2017年底，孟凡浩和朱培栋两位建筑师在杭州携手创立了gad · line+工作室，迅速在建筑设计界崭露头角，成为引领市场需求的"创意工坊"。line+工作室的核心理念是打破界限。其名称中的"line"代表建筑设计的基础，而"+"则彰显了他们跨界创新的决心。这种独特的方法使工作室能够完美融合规划、建筑、室内、产品设计、运营和景观建筑等多个领域。 Founded in late 2017, gad · line+ studio emerged as a pioneering force in Hangzhou's architectural landscape under the visionary leadership of Meng Fanhao and Zhu Peidong. This innovative design atelier has rapidly established itself as a "creative factory" at the forefront of market-driven architectural solutions. < Back line+建筑事务所 中国（CHINA） 2017年底，孟凡浩和朱培栋两位建筑师在杭州携手创立了gad · line+工作室，迅速在建筑设计界崭露头角，成为引领市场需求的"创意工坊"。line+工作室的核心理念是打破界限。其名称中的"line"代表建筑设计的基础，而"+"则彰显了他们跨界创新的决心。这种独特的方法使工作室能够完美融合规划、建筑、室内、产品设计、运营和景观建筑等多个领域。 在孟凡浩的带领下，line+工作室屡获殊荣，其中包括2021年享有盛誉的英国皇家建筑师协会(RIBA)国际奖。工作室的作品涵盖城市公共空间、高端住宅项目、乡村振兴计划等多个领域。line+工作室的设计哲学植根于批判性思维和对环境的敏锐洞察。通过在城市和乡村参与之间寻求平衡，在本土文化研究和商业可行性之间找到契合点，工作室成功地在文化传承和当代市场需求之间搭建了桥梁。 随着在杭州和上海的业务不断扩张，line+工作室持续突破传统实践的界限。他们通过专业设计提升空间品质，以创新推动价值创造的承诺，巩固了他们作为建筑行业变革力量的地位。 Founded in late 2017, gad · line+ studio emerged as a pioneering force in Hangzhou's architectural landscape under the visionary leadership of Meng Fanhao and Zhu Peidong. This innovative design atelier has rapidly established itself as a "creative factory" at the forefront of market-driven architectural solutions. At its core, line+ studio embodies the concept of boundary transcendence. The "line" in their name represents the architectural foundation, while the "+" signifies their commitment to cross-disciplinary innovation. This unique approach allows the firm to seamlessly integrate planning, architecture, interiors, product design, operations, and landscape architecture. Led by Meng Fanhao, a recipient of the prestigious 2021 RIBA International Prize, line+ studio has garnered numerous accolades for its cutting-edge designs. The firm's portfolio showcases a diverse range of projects, from urban public spaces to high-end residential developments and rural revitalization initiatives. line+ studio's design philosophy is rooted in critical thinking and contextual sensitivity. By balancing urban sophistication with rural engagement, and local cultural research with commercial viability, the firm has positioned itself as a crucial mediator between cultural heritage and contemporary market demands. With a growing presence in Hangzhou and Shanghai, line+ studio continues to push the envelope of traditional practice. Their commitment to spatial quality through professional expertise and value creation through innovation solidifies their position as a transformative force in the architectural industry. WEBSITE PROJECT

< 返回 SKIN1004旗舰店 LMTLS 设计特色： 项目 – 这家位于首尔明洞中心的SKIN1004旗舰店，它粗犷的岩石立面与这个邻里典型的玻璃店面形成了强烈对比。项目空间巧妙地在城市环境中汲取“未被触碰的自然”的本质，使用代表“马达加斯加”未开垦景观的丰富的大地色调、有机形状和纹理。走进嶙峋的石头门脸，游客穿过芦苇环绕的“小径”，遇见飘动的巨幅多媒体自然场景，让人完全没入原生态的多感官体验。一楼展览区和二楼休息厅及零售区域之间精心制造的照明效果和视觉连通性加强了这两个空间的凝聚力，它们通过一个有机雕塑中心装置连接在一起。这一极具创新精神的设计由韩国LMTLS设计工作主导，它摆脱了对自然的老套描绘，以充满活力的沙质色调和粗粝质感掩盖了复杂而精心设计的天然灵感与当代风格的融合。这种具创造性的方法塑造了一个引人入胜又意想不到的避风港，与外面喧嚣的城市生活形成强烈对比，作为一个独特的零售环境存在让人神往- 就好像其产品是从地球原生环境提纯出来的一样。 团队 – LMTLS是一家总部位于纽约和首尔的建筑设计工作室，其三位共同创始人Daeho Lee、Beomki Lee和Jaeyual Lee在麻省理工学院(MIT)攻读建筑学硕士学位期间开始了合作。通过他们多年来的默契合作，目前已获得不俗的口碑，其致力于通过创新的设计推动变革，为每个项目找到最佳的设计方向。 Feature： Project - The new SKIN1004 flagship store in the heart of Myeong-dong, Seoul emerges as a striking presence with its textured rock façadecontrasting with the glass storefronts typical of the neighborhood. The space artfully brings the essence of “untouched nature” into the urban setting through rich earth tones, organic shapes and textures that reference the untamed landscapes of Madagascar. Upon entering the craggy stone frontage, visitors traverse reed-lined “trails” and encounter swaying video walls depicting natural scenes, fostering an immersive multisensory connection with raw, primordial nature. Carefully orchestrated lighting and visibility between the exhibition-focused ground floor and the product lounge and retail area above enhance the continuity between the spaces tied together by an organic sculptural centerpiece. The innovative scheme spearheaded by Korean firm LMTLS liberates the brand identity from clichéd representations of nature with vibrant sand-hued tones and rough-hewn textures belying the sophisticated blend of natural inspirations filtered through contemporary form. The creative approach shapes an intriguing and unexpected haven contrasting the teeming urban activity outside, standing as a distinctive retail environment where cosmetics emerge as if concentrated from the very essence of the earth. Design Team - LMTLS is a New York & Seoul based architectural design group whose three co-founders, Daeho Lee, Beomki Lee, and Jaeyual Lee, began their collaboration at the Massachusetts Institute of Technology (MIT) during their Master of Architecture studies. Founded in 2015, the firm is committed to catalyzing change through innovative design, navigating towards the optimal design direction for each project. As stated in their manifesto: "Beyond limits, our creative design thinking transcends constraints, weaving a tapestry of boundless possibilities. Embracing diverse approaches, free from stereotypes, we manifest an endless expression without boundaries." 设计团队 旅游探访 350 m² 韩国 首尔 2023 Previous Next

Kidz Studio是一家前瞻性的建筑和设计实践，成立于2013年，以独特的"儿童视角"理念对建筑环境进行设计。这家国际公司专注于创造对环境响应的设计，在不同文化背景下将功能创新与情感共鸣无缝融合。 < Back Kidz Studio The Netherlands Kidz Studio是一家前瞻性的建筑和设计实践，成立于2013年，以独特的"儿童视角"理念对建筑环境进行设计。这家国际公司专注于创造对环境响应的设计，在不同文化背景下将功能创新与情感共鸣无缝融合。 Kidz Studio的全球办公网络遍布阿姆斯特丹、贝尔格莱德、迪拜、巴黎和圣彼得堡，在建筑、室内建筑、研究和产品设计领域积累了专业知识。他们的多学科方法使他们能够打造全面的空间体验，超越常规设计界限，同时保持对当地敏感性的关注。 在设计团队的领导下，Kidz Studio建立了一个以实验和有意义的场所营造为特色的作品集。他们的最新项目——杜塞尔多夫的Funky Ramen餐厅，体现了他们将概念叙事转化为连贯建筑语言的能力——精心将220平方米的空间划分为受角色启发的区域，既尊重日本烹饪传统又融入当代文化参考。 工作室致力于创造"激发互动的情感空间"，这一点体现在他们对材料的细致关注、对现有建筑元素的保留以及战略性地实施照明以增强空间感知。凭借11-50名专业人员组成的协作团队，在混合工作环境中运营，Kidz Studio继续在全球范围内追求通过周到的设计干预将人们联合在一起的项目。 Kidz Studio is a forward-thinking architectural and design practice founded in 2013 that approaches the built environment with a distinctive "kid-vision" philosophy. This international firm specializes in creating contextually responsive designs that seamlessly blend functional innovation with emotional resonance across diverse cultural landscapes. Operating from a network of global offices in Amsterdam, Belgrade, Dubai, Paris, and St. Petersburg, the studio has cultivated expertise in architecture, interior architecture, research, and product design. Their multidisciplinary approach allows them to craft comprehensive spatial experiences that transcend conventional design boundaries while remaining attuned to local sensibilities. Under the leadership of their design team, Kidz Studio has built a portfolio characterized by experimentation and meaningful placemaking. Their recent project, Funky Ramen Restaurant in Düsseldorf, exemplifies their ability to translate conceptual narratives into cohesive architectural language—thoughtfully dividing the 220-square-meter space into character-inspired zones that honor both Japanese culinary traditions and contemporary cultural references. The studio's commitment to creating "emotionally charged spaces that inspire interaction" is evident in their careful attention to materiality, preservation of existing architectural elements, and strategic implementation of lighting to enhance spatial perception. With a collaborative workforce of 11-50 professionals operating in a hybrid work environment, Kidz Studio continues to pursue projects that unite people through thoughtful design interventions across public and commercial typologies worldwide. WEBSITE PROJECT

< 返回 Vespa 住宅 Habitat Studio Architects 项目名称：Vespa 住宅 地点：昆士兰州，澳大利亚 设计团队：Habitat Studio Architects 建筑面积：540 平方米 竣工时间：2024 年 摄影：Kristian Van der Beek 设计特色： 坐落于澳大利亚昆士兰州亚热带腹地，由 Habitat Studio Architects 精心设计的 Vespa 住宅，是一座深刻回应气候条件、场地语境与家庭生活方式的当代居所。这座建筑面积达 540 平方米的单户住宅于 2024 年竣工，以严谨的生物气候设计原则为根基，将裸露混凝土的厚重感、温润木材的自然质感与精准的黑色金属细部融合为一套内敛而有力的建筑语言。 建筑的西侧立面是整个设计中最具雕塑感的元素。这道厚重的整体式墙体以双重身份介入场地，既是抵御强烈西晒的气候遮蔽屏障，又是界定私密领域的空间边界。其上方，一个形态纯粹的亚热带屋顶形态仿佛轻盈悬浮，以深远挑檐、通透的木格栅板条与茂盛的屋顶花园共同构成一套精密调控的气候系统，实现被动通风、遮阳与视觉绿化的高度融合。室内与室外的边界在这一系列层叠构件的作用下渐趋模糊，住宅以沉浸于大地景观的姿态呼应着季节更替的节律。 Vespa 项目最富原创性的空间策略，在于其核心位置的中央庭院。这一内向性空间同时承担着微气候调节与社交凝聚的双重职能，以庭院为锚点，对外开放的起居区域与静谧私密的内向空间围绕其展开，形成动静互补的空间格局。公共与私密领域经过精心分层划定，赋予住宅随家庭生活节律灵活伸展的空间弹性。光影流转、粗粝材质与层叠植物所共同营造的感官氛围，使整座住宅始终弥漫着一种宁静而充满生机的场所精神。 可持续性并非 Vespa 设计叙事的附加维度，而是其建筑逻辑的内在结构。被动式太阳能设计、高效节能玻璃与光伏系统协同运作，系统性地降低建筑能耗需求；水敏感型景观设计与以生物多样性为导向的庭院种植则进一步提升了场地的生态价值。耐久且维护需求低的建筑材料以使用寿命为首要选材标准，确保建筑随岁月流逝仍保有优雅的品质与风貌。Vespa 是一件对气候、语境与居者同时作出回应的建筑作品，在其中，日常居住的每一刻都因自然的温柔在场而变得更为丰盈。 设计团队： Habitat Studio Architects 于 2010 年创立，总部位于澳大利亚黄金海岸伯利角，是一家在严谨设计思维与场地环境回应之间深度融合的精品多元化建筑事务所。事务所在首席建筑师兼总监 Wayne Greenland 的带领下，形成了以场地特定性、气候适应性与材料真实性为核心的设计哲学，致力于使每一个项目都能在其物质与文化语境中清晰表达出独特的场所精神。环境可持续性是事务所设计流程的内在组成部分，而非附加选项，贯穿于从初步构思到竣工落成的全部实践阶段。 作为澳大利亚建筑师协会认证的 A+ 级事务所，Habitat Studio 拥有涵盖高端住宅与海滨别墅、多户联排住宅与公寓、混合用途商业、酒店及室内设计的多元化项目类型。事务所迄今已完成包括 79 个独立住宅、51 个多户住宅、48 个商业及 129 个改建翻新在内的逾 300 个项目，项目版图沿澳大利亚东海岸延伸，从凯恩斯、艾尔利海滩、黄金海岸直至墨尔本，并拓展至新加坡与巴布亚新几内亚等国际市场。 事务所现由 Wayne Greenland 主持，核心团队由具备丰富跨类型实践经验的建筑师与设计师共同构成，包括建筑师 Cale Allan 与 Lauren Lovell、项目负责人 Florencia Henriquez，以及建筑学毕业生 Joshua Clark、Carina Soleckhan 与建筑制图师 Tomas Kavakama。事务所以其与客户、建筑师与建造方之间富有成效的协作机制著称，通过对细节的精准把控、材料的严谨遴选与空间组织的系统逻辑，持续交付在功能层面之上实现真正体验价值的建筑作品。 设计团队 旅游探访 540 m² 昆士兰州，澳大利亚 2024 Previous Next

