Search this site

< 返回 SAP慕尼黑实验室园区 SCOPE建筑事务所 项目名称：SAP慕尼黑实验室园区 地点：慕尼黑，德国 设计团队：SCOPE建筑事务所 建筑面积：25500 m² 竣工时间：2024年 摄影：Zooey Braun 设计特色： 项目 - 坐落在欧洲领先研究和教学中心之一的科学城加兴核心地带，SAP慕尼黑实验室园区由SCOPE建筑事务所设计，代表了当代办公建筑和跨学科协作的前瞻性模式。这座25500平方米园区项目，作为连接所有主要研究集群的步行主干道"科学环路"的门户，在塑造充满活力和面向未来的学术和企业环境中发挥着核心作用。该园区汇聚了约600名SAP员工和120名来自慕尼黑工业大学（TUM）的研究人员和学生，营造了一个科学与商业并肩工作的共享环境。 园区被构想为微型校园，建筑由围绕中央中庭分组的三个错落有致的体块组成。这个五层高的空间形成了园区的建筑和社交中心。中庭结构如同室内公共广场，通过画廊、露台和宽阔的视线连接研究和商业功能、工作空间以及公共区域。雕塑般的红色螺旋楼梯和宽阔的阶梯座椅将垂直交通转化为共享体验。中庭周围设有多种功能，包括公众可达的活力吧、礼堂和SAP体验区域。 空间布局通过开放式工作区域、灵活的团队空间和混合会议区域支持跨学科交流。餐饮作为社交连接器发挥着关键作用：位于中心位置的员工餐厅可通往屋顶露台，作为非正式会议、自发相遇和团队间轻松协作的空间。灵活空间和私人包厢为退隐和个人使用提供了机会。建筑语言由银色阳极氧化柱式和清晰的结构韵律定义，赋予立面平衡而统一的表达。室内方面，裸露混凝土、水磨石和银色阳极氧化铝表面等原始而诚实的材料定义了室内特色。 可持续性贯穿整个设计。遵循循环原则，建筑使用可回收、低维护的材料，避免不必要的装饰，并允许长期适应性。停车场屋顶被设计为无障碍露台和户外空间，有助于用户福祉和社交互动。作为创新、研究和社区的活力交汇点，SAP慕尼黑实验室园区不仅仅是一个工作场所。它为跨部门对话、学术交流以及协作和面向未来的工作文化提供了空间框架。 团队 - SCOPE建筑事务所是一家成立于2010年的跨学科设计事务所，由Oliver Kettenhofen和Mike Herud在斯图加特创立，专门从事企业建筑和人本设计。该事务所由40名建筑师、室内设计师、平面设计师和传播专家组成的跨学科团队，秉承"创造人性空间"的理念，从多层次的文化和社会背景中发展建筑设计。 在现任董事总经理Mike Herud和Oliver Kettenhofen的领导下，联同合伙人Kathrin Lewald、Mike Müller和Andreas Witte，SCOPE已将自己定位在社会中心建筑的前沿。这种方法优先考虑社区需求，同时兼顾社会、文化、经济和环境背景，创造可持续和包容性的解决方案。 该事务所的专业领域涵盖从详细的企业身份表达到综合性的新工作概念和校园策略。他们对循环经济原则的承诺——体现在内部座右铭"减少、重用、回收"中——展示了他们在复杂既有建筑改造和可持续材料选择方面的专业能力。事务所专注于创造以用户为导向的设计，重视现有结构的保护以保存文化记忆并节约资源。 SCOPE的建筑哲学超越了纯粹的形式美学责任，拥抱其工作的社会维度。他们的项目作为企业、社会和员工之间的连接纽带，通过其使用方式和可持续设计创造激励人心的空间。该事务所致力于负责任的空间资源管理和跨功能方法，使其成为开发未来工作环境的专家，在这里建筑成为当代社会挑战解决方案的一部分。 SCOPE的客户组合包括众多知名企业和机构，其设计卓越性在企业建筑领域获得了广泛认可。在创始人的指导下，事务所培养了注重透明度、诚实性和道德标准的企业文化，始终致力于创造支持多样化工作方式和发展21世纪所需技能的空间，使SCOPE建筑事务所成为当代企业环境设计领域的领导者。 Project Name: SAP Labs Munich Campus Location: München, Germany Design Team: SCOPE Architekten Total Floor Area: 25,500 m² Completion: 2024 Photography: Zooey Braun Design Features: Project - Located at the heart of Science City Garching, one of Europe's leading hubs for research and teaching, the SAP Labs Munich Campus designed by SCOPE Architekten represents a forward-thinking model for contemporary office architecture and interdisciplinary collaboration. This 25,500-square-meter campus completed in 2024 serves as a gateway to the "Science Loop" – a pedestrian spine that connects all major research clusters – playing a central role in shaping a vibrant and future-oriented academic and corporate environment. The campus brings together about 600 SAP employees and 120 researchers and students from the Technical University of Munich (TUM), fostering a shared environment where science and business work side by side. Conceived as a micro-campus, the building consists of three staggered volumes grouped around a central atrium. This five-story space forms the architectural and social heart of the campus. Structured like an interior public square, the atrium connects research and business functions, workspaces, and communal zones through galleries, terraces, and generous sightlines. A sculptural red spiral staircase and wide seating steps turn vertical circulation into a shared experience. Surrounding the atrium are a range of functions, including a publicly accessible Vital Bar, an auditorium, and an SAP experience area. The spatial layout supports interdisciplinary exchange through open work areas, flexible team spaces, and hybrid meeting zones. Gastronomy plays a key role as a social connector: the centrally located employee restaurant, with its access to a rooftop terrace, serves as a space for informal meetings, spontaneous encounters, and relaxed collaboration across teams. Flexible spaces and private booths offer opportunities for retreat and individual use. The architectural language is defined by silver-anodized pilasters and a clear structural rhythm, giving the façade a balanced and cohesive expression. Inside, raw and honest materials such as exposed concrete, terrazzo, and silver-anodized aluminum surfaces define the character of the interior. Sustainability is embedded throughout the design. Following circular principles, the building uses recyclable, low-maintenance materials, avoids unnecessary finishes, and allows for long-term adaptability. The roof of the parking deck is designed as an accessible terrace and outdoor space, contributing to user well-being and social interaction. As a vibrant intersection of innovation, research, and community, the SAP Labs Munich Campus is more than a workplace. It offers a spatial framework for cross-sector dialogue, academic exchange, and a collaborative, future-ready work culture. Design Team - SCOPE Architekten is an interdisciplinary design practice founded in 2010 by Oliver Kettenhofen and Mike Herud in Stuttgart, specializing in corporate architecture and human-centered design. The firm's 40-strong interdisciplinary team of architects, interior designers, graphic designers, and communication specialists operates under the philosophy of "Creating Human Spaces," developing architecture from multilayered cultural and social contexts. Under the current leadership of managing directors Mike Herud and Oliver Kettenhofen, alongside associate partners Kathrin Lewald, Mike Müller, and Andreas Witte, SCOPE has positioned itself at the forefront of Society-Centered Architecture. This approach prioritizes community needs while considering social, cultural, economic, and environmental contexts to create sustainable and inclusive solutions. The practice's expertise spans from detailed corporate identity expressions to comprehensive New Work concepts and campus strategies. Their commitment to circular economy principles—embodied in their internal mantra of "Reduce, Reuse, Recycle"—demonstrates their specialization in complex existing building renovations and sustainable material selection. The firm focuses on creating user-oriented design while valuing the preservation of existing structures to conserve cultural memory and resources. SCOPE's architectural philosophy transcends purely formal aesthetic responsibilities, embracing the societal dimension of their work. Their projects serve as connective tissue between corporations, society, and employees, creating spaces that inspire through their usage and sustainable design. The firm's dedication to responsible spatial resource management and cross-functional approaches positions them as specialists in developing tomorrow's work environments, where architecture becomes part of the solution for contemporary social challenges. SCOPE's client portfolio includes numerous renowned corporations and institutions, with their design excellence receiving widespread recognition in the corporate architecture field. Under the founders' guidance, the studio has cultivated a corporate culture emphasizing transparency, honesty, and ethical standards, consistently committed to creating spaces that support diverse working methods and developing 21st-century skills, establishing SCOPE Architekten as a leader in contemporary corporate environment design. 设计团队 旅游探访 25500 m² 慕尼黑，德国 2024 前一项 后一项

< 返回 Y住宅 小松隼人建筑设计事务所 设计特色： 项目 – House Y座落于西日本一处环绕林木的宽阔平地上，建筑师巧妙运用了放射状布局，使这座住宅能够从多个角度与秀美的自然环境互动。这片隐蔽的地点北西侧可远眺瀬户内海的落日余晖，东南方则可欣赏雄伟的群山环抱。建筑并未孤立地屹立在这片辽阔景致之中，而是采用了“树干与枝桠”的造型理念。中央的起居空间扮演“树干”的角色，卧室则如树枝般向四周延伸。沿这些"枝干"的宽阔段落，成为了内外交融的休闲区。离开主起居空间，走向卧室，空间渐趋私密，天花板也逐步降低，这种若有若无的压迫感反而加强了漫步其间的体验感。放射状分支上一路的落地玻璃，将沿途变换多端的自然景观尽收眼底。户外区域精心划分为数个小天地，各自将不同的景致入画入框——有的是日落的写照、有的是海景；有的则是在晨光中恣意伸展，还有对山色的专注凝视。住户可以在这片世外桃源中闲逛，随着季节和时间的变换体会它的新颖与变化。Y住宅以其创新的分支式设计布局，诗意地将建筑与景观融为一体，构筑了一场持续展开的多元体验。 团队 – 小松隼人建筑设计事务所由日本建筑师小松隼人（1979年生）于2009年在广岛创立，迅速成为日本最具创新力的建筑设计事务所之一。这家事务所跨足建筑、室内、景观和产品等多个领域，推崇综合性设计方法。在小松隼人的领导下，该事务所凭借坚实的工艺和巧妙融合建筑与环境景观的作品，赢得了广泛赞誉。这家事务所的设计理念是寻找位于建筑这片"黑"与自然环境这抹"白"之间的"灰色地带"。他们屡获殊荣的住宅建筑巧妙地协调边界感，在营造舒适生活空间的同时，赋予空间敞开朗通与环境背景的视觉连接。小松隼人事务所精致而富温度的现代主义作品也经常发布于权威建筑杂志上，基于多元综合的设计手法，以及对场地环境的敏锐把握，其不断呈现出巧妙融合人工与自然景观的杰作，将人居体验提升到全新层次。 Feature： Project - Set amidst a lush woodland on a vast, flat plot in western Japan, House Y by Hayato Komatsu Architects adopts an innovative radial plan that allows the dwelling to engage with its picturesque surroundings from multiple vantage points. The secluded site offers tranquil views of the Seto Inland Sea to the northwest and dramatic mountains capes to the southeast. Rather than situating the house in isolation amid this expansive landscape, the architects devised a branching layout inspired by the form of a tree. A central living pavilion anchors the plan, with private bedroom wings radiating outward like boughs. Wider sections along these wings create lounge areas that blur the boundaries between indoors and out. The further one moves from the main living space toward the bedrooms, the more intimate and compressed the spaces become through lowered ceilings. This subtle compression and release heightens the sense of journey. Floor-to-ceiling glazing along the radiating wings frames shifting perspectives of the natural scenery with each step. Exterior spaces are delicately subdivided into a series of gardens tailored to distinct views - one framing the sunset, another the sea, a courtyard catching morning light, and so on. Residents can wander this secluded paradise, discovering anew its varied charms with each season and time of day. Through its innovative branching form, House Y poetically intertwines architecture and landscape into a unified, constantly unfolding experience. Design Team - Founded in 2009 by Hayato Komatsu, the eponymous HAYATO KOMATSU ARCHITECTS has emerged as one of Japan's most innovative architectural practices. Based in Hiroshima, the firm takes a multidisciplinary approach, offering services in architecture, interior design, landscape, and product design. Under Komatsu's leadership as Principal Architect, along with Directors Ryoko Komatsu, Shinmei Chono, Shinro Ueki, Naoji Natsume, Suzumi Nishihara, and Shuguma Tanaka, the firm has gained worldwide recognition for its sleek, site-specific designs that poetically interweave the built and natural environments. Guided by a philosophy of finding the "gray" between architectural black and environmental white, their award-winning residential works skillfully negotiate boundaries while fostering comfortable living spaces imbued with a sense of openness and connection to context. HAYATO KOMATSU ARCHITECTS' refined yet warm modernism has earned publication in numerous prestigious journals. With their diverse, integrated approach and commitment to contextual sensitivity, this Hiroshima-based firm continues to produce architecture that elevates the human experience through its seamless blending of the manmade and organic worlds. 设计团队 旅游探访 462.62 m² 日本，濑户内海 2023年 前一项 后一项

