< 返回 Sagehaus办公花园 RAD+ar 项目名称：Sagehaus办公花园 地点：雅加达，印度尼西亚 设计团队：RAD+ar 建筑面积：2000 m² 完成时间：2025 摄影：Mario Wibowo 设计特色： 项目 - RAD+ar在雅加达推出了一个创新的2000平方米办公综合体，无缝地将可持续发展原则与创意工作空间设计融为一体。2025年完工的Sagehaus办公花园通过其独特的"风之穹顶"概念，为热带城市建筑的挑战提供了一个精妙的解决方案。 该项目的显著特点是其反向雕刻空间，巧妙地引导雅加达温和的微风穿过遮阴的聚集区域，尽管该城市湿度较高，仍创造出自然冷却的环境。这种建筑干预将可能是标准办公楼的空间转变为一系列动态互连的空间，这些空间既优化了工作效率，又促进了社交互动。 该综合体组织为三个视觉相连的水平区域，底层提供公共创意空间，中间是受控的办公环境，顶部是灵活的休闲绿色屋顶，兼作办公健身房。这种垂直分层在保持公共和私人领域无缝过渡的同时，最大限度地发挥了场地的潜力。 该建筑的整体外观经过精心雕琢，提供了足够的热质量，而外立面的战略性"切片和穿孔"设计最大限度地减少了直接的太阳热量吸收，同时仍允许充足的自然光线深入建筑内部。这些精心设计的开口避免了热带气候中大面积玻璃表面通常会产生的温室效应。 从功能角度看，平面图展示了一个深思熟虑的组织布局，将高安全性区域置于核心位置，周围是灵活的开放式工作空间和各种会议室。在正式工作区域之间添加入口花园和休闲互动空间，鼓励了移动和协作。 也许最值得注意的是该项目对服务设施的处理方式，卫生间被设计为"花园卫生间"，并置于单独的翼楼中——这种考虑既提高了舒适度，又减少了能源消耗。这种对细节的关注体现了RAD+ar致力于创造可持续热带建筑的承诺，该建筑能够智能地响应环境条件和人类需求。 团队 - RAD+AR是一个以印度尼西亚为基地的建筑师团队，专注于设计实践、建筑、城市规划、研究和开发，致力于将建筑理念作为一种艺术形式来利用空间，以最具启发性的方式进行乌托邦研究导向的设计。 由Antonius Richard Rusli对热带建筑进步的好奇心而形成，RAD+AR相信，为了塑造更好、更可持续的今日挑战版本，建筑可以成为最值得探索的领域之一。 RAD+AR通过重新定义建筑价值在全球化和本地化中的作用进行探索和实验。超越空间和建筑，它连接历史、文化叙事，扩展了我们所称的建筑界限。通过在每个项目中系统整合多学科协作，使RAD+AR能够不断创新和实验。 Project Name: Sagehaus Office Garden Location: Jakarta, Indonesia Design Team: RAD+ar (Research Artistic Design + architecture) Total Floor Area: 2000 m² Completion: 2025 Photography: Mario Wibowo Feature: Project - Sagehaus Office Garden is a specialized office for athletic sportswear products located in West Jakarta, designed by RAD+ar (Research Artistic Design + architecture). This project aimed to resolve the paradox of balancing two objectives: maintaining a flexible and creative blank canvas of possibilities on one hand, and providing a secure and efficient learning and working environment on the other. The design strategy creates three visually connected horizontal zones: a public space for combined creative and social activities below, effective and controlled office environments in the middle, and a flexible public garden activity on the rooftop above. Sagehaus Office is a "Dome for Wind," a reversed carved space designed to channel and intensify Jakarta's gentle breezes through shaded, sheltered gathering and social spaces, creating a pleasant and safe environment for all staff activities. The enclosed breezeways between the blocks are designed for maximum comfort and interaction, offering spaces for groups of various sizes to engage and relax. This wind-directing design has proven to be both successful and extremely comfortable, providing constant cooling breezes despite Jakarta's high humidity. Meanwhile, the rooftop is designed as a large recreational green roof and office gym. The design sought to integrate architectural strategies that ensure efficient energy performance while establishing the building's character. The public space at the core of the site was treated as a carved monolith to provide sufficient thermal mass. Simultaneously, the design of the staircases serves as a focal point, encouraging use and providing a viable alternative to elevators. In terms of the facades, large openings were carved to minimize direct heat from the sun while still allowing ample natural light through the "slices and punctures" of the facade. All recessed and indirect openings were carefully designed to avoid direct solar radiation and, consequently, the greenhouse effect. From a user functionality perspective, the mixed-use design conceals a high-security file room at the deep center, surrounded by flexible open-plan workspaces, and flanked by a series of mini to large meeting rooms, with a foyer pocket garden and casual spaces in between. This layout fosters short connections within each floor, facilitating movement from conventional desks to meeting rooms, lounges, and leisure spaces within the building, all designed with democratic access and subtle variations across different levels. A consistent feature throughout all floors is that services and restrooms are located in separate wings, designed as garden toilets to ensure optimal comfort in a tropical context while minimizing energy consumption. Design Team - RAD+AR (Research Artistic Design + architecture) is an Indonesian based group of architects, designers, and thinkers operating within the field of design practice, architecture, urbanism, research and development which focus to bring the idea of Architecture as an art of utilizing space in most provocative to utopian-research based approach. Formed from the curiosity of the advancement of Tropical Architecture by Antonius Richard Rusli, RAD+AR believes that in order to shape a better and more sustainable version of today's challenges, architecture can profitably be one of the most worth-exploring field. RAD+AR explores and experiments to redefine the value of architecture in both globalization and localization. Beyond spaces and building, it connects history, narrative of cultures, expanding beyond limits of what we call architecture. Collaboration of multidisciplinary at each portfolio through systematic integration, allow RAD+AR to always innovate and experiments. 设计团队 旅游探访 2000 m² 雅加达，印度尼西亚 2025 Previous Next

< 返回 蒲江观景台 MVRDV 项目名称：蒲江观景台 地点：成都市，中国 设计团队：MVRDV 建筑面积：414平方米 竣工时间：2022-2025年 摄影：Arch-Exist 设计特色： 坐落于成都南部丘陵地带的蒲江观景台由MVRDV设计,是一座覆土木结构展馆,既是旅游目的地,也是多功能活动空间,充分利用了中国中部地区壮丽的自然美景。这座建筑旨在融入自然,同时从下方平原望去又如灯塔般醒目,覆土木拱结构采用望远镜式造型,将访客引向突出于山坡之上的宽阔观景窗和阳台。 。 设计源于一个惊人的发现:原有的山顶在先前观景平台建设期间被削平了。MVRDV没有简单地建造另一座建筑,而是构思了一个被泥土和植被覆盖的拱形展馆,重建了山丘原有的轮廓。这一环境修复的姿态定义了项目的本质,创造出既融入又提升景观的建筑。 建筑的望远镜式形态引导访客体验层次丰富的空间。入口通过嵌入土丘的低调玻璃立面进入,打开后是一个内部空间,倾斜的地板和天花板沿着山坡的自然坡度延伸。这形成了一个类似阶梯看台的空间,非常适合举办演示活动或安静沉思。空间旅程在一面十米高的玻璃幕墙处达到高潮,超大推拉门消解了内外界限,连接到一个俯瞰邛崃山脉的戏剧性悬挑阳台。 MVRDV采用木结构建造具有双重目的:降低隐含碳排放,同时展示木材在中国建筑行业的可行性,该行业对大规模采用木材仍持谨慎态度。建筑师用全面的被动式策略补充了这一结构选择,包括具有保温作用的覆土层、通过分层天花板实现的自然通风、战略性的太阳朝向以及地热热泵。 一座扭转的楼梯通向第二个圆形观景平台,完善了环形路径系统,改善了场地流线。夜晚,从展馆窗户散发出的光芒将其转变为从下方平原可见的灯塔,创造出一个尊重而非主导其壮观自然环境的地标。 设计团队 ：MVRDV由Winy Maas、Jacob van Rijs和Nathalie de Vries于1993年联合创立,已成为全球最具影响力的建筑事务所之一。事务所总部位于鹿特丹,在上海和巴黎设有分支机构,拥有超过250名建筑师、设计师和专业人员,他们将严谨的技术专长和创新研究方法应用于每个项目。 MVRDV的设计方法从根本上植根于研究和多学科协作,在整个创作过程中与专家、客户和利益相关方密切合作。这种方法论产生了大胆、直接的建筑解决方案,涵盖城市规划、建筑设计和景观建筑。事务所的作品集展现了卓越的多样性,从2000年汉诺威世博会荷兰馆和鹿特丹市集住宅等开创性项目,到天津滨海图书馆和首尔路7017空中花园等变革性城市干预。 该事务所通过参数化城市主义和数据驱动的设计策略脱颖而出,解决当代城市密度和可持续性挑战。他们的理论研究发表在包括《FARMAX》(1998)、《MetaCity/Datatown》(1999)和《垂直村落》(2012)等开创性著作中,塑造了关于未来城市的国际话语。遍布欧洲、亚洲和北美的在建项目延续了这一创新传统,将环境责任与空间创造力相结合。在三位创始合伙人的持续领导下,MVRDV始终坚持高设计标准,同时开拓建筑在塑造公平、可持续城市未来中的新可能性。 设计团队 旅游探访 414 m² 成都市，中国 2025 Previous Next

< 返回 Villa Sipat & Sauh Arkana Architects 项目名称：Villa Sipat & Sauh 地点：巴厘岛，印度尼西亚 设计团队：Arkana Architects 建筑面积：250平方米 竣工时间：2025年 摄影：Thomas Irsyad 设计特色： Arkana Architects设计的"Villa Sipat & Sauh"展现了如何通过颠覆性的空间序列和创新的材料应用策略，将紧凑型租赁别墅转化为具有深刻居家亲密感的建筑作品。 这座250平方米的住宅建于仅150平方米的紧凑场地上，跨越两层楼，呈现为对酒店设计传统的重新思考，优先考虑家庭温暖与空间亲密感而非传统的奢华表达。它没有遵循巴厘岛租赁市场常见的装饰性热带风格，而是通过材料真实性和建筑克制创造出一个既具有强烈建筑特征又能唤起居家舒适感的空间体验。 项目的绝妙之处在于其非常规的入口序列设计。访客首先被引入一个由玻璃砖框定并向天空开放的小型门厅，阳光在白天穿透而入，雨水偶尔渗入，创造出一个触觉性和诗意性的过渡时刻。与印度尼西亚住宅通常在入口处设置客厅的传统不同，访客首先遇到的是一个带有简约岛台的厨房，这一非常规的设计手法以亲密感取代了形式感，微妙地鼓励互动并营造出短期住宿中罕见的家庭舒适感。 Arkana Architects的设计语言流利地表达着材料诚实性，运用玻璃砖创造出鲜明的几何立面构图。这种材料选择同时实现了不透明性与视觉趣味性，表面在遮蔽室内直接视线的同时展现模糊的轮廓，从外部激发好奇心而不损害私密性。这种遮蔽与展示之间的相互作用成为定义性特征，使立面既具保护性又具表现力。 建筑师通过中央庭院与游泳池的设计在功能性和情感性上锚定了整个平面。这个露天核心在前部的公共区域与后部及上层的私密睡眠区域之间起到调节作用。泳池旁的楼梯提供了垂直连接，同时强化了穿越住宅的移动应始终与户外互动的理念。餐厅与客厅通过木材和凹槽玻璃制成的半透明隔断连接，模糊的边界界定了每个房间但未切断其视觉或空间联系，使光线和空气自由流动。 空间组织策略贯穿整个设计过程。Villa Sipat & Sauh通过垂直分层、过滤光线以及与绿植和天空的持续视觉联系，使这座紧凑的住宅感觉开阔。每一个决策都旨在唤起平静与归属感。最终呈现的是一个紧凑的城市静修所，将简单的租赁物业转化为有意义的空间体验，不是关于最宏大形式的奢华，而是关于宁静的舒适以及与光线、质感和时间共同生活的温和节奏。 设计团队 ：Arkana Architects是一家总部位于巴厘岛的建筑设计机构，创立于2016年，专注于当代热带建筑设计，将地域景观美学与创新空间规划相结合。事务所由一群才华横溢且思想开放的建筑师组成，不断为地产总体规划、建筑和景观设计创造突破常规的视角，致力于将梦想般的构想转化为现实。 在首席建筑师Gathi Subekti的带领下，事务所建立了一套协作式设计方法论，在从概念发展到施工监理的整个项目生命周期中优先考虑客户参与。工作室的业务范围涵盖总体规划、建筑设计和室内设计服务，在酒店及住宅类型方面具有专业优势，包括度假村、别墅、酒店和私人庄园。Arkana Architects的设计团队由主设计团队负责人Andika Surya Pramana、设计团队成员Marceanno Julio和技术团队负责人Putu Yoga Dananjaya组成，共同确保每个项目从设计到施工的全过程质量控制。 该事务所培育出一种独特的设计语言，既回应热带气候条件，又保持当代建筑原则。这种设计手法强调材料真实性、空间流动性和环境整合，而非表面化的风格装饰。Arkana Architects采用多学科框架，将建筑愿景与景观策略相结合，确保综合性场地开发能够在多个尺度上考虑环境关系。 自成立以来，事务所已在巴厘岛、龙目岛、苏门答腊、坦桑尼亚、马来西亚和马尔代夫等不同地理环境中执行项目，展现出对多样文化和环境条件的适应能力。工作室的设计流程以严谨的空间分析和技术精确性为特征，同时兼顾对客户需求和场地特定参数的响应性。Arkana Architects的激情建筑师深刻理解，需要结合多方思想才能为所有参与方创造最令人愉悦的成果，因此客户的观点和意见在实现完美最终产品时至关重要。 Arkana Architects认为，卓越的建筑源于艺术敏感性与功能性的综合。事务所致力于创造持久的空间环境，这反映出一种理解，即成功的设计超越美学趋势，转而关注比例、光线、材料性和人类体验等永恒品质。无论是度假村、别墅、酒店、住宅还是其他商业地产，事务所的目标始终如一，即通过结合所有创意并在执行时不掺杂虚假，为业主或住户创造最精致的避风港。 设计团队 旅游探访 250 m² 巴厘岛，印度尼西亚 2025 Previous Next