< 返回 Richter中心 Zoboki Design and Architecture 项目名称：Richter中心 地点：布达佩斯，匈牙利 设计团队：Zoboki Design and Architecture 建筑面积：17000 m² 竣工时间：2024年 摄影：Dániel Dömölky 设计特色： 项目 - 在布达佩斯的中心地带，由ZDA建筑事务所打造的新Richter中心成为了建筑才华的象征，它无缝地将企业传统与前瞻性设计融为一体。这座17000平方米的制药公司Richter Gedeon总部标志着公司发展的关键时刻，它既是对悠久历史的致敬，也是对未来发展方向的大胆宣言。 建筑最引人注目的特色无疑是其起伏波动的外立面系统。每个百叶窗都遵循精确的参数化规则，同时保持个体的独特性——这是制药行业创造性发明与严格监管双重性质的物理体现。这种外立面创造了一种迷人的效果，从远处看是一个有凝聚力的艺术整体，而近距离观察则能发现其精妙的细节。 Richter中心位于公司的历史生产基地内，是ZDA为该园区制定的20年总体规划中的关键环节。它的战略位置通过优雅的会议单元和连接桥梁与化学研究和办公大楼（同样由ZDA在2007年设计）相连，象征性地将研究活动与企业领导层统一起来。 在室内，建筑继续延续其流动的语言，采用精妙的楼梯结构，将交通区域转变为充满活力的社交空间。这些宏伟的公共区域需要创新的结构解决方案，包括特殊尺寸的钢梁和玻璃柱。 设计理念牢固地建立在三大支柱上：优先考虑员工福祉的功能性、通过前沿建筑技术表达的创新性，以及确保建筑既现代又永恒的优雅节制。这种三位一体的方法创造了促进协作的空间，同时保持了适合领先制药企业的精致企业形象。 通过对宽敞公共区域、精确参数化设计和可持续工程解决方案的和谐整合，Richter中心展示了深思熟虑的建筑如何能够体现公司价值观，同时创造一个激发创新的工作场所。 团队 - Zoboki Design and Architecture成立于1997年，已发展成为中欧地区最重要的建筑工作室之一，在匈牙利设计市场占据决定性地位，并逐步拓展国际项目，如在中国等地的设计任务。 该事务所由Gábor Zoboki DLA habil.领导，作为Ybl奖、Pro Architectura奖和Prima Primissima奖的获得者，他带领团队坚持将高质量的建筑设计与专业技术知识相结合，并采用盎格鲁-撒克逊工作原则和方法论，进一步提高了工作效率。 事务所的项目类型广泛多样，包括多功能文化中心、采用尖端技术的研究建筑、特别注重人际交流的办公建筑，以及历史建筑的重建任务和精美的酒店与住宅项目。他们在所有这些领域都创造了具有特色的案例，并获得了众多国内外奖项。工作室的业务范围还扩展到概念性城市规划任务和大型项目的可行性研究。 ZDA在具有独特技术背景的文化建筑方面取得了特别重要的成就，因此赢得了大量国外委托。他们的国际关系在设计合作伙伴、专业顾问和建筑事务所方面也变得非常广泛。 事务所的服务涵盖整个设计过程：从城市规划、建筑和室内设计到施工过程的工程协调，甚至包括汇集数百人的国际创意社区。在Zoboki看来，建筑师的职业有两个方面：一个是人文主义的、由理想驱动的、不断重新思考人类生存条件的创造者；另一个则是掌握技术和工艺知识的物质主义者。他相信，要创造良好的建筑，必须努力在这两种品质上都达到高水平。 Project Name: Richter Center Location: Budapest, Hungary Design Team: ZDA - Zoboki Design and Architecture Total Floor Area: 17000 m² Completion: 2024 Photography: Dániel Dömölky Feature: Project - ZDA - Zoboki Design and Architecture has completed their latest project - Richter Center on the company's historical production site in Budapest, creating a headquarters building that both pays homage to tradition and looks toward the future. This 17,000-square-meter structure skillfully combines functionality, sustainability, and distinctive form, marking a new era for the pharmaceutical company Richter Gedeon. The design team based their work on three main principles: functionality, innovation, and moderation, carefully crafting a corporate space that both meets efficient office requirements and presents a unique appearance. The project's most distinctive feature is its undulating façade system, where each louver follows uniform rules while maintaining unique forms, symbolizing the dual nature of research and development work: invention and strict regulation. This parametric design required new tool-based collaboration between architects and engineers, creating a unified artistic whole when viewed from a distance, while revealing precision in details up close. The interior design continues the sense of flow seen on the exterior, especially in the building's central space, where virtuoso stair structures not only serve circulation but create places for communication and meetings. Creating large communal spaces required overcoming structural challenges, including the use of specially dimensioned steel beams and glass pillars. The design team also gave special attention to sustainability issues, such as solutions for heat absorption by large surfaces, ensuring ideal interior comfort. What makes this project unique is how it successfully connects the Richter company with the Chemical Research and Office Building (also designed by ZDA in 2007) through a conference unit, forming a symbolic bridge that unites research and corporate management both functionally and symbolically. Design Team - Founded in 1997, ZDA has evolved into one of the most important architectural workshops in the Central European region, establishing a determinant position in the Hungarian design market while gradually expanding into international projects, including work in China. The firm is led by Gábor Zoboki DLA habil., recipient of the Ybl, Pro Architectura, and Prima Primissima awards, who guides the team in coupling high-quality architectural design with professional technical knowledge, further strengthened by Anglo-Saxon working principles and methodology. The practice undertakes a wide range of project types, including multifunctional cultural centers, research buildings with state-of-the-art technology, office buildings that especially inspire human contact, as well as reconstruction assignments of historic buildings and lovely hotels and residential projects. They have created characteristic examples in all these areas, receiving numerous domestic and international awards. The studio's portfolio also extends to conceptual urban-planning tasks and feasibility studies for large-scale projects. ZDA has achieved particularly important successes in cultural buildings with unique technological backgrounds, resulting in numerous foreign commissions. Their international connections have become extensive regarding design partners, professional consultants, and architectural offices. The firm's services encompass the entire design process: from urban planning through architectural and interior design to the engineering coordination of construction processes, embracing international creative communities counting even several hundred persons. According to Zoboki, the architect's vocation has two facets: one humanistic, driven by ideals, constantly rethinking the conditions of human existence; the other materialistic, mastering technical and technological knowledge. He believes that to create good architecture, one must strive for high-level cultivation of both these qualities. 设计团队 旅游探访 17000 m² 布达佩斯，匈牙利 2024 Previous Next

< 返回 Spink 街办公楼 Peter Ryan Architects 设计特色： 项目 – 斯平克街 20 号办公楼是布莱顿郊区一座新地标，由Peter Ryan建筑事务所精心打造，顺应了居民对高质量办公空间的渴望。这座由Align Property Partners委托兴建的商业办公项目，位于尼平公路和桑德灵汽铁线之间，三角形地块曲折有致。四层办公楼加顶层观景平台，远眺菲利普港的迷人海景和墨尔本城市天际线。设计团队深刻把握目标租户群体的需求，为他们营造出通透宽敞、灵活多变且采光充足的现代办公氛围，室内设计细节更借鉴了高端住宅的精致质感。建筑外型巧妙融入环境，步行和车行入口分区明确。大堂出入口临街而建，咖啡馆与通往马丁街和埃尔斯特运河自行车道的路线无缝连接；停车设施则靠近尼平公路一侧，避免了对人行道的干扰。项目高度响应城市规划要求，五层造型矗立地标，竖向线条简洁有力，三角体型别具识记度。南侧预制混凝土幕墙设计精雕细琢，与邻近的混凝土建筑群相得益彰。虽然场地条件有限，但设计团队通过创新的结构方案圆满应对，最终在郊区交付了一座集实用性、美学和可持续性于一身的办公杰作，为高水准的城郊商业地产树立了典范。 团队 – 来自澳大利亚墨尔本的Peter Ryan Architects自2015年成立以来，凭借精干的八人团队就展现出了令人钦佩的实力，在建筑界中虽小而精，却能与大所一较高下。事务所掌舵人Peter Ryan有句精辟论述:"我们是一个小型事务所，却能像大所那样运作。要交付大项目，并不需要人多，关键是队伍精锐高效。" 这种理念得到了客户极高赞誉:" Peter有与所有团队成员密切协作的能力，远非仅限于设计这一项目本身。从设计到最终交付的全过程，他都全程参与并把控。他了解我们的需求，和我们一样，对工作极其严谨专注，深知这些建筑物需要代代相传。"与其外包分包，他们更钟情于自主完成所有环节，他们的项目履历博采众长，包括为Caribbean Park设计的大型办公楼，还有酒店、仓库、物流设施、托儿所以及花园亭阁等。该所不仅在设计上颇有建树，在商业运作方面也驾轻就熟，无论项目大小，从一开始就贯彻务实原则。 Feature： Project - Spink St. Office Building, a remarkable addition to the leafy bayside suburb of Brighton, has been meticulously crafted by Peter Ryan Architects. Commissioned by Align Property Partners, this speculative office development stands as a testament to innovative design and contextual sensitivity. Nestled between the Nepean Highway and the Sandringham rail line, the triangular project site has been transformed into a four-story office haven, crowned with a rooftop terrace that offers breathtaking views of Port Philip Bay and the Melbourne CBD. Targeting a niche market where tenants seek generous floorplates, flexible spaces, and abundant natural light, the architects have embraced a refined domestic aesthetic, aligning with high-end residential developments. The building's form responds thoughtfully to its context, separating pedestrian and vehicle access. The lobby entrance and café connect seamlessly with the surrounding footpaths and bike trails, while the car parking facilities are strategically located adjacent to Nepean Highway, ensuring a harmonious coexistence with the urban fabric. Reflecting the planning overlays' call for a Key Landmark Redevelopment, the project's scale soars to five stories, with vertical sides simplifying and strengthening the building's volume. The patterned precast concrete façade on the south elevation continues the façade articulation, responding to the adjacent mixed-use concrete developments. Overcoming challenging site constraints through innovative structural solutions, Peter Ryan Architects has delivered a high-quality office space that seamlessly blends functionality, aesthetics, and sustainability, setting a benchmark for suburban commercial developments. Design Team - Founded in 2015, Peter Ryan Architects has swiftly established itself as a formidable force in the architectural realm, punching well above its weight with a lean team of just eight members. Under the astute leadership of Peter Ryan, this close-knit practice exemplifies the notion that size is no barrier to excellence. As Ryan succinctly puts it, "We're a small firm that acts like a large one. You don't need a large team to deliver a large project. You require a smart and efficient one." This philosophy resonates profoundly in the words of Ben Spooner, Managing Director of Caribbean Park: "Peter has this ability to work with everyone in our team. It's considerably more than designing a project. He carries everything through from the design phase through to the final delivery. He understands us, and like us, he's extremely structured and focused. He knows these buildings are designed and built to last for generations." Eschewing the practice of outsourcing, Peter Ryan Architects takes immense pride in its comprehensive in-house capabilities, seamlessly integrating visual documentation, planning, and implementation. Their diverse portfolio spans large-scale commercial projects, office buildings, hotels, warehouses, logistical facilities, childcare centers, and exquisite garden pavilions, each a testament to their unwavering commitment to design excellence and commercial pragmatism. 设计团队 旅游探访 2195 m² 澳大利亚，布莱顿 2024年 Previous Next