< 返回 纳闽巴霍 Ta'aktana 豪华度假酒店 ANP interior architecture 项目名称：纳闽巴霍Ta'aktana豪华度假酒店 设计团队：ANP interior architecture 面积：16 hectares / 70 keys 地点：弗洛勒斯岛，印度尼西亚 设计特色： 项目 – 万豪国际奢华精选酒店品牌在印尼弗洛雷斯岛揭幕了令人惊叹的全新度假村——纳闽巴霍Ta'aktana豪华度假酒店。这座注重生态的隐世天堂巧妙地将现代设计与丰富的本土传统融为一体，在传奇的科莫多国家公园咫尺之遥，为宾客打造无与伦比的奢华体验。 Ta'aktana坐落于16公顷原始风光之中，共有70间客房，其中包括7栋独特的水上别墅。巴厘岛设计团队ANP Interiors从当地特色的蜘蛛网状Lingko水稻田地和原住民曼加莱人的锥形小屋中汲取灵感。最终呈现出文化遗产与现代简约主义的和谐融合。 度假村的建筑语言以优雅的曲线轮廓和精心打造的天然木材、纤维特色为主。别墅中精美的编织天花板镶板尤为引人注目，展现了传统工艺的现代诠释。 Ta'aktana对可持续发展和社区参与的承诺随处可见。从Umasa餐厅的再生织物杯垫到庆祝曼加莱文化的工作坊，度假村无缝融入了负责任的旅游实践。 Di'a水疗中心受到岛上兰科和巴图切尔明洞穴的启发，提供独特的养生之旅，设计元素令人联想起自然地貌。餐饮选择包括五个不同概念餐厅选择，其中Taba的日式机器人料理和Umasa的农场直供印尼美食尤为出彩。 纳闽巴霍Ta'aktana豪华度假酒店成为了深思熟虑的设计、文化传承和至臻奢华的典范，为这个新兴的印尼旅游胜地树立了酒店业的新标杆。 团队 – 由设计师Alvin Jo于2014年创立的ANP室内建筑，迅速在东南亚设计领域确立了自己的重要地位。公司在巴厘岛和新加坡设有工作室，以其无缝融合建筑完整性和创新室内解决方案而闻名。 Alvin Jo毕业于新加坡莱佛士拉萨尔设计学院，现领导着一支多学科专业团队，每位成员都来自不同设计领域。这种协作方式使ANP能够承接从定制产品设计到大型酒店项目在内的各类项目，业务遍及印度尼西亚、新加坡、马来西亚和印度。 ANP的设计理念植根于对环境和传统的深刻尊重，同时不断推动空间设计的边界。ANP的作品集展示了对功能性、耐久性、舒适性和低调优雅的承诺。无论是私人住宅还是商业空间，每个项目都体现了公司致力于创造能在感官层面与客户和用户产生共鸣的环境。 Project：Ta’aktana Labuan Bajo Team：ANP interior architecture Size：16 hectares / 70 keys Location： Flores island, Indonesia Feature： Project - Marriott International's Luxury Collection unveils Ta'aktana, a stunning new resort nestled on the Indonesian island of Flores. This eco-conscious hideaway seamlessly blends contemporary design with rich local traditions, offering an unparalleled luxury experience just a stone's throw from the legendary Komodo National Park. Set across 16 hectares of pristine landscape, Ta'aktana boasts 70 keys, including seven exclusive overwater sea villas. Balinese firm ANP Interiors drew inspiration from the region's distinctive spider-web-shaped Lingko rice terraces and the conical huts of the indigenous Manggarai people. The result is a harmonious fusion of cultural heritage and modern minimalism. The resort's architectural language is defined by graceful curved silhouettes and meticulously crafted features utilizing natural wood and fibres. A standout element is the exquisite woven ceiling panels adorning the villas, showcasing a contemporary reinterpretation of traditional craftsmanship. Ta'aktana's commitment to sustainability and community engagement is evident throughout. From upcycled fabric coasters in the Umasa restaurant to workshops celebrating Manggarai culture, the resort seamlessly integrates responsible tourism practices. The Di'a Spa offers a unique wellness journey inspired by the island's Rangko and Batu Cermin caves, incorporating design elements that evoke natural formations. Culinary offerings span five distinct concepts, with Taba's Japanese robata cuisine and Umasa's farm-to-table Indonesian delights taking center stage. Ta'aktana Labuan Bajo emerges as a testament to thoughtful design, cultural preservation, and uncompromising luxury, setting a new standard for hospitality in this burgeoning Indonesian destination. Design Team - Founded in 2014 by visionary designer Alvin Jo, ANP Interior Architecture has rapidly established itself as a formidable presence in the Southeast Asian design landscape. With studios in Bali and Singapore, the firm has cultivated a reputation for seamlessly blending architectural integrity with innovative interior solutions. Jo, an alumnus of Raffles Lassalle (Singapore), leads a multidisciplinary team of professionals, each bringing expertise from various design disciplines. This collaborative approach enables ANP to tackle projects ranging from bespoke product design to large-scale hospitality ventures across Indonesia, Singapore, Malaysia, and India. ANP's design philosophy is rooted in a profound respect for context and tradition, while pushing the boundaries of spatial design. ANP's portfolio showcases a commitment to functionality, durability, comfort, and understated elegance. Each project, whether a private residence or a commercial space, reflects the firm's dedication to creating environments that resonate with both clients and users on a deeply sensory level. 设计团队 旅游探访 16 公顷 / 70间 弗洛勒斯岛，印度尼西亚 2024 前一项 后一项

< 返回 蒜山荞麦馆 STUDIO YY 项目名称：蒜山荞麦馆 地点：冈山县真庭市，日本 设计团队：STUDIO YY 建筑面积：271.64平方米 竣工时间：2022年 摄影：秋田広树（エスエス） 设计特色： STUDIO YY完成了位于冈山县真庭市的蒜山荞麦馆，这是一座将传统建筑形式与现代木材技术相融合的当代荞麦面餐厅。该项目重建了一座因火灾而毁坏的深受喜爱的市营餐厅，将其转变为一个文化目的地，让访客既能体验当地荞麦文化，又能感受地域工艺。 最显着的特征是创新性地使用CLT（正交胶合木）板材来创造入母屋（日本传统歇山屋顶）的现代诠释。四块巨大的CLT板材相互倾斜支撑，形成无柱的室内空间，可不受阻碍地欣赏周围景观。这一结构方案代表了乡土建筑与来自真庭市自身林业的当代工程木材技术的卓越融合。24块互相连接的CLT板材（厚度150毫米，5层5层板）共同构成了能够承受积雪高度140厘米的大屋顶，客席区域梁间9.1米乘桁行12.74米的跨度完全无需中间支撑。 环绕主体结构的是一个精致的三维曲面檐篷，直接呼应远处蒜山山脉起伏的山脊线。这个优雅倾斜的屋檐不仅框取了山脉的全景视野，还能防止积雪，这在冬季积雪深度达140厘米的多雪地区尤为重要。檐篷由纤细的钢框架和木质化妆椽木构成，创造出类似缘侧的过渡空间，模糊了室内用餐区域与壮丽自然环境之间的界限。建筑师巧妙地将地震时水平力的大部分导向厨房侧，从而实现了客席部分的大开口，使建筑与周边环境形成无缝关系。 STUDIO YY在整个设计中融入了多种本地工艺传统。入口处的门帘描绘了蒜山标志性的三座山峰，采用附近胜山保存的传统染色技术制作。室内家具融入了组子细工，这是另一项地域特色工艺。建筑师参照了大宫踊，这是一种在入母屋屋顶下表演的非物质文化遗产舞蹈，在建筑形式与活态传统之间建立了连续性。低矮的檐篷和三个方向的大开口使访客既能欣赏蒜山夏季的山峦景色，又能享受冬季银白世界的美丽全景。 通过采用24块相互连接的CLT板材及外露接缝，并将结构创新与文化敏感性相结合，该项目展示了当代建筑如何在尊重地域特性的同时，创造灵活宜人的公共空间，既颂扬美食体验，又礼赞景观之美。建筑成功地将蒜山的文化、风景、传统、产业、技术和观光连接起来，成为地域振兴的重要节点。 设计团队： STUDIO YY由田中裕一和中本刚志于2015年创立，已成为一家创新型建筑事务所，将日本传统建筑文化与当代建造技术相融合。两位主持建筑师均拥有丰富的国际经验，田中裕一曾任职于NAP建筑设计事务所和荷兰NL Architects，而中本刚志则在纽约的知名事务所磨练专业技能，包括OMA、REX Architects和Asymptote。 这家东京建筑事务所因其对场地环境敏感的设计而获得广泛认可，这些设计整合了地域材料、本地工艺和文化遗产。其作品集在公共和文化设施领域展现出卓越水准，涵盖道路驿站、社区中心和教育建筑。蒜山荞麦馆和佐川町牧野道路驿站等代表作品展示了事务所运用工程木材系统，特别是CLT板材，重新诠释乡土建筑类型以适应当代使用的能力。 STUDIO YY的设计理念强调创造能够促进社区参与的建筑，同时颂扬特定的地理和文化特性。事务所在设计竞赛中持续获胜，展现了在满足复杂功能需求的同时保持建筑严谨性和场所敏感性的能力。其作品获得众多荣誉，包括2025年日本空间设计大奖年度大奖（最优秀赏）、2025年木材设计奖最优秀赏（环境大臣赏）、2024年日事连建筑奖一般建筑部门优秀赏、2024年优良设计奖以及2023年木材设计奖国际博览会担当大臣赏等。 田中裕一1982年出生于福岛县，2006年毕业于横滨国立大学工学部，2009年从横滨国立大学院建筑都市文化专攻Y-GSA毕业。在创立STUDIO YY之前，他曾在荷兰NL Architects工作，并在NAP建筑设计事务所担任职务至2014年。中本刚志1977年出生于鸟取县，2005年毕业于加州州立理工大学圣刘易斯奥比斯波分校建筑环境学部建筑学科。他在纽约积累了丰富的国际经验，先后在Asymptote、REX Architects和OMA工作，之后回到日本在NAP建筑设计事务所任职至2014年。 除实践外，通过对地域材料的创新运用、对场所特定性的深入研究以及对文化遗产的持续探索，STUDIO YY已确立自己作为当代日本建筑话语重要贡献者的地位，创造出既具环境回应性又保持建筑卓越性的作品。在田中裕一和中本刚志的持续领导下，该事务所目前在日本建筑景观中占据独特地位，专注于创造融合传统智慧与当代技术、充满生命力的建筑空间。 设计团队 旅游探访 271.64 m² 冈山县真庭市，日本 2022 前一项 后一项

< 返回 法国塞缪尔·帕蒂学校 Ateliers O-S architectes 设计特色： 这座由Ateliers O-S architectes设计的塞缪尔·帕蒂学校，将庄重肃穆与通透敞亮完美融合，在贝济耶市的德韦泽区树立了一个大胆而又富有渗透性的存在。整个校园围绕一个与地形相承的大型纵向体量而建，单层的学校建筑为街道营造了一种人性化的尺度。砂凝土正是这一作品最与众不同的元素，将屋顶与立面融合为一体，形成了一种饱满的造型语汇。这种肃穆的矿物质感与内部轻盈高挑的金属架构形成了鲜明对比，教室敞开在操场之上，通过全高落地窗将内外毫无阻隔地连接。在户外，设计不仅保留了现有的老树，更创造了一个台阶状的环境景观，将建筑与自然界融为一体。大型入口廊架上圆形天窗设计使其为游客带来遮荫，同时将人们从街道上引入校园深处。室内空间严丝合缝地为不同功能而设：双层高的入口营造了充满活力的交流空间，而校长室则巧妙地将操场尽收眼底。走廊作为半室外空间，在教室与操场之间形成了自然过渡。整个建筑在坚硬的混凝土外壳与轻盈的内部装修之间，展现了引人入胜的张力对比。 Harmonizing massiveness and porosity, the Samuel Paty School Group by Ateliers O-S architectes presents a bold yet permeable presence in the Devèze district of Béziers, France. Centered around a striking longitudinal volume that adapts to the site's topography, the single-story primary school building offers a human-scaled facade to the street. The building's defining element is its sanded concrete materiality, unifying the roof and elevations into one seamless composition blending form and volume. This mineral mass contrasts with the interior's scalable lightness, where classrooms open generously onto playgrounds under soaring metal gantries. Floor-to-ceiling glazing maximizes this connection between indoors and out. Outdoors, the design preserves mature trees while introducing terraced landscaping that blurs built and natural environments. A large entrance canopy with circular skylights shelters a welcoming forecourt and gardens guiding pupils from the street to the halls. Within, spatial choreography responds to user needs. Double-height volumes energize communal areas, while the principal's office strategically overlooks the central playground. Corridors are conceived as exterior but sheltered spaces mediating between classrooms and courtyards. Throughout, the robust concrete shell and lightweight interior finishes establish a compelling dialogue of complementary contrasts. 设计团队： Ateliers O-S architectes始于2007年，三位合伙人Vincent Baur、Guillaume Colboc 和 Gaël Le Nouëne曾在鹿特丹的OMA和West8事务所历练。该事务所追求一种新手工艺方式风格，精心掌控从构思到实施的整个设计建造过程。他们的作品遍布法国，包括公共设施、社会住房和文化场馆等。作品的特色在于精准把握尺度，促进社会互动，体现空间的谦逊有礼。设计师们擅于发掘场地的潜在使用功能，从中汲取灵感。这种探索式方法孕育了富有意想不到空间体验的建筑，同时呈现出一种超凡脱俗的独特风格。该事务所曾荣获爱菲尔奖(2021年)、建筑与可持续建筑奖以及国际竞赛荣誉。他们的作品还入选了2016年威尼斯建筑双年展法国馆的展品目录。在资深团队的带领下，Ateliers O-S architectes一如既往地秉承与环境互动、发掘可能性的设计理念，在建筑舞台上书写属于自己的篇章。 Founded in 2007 after formative experiences at OMA and West8 in Rotterdam, Ateliers O-S architectes is a Paris-based practice helmed by partners Vincent Baur, Guillaume Colboc, and Gaël Le Nouëne. The firm embraces a neo-artisanal approach, consciously mastering the entire design and construction process from conception through execution. Ateliers O-S's portfolio spans public facilities, social housing, and cultural venues across France. Their works are characterized by a judicious sense of scale, fostering social interaction and spatial courtesy. The architects probe and unveil the latent potentials of site-specific uses and activities. This exploratory approach yields architectures replete with unexpected spatial treasures while projecting an alchemical distinctiveness. The firm's accolades include an Eiffel Award (2021), Architecture & Sustainable Construction Awards from CAUE regional bodies, and international competition distinctions. Their built works have been featured in publications like Pavillon Français's catalog for the 2016 Venice Biennale. With a dedicated team including associates Carole Petit, Eléonore Lecoq and others, Ateliers O-S architectes continues advancing its design philosophy premised on evolution, contextrespnsiveness and the revelation of untapped programmatic possibilities. 设计团队 旅游探访 3679 ㎡ 法国，贝济耶 2023年 前一项 后一项