< 返回 伍德沃德路住宅 Proctor & Shaw 设计特色： 项目 – 这座住宅扩建设计巧妙地应对场地限制，营造出匠心独运、空间流畅的家庭住宅。为一个七口之家最大程度地享受花园，其设计核心在于一个复杂的屋顶线条，精巧地平衡了私密性、光线和视野。后侧一个新起的开敞活动空间受到斜屋顶(灵感来源于当地典型双坡伸出屋顶)的庇荫，通过巨大的天窗与宽敞的花园平台形成无缝连接。建筑与景观得到整体考虑，设计依地势顺序规划出一系列“房间”：先是丰富多彩的设施用房、洗手间和书桌角落，然后依次是厨房餐厅、新起居室和平台、户外厨房、花园休息区,最后是一个花园辅屋。侧面锯齿延伸挑檐在营造愉悦空间的同时兼顾采光和私密性。无檐钢制屋面配地面排水。坚固的混凝土地面、瓷砖与温暖的杉木、深红色镀锌钢材通过色调和质感统一新旧空间。这座扩建住宅巧妙容纳这个大家庭，体现建筑师的设计思维和对场地语境的理解，精心编织户外体验。 团队 – Proctor & Shaw于2014年在伦敦成立，由创始人John Proctor 与 Mike Shaw共同领导，Proctor & Shaw 以思虑周全的简约、精致的材料运用以及巧妙的光影处理转换空间。立足于跨领域的丰富经验，该公司深入解析复杂需求，通过量身定制的获奖设计超越客户期望。在理念而非假设指引下，Proctor & Shaw 呈现切合具体需求的建筑解决方案，无论是引人瞩目的品牌空间，抑或是宁静的私宅。该公司曾多次获得行业认可，包括2020年BD Architect of the Year Awards年度提名等，肯定了其兼顾创意愿景与务实交付的实力。 Feature： Project - London-based Proctor & Shaw creates transformative spaces distinguished by thoughtfulness, materiality and skillful chiaroscuro. Founded by directors John Proctor and Mike Shaw, the firm builds on extensive industry experience to unravel complex briefs and exceed client expectations with award-winning, bespoke designs. Rather than imposing signature aesthetics, Proctor & Shaw prioritizes understanding over assumptions to reveal tailor-made architectural solutions serving specific aspirations. Repeated recognition, from an array of publications and prizes, spotlights the practice’s consistent ability to balance creative vision with pragmatic logic across residential, hospitality and brand projects for the likes of Virgin Atlantic and Westfield. The partners themselves boast complementary strengths honed at renowned firms like John Pawson and Softroom. Proctor led delivery of the Sackler Centre for Arts Education at the V&A, winning a 2010 RIBA award for Softroom, while Shaw delivered a broad range including an RIBA-winning pedestrian bridge. United by a commitment to thoughtful simplicity, crafted materiality and skillful formal articulations enabling light, Proctor & Shaw empowers clients and occupants alike to inhabit inspiring, delightful spaces made just for them. Design Team - Distinguished by thoughtful simplicity, refined materiality and skillful formal articulations, London’s Proctor & Shaw transforms spaces through light. Directed by John Proctor and Mike Shaw, the firm builds on extensive experience across sectors to unravel complex briefs and exceed expectations with custom, award-winning designs since establishing in 2014. Guided by aspirations not assumptions, Proctor & Shaw reveals tailored architectural solutions to meet specific needs, whether striking brand interiors or serene private houses. Repeated industry accolades, including 2020’s Emerging Architect of the Year nomination, affirm the practice’s balanced integration of creative vision and pragmatic delivery. 设计团队 旅游探访 53 m² 英国 德威治 2023 Previous Next

< 返回 2025年大阪世博会中国馆 本土设计研究中心 项目名称：2025年大阪世博会中国馆 地点：大阪梦洲岛，日本 设计团队：本土设计研究中心 建筑面积：3509 m² 竣工时间：2025年 摄影：Li Ji, Arch-Exist 设计特色： 项目 - 本土设计研究中心在2025年大阪世博会上打造了3509平方米的中国馆，这是外国自建展馆中规模最大的项目之一。该建筑以"中国竹简"为设计概念，将竹子、汉字和古代卷轴等文化丰富的象征元素融入建筑设计中。通过现代数字时代的视角重新诠释古代信息载体竹简，展馆不仅讲述了中国数千年的历史，更展示了生态文明的发展进程，完美体现了"构建生命共同体：面向明日社会的绿色发展"这一主题。 该项目最独特的特色在于其对空间序列的精心编排。建筑师没有创造传统的展览大厅，而是运用竹简逐渐展开的空间母题，将狭长的场地转化为引人入胜的花园式展览路径。参观者在高度、光线和景观不断变化的蜿蜒空间中穿行，体验东方美学的精妙雅致。主题展览依次展开，创造出如同宏伟山水画卷般的动态旅程。 位于世博会场核心区域的中国馆南临主要道路，西邻中央景观区"静谧之森"。建筑的西立面设置了纤细的格栅帘幕，仿若竹制屏风。帘幕后方是竹林小径，远处树木轻柔摇摆。这种相互作用营造出东方园林氛围，使参观者能够透过层层面纱与"静谧之森"互动，体验东方哲学核心理念——人与自然的和谐共存。 "竹简"概念超越了单纯的立面设计，它塑造形式、暗示功能、定义材料、传达文化。在古代中国，竹简是极为重要的知识载体；在现代，它象征着传统与信息革命之间的桥梁。展馆的"中国竹简"从小尺度发展到纪念性尺度，从平面形式演变为立体形式，从字面表达转向抽象表现，从静态立面进化为沉浸式深度体验。这一发展历程映射了文明的进步，从传统文字信息传播过渡到现代电子数据传播，体现了从历史走向未来的旅程。 在材料选择上，展馆设计与建造优先考虑绿色可持续性。虽然由于当地法规和时间限制，原计划的现代竹结构改为钢结构，但竹材仍是主要外装材料，因其生长周期短、高碳吸收能力、生物降解性、柔韧性和低导热性而被选用。屋顶采用半透明聚碳酸酯板和膜状天花板，模拟宣纸效果，将自然光柔和地引入空间。竹墙间的缝隙允许微风和阳光渗透，促进展览与环境的互动，将建筑空间与主题内容融为一体。 作为临时性世博建筑，中国馆采用完全模块化的预制工法，确保了效率、质量以及会后拆卸和再利用的便利性。这种设计方法避免了高耗能的暗色展厅，提高了生态效率，体现了展馆从概念到建造全过程的可持续发展理念。 团队 - 本土设计研究中心成立于2014年2月19日，其前身是创建于2003年的崔恺工作室，由中国工程院院士、中国建筑设计研究院有限公司总建筑师崔恺主持。该中心代表着二十年建筑卓越成就，已确立其在情境响应式设计领域的先锋地位，强调将自然与文化遗产资源融入当代建筑解决方案。 经过二十年的实践，中心已完成200余个项目，其中建成作品超过100项，在多样化建筑类型中展现出卓越的适应性，包括博物馆、剧院、文化中心、图书馆、教育校园、历史建筑更新以及酒店、商务办公楼等公共建筑及公共景观。该中心在新型绿色建筑和城市更新方面有深入研究，同时对乡村振兴项目保持强烈关注。这些年来共获得地方、国家及国际建筑奖项100余项，在业界有着广泛的影响。 在崔恺院士的带领下，本土设计研究中心一直坚持立足本土的建筑创作道路，设计哲学以"扎根本土主义"为核心，从每个项目的特定环境中寻找自然和人文历史资源，在此基础上创作出有鲜明地域特色的建筑。这一方法论为中心赢得了100余项地区、国家和国际奖项，在建筑学术领域确立了重要影响力。 本土设计研究中心强调认真负责的服务意识，平等开放的交流氛围，务实严谨的工作态度，以及团结友爱的集体精神。中心每年都吸收青年的设计英才加入，也接待大量的优秀实习生，还为集团培养和输送了许多骨干人才。除了经常性的专业学习培训，还参加国内外学术论坛、展览、考察，出版作品专辑和发表学术论文等等，形成了一个有活力、有追求、享有良好声誉的设计团队。 目前本土设计研究中心拥有65名专业人员，组织架构包括一个研究室、三个设计工作室和一个行政办公室，持续吸引新兴人才，同时通过国际论坛、出版物和学术合作促进协作知识交流，保持其作为充满活力且备受尊敬的设计咨询机构的地位。中国馆项目充分展现了他们将文化概念转化为建筑体验的卓越能力。 Project Name: China Pavilion at Expo 2025 Osaka Location: Yumeshima Island, Osaka, Japan Design Team: Native Design Research Center Building Area: 3,509 m² Completion: 2025 Photography: Li Ji, Arch-Exist Design Features: Project - Native Design Research Center created the China Pavilion at the 2025 Osaka World Expo, covering 3,509 square meters as one of the largest foreign self-built pavilions at the event. Inspired by the concept of "Chinese Bamboo Scrolls," the architectural design integrates culturally rich symbols such as bamboo, Chinese characters, and ancient scrolls. By re-imagining bamboo slips—an ancient medium of information—through the lens of today's digital age, the pavilion narrates China's millennia-long history, showcases its ecological civilization advancements, and embodies the theme of "Building a Shared Future for Life: Green Development for Tomorrow's Society." The project's most distinctive feature lies in its sophisticated spatial choreography. Rather than creating conventional exhibition halls, the architects employed a gradually unfolding spatial motif of bamboo scrolls, transforming the elongated site into a captivating, garden-like exhibition route. Visitors are guided through winding spaces that shift in height, light, and scenery, evoking the subtle elegance of Eastern aesthetics. Themed exhibitions unfold sequentially, creating a dynamic journey reminiscent of a majestic landscape scroll. Located in the core area of the Expo site, the China Pavilion faces a major road to the south and neighbors the central landscape area, "Serene Forest," to the west. The pavilion's western facade features slender grille curtains resembling bamboo screens. Behind these curtains lie bamboo-lined paths, while beyond them, trees sway gently. This interplay creates an Eastern garden ambiance, allowing visitors to interact with the "Serene Forest" through the veiled layers, experiencing the harmonious coexistence of humanity and nature central to Eastern philosophy. The "bamboo scroll" concept transcends mere facade design—it shapes form, implies function, defines materials, and conveys culture. In ancient China, bamboo slips were vital carriers of knowledge; today, they symbolize a bridge between tradition and the information revolution. The pavilion's "Chinese Bamboo Scrolls" evolve from small to monumental scales, flat to three-dimensional forms, literal to abstract expressions, and static facades to immersive depths. This progression mirrors civilizational advancement, transitioning from transmitting traditional textual information to disseminating contemporary electronic data, embodying a journey from history to the future. In terms of material selection, the pavilion's design and construction prioritize green sustainability. Initially planned as a modern bamboo structure using domestically produced bamboo scrimber, it shifted to steel due to local regulations and timeline constraints. However, bamboo remains the primary cladding material, chosen for its short growth cycle, high carbon absorption, biodegradability, flexibility, and low thermal conductivity. Translucent polycarbonate panels and membrane ceilings on the roof mimic rice paper, filtering natural light into the space. Gaps between bamboo walls allow breezes and sunlight to permeate, fostering interaction between exhibitions and the environment while merging architectural space with thematic content. As a temporary Expo structure, the pavilion adopts fully modular and prefabricated construction, ensuring efficiency, quality, and ease of post-event dismantling and reuse. This approach avoids energy-heavy darkened halls and enhances eco-efficiency, demonstrating the pavilion's commitment to sustainable development throughout the entire process from concept to construction. Design Team - Native Design Research Center was established on February 19, 2014, evolved from the original Cui Kai Studio founded in 2003, under the leadership of Academician Cui Kai, Chief Architect of China Architecture Design & Research Group. The center represents two decades of architectural excellence and has established its position as a pioneer in contextually-responsive design, emphasizing the integration of natural and cultural heritage resources into contemporary architectural solutions. Over twenty years of practice, the center has delivered more than 200 projects with over 100 built works, demonstrating exceptional versatility across diverse typologies including museums, theaters, cultural centers, libraries, educational campuses, adaptive reuse projects, hospitality, and commercial developments. The center has conducted in-depth research in innovative green building design and urban regeneration, while maintaining strong commitment to rural revitalization projects. Over these years, it has garnered over 100 regional, national, and international architectural awards, establishing significant influence within the industry. Under Academician Cui Kai's leadership, Native Design Research Center has consistently adhered to the path of locally-rooted architectural creation. The design philosophy centers on "rooted localism," extracting natural and cultural historical resources from each project's specific environment to create architecturally distinctive responses that embody regional character. This methodology has earned the center over 100 regional, national, and international awards, establishing important influence within architectural academia. Native Design Research Center emphasizes responsible service consciousness, equal and open communication atmosphere, pragmatic and rigorous work attitude, and collective spirit of unity and friendship. The center annually attracts talented young designers, hosts numerous excellent interns, and has cultivated and contributed many key talents to the group. Beyond regular professional training, they participate in domestic and international academic forums, exhibitions, study tours, publish monographs, and academic papers, forming a dynamic, ambitious design team with excellent reputation. Currently, Native Design Research Center operates with 65 professionals organized into one research laboratory, three design studios, and one administrative office, continuously attracting emerging talent while fostering collaborative knowledge exchange through international forums, publications, and academic partnerships, maintaining its position as a dynamic and respected design consultancy. The China Pavilion project fully demonstrates their exceptional ability to transform cultural concepts into architectural experiences. 设计团队 旅游探访 3509 m² 大阪梦洲岛，日本 2025 Previous Next

