< 返回 "dots n"农业住宅综合体 阿曽芙実建筑设计事务所 项目名称：dots n 地点：淡路市 ， 日本 设计团队：阿曽芙実建筑设计事务所 建筑面积：53.82 m² 竣工时间：2024年 摄影：小川重雄 / 小川重雄写真事务所 设计特色： 项目 - 日本阿曽芙实建筑设计事务所在兵库县淡路市完成了一个由五栋住宅单元组成的项目，每栋都配有私人花园，旨在为有志从事农业的人们提供城乡生活之间的过渡体验。该项目受淡路市委托作为市政设施建设，既满足了城市居民重新连接农业生活的日益增长的愿望，同时也解决了农村人口流失和耕地荒废的问题。 设计理念的核心是创造一个既现代又怀旧的"独属于此地的风景"。建筑师通过独特的寄棟屋顶形式实现了这一概念，屋顶顶部设有通风塔，精心定位以最大程度减少对周围农田的阴影影响。每栋50平方米的住宅都配有同等面积的私人地块，营造出鼓励亲身参与农业活动的亲密尺度。 该项目最具创新性的特色在于其空间布局，基于传统日式"田の字"网格平面，创造了户外农业活动与室内生活空间之间的无缝流动。这种配置允许居民直接从园艺工作过渡到宽敞的遮蔽区域，然后穿过土间客厅，最终进入主要室内空间——全程都可以穿着泥靴。这种刻意模糊室内外界限的做法体现了独特的农业生活方式，与城市住宅典型的清晰分隔形成鲜明对比。 材料性在将建筑植根于当地环境中发挥着关键作用。认识到淡路岛缺乏林业资源但拥有丰富的粘土传统，建筑师在整个项目中融入了当地采购的土质材料。屋顶瓦片、土墙、门把手甚至门牌都取材于岛上的粘土文化遗产，创造了微妙而有意义的地域连接。 该项目采用租赁模式运营，最长五年的租期旨在提供真正的农业体验，同时为居民和当地社区保持灵活性。五个单元已全部入住，证明了对这种过渡性乡村生活安排的巨大需求，为城市居民提供了通往农业生活的便捷途径。 设计团队 - 阿曽芙实建筑设计事务所由主持建筑师阿曽芙实于2006年创立，已确立其作为专注于住宅和社区建筑的杰出事务所地位，致力于将当代设计与深厚的文化共鸣相结合。事务所总部位于神户，秉承着每栋建筑都承载着嵌入式历史——场所历史、委托方愿景和设计经验——这些必须被精心编织到新的建筑叙事中的设计理念。 阿曽芙实毕业于金泽工业大学，为事务所带来了近二十年的设计专业经验。她的设计方法强调语境敏感性和材料真实性，这在获奖项目如淡路市"dots n"农业住宅综合体中尤为明显，该项目将传统日式空间概念与当代乡村生活需求无缝融合。 事务所的设计方法论以深入的场地分析和客户协作为核心，始终如一地创造出既具创新性又深深植根于环境的建筑。这种方法获得了重要认可，包括2019年获得著名的渡边节奖、2022年获得日本建筑家协会北陆支部建筑文化奖，以及2024年被日本建筑设计学会评选为年度建筑师。 在阿曽芙实的领导下，事务所继续探索如何通过设计来应对当代社会挑战，同时尊重定义特定场所建筑身份的文化和环境语境。 Project Name: dots n / Agricultural Housing Complex Location: Nodao District, Awaji City, Hyogo Prefecture , Japan Design Team: FUMIASO ARCHITECT & ASSOCIATES Total Floor Area: 53.82 m² Completion: 2024 Photography: Shigeo Ogawa / Shigeo Ogawa Photography Office Feature: Project - FUMIASO ARCHITECT & ASSOCIATES completed an innovative agricultural housing complex in Nodao District, Awaji City, Hyogo Prefecture, seamlessly integrating five residential units with private farming plots to provide urban residents with a unique transitional living experience towards agricultural life. This groundbreaking project, commissioned by Awaji City as a municipal facility, addresses rural depopulation and abandoned farmland issues while fulfilling urbanites' growing desire to reconnect with the land. The project's most distinctive feature lies in its spatial arrangement based on the traditional Japanese "ta-no-ji" grid plan, creating seamless transitions from outdoor farming activities to interior living spaces. Each approximately 50-square-meter dwelling is paired with an equally sized private agricultural plot, establishing an intimate scale that encourages hands-on agricultural engagement. The hip-roof design crowned with ventilation towers ensures the buildings cast minimal shadows on surrounding farmland from any direction. FUMIASO ARCHITECT & ASSOCIATES ' design philosophy centers on creating "landscapes that feel both new and nostalgic, unique to this place alone." The architects ingeniously connected large eaves spaces, earthen-floor living areas, and main residential zones, allowing residents to transition directly from garden work into interior spaces while wearing muddy boots, embodying a distinctly agricultural way of living that contrasts sharply with urban residential conventions. Material selection is deeply rooted in local cultural traditions. Recognizing Awaji Island's lack of forestry resources but rich clay heritage, the architects incorporated locally-sourced earth materials throughout the project. Roof tiles, earthen walls, door handles, and even nameplates all draw from the island's clay traditions, creating profound cultural connections to place. The building's strategic positioning captures layered landscapes from serene terraced rice fields to sparkling ocean surfaces, extending to Osaka's urban skyline in the distance. This design approach establishes subtle balance between urban consciousness and rural tranquility, allowing residents to experience "time unique to this place alone." Most notably, the dots n project demonstrates how contemporary residential architecture can achieve social functionality while creating living spaces intimately connected to traditional agricultural culture, establishing a new paradigm for Japanese rural revitalization and urban-rural exchange. Design Team - Founded in 2006 by principal architect Fumi Aso, FUMIASO ARCHITECT & ASSOCIATES has established itself as a distinguished practice specializing in residential and community-focused architecture that bridges contemporary design with deep cultural resonance. Based in Kobe, the firm operates under Design Director Fumi Aso's leadership, with core team members including Saya Baba and other professionals, adhering to the philosophy that every building carries embedded histories. Principal architect Fumi Aso graduated from Kanazawa Institute of Technology with a Master's degree in Architecture, bringing nearly two decades of design expertise to the practice. Her approach emphasizes contextual sensitivity and material authenticity, a philosophy that permeates projects ranging from residential renovations to community facilities. The firm's design philosophy of "the client's aspirations become the architecture itself" demonstrates deep understanding and respect for client visions. FUMIASO ARCHITECT & ASSOCIATES ' methodology centers on intensive site analysis and client collaboration, consistently producing architecture that feels both innovative and deeply rooted in its environment. This approach has garnered significant recognition, including the prestigious Watanabe Setsu Prize at the 63rd Osaka Architecture Competition in 2019, the Hokuriku Architecture Culture Award from the Japan Institute of Architects Hokuriku Branch in 2022, and selection as Architects of the Year 2024 by the Japan Architectural Design Association. The firm's commitment to sustainability and future-oriented design is evident in its diverse portfolio, from award-winning residential projects like Hat house to community facilities like dots n, demonstrating excellence across different project scales and complexities. Through unique cultural sensitivity and professional excellence, FUMIASO ARCHITECT & ASSOCIATES continues to shape Japan's contemporary architectural landscape while maintaining strong client relationships and community engagement. The firm actively participates in architectural education and social activities, with Fumi Aso serving as part-time lecturer at Mukogawa Women's University and Setsunan University. Through various exhibitions, lectures, and workshops, the practice contributes to the preservation and development of Japanese architectural culture, establishing itself as an important voice in contemporary cross-cultural architectural discourse. 设计团队 旅游探访 53.82 m² 淡路市，日本 2024 Previous Next

< 返回 Astroscale美国总部 Neoera 项目名称：Astroscale美国总部 地点：丹佛，美国 设计团队：Neoera 建筑面积：13500 ft² 竣工时间：2025年 摄影：Justin Martin 设计特色： 项目 - 在丹佛南百老汇区充满活力的环境中，由Neoera设计的Astroscale美国总部，是当代自适应再利用建筑融合历史元素与前沿创新的卓越范例。这座于2025年完工的13500平方英尺办公空间，通过其巧妙的卫星灵感布局和对日本设计元素的致敬，展现了精湛的空间构思和文化敏感性。 在建筑师Emily Adams的带领下，设计团队精心地将一座1910年的工业火车站改造成现代创意中心，保留了建筑的重型木材和砌体结构特色，同时注入新的生命力。办公室被战略性地划分为三个功能区："中央湾"作为建筑的指挥中心，而北部和南部"翼楼"则概念性地代表卫星的太阳能板，为公司收集能量。 该项目的独特之处在于对Astroscale日本根源的巧妙致敬。蓝色聚碳酸酯障子屏风不仅起到灵活分割空间的作用，还创造了可适应不同展示和协作需求的动态环境。这些元素与精心保存的历史建筑特色形成引人入胜的对比，在传统与创新之间建立了视觉对话。 透明性和连通性定义了整体空间体验，中央湾区设有厨房和餐厅区域、开放式图书馆、董事会议室以及展示实时卫星操作的任务控制室，鼓励社区意识和知识共享。工作空间的配置同样富有创意，采用回旋镖形状的工作台提供了灵活的布置，促进协作和创造力。 科幻文化在办公室设计中的融入尤为引人注目。北区设有受《星际迷航》启发的鸡尾酒吧，而南区则设有《星球大战》主题休息区，通过一个下沉式餐桌巧妙地连接起来，展现了公司员工对太空探索和想象力的热爱。 通过对气候、历史和企业文化的细致回应，Astroscale美国总部实现了一种极为罕见的品质——既是对过去的致敬，又是对未来的展望。这座办公室成为了一个充满活力的创新中心，不仅为员工提供了激发灵感的工作环境，也为合作伙伴和访客展示了公司致力于太空可持续发展的使命。 团队 - Neoera Architecture + Design是一家于2013年由建筑师Emily Adams（LEED AP认证）在科罗拉多州丹佛市创立的设计事务所。事务所的名称本身就反映了其核心理念——创造一个摒弃陈规、注重目的和愿景而非自我和过时规则的"新时代"设计方法。 在Adams的领导下，Neoera发展出了一种独特的设计语言，特点是对色彩、质感和不对称构图的大胆运用，以及对功能性和用户体验的深刻理解。事务所专注于创造能为使用者带来乐观和愉悦的实用空间，无论项目规模大小。 目前的领导团队包括创始人兼设计总监Emily Adams、高级建筑设计师Paul Hermann和建筑设计师Kelsey Matteson。Hermann在商业和复杂住宅项目方面积累了丰富经验，擅长在复杂地形或技术挑战面前提供创新解决方案。Matteson则以其多面手设计能力著称，在住宅、办公室、零售和大学项目中均有出色表现。 Neoera与多家知名工程咨询公司保持长期合作关系，包括Studio NYL、Anchor Engineering和MDP Engineering Group等，确保每个项目都能平衡美学愿景与建造可行性。 在Adams的带领下，Neoera培养了一种注重透明度、诚实性和道德标准的企业文化，将客户故事讲述视为设计过程的核心。事务所的作品始终体现了对创造个性化空间体验的承诺，巧妙地平衡实用性考虑与诗意表达，使Neoera成为美国当代建筑领域中的一支新兴力量。 Project Name: Astroscale US Headquarters Location: Denver, United States Design Team: Neoera Total Floor Area: 13,500 ft² Completion: 2025 Photography: Justin Martin Feature: Project - Denver-based women-owned architecture studio Neoera has revitalized a 1910 industrial train depot in Colorado into a contemporary office for satellite servicing company Astroscale, fusing Japanese design principles with sci-fi influences. The 13,500-square-foot headquarters in Denver's South Broadway district features a distinctive satellite-inspired layout that divides the space into three functional bays. The central core serves as the building's command center, housing communal spaces including a kitchen, library, and mission control room, while the flanking north and south "wings" contain workspaces conceptualized as energy-collecting solar panels. "We wanted to create a space that moved away from the sterility typically associated with the space industry while honoring both the historic character of the building and Astroscale's Japanese heritage," said Neoera. Throughout the office, blue polycarbonate Shoji screens provide flexible partitioning, allowing spaces to be reconfigured for different purposes while paying homage to the company's Tokyo roots. The adaptive reuse project preserves the original heavy timber and masonry structure, creating a dialogue between industrial heritage and future-focused innovation. The workplace's most unexpected feature is its playful integration of science fiction themes. The north bay houses a Star Trek-inspired cocktail bar, while the south contains a Star Wars-themed lounge – separated by a sunken dining table that encourages social interaction. Custom boomerang-shaped desks provide versatile configurations for collaborative work. "This headquarters represents more than just an office," explained Neoera. "It embodies Astroscale's vision of sustainability both on Earth and in space, while creating an environment where scientists, visionaries and industry partners can collaborate in an atmosphere that celebrates creativity and technical innovation." Design Team - Neoera Architecture + Design is a design firm founded in 2013 by architect Emily Adams (LEED AP certified) in Denver, Colorado. The firm's name itself reflects its core philosophy—creating a "new era" design approach that rejects rigid practices and focuses on purpose and desire rather than ego and antiquated rules. Under Adams' leadership, Neoera has developed a distinctive design language characterized by bold use of color, texture, and asymmetrical compositions, along with a profound understanding of functionality and user experience. The firm focuses on creating practical spaces that bring optimism and delight to their users, regardless of project scale. The current leadership team includes founder and Design Director Emily Adams, Senior Architectural Designer Paul Hermann, and Architectural Designer Kelsey Matteson. Hermann has accumulated rich experience in commercial and complex residential projects, excelling at providing innovative solutions in the face of complex landscapes or technical challenges. Matteson is known for her versatile design capabilities, with outstanding performance in residential, office, retail, and university projects. Neoera maintains long-term collaborative relationships with several renowned engineering consulting firms, including Studio NYL, Anchor Engineering, and MDP Engineering Group, ensuring that each project balances aesthetic vision with constructability. Under Adams' guidance, Neoera has cultivated a corporate culture emphasizing transparency, honesty, and ethical standards, viewing client storytelling as central to the design process. The firm's work consistently demonstrates a commitment to crafting personalized spatial experiences that thoughtfully balance pragmatic considerations with poetic expression, establishing Neoera as an emerging force in America's contemporary architectural landscape. 设计团队 旅游探访 13500 ft² 丹佛，美国 2025 Previous Next

