< 返回 麓湖CPI岛 几里建筑 设计特色： 坐落于成都麓湖生态城核心地带的麓湖CPI岛项目，由几里建筑操刀设计，堪称城市更新的一次突破性尝试，巧妙地将建筑创新与成都悠闲的城市气质融为一体。这个面积7000平方米的项目，将一群过去的别墅样板间蝶变成为充满活力的商业社交中心，重新定义了滨水生活与城市动态之间的关系。 几里建筑的设计理念受到日本哲学家鹫田清一"平热"（日常温度）和"淡景"（幽隐风景）概念的启发，巧妙地捕捉了成都闻名遐迩的轻松氛围。项目的设计哲学核心在于打造能够体现城市"巴适"生活方式的空间。 建筑师巧妙地改造了十栋既有建筑，同时引入十栋新建筑，塑造出一个和谐的整体，既尊重场地原有的空间关系，又注入了新的生命力。项目的一大亮点是对微地形的巧妙利用，创造出一系列台地和错层空间，既保证了私密性，又提供了引人入胜的景观视野。 项目的独特设计元素包括模糊了建筑与自然界限的宽敞灰空间、散发亲和力的简约立体主义形式，以及统一多样材料的协调色彩方案。六个各具特色的功能组团，每个都以富有吸引力的广场为核心，构建出一个鼓励探索和社交互动的互联空间网络。这一深思熟虑的城市干预不仅让一座被遗忘的岛屿重获新生，更彰显了成都不断演进的城市特质——一个传统与创新和谐共存的地方。 In the heart of Chengdu's Luhu Eco-City, the Luhu CPI Island project by JILI Architecture emerges as a groundbreaking urban renewal initiative, seamlessly blending architectural innovation with the city's laid-back ethos. This 7,000-square-meter development transforms a cluster of abandoned villa showrooms into a vibrant commercial and social hub, redefining the relationship between waterfront living and urban dynamics. JILI Architecture's approach, inspired by Japanese philosopher Kiyokazu Washida's concepts of "heinessei" (everyday warmth) and "tanke" (subtle scenery), masterfully captures Chengdu's renowned relaxed atmosphere. The project's design philosophy centers on creating spaces that embody the city's quintessential "comfortable" lifestyle, locally known as "bashi." The architects have ingeniously repurposed ten existing structures and introduced ten new buildings, crafting a harmonious ensemble that respects the site's original spatial relationships while infusing new life. A standout feature is the clever manipulation of micro-topography, resulting in a series of terraces and split-level spaces offering privacy and captivating views. The project's unique design elements include expansive grey spaces that blur the lines between architecture and nature, simplified cubist forms that exude approachability, and a cohesive color palette that unifies diverse materials. Six distinct functional clusters, each anchored by inviting plazas, create a network of interconnected spaces that encourage exploration and social interaction. This thoughtful urban intervention not only revitalizes a forgotten island but also serves as a testament to Chengdu's evolving urban identity – a place where tradition and innovation coexist in perfect harmony. 设计团队： 几里建筑成立于2014年，迅速成为中国建筑领域的一支生力军。凭借战略性布局在深圳和重庆的工作室，这家独立设计事务所因其多元化的城市和建筑设计方法而备受瞩目。由创始合伙人齐帆和杨丁亮领衔，几里建筑汇聚了丰富的国际专业经验。齐帆毕业于浙江大学建筑系和宾夕法尼亚大学景观建筑系，致力于将学术理论与本土实践相结合。杨丁亮现为哈佛大学设计研究生院讲师，专注于跨尺度城市创新策略研究。目前为止，他们已完成165个项目，斩获11项设计大奖。他们的作品涵盖从城市总体规划到室内改造的各个尺度，始终强调人与城市环境之间的关键互动。 几里建筑的方法论特点是采用"由宏观到微观"的方式，从城市宏观研究入手，将洞见逐步细化到建筑、室内和景观尺度。这种全局视角使事务所能够通过他们称之为"城市针灸"的方法——即有的放矢的干预来引发更广泛的积极变革——来应对复杂的城市挑战。事务所致力于在城市更新时代提升公共生活品质，这一理念在他们富有思考性的商业、零售和公共空间设计中得到充分体现。通过将严谨分析与创意愿景相结合，几里建筑正在持续塑造中国城市的未来，一个项目接一个项目地推进。 Founded in 2014, VARY Design has rapidly established itself as a dynamic force in the architectural landscape of China. With studios strategically located in Shenzhen and Chongqing, this independent practice has garnered attention for its multifaceted approach to urban and architectural design. Led by founding partners Fan Qi and Dingliang Yang, VARY Design brings together a wealth of international expertise. Fan Qi, with his background in architecture from Zhejiang University and landscape architecture from the University of Pennsylvania, spearheads the firm's focus on integrating academic theory with local practice. Dingliang Yang, a lecturer at Harvard University's Graduate School of Design, contributes cutting-edge research on cross-scale urban strategies. In just eight years, VARY Design has amassed an impressive portfolio of 165 completed projects, serving 53 clients and earning 11 design awards. Their work spans a spectrum of scales, from urban masterplans to interior renovations, always emphasizing the critical interplay between people and their urban environments. VARY Design's methodology is characterized by a "zoom-in" approach, beginning with macro-level urban studies and distilling insights down to architectural, interior, and landscape scales. This holistic perspective allows the firm to address complex urban challenges through what they term "urban acupuncture" – targeted interventions that catalyze broader positive change. The firm's commitment to enhancing public life in the era of urban renewal is evident in their thoughtful commercial, retail, and public space designs. By blending rigorous analysis with creative vision, VARY Design continues to shape the future of Chinese cities, one project at a time. 设计团队 旅游探访 7000 m² 中国，成都 2024年 Previous Next

< 返回 meet tree 东京银座店 Naruse·Inokuma Architects 设计特色： 项目 – 东京银座中心如今新伫立着一个“森林”——meet tree GINZA，这是日本品牌meet tree的新门店。meet tree背后是一家位于岐阜县中津川拥有100年历史的木材公司，一直在木曾川上游地区对贵重的日本柏进行可持续培育。为展示其所珍视的柏木的魅力，该公司构想此门店为一个庇护所，顾客可以在这里体验由森林恩赐精心制作的商品。5.3米的首层高大空间激发了一个大胆的木质拱穹的设计，让顾客沉浸在深绿色的柏木林中。两个柏木拱穹浮于空间之上，散发出独特的悬浮感，同时在城市景观中展现出一种壮观的存在感。而拱穹轻柔地划分了糖果区域和化妆品区域。拱穹的每一片木构件都使用产自中津川的柏木制成，通过巧妙的梯形切割并用长螺丝固定组装成扶疏的弧形。伴随着优雅又自然的姿态，拱穹设计将森林的奇妙体验感移植到了银座繁华的混凝土丛林中。 团队 – Naruse·Inokuma Architects（成瀬・猪熊建筑设计事务所）成立于2007年，是一家总部设在东京的屡获奖项的建筑设计公司，由成瀬友梨和猪熊纯两位日本建筑师共同领导。他们的设计理念致力于通过创新建筑适应迅速变化的社会，从而重新定义生活的丰富性。他们在设计各种多样的住宅、连接不同地区的住区、注重体验的商业设施以及其他促进共享和社区的空间方面拥有丰富的经验。他们的设计流程强调密切对话和交互沟通，以确保空间满足预期用途。该设计事务所拥有15多名建筑师和设计师，为建筑、景观和室内项目提供全面的规划、设计和监督服务。他们还提供产品设计、商业咨询、研讨会和工作坊，分享其独特视角与理念，并且一直致力于通过思考性的以人为本的设计塑造未来社会。 Feature： Project - Nestled in the heart of Ginza lies a forest - meet tree GINZA, the new shop designed by Marui Namiki for the sweets and cosmetics brand meet tree. Behind meet tree stands a timber company in Nakatsugawa, Gifu Prefecture, with over 100 years of history sustainably nurturing the revered hinoki cypress forests of the Kiso River upstream region. To showcase the allure of their treasured cypress wood, the company envisioned this shop as a sanctuary where customers can experience goods thoughtfully crafted from the blessings of the forest. The outstanding environment of the first floor with 5.3m high ceiling inspired an audacious wooden vaulted roof that immerses customers in a deep green hinoki forest. Two powerful 105-sided cypress vaults float over the space, emanating a unique sense of levitation while asserting an imposing presence on the cityscape. The vaults gently delineate areas for sweets and cosmetics. Every piece of the vaults is built from Nakatsugawa cypress, imaginatively cut into trapezoids and fixed together with long screws to form the sweeping arcs. Suspended from the walls and slender steel pillars, the vaults are engineering marvels transposing the wonder of the forest into the concrete jungle of Ginza. Design Team - Founded in 2007, NARUSE・INOKUMA ARCHITECTS is an award-winning Tokyo-based architectural design firm led by president and CEO Yuri Naruse and president Jun Inokuma, both first-class licensed architects. Their design philosophy centers on creating shared spaces that redefine richness in life through innovative architecture adapting to our rapidly changing society. They have extensive experience designing diverse housing, lodging connecting regions, commercial facilities focused on experience, and other spaces promoting sharing and community. Their design process emphasizes close dialogue and interactive modeling to ensure spaces fulfill their intended uses. With over 15 skilled architects and designers, NARUSE・INOKUMA ARCHITECTS offers full-service planning, design, and supervision for architectural, landscape, and interior projects. They also provide product design, business consulting, seminars, and workshops sharing their unique perspective. The firm aspires to shape future society through thoughtful, human-centric design. 设计团队 旅游探访 80 m² 日本，东京 2023年 Previous Next

< 返回 波兹南奢华公寓 Studio GAB 项目名称：波兹南奢华公寓 地点：波兹南，波兰 设计团队：Studio GAB 建筑面积：107 m² 竣工时间：2025年 摄影：Oni Studio 设计特色： 项目 - 位于波兰波兹南的奢华公寓由Studio GAB设计，展现了当代都市居住的精致典范，以清晰、优雅和微妙的亲密感为设计理念。这套107平方米的公寓布局既拥抱开放性又保持私密性，创造出一个既宽敞又经过精巧设计分区的居住空间。 该项目最引人注目的设计成就在于其巧妙平衡开放性与私密性的空间策略。公寓核心是起居室与相邻厨房，通过隔墙巧妙分离。这一解决方案保持空间明亮通风，同时让厨房保持略微隐蔽，确保主要生活区域保持干净、整洁的氛围。卧室被构想为私人静修空间，配有独立浴室，提供舒适和隐私，而第三个房间作为灵活的客房空间。 室内设计的显著特色是对天然材料的运用。地面铺设优雅大理石，赋予奢华感和永恒性，而定制木质内装增添温暖和触觉品质，在精致与舒适之间取得平衡。这些元素共同创造出精致与自然简约之间的对话，塑造出既宁静又温馨的氛围。 材料表达体现了与空间的深度对话。Studio GAB的设计强调功能性而不牺牲美感。自然光线、精致纹理和克制的色彩搭配汇聚一起，将紧凑的都市公寓转变为和谐温馨的生活环境。这个项目体现了工作室的设计哲学：创造不仅在美学上引人注目，而且深度契合日常生活节奏的空间。 设计团队 - Studio GAB由Katarzyna Osipowicz-Grabowska和Piotr Grabowski于2016年创立，已确立其作为杰出建筑实践机构的地位，总部位于波兹南，通过屡获殊荣的住宅设计和深思熟虑的适应性改造项目确立了自身地位。工作室的首个项目——Nowa Górka住宅——荣获享有盛誉的SARP 2016奖项荣誉提名，为其致力于卓越建筑品质奠定了发展轨迹。 在Osipowicz-Grabowska和Grabowski的创意指导下，Studio GAB追求以居住者与建成环境之间基本关系为核心的设计方法论。工作室的设计起点是接受者与环境的关系——人与建筑以及周围环境的关系。其设计方法的关键是巧妙理解客户需求并将其转化为建筑运营方式。 工作室的设计哲学围绕"不仅解决空间问题"的理念展开，对地点、现有组织、项目和预算的理解使他们能够创造新的机会，发现潜力并为特定地点增添新价值。在环境意识和人口变化加深的时代，其项目基于最可能和理性的技术解决方案有意识地创建，使设计的建筑经久耐用并允许未来适应其他用途。 该实践理解建筑为个性化学科，每个案例都努力不重复以前获得的模式。两位主创均在波兹南理工大学建筑学院从事建筑教育，Katarzyna自2019年任教，Piotr自2020年任教。教学建立了更具反思性和分析性的态度，专业经验通过对自己项目更有意义的方法得到补充。著名作品包括获得SARP 2016奖项荣誉提名的Nowa Górka住宅、Czerniakowski港船员办公楼竞赛一等奖以及Burkietowicz集团办公楼投资竞赛一等奖。 设计团队 旅游探访 107 m² 波兹南，波兰 2025 Previous Next