< 返回 75.9 House Omer Arbel 设计特色： 项目 – 在加拿大温哥华南部一片宁静的草场上，建筑师奥默·阿贝尔（Omer Arbel）的最新住宅杰作75.9号惊艳亮相，它巧妙融合了创新设计与有机建筑理念。这座家庭住宅展现了在混凝土建造技术上的开创性探索，其标志性特征是那些既是结构支撑又是雕塑焦点的巨型"荷叶"立柱。 项目最与众不同之处在于其独特的混凝土浇筑方法，这是Omer Arbel工作室自创的技术。这一工艺涉及在辐射排列的轻质胶合板肋骨间拉伸织物，最终呈现出有机、自由的形态，颠覆了传统混凝土建筑的概念。这些立柱被视作考古遗迹般的存在，成为整个住宅设计的概念基础。 Omer Arbel的设计巧妙地将建筑与自然环境融为一体。四个由玻璃和雪松木打造的双层高度空间构成了主要居住区，而连接通道则被抬高的草场所覆盖，使建筑与景观和谐共生。屋顶上，立柱中空的顶部种植了玉兰树，进一步模糊了人造建筑与自然之间的界限。 住宅的室内空间仿佛一场关于家居生活的电影体验，不同高度和位置的立柱创造出动感十足的空间叙事。粗犷的混凝土质感、光滑的地面、温暖的木质元素以及郁郁葱葱的室内花园相互映衬，营造出丰富的质感环境，既现代又永恒。 团队 – 成立于2003年的Omer Arbel Office（OAO）是当代建筑设计的先锋，模糊了建筑、雕塑和工业设计之间的界限。在其创始人Omer Arbel带领下，这家总部位于温哥华的设计工作室独创了一种独特的空间和材料探索方法，赢得了国际赞誉。 OAO的作品特点是对材料本质属性的严谨探究，产生了创新的建筑解决方案和富有雕塑感的照明设计。事务所的方法论植根于以过程为导向的实验，常常产生意想不到的突破性成果。这一点在他们开创性的混凝土成型技术和对玻璃作为空间表达媒介的探索中得到了充分体现。 Omer Arbel多学科背景塑造了事务所对设计的整体性方法，无缝整合了建筑、产品设计和艺术装置。从定制住宅到大型公共干预项目，事务所的作品展现了对形式、光线和空间的精湛掌控。 OAO的姐妹公司Bocci于2005年同期成立，作为实现Omer Arbel创新照明设计的平台。建筑实践与制造能力的这种协同效应，为设计开发和制造过程提供了前所未有的控制力。 在Omer Arbel的创意指导下，OAO持续突破传统建筑实践的界限，培育创新和工艺精神的文化。事务所的作品不仅挑战了美学规范，还在当代建筑语境中重新定义了建筑形式与材质之间的关系。 Feature： Project - In the idyllic setting of a Canadian Pacific Northwest hayfield, architect Omer Arbel's latest residential masterpiece, 75.9, emerges as a groundbreaking fusion of innovative design and organic architecture. This family home showcases Arbel's pioneering approach to concrete construction, featuring monumental 'lily pad' columns that serve as both structural elements and sculptural focal points. The project's defining feature lies in its unique concrete pouring method, a technique invented by Arbel's studio. This process involves stretching fabric between lightweight plywood ribs arranged radially, resulting in organic, free-form shapes that challenge traditional notions of concrete architecture. The columns, treated as if they were archaeological ruins, form the conceptual foundation around which the rest of the house is built. Arbel's design seamlessly integrates the structure with its natural surroundings. Four double-height volumes, constructed from glass and cedar wood, house the living spaces, while connecting passages are covered by the lifted hayfield, creating a harmonious blend between architecture and landscape. The rooftop supports magnolia trees planted in the hollow tops of the columns, further blurring the lines between built form and nature. Inside, the home offers a cinematic experience of domestic life, with columns of varying heights and positions creating dynamic spatial narratives. The interplay of rough concrete finishes, polished floors, warm timber elements, and lush indoor gardens results in a rich, textural environment that is both contemporary and timeless. Design Team - Omer Arbel Office (OAO), founded in 2003, stands at the vanguard of contemporary architectural design, blurring the boundaries between architecture, sculpture, and industrial design. Led by the visionary Omer Arbel, this Vancouver-based atelier has cultivated a unique approach to spatial and material exploration that has garnered international acclaim. OAO's portfolio is characterized by a rigorous investigation into the intrinsic properties of materials, resulting in innovative architectural solutions and sculptural lighting designs. The firm's methodology is rooted in process-driven experimentation, often yielding unexpected and groundbreaking results. This is exemplified in their pioneering work with concrete forming techniques and their exploration of glass as a medium for spatial articulation. Arbel's multidisciplinary background informs the practice's holistic approach to design, seamlessly integrating architecture, product design, and artistic installations. The firm's projects, ranging from bespoke residences to large-scale public interventions, demonstrate a masterful manipulation of form, light, and space. OAO's sister company, Bocci, founded concurrently in 2005, serves as a platform for realizing Arbel's innovative lighting designs. This synergy between architectural practice and manufacturing capability allows for unprecedented control over design development and fabrication processes. Under Arbel's creative direction, OAO continues to push the boundaries of conventional architectural practice, fostering a culture of innovation and craftsmanship. The firm's work not only challenges aesthetic norms but also redefines the relationship between built form and materiality in the contemporary architectural landscape. 设计团队 旅游探访 740 m² Vancouver，Canada 2023 Previous Next

< 返回 LADOR 首尔旗舰店 Indiesalon 设计特色： 项目 – 在首尔城东区充满活力的街道上，一处原本普通的零售空间经过翻天覆地的改造，化身为一处沉浸式护发场所，颠覆了传统产品陈列的理念。这巧夺天工的杰作出自Indiesalon设计工作室的匠心独具，LADOR首尔旗舰店邀请顾客步入一场多感官的体验之旅，将简单的护发升华为一门精致艺术。这绝妙建筑的核心是那醒目的"浴池魔方"——一座颇具雕塑感的空间装置，致敬了LADOR品牌的独特气质。这魔方仿佛一潭湛蓝池水，内里铺设着芬芳的泡沫浴缸，诱人沉浸其中，享受品牌的缤纷香氛世界。除了这抢眼的焦点装置，整个空间沿袭着一系列精心编织的空间小品。标志性的"绿洲之桌"以流畅的曲线和嵌入式产品陈列，引导顾客遨游探索的旅程。与此同时，豪华的休闲包厢则散发着欧洲风情，将顾客拥入无上体贴的放松殿堂。但这里的非凡之处在于内外空间的巧妙融合。室外的露天淋浴区撩拨着过路人的好奇，将目光引入室内，吸引他们踏上这场化妆品与体验空间交相辉映的护发奇遇。 团队 – Indiesalon于2013年在首尔创立，是一家空间设计工作室，其设计理念源自两大支柱——"独立精神"蕴含着创造力和自主性，而"沙龙"则是文化交流与思想碰撞的平台。两者交融孕育了他们的设计手法，倡导自由思考与开放交流作为空间诠释和实践的媒介。在创始人兼首席建筑师장석준（张锡骏）的领导下，Indiesalon的跨领域团队精心编织沉浸式的空间体验，超越了单纯的物理空间。他们的设计诉求在打造建筑环境与多元文化之间建立共生交互。无论是零售、酒店还是住宅项目，Indiesalon非凡造诣在于塑造出激发对话、维系社群、倡导文化共享探索的空间，他们协作有加的方式和对设计审美的执着，奠定了其在韩国建筑界的先锋地位。 Feature： Project - In the vibrant Seongdong district of Seoul, a former retail space has undergone a transformative metamorphosis into an immersive haircare sanctuary that transcends conventional notions of product merchandising. Envisioned by the ingenious minds at Indiesalon, the LADOR Seongsu Store beckons customers into a multisensory experience that elevates haircare into an indulgent art form. The heart of this architectural marvel is the striking "bath cube" – a sculptural centerpiece that pays homage to LADOR's brand identity. Clad in a soothing sky blue hue, this striking installation houses an inviting bathtub brimming with scented bubbles, enticing visitors to immerse themselves in the brand's aromatic world. Beyond this captivating focal point, the space unfurls into a series of thoughtfully curated vignettes. The signature "oasis table," with its sinuous curves and integrated product displays, guides customers on a seamless journey of discovery. Meanwhile, opulent lounge booths exude an air of European sophistication, transporting patrons into a realm of indulgent pampering. But the true genius lies in the subtle yet ingenious interplay between indoor and outdoor realms. An alfresco shower area tantalizes passersby, drawing their gaze inward and enticing them to embark on a transformative haircare odyssey that blurs the boundaries between retail and experiential refuge. Design Team - Founded in 2013, Indiesalon is a Seoul-based spatial design studio that derives its ethos from the convergence of two philosophical cornerstones – the 'Indie Spirit' rooted in creativity and autonomy, and the 'Salon,' a forum for cultural discourse. This duality manifests in their approach, which champions free thinking and open communication as conduits to insightful spatial interpretations and implementations. Under the guidance of founder and principal architect Seokjoon Jang, Indiesalon's multidisciplinary team, comprising designers Wona Kim, Seonghyun Hong, and Jisu Kang, alongside management support lead Sayup Kwon, orchestrates immersive spatial experiences that transcend mere physicality. Their design narratives foster a symbiotic exchange between built environments and the multifaceted cultures they aim to celebrate. With a portfolio spanning retail, hospitality, and residential realms, Indiesalon's prowess lies in crafting spaces that ignite dialogue, nurture communities, and serve as catalysts for shared cultural explorations. Their collaborative approach and commitment to design integrity have solidified their reputation as vanguards in Korea's architectural landscape. 设计团队 旅游探访 175 m² 韩国，首尔 2024年 Previous Next

