< 返回 MimMim 别墅群 On Architects Inc. 设计特色： 项目 – 蔚州郡金哈海滩上，矗立着一座现代主义建筑杰作—MimMim别墅群。这座占地397平方米的精品别墅群，不仅提供舒适的住宿体验，更融合了壮阔的自然景观与前卫的建筑艺术。以提供与其他海滩住宿设施完全不同的体验为出发点，项目灵感来源于邻近的天然小岛，MimMim别墅群的设计呈现出七个与周边环境连成一体的“岛屿”。当步入这些经过精心雕琢的空间之中，仿佛进入了一个与世隔绝的世外桃源，透过无框架的天窗洒落下来的阳光，在平静的水面上跳跃闪耀，“时间流逝”这一抽象主题在光影氛围间变得具体而灵动。简洁的几何线条与粗犷的混凝土外立面，与秋日枯黄的草木形成强烈对比，这是通过11米见方的单体模块围绕露天游泳池实现的。内部的玻璃围护提供了私密性，同时可以欣赏到开阔的景观。精心设计的室内空间，实现了工业质感与现代美学的和谐统一，简约的定制家具和充足的采光更添空间感。这些极简主义风格的度假屋（群）中，每一个细节都体现出建筑师的用心，景色也无声融入每个房间。当夜幕降临时，透过格子天花的光影绰约有如灯塔的照明，为这片建筑群岛注入生机。每一个“岛屿”都在讲述关于空间和光影的诗意故事，使人远离尘嚣，拥抱内心的静谧，领略大自然的静美。 团队 – 在对社会现象的深入观察中，On Architects建筑设计团队获取设计灵感，构想出促进人际交流的创新空间。这家位于韩国首尔的公司自2008年以来，在住宅和商业项目领域创造出人性化且细腻的设计作品。On Architects拥抱实验性的设计方法，开拓可持续发展的不同方案，丰富建筑的文化价值。他们的设计契合周边环境，打破物理限制。自然光线和通透性定义了这个设计团队空灵简约的室内风格。像MimMim别墅这样的代表作品，将原始的工业质感与流动的形体及几何线条结合。由此产生的建筑景观融合室内外，提供身临其境的体验。在获得多项大奖的认可下，On Architects 正在引领韩国建筑设计的创新未来。 Feature： Project - Nestled along the golden shores of Jinha Beach in Ulju-gun, South Korea lies MimMim Villa, a modern architectural gem envisioned by On Architects Inc. Occupying 397 sqm, this boutique villa complex transcends a mere lodging to become an artistic amalgamation of breathtaking vistas and striking contemporary forms. Inspired by the nearby natural islands, the design manifests as seven independent “islands” interlinked with the lush surroundings. Stepping into these carefully shaped volumes transports one into an ethereal space where rays of sunlight filter through frameless sky lights, dancing across tranquil waters. Clean geometric lines and bare concrete façades contrast dramatically against dying grasses in autumn, achieved through simple 11x11m square modules around open-air plunge pools. An inner glass enclosure offers privacy while allowing unobstructed views outward. Here, On Architects’ impeccable interiors balance industrial rawness with modern sensibilities seen in the elegant custom furnishings and ample daylighting. Thoughtful detailing permeates this intentionally minimalist retreat as glimpses of horizon envelop each room. When night falls, patches of light permeate through latticed beams reminiscent of beaming lighthouses, breathing life into this vibrant architectural archipelago. Every island tells a poetic story of space and shadows, providing an escape where one can embrace stillness and marvel at nature’s quiet splendor. Design Team - Guided by insightful social observations, On Architects envisions inventive spaces that foster human connections. Since 2008, the Seoul-based firm has created sensitive, people-centric designs from residential to commercial. On Architects embraces an experimental approach, pioneering sustainable alternatives that add cultural value. Their contextual response eschews physical limitations, weaving spaces in harmony with surroundings. Natural light and transparency define airy, minimalist interiors. Prominent projects like MimMim Villa combine raw industrial textures with fluid forms and geometric lines. The resultant landscapes bridge indoor and outdoor, providing an immersive experience. With multiple accolades affirming their ethos of imaginative functionality, On Architects continues leading Korea's architectural innovation. 设计团队 旅游探访 397 m² 韩国 蔚州郡 2023 Previous Next

< 返回 Desert X AlUla 2024 游客中心 KWY.studio 设计特色： 项目 – 深入沙漠腹地，在阿拉伯埃尔奥拉大地上矗立着一座宁静的建筑，它就是KWY.studio为2024年Desert X AlUla 艺术节（本次是继2020和2022年之后的第三届）精心设计的游客中心。这座中心巧妙地嵌入了一条狭窄的峡谷之中，周围群峰环绕，气势磅礴。整个建筑布局由这片狭长地形直接决定，主入口通过几何形内凹通道，让人渐次步入中庭，而中庭则将长轴拗了45度，使空间对角生成不少独特的观景角落。中庭通透的设计，让游人即可遮蔽酷日烈阳，又可一览绵延的苍茫沙漠和湛蓝明空。建筑师用简练的体型和线条，去恭顺包围它的大自然奇观，既映衬了峡谷的层层疏落沉积岩石壁，又给了建筑本身一种沉稳幽然的独立气质。这份对周遭环境的敏锐观察与尊重，贯穿了整个设计过程。最终，游览路线抵达西侧的露台，在那里人们可以透过一面明镜般的玻璃廊，尽览阿拉伯沙海的辽阔，仿佛身临其境。这种由内而外、循序渐进的观景设计体验，恰如其分地抒发埃尔奥拉广袤大地的苍茫浩瀚，让人心旷神怡。 团队 – KWY.studio是一家2009年在柏林和洛杉矶成立的跨学科设计工作室，探索项目合作的本质。该工作室由主理人Ricardo Gomes领导，在设计实践中采取过程导向的方法。每个委托项目一开始，都会与不同领域的特邀专家进行深入对话和分析。这种包容并蓄的做事方式，往往能产生出人意料、富有创意的设计解决方案，打破常规思维的束缚。工作室的项目源于各种不同视角的融合，近期合作伙伴包括艺术家、作家、策展人，以及教育工作者、设计师和其他建筑师。KWY.studio的作品展现了将概念叙事巧妙融入设计，回应场地和功能特质的过人能力。他们的作品在处理复杂条件时，能以精雕细琢、曲尽其妙的方式，提升建筑的感官体验。KWY.studio用专业严谨的态度，通过跨领域的探索和无缝协作，不断推进建筑设计的边界，确实令人印象深刻，其作品使这家工作室成为当代建筑设计的先锋代表。 Feature：Project - KWY.studio 's Desert X AlUla 2024 Visitor Centre embraces the rugged desert canyon landscape of AlUla, Saudi Arabia with a strikingly minimal design that highlights the natural geological formations. Located at the end of a narrow canyon, the building's position and spatial organization are directly informed by the cul-de-sac site nestled between towering rock cliffs. The centre's understated form defers to the surrounding scenery, with a monolithic presence that appears carved from the stratified canyon walls. A carefully choreographed processional sequence guides visitors from the arrival deck through compressed prismatic vestibules into an open courtyard oriented 45 degrees from the main axis. This rotation creates intimate spaces that frame diagonal views of the sublime desert panorama. While the angled courtyard establishes a sense of enclosure, cut-outs and a circular oculus intentionally reveal glimpses of the sky and craggy landscape beyond. The thoughtful journey culminates on the West side with an uninterrupted vista across the desert floor through a mirrored vestibule that expands the sense of depth. KWY.studio 's refined design deftly balances exposure to and protection from AlUla's extremes. The Desert X AlUla 2024 Visitor Centre offers a tranquil spatial experience that elevates an appreciation for the region's dramatic natural environment through a nuanced interplay of solid, void, light and shadow. Design Team - Founded in 2009 in Berlin and Los Angeles, KWY.studio is a multidisciplinary platform that investigates the nature of collaboration through specific projects. Led by principal Ricardo Gomes, the firm takes a process-oriented approach, beginning each commission with in-depth dialogue and analysis among invited specialists from diverse creative fields. This inclusive methodology results in unexpected and imaginative design solutions that challenge conventional boundaries. KWY.studio 's projects emerge from the synthesis of diverse perspectives, with recent collaborators ranging from artists, writers, and curators to educators, designers, and fellow architects. The firm's portfolio demonstrates a keen ability to imbue projects with conceptual narratives that respond to the unique contextual Parameters of each site and program. KWY.studio 's designs deftly negotiate complexities with refined, meticulously detailed expressions that elevate the sensory experience of architecture. With a talented staff including Luise Marter and Rui Neto, among others, KWY.studio exemplifies an accurate, professional approach that pushes the boundaries of what architecture can be through interdisciplinary exploration and seamless collaboration. Their work positions the practice at the vanguard of contemporary architectural design. 设计团队 旅游探访 900 m² 沙特阿拉伯，埃尔奥拉 2024年 Previous Next

< 返回 Populus 酒店 Studio Gang 项目名称: Populus 酒店 地点: 美国，丹佛市 设计团队: Studio Gang 面积: 135000 平方英尺 / 13 层，265 间客房 完成时间: 2024 年 摄影师: Steve Hall, Jason O'Rear 设计特色： 项目 – 由Studio Gang设计的Populus酒店在丹佛市中心树立了一座具有变革性的建筑存在。这座大楼包含13层265间客房，通过对三个街道立面同等重视的设计重塑了一个显著的三角形地块，有效地连接了丹佛的市政、艺术和商业区。 建筑最独特的特征是其生物形态外立面，灵感来自科罗拉多州本土白杨树（Populus tremuloides）的生长模式。每个与客房宽度相对应的垂直凹槽都设有眼睛形状的窗户，呼应着白杨树皮上特有的疤痕纹理。这些窗户经过精心设计，延伸的"遮阳板"提供遮阳和雨水径流管理功能，而其不同的尺寸响应着公共和私人区域的不同空间需求——从地面层30英尺高的戏剧性门廊到更私密的客房开口。 项目的环境效益特别具有开创性。作为美国首个碳正平衡酒店，它通过多重策略实现这一目标：混凝土结构融入粉煤灰以减少水泥含量、开创性地取消专用停车层（丹佛市中心首例），以及种植超过70000棵恩格尔曼云杉的雄心勃勃的造林计划。建筑的绿色屋顶种植区域植被，为当地野生动物和昆虫创造栖息地，而可进入的屋顶露台则提供了通往州议会大厦、市民中心公园和落基山脉的全景视野。 其与Wildman Chalmers Design和Fowler Architecture & Interior Design合作的室内设计方案通过其地面层激活创造了一个充满活力的社交中心。公共空间包括餐厅和咖啡店，而酒店客房则设有可占用的窗户，这些窗户可以转变为座位区，使客人更贴近户外环境。通过对社交空间、可持续策略和仿生设计的深思熟虑的整合，Populus展示了建筑如何能够同时服务于城市活力、环境管理和人类体验。 团队 – Studio Gang由美国建筑师Jeanne Gang于1997年创立，现已发展成为一家在芝加哥、纽约、旧金山和巴黎具有战略布局的全球影响力建筑和城市设计事务所。事务所独特的设计方法整合了严谨的研究、材料创新和生态意识，不断推动可持续建筑和社会影响力的边界。事务所设计了一系列令人瞩目的项目，展现了他们致力于通过周到的设计干预将人们与环境联系起来的承诺。 事务所的方法论以其对生态系统的深度参与和创新材料应用而著称，这在Populus酒店和美国自然历史博物馆的Richard Gilder科学、教育和创新中心等项目中得到充分体现。他们的工作范围超越传统的建筑服务，涵盖研究计划和公共倡议，特别是在环境管理和社会公平领域。事务所对可持续发展和社区参与的综合方法为他们赢得了众多赞誉，包括库珀·休伊特国家设计建筑奖，以及《时代》杂志将Jeanne Gang评为世界最具影响力人物之一。 目前在Jeanne Gang和核心合伙人的领导下，事务所保持着强调知识共享和跨学科创新的协作工作室文化。他们对环境责任的承诺不仅体现在设计中，还体现在运营实践中，包括缩小性别工资差距和促进建筑实践多样性的倡议。Studio Gang的作品组合涵盖文化中心、教育设施、城市住宅开发和公共空间，每一个项目都展示了他们创造能够回应本地语境同时应对全球挑战的建筑的能力。他们的工作持续展示着建筑创新如何推动积极的社会和环境变革，确立了他们在环保意识和社会责任建筑领域的先驱地位。 Project Name: Populus Hotel Location: Denver, Colorado, United States Design Team: Studio Gang Client: Urban Villages Size: 135,000 sf / 13 stories, 265 hotel rooms Status: Completed 2024 Photographs: Steve Hall, Jason O'Rear Feature： Project - Populus, a pioneering carbon-positive hotel designed by Studio Gang, establishes itself as a transformative architectural presence in downtown Denver. The 135,000-square-foot development, encompassing 265 hotel rooms across 13 stories, revolutionizes a prominent triangular site with a design that responds equally to all three street frontages, effectively connecting Denver's civic, arts, and commercial districts. The building's most distinctive feature is its biomorphic façade, inspired by the growth patterns of Colorado's native aspen trees (Populus tremuloides). The vertical scallops, each corresponding to a guest room's width, feature eye-shaped windows that echo the characteristic scarring patterns found on aspen bark. These windows are masterfully engineered with extended "lids" that provide shade and manage rainwater runoff, while their varying sizes respond to the different spatial requirements of public and private areas - from dramatic 30-foot-high ground-floor portals to more intimate guest room apertures. The project's environmental credentials are particularly groundbreaking. As the United States' first carbon-positive hotel, it achieves this through multiple strategies: a concrete structure incorporating fly ash to minimize cement content, the pioneering elimination of dedicated parking levels (a first for downtown Denver), and an ambitious reforestation program involving over 70,000 Engelmann Spruce trees. The building's green roof, planted with regional vegetation, creates a habitat for local wildlife and insects, while the accessible rooftop terrace offers panoramic views of the State Capitol, Civic Center Park, and the Rocky Mountains. The interior program, developed in collaboration with Wildman Chalmers Design and Fowler Architecture & Interior Design, creates a dynamic social hub through its ground-floor activation. Public spaces include a restaurant and coffee shop, while hotel rooms feature occupiable windows that transform into seating areas, bringing guests closer to the outdoor environment. Through this thoughtful integration of social spaces, sustainable strategies, and biophilic design, Populus demonstrates how architecture can simultaneously serve urban vitality, environmental stewardship, and human experience. Design Team - Studio Gang, established in 1997 by visionary architect Jeanne Gang, has evolved into a globally influential architecture and urban design practice with strategic presence in Chicago, New York City, San Francisco, and Paris. The firm's distinctive methodology integrates rigorous research, material innovation, and ecological awareness, consistently pushing the boundaries of sustainable architecture and social impact. Under Gang's leadership, the practice has developed a remarkable portfolio that demonstrates their commitment to connecting people with their environment through thoughtful design interventions. The firm's approach is characterized by its deep engagement with ecological systems and innovative material applications, as evidenced in projects like the Populus Hotel and the Richard Gilder Center for Science, Education, and Innovation at the American Museum of Natural History. Their work extends beyond traditional architectural services to encompass research initiatives and public advocacy, particularly in areas of environmental stewardship and social equity. The practice's integrated approach to sustainability and community engagement has earned them numerous accolades, including the Cooper Hewitt National Design Award in Architecture and TIME magazine's recognition of Jeanne Gang as one of the most influential people in the world. Currently led by Gang alongside key partners, the firm maintains a collaborative studio culture that emphasizes knowledge sharing and interdisciplinary innovation. Their commitment to environmental responsibility is reflected not only in their designs but also in their operational practices, including initiatives to close the gender wage gap and promote diversity in architectural practice. Studio Gang's portfolio spans cultural centers, educational facilities, urban residential developments, and civic spaces, each demonstrating their ability to create architecture that responds to local contexts while addressing global challenges. Their work consistently demonstrates how architectural innovation can drive positive social and environmental change, establishing them as pioneers in the field of environmentally conscious and socially responsible architecture. 设计团队 旅游探访 135000 ft² 美国，丹佛市 2024 Previous Next