< 返回 FENIX艺术博物馆 MAD建筑事务所 项目名称：FENIX艺术博物馆 地点：鹿特丹，荷兰 设计团队：MAD建筑事务所 建筑面积：8000 m² 竣工时间：2025年 摄影：Iwan Baan, Titia Hahne, Iris van den Broek 设计特色： 项目 - MAD建筑事务所将鹿特丹港区一座具有历史意义的16000平方米航运仓库改造为FENIX艺术博物馆，这是一座专门通过艺术视角探索移民主题的全新文化机构。该项目于2025年完工，标志着MAD建筑事务所首个欧洲公共文化建筑项目的落成，同时也是首座由中国建筑事务所在欧洲建造的博物馆。 FENIX艺术博物馆的设计围绕一个清晰的概念展开：在尊重工业遗产的基础上，创造连接过去与未来的文化空间。建筑师没有彻底重建这座百年仓库，而是通过精心的修复和当代介入，保留了建筑的历史特征，包括恢复172米长立面至1950年代的战后外观，修复特色滑动门并重新涂成原始绿色。 项目的核心亮点是位于建筑中心的"龙卷风"（Tornado）——一座双螺旋楼梯，由297块抛光不锈钢板包覆，从地面层螺旋上升穿透屋顶，通向24米高的户外观景平台。这一动态结构不仅提供了壮观的鹿特丹和马斯河全景，更成为整个博物馆的视觉和精神核心。龙卷风内部是一条550米长的双螺旋木质楼梯，采用可持续的挪威Kebony改性木材制成。 材料选择方面，建筑师特意保留了仓库原有的混凝土柱和开放空间，创造了跨越两层的灵活展览空间。地面层包含展览和活动空间，而楼上画廊则专门陈列FENIX收藏品。建筑中央的玻璃屋顶为龙卷风提供自然采光，同时照亮下方的入口中庭。 可持续性设计方面，建筑配备了6750平方米的景天植物绿色屋顶，按照呼应龙卷风形态的同心圆图案布局。建筑采用热能储存系统（TES），将建筑多余热量储存在土壤中，通过热泵产生适宜的室内温度，可节省高达60%的供暖能耗和80%的制冷能耗。 通过将历史保护、当代介入与可持续技术相结合，MAD建筑事务所创造了一个超越传统博物馆概念的文化目的地，真实地表达了FENIX博物馆通过艺术探索人类迁徙历史的使命，同时为鹿特丹港区注入了新的活力。 设计团队 - MAD建筑事务所成立于2004年，由马岩松创立，目前由马岩松、党群和早野洋介共同领导。该事务所致力于发展未来主义、有机化、技术先进的设计，体现了对东方自然亲和力的当代诠释。 事务所的代表作品包括鄂尔多斯博物馆（2011年）、哈尔滨大剧院（2015年）、光之隧道（2018年，日本）和海口云洞图书馆（2021年）等，其中哈尔滨大剧院被《电讯报》评为"世界最佳音乐厅"，并荣获ArchDaily年度建筑奖文化建筑类别奖项。 在马岩松、党群和早野洋介的持续领导下，MAD已获得多项国际认可，包括多次荣获A+设计奖、世界建筑新闻奖（WAN Awards）和高层建筑与城市住宅委员会奖（CTBUH）。马岩松毕业于北京建筑工程学院和耶鲁大学建筑学院；党群毕业于清华大学建筑学院和伊利诺伊理工学院；早野洋介毕业于京都工艺纤维大学和哥伦比亚大学建筑学院，三人的国际化背景为事务所带来了多元视角。 MAD的设计方法论强调基于居民精神和情感需求的未来城市愿景，努力在人性、城市和环境之间创造平衡。他们将建筑视为连接传统与现代、东方与西方的桥梁，在FENIX艺术博物馆项目中充分展现了这一理念。 Project Name: FENIX ART MUSEUM Location: Rotterdam, Netherlands Design Team: MAD Architects Total Floor Area: 8000 m² Completion: 2025 Photography: Iwan Baan, Titia Hahne, Iris van den Broek Design Features: Project - MAD Architects transformed a historic 16,000-square-meter shipping warehouse in Rotterdam's port district into the FENIX Art Museum, a major new cultural institution exploring migration through the lens of art. Completed in 2025, this project marks MAD Architects' first public cultural building in Europe and represents the first museum built by a Chinese architecture firm in Europe. The design of FENIX Art Museum began with a clear concept: creating a cultural space that connects past and future while respecting industrial heritage. Rather than completely rebuilding the century-old warehouse, the architects implemented careful restoration and contemporary interventions, preserving the building's historic character including restoring the 172-meter-long façade to its 1950s post-war appearance and refurbishing the characteristic sliding doors in their original green color. The core highlight of the project is the centrally positioned "Tornado"—a double-helix staircase clad in 297 polished stainless steel panels that spirals from the ground floor through the roof to an outdoor viewing platform 24 meters above ground level. This dynamic structure not only provides spectacular panoramic views of Rotterdam and the Maas River but also serves as the visual and spiritual core of the entire museum. Inside the Tornado is a 550-meter-long double-helix wooden staircase made from sustainable Norwegian Kebony modified wood. In terms of material selection, the architects deliberately preserved the warehouse's original concrete columns and open spaces, creating flexible exhibition areas across two floors. The ground floor contains exhibition and programming spaces, while the upper galleries are dedicated to the FENIX Collection. A glass roof above the central atrium provides natural light for the Tornado while illuminating the entrance lobby below. Regarding sustainable design, the building features a 6,750-square-meter green roof planted with sedum arranged in concentric patterns echoing the Tornado's form. The building employs a Thermal Energy System (TES) that stores excess heat in the soil and uses a heat pump to generate appropriate indoor temperatures, saving up to 60% in heating energy and 80% in cooling energy. By combining historic preservation, contemporary intervention, and sustainable technology, MAD Architects has created a cultural destination that transcends traditional museum concepts, authentically expressing FENIX Museum's mission to explore human migration history through art while injecting new vitality into Rotterdam's port district. Design Team - MAD Architects was established in 2004 by Ma Yansong and is currently led by Ma Yansong, Dang Qun, and Yosuke Hayano. The firm is committed to developing futuristic, organic, technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature. Representative works include Ordos Museum (2011), Harbin Opera House (2015), Tunnel of Light (2018, Japan), and Cloudscape of Haikou (2021), with Harbin Opera House being recognized as one of "The World's Best Concert Halls" by Telegraph and winning the ArchDaily Building of the Year Award in the Culture Architecture category. Under the continued leadership of Ma Yansong, Dang Qun, and Yosuke Hayano, MAD has gained international recognition, including multiple A+ Awards, WAN Awards, and Council on Tall Buildings and Urban Habitat (CTBUH) awards. Ma Yansong graduated from Beijing University of Civil Engineering and Architecture and Yale School of Architecture; Dang Qun graduated from Tsinghua University School of Architecture and Illinois Institute of Technology; Yosuke Hayano graduated from Kyoto Institute of Technology and Columbia University Graduate School of Architecture, their international backgrounds bringing diverse perspectives to the firm. MAD's design methodology emphasizes a vision for future cities based on residents' spiritual and emotional needs, striving to create balance between humanity, the city, and the environment. They view architecture as a bridge connecting tradition and modernity, East and West, a philosophy fully demonstrated in the FENIX Art Museum project. 设计团队 旅游探访 8000 m² 鹿特丹，荷兰 2025 Previous Next

< 返回 北约克森林住宅 Denegri Bessai Studio 项目名称：北约克森林住宅 地点：多伦多，加拿大 设计团队：Denegri Bessai Studio 建筑面积：7080 ft² 竣工时间：2024年 摄影：Scott Norsworthy 设计特色： 项目 - Denegri Bessai Studio为多伦多北约克社区的一座中世纪现代平房注入了新生命，将其从狭窄、不连贯的空间转变为充满光线的家庭住宅，彰显了其边缘森林的环境特色。这次改造设计巧妙地保留了住宅的现代主义特色，同时引入了当代元素，提升了其功能性和美学吸引力。 最引人注目的改造是主楼层的戏剧性开放，建筑师们用一个宽敞、通风的生活区取代了一系列小型隔间，几乎跨越了整个房屋长度。这一大胆举措配合后墙安装的落地玻璃幕墙，在室内空间与外部自然景观之间创造了近乎无缝的连接——这是一种以当代精确度执行的典型现代主义理念。 在开放式空间上方，新拱形天花板采用温暖的道格拉斯冷杉装饰，将住宅独特的屋顶线条引入室内，增添了视觉趣味并强化了空间感。房间中央的结构柱本可能是设计挑战，却被转化为艺术焦点，覆盖着墨西哥城手工制作的TATA瓷砖，向客户的文化传承致敬。 低调的二楼加建展示了设计团队对原始建筑的敏感性。其桥式结构增加了宝贵空间，同时不破坏平房的现代主义形态，而其与街道立面的后退设计营造出层次感，令人联想到风景画中不同距离的山脉。室内，加建部分容纳了两间儿童卧室，围绕着一个俏皮的双层挖空设计，将光线引入下方的餐厅。 在整个项目中，设计师们平衡了尊重保护与创新游戏性，创造了令人愉悦的空间，如允许孩子们与下方空间互动的"躲猫猫"观景点。其结果是一个既尊重其中世纪根源又满足当代家庭生活需求的住宅——从街道看起来变化不大，而内部却提供了彻底改善的焕然一新生活体验。 团队 -由Maria Denegri和Tom Bessai这对工作和生活伴侣创立，已发展成为加拿大最具创新力的建筑设计事务所之一，以其平衡学术严谨性与以家庭为中心的设计解决方案而闻名。这家总部位于多伦多的工作室采用独特的双领导方式，Maria Denegri的强大协调能力和务实的项目管理与Tom Bessai在计算设计、原型制作和制造方面的专业知识相辅相成。 该事务所擅长创造既富冒险精神又宜居的住宅环境，特别关注满足城市家庭不断变化的需求。他们的设计理念以深入客户参与为基础，打造既真正个性化又注重预算约束的空间。当前，公司由创始人领导，团队成员还包括Michal Bartosik、Alexia Hovis和Cameron Manore，他们为事务所的协作方法带来了额外的专业知识。 两位创始人都与学术界保持着紧密联系，在多伦多大学约翰·H·丹尼尔斯建筑、景观和设计学院担任讲师，将前沿研究和教学见解注入他们的实践中。Maria是多伦多建筑师协会的前任主席，积极参与其执行委员会工作。而Tom则领导工作室的原型设计、制造和计算部门，以无限能量和好奇心探索每个项目的创新可能。 Denegri Bessai Studio的作品集展现了他们将创新建筑技术与精心设计的空间布局无缝集成的能力，创造出融合技术复杂性与日常生活乐趣和惊喜的建筑作品。 Project Name: North York Ravine House Location: Toronto, Canada Design Team: Denegri Bessai Studio Total Floor Area: 7080 ft² Completion: 2024 Photography: Scott Norsworthy Feature: Project - Denegri Bessai Studio has completed their remarkable renovation project - North York Ravine House on the edge of a ravine in Toronto's North York neighborhood, transforming a mid-century modern bungalow into a light-filled contemporary home for a young family with three children. This 7080-square-foot structure masterfully balances the preservation of modernist character with the fulfillment of contemporary family needs. The project's most distinctive feature is its innovative treatment of the main floor, where the architects replaced a series of small compartmentalized rooms with an expansive, airy living area spanning nearly the entire length of the house. This bold intervention is complemented by a floor-to-ceiling glass curtain wall at the rear, creating an almost seamless connection between interior spaces and the natural landscape. These architectural elements interact with the newly vaulted Douglas Fir ceiling to create rhythmic spatial experiences, adding dimensionality and warmth to the environment. The spatial composition demonstrates a profound understanding of harmony, achieving balance between preserving modernist spirit and enhancing functionality. The central structural pier, thoughtfully clad with handmade TATA tiles from Mexico City - a nod to the client's heritage - becomes an artistic focal point. The team's careful consideration of family experience is reflected in the second-floor addition, whose bridge-like footprint creates valuable space without compromising the building's modernist form. The project's uniqueness lies in its successful integration of respectful preservation and innovative design. The "peek-a-boo" lookout serves both children's playful needs and creates space for family interaction, while the unified natural materials create a perfect canvas for the ongoing dialogue between light, shadow, and architectural form. This project represents a significant achievement in residential renovation, transforming architecture into a medium that both respects history and faces toward the future. This is not merely a residential renovation but a vivid lesson in how thoughtful design can transform outdated spaces into meaningful environments that nurture modern families, setting new standards for residential design in Canada's rapidly evolving urban landscape. Design Team - Founded by partners in both work and life, Maria Denegri and Tom Bessai, Denegri Bessai Studio has established itself as one of Canada's most innovative architectural practices, renowned for balancing academic rigor with family-centered design solutions. This Toronto-based firm employs a unique dual leadership approach where Maria Denegri's strong coordination skills and pragmatic project management complement Tom Bessai's expertise in computational design, prototyping, and fabrication. The studio excels in creating residential environments that are simultaneously adventurous and livable, with a particular focus on meeting the evolving needs of urban families. Their design philosophy hinges on deep client engagement, producing spaces that are truly personal while remaining sensitive to budget constraints. Currently, the firm is led by its founding principals along with team members Michal Bartosik, Alexia Hovis, and Cameron Manore, who bring additional expertise to their collaborative approach. Both principals maintain strong academic connections as lecturers at the University of Toronto's John H. Daniels Faculty of Architecture, Landscape and Design. Maria is a Past Chair of the Toronto Society of Architects and an active member of its Executive, while Tom leads the studio's prototyping, fabrication, and computation division, approaching each project with boundless energy and curiosity to explore innovative possibilities. Denegri Bessai Studio's portfolio demonstrates their ability to seamlessly integrate innovative construction technologies with thoughtful spatial arrangements—creating architecture that combines technical sophistication with the joy and wonder of everyday living. 设计团队 旅游探访 7080 ft² 多伦多，加拿大 2024 Previous Next