< 返回 THE LUC LIFESTYLE Atelier Generations Vasudeva Design 项目名称：THE LUC LIFESTYLE 地点：巴厘岛，印度尼西亚 设计团队：Atelier Generations Vasudeva Design 建筑面积：2500 m² 竣工时间：2023年 摄影：Indra Wiras 设计特色： THE LUC Lifestyle将当代建筑与巴厘岛本土特质相融合，在仓古打造了一座2500平方米的商业中心，重新定义了这一海滨区域不断演变的身份认同。该项目于2023年竣工，将餐饮、时尚零售、香氛精品店、美学牙科诊所和传统手工艺空间整合于一个建筑愿景之中，既彰显全球化的精致品味，又礼赞在地文化。 项目距贝拉瓦冲浪海滩仅三分钟步行路程，直接回应了仓古转型为巴厘岛最具活力目的地之一的现状，该地区现在每年吸引超过百万名访客。建筑通过开放的空间规划、室内外区域间流畅的过渡，以及植根于自然质感和简洁当代线条的材料选择来拥抱这种能量。宽敞的流线通道和景观区域映射出轻松的海滨生活方式，同时保持了现代城市设计的精炼结构清晰度。 THE LUC的独特之处在于其对可达性与氛围的刻意融合。项目距伍拉莱国际机场仅30分钟车程，既是岛屿的迎宾门户，也是居民和游客日常造访的精致目的地。设计摒弃了僵化的边界，转而创造可灵活适应的商业空间，有机地流入景观庭院和遮荫露台。这种渗透性使建筑与仓古的气候和文化共呼吸，促成自发的相遇和深度的参与。 建筑语言从周边语境中汲取灵感，包括国际学校、海滩俱乐部、有机市集和注重健康的咖啡馆。THE LUC并非与这种折衷肌理竞争，而是作为凝聚性的锚点，通过克制的几何形式提供视觉连贯性，同时通过多元化的功能规划来礼赞多样性。自然通风、热带植栽和精心推敲的体量尺度确保项目在商业属性之外仍保持亲密感，为巴厘岛快速发展的北部走廊树立了生活方式导向建筑的新标杆。 设计团队： Atelier Generations Vasudeva Design是一家位于巴厘岛的建筑设计实践机构，以其对原创性、创新性和体验式设计解决方案的承诺而著称，其作品对语境和文化做出了深思熟虑的回应。该事务所由创始创意总监I Putu Angga Prastika和Julius Saptian Gunawan领导，合伙人Sunaryo共同主持，将每个委托视为独特的问题解决情境，促进设计策略和执行的持续演进。 该实践的方法论植根于严谨的场地分析和协作对话。在形式生成开始之前，团队会质询关于场所、历史、功能需求和预算参数的基本问题。这一研究驱动的过程让客户、未来使用者、顾问和外部专家参与开放讨论，确保设计成果源于集体智慧而非单一愿景。由此产生的建筑作为紧凑而前瞻的陈述，平衡了体验品质与务实性能。 Atelier Generations Vasudeva Design有意将技术和创造力定位为互补力量。他们的作品表明，建筑的形式表达应反映其功能逻辑、空间体验和文化意义。事务所积极挑战常规边界，通过充满活力的合作与材料实验追求新的可能性。最终，他们的目标超越了美学成就，旨在生成可持续的空间条件，增强个体体验，促进社会互动，并为当代关于居住、工作和共同生活的问题提供深思熟虑的答案。 设计团队 旅游探访 2500 m² 巴厘岛，印度尼西亚 2023 Previous Next

< 返回 迷迭香咖啡馆 Chiasmus Partners 项目名称：迷迭香咖啡馆 地点：城南市，韩国 设计团队：Chiasmus Partners 建筑面积：570 m² 竣工时间：2024年 摄影：Namsun Lee 设计特色： 项目 - 坐落于韩国城南市大王水库旁边的迷迭香咖啡馆（Rosemary Cafe），由Chiasmus Partners设计，呈现出一种诗意的建筑表达，消融了建筑形式与自然景观之间的边界。这个于2024年完工的570平方米项目由两栋独特的建筑组成，通过一个中央楼梯巧妙连接，该楼梯既是物理上的也是概念上的桥梁。 咖啡馆最引人注目的特点是其类似DNA的螺旋结构，有机地连接了两层楼的四个内部空间，以及屋顶区域。这种创新的空间组织在法律上分离的建筑之间创造了连续的流动感，形成了六个相互连接的区域，每个区域都框定了周围环境的独特视角。 Chiasmus Partners在整个设计中巧妙运用了曲线几何。外立面的优美曲线最大限度地展示了大王水库的全景视野和背后茵陵山的森林景观。这些曲线从外部无缝延伸至内部，创造出亭子般的空间，仿佛漂浮在景观之中。 建筑外观特色是三层垂直堆叠的弧形阳台，配以水晶玻璃幕墙，反映出水的透明特质，同时唤起常常笼罩周围山脉的层层雾气。这种材料策略在光线条件全天变化的过程中，创造了建筑与环境之间不断变化的对话。 室内，弧形天花板呼应了外部的流动形态，而柱子则似乎从上方流下，创造出一种连贯的空间体验。通过保持内外材料的连续性，建筑师们实现了一种独特、统一的空间感，尽管建筑的组织结构复杂。 这个项目被构思为一个让游客能从高处体验自然的休闲目的地，它去除了不必要的功能元素，创造出沉思的空间，优先考虑周围的景观。它既作为框架又作为画布，用于体验其环境的自然美景。 团队 -Chiasmus Partners于2005年在纽约成立，现在在首尔和北京设有办公室。这家国际建筑事务所由三位主要合伙人领导：李炫昊、野村千佳和柯卫， 该事务所专注于多种类型的建筑项目，涵盖文化设施、教育机构、商业开发和住宅项目等。其代表作品包括庆熙大学校园总体规划（Space21）、仁川IFEZ艺术中心，以及获得多项建筑奖项的住宅项目。 李炫昊具有美国建筑师协会（AIA）资格，现任职于弘益大学建筑城市大学担任院长，并自2006年起担任Chiasmus Partners合伙人。野村千佳拥有日本建筑师资格，自2017年起担任Chiasmus Partners合伙人，并在弘益大学建筑城市大学担任兼任教授。柯卫自2006年起成为Chiasmus Partners合伙人，曾在北京Atelier FCJZ担任高级设计师。 Chiasmus的设计方法论建立在对每个场地固有特质的严格研究基础上，形成的建筑解决方案中，形式和内容成为功能和意义不可分割的表达。该事务所曾获得多项荣誉，包括2018年建筑大师奖、2018年世界建筑奖，以及2022年Dezeen奖提名等。 他们相信建筑具有魔力，能够保存、转化和加强场所的本质品质和人类体验。他们的作品既与当代设计理念产生共鸣，又体现了永恒的建筑原则。 Project Name: Rosemary Cafe Location: Seongnam City, South Korea Design Team: Chiasmus Partners Total Floor Area: 570 m² Completion: 2024 Photography: Namsun Lee Feature: Project - Nestled beside the Daewang Reservoir in Seongnam, South Korea, the Rose Mary Cafe by Chiasmus Partners emerges as a poetic architectural statement that dissolves boundaries between built form and natural landscape. Completed in 2024, this 570-square-meter project comprises two distinct buildings ingeniously connected by a central staircase that functions as both physical and conceptual bridge. The cafe's most striking feature is its DNA-like spiral structure that organically connects four interior spaces across two floors, plus rooftop areas. This innovative spatial organization creates a continuous flow between the legally separated buildings, resulting in six interconnected zones that each frame distinctive views of the surrounding environment. Chiasmus Partners, led by architects Hyunho Lee, Chika Nomura, and James Wei Ke, have masterfully employed curved geometries throughout the design. The facade's sweeping curves maximize exposure to the panoramic vistas of Daewang Reservoir and the forested Inreungsan Mountain backdrop. These curves continue seamlessly from exterior to interior, creating pavilion-like spaces that appear to float within the landscape. The architectural envelope features three layers of curved balconies stacked vertically, complemented by crystal glass curtain walls that reflect the transparent qualities of water and evoke the layered fog that often shrouds the surrounding mountains. This material strategy creates a constantly changing dialogue between the building and its setting as light conditions shift throughout the day. Inside, curved ceilings mirror the exterior's fluid forms, while columns appear to flow downward from above, creating a cohesive spatial experience. By maintaining material continuity between inside and out, the architects have achieved a sense of singular, unified space despite the building's complex organization. Conceived as a leisure destination where visitors can experience nature from an elevated perspective, Rose Mary Cafe strips away unnecessary functional elements to create contemplative spaces that prioritize the surrounding landscape. The result is an architectural pavilion that serves as both frame and canvas for experiencing the natural beauty of its setting. Design Team - Chiasmus Partners was founded in New York in 2005, with current offices in Seoul and Beijing. This international architectural firm is led by three principal partners: Hyunho Lee, Chika Nomura, and James Wei Ke, with a design team that includes talented professionals such as Yeongwoo Son and Seongyeol Lee. The firm focuses on various types of architectural projects, encompassing cultural facilities, educational institutions, commercial developments, and residential projects. Their representative works include the Kyunghee University Campus Masterplan (Space21), the IFEZ Arts Center in Incheon, and numerous award-winning residential projects. Hyunho Lee is qualified with the American Institute of Architects (AIA) and currently serves as the Dean of the College of Architecture and Urban Planning at Hongik University, while being a partner at Chiasmus Partners since 2006. Chika Nomura holds Japanese architectural qualifications and has been a partner at Chiasmus Partners since 2017, also serving as an adjunct professor at Hongik University's College of Architecture and Urban Planning. James Wei Ke has been a partner at Chiasmus Partners since 2006 and previously worked as a senior designer at Atelier FCJZ in Beijing. Chiasmus's design methodology is built on rigorous investigation of each site's inherent qualities, resulting in architectural solutions where form and content become inseparable expressions of function and meaning. The firm has received numerous honors, including the 2018 Architecture Master Prize, the 2018 World Architecture Award, and nomination for the 2022 Dezeen Award. They believe in the magical ability of architecture to preserve, transform, and intensify the essential qualities of places and human experience. Their work resonates with both contemporary design discourse and timeless architectural principles. 设计团队 旅游探访 570 m² 城南市，韩国 2024 Previous Next

< 返回 苏州当代美术馆 BIG 项目名称：苏州当代美术馆 地点：苏州市 ， 中国 设计团队：BIG，ARTS Group Co., Ltd., Front Inc. 建筑面积：60000 m² 竣工时间：2026年 摄影：Ye Jianyuan，StudioSZ Photo / Justin Szeremeta 设计特色： BIG为苏州当代美术馆打造了一座60000平方米的文化地标，沿金鸡湖畔而建，在中国历史悠久的园林之城重新诠释传统中国园林建筑。该美术馆由BIG与ARTS Group和Front Inc.合作设计，其建筑语言源自廊，这是苏州数百年园林传统中的基本元素，即带顶的走廊。 项目最卓越的设计在于其村落式构成，十二个相互连接的展馆统一在连续、轻柔起伏的屋顶之下，呼应着传统瓦檐的轮廓。目前已完成十座展馆，其余两座将在2026年延伸至金鸡湖上，并通过有顶走道连接。这种亭台与庭院的配置使美术馆能够穿梭于相邻的苏州摩天轮支柱之间，创造出创始人比亚克·英格尔斯所描述的根茎结构，连接城市与滨水区。 建筑的立面采用波纹曲面玻璃和暖色调不锈钢，映射着周围的天空、水面和园林，消解了建筑与景观之间的界限。从上方，特别是从摩天轮吊舱观看时，不锈钢屋瓦形成了英格尔斯所称的真正的第五立面，在湖泊映衬下呈现出优雅的锥形轮廓。 室内四座展馆容纳主要画廊空间，其他展馆则设有宏伟入口、多功能厅、剧院和餐厅。自然光线通过高侧窗和天窗渗入，以变幻的阴影和反射为展览注入活力。桥梁和隧道在地上和地下连接各个展馆，提供灵活的流线路线，可适应季节变化和不同的展览方案。 景观设计从访客中心附近的硬质铺装逐渐过渡到绿化，最终到达湖边的水生植物区，创造了从城市肌理到自然滨水区的无缝衔接。该美术馆按照中国绿色建筑评价标准二星级认证进行设计，整合了被动遮阳、自然通风和本地采购的材料。 美术馆以物质主义展览开幕，这是由BIG策划的展览，探索塑造当代建筑的十种材料。该展览扩展了比亚克·英格尔斯在意大利设计杂志Domus担任客座主编期间的工作，每期聚焦一种材料。展览通过BIG总部、丹麦海事博物馆、谷歌Bay View和The Plus等20个项目的大型模型，邀请观众体验定义BIG作品的触感和空间特质。 设计团队 BIG (Bjarke Ingels Group)由比亚克·英格尔斯于2006年创立，已发展成为全球最具创新精神的建筑实践之一，在哥本哈根、纽约、伦敦、巴塞罗那、深圳、奥斯陆、洛杉矶、苏黎世和不丹设有九个办公室。截至2023年，该事务所拥有超过700名员工，由创始人兼创意总监比亚克·英格尔斯领导，与包括Catherine Huang、Kai-Uwe Bergmann、Jakob Lange和Sheela Maini Sogaard在内的24位合伙人共同管理。 BIG的设计理念以务实的乌托邦主义为核心，将斯堪的纳维亚传统建筑价值观中的经济性与极简主义与当代空间实验相结合。该事务所通过挑战传统类型学的项目脱颖而出，同时回应场地、气候和功能需求。代表性的已建成作品包括哥本哈根带有人工滑雪坡的垃圾发电厂Amager Bakke、曼哈顿的庭院式塔楼VIA 57 West、挪威基斯特福斯雕塑公园的扭曲桥博物馆，以及加州的谷歌Bay View园区。 该事务所的作品组合涵盖文化机构、住宅开发、商业塔楼和城市基础设施，遍布六大洲。BIG的项目获得了众多荣誉，包括2021年世界建筑节年度最佳建筑奖(Amager Bakke)、多项CTBUH高层建筑奖项以及美国建筑师协会的认可。该事务所在持续扩大全球影响力的同时，始终坚守可持续设计原则和建筑创新的承诺。 苏州现代美术馆项目由负责合伙人比亚克·英格尔斯和Catherine Huang领导，项目经理Molly Hsiao Rou Huang统筹，项目建筑师包括Tyrone Cobcroft、Kekoa Charlot和Tseng-Hsuan Wei，设计负责人为Matteo Pavanello。团队汇集了来自全球的建筑专业人才，与当地合作方ARTS Group Co., Ltd.、Front Inc.以及上海水石景观设计公司共同完成这一标志性文化项目。 设计团队 旅游探访 60000 m² 苏州市，中国 2026 Previous Next