< 返回 Blue Bottle Coffee Toyosu Park Cafe Schemata Architects 项目名称：蓝瓶咖啡 豊洲公园咖啡馆 地点：东京，日本 设计团队： Schemata Architects 建筑面积：279.37 m² 完工时间：2024年8月 摄影师：太田拓实 设计特色： 项目 - 坐落在东京湾畔的蓝瓶咖啡最新咖啡馆，重新构想了建筑、公共空间和城市景观之间的关系。由Schemata Architects设计，豊洲公园咖啡馆打破了传统的内外界限，创造了一种与周围公园环境无缝融合的流动空间体验。 这座300平方米的建筑通过其创新的尺度和连接方式，挑战了传统的咖啡馆设计。建筑师没有采用单一、庞大的体量，而是将咖啡馆构思为一簇人性化尺度的"小屋"，轻巧地嵌入开放的公园景观。这种有意的分割使建筑既感到亲密又开阔，模糊了建筑形态和公共空间之间的界限。 一个关键的设计策略在于空间体验的渐变方法。建筑师将整个公园转变为潜在的咖啡馆环境，通过精心设计的过渡空间，在户外、半户外和室内区域之间创造流动。大量使用玻璃和FRP（玻璃纤维增强塑料）创造了一个半透明的外壳，既保持了对东京湾的无遮挡视野，又使内部空间笼罩在柔和的漫射光中。 内部设计同样细致，通过不同的天花板高度创造了支持不同社交互动的区域。高天花板的咖啡区设有社区餐桌，鼓励社交互动，而天花板较低的另一咖啡区则提供更加私密的座位，可以欣赏公园和大海的全景。 材料在设计中扮演着关键角色，砖石延伸到室内外，消除空间边界。悬臂式的FRP桌子连接到结构柱，进一步模糊了建筑和家具之间的界限，体现了一种积极推动联系和流动性的整体设计方法。 这个项目不仅仅是一个咖啡馆，更是对城市公共空间如何与建筑互动的深刻思考。通过将建筑融入周围环境，创造出灵活、开放的空间，蓝瓶咖啡豊洲公园咖啡馆展示了建筑如何能够成为城市生活中的有机连接器。 团队 – 长坂常于1998年从东京艺术大学毕业后创立的スキーマ建築計画（Schemata Architects），已发展成为日本最具创新力的建筑事务所之一。事务所通过独特的设计方法论，将概念性思维与实体材料性相结合，不断突破空间设计的边界。 事务所总部位于东京，从创立之初就发展成为一个多学科的设计重镇，统筹处理建筑、室内和家具设计等多领域项目。事务所秉持1:1比例思维的理念运营——这种方法将每个项目，无论规模大小，都以同等严谨的态度对待空间关系和细节处理。 在长坂常的领导下，事务所因其改建项目和零售环境设计而获得国际认可，其中最著名的包括遍布全球的Blue Bottle Coffee店铺和创新的DESCENTE BLANC零售概念店。事务所的作品组合展现出非凡的多样性，从私人住宅如极简主义的Sayama Flat，到机构项目如武藏野艺术大学16号楼等。 其作品以材料诚实性、空间流动性和创新的功能解决方案为特征。事务所的设计方法常常涉及实验性的材料应用和创造性的空间规划策略，创造出既挑战传统建筑范式又保持功能完整性的环境。这种方法为他们赢得了来自全球文化机构、零售品牌和私人客户的众多委托，使Schemata Architects成为当代建筑话语中的突出声音。 Project Name: Blue Bottle Coffee Toyosu Park Cafe Location: Tokyo, Japan Design Team: Schemata Architects Size: 279.37 m² Completion Date: August 2024 Photographer: Takumi Ota Feature： Project - Nestled along the waterfront of Tokyo Bay, Blue Bottle Coffee's latest cafe reimagines the relationship between architecture, public space, and urban landscape. Designed by Jo Nagasaka of Schemata Architects, the Toyosu Park Cafe breaks down traditional boundaries between interior and exterior, creating a fluid spatial experience that seamlessly integrates with its surrounding park environment. The 300-square-meter structure challenges conventional cafe design through its innovative approach to scale and connectivity. Rather than imposing a singular, monolithic volume, the architects have composed the cafe as a cluster of human-scaled "huts" that nestle gently into the open park landscape. This deliberate fragmentation allows the building to feel both intimate and expansive, blurring the lines between built form and public space. A key design strategy lies in the gradational approach to spatial experience. The architects have transformed the entire park into a potential cafe environment, with carefully designed transitional spaces that flow between outdoor, semi-outdoor, and indoor zones. Extensive use of glass and FRP (Fiberglass Reinforced Plastic) creates a translucent envelope that allows uninterrupted views of Tokyo Bay while bathing the interior in soft, diffused light. The interior is equally thoughtful, with varying ceiling heights creating distinct zones that support different social interactions. The high-ceilinged Cafe 2 features community tables that encourage social engagement, while the lower-ceilinged Cafe 1 offers more intimate seating with panoramic views of the park and sea. Materiality plays a crucial role in the design, with bricks extending both inside and outside to eliminate spatial boundaries. Cantilevered FRP tables connected to structural columns further blur the distinction between architecture and furniture, creating a holistic design approach that celebrates connection and fluidity. Design Team - Schemata Architects, established in 1998 by visionary architect Jo Nagasaka, has emerged as one of Japan's most innovative architectural practices, consistently pushing the boundaries of spatial design through a distinctive methodology that bridges conceptual thinking with hands-on materiality. Founded upon graduating from Tokyo University of the Arts, Nagasaka's studio has evolved into a multidisciplinary powerhouse, orchestrating projects across architectural, interior, and furniture design. The practice, headquartered in Tokyo's Sendagaya district, operates under a philosophy that emphasizes 1:1 scale thinking—an approach that treats every project, regardless of scale, with the same rigorous attention to detail and spatial relationship. Under Nagasaka's leadership, the firm has garnered international recognition for its adaptive reuse projects and retail environments, notably the globally acclaimed Blue Bottle Coffee outlets and the innovative DESCENTE BLANC retail concept. The practice's portfolio demonstrates exceptional versatility, from private residences like the minimalist Sayama Flat to institutional projects such as the Musashino Art University Building No.16. Schemata's work is characterized by its material honesty, spatial fluidity, and innovative programming solutions. The firm's methodology often involves experimental material applications and creative space-planning strategies, resulting in environments that challenge conventional architectural paradigms while maintaining functional integrity. This approach has earned them numerous commissions for cultural institutions, retail brands, and private clients worldwide, establishing Schemata as a leading voice in contemporary architectural discourse. 设计团队 旅游探访 279.37 m² 东京，日本 2024 Previous Next

< 返回 每日互动（个推）总部 零壹城市建筑 设计特色： 项目 – 如出水的巨鲸般高高跃起，杭州每日互动（个推）总部大楼由零壹城市建筑事务所设计，可谓一座引人注目的地标性建筑。这座总部大楼建筑面积达87000平方米，集研发、办公、会议、展览、休闲娱乐等多功能于一体，最多可容纳5000名员工同时工作。以"巨鲸出水"为设计理念，建筑呈现出动态、造型感十足的形态。三座塔楼采用围合式布局，通过一个广阔的裙房连接在一起，营造出连续、灵活的室内协作环境。裙房起伏的屋顶则提供了丰富多样的社交和休闲空间，而三座塔楼错落有致的高低变化，也为城市天际线增添了视觉变化。受客户"鲸鱼"LOGO的启发，建筑立面采用了富有独特韵律感的斜向元素和梯形窗户，随着阳光角度的变化，散发出犹如鱼鳞般的生机勃勃的质感。“海洋文化”被融合进室内设计，得益于设计团队创新研发的"主题色天插系统"和巧妙设置的白板墙，室内空间洋溢着开放、融合的气息，营造出随时随地的讨论氛围。通过建筑、室内和景观的无缝融合，零壹城市为每日互动打造了一座充满活力、前卫创新的总部大楼，完美地体现了企业动感十足的文化，并增强了员工的归属感。 团队 – 零壹城市建筑事务所（LYCS Architecture）成立于2011年，随着项目渐渐广为人知，其目前已成为中国建筑先锋设计事务所中的佼佼者。该事务所被《BUILD》杂志评为"最具创新设计奖"，入选ArchDaily中国十大新锐设计事务所，以其创新和技术先进的建筑、室内和展览设计而闻名。其创始人为中国美术学院建筑艺术学院教授阮昊，领导着一个拥有国际视野和本土设计经验的专业团队，零壹城市擅长为高密度城市环境下的用户需求和行为特点创造出贴心的空间。他们采用以研究为驱动、高度协作的设计流程,汇聚各领域专家的智慧，交付超越当代设计范式的创意解决方案。该事务所的项目类型涵盖办公和总部、教育、住宅、酒店、文化、商业等领域，始终秉持为用户打造功能性与美学性兼备的空间，提升使用体验。通过应用先进技术和可持续设计策略，零壹城市正引领中国建筑和城市发展的未来。 Feature： Project - Soaring like a breaching whale, the Merit Interactive Headquarters in Hangzhou, China, is a striking landmark designed by LYCS Architecture. Spanning over 87,000 square meters, the office complex houses research and development, workspaces, conference facilities, exhibition halls, and leisure amenities for up to 5,000 occupants. The design concept of "the giant whale leaping out of the ocean" is evident in the building's dynamic, sculptural form. Three towers are arranged in a wraparound layout, connected by an expansive podium that creates a continuous, adaptable indoor environment for collaborative work. The podium's undulating roof provides a diverse array of social and recreational spaces, while the towers' staggered heights introduce visual interest to the skyline. Inspired by the client's "whale" logo, the facade features a distinctive pattern of diagonal elements and trapezoidal windows that shimmer with a fish-scale-like vitality as the sun's angle changes. Internal spaces are imbued with a sense of openness and integration, thanks to the design team's innovative "theme color sky insertion system" and the strategic placement of whiteboard walls for impromptu discussions. By seamlessly merging the building's architecture, interior, and landscape, LYCS Architecture has created a vibrant, forward-thinking headquarters that reflects Merit Interactive's dynamic company culture and enhances employee well-being. Design Team - Founded in 2011, LYCS Architecture has rapidly established itself as a leading multidisciplinary design firm in China. Recognized as the Best Innovative Design Firm by BUILD Magazine and one of ArchDaily's Top 10 Avant-garde Design Firms in China, the practice is known for its innovative and technologically advanced approach to architectural, interior, and exhibition design. Headed by a team of design professionals with international experience and a strong local design sensibility, LYCS Architecture excels at creating spaces that cater to the unique needs and behaviors of users in high-density urban environments. Their design process is research-driven and highly collaborative, drawing on expertise from various fields to deliver creative solutions that push the boundaries of contemporary design typologies. With a diverse portfolio spanning office and headquarters, education, residential, hospitality, cultural, and commercial projects, LYCS Architecture has consistently demonstrated its ability to create functional yet aesthetically engaging spaces that enhance the user experience. By applying advanced technologies and sustainable design strategies, the firm is at the forefront of shaping the future of architecture and urban development in China. 设计团队 旅游探访 87000 m² 中国，杭州 2023年 Previous Next