< 返回 M住宅 左通右达建筑工作室 项目名称： M住宅 地点：北京 ， 中国 设计团队：左通右达建筑工作室 建筑面积：600 m² 竣工时间：2025年 摄影：朱雨濛 设计特色： 项目 - 左通右达建筑工作室重新构想了一座场地现状受限的北京住宅，创造出M住宅——这是一次水平扩展的杰作实践，将黑暗转化为渐变的光线。该项目位于北京东部，于2025年竣工，面积600平方米，直面高墙围合带来的挑战，此前大部分生活空间都被困在阴影中。 项目的天才之处在于拒绝垂直限制，转而采用水平分层策略。主持建筑师王旎没有与既有约束对抗，而是精心编排了五个不同尺度的庭院，它们既是视觉目的地，也是流线节点。这创造了建筑师所描述的"空间之间的视觉连接"——让家庭成员在保持私密性的同时，能够在整个住宅中保持视线联系。 设计直接回应了业主对于低层建筑、树影过滤的光线和水磨石地面的世代记忆。这些怀旧元素通过当代材料重新诠释，最引人注目的是定制的有色混凝土，采用粗骨料浇筑成垂直肋状梯形板，规格为900x2200毫米的预制板。这些预制构件在室内外空间之间创造了触觉连续性。 M住宅的空间策略将传统四合院类型学转化为更具动态性的形式。多重庭院——从前院到屋顶露台——捕捉自然光的日常变化，同时创造建筑师所称的"故意留出的空隙"，允许在区域间产生窥视关系。这种多孔性放大了超越物理约束的感知尺度。 结果是建筑作为情感考古学——每个空间都在不需要身体移动的情况下揭示新的视角。光线成为主要的组织元素，从黑暗通过渐变的灰色过渡到明亮的庭院时刻，创造了建筑师所描述的"循环体验"，映射着多代同堂家庭生活的节奏。 设计团队 - 由建筑师王旎于2013年创立的左通右达建筑工作室，已成为中国当代建筑实践的先锋力量，始终致力于将东方哲学原理与西方现代主义理念相融合。工作室位于北京朝阳区，已确立其作为综合设计咨询机构的地位，在中国各主要都市中心提供建筑、室内、景观、家具及装置等全方位专业设计服务。 王旎，1984年出生于成都，通过在澳大利亚悉尼大学获得建筑学本科及硕士学位的国际教育背景，为其实践带来了国际化视野。工作室名称源于中国古典文献《千字文》，体现了其通过全面理解实现平衡的基础哲学——这一原理在其整体设计方法论中得以体现。 工作室的设计理念专注于提取日常之美，并将其转化为当代通感体验，探索东西方文明如何启发现代生活方式实践。这一方法孕育了包括雄安华润大学总部、W之家、Apartment 55和犬之家在内的重要项目，展现了从机构建筑群到私密住宅干预等不同类型的设计多样性。 左通右达建筑工作室在《安邸AD》中国AD100榜单中的持续入选（2015、2017、2019、2023年），彰显了其对中国不断发展的建筑话语的贡献，确立其作为当代空间实践思想领袖的地位——既尊重文化传承，又拥抱前瞻性设计方法论。 Project Name: House M Location: Beijing , China Design Team: Atelier About Architecture Total Floor Area: 600 m² Completion: 2025 Photography: Yumeng Zhu Feature: Project - Atelier About Architecture created House M in eastern Beijing, a multi-story residence that thoughtfully responds to the homeowner's deeply embedded memories of home—low-rise buildings, windows opening directly onto greenery, sunlight with towering bookshelves, dark terrazzo floors, and flickering shadows of trees on red brick walls. These generational image memories have crystallized into the family's character, establishing an emotional and nostalgic foundation for this 600-square-meter architectural space—a unique temperament weaving together the new and the old. The project's most distinctive design feature lies in its innovative response to existing site constraints. The original building was enclosed by high walls with a central courtyard serving as the sole light source, trapping most interior spaces in shadow. Facing vertical development limitations, the architects employed a horizontal layering strategy, introducing five courtyards of varying scales. Atelier About Architecture's design philosophy centers on establishing "a new spatial system submerged beneath tall enclosing walls." Both large and small courtyards can be viewed and traversed, creating visual connections between different spatial units regardless of one's position, perfectly echoing the daily life of a multigenerational household. Spaces interconnect in myriad ways, with intentional gaps left between zones to allow glimpses across them, enabling the eye to continuously capture new information while wandering. The project's core highlight lies in its masterful manipulation of light. By altering spatial configurations and window orientations to guide light, the residence creates spatial experiences that capture the continuous daily changes of natural light. Front yard, side yard, terraces, rooftop, and atriums each correspond to different aspects of daily life, collectively offering rich plays of light and shadow. The spatial porosity between multiple courtyards amplifies visual perception beyond physical constraints, transforming darkness into gradations of shifting grays. In material selection, the architects categorized and synthesized the natural aging of original building materials, creating customized materials for the residence—pigmented concrete with coarse aggregate, cast into vertically ridged trapezoidal shapes prefabricated as 900x2200mm dry-hung panels. The roof utilizes natural titanium zinc metal roofing, connecting to terraces with integrally cast fine terrazzo flooring. These constructions and materials weave together to form physical experiences that permeate both interior and exterior spaces. By combining cultural memory, emotional retrospection, and contemporary architectural design, Atelier About Architecture created a modern sanctuary that transcends traditional residential functions, authentically expressing an architectural reflection on individual emotion and memory. Design Team - Founded in 2013 by architect Wang Ni, Atelier About Architecture has emerged as a pioneering force in contemporary Chinese architectural practice, consistently bridging Eastern philosophical principles with Western modernist sensibilities. Based in Beijing's Chaoyang District, the firm has established itself as a comprehensive design consultancy offering architectural, interior, landscape, furniture, and installation services across China's major metropolitan centers. Wang Ni, born in Chengdu in 1984, brings international perspective to her practice through her architectural education at the University of Sydney, where she earned both bachelor's and master's degrees. The studio's name, derived from the classical Chinese text "Thousand Character Classic," reflects its foundational philosophy of achieving balance through comprehensive understanding—a principle that manifests in their holistic design methodology. The firm's design philosophy centers on extracting quotidian beauty and transforming it into synesthetic contemporary experiences, exploring how Eastern and Western civilizations inform modern lifestyle practices. This approach has yielded notable projects including China Resources University headquarters in Xiong'an, W House, Apartment 55, and The Dog House, demonstrating versatility across typologies from institutional complexes to intimate residential interventions. Atelier About Architecture's consistent recognition in Architectural Digest China's AD100 listings (2015, 2017, 2019, 2023) underscores their contribution to China's evolving architectural discourse, positioning them as thought leaders in contemporary spatial practice that honors cultural heritage while embracing progressive design methodologies. 设计团队 旅游探访 600 m² 北京，中国 2025 Previous Next

< 返回 Harudot 春武里府咖啡店 IDIN Architects 设计特色： 项目 – 隐匿于泰国边海小镇春武里，HARUDOT咖啡馆是一个极富特色的场所，它潜移默化的表达着重生与崭新开始。该店由咖啡烘焙商Nana Coffee Roasters与一位热衷稀有外形植物的店主通过独特合作而建立。HARUDOT之名捕捉了其理念本质，“Haru”在日语中意为“春天”，而“Dot”代表一个起点。咖啡馆的焦点是一棵美轮美奂的猴面包树，它就栽植于空间正中，仿佛穿过建筑开口繁茂生长了多年。外部三个黑色山墙建筑群营造出一种低调优雅的气息，而温暖灿烂的金色松木室内环境则引领顾客步入一个遍布大自然气息的避风港。 作为品牌日式主题的一部分，建筑师运用简约和精心的细节处理，通过原创标识、字体，甚至嵌入引语的水磨石地板引导客户前往不同功能区域。空间的连续性通过丝带一般的座椅强调，它们流畅地贯穿咖啡馆的各个区域。通过拨开山墙屋顶使阳光和雨水得以渗透，建筑师营造了室内外融为一体的感受，保持着客人与周遭环境的联系。Harudot咖啡店终究通过其富有创意的理念，在人工设计和有机形式之间取得了和谐平衡，从而颂扬生长与不断更新。 团队 – 来自泰国的IDIN Architects由Jeravej Hongsakul在2004年创立，其名称寓意“Integrating Design Into Nature”(设计融入自然)。设计团队以两种方式理解“自然”：第一，自然可以定义为我们周围的生态；第二，它也可以指不同的举止和个性。IDIN的设计理念和关注点是将这种环境意识，这种“本质”融入建筑美学。这种融合是通过分析和优先考虑每个项目的不同需求和要求的过程实现的。此外，泰语“idin”一词也用于描述雨后土壤释放出美妙芬芳的自然现象。这象征着泰国的热带气候，这也是IDIN所有设计努力响应的对象。因此，设计团队的重点不仅仅放在美学上，也放在实用性上，以适应这种温和的环境。其创始人Jeravej Hongsakul于1998年在泰国的先皇技术学院 (King Mongkut's Institute of Technology Ladkrabang)获得建筑学学士学位，并从2000年开始执业。自2010年“普吉门户”（ Phuket Gateway）项目获得ASA建筑设计大奖以来，IDIN architects在泰国建筑界已倍受瞩目，目前为止他们的项目在国际上都不断获得众多奖项。 Feature： Project - The recently transformed Office EDGE Stadium in Amsterdam sets a new standard for sustainable office design through its adaptive reuse of an existing structure. Originally built in 2001 with progressive green features, the building has now been reimagined by Dutch firm Atelier PRO architects to meet contemporary needs. Preserving the original design’s essence while upgrading its performance was key. Central to the redesign is a focus on people – providing flexible work spaces alongside inviting social areas to stimulate creativity. The atrium’s transformation embodies this aim; now filled with abundant plants and timber finishes, it forms the vibrant heart of the building. Wellness is also prioritized, with excellent air quality, access to outdoor terraces, and use of natural materials. Technologically, EDGE Stadium doesn’t disappoint. It’s Amsterdam’s first building to achieve the high sustainability credentials of BREEAM Excellent and WELL Core & Shell Gold, plus a top rating in smart connectivity. The original in-slab heating and cooling system was retained and improved. Along with the reuse of existing structures, this cements the project’s sustainable credentials. Ultimately, EDGE Stadium shows that with a people-centric vision and smart technological enhancements, existing buildings can be adapted to provide inspiring and healthy workplaces. Atelier PRO’s design sets the benchmark for giving enduring structures renewed life in the 21st century. Design Team - Established in The Hague in 1976, Atelier PRO architects has spent over four decades pioneering context-driven and socially-conscious designs grounded in genius loci principles. Currently led by directors Hans Kalkhoven and Dorte Kristensen, the 45-person firm creates surprising yet functional public architecture, from schools and theaters to renovated office spaces like the sustainability-minded EDGE Stadium. Seeking to uplift communities by improving their environments, Atelier PRO's civic-minded portfolio concentrates on social infrastructure. They reimagine existing buildings guided by a deep appreciation of historic built fabric, balancing preservation with creative revitalization. Atelier PRO stays future-focused as well - pursuing innovation in healthy urban living and sustainable design. Their visionary thinking and entrepreneurial spirit have earned pioneering sustainability certifications, advancing new strategies for educational facilities, and vibrant workplaces that foster human flourishing. 设计团队 旅游探访 475 m² 泰国 春武里府 2024 Previous Next