< 返回 Långholmen 住宅 Mer Architects 项目名称：Långholmen Residence 地点：帕莱宁，芬兰 设计团队：Mer Architects 建筑面积：150 m² 竣工时间：2024年 摄影：Mer Architects 设计特色： 项目 ：Långholmen住宅由Mer Architects设计，坐落于芬兰帕莱宁的朗霍尔门岛上，展现了对群岛环境的深刻敏感性和对场地历史的尊重。这座150平方米的家庭度假屋以其双体量构成和折叠屋顶的独特设计语言，重新定义了芬兰沿海建筑与自然景观的关系。该项目巧妙地回应了一个经数千年塑造的地貌，那里经冰河时代抛光的花岗岩和片麻岩悬崖在约一万年前从海中浮现，展现出独特的地质特征。 该项目最引人注目的成就在于其有顶户外起居室设计，位于两个建筑体量之间，成为整个建筑的核心。这一中央空间模糊了庇护所与自然之间的界限，创造了一个独特的过渡区域。一面轻质砖墙内嵌开放式壁炉，斜向切穿这个空间，精心框取了群岛地区典型的自然景观，包括扭曲的松树、各种苔藓和地衣。这一设计手法不仅建立了室内外的视觉联系，还创造了一个功能性的户外生活空间，成为建筑的情感中心。垂直空间组织通过两个独立体量实现功能分区，第一部分容纳桑拿房、淋浴间和更衣室，第二部分为起居和睡眠的单一空间。 建筑叙事通过对本土材料和建造传统的深刻理解展开，展现出卓越的设计表达。所有外部木材采用未经处理的落叶松，参考了当地渔民小屋的传统木板立面做法。这种材料选择不仅尊重地方建筑传统，还允许建筑随时间自然风化，与周围景观协调融合。在面海立面，滑动木条格栅遮阳系统展现出多功能设计策略，防止鸟类撞击窗户，控制空间过热，并提供私密性而不牺牲景观视野。浅灰色金属屋面反射多余的夏季热量，优化了建筑的气候性能。内部空间以木材包覆，部分地面铺设上油水泥砖。主体量经过精心设计，容纳定制双层床配有拉出式双人床、小型厨房、用餐区和壁炉，展现出空间利用的高效性。 立面处理展现了与场地的融合。建筑的布置精心保留了现有岩层和数百年历史的松树，展示出对自然环境的克制和尊重。访客从开阔海面抵达隐蔽海湾，大型木质码头形成主要户外生活区域。从码头开始，一条抬高的木质步道引导人们穿过高大的芦苇丛和小型松树林。建筑在高大松树间逐渐显现，访客沿着房屋背面的铺板路径到达建筑中心，透过有顶露台打开面向大海的视野。背立面巧妙隐藏了户外厨房，户外用餐区被降低以避免干扰室内视线。这些设计细节丰富了空间体验，并在开放性和私密性之间建立了平衡。 项目的另一大特色是其对可持续性和环境响应设计的优先考虑。建筑配备堆肥厕所和自然通风系统，床边设有定制通风百叶窗，最大限度减少环境影响。桑拿房的布置体现了深思熟虑的朝向，定位于在傍晚阳光下接收金色光芒，同时保持最短距离通往海边进行冷水浸泡，尊重芬兰在热量与冷水间交替的重要传统。通过其克制的设计和细致的细节处理，这座住宅体现了对场地特定条件的深刻理解和当代斯堪的纳维亚建筑的精致方法。 设计团队 ：Mer Architects成立于2015年，是一家位于芬兰的建筑实践机构，以可持续设计的整体方法而著称。该事务所结合个性化、以客户为中心的方法论和卓越品质，创造既令人难忘又富有意义的空间。在当前领导团队的带领下，Mer Architects发展出一种设计理念，将美学、功能性、经济效益和生态意识内在关联。 事务所目前拥有一支充满热情、多元化且经验丰富的团队，在要求极高的建筑和总体设计项目方面具有广泛专业知识，涵盖从房地产开发到实施设计最复杂细节的各个领域。Långholmen Residence项目的设计团队由建筑师Julia Hertell、建筑师Jenni Hölttä、建筑师Paula Leiwo、建筑师Sini Kukkonen和建筑师Johanna Brummer组成。团队在新建项目和改造或变更项目方面均拥有丰富知识，在建筑信息模型方面经验丰富，并在生命周期评估和碳足迹计算方面具有专业知识。 事务所的设计理念以语境理解和多感官空间体验为核心，运用严谨的分析框架来发展能够提升生活品质的建筑回应。他们的方法论强调通过细致倾听和观察、对场地地块和项目的全面分析、整体概念与细节设计之间的平衡以及三维理解来理解多样化的语境条件。这种对语境敏感性的承诺延伸到所有尺度，从场地规划到材料细节，确保每个项目真正回应其特定场地、客户和社区的需求。 Mer Architects在创新天然材料应用、自然通风策略和多感官空间设计方面展现出独特专长。其设计过程的特点是从技术和社会视角进行严格的场地分析，确保每个项目对其环境做出深思熟虑的回应。协作构成其方法论的基础，内部设计工作坊促进在开放、参与的氛围中进行创意探索和问题解决。对于每个项目，事务所都会组建量身定制的项目团队，必要时补充技术设计师、平面设计师、研究人员或其他领域的专家。 Mer Architects对环境责任的承诺通过签署建筑师宣言正式确立，该宣言致力于应对气候变化和生物多样性丧失这两大危机，并于2024年实现碳中和组织地位。事务所的作品集反映出对建筑卓越性的承诺，平衡了功能需求与美学考量，同时保持对生态和文化责任的关注。通过其跨学科方法论，Mer Architects将技术精确性与概念严谨性相结合，创作出展现对材料性、空间组织和环境性能深刻理解的作品。超越传统实践，Mer Architects通过举办开放式DO Mer工作坊、TALA Mer讨论晚会和LUE Mer阅读圈参与更广泛的话语，探索建成环境在塑造社会中的角色和潜力。事务所相信建筑作为改善生活品质工具的变革力量，并在所有工作中注入对创造真正回应人类需求和愿望的空间的奉献精神。 设计团队 旅游探访 150 m² 帕莱宁，芬兰 2024 Previous Next

< 返回 文图拉·特拉大学宿舍 CVDB arquitectos 项目名称：Ventura Terra University Residence 地点：里斯本，葡萄牙 设计团队：CVDB arquitectos 建筑面积：7100平方米 竣工时间：2024年 摄影：Fernando Guerra | FG+SG 设计特色： 葡萄牙建筑事务所CVDB arquitectos为里斯本大学完成的文图拉·特拉大学宿舍展现了如何通过创新的环形动线系统和战略性模块化设计策略，将高密度学生住房要求转化为促进社区互动同时保持空间效率的紧凑而通透居住环境建筑典范。 这座7100平方米的学生宿舍戏剧性地融合了严格城市规划限制与创新社区建构理念，呈现为对当代大学居住建筑类型学、空间组织策略和集体生活体验深刻思考的建筑表达。它通过精心的动线编排和模块化系统，创造出一个将效率与社区互动无缝交织的教育建筑环境。 项目的绝妙之处在于对建筑动线的根本性重新构想与空间组织的创新策略。面对在有限地块内实现必要建筑密度同时创造积极社区体验的挑战，建筑师采用四个相互连接的翼楼围绕中央公共庭院展开的布局，形成连续的环形动线系统，促进学生之间的邂逅与互动。这种设计策略创造了建筑各部分之间的持续对话，实现了空间效率与社区建构的当代融合效果，使整座建筑完美呼应大学生活的集体本质。 CVDB arquitectos的设计语言流利地表达着当代教育建筑方言，运用战略性的模块化方法和公共空间布局来重新定义学生居住建筑体验。项目基于单人房间单元作为基本构件的模块化系统，这种方法优化了建造经济性而不牺牲空间品质。建筑师巧妙地将洗衣房、茶水间、自习室和非正式休息区等公共设施集中在不同翼楼交汇的节点处，将动线交叉口转化为社交枢纽而非单纯过渡空间。中央庭院作为视觉和社交锚点，从多个视点可见并通过精心规划的步行路径抵达，创造视觉通透性以抵消紧凑型住宅建筑的潜在封闭性。 最引人瞩目的是，建筑师通过巧妙的剖面组织策略创造富有层次性的建筑体验。整座宿舍智慧地回应场地坡度，将集体和服务空间设置在较低楼层的街道层面，在城市肌理与朝南庭院之间创造视觉通透性。这种底层透明度在保持上层住宅私密性的同时邀请城市进入建筑。在垂直组织的另一端，屋顶露台提供里斯本和塔霍河口的全景视野，为学生提供高于密集城市校园的沉思空间。动线系统将不同翼楼无缝连接，形成连续的环形路径，促进偶然相遇并强化社区感。 建筑组织为清晰的功能层次结构。底层容纳运营动态所需的集体和服务空间，通过视觉通透性连接街道与庭院。上层楼层容纳学生居住单元，围绕中央庭院布置以最大化自然光线和视觉联系。公共设施战略性地分布在动线交汇处，创造自然聚集点。通过精心的空间序列和材料选择，项目实现了高密度与生活品质、私密性与社区互动、建筑效率与人性化尺度之间的微妙平衡。 文图拉·特拉大学宿舍证明CVDB arquitectos作为思考型实践者的地位，能够将复杂的功能要求和场地限制转化为连贯的建筑愿景。它展示了如何通过创新的空间组织和动线策略，将高密度学生住房转化为培养社区和支持学术生活的积极环境。该项目为当代教育建筑树立了新标准，展现模块化设计、社区建构和空间效率可以和谐共存，创造既满足实用需求又提升日常生活体验的建筑。 设计团队： 总部位于里斯本的建筑事务所CVDB arquitectos由克里斯蒂娜·韦里西莫和迪奥戈·伯奈于1999年在葡萄牙里斯本创立。在创始合伙人克里斯蒂娜·韦里西莫和迪奥戈·伯奈的持续领导下，该工作室已确立了以设计驱动的实践定位，以其应对当代建筑挑战的多元化方法而著称。 工作室的业务涵盖多种类型学领域，从私人和公共委托到城市设计项目，涉及新建、建筑修复、历史建筑适应性再利用、室内建筑和临时装置等。这种广度展现了事务所在驾驭亲密尺度干预和大型基础设施项目复杂性方面的多功能性，始终保持注重实验和批判性探究的立场。 CVDB arquitectos将自身定位为研究导向型实践，每个委托项目都作为调查当代建筑生产方法的实验场域。工作室的专业理念核心在于理解建筑是更广泛的物理、社会和文化景观的组成部分，同时承认个体与建成环境和城市环境之间的体验与感知关系。该事务所通过奖项、学术出版物、展览参与和受邀讲座在国内和国际层面获得显著认可，确立了CVDB arquitectos在葡萄牙和国际建筑话语中具有批判性参与的声音地位。 设计团队 旅游探访 7100 m² 里斯本，葡萄牙 2024 Previous Next

