allan 与 Lauren Lovell、项目负责人 Florencia Henriquez，以及建筑学毕业生 Joshua Clark、Carina Soleckhan 与建筑制图师 Tomas Kavakama。事务所以其与客户、建筑师与建造方之间富有成效的协作机制著称，通过对细节的精准把控、材料的严谨遴选与空间组织的系统逻辑，持续交付在功能层面之上实现真正体验价值的建筑作品。 WEBSITE PROJECT

< 返回 房中之房 Jesper Kusk Arkitekter 项目名称：房中之房 地点：比尔克罗德，丹麦 设计团队：Jesper Kusk Arkitekter 面积：220 m² 完工时间：2024年 摄影师：Lars Rolfsted Mortensen 合作方：THKR、Regnestuen (工程)、LoBe Landskab (景观)、Iben Winther Orton (照明) 制造商：DS Stålprofil, In-Sign, Krone, Krone Vinduer A/S, Lindab, The Greenery 设计特色： 项目 - 在丹麦盛行的拆除重建风潮中，Jesper Kusk建筑事务所选择了一条不同寻常的道路，他们在比尔克罗德(Birkerød)将一座建于1967年的现代主义住宅改造成了一个光线充沛的庇护所，展现了可持续性保护的典范。这个名为"房中之房"的项目通过一系列相互连接的空间体量重新诠释了独立住宅的概念，挑战了新建才能满足现代生活的传统观念。 这次改造为建筑师Steffen Hougaard的原始设计注入了新的生命力，同时增加了一个独特的扩建部分，既能与原有建筑形成呼应，又保持着鲜明的对比。新增的绿色木质外立面展现出新旧之间的对话，在保持建筑整体和谐的同时又彰显出自己的特色。 在这座220平方米的住宅中，最引人注目的是其创新的空间概念：每个房间都设计了尖顶天花板，创造出宛如独立小屋嵌套于大房子中的独特感受。这种建筑手法不仅向传统住宅的原型致敬，还营造出随日光变化而变幻的动态室内空间。 项目的环保理念体现在每一个细节中。经过精心设计的天窗穿透新屋顶，建立起自然通风道路，让日光倾泻入室。隐藏在地下的雨水收集系统为冲厕提供水源，而精心挑选的生物性材料——包括竹地板和桦木胶合板墙面——显著降低了改造过程中的碳足迹。 最引人注目的特色是室内外空间的无缝融合。定制的家具，包括延伸至花园的宽敞窗座，创造出沉思的空间，模糊了建筑与自然之间的界限。经过精心策划的视线通廊和与景观的连接，将日常生活转变为与自然环境的持续对话。 在丹麦每年约有1100座独立住宅被拆除的背景下，这个项目堪称建筑更新利用的典范案例，展示了如何在不诉诸拆除的情况下重新构想丹麦现有的住宅存量。这次改造证明，通过创新的设计思维，昨日的建筑可以转变为满足明日需求的住所，同时保留了原有建筑的碳排放和建筑遗产价值。 团队 - Jesper Kusk Arkitekter成立于2019年，总部位于丹麦哥本哈根，在当代北欧建筑领域迅速崭露头角，专注于可持续设计和适应性改造。创始人Jesper Kusk此前曾在Nordic建筑事务所和Lundgaard & Tranberg建筑事务所等知名公司累积近二十年的专业经验，为事务所带来了丰富的建筑实践经验。 事务所的设计理念立足于创造超越时间界限的持久建筑，强调生物亲和性设计原则和碳意识方法论。在Jesper Kusk的带领下（他自2023年起担任丹麦建筑师协会竞赛委员会主席），工作室发展出了独特的项目组合，以其精致的材料配置和对木构建筑的重视而著称。 事务所位于历史悠久的Fæstningens Materialgård，以其严谨的分析过程和协作式设计方法而闻名。他们的作品以精心整合自然采光、自然通风和创新空间规划而独树一帜。事务所对可持续性的承诺超越了单纯的能源效率，涵盖了更广泛的社会和环境责任，这体现在他们对材料生命周期和适应性再利用策略的精细关注上。 Project Name: Houses Within the House Location: Birkerød, Denmark Design Team: Jesper Kusk Arkitekter Area: 220 m² Completion: 2024 Photography: Lars Rolfsted Mortensen Main Materials: Wood, Bamboo, Birch Plywood Collaborators: THKR, Regnestuen (Engineering), LoBe Landskab (Landscape), Iben Winther Orton (Lighting) Manufacturers: DS Stålprofil, In-Sign, Krone, Krone Vinduer A/S, Lindab, The Greenery Feature： Project - In a bold rejection of Denmark's demolition culture, Jesper Kusk Arkitekter has transformed a 1967 modernist residence in Birkerød into a luminous sanctuary that champions sustainable preservation. The "Houses Within the House" project reimagines a single-family home through a series of interconnected volumes, challenging the notion that new construction is the only path to contemporary living. The renovation breathes new life into architect Steffen Hougaard's original design while adding a distinctive extension that both complements and contrasts with its predecessor. The addition, clad in green-painted timber, creates a compelling dialogue between old and new, setting itself apart while maintaining a harmonious architectural conversation with the existing structure. At the heart of the 220-square-metre dwelling lies an innovative spatial concept where each room features a pitched ceiling, creating the sensation of individual houses nestled within the larger structure. This architectural gesture not