< 返回 罗克斯伯勒住宅 gh3* 项目名称：罗克斯伯勒住宅 地点：多伦多，加拿大 设计团队：gh3 * 建筑面积：2690 ft² 竣工时间：2022年 摄影：Raymond Chow 设计特色： 项目 - 位于多伦多南罗斯戴尔历史保护区，gh3*建筑事务所巧妙地将一座20世纪20年代的爱德华式住宅改造成一个连接历史保护与极简设计理念的当代住宅。罗克斯伯勒住宅的翻新巧妙地解决了尊重严格的遗产保护限制与满足客户现代化需求之间的复杂挑战。 该项目最独特的特点是其经过后部改造，两个新的砖砌结构——一个两层的扩建部分和一个多功能车库——创造出一个私密的庭院花园。建筑师为这些元素采用了手工模制的砖块，保持与周边原有砖石立面的视觉和谐。在可持续发展方面，他们将原有房屋的横梁回收利用于车库建造，在新旧结构之间建立了材料上的对话。 在室内，gh3*在不改变原有功能布局的情况下重新构想了空间流动性。一层的重新组织围绕着沿西墙的连续走廊展开，该走廊融入了原有的彩色玻璃窗，这些窗户从其原有背景中解放出来，创造出抽象的构图。这些不同的开口产生了全天候的光影变化韵律，为室内空间注入活力。 这次翻新通过元素化的形式提升了极简美学——皂石厨房岛台、拱形的储藏室前厅以及通往主卧室的深拱形走廊。这些简洁而有力的几何干预统一了空间和功能，同时创造出视觉上的趣味。 特别值得注意的是后部扩建部分的新家庭入口，由拱形结构庇护，精心放置的天窗和窗户模糊了室内外空间的界限。这种与庭院花园的巧妙连接强化了该项目对建筑和景观的整体性方法。 罗克斯伯勒住宅体现了gh3*标志性的设计理念——抽象和提炼，创造出材料连续性、精确比例和细致光线调控的空间，同时保持对多伦多建筑遗产的深刻尊重。 团队 - gh3*成立于2006年，已发展成为加拿大最具创新性的建筑设计事务所之一，在建筑、城市规划和景观设计领域获得同行认可和众多奖项。由创始人兼创意总监Pat Hanson领导，该事务所在各种类型和规模的项目中建立了设计完整性的声誉。 事务所的跨学科团队，包括主要领导Raymond Chow、Elise Shelley和Joel Di Giacomo，以现代主义者对秩序和社会可能性的敏感度，同时保持强烈的环保意识，处理每个项目。这种方法形成了一个令人印象深刻的作品组合，从私密住宅项目到复杂的市政基础设施。 gh3*的作品获得国际赞誉，包括多个总督勋章。该事务所在2020年被Fast Company评为全球二十大最具创新性公司之一，表彰其在城市基础设施方面的开创性工作。 工作室的设计理念强调在城市环境中创造建筑与景观之间的有意义连接。他们的项目展示了超越纯功能需求的承诺，将实用需求与诗意表达相结合，创造美学上具有冲击力的环境，提升日常体验。 通过以客户为中心的方法和环境责任，gh3*继续创造出能激发市民自豪感的空间感染力场所，同时推进当代建筑中可持续设计实践的讨论。 Project Name: Roxborough House Location: Toronto, Canada Design Team: gh3 * Total Floor Area: 2,690 ft² Completion: 2022 Photography: Raymond Chow Feature: Project - Situated in Toronto's South Rosedale heritage conservation district, gh3* architects have masterfully transformed an Edwardian home from the 1920s into a contemporary dwelling that bridges historical preservation with minimalist design sensibilities. The Roxborough House renovation navigates the complex challenge of respecting stringent heritage restrictions while fulfilling the client's desire for modernization. The project's most distinctive feature is its thoughtful rear intervention, where two new brick-clad structures—a two-story addition and a multipurpose garage—create an intimate courtyard garden. The architects employed hand-molded brick for these elements, maintaining visual harmony with the neighborhood's original masonry facades. In a sustainable gesture, reclaimed joists from the existing house were repurposed for the garage construction, establishing a material dialogue between old and new. Inside, gh3* has reimagined the spatial flow without altering the original program. The ground floor's reorganization revolves around a continuous hallway along the western wall, which incorporates original leaded windows now liberated from their previous contexts to create an abstract composition. These varied openings produce a rhythmic play of daylight throughout the day, animating the interior spaces. The renovation elevates the minimalist aesthetic through elemental forms—a soapstone kitchen island, an arched ante-room pantry, and a deeply vaulted hallway leading to the principal bedroom. These simple yet powerful geometric interventions unify space and function while creating visual intrigue. Particularly noteworthy is the rear addition's new family entrance, sheltered by a vaulted structure with strategically placed skylights and windows that blur the boundary between interior and exterior spaces. This thoughtful connection to the courtyard garden reinforces the project's holistic approach to architecture and landscape. The Roxborough House exemplifies gh3*'s signature design philosophy of abstraction and distillation, creating spaces of material continuity, precise proportions, and carefully calibrated light—all while maintaining a profound respect for Toronto's architectural heritage. Design Team - Founded in 2006, gh3* has established itself as one of Canada's most innovative architectural design practices, earning peer recognition and numerous prestigious awards for its distinctive approach to the intersection of architecture, urbanism, and landscape. Led by Founding Principal and Creative Director Pat Hanson (BFA, MArch, OAA, AAA, FRAIC), the firm has cultivated a reputation for design integrity across diverse typologies and scales. The practice's interdisciplinary team, including key leaders Raymond Chow, Elise Shelley, and Joel Di Giacomo, approaches each project with a modernist sensibility toward order and social possibility, while maintaining a strong environmental consciousness. This methodology has resulted in an impressive portfolio spanning intimate residential projects to complex civic infrastructure. gh3*'s work has garnered international acclaim, including multiple Governor General's Medals for projects such as the Stormwater Facility, Borden Park Natural Swimming Pool, and the Photographers Studio over a Boathouse. The firm's pioneering work in urban water infrastructure earned it recognition as one of the World's Twenty Most Innovative Companies by Fast Company in 2020. The studio's design philosophy emphasizes the creation of meaningful connections between architecture and landscape within urban contexts. Their projects demonstrate a commitment to transcending purely functional requirements, instead integrating pragmatic needs with poetic expression to create aesthetically impactful environments that enhance everyday experiences. Through their client-centered approach and environmental responsibility, gh3* continues to produce spatially engaging places that inspire civic pride while advancing the discourse on sustainable design practices in contemporary architecture. 设计团队 旅游探访 2690 ft² 多伦多，加拿大 2022 Previous Next

< 返回 博罗斯度假屋 Claesson Koivisto Rune 项目名称：Borås Getaway House 地点：博罗斯，瑞典 设计团队：Claesson Koivisto Rune 建筑面积：65 平方米 竣工时间：2024 年 摄影：Åke E-son Lindman 设计特色： 这座位于瑞典博罗斯湖畔、依山而建的度假小屋，由瑞典建筑事务所 Claesson Koivisto Rune 设计，于 2024 年竣工。项目以 65 平方米的严苛限制，完成了一次关于斯堪的纳维亚极简主义的精彩诠释。四座分散布置的立方体建筑轻盈地悬浮于林间，宛如从古老岩层中迸裂而出的晶体结构，以一种近乎超现实的姿态融入场地之中。 这座专为四口之家打造的周末栖居地，面临着双重严峻挑战：坡度陡峭、几乎无路可达的地形，以及极为有限的建筑指标。面对这些制约，建筑师并未与场地抗争，而是将主屋锚固于一个向下延伸的中央核心基础之上，使建筑得以如蘑菇伞盖一般向外大幅悬挑，将对地面的干扰降至最低。 项目的材料语言简练而坚定。玻璃与镀锌钢板构成建筑外皮，后者刻意保持未经处理的原始状态，任由自然氧化逐渐形成包浆，与周遭的苔藓和花岗岩缓慢融合。每个立方体均沿水平中线一分为二，下半部分全为玻璃，上半部分全为金属，这一切割既消弭了室内与自然之间的边界，也有效避免了玻璃对湖面造成刺眼的反光。 主屋内部暗藏更为精妙的空间构想：一个以木材饰面的内核立方体在外壳内旋转 45 度植入，将厨房、卫浴与储藏功能整合其中，同时以几何逻辑自然分隔出入口区、餐厅、客厅与卧室四个各具属性的生活空间。木质的温润与混凝土及钢铁的硬朗形成感官上的对话，令整个室内叙事张弛有度。金属上层体量之内，一处隐匿的下沉屋顶露台将居住者真正托举至林冠之中，构筑出一个与日常世界彻底隔绝的私密天地。 设计团队： Claesson Koivisto Rune 于 1995 年由建筑师 Mårten Claesson、Eero Koivisto 与 Ola Rune 共同创立于斯德哥尔摩，历经三十年的稳健发展，已从一家瑞典本土建筑事务所成长为在国际舞台上具有高度影响力的跨学科设计机构。三位创始合伙人均持有 SAR SIR/MSA 建筑师认证，并分别求学于斯德哥尔摩、赫尔辛基、哥本哈根、纽约及伦敦等地的顶尖院校，这一横跨欧美的学术背景深刻塑造了事务所兼具严谨理性与文化敏锐度的设计立场。 三十年间，事务所始终坚守建筑与产品设计并重的双轨实践路径，业务范围涵盖公共建筑、酒店、住宅、展览空间及工业设计，合作品牌逾 80 家，产品线延伸至家具、照明、纺织品及卫浴器具等多个领域。事务所于 2004 年成为首家在威尼斯建筑双年展国际展区参展的瑞典机构，三位创始人亦于 2021 年荣获瑞典国王卡尔十六世古斯塔夫亲授的尤金亲王勋章，以表彰其在建筑艺术领域的卓越成就。 事务所目前由三位创始合伙人携手资深团队成员 Oliver Cap、Deta Koivisto Gemzell 及 Patrick Coan 共同主持，持续以空间节制、材料诚实与构成克制为核心语汇，推进当代建筑设计实践的边界探索。事务所的获奖记录横跨多个国际体系，涵盖十项美国优良设计奖（2009 至 2018 年）、德国联邦共和国颁发的 Designpreis Deutschland 金奖与银奖（2011 年）、瑞典《Elle Deco》年度设计师（2011 年）及年度家具（2012 年），以及 Red Dot Design Award 最佳中的最佳（2014 年），使事务所成为首家同时在五个不同产品类别中荣获该奖项的设计机构。 设计团队 旅游探访 65 m² 博罗斯，瑞典 2024 Previous Next