< 返回 林中小屋 Ediz Demirel Works 项目名称：林中小屋 地点：科扎克，土耳其 设计团队：Ediz Demirel Works 建筑面积：54 m² 竣工时间：2025年 摄影：Egemen Karakaya 设计特色： 项目 - 土耳其建筑师埃迪兹·德米雷尔(Ediz Demirel)打造了一座引人注目的54平方米小屋，展示了当代建筑如何既能挑战又能补充其自然环境。这座位于帕加马附近偏远科扎克高原的短期租赁度假屋，通过对比鲜明的材料和建造方法的大胆并置，诠释了精巧的最小干预设计理念。 该项目最具特色的设计是其下沉式"对话坑"——这是对传统聚会空间的当代诠释，嵌入在现有地形之中。这个降低的中央核心成为小屋的心脏，客人可以围绕篝火聚集，从多个角度体验空间。在这一扎根元素之上，帐篷状的钢制外壳仿佛漂浮着，在大地与高空之间创造出戏剧性的形式张力。 德米雷尔的设计策略围绕着对立构造语言的相互作用展开。基础建立在原有葡萄园的干石梯田墙上，使用现浇钢筋混凝土与地形保持连续性。与此形成鲜明对比的是，耐候钢覆层和结构钢架均在异地预制，代表着一种有意识地脱离乡村语境的工业干预。 战略性开口穿透金属外壳，增强了小屋的雕塑品质。水平切口框定了周围景观的全景视野，而突出的开口创造出"眼睛般"的瞬间，在室内外空间之间进行调解。这些精心编排的视线建立了与场地的视觉联系，同时保持了结构大胆的建筑特征。 通过将生活空间锚定在景观中，同时让保护性外壳显得异质而当代，林中小屋在归属感与独特性之间实现了精妙的平衡，创造了一个既尊重自然环境又体现建筑创新的独特度假屋。 设计团队 - Ediz Demirel Works（EDWorks）成立于2022年，由建筑师埃迪兹·德米雷尔创立，已迅速确立为专注于中小尺度建筑干预的创新事务所，将传统建造技术与当代空间概念相结合。在德米雷尔的指导下，事务所展现出对材料真实性和场地特定设计回应的深刻理解。 德米雷尔的建筑基础建立在2019年伊斯坦布尔技术大学建筑系获奖毕业设计项目上，随后在自然建造方法论方面积累了专业经验。他的成长期包括在博德鲁姆从事乡土材料的深入工作——特别是天然抹灰应用和土坯建造技术——涵盖酒店和住宅类型。这种传统工艺的实践经验为他的材料诚实和语境敏感性的设计哲学奠定了基础。 该事务所的设计方法论反映了德米雷尔的跨学科背景，涵盖建筑可视化、室内建筑和家具生产，通过战略合作，特别是与OoL Studio的国际项目合作。EDWorks的作品集展现了在适应性改造策略和对地形约束有思考回应的新建筑方面的特殊优势。 最近完成的林中小屋项目体现了事务所的设计-建造一体化方法，德米雷尔既担任建筑师又担任承包商。这种双重角色使得材料细节的精确控制和建造质量管控成为可能，同时在整个建造过程中保持设计完整性。该事务所通过教育倡议继续扩展其专业知识，在学术机构开展建筑模型制作工作坊，强化其对建筑社区教学参与的承诺。 Project Name: Cabin in the Woods Location: Kozak, Turkey Design Team: Ediz Demirel Works Total Floor Area: 54 m² Completion: 2025 Photography: Egemen Karakaya Design Features: Project - Turkish architect Ediz Demirel has created a striking 54-square-metre cabin on the remote Kozak Plateau that demonstrates how contemporary architecture can both challenge and complement its natural setting. Located on a hill near Pergamon, this short-term rental retreat exemplifies thoughtful minimal intervention through its bold juxtaposition of contrasting materials and construction approaches. The project's most distinctive feature is its sunken "conversation pit" – a contemporary take on the traditional gathering space that sits embedded within the landscape's existing topography. This lowered central core serves as the heart of the cabin, where guests can gather around a fire while experiencing the space from multiple perspectives. Above this grounded element, a tent-like steel shell appears to float, creating a dramatic formal tension between the earthbound and the elevated. Demirel's design strategy revolves around the interplay of opposing tectonic languages. The foundation builds upon existing dry stone terrace walls from an old vineyard, using reinforced concrete poured in-situ to create continuity with the terrain. In stark contrast, the Corten steel cladding and structural steel frame were prefabricated off-site, representing an industrial intervention that consciously stands apart from its rural context. The cabin's sculptural qualities are enhanced by strategic apertures that puncture the metal shell. A horizontal cut frames panoramic views of the surrounding landscape, while protruding openings create "eye-like" moments that mediate between interior and exterior spaces. These carefully choreographed views establish visual connections to the site while maintaining the structure's bold architectural identity. The structural steel system, detached from the topography, and the Corten steel façade panels are prefabricated in the workshop, with only their assembly carried out on-site. The reinforced dry stone wall that serves as the foundation is intentionally complemented with the existing, irregular arrangement of stones in the terrain. The in-situ reinforced concrete foundation is poured into it, creating a seamless connection between building and site. The foundation and the conversation pit act as a continuation of the topography, allowing users to form a direct connection with the land and grounding the structure in its context. In contrast, the tent-like steel shell that floats above this base stands in opposition to the landscape through its form and materiality. Ultimately, the identity of the structure is shaped by the interplay of two opposing tectonic approaches in terms of materials, construction techniques, production methods, and the contrast between locality and foreignness. Design Team - Ediz Demirel Works (EDWorks), founded in 2022 by architect Ediz Demirel, has rapidly established itself as an innovative practice specializing in small to medium-scale architectural interventions that synthesize traditional building techniques with contemporary spatial concepts. Under Demirel's direction, the firm demonstrates a sophisticated understanding of material authenticity and site-specific design responses. Demirel's architectural foundation was established through his 2019 award-winning graduation project from Istanbul Technical University's Department of Architecture, followed by specialized experience in natural building methodologies. His formative period included intensive work with vernacular materials—particularly natural plaster applications and earth-adobe construction techniques—across hospitality and residential typologies in Bodrum. This hands-on expertise with traditional craft informed his design philosophy of material honesty and contextual sensitivity. The practice's design methodology reflects Demirel's multidisciplinary background, encompassing architectural visualization, interior architecture, and furniture production through strategic collaborations, notably with OoL Studio for international projects. EDWorks' portfolio demonstrates particular strength in adaptive renovation strategies and new construction that responds thoughtfully to topographical constraints. The recently completed Cabin in the Woods project exemplifies the firm's integrated design-build approach, where Demirel served as both architect and contractor. This dual role enables precise material detailing and construction quality control while maintaining design integrity throughout the building process. The practice continues to expand its expertise through educational initiatives, conducting architectural model-making workshops at academic institutions, reinforcing its commitment to pedagogical engagement within the architectural community. 设计团队 旅游探访 54 m² 科扎克，土耳其 2025 前一项 后一项

< 返回 波兰儿童休闲公园 RS+ Robert Skitek 设计特色： RS+ Robert Skitek建筑事务所在波兰科济尼采市打造的休闲运动公园堪称公共空间设计的一次大胆革新。这个占地15705平方米、于2023年竣工的项目巧妙地将自然与创新设计融为一体。 该公园最独特的设计特点在于其巧妙的分区规划，实现了热闹区域与宁静空间的和谐共存。东部区域设有充满活力的戏水乐园和户外舞台，为文化活动和活跃游戏提供了中心场所。相比之下，西部的"森林"区域则提供了一片宁静天地，其中木制广场和蜿蜒小径覆盖在地面之上，穿梭于成熟树木之间。其设计方法尤其值得关注，建筑被设计成"消失的楔形"，与景观融为一体而非主导全局。这种巧妙的融合不仅保留了公园般的氛围，还具有实际功能，为年轻游客划分出专属区域。 材料选择进一步增强了项目与自然的联系，大量使用木材强调了公园的有机特性。以灰色和白色为主的克制配色方案营造出中性背景，让儿童区域的活泼色彩自然跳脱而出，却不会喧宾夺主。这个精心策划的环境满足了社区多样化的需求，为放松、游玩和文化聚会提供了空间。通过优先考虑现有树冠并引入多功能区域，RS+ Robert Skitek打造了一个富有韧性和包容性的公共空间，成为社区宝贵的资产并造福后人。 In a bold reimagining of public space, RS+ Robert Skitek has transformed a verdant plot in Kozienice, Poland, into a captivating Recreation and Sports Park that seamlessly blends nature with innovative design. This 15,705-square-meter oasis, completed in 2023, showcases a masterful balance between preserving existing greenery and introducing dynamic new elements for community engagement. The park's unique design feature lies in its thoughtful zoning, creating a harmonious coexistence between lively and tranquil areas. A vibrant water playground and outdoor stage occupy the eastern section, offering a hub for cultural events and active play. In contrast, the western "forest" zone provides a serene retreat with wooden squares and meandering paths that float above the ground, weaving between mature trees. Skitek's approach to architecture is particularly noteworthy, with buildings designed as "disappearing wedges" that meld into the landscape rather than dominate it. This subtle integration not only preserves the park-like atmosphere but also serves a functional purpose, shielding areas for younger visitors. The material palette further enhances the project's connection to nature, with abundant use of wood emphasizing the park's organic character. A restrained color scheme of grays and whites creates a neutral backdrop, allowing playful splashes of color in children's areas to pop without overwhelming the overall aesthetic. This thoughtfully curated environment caters to diverse community needs, offering spaces for relaxation, play, and cultural gatherings. By prioritizing the existing tree canopy and introducing multifunctional zones, RS+ Robert Skitek has crafted a resilient and inclusive public space that promises to be a cherished community asset for years to come. 设计团队： 成立于2001年的RS+ Robert Skitek建筑事务所已成为波兰建筑界的开拓性力量。在创始人Robert Skitek领导下，该事务所凭借其创新的设计方法赢得了众多赞誉。事务所的作品集展示了从城市干预到住宅设计的多样化项目。 值得一提的是，其在蒂黑市创建了波兰首个戏水乐园，并重新构想了帕普罗卡尼湖岸，展现了他们在改造公共空间方面的卓越才能。其采用协作设计流程，核心团队包括建筑师Martyna Lenart-Zygmunt、Patrycja Fersztorowska和Angelika Skipioł。这种人才协同使事务所能够以整体方法应对复杂项目，融合建筑、景观和城市设计。事务所对创新和以客户为中心的解决方案的承诺在众多竞赛中得到认可，荣誉包括在"年度青年建筑师"奖项中获得提名。 RS+ Robert Skitek的设计理念强调因地制宜的响应、可持续实践和对用户需求的深刻理解。通过平衡美学与功能性，事务所持续打造出能够提升城市肌理并改善城市社区生活质量的空间。 RS+ Robert Skitek, founded in 2001, has established itself as a pioneering force in Poland's architectural landscape. Led by Robert Skitek, a graduate of the Silesian University of Technology and licensed architect, the firm has garnered numerous accolades for its innovative approach to design challenges. The studio's portfolio showcases a diverse range of projects, from urban interventions to residential designs. Notably, RS+ created Poland's first water playground in Tychy and reimagined the Paprocany lake shore, demonstrating their aptitude for transformative public spaces. RS+ employs a collaborative design process, with a core team including architects Martyna Lenart-Zygmunt, Patrycja Fersztorowska, and Angelika Skipioł. This synergy of talent enables the firm to tackle complex projects with a holistic approach, integrating architecture, landscape, and urban design. The studio's commitment to innovation and client-centric solutions has been recognized in numerous competitions. Accolades include finalist status in the "Innovations in architecture" competition (2017) and mentions in the "Young Architect of the Year" awards. RS+ Robert Skitek's design philosophy emphasizes site-specific responses, sustainable practices, and a deep understanding of user needs. By balancing aesthetics with functionality, the firm consistently delivers spaces that enhance the urban fabric and improve quality of life for communities across Poland. 设计团队 旅游探访 15705 m² 波兰，科济尼采 2023年 前一项 后一项