only pays homage to the archetypal house form but also generates dynamic interior volumes that play with light and shadow throughout the day. The project's environmental consciousness is evident in every detail. Strategic skylights pierce the new roof, establishing natural ventilation pathways and flooding the interiors with daylight. A sophisticated rainwater harvesting system, concealed beneath the ground, supplies water for toilet flushing, while the careful selection of biogenic materials – including bamboo flooring and birch plywood wall cladding – significantly reduces the renovation's carbon footprint. Perhaps the most striking feature is the seamless integration of interior and exterior spaces. Custom-built furniture, including a generous window-seat that extends toward the garden, creates contemplative moments that blur the boundaries between architecture and nature. The thoughtfully orchestrated sightlines and connections to the landscape transform everyday living into a continuous dialogue with the natural environment. This project serves as a compelling case study in architectural upcycling, demonstrating how Denmark's existing housing stock can be reimagined for contemporary life without resorting to demolition. In a country where approximately 1,100 single-family homes are razed annually, this renovation stands as a testament to the potential of adaptive reuse, proving that with innovative design thinking, yesterday's architecture can be transformed to meet tomorrow's needs while preserving embodied carbon and architectural heritage. Design Team - Jesper Kusk Arkitekter, established in 2019 in Copenhagen, Denmark, has rapidly emerged as a significant voice in contemporary Nordic architecture, specializing in sustainable design and adaptive reuse. Founded by Jesper Kusk, who brings nearly two decades of expertise from prestigious firms including Nordic - Office of Architecture and Lundgaard & Tranberg Arkitekter, the practice has garnered recognition for its innovative approach to environmental stewardship and contextual sensitivity. The firm's design philosophy centers on creating enduring architecture that transcends temporal boundaries, emphasizing biophilic design principles and carbon-conscious methodologies. Under Kusk's leadership, who serves as the Chairman of the Competition Committee at the Danish Association of Architects since 2023, the studio has developed a distinctive portfolio characterized by its sophisticated material palette and emphasis on timber construction. Operating from their headquarters in the historic Fæstningens Materialgård, the practice has cultivated a reputation for thorough analytical processes and collaborative design approaches. Their work is distinguished by a careful integration of daylight, natural ventilation, and innovative spatial programming. The firm's commitment to sustainability extends beyond mere energy efficiency to encompass broader social and environmental responsibilities, reflected in their meticulous attention to material lifecycle and adaptive reuse strategies. 设计团队 旅游探访 220 m² 比尔克罗德，丹麦 2024 前一项 后一项