< 返回 费尔山奇趣建筑 Rever & Drage建筑事务所 项目名称：费尔山奇趣建筑 地点：阿斯克，挪威 设计团队：Rever & Drage建筑事务所 建筑面积：30 m² 竣工时间：2025年 摄影：Tom Auger 设计特色： 项目 - 挪威Rever & Drage建筑事务所在阿斯克创造了一座非凡的花园建筑小品，它超越了装饰性建筑的传统概念，在30平方米的结构中将诗意的空间叙事与功能性设计相结合，重新定义了装饰与实用之间的关系。 这座费尔山奇趣建筑战略性地位于一片狭长的花园地块内，毗邻一棵雄伟的橡树，既是建筑宣言也是过渡门槛，标志着从家庭喧嚣到田园宁静的旅程。该建筑最引人注目的特色是其双体量构成：主体结构内设有餐厅、厨房和带桑拿设施的豪华浴室，与之配对的是一个大胆倾斜的附属空间，在橡树冠下创造出亲密的休息区。 较小体量的戏剧性倾斜由锚固在主体基础上的25毫米纤细不锈钢杆支撑，挑战了结构惯例，同时唤起了童年时代树屋和秘密藏身处的记忆。这一建筑手法通过固定玻璃屋顶得到补充，框景上方蔓延的树枝，将空间转化为人们与自然交流的沉思静修所。 在材料层面，该项目通过精巧的质感和建造方法并置展现了精湛的工艺。当代木框架的优雅橡木包层与形成仪式性门户的坚固松木原木建造形成美妙对比，在精致与乡土建筑传统之间创造了对话。 建筑东立面呈现出明显的女性轮廓，当从西侧接近时逐渐转变为温暖拥抱的姿态，展示了建筑形式如何体现情感转换。通过将字面意义的门户整合到其东墙中，这座建筑超越了单纯装饰的范畴——它作为空间标点符号协调花园体验，同时为日常生活提供真正的喘息之所。 团队 - Rever & Drage建筑事务所是一家总部位于奥斯陆和弗莱克菲约德的建筑设计事务所，由三位杰出建筑师于近年创立：Eirik Lilledrange、Martin Beverfjord和Tom Auger。事务所已确立其在挪威当代建筑领域的领导地位，致力于将严谨的学术基础与创新设计方法论相结合，在多元建筑类型中交付具有建筑学深度的精湛项目。 事务所的跨学科专业能力涵盖复杂建筑项目、木结构建造系统、预制技术和立面构成。在创始合伙人Tom Auger、Martin Beverfjord和Eirik Lilledrange的现任领导下，事务所充分利用他们在建筑理论、建造技术和可持续建筑实践方面的互补专长，应对当代设计挑战。 这种协作结构使事务所能够跨越不同建筑类型和尺度提供全面的设计解决方案。Rever & Drage建筑事务所的项目组合展现出卓越的多样性，服务于包括Statens Vegvesen（挪威公共道路管理局）、Riksantikvaren和多个博物馆机构在内的知名机构客户，同时与酒店、水产养殖和海事行业进行私营部门合作。这一多元化的客户基础反映了事务所在维持设计卓越性的同时驾驭复杂项目要求的能力。 事务所的建筑哲学超越了纯粹的形式美学责任，拥抱其工作的社会和环境维度。他们坚信空间不仅应该具备功能性，更应该能够唤起情感、激发思考并增进居住者的福祉。这种理念体现在他们对传统建筑类型的挑战和对设计的注入——充满诗意、创新以及对空间心理学的深刻理解。通过将学术严谨性、实用建造知识和概念抱负转化为物理空间，Rever & Drage建筑事务所创造的不仅仅是建筑，而是真正能够与生活、文化和自然产生共鸣的有意义场所。 Project Name: Folly at Fair Hill Location: Asker, Norway Design Team: Rever & Drage Architects Total Floor Area: 30 m² Completion: 2025 Photography: Tom Auger Design Features: Project - Located in Asker, Norway, the Folly at Fair Hill designed by Rever & Drage Architects represents a revolutionary breakthrough in decorative architecture design, challenging conventional garden building stereotypes through its poetic spatial narratives and sophisticated functional programming integration. This 30-square-meter facility completed in 2025 transforms the typical ornamental structure into what the architects describe as "an architectural statement that transcends conventional garden structures" --- a functional space where practical utility replaces pure decorative purpose, embodying the design philosophy that "follies should possess both aesthetic value and serve genuine practical functions." The building's most striking feature is its audacious dual-volume composition, where the primary structure contrasts with a dramatically leaning annex that appears to grow gracefully from beneath the shelter of a magnificent oak tree. These fluid forms create a deliberate harmony with the building's carefully orchestrated interior functional layout, establishing what the designers call "a perfect fusion of childhood memories with adult practicality" that effectively eliminates the functional deficiency and spatial waste typically associated with decorative architecture. Rather than simply occupying the site, the architecture emerges as a transitional threshold that marks the journey from domestic bustle to pastoral tranquility, defying simple categorization as traditional garden decoration. The folly's spatial organization demonstrates sophisticated understanding of spatial psychology, particularly in creating environments that facilitate transition from busy life to peaceful retreat. Following principles that combine landscape architecture with functional building design, the structure ensures visitors experience gradual emotional and psychological transformation as they traverse from east to west through thoughtful volume separation and material contrasts. The leaning lounge with its glass roof and the kitchen that opens completely to the garden extend the healing environment outdoors, providing users with direct contact with nature --- elements that hold significant therapeutic value for physical and mental relaxation. The architectural language skillfully merges elegant oak cladding with robust pine log construction, achieving balance between practicality and aesthetic depth. Interior spaces are carefully planned with full consideration of different functional zones' psychological needs, ensuring the dining room, kitchen, bathroom, and lounge all provide comfortable and relaxing experiences for users. This project represents an important component of Norway's "landscape-functional architecture integration" movement, demonstrating the country's efforts to balance traditional timber construction techniques with contemporary spatial design concepts. Design Team - Rever & Drage Architects is an architectural practice based in Oslo and Flekkefjord, founded in recent years by three accomplished architects: Eirik Lilledrange, Martin Beverfjord, and Tom Auger. The firm has established itself as a leading voice in contemporary Norwegian architecture, dedicated to combining rigorous academic foundations with innovative design methodologies to deliver architecturally sophisticated projects across diverse typologies. The practice's multidisciplinary expertise spans complex building programs, timber construction systems, prefabrication technologies, and facade composition. Under the current leadership of founding partners Tom Auger, Martin Beverfjord, and Eirik Lilledrange, the firm leverages their complementary specializations in architectural theory, construction technology, and sustainable building practices to address contemporary design challenges. This collaborative structure enables the firm to deliver comprehensive design solutions across diverse architectural typologies and scales. Rever & Drage Architects' portfolio demonstrates exceptional versatility, serving prestigious institutional clients including Statens Vegvesen (The Norwegian Public Roads Administration), Riksantikvaren, and multiple museum institutions, alongside private sector collaborations with hospitality, aquaculture, and maritime industries. This diverse client base reflects the firm's capacity to navigate complex programmatic requirements while maintaining design excellence. The firm's architectural philosophy transcends purely formal aesthetic responsibilities, embracing the social and environmental dimensions of their work. They believe that spaces should not only be functional but should evoke emotion, provoke thought, and enhance the well-being of those who inhabit them. This philosophy manifests in their challenge to conventional building typologies and infusion of design with poetry, innovation, and deep understanding of spatial psychology. By transforming academic rigor, pragmatic construction knowledge, and conceptual ambition into physical spaces, Rever & Drage Architects creates more than just buildings --- they craft meaningful places that truly resonate with life, culture, and nature. 设计团队 旅游探访 30 m² 阿斯克，挪威 2025 Previous Next

< 返回 波纹之屋酒店 monotrum 设计特色： 项目 – 日本monotrum建筑事务所巧妙地将一座20世纪60年代先锋住宅改造成别具一格的精品酒店。这座"波纹之屋酒店"延续Kenji Kawai在1965年的实验性结构——使用了波浪状金属板创作自己的居所，并因其现代主义风格而被DOCOMOMO组织纳入名录。monotrum并未将其当作静态的陈列品加以保护，而是让游客能亲身体验这座标志性建筑的魅力。原有的波浪金属管构筑而成的通道般空间，被精心加建了隔断墙，勾勒出客房和公共设施。新添的深色木质护墙为钢铁结构平添一抹温馨。床、桌台以及空调机罩等家具均采用相同的木材色调，与内部环境和谐统一。一套由现成支架定制而成的活动架和灯具系统，巧妙地融入了原有波浪管道框架。最引人注目的是南立面上重现生机的椭圆形天窗。这个原本因过于炫目而被封闭的采光孔，如今内嵌有蜂窝状光雕装置，光线透过聚碳酸酯墙板，在客房内外铺陆成空间的亮点。通过在古老骨架上巧妙叠加新的功能植入物，monotrum成功将其演绎成沉浸式的创新住宿体验。这一改造再利用项目诗意地保留了建筑精神，同时亦引入了当代舒适感。 团队 – monotrum是一家2018年成立的新锐日本建筑设计工作室，由北里暢彦和石井卓也两位创始人领导。凭借跨建筑、城市规划和工业设计等多领域的综合背景，这对组合为工作室注入了多元创意视角。两人同为1983年出生，北里先后在安宅研太郎建筑规划事务所和graf等单位工作与历练。与此同时，石井也曾在河辺哲雄建筑都市设计事务所和ETLAdesign任职。这种影响力的交叉孕育了monotrum独树一帜的创作方法，巧妙地将概念构思和技术精湛完美结合。该工作室的作品不仅展现了在住宅、商业和酒店等不同类型项目中娴熟运用材料、空间策略和语境响应的能力。monotrum在大阪和东京都设有工作室，体现了新一代设计思想家擅长在平凡情景中发掘非凡潜能的风格。他们的作品启发人们重新审视事物，同时始终立足于实用主义和功能性。 Feature： Project - Japanese architecture firm monotrum has breathed new life into a pioneering 1960s residence by transforming it into a distinctive boutique hotel. The Corrugated House cleverly adapts the experimental corrugated pipe structure, originally designed by Kenji Kawai as his own home and recognized by DOCOMOMO for its Modernist significance. Rather than preserving it as a static museum piece, monotrum's renovation allows visitors to intimately experience the iconic architecture through an overnight stay. The building's original tunnel-like space made of exposed corrugated steel pipes has been thoughtfully reimagined with new partitions to carve out guest rooms and amenities. Newly constructed dark wood-paneled walls provide a warm contrast against the industrial rawness of the structure. Furniture pieces like beds, desktops and air conditioning covers were crafted from matching timber tones to harmonize the interiors. An ingenious movable shelving and lighting system was custom fabricated to integrate with the existing pipe framework. A standout feature is the revitalized oval skylight on the south facade. Originally sealed due to excessive brightness, the aperture now houses a honeycomb-patterned light installation visible from the guest quarters through polycarbonate wall panels. By thoughtfully layering new functional insertions onto the vintage bones, monotrum has transformed the Corrugated House into an immersive hospitality experience. The adaptive reuse project poetically preserves the architectural spirit while introducing contemporary comforts. Design Team - Established in 2018, monotrum is an emerging Japanese practice spearheaded by principals Nobuhiko Kitazato and Takuya Ishii. With multi-disciplinary backgrounds encompassing architecture, urban planning and industrial design, the duo brings a diversified creative lens to their work. Kitazato cut his teeth at esteemed firms like Kentaro Ataka Architectural Design and graf after completing his master's at Hyogo Prefectural University. Meanwhile, Ishii honed his skills at Tetsuo Kawabe Architectural City Planning Office and ETLA inc. following his studies at Aoyama Technical College and Kyoto University of Art and Design. This cross-pollination of influences manifests in monotrum's innovative approach that deftly straddles conceptual vigor and technical precision. The firm's portfolio showcases an adroit handling of materials, spatial strategies and contextual responsiveness across residential, commercial and hospitality typologies. With studios in Osaka and Tokyo, monotrum exemplifies a new generation of design thinkers adept at uncovering the extraordinary potential latent within ordinary circumstances. Their work elicits fresh perspectives while remaining firmly rooted in pragmatism and functionality. 设计团队 旅游探访 134 m² 日本，爱知县 2023年 Previous Next