< 返回 微风礼堂 是所设计 项目名称： 微风礼堂 地点： 虹口区，上海市，中国 设计团队： 是所设计 建筑面积： 680 m² 完工时间： 2024年 摄影师： 朱润资，吕晓斌，DONG建筑影像，撒尼夫，叶建源 设计特色： 项目 - 坐落于上海标志性的鲁迅公园内，由是所设计打造的微风礼堂成为现代建筑与自然和谐共生的典范之作。这座680平方米的礼堂，将公园一隅曾被遗忘的角落转化为一处光影流转的庄重空间，既服务于庄重仪式，又满足多样化的公共活动需求。 建筑最引人注目的特征是其羽翼般的钢结构框架，轻盈地悬浮于景观基座之上。建筑师在结构设计上达到了卓越的效率：仅用100x150毫米的纤细工字钢柱，就支撑起了长42米、宽15米、高12米的开敞空间。这一工程壮举通过精心设计的双层穿孔板屋顶系统得到升华，构筑出一个随天气变化而呈现不同氛围的环境过滤器。 项目的成功源于对两大关键挑战的巧妙应对：在有限预算和工期内实现高品质建造，同时打造具有地标性的精神建筑，并使其与周边环境和谐共处。解决方案体现在建筑的双重性格中——上部是高耸的仪式空间，下部则是与景观完美融合的地形基座，通过台阶、观景平台和水景等元素实现无缝衔接。 建筑的参观路线设计格外引人深思。访客需穿过古朴的条石台阶和竹林，循序渐进地感知建筑的存在，这一进程逐步将人们从城市的喧嚣中抽离。这段旅程最终到达戏剧性的主空间，为婚礼、展览等各类公共活动提供了一个理想的场所。 环境友好的理念贯穿整个设计。低矮的屋檐过滤了临近商业街的噪声，而建筑的形态则通过烟囱效应促进自然通风，即使在上海潮湿闷热的夏季也能营造出习习凉风。特意保持自然状态的水池已然成为本地野生动物的栖息地，使这座建筑意外地成为了城市生态系统的一部分。 投入使用的短短半年内，微风礼堂已然成为文化催化剂，举办了从花市到国际时装发布会等形式多样的活动，在社交媒体上累积超过3000万的阅读量。通过将庄重仪式感与人性化细节的巧妙结合，这个项目开创了公共建筑的新类型——既能承载城市生活中的重要时刻，又能服务于日常的静谧节奏。 团队 - 是所设计创立于2023年，总部设于上海，代表着中国当代建筑实践的新浪潮，在现象学敏感性与构造创新之间架起桥梁。由建筑师撒尼夫和长山共同创立的工作室，凭借其对材料性与空间叙事的细腻处理方式，迅速崛起为亚洲建筑领域的重要声音，获得了国际范围内的广泛认可。 事务所的设计理念植根于他们所定义的"真实构造学"——这一方法论强调建造逻辑的诚实表达，同时对场所精神保持深刻敬意。尽管成立时间尚短，其作品集却展现出跨越尺度的非凡多样性，从城市规划到室内细部，践行着"从城市到勺子"的现代主义整体设计理想。 在撒尼夫和长山的领导下，是所发展出独特的设计语言，将现象学体验与构造清晰性融为一体。他们的作品获得了包括Wallpaper*、Dezeen和ArchDaily等国际知名出版物的关注，确立了他们作为当代建筑话语中新兴力量的地位。 事务所对材料真实性和空间诗意的追求，在诸如微风礼堂（2024）等项目中得到充分体现，结构表现主义与沉思性的空间营造在其中完美融合。这种设计方法使是所跻身于中国新一代建筑师的前列，他们正在重新定义传统空间概念与当代建筑表达之间的关系。 Project Name: Breeze Auditorium Location: Hongkou District, Shanghai, China Design Team: SHISUO Design Office Building Area: 680 m² Completion: 2024 Photographers: Zhu Runzi, Lv Xiaobin, DONG Architecture Photography, Sa Nifu, Ye Jianyuan Feature： Project - Nestled within Shanghai's historic Lu Xun Park, the Breeze Auditorium by SHISUO Design emerges as a masterful synthesis of contemporary architecture and natural harmony. This 680-square-meter pavilion transforms a formerly forgotten corner of the park into a luminous sanctuary that serves both as a ceremonial space and a vital public amenity. The structure's most striking feature is its wing-like steel framework that appears to float above a landscaped base. The architects achieved remarkable structural efficiency using slender I-beam columns—measuring just 100x150mm—to support an impressive span of 42 meters in length, 15 meters in width, and 12 meters in height. This engineering feat is enhanced by a sophisticated double-layer perforated roof system that acts as an environmental filter, creating subtly different atmospheric conditions depending on the weather. The project's success lies in its response to two critical challenges: achieving high-quality construction within budget and time constraints, while creating a landmark spiritual architecture that harmonizes with its surroundings. The solution manifests in the building's dual nature—a soaring ceremonial space above and a topographic plinth below that seamlessly integrates with the landscape through a series of steps, viewing platforms, and water features. The careful choreography of approach is particularly noteworthy. Visitors traverse ancient stone steps and bamboo groves before encountering the hall's presence, creating a processional experience that gradually separates them from the urban bustle. This journey culminates in a dramatic main space that serves as a blank canvas for various public events, from weddings to exhibitions. Environmental sensitivity is evident throughout the design. The low eaves filter noise from nearby commercial streets, while the building's form facilitates natural ventilation through stack effect, creating a microclimate of gentle breezes even during Shanghai's humid summers. The water pool, deliberately left untreated, has become a sanctuary for local wildlife, transforming the structure into an unexpected urban ecosystem. In its first six months, Breeze Auditorium has already established itself as a cultural catalyst, hosting events ranging from flower markets to international fashion shows, accumulating over 30 million social media impressions. Through its thoughtful integration of ceremonial grandeur and human-scale details, the project represents a new typology of public architecture—one that celebrates both the extraordinary moments and the quiet daily rhythms of urban life. Design Team - SHISUO Design Office, established in 2023 in Shanghai, represents a new wave of contemporary Chinese architectural practice that bridges phenomenological sensitivity with tectonic innovation. Founded by architects Sa Nifu and Chang Shan, the studio has rapidly emerged as a significant voice in Asia's architectural landscape, gaining international recognition for their nuanced approach to materiality and spatial narrative. The firm's design philosophy is anchored in what they term "authentic tectonics" - a methodology that emphasizes the honest expression of construction logic while maintaining deep respect for genius loci. Their portfolio, though young, demonstrates remarkable versatility across scales, from urban planning to interior detailing, embracing the modernist ideal of total design "from city to spoon." Under the leadership of Sa Nifu and Chang Shan, SHISUO has developed a distinctive design language that synthesizes phenomenological experience with constructional clarity. Their work has garnered attention from prestigious international publications including Wallpaper*, Dezeen, and ArchDaily, establishing them as a emerging force in contemporary architectural discourse. The practice's commitment to material authenticity and spatial poetry is evident in projects like the Breeze Auditorium (2024), where structural expressionism meets contemplative space-making. This approach has positioned SHISUO at the forefront of a new generation of Chinese architects who are redefining the relationship between traditional spatial concepts and contemporary architectural expression. 设计团队 旅游探访 680 m² 上海，中国 2024 Previous Next

< 返回 马尼图瓦巴湖畔住宅 Daymark 项目名称: 马尼图瓦巴湖畔住宅 地点: 安大略省塞金，加拿大 设计团队: Daymark 建筑面积: 2610平方英尺 竣工时间: 2025年 摄影: Adrian Ozimek 设计特色: 对于一对育有三个孩子的年轻夫妇而言,在马尼图瓦巴湖畔建造度假屋不仅仅是寻找一处避世之所,更是延续家族故事的行为。这座新的居所将与父母在塞金的传统度假屋比邻而居,通过将两处地产合并为一,这个家庭创造出一个足以容纳传承与未来的场地。 当Daymark被引入项目时,设计挑战十分明确:如何创造一座拥抱场地缓坡的现代家庭度假屋,最大化湖景视野,并与林地环境自然融为一体。Daymark没有将建筑强加于土地之上,而是将场地本身作为设计的生成要素。 解决方案是一组低矮的阶梯式建筑体块组合,顺应坡度节奏横向延展于地形之上。覆以黑色木材的细长体量自信地坐落于水岸边缘,同时对背后的树木环境保持敏感。通过强调场地的渐变高差,Daymark将一处简单的坡地转化为度假屋的决定性特征。 在室内,平面布局既实用又富有诗意。公共空间,包括厨房、餐厅、客厅、办公室和主卧套房,均朝向壮观的湖景,将日常生活锚定于与水的联系之中。私密的卧室、浴室和功能区域则谨慎地嵌入景观,安静地面向森林。 作为Daymark设计语言的标志性特征,玻璃连廊连接各个体量,创造出一系列框取景致与自然光线的动态行进路线。穿行于度假屋之中成为一段旅程,湖景在每个转折处被揭示又重新揭示。 最终呈现的是一座为家庭生活而设计的现代湖畔度假屋,既富有趣味性又精致雅观,既大胆又平衡。最初的两块土地成为一处统一的居所,建筑、景观与家族传承在此汇聚。Daymark将一处渐变的坡地转化为建筑叙事,证明真正的设计创新并非源自压倒场地,而是来自对其内在力量的放大。 设计团队: Daymark设计公司成立于2016年,总部位于安大略省米德兰,已确立其作为杰出住宅建筑事务所的地位,专注于与加拿大景观和谐共生的当代设计。在创始主持建筑师阿德里安·沃顿的领导下,这位拥有20年经验的建筑师带领事务所培养了创造极简而精致空间的声誉,这些空间对其自然环境做出敏感回应。 Daymark的设计哲学以场地特定性解决方案为核心,将现代形式与传统建造技术相融合,运用自然材料创造体现深刻场所感的住宅。事务所从多样的加拿大景观中汲取灵感,从安大略北部的质朴地形到大西洋沿岸被风吹拂的海岸线,将地域特征转译为精致的建筑表达。阿德里安·沃顿的卓越作品集包括对获奖项目的贡献,如荣获总督建筑奖章的内森·菲利普斯广场,以及获得卓越奖的梅多斯社区中心。 事务所的综合服务涵盖新建建筑、大型翻新、小型建筑物以及最高四层的多单元住宅开发。Daymark的作品已在Dwell、Designlines和ArchDaily等权威出版物中获得认可。通过对细节的细致关注和与客户的协作参与,事务所提供定制化的建筑解决方案,在保持环境责任和永恒美学吸引力的同时提升居住者的福祉。 Daymark的核心理念是创造具有独特而持久品质的现代建筑,通过对建成环境产生净正面影响,为居住者生活和地方社区的丰富做出贡献。事务所相信通过对支撑理念的细节做出精确而细致的回应来实现这一目标。与共享价值观并愿意协作的个人和机构合作,帮助事务所实现独特而个性化的解决方案。 设计团队 旅游探访 2610 ft² 安大略省塞金，加拿大 2025 Previous Next

< 返回 国立露台 黑川智之建筑设计事务所 项目名称： 国立露台 地点： 东京都国立市，日本 设计团队： 黑川智之建筑设计事务所 建筑面积： 458.65 m² 完成时间： 2024年6月 摄影： 中山保寛 设计特色： 项目 - 在东京国立市历史悠久的住宅景观中，黑川智之建筑设计事务所打造了一个革命性的合作性住房项目，挑战了传统的多单元住宅设计。"国立露台"作为一个精妙的建筑作品，通过对花园类型的根本性重新想象，转变了共享生活空间的概念。 该项目坐落在以大正时代大面积土地划分为特征的地区，战略性地应对了该邻里环境日益减少的空间丰富性。与其建造另一个普通的公寓综合体，建筑师构想了一个生活系统，六个联排住宅单元通过动态的花园网络精巧地交织在一起。 设计最引人注目的创新在于其四种不同的花园类型：嵌入住宅之间的公共庭院、由建筑折叠外形创造的私人花园、高架的个人露台，以及提供不同隐私和互动层级的屋顶花园。这些空间不仅仅是美学上的点缀，而是活跃的生活环境，模糊了内部和外部、私密和集体之间的界限。 通过采用合作性住房模式，建筑师将潜在的限制转化为机遇。协作方法使居民能够主动参与设计和维护这些共享空间，创造了设计师所描述的"活的公共空间"——这与投机性住房开发有着根本的不同。 项目的建筑灵活性尤其值得注意。建筑师没有强加僵化的设计，而是建立了引导性原则，使花园和生活空间能够有机地演化。交叉跃层布局确保每个单元与周围环境都有独特的关系，使居民成为塑造生活景观的主动参与者。 最终，国立露台不仅仅是一个住宅项目。它是集体生活的大胆城市实验，展示了深思熟虑的建筑设计如何在当代东京再生和维持传统街区丰富的空间品质。 团队 - 黑川智之建筑设计事务所由黑川智之于2012年创立，是当代日本建筑设计的独特分支之一。黑川毕业于东京工业大学，曾在竹中工务店、赫尔佐格与德梅隆（Herzog & de Meuron）和隈研吾建筑都市设计事务所工作，积累了丰富的国际设计经验。 事务所以其在住宅、机构和公共空间设计方面的专业性而闻名，持续推动当代日本建筑话语的边界，提供能动态响应不断演变的城市景观和社会需求的复杂设计解决方案。黑川的设计哲学融合了结构创新与环境响应性，在多个建筑竞赛中屡获殊荣，包括优秀设计奖和建筑竞赛提名等。 Project Name: Kunitachi Terrace Location: Kunitachi, Tokyo, Japan Design Team: Tomoyuki Kurokawa Architects Total Floor Area: 458.65 m² Completion: June 2024 Photography: Yasuhiro Nakayama Design Feature: Project - Located in Kunitachi, Tokyo, the Kunitachi Terrace project represents a revolutionary cooperative housing concept meticulously designed by Tomoyuki Kurokawa Architects. Comprising six townhouse-style units, the project redefines collective living spaces through an innovative garden network. Situated in a historic residential district developed during the Taisho era, the project strategically addresses the diminishing spatial richness of the neighborhood. The architects envisioned a dynamic living system, intricately weaving residential units together through four distinct garden typologies: a communal courtyard surrounding the residences, private gardens created by the building's folded exterior, elevated personal terraces, and roof gardens offering graduated levels of privacy and interaction. These spaces are more than aesthetic additions—they are active living environments that blur the boundaries between interior and exterior, private and collective. By adopting a cooperative housing model, the architects transformed potential limitations into opportunities, enabling residents to actively participate in designing and maintaining shared spaces, creating what the designers describe as a "living common." The project's architectural flexibility is particularly noteworthy. Instead of imposing a rigid design, the architects established guiding principles allowing gardens and living spaces to evolve organically. Cross-mezzanine layouts ensure each unit has a unique relationship with its surrounding environment, making residents active participants in shaping their living landscape. Design Team - Founded in 2012 by Tomoyuki Kurokawa, the practice has emerged as a distinctive voice in contemporary Japanese architectural design. Kurokawa, a graduate of Tokyo Institute of Technology, brings extensive international design experience from prestigious practices including Takkenaka Corporation, Herzog & de Meuron, and Kengo Kuma's Urban Design Office. The firm is renowned for its expertise in residential, institutional, and public space design, continuously pushing the boundaries of contemporary Japanese architectural discourse. Kurokawa's design philosophy seamlessly integrates structural innovation with environmental responsiveness, earning multiple accolades in architectural competitions, including Good Design Awards and notable nominations. 设计团队 旅游探访 458.65 m² 东京都国立市，日本 2024 Previous Next