< 返回 地拉那“大舞厅” MVRDV 项目名称：The Grand Ballroom 地点：地拉那，阿尔巴尼亚 设计团队：MVRDV 建筑面积：90200 m² 竣工时间：2025年 – 待定 设计特色： 荷兰建筑事务所MVRDV赢得了阿尔巴尼亚地拉那新阿斯兰·鲁西体育宫的设计竞赛。这座90200平方米的综合体包含一座可容纳6000人的篮球和排球场馆，以及住宅公寓、酒店和地面零售空间，整体呈现为直径超过100米的球形。该项目名为"大舞厅"，将成为该市独特建筑项目集合中的新成员，也是市民聚集的独特目的地。 球形体量的功能远超在连接机场与市中心的道路旁创造标志性建筑。通过将酒店和住宅功能叠加在场馆之上，该设计在相对较小的场地上容纳了大量功能。圆形建筑避免了产生忽视周边社区的"背面"立面。建筑底部向内收窄，为公共广场和户外体育设施创造了更多空间，供当地儿童使用。顶部向内收窄则为居民创造了露台，将体育和社区融合为一个统一的环境。 建筑功能按层次排列。球体与地面接触处在大地上留下印记，形成下沉楼层，台阶和看台向下通往环形的零售空间、咖啡馆和配套设施，为场馆活动提供支持。场馆本身位于上方，通过地面层的短桥进入，主场馆两侧是隐藏在看台下的两个额外训练场。酒店占据其上两层，为客人提供独特体验，可从酒店下层客房窗户观看比赛，也可从上层配套空间观赛，这些空间悬挑于看台上方，在场馆天花板上形成一个天窗。 天窗可以用厚玻璃层封闭，形成隔音屏障，同时保持上下空间的视觉联系。在此层之上，公寓被容纳在球体的双层外壳结构内，在内部形成一个巨大的半室外穹顶空间，几乎是碗状场馆的镜像。这个空间成为居民的庭院花园，种植成熟树木并设置休闲家具。在多个位置，公寓穹顶让位于穿透建筑外壳的三至四层矩形开口，允许自然通风并为居民创造额外的公共绿色空间，每个空间都有自己的主题。 球体外壳中的公寓包括朝外单元和双面采光单元的混合，不仅可以欣赏城市壮丽景色，还可以俯瞰内部穹顶、庭院花园，并通过天窗一瞥场馆内部。随着球体在顶部向内收窄，为居民创造了宽敞的露台。公寓的外墙在球体外壳内后退设置，确保上层楼板为公寓室内遮阳，同时强调这些露台的宽敞感。穹顶最顶部主要设置复式顶层公寓，每套都可进入私人屋顶露台，而这个上层环形的四分之一设置了双层通高的酒店天空酒吧，可俯瞰城市全景。第二个天窗可以用玻璃封闭或打开通风，完成整个球体。 "大舞厅将成为一座灯塔，旨在激励和鼓励人们参与和观看体育运动。一个游戏、相遇和庆祝的场所！我们如何表达这一点？"MVRDV创始合伙人Winy Maas评论道。"球形形状是对许多运动中使用的圆球的致敬。但它也让人联想到启蒙时代的神殿，从艾蒂安-路易·布雷的牛顿纪念堂到巴克敏斯特·富勒对技术乐观主义的致敬，即测地穹顶。地拉那市中心的这座巨大球体同样可以成为体育和社区的神殿。通过连接不同功能，它邀请建筑中的每个人成为活动的一部分。通过提供配备体育设施的公共空间，它成为社区的一部分。作为地标，它吸引来自全市及更远地方的人们聚集在一起庆祝。因此，它延续了地拉那不断增长的新建筑集合。" 设计团队 ：MVRDV由Winy Maas、Jacob van Rijs和Nathalie de Vries于1993年创立，现已发展成为全球最具创新性的建筑实践之一，目前拥有超过300名专业人员组成的充满活力的团队，由三位创始合伙人以及Frans de Witte、Fokke Moerel、Wenchian Shi、Jan Knikker和Bertrand Schippan共同领导。该事务所在鹿特丹、上海、巴黎、柏林和纽约设有办公室，保持着全球化布局，应对各大洲当代建筑与城市挑战。 MVRDV的独特方法以高度协作、基于研究的设计理念为核心，从创意过程的最早阶段就让客户、利益相关者和跨学科专家参与其中。这种方法产生出推动城市和景观向可持续未来发展的典范项目。该事务所的综合气候团队确保所有项目的环境韧性，而MVRDV NEXT则实施计算工作流程和新兴技术，以优化设计效率和适应性。 该事务所因融合创新与社会责任的变革性项目而获得国际认可。代表作品包括鹿特丹的Markthal市场大厅，将住宅与壮观的食品市场相结合；Depot Boijmans Van Beuningen博物馆仓库，世界上第一个完全开放的艺术储藏设施；以及地拉那金字塔，将阿尔巴尼亚前独裁政权纪念碑改造为提供免费教育的文化中心。该事务所的作品组合涵盖多样类型，从阿姆斯特丹的Valley混合用途塔楼到首尔的Seoullo 7017空中花园等城市干预项目，展现出对创造充满欢乐、出人意料且具有社会参与性建筑的坚定承诺，重新构想城市的可能性。 设计团队 旅游探访 90200 m² 地拉那，阿尔巴尼亚 2025 - 待定 Previous Next

< 返回 养正图书馆 SAKO建筑设计工社 设计特色： 项目 – 日本建筑师迫庆一郎和他领导的SAKO建筑设计工社，打造了一座极具特色的公共图书馆，这也是中国首个实现碳中和的文化设施。这个公益项目由SOHO中国的董事长潘石屹先生发起，这座位于甘肃省天水市潘集寨村的养正图书馆，完美融合了建筑与自然环境。这座约800平方米的图书馆改造自一座百年历史的祖宅原址，被设计成一个充满活力的社区中心，承载着家庭聚会、教育培训等多种功能。设计师巧妙处理了这个"杂乱环境"的场地，通过最小化外围窗户来确保内部的静谧，同时在中央庭院用无框玻璃实现大开敞。图书馆的正方形平面和立面设计，灵感源自曼陀罗，营造出一种清静有序的空间体验。不断变幻的天空景象，随着光线、云朵和雨水的变化而起伏，给阅读空间注入一种冥想般的氛围。模块化的书架也呼应了这种几何语汇，与建筑外观自然融合。除了出色的被动式设计策略，包括出色的隔热性能、现场太阳能和风力发电以及地源热泵供暖等，这座公益图书馆还是中国可持续乡村振兴的先驱性范例，不仅丰富了当地社区生活，也为这个区域树立了绿色地标。 团队 – SAKO建筑设计工社创立于2004年，其创始人迫庆一郎以独特的视角，打造了众多富有洞见的可持续建筑作品，已成长为业界翘楚。自在北京设立首个境外分所后，公司陆续在东京和福冈开设办事处，足迹遍布中国、日本、韩国、蒙古国和西班牙，完成了160余个项目。迫庆一郎此前曾在山本理显（2024年普利兹建筑奖获得者）的事务所任职，积累了丰富的设计经验，为SAKO建筑设计工社赋予了多样化的设计语汇。该所涵盖私人住宅、商业零售、养老设施、公共图书馆等各类型项目，并在建筑、室内和城市规划层面提供全面的整体解决方案。SAKO建筑设计工社屡获殊荣，包括日本的Good Design奖以及JCD设计奖，美国的Vanceva World of Color Awards 2020年大奖等等，在中国也曾被选入《在中国最有影响力的10位建筑家》。迫庆一郎还担任了日本人在海外企业家团体《WAOJE》( World Association of Overseas Japanese Entrepreneurs )的第一任代表理事，展现了非凡的领导力。SAKO建筑设计工社不断推动创新，丰富社区生活，其持续努力正将梦想化为精心雕琢的现实。 设计团队 旅游探访 772 m² 中国，甘肃天水 2024年 Previous Next

< 返回 福山东警察署站前执勤所 Meguro Architecture Laboratory 设计特色： 项目 – 广岛福山东警察署站前执勤所改变了人们对传统临时警察岗亭的刻板印象。位于福山车站前的这座小型建筑通过缩小人与空间的距离，巧妙地融入了该地区即将兴建的高层建筑群。建筑入口周围铺设的石制长椅营造出一种街道家具般的亲和空间，将这个临时警察站变成了一处24小时对外开放、供人们休憩的公共场所。这一"亲民警察站"的创新构思，完全重塑了人们对这类设施封闭、不可接近的传统观念。独特的外形设计体现了福山市的传统文化，整体造型灵感来自当地著名的"鞆之浦灯塔"，外墙则以钛锌钢板覆盖，借鉴了福山城作为日本唯一一座铁板护墙板城堡的特色。为振兴地方产业，项目还运用了广岛县产的杉木和当地采石场开采的石材。创新的设计特色包括将办公区的窗户设置在较高位置，既保证了警员对外的视野，又避免了外人对内部的窥视。广场区与新设的人行横道衔接紧密，有利于行人安全通行。这座集传统文化与前卫理念于一身、以社区为本的公共建筑，为类似设施设计树立了新的典范。 团队 – 作为2009年创立的一级建筑师事务所Drawing notes的后续，Meguro Architecture Laboratory于2014年正式成立，由平井充和山口纱由两位日本资深建筑师领导。这家总部位于东京目黑区的设计工作室，在建筑设计、城市规划、室内外产品设计等多个领域均有出色表现。凭借岚山乡村俱乐部和Jubako House屡获殊荣，Meguro Architecture Laboratory已然成为日本新生代顶尖建筑设计师的集结地。两位主理人长期担任多所著名大学的客座讲师，并活跃于多个建筑相关社团和协会，在推动日本建筑界持续发展方面发挥着重要作用。这个拥有近14年历史的工作室必将为更多优秀作品持续注入创新活力。 Feature： Project - Challenging conventional police box design, the Fukuyama Higashi Police Station Ekimae KOBAN by Meguro Architecture Laboratory introduces a friendly and accessible concept. Located in front of Fukuyama Station, the small-scale structure reduces the distance between people and space amidst planned high-rise development in the area. Stone benches around the entrance create an inviting street furniture, transforming the police box into a public haven for relaxation. This pioneering "friendly police box" notion reimagines these typically impermeable structures as 24/7 safe spaces for pedestrians. The distinctive form pays homage to Fukuyama's heritage, echoing the city's traditional Tomo no ura lighthouse and using titanium zinc steel panels that reference Fukuyama Castle's unique steel-clad construction. Integrating the local character, the project incorporates cedar wood from Hiroshima and stone quarried nearby to revitalize industries. Innovative security features include elevated office windows preventing pedestrians from seeing inside while allowing police oversight. The plaza connects seamlessly to a new crosswalk, prioritizing pedestrian safety. With its contextual yet forward-thinking design, this pioneering police box sets a fresh benchmark for community-centered public architecture. Design Team - Established in 2014 as the successor to the award-winning Drawing Notes architectural firm founded in 2009, Meguro Architecture Laboratory is helmed by principals Mitsuru Hirai and Sayu Yamaguchi. Based in Tokyo's Meguro district, this multidisciplinary design practice excels in architectural design, urban planning, interior and product development. Their innovative Fukuyama Higashi Police Station Ekimae KOBAN project garnered a design competition win, while the firm's Arashiyama Country Club and Jubako House have earned multiple accolades including the prestigious Good Design Award and recognition from the Japan Institute of Architects. The principals actively nurture emerging talent as visiting lecturers at renowned universities. With affiliation in esteemed architectural societies like docomomo_japan and the Architectural Institute of Japan, Meguro Architecture Laboratory is driven to push creative boundaries. This vanguard studio's contextually-rooted yet forward-thinking approach has positioned it as a torchbearer for Japan's next generation of architectural visionaries across diverse built environment disciplines. 设计团队 旅游探访 108.67 m² 日本，福山市 2023年 Previous Next

< 返回 My Front Yard Architectkidd 项目名称：My Front Yard 地点：普吉岛，泰国 设计团队：Architectkidd 建筑面积：5000 m² 竣工时间：2025年 摄影：Korpong Sahana 设计特色： 项目 - Architectkidd以My Front Yard重新构想了传统零售体验，这是一个位于普吉岛的5000平方米的社区导向开发项目，消解了商业、休闲与景观之间的界限。这家曼谷工作室摒弃了单体大盒子类型学，构思出一个由分散白色亭阁组成的步行村落，通过一条独特的黄色高架步道相互连接，如同鲜艳的丝带在场地中穿梭。 项目的标志性特征是这一连续的桥梁系统，以醒目的黄色涂装，与洁白的建筑体量和葱郁的热带绿意形成强烈的视觉对比。高架路径不仅仅是交通动线，更将移动转化为体验，提供山坡环境的多重视角，同时在下方创造出荫蔽的巷道。这种双层互动鼓励访客以自己的节奏探索综合体，沿着蜿蜒路径发现专为人类和宠物设计的庭院与绿色口袋空间。 Architectkidd将零售功能分解为更小的街区，以刻意的非线性布局排列。这种集群策略产生了内部庭院和景观空隙，促进自然通风，这对普吉岛的热带气候至关重要。白色零售单元采用圆角和柔化几何形态，抵抗建筑的压迫感，而其宽阔的抹灰表面为醒目的商业标识提供了中性画布。 通过将整个开发项目视为公共的"前院"，建筑师优先考虑社交基础设施而非交易效率。设计语言保持连贯却不突兀，允许个体品牌身份在统一的建筑框架内蓬勃发展。纹理白色抹灰与玻璃和金属装饰相结合，创造出触感丰富、平易近人的表面，邀请互动。 My Front Yard展示了周到的空间编排如何将日常活动提升为有意义的相遇。在这里，目的地之间的旅程变得与目的地本身同样宝贵，将零售建筑转化为社区生活的框架。 设计团队 - Architectkidd是一家总部位于曼谷的建筑与设计事务所，成立于2003年，现已成为当代东南亚建筑领域的领军声音。工作室目前由主持建筑师Udomsak Komonvilas、Jariyawadee Lekawatana和Luke Yeung共同协调管理，他们为事务所的设计方法论带来了多元的国际视野。 该事务所通过精准的空间规划和对场地的敏感性，在挑战传统建筑类型学方面建立了卓越声誉。Architectkidd的作品集展现了对热带建筑策略的持续探索，优先考虑自然通风、以行人为导向的城市主义，以及将景观元素融入建成环境。其设计手法强调消解室内外空间的刚性边界，创造出回应泰国气候条件的流动过渡。 事务所的建筑语言以简洁的几何体量、战略性地运用色彩作为导向和体验工具，以及对材料性的细致关注为特征。Architectkidd持续展现出将大型功能需求分解为人性化尺度介入的专业能力，促进社区互动和社会参与。 事务所位于曼谷素坤逸区，业务涵盖多种尺度，从住宅和商业项目到机构委托。其作品反映了致力于创造服务于社会连接的建筑基础设施，同时保持环境性能和空间品质高标准的承诺。 设计团队 旅游探访 5000 m² 普吉岛，泰国 2025 Previous Next