< 返回 吉备高原N广场 隈研吾建筑都市设计事务所 设计特色： 在日本冈山县的中心地带，吉备高原N广场（Kibi Kogen N Square）作为一个开创性的多功能设施拔地而起，由著名的隈研吾建筑都市设计事务所（Kengo Kuma & Associates）倾力打造。这个创新项目于2024年竣工，重新诠释了区域交流和创意的概念，巧妙地将共享办公空间与充满活力的咖啡厅氛围融为一体。 这座585平方米的建筑的真正亮点在于其对CLT板的创新应用，彰显了冈山作为日本CLT生产领头羊的地位。隈研吾的设计突破了传统CLT建筑的界限，采用了宽2.2米、长35米、厚21厘米的巨型CLT板，以不同角度在场地内堆叠。这种巧妙的布局，在约4米的高度差中，创造出空间和开口的动态交织，打破了CLT结构常见的封闭和重复特性。 最终呈现出的是一个流动、开放的环境，完美体现了该设施倡导的社区协作和跨代际互动理念。CLT板的错落布置产生了一系列相互连接的空间，促进了意想不到的邂逅，鼓励思想的交流碰撞。这种建筑策略不仅展示了CLT的多样性，还成为项目实体-旨在架起行业内的产学之间的桥梁，其中本地的冈山大学也参与了共享办公空间的使用。 吉备高原N广场是隈研吾大师在协调创新设计与本地材料及社区需求方面卓越能力的见证，在日本乡村地区打造出一个真正独特的创意交流目的地。 In the heart of Okayama Prefecture, Japan, the Kibi Kogen N Square emerges as a groundbreaking mixed-use facility designed by the renowned Kengo Kuma & Associates. This innovative project, completed in 2024, reimagines the concept of regional exchange and creativity, seamlessly blending coworking spaces with a vibrant café atmosphere. The true marvel of this 585-square-meter structure lies in its innovative use of Cross Laminated Timber (CLT) panels, showcasing Okayama's position as Japan's leading CLT producer. Kuma's design pushes the boundaries of conventional CLT construction, employing massive 2.2m wide, 35m long, and 21cm thick panels stacked at varying angles across the site. This ingenious arrangement, with a height difference of approximately 4m, creates a dynamic interplay of spaces and openings that defies the typical closed and repetitive nature of CLT structures. The result is a fluid, open environment that perfectly embodies the facility's ethos of community collaboration and cross-generational interaction. The angular misalignment of the CLT panels generates a series of interconnected spaces, fostering unexpected encounters and encouraging the cross-pollination of ideas. This architectural strategy not only showcases the versatility of CLT but also serves as a physical manifestation of the project's goal to bridge industry-academia boundaries, with local Okayama University participating in the co-working space. Kibi Kogen N Square stands as a testament to Kengo Kuma's mastery in harmonizing innovative design with local materials and community needs, creating a truly unique destination for creativity and exchange in rural Japan. 设计团队： 1990年，著名日本建筑师隈研吾（1954年生）创立了隈研吾建筑都市设计事务所(Kengo Kuma and Associates，简称KKAA)。经过多年发展，该事务所已成为全球领先且富有经验的情境驱动设计公司，在东京、巴黎、北京和上海均设有办事处，在40多个国家完成了众多创新项目，巧妙融合建筑与自然环境。 隈研吾的设计理念强调与场地的深度联系，巧妙运用自然材料，通过细致入微的干预手法，打造出既尊重当地文化与生态，又能提升人文体验的建筑作品。从大型文化设施到尺度宜人的度假别墅，KKAA的作品涵盖多种尺度和类型，但无一例外地体现了可持续发展和对人与环境关系的深刻理解。 在隈研吾的带领下，KKAA不断推进当代建筑的边界，融合创新技术和传统工艺，实现了远见卓识的设计，重塑了建筑环境的角色定位。迈入第四个十年，KKAA凭借卓越的设计品质和持续的创新精神，已经成为建筑及设计行业的全球重要力量。 Founded in 1990 by renowned Japanese architect Kengo Kuma, Kengo Kuma and Associates (KKAA) has established itself as a global leader in thoughtful, context-driven design. With a team of highly skilled professionals across offices in Tokyo, Paris, Beijing, and Shanghai, the firm has completed innovative projects in over 40 countries, seamlessly blending architecture with the natural environment. Kuma's design philosophy emphasizes a deep connection to place, using natural materials and sensitive interventions to craft buildings that elevate the human experience while respecting local cultures and ecologies. From large-scale cultural institutions to intimate residential retreats, KKAA's portfolio showcases a mastery of scale and typology, united by a commitment to sustainability and an innate understanding of how architecture can foster meaningful relationships between people and their surroundings. With Kuma at the helm, KKAA continues to push the boundaries of contemporary architecture, integrating innovative technologies and traditional craftsmanship to realize visionary designs that redefine the role of the built environment. As the firm enters its fourth decade, its reputation for excellence and innovation continues to grow, solidifying its position as a global leader. 设计团队 旅游探访 585 m² 日本，冈山 2024年 Previous Next

< 返回 YAWN YARD Kouri Island Schemata Architects 项目名称： YAWN YARD Kouri Island 地点： 冲绳，日本 设计团队： Schemata Architects 建筑面积： 921.85 m² 完工时间： 2024 摄影师： Ju Yeon Lee 设计特色： 项目 - 日本建筑事务所Schemata Architects）最新揭幕了YAWN YARD Kouri Island项目，这是一组独特的V形别墅群，巧妙地回应了冲绳海岸线的地形挑战。 项目位于风景如画的古宇利岛，通过模块化却灵活的设计方法重新诠释了传统度假村的类型学。建筑师开发了一个创新的"倒V形单元"系统，将两个标准化平面组合在一起，使每栋别墅都能保持独特的定位，同时保证施工效率。 整个建筑群分布在两个不同的地块上——一个是沿着道路的狭长地带，地形起伏不平；另一个是存在明显高差的梯形地块。长坂常没有将相同的建筑结构强加于这片不规则的地形之上，而是通过调整每栋别墅的V形开合角度和朝向，创造出丰富的建筑组合，巧妙地利用而非对抗场地的限制条件。 每栋别墅都经过精心设计，围绕着V字开口处的半户外空间展开，提供绝佳的海景视野。这个中心区域作为流动的室内外生活空间，设有餐区和私人泳池。V形的两翼分别是配备厨房或浴室的卧室，朝向大海，创造出空间之间自然流畅的动线。 该项目的突出之处在于深度融入了冲绳文化和工艺。设计团队常与当地工匠和制造商广泛合作，运用琉球石灰岩和传统瓦片等本土材料。室内装饰包括由当地工坊制作的定制家具和冲绳艺术家的作品，而景观设计也充分考虑了本土植被。 这座建筑创造了设计团队常所说的"无缝和悠闲的时光"——室内外空间的精妙互动呼应着日常生活的韵律，从清晨的日光浴到傍晚欣赏落日，同时保持了相邻单元之间的私密性。 团队 - 长坂常于1998年从东京艺术大学毕业后创立的スキーマ建築計画（Schemata Architects），已发展成为日本最具创新力的建筑事务所之一。事务所通过独特的设计方法论，将概念性思维与实体材料性相结合，不断突破空间设计的边界。 事务所总部位于东京，从创立之初就发展成为一个多学科的设计重镇，统筹处理建筑、室内和家具设计等多领域项目。事务所秉持1:1比例思维的理念运营——这种方法将每个项目，无论规模大小，都以同等严谨的态度对待空间关系和细节处理。 在长坂常的领导下，事务所因其改建项目和零售环境设计而获得国际认可，其中最著名的包括遍布全球的Blue Bottle Coffee店铺和创新的DESCENTE BLANC零售概念店。事务所的作品组合展现出非凡的多样性，从私人住宅如极简主义的Sayama Flat，到机构项目如武藏野艺术大学16号楼等。 其作品以材料诚实性、空间流动性和创新的功能解决方案为特征。事务所的设计方法常常涉及实验性的材料应用和创造性的空间规划策略，创造出既挑战传统建筑范式又保持功能完整性的环境。这种方法为他们赢得了来自全球文化机构、零售品牌和私人客户的众多委托，使Schemata Architects成为当代建筑话语中的突出声音。 Project Name: YAWN YARD Kouri Island Location: Okinawa, Japan Design Team: Schemata Architects Area: 921.85 m² Completion: August 2024 Photographer: Ju Yeon Lee Feature： Project - Japanese architect Jo Nagasaka and his firm Schemata Architects have unveiled YAWN YARD Kouri Island, a collection of distinctive V-shaped villas that respond ingeniously to the challenging topography of Okinawa's coastline. Located on the scenic Kouri Island, the project reimagines the typical resort typology through a modular yet adaptable design approach. The architects developed an innovative "inverted V-shaped unit" system that combines two standardized plans, allowing each villa to be uniquely positioned while maintaining construction efficiency. The complex is spread across two distinct sites – a narrow strip along the road with undulating terrain, and a trapezoidal plot with significant level changes. Rather than forcing identical structures onto the irregular landscape, Nagasaka's solution allows each villa to adjust its V-angle and orientation, creating varied compositions that embrace rather than fight the site's constraints. Each villa is thoughtfully organized around a semi-outdoor space positioned at the V's opening, offering prime ocean views. This central area serves as a fluid indoor-outdoor living space featuring a dining area and private pool. The two wings house bedrooms with either kitchen or bathroom facilities facing the sea, creating an intuitive flow between spaces. The project stands out for its deep integration with Okinawan culture and craftsmanship. Nagasaka collaborated extensively with local artisans and manufacturers, incorporating indigenous materials like Ryukyu limestone and traditional tiles. The interior features custom furniture made by local workshops and artworks by Okinawan artists, while the landscape design carefully considers native vegetation. The architecture creates what Nagasaka calls a "seamless and leisurely time" – a sophisticated interplay between interior and exterior spaces that responds to daily rhythms, from morning sunbathing to evening sunset views, all while maintaining privacy between neighboring units. Design Team - Schemata Architects, established in 1998 by visionary architect Jo Nagasaka, has emerged as one of Japan's most innovative architectural practices, consistently pushing the boundaries of spatial design through a distinctive methodology that bridges conceptual thinking with hands-on materiality. Founded upon graduating from Tokyo University of the Arts, Nagasaka's studio has evolved into a multidisciplinary powerhouse, orchestrating projects across architectural, interior, and furniture design. The practice, headquartered in Tokyo's Sendagaya district, operates under a philosophy that emphasizes 1:1 scale thinking—an approach that treats every project, regardless of scale, with the same rigorous attention to detail and spatial relationship. Under Nagasaka's leadership, the firm has garnered international recognition for its adaptive reuse projects and retail environments, notably the globally acclaimed Blue Bottle Coffee outlets and the innovative DESCENTE BLANC retail concept. The practice's portfolio demonstrates exceptional versatility, from private residences like the minimalist Sayama Flat to institutional projects such as the Musashino Art University Building No.16. Schemata's work is characterized by its material honesty, spatial fluidity, and innovative programming solutions. The firm's methodology often involves experimental material applications and creative space-planning strategies, resulting in environments that challenge conventional architectural paradigms while maintaining functional integrity. This approach has earned them numerous commissions for cultural institutions, retail brands, and private clients worldwide, establishing Schemata as a leading voice in contemporary architectural discourse. 设计团队 旅游探访 921.85 m² 冲绳，日本 2024 Previous Next

< 返回 江海别墅 KAWAZOE JUNICHIRO ARCHITECTS 项目名称：江海别墅 地点：洲本市，日本 设计团队：川添纯一郎建筑设计事务所 建筑面积：4596 ft²（427 m²） 竣工时间：2021年 摄影：松村芳治 设计特色： 项目 - 坐落于日本兵库县洲本市河口附近的江海别墅，由川添纯一郎建筑设计事务所设计，不仅仅是一座度假住宅——它是将传统日本工艺与现代建筑语言完美融合的诗意表达。项目直接受其地理位置启发而生，这处连接河流与海洋的独特场地，住宅将传统乡土建筑的精髓转化为当代度假体验的建筑形式。 该项目最引人注目的设计元素是蜿蜒曲折的"小径"，这条有机流线连接三个功能不同的建筑单元——入口楼、客房楼和主楼。这一建筑姿态不仅创造了从公共空间到私密空间的渐进过渡，更建立起室内外空间界限模糊的连续体验，仿佛整座建筑都是温柔地融入自然景观的有机体。 在这条小径的引导下，住宅呈现为三个水平延展的屋顶，轻盈地悬浮在弯曲墙体之上。上层空间容纳着社交区域：起居室、餐厅和休闲空间，这些空间的组织旨在促进内外一体的流动性，体现宁静而优雅的度假生活方式。 建筑的材料表达形成鲜明对比。外覆两万块淡路岛传统屋瓦制成的条形砖——一种具有强烈地域特色的材料——与当地灰泥装饰相结合，为建筑赋予深厚的文化底蕴。瓦片因烧制不均匀产生的微妙色彩变化被巧妙保留，在墙面上呈现出火焰与工艺的动态表情，强化了与淡路岛传统的深度连接。 江海别墅因此成为超越功能性的建筑表达。它讲述着一个关于传统与现代对话的故事，在居住者的度假体验、精选的地域材料与周围河海景观之间建立敏感对话。一个轻盈而诗意的建筑群体栖息于水岸之上——对缝合传统工艺、当代生活与自然空间艺术的静默致敬。 设计团队 - 川添纯一郎建筑设计事务所成立于2000年，总部位于日本神户，经过二十多年的专业卓越发展，已成为以永恒设计理念与环境敏感性融合而闻名的杰出建筑实践机构。事务所由主持建筑师川添纯一郎和合伙人川添一惠领导，其专业实践建立在对场地文脉和客户生活方式的仔细研究基础上，始终寻求为每个项目提供独特且富有文化内涵的解决方案。 与自然的和谐整合、传统材料的创新运用和室内外空间关系的精妙处理等基本原则是贯穿所有作品的特色。结合这些理念，团队的工作以日本传统建筑智慧为起点，重新思考其核心概念，以当代手法回应建筑领域的现代需求。 事务所的设计方法论融合三项基本原则：超越时间界限的永恒美学、通过精炼元素简化实现最大空间丰富性的极简表达，以及室内外空间关系的精妙整合。这些核心理念贯穿每个项目尺度，从豪华度假村和文化机构到住宅和福利设施。 川添纯一郎建筑设计事务所的建筑手法深受日本传统建筑启发，同时挑战传统范式以应对当代空间挑战。事务所对创新的坚持赢得了国际认可，包括格伦巴拉美术馆和江海别墅双双荣获国际设计大奖金奖、建筑大师奖以及A'设计奖银奖等多项殊荣。其度假建筑项目体现了文化传承与现代创新之间的精妙平衡，通过严谨的材料研究和空间探索，为日本当代建筑树立了新的标杆。 设计团队 旅游探访 427 m² 洲本市，日本 2021 Previous Next