< 返回 SA住宅 73.Onze Arquitetura 项目名称：SA住宅 地点：特兰科索，巴西 设计团队：73.Onze Arquitetura 建筑面积：1094.55 m² 竣工时间：2023年 摄影：OKA Fotografia 设计特色： 项目 - 在巴西南巴伊亚州的田园般的特兰科索，由73.Onze Arquitetura设计的SA住宅，是当代巴西住宅建筑尊重并提升自然环境的典范之作。这座建于2023年完工的1094平方米住宅，通过其精心设计的体量、材料和空间关系，完美地平衡了精致感与地域特色。 在建筑师Julia Regis Bittencourt的主导下，设计巧妙地回应了场地平坦的地形和茂密的本土植被。这座住宅并非强加于景观之上，而是与之保持着持续的对话。两个垂直交错的建筑体量战略性地布局，保留了现有的橡胶树和英加树，同时为住宅框定了朝向小区公共绿地的视野。 该项目的独特之处在于通过对比鲜明的建筑元素巧妙地划分社交和私密空间。单层卧室翼楼采用平坦的绿色屋顶，既具美学价值又实用功能兼备，既容纳了技术设备又提供了隔热效果。这一体量与带有传统斜顶屋顶的双层主体形成了刻意的对比，在整个构图中创造出动态的视觉张力。 渗透性定义了空间体验，可伸缩的玻璃墙面消解了室内外生活空间之间的界限。建筑采用了精巧的木质百叶系统，具有多重功能：提供隐私、控制阳光照射，以及投射随时间变化的光影图案，为空间全天带来生动的变化。 同样由Bittencourt工作室设计的室内装潢，通过并置干净的现代线条与本地工艺，反映了这种深思熟虑的设计方法。白色表面和磨光水泥地板的克制色调，为温暖的土色调和精心挑选的手工艺品提供了中性背景，使住宅深深扎根于其文化语境之中。 通过对气候、地形和当地材料的细致回应，SA住宅实现了既大胆现代又深具地域性的罕见品质——一处庆祝巴伊亚海岸独特特性的住宅圣地，为现代生活提供了精致的框架。 团队 - 73.ONZE Arquitetura e Design是一家于2018年由来自巴伊亚的建筑师Julia Regis Bittencourt创立的建筑事务所，在圣保罗和特兰科索之间运营。凭借在Superlimão和Paula Neder Arquitetura等知名事务所的先前经验，该事务所的建筑风格将简约元素与对细节的精细关注相结合。 事务所的双重位置战略代表了看似对立的环境的有意识融合：特兰科索自然景观的恢复性质量与圣保罗的当代城市动态。这种地理上的二元性为他们的作品注入了独特的空间敏感性，既响应环境又满足大都市需求，从而实现越来越可持续的建筑干预。 该事务所从创立之初就融合了特兰科索和圣保罗的特质，将自然提供的福祉与城市生活方式相结合，满足当代需求，并努力创造越来越可持续的建筑。 73.ONZE专注于开发定制的住宅、商业和企业项目，每个项目都根据客户的风格和需求量身定制。从概念到实现，他们优先考虑功能性和伦理性，为每个个人或品牌独特地调整建筑。 在Bittencourt的领导下，该事务所培养了一种独特的建筑语言，特点是体量清晰、材料真实和环境响应。他们的作品始终展示了对创造个性化空间体验的承诺，巧妙地平衡实用性考虑与诗意表达，将73.ONZE确立为巴西不断发展的建筑领域中的新兴力量。 Project Name: SA House Location: Trancoso, Brazil Design Team: 73.Onze Arquitetura Total Floor Area: 1,094.55 m² Completion: 2023 Photography: OKA Fotografia Feature: Project - In the idyllic setting of Trancoso, southern Bahia, the SA House by 73.Onze Arquitetura stands as a masterful example of contemporary Brazilian residential architecture that respects and enhances its natural surroundings. Completed in 2023, this 1,094-square-meter residence seamlessly balances sophistication with regional sensitivity through its thoughtful composition of volumes, materials, and spatial relationships. Led by architect Julia Regis Bittencourt, the design responds ingeniously to the site's flat topography and dense native vegetation. Rather than imposing upon the landscape, the house engages in a constant dialogue with it. The strategic organization of two perpendicular volumes preserves existing rubber and ingá trees while simultaneously framing views toward the condominium's common green space. What distinguishes this project is its clever articulation of social and private spaces through contrasting architectural elements. The single-story bedroom wing features a flat green roof that serves both aesthetic and functional purposes, housing technical equipment while providing thermal insulation. This volume stands in deliberate contrast to the two-story main block with its more traditional pitched roof, creating a dynamic visual tension throughout the composition. Permeability defines the spatial experience, with retractable glass panels dissolving boundaries between interior and exterior living spaces. The architecture employs a sophisticated system of wooden brises-soleil that perform multiple functions: providing privacy, controlling solar gain, and casting ever-changing patterns of light and shadow that animate the spaces throughout the day. The interior design, also developed by Bittencourt's studio, mirrors this thoughtful approach by juxtaposing clean contemporary lines with local craftsmanship. A restrained palette of white surfaces and burnished cement flooring serves as a neutral backdrop for warm earth tones and carefully selected handcrafted pieces that root the dwelling in its cultural context. Through its nuanced response to climate, topography and local materials, SA House achieves that elusive quality of seeming both boldly contemporary and deeply contextual – a residential sanctuary that celebrates the unique character of coastal Bahia while providing a sophisticated framework for modern living. Design Team - 73.ONZE Arquitetura e Design is an architectural practice established between São Paulo and Trancoso, founded in 2018 by Bahian architect Julia Regis Bittencourt. With previous experience at renowned firms such as Superlimão and Paula Neder Arquitetura, the firm's architectural style combines simple elements with meticulous attention to detail. The firm's dual-location strategy represents a conscious synthesis of seemingly opposing contexts: the restorative qualities of Trancoso's natural landscape with São Paulo's contemporary urban dynamics. This geographical duality infuses their portfolio with a unique spatial sensibility that responds to both environmental and metropolitan imperatives, resulting in increasingly sustainable built interventions. The office was born from the fusion between Trancoso and São Paulo, combining the well-being provided by nature with the urban lifestyle, meeting contemporary demands and seeking to create increasingly sustainable buildings. 73.ONZE specializes in developing customized residential, commercial, and corporate projects, each tailored to the style and needs of each client. From conception to realization, they prioritize functionality and ethics, adapting architecture uniquely for each individual or brand. Under Bittencourt's leadership, the studio has cultivated a distinctive architectural language characterized by volumetric clarity, material authenticity, and environmental responsiveness. Their work consistently demonstrates a commitment to crafting personalized spatial experiences that thoughtfully balance pragmatic considerations with poetic expression, establishing 73.ONZE as an emerging force in Brazil's evolving architectural landscape. With 73.ONZE Arquitetura e Design, you will find an approach that combines simplicity, attention to detail, and respect for the environment, creating spaces that reflect the personality and aspirations of their clients. 设计团队 旅游探访 1094.55 m² 特兰科索，巴西 2023 Previous Next

< 返回 North of Brooklyn Pizzeria MRDK 项目名称：North of Brooklyn Pizzeria 地点：多伦多，加拿大 设计团队：MRDK 建筑面积：237平方米 竣工时间：2025年 摄影：David Dworkind 设计特色： MRDK设计的North of Brooklyn Pizzeria展现了如何通过创新的材料连续性策略和巧妙的空间分层设计哲学融合技术，将一座位于多伦多伊陶碧谷社区的两层空间转化为充满电影感叙事和材料表现力的当代餐饮建筑典范。 这座237平方米的双重概念场所戏剧性地融合了North of Brooklyn外卖披萨店的活力能量与楼上Low Rise酒吧的精致氛围，呈现为对怀旧意大利设计语汇、当代商业功能和建筑体验创新融合的深刻思考。它通过精心的空间组织和材料选择，创造出一个将休闲餐饮功能与精致用餐体验无缝交织的建筑环境。 项目的绝妙之处在于对材料边界的根本性挑战与重新构想。面对在有限空间内创造强烈视觉冲击的同时保持功能效率的挑战，建筑师采用DTILE模压瓷砖完全包裹一层外卖区，从墙面连续流动至天花板的雕塑性姿态，甚至向外折叠形成功能性商品展示挂钩，模糊表面与固定装置之间的界限。这种设计策略创造了建筑材料与空间功能的持续对话，实现了美学雄心与实用功能的当代融合效果，使空间完美呼应North of Brooklyn品牌的活力特质。 MRDK的设计语言流利地表达着当代材料驱动建筑方言，运用战略性的材料选择和空间序列编排来重新定义餐饮建筑体验。印有North of Brooklyn标志的大型灯箱雨篷从外部延伸至内部，形成外卖区的天花板，创造让人联想到《星球大战》片头字幕的电影感入口时刻。楼上，40座的Low Rise空间围绕纪念碑式吧台展开，覆以翻滚大理石马赛克并冠以设计为通过时间锈蚀形成特色的锌质台面，营造当代与怀旧交织的氛围。 最引人瞩目的是，建筑师通过巧妙的空间问题解决策略创造富有创意的建筑体验。为解决低天花板高度的挑战，机械系统被集中在周边区域，使中央天花板得以抬升。这个圆角矩形区域通过凹槽照明突出现有爆米花纹理，转化为刻意的设计特征，与下方高光漆面突出部分形成引人注目的对比。新开凿的侧立面窗户使自然光线涌入空间，完美框定嵌于窗龛内从墙面悬臂而出的胡桃木餐桌。这种结构设计被整合为建筑语言的一部分，创造出空间层次性和视觉戏剧性的完美平衡。 餐厅组织为清晰的功能分层。一层容纳North of Brooklyn厨房和外卖柜台，材料包裹策略创造沉浸式品牌体验。楼上Low Rise酒吧和用餐室呈现截然不同的氛围特质。受Joe Colombo标志性Tube Chair启发的绿色皮革卡座搭配从墙面悬臂而出的胡桃木餐桌，休憩于折叠钢脚之上，创造色彩、材料和形式的微妙互动。In Common With设计的凹槽吊灯投射温暖光晕，为私密用餐体验定下基调。 材料策略延续了这种建筑与品牌叙事和谐共生的设计理念。通过使用对比鲜明的材料强化与建筑形态和功能分区的整合，包括一层的DTILE模压瓷砖完全包裹，反映品牌的现代活力特质。楼上翻滚大理石马赛克、锌质台面、胡桃木和绿色皮革的组合，唤起怀旧意大利设计的精致感性。通过侧立面新开窗户策略优化自然采光，被动式设计手法提升空间品质。材料的触觉变化进一步强化功能分区的清晰度，展示了MRDK对材料创新和空间叙事的承诺。 设计团队 ：MRDK成立于2013年，作为名义合伙关系将两家独立的蒙特利尔事务所整合于同一协作空间之下：Guillaume Ménard Design和David Dworkind Architect，自成立以来已确立其在商业室内设计、住宅建筑以及细节导向型建筑语言创新领域的先锋地位。这家在加拿大蒙特利尔设有办公室的事务所通过设计对场地、客户、工匠和材料性的尊重整合，重新定义当代建筑师在北美设计话语中的角色。 MRDK为建筑实践带来了卓越的细节敏感性设计视角和对工艺驱动方法的深刻理解。该事务所因其创造每个元素都与中心叙事相关联的连贯空间体验的承诺而获得认可，满足使用者的功能需求和情感共鸣。其创新贡献体现在将客户愿景和需求转化为具有强烈材料性和空间品质的当代建筑语言的能力上。 该事务所的设计哲学强调建筑应该超越功能限制，不仅仅是为了满足实用需求而设计，更是为了与场地特质和使用者需求有机融合。通过对材料性和空间序列的深度关注，开展从餐饮空间到住宅别墅再到办公室内的多元化作品，相信最好的建筑是通过与熟练工匠密切合作、探索创新工艺和材料的精准和深思熟虑过程产生的语境响应式干预。MRDK相信建筑应该成为客户愿景的深刻表达，通过策略性的材料选择和创新空间组织创造独特的建筑体验。 除实践外，通过对美学与功能性的深思熟虑结合、工艺导向方法和材料创新的运用、以及经过验证的细节驱动设计智慧，MRDK已确立自己作为加拿大当代商业室内和住宅建筑话语重要贡献者的地位，创造出既具功能响应性又保持材料真实性的作品。在Guillaume Ménard和David Dworkind的持续领导下，该事务所目前在加拿大充满活力的建筑景观中占据独特地位，专注于创造通过材料性、空间序列和工艺敏感性来实现建筑品质的空间体验。 设计团队 旅游探访 237 m² 多伦多，加拿大 2025 Previous Next