< 返回 十字交叉之家 察社办公室 项目名称：十字交叉之家 地点：北京，中国 设计团队：察社办公室 建筑面积：334 m² 竣工时间：2024年 摄影：朱雨蒙 设计特色： 项目 - 位于北京通州区的十字交叉之家是察社办公室对疫情后生活方式转变的回应，被设计为一个可以容纳三代人同时生活和工作的单层住宅。面对严格的建筑法规限制——住宅地块只允许建造单层结构，檐高不超过3米——设计团队将这些约束转化为创造性的机遇。 这座334平方米的住宅采用了创新的十字形布局，其各个翼部向不同方向延伸并在末端相连。为维持中央庭院的比例，侧翼被整合并从周边拉开，创造了后部的狭长次级庭院。同样，面向北方的主厅被向南移动，开辟了一个后院。每个翼部现在都享有双面自然采光，整个庭院受益于畅通无阻的视线。 结构上的独创性成为了一个显著特点——建筑框架向屋脊收缩，同时结构元素在剪力墙核心处汇聚，创造了建筑师所描述的"蘑菇状"支撑系统。这使得建筑周边不受结构约束，消解了室内外空间的界限。落地玻璃将生活空间与院落相连，创造出从"院落到房屋再到院落"的连续视线。尽管如此透明，设计通过将屋檐梁降至2.4米来保持私密性，使屋顶像保护性的帽檐一样向下延伸。这一解决方案在保持舒适的层高的同时，也创造了一种庇护感——无论是在阳光明媚还是大雨滂沱的日子，坐在窗边的人仿佛是栖息在蘑菇帽下的小生物，感到受保护和安心。 十字形的空间布局处理了多代同堂生活的需求，将私人空间设计在四个末端，提供了亲密性与分隔的平衡。祖父母、父母、孩子和客人各有隐私空间，而中心区域则自然成为家庭聚集和互动的公共区域。 十字交叉之家通过当代材料创造了一种既现代又根植于地域的建筑语言，展现了察社办公室对应对实际生活挑战而非追求抽象传统的设计理念。 团队 - 察社办公室由成直于2017年正式创立，其名称最初是作为平行于"基本联合工作室"的观察研究机构而设立的。每年承接约三个项目，长期保持小型工作室的规模，主要由成直一人主导，偶尔与年轻建筑师合作。 成直在2008年硕士毕业后，在都市实践北京办公室工作了六年，之后与大学同学创立了"基本联合工作室"，并在2017年转为独立设计机构。察社办公室的设计方法超越了常规的建筑实践，将设计视为多学科方法中的一个方面，包括研究、写作、纪录和理论探索。 工作室的设计特色在于对场地特定条件和隐藏空间秩序的回应，受到成直正在进行的研究项目如"无常几种"的影响——这是对城市中经久物随时间变化的考察。成直的设计方法将建筑与观察研究、阅读和写作平行进行，相互滋养，形成独特的设计视角。 察社办公室的项目展现了对法规约束、空间创新和环境敏感性的深思熟虑的调和，如北京通州区的十字交叉之家就是这种设计理念的典范。 Project Name: House of Cross Location: Beijing, China Design Team: Chaoffice Total Floor Area: 334 m² Completion: 2024 Photography: Zhu Yumeng Feature: Project - Located in Beijing's Tongzhou District, the House of Cross represents Chaoffice's response to post-pandemic lifestyle shifts, designed as a single-story residence that accommodates three generations living and working together. Facing strict building regulations—residential plots limited to single-story structures with eaves no higher than 3 meters—the design team transformed these constraints into creative opportunities. The 334-square-meter residence adopts an innovative cross-shaped layout with wings extending in different directions and joining at their ends. To maintain the proportions of the central courtyard, the side wings were consolidated and pulled away from the perimeter, creating a narrow secondary courtyard at the rear. Similarly, the north-facing main hall was shifted southward, opening up a backyard. Each wing now enjoys dual-sided natural light, while the entire courtyard benefits from uninterrupted sightlines. The building's structural framework ingeniously recedes toward the roof ridge, with structural elements converging at the shear wall cores to form a cross-shaped structural anchor. The house, much like a mushroom, is supported at its center while its eaves extend outward in all directions. Freeing the perimeter from structural constraints allows the façade to dissolve, merging interior and exterior spaces. The cross-shaped layout creates a view that moves from near to far—courtyard, house, courtyard again—revealing overlapping scenes of daily life. The connection between glass façade frames and eaves was carefully designed: the eaves beams were lowered to 2.4 meters, allowing the eaves to extend downward like the edge of a mushroom cap. This solution maintains a comfortable ceiling height while creating a sense of shelter—whether under bright sun or during heavy rain, those sitting by the window feel like small creatures nestled beneath a mushroom cap, protected and at ease. The cross-configuration spatial arrangement addresses the needs of multi-generational living, with private spaces positioned at the four terminal points, providing a balance of intimacy and separation. Grandparents, parents, children, and guests each have their private spaces, while the central areas naturally become public zones where the family gathers and interacts. House of Cross creates an architectural language that is both contemporary and rooted in place through the combination of materials like laminated eucalyptus plywood and bridge-cut-off aluminum alloy windows, demonstrating Chaoffice's design philosophy of addressing real-life challenges rather than pursuing abstract traditions. Design Team - Chaoffice was officially established by Cheng Zhi in 2017, initially named as an observation and research institution parallel to "OEU Studio." Taking on approximately three projects annually, it has maintained the scale of a small studio, primarily led by Cheng Zhi with occasional collaboration from junior architects. After obtaining his master's degree in 2008, Cheng Zhi worked at URBANUS Beijing for six years before founding "OEU Studio" with university classmates and transitioning to independent practice in 2017. Chaoffice's methodology transcends conventional architectural practice, positioning design as one facet of a multidisciplinary approach that includes research, writing, documentation, and theoretical exploration. The studio's work is characterized by its response to site-specific conditions and hidden spatial orders, informed by Cheng's ongoing research projects such as "Impermanence in Various Forms"—an investigation into enduring urban elements that transform over time, echoing Aldo Rossi's theories on urban permanences. Cheng's design approach places architecture in parallel with observational research, reading, and writing, which mutually nourish each other to form a unique design perspective. Chaoffice's projects demonstrate a thoughtful reconciliation of regulatory constraints, spatial innovation, and contextual sensitivity, as exemplified by the House of Cross in Beijing's Tongzhou District. 设计团队 旅游探访 334 m² 北京，中国 2024 Previous Next

< 返回 五月天咖啡厅 SPACE DOT 项目名称：五月天咖啡厅 地点：骊州 ， 韩国 设计团队：SPACE DOT 建筑面积：330 m² 竣工时间：2022年 摄影：SPACE DOT 设计特色： 项目 - SPACE DOT在韩国骊州太平里这个历史悠久的村庄中创建了一座静谧的咖啡厅，这里曾是学者们前往首都途中艰难旅程的歇脚之地。这座330平方米的五月天咖啡厅将这个具有文化意义的场所转化为城市居民寻求远离都市生活喘息的现代圣地。 该项目最独特的特色在于其对一棵名为"오월이"（意为"五月"）高大雪松的建筑回应。这棵雄伟的树木从单一主干向天空分叉成两臂，直接启发了咖啡厅的双建筑配置。建筑师将A栋定位为厨房和服务区域，而B栋则通过四面落地窗全景开放，提供山脊线的无遮挡视野。 SPACE DOT的设计理念围绕创造一个"拥抱天空的空间"，呼应雪松向上伸展的形态。建筑物战略性地位于村庄的最高点，最大化室内与景观的连接。戏剧性的入口序列沿着令人印象深刻的石墙展开，让人联想到传统韩式庄园建筑，在揭示咖啡厅宁静庭院之前营造期待感。 材料选择致敬了场地被破坏的地形——这是开发对山地地形造成创伤的后果。石材和木材饰面原产于原始景观，既是美学选择也是环境纪念。建筑两侧宁静的反射池捕捉不断变化的天空，而温暖木材与白色空间空隙的相互作用创造出深刻宁静的氛围。 这种文化记忆、自然灵感和当代酒店设计的整合，使五月天咖啡厅不仅仅是一个商业空间——它成为韩国传统旅行者歇脚点的现代诠释。 团队 - SPACE DOT成立于2021年，由李胜元（Seungwon Lee）和金京一（Kyung Il Kim）共同创立。该事务所专注于酒店和商业建筑设计，以其对空间基础主义的独特理解而闻名——认为建筑始于汇聚成线条、表面，最终形成连贯空间体验的单个点。 事务所的代表作品体现了其对语境响应式设计的承诺，在短短几年内获得了国际认可，包括2024年联合国教科文组织主办的凡尔赛建筑奖餐厅类别、2025年世界三大设计奖项之一的iF设计奖室内建筑类别，以及2024年全球餐厅与酒吧设计奖亚洲咖啡厅类别。 在李胜元和金京一的持续领导下，SPACE DOT已确立了其在韩国新兴建筑实践中的地位。该事务所的设计方法论超越了传统的美学考量，优先考虑感官和情感参与，同时保持功能性能。他们在适应性场地策略、材料真实性和生物亲和性设计整合方面展现出特殊的专业能力。 SPACE DOT的创作理念强调每个项目都应承载独特的品牌叙事，将场所的文化意义与当代功能需求相结合。他们相信空间是最贴近我们生活的艺术形式，因此致力于创造不仅在视觉上令人印象深刻，更能在感官和情感层面与使用者产生共鸣的建筑体验。五月天咖啡厅项目充分展现了他们将品牌概念转化为建筑体验的卓越能力。 Project Name: MAY DAY CAFE Location: Yeoju-si, South Korea Design Team: SPACE DOT Total Floor Area: 330 m² Completion: 2022 Photography: Courtesy of SPACE DOT Feature: Project - SPACE DOT transformed a site in the historic village of Taepyeong-ri, Yeoju into May Day Cafe. Completed in 2022, the project fully embodies the core philosophy of providing "complete rest" spaces for urban dwellers. Taepyeong-ri has historically been a place where scholars traveling to Hanyang for civil service examinations would pause to rest, named for its peaceful and harmonious energy. The design of May Day Cafe began with a clear concept: creating a space that could "embrace the sky." The architects were inspired by a towering cedar tree named "Owol-i" (May) at the center of the site, whose form—branching skyward from a single trunk into two arms—directly influenced the cafe's twin-building configuration. The architects positioned Building A to house the kitchen and staff areas, while Building B opens panoramically through floor-to-ceiling windows on all four sides, offering unobstructed views of the mountain ridgeline. The core highlight of the project is its sensitive response to the site's disrupted topography from development. To conceal the incongruous retaining walls created by construction, Building A was strategically arranged as a screen, while Building B, positioned at the village's highest point, maximizes connection with the natural landscape. The architects chose stone and wood as primary materials—elements once native to the land—as a gesture of homage to the nature lost to development. In terms of material selection, the architects deliberately chose elements that echo the site's original natural state. Stone and wood finishes serve not only as aesthetic choices but also as environmental memorials. Tranquil reflecting pools on either side of the building capture the ever-changing colors of the sky as they shift with wind, while a large window beneath the grand roof fully frames the sky and scenery of Taepyeong-ri, and lower side windows bring in natural light that transforms with the seasons. The lighting design emphasizes the seasonal variations of natural light, with the interplay of warm timber and overall white spatial voids creating a soothing and serene atmosphere. The central cedar "Owol-i" serves not only as the source of design inspiration but also becomes a key element symbolizing the cafe's identity—a space providing May-like warmth, comfort, and stability for rest. By combining cultural memory, natural inspiration, and contemporary architectural design, SPACE DOT created a modern sanctuary that transcends traditional commercial spaces, authentically expressing a contemporary interpretation of Korea's traditional rest stops, providing a place of tranquility and restoration for weary urban travelers. Design Team - SPACE DOT was established in 2021 by Seungwon Lee and Kyung Il Kim. The firm specializes in hospitality and commercial architecture design, known for its unique understanding of spatial fundamentalism—believing that architecture begins with individual points that aggregate into lines, surfaces, and ultimately cohesive spatial experiences. The firm's representative works demonstrate their commitment to contextually responsive design, gaining international recognition within just a few years, including the UNESCO Prix Versailles 2024 for Restaurants, the iF Design Award 2025 in Interior Architecture (one of the world's top three design awards), and the Restaurant & Bar Design Awards 2024 Asia-Café category. Under the continued leadership of Seungwon Lee and Kyung Il Kim, SPACE DOT has established its position among Korea's emerging architectural practices. The firm's design methodology transcends conventional aesthetic considerations, prioritizing sensory and emotional engagement while maintaining functional performance. They demonstrate particular expertise in adaptive site strategies, material authenticity, and biophilic design integration. SPACE DOT's creative philosophy emphasizes that each project should carry unique brand narratives, combining the cultural significance of place with contemporary functional requirements. They believe space is the art form closest to our lives, therefore committed to creating architectural experiences that not only impress visually but also resonate with users on sensory and emotional levels. The May Day Cafe project fully demonstrates their exceptional ability to transform brand concepts into architectural experiences. 设计团队 旅游探访 330 m² 骊州，韩国 2022 Previous Next