< 返回 West Glow 办公零售大楼 Society of Architecture 设计特色： 项目 – 这座由建Society of Architecture设计的West Glow 办公零售大楼，坐落于首尔历史悠久的紫霞门路，将透明度与匠心工艺巧妙融合，成为城市肌理中一段怡人的对话。这座522平方米的建筑于2023年竣工，优雅地介入不断演变的都市景观，为城市天际线带来全新诠释。大楼的立面设计可谓匠心独运，在与街道持续景观融为一体的同时，亦突出其独特个性。建筑师运用了对位手法，将流动的玻璃表皮与内里坚实的框架结构制造出交响乐般的复调，透明与不透明的视觉张力营造出光影熠熠的节奏感，引人驻足探寻这件分层立体之作的设计奥秘。该建筑最与众不同之处，在于其对细节和工艺的不懈追求。曲面玻璃板以渐变液态陶瓷镀层勾勒出波浪般的肌理，宛如吹玻璃师傅在工作室里熟练吹制玻璃管的优美身姿，将建筑物从单纯的功能性结构提升为应该被仔细欣赏的艺术品。除了视觉冲击力，其本身亦饱含对街坊生活设施的谦逊理解，为这座城市日益增长的混合空间需求提供一份睿智回应。大楼巧妙融合了商业零售与办公功能，在其内壁间孕育出工作、休闲与社区的和谐共生。 团队 – Society of Architecture (SoA)是2010年在首尔创立的充满活力的建筑设计团队，正逐步打破建筑设计的界限。这个年轻团队由姜叙麟和李智勋两位主理人带领，他们以调查研究的方式出发，深入分析建筑与城市主义的社会环境，从中汲取灵感，实践多元且跨尺度的创作。SoA团队对现代生活方式有着深刻的理解，他们不断探寻新的可能性，希望通过建筑思维拓展建筑环境的内涵，将之运用于家具、室内、公共艺术、研究、出版等多个领域。他们的实践还与城市社会学、政治地理学、历史学、艺术等不同学科开展了丰富的跨界合作。SoA凭借创新的作品，曾获得诸多殊荣，包括2020韩国设计大奖、2020首尔建筑大奖及2023年韩国建筑史学会设计大奖等。除了在威尼斯双年展、光州设计双年展、MAXXI、国立现代美术馆、首尔市立美术馆等知名场馆举办展览，SoA还曾担任2017年"首尔建筑与城市主义双年展"的"生产城市"策展人，并受邀参加2023年威尼斯双年展韩国馆。一直以来，Society of Architecture以其超越传统的跨领域求知欲和参与度，成为当代建筑设计团队中充满创新活力的新生代先锋。 Feature： Project - Nestled along the historic Jahamun-ro street in Seoul, South Korea, the West Glow Office and Retail Building by Society of Architecture emerges as a captivating dialogue between transparency and craftsmanship. Completed in 2023, this 522- square-meter edifice gracefully intervenes in the ever-evolving urban fabric, offering a fresh interpretation of the cityscape. The building's façade, a true masterpiece, seamlessly blends into the continuous streetscape while asserting its unique identity. Employing a counterpoint approach, the architects have created a polyphonic symphony by juxtaposing an undulating glass skin with the solid framework beneath. This interplay of transparency and opacity generates a rhythmic play of light and shadow, inviting passersby to explore the depths of its layered surfaces. What truly sets West Glow apart is its meticulous attention to detail and craftsmanship. The curved glass panels, adorned with a gradient of liquid ceramic coating, exhibit a wave-like pattern that evokes the delicate artistry of glassblowing. This commitment to craftsmanship elevates the building from a mere functional structure to a work of art that demands appreciation. Beyond its visual allure, West Glow embraces its role as a neighborhood living facility, offering a humble yet thoughtful response to the city's ever-growing need for mixeduse spaces. By gracefully integrating commercial and office functions, the building fosters a harmonious coexistence of work, leisure, and community within its walls. Design Team - Founded in 2010 in Seoul, Society of Architecture (SoA) is a dynamic collective pushing the boundaries of architectural practice. Led by principals Yerin Kang and Chihoon Lee, this young firm takes an investigative approach, analyzing the social conditions of architecture and urbanism to inform their diverse, multi-scalar work. With a deep understanding of modern lifestyles, SoA searches for new possibilities to enrich the built environment through architectural thinking applied across furniture, interiors, public art, research, publications, and more. Their practice is enriched by collaborations spanning urban sociology, political geography, history, and art. SoA's inventive work has earned significant recognition, including the 2015 Young Architects Project award for Upo Nature Library, The Rabbit, and the Gender Equality Policy Expert Library. They were winners of the 2015 Young Architects Program organized by MMCA, MoMA, and Hyundai Card, later nominated as 2016 AR Emerging Architecture finalists for Roof Sentiment. With an impressive array of awards, exhibitions at prestigious venues like the Venice Biennale, and thought-provoking publications, SoA exemplifies an architectural practice transcending traditional boundaries through its multidisciplinary curiosity and engagement. 设计团队 旅游探访 522 m² 韩国，首尔 2023年 Previous Next

< 返回 Bellerivestrasse 36 办公楼 C.F. Møller Architects 项目名称： Bellerivestrasse 36 办公楼 地点： 苏黎世，瑞士 设计团队： C.F. Møller Architects 项目面积： 27000㎡ 竣工时间： 2024年 设计特色： 项目 – 丹麦建筑事务所C.F. Møller将苏黎世湖畔一座1970年代的办公建筑改造成一个现代化的工作场所，成功地将可持续技术与社交空间完美融合，并获得了LEED铂金认证。 Bellerivestrasse 36号建筑的翻新工程在保留建筑原有建筑遗产的同时，引入了创新的能源效率解决方案。最引人注目的是，建筑师开发了一个独特的立面系统，整合了水平光伏板，这些面板不仅可以产生清洁能源，还能提供遮阳功能。这些面板巧妙地隐藏在经过颜色处理的玻璃后面，与金属外墙色调相配，创造出统一的美学效果，让建筑焕发现代气息。 在这座27000平方米建筑的核心处，一个全新的中庭形成了建筑的社交中心，促进了不同部门之间的互动，同时为室内空间带来充足的自然光线。这一改造将曾经封闭的办公环境转变为一个充满活力的协作工作空间，将用户福祉放在首位。 该项目对可持续发展的承诺不仅体现在其节能系统上。建筑师将原有的石质露台重新设计为绿地，与周围的公园完美融合。这些区域不仅为员工提供了宜人的户外空间，还有助于雨水管理和当地生物多样性的保护。 室内空间采用天然材料，电梯核心筒和地板大量使用木材，创造出温暖而富有吸引力的环境，与建筑技术感十足的外观形成对比。这种材质的运用，加上充足的自然光和苏黎世湖的景观，在室内外环境之间建立起强有力的联系。 这次改造工程展示了如何通过巧妙的建筑干预，在满足当代环境标准的同时为老化建筑注入新的生命力，为瑞士乃至全球的可持续办公建筑改造树立了典范。 团队 – C.F. Møller建筑事务所于1924年由C.F. Møller在哥本哈根创立，已发展成为斯堪的纳维亚地区最具影响力的建筑事务所之一，以其在可持续设计和北欧价值观方面的整体性方法而闻名。该事务所一个世纪以来的传承包括多个地标性项目，如奥胡斯大学（1931年）、伦敦自然历史博物馆达尔文中心，以及最近荣获殊荣的哥本哈根马士基大楼。 目前，在首席执行官Lone Bendorff的领导下，事务所采用合作伙伴制结构运营，主要合伙人包括建筑师Klaus Toustrup、Michael Kruse、Julian Weyer和Mads Mandrup。从丹麦奥胡斯的总部出发，公司已扩展到北欧各地设立战略办事处，包括哥本哈根、奥斯陆、斯德哥尔摩、马尔默和柏林，拥有约300名专业人员。 该事务所的设计理念将城市规划、景观建筑和建筑设计相结合，特别强调可持续性和社会责任。这种全面的方法促成了许多重要项目的完成，包括奥胡斯新大学医院等医疗设施和诺德港哥本哈根国际学校等教育机构。 最近的项目，如苏黎世Bellerivestrasse 36号的改造，展示了该事务所对可持续转型和适应性再利用的承诺，获得了LEED铂金认证等权威认证。通过其综合设计方法和对创新的关注，C.F. Møller建筑事务所在应对当代建筑和城市发展挑战的同时，继续塑造着建成环境。 Project Name: Bellerivestrasse 36 Office Building Renovation Location: Zürich, Switzerland Design Team: C.F. Møller Architects Collaborators: Burckhardt Architektur AG Landscape Design: Uniola AG Engineering: PZM AG (MEP) Contractor: Allrea Project Area: 27,000㎡ Completion: 2024 Photography: Mark Hadden, Peter Sikker Rasmussen Sustainability Certification: LEED Platinum, Swiss Minergie Certification Feature： Project - Danish architecture studio C.F. Møller has transformed a 1970s office building on the shores of Lake Zürich into a contemporary workplace that seamlessly integrates sustainable technology with social spaces, earning prestigious LEED Platinum certification. The renovation of Bellerivestrasse 36 maintains the building's architectural heritage while introducing innovative solutions for energy efficiency. Most notably, the architects developed a distinctive facade system that incorporates horizontal photovoltaic panels, which serve the dual purpose of generating clean energy and providing solar shading. These panels are cleverly concealed behind color-treated glass that matches the metal cladding, creating a cohesive aesthetic that modernizes the building's appearance. At the heart of the 27,000-square-metre structure, a new atrium forms the social core of the building, fostering interaction between different departments and flooding the interior with natural light. This intervention transforms what was once a closed-off office environment into a dynamic, collaborative workspace that prioritizes user well-being. The project's commitment to sustainability extends beyond its energy-efficient systems. The architects have reimagined the existing stone terraces as green spaces that integrate seamlessly with the surrounding park. These areas not only provide pleasant outdoor spaces for employees but also contribute to rainwater management and local biodiversity. Interior spaces feature natural materials, with wood prominently used in lift cores and flooring, creating warm and inviting environments that contrast with the building's technical exterior. This materiality, combined with the abundance of natural light and views of Lake Zürich, establishes a strong connection between the indoor and outdoor environments. The renovation demonstrates how thoughtful architectural intervention can breathe new life into aging buildings while meeting contemporary environmental standards, setting a precedent for sustainable office renovations in Switzerland and beyond. Design Team - Founded in 1924 by C.F. Møller in Copenhagen, C.F. Møller Architects has evolved into one of Scandinavia's most influential architectural practices, known for its holistic approach to sustainable design and Nordic values. The firm's century-long legacy encompasses landmark projects such as Aarhus University (1931), the Darwin Centre at London's Natural History Museum, and most recently, the award-winning Maersk Tower in Copenhagen. Currently led by CEO Lone Bendorff, the practice operates through a collaborative partnership structure, with key partners including architects Klaus Toustrup, Michael Kruse, Julian Weyer, and Mads Mandrup. From its headquarters in Aarhus, Denmark, the firm has expanded to establish strategic offices across Northern Europe, including Copenhagen, Oslo, Stockholm, Malmö, and Berlin, employing approximately 300 professionals. The practice's design philosophy integrates urban planning, landscape architecture, and building design with a strong emphasis on sustainability and social responsibility. This comprehensive approach has resulted in numerous significant commissions, including healthcare facilities like the New University Hospital in Aarhus and educational institutions such as Copenhagen International School in Nordhavn. Recent projects, such as the Bellerivestrasse 36 renovation in Zürich, demonstrate the firm's commitment to sustainable transformation and adaptive reuse, achieving prestigious certifications like LEED Platinum. Through its integrated design methodology and focus on innovation, C.F. Møller Architects continues to shape the built environment while addressing contemporary challenges in architecture and urban development. 设计团队 旅游探访 27000 m² 苏黎世，瑞士 2024 Previous Next