< 返回 港屋 TACO taller de arquitectura contextual 项目名称：Puerto House 地点：普罗格雷索，墨西哥 设计团队：TACO taller de arquitectura contextual 建筑面积：95 m² 竣工时间：2025年 摄影：Paulina Góngora 设计特色： TACO taller de arquitectura contextual设计的"Puerto House"（港屋）展现了如何通过创新的模块化住宅策略和巧妙的历史保护与当代建筑融合技术，将一个仅5x17米的狭窄地块转化为充满适应性的双单元海岸住宿建筑。 这座95平方米的住宅戏剧性地坐落在尤卡坦半岛普罗格雷索港区，呈现为对紧凑城市居住、海滨环境整合和当代墨西哥海岸生活方式融合的深刻探索。它没有完全抛弃原有建筑的历史痕迹，而是通过精心的干预，创造出一个将工业港口美学与加勒比海滨体验无缝交织的居住环境。 该项目最独特的设计特色在于其适应性模块化——两个独立单元可以无缝合并为单一空间，动态响应不同的入住需求。这种灵活性将建筑从传统复式住宅转变为多功能的酒店概念，可容纳不同规模和配置的客群。 TACO的设计语言流利地表达着考古学与当代主义的对话，运用既有石墙和古董门等历史元素的现代应用来重新定义空间体验。回收的原有建筑构件被创新性地整合到新结构中，既具结构功能又承载象征意义。这种大胆的历史重新诠释不仅增加了空间的真实性和文化深度，同时巧妙地将建筑锚定在港口的工业遗产之中。 建筑师通过垂直组织和景观策略的巧妙操控在不同功能层次间创造多元体验。底层单元开向微型海岸景观花园，配备水景、沙地和本土植被，而上层单元则通过线性楼梯上升至壮观的屋顶露台，配备泳池和烧烤设施，享受海景、海滨长廊、码头和灯塔的全景视野。 材料策略延续了这种历史与当代无缝融合的设计理念。回收的石墙与嵌入贝壳的白色混凝土地板形成对比，海洋色调的着色灰泥、本地雪松木和氧化钢元素共同营造出工业港口美学。艺术般的材料色調为居住者创造沉浸式感官体验，每个设计元素都承载着场地记忆、文化传承和深层海岸特色。 设计团队 - TACO taller de arquitectura contextual作为当代墨西哥建筑实践的杰出代表，在梅里达成立，自创立以来已确立其在语境响应式建筑设计和跨学科整合领域的先锋地位。这家立足尤卡坦的事务所通过建筑、城市设计、室内设计、景观建筑和家具设计的垂直整合，重新定义墨西哥当代建筑师在国际设计话语中的角色。 TACO为建筑实践带来了卓越的语境分析方法和对多学科协作的深刻理解。该事务所因其将传统地方工艺与当代墨西哥现代主义结合的承诺而获得认可，首席建筑师卡洛斯·帕特伦·伊巴拉为蒙特雷理工学院的杰出毕业生，曾在西班牙AH Asociados和墨西哥Reyes Ríos + Larraín arquitectos等知名实践中受训。联合创始人亚历杭德罗·帕特伦·桑索尔则贡献了来自尤卡坦自治大学的结构工程专业知识，这种跨学科教育与国际经验的结合，使TACO在墨西哥建筑景观中占据独特地位。 该事务所的设计哲学强调建筑应该通过语境解读超越表面形式——不仅仅是为了形式美学而设计，更是为了与场地特定条件和社区需求有机响应。通过可持续材料应用和创新保护方法，开展从住宅、文化到社区建筑的多元化项目，相信最好的建筑是通过对有形和无形语境因素的综合分析产生的精确干预。TACO相信建筑应该成为地方身份和社会意识的载体，通过策略性的空间组织和本土材料运用创造具有场所感的建筑体验。 除实践外，该事务所通过与本地工匠——砌筑工、木工、金属工和玻璃工的紧密合作保持着强有力的建造整合。通过对传统建造智慧与现代设计方法的深思熟虑结合、本地材料的创新运用，以及经过时间验证的文化传承，TACO已确立自己作为当代拉丁美洲建筑话语重要贡献者的地位，创造出既具地方根植性又拥抱国际设计视野的建筑作品。该事务所已获得众多国际认可，包括基多泛美双年展第一名、东南地区建筑双年展金奖以及在威尼斯建筑双年展墨西哥馆的代表资格。 设计团队 旅游探访 95 m² 普罗格雷索，墨西哥 2025 Previous Next

< 返回 "涛 TOH" 聆听酒吧 TORAFU ARCHITECTS 项目名称：涛 TOH 地点：东京，日本 设计团队： TORAFU ARCHITECTS 建筑面积：118.84 m² 完成时间：2025年3月 摄影：阿野太一 设计特色： 项目 - 涛 TOH位于东京繁华的涩谷区，是由TORAFU ARCHITECTS设计的一家隐秘的聆听酒吧，将卓越的音响体验与创新建筑设计完美融合。"TOH"（日语中"波浪"之意）如同一处隐秘的避风港，位于一栋各层为单一租户的商业建筑内，通过一扇原本作为后门的铁门进入，营造出一种独特的环境氛围。 进入空间后，昏暗的店内设计巧妙地分为三个独特的音乐体验区域：环绕DJ台的VIP座位区、中央的客座区以及对面的发光天板吧台区。设计团队精心考虑了不同的聆听方式，创造出多样化的音乐体验空间。VIP座位区呈马蹄形围绕DJ台和定制扬声器，类似于厨房旁的主厨桌，提供亲密的音乐体验。 DJ台背后的墙面陈列着精心挑选的1960-70年代日本爵士乐黑胶唱片，而带有石英成分的花岗岩台面的吧台在金色窗帘背景下发出柔和的光芒，黑暗中看去仿若漂浮空中。中央区域设有重心较低的定制休闲椅和沙发，让访客能够舒适地沉浸在音乐之中。 在音响设计方面，该项目体现了传统与前沿技术的完美结合。主扬声器由纽约扬声器品牌OJAS的Devon Turnbull制作，DJ台配备了三种不同特性的唱盘系统，包括经典的Garrard 301和Technics SL系列。 设计师保留了空间原有的混凝土墙面和百叶窗等粗犷元素，同时通过双色LED照明创造出现代感，展示了对材料质感与光线运用的精准把控。作为一个不到120平方米的小型空间，涛 TOH通过精心设计的声学环境和独特的空间序列，为客人提供了多种音乐聆听体验，成为音乐爱好者的理想目的地。 团队 - TORAFU ARCHITECTS由铃野浩一和秃真哉于2004年在日本创立，是一家多领域的设计工作室，活动范围涵盖建筑设计、室内设计、展览规划、产品设计、空间装置和影像制作等多个领域，以建筑思维为基础进行跨界创作。 工作室的代表作品包括"Template in Claska"、"NIKE 1LOVE"、"港北住宅"、"空气之器"、"Gulliver Table"和"Big T"等。其中，为Canon米兰家具展2011创作的"光之织机"被评为展会最佳展示，获得ELITA设计奖最高荣誉。2015年，"空气之器"被蒙特利尔美术馆收录为永久藏品。 在创始人铃野浩一和秃真哉的领导下，工作室获得了众多国际奖项，包括iF设计奖、日本优良设计奖、红点最佳设计奖和亚洲设计大奖等。铃野浩一出生于1973年神奈川县，毕业于东京理科大学工学部建筑学科，曾在多所知名大学担任教师职位。秃真哉出生于1974年岛根县，毕业于明治大学理工学部建筑学科，曾在青木淳建筑计划事务所工作。 TORAFU ARCHITECTS的设计理念强调过程导向和空间实验，通过材料研究和概念严谨性创造出独特的空间体验。工作室出版的著作包括《TORAFU ARCHITECTS 2004-2011：创意与过程》和《TORAFU ARCHITECTS：由内而外》（TOTO出版，2016年），展示了其丰富多样的作品背后的设计思考和技术创新。 通过对细节的精心关注和对空间序列的深刻理解，TORAFU ARCHITECTS不断打造超越功能需求的空间，创造出既增强人类体验又尊重周围环境的作品，在全球设计界赢得了广泛认可。 Project Name: TOH Location: Shibuya, Tokyo, Japan Design Team: TORAFU ARCHITECTS Total Floor Area: 118.84 m² Completion: March 2025 Photography: Daici Ano Feature: Project - TOH, located in the bustling district of Shibuya, Tokyo, is a clandestine listening bar designed by TORAFU ARCHITECTS. Produced by COMBO of NUBIAN, this project occupies a floor in a commercial building where each level houses a single tenant, creating a hidden sanctuary accessed through an original steel door that once served as a back entrance. Upon entering, the dimly lit interior is thoughtfully divided into three distinct zones for musical experiences: VIP seating surrounding the DJ counter, central guest seating, and a counter with luminous tabletop opposite. The design team carefully considered various listening styles, creating diversified spaces for music appreciation. The VIP seating forms a horseshoe arrangement around the DJ counter and custom speakers, reminiscent of a chef's table adjacent to a kitchen, offering an intimate musical experience. Behind the DJ counter, the wall displays a carefully selected collection of rare vinyl records from Japan's jazz era of the 1960s-70s, while the counter with quartz-infused granite tabletop emits a gentle glow against a backdrop of gold curtains. The central area features custom-designed lounge chairs and sofas with a lower center of gravity, allowing visitors to comfortably immerse themselves in the music. In terms of acoustic design, the project embodies a perfect integration of tradition and cutting-edge technology. The main speakers are crafted by Devon Turnbull of New York speaker brand OJAS, while the DJ counter is equipped with three turntable systems of different characteristics, including the classic Garrard 301 and Technics SL series. The designers preserved original elements such as concrete walls and shutters, while introducing modernity through two-tone LED lighting, demonstrating precise control over material textures and light application. As a compact space of only 118.84 square meters, TOH creates multiple music listening experiences through carefully designed acoustics and unique spatial sequencing, becoming an ideal destination for music enthusiasts. Design Team - TORAFU ARCHITECTS was founded in Japan in 2004 by Koichi Suzuno and Shinya Kamuro as a multidisciplinary design studio whose activities span architecture, interior design, exhibition planning, product design, spatial installations, and film production, approaching cross-disciplinary creation with architectural thinking as its foundation. The studio's representative works include "Template in Claska," "NIKE 1LOVE," "Kohoku House," "Air Vase," "Gulliver Table," and "Big T." Their "Loom of Light" created for Canon at Milan Furniture Fair 2011 was recognized as the best exhibition, receiving the highest honor at the ELITA Design Awards. In 2015, their "Air Vase" was inducted into the permanent collection of the Montreal Museum of Art. Under the leadership of founders Koichi Suzuno and Shinya Kamuro, the studio has garnered numerous international awards, including the iF Design Award, Japan Good Design Award, Red Dot Best of the Best Award, and Asia Design Prize. Koichi Suzuno, born in Kanagawa Prefecture in 1973, graduated from Tokyo University of Science's Department of Architecture and has held teaching positions at several prestigious universities. Shinya Kamuro, born in Shimane Prefecture in 1974, graduated from Meiji University's Department of Architecture and previously worked at Jun Aoki & Associates. TORAFU ARCHITECTS' design philosophy emphasizes process-oriented approaches and spatial experimentation, creating unique spatial experiences through material research and conceptual rigor. The studio has published works including "TORAFU ARCHITECTS 2004-2011: Ideas and Processes" and "TORAFU ARCHITECTS: Inside Out" (TOTO Publishing, 2016), showcasing the design thinking and technical innovation behind their diverse portfolio. Through meticulous attention to detail and profound understanding of spatial sequencing, TORAFU ARCHITECTS continues to create spaces that transcend functional requirements, producing works that enhance human experience while respecting surrounding environments, earning widespread recognition in the global design community. 设计团队 旅游探访 118.84 m² 东京，日本 2025 Previous Next

< 返回 千叶屋 ZIVY ARCHITECTS 设计特色： 项目 – ZIVY Architects 设计的千叶屋坐落在新加坡一块狭窄的 9m x 38m 地块上，巧妙地将庭院置于室内，成为室内外互动的核心空间。这个采光良好、通风流畅的四层高中庭，成为整座房屋的主动脉。两端设置了具有传统风格的镂空混凝土遮阳板，不仅过滤了自然光线，更引入了阵阵清风，给房屋注入生机。中庭植栽葱茏，犹如将户外景致转移至室内。沿中庭分布着通透的卧室和起居空间，为房屋的主人们创造了愉悦融洽的多代同堂生活体验。这座环保智能的现代之家，屋顶安装了太阳能电池板，地面采用了循环再造的核桃木渣水泥。建筑师以生态与人文并重的理念，在狭小空间中打造出舒适宜居的热带风情之居所，让几代同堂的家庭成员在这里相聚相守、幸福互伴。 团队 – ZIVY ARCHITECTS由Loh Zixu和Evy Sutjahjo于2019年在新加坡创立，秉承着通过严谨探索和对细节的关注，才能创造出卓越的设计理念。这家公司的设计过程中，会广泛召开设计研讨会，把原本平凡无奇的设计需求转化为充满个性和实用性的非凡空间。事务所的两位创始人都是新加坡建筑师公会注册建筑师和新加坡建筑师学会企业会员。他们追求空间体验的丰富层次，注重实用性和私密性的完美结合。Zixu理性务实的设计风格与Evy对生活化空间和诗意般质朴的热爱互相辉映。无论是多代人共居的住宅，还是商业和公共建筑，亦或是产品设计，他们都坚持以人为本的宗旨了，努力打造能彰显人性化和提升生活质量的空间。通过与业内专家的紧密合作，以及在学术界的导师角色，ZIVY ARCHITECTS还积极参与并推动了新加坡建筑行业的发展。他们以人为中心、贴近生活的设计理念，正成为重塑新加坡建筑环境的新兴力量。 Feature： Project - Nestled on a narrow 9m x 38m plot in Singapore, the House of a Thousand Leaves by ZIVY Architects reinvents the multi-generational home with an ingenious inward-looking design. Rather than segregated private zones, this three-and-a-half story semi-detached house fosters connectedness through shared spaces that encourage chance encounters between family members. The pièce de résistance is the soaring quadruple-volume atrium at the heart of the home. Oriented north-south, it capitalizes on natural ventilation with breeze block endwalls that create a wind-tunnel effect. The tapered concrete blocks filter dappled light and rain, completing the biophilic experience along with deep skylights and integrated greenery across levels. But the atrium is far more than just a sculptural centerpiece. It doubles as an open circulation core, with a continuous perforated metal mesh staircase that visually connects all floors. Full-height glazing along the interior atrium wall furthers sightlines and airflow into the adjoining living spaces occupied by individual family units. Sustainability prominently features, from solar panels to repurposed walnut chip flooring in the tea room. By cleverly intertwining nature and multi-generational living, ZIVY has crafted an adaptable tropical haven for occupants to grow together over decades to come. Design Team - Founded in 2019 by Loh Zixu and Evy Sutjahjo, ZIVY Architects is a Singapore-based practice guided by the belief that great design emerges through rigorous exploration and a keen attention to detail. The firm's collaborative approach places inclusive design sessions at the heart of every project, transforming briefs from ordinary to extraordinary. Led by Zixu and Evy, both Registered Architects with the Board of Architects Singapore and Corporate Members of the Singapore Institute of Architects, ZIVY's work prioritizes creating richly layered spatial experiences imbued with purpose and personality. Zixu's rational design process harmonizes with Evy's sensitivity for livability and poetry. Completing the core team are Architectural Associates Jean Lin and Pang Yun Jie, whose fresh perspectives further the practice's dedication to innovation. ZIVY's portfolio spans multi-generational homes, commercial/institutional spaces, and even product design - all unified by a commitment to crafting environments that empower inhabitants and elevate the human condition. Through close collaboration with industry consultants and academic mentorship roles, ZIVY actively enriches the architectural discourse. Their purposeful, peoplecentric approach positions them as an ascending force redefining Singapore's built environment. 设计团队 旅游探访 715 m² 新加坡 2023年 Previous Next