< 返回 Arc’teryx 东京创作中心 Torafu Architects 设计特色： 在东京充满活力的涩谷区中心，“Arc’teryx始祖鸟”东京创意中心如同创新设计和户外灵感的灯塔冉冉升起。由Torafu Architects的设计团队构思，这个改造项目将一座既有建筑转变为充满活力的创意与协作枢纽，标志着“Arc’teryx始祖鸟”在北美以外的首个创意中心诞生。 这座中心的设计理念巧妙地被称为"外部内化"，无缝融合了室内外元素，呼应了品牌与自然和谐共存的精神。这一理念通过一系列精心设计的建筑干预得以实现，从让人联想到始祖鸟标志性"A"字logo的藍染木质入口，到迎接访客的宏伟檜木展示墙，处处体现匠心。 每一层楼都有其独特用途，包括原型制作区、办公空间和提供壮丽景观的屋顶露台——所有这些都通过统一的设计语言紧密相连。一楼的中心是一圈呈圆形排列的扇形裁剪台，上方是具有吸音效果的柏木百叶天花板，形成了一个鼓励协作和创意的焦点。 项目中可能最引人注目的特色是遍布整个空间的艺术装置，每件作品都经过精心挑选，唤起山岳的本质——这是对始祖鸟品牌起源和核心价值观的致敬。从藍染绳索雕塑到大型摄影作品，这些艺术元素为环境注入了冒险精神和对自然的敬畏。 In the heart of Tokyo's vibrant Shibuya district, the Arc'teryx Tokyo Creation Center emerges as a beacon of innovative design and outdoor inspiration. Conceived by the visionary team at Suppose Design Office, this renovation project transforms an existing structure into a dynamic hub for creativity and collaboration, marking Arc'teryx's first creation center outside North America. The center's design philosophy, aptly dubbed "OUTSIDE IN," seamlessly blends interior and exterior elements, echoing the brand's ethos of harmony with nature. This concept is brilliantly executed through a series of thoughtful architectural interventions, from the indigo-dyed wooden entrance reminiscent of Arc'teryx's iconic 'A' logo to the expansive hinoki wood display wall that greets visitors upon entry. Each floor serves a distinct purpose, with areas dedicated to prototyping, office spaces, and a rooftop terrace offering breathtaking views – all interconnected by a cohesive design language. The centerpiece of the ground floor, a circular arrangement of fan-shaped cutting tables beneath an acoustic cypress louver ceiling, creates a focal point that encourages collaboration and creativity. Perhaps the most striking feature is the integration of art installations throughout the space, each piece carefully selected to evoke the essence of mountains – a nod to Arc'teryx's origins and core values. From indigo-dyed rope sculptures to large-scale photographic works, these artistic elements infuse the environment with a sense of adventure and reverence for nature. 设计团队： TORAFU ARCHITECTS（トラフ建築設計事務所）由铃野浩一和禿真哉于2004年共同创立，已成为建筑设计界的一股创新力量。这家总部位于东京的多元化事务所凭借其在建筑、室内设计、展览策划和产品设计方面的创新手法赢得了国际声誉。 该设计团队秉持以建筑思维为根基的理念，不断突破传统设计的界限。他们的作品集展现了惊人的多样性，涵盖从"港北住宅"等住宅项目到"NIKE 1LOVE"等商业空间，以及"空气之器"和"格列佛桌"等富有创意的产品设计。该事务所在创造沉浸式空间体验方面的专长，在2011年米兰设计周为佳能打造的"光之织机"装置中得到充分体现，并荣获ELITA设计大奖最佳展览奖。他们的作品屡获殊荣，包括多项优良设计奖和享有盛誉的红点设计大奖。 其设计方法特点在于对材料、空间效率和用户体验的敏锐关注。他们的项目经常以创新方式运用传统材料，打造既实用又美观的空间。该事务所在无缝融合室内外元素方面的能力尤为引人注目，最近项目中的"外部内化"概念就是很好的例证。 在两位创始人的持续领导下，TORAFU ARCHITECTS始终站在建筑创新的前沿，不断交付挑战认知、重新定义空间体验的项目。他们的作品持续影响着业界，为建筑设计领域的创造力和功能性树立了新标准。 TORAFU ARCHITECTS, founded in 2004 by Koichi Suzuno and Shinya Kamuro, has established itself as a visionary force in the architectural design industry. Based in Tokyo, this multidisciplinary firm has garnered international acclaim for its innovative approach to architecture, interior design, exhibition planning, and product design. With a philosophy rooted in architectural thinking, TORAFU ARCHITECTS consistently pushes the boundaries of conventional design. Their portfolio showcases a remarkable versatility, ranging from residential projects like the "Hongoku no Jutaku" to commercial spaces such as "NIKE 1LOVE" and inventive product designs like the "Air Vase" and "Gulliver Table." The firm's expertise in creating immersive spatial experiences is exemplified by their award-winning installation "Light Loom" for Canon at Milano Salone 2011, which received the ELITA Design Award for Best Exhibition. Their work has been recognized with numerous accolades, including multiple Good Design Awards and the prestigious Red Dot Award. A keen attention to materiality, spatial efficiency, and user experience characterizes TORAFU ARCHITECTS' approach. Their projects often feature innovative uses of traditional materials, creating functional and aesthetically striking spaces. The firm's ability to seamlessly blend interior and exterior elements is particularly noteworthy, as seen in their "OUTSIDE IN" concept for recent projects. Under the continued leadership of Suzuno and Kamuro, TORAFU ARCHITECTS remains at the forefront of architectural innovation, consistently delivering projects that challenge perceptions and redefine spatial experiences. Their work continues to influence the industry, setting new standards for creativity and functionality in architectural design. 设计团队 旅游探访 765.61 ㎡ 日本，东京 2023年 前一项 后一项

PCA-STREAM由建筑师Philippe Chiambaretta于2000年在巴黎创立。事务所把建筑实践与跨学科研究并置，通过STREAM研究平台连接建筑、城市、艺术、社会科学与环境议题，项目范围涵盖办公、商业、文化空间及城市更新。 < Back PCA-STREAM France PCA-STREAM由建筑师Philippe Chiambaretta于2000年在巴黎创立。事务所把建筑实践与跨学科研究并置，通过STREAM研究平台连接建筑、城市、艺术、社会科学与环境议题，项目范围涵盖办公、商业、文化空间及城市更新。 事务所的工作方法强调以研究、模拟和协作回应复杂问题，而非先设定固定形式。La Source Vive由Philippe Chiambaretta与艺术总监Patrick Bouchain共同构思，在两种互补方法之间展开：Bouchain以材料、模型与现场制作推进直觉性的实验，PCA-STREAM则通过数字模型和工程协调，把声学目标转化为可建造的结构与细部。 项目由PCA-STREAM的Philippe Chiambaretta、Salomé Rigal、Sébastien Truchot与Francesco Cazzola主持，执行建筑师为Alliance Engineering Creatives，结构与立面顾问为Bollinger+Grohmann，Meta负责声学工程，Coloco负责景观设计。声学顾问Albert Xu、舞台灯光顾问Philippe Berthomé及多位工匠共同参与，使测量、手工塑形与演奏体验在同一设计过程中彼此校准。 WEBSITE PROJECT

< 返回 B-One办公楼 CF Møller 项目名称：B-One办公楼 地点：柏林，德国 设计团队：CF Møller 建筑面积：19000 m² 竣工时间：2025年 摄影：Franz Brück 设计特色： CF Møller建筑事务所设计的"B-One办公楼"展现了如何通过创新的可持续建筑策略和巧妙的城市语境整合技术，将一个位于柏林城西区门户的地块转化为充满前瞻性的11层气候友好型企业总部建筑。 这座19000平方米的办公楼戏剧性地坐落在兰德韦尔运河和科内柳斯桥交汇处，呈现为对现代企业建筑、环境责任和城市敏感性融合的深刻探索。它没有完全忽视周边历史建筑的存在，而是通过精心的立面干预，创造出一个将企业现代性与城市历史肌理无缝交织的工作环境。 该项目最独特的设计特色在于其层叠式阶梯轮廓——建筑如城市阶梯般逐层退台，创造出一系列种植露台，既减少了建筑体量对相邻历史别墅的压迫感，又为500名员工提供了多样化的绿色外部空间。这种垂直景观策略将建筑从传统企业办公楼转变为多层次的工作生态系统，动态响应不同的使用需求和环境条件。 CF Møller的设计语言流利地表达着可持续性与建筑精致感的对话，运用石灰石立面网格内嵌入光伏板的创新技术来重新定义企业建筑的环境表现。集成的可再生能源系统被创新性地整合到建筑表皮中，既具功能效益又承载美学价值。这种大胆的技术整合不仅实现了相比前身建筑超过50%的能耗降低，同时巧妙地将建筑定位为气候友好型设计的标杆。 建筑师通过垂直空间组织和混合通风策略的巧妙操控在不同功能层次间创造多元体验。底层设置公共画廊空间，体现柏林抵押银行的社区参与承诺，而建筑核心的多层"市政厅"空间配备纪念碑式阶梯和一体化座椅，既是社交枢纽又是灵活的协作工作空间。顶层屋顶花园和会议设施享受柏林全景视野，完成了共享空间的垂直序列。 材料策略延续了这种环境责任与建筑卓越无缝融合的设计理念。石灰石立面与集成光伏系统形成技术美学统一，自遮阳元素减少太阳得热的同时保持视觉连贯性。创新的雨水管理系统确保所有雨水在建筑景观基础设施内被捕获和重复利用，水景从露台逐级流淌，营造出工业精致与环境和谐的建筑体验。 设计团队 - CF Møller建筑事务所作为斯堪的纳维亚地区最具影响力的建筑实践机构之一，成立于1924年，已确立其在可持续建筑设计和数字化建筑整合领域的先锋地位。这家总部位于奥胡斯的丹麦事务所通过建筑、城市设计、景观建筑和BIM技术的垂直整合，重新定义当代北欧建筑师在国际设计话语中的角色。 CF Møller为建筑实践带来了卓越的数字化方法论和对跨学科协作的深刻理解。该事务所因其将传统北欧设计价值与当代可持续技术结合的承诺而获得认可，在首席执行官Lone Bendorff和包括Maibritt Dammann、Klaus Toustrup、Michael Kruse、Julian Weyer在内的杰出合伙人团队领导下，事务所在医疗、科研、企业总部和复杂基础设施项目等领域保持设计质量和环境表现的双重卓越。 该事务所的设计哲学强调建筑应该通过整体语境分析超越表面形式——不仅仅是为了美学效果而设计，更是为了与场地特定条件和社会需求有机响应。通过行业领先的BIM方法论和可持续材料应用，开展从医疗建筑、科学设施到国际企业总部的多元化项目，相信最好的建筑是通过对环境、社会和经济因素的综合考量产生的精确干预。CF Møller相信建筑应该成为福利社会发展和气候责任的载体，通过创新技术整合和北欧价值观创造具有持久价值的建筑体验。 除实践外，该事务所通过与承包商、工程师和专业顾问的紧密合作保持着强有力的项目交付整合。通过对传统北欧建筑智慧与数字化设计方法的深思熟虑结合、可持续技术的创新运用，以及经过时间验证的环境管理，CF Møller已确立自己作为国际可持续建筑话语重要贡献者的地位，创造出既具北欧根植性又拥抱全球设计视野的建筑作品。该事务所拥有约300名员工，在奥胡斯、哥本哈根、奥尔堡、奥斯陆、斯德哥尔摩、马尔默和柏林设有办公室，已获得众多国际认可，并持续为设定新的建筑标准而获得国际奖项，体现其对建筑功能性、艺术性和社会价值的专注。 设计团队 旅游探访 19000 m² 柏林，德国 2025 前一项 后一项