< 返回 Mumo摩托车博物馆 DRAA 项目名称： Mumo摩托车博物馆 地点：奥克塔伊港 ， 智利 设计团队：DRAA 建筑面积：1200 m² 竣工时间：2024年 摄影：马科斯·泽格斯 设计特色： 项目 - 智利建筑工作室DRAA在奥克塔伊港完成了一座引人注目的木构博物馆，通过创新的结构设计和周到的场地整合来颂扬该国丰富的摩托车文化遗产。Mumo摩托车博物馆收藏着智利最大规模的企业化时代之前的复古摩托车藏品，彰显了传统工艺与当代工程技术的完美结合。 博物馆战略性地坐落在传奇的泛美公路沿线，毗邻阿根廷边境，这座面积1200平方米的建筑捕捉了摩托车文化的浪漫精神，同时向该地区的德国殖民遗产致敬。建筑最显著的特色在于其三个错落有致的木结构展馆，每个展馆都采用CNC加工的层压智利松木建造，并架设在沿自然坡地向朗基韦湖延伸的阶梯式混凝土基座上。 DRAA巧妙的结构解决方案消除了传统支撑柱对展览空间的阻碍。建筑师采用成对编织木梁，将每个屋顶面转化为刚性隔膜，通过巧妙伪装成天窗的钢环相互连接。这种结构诗学让自然光线洋溢展厅，同时保持了展示数百辆摩托车所必需的开放式布局灵活性。 博物馆外立面采用热处理智利松木包覆，营造出单色木质外壳，在智利南部气候中优雅地自然风化。分割而连续的展览空间在参观路径中创造了自然的停顿，避免疲劳感的同时让每辆摩托车的独特故事在更广阔的策展叙事中闪闪发光。 最值得注意的是，该项目通过用精密的Rothoblaas工程螺钉替代复杂的金属扣板，推进了木构建筑技术，展示了当代创新如何在尊重传统建造方法的同时推动木构建筑可能性的边界。 设计团队 - DRAA（Del Río Arquitectos Asociados）由建筑学硕士尼古拉斯·德尔里奥·洛佩兹于2012年在智利圣地亚哥创立，已确立其在当代拉丁美洲建筑领域的领军地位。在创始合伙人德尔里奥·洛佩兹（智利天主教大学2001年毕业，牛津布鲁克斯大学2011年硕士）和总监费利佩·卡穆斯·达维拉（智利天主教大学2007年毕业）的协作领导下，该事务所培养了严谨的设计方法论，优先考虑综合细部设计和材料完整性。 DRAA的建筑哲学专注于对多样化建筑类型学的深入研究，特别强调构造表达和结构创新。事务所的方法综合了比例分析、材料性研究和能效策略，创造出在技术性能和空间体验方面都有所突破的场所响应式建筑。这种跨学科方法论使该事务所在过去十二年中处于智利建筑话语的前沿。 工作室对研究驱动设计的承诺在其对木构建筑技术的系统性探索中得到体现，最近在Mumo摩托车博物馆项目中展现得淋漓尽致。在此项目中，DRAA对CNC制造层压木材装配系统和工程连接体系的掌握，充分体现了其在推进材料边界的同时尊重地域建造传统的执着追求。 DRAA在圣地亚哥和弗鲁蒂亚尔设有办公室，维持着由国际合作者组成的充满活力的团队，为事务所不断演进的设计话语做出贡献。这种协作结构使该事务所能够以本土敏感性和全球意识来应对复杂的建筑挑战，确立了DRAA作为智利乃至更广范围内当代建筑创作重要贡献者的地位。 Project Name: Mumo Museum of Motorcycles Location: Puerto Octay , Chile Design Team: DRAA Total Floor Area: 1200 m² Completion: 2024 Photography: Marcos Zegers Feature: Project - DRAA reimagined cultural exhibition space in southern Chile, creating the Mumo Museum of Motorcycles——a masterpiece practice in timber construction that transforms traditional craftsmanship into contemporary structural innovation. Located in Puerto Octay and completed in 2024, this 1200-square-meter project directly addresses the challenge of housing the country's largest collection of pre-corporate era vintage motorcycles while responding to the romantic cultural context along the Pan-American Highway. The project's genius lies in rejecting the enclosed forms of traditional museums, instead adopting a strategy of three staggered wooden pavilions. Lead architects Nicolás del Río and Felipe Camus chose not to fight against the site's slope, but carefully orchestrated exhibition spaces elevated on stepped concrete plinths that serve as both independent narrative units and continuous circulation flows. This creates what the architects describe as "segmented yet undivided exhibition halls"——allowing visitors to experience necessary narrative pauses within a continuous spatial experience. The design directly responds to the client's request for architecture rooted in local tradition, inheriting the legacy of German colonization in southern Chile from the mid-19th century. These historical elements are reinterpreted through contemporary timber construction techniques, most notably CNC-machined laminated pino insigne components that employ woven wooden beam systems to transform each roof plane into rigid diaphragms. These structural elements connect through steel rings disguised as skylights, creating structural poetry that bridges interior and exterior spaces. The Mumo Museum's spatial strategy transforms traditional exhibition typologies into more flexible forms. Multiple pavilions——from ground-level service spaces to elevated exhibition halls——capture spectacular views of Lake Llanquihue and Osorno Volcano while creating what the architects call "column-free exhibition spaces" that allow hundreds of motorcycles to be displayed freely. This structural innovation amplifies display possibilities beyond traditional museum constraints. The result is architecture as technological heritage——every construction detail reveals the technological distance between the original German settlers and contemporary Chilean society. Thermally treated pino insigne exterior cladding becomes the primary material expression, transitioning from natural wood tones through weathering processes to silver-gray surfaces, creating what the architects describe as "wooden buildings clad in wood"——a pure construction logic that maps the temporal layers of regional architectural culture. Design Team - Founded in 2012 by architect Nicolás del Río López in Santiago, Chile, DRAA has emerged as a pioneering force in contemporary Latin American architectural practice, consistently bridging rigorous design methodology with material innovation technologies. With offices in Santiago and Frutillar, the firm has established itself as a comprehensive architectural consultancy providing professional design services across diverse building typologies throughout Chile and the broader Latin American region. Del Río López, a graduate of Pontificia Universidad Católica de Chile (2001) with a Master's degree from Oxford Brookes University (2011), co-leads the practice with director Felipe Camus Dávila (PUC 2007), bringing international academic background to their work. The DRAA name reflects Del Río Arquitectos Asociados' foundational philosophy of achieving design excellence through collaboration——a principle that manifests throughout their comprehensive project methodology. The firm's design philosophy centers on thorough investigation of diverse building typologies, with particular emphasis on the outcomes of tectonic expression and structural innovation. This approach synthesizes proportional analysis, tectonics and structure, and responsible crossover with materials and energy efficiency, yielding significant works from timber museums to residential projects that demonstrate continuous advancement of contemporary architectural technical boundaries. DRAA's mastery of CNC-manufactured timber construction technologies and engineered connection systems, along with applications of advanced construction techniques such as Rothoblaas engineered screws, underscores their contribution to Chile's evolving architectural discourse, positioning them as thought leaders in contemporary material innovation practice——honoring regional construction traditions while embracing progressive technological methodologies. 设计团队 旅游探访 1200 m² 奥克塔伊港，智利 2024 Previous Next

< 返回 斯塔西斯博物馆 IMPLMNT architects 项目名称： 斯塔西斯博物馆 地点：帕涅韦日斯，立陶宛 设计团队： IMPLMNT architects 建筑面积： 4130 m² 完工时间： 2023年 摄影师： Norbert Tukaj 设计特色： 项目 - 位于立陶宛帕涅韦日斯中心北区的斯塔西斯博物馆，由IMPLMNT建筑事务所设计完成。作为该城市的重要文化地标，这座建筑不仅承载着艺术展示的功能，更肩负着提升城市公共空间品质的使命。 博物馆的设计灵感源自于著名艺术家斯塔西斯·艾德里格维丘斯的艺术创作。设计团队从艺术家的作品中提炼出"简洁、逻辑、幻想"三个核心元素，并将其巧妙转化为建筑语言。通过对艺术家作品中连续性线条以及物体之间相互转化关系的深入研究，建筑师将这种艺术特质融入到建筑的空间序列与表皮设计之中。 这座总建筑面积达4130平方米的文化建筑采用了极具现代感的立面处理手法。设计师通过两种不同肌理的清水混凝土——点状纹理与线性纹理，结合通透的玻璃幕墙系统，塑造出既含蓄又富有韵律感的建筑外观。建筑表皮在不同光线下呈现出丰富的明暗变化，与城市环境形成动态对话。 在城市尺度上，项目巧妙地串联起克兰塔斯街区与共和国街区，并打通了西部活动中心与牛轭湖之间的联系。建筑周边的公共空间规划也极具匠心，将场地分为两个主要功能区：北侧为动态休闲区域，南侧则打造为富有创意的城市活动空间，设有户外展区、咖啡座及多功能活动场地，可举办露天电影、音乐会等文化活动。 值得一提的是，项目保留并重新诠释了原址电影院的功能，设置了一座非商业性质的放映厅，这不仅传承了场地记忆，也回应了市民的文化需求。建筑内部空间布局清晰，展览空间跨越两层，并设有独立的教育与行政区域。此外，入口大厅在项目二期还将改造成为专门的媒体艺术展示空间，进一步丰富场馆的文化功能。 这座新建的博物馆不仅是对艺术家斯塔西斯作品精神的建筑诠释，更是一座连接城市空间、激发文化活力的当代地标建筑，展现了建筑师对于城市公共文化建筑的深刻思考。 团队 - IMPLMNT建筑事务所成立于2016年，总部位于立陶宛首都维尔纽斯，作为波罗的海地区最具创新力的建筑实践之一，他们在文化建筑和公共建筑领域展现出卓越的设计才能。这家精品建筑工作室虽然刻意保持着10人的精炼团队规模，但通过其对场地语境的方法论式解读和创新性的功能组织，在业界确立了独特的地位。 他们最近完成的斯塔西斯博物馆项目充分展示了事务所在大型文化基础设施方面的设计实力。这座建筑面积达4130平方米的项目，体现了他们标志性的建筑叙事手法，即如何通过材料表达和空间编排来营造富有意义的城市公共空间。 作为扎根维尔纽斯的建筑事务所，IMPLMNT的设计理念核心在于建筑与城市和文化语境的细致融合。他们擅长将复杂的功能需求转化为连贯的建筑解决方案，这一特色在他们的公共和文化项目中尤为突出。 在现有领导团队的带领下，事务所采取精选项目的发展策略，确保每个项目都能获得深入的细节关注和概念探索。这种战略选择使IMPLMNT能够在立陶宛及更广泛的波罗的海地区发展中，开发出深思熟虑的建筑方案，同时保持与客户的紧密关系和精准的项目执行力。 Project Name: Stasys Museum Location: Panevėžys, Lithuania Architecture Studio: IMPLMNT architects Area: 4,130 m² Completion Year: 2023 Photographer: Norbert Tukaj Feature： Project - Lithuanian architecture studio IMPLMNT architects has completed the Stasys Museum in Panevėžys, featuring textured concrete facades and metaphorical spatial elements that pay homage to the surrealist works of artist Stasys Eidrigevičius. Located in the northern part of Panevėžys' city center, the 4,130-square-metre cultural institution serves as both a museum and a vital public space, incorporating exhibition halls, educational facilities, and a non-commercial cinema that preserves the site's historical connection to film screening. The museum's design language is rooted in three key principles derived from Eidrigevičius himself: simplicity, logic, and fantasy. IMPLMNT architects translated these concepts into architectural elements by studying the artist's distinctive work, particularly focusing on his use of continuous lines and the transformative interaction between objects. "We encoded the 'touch of Stasys Eidrigevičius' throughout the building," explained the studio, which manifested this approach through the structure's exterior and interior design elements. The building's facade is characterized by its restrained materiality, combining two types of textured concrete – featuring dotted and linear patterns – with glazed facade systems. This architectural treatment creates a subtle interplay of textures that shifts with changing light conditions. The project's urban integration is particularly noteworthy, as it establishes a strategic connection between Krantas and Respublika streets while linking western attraction centers to the Oxbow Lake. The surrounding public space is thoughtfully divided into two distinct zones: an active leisure area to the north and a creative urban space to the south, complete with outdoor exhibition areas, a café, and versatile event spaces for cinema screenings, concerts, and street art performances. Inside, the museum spans multiple levels, with exhibition spaces spread across two floors, a dedicated floor for education and administration, and a small hall that will eventually be transformed into a media-focused exhibition space in the project's second phase. Design Team - Founded in 2016 in Vilnius, Lithuania, IMPLMNT architects has rapidly emerged as one of the Baltic region's most innovative architectural practices, demonstrating exceptional prowess in cultural and public architecture. The boutique studio, while maintaining an intentionally compact team of 2-10 professionals, has established itself through its methodological approach to contextual design and programmatic innovation. Their recent completion of the Stasys Museum (2023) in Panevėžys exemplifies the firm's capability to deliver sophisticated cultural infrastructure. The 4,130-square-meter project showcases their signature approach to architectural narratives, where materiality and spatial programming converge to create meaningful civic spaces. Operating from their headquarters in Vilnius, IMPLMNT's practice philosophy centers on the careful integration of architecture within its urban and cultural context. The firm specializes in translating complex programmatic requirements into coherent architectural solutions, particularly evident in their public and cultural projects. Under the current leadership, the studio maintains a selective portfolio approach, ensuring each project receives intensive attention to detail and conceptual rigor. This strategic decision has enabled IMPLMNT to develop deeply considered architectural solutions while maintaining close client relationships and precise project execution across Lithuania and the broader Baltic region. 设计团队 旅游探访 4130 m² 帕涅韦日斯，立陶宛 2023 Previous Next