< 返回 Tripolis Park 办公综合体 MVRDV 项目名称：Tripolis Park办公综合体 地点：荷兰，阿姆斯特丹 设计团队：MVRDV 建筑面积：61000 m² 完成时间：2023年 摄影师：Ossip Van Duivenbode 设计特色： 项目 – MVRDV的阿姆斯特丹Tripolis Park办公综合体改造项目展现了建筑保护与当代创新之间的完美平衡。这个于2023年完工的61000平方米项目为Aldo van Eyck 1994年的建筑作品注入新生命，同时通过战略性建筑干预解决现代城市挑战。 项目最显著的添加物"The Window"是一座12层的横向摩天楼，具有多重功能：既是毗邻A10高速公路的声学屏障，又提供34,000平方米的现代办公空间，并与原有建筑创造视觉对话。建筑南立面的戏剧性矩形开口框架出Aldo van Eyck原始建筑群的景观，而北立面则通过起伏的形态呼应Tripolis建筑，创造出富有动感的中间空间。 原始Tripolis建筑的翻新展现了对历史细节的极致关注。MVRDV的方法超越简单的保护，回溯范·艾克的初始设计，修复了原始建造过程中被妥协的元素。立面现在完全采用木材覆面，这符合原初设想，而非90年代使用的木材-花岗岩组合。建筑特有的多彩窗框被精心保留，维持其特征性的视觉韵律。 室内空间经过巧妙设计的现代化改造，在保留重要建筑元素的同时满足当代工作场所需求。去除隔断墙创造更具协作性的环境，同时保留楼梯和天然石材地板等原有特征。项目通过多种可持续性措施获得BREEAM杰出认证，包括强化屋顶利用，设有绿地、活动亭和太阳能板等。 团队 – MVRDV由Winy Maas, Jacob van Rijs, 和 Nathalie de Vries于1993年创立，现已发展成为全球具有影响力的建筑事务所。事务所现由创始合伙人与Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, 以及Bertrand Schippan共同领导超过300名专业人员的团队，在鹿特丹、上海、巴黎、柏林和纽约设有战略性布局的多个办公室。 事务所以其研究导向的设计方法论著称，强调与客户、利益相关者和跨学科专家的早期协作。其专门的内部气候团队确保可持续性在所有项目中的整合，而MVRDV NEXT则专注于计算设计和技术创新。这种全面的方法促成了从混合用途开发到文化机构和城市总体规划等突破性项目。 事务所的作品组合展示了各种规模和类型的创新建筑解决方案，包括享誉世界的鹿特丹Markthal、阿姆斯特丹自然启发的Valley项目，以及开创性的Depot Boijmans Van Beuningen。他们的作品始终展现对可持续城市发展、社会参与和技术进步的承诺，赢得了众多国际奖项，确立了MVRDV在当代建筑实践中的先驱地位。 Project Name: Tripolis Park Office Complex Location: Amsterdam, The Netherlands Design Team: MVRDV Area: 61,000 m² Year: 2023 Photographs: Ossip Van Duivenbode Feature： Project - In Dongchen Township, Ningbo's Xiangshan County, Mur Mur Lab's Dongdan Grassland "Sea Ruins" Station redefines the possibilities of viewing architecture through its poetic architectural language. This 260-square-meter public building creates a unique space for dialogue with nature through two wave-topped glass pavilions. Situated at the edge of a nearly thousand-acre East China Sea prairie, backed by Dawanshan remnants and overlooking mudflat pastures, it serves as a vital hub connecting the southern coastal highway and the Damuyang coastal area. The project's most striking feature is its unique sequential viewing design—the building is cleverly divided into two functional zones: a reception area with public restrooms near the road, and a light dining area hidden behind ginkgo trees. The two zones, connected through different elevations and connecting corridors, create a progressive viewing experience, transforming from initial screening to framed views, corridors, and finally to elevated platforms, offering entirely new perspectives of the unchanging landscape. The building employs a steel structural system combined with full-height glass walls and wave-shaped metal roofs, creating a light and transparent spatial effect. Material selection demonstrates exceptional craftsmanship—beige exposed aggregate concrete contrasts with light blue terrazzo flooring, while Siberian larch wall cladding balances new construction traces with its mottled texture. The overall design, with its minimal color palette and restrained treatment, allows the architecture to become a serene backdrop for viewing the magnificent prairie landscape. Design Team - MVRDV, established in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, has grown into a globally influential architecture practice. The firm now operates with a dynamic team of over 300 professionals led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, with offices strategically located in Rotterdam, Shanghai, Paris, Berlin, and New York. The practice is distinguished by its research-based design methodology, emphasizing early collaboration with clients, stakeholders, and multidisciplinary experts. Their dedicated in-house Climate Team ensures sustainability integration across all projects, while MVRDV NEXT specializes in computational design and technological innovation. This comprehensive approach has resulted in groundbreaking projects ranging from mixed-use developments to cultural institutions and urban masterplans. The firm's portfolio showcases innovative architectural solutions across various scales and typologies, including the world-renowned Markthal in Rotterdam, the nature-inspired Valley in Amsterdam, and the groundbreaking Depot Boijmans Van Beuningen. Their work consistently demonstrates a commitment to sustainable urban development, social engagement, and technological advancement, earning numerous international awards and establishing MVRDV as a pioneer in contemporary architectural practice. 设计团队 旅游探访 61000 m² 荷兰，阿姆斯特丹 2023 Previous Next

< 返回 房中之房 Jesper Kusk Arkitekter 项目名称：房中之房 地点：比尔克罗德，丹麦 设计团队：Jesper Kusk Arkitekter 面积：220 m² 完工时间：2024年 摄影师：Lars Rolfsted Mortensen 合作方：THKR、Regnestuen (工程)、LoBe Landskab (景观)、Iben Winther Orton (照明) 制造商：DS Stålprofil, In-Sign, Krone, Krone Vinduer A/S, Lindab, The Greenery 设计特色： 项目 - 在丹麦盛行的拆除重建风潮中，Jesper Kusk建筑事务所选择了一条不同寻常的道路，他们在比尔克罗德(Birkerød)将一座建于1967年的现代主义住宅改造成了一个光线充沛的庇护所，展现了可持续性保护的典范。这个名为"房中之房"的项目通过一系列相互连接的空间体量重新诠释了独立住宅的概念，挑战了新建才能满足现代生活的传统观念。 这次改造为建筑师Steffen Hougaard的原始设计注入了新的生命力，同时增加了一个独特的扩建部分，既能与原有建筑形成呼应，又保持着鲜明的对比。新增的绿色木质外立面展现出新旧之间的对话，在保持建筑整体和谐的同时又彰显出自己的特色。 在这座220平方米的住宅中，最引人注目的是其创新的空间概念：每个房间都设计了尖顶天花板，创造出宛如独立小屋嵌套于大房子中的独特感受。这种建筑手法不仅向传统住宅的原型致敬，还营造出随日光变化而变幻的动态室内空间。 项目的环保理念体现在每一个细节中。经过精心设计的天窗穿透新屋顶，建立起自然通风道路，让日光倾泻入室。隐藏在地下的雨水收集系统为冲厕提供水源，而精心挑选的生物性材料——包括竹地板和桦木胶合板墙面——显著降低了改造过程中的碳足迹。 最引人注目的特色是室内外空间的无缝融合。定制的家具，包括延伸至花园的宽敞窗座，创造出沉思的空间，模糊了建筑与自然之间的界限。经过精心策划的视线通廊和与景观的连接，将日常生活转变为与自然环境的持续对话。 在丹麦每年约有1100座独立住宅被拆除的背景下，这个项目堪称建筑更新利用的典范案例，展示了如何在不诉诸拆除的情况下重新构想丹麦现有的住宅存量。这次改造证明，通过创新的设计思维，昨日的建筑可以转变为满足明日需求的住所，同时保留了原有建筑的碳排放和建筑遗产价值。 团队 - Jesper Kusk Arkitekter成立于2019年，总部位于丹麦哥本哈根，在当代北欧建筑领域迅速崭露头角，专注于可持续设计和适应性改造。创始人Jesper Kusk此前曾在Nordic建筑事务所和Lundgaard & Tranberg建筑事务所等知名公司累积近二十年的专业经验，为事务所带来了丰富的建筑实践经验。 事务所的设计理念立足于创造超越时间界限的持久建筑，强调生物亲和性设计原则和碳意识方法论。在Jesper Kusk的带领下（他自2023年起担任丹麦建筑师协会竞赛委员会主席），工作室发展出了独特的项目组合，以其精致的材料配置和对木构建筑的重视而著称。 事务所位于历史悠久的Fæstningens Materialgård，以其严谨的分析过程和协作式设计方法而闻名。他们的作品以精心整合自然采光、自然通风和创新空间规划而独树一帜。事务所对可持续性的承诺超越了单纯的能源效率，涵盖了更广泛的社会和环境责任，这体现在他们对材料生命周期和适应性再利用策略的精细关注上。 Project Name: Houses Within the House Location: Birkerød, Denmark Design Team: Jesper Kusk Arkitekter Area: 220 m² Completion: 2024 Photography: Lars Rolfsted Mortensen Main Materials: Wood, Bamboo, Birch Plywood Collaborators: THKR, Regnestuen (Engineering), LoBe Landskab (Landscape), Iben Winther Orton (Lighting) Manufacturers: DS Stålprofil, In-Sign, Krone, Krone Vinduer A/S, Lindab, The Greenery Feature： Project - In a bold rejection of Denmark's demolition culture, Jesper Kusk Arkitekter has transformed a 1967 modernist residence in Birkerød into a luminous sanctuary that champions sustainable preservation. The "Houses Within the House" project reimagines a single-family home through a series of interconnected volumes, challenging the notion that new construction is the only path to contemporary living. The renovation breathes new life into architect Steffen Hougaard's original design while adding a distinctive extension that both complements and contrasts with its predecessor. The addition, clad in green-painted timber, creates a compelling dialogue between old and new, setting itself apart while maintaining a harmonious architectural conversation with the existing structure. At the heart of the 220-square-metre dwelling lies an innovative spatial concept where each room features a pitched ceiling, creating the sensation of individual houses nestled within the larger structure. This architectural gesture not only pays homage to the archetypal house form but also generates dynamic interior volumes that play with light and shadow throughout the day. The project's environmental consciousness is evident in every detail. Strategic skylights pierce the new roof, establishing natural ventilation pathways and flooding the interiors with daylight. A sophisticated rainwater harvesting system, concealed beneath the ground, supplies water for toilet flushing, while the careful selection of biogenic materials – including bamboo flooring and birch plywood wall cladding – significantly reduces the renovation's carbon footprint. Perhaps the most striking feature is the seamless integration of interior and exterior spaces. Custom-built furniture, including a generous window-seat that extends toward the garden, creates contemplative moments that blur the boundaries between architecture and nature. The thoughtfully orchestrated sightlines and connections to the landscape transform everyday living into a continuous dialogue with the natural environment. This project serves as a compelling case study in architectural upcycling, demonstrating how Denmark's existing housing stock can be reimagined for contemporary life without resorting to demolition. In a country where approximately 1,100 single-family homes are razed annually, this renovation stands as a testament to the potential of adaptive reuse, proving that with innovative design thinking, yesterday's architecture can be transformed to meet tomorrow's needs while preserving embodied carbon and architectural heritage. Design Team - Jesper Kusk Arkitekter, established in 2019 in Copenhagen, Denmark, has rapidly emerged as a significant voice in contemporary Nordic architecture, specializing in sustainable design and adaptive reuse. Founded by Jesper Kusk, who brings nearly two decades of expertise from prestigious firms including Nordic - Office of Architecture and Lundgaard & Tranberg Arkitekter, the practice has garnered recognition for its innovative approach to environmental stewardship and contextual sensitivity. The firm's design philosophy centers on creating enduring architecture that transcends temporal boundaries, emphasizing biophilic design principles and carbon-conscious methodologies. Under Kusk's leadership, who serves as the Chairman of the Competition Committee at the Danish Association of Architects since 2023, the studio has developed a distinctive portfolio characterized by its sophisticated material palette and emphasis on timber construction. Operating from their headquarters in the historic Fæstningens Materialgård, the practice has cultivated a reputation for thorough analytical processes and collaborative design approaches. Their work is distinguished by a careful integration of daylight, natural ventilation, and innovative spatial programming. The firm's commitment to sustainability extends beyond mere energy efficiency to encompass broader social and environmental responsibilities, reflected in their meticulous attention to material lifecycle and adaptive reuse strategies. 设计团队 旅游探访 220 m² 比尔克罗德，丹麦 2024 Previous Next