< 返回 上海世博文化公园温室 Delugan Meissl Associated Architects 项目名称： 上海世博文化公园温室 地点： 上海，中国 设计团队： Delugan Meissl Associated Architects 建筑面积： 47000 平方米 完工时间： 2024年9月 摄影师： CreatAR Images 设计特色： 项目 - 在最近一次开创性的建筑干预中，Delugan Meissl Associated Architects（DMAA）重新构想了城市空间：上海世博文化公园温室。这座位于上海迅速演变的浦东区的创新综合体，代表了可持续建筑的大胆想象，将前工业荒地转变为充满活力的生态展示场。 在工业遗产和生态创新的微妙边界上，温室综合体作为城市再生的强有力声明应运而生。建筑师巧妙地重新利用了原工业厅的钢结构，在其几何框架内创造了有机场馆，形成了动态的空间组织。这种硬性工业基础设施与流动自然形态之间的建筑对话，完美诠释了上海技术进步与环境意识的复杂叙事。 该项目最引人注目的创新在于其对能源效率的激进方法。挑战传统温室设计，DMAA通过复杂的环境策略创造了一座零能耗建筑。通过精确的模拟计算，使用单层玻璃——这是一个违反直觉的选择——该结构在最大限度地利用自然光和维护植物健康的同时，最大程度地减少了能源消耗。 三个不同的展馆为游客提供了沉浸式的生态系统之旅：从荒凉的岩石沙漠景观，到热带雨林的丰茂生机，最后是多功能的垂直花园。每个空间不仅展示了生物多样性，还作为一个微妙的环境教育平台，引起人们对植物保护和气候适应全球挑战的关注。 通过将工业场地转变为充满生机的生态中心，DMAA不仅仅交付了一个温室——他们创造了一份将自然置于建筑创新核心的城市再生宣言。 团队 – 成立于1993年的奥地利维也纳，Delugan Meissl Associated Architects（DMAA）已成为一家不断挑战传统设计范式的先锋建筑实践。拥有40多名国际专业人士的强大团队，该事务所通过在欧洲、中国、美国、南美洲和中东地区的100多个创新项目，建立了全球影响力。 自2004年以来，由创始合伙人Elke Delugan-Meissl, Roman Delugan, alongside Dietmar Feistel 和 Martin Josst领导，DMAA以其对语境和实验性设计的激进承诺而著称。他们的建筑理念超越了单纯的功能解决方案，进而探索了建成环境、社会动态和生态命题之间错综复杂的关系。 该事务所的作品集展现了卓越的多样性，涵盖文化地标、教育设施、展览、医疗综合体和城市干预。阿姆斯特丹电影博物馆、斯图加特保时捷博物馆和埃尔音乐节大厅等标志性项目，展示了他们创造空间动态且概念复杂的建筑体验的能力。 DMAA的方法以对创新的坚定奉献为特征，通过精确的设计干预推动建筑边界，这些干预对本地语境积极回应，同时保持大胆、前瞻性的设计语言。 Project Name: Expo Cultural Park Greenhouse Location: Shanghai, China Design Team: Delugan Meissl Associated Architects (DMAA) Building Area: 47,000 square meters Completion Date: September 2024 Photographer: CreatAR Images Feature： Project - In a groundbreaking architectural intervention, Delugan Meissl Associated Architects (DMAA) has reimagined urban space through their latest project: the Expo Cultural Park Greenhouse. Nestled in Shanghai's rapidly evolving Pudong district, this innovative complex represents a bold reimagining of sustainable architecture, transforming a former industrial wasteland into a vibrant ecological showcase. Straddling the delicate boundary between industrial heritage and ecological innovation, the greenhouse complex emerges as a powerful statement on urban regeneration. The architects have masterfully repurposed an existing steel structure from a former industrial hall, creating a dynamic framework that seamlessly integrates organic pavilions within its geometric embrace. This architectural dialogue between hard industrial infrastructure and fluid natural forms encapsulates Shanghai's complex narrative of technological progress and environmental consciousness. The project's most striking innovation lies in its radical approach to energy efficiency. Challenging conventional greenhouse design, DMAA has created a zero-energy building through sophisticated environmental strategies. Utilizing single glazing—a counterintuitive choice validated by precise simulative calculations—the structure minimizes energy consumption while maximizing natural light and plant health. Three distinct pavilions offer visitors an immersive journey through diverse ecosystems: from the stark, rocky landscapes of arid deserts to the lush abundance of tropical rainforests, and finally to versatile vertical flower gardens. Each space not only showcases botanical diversity but also serves as a subtle environmental education platform, drawing attention to global challenges of plant conservation and climate adaptation. By transforming an industrial site into a living, breathing ecological center, DMAA has delivered more than just a greenhouse—they've created a manifesto for urban regeneration that places nature at the heart of architectural innovation. Design Team - Founded in Vienna, Austria in 1993, Delugan Meissl Associated Architects (DMAA) has emerged as a pioneering architectural practice that consistently challenges conventional design paradigms. With a robust team of over 40 international professionals, the firm has established a global footprint through more than 100 innovative projects across Europe, China, the United States, South America, and the Middle East. Led by founding partners Elke Delugan-Meissl, Roman Delugan, alongside Dietmar Feistel and Martin Josst since 2004, DMAA distinguishes itself through a radical commitment to contextual and experimental design. Their architectural philosophy transcends mere functional solutions, instead exploring the intricate relationships between built environments, social dynamics, and ecological imperatives. The firm's portfolio exemplifies a remarkable versatility, spanning cultural landmarks, educational facilities, exhibitions, healthcare complexes, and urban interventions. Iconic projects like the EYE Filmmuseum in Amsterdam, the Porsche Museum in Stuttgart, and the Festspielhaus Erl demonstrate their ability to create spatially dynamic and conceptually sophisticated architectural experiences. DMAA's approach is defined by an unwavering dedication to innovation, pushing architectural boundaries through precise interventions that respond sensitively to local contexts while maintaining a bold, forward-thinking design language. 设计团队 旅游探访 47000 m² 上海，中国 2024 前一项 后一项

由德国建筑师Jan Clostermann于2015年创立的柯路建筑，已成为一个超越传统建筑界限的富有远见的设计实践。该事务所以全球视野建立，在北京、上海和里斯本设有国际工作室，拥有一支由70多位富有创新精神的建筑师和设计师组成的动态团队，致力于创造世界级的社交空间。 Founded by German architect Jan Clostermann, CLOU Architects has emerged as a visionary design practice that transcends traditional architectural boundaries. Established with a global perspective, the firm maintains international studios in Beijing, Shanghai, and Lisbon, comprising a dynamic team of over seventy innovative architects and designers dedicated to creating world-class social spaces. < Back CLOU Architects 中国（CHINA） 由德国建筑师Jan Clostermann创立的柯路建筑，已成为一个超越传统建筑界限的富有远见的设计实践。该事务所以全球视野建立，在北京、上海和里斯本设有国际工作室，拥有一支由70多位富有创新精神的建筑师和设计师组成的动态团队，致力于创造世界级的社交空间。 柯路的建筑理念以通过智能、整体的设计解决方案，将普通空间转化为非凡环境为中心。该事务所专注于复杂的城市发展、商业目的地和大型综合项目，展现了将经济、社会和环境考量融合成连贯建筑叙事的卓越能力。 该事务所的设计方法以细致的方法论为特征，结合深入的研究、分析严谨性和创造性概念化。通过理解每个项目的独特背景挑战，柯路制定定制的设计策略，不仅满足功能需求，还能生成有意义的空间体验，催化社交互动。 在Jan Clostermann的带领下，这个多学科团队汇集了国际专业知识，将先进的计算设计技术与以人为本的设计理念相结合。他们的项目组合展示了卓越的创新能力，能够敏感地回应当代城市条件，同时推动建筑表达的边界。 以可持续、以背景为驱动的设计为承诺，柯路继续将自己确立为一个在创造充满活力、社会参与的空间环境方面处于前沿的进步性建筑事务所。 Founded by German architect Jan Clostermann, CLOU Architects has emerged as a visionary design practice that transcends traditional architectural boundaries. Established with a global perspective, the firm maintains international studios in Beijing, Shanghai, and Lisbon, comprising a dynamic team of over seventy innovative architects and designers dedicated to creating world-class social spaces. CLOU's architectural philosophy centers on transforming ordinary spaces into extraordinary environments through intelligent, holistic design solutions. Specializing in complex urban developments, commercial destinations, and large-scale mixed-use complexes, the practice demonstrates an exceptional ability to synthesize economic, social, and environmental considerations into cohesive architectural narratives. The firm's design approach is characterized by a meticulous methodology that combines in-depth research, analytical rigor, and creative conceptualization. By understanding each project's unique contextual challenges, CLOU develops bespoke design strategies that not only meet functional requirements but also generate meaningful spatial experiences that catalyze social interactions. Led by Jan Clostermann, the multidisciplinary team brings together international expertise, integrating advanced computational design techniques with a human-centric design philosophy. Their portfolio showcases a remarkable capacity to deliver innovative projects that respond sensitively to contemporary urban conditions while pushing the boundaries of architectural expression. With a commitment to sustainable, context-driven design, CLOU continues to establish itself as a progressive architectural practice at the forefront of creating dynamic, socially engaged spatial environments. WEBSITE PROJECT

< 返回 MIGIUI咖啡馆 Architect-K 项目名称： MIGIUI咖啡馆 地点：蔚山市蔚州郡，韩国 设计团队： Architect-K 建筑面积： 862 m² 完成时间： 2024 摄影： Yoon Joonhwan 设计特色： 项目 - 在韩国蔚山市蔚州郡，MIGIUI咖啡馆项目由建筑师Lee Kichul领导的architect-K事务所精心打造，展现了自然与建筑融合的突破性设计。这个862平方米的开发项目，重新定义了建筑环境如何与自然环境和谐共存。 坐落于岭南阿尔卑斯山脉的高云山脚下，MIGIUI以其创新的"森林小径建筑"概念脱颖而出。其最引人注目的设计特征是80米长的弧形玻璃结构，仿佛漂浮在树木之间，打破了室内外空间的传统界限。 项目采用28毫米厚的双层玻璃，高度达到4.9米，实现了卓越的透明度。这一建筑壮举需要克服重大工程挑战，包括复杂的保温要求和结构稳定性考虑。多层不锈钢檐篷的设计不仅提供必要的遮阳保护，还创造出独特的视觉韵律，增强了建筑的流畅形态。 MIGIUI超越传统咖啡馆概念，通过自然环境为访客提供一段自我发现之旅。三个精心布置的庭院创造出持续约十分钟的连续空间体验，让访客以前所未有的方式与周围景观互动。限制访客数量的政策确保了一个私密、沉思的氛围，支持项目促进人与自然之间有意义连接的核心理念。 项目名称MIGIUI（韩语中意为"未知"）完美诠释了其本质——建筑淡化自身存在感，让自然在精心编排的建筑形式与自然环境之间的互动中成为主角。这种革命性的商业建筑方法为可持续设计树立了新标准，同时为寻求真实自然体验的城市居民创造了独特的目的地。 这个标志性项目展示了当代建筑如何能够既服务于商业目的，又尊重和增强自然环境，为未来的可持续建筑实践提供了重要参考。 团队 - Architect-K建筑事务所由首席建筑师李基哲(Kichul Lee)于2012年创立，已发展成为韩国最具创新力的建筑设计机构之一。该事务所专注于全方位的设计理念，涵盖建筑设计、室内设计和家具创作等领域。事务所的设计理念深深植根于熵的概念，体现了他们通过适应性和灵活性解决方案来应对建筑挑战的独特视角。 李基哲毕业于加州大学伯克利分校建筑系硕士，曾在纽约Frederic Schwartz建筑事务所和首尔SPACE GROUP积累了丰富的实践经验。在他的带领下，事务所发展出了独特的设计方法论，这种方法论积极拥抱当代建筑需求中固有的复杂性和流动性。事务所名称中的"K"源自玻尔兹曼常数，象征着他们致力于在设计过程中认知并处理环境和功能上的不确定性。 事务所的作品展现了他们在参数化设计、可持续建筑和场地融合方面的专业造诣，并因此获得了芝加哥雅典娜国际建筑奖和建筑大师奖等重要奖项。他们的作品特点在于创新的空间解决方案、先进的材料应用以及对环境动态的深刻理解。总部位于首尔的Architect-K已确立了其前瞻性实践者的地位，在保持与实际实施紧密联系的同时，持续突破传统建筑话语的界限。 Project Name: MIGIUI Café Location: Ulju-gun, Ulsan, South Korea Design Team: Architect-K Total Floor Area: 862 m² Completion: 2024 Photography: Yoon Joonhwan Feature: Project - In a groundbreaking fusion of nature and architecture, MIGIUI emerges as a transformative café project in South Korea's Ulju-gun region, masterfully crafted by architect-K under the leadership of Lee Kichul. This remarkable 862-square-meter development represents a paradigm shift in how built environments can harmonize with their natural surroundings. Set against the backdrop of the majestic Gounsan Mountain in the Youngnam Alps, MIGIUI distinguishes itself through its innovative "forest path architecture" concept. The design's most striking feature is its 80-meter-long curved glass structure, which appears to float seamlessly between the trees, challenging conventional boundaries between interior and exterior spaces. The project's exceptional transparency is achieved through technically ambitious 28mm-thick paired glass panels, reaching heights of 4.9 meters. This architectural feat required overcoming significant engineering challenges, including complex insulation requirements and structural stability considerations. The addition of multi-tiered stainless steel eaves not only provides essential sun protection but also creates a distinctive visual rhythm that enhances the building's fluid form. MIGIUI transcends the traditional café concept by offering a curated journey of self-discovery through nature. Three thoughtfully positioned courtyards create a continuous spatial experience that extends for approximately ten minutes, allowing visitors to engage with the surrounding landscape in unprecedented ways. The restricted access policy ensures an intimate, contemplative atmosphere that supports the project's core philosophy of fostering meaningful connections between humans and nature. The project's name, MIGIUI (meaning "unknown" in Korean), perfectly encapsulates its essence – a space where architecture recedes into the background, allowing nature to take center stage in a carefully orchestrated dance between built form and natural environment. This revolutionary approach to commercial architecture sets new standards for sustainable design while creating a unique destination for urban dwellers seeking authentic natural experiences. Design Team - Founded in 2012 by Principal Architect Kichul Lee, Architect-K has emerged as one of South Korea's most innovative architectural practices. The firm specializes in a holistic design approach encompassing architectural design, interior design, and furniture creation. Their design philosophy is deeply rooted in the concept of entropy, reflecting a unique perspective on addressing architectural challenges through adaptive and flexible solutions. Lee, a Master of Architecture graduate from UC Berkeley, brings extensive experience from Frederic Schwartz Architects in New York and SPACE GROUP in Seoul. Under his leadership, the practice has developed a distinctive design methodology that embraces the inherent complexity and fluidity of contemporary architectural demands. The studio's name, incorporating the Boltzmann constant 'K', symbolizes their commitment to acknowledging and working with environmental and programmatic uncertainties in the design process. The firm's portfolio showcases expertise in parametric design, sustainable architecture, and contextual integration, earning prestigious accolades including the Chicago Athenaeum International Architecture Award and the Architecture Master Prize. Characterized by innovative spatial solutions, advanced material applications, and a sophisticated understanding of environmental dynamics, Architect-K has established itself as a forward-thinking practice from its Seoul headquarters, consistently pushing the boundaries of conventional architectural discourse while maintaining a strong connection to practical implementation. 设计团队 旅游探访 862 m² 蔚山市蔚州郡，韩国 2024 前一项 后一项

