< 返回 〇 IGArchitects 项目名称：〇 地点：东京，日本 设计团队：IGArchitects 建筑面积：132.50平方米 竣工时间：2025年12月 摄影：Ooki Jingu 设计特色： 由建筑师五十岚理人领导的东京建筑事务所IGArchitects完成了涩谷一处单层办公空间的改造，通过插入六个超越传统建筑等级的圆形元素，创造出一个持续适应性的工作空间。这个简单命名为"〇"的项目，将传统办公环境重新构想为一个流动场域，其中用途不断转换和重叠，而非固定于预设区域，展示了如何通过空间余地本身作为设计策略，在不确定的功能需求中创造出能够持续更新的空间骨架。 该项目的核心挑战在于应对非固定用途的办公需求。客户寻求的不是特定功能的办公空间，而是能够容纳员工福利、接待等多种未固定使用模式的场所。通过一系列讨论，建筑师发现客户对单层空间内部的空间偏向和占据场所持有直觉感知。五十岚理人没有将这些模糊的需求规划为固定的功能区域，而是将空间余地本身构想为主要的建筑命题。 该建筑的核心特征是其创新的六个无尺度环形元素配置。五十岚理人没有用传统墙体或刚性隔断分割这个132.5平方米的空间，而是引入从建筑构件到类家具组件跨越尺度的环形元素。这些环形既不是分隔空间的墙体，也不是明确定义的房间，而是作为温和引导人的驻留、视线和行为的装置进行配置。 各个环形元素体现了矛盾特质，同时具备连接与分离、包围与向外开放的相反性质，在空间中产生引力与斥力，持续更新人与空间的关系。当火炉燃起时，高度差异产生显着的环境变化。这种策略性设计创造了分层的空间体验，使办公空间能够根据使用者的行为和情境有机地涌现不同关系。 由这些环形群构成的单层空间既没有明确的中心也没有边缘，成为用途和占据模式持续波动的场域。空间不承载固定意义，也不被归入单一功能。关系根据行为和情境涌现，使用模式随时间转移、重叠并反复更新。该项目展示了如何通过直接回应客户需求而不将其定义为单一用途，建立能够抵御变化的空间骨架。 在当代语境中，多样化的功能和行为已无法仅用"办公室"一词涵盖，它们在楼层中重叠和延展。通过重新诠释楼层内部潜在的环境差异和关系，该设计探索了一种既不分割空间也不依赖明确分区的共存配置，创造出充满生命力且与使用需求共生的工作空间。 设计团队 ：IGArchitects作为当代日本建筑实践的先锋力量，由出生于东京的建筑师五十岚理人于2020年创立，自成立以来已确立其在当代建筑设计以及空间关系创新领域的重要地位。这家立足东京的事务所通过探索建筑元素如何在居住者与环境之间生成新的关系，重新定义当代日本建筑师在设计话语中的角色。 五十岚理人为建筑实践带来了卓越的空间构成设计视角和对结构表达的深刻理解。该事务所因其将结构形式作为承重系统和空间组织者进行持续研究的承诺而获得认可。五十岚理人1983年出生于东京，2008年从工学院大学大学院建筑学专攻毕业后在清水建设株式会社设计部工作，2014年加入SUPPOSE DESIGN OFFICE，积累了丰富的实践经验，于2019年开始独立设计活动，2020年建立独立事务所。他的教学参与涵盖东京理科大学、东京电机大学和法政大学的兼职讲师职位，现与员工矢崎裕希共同领导该事务所。 该事务所的设计哲学强调建筑应该超越传统的功能定义，探索如何通过结构和空间的创新配置创造新的居住关系。事务所相信通过对场地特定条件的细致观察和对空间组织的深度研究，建筑能够挑战静态的居住和空间定义观念。通过对空间构成和结构表达的实验性手法，开展从住宅到办公建筑及室内设计的多元化作品。 