< 返回 马尼图瓦巴湖畔住宅 Daymark 项目名称: 马尼图瓦巴湖畔住宅 地点: 安大略省塞金，加拿大 设计团队: Daymark 建筑面积: 2610平方英尺 竣工时间: 2025年 摄影: Adrian Ozimek 设计特色: 对于一对育有三个孩子的年轻夫妇而言,在马尼图瓦巴湖畔建造度假屋不仅仅是寻找一处避世之所,更是延续家族故事的行为。这座新的居所将与父母在塞金的传统度假屋比邻而居,通过将两处地产合并为一,这个家庭创造出一个足以容纳传承与未来的场地。 当Daymark被引入项目时,设计挑战十分明确:如何创造一座拥抱场地缓坡的现代家庭度假屋,最大化湖景视野,并与林地环境自然融为一体。Daymark没有将建筑强加于土地之上,而是将场地本身作为设计的生成要素。 解决方案是一组低矮的阶梯式建筑体块组合,顺应坡度节奏横向延展于地形之上。覆以黑色木材的细长体量自信地坐落于水岸边缘,同时对背后的树木环境保持敏感。通过强调场地的渐变高差,Daymark将一处简单的坡地转化为度假屋的决定性特征。 在室内,平面布局既实用又富有诗意。公共空间,包括厨房、餐厅、客厅、办公室和主卧套房,均朝向壮观的湖景,将日常生活锚定于与水的联系之中。私密的卧室、浴室和功能区域则谨慎地嵌入景观,安静地面向森林。 作为Daymark设计语言的标志性特征,玻璃连廊连接各个体量,创造出一系列框取景致与自然光线的动态行进路线。穿行于度假屋之中成为一段旅程,湖景在每个转折处被揭示又重新揭示。 最终呈现的是一座为家庭生活而设计的现代湖畔度假屋,既富有趣味性又精致雅观,既大胆又平衡。最初的两块土地成为一处统一的居所,建筑、景观与家族传承在此汇聚。Daymark将一处渐变的坡地转化为建筑叙事,证明真正的设计创新并非源自压倒场地,而是来自对其内在力量的放大。 设计团队: Daymark设计公司成立于2016年,总部位于安大略省米德兰,已确立其作为杰出住宅建筑事务所的地位,专注于与加拿大景观和谐共生的当代设计。在创始主持建筑师阿德里安·沃顿的领导下,这位拥有20年经验的建筑师带领事务所培养了创造极简而精致空间的声誉,这些空间对其自然环境做出敏感回应。 Daymark的设计哲学以场地特定性解决方案为核心,将现代形式与传统建造技术相融合,运用自然材料创造体现深刻场所感的住宅。事务所从多样的加拿大景观中汲取灵感,从安大略北部的质朴地形到大西洋沿岸被风吹拂的海岸线,将地域特征转译为精致的建筑表达。阿德里安·沃顿的卓越作品集包括对获奖项目的贡献,如荣获总督建筑奖章的内森·菲利普斯广场,以及获得卓越奖的梅多斯社区中心。 事务所的综合服务涵盖新建建筑、大型翻新、小型建筑物以及最高四层的多单元住宅开发。Daymark的作品已在Dwell、Designlines和ArchDaily等权威出版物中获得认可。通过对细节的细致关注和与客户的协作参与,事务所提供定制化的建筑解决方案,在保持环境责任和永恒美学吸引力的同时提升居住者的福祉。 Daymark的核心理念是创造具有独特而持久品质的现代建筑,通过对建成环境产生净正面影响,为居住者生活和地方社区的丰富做出贡献。事务所相信通过对支撑理念的细节做出精确而细致的回应来实现这一目标。与共享价值观并愿意协作的个人和机构合作,帮助事务所实现独特而个性化的解决方案。 设计团队 旅游探访 2610 ft² 安大略省塞金，加拿大 2025 Previous Next

< 返回 Schlotfeldt 住宅 Omar Gandhi Architect 项目名称：Schlotfeldt 住宅 设计团队：Omar Gandhi Architects 面积：1450 ft² 地点：加拿大，奥卡纳根山谷 设计特色： 项目 – 耸立于加拿大奥卡纳根山谷之中，一座耐候钢包裹的住宅如同一艘陆地航船，傲然屹立于苍茫山间景致之中。这座由 Omar Gandhi Architects 设计的建筑精品，巧妙地将前卫设计与环境适应性融为一体，创造出一个既挑战又协调周遭环境的独特项目。 这座住宅最引人注目的特征是其对严酷山地气候的创新应对。宽大的悬挑为建筑提供了抵御极端天气的庇护，而地面层无玻璃开口的设计则有效防御潜在的山火威胁。一组镂空钢梯通向同样通透的入口平台，为坚固的外观注入了一丝轻盈感。 步入室内，建筑的真正匠心随即显现。中央天窗和采光井将自然光引入生活空间的核心，营造出温暖而迷人的氛围。箭头状平面将主要起居区域抬高，提供了对山谷和周围山脉无遮挡的270度全景视野。 这座建于2021年、面积1450平方英尺的杰作坐落于11.33英亩的广袤地块之上。它完美诠释了设计团队"创造演变或抽象"的理念，挑战了建筑与环境之间的传统关系。最终呈现的不仅是一座住宅，更是一件颂扬其壮丽地理位置的艺术品。 目前，这座双卧室+双浴室的独一无二野奢住宅以375万加元的价格挂牌出售，为品味之士提供了拥有一段建筑史的难得机会。它的存在证明了即便在最具挑战性的环境中，奢华生活与自然和谐共存也是可能的。 团队 – Omar Gandhi Architects （OGA），成立于2010年加拿大，短短十余年间已跻身全球建筑设计的翘楚行列。该事务所的作品横跨创新住宅、城市更新到大型公共工程等多个领域，始终站在加拿大当代建筑设计的最前沿，荣获众多国际殊荣，彰显其卓越实力。 事务所的设计理念深植于对场域特性的深刻理解和建筑类型的创新演绎，塑造了一系列享誉全球的标志性建筑。OGA的建筑哲学超越了单纯的形式追求，致力于创造与环境共鸣、挑战使用者空间体验的建筑作品。这一理念体现在他们对地形、材料和细节的精心考量中。 OGA在多伦多和哈利法克斯设有设计工作室，通过协作性和研究导向的方法开展项目。事务所在构造表现力、材料创新和环境分析方面的专长，使其能够创造出前沿的、性能导向的建筑作品。 在首席建筑师Omar Gandhi的带领下，OGA的作品完美融合了加拿大传统建造方法与现代设计语言，不仅视觉冲击力强，还兼具高度功能性和环境适应性。从不列颠哥伦比亚省的施洛特费尔特住宅到新斯科舍省的峡谷小屋，OGA展现了将现代建筑与自然地貌和谐共生的卓越才能。 OGA曾获加拿大艺术委员会专业罗马奖和加拿大总督建筑奖章等重要奖项，进一步巩固了其在当代建筑实践中的领先地位。这种独特的艺术视野与技术实力的结合，使OGA持续引领北美建筑设计的创新潮流。 Project：Schlotfeldt Residence Team：Omar Gandhi Architects Size：1450 ft² Location：Okanagan Valley, Canada Feature： Project - Perched high above the Okanagan Valley, a striking corten-clad residence emerges from the rugged mountain landscape like a sophisticated land ship. This architectural marvel, designed by the renowned Omar Gandhi Architects, seamlessly blends cutting-edge design with environmental resilience, creating a structure that both challenges and harmonizes with its surroundings. The home's most distinctive feature is its innovative response to the harsh mountain climate. Large overhangs shelter the structure from extreme weather conditions, while the absence of ground-level glazing acts as a defense against potential wildfires. A set of perforated steel stairs leads to an equally permeable landing, adding an element of lightness to the robust exterior. Inside, the home reveals its true genius. A central skylight and light tunnel funnel natural illumination into the heart of the living space, creating a warm and inviting atmosphere. The truncated, arrow-shaped plan elevates the main living areas, offering an uninterrupted 270-degree panorama of the valley and surrounding mountain ranges. This 1,450-square-foot masterpiece, completed in 2021, sits on an expansive 11.33-acre lot. It exemplifies Omar Gandhi Architects' philosophy of creating "evolutions or abstractions" that challenge conventional relationships between buildings and their environment. The result is a home that is not just a shelter, but a work of art that celebrates its breathtaking location. Currently on the market for $3,750,000, this two-bedroom, two-bathroom residence offers a unique opportunity to own a piece of architectural history. It stands as a testament to the possibility of luxurious living in harmony with nature, even in the most challenging of environments. Design Team - Founded in 2010, Omar Gandhi Architects (OGA) has rapidly established itself as a vanguard in contemporary Canadian architecture. With design studios in Toronto and Halifax, the firm has cultivated a portfolio that spans from innovative residential projects to large-scale public works, each embodying a unique dialogue between site-specificity and architectural ingenuity. OGA's design philosophy is rooted in a deep engagement with context, where each project becomes an evolution or abstraction of familiar architectural typologies. The firm's approach involves a meticulous unraveling of client briefs, coupled with an astute analysis of site conditions, resulting in boldly reimagined forms that challenge conventional spatial experiences. Under the leadership of Principal Omar Gandhi, alongside Associates Jeff Shaw, Stephanie Hosein, and Jordan Rice, the practice has garnered international acclaim. Notable projects like the Schlotfeldt Residence in British Columbia and the Rabbit Snare Gorge cabin in Nova Scotia exemplify OGA's mastery in harmonizing modern interventions with rugged landscapes. The firm's work is characterized by its tectonic expressiveness, materiality, and attention to detail. OGA's designs often feature a juxtaposition of robust forms with delicate architectural refinements, creating spaces that are at once striking and intimately connected to their environment. Recognized with prestigious accolades including the Canada Council for the Arts Professional Prix de Rome and the Canadian Governor General's Medal in Architecture, OGA continues to push the boundaries of architectural discourse, cementing its position as a formidable force in contemporary design. 设计团队 旅游探访 1450 ft² Okanagan Valley, Canada 2021 Previous Next

< 返回 福冈匹诺曹幼儿园 INTERMEDIA 设计特色： 在福冈那珂川这座快速发展的城市中，福冈匹诺曹幼儿园如同一座创新教育设计的灯塔冉冉升起。这座由INTERMEDIA事务所精心构思的幼儿园和托儿所，以216名儿童的容量回应了该地区不断增长的人口需求，使其成为当地最大规模的早教中心之一。 该项目的建筑才华在于其促进不同年龄段儿童社交互动的精妙构思。设计引入了独特的"午餐室"概念，巧妙地将其置于教室之间，充当一个类公共空间。这个多功能区域不仅便于用餐，还可容纳各种活动和仪式，有效打破了不同班级之间的界限，鼓励形成丰富多彩的社交网络。 最引人注目的特色或许是中央庭院，INTERMEDIA事务所在这里巧妙地运用了高差设计，创造出地面层和一层之间的无缝流动。这种创新的空间利用允许儿童在不同层级间自由移动，促进身体活动，同时与底层年幼儿童的房间保持视觉连通。 虽然采用了坚固的钢筋混凝土结构，但整体建筑在稳重与轻盈之间达成了微妙的平衡。无梁楼板的使用和战略性布置的钢柱创造出一种通透的氛围，与空间的趣味性质相得益彰。 福冈匹诺曹幼儿园堪称建筑塑造教育体验力量的典范，为社区提供了一个与之共同成长的培育环境。 In the rapidly growing city of Nakagawa, Fukuoka, the Fukuoka Pinocchio Children's Garden emerges as a beacon of innovative educational design. Conceived by Sho Sasaki of INTERMEDIA, this nursery and kindergarten facility responds to the area's increasing population with a capacity for 216 children, making it one of the larger early education centers in the region. The architectural brilliance of the project lies in its thoughtful approach to fostering social interaction among children of different age groups. Sasaki's design introduces a unique "lunch room" concept, strategically placed between classrooms to serve as a pseudo-public space. This multifunctional area not only facilitates dining but also accommodates various activities and ceremonies, effectively breaking down barriers between different classes and encouraging a rich tapestry of social connections. Perhaps the most striking feature is the central courtyard, where Sasaki has masterfully manipulated level differences to create a seamless flow between the ground and first floors. This innovative use of space allows children to move freely between levels, promoting physical activity and visual connectivity with the rooms for younger children on the ground floor. The structure, while robust in its reinforced concrete construction, achieves a delicate balance between solidity and lightness. The use of void slabs and strategically placed steel columns creates an airy atmosphere that complements the playful nature of the space. Fukuoka Pinocchio Children's Garden stands as a testament to architecture's power to shape educational experiences, offering a nurturing environment that grows alongside the community it serves. 设计团队： INTERMEDIA建筑设计事务所由佐々木信明（Sasaki Nobuaki）于1989年创立，现已成为日本领先的建筑设计公司，尤其以其在教育和公共空间方面的创新设计而闻名。总部位于长崎的INTERMEDIA，三十多年来一直站在创造富有思考性、以社区为导向的建筑设计前沿。 INTERMEDIA不断突破建筑设计的界限，将功能性与美学完美融合。公司的作品集涵盖了广泛的项目，从前沿的教育设施到令人印象深刻的公共建筑，以及富有洞察力的城市干预项目。 INTERMEDIA的设计理念核心是创造能够促进人际互动并响应社会不断变化需求的空间。他们的设计方法特点是对环境语境的敏锐关注、对材料的创新运用以及对可持续性的承诺。该公司的作品常常呈现动态的空间布局、巧妙融入自然光线，以及内外空间的和谐关系。 团队的专业实力在众多获奖项目中得到充分体现，其中包括荣获2024年日本建筑学会新人奖（福冈匹诺曹幼儿园）。这个项目展示了INTERMEDIA通过建筑设计创造有利于儿童发展的培育环境的卓越能力。 凭借一支优秀的建筑师团队，以及与教育机构和地方政府成功合作的丰富经验，INTERMEDIA持续塑造着日本的建筑环境，为建筑卓越性和社会责任树立了新标准。 INTERMEDIA, founded in 1989 by Nobuaki Sasaki, has emerged as a leading architectural design firm in Japan, particularly renowned for its innovative approach to educational and public spaces. With its headquarters in Nagasaki, the firm has been at the forefront of creating thoughtful, community-oriented architecture for over three decades. Under the current leadership of Sho Sasaki and Shiho Nanri, INTERMEDIA has continually pushed the boundaries of architectural design, seamlessly blending functionality with aesthetics. The firm's portfolio showcases a diverse range of projects, from cutting-edge educational facilities to striking public buildings and sensitive urban interventions. INTERMEDIA's design philosophy centers on creating spaces that foster human interaction and respond to the evolving needs of society. Their approach is characterized by a keen attention to context, innovative use of materials, and a commitment to sustainability. The firm's work often features dynamic spatial arrangements, thoughtful integration of natural light, and a harmonious relationship between interior and exterior spaces. The team's expertise is evident in their numerous award-winning projects, including the Fukuoka Pinocchio Children's Garden, which received the Architectural Institute of Japan's New Architect Award in 2024. This project exemplifies INTERMEDIA's skill in creating nurturing environments that support child development through architectural design. With a talented team of architects and a track record of successful collaborations with educational institutions and local governments, INTERMEDIA continues to shape the built environment of Japan, setting new standards for architectural excellence and social responsibility. 设计团队 旅游探访 1829.85㎡ 日本，福冈 2023年 Previous Next