< 返回 原野住宅 Group Projects Architecture 项目名称： 原野住宅 地点： 东北镇，纽约州，美国 设计团队： Group Projects Architecture 建筑面积： 2800 ft² 完工时间： 2024年 摄影师： Nicholas Venezia 设计特色： 项目 - 在纽约州北部的一片草地上，黑色人字形建筑体从地面升起，Group Projects Architecture事务所在这里设计了一座住宅，巧妙地处理了建筑干预与自然景观之间的对话。这座2800平方英尺的"原野住宅"展示了如何通过周到的场地定位来提升建筑功能性及居住者对周围环境的体验。 建筑师没有选择将建筑置于地块最高点，而是做出了战略性决定，将住宅安置在草地水平线上，紧依现有山脊底部。这一非常规选择不仅保留了场地上的成熟树木，还创造了天然的防风屏障，同时建立了一个引人入胜的空间叙事，随着访客从到达点下行而逐步展开。 项目最独特的特征是一个大胆的开挖设计：在山脊上切出一道100英尺长的切口，创造出一个由混凝土挡土墙围合的戏剧性庭院，作为广阔草地景观的私密对应空间。这个人工"室外房间"体现了项目对景观整合的精妙处理手法，建筑干预不是削弱而是增强了场地的自然特质。 建筑形态借鉴了乡村谷仓建筑的特点，但通过精确的材料运用将其提升到新的高度。外立面统一采用黑色波纹金属板，从墙面一直延续到屋顶，创造出整体性外观，材料的波纹图案和外露的彩绘椽子尾端为其增添了细微的动感。大面积玻璃开窗穿透这个深色外壳，提供战略性视野，同时为简洁的人字形轮廓增添了层次感。 室内，四个包裹着道格拉斯冷杉木皮的木作体量悬浮于开放平面中，既作为空间组织者也作为服务单元。内部色调克制而丰富，将白色表面与混凝土地面和铜色框架推拉门相结合。公共空间上方轻柔的拱形天花板为室内空间增添了如云般的柔和感，而私密区域较低的天花板则创造出更为亲密的空间氛围——展示了如何通过细微的空间调节来提升居住体验，同时不影响建筑的清晰性。 团队 - Group Projects于2018年在纽约布鲁克林成立，代表着当代建筑实践中一支新兴的力量，通过协作方法论展现了严谨的设计态度。这家建筑事务所虽然从机构时间线来看相对年轻，但充分利用了其创始合伙人在Gensler、SOM和LEVENBETTS等知名事务所积累的丰富经验。 事务所由三位资深建筑师领导：Andrew Feuerstein、Jonathan Man和Bret Quagliara。作为主创建筑师的Feuerstein在LEVENBETTS期间积累了丰富的机构建筑和住宅项目经验，并结合其在科罗拉多大学的环境设计背景和帕森斯设计学院的建筑深造。Man凭借伯克利的教育背景，带来了其在Gensler和SOM的全面经验，而Quagliara则增添了连接建筑与平面设计的跨学科视角。 事务所的设计理念强调项目交付的整体性方法，促进与客户、技术顾问、承包商和制造商之间的深度协作。这种综合方法使事务所能够开发出精确响应项目特定参数的定制建筑解决方案，同时在不同规模和类型的项目中保持高水平的技术执行和美学精炼。 Project Name: House in a Meadow Location: North East, New York, United States Design Team: Group Projects Architecture Floor Area: 2,800 ft² (approx. 260 m²) Completion Year: 2024 Photographer: Nicholas Venezia Feature： Project - Black-clad gabled volumes emerge from a meadow in upstate New York, where Group Projects Architecture has designed a residence that masterfully navigates the dialogue between architectural intervention and natural landscape. The 2,800-square-foot House in a Meadow demonstrates how thoughtful site positioning can enhance both the building's functionality and its inhabitants' experience of the surrounding environment. Rather than placing the structure at the property's highest point, the architects made the strategic decision to nestle the home at the meadow level along the base of an existing ridge. This unconventional choice not only preserved the site's mature trees but also created a natural windbreak and established a compelling spatial narrative that unfolds as visitors descend from the arrival point. The project's most distinctive feature is a bold excavation move: a 100-foot-long slice carved into the ridge creates a dramatic concrete-retained courtyard that serves as an intimate counterpoint to the expansive meadow views. This engineered "outdoor room" exemplifies the project's sophisticated approach to landscape integration, where architectural intervention enhances rather than diminishes the site's natural qualities. The building's form takes cues from vernacular barn architecture but elevates it through precise material execution. The exterior is unified by black corrugated metal that wraps continuously from facades to roof, creating a monolithic appearance that's subtly animated by the material's wave pattern and exposed painted rafter tails. Large glazed openings pierce this dark envelope, offering strategic views while adding depth to the simple gabled profile. Inside, four Douglas fir-clad millwork blocks float within the open plan, functioning as both spatial organizers and service elements. The interior palette is restrained yet rich, combining white surfaces with concrete floors and bronze-framed sliding doors. A gently vaulted ceiling above the communal spaces adds a cloud-like softness to the interior volume, while lower ceilings in private areas create more intimate zones – demonstrating how subtle spatial modulation can enhance the domestic experience without compromising architectural clarity. Design Team - Group Projects, established in 2018 in Brooklyn, represents an emerging force in contemporary architectural practice that exemplifies a rigorous approach to design through collaborative methodology. The practice, while relatively young in its institutional timeline, leverages the extensive expertise of its founding partners who bring experience from prestigious firms including Gensler, SOM, and LEVENBETTS. The firm is led by a triumvirate of accomplished architects: Andrew Feuerstein, Jonathan Man, and Bret Quagliara. Feuerstein, serving as the Lead Architect, brings significant institutional and residential expertise from his tenure at LEVENBETTS, complemented by his environmental design background from the University of Colorado and advanced architectural studies at Parsons. Man contributes his comprehensive experience from Gensler and SOM, backed by his Berkeley education, while Quagliara adds a multidisciplinary perspective that bridges architecture and graphic design. The practice's design philosophy emphasizes a holistic approach to project delivery, fostering intensive collaboration among clients, technical consultants, contractors, and fabricators. This integrated methodology enables the firm to develop bespoke architectural solutions that respond precisely to project-specific parameters while maintaining high standards of technical execution and aesthetic refinement across various scales and typologies. 设计团队 旅游探访 2800 ft² 东北镇，纽约州，美国 2024 Previous Next

< 返回 大村儿童诊所 Design Associates Nakamura 项目名称：大村儿童诊所 地点：长崎，日本 设计团队：Design Associates Nakamura 建筑面积：149 m² 竣工时间：2025年 摄影：Masaki Hamada 设计特色： 项目 - 坐落于日本长崎的大村儿童诊所，由Design Associates Nakamura设计，通过一系列符合儿童比例的山墙屋顶，将临床环境转化为舒适的家居式庇护所，重新构想了儿科医疗空间。这座149平方米的建筑于2025年竣工，挑战了传统医疗建筑，在满足功能需求的同时优先考虑情感福祉，创造出同时服务于年幼患者及其陪同家长的双重功能环境。 该项目最显著的设计成就在于其独特的建筑语言：一系列小型山墙屋顶，刻意按照儿童的尺度进行比例设计。这种贴心的尺度缩减将原本令人生畏的医疗设施转变为平易近人的建筑，直接与主要使用者对话。重复的山墙母题创造出视觉韵律，同时保持可接近性，确保儿童将空间感知为无威胁且熟悉的场所，有效缓解儿童就医时的恐惧心理。 建筑叙事通过材料选择强化了这种住宅特质。室内大量的木质表面取代了典型的临床冷感，以触感温暖鼓励儿童在检查时感到安全。木材的广泛使用还在室内外之间建立了连续性，周围的树木形成自然缓冲区，进一步拉开诊所与传统医疗美学的距离。设计师摒弃了传统诊所给人的冰冷印象，创造出开放且充满自然氛围的医疗空间。 诊所的双重功能设计超越了单纯的儿童需求。Design Associates Nakamura深刻认识到家长也需要自己的舒适感，因此设计的公共区域唤起咖啡馆般的好客氛围，而非传统临床候诊室。这种双重考量确保空间作为真正的社区中心运作，让家庭感到受邀停留而非仅仅忍受等待时间。项目完成后，这座诊所已成为当地社区珍视的场所，实现了设计师让儿童放松、家长舒适的初衷。 其结果是从根本上重新思考儿科医疗体验的建筑。通过放弃机构惯例而支持家庭熟悉感，大村儿童诊所展示了深思熟虑的空间设计如何能够积极减少医疗焦虑。该项目有力地论证了以人为本的医疗建筑，建筑形式和材料选择直接促进患者舒适度和社区融合，成为医疗建筑设计的创新典范。 设计团队 - Design Associates Nakamura（DAN设计室）代表了一种独特的跨代建筑实践，通过其长崎和东京办公室将日本传统工艺与当代设计思维相结合。该事务所由中村弘美于1981年3月在长崎创立，奠定了以木材为中心、深度回应自然语境的建筑基础。这一长达四十年的传承在2020年10月显著扩展，当时1986年出生于长崎谏早市的中村创在隈研吾建筑都市设计事务所担任主任技师（2013至2020年）后，建立了东京办公室。 该实践的设计哲学围绕两个基本原则：采用木结构建造的建筑以及与自然环境无缝融合的结构。这一承诺体现在优先考虑亲近自然、独特空间丰富性、使用者舒适度以及场地特定响应的项目中，创造出无法在其他地方复制的建筑。事务所坚信建筑应当与自然保持近距离关系，通过个性化且丰富的空间营造居心地良好的环境，实现只有在特定场地才能完成的建筑价值。 中村创具有严谨的学术资质，于2013年完成东京电机大学未来科学研究科建筑学专攻硕士学位，此前在该校工学部建筑学科完成本科学习。他在日本最具国际知名度的建筑事务所之一的经验为DAN的当代实践提供了信息支持，同时保持了事务所既定价值观的连续性。在中村创的领导下，东京办公室将前沿设计理念与长崎办公室的传统智慧相融合，形成独特的设计方法论。 该工作室提供涵盖住宅设计、改造项目、商业空间和办公设施的全面建筑服务，接受日本各地的委托项目，不受地理位置限制。DAN设计室对自然材料运用与环境和谐的承诺确保每项建筑干预不仅作为功能空间运作，更通过深思熟虑的设计策略对其环境语境进行积极的空间转化，创造出真正属于当地社区且受人珍视的建筑作品。 设计团队 旅游探访 149 m² 长崎，日本 2025 Previous Next

< 返回 尖角之家 YH2 Architecture 项目名称：尖角之家（Maison de la Pointe） 地点：马戈格，加拿大 设计团队：YH2 Architecture 建筑面积：3700 平方英尺（约 344 平方米） 竣工时间：2022 年 摄影：Maxime Brouillet 设计特色： 坐落于加拿大魁北克省马戈格市梅弗雷马戈格湖尖形湖岸之上，蒙特利尔建筑事务所 YH2 Architecture 设计的尖角之家是一次关于记忆、克制与建筑对话的精湛探索。这座建于 2022 年、总面积约 344 平方米的住宅，直面当代建筑实践中最具张力的命题：当一座承载深厚情感的历史建筑已无法满足居住者的现实需求，却又珍贵到无法拆除，建筑师应当如何回应？ YH2 并未选择拆毁这座建于二十世纪初的度假小屋，也未以扩建的方式蚕食其原有轮廓，而是提出了一套优雅的双亭策略。原有木屋完整保留于湖岸边缘，其熟悉的天际线丝毫未动；一座新建的紧凑体量则悄然嵌入场地后方的自然坡地之中。两座建筑以一条全玻璃廊道相连，这一通透的过渡空间既是分隔，也是联结，在新与旧之间构建起一道充满光感的时间界面。 这一方案的精妙之处在于对比与延续的精确编排。湖畔亭保留了原始小屋的整体形态，内部却经历了彻底的空间重塑，成为主卧及起居区域。从原有游廊拱形结构中汲取灵感的穹顶天花，将这座朴素的旧屋内部转化为明亮而宽阔的栖居圣所。新建亭体则以更为内敛的建筑语言呈现，容纳卧室、起居室、书房与车库，以谦逊的姿态与历史建筑彼此呼应。两座亭体在尺度与材质上相近，在构成与建筑表达上却各具个性，跨越时间展开一场深思熟虑的建筑对话。尖角之家既非怀旧的姿态，也非激进的断裂，而是一次以从容自信守护历史、拥抱当下的建筑实践。 设计团队： YH2 Architecture 由建筑师 Marie-Claude Hamelin 与 Loukas Yiacouvakis 于 1994 年在蒙特利尔共同创立，历经三十年的深耕积淀，已成为加拿大最具持续影响力的建筑设计事务所之一。事务所以场所营造是建筑的本质为核心理念，将每一项委托视为一次创造性的空间重构行动，通过严谨的空间思维与高度自律的形式逻辑，对现实环境加以转化与再造。 两位创始合伙人均毕业于蒙特利尔大学建筑学院，至今仍亲自主持事务所的全部设计工作。Loukas Yiacouvakis 曾先后师从建筑师 Melvin Charney 及 Mario Biocca，积累了深厚的城市研究与场地设计经验。Marie-Claude Hamelin 曾参与 Daniel Libeskind 主持的 Intermondiun 课程，并在以色列大学开展建筑实习，跨文化的学术背景为其设计实践注入了独特的国际视野。 YH2 有意控制承接项目的数量，以确保团队能够将充分的精力投入每一个项目的全过程，涵盖场地整合、概念设计、施工图纸、建筑细部、室内设计及产品设计各个层面。在这一工作方法论中，所有设计元素均被视为整体构成逻辑的有机组成部分，不存在任何冗余之物。事务所屡获魁北克建筑师协会卓越建筑奖、Grands Prix du Design 大奖及多项国际设计竞赛荣誉，涵盖住宅、商业及酒店等多种建筑类型，Wooden Blocks、Maison Kirsh 及尖角之家等代表项目充分体现了事务所将概念雄心与材料精确性融为一体的卓越设计能力。 设计团队 旅游探访 3700 ft² 马戈格，加拿大 2022 Previous Next