< 返回 曲线餐厅 Unknown Surface Studio 项目名称： 曲线餐厅 （Curvy Dining） 地点： 曼谷，泰国 设计团队： Unknown Surface Studio 项目面积： 250 m² 竣工时间： 2025年（预计） 摄影： Rungkit Charoenwat 设计特色： 项目 – 在泰国曼谷，Curvy Dining以其独特的雕塑般的建筑形态，突破了传统餐厅设计的界限。这座由Unknown Surface Studio设计的250平方米餐饮空间，完美诠释了有机建筑的精髓，将流动的形态与自然灵感融为一体，创造出非凡的空间体验。 坐落于工业区背景下，该项目最引人注目的特点是其对“几何形态”建筑的创新诠释。Unknown Surface Studio设计团队巧妙地将绽放的花朵几何特征转化为精致的建筑语言。这座建筑仿佛从一个中心点向外展开，创造出曲线与放射状图案的迷人交织。 Curvy Dining的与众不同之处在于其在几何精确性和有机流动性之间达成的巧妙平衡。外部的框架与流动的内部空间形成刻意的对比，而减法设计方法则开辟出直观的流通路径，引导访客穿行于精心编排的空间序列中。这种建筑漫步体验通过融入的绿色空间得到增强，模糊了建筑形态与景观之间的界限。 项目采用的白色材质成为自然光影游戏的画布，创造出全天候变化的视觉体验。建筑事务所对环境对话的承诺体现在建筑与场地的呼应方式上——它不是强加于场地之上，而是仿佛从场地中自然生长而出，创造出建筑师所描述的"自动景观效果"。 计划于2025年完工的Curvy Dining代表了餐饮建筑的大胆设想，在这里，室内外的严格界限消融，建筑形式成为表达自然现象的媒介。它展现了当代建筑如何在城市餐饮体验与有机设计原则之间创造有意义的连接。 团队 – Unknown Surface Studio成立于2020年，是一家在亚太地区迅速崭露头角的创新建筑事务所。由各具设计专长的三人组合：Cievanard Nattabowonphal、Piyanat Songkhroh和Nonglak Boonsaeng共同创立，事务所通过其参数化设计方法和生物形态建筑语言在当代设计领域确立了独特地位。 事务所的设计理念深深植根于计算设计方法论与有机造型的融合，这得益于创始人们在MAD建筑事务所等知名机构积累的丰富国际经验。他们的作品以流畅的几何形态、创新的空间构造和对环境语境的深刻理解为特征。 在创始合伙人的领导下，Unknown Surface Studio已经建立起一个独特的项目组合，强调先进数字制造技术与可持续设计原则的整合。从餐饮场所到公共装置，他们的项目展现了突破传统建筑表现形式界限的决心。 事务所的设计方法以其标志性的"unknown yet（尚未知的）"方法论为特色，通过实验性的形态生成过程和参数化优化来挑战传统建筑范式。这种创新立场在Uncloud Coffee & Dining和Curvy Dining等项目中得到充分体现，展示了他们创造功能sophisticated且美学先进的空间的能力。 总部位于曼谷的事务所持续扩大其在东南亚的影响力，将其独特的计算设计专长与有机建筑表现相结合，不断挑战更具雄心的项目。 Project Name: Curvy Dining Location: Bangkok, Thailand Design Team: Unknown Surface Studio Project Area: 250 m² Completion Date: 2025 (Expected) Photography: Rungkit Charoenwat Feature： Project - In a striking departure from Bangkok's industrial vernacular, Curvy Dining emerges as a sculptural masterpiece that challenges conventional restaurant design. Conceived by Unknown Surface Studio, this 250-square-metre dining destination stands as a testament to organic architecture, where fluid forms and natural inspiration coalesce into a remarkable spatial experience. Set against the raw industrial backdrop of Srinakarin - Rom Klao 19, the project's most compelling feature is its innovative interpretation of floral architecture. The design team, led by Cievanard Nattabowonphal, Piyanat Songkhorh, and Nonglak Boonsaeng, has masterfully translated the geometry of blooming flowers into a sophisticated architectural language. The result is a structure that appears to unfold from a central point, creating a mesmerizing interplay of curves and radial patterns. What sets Curvy Dining apart is its thoughtful negotiation between geometric precision and organic fluidity. The exterior's squared framework provides a deliberate contrast to the flowing interior spaces, while the subtractive design approach carves out intuitive circulation paths that guide visitors through a carefully choreographed sequence of spaces. This architectural promenade is enhanced by integrated green pockets that blur the boundaries between built form and landscape. The project's white materiality serves as a canvas for natural light and shadow play, creating an ever-changing visual experience throughout the day. The studio's commitment to environmental dialogue is evident in the way the building responds to its context – rather than imposing itself on the site, it appears to emerge from it, creating what the architects describe as an "auto-landscape effect." Scheduled for completion in 2025, Curvy Dining represents a bold vision for hospitality architecture, where the rigid boundaries between interior and exterior dissolve, and where architectural form becomes a medium for expressing natural phenomena. It stands as a powerful example of how contemporary architecture can create meaningful connections between urban dining experiences and organic design principles. Design Team - Unknown Surface Studio, established in 2020, is an innovative architectural practice that has rapidly emerged as a significant force in contemporary design, particularly within the Asia-Pacific region. Founded by the visionary trio of Cievanard Nattabowonphal, Piyanat Songkhroh, and Nonglak Boonsaeng, the firm has distinguished itself through its parametric design approach and biomorphic architectural language. The practice's design philosophy is deeply rooted in the synthesis of computational design methodologies and organic form-making, informed by the founders' diverse international experience, including tenures at prestigious firms such as MAD Architects. Their work is characterized by fluid geometries, innovative spatial configurations, and a sophisticated understanding of environmental context. Under the leadership of its founding partners, Unknown Surface Studio has developed a distinctive portfolio that emphasizes the integration of advanced digital fabrication techniques with sustainable design principles. Their projects, ranging from hospitality venues to public installations, showcase a commitment to pushing the boundaries of conventional architectural expression. The studio's approach to design is marked by their signature "unknown yet" methodology, which challenges traditional architectural paradigms through experimental form-finding processes and parametric optimization. This innovative stance has garnered attention for projects like Uncloud Coffee & Dining and Curvy Dining, which exemplify their ability to create spaces that are both functionally sophisticated and aesthetically progressive. With offices in Bangkok, the firm continues to expand its influence across Southeast Asia, bringing their unique blend of computational design expertise and organic architectural expression to increasingly ambitious projects. 设计团队 旅游探访 250 m² 曼谷，泰国 2025 前一项 后一项

Blue Bottle Coffee 福冈天神咖啡厅（CASE-REAL） 项目名称：Blue Bottle Coffee Fukuoka Tenjin 设计团队：CASE-REAL 面积： 335.55 m² 地点：日本，福冈 设计特色： 项目 – 位于福冈市中心的“蓝瓶咖啡”福冈天神分店，是一处极具特色的项目。这家咖啡馆由知名建筑事务所CASE-REAL设计，巧妙地融合了繁华都市与静谧神社两种截然不同的环境元素。 Blue Bottle Coffee 福冈天神咖啡厅 项目名称：Blue Bottle Coffee Fukuoka Tenjin 设计团队：CASE-REAL 面积： 335.55 m² 地点：日本，福冈 设计特色： 项目 – 位于福冈市中心的“蓝瓶咖啡”福冈天神分店，是一处极具特色的项目。这家咖啡馆由知名建筑事务所CASE-REAL设计，巧妙地融合了繁华都市与静谧神社两种截然不同的环境元素。设计的核心在于将厨房置于空间中央，形成一个象征性的舞台，视觉上连接着咖啡馆周围两条截然不同的动线。这种巧妙的布局不仅强化了蓝瓶咖啡的品牌特色，也使得繁忙的街道一侧和静谧的神社通道之间实现了和谐过渡。建筑师巧妙地解决了场地内50厘米的高低差。他们逐步提高空间高度，在街道一侧营造了活跃的站立区域，而在神社通道一侧则营造了舒适的沙发休憩区，营造了截然不同的氛围。建筑材料采用浅米色的挤压水泥板和温暖的胡桃木，巧妙平衡了都市与自然的元素，使咖啡馆的内部空间与周围环境融为一体。通过这种周到的设计，CASE-REAL成功地打造了一处连接城市与神社的独特空间，邀请访客沉浸其中，感受这两种截然不同世界的交织。 团队 – 成立于2000年并于2009年正式注册创立的CASE-REAL，已经发展成为一家享负盛名的建筑和设计公司，由设计师二俣公一（1975年生）领导，总部位于福冈和东京。该公司以跨界的设计方法见长，专注于打造出色的空间设计，涵盖室内设计、家具、产品以及建筑等领域。CASE-REAL的作品集展现了该公司将创新创意与对每个项目独特环境和目标的深入理解完美结合的卓越能力。在二俣公一精湛的细节把控和富有创意的思维引领下，CASE-REAL才华横溢的团队持续交出令人震撼的设计解决方案，不仅视觉震撼，在功能和概念层面也同样出色。该公司屡获殊荣，包括入围Dezeen Awards和FRAME Awards等著名奖项，充分彰显了CASE-REAL在建筑设计领域的非凡实力。CASE-REAL的作品不仅受到众多知名出版物的关注，甚至还进入了旧金山现代艺术博物馆的永久收藏，进一步巩固了其在设计界的卓越声誉。 1/1 设计团队 Document