< 返回 “攀岩者之家” BLOK House Quinzhee Architecture 项目名称：BLOK House 地点：魁北克城，加拿大 设计团队：Quinzhee Architecture 建筑面积：59 m² 竣工时间：2024年 摄影：Adrien Williams 设计特色： 项目 - Quinzhee Architecture在魁北克拉克-博波特地区玛尔斯特罗姆山顶部打造了BLOK House，一处为攀岩爱好者量身定制的理想休憩处。这座59平方米的建筑位于一处天然攀岩处的顶部，为攀岩者提供了完美的避难所。 设计团队通过不对称的形态和灰色石膏外观，创造了一个棱角分明的整体体量，巧妙地呼应了攀岩石块的形态。外立面上不规则排列的开口犹如攀岩抓手，形成了一个如同攀岩路线般引导视线和攀爬的立面。在这个方形平面内，加热的室内空间与遮蔽的户外区域共存，既增加了生活空间的面积，又提供了沉浸于自然中的体验。 从建筑体量的截角处进入，访客首先发现的是受到保护的户外空间，远离恶劣天气和窥探的目光。在地面层，攀岩墙让攀岩者能够练习技艺，而水疗区则邀请人们在训练间隙放松身心。上层的露台提供了一个友好的空间，可以在观赏周围自然景观的同时烹饪和共享美食。 BLOK House的加热空间也延伸至多个层次。在地面层，卧室享受着周围森林的宁静与私密。上层的生活空间则受益于充足的光线和开阔的景观视野。厨房上方的宽敞夹层可容纳更多客人。所有空间都采用木材包裹，在室内和室外生活区域之间创造了和谐的视觉连续性，同时与建筑外壳的原始矿物质特性形成对比。 BLOK House不仅仅是一处庇护所，更是攀岩文化的庆典，通过建筑形式表达了攀岩精神。这座建筑同时作为目的地、避难所和景观中的雕塑性介入，展示了Quinzhee Architecture将功能性需求与诗意设计灵感完美融合的能力。 团队 – 来自加拿大的Quinzhee Architecture成立于2013年，由建筑师Guillaume Fafard创立，是一家体现其同名雪屋特征的建筑事务所：充满趣味性、生态意识和北欧风格。事务所目前由Fafard与资深建筑师Catherine Parent共同领导，发展出一种独特的设计方法，将客户参与无缝整合到设计过程中。 该事务所的方法论将沟通和想法分享置于前沿，认为这些元素是创新、高质量建筑解决方案的基本基础。通过让所有利益相关者参与关于建筑使用和环境背景的讨论，事务所有效地评估了全方位的可能性，从而确定最佳设计策略。 Quinzhee的作品集展现了卓越的多样性，涵盖从住宅和商业建筑到城市规划、家具设计，甚至滑雪板制作等多个领域。这种有意识的跨学科方法推动了他们的创意视野，并使他们的实践在建筑景观中脱颖而出。 团队多位成员持有被动房设计师认证，体现了事务所对可持续性的承诺，Quinzhee以环保意识和技术精确度对待每一个委托项目。事务所重视创意实验，同时保持务实的解决方案，以响应客户目标。 虽然总部位于魁北克的利莫卢，但Quinzhee的业务范围远超过大都市区，涵盖了各种不同背景的项目。他们接受新挑战的唯一前提保持一致：有机会通过挑战传统建筑思维的另类视角来构思项目。 Project Name: BLOK House Location: Quebec City, Canada Design Team: Quinzhee Architecture Total Floor Area: 59 m² Completion: 2024 Photography: Adrien Williams Feature: Project - Quinzhee Architecture has created BLOK House at the top of Mount Le Maelstrom in Lac-Beauport, Quebec, as an ideal retreat tailored specifically for climbing enthusiasts. This 59-square-meter structure, located at the summit of a natural climbing wall, provides the perfect refuge for climbers. The design team has crafted a monolithic volume with angular edges through asymmetrical forms and gray stucco materiality, cleverly evoking the form of a climbing block. Irregularly arranged openings on the façade resemble climbing holds, creating a surface that guides the gaze and ascent like a climbing route. Within this square plan, heated indoor spaces coexist with sheltered outdoor areas, both increasing the living space and providing an immersive experience in nature. Entering through the truncated corner of the volume, visitors first discover the protected outdoor spaces, sheltered from harsh weather and prying eyes. On the ground level, climbing walls allow climbers to practice their sport, while a spa invites relaxation between training sessions. The upper-level terrace provides a convivial space for cooking and sharing meals while contemplating the surrounding natural landscape. The heated spaces of BLOK House also extend across multiple levels. At ground level, bedrooms enjoy the calm and intimacy of the surrounding forest. The upper-level living spaces benefit from abundant light and unobstructed landscape views. A spacious mezzanine above the kitchen accommodates additional guests. All spaces are clad in wood, creating a harmonious visual continuity between interior and exterior living areas, while contrasting with the raw, mineral character of the building's envelope. BLOK House is not merely a shelter but a celebration of climbing culture expressed through architectural form. This building functions simultaneously as destination, refuge, and sculptural intervention in the landscape, demonstrating Quinzhee Architecture's ability to perfectly blend functional requirements with poetic design inspiration. Design Team - Founded in 2013 by architect Guillaume Fafard, Quinzhee Architecture is a firm embodying the characteristics of its namesake snow shelter: playful, ecological, and Nordic in style. Currently led by Fafard alongside senior architect Catherine Parent, the practice has developed a distinctive design approach that seamlessly integrates client participation into the design process. The firm's methodology places communication and idea-sharing at the forefront, considering these elements essential foundations for innovative, high-quality architectural solutions. By engaging all stakeholders in deliberations about building occupation and environmental context, the practice effectively evaluates the full spectrum of possibilities before identifying optimal design strategies. Quinzhee's portfolio demonstrates remarkable versatility, spanning multiple scales from residential and commercial architecture to urban planning, furniture design, and even ski fabrication. This deliberate cross-disciplinary approach fuels their creative vision and distinguishes their practice within the architectural landscape. With multiple team members holding Passive House Designer certifications, demonstrating the firm's commitment to sustainability, Quinzhee approaches each commission with environmental consciousness and technical precision. The practice values creative experimentation while maintaining pragmatic solutions that respond to client objectives. Though headquartered in Limoilou, Quebec, Quinzhee's operational reach extends well beyond the metropolitan area, embracing projects across diverse contexts. Their only prerequisite for taking on new challenges remains consistent: the opportunity to conceptualize projects through an alternative lens that challenges conventional architectural thinking. 设计团队 旅游探访 59 m² 魁北克城，加拿大 2024 Previous Next

< 返回 Le49Ⅱ 东京住宅 APOLLO 设计特色： 项目 – 坐落在东京世田谷区一处宁静的街角，Le49II是一座由APOLLO Architects ＆ Associates设计的紧凑而奢华的住宅。业主在女儿就读的小学附近购置了相邻地块，期望打造一处可让三口之家舒适居住并拥抱在家工作方式的居所。地下层设有丈夫的书房和妻子的工作室，为工作和嗜好提供专注的空间。一层为卧室和紧凑的湿区。而开阔的二层公共活动空间则鼓励全家人团聚。间接照明和倾斜天花营造出双层高客厅区的私密氛围。最为突出的是受坡屋顶启发的条形木质天花，五边形天窗使自然光线投射而入，在条纹木作上产生美妙的渐变效果。巧妙的是储物、厨房、浴室和电梯功能均设于悬挑侧墙下防风梁处，梁顶的凹形灯具则为夜间氛围增添柔和光线。就餐和烹饪区域较低的天花使之与开阔客厅空间形成有趣对比。Le49II体现了紧凑奢华，独立的家庭成员能在私密空间展现个性，同时家人亦能在同一屋檐下亲密相聚。 团队 – APOLLO Architects ＆ Associates由日本建筑师黒崎敏（1970年出生）于2000年在东京创立，以创新的住宅设计而闻名，将紧凑奢华与功能性巧妙融合。事务所由首席建筑师兼创意总监黑崎敏领导，拥有一支优秀的团队包括主任建筑师藤井统、建筑师土田晃嘉等。APOLLO的作品展现了卓越的空间规划能力，通过智能布局策略和空间体量处理，最大限度地利用每一寸空间。他们的住宅项目散发着温馨亲密的氛围，出色的灯光设计、材料选择和建筑细部处理尽显细腻匠心。设计团队对环境语境的敏锐把握，使他们能创造与环绕城市肌理融合的住宅，同时也是宁静的避世空间。APOLLO采用整体设计方法，涵盖建筑、室内和景观设计，打造提升日常生活体验的住宅，其作品诠释了约束如何能激发创意，创造出洋溢紧凑奢华气息的宜居空间。 Feature： Project - Nestled on a peaceful street corner in Tokyo's Setagaya district, Le49II is a compact yet luxurious home designed by Satoshi Kurosaki of APOLLO Architects & Associates. The clients acquired an adjacent plot near their daughter's primary school, envisioning a dwelling where their family of three could live comfortably while embracing work-from-home lifestyles. The underground floor hosts the husband's study and wife's atelier, offering focused spaces for hobbies and professions. The first floor houses the bedrooms and a compact wet area, while the expansive second floor public room encourages family gatherings. Indirect lighting and an angled ceiling create an intimate ambiance in this double-height living space. A standout feature is the slatted timber ceiling inspired by hipped and gabled roofs, through which a pentagonal skylight filters natural light. The reflected rays produce a beautiful gradient effect across the striped woodwork. Cleverly, storage, kitchen, bathroom, and elevator functions are housed along cantilevered side walls below wind-resistant beams topped with cove lighting for evening atmosphere. The lower ceiling over the dining and cooking zones establishes an appealing contrast with the soaring living room volume. Exuding compact luxury, Le49II allows independent family members to express their individuality in sublime private spheres while connecting under one roof. Design Team - Founded in 2000 by Satoshi Kurosaki, APOLLO Architects & Associates is a Tokyo-based architectural practice renowned for its innovative residential designs that blend compact luxury with functionality. Led by principal architect and creative director Kurosaki, the firm's talented team includes chief architect Osamu Fujii, architects Akiyoshi Tsuchida, Shoichi Hirota, Koji Shindo, XU Qian, Takeshi Yasufuku, Takumi Masuko, and Takanari Watanabe. APOLLO's portfolio showcases a mastery of spatial planning, with solutions that maximize square footage through intelligent layout strategies and volume manipulation. Their residential projects exude warmth and intimacy, achieved through masterful lighting design, material selections, and architectural detailing. The firm's contextual sensitivity enables them to craft dwellings that engage with their surrounding urban fabric while providing sanctuaries of respite. With a holistic design approach encompassing architecture, interiors, and landscaping, APOLLO creates residences that elevate everyday living experiences. Their work exemplifies how constraints can inspire creativity, resulting in livable spaces brimming with compact luxury. 设计团队 旅游探访 190.4 m² 日本，东京世谷田区 2023年 Previous Next

< 返回 大治之家 Ryota Sekiya Architecture 设计特色： 项目 – 位于爱知县海部郡的“大治之家”，在相似的密集住宅区内营造出“心理隐私感”。建筑师放弃视觉屏障，而以模糊的周边环境关系营造庇护所式的家庭空间。通过四个轴线操作墙体角度，转换方位感知。郊区场地由紧邻的小型住宅场地组成，每个约200平方米。但业主渴望专属于家庭的空间和时间，远离外人注视。实体隔绝如设置栅栏等固然可行，设计团队另辟蹊径，追求解除方位感带来的解放感。房屋脱离主要方位，同时“存在”又“难以察觉”。设计中直线体量与斜向45度的网格叠加，斜向网格扰乱预期的邻近关系，使相邻房屋的传统预感位置难以判断。由于人的空间感知依赖视觉参照，扭曲这些线索可以解放感知。不同质感强调光影变化，强调阳光穿过三个庭院和两个开放空间的通道。虽然一开始会让人迷失方向，但这种自由让居住者对太阳的日常运动敏感，将他们与自然节奏联系起来。当人们在早上、下午和晚上欣赏不同地区的气氛时，一种丰富的家庭生活就会出现。 团队 – 2015年成立的Ryota Sekiya Architecture在日本和海外为业主打造支持其生活方式的定制住宅。这个来自日本名古屋的设计工作室由日本建筑师关谷凉太创立与领导，迄今为止在100多个住宅项目中积累了丰富经验。其设计团队通过密切合作为每个项目提供从规划到施工的一体化服务。关谷凉太在大型住宅公司的背景使其可高效实现业主的愿景。之后在建筑公司和承包商的工作经历磨练了其对材料和细节的敏感性。该工作室通过功能性和氛围质量的融合，营造建筑作为业主价值观反映的效果。他将建筑看作一种充实自我而非创造资产的手段，设计解决方案证明珍视家庭纽带超越追逐时尚，与此同时敏锐地将人与环境相连，让家成为生命意义的瑰丽背景。 Feature： Project - "Oji House" in Aichi prefecture creates a sense of psychological privacy within a dense neighborhood of similar homes. Seeking to provide a refuge for family life, architect Ryota Sekiya eschewed visual barriers in favor of ambiguous relationships with the surroundings. Manipulating the angles of the walls along four axes obscures perceptions of orientation. The suburban site comprises small, adjoining properties of around 200 sqm. Clients desired spaces and times belonging solely to the family, free of watching eyes. Physical seclusion was possible but Sekiya pursued the liberating effect of losing directional awareness. The home feels unmoored from cardinal points, simultaneously "there" yet unrecognized. The composition overlays rectilinear volumes with diagonal walls and ceilings. Skewed grids displace the expected adjacencies, making the precise locations of neighbors' houses uncertain. As human spatial senses rely on visual references, distorting these cues liberates perception. Varied textures accentuate shifting light and shadow, underscoring sunlight's passage through three courtyards and two open volumes. Though initially disorienting, this freedom sensitizes occupants to the sun's daily movement, linking them to natural rhythms. A rich domesticity emerges as one appreciates the atmospheric qualities of different areas over morning, afternoon and evening. Design Team - Founded in 2015, Ryota Sekiya Architecture creates bespoke homes that support owners' lifestyles in Japan and beyond. Led by principal architect Ryota Sekiya, the Nagoya-based firm brings extensive experience from over 100 residential projects. Offering integrated services from planning to construction, Ryota Sekiya Architecture tailors each commission through close collaboration. Sekiya’s background at a leading housing company enables streamlined delivery of clients’ aspirations. Subsequent work for architectural firms and contractors honed sensitivity to materials and detailing. This holistic approach placed Ryota Sekiya Architecture among an elite group of winners at the 15th Architecture Competition. Blending functionality with atmospheric qualities, the studio realizes buildings as reflections of owners’ values. It construes architecture as a means of enrichment rather than asset creation. Designs emerge from probing discussion to crystallize essentials like natural light over universal principles. Bespoke solutions prove that cherishing family bonds transcends fashion. Sensitively connecting residents to their environment, it homes become treasured backdrops for life’s meanings. 设计团队 旅游探访 127.6 m² 日本，爱知县海部郡 2023 Previous Next