< 返回 东莞松山湖悦榕庄 gad 设计特色： 项目 – 位于东莞市松山湖畔的悦榕庄度假村，将岭南地区的建筑文化传统融入了气候应对型设计理念之中。这个由gad操刀的大型度假村，巧妙地将传统元素与现代风格相融合，打造了一处与周边环境和谐共存的宁静之所。度假村的总体布局汲取灵感自岭南传统村落的"一池两岸"格局，将酒店的公共区域和客房分别依湖而建于人工内湖的两侧。这种巧妙的空间规划不仅实现了功能分区，更使整个场地与水景相得益彰。设计中还延续了岭南建筑的特色元素，如敞厅、回廊和庭院等，但又通过现代手法对这些元素进行了重新诠释，实现了传统与当代风格的对话。可持续发展理念贯穿于整个工程，度假村采用了大量低碳节能的设计策略。包括回收利用本地青砖，以及采用当地红砂岩等材料，，在体现地域文化的同时，也降低了对环境的影响。东莞松山湖悦榕庄度假村全面展现了气候应对型设计、文化传承和可持续理念的完美融合。这个别具一格的度假村，向岭南地区丰富的建筑文化致以最崇高的敬意。 团队 – gad创立于1997年，总部坐落杭州，在上海、青岛、厦门和重庆设有分部，是国内领先的综合性建筑设计机构。gad一直秉承卓越设计和技术创新的理念，在行业内赫赫有名，业务范围遍及大规模城市规划、建筑设计以及精细的室内设计等。公司拥有跨领域的顶尖设计团队，为每个项目提供全方位的设计解决方案。gad不断探索创新设计方法和尖端技术，展现了对持续创新的执著追求。他们的项目作品类型多元，从商业和住宅开发到文化教育建筑，每一个作品都经过精雕细琢，实现了发展商的初衷，同时推动了设计水准的新高度。公司在设计中体现出对场地文化的深度理解，力求在建筑和环境之间营造和谐对话，创造出能为社区带来积极影响的优质建筑作品。凭借交付优质、具有前瞻性的设计方案的卓越能力，gad正在国内外书写着建筑设计的新篇章，稳固了其在行业内的领军地位。 Feature： Project - Nestled amidst the lush mountains and serene Songshan Lake in Dongguan, China, the Banyan Tree Resort pays homage to the architectural heritage of the Lingnan region through its climate-responsive design approach. Conceived by gad, the sprawling resort seamlessly blends traditional elements with modern sensibilities, creating a tranquil oasis that harmonizes with its surroundings. The resort's layout draws inspiration from the "one pond, two banks" concept of traditional Lingnan villages, with the hotel's public areas and guestrooms naturally segregated along an artificial inner lake. This ingenious planning not only optimizes functionality but also fosters a profound connection with the surrounding water scenery. Echoing the region's architectural DNA, the design incorporates quintessential Lingnan features such as open halls, covered walkways, and courtyards. However, these elements are reinterpreted through a contemporary lens, resulting in a dialogue between tradition and modernity. Sustainability takes center stage with the resort's low-carbon and energy-saving strategies. Recycled materials, including repurposed blue bricks and locally-sourced red sandstone, are skillfully integrated, celebrating the region's legacy while reducing environmental impact. The Banyan Tree Resort in Dongguan exemplifies a harmonious fusion of climateresponsive design principles, cultural preservation, and sustainable practices, offering a unique retreat that pays reverence to the rich architectural traditions of the Lingnan region. Design Team - Founded in 1997 and headquartered in Hangzhou, gad has branches in Shanghai, Qingdao, Xiamen, and Chongqing. It is a leading comprehensive architectural design firm in China. Upholding the principles of design excellence and technological innovation, gad has gained a prestigious reputation in the industry. Its business scope covers large-scale urban planning, architectural design, and meticulous interior design works. The firm boasts a multidisciplinary team of top-tier designers, providing comprehensive design solutions for every project. gad continuously explores innovative design methodologies and cutting-edge technologies, demonstrating an unwavering pursuit of sustained innovation. Their diverse portfolio encompasses commercial and residential developments, cultural and educational buildings, with each work meticulously crafted to realize the client's vision while elevating design standards. gad's designs manifest a profound understanding of local culture, aiming to foster a harmonious dialogue between architecture and the environment, creating highquality architectural works that positively impact the community. With an outstanding ability to deliver exceptional and forward-thinking design solutions, gad is writing a new chapter in architectural design both domestically and internationally, solidifying its position as an industry leader. 设计团队 旅游探访 52289 m² 中国，东莞 2023年 Previous Next

< 返回 罗密欧罗马酒店 扎哈·哈迪德建筑事务所 项目名称：罗密欧罗马酒店 设计团队：扎哈·哈迪德建筑事务所 项目地点：罗马，意大利 建筑类型：酒店改造 客房数量：74间 竣工时间：2024年 摄影师：Chris Dalton，Jacopo Spilimbergo 设计特色： 项目 – 扎哈·哈迪德建筑事务所将罗马一座16世纪的宫殿改造成豪华酒店，通过对传统罗马拱顶的重新诠释，在历史建筑与当代设计之间创造出引人注目的对话。罗密欧罗马酒店展现了该事务所标志性的流动美学，同时保留了这座建筑跨越五个世纪的历史元素。 在项目总监保拉·卡塔林的带领下，这项翻新工程从罗马建筑的层积性——不同历史时期的叠加——中汲取灵感，特别关注该城市的拱顶传统。建筑师将这一建筑元素作为概念基础，发展出一种当代诠释，从天花板设计延伸到家具，在整个空间中创造出连贯的设计语言。 这家拥有74间客房的酒店的特色在于每个空间都经过独特设计，摒弃了酒店建筑的典型模块化方法。相反，每个房间都呈现出独特的空间配置，响应宫殿不规则的几何结构。设计团队开发了一个精妙的"第二表皮"解决方案，在保护原有建筑的同时将现代设施整合到历史建筑中，在现有墙壁和新室内表面之间创造一个薄腔来容纳技术设施。 在这项需要230个不同建筑许可并涉及49家公司的翻新工程中，工人们发现了一个此前未知的古罗马工作坊，其特色是块菱形石砌面（opus reticulatum）——一种有2000年历史的砌筑方式。这一考古发现被保留下来，通过花园下方的90平方米展览厅融入酒店设计中，可以通过酒店游泳池的玻璃地板观赏。 该项目展示了历史保护与当代设计的巧妙融合，卡拉拉白色雕像用大理石、马卡萨黑檀木和黄铜等材料营造出丰富的层次感室内空间，呼应着建筑累积的历史，同时开启了其建筑演变的新篇章。 团队 – 扎哈·哈迪德建筑事务所（Zaha Hadid Architects, ZHA）由已故普利兹克奖得主扎哈·哈迪德于1979年创立，如今已发展成为世界上最具影响力的建筑事务所之一。目前，ZHA以员工福利信托（Employee Benefit Trust）的形式运营，由首席建筑师帕特里克·舒马赫（Patrik Schumacher）领导。总部位于伦敦克拉肯维尔，该事务所拥有约500名员工，持续推动参数化设计与计算建筑的界限。 ZHA以其独特的建筑语言而闻名，其特点是流线型几何和创新的空间概念。在公共、文化和商业领域，ZHA始终交付具有开创性的项目，其代表作品包括罗马的MAXXI国家21世纪艺术博物馆（2010年斯特林奖）、巴库的海达尔·阿利耶夫文化中心，以及北京大兴国际机场航站楼。 自2016年舒马赫接任领导以来，事务所在技术能力上实现了显著扩展，特别是成立了专注于人工智能驱动设计方法的部门——ZHAI（Zaha Hadid Analytics + Insights）。事务所的当代作品继续展现其对研究导向建筑、可持续创新以及复杂几何优化的承诺，同时保持了其在城市融合与场地响应方面的标志性方法。最近完成的项目如阿联酋BEEAH总部，展示了ZHA在结合参数化设计与环保意识方面日益成熟的专业水平。 Project Name: Hotel Romeo Roma Design Team: Zaha Hadid Architects (ZHA) Location: Rome, Italy Building Type: Hotel Renovation Number of Rooms: 74 Completion: 2024 Photographer：Chris Dalton，Jacopo Spilimbergo Feature： Project - Zaha Hadid Architects has transformed a 16th-century palazzo in Rome into a luxury hotel, creating a striking dialogue between historical architecture and contemporary design through a reinterpretation of traditional Roman vaults. The Hotel Romeo Roma, located on Via di Ripetta near Piazza del Popolo, showcases the firm's signature fluid aesthetics while preserving the building's historical elements spanning five centuries. Led by project director Paola Cattarin, the renovation project takes inspiration from Rome's architectural palimpsest - the layering of different historical periods - with a particular focus on the city's tradition of vaulted ceilings. The architects used this architectural element as a conceptual foundation, developing a contemporary interpretation that extends from the ceiling designs to the furniture, creating a cohesive design language throughout the space. The 74-room hotel features individually designed spaces that reject the typical modular approach of hotel architecture. Instead, each room presents its own unique spatial configuration, responding to the palazzo's irregular geometry. The design team developed a sophisticated "second skin" solution to integrate modern amenities within the historical structure, creating a thin cavity between the existing walls and new interior surfaces to house technical services while preserving the original architecture. During the renovation, which required 230 different building permissions and involved 49 companies, workers discovered a previously unknown Roman workshop featuring opus reticulatum - a 2,000-year-old diamond-shaped stone facing. This archaeological finding has been preserved and incorporated into the hotel design through a 90-square-meter gallery beneath the garden, visible through the glass floor of the hotel's swimming pool. The project demonstrates a masterful blend of historical preservation and contemporary design, where materials such as Carrara Statuarietto marble, Makassar ebony, and brass create rich, layered interiors that echo the building's accumulated history while establishing a new chapter in its architectural evolution. Design Team - Zaha Hadid Architects (ZHA), established in 1979 by the late Pritzker Prize laureate Zaha Hadid, has evolved into one of the world's most influential architectural practices, now operating as an Employee Benefit Trust under the leadership of Principal Patrik Schumacher. With headquarters in Clerkenwell, London, the 500-strong firm continues to push the boundaries of parametric design and computational architecture. Known for their distinctive architectural language characterized by fluid geometries and innovative spatial concepts, ZHA has consistently delivered groundbreaking projects across civic, cultural, and commercial sectors. Their portfolio includes iconic works such as the MAXXI Museum in Rome (Stirling Prize 2010), the Heydar Aliyev Center in Baku, and the Beijing Daxing International Airport terminal. Under Schumacher's direction since 2016, the practice has expanded its technological capabilities, notably establishing ZHAI (Zaha Hadid Analytics + Insights), a dedicated unit exploring AI-driven design methodologies. The firm's contemporary work continues to exemplify their commitment to research-driven architecture, sustainable innovation, and complex geometry optimization, while maintaining the practice's signature approach to urban integration and contextual response. Recent projects like the BEEAH Headquarters in UAE showcase their evolving expertise in combining parametric design with environmental consciousness. 设计团队 旅游探访 74间 罗马，意大利 2024 Previous Next