< 返回 科林达住宅 BENT Architecture 项目名称：科林达住宅 地点：澳大利亚，维多利亚州普伦蒂 设计团队：BENT Architecture 建筑面积：472平方米 竣工时间：2025年 摄影：Tatjana Plitt 设计特色： BENT Architecture设计的科林达住宅坐落在墨尔本边缘六英亩的斜坡丛林地上，这座472平方米的住宅通过一系列分散的砌体体块和精心设计的过渡空间，成功地将当代居住需求与原生自然环境融为一体。 项目的起源颇具戏剧性。当延岩路的扩建计划威胁到业主家庭原有的住宅时，他们没有选择离开这片生活多年的土地，而是决定向更深的丛林腹地迁移。这个大胆的决定最终催生了一座真正与场地对话的建筑。 设计最显著的特点是对单一建筑体量的拒绝。建筑师将住宅分解为多个独立的砌体"模块"，这些体块覆以粗糙的木纤维混凝土，质感接近周围的灌木和岩石。每个模块容纳着不同的私密功能：绘画工作室、主卧套房、儿童卧室，所有卧室都设有宽敞的日光床凹室，可以捕捉正午的阳光。室内采用V型槽板、表现力强的墙纸和再生木地板，营造出温暖而亲密的氛围。 这些实体体块之间是住宅真正"呼吸"的地方。厨房、餐厅和公共活动空间都位于这些通透的过渡区域，由粗锯硬木、裸露砖墙和抛光混凝土界定。砖铺装从室内延伸到室外，形成台阶，勾勒庭院边缘，托起壁炉，让建筑牢牢扎根于起伏的地形之中。 住宅的中心是一个绿意盎然的庭院，由建筑和丛林共同围合。庭院一侧是通向工作室的木质走廊，被设想为展示家庭收藏和未来创作的画廊空间。厨房的设计格外用心：宽大的岛台配有雕塑感的钢制脚踏板，深蓝色橱柜嵌入木纤维混凝土墙体，每个细节都透露出设计师的关怀。 建筑沿着地形缓缓抬升，从厨房到泳池露台再到安静的休息室，最终到达树冠之上的图书馆，折叠式屋顶框取远处的景色。考虑到场地的高山火风险等级，住宅配备了太阳能电池板、储能电池、水箱等离网设施，所有材料都满足防火要求。周围的景观延续了这种与自然共生的理念，耐旱的本土植物、灌木石材和新生植被共同编织出一幅复兴的图景。 设计团队 BENT Architecture由保罗·波尔贾佐斯基和梅兰·波尔贾佐斯基夫妇于2003年在墨尔本布伦瑞克创立。二十多年来，这家事务所在住宅设计、可持续建筑和景观整合领域建立了扎实的声誉。 事务所的工作涵盖住宅、商业、教育和社区项目，提供从可行性研究、总体规划到施工管理的全流程服务。设计团队包括迈克尔·杰尔马诺、拉娜·希利等经验丰富的建筑师，他们在不同类型和规模的项目中积累了丰富的实践经验。 BENT Architecture的设计理念建立在三个支柱之上：人、环境和愉悦。他们认为建筑首先要服务于使用者，创造健康舒适的生活空间；其次要尊重环境，采用被动式设计原则减少能源消耗；最后，好的建筑应该带来惊喜和快乐，而不是枯燥乏味。 这种理念在他们的项目中得到了充分体现。从独栋住宅到社会保障房，从办公空间到屋顶花园，每个项目都力图在功能需求、环境责任和设计创新之间找到平衡点。事务所相信，通过对场地的深入理解和与客户的充分沟通，可以创造出既实用又富有表现力的建筑。 BENT Architecture的作品获得了广泛认可。2023年，埃利扎山住宅获得澳大利亚设计奖金奖；2018年，凤凰屋顶花园项目获得可持续发展奖；2017年，商业与艺术地下室项目获得伦敦设计奖金奖。除此之外，事务所还赢得了两项开放式设计竞赛，包括"成长中"绿色屋顶和"生活场所郊区复兴"公共住房项目。 值得一提的是，BENT这个名字来自梅兰的祖父乔治·"巴泽"·本特。他是一位自行车冠军选手，曾入选澳大利亚奥运代表队，至今仍保持着布伦瑞克的自行车纪录。这个家族姓氏后来成为事务所探索建筑可能性的载体，代表着一种质疑常规、追求独特的设计态度。 设计团队 旅游探访 472 m² 澳大利亚，普伦蒂 2025 Previous Next

< 返回 2025大阪世博会法国馆 Coldefy + CRA 项目名称：2025大阪世博会法国馆 地点：大阪，日本 设计团队：Coldefy + CRA 建筑面积：3600 m² 完成时间：2025 摄影：Julien Lanoo 设计特色： 项目 - 由法国建筑工作室Coldefy与意大利设计创新事务所CRA共同设计的2025大阪世博会法国馆，以"生命的剧场"为主题，展现建筑如何体现存在、运动和互动的瞬间。该项目灵感源自日本传说"赤い糸"（红线），这条无形的红线连接着命中注定的灵魂。在数字疏离定义的时代，法国馆重新确立了物理空间作为对话媒介的重要性。 法国馆的设计如同一场精心编排的戏剧，其流动的空间序列引导访客穿越不断变化的视角，映射日常生活的节奏——开始、过渡、暂停与离去。最具特色的是其17米高的织物帷幕，如同剧院幕布悬挂在建筑两侧，与自然元素互动，对光线和风的变化做出反应，形成一个不断变化的立面。 参观者的旅程遵循精心设计的三幕剧结构：首先是通过蜿蜒的楼梯向上攀升进入观景平台；然后进入内部，穿越一系列策划的空间，与展馆主题相关的装置和场景元素相遇，其中包括一个感官花园，提供思考的空间；最后通过回归户外和世博会场地的过渡结束此旅程，强调了内外之间的韵律流动。 法国馆采用预制和模块化元素构建，体现循环经济理念，确保其材料可以在世博会结束后拆卸再利用。不仅是其动态美学元素，可移动的帷幕立面也被设计为可拆卸和重新利用。馆内尽可能多地采用预制和临时组件，如办公空间使用集装箱结构，这些设计选择确保了降低环境影响，易于重新配置，以及世博会之后的适应性。 团队 - Coldefy是一家总部位于法国里尔的国际建筑工作室，由Thomas Coldefy领导，他于2022年被授予艺术与文学骑士勋章。该事务所的设计哲学围绕三个基本原则展开：清晰度、城市性和现象学。他们的方法强调创造平衡的环境、城市和社会构成，超越传统空间限制，将景观和个人叙事编织到建筑结构中。 工作室通过情境化视角处理每个委托项目，平衡项目需求与场地特定条件。Coldefy的结构优先考虑感官刺激——光线、材质和空间序列——超越纯技术解决方案，深化人类体验。 工作室曾获多项国际荣誉，包括欧洲建筑奖(2021)、多项AIA荣誉和优异奖(2019)。这些荣誉肯定了Coldefy在当代建筑话语前沿的地位，他们持续探索概念清晰性和体验丰富性之间的辩证关系，创造作为社会互动和城市复兴催化剂的空间。 Project Name: France Pavilion Expo 2025 Osaka Location: Osaka, Japan Design Team: Coldefy + CRA Total Floor Area: 3,600 m² Completion: 2025 Photography: Julien Lanoo Feature: Project - Designed by French architecture studio Coldefy with Italian design and innovation practice CRA-Carlo Ratti Associati, the France Pavilion at the Osaka World Expo 2025 is envisioned as a 'theatre of life', where architecture frames moments of presence, movement and interaction. The design draws inspiration from the Japanese legend of Akai Ito, the invisible red thread connecting destined souls. In a time defined by digital estrangement, the Pavilion reclaims physical space as a medium for dialogue. The pavilion's design resembles a carefully choreographed theatrical production, with a fluid sequence of spaces guiding visitors through changing perspectives that mirror the rhythms of daily life — beginning, transition, pause and departure. Most distinctive are its 17 metre high fabric veils resembling theatre curtains suspended down two sides, which interact with natural elements and respond to light and wind, creating a constantly shifting facade. Visitors experience the Pavilion through three carefully structured 'acts': first, an ascent via a sinuous staircase to an observation balcony; then moving inside, navigating a series of curated spaces with installations and scenographic elements tied to the Pavilion's themes, including a sensorial garden offering a moment of reflection; finally concluding with a transition back to the open air and the Expo site, reinforcing the rhythmic flow between inside and outside. Constructed with prefabricated and modular elements, the Pavilion embraces a circular approach, ensuring that its materials can be disassembled and repurposed after the expo. Beyond being a dynamic aesthetic element, the movable curtain facade is also designed for disassembly and repurposing. The Pavilion integrates as many prefabricated and temporary components as possible, such as container structures for office spaces, and these design choices ensure reduced environmental impact, ease of reconfiguration, and adaptability beyond the Expo. Design Team - Coldefy is an international architecture studio headquartered in Lille, France, led by Thomas Coldefy, who was honored as Knight of the Order of Arts and Letters in 2022. The practice's design philosophy pivots on three fundamental axioms: clarity, urbanity, and phenomenology. Their methodology foregrounds the creation of balanced environmental, urban, and social compositions that transcend conventional spatial limitations, weaving landscape and personal narratives into the architectural fabric. With a team of over 50 professionals, the studio approaches each commission through a contextual lens that mediates between programmatic requirements and site-specific conditions. Coldefy's tectonically legible structures prioritize sensory stimuli—light, materiality, and spatial sequence—that anchor human experience beyond mere technical solutions. The studio has received numerous international accolades, including the prestigious European Prize for Architecture (2021), multiple AIA Honor and Merit Awards (2019), and ArchDaily Building of the Year recognitions (2017, 2020). These distinctions affirm Coldefy's position at the vanguard of contemporary architectural discourse, where they continue to explore the dialectic between conceptual clarity and experiential richness, crafting spaces that function as catalysts for social interaction and urban revitalization. 设计团队 旅游探访 3600 m² 大阪，日本 2025 Previous Next