< 返回 灯笼公寓 Reiulf Ramstad Arkitekter 项目名称：灯笼公寓 设计团队：Reiulf Ramstad Arkitekter 面积：4000 m² 地点：挪威，奥斯陆 设计特色： 项目 – 在挪威奥斯陆南部，一座融合历史敬意与现代设计的建筑杰作正熠熠生辉。由Reiulf Ramstad Arkitekter设计的灯笼公寓在这片曾经的军营旧址上，展现了非凡的建筑创新。 这个于2022年竣工的住宅项目包含38套精心打造的公寓，堪称建筑语境敏感性的典范。其铜质外立面既向19世纪90年代的历史风貌致敬，又彰显了鲜明的现代特色。建筑形态巧妙运用塔楼几何学，使每户居所都拥有宽敞的层高和私密的庇护阳台。 灯笼公寓最引人注目的特色莫过于其独特的立面处理。线性阳台环绕建筑，栏杆由带有定制图案的穿孔铜板制成。这一设计元素不仅增添了视觉趣味，还赋予了整个项目如灯笼般的质感，由此得名。 建筑师巧妙平衡了私密性与开放感的需求，创造出宽敞的开口，促进了室内外空间的对话。项目与新建的玛格辛公园（Magasinparken）绿色社区的融合更是强化了这种内外互动。 总的来说，灯笼公寓代表了创新设计、历史意识和环境考量的和谐统一。Reiulf Ramstad Arkitekter不仅打造了一个住宅综合体，更创造了一座既尊重又提升周边环境的光芒四射的地标建筑。 团队 –Reiulf Ramstad Arkitekter由同名建筑师Reiulf Ramstad创立，已跻身挪威建筑界的翘楚，以其创新性和对环境敏感的设计而闻名。该事务所在奥斯陆、奥胡斯和哥本哈根设有办事处，自成立以来，已在住宅、文化和公共项目领域构建了丰富多样的作品集。 事务所现由创始人兼设计总监雷Reiulf Ramstad领衔，与合伙人共同的领导下，事务所形成了独特的设计理念，将强烈的概念性方法与务实解决方案巧妙融合。 RRA的作品以对场地的敏锐感知为特征，运用构造性形式来连接室外和室内景观。从屡获殊荣的特罗尔斯蒂根国家旅游路线到创新的谷物之家，他们的项目展现了建筑与复杂地形和文化语境的巧妙整合。 事务所对可持续发展的承诺体现在他们对先进数字技术的运用上，如BIM和VR，同时也保留了传统的模型制作技术。这种先进设计方法，加上他们基于对话的设计过程，为RRA赢得了众多荣誉，包括密斯·凡·德罗奖提名和Reiulf Ramstad本人获得的美国建筑师协会（AIA）荣誉会员资格。RRA持续推动当代斯堪的纳维亚建筑的边界，创造出与环境和使用者产生共鸣的空间。 Project：The Lantern Apartments Team：Reiulf Ramstad Arkitekter Size：4000 m² Location：Oslo, Norway Feature： Project - In a bold fusion of historical reverence and contemporary design, The Lantern Apartments by Reiulf Ramstad Arkitekter illuminate the landscape of Ski Vest, Norway. This innovative housing project, completed in 2022, stands as a beacon of architectural ingenuity on the site of a former military camp. The complex, comprising 38 meticulously crafted apartments, is a masterclass in contextual sensitivity. Its copper-clad exterior pays homage to the site's 1890s heritage while boldly asserting its modern identity. The building's form, a playful composition of tower geometries, enables each residence to boast generous ceiling heights and private, sheltered terraces. What truly sets The Lantern Apartments apart is its distinctive façade treatment. Linear terraces wrap the structure, their railings fashioned from perforated copper plates adorned with a bespoke pattern. This unique design element not only provides visual intrigue but also imbues the project with a lantern-like quality, hence its evocative name. The architects have deftly balanced the need for privacy with a desire for openness, creating generous apertures that foster a dialogue between interior and exterior spaces. This interplay is further enhanced by the project's integration with the newly established green neighborhood of Magasinparken. In essence, The Lantern Apartments represent a harmonious blend of innovative design, historical consciousness, and environmental consideration. Reiulf Ramstad Arkitekter has crafted not just a residential complex, but a luminous landmark that both respects and elevates its surroundings. Design Team - Reiulf Ramstad Arkitekter, founded by the eponymous architect Reiulf Ramstad, has emerged as a powerhouse of Norwegian architecture, renowned for its innovative and context-sensitive designs. With offices in Oslo, Aarhus, and Copenhagen, the firm has cultivated a diverse portfolio spanning residential, cultural, and public projects since its inception. At the helm of this dynamic practice are Reiulf Ramstad as Design Director and Founder, alongside partners Kristin Stokke Ramstad, Anja H. Strandskogen, Christian Skram Fuglset, and Thomas Carstens. Their leadership has steered the firm towards a distinct design philosophy that interweaves strong conceptual approaches with pragmatic solutions. RRA's work is characterized by a keen sensitivity to place, employing tectonic forms that bridge exterior and interior landscapes. Their projects, from the award-winning Trollstigen National Tourist Route to the innovative Kornets Hus, showcase a masterful integration of architecture with challenging topographies and cultural contexts. The firm's commitment to sustainability is evident in their use of advanced digital technologies, including BIM and VR, alongside traditional model-making techniques. This hybrid approach, combined with their dialogue-based design process, has garnered RRA numerous accolades, including the Mies van der Rohe Award nominations and the prestigious AIA Honorary Fellowship for Reiulf Ramstad. RRA continues to push the boundaries of contemporary Scandinavian architecture, creating spaces that resonate with their environment and users alike. 设计团队 旅游探访 4000 m² Ski, Norway 2022 Previous Next

< 返回 新加坡创价会馆 Formwerkz Architects 设计特色： 项目 – 新加坡创价会馆以"开放城堡"的创新理念，重新诠释了社区文化中心的概念，坐 落于榜鹅水道附近的苏芒步道交叉口，中心致力于成为一片"幸福绿洲"，弘扬和平、文 化及教育的理念。建筑师将这座 3200 平方米的建筑，设计为坚实的石砌外表，并以一 系列庭院空间贯穿其中，让大自然得以渗入室内。这些景观庭院营造出多元的空间， 供人交流、放松，并与户外环境亲密互动。庭院也提供宁静时光，让人观赏大自然、 与之交心、从中汲取反思及内在的蜕变力量。即使外表坚固有如城堡，这种开放设计 仍然营造出包容亲和的氛围。设计团队形容此地"矢志捍卫美好基础"，同时也给人以包 容及庇护的温暖感受。点缀其间的绿色空间，无论是团体活动或独自静思，都能在这 郁郁葱葱的环抱下徜徉。这个独特的混合概念，将城堡的坚固与开放性完美融合，成 为创新社区的核心。 团队 – Formwerkz Architects 于 2004 年在新加坡成立，是一家以促进人与环境之间的 积极参与而闻名的设计事务所。该公司由 Alan Tay、Seetoh Kum Loon、Gwen Tan 和 Berlin Lee 创立，其宗旨是恢复有意义的人际关系并通过建筑重新连接人与自然 Formwerkz 的作品包括屡获殊荣的住宅、商业、酒店和公共设施项目，这些项目均以 概念清晰度和情境响应能力为驱动力。该设计团队获得了众多荣誉，包括新加坡建筑 师学会著名的年度建筑奖以及亚洲设计奖等荣誉。他们的设计体现了一种敏感而大胆 的方法，得出简单而富有想象力的解决方案，以应对空间的短暂性质。Formwerkz Architects 严格致力于培养有意义的空间体验，综合创新和功能，创造出基于环境的变 革性建筑，增强民众参与度和幸福感。 Feature： Project - Formwerkz Architects' Punggol Soka Centre reinterprets the concept of a citadel as an "Open Citadel" - a fortified yet welcoming sanctuary in Singapore's Punggol neighborhood. Situated at the intersection of Sumang Walk near the Punggol waterway, the centre aspires to be an "oasis of happiness" that embraces principles of peace, culture and education. The architects conceived the 3,200 square metre building as a solid masonry form punctured by a series of courtyard spaces that allow nature to permeate the interior. These landscaped voids create a variety of environments for discourse, relaxation and engagement with the outdoors. The courtyards provide moments of tranquility where one can observe and commune with nature - inspiring self-reflection and inner transformation. Despite its robust, fort-like appearance, the porous design establishes a sense of openness. Formwerkz describes it as bearing "fortitude to safeguard the good foundation" while remaining inclusive and protective. The interspersed green spaces offer pockets for both group activities and private contemplation amidst verdant surroundings. Embodying dignified hospitality, the Punggol Soka Centre presents an urban citadel reimagined - its bold massing contrasted by pockets of naturalistic sanctuary that cultivate engagement, wellbeing and happiness. The unique concept hybridizes notions of fortification and porosity into an innovative community hub. Design Team - Established in Singapore in 2004, Formwerkz Architects is a design practice renowned for fostering active engagement between people and their environments. Founded by Alan Tay, Seetoh Kum Loon, Gwen Tan and Berlin Lee, the firm's ethos centers on recovering meaningful human relationships and reconnecting people with nature through architecture. In 2010, the three design principals - Alan Tay, Gwen Tan and Seetoh Kum Loon - were lauded by Singapore's AUDE as part of the "20under45: The Next Generation" exhibition, celebrating emerging design talent. Formwerkz's body of work encompasses awardwinning residential, commercial, hospitality and institutional projects driven by conceptual clarity and contextual responsiveness. The practice has garnered numerous accolades, including the Singapore Institute of Architects' prestigious Building of the Year, Chicago Athenaeum's International Architecture Award, and merits from the Design for Asia Awards. Their designs manifest a sensitive yet bold approach, deriving simple yet imaginative solutions that negotiate the ephemeral nature of space. With a rigorous commitment to cultivating meaningful spatial experiences, Formwerkz Architects synthesizes innovation and functionality to create contextually-grounded yet transformative architectures that enhance human engagement and wellbeing 设计团队 旅游探访 3200 m² 新加坡 2024年 Previous Next

< 返回 大馆住宅 W 项目名称：大馆住宅 地点：秋田县大馆市，日本 设计团队：W 建筑面积：128.49平方米 竣工时间：2023年 摄影：Daisuke Kondo 设计特色： 由渡部光树和渡部梨华领导的东京建筑事务所W在秋田县大馆市完成了一座引人注目的住宅,该项目对日本地方建筑的传统方法提出了挑战。该项目细致回应了地方发展的独特条件,在那些建筑规范较为宽松的地区,往往导致杂乱无章、缺乏联系的城市肌理。 该场地位于大馆站附近一个时间仿佛停滞的前矿业小镇,坐落在空地和老化建筑散落的景观之中。建筑师没有屈从于这种分散的特征,而是构思了一座通过精妙的庭院策略来明确定义其与外部空间关系的住宅。 这座128平方米住宅的核心特征是其创新的双庭院配置。通过在20米乘10米场地的周边布置建筑体量,W创造了两个具有对比性格的独特户外空间,由一座横贯中央虚空的透明起居室桥梁统一在一起。北侧体量高达两层,以最大化起居空间的自然采光,而包含实用功能的紧凑单层翼楼固定了南侧边缘。 东侧庭院作为半公共门槛空间,可从入口和车库进入,逐渐演变为绿意盎然的宾客聚集场所。西侧庭院在挑空式屋顶的庇护下,提供了邻近厨房的私密半室内空间,供家庭用餐和休闲。这种策略性的划分创造了分层的私密性,同时保持了整个场地的视觉和空间联系。 这些户外空间与玻璃墙起居室之间的相互作用产生了显著的空间深度。故意设计的复杂动线路径鼓励在房屋中漫游,使感知尺度超越了其谦逊的占地面积。该项目展示了在那些监管自由往往导致建筑漠然的地区,如何通过对外部空间的有意识互动来创造密集而有意义的生活环境。 设计团队 ：W作为当代日本建筑实践的杰出代表，由建筑师渡部光树和建筑师渡部梨华于2021年在东京创立，自成立以来已确立其在当代住宅设计以及语境敏感型建筑语言创新领域的先锋地位。这家立足东京国立市和秋田县的事务所通过设计与场地特性的协调整合，重新定义当代日本地方建筑师在设计话语中的角色。 W为建筑实践带来了卓越的场地响应性设计视角和对空间组织方法的深刻理解。该事务所因其将项目和谐融入地方语境与自然景观的承诺而获得认可，创造重层的空间体验。渡部光树1979年出生于秋田，在ISSEI KATOH设计事务所工作近十年后，于2014年成立独立事务所。他的教育基础涵盖千叶大学的设计研究和秋田建筑专门学校的专业建筑培训。渡部梨华同样出生于秋田，1983年出生，2014年加入事务所，随后于2017年至2019年在武藏野美术大学小泉诚研究室攻读研究生课程，丰富了其设计视野。 该事务所的设计哲学强调建筑应该超越形式限制，不仅仅是为了满足功能需求而设计，更是为了与地方环境和外部空间有机融合。通过对场地特定性认知和空间连续性的深度关注，开展从住宅到改造及家具设计的多元化作品，相信最好的建筑是通过精准和深思熟虑的过程产生的语境响应式干预。W相信建筑应该成为居住者生活方式的载体，通过策略性的空间组织和复杂动线设计创造超越面积限制的建筑体验。 除实践外，该事务所通过对木造建造方法的深思熟虑运用、地方建设特征和空间创新的理解、以及经过验证的庭院空间智慧，W已确立自己作为当代日本地方建筑话语重要贡献者的地位，创造出既具环境回应性又保持建筑卓越性的作品。在渡部光树和渡部梨华的持续领导下，该事务所目前在日本建筑景观中占据独特地位，专注于创造通过空间组织、动线设计和语境敏感性来实现建筑品质的空间体验。 设计团队 旅游探访 128.49 m² 秋田县大馆市，日本 2023 Previous Next