根据全球设计优选排行相关数据，统计各专项领域设计排行20个专项，以突出不同设计团队拥有的不同专项设计优势与经验。 全球设计专项排行 根据全球设计优选排行相关数据的统计，各专项领域设计排行也一并进行了梳理，包含机场类，康养类，医院类，办公类，工业设施类，商业零售类，主题游乐类，餐饮设施类，运动设施类，教育学校类等20个专项，排名统计将各知名设计团队在各专项设计领域的业绩予以细分，以突出不同设计团队拥有的不同专项设计优势与经验。 01 机场类设计专项排行 根据2021年行业媒体及协会统计，机场类设计专项分类前5位分别是PGAL, Gensler, Corgan, HOK 和 ZGF Architects, 最高设计专项分类年收入达1亿6百万美元。 查看详细排行 02 数据中心类设计专项排行 根据2021年行业媒体及协会统计，数据中心类设计专项分类前5位分别是Corgan, Gensler, Sheehan Nagle Hartray Architects, Page和 HED, 最高设计专项分类年收入达6千6百万美元。 查看详细排行 03 康养类设计专项排行 根据2021年行业媒体及协会统计，康养类设计专项分类前5位分别是HDR, HKS, Perkins and Will, CannonDesign和 Stantec, 最高设计专项分类年收入达3亿9百万美元。 查看详细排行 04 医院类设计专项排行 根据2021年行业媒体及协会统计，医院类设计专项分类前5位分别是HDR, HKS, Perkins and Will, Stantec和 NBBJ, 最高设计专项分类年收入达2千6千万美元。 查看详细排行 05 工业设施类设计专项排行 根据2021年行业媒体及协会统计，工业设施类设计专项分类前5位分别是Ware Malcomb, Stantec, RS&H, Nelson Worldwide 和 CESO, 最高设计专项分类年收入达8千8百万美元。 查看详细排行 06 办公类设计专项排行 根据2021年行业媒体及协会统计，办公类设计专项分类前5位分别是Gensler, Perkins and Will, Stantec，HOK和 Interior Architects, 最高设计专项分类年收入达7亿2千万美元。 查看详细排行 07 商业零售类设计专项排行 根据2021年行业媒体及协会统计，商业零售类设计专项分类前5位分别是Gensler，CallisonRTKL，Nelson Worldwide，Core States Group 和 Stantec, 最高设计专项分类年收入达1亿4千万美元。 查看详细排行 08 主题游乐类设计专项排行 根据2021年行业媒体及协会统计，主题游乐类设计专项分类前5位分别是Gensler, Nelson Worldwide, Stantec，Cuningham和 HDR, 最高设计专项分类年收入达6千1百万美元。 查看详细排行 09 餐饮类设计专项排行 根据2021年行业媒体及协会统计，餐饮类设计专项分类前5位分别是Core States Group, GreenbergFarrow, NORR, WD Partners 和 Gensler, 最高设计专项分类年收入达9百万美元。 查看详细排行 10 体育设施类设计专项排行 根据2021年行业媒体及协会统计，体育设施类设计专项分类前5位分别是Populous, HOK, HNTB, Gensler和 HKS, 最高设计专项分类年收入达1亿2千万美元。 查看详细排行 11 大学设施类设计专项排行 根据2021年行业媒体及协会统计，大学设施类设计专项分类前5位分别是Gensler, CannonDesign, Smithgroup，Kohn Pedersen Fox 和 Perkins and Will, 最高设计专项分类年收入达7千3百万美元。 查看详细排行 12 K12中小学类设计专项排行 根据2021年行业媒体及协会统计，K12中小学类设计专项分类前5位分别是PBK，DLR Group，Huckabee，Stantec和 VLK Architects, 最高设计专项分类年收入达1亿6千万美元。 查看详细排行 13 购物中心类设计专项排行 根据2021年行业媒体及协会统计，购物中心类设计专项分类前5位分别是Callison RTKL，Gensler，Core States Group，NORR 和 RSP Architects, 最高设计专项分类年收入达1亿2千1百万美元。 查看详细排行 14 科学研究设施类设计专项排行 根据2021年行业媒体及协会统计，科学研究设施类设计专项分类前5位分别是HDR，Perkins and Will，DGA Planning Architecture Interiors，HOK和Payette, 最高设计专项分类年收入达1亿4千万美元。 查看详细排行 15 酒店度假村类设计专项排行 根据2021年行业媒体及协会统计，酒店度假村类设计专项分类前5位分别是Gensler，WATG，HKS，Hart Howerton和 Callison RTKL，最高设计专项分类年收入达5千7百万美元。 查看详细排行 16 别墅联排住宅类设计专项排行 根据2021年行业媒体及协会统计，别墅联排住宅类设计专项分类前5位分别是Humphreys and Partners，Perkins Eastman，Solomon Cordwell Buenz，KTGY和Stantec, 最高设计专项分类年收入达8千4百万美元。 查看详细排行 17 公寓住宅类设计专项排行 根据2021年行业媒体及协会统计，公寓住宅类设计专项分类前5位分别是Humphreys and Partners，Solomon Cordwell Buenz，KTGY，Handel Architects和AO，最高设计专项分类年收入达5千8百万美元。 查看详细排行 18 老年住宅类设计专项排行 根据2021年行业媒体及协会统计，老年住宅类设计专项分类前5位分别是Perkins Eastman，Hord Coplan Macht，RDG Planning & Design，Moseley Architects和Ryan Companies US/ Ryan A+E, 最高设计专项分类年收入达4千1百万美元。 查看详细排行 19 图书馆类设计专项排行 根据2021年行业媒体及协会统计，图书馆类设计专项分类前5位分别是Diamond Schmitt Architects，PGAL，Ratio Design，Quinn Evans和Perkins and Will，最高设计专项分类年收入达3百万美元。 查看详细排行 20 演出设施类设计专项排行 根据2021年行业媒体及协会统计，演出设施类设计专项分类前5位分别是DLR Group，Populous，Gensler，Huitt-Zollars和HGA，最高设计专项分类年收入达2千7百万美元。 查看详细排行

< 返回 North of Brooklyn Pizzeria MRDK 项目名称：North of Brooklyn Pizzeria 地点：多伦多，加拿大 设计团队：MRDK 建筑面积：237平方米 竣工时间：2025年 摄影：David Dworkind 设计特色： MRDK设计的North of Brooklyn Pizzeria展现了如何通过创新的材料连续性策略和巧妙的空间分层设计哲学融合技术，将一座位于多伦多伊陶碧谷社区的两层空间转化为充满电影感叙事和材料表现力的当代餐饮建筑典范。 这座237平方米的双重概念场所戏剧性地融合了North of Brooklyn外卖披萨店的活力能量与楼上Low Rise酒吧的精致氛围，呈现为对怀旧意大利设计语汇、当代商业功能和建筑体验创新融合的深刻思考。它通过精心的空间组织和材料选择，创造出一个将休闲餐饮功能与精致用餐体验无缝交织的建筑环境。 项目的绝妙之处在于对材料边界的根本性挑战与重新构想。面对在有限空间内创造强烈视觉冲击的同时保持功能效率的挑战，建筑师采用DTILE模压瓷砖完全包裹一层外卖区，从墙面连续流动至天花板的雕塑性姿态，甚至向外折叠形成功能性商品展示挂钩，模糊表面与固定装置之间的界限。这种设计策略创造了建筑材料与空间功能的持续对话，实现了美学雄心与实用功能的当代融合效果，使空间完美呼应North of Brooklyn品牌的活力特质。 MRDK的设计语言流利地表达着当代材料驱动建筑方言，运用战略性的材料选择和空间序列编排来重新定义餐饮建筑体验。印有North of Brooklyn标志的大型灯箱雨篷从外部延伸至内部，形成外卖区的天花板，创造让人联想到《星球大战》片头字幕的电影感入口时刻。楼上，40座的Low Rise空间围绕纪念碑式吧台展开，覆以翻滚大理石马赛克并冠以设计为通过时间锈蚀形成特色的锌质台面，营造当代与怀旧交织的氛围。 最引人瞩目的是，建筑师通过巧妙的空间问题解决策略创造富有创意的建筑体验。为解决低天花板高度的挑战，机械系统被集中在周边区域，使中央天花板得以抬升。这个圆角矩形区域通过凹槽照明突出现有爆米花纹理，转化为刻意的设计特征，与下方高光漆面突出部分形成引人注目的对比。新开凿的侧立面窗户使自然光线涌入空间，完美框定嵌于窗龛内从墙面悬臂而出的胡桃木餐桌。这种结构设计被整合为建筑语言的一部分，创造出空间层次性和视觉戏剧性的完美平衡。 餐厅组织为清晰的功能分层。一层容纳North of Brooklyn厨房和外卖柜台，材料包裹策略创造沉浸式品牌体验。楼上Low Rise酒吧和用餐室呈现截然不同的氛围特质。受Joe Colombo标志性Tube Chair启发的绿色皮革卡座搭配从墙面悬臂而出的胡桃木餐桌，休憩于折叠钢脚之上，创造色彩、材料和形式的微妙互动。In Common With设计的凹槽吊灯投射温暖光晕，为私密用餐体验定下基调。 材料策略延续了这种建筑与品牌叙事和谐共生的设计理念。通过使用对比鲜明的材料强化与建筑形态和功能分区的整合，包括一层的DTILE模压瓷砖完全包裹，反映品牌的现代活力特质。楼上翻滚大理石马赛克、锌质台面、胡桃木和绿色皮革的组合，唤起怀旧意大利设计的精致感性。通过侧立面新开窗户策略优化自然采光，被动式设计手法提升空间品质。材料的触觉变化进一步强化功能分区的清晰度，展示了MRDK对材料创新和空间叙事的承诺。 设计团队 ：MRDK成立于2013年，作为名义合伙关系将两家独立的蒙特利尔事务所整合于同一协作空间之下：Guillaume Ménard Design和David Dworkind Architect，自成立以来已确立其在商业室内设计、住宅建筑以及细节导向型建筑语言创新领域的先锋地位。这家在加拿大蒙特利尔设有办公室的事务所通过设计对场地、客户、工匠和材料性的尊重整合，重新定义当代建筑师在北美设计话语中的角色。 MRDK为建筑实践带来了卓越的细节敏感性设计视角和对工艺驱动方法的深刻理解。该事务所因其创造每个元素都与中心叙事相关联的连贯空间体验的承诺而获得认可，满足使用者的功能需求和情感共鸣。其创新贡献体现在将客户愿景和需求转化为具有强烈材料性和空间品质的当代建筑语言的能力上。 该事务所的设计哲学强调建筑应该超越功能限制，不仅仅是为了满足实用需求而设计，更是为了与场地特质和使用者需求有机融合。通过对材料性和空间序列的深度关注，开展从餐饮空间到住宅别墅再到办公室内的多元化作品，相信最好的建筑是通过与熟练工匠密切合作、探索创新工艺和材料的精准和深思熟虑过程产生的语境响应式干预。MRDK相信建筑应该成为客户愿景的深刻表达，通过策略性的材料选择和创新空间组织创造独特的建筑体验。 除实践外，通过对美学与功能性的深思熟虑结合、工艺导向方法和材料创新的运用、以及经过验证的细节驱动设计智慧，MRDK已确立自己作为加拿大当代商业室内和住宅建筑话语重要贡献者的地位，创造出既具功能响应性又保持材料真实性的作品。在Guillaume Ménard和David Dworkind的持续领导下，该事务所目前在加拿大充满活力的建筑景观中占据独特地位，专注于创造通过材料性、空间序列和工艺敏感性来实现建筑品质的空间体验。 设计团队 旅游探访 237 m² 多伦多，加拿大 2025 前一项 后一项