< 返回 高幡山之家 HYG ARCHITECTS 项目名称： 高幡山之家 地点： 东京，日本 建筑团队： HYG ARCHITECTS 建筑面积： 60.7 m² 竣工时间： 2022年9月 摄影： 矢原亮（Pepp Photograph）、HYG ARCHITECTS 设计特色： 项目 - HYG ARCHITECTS在东京日野市推出了高幡山住宅，这座精心打造的住宅位于丘陵郊区。作为建筑师自己的家，这座单层住宅完美展示了紧凑型生活空间如何与自然环境实现和谐共处。 这座位于多摩丘陵南坡的住宅，建筑面积仅为60.7平方米，通过其独特的锯齿状平面设计，为住宅建筑带来了创新的设计思路。设计直接回应了场地的地形特点，同时也体现了建筑师对户外活动的热爱，将他们所说的"徒步装备般的轻盈感"融入建筑构成中。 该住宅最引人注目的特点是其相互连接的空间序列，这种设计映射了周围景观的自然延续。建筑师将餐厅、厨房、客厅和卧室设计成一个连续的链条，创造出流畅的室内动线，呼应了攀登附近山脊的体验。每个房间都开向精心策划的花园空间，建筑的不规则轮廓形成了私密的户外凹角，这些空间作为缘侧式走廊和露台使用。 这个项目的与众不同之处在于其对自然光的巧妙运用。每个房间都经过精确设计，以捕捉不同品质的光线：餐厅通过树木过滤早晨的光线，客厅沐浴在柔和的漫射日光中，而战略性放置的天窗在卧室创造出戏剧性的明暗变化。特别是客厅，其创新的弧形石膏天花板能均匀分布光线，同时反映出一天中大气条件的变化。 尽管占地面积不大，但通过多功能空间的设计，这座房子实现了非凡的空间效率，能够在公共和私人用途之间无缝转换。以美丽的扁柏胶合板为主的极简主义室内设计，创造了一个中性的背景，提升了对外部环境微妙变化的感知，打造出一个真正能与周围环境呼吸共生的生活空间。 团队 – HYG ARCHITECTS成立于2022年，位于东京，是由两位日本建筑师檜垣幸志和柳橋啓一共同创立的建筑事务所。事务所的名称体现了他们的设计理念：在推进当代日本设计边界的同时，创造与环境和谐共生的建筑作品。 该事务所汇集了两位创始合伙人的丰富专业经验，他们都曾在日本知名建筑事务所任职。檜垣幸志此前在SALHAUS工作期间，参与了多个重要的公共项目，包括陆前高田市立高田东中学校和碁石海岸露营地信息中心。柳橋啓一曾就职于千叶学建筑计划事务所，主持了工学院大学125周年综合教育楼等多个项目，以及釜石市多个灾后重建住宅项目。 事务所的专业领域涵盖从住宅建筑到公共设施的广泛类型，特别注重场地语境的回应和空间创新。他们的设计方法以对环境条件的细致关注、对自然光的巧妙运用以及成熟的材料表达为特征。他们的作品始终展现出对传统日本空间概念的深刻理解，同时融入当代可持续设计策略。 最近，他们的高幡山之家项目因其在紧凑型居住空间的创新方法和与周边景观的精妙融合而受到广泛关注，充分体现了事务所在回应场地和使用者需求方面的设计理念。 Project Name: House in Takahata Mountain Location: Tokyo, Japan Architecture Team: HYG ARCHITECTS Total Floor Area: 60.70m² Site Area: 169.43m² Building Area: 63.75m² Completion: September 2022 Construction: Kimura Industry Structural Design: mhr Tomohiro Umehara Structure Type: Wooden Construction Custom Sofa: FUJITAKE WORKS Custom Glass: Shiho Fujiki Landscape Design: Fuwari Photography: Ryo Yahara (Pepp Photograph), HYG ARCHITECTS Feature： Project - HYG ARCHITECTS and Harumi Sakurai have unveiled House in Takahata Mountain, a thoughtfully crafted residence nestled in the hillside suburbs of Hino, Tokyo. This intimate single-story dwelling serves as the architects' own home, masterfully demonstrating how compact living spaces can achieve harmony with their natural surroundings. Located on the southern slopes of the Tama Hills, the 60.7-square-meter home introduces an innovative approach to residential architecture through its distinctive jagged floor plan. The design responds directly to both the site's topography and the architects' passion for outdoor activities, incorporating what they describe as "hiking gear-like lightness" into the architectural composition. The home's most striking feature is its sequence of interconnected spaces that mirror the natural progression of the surrounding landscape. The architects have arranged the dining room, kitchen, living room, and bedroom in a continuous chain, creating a fluid journey through the house that echoes the experience of ascending the nearby mountain ridge. Each room opens onto carefully curated garden spaces, with the building's irregular outline forming intimate outdoor niches that serve as engawa-style verandas and terraces. What sets this project apart is its sophisticated manipulation of natural light. Each room has been precisely engineered to capture different qualities of illumination: dappled morning light filters through trees into the dining area, diffused daylight bathes the living room in soft brightness, and a strategically placed skylight creates dramatic light and shadow play in the bedroom. The living room, in particular, features an innovative curved plaster ceiling that distributes light evenly throughout the space, while reflecting the changing atmospheric conditions throughout the day. Despite its modest footprint, the house achieves remarkable spatial efficiency through multifunctional spaces that seamlessly transition between public and private uses. The minimalist interior palette, anchored by beautiful hinoki plywood, creates a neutral canvas that heightens awareness of the external environment's subtle changes, establishing a living space that truly breathes with its surroundings. Design Team - HYG ARCHITECTS, founded in 2022 in Tokyo, represents a significant collaboration between two distinguished Japanese architects, Kohshi Higaki and Keiichi Yanagihashi. The firm's name embodies their design philosophy of creating architecture that harmoniously integrates with its context while pushing the boundaries of contemporary Japanese design. The practice combines the diverse expertise of its founding partners, who bring extensive experience from their previous roles at prominent Japanese firms. Kohshi Higaki, who previously worked at SALHAUS, contributed to significant public projects including the Rikuzentakata City Takata East Junior High School and the Goishi Coast Camp Information Center. Keiichi Yanagihashi, formerly with Chiba Manabu Architects, has led numerous notable projects including the Kogakuin University 125th Anniversary Educational Building and several reconstruction housing projects in Kamaishi City. The firm specializes in a wide range of typologies, from residential architecture to public facilities, with a particular emphasis on contextual sensitivity and spatial innovation. Their design approach is characterized by meticulous attention to environmental conditions, masterful manipulation of natural light, and sophisticated material articulation. Their work consistently demonstrates a deep understanding of traditional Japanese spatial concepts while incorporating contemporary sustainable design strategies. Most recently, their House in Takahata Mountain project has garnered attention for its innovative approach to compact living and its sophisticated integration with the surrounding landscape, exemplifying the firm's commitment to creating architecture that responds thoughtfully to both site and user needs. 设计团队 旅游探访 60.7 m² 东京，日本 2022 Previous Next

< 返回 "超级垫" Mega Mat MVRDV 项目名称： Mega Mat Installation 地点： 曼谷，泰国 设计团队： MVRDV 项目面积： 875 m² 竣工时间： 2025年2月 摄影： Depth of Field 客户： 泰国创意经济署 合作方： PTT Global Chemicals，荷兰大使馆 展期： 2025年2月8日至23日（曼谷设计周） 设计特色： 项目 – 在曼谷Lan Khon Mueang Town Square广场上，MVRDV建筑事务所以一个引人注目的临时装置作品"超级垫"(Mega Mat)，展现了可持续性与公共空间的创新结合。这个为2025年曼谷设计周打造的875平方米装置，巧妙地将500多个回收塑料垫重新设计成泰国传统"Sua"（一种在泰国家庭生活中代代相传的垫子）的放大版。 这个装置最引人注目的特点在于它同时具备公共空间和信息图表的双重功能。通过精心策划的渐变色彩，超级垫讲述了泰国塑料废物处理的故事：从代表不合格垃圾填埋场的红色区域，到象征回收材料的充满希望的绿色中心。这种巧妙的设计方法将数据可视化转化为沉浸式的空间体验，创造出一个访客可以实地走过和互动的叙事空间。 MVRDV的设计向当地建筑致敬，其抬起的边角和色彩方案呼应了附近善见寺(Wat Suthat Thepwararam)的屋顶线条。由532块模块组成，每块尺寸为1.8乘0.9米，整体装置展示了回收材料的多样性，同时融入了传统泰国纺织图案。这种将当代环保理念与文化遗产相结合的方式，有力地诠释了可持续设计在传承和发展传统实践中的作用。 最值得注意的是，该装置体现了循环设计原则——在曼谷设计周结束后，这些独立的垫子将被重新分配用作瑜伽垫、捐赠给当地寺庙或升级改造成新产品。这种对装置生命周期的深思熟虑的处理方式，使其从一个临时的建筑声明转变为催化持续可持续实践的动力，为临时装置如何产生持久影响提供了范例。 团队 – MVRDV由Winy Maas, Jacob van Rijs, 和 Nathalie de Vries于1993年创立，现已发展成为全球具有影响力的建筑事务所。事务所现由创始合伙人与Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, 以及Bertrand Schippan共同领导超过300名专业人员的团队，在鹿特丹、上海、巴黎、柏林和纽约设有战略性布局的多个办公室。 事务所以其研究导向的设计方法论著称，强调与客户、利益相关者和跨学科专家的早期协作。其专门的内部气候团队确保可持续性在所有项目中的整合，而MVRDV NEXT则专注于计算设计和技术创新。这种全面的方法促成了从混合用途开发到文化机构和城市总体规划等突破性项目。 事务所的作品组合展示了各种规模和类型的创新建筑解决方案，包括享誉世界的鹿特丹Markthal、阿姆斯特丹自然启发的Valley项目，以及开创性的Depot Boijmans Van Beuningen。他们的作品始终展现对可持续城市发展、社会参与和技术进步的承诺，赢得了众多国际奖项，确立了MVRDV在当代建筑实践中的先驱地位。 Project Name: Mega Mat Installation Location: Lan Khon Mueang Town Square, Bangkok, Thailand Design Team: MVRDV Area: 875 m² Completion: February 2025 Client: Creative Economic Agency, Thailand Partners: PTT Global Chemicals, Embassy of the Netherlands Exhibition Period: February 8-23, 2025 (Bangkok Design Week) Materials: 532 recycled plastic mats (1.8 x 0.9m each) Function: Temporary Installation, Public Space, Exhibition Space Photography: Depth of Field Feature： Project - In a vibrant statement on sustainability and public space, MVRDV has unveiled the Mega Mat, a striking temporary installation that transforms Bangkok's Lan Khon Mueang Town Square into an engaging social platform. The 875-square-metre installation, created for Bangkok Design Week 2025, ingeniously repurposes over 500 recycled plastic mats into a supersized version of the traditional Thai 'Sua' - a household mat that has been central to Thai family life for generations. The installation's most compelling feature is its dual function as both public space and infographic. Through a carefully orchestrated color gradient, the Mega Mat tells the story of Thailand's plastic waste journey: from red zones representing unsanitary landfills to the hopeful green center symbolizing recycled materials. This clever design approach transforms data visualization into an immersive spatial experience, creating a narrative that visitors can literally walk through and interact with. MVRDV's design pays homage to local architecture, with its lifted corner and color scheme echoing the rooflines of the nearby Wat Suthat Thepwararam temple. The modular composition, featuring 532 pieces each measuring 1.8 by 0.9 metres, demonstrates the versatility of recycled materials while incorporating traditional Thai textile patterns. This marriage of contemporary environmental concerns with cultural heritage creates a powerful statement about sustainable design's role in preserving and extending traditional practices. Perhaps most significantly, the installation embodies circular design principles in its planned afterlife - following Bangkok Design Week, the individual mats will be redistributed as yoga mats, donated to local temples, or upcycled into new products. This thoughtful approach to the installation's lifecycle transforms it from a temporary architectural statement into a catalyst for ongoing sustainable practices, offering a blueprint for how temporary installations can have lasting impact beyond their initial display. Design Team – MVRDV, established in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, has grown into a globally influential architecture practice. The firm now operates with a dynamic team of over 300 professionals led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, with offices strategically located in Rotterdam, Shanghai, Paris, Berlin, and New York. The practice is distinguished by its research-based design methodology, emphasizing early collaboration with clients, stakeholders, and multidisciplinary experts. Their dedicated in-house Climate Team ensures sustainability integration across all projects, while MVRDV NEXT specializes in computational design and technological innovation. This comprehensive approach has resulted in groundbreaking projects ranging from mixed-use developments to cultural institutions and urban masterplans. The firm's portfolio showcases innovative architectural solutions across various scales and typologies, including the world-renowned Markthal in Rotterdam, the nature-inspired Valley in Amsterdam, and the groundbreaking Depot Boijmans Van Beuningen. Their work consistently demonstrates a commitment to sustainable urban development, social engagement, and technological advancement, earning numerous international awards and establishing MVRDV as a pioneer in contemporary architectural practice. 设计团队 旅游探访 875 m² 曼谷，泰国 2025 Previous Next