< 返回 无心斋 TAAL Architects 项目名称： 无心斋（MUSIMJAE） 地点： 公州，韩国 设计团队： TAAL Architects 建筑面积： 187 m² 完工时间： 2022年 摄影师： Kim Yongsu 设计特色： 项目 - 韩国建筑事务所TAAL Architects在鸡龙山山麓完成了"无心斋"住宅项目，这座沉思性的住宅通过建筑设计诠释了佛教正念的理念。这座面积为187平方米的住宅，其名字"无心斋"寓意"无分别之心的场所"，不仅回应了其壮丽的自然环境，更体现了佛教"无分别心"的概念——一种远离分别与妄想的心境。 "将这一哲学概念转化为建筑语言是一个挑战，"设计团队解释道。"我们最终确定，这座房子应该成为一个门槛，让业主一入其门就能摆脱世俗的干扰。" 设计方案体现在精心编排的空间序列中，通过战略性布置的落地窗将鸡龙山的山脊线框景而入。二楼客厅采用倾斜的墙面来戏剧性地强调这些景观，同时透明的栏杆确保了景观视线不受阻碍。 TAAL Architects在这座朴实的建筑中运用了既微妙又精致的设计手法。卧室的窗户与床高齐平，创造出与周围森林和天空的亲密联系，阁楼的天窗则开启通向夜空的视野。随着居住者攀登楼梯，还可以逐步看到鸡龙山最高峰的景致。 借鉴历史学家金富轼对百济宫殿"俭而不陋，丽而不奢"的描述，建筑师在形式和材料上都追求精致的简约。住宅紧凑的占地面积和人字形屋顶轮廓下，通过对场地地形的巧妙回应，营造出富有深意的内部空间体量。 尽管规模有限，"无心斋"通过变化的层高和经过深思熟虑的视角框景实现了空间的丰富性。建筑师在材料选择和细节处理上的克制，创造出他们所描述的"含蓄的庄重感"——一个恰到好处的空间，既不过分也不不足。这个项目展示了当代建筑如何在与传统哲学原则对话的同时，创造出既能回应场地又能满足客户需求的空间。 团队 - TAAL Architects于2000年代末在纽约成立，2013年迁至首尔，已发展成为韩国最具思考深度的建筑事务所之一，以其对空间营造的现象学方法和对场地背景的敏锐度而闻名。该事务所由Zo Hangman和Seo Jiyoung共同创立，两人均毕业于哥伦比亚大学建筑规划与保护研究生院（GSAPP）。 在现任负责人、LEED认证建筑师Seo Jiyoung以及创始合伙人、首尔国立大学教授Zo Hangman的带领下，事务所发展出了独特的设计方法论，将本土智慧与当代建筑话语相融合。他们的综合服务模式涵盖总体规划、建筑设计、室内建筑和环境咨询。 事务所的作品展现了对构造学和材料性的严谨追求，2022年完成的"无心斋"住宅项目就是一个典范，其中佛教哲学通过对空间序列和现象学体验的细致考量转化为建筑形式。他们的作品获得多项重要奖项，包括2010年WAN奖、2009年和2010年AIANY设计奖，以及2016年金秀根奖。TAAL Architects通过以研究为导向的方法和对可持续设计解决方案的承诺，持续推进建筑实践的边界。 Project Name: MUSIMJAE Location: Gongju, South Korea Design Team: TAAL Architects Area: 187 m² Completion Year: 2022 Photography: Kim Yongsu Feature： Project - South Korean architecture studio TAAL Architects has completed MUSIMJAE, a contemplative residence nestled in the foothills of Mount Gyeryong that embraces Buddhist principles of mindfulness through architectural design. The 187-square-metre home, whose name translates to "a place of undiscriminating mind," responds to its spectacular natural setting while embodying the Buddhist concept of "MuBunByulSim" – a state of mind free from discrimination and delusion. "The challenge was translating this philosophical concept into architectural language," explained lead architect Zo Hangman. "We concluded that the house should serve as a threshold where the owner can shed worldly distractions upon entering." The studio's response manifests in a carefully orchestrated sequence of spaces that frame views of Mount Gyeryong's ridgeline through strategically placed floor-to-ceiling windows. In the second-floor living room, angled walls dramatize these vistas, while transparent balustrades ensure unobstructed sight lines to the landscape. TAAL Architects employed subtle yet sophisticated design moves throughout the modest structure. Bedrooms feature windows aligned with bed height to create intimate connections with the surrounding forest and sky, while a loft skylight opens to the night sky. The stairwell offers progressive reveals of Sammubbong, the mountain's highest peak, as residents ascend. Drawing inspiration from historian Kim Busik's description of Baekje palaces as "modest but not shabby, elegant but not luxurious," the architects pursued refined simplicity in both form and material. The home's compact footprint and gabled roof profile belie its sophisticated internal volumes, created through a careful response to the site's topography. Despite its limited size, MUSIMJAE achieves spatial richness through varying ceiling heights and thoughtfully framed perspectives. The architects' restraint in material selection and detailing results in what they describe as "subtle dignity" – a space that contains exactly what is necessary, nothing more and nothing less. The project demonstrates how contemporary architecture can engage with traditional philosophical principles while creating spaces that respond sensitively to both site and client needs. Design Team - TAAL Architects, established in New York in the late 2000s before relocating to Seoul in 2013, has emerged as one of South Korea's most thoughtful architectural practices, known for their phenomenological approach to space-making and contextual sensitivity. The firm was co-founded by Zo Hangman and Seo Jiyoung, both alumni of Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP). Under the current leadership of Principal Seo Jiyoung, LEED AP, and Founding Partner Zo Hangman, who also serves as a Professor at Seoul National University, the practice has cultivated a distinctive design methodology that synthesizes vernacular wisdom with contemporary architectural discourse. Their integrated service model encompasses master planning, architectural design, interior architecture, and environmental consulting. The firm's portfolio demonstrates a rigorous commitment to tectonics and materiality, exemplified in projects like MUSIMJAE residence (2022), where Buddhist philosophy is translated into architectural form through careful consideration of spatial sequences and phenomenological experiences. Their work has garnered significant recognition, including the 2010 WAN Award, AIANY Design Awards (2009, 2010), and the Kim Swoogeun Preview Award (2016). Operating from their Seoul headquarters, TAAL Architects continues to push the boundaries of architectural practice through their research-driven approach and commitment to sustainable design solutions. 设计团队 旅游探访 187 m² 公州，韩国 2022 Previous Next

< 返回 “加拿大鹅”巴黎旗舰店 Snøhetta 项目名称：Canada Goose Paris 旗舰店 地点：巴黎，法国 设计团队：Snøhetta 建筑面积：297平方米 竣工时间：2025年 摄影：Ludovic Balay 设计特色： 建筑工作室Snøhetta为加拿大户外服装品牌Canada Goose在香榭丽舍大街打造了巴黎旗舰店,其坚固的铝制立面灵感源自极地运输集装箱,门厅则采用法式橡木包覆,致敬奥斯曼风格室内设计。 该店铺体现了"无界"的概念,力图超越单纯的美学表达,唤起植根于品牌极端气候防护传统的冒险、探索和无限可能感。这标志着斯诺赫塔首个综合性全球零售概念的诞生,涵盖室内设计、产品陈列道具、店内图形和视觉营销指南。 精心编排的入口序列引导访客穿过一个私密的门厅,作为从喧嚣街道向店内的有意义过渡。空间内设有加拿大艺术家迈克尔·贝尔莫的石制壁炉雕塑,营造出余烬闪烁的篝火幻象,将户外感受带入室内。越过这一门槛,店铺在稀疏陈列与沉浸式分层环境之间交替,让产品得以呼吸或强化存在感。 设计的核心是传承之墙,这是一面印刷金属表面,灵感源自地图制作,将品牌故事转化为引人注目的视觉地理。墙面融合传统技法与数字工具,连接过去与现在。因纽特艺术家宁吉乌库鲁·蒂维的作品以大型石膏壁画形式装点入口,而亚历克莎·久美子·哈塔纳卡用努纳武特铁矿手工颜料创作的版画则沿楼梯延续叙事至二层。 铝制立面点缀着精巧的云母颗粒,捕捉光线如同阳光照射新雪,为其工业特质增添诗意。室内拱形天花板与可根据时间和季节调节的全光照系统创造出包裹式的茧状氛围,同时强化与自然节律及品牌户外传统的联系。 设计团队 ：Snøhetta成立于1989年,首个重要委托项目为埃及亚历山大图书馆,现已成为最受好评和最具创新性的跨学科设计实践之一。这家以挪威中部偏远山峰命名的事务所超越传统专业界限,以同等的专业水准从事建筑、景观建筑、室内建筑、产品设计和平面设计。 在其领导团队的带领下,工作室通过在全球历史和文化重要语境中进行理性严谨的介入而脱颖而出。斯诺赫塔并不追求轰动性的形式表达,而是保持克制专注,致力于实现植根于深刻语境理解的设计愿景。其作品涵盖奥斯陆挪威国家歌剧院与芭蕾舞团、纽约世贸中心国家9·11纪念博物馆展馆,以及包括北京图书馆和挪威水下餐厅Under在内的机构委托项目。 事务所的批判性方法获得国际认可,包括2009年欧盟当代建筑奖密斯·凡·德·罗奖(挪威国家歌剧院与芭蕾舞团)、全球可持续建筑奖、2016年《华尔街日报》杂志年度建筑创新者等重要荣誉。2021年和2022年,斯诺赫塔的Forite瓷砖荣获Dezeen年度可持续设计奖,同时Le Monde集团总部导视系统获得Monocle设计奖认可。 该事务所的设计哲学强调建筑应该超越表面形式,通过对话和多元性创造社会彼此连接及与周围世界交融的场所。通过对体量、光线、材料性和空间序列的精心协调,斯诺赫塔相信最好的设计是通过严格的概念意图、对历史文化语境的深刻理解以及对细节的关注产生的综合策略。斯诺赫塔相信建筑应该将集体身份转化为当代空间体验,通过战略性的空间组织和材料选择创造独特的场所响应式作品。 除实践外,通过对环境和文化敏感性的深思熟虑结合、当前可持续性策略的运用、以及经过时间验证的设计原则,斯诺赫塔已确立自己作为当代全球建筑话语重要贡献者的地位,创造出既具功能性又拥抱空间诗意与文化深度的设计作品。该事务所目前拥有来自40个国家的300多名员工,在奥斯陆、纽约、因斯布鲁克、巴黎、墨尔本、香港和深圳设有七个区域工作室,占据独特地位,专注于创造根植于文化语境、优雅且富有创新性的空间体验。 设计团队 旅游探访 297 m² 巴黎，法国 2025 Previous Next

< 返回 təməsew̓txʷ 水上中心 hcma 设计特色： 坐落于不列颠哥伦比亚省新威斯敏斯特市的təməsew̓txʷ水上运动与社区中心，堪称可持续设计和社区参与的典范。这座于2024年5月竣工的开创性设施是加拿大首个获得零碳建筑设计认证的水上中心，为该地区的生态建筑树立了新标准。 由加拿大hcma建筑设计公司打造，该中心最引人注目的特色是其气势恢宏的一体化屋顶，巧妙地将多元化的功能区域融为一体。建筑的形态与周围环境和谐共生，重新连接了历史悠久的格伦布鲁克峡谷，并打造了一片面向南方的绿地，向该地区的生态历史致敬。 这座10684平方米的设施核心是一个免费开放的社区中庭，宛如一个沐浴在自然光线中的城市客厅。中心配备了四个泳池的水上综合体、健身区、体育馆和社区活动空间，所有设计都以包容性和无障碍为宗旨。 项目名称"təməsew̓txʷ"在加拿大本地的哈尔魁梅林语中意为"海獭之家"，由一个命名顾问小组赋予此名字，体现了中心欢乐和家庭导向的特质。这个名字凝聚了塑造设计过程中广泛的社区参与，确保设施能满足用户多样化的需求。 təməsew̓txʷ水上运动与社区中心采用创新的InBlue过滤系统，致力于获得LEED金级认证，并消除化石燃料的燃烧及排放，代表了一种全面的可持续设计方法，在功能性和美学吸引力上毫不妥协。 Nestled in New Westminster, British Columbia, the təməsew̓txʷAquatic and Community Centre stands as a beacon of sustainable design and community engagement. Completed in May 2024, this groundbreaking facility is Canada's first Zero Carbon Building - Design certified aquatic centre, setting a new standard for eco-conscious architecture in the region. Designed by hcma architecture + design, the centre's most striking feature is its dramatic unifying roof, which seamlessly blends diverse programmatic elements into a cohesive whole. The building's form responds sensitively to its site, reconnecting with the historic Glenbrook Ravine and creating a significant south-facing greenspace that nods to the area's ecological past. At the heart of the 10,684-square-meter facility lies a free-to-access community atrium, a civic living room flooded with natural light. The centre boasts a four-pool aquatic complex, fitness areas, gymnasia, and community spaces, all designed with inclusivity and accessibility at their core. The project's name, təməsew̓txʷ, meaning "sea otter house" in hən̓q̓əmin̓əm̓, was gifted by a Naming Advisory Panel, reflecting the playful and family-oriented nature of the centre. This name embodies the extensive community engagement that shaped the design, ensuring the facility meets the diverse needs of its users. With its innovative InBlue filtration system, pursuit of LEED Gold certification, and commitment to eliminating fossil fuel combustion, təməsew̓txʷAquatic and Community Centre represents a holistic approach to sustainable design that doesn't compromise on functionality or aesthetic appeal. 设计团队： 加拿大hcma建筑设计事务所成立于1976年，由Roger Hughes创立，如今已发展成为加拿大领先的建筑设计公司，在可持续发展和以社区为中心的建筑设计领域处于前沿地位。该公司在温哥华、埃德蒙顿和维多利亚设有办公室，凭借其对公共空间和市政建筑的创新方法赢得了国际声誉。 目前在主持合伙人Darryl Condon的领导下，hcma培育了一种跨学科的实践，将建筑、品牌战略和社会影响无缝整合。他们的作品集中包括多个获奖项目，其中最引人注目的是加拿大首个获得零碳建筑设计认证的水上中心——təməsew̓txʷ水上运动与社区中心。 hcma的设计理念植根于包容性无障碍、环境管理和社区参与。他们的专业知识涵盖场地分析、可行性研究、利益相关者参与和LEED®认证，确保对每个项目采取全面的方法。 该公司对创新的承诺体现在他们对被动房标准的追求上，如克莱顿社区中心的设计，以及他们在各种设计中融入先进可持续性特征。hcma专注于最大化正面影响，不断推动建筑实践的边界，创造出促进联系、提升生物多样性和最小化环境足迹的空间。 Founded in 1976 by Roger Hughes, hcma architecture + design has evolved into a leading Canadian firm at the forefront of sustainable and community-centric architecture. With offices in Vancouver, Edmonton, and Victoria, hcma has garnered international recognition for its innovative approach to public spaces and civic buildings. Under the leadership of Managing Principal Darryl Condon, hcma has cultivated a transdisciplinary practice that seamlessly integrates architecture, brand strategy, and social impact. Their portfolio boasts an impressive array of award-winning projects, including Canada's first Zero Carbon Building - Design certified aquatic centre, the təməsew̓txʷ Aquatic and Community Centre. hcma's design philosophy is rooted in inclusive accessibility, environmental stewardship, and community engagement. Their expertise spans site analysis, feasibility studies, stakeholder engagement, and LEED® certification, ensuring a holistic approach to each project. The firm's commitment to innovation is evident in their pursuit of passive house standards, as seen in the Clayton Community Centre, and their integration of advanced sustainability features across their designs. With a focus on maximizing positive impact, hcma continues to push the boundaries of architectural practice, creating spaces that foster connection, promote biodiversity, and minimize environmental footprint. 设计团队 旅游探访 10684 ㎡ 加拿大，新威斯敏斯特 2024年 Previous Next