< 返回 回音山度假屋 Tomecek Studio Architecture 项目名称：Echo Mountain Retreat 地点：丹佛，美国 设计团队：Tomecek Studio Architecture 建筑面积：2800 ft² 竣工时间：2023年 摄影：Parrish Ruiz de Velasco 设计特色： Tomecek Studio Architecture在距丹佛约45分钟车程的回音山（Echo Mountain）峰顶附近，于20英亩森林用地上打造了一座突破性的山地静修住宅，重新定义了当代山地住宅设计。这个项目证明了建筑如何在体现"森林浴"(shinrin-yoku)哲学的同时，为数字化时代的生活开创可持续和谐的先河。 建筑最引人注目的特色是其独特的分散式规划语言，灵感来源于日本森林浴疗法与美国山地建筑传统的融合。这种有机整合创造出流动的功能空间边界，各种建筑功能分散布置在场地各处，体现了建筑与自然环境的"无缝对话"理念：代表和谐与真实生活。分散式规划将传统住宅集中化格局转化为动态的生活场所，让居住者能够聚集、放松并与森林环境建立深层联系。 Tomecek Studio Architecture在这座2800平方英尺的住宅中巧妙融入了森林浴设计原则。粗粝质感和诚实材料创造出真实的建筑表达，而150英尺垂直岩石构造不仅将自然声景融入日常生活，还帮助建筑与山地环境和谐统一。战略性定位的建筑体量设计增强了南向景观效果，强化了该住宅对地形响应性设计的承诺。 项目的数字排毒理念同样令人印象深刻，通过无屏幕时间、优化自然接触和全面的感官沉浸策略实现宁静的居住环境。最大化的森林接触消除了都市生活压力需求，而分散式功能布局超越了传统山地住宅的集中效果。最值得注意的是，这座建筑的适应性设计在建筑学上十分精妙，以至于它不仅是居住空间，更是一个关于时间、自然与人类生活和谐共存的诗意表达。 设计团队 - 由Brad Tomecek创立于2013年，Tomecek Studio Architecture已发展成为一家屡获殊荣的建筑设计咨询机构，总部位于美国科罗拉多州丹佛市，致力于通过创意、协作和关怀创造富有生命力的建筑空间。在创始人兼首席建筑师Brad Tomecek的领导下，该事务所已在住宅建筑设计领域建立了提供创新、可持续且符合场地响应建筑的声誉。 该事务所的设计理念围绕建筑的变革力量展开，从美国山地特色中汲取灵感，同时应对当代都市生活方式挑战。Tomecek Studio Architecture的综合方法整合了多学科协作、先进设计工具和严格的可持续性原则，以打造超越客户期望并丰富其居住环境的空间。 该事务所经验丰富的专业团队：包括创始人兼首席建筑师Brad Tomecek（持有佛罗里达大学设计学士和建筑学硕士学位）、项目经理Alexander Bender（持有科罗拉多大学丹佛分校理学学士和建筑学硕士学位，专注于空间感知和人与自然环境关系研究）、首席财务官Christa Offenhauser Tomecek（范德堡大学数学与法语双学位）—— 汇集了涵盖住宅、机构和商业项目的集体专业知识。他们的协作方法确保从概念设计到施工管理的无缝项目交付。 Tomecek Studio Architecture对设计卓越的承诺通过其多元化的项目组合得到证明，展现了各个尺度的建筑创新。通过平衡美学精致性与功能性能和环境管理，该事务所创造持久的建筑解决方案，连接人与场所，并在尊重美国山地设计传统的同时预见未来需求。 设计团队 旅游探访 2800 ft² 丹佛，美国 2023 Previous Next

< 返回 波士顿大学计算与数据科学中心 KPMB Architects 项目名称：波士顿大学计算与数据科学中心 设计团队：KPMB Architects 面积：32052 m² 地点：Boston, Massachusetts, USA 设计特色： 项目 – KPMB建筑事务所为波士顿大学打造了一座令人瞩目的地标建筑，重新定义了高等教育领域的可持续设计理念。这座名为计算机与数据科学中心的19层“垂直校园”建筑巍然矗立在查尔斯河畔，其俏皮的堆叠式体量彻底改变了城市的天际线。 这座前卫建筑面积达到32052 平米 ，是波士顿最大的零运营排放建筑。其可持续发展成就令人赞叹：地热系统提供供暖和制冷，高性能外围护结构配备外部遮阳装置，最大限度地减少能源消耗。该建筑瞄准LEED白金认证，与波士顿大学2040年碳中和的宏伟目标相呼应。 中心最引人注目的特征是其充满活力的外立面形态，常被比喻为"书籍堆叠"或"JENGA "游戏。通透的四层裙楼犹如城市门廊，增进了校园、河流和城市之间的联系。内部设计以中央中庭和层层递进的楼梯贯穿各个楼层，鼓励3000名来自数学、统计学和计算机科学系的师生之间的交流。 以人为本的设计理念在这里得到充分体现，屋顶花园和露台提供宽阔的城市景观，让使用者与自然亲密接触。室内空间优先考虑协作和创新，彰显了大学在计算机和数据科学领域的领导地位。 KPMB的这一杰作堪称环境与社会可持续性的典范，为学术建筑树立了新标准，既引人注目又责任深重。 团队 – KPMB建筑事务所成立于1987年，总部位于加拿大多伦多，三十多年来已成为可持续和社会责任设计领域的先锋，彻底重塑了建筑景观。这家享誉国际的加拿大事务所由创始合伙人Bruce Kuwabara, Marianne McKenna,以及 Shirley Blumberg领导，斩获超过400项声望卓著的奖项，其中包括18项总督勋章。 KPMB的设计作品组合跨越3100万平方英尺，涵盖从教育机构到文化地标等多个领域。他们创新的建筑挑战解决方案在诸如波士顿大学计算机与数据科学中心等项目中得到充分体现，这座无化石燃料的垂直校园重新定义了可持续学术建筑。 2021年，KPMB扩大了领导团队，迎来七位新合伙人，推动公司愿景向前发展。事务所采用全方位的方法论，涵盖建筑设计、室内建筑、总体规划和可持续策略，应对气候危机和原住民和解等当代议题。 2015年成立的KPMB实验室进一步巩固了公司在建筑创新方面突破界限的承诺。KPMB拥有130多名专业人士的团队，继续打造能够催化积极变革的设计方案，将不妥协的严谨与对不断演变的全球需求的深刻理解相结合。 Project：Boston University Center for Computing & Data Sciences Team：KPMB Architects Size：32052 m² Location：Boston, Massachusetts, USA Feature： Project - KPMB Architects has unveiled a striking landmark for Boston University that redefines sustainable design in higher education. The Center for Computing & Data Sciences, a 19-storey vertical campus, rises boldly along the Charles River, transforming the city's skyline with its playful, stacked volumes. Spanning 345,000 square feet, this avant-garde structure is Boston's largest operational fossil fuel-free building. Its sustainability credentials are impressive: a geothermal system provides heating and cooling, while a high-performance envelope with external shading devices minimizes energy consumption. The building targets LEED Platinum certification and aligns with Boston University's ambitious 2040 carbon neutrality goal. The center's most distinctive feature is its dynamic form, often likened to a "stack of books" or a game of "Jenga". A transparent four-storey podium acts as an urban porch, fostering connectivity between the campus, river, and city. Inside, a central atrium and cascading staircase weave through the floors, encouraging serendipitous encounters among the 3,000 students and faculty from mathematics, statistics, and computer science departments. Human-centered design takes center stage, with green roofs and terraces offering expansive city views and connecting occupants to nature. The interior spaces prioritize collaboration and innovation, reflecting the university's commitment to leadership in computing and data sciences. KPMB's creation stands as a beacon of environmental and social sustainability, setting a new standard for academic architecture that is both remarkable and responsible. Design Team - Founded in 1987, KPMB Architects has emerged as a vanguard in sustainable and socially responsible design, reshaping the architectural landscape for over three decades. This internationally acclaimed Canadian practice, led by founding partners Bruce Kuwabara, Marianne McKenna, and Shirley Blumberg, has garnered over 400 prestigious accolades, including 18 Governor General's Medals. KPMB's portfolio spans 31 million square feet across diverse sectors, from educational institutions to cultural landmarks. Their innovative approach to architectural challenges is evident in projects like the Boston University Center for Computing & Data Sciences, a fossil fuel-free vertical campus that redefines sustainable academic architecture. In 2021, KPMB expanded its leadership, welcoming seven new partners to drive the firm's vision forward. The practice's holistic methodology encompasses building design, interior architecture, master planning, and sustainable strategies, addressing contemporary issues such as climate crisis and Indigenous reconciliation. The establishment of KPMB Lab in 2015 further solidifies the firm's commitment to pushing boundaries in architectural innovation. With a team of over 130 professionals, KPMB continues to craft design solutions that catalyze positive change, blending uncompromising rigor with a deep understanding of evolving global needs. 设计团队 旅游探访 32052 m² Boston, Massachusetts, USA 2022 Previous Next

异规设计工作室自创立以来，迅速崛起为深圳乃至全国建筑与空间设计界的先锋力量。这个由一群年轻有为、富有前瞻性的设计师领军的工作室，凭借其非常规的创意问题解决方式，在业界开辟了独树一帜的风格。 Founded in Shenzhen, Informal Design has rapidly emerged as a vanguard in architectural and spatial design since its inception. This dynamic studio, led by a team of young, forward-thinking designers, has carved out a distinctive niche in the industry with its unconventional approach to creative problem-solving. < Back Informal Design 中国（CHINA） 异规设计工作室自创立以来，迅速崛起为深圳乃至全国建筑与空间设计界的先锋力量。这个由一群年轻有为、富有前瞻性的设计师领军的工作室，凭借其非常规的创意问题解决方式，在业界开辟了独树一帜的风格。 异规设计的理念植根于混沌与秩序之间的互动，他们拥抱创意过程中的不可预测性。他们的项目以大胆的元素并置见长，挑战传统的空间层级，不断推进当代设计语言的边界。 工作室的作品集涵盖了广泛的项目，从工业空间的改造再利用，到创新的零售环境设计，再到量身定制的住宅室内设计。他们的作品以对材质的敏锐洞察、对体验式设计的重视以及对可持续性的承诺而著称。 异规设计的实力已通过多项享有盛誉的奖项得到认可，包括多次斩获MUSE设计大奖、iF设计大奖和ADC年度大奖。这些荣誉凸显了该公司在全球设计界日益增长的影响力。 秉持着促进跨学科对话的协作精神，异规设计持续挑战传统，创造出不仅视觉上引人注目，而且深度响应用户需求和场地特性的空间。他们的方法代表了建筑实践的新范式，一种拥抱流动性、实验性和设计变革力量的范式。 Founded in Shenzhen, Informal Design has rapidly emerged as a vanguard in architectural and spatial design since its inception. This dynamic studio, led by a team of young, forward-thinking designers, has carved out a distinctive niche in the industry with its unconventional approach to creative problem-solving. Informal Design's philosophy is rooted in the interplay between chaos and order, embracing the unpredictable nature of creativity. Their projects are characterized by a bold juxtaposition of elements, challenging traditional spatial hierarchies and pushing the boundaries of contemporary design language. The studio's portfolio showcases a diverse range of projects, from adaptive reuse of industrial spaces to innovative retail environments and bespoke residential interiors. Their work is distinguished by a keen attention to materiality, an emphasis on experiential design, and a commitment to sustainability. Informal Design's prowess has been recognized through numerous prestigious accolades, including multiple MUSE Design Awards, the iF Design Award, and the ADC Annual Award. These honors underscore the firm's growing influence in the global design community. With a collaborative ethos that fosters interdisciplinary dialogue, Informal Design continues to challenge conventions, creating spaces that are not just visually striking, but also deeply responsive to the needs of users and the nuances of site context. Their approach represents a new paradigm in architectural practice, one that embraces fluidity, experimentation, and the transformative power of design. WEBSITE PROJECT