< 返回 铃波荣森地下街店 吉村靖孝建筑设计事务所 项目名称： 铃波荣森地下街店 地点： 名古屋市，日本 设计团队： 吉村靖孝建筑设计事务所 + Nano建筑事务所 建筑面积： 110.87平方米（含厨房22.22平方米） 竣工时间： 2024年9月 摄影: ToLoLo studio 设计特色： 日本建筑师吉村靖孝与Nano建筑事务所在名古屋的地下商业空间中打造了一处极具氛围感的餐饮目的地，运用纤薄的曲面钢板墙体和创新的天花设计，在城市地下街创造出优雅的空间体验。 该鈴波餐厅位于名古屋快速发展的荣区森之地下街购物中心，占据着一个极为狭长的区域，宽度超过21米，进深却仅有5米多。这种拉长的比例带来了显著的设计限制，而建筑师将其转化为独特的建筑特征。 最具标志性的元素是由厚度仅6毫米的钢板构成的边界墙体，其曲面形态和变化的高度打破了地下商业空间典型的刚性几何形态。墙面并未遵循此类场所常见的直线租赁界限，起伏的金属表面在室内外之间创造出模糊的界限，其柔和的曲线通过与现有结构元素和照明装置精心编排的关系，生成深度和光影变化。所采用的弯曲技术同时具有结构功能，提供最佳的减振性能，建筑师将其描述为一体化设计手法。 针对地下空间固有的技术挑战，即对空调和照明的高要求，设计团队开发了巧妙的折上天花解决方案。所有必要的设备，从出风口到检修口，都集中在天花的上升部分，使下降面完全没有机械设施的干扰。这种策略性布局形成了不间断的精致水平面，与富有韵律的金属墙板相得益彰。 地面采用无需伸缩缝的特殊水磨石饰面，消除了会与金属墙板规整接缝产生冲突的多余线条。这些精心协调的元素共同营造出建筑师所描述的高品质空间感受，这在地下商业环境中极为罕见，将功能性限制转化为建筑机遇。 设计团队： 吉村靖孝建筑设计事务所成立于2005年，是一家位于东京的建筑与城市设计实践机构，已确立其作为日本当代建筑创新力量的地位。事务所由主持建筑师吉村靖孝领导，他同时担任早稻田大学教授，该事务所通过将规范限制、市场力量、社会常规和环境条件转化为生成性设计机遇而非局限来应对设计挑战。 该事务所的方法论受到吉村靖孝1999年至2001年在鹿特丹MVRDV事务所工作经历的影响，展现了对建筑与其语境框架关系的深刻理解。这种方法获得了广泛认可，包括日本建筑学会对フクマスベース和中川政七商店新社屋等项目颁发的多个作品选奨，Red Light Yokohama项目获得的JCD设计奖大奖，以及享有盛誉的吉岡賞。 吉村靖孝作为实践者与教育者的双重身份塑造了事务所研究驱动的设计精神，探讨建筑介入如何回应复杂的城市状况。该事务所的作品涵盖从商业室内到住宅项目的多样类型，始终在看似限制性的情境中揭示潜在的空间可能性。通过《行为与协议》和《超合法建筑图鉴》等出版物，该事务所阐明了其关于建筑与当代规范及社会景观互动的理论立场。 设计团队 旅游探访 110.87 m² 名古屋市，日本 2024 Previous Next

< 返回 "鲑鱼之眼"Iris 餐厅 NORM Architects + Kvorning Design 项目名称：Iris 餐厅 设计团队：NORM Architects + Kvorning Design 面积：1000 m² 地点：罗森达尔, 挪威 设计特色： 项目 – 矗立于挪威哈当厄尔峡湾波光粼粼的水面之上， 全新开放的Iris 餐厅犹如一座耀眼的美食灯塔，巧妙地融入了创新的"鲑鱼之眼"（Salmon Eye）装置建筑之中。这家米其林星级餐厅坐落于一座漂浮的椭圆形建筑内，将尖端建筑设计与私密用餐体验完美结合。NORM建筑事务所的室内设计巧妙地平衡了由Kvorning设计的极致外观与温馨就餐环境之间的张力。 餐厅的设计理念围绕着对比与和谐展开。起伏的曲线和定制家具呼应了建筑的有机形态，而温暖的胡桃木材质和柔软的地毯则柔化了钢铁外壳的冷硬。这种并置手法在辽阔的北欧景观中营造出一个舒适的庇护所。 通过巧妙的空间划分，设计师们精心打造了私密感，引导食客踏上一段探索之旅。透过如“鲑鱼鱼鳞般”的外墙，峡湾和群山的全景尽收眼底，进一步提升了感官体验。 可持续发展理念在菜单和设计方法中均占据核心地位。本地食材和对海洋生物的关注塑造了餐厅的烹饪特色，而室内的自然质地和流畅线条则强化了与周围生态系统的联系。 "鲑鱼之眼"不仅仅是一家餐厅，它还是一个漂浮的水产养殖中心，其醒目的外形并已迅速成为新地标。这座多功能建筑代表了体验式建筑的新范式，将教育、美食和设计融为一体，创造出一个独一无二体验感的美好场所。 团队 – 成立于2008年的Norm Architects已然成为当代丹麦设计领域的中坚力量，通过感官参与和极简主义美学重新诠释了建筑环境。这家总部位于哥本哈根的多专业设计工作室由创始合伙人Jonas Bjerre-Poulsen和Kasper Rønn Von Lotzbeck领衔，培育出一种独特的设计方法，巧妙融合了建筑、室内设计和工业设计。 凭借15年的国际经验，Norm Architects的作品涵盖住宅、酒店和商业项目，每一个项目都体现了他们对触觉设计原则的坚持。该工作室的核心理念在于将复杂的设计挑战提炼为纯粹、共鸣的形式，在满足普遍人性需求的同时，对特定场地环境保持高度敏感。 Norm的设计哲学植根于一个精细的简化过程，寻求功能与美学达到完美平衡的精确时刻。这种对本质的追求不仅满足视觉标准，还能调动人类全方位的感官体验，在使用者与环境之间构建深层连接。 工作室的作品以对材质、光线和比例的细腻理解见长，这一理解既源于斯堪的纳维亚设计传统，又融合了全球当代影响。通过触觉体验重新激活建筑的感官属性，Norm Architects创造出能在人性深处引起共鸣的环境，满足人类对归属感、自主性和身份认同的内在渴望。 Project：Restaurant Iris Team：NORM Architects + Kvorning Design Size：1000 m² Location：Rosendal, Norway Feature： Project - Perched atop the shimmering waters of Norway's Hardangerfjord, Restaurant Iris emerges as a culinary beacon within the innovative Salmon Eye installation. This Michelin-starred dining destination, nestled inside a floating ellipsoid structure, marries cutting-edge architecture with intimate gastronomy. NORM Architects' interior design deftly navigates the tension between the brutalist exterior, crafted by Kvorning Design, and the need for a welcoming dining environment. The restaurant's design ethos revolves around contrast and harmony. Undulating curves and bespoke furniture echo the structure's organic form, while warm materials like walnut wood and plush carpets soften the steel shell. This juxtaposition creates a cocoon of comfort amidst the vast Nordic landscape. Intimacy is cultivated through a thoughtful division of space, guiding diners on a journey of discovery. The sensory experience is heightened by panoramic views of fjords and mountains, visible through the building's fish-scale-like exterior. Sustainability takes center stage, both in the menu and the design approach. Local ingredients and a focus on marine life inform the culinary offerings, while the interior's natural textures and flowing lines reinforce a connection to the surrounding ecosystem. More than just a restaurant, Salmon Eye functions as a floating aquaculture center, its striking form visible for miles. This dual-purpose structure exemplifies a new paradigm in experiential architecture, where education, gastronomy, and design converge in a truly unique setting. Design Team - Established in 2008, Norm Architects has emerged as a pivotal force in contemporary Danish design, reimagining the built environment through a lens of sensory engagement and minimalist sophistication. This Copenhagen-based multidisciplinary studio, led by founding partners Jonas Bjerre-Poulsen and Kasper Rønn Von Lotzbeck, has cultivated a distinctive approach that seamlessly blends architecture, interior design, and industrial design. Drawing on 15 years of international experience, Norm Architects' portfolio spans residential, hospitality, and commercial projects, each exemplifying their commitment to haptic design principles. The firm's ethos centers on distilling complex design challenges into pure, resonant forms that address universal human needs while remaining acutely attuned to site-specific contexts. Norm's design philosophy is rooted in a meticulous process of reduction, seeking the precise moment when function and aesthetics achieve perfect equilibrium. This pursuit of essence results in spaces and objects that not only satisfy visual criteria but also engage the full spectrum of human senses, fostering a profound connection between user and environment. The studio's work is characterized by a nuanced understanding of materiality, light, and proportion, informed by both Scandinavian design traditions and global contemporary influences. By re-sensualizing architecture through tactile experiences, Norm Architects creates environments that resonate on a deeply human level, addressing innate desires for belonging, autonomy, and identity. 设计团队 旅游探访 1000 m² Rosendal, Norway 2024 Previous Next

< 返回 法灵登路 68-86 号大楼 Sheppard Robson 设计特色： Sheppard Robson在伦敦富于活力的克拉肯维尔地区，巧妙改造了一处曾经作为多层停车场的复杂场址，创造了68-86 Farringdon Road这一大胆的综合体建筑。该项目将一家180间客房的酒店与一座写字楼完美结合，底层的零售和公共空间更为街道增添了活力。这两栋建筑虽有分隔但又巧妙相连，通过精心设计的体量分割，重新定义了此地一贯的线性城市肌理。 设计灵感源自维多利亚时期曾在此地的住宅区，一系列相互连通的凸室组合勾勒出立面轮廓。酒店北侧的高度恰到好处地与周边住宅相和谐，而向南则逐步增高以与更高大的写字楼遥相呼应。与此同时，不同的材质让两栋楼各具个性。酒店外覆以古铜色金属瓦，将慢慢风化成与邻近砖房相近的颜色;写字楼则选择了更为现代清冷的锌板作为建筑表皮。 两栋楼身的折叠式立面随着光线变化而产生动态质感。项目下方的既有地基被巧妙保留，在其上仅修建轻型钢架构，以减小噪音和振动对酒店的影响，写字楼部分则采用隔音混凝土结构。立面的阴影设计还可产生被动式的散热效果。通过这些精心设计和可持续的手段，法灵登路 68-86 号大楼不仅修复了城市肌理，更将这一老旧场址焕然一新，成为当代魅力重镇。 Sheppard Robson's 68-86 Farringdon Road marks a bold intervention revitalizing a complex, formerly car park-occupied site in London's eclectic Clerkenwell neighborhood. The mixed-use development harmoniously merges a 180-key hub by Premier Inn hotel with a speculative office building, anchored by activating ground floor retail and public spaces. The two distinct yet connected volumes deftly redefine the linear urban block through an architecturally scaled massing strategy. Taking cues from the proportions of Victorian residential blocks once situated here, a series of interconnected bays articulates the elevations. Towards the northern end, the hotel's height responds contextually to surrounding residences, while gaining stature to address larger-scale office buildings southwards. Material choices imbue each component with its own distinctive personality. The hotel's bronze-toned metal shingle cladding will naturally patina over time to relate to neighboring brick facades. Contrastingly, the office block's cooler zinc skin provides a crisp, modern counterpoint. Across both volumes, folded, sculptural facades create dynamic, transformative surfaces that respond to changing light conditions. An ingenious foundation strategy minimized embedded carbon by retaining existing groundworks, upon which lightweight steel superstructures optimized for acoustics were erected. Environmental responsiveness extends to passive cooling via strategic facade shading. Through such nuanced, sustainable interventions redefining an underutilized site, 68-86 Farringdon Road emerges as a compelling, forward-looking anchor repairing the urban fabric. 设计团队： Sheppard Robson是一家来自英国的跨领域建筑与设计机构，始于1938年由Sir Richard Sheppard和Jean Shufflebottom夫妇创立，后于上世纪50年代迎来了Geoffrey Robson作为合伙人加入。如今，这家拥有360名员工的事务所已发展成为一个不断演进的创意平台，团队由建筑师、室内设计师和总体规划师组成，在合伙人的带领下通力合作。 该事务所将设计视为一个驱动型过程，过程中蕴含着创意、技术和理念的交流。他们以人为本的方法会借助解读性互动环节，听取最终用户的心声，并据此检验和优化创新理念，力求在保留先锋精神的同时予以完善。每一个项目的实践都将促进Sheppard Robson重新思考我们的生活、工作、学习和娱乐方式，以求在有限资源的地球上实现人与自然的更好平衡。设计团队的专长包括室内设计部门ID:SR以及基础设施专家AXIS，使精湛的设计工艺得以延伸至跨领域。同时，事务所还通过社区活动和开放包容的工作室文化，积极培养下一代人才。 秉承可持续发展和回应社会需求的优良传统，Sheppard Robson一直致力于应对紧迫的全球挑战，靠协作交流的力量，谋求打造一个更为包容、资源友好的建筑环境。 Sheppard Robson is an interdisciplinary architecture and design collective founded in 1938 by Sir Richard Sheppard and Jean Shufflebottom, later joined by Geoffrey Robson as a partner in the 1950s. Today, the 360-person strong firm operates as an ever-evolving creative hub encompassing architects, interior designers, and master planners under a collaborative partnership model. The practice approaches design as a transformative process driven by creative, technical, and intellectual exchange. Their people-centric methodology engages end-users through an interpretive process to test and fine-tune pioneering ideas without compromising innovative spirit. Each project advances Sheppard Robson's mission to rethink how we live, work, learn and play in pursuit of a better human-nature balance. Key specialisms include Sheppard Robson's interior design arm ID:SR and infrastructure experts AXIS, extending the collective's design precision across disciplines. The firm is actively cultivating the next generation through community initiatives and an open studio culture that nurtures emerging talents. With a robust legacy prioritizing sustainability and societal impact, Sheppard Robson continues probing urgent global challenges. The current partnership admirably upholds the founders' vision - harnessing the power of collaborative exchange to shape a more inclusive, resource-conscious built environment. 设计团队 旅游探访 9690 ㎡ 英国，伦敦 2023年 Previous Next