< 返回 SAFRA 蔡厝港俱乐部 DP Architects Pte Ltd 设计特色： 项目 – DP Architects设计的引人注目的全新 SAFRA 蔡厝港俱乐部坐落在新加坡一个广阔的公园内，将自然与社区无缝地融为一体。这座为军队服役人员及其家人提供的休闲设施，其大胆、动态的形式和通透的空间将郁郁葱葱的环境吸引到建筑的中心。高架游泳池与树冠融为一体，创造出令人惊叹的公园鸟瞰视野，而中央庭院则将绿色植物带入室内。被称为“生命阶梯”的著名楼梯则成为垂直通道，将公园与屋顶跑道连接起来，并将四层楼的健康活动结合在一起。层次丰富的桁架、彩色混凝土和坚固的立面形象唤起了乐观的力量感。与此同时，这座节能建筑还通过被动设计策略优先考虑可持续性：延伸展开的大容量空间充分利用日光和通风，而高性能玻璃则减少热量增益，凭借雨水收集、太阳能电池板和 42.7% 的总体节能，该项目获得了新加坡建设局的绿色建筑标志白金认证。在此项目中，自然、社区和体育活动的无缝交织让建筑使用者和社区都焕发了活力， DP Architects 为新加坡及其他地区的城市公共空间与市民休闲建筑创造了的一个新范例。 团队 – DP Architects Pte Ltd 是一家新加坡的大型跨国建筑设计公司，最初成立于 1967 年，当时名为 Design Partnership，1993 年成为一家私营有限公司，五十多年来，它已发展成为全球最大的建筑设计公司之一，在全球设立17个办事处，拥有超过900名员工。在现任首席执行官Seah Chee Huang和主席Angelene Chan的领导下，DP提供包括建筑设计、规划、工程和可持续发展咨询在内的全方位服务，它的全球设计作品囊括各类项目，包括商业零售、酒店、办公、公共和基础设施建筑等。其中，迪拜购物中心、圣淘沙名胜世界和新加坡滨海艺术中心等项目堪称代表作。DP始终致力于对地域语境的细致响应，塑造了众多令人印象深刻的城市环境，并多次获得建筑设计大奖。其坚持的绿色建筑理念，使其站在环保设计的前沿，并被行业视为重要设计力量。 Feature： Project - Nestled within a sprawling public park in Singapore, the striking new SAFRA Choa Chu Kang Clubhouse designed by DP Architects seamlessly integrates nature and community. The 19,700 sqm recreational facility for National Servicemen and their families is defined by its bold, dynamic forms and porous spaces that draw the lush surroundings into the heart of the building. The elevated swimming pool merges with the tree canopies, creating stunning aerial views of the park, while the central courtyard brings greenery into the interior. The prominent staircase dubbed 'Steps of Life' acts as a vertical anchor, linking the park to the rooftop running track and binding together wellness activities across four floors. Exuberant trusses, pigmented concrete and a robust facade evoke fitness and strength. Yet the energy-efficient clubhouse also prioritizes sustainability and occupant wellbeing through passive design strategies. High-volume spaces harness daylight and ventilation while high-performance glazing reduces heat gain. With rainwater harvesting, solar panels and 42.7% energy savings, the project attained the prestigious Green Mark Platinum certification. The seamless interweaving of nature, community and athletic activities rejuvenates both building users and the neighborhood. DP Architects’ sensitive, porosity-driven approach represents a new paradigm in recreational architecture in Singapore and beyond. Design Team - Founded in 1967 in Singapore by William Lim, Tay Kheng Soon, and Koh Seow Chuan, DP Architects has grown into one of the largest architectural practices in the world. The multinational firm operates from 17 offices across the globe and has over 900 employees. Originally called Design Partnership, it was formally incorporated as DP Architects Pte Ltd in 1993. Under the leadership of CEO Seah Chee Huang and Chairman Angelene Chan, DP Architects offers comprehensive services spanning architecture, planning, engineering, and sustainability consulting. With a portfolio encompassing retail, hospitality, commercial, civic, and infrastructure projects, the practice is recognized for transformative developments such as The Dubai Mall, Resorts World Sentosa, and the Esplanade arts complex in Singapore. For over 50 years, DP Architects has been shaping urban environments worldwide through sensitive, context-driven design, earning multiple awards for architectural excellence and sustainable building. Its commitment to green architecture positions the firm at the forefront of environmentally responsible design. 设计团队 旅游探访 19700 m² 新加坡，蔡厝港 2023 Previous Next

< 返回 加拿大 La Cime 度假屋 NatureHumaine 设计特色： 坐落于魁北克圣贝亚特里克斯心脏地带的La Cime拉西姆木屋项目，堪称创新微型木屋设计的典范，巧妙地将建筑匠心与环保意识融为一体。这座仅46平方米的精巧杰作，架设在镀锌钢桩之上，为游客带来无与伦比的树顶体验，同时将对生态环境的影响降到最低。 该项目最引人注目的特点是其别具匠心的高架设计，将生活空间悬空于地面3.6米之上。这一巧妙的构思不仅保护了原有地貌，还营造出令人陶醉的漂浮感，让居住者仿佛置身于周围的树冠之中。木屋采用错层布局，巧妙地最大化了空间利用率，私密区域位于下层，公共空间则在上层，每个区域都经过精心设计，将德拉布勒河和茂密森林的壮丽景观尽收眼底。 La Cime对可持续发展的承诺体现在其获得的LEED金级认证以及对Novoclimat标准的严格遵守。预处理西松木外墙统一了建筑的外观，而内部则展现出白松木、抛光混凝土和编织绳索元素的和谐搭配。 Nestled in the heart of Sainte-Béatrix, Quebec, La Cime stands as a testament to innovative micro-chalet design, seamlessly blending architectural ingenuity with environmental consciousness. This compact 498 sq ft marvel, perched atop galvanized steel piles, offers an unparalleled treetop experience while minimizing its ecological footprint. The project's most striking feature is its thoughtful elevation, suspending the living spaces 12 feet above the ground. This ingenious design preserves the natural terrain and creates a mesmerizing floating sensation, immersing occupants in the surrounding canopy. The chalet's split-level layout cleverly maximizes space, with private areas below and communal spaces above, each carefully oriented to frame breathtaking views of the De la Boule River and dense forest beyond. La Cime's commitment to sustainability is evident in its LEED GOLD certification and adherence to novoclimat standards. Pre-aged western pine cladding unifies the structure's exterior, while the interior showcases a harmonious palette of white pine, polished concrete, and woven rope elements. Perhaps most intriguing is the chalet's tripartite composition: the main living volume, a suspended terrace with a circular hot bath, and a separate sauna, all interconnected by a sheltered walkway. This unique configuration and the openwork wooden slat shutter create a spa-like retreat that seamlessly integrates indoor and outdoor experiences. La Cime redefines micro-living, proving that limited square footage need not compromise luxury, sustainability, or connection to nature. 设计团队： 成立于2004年的NatureHumaine是一家位于加拿大蒙特利尔的建筑设计事务所，在魁北克的建筑界迅速崛起，成为创新设计的标杆。在首席合伙人Stéphane Rasselet的带领下，该事务所以创造沉浸式、精心打造的空间而闻名，巧妙地将建筑匠心与环保意识融为一体。 NatureHumaine的作品涵盖广泛，从微型木屋到城市住宅，再到商业空间和文化机构。他们的设计方法注重环境语境，对空间动态有敏锐的理解，并致力于可持续发展，这一点从他们多个LEED认证项目中可见一斑。该事务所屡获殊荣，包括多次荣获魁北克建筑师协会的卓越奖，以及在著名的Grands Prix du Design大奖中获得认可。 NatureHumaine的项目以巧妙的空间利用、创新的材料运用以及建筑形态与自然环境的和谐融合而著称。他们对建筑的整体性设计方法，考虑到城市、建筑和人类体验的生态系统，使NatureHumaine在当代加拿大设计的前沿占据一席之地，持续打造出不仅视觉上令人惊叹，而且深具宜居性和环境响应性的空间。 Founded in 2004, NatureHumaine is a Montreal-based architectural practice that has rapidly established itself as a beacon of innovative design in Quebec's architectural landscape. Led by principal partner Stéphane Rasselet, the firm has cultivated a reputation for creating immersive, thoughtfully crafted spaces that seamlessly blend architectural ingenuity with environmental consciousness. NatureHumaine's portfolio spans an impressive range of typologies, from micro-chalets to urban residences, commercial spaces, and cultural institutions. Their approach is characterized by a meticulous attention to context, a keen understanding of spatial dynamics, and a commitment to sustainability, as evidenced by their multiple LEED-certified projects. The firm's work has garnered numerous accolades, including multiple Awards of Excellence from the Ordre des Architectes du Québec and recognition in the prestigious Grands Prix du Design. NatureHumaine's projects are distinguished by their clever maximization of space, innovative use of materials, and a harmonious integration of built form with natural surroundings. Today, the practice continues to push boundaries under the leadership of Rasselet and a talented team of architects and designers. Their holistic approach to architecture, which considers the ecosystem of the city, the building, and the human experience, positions NatureHumaine at the forefront of contemporary Canadian design, consistently delivering spaces that are not just visually striking, but profoundly livable and environmentally responsive. 设计团队 旅游探访 498 ft² 加拿大，魁北克 2023年 Previous Next

< 返回 回音山度假屋 Tomecek Studio Architecture 项目名称：Echo Mountain Retreat 地点：丹佛，美国 设计团队：Tomecek Studio Architecture 建筑面积：2800 ft² 竣工时间：2023年 摄影：Parrish Ruiz de Velasco 设计特色： Tomecek Studio Architecture在距丹佛约45分钟车程的回音山（Echo Mountain）峰顶附近，于20英亩森林用地上打造了一座突破性的山地静修住宅，重新定义了当代山地住宅设计。这个项目证明了建筑如何在体现"森林浴"(shinrin-yoku)哲学的同时，为数字化时代的生活开创可持续和谐的先河。 建筑最引人注目的特色是其独特的分散式规划语言，灵感来源于日本森林浴疗法与美国山地建筑传统的融合。这种有机整合创造出流动的功能空间边界，各种建筑功能分散布置在场地各处，体现了建筑与自然环境的"无缝对话"理念：代表和谐与真实生活。分散式规划将传统住宅集中化格局转化为动态的生活场所，让居住者能够聚集、放松并与森林环境建立深层联系。 Tomecek Studio Architecture在这座2800平方英尺的住宅中巧妙融入了森林浴设计原则。粗粝质感和诚实材料创造出真实的建筑表达，而150英尺垂直岩石构造不仅将自然声景融入日常生活，还帮助建筑与山地环境和谐统一。战略性定位的建筑体量设计增强了南向景观效果，强化了该住宅对地形响应性设计的承诺。 项目的数字排毒理念同样令人印象深刻，通过无屏幕时间、优化自然接触和全面的感官沉浸策略实现宁静的居住环境。最大化的森林接触消除了都市生活压力需求，而分散式功能布局超越了传统山地住宅的集中效果。最值得注意的是，这座建筑的适应性设计在建筑学上十分精妙，以至于它不仅是居住空间，更是一个关于时间、自然与人类生活和谐共存的诗意表达。 设计团队 - 由Brad Tomecek创立于2013年，Tomecek Studio Architecture已发展成为一家屡获殊荣的建筑设计咨询机构，总部位于美国科罗拉多州丹佛市，致力于通过创意、协作和关怀创造富有生命力的建筑空间。在创始人兼首席建筑师Brad Tomecek的领导下，该事务所已在住宅建筑设计领域建立了提供创新、可持续且符合场地响应建筑的声誉。 该事务所的设计理念围绕建筑的变革力量展开，从美国山地特色中汲取灵感，同时应对当代都市生活方式挑战。Tomecek Studio Architecture的综合方法整合了多学科协作、先进设计工具和严格的可持续性原则，以打造超越客户期望并丰富其居住环境的空间。 该事务所经验丰富的专业团队：包括创始人兼首席建筑师Brad Tomecek（持有佛罗里达大学设计学士和建筑学硕士学位）、项目经理Alexander Bender（持有科罗拉多大学丹佛分校理学学士和建筑学硕士学位，专注于空间感知和人与自然环境关系研究）、首席财务官Christa Offenhauser Tomecek（范德堡大学数学与法语双学位）—— 汇集了涵盖住宅、机构和商业项目的集体专业知识。他们的协作方法确保从概念设计到施工管理的无缝项目交付。 Tomecek Studio Architecture对设计卓越的承诺通过其多元化的项目组合得到证明，展现了各个尺度的建筑创新。通过平衡美学精致性与功能性能和环境管理，该事务所创造持久的建筑解决方案，连接人与场所，并在尊重美国山地设计传统的同时预见未来需求。 设计团队 旅游探访 2800 ft² 丹佛，美国 2023 Previous Next