< 返回 佐仁之家 小野良辅建筑设计事务所 项目名称：佐仁之家 地点：奄美市，日本 设计团队：小野良辅建筑设计事务所 建筑面积：118.91 m² 完成时间：2024 摄影：长谷川健太 设计特色： 项目 - 位于日本鹿儿岛县奄美大岛最北端，佐仁之家是由小野良辅建筑设计事务所设计的一个创新型度假别墅。这座118.91平方米的项目位于直面大海、被防风林环绕的位置，成为了注重环境融合与传统重塑的杰出范例。 该项目最独特的特点是对奄美大岛传统"土俵"(相扑擂台)结构形式的现代诠释。设计团队巧妙地用钢筋混凝土墙替代了传统的大型原木柱，支撑木质桁架的方形屋顶，在保留传统形式的同时解决了当地大型木材短缺的问题。 建筑的空间组织同样引人注目，以宽敞的中央土间空间为核心，四角配置小型私人房间和湿区，形成类似群落的布局，呼应了岛上传统的多栋式民居形态。每个小房间和浴室都可直接通往户外，完美适应海滨活动的需求。 最具创新性的是项目的双重功能定位，既作为度假别墅提供住宿，又作为建材展示厅，让访客体验房主经营的建筑材料。钢筋混凝土墙不仅承担结构功能，还提供了面对频繁台风的必要抗灾能力，消除了木质部分对支撑和承重墙的需求，创造出朝向海洋的无障碍大开口空间。 通过这些创新元素，设计团队打造了一个既尊重当地风土传统又展现现代建筑可能性的空间。佐仁之家超越了传统度假别墅的角色，成为连接过去与现在的建筑媒介——一个重新发现并连接奄美大岛建筑遗产与当代可能性的场所。 团队 - 小野良辅建筑设计事务所成立于2018年，是一家以奄美大岛为基地的建筑设计事务所，由主创建筑师小野良辅在横滨国立大学完成学业并在东京积累经验后创立。 事务所的方法论围绕对传统建筑类型的重新诠释，通过现代结构和材料方法，创造既创新又深植于地域的建筑。在小野良辅的领导下，设计团队专注于打造对环境有深度回应、探索本土传统与现代设计解决方案交汇点的建筑作品。 事务所的作品集展示了非凡的空间敏感性和地域关联性，涵盖住宅、商业及度假设施等类型。像佐仁之家这样的项目展示了事务所对空间、结构和形式的精湛操控能力，其设计既保留传统精髓，又呈现鲜明的现代特质。 自成立以来的短短几年里，小野良辅建筑设计事务所已获得多项荣誉，包括2022年度日本优秀设计奖、日本建筑家协会(JIA)优秀建筑选2022百选和日本空间设计奖2022金奖（住空间类别）等。该事务所继续推进其连接传统与现代的建筑愿景，通过深思熟虑的设计创造具有深厚地域特性的空间体验。 Project Name: Sani House Location: Amami City, Japan Design Team: Ono Ryosuke Architecture Total Floor Area: 118.91 m² Completion: 2024 Photography: Hasegawa Kenta Feature: Project - Located at the northern tip of Amami Oshima in Japan's Kagoshima Prefecture, Sani House by Ono Ryosuke Architecture represents an innovative vacation rental concept. This 118.91-square-meter project, positioned directly facing the ocean and surrounded by pandanus windbreak forests, emerges as a compelling example of contextually responsive design that reinterprets traditional forms. The project's most distinctive feature is its modern reinterpretation of Amami Oshima's traditional "dohyo" (sumo ring) structural system. The design team ingeniously substituted reinforced concrete walls for traditional large log columns to support square wooden truss roofs, preserving traditional forms while addressing the scarcity of large timber on the island. The spatial organization is equally remarkable, with a spacious central earthen floor area at its core and small private rooms and wet areas positioned in the four corners, creating a clustered arrangement reminiscent of the island's traditional multi-building residences. Each small room and bathroom features direct outdoor access, perfectly accommodating oceanfront activities. Perhaps most innovative is the project's dual functionality, serving both as a vacation rental and as a showroom where visitors can experience the building materials sold by the client. The reinforced concrete walls not only serve structural functions but also provide necessary resilience against frequent typhoons, eliminating the need for bracing and load-bearing walls in the wooden sections, thus creating unobstructed spaces with large oceanfront openings. Through these innovative elements, the design team has crafted a space that respects local traditions while exploring contemporary architectural possibilities. Sani House transcends its role as a conventional vacation home to become an architectural mediator between past and present—a place that rediscovers and reconnects the architectural heritage of Amami Oshima with contemporary possibilities. Design Team - Ono Ryosuke Architecture was founded in 2018 as an Amami Oshima-based architectural practice by principal architect Ryosuke Ono, after completing his education at Yokohama National University and gaining experience in Tokyo. The firm's methodology centers on reinterpreting traditional typologies through contemporary structural and material approaches, creating architecture that is simultaneously innovative and deeply rooted in place. Under Ono's leadership, the design team focuses on creating architecture that responds thoughtfully to its environment while exploring the intersection between vernacular traditions and modern design solutions. The practice's portfolio demonstrates exceptional spatial sensitivity and contextual awareness, encompassing residential, commercial, and hospitality typologies. Projects like Sani House exemplify the firm's masterful manipulation of space, structure, and form, with designs that preserve traditional essence while presenting distinctly contemporary qualities. In just a few years since its inception, Ono Ryosuke Architecture has received numerous accolades, including the 2022 Good Design Award, Japan Institute of Architects (JIA) Excellence in Architecture Selection 2022 Top 100, and Japan Spatial Design Award 2022 Gold Prize (Residential Category). The firm continues to advance its vision of connecting tradition with modernity, creating deeply regional spatial experiences through thoughtful design. 设计团队 旅游探访 118.91 m² 奄美市，日本 2024 前一项 后一项

Okha arquitetura e design 由建筑师 Priscila Pereira 于2010年创立，已成为巴西当代建筑领域的重要力量。工作室的名称源自"Oca"——意为传统的无内部分隔的原住民住所，这反映了他们创造连贯、整合空间体验的设计理念。 < Back Okha arquitetura e design 巴西（Brazil） Okha arquitetura e design 由建筑师 Priscila Pereira 于2010年创立，已成为巴西当代建筑领域的重要力量。工作室的名称源自"Oca"——意为传统的无内部分隔的原住民住所，这反映了他们创造连贯、整合空间体验的设计理念。 工作室位于圣若泽杜斯坎普斯，从 Pereira 在20世纪80年代于乌巴图巴的早期建筑观察，发展成为专注于高端住宅和商业项目的多学科工作室。Pereira 于2001年毕业于布拉斯库巴斯大学（Universidade Braz Cubas），现与主要团队成员包括来自陶巴特大学（Universidade de Taubaté）的 Cristiane Zanella 和来自帕拉伊巴河谷大学（Universidade do Vale do Paraíba）的 Ana Beatriz de Paula 共同领导事务所。 工作室的设计方法强调空间流动性和以用户为中心的解决方案，这在最近完成的 Galeriah House（2024）等项目中得到充分体现。他们的作品以对体量构成、材料表达和环境融合的精妙理解为特征。 Okha 的作品集展示了他们在创造建筑大胆又充满场地敏感性设计方面的专业知识。该事务所发展出独特的建筑语言，将巴西现代主义传统与当代空间创新相结合，成为巴西建筑话语中一个值得注意的贡献者。 Founded in 2010 by architect Priscila Pereira, Okha arquitetura e design has established itself as a significant force in contemporary Brazilian architecture. The firm's name, derived from "Oca" - meaning a traditional indigenous dwelling without internal divisions - reflects their philosophy of creating cohesive, integrated spatial experiences. Based in São José dos Campos, the practice evolved from Pereira's early architectural observations in Ubatuba during the 1980s to become a multidisciplinary studio specializing in high-end residential and commercial projects. Pereira, who graduated from Universidade Braz Cubas in 2001, leads the firm alongside key team members including Cristiane Zanella from Universidade de Taubaté and Ana Beatriz de Paula from Universidade do Vale do Paraíba. The studio's design methodology emphasizes spatial fluidity and user-centric solutions, demonstrated in projects like the recently completed Galeriah House (2024). Their work is characterized by a sophisticated understanding of volumetric composition, material articulation, and environmental integration. Okha's portfolio showcases their expertise in creating architecturally bold yet contextually sensitive designs. The practice has developed a distinctive architectural language that combines Brazilian modernist traditions with contemporary spatial innovations, establishing themselves as a noteworthy contributor to Brazil's architectural discourse. WEBSITE PROJECT

< 返回 Torrey View 生物科技园区 Flad Architects 设计特色： 坐落于圣地亚哥如画风景中的Torrey View 生物科技园区，由Flad Architects设计，重新定义了现代生命科学园区的概念。该项目计划于2024年夏季开放，大胆融合了前沿设计与环保意识，提供总计515000平方英尺的尖端科研工作场所和配套设施。 这个开发项目最引人注目的特征是其动感十足的镶嵌式外立面，灵感源自场地的地质层状结构。陡峭的坡度窗户面板创造出一个凹槽状的外观，不仅视觉效果惊艳，还最大化了能源效率和室内自然采光。这种创新的建筑表皮设计使托里维尤在科研办公建筑领域独树一帜。 建筑师们巧妙利用场地的斜坡地形，打造了一个步行友好的园区。通过将停车场设置在地下，他们腾出了空间建造了一个向公众开放的景观广场，成为整个园区的核心。这个中心"台地"不仅统一了整个园区，还为员工提供了重要的户外联系，提升了整体的工作环境。 项目对可持续发展的承诺体现在其获得的LEED金级认证以及正在申请的Fitwel认证上。其中一个亮点是配套设施楼的绿色屋顶，不仅减少了热量吸收，管理了雨水径流，还为上层楼座提供了赏心悦目的景观。 Torrey View 生物科技园区代表了自然与科技的和谐对话，在提供太平洋壮丽景观的同时，还为生物科技公司提供了灵活、充满自然光的室内空间，满足其严格的需求。这个开发项目为生命科学园区树立了新标准，证明了严格的科研要求可以与鼓舞人心、注重健康的设计和谐共存。 Nestled in the picturesque landscape of San Diego, the Torrey View Campus by Flad Architects redefine the concept of a modern life science campus. Set to open in summer 2024, this ambitious project seamlessly blends cutting-edge design with environmental consciousness, offering 515,000 square feet of state-of-the-art scientific workplaces and amenities. The development's most striking feature is its dynamic, tessellated facade, inspired by the site's layered geologic formations. Steeply graded window panels create a coffered exterior that serves as a visual spectacle and maximizes energy efficiency and interior daylighting. This innovative approach to the building envelope sets Torrey View apart in the realm of scientific workplace design. Flad Architects have used the site's sloping terrain to create a pedestrian-friendly campus. By tucking parking below grade, they've liberated space for a publicly accessible, landscaped plaza that serves as the heart of the development. This central mesa unifies the campus and provides a crucial connection to the outdoors, enhancing the overall work environment. The project's commitment to sustainability is evident in its LEED Gold certification and pursuit of Fitwel certification. A standout feature is the amenity building's green roof, which not only reduces heat gain and manages rainwater runoff but also offers an appealing vista from the upper levels. Torrey View represents a harmonious dialogue between nature and technology, offering exceptional views of the Pacific Ocean while providing flexible, daylight-infused interiors that cater to the exacting needs of biotechnology firms. This development sets a new standard for life science campuses, proving that rigorous scientific requirements can coexist with inspiring, wellness-focused design. 设计团队： 自1927年创立以来， Flad Architects一直是建筑创新设计的领军力量，不断重新定义综合规划和设计的格局。这家国际化设计事务所凭借近百年的辉煌历史，持续推动着各个领域人类潜能提升环境的设计边界。 在总裁兼首席执行官劳拉·塞雷宾（Laura Serebin）的领导下，Flad Architects在设计尖端医疗设施、世界级教育机构和创新科研中心方面巩固了其领先地位。塞雷宾女士是美国建筑师协会会员和LEED认证专业人士，她富有远见的方法强调了空间的适应性，能够随需求变化和新技术的出现而进化，这是事务所持续成功的关键因素。 Flad Architects的作品集展示了他们对复杂功能需求的精湛掌控，这在获奖项目如加州大学戴维斯分校教学与研究酿酒厂和印第安纳大学跨学科科学楼中尤为明显。这些设施完美诠释了事务所将先进研究能力与可持续设计原则无缝融合的能力。 该事务所对可持续发展的承诺进一步体现在其对LEED标准的早期采用上，他们在2001年设计了首批获得LEED金级认证的研究设施之一。这种开拓精神延伸到Flad Architects在先进能源研究领域的工作中，以石溪大学先进能源研究与技术中心等项目为代表。 凭借协作精神和遍布全国十个办事处的多元化团队，Flad Architects持续塑造着建筑环境，创造的空间不仅满足当前需求，更预见了医疗、教育和科学发现领域的未来创新。 As a leading force in architectural innovation since its founding in 1927, Flad Architects has continually redefined the landscape of integrated planning and design. With a century-long legacy, this national firm has consistently pushed the boundaries of creating environments that enhance human potential across various sectors. Under the leadership of President and CEO Laura Serebin, AIA, LEED AP, Flad has solidified its position at the forefront of designing cutting-edge healthcare facilities, world-class educational institutions, and innovative scientific research centers. Serebin's visionary approach emphasizes adaptive spaces that can evolve with changing needs and emerging technologies, a crucial factor in the firm's enduring success. Flad's portfolio showcases a mastery of complex programmatic requirements, evident in projects like the award-winning University of California, Davis Teaching and Research Winery, and the Indiana University Multidisciplinary Science Building. These facilities exemplify the firm's ability to seamlessly integrate advanced research capabilities with sustainable design principles. The firm's commitment to sustainability is further demonstrated by its early adoption of LEED standards, having designed one of the first research facilities to achieve LEED Gold certification in 2001. This pioneering spirit extends to Flad's work in advanced energy research, epitomized by projects such as the Stony Brook University Advanced Energy Research & Technology Center. With a collaborative ethos and a diverse team spread across ten offices nationwide, Flad Architects continues to shape the built environment, creating spaces that not only meet current needs but anticipate future innovations in healthcare, education, and scientific discovery. 设计团队 旅游探访 515000 ft² 美国，圣地亚哥 2024年 前一项 后一项