< 返回 斯坦伯格住宅 TwoFiveFive Architects 项目名称：斯坦伯格住宅 地点：米德兰，南非 设计团队：TwoFiveFive Architects 建筑面积：414 m² 竣工时间：2021年 摄影：Paris Brummer 设计特色： 项目 -坐落于南非著名的滑铁卢庄园内，沿着贾克斯基河岸，斯坦伯格府邸作为当代住宅建筑的杰出典范脱颖而出。由TwoFiveFive Architects设计，这座414平方米的住宅巧妙地将极简主义美学与其自然环境的深度连接融为一体。 这座住宅以其优雅的设计解决了一个基本的建筑挑战：创造一个既能回应地形环境，又能满足客户渴望营造有意义联系的家园。设计团队精心编排了开放性与私密性之间的微妙平衡，使建筑能够与环境和谐共存。 斯坦伯格府邸的独特之处在于其经过深思熟虑的体量构成，创造了室内外空间的动态交融。建筑师采用了精致的干净线条和极简形式，选用玻璃、混凝土和钢材等材料，不仅是为了美观，更是看中它们的耐久性和低维护特性。 落地窗如同活动的画布，框住不断变化的河畔景观，同时消解了传统的内外界限。这种通透性使自然光充满室内空间，并让河流的柔和声音气氛渗透整个家园。 空间组织展现了对当代生活模式的深刻理解。开放式公共区域鼓励社交互动，而精心布置的私人区域则提供了独处和沉思的时刻。这种流畅的空间流动创造了一个能轻松适应各种居住方式的家，无论是举办聚会还是提供宁静的退隐之所。 斯坦伯格住宅展示了建筑设计如何能在场地特定响应性和当代表达之间达成和谐。这个项目成为了住宅建筑的精致典范，既尊重其环境背景，又拥抱明显的现代感——优雅简约与有目的功能性在这里达成完美平衡。 团队 - TwoFiveFive Architects TwoFiveFive Architects是由首席建筑师Theo Kruger和André Krige创立的商业建筑事务所和咨询公司，旨在创造在目的和诗意上都强大的空间和结构解决方案——挑战常规、激发好奇心并促进变革的设计，同时保持可建造性和预算控制。 该事务所在南非约翰内斯堡和开普敦设有办事处，致力于为每个项目注入本地、特定场地的相关性，无论其位于国内还是国际。他们的工作考虑客户的愿景和预算，与场地的背景和社区共鸣，并推进环保议程。他们的创意使命是设计超越形式和功能的环境，达到既创新又持久的解决方案。明白我们创造的将远远超过我们的寿命，工作室旨在将每个设计机会转化为具有固有、代际价值的标志性建筑资产。 在没有任何单一美学的情况下工作，他们的输出首先植根于独创性和经验——在那里材料和过程被审视、调整和完善，以达到一种引人注目、经过设计语言，提升每个场地及其与用户的互动方式。在这样做的过程中，他们的目标是让他们的作品不断引发思考并激励灵魂。无论应用的部门或规模如何，他们对这一理念的承诺始终如一——无论是为教育机构设计性别包容的浴室，将100平方米的市中心地块转变为混合用途的多层开发项目，还是为私人住宅定制毛巾架。 Project Name: House Steynberg Location: Midrand, South Africa Design Team: TwoFiveFive Architects Total Floor Area: 414 m² Completion: 2021 Photography: Paris Brummer Feature: Project - Nestled along the banks of the Jukskei River in South Africa's prestigious Waterfall Estate, House Steynberg emerges as a masterful testament to contemporary residential architecture. Designed by TwoFiveFive Architects, this 414-square-meter dwelling seamlessly merges minimalist aesthetics with a profound connection to its natural surroundings. The residence stands as an elegant solution to a fundamental architectural challenge: creating a sanctuary that responds to both its topographical context and the client's desire for a home that fosters meaningful connections. Lead architects André Krige and Helain Foley have orchestrated a delicate balance between openness and intimacy, allowing the structure to breathe with its environment. What distinguishes House Steynberg is its thoughtful volumetric composition, which creates a dynamic interplay between interior and exterior spaces. The architects have employed a sophisticated arrangement of clean lines and minimalist forms, using materials such as glass, concrete, and steel not merely for aesthetic appeal but for their durability and low-maintenance properties. Floor-to-ceiling windows function as living canvases, framing the ever-changing riverside landscape while dissolving conventional boundaries between inside and outside. This permeability allows natural light to flood the interior spaces and invites the gentle sounds of the river to permeate the home. The spatial organization reveals a nuanced understanding of contemporary living patterns. Open-plan communal areas encourage social interaction, while strategically positioned private zones offer moments of solitude and contemplation. This fluid circulation creates a home that adapts effortlessly to various modes of habitation, whether hosting gatherings or providing quiet retreat. House Steynberg exemplifies how architectural design can achieve harmony between site-specific responsiveness and contemporary expression. The project stands as a refined example of residential architecture that honors its context while embracing a distinctly modern sensibility—where elegant simplicity meets purposeful functionality in perfect equilibrium. Design Team - TwoFiveFive Architects is a commercial architectural practice and consultancy founded by principal architects Theo Kruger and André Krige with the intention of creating spatial and structural solutions that are powerful in both purpose and poetry – designs that challenge convention, inspire curiosity and instigate change, while remaining buildable and within budget. With offices spanning Johannesburg and Cape Town in South Africa, they strive towards imbuing every project with local, site-specific relevance, no matter its national or international location. They work in consideration of the client's vision and budget, in sympathy with the site's context and community, and in advancement of their environmental agenda. Their creative mandate is to design environments that extend beyond form and function, to arrive at solutions that are as innovate as they are enduring. With the understanding that what they create will far outlive them, their studio aims to translate every design opportunity into an iconic architectural asset with inherent, inter-generational value. Working in absence of any singular aesthetic, their output is first and foremost grounded in ingenuity and experience – where materials and processes are interrogated, adapted and refined to arrive at a compelling, considered design language that elevates each site and the way in which it engages its users. In doing so, they aim for their work to continually intrigue the mind and inspire the soul. Irrespective of the sector or scale of application, their commitment to this philosophy remains consistent – whether designing gender inclusive bathrooms for an educational institution, transforming a 100 m² inner city stand into a mixed-use multi-storey development, or custom-engineering towel rails for a private residence. 设计团队 旅游探访 414 m² 米德兰，南非 2021 Previous Next

< 返回 旗帜屋 studio mk27 设计特色： 项目 – 巴西现代主义与加拿大惠斯勒的雪山完美融合，Studio MK27设计的"旗帜屋"（Flag House）在2023年Wallpaper*设计大奖中荣获最佳滑雪度假屋奖。这座独特的建筑坐落于惠斯勒白雪皑皑的山峰之间，巧妙地将巴西现代主义与高山建筑风格相结合。 来自圣保罗的Studio MK27以其热带别墅设计闻名，此次他们成功地将其标志性的室内外连接理念转化到了寒冷的环境中。结果令人惊叹：一个透明的庇护所，仿佛漂浮在雪景之上，既邀请自然进入室内，又为住户提供了一个温暖舒适的避风港。 "旗帜屋"最引人注目的特点是其悬挑的上层——一个被大面积玻璃包裹的主层空间。这个通透的体量看似轻盈地悬浮在混凝土基座之上，与崎岖的地形形成戏剧性的对比。室内精心策划的陈设融合了现代主义和当代家具，营造出极简主义背景，为不断变化的自然景观提供了完美的画框。 这座创新型度假屋的设计不仅仅停留在美学层面，还巧妙地融入了高山生活方式。住户可以直接滑雪进入房屋，模糊了户外冒险与家居生活的界限。通过这种开创性的设计手法，Studio MK27打造了一个不仅尊重环境，更是共享自然的家园，为奢华滑雪度假屋提供了全新的诠释。 团队 – Studio MK27作为巴西现代主义建筑的先锋，自20世纪70年代末由建筑师马西奥·科甘（Marcio Kogan）创立以来，一直引领着全球设计潮流。这家位于充满活力的圣保罗的设计工作室，如今已发展成为拥有56名成员的强大团队，并拥有广泛的国际合作网络。 Marcio Kogan本人是美国建筑师协会（AIA）的荣誉会员和米兰理工大学的教授，他领导着一个由四位总监组成的核心团队，负责管理三个专业部门。长期合作伙伴戴安娜·拉多米斯勒（Diana Radomysler）主管室内设计团队，而雷纳塔·弗拉内托（Renata Furlanetto）和苏珊娜·格洛戈夫斯基（Suzana Glogowski）则领导建筑设计团队。玛丽安娜·西马斯（Mariana Simas）作为执行总监，负责管理新项目和日常运营。 工作室的设计理念深深扎根于巴西现代主义传统，但他们通过当代手法不断演绎这一传统。他们的作品以形式简洁和极致细节著称，赢得了包括世界建筑节奖（WAF）、《建筑评论》奖和《Wallpaper》设计大奖在内的250多项设计荣誉。 Studio MK27的影响力远超建成作品。他们在2012年威尼斯双年展上的亮相，以及在皇家艺术学院和耶鲁大学等机构的演讲，凸显了他们作为建筑思想领袖的地位。这家总部位于圣保罗的事务所不断突破界限，创造出完美融合现代主义原则与前沿设计的空间，巩固了他们作为21世纪建筑界中坚力量的地位。 Feature： Project - Nestled in the snow-capped peaks of Whistler, Canada, Flag House by Studio MK27 emerges as a masterful fusion of Brazilian modernism and alpine architecture. This striking retreat, winner of Best Ski Retreat at the 2023 Wallpaper* Design Awards, challenges conventional notions of winter residences with its bold, glass-encased design. Marcio Kogan's São Paulo-based practice, renowned for its tropical villas, has adeptly translated its signature indoor-outdoor connection to a frosty canvas. The result is a transparent sanctuary that seems to float above the snowy landscape, inviting nature in while providing a cozy refuge from the elements. The home's most distinctive feature is its cantilevered upper level – a grand piano nobile wrapped in expansive glazing. This transparent volume appears to hover weightlessly above its concrete base, creating a dramatic juxtaposition with the rugged terrain. Inside, carefully curated interiors blend modernist and contemporary furnishings, forming a minimalist backdrop that frames the ever-changing views. Flag House's innovative design extends beyond aesthetics, seamlessly integrating with the alpine lifestyle. Residents can ski directly into the home, blurring the lines between adventure and domesticity. With its groundbreaking approach to mountain living, Studio MK27 has created a home that not only respects its environment but celebrates it, offering a new perspective on luxury ski retreats. Design Team - Studio MK27, a vanguard of Brazilian modernist architecture, has been shaping the global design landscape since its inception in the late 1970s by visionary architect Marcio Kogan. Nestled in the vibrant chaos of São Paulo, this atelier has grown into a powerhouse of 56 members, with an extensive network of international collaborators. At the helm, Kogan, an AIA honorary member and Politecnico di Milano professor, leads a quartet of directors overseeing three specialized divisions. Diana Radomysler, a longtime partner, spearheads the interior design team, while Renata Furlanetto and Suzana Glogowski direct the architectural squad. Mariana Simas, as executive director, manages new projects and operations. The studio's ethos is deeply rooted in the Brazilian modernist tradition, yet it constantly evolves this legacy through contemporary reinterpretation. Their portfolio is characterized by formal simplicity and meticulous attention to detail, earning them over 250 prestigious accolades including WAF, Architectural Review, and Wallpaper Design Awards. Studio MK27's influence extends beyond built works. Their presence at the 2012 Venice Biennale and lectures at institutions like the Royal Academy of Arts and Yale University underscore their role as thought leaders in architectural discourse. This São Paulo-based practice continues to push boundaries, creating spaces that seamlessly blend modernist principles with cutting-edge design, cementing their status as a formidable force in 21st-century architecture. 设计团队 旅游探访 1130 m² Whistler, Canada 2022 Previous Next