< 返回 Spink 街办公楼 Peter Ryan Architects 设计特色： 项目 – 斯平克街 20 号办公楼是布莱顿郊区一座新地标，由Peter Ryan建筑事务所精心打造，顺应了居民对高质量办公空间的渴望。这座由Align Property Partners委托兴建的商业办公项目，位于尼平公路和桑德灵汽铁线之间，三角形地块曲折有致。四层办公楼加顶层观景平台，远眺菲利普港的迷人海景和墨尔本城市天际线。设计团队深刻把握目标租户群体的需求，为他们营造出通透宽敞、灵活多变且采光充足的现代办公氛围，室内设计细节更借鉴了高端住宅的精致质感。建筑外型巧妙融入环境，步行和车行入口分区明确。大堂出入口临街而建，咖啡馆与通往马丁街和埃尔斯特运河自行车道的路线无缝连接；停车设施则靠近尼平公路一侧，避免了对人行道的干扰。项目高度响应城市规划要求，五层造型矗立地标，竖向线条简洁有力，三角体型别具识记度。南侧预制混凝土幕墙设计精雕细琢，与邻近的混凝土建筑群相得益彰。虽然场地条件有限，但设计团队通过创新的结构方案圆满应对，最终在郊区交付了一座集实用性、美学和可持续性于一身的办公杰作，为高水准的城郊商业地产树立了典范。 团队 – 来自澳大利亚墨尔本的Peter Ryan Architects自2015年成立以来，凭借精干的八人团队就展现出了令人钦佩的实力，在建筑界中虽小而精，却能与大所一较高下。事务所掌舵人Peter Ryan有句精辟论述:"我们是一个小型事务所，却能像大所那样运作。要交付大项目，并不需要人多，关键是队伍精锐高效。" 这种理念得到了客户极高赞誉:" Peter有与所有团队成员密切协作的能力，远非仅限于设计这一项目本身。从设计到最终交付的全过程，他都全程参与并把控。他了解我们的需求，和我们一样，对工作极其严谨专注，深知这些建筑物需要代代相传。"与其外包分包，他们更钟情于自主完成所有环节，他们的项目履历博采众长，包括为Caribbean Park设计的大型办公楼，还有酒店、仓库、物流设施、托儿所以及花园亭阁等。该所不仅在设计上颇有建树，在商业运作方面也驾轻就熟，无论项目大小，从一开始就贯彻务实原则。 Feature： Project - Spink St. Office Building, a remarkable addition to the leafy bayside suburb of Brighton, has been meticulously crafted by Peter Ryan Architects. Commissioned by Align Property Partners, this speculative office development stands as a testament to innovative design and contextual sensitivity. Nestled between the Nepean Highway and the Sandringham rail line, the triangular project site has been transformed into a four-story office haven, crowned with a rooftop terrace that offers breathtaking views of Port Philip Bay and the Melbourne CBD. Targeting a niche market where tenants seek generous floorplates, flexible spaces, and abundant natural light, the architects have embraced a refined domestic aesthetic, aligning with high-end residential developments. The building's form responds thoughtfully to its context, separating pedestrian and vehicle access. The lobby entrance and café connect seamlessly with the surrounding footpaths and bike trails, while the car parking facilities are strategically located adjacent to Nepean Highway, ensuring a harmonious coexistence with the urban fabric. Reflecting the planning overlays' call for a Key Landmark Redevelopment, the project's scale soars to five stories, with vertical sides simplifying and strengthening the building's volume. The patterned precast concrete façade on the south elevation continues the façade articulation, responding to the adjacent mixed-use concrete developments. Overcoming challenging site constraints through innovative structural solutions, Peter Ryan Architects has delivered a high-quality office space that seamlessly blends functionality, aesthetics, and sustainability, setting a benchmark for suburban commercial developments. Design Team - Founded in 2015, Peter Ryan Architects has swiftly established itself as a formidable force in the architectural realm, punching well above its weight with a lean team of just eight members. Under the astute leadership of Peter Ryan, this close-knit practice exemplifies the notion that size is no barrier to excellence. As Ryan succinctly puts it, "We're a small firm that acts like a large one. You don't need a large team to deliver a large project. You require a smart and efficient one." This philosophy resonates profoundly in the words of Ben Spooner, Managing Director of Caribbean Park: "Peter has this ability to work with everyone in our team. It's considerably more than designing a project. He carries everything through from the design phase through to the final delivery. He understands us, and like us, he's extremely structured and focused. He knows these buildings are designed and built to last for generations." Eschewing the practice of outsourcing, Peter Ryan Architects takes immense pride in its comprehensive in-house capabilities, seamlessly integrating visual documentation, planning, and implementation. Their diverse portfolio spans large-scale commercial projects, office buildings, hotels, warehouses, logistical facilities, childcare centers, and exquisite garden pavilions, each a testament to their unwavering commitment to design excellence and commercial pragmatism. 设计团队 旅游探访 2195 m² 澳大利亚，布莱顿 2024年 Previous Next

< 返回 阿那亚金山岭荒野植物园 大于建筑 项目名称：阿那亚金山岭荒野植物园 地点：承德市，河北省，中国 设计团队：大于建筑 建筑面积：199 m² 完工时间：2024年 摄影师：刘松恺 设计特色： 项目 - 大于建筑完成了阿那亚金山岭荒野植物园项目，这座融合混凝土与木材的深思熟虑之作坐落于中国承德崎岖的山景之中，既是教育设施，也是本土植物物种的庇护所。 这座建于2024年、面积199平方米的建筑从其山地环境中优雅地展现，展示了建筑干预与自然野趣之间的精妙互动。由郭宇辰、杨思齐和詹孛迪领衔的设计团队精心打造了一个有意模糊建筑形态与有机环境界限的空间。 "项目的核心使命是创造一个不仅展示自然，更积极参与自然保护的空间，同时促进人与荒野之间更深层次的联系，"建筑师如是解释。 建筑最引人注目的特征是其环绕中央庭院的U形布局。落地窗经过战略性布置，既捕捉自然光线，又与室内植物形成动态的光影演绎。经过重新设计的北侧入口引导访客穿行于巨石与本土植被之间，营造出精心策划的体验旅程。 这座两层建筑在一层设有展览空间，而以其慷慨的层高和充足天窗著称的上层则用作植物教育和手工艺活动的工作室空间。这种垂直的功能布局创造了一个从观察到主动参与自然的叙事旅程。 材料的选择着重考虑了其优雅老化的特性以及与周边景观的和谐统一。原始的混凝土步道和结构元素与古老的石块形成当代对比，而美松木板和回收老木则为室内空间注入温暖和质感。 最值得注意的是，该项目在细节处理上表现出非凡的克制。建筑师摒弃了装饰性元素，而选择让材料的固有美感和自然光线来定义空间，创造了他们所描述的"一个让荒野不仅被观察，更成为日常生活不可分割部分的庇护所"。 团队 - STUDIO YUDA（大于建筑）成立于2016年，在上海和纳什维尔设有双总部，是一家迅速崭露头角的多学科设计事务所，以其在建筑设计、景观设计、室内设计和装置艺术领域的创新方法而备受瞩目。该事务所由四位富有远见的建筑师共同创立：郭宇辰、詹孛迪、杨思齐和Alex Darsinos，他们共同为实践带来了多元的国际视角。 事务所的设计理念深深植根于通过材料性、色彩构成和构造表达来探索空间叙事。他们的作品展现了对建筑话语中短暂性与永恒性辩证关系的深刻理解，在推动当代设计边界的同时，始终保持对场所语境和人文体验的深切尊重。 STUDIO YUDA跨越不同尺度和类型进行设计实践，已经发展出一个独特的作品集，其特点是形式、功能和现象学考量的巧妙整合。事务所对实验性设计方法的追求，加上对施工细节的严谨关注，使其成为中国新兴建筑领域中具有影响力的声音。 事务所位于上海历史悠久的徐汇区，通过协作式的设计方法持续拓展其实践范围，促进东西方建筑传统之间的对话。 Project Name: Aranya Jinshanling Wilderness Botanical Garden Location: Chengde City, Hebei Province, China Design Firm: STUDIO YUDA Area: 199 m² Completion Year: 2024 Photographer: Liu Songkai Feature： Project - STUDIO YUDA has completed the Aranya Jinshanling Wilderness Botanical Garden, a contemplative concrete and timber structure nestled within the rugged landscape of Chengde, China, that serves as both an educational facility and a sanctuary for native plant species. The 199-square-meter building, completed in 2024, emerges from its mountainous context as a sophisticated interplay between architectural intervention and natural wilderness. The design team, led by Guo Yuchen, Yang Siqi, and Zhan Bodi, has crafted a space that deliberately blurs the boundaries between built form and organic environment. "The project's core mission was to create a space that doesn't merely display nature but actively participates in its preservation while fostering a deeper human connection with the wilderness," explained the architects. The building's most striking feature is its U-shaped layout, which wraps around a central courtyard. Floor-to-ceiling windows have been strategically positioned to capture natural light and create dynamic shadow play with interior plantings, while the relocated northern entrance guides visitors through a carefully choreographed journey past monolithic rocks and indigenous vegetation. The two-story structure houses an exhibition space on the ground floor, while the upper level – distinguished by its generous height and abundant skylights – functions as a workshop space for botanical education and craft activities. This vertical programming creates a narrative journey from observation to active engagement with nature. Materials were chosen for their ability to age gracefully and complement the surrounding landscape. Raw concrete pathways and structural elements provide a contemporary counterpoint to ancient stone formations, while methadone pine boards and reclaimed timber introduce warmth and tactility to the interior spaces. Perhaps most notably, the project demonstrates remarkable restraint in its detailing. The architects have eschewed decorative elements in favor of allowing the inherent beauty of materials and natural light to define the space, creating what they describe as "a sanctuary where wilderness is not merely observed but experienced as an integral part of daily life." Design Team - STUDIO YUDA, established in 2016 with dual headquarters in Shanghai and Nashville, is an emerging multidisciplinary design practice that has rapidly gained recognition for its innovative approach to architectural design, landscape architecture, interior design, and installation art. The firm was co-founded by four visionary architects: Guo Yuchen, Zhan Bodi, Yang Siqi, and Alex Darsinos, who collectively bring diverse international perspectives to their practice. The studio's design philosophy is deeply rooted in the exploration of spatial narratives through materiality, chromatic composition, and tectonic expression. Their work demonstrates a sophisticated understanding of the dialectic between ephemerality and permanence in architectural discourse, consistently pushing the boundaries of contemporary design while maintaining a profound respect for context and human experience. Operating across various scales and typologies, STUDIO YUDA has developed a distinctive portfolio characterized by its thoughtful integration of form, function, and phenomenological considerations. The practice's commitment to experimental design methodologies, coupled with rigorous attention to construction detailing, has established them as an influential voice in China's emerging architectural scene. Based in Shanghai's historic Xuhui District, the studio continues to expand its practice through a collaborative approach to design, fostering dialogue between Eastern and Western architectural traditions. 设计团队 旅游探访 199 m² 承德市，河北省，中国 2024 Previous Next