< 返回 萨乌什卡托卡伊酒庄 BORD建筑事务所 + Tihany Design 项目名称：萨乌什卡托卡伊酒庄 地点：拉特卡，匈牙利 设计团队：BORD建筑事务所 + Tihany Design 建筑面积：5830 m² 竣工时间：2024年 摄影：Marc Goodwin，Hufton+Crow 设计特色： 匈牙利建筑事务所BORD Architectural Studio与Tihany Design合作，在联合国教科文组织保护的托卡伊-黑焦亚葡萄酒产区创造了一座仿佛悬浮于葡萄园上方的引人注目的当代酒庄。萨乌什卡托卡伊酒庄完美展现了现代建筑创新与该地区数百年酿酒传统的精妙融合。 建筑最具特色的设计是两个相互交叉的直径36米透镜状体量，通过纤细的钢柱悬浮于景观之上。这种"漂浮"效果营造出建筑几乎不触及大地的错觉，让受保护的葡萄园地形在其下方不受干扰地延伸。建筑师彼得·博尔达什阐述的设计理念——创造"应该漂浮或栖息，如同球体置于难以察觉的微小表面上"的建筑——将酒庄转化为增强而非主导周围环境的雕塑地标。 建筑策略巧妙地在多个层次上分离了公共功能和运营功能。引人注目的透镜状建筑体量容纳了餐厅、酒吧和访客体验空间，可欣赏起伏葡萄园的全景，而温控的生产区域则巧妙地隐藏在地下。圆形发酵室内同心排列的钢制储罐创造出地下教堂般的空间，通过隧道系统连接，高效管理葡萄酒生产流程。 由Tihany Design设计的室内空间结合了当地石灰岩、天然木材表面和钢材元素，创造出既体现火山风土特色又符合当代酒店业标准的精致环境。入口序列经过精心编排，访客通过隐蔽路径接近建筑，既保持了建筑的雕塑冲击力，又逐步展现这一传奇酒区的全景视野。 设计团队 - 成立于2006年的BORD建筑事务所已确立了其作为领先建筑设计公司的地位，以创造具有持久特质和当代意义的启发性空间而闻名。事务所总部位于布达佩斯，在德布勒森和苏黎世设有分公司，由创始主持建筑师彼得·博尔达什领导的多学科团队拥有30名建筑师和工程师，为不同项目类型提供全面的设计解决方案。 该事务所的设计理念以场地回应性和叙事驱动建筑为核心，每个项目都源于细致的场地分析和当地文化价值，而非遵循预设的风格框架。BORD对可持续设计的承诺通过其一体化方法得到加强，整合了内部景观建筑师和机电工程师，确保从概念到施工管理的全面项目交付。 其作品集展现了卓越的多样性，包括国际知名的获奖项目——萨乌什卡托卡伊酒庄、BudaPrés苹果酒厂和Aquaticum水上乐园。这些作品体现了该事务所在空间序列、自然光操控以及定义其建筑语言的室内外无缝关系方面的精湛技艺。 近期荣誉包括萨乌什卡托卡伊项目荣获2025年Architizer A+奖公众选择奖和WAN世界建筑新闻金奖，以及多项国际设计认可。BORD的实践方法强调早期客户协作和全面场地参与，打造出成功平衡当代创新与永恒设计原则的建筑，同时促进社区连接和以人为本的体验。 设计团队 旅游探访 5830 m² 拉特卡，匈牙利 2024 Previous Next

< 返回 Villa 95索托格兰德别墅 Fran Silvestre Arquitectos 项目名称： Villa 95索托格兰德别墅 地点： 卡迪斯，西班牙 设计团队： Fran Silvestre Arquitectos 建筑面积： 1255 m² 竣工时间： 2024年 摄影： Fernando Guerra | FG+SG 设计特色： 项目 - 西班牙建筑工作室Fran Silvestre Arquitectos完成了Villa 95，这座位于索托格兰德的引人注目的白色住宅，通过几何体量的精妙交织重新诠释了多代共居的理念。 坐落于阿尔托斯·德·瓦尔德拉马起伏的地形中，这座1255平方米的住宅由三个细长的形体组成，这些形体根据场地的不规则轮廓动态旋转排布。这些纯净的白色体块创造了一种精心编排的空间序列，同时在北侧包围景观，又向东面和南面景色敞开怀抱。 "居住空间采用尽可能长的比例，以增加与自然的接触，"总部位于瓦伦西亚的设计团队解释道。该事务所因其独特的地中海建筑极简主义风格而闻名。 Villa 95的与众不同之处在于其卓越的多功能性——有意识地拒绝追随潮流的设计，转而追求持久的功能性。汲取了16世纪威尼托地区文艺复兴别墅的灵感，建筑师精心打造了能够优雅地适应不同代际家庭结构变化的空间。 也许最引人入胜的特色是观景台式的屋顶露台，作为下方生活空间的高处延伸。这一建筑手法为社交聚会创造了一个优越的观景点，同时框定了周围景观的广阔视野。 该项目通过集成的空气源热泵和地热系统实现了环境自给自足，而精心设计的地下室则容纳了由天井照明的健康设施。 Villa 95的流通策略直观地响应了场地的地形，行人通道从地块的较低角落进入，车辆则从最高点接近，创造了公共与私人领域之间的无缝过渡。 "我们喜欢想象这座房子在几十年后的样子，被未来居住者改造，"设计团队反思道，"适应今天我们甚至无法想象的需求，但建筑将在不失去其本质的情况下拥抱这些变化。" 团队 - Fran Silvestre Arquitectos是一家追求"有效美学"的建筑和设计事务所。它由Fran Silvestre于2005年创立，由一群多学科专业人士组成，他们在全球范围内进行住宅、文化、企业和公共项目。 事务所团队从每个委托项目的开始就深入探讨初始概念和想法，这些对他们来说是项目的灵魂，包括结构和室内设计。对于每个项目，他们至少准备3个不同的设计方案，满足客户相同的愿望清单，在同一地块上，遵循相同的规范。对他们来说，这是一个概念挑战，促使他们改进并推动他们走出舒适区。对于客户而言，知道他们将参与设计过程并做出选择，也是一个信任点。 在项目规模方面，他们的工作范围从总体规划、建筑群或住宅到较小规模的项目，关注最小的细节。在开发项目中，他们负责品牌的塑造、企业设计、图形设计、网站、宣传图片和/或视频、平面图和施工，试图以同一视角涵盖所有内容，从而创造全球统一的身份。 每个项目对他们而言都同样重要，他们将每个项目视为第一个、最后一个和唯一的项目。 Fran Silvestre是建筑博士，毕业于UPV并获得优异成绩，在荷兰TU/e获得城市规划师学位时也获得同样的成绩，是UPV设计领域的荣誉博士。目前，他是UPV和欧洲大学项目系的教授，领导建筑和设计MArch研究生院。2011年，他曾担任瓦伦西亚高等建筑技术学院副院长，2018年获得美国KSU的Victor L. Regnier讲席教授职位。在其职业生涯中，他曾师从葡萄牙普利兹克奖得主Álvaro Siza。 他曾获得多项奖项，如2001年建筑师基金会奖、2010年COACV建筑师学院奖。2012年，他被文化和体育部选为"Spain Arts and Culture"计划中西班牙建筑在美国的大使。2013年获得红点设计奖，同年在IVAM现代艺术学院获得瓦伦西亚自治区最佳建筑师奖。 Project Name: Villa 95 Sotogrande Location: Cádiz, Spain Design Team: Fran Silvestre Arquitectos Total Floor Area: 1,255 m² Completion: 2024 Photography: Fernando Guerra | FG+SG Feature: Project - The Villa 95 project is located on an irregularly shaped plot within Altos de Valderrama, in Sotogrande. From the beginning, the main premise was to maximize the relationship between the dwelling and the natural environment, seeking to blend daily living with the place. The site has a slight slope, allowing for a great depth of landscape. The project is configured through three simple elements that are grouped dynamically to adapt to the orientation and the challenging geometry of the plot. The inhabited bodies have the longest possible proportion to increase contact with nature. They contain the land and the vehicular access to the north and northwest, while two of the elements open to the east, including the pool terrace and the night area, while the day area opens to the south. The two communication cores are found at the junction between the pieces. The structure of the house defines its spatiality; the design team likes to think it adapts to the place as if it had always been there. The commission included a clear desire from its inhabitants to conceive a house capable of accommodating multiple generations. This idea of permanence and versatility translates into a rational structure that allows for functional flexibility in the use of spaces, adaptable to the different lifestyles of those who inhabit it. The team understands this versatility as a form of sustainability, as it is built to last over time. With the same attitude, architecture is proposed to be free from trends, with the ability to adapt to future moments, with a will to transcend time and avoid becoming obsolete. The design team has always been inspired by this timeless vocation in late Renaissance Italian villas, especially those from the 16th century, which have witnessed the passage of generations, drawing a continuity between architecture, time, and life in the Veneto. The current inhabitants, with a vibrant social life, requested that the house feature a belvedere-shaped terrace, a privileged spot from which to contemplate the landscape and welcome their guests. This space is located above the main floor's roof, functioning as an elevated extension of the living area, an open scene toward an interesting landscape. The basement incorporates a comprehensive health space, conceived as a shared-use area, illuminated by a light well. The users intend to live in the house intensely; therefore, spaces are arranged for working, exercising... all facilities are included since the house has an aerothermal and geothermal system that makes it energy self-sufficient. Pedestrian access occurs from the lower corner of the plot, via a protected entrance terrace, while the ascending slope of the street allows vehicular access to the house from the highest point, comfortably arriving at the same level as the day area. This naturally resolves the transition between public space and domestic interior. The design team likes to imagine the house many decades from now, transformed by its future inhabitants, adapted to needs that they cannot even begin to imagine today, but which architecture will have embraced without losing its essence. Design Team - Fran Silvestre Arquitectos is an architecture and design studio in pursuit of Effective Beauty. It was founded in 2005 by Fran Silvestre and is formed by a multidisciplinary group of professionals who carry out residential, cultural, corporate, and public projects around the world. The team works together from the beginning of each commission, delving into the initial concepts and ideas, which for them are the soul of the project, including the structure and interior design. For each project, they prepare at least 3 different design proposals, attending to the same client wishlist, on the same plot, and with the same regulations. For them, it is a conceptual challenge that leads them to improve and pushes them to always go a little further to leave their comfort zone. For their clients, knowing that they will choose and be part of the design process is also a point of trust. In terms of project scale, they work from masterplans, groups of buildings or houses to smaller scale projects, attending to the smallest detail. In development projects, they take charge of brand branding, corporate design, graphic design, web, promotional images and/or videos, plans and construction, trying to cover everything with the same perspective to generate a global identity. Each project is as important as the others, and they value each one as if it were the first, the last, and the only one. Fran Silvestre is a PhD Architect, graduated with honors from UPV, obtained the same qualification in his degree as an urban planner at TU/e in the Netherlands, and is a Magna Cum Laude PhD in design from UPV. He is currently a professor in the Projects Department at UPV and at the European University, and directs the MArch Postgraduate School in Architecture and Design. In 2011, he was the deputy director of the Superior Technical School of Architecture of Valencia, and in 2018, he obtained the Victor L. Regnier Chair at KSU in the United States. During his professional career, he trained with Portuguese Pritzker Prize winner Álvaro Siza. He has received awards such as the 2001 Architects Foundation Award, the 2010 COACV Architects College Award. In 2012, he was chosen by the Ministry of Culture and Sports as an ambassador for Spanish Architecture in the United States with the Spain Arts and Culture program. He won the Red Dot Design Award in 2013, and that same year received the Best Architect of the Valencian Community Award at the IVAM Institute of Modern Art. In 2015, he achieved the Build Architectural Award in the United Kingdom. 设计团队 旅游探访 1255 m² 卡迪斯，西班牙 2024 Previous Next