< 返回 六泉湖儿童乐园 HID翰地景观 项目名称： 六泉湖儿童乐园 地点：湖北省宜昌市，中国 设计团队： HID翰地景观 项目面积： 15000 m² 竣工时间： 2024年 摄影： IMA 设计特色： 项目 - HID翰地景观在中国宜昌揭幕了一座令人惊叹的六泉湖儿童乐园。这个位于六泉湖公园内的15000平方米项目，巧妙地将景观建筑与趣味创新融为一体，彻底革新了儿童游憩空间的概念。 项目最引人注目的特色是其水滴形的山麓环形设计，较场地最低点高出四米。这一建筑干预创造了一个立体的探索空间，突破了传统游乐场的布局限制。这个环形结构有效地连接了自然山脊、人工地形和游乐区域，成功模糊了结构化游戏空间与有机景观之间的界限。 设计团队从本土神话汲取灵感，将"猇"神兽的形象转化为一座标志性滑梯，既是景观地标，又是功能性游乐设施。这个核心装置完美展现了项目将文化叙事与现代游乐场设计相融合的成功之处。 游乐场的地形经过精心设计，打造出一个看似从周围山麓自然延伸而来的动态景观。翰地景观设计团队通过运用变化的高程、策略性视线规划以及硬软表面的和谐结合来实现这一效果，创造出一个既显设计感又具自然生长质感的空间。 场地内整合了十六种不同类型的游乐设施，为游客提供前所未有的多样化休闲选择。设计摒弃了传统游乐场的等级划分，转而营造出更为流畅、相互连接的空间，鼓励探索性游戏和创造性互动。 这个项目展示了当代景观建筑如何创造多功能空间：保护自然地形、传承文化遗产，同时为不同年龄段的访客提供创新的游乐体验。它代表了游乐场设计的新范式，其中景观本身成为游戏体验的重要组成部分。 团队 – HID翰地景观成立于2015年苏州工业园区，迅速发展成为中国最具创新性的景观设计事务所之一，将东方哲学原则与当代设计方法融为一体。在吴昊和张璐两位创始人的领导下，该事务所发展出一种超越传统学科界限的独特空间构成方法。 事务所的设计理念植根于他们所称的"现代生活空间逻辑"，这一框架将场地特定的环境条件与文化叙事相结合。这种方法在他们遍布中国的公共领域、文化景观和城市干预项目作品集中得到充分体现。 HID的严谨设计过程强调三个关键要素：全面的场地分析、反复的设计发展和严密的施工监督。他们对景观建筑的综合方法涵盖了从初始概念研究到详细实施的所有环节，确保各个尺度的设计完整性。 该事务所对环境管理的承诺体现在其可持续设计策略中，优先考虑本土物种选择、水敏性城市设计和现有场地元素的适应性再利用。目前总部位于苏州充满活力的设计区，HID的45名专业人员团队在深深植根于中国文化背景的同时，继续推动当代景观建筑的边界。 Project Name: Liuquan Lake Children's Paradise Location: Yichang, China Design Team: HID Landscape Architecture Project Area: 15,000 m² Completion: 2024 Photography: IMA Feature： Project - HID Landscape Architecture has unveiled a mesmerizing children's paradise in Yichang, China, that seamlessly merges landscape architecture with playful innovation. The 15,000-square-meter project, nestled within Liuquan Lake Park, revolutionizes the concept of children's recreational spaces by transforming natural topography into an adventurous playground. The project's most striking feature is its water drop-shaped foothill ring, elevated four meters above the site's lowest point. This architectural intervention creates a three-dimensional exploration space that challenges traditional playground layouts. The ring serves as a connecting thread between natural ridges, artificial elevations, and play areas, effectively blurring the boundaries between structured play and organic landscape. Drawing inspiration from local mythology, the designers incorporated a sculptural slide in the form of 'Yu Xiao', a mythical beast, which serves as both a landmark and a functional play element. This centerpiece exemplifies the project's successful fusion of cultural storytelling with contemporary playground design. The playground's terrain has been thoughtfully manipulated to create a dynamic landscape that appears to have emerged naturally from the surrounding foothills. The design team achieved this by implementing varying elevations, strategic sight lines, and a harmonious blend of hard and soft surfaces. This approach results in a space that feels both designed and organically grown. With sixteen distinct types of play equipment integrated throughout the site, the paradise offers an unprecedented variety of recreational opportunities. The design eschews traditional playground hierarchies in favor of a more fluid, interconnected space that encourages exploratory play and creative engagement. The project stands as a testament to how contemporary landscape architecture can create spaces that serve multiple purposes: preserving natural topography, celebrating cultural heritage, and providing innovative play opportunities for visitors of all ages. It represents a new paradigm in playground design where the landscape itself becomes an integral part of the play experience. Design Team - HID Landscape Architecture, established in Suzhou Industrial Park in 2015, has rapidly emerged as one of China's most innovative landscape design practices, synthesizing Eastern philosophical principles with contemporary design methodologies. Under the leadership of principals Wu Hao and Zhang Lu, the firm has developed a distinctive approach to spatial composition that transcends traditional disciplinary boundaries. The practice's design philosophy is anchored in what they term "spatial logic of modern life," a framework that integrates site-specific environmental conditions with cultural narratives. This methodology has been evident in their portfolio of works spanning public realms, cultural landscapes, and urban interventions across China. HID's rigorous design process emphasizes three key components: comprehensive site analysis, iterative design development, and meticulous construction oversight. Their integrated approach to landscape architecture encompasses everything from initial conceptual studies through to detailed implementation, ensuring design integrity at every scale. The firm's commitment to environmental stewardship is reflected in their sustainable design strategies, which prioritize native species selection, water-sensitive urban design, and adaptive reuse of existing site elements. Currently headquartered in Suzhou's vibrant design district, HID's team of 45 professionals continues to push the boundaries of contemporary landscape architecture while remaining deeply rooted in Chinese cultural context. 设计团队 旅游探访 15000 m² 湖北省宜昌市，中国 2024 Previous Next

< 返回 博福特住宅塔楼 Orange Architects 项目名称： Beaufort Residential Tower 地点： 泽斯特，荷兰 设计团队： Orange Architects 项目面积： 4400 m² 竣工时间： 2024年 摄影： Sebastian van Damme 设计特色： 项目 – 荷兰Orange建筑事务所在荷兰泽斯特完成了博福特住宅塔楼项目，这座雕塑般的建筑在森林树冠中螺旋而上。这座10层高的建筑以叠加的体量构成独特的构图，每层旋转90度，创造出突出的阳台与凹进的户外空间之间富有动感的互动。 位于克尔克博施社区边缘的这座塔楼包含19套豪华公寓，作为该地区的地标性门户建筑。设计直接汲取周围林地的灵感，将"沙地"、"树干"和"树叶"三个自然元素作为主要主题，体现在建筑形态和材料选择上。 该建筑最显著的特征是其精心设计的L形公寓布局，每层的公寓呈镜像排列，并相对于下层旋转。这种几何布局形成了一系列宽敞的"户外空间"，模糊了室内外的界限，让居住者能够沉浸在周围的森林景观之中。 可持续发展和亲生物设计原则贯穿整个项目。建筑立面结合了可持续的Fraké木材外饰面和可拆卸的GRC面板，同时采用地热热泵系统和屋顶太阳能板，使建筑达到近零能耗建筑（NZEB）标准。半地下停车场巧妙地隐藏在本地植被景观之下，采用草皮生态砌块和原木挡土墙等设计，使建筑自然地融入周围环境。 这座塔楼的理性结构网格与其雕塑般的外观形成对比，中央核心筒和周边立柱支撑着旋转的楼板。全景窗和无障碍空间设计确保了建筑的可达性，并最大限度地提供森林景观视野，正如Orange建筑事务所所描述的，创造出一系列垂直叠加至天际的"森林别墅"。 团队 – Orange建筑事务所成立于2010年，总部位于鹿特丹，在当代建筑领域已确立了其领军地位，不断为复杂的空间挑战提供创新解决方案。在Patrick Meijers和Jeroen Schipper的带领下，事务所形成了独特的设计方法，将概念严谨性与场地敏感度融为一体。 事务所的项目类型涵盖多个尺度，从城市规划到定制室内设计，特别强调可持续设计原则，这体现在他们的"World | We | Value"（世界|人|价值）框架中。这种整体性方法从项目构思到完工的各个阶段，都融入了环境管理、社会动力和持久价值创造。 他们最近完成的博福特住宅塔楼（Beaufort Residential Tower）是该事务所设计理念的典范。这个4400平方米的项目展现了他们在计算设计和可持续创新方面的专业水平，其精妙的旋转楼板系统创造出动态的建筑形态，同时最大化了视野和自然采光。 Orange建筑事务所驻扎在鹿特丹市中心，现已发展成为一个拥有11-50名专业人士的团队，营造了一个将国际专业知识与本土认知相结合的协作环境。他们的作品以严谨的构造学、材料运用和社会影响力著称，在推动建筑创新的同时，始终保持着扎实的实用性解决方案和以用户为中心的设计原则。 Project Name: Beaufort Residential Tower Location: Zeist, The Netherlands Design Team: Orange Architects Lead Architects: Jeroen Schipper, Julija Osipenko, Rik Meijer Project Area: 4,400 m² Completion Year: 2024 Photography: Sebastian van Damme Collaborators: Urban Planning: wUrck Client: Slokker Vastgoed BV, NCB-Projectrealisatie Construction: Slokker Bouwgroep Feature： Project - Orange Architects has completed Beaufort, a sculptural residential tower in Zeist, Netherlands, that appears to twist as it rises through the forest canopy. The 10-story building features a striking composition of stacked volumes that rotate 90 degrees on each floor, creating a dynamic interplay of protruding balconies and recessed outdoor spaces. Located on the edge of Kerckebosch neighborhood, the tower houses 19 luxury apartments and serves as a landmark gateway to the area. The design draws direct inspiration from its woodland setting, incorporating three natural elements – sand, tree trunk, and leaf – as primary themes that manifest in both form and materiality. The building's most distinctive feature is its orchestrated arrangement of L-shaped apartments, which are mirrored on each floor and rotate relative to the level below. This geometric play results in a series of generous "outdoor rooms" that blur the boundary between interior and exterior spaces, allowing residents to feel immersed in the surrounding forest landscape. Sustainability and biophilic design principles are woven throughout the project. The facade combines sustainable Fraké wood cladding with demountable GRC panels, while a geothermal heat pump system and rooftop solar panels help the building achieve NZEB (Nearly Zero Energy Building) standards. The semi-underground parking garage is ingeniously concealed beneath a landscape of local vegetation, with features like turf bio-blocks and tree trunk retaining walls seamlessly integrating the structure into its natural context. The tower's rational structural grid belies its sculptural appearance, with a central core and perimeter columns supporting the rotating floor plates. Panoramic windows and threshold-free spaces ensure accessibility and maximize views of the forest setting, creating what Orange Architects describes as a collection of "forest villas" that stack vertically into the sky. Design Team - Founded in 2010 in Rotterdam, Orange Architects has established itself as a leading force in contemporary architecture, consistently delivering innovative solutions to complex spatial challenges. Under the leadership of Patrick Meijers and Jeroen Schipper, the practice has cultivated a distinctive approach that merges conceptual rigor with contextual sensitivity. The firm's portfolio spans multiple scales and typologies, from urban planning to bespoke interiors, with a particular emphasis on sustainable design principles encapsulated in their "World | We | Value" framework. This holistic approach integrates environmental stewardship, social dynamics, and enduring value creation into every project from inception to completion. Their recently completed Beaufort Residential Tower exemplifies the practice's design philosophy. The 4,400-square-meter development demonstrates their mastery of computational design and sustainable innovation, featuring a sophisticated rotating floor plate system that creates a dynamic architectural form while maximizing views and natural light. Operating from their headquarters in Rotterdam's city center, Orange Architects has grown to a team of 11-50 professionals, fostering a collaborative environment that combines international expertise with local knowledge. Their work is characterized by a rigorous attention to tectonics, materiality, and social impact, consistently pushing the boundaries of architectural innovation while remaining grounded in practical solutions and user-centered design principles. 设计团队 旅游探访 4400 m² 泽斯特，荷兰 2024 Previous Next