< 返回 旧金山 Visa 大楼 Henning Larsen 设计特色： VISA公司在旧金山Mission Rock社区的新大楼设计灵感源自加州标志性自然景观。这座由Henning Larsen事务所设计的13层塔楼是这个新兴混合使用发展区的核心项目，将其定位为一个工作、生活和娱乐的理想之地。这栋大楼的白色外立面让人联想到优胜美地国家公园著名的岩石奇观"魔鬼柱"。建筑师将巨型体块分割成较小的凹室，折棱预制混凝土立面在日光辉映下产生移风变幻的光影效果，赋予这座坐落于滨水地带的巨构活力无穷。 "我们从优胜美地的地质构造中汲取灵感，并将其精髓浓缩为'街区'尺度，将建筑体块雕琢成较小的凹室，体现旧金山传统街区的独特魅力。"Henning Larsen事务所合伙人兼设计总监丹尼尔·鲍曼解释道。从街道视角看，这座蜿蜒起伏的雕塑式建筑使人联想到旧金山著名的多峰起伏地形。户外露台从2-5层周遭环绕楼身，最顶层则是防风遮蔽的天空花园，可将旧金山天际线和海湾美景尽收眼底。 作为由铁狮门和旧金山巨人队合作打造的大型Mission Rock社区的一部分，VISA 大楼无疑成为整个新社区有力的建筑地标，汇集了住宅、办公、公园和各类配套设施。 Visa's striking new Building in San Francisco's Mission Rock neighborhood takes inspiration from California's iconic natural landscapes. Designed by Henning Larsen, the 13-story tower is a centerpiece of the new mixed-use development, establishing it as a place to work, live, and play. The building's ruggedly sculpted white facade evokes the basalt rock formations found in Yosemite National Park's Devils Postpile. Carved into smaller bays, the faceted precast concrete captures shifting light and shadows, giving the monolithic volume an ever-changing appearance befitting its waterfront location. "Drawing inspiration from the geologic formations of Yosemite, our design distills these influences into a 'neighborhood' scale by carving the massing into smaller bays, evoking the charm of San Francisco's traditional neighborhoods," explained Daniel Baumann, Partner and Design Director at Henning Larsen. The carved massing creates a dynamic formal expression from street level, reminiscent of the city's famous topography. Outdoor terraces wrap the tower from the second to fifth floors, crowned with wind-sheltered rooftop gardens offering views of the San Francisco skyline and bay. Part of the larger Mission Rock development by Tishman Speyer and the San Francisco Giants, the Visa building establishes an architectural centerpiece anchoring the new 28-acre neighborhood with residences, offices, parks and amenities. 设计团队： Henning Larsen建筑事务所源于1959年，由丹麦建筑师Henning Larsen创办。这位"光影大师"以精湛的手腕将自然光线融入设计之中，赢得了同行的赞誉。时至今日，事务所秉承创始人求知创新、体现人性化的设计理念，业务范畴遍及建筑、景观、城市规划和室内设计。 目前，事务所由拥有几十年资历的Mette Kynne Frandsen担任执行总监，Jacob Kurek则出任全球市场总监，二人领衔这个团队已逾六十载。在他们的领导下，Henning Larsen建筑事务所已发展成为拥有600余名员工、遍布八个国家的全球化设计机构。其作品着眼于细节，却着重宏观视角，能够在创新设计中体现长远影响力，缔造理想的未来。 他们屡获殊荣，包括著名的"密斯建筑奖"、“欧洲年度建筑师奖”、2021年"亚太区卓越地产奖"以及2023 年被 Fast Company 评为全球最具创新力的公司之一等。2019年，Henning Larsen建筑事务所加入安博集团 (Ramboll)，融合社会责任意识和北欧传统，共同打造人与自然和谐共生的未来家园。 Founded in 1959 by Danish architect Henning Larsen, the eponymous firm has carved out a reputation for masterfully blending daylight into their designs - earning Larsen himself the moniker "the master of light." Today, the internationally renowned practice continues championing Larsen's inquisitive and experiential approach across architecture, landscape, urban design and interiors. At the helm are Managing Director Mette Kynne Frandsen and Global Market Director Jacob Kurek, boasting over six decades of combined experience at Henning Larsen. Their leadership has been pivotal to the firm's growth into a global design community of over 600 employees spread across eight countries. Henning Larsen's portfolio showcases an acute attention to detail balanced with a holistic perspective, enabling them to manifest lasting change by innovating and cultivating desirable futures through design. Their prowess has garnered numerous accolades, including the prestigious Praemium Imperiale, the EU Prize for Contemporary Architecture, and the 2021 ULI Asia Pacific Award of Excellence. In 2019, the firm joined the Ramboll Group, furthering their ambition to spearhead sustainable solutions by synthesizing cross-disciplinary thinking, social responsibility, and a Nordic legacy of crafting societies where people and nature flourish. 设计团队 旅游探访 28810 ㎡ 美国，旧金山 2023年 Previous Next

< 返回 仓羽牙科诊所 TA+A 设计特色： 由TA+A事务所建筑师伊原慶设计的东京港区仓羽牙科诊所重塑了传统诊所体验。临街而建于坚固的砖造建筑内，院所正对一个独特的五叉路口，建筑师颇具反传统精神，将"候诊区域向外推至街道"。多边形的平面布局呼应了路口多面向的特质，摒弃了死角，使各空间之间自然过渡。内墙采用粗粝砂浆涂抹，抽象再现外部砖砌质感，内外界限渐次消弭。仓羽牙科诊所完全融入周遭城市景观，体现了它作为街区生活延伸的理念。细节设计进一步加强了诊所与所在环境的对话。灰色地坪营造出路面质感，长凳座椅造型借鉴人行道铺装，可于诊疗时调整排列。通过保持"敞开接纳城市"的设计，挑战了医疗场所通常内向孤立的传统。建筑师巧妙运用多面手法，平衡了这种内向倾向，在建筑内部与汹涌的街景之间营造了共生关系。这一内外交织，使得平凡的牙科诊所荟萃成一种身临都市景观的沉浸体验。 Designed by architect Kei Ihara of TA+A, the Kuraha Dental Office in Tokyo's Minato ward reimagines the traditional clinical experience. Situated within a robust brick building fronting a distinctive five-way intersection, the architects subverted expectations by "throwing the waiting area onto the street." The polygonal floor plan reflects the intersection's multifaceted character, eschewing dead ends to create a fluid transition between spaces. Interior walls rendered in textured plaster abstractly echo the exterior brickwork, blurring boundaries between inside and out. Kuraha seamlessly integrates with the surrounding cityscape, embracing its role as an extension of neighborhood life. Carefully considered details strengthen the clinic's dialogue with its context. Grey flooring evokes asphalt roads, while pavement-inspired bench seating allows reconfiguration during consultations. By retaining an "openness to the city," the design challenges the introspective nature often associated with healthcare facilities. The architects' deft multifaceted approach counterbalances this inward tendency, fostering a symbiotic relationship where Kuraha's interior mirrors the vibrant intersection beyond its walls. This interplay elevates the humble dental clinic into an immersive urban experience. 设计团队： TA+A是东京建筑设计事务所，由伊原慶（1981年生）于2014年创立，秉承"创造可催生后续事件的建筑"理念。十年来，该事务所创作了多种类型的杰作，近年来更着力营造"柔性公共性"，使建筑与城市肌理自然共融。在伊原慶及总监飯田嵩洋的领导下，TA+A的设计远非囿于实体建筑。他们体现了半农村地区的独特魅力，通过商业智慧确保长期可持续性，并透过重新诠释现有景观培育人们对建筑的情感依恋。这种细腻体察化作点点细流，最终滋养城市景观。除了建筑设计，TA+A还从事品牌营销，为客户构思运营框架，通过对话将场址的社会经济价值转化为有形的价值主张，巧妙展现事务所的专业素养。TA+A追求代代相传的远见卓识，将自身确立为当代日本建筑先锋的坚实地位。 Founded in 2014 by Kei Ihara, TA+A is an acclaimed Tokyo-based architectural practice driven by the pursuit of "architecture that generates subsequent events." Over the past decade, the firm has created a diverse portfolio spanning various building typologies, with a recent emphasis on cultivating "gentle publicness" - an ethos that seamlessly intertwines architecture with the urban fabric. Under the leadership of Ihara and Director Takahiro Iida, TA+A's approach transcends mere physical structures. Their designs encapsulate the allure of semi-rural locales, foster long-term viability through business acumen, and forge emotional attachments by reinterpreting existing landscapes. This nuanced understanding manifests in delicate interventions that ripple outward, enriching cityscapes. Beyond architectural design, TA+A undertakes branding initiatives and conceptualizes operational frameworks, translating a site's societal and economic values into tangible, value-generating propositions through client dialogue. With unwavering professionalism, the firm articulates visions that transcend generations, solidifying its position as a vanguard of contemporary Japanese architecture. 设计团队 旅游探访 92.43 ㎡ 日本，东京 2023年 Previous Next

< 返回 西藏唐卡艺术博物馆 AND Studio 设计特色： 由AND Studio设计的令人印象深刻的西藏唐卡艺术博物馆，是一座当代建筑杰作，颂扬了藏传佛教艺术和当地文化。博物馆巧妙地位于拉萨布达拉宫附近神圣的彭布山脚下，其阶梯式体量设计灵感来源于布达拉宫标志性的层层叠叠的建筑形式。六座相互连接的建筑体量沿着山坡层层而下，邀请游客沿着户外平台一路攀登，欣赏悬挂在高耸墙壁上的大型唐卡画作。一座中央"风塔"采用了双层幕墙系统，实现了自然通风，同时也呼应了该地区的传统民居建筑语汇。室内一系列展厅采用了纹理混凝土墙体，重新诠释了传统西藏石砌建筑手法。天窗投射在展厅内的自然散射光线，为展出的精美唐卡佛教艺术品营造了恰到好处的灯光环境。西藏唐卡艺术博物馆植根于当地文脉，同时又自信地展现出现代气息，巧妙地将历史建筑形式和文化象征性元素融入了当代建筑之中。AND Studio虔诚而睿智地将过去与现在融合，打造了一座感受唐卡绘画这一古老精神艺术的灵魂空间。 Acclaimed Chinese architecture firm AND Studio has completed the striking Tibetan Thangka Art Museum, a contemporary celebration of Buddhist art and local culture in Lhasa. Nestled at the foot of the sacred Penbu Mountain, the museum's boldly sculpted volumes pay homage to the iconic stepped architecture of the nearby Potala Palace. The six interconnected structures cascade down the mountain slope, inviting visitors on an ascent through staggered outdoor plazas that frame impressive views of hanging Thangka paintings displayed on towering walls. A central "wind tower" featuring a dual-skin curtain wall naturally ventilates the interior while evoking the region's vernacular. Inside, a network of exhibition halls are crisply detailed with textured concrete walls reinterpreting traditional Tibetan stone masonry techniques. Skylights filter diffuse daylight into the galleries, which are primarily illuminated by artificial lighting calibrated for displaying the intricate Buddhist artworks. Deeply rooted in context yet confidently modern in expression, the Tibetan Thangka Art Museum deftly transcribes historical building forms and cultural symbolism into an inspiring contemporary architectural statement. AND Studio's respectful synthesis of past and present creates an inspiring space to experience the ancient spiritual art of Thangka painting. 设计团队： AND Studio事务所源于2014年，由年轻建筑师Duccio Cardelli和王宁在一家巴黎咖啡馆里的一次对谈构思而成。在普利兹克奖获得者克里斯蒂安·德·包赞巴克建筑事务所工作了12年后，这对搭档在巴黎和上海分别创办了事务所。自创立以来，AND Studio一直与全球顶尖的国际和本土专家合作，项目和经验不断丰富。如今这家事务所由一支对场所环境和人性需求敏锐的团队引领，他们的目标是通过植根当下又展望未来的建筑设计，连接不同的社区并促进它们的融合，寻求良好的生活质量，培养年轻一代的知识和教育，遵循新兴技术，最重要的是尊重地球。建筑反映了它诞生的时代价值观和社会文化实践。AND Studio营造的是一个连接与交流的空间，在业内专家之间建立对话，从而体现时代精神。最近，AND Studio设计的西藏唐卡艺术博物馆和成都天府文创城规划展示厅两个项目均获殊荣，彰显了他们对文化内涵的深入理解和卓越设计理念。 Founded in 2014, AND Studio emerged from the minds of young architects Duccio Cardelli and Ning Wang over a Parisian cafe conversation. After honing their skills for over a decade under the mentorship of 1994 Pritzker Prize laureate Christian de Portzamparc, the pair launched their design practice with offices in Paris and Shanghai. Since its inception, AND Studio has collaborated with top international and local experts across the globe, steadily expanding its diverse portfolio and expertise. Today, the firm is guided by a passionate team attuned to the nuances of place and inspired by human needs. Their mission? To shape tomorrow's world through contextually grounded yet forward-thinking architecture that connects communities, fosters integration, prioritizes quality of life, nurtures knowledge and education for future generations, embraces emerging technologies, and above all, respects the planet. Architecture reflects the era and values from which it arises and the social and cultural practices it houses. AND Studio creates spaces for connection and exchange, fostering vital communication among professionals to channel the spirit of the age. Recent award-winning works like the Tibetan Thangka Art Museum and Chengdu Skyline Architectural Exhibition Hall exemplify their commitment to design excellence rooted in cultural significance. 设计团队 旅游探访 8658 ㎡ 中国，拉萨 2023年 Previous Next