该事务所在建筑界获得了显着认可，ピラミッドハット项目荣获2026年建筑九州岛赏JIA特别赏、2025年JCD OKINAWA空间デザイン赏大赏。事务所还在2025年获得ArchDaily Next Practices Awards及archello评选的25家日本最佳建筑事务所。家の躯体项目获得2025年JIA关东甲信越支部住宅部会赏室伏次郎赏，一本足の家入选2025年日本建筑学会作品选集并获得2025年建筑九州岛赏佳作。柱群の家获得2024年ASIA ARCHITECTURE DESIGN AWARD住宅室内设计最优秀赏。 除实践外，通过对空间尺度的精准把握、结构创新的深入研究以及空间关系的持续探索，IGArchitects已确立自己作为当代日本建筑话语重要贡献者的地位，创造出既具实验性又保持建筑卓越性的作品。日本、台湾、法国、意大利、西班牙、德国、澳大利亚和韩国的出版物均报道了他们的项目，认可其对推进建筑话语的贡献。在五十岚理人的持续领导下，该事务所目前在日本建筑景观中占据独特地位，专注于创造挑战静态居住观念、充满生命力的建筑空间。 设计团队 旅游探访 132.50 m² 东京，日本 2025 Previous Next

< 返回 Nagarami Resort Sosa 篠崎弘之建筑设计事务所 项目名称：NAGARAMI RESORT SOSA 地点：千叶县匝瑳市，日本 设计团队：篠崎弘之建筑设计事务所 建筑面积：476.48 m² 完成时间：2024 摄影：中村絵，篠崎弘之建筑设计事务所 设计特色： 项目 - 位于日本千叶县匝瑳市的沙丘背后，NAGARAMI RESORT SOSA是由篠崎弘之建筑设计事务所设计的一个创新型酒店项目。这个476.48平方米的度假区项目成为了注重环境融合设计的杰出范例，既尊重原始自然景观，又创造了独特的建筑体验。 该项目最独特的特点是其"十字墙"系统，巧妙地将1.2公顷的广阔土地分割成不同的区域，而不是追求传统的高层建筑以获取海景视野。这个精心设计的十字形墙体创造了一系列大小不一、开放程度各异的庭院空间，使访客能够在沙地、空旷天空和原野的简朴环境中感受原始的丰富性。 建筑的屋顶设计同样引人注目，方形屋顶被放置在十字墙的交叉点上，形成了内部、半外部和外部空间的精妙划分。这种设计反映了项目将现代建筑语言与自然环境深度融合的目标。 最具创新性的是度假村的空间组织方式，每个区域包含一个主建筑、两个附属建筑、四个庭院和七个房间，总共分为四个主要区块。这种布局既确保了酒店所需的隐私，同时又创造了一种微妙的共享体验，让不同的访客能够共同感受相同的自然环境。 通过这些创新元素，设计团队打造了一个引导访客以十字墙为参考点，在不同时间、不同方位间移动，感受自然变化的独特环境。NAGARAMI RESORT SOSA超越了传统度假酒店的角色，成为一个真正的环境媒介——一个使人们能够深刻感受大地时间和风景的场所，既尊重当下又连接永恒。 团队 - 篠崎弘之建筑设计事务所成立于2009年，是一家以东京为基地的建筑设计事务所，由主创建筑师篠崎弘之在东京艺术大学完成学业并在伊东丰雄建筑事务所积累经验后创立。 事务所的方法论围绕空间清晰性、材料诚实性以及对建筑形式与人类体验之间关系的深刻理解。在篠崎弘之的领导下，现任设计团队——包括增田裕树、谷拓也和Frans Jonathan等核心成员——不断推动当代日本建筑的边界。 事务所的作品集展示了非凡的多样性，涵盖住宅、商业、文化和教育类型。像NAGARAMI RESORT SOSA这样的项目展示了事务所对空间、光线和形式的精湛操控能力，其设计既具有严格的理性规划方法，又能产生富有诗意的空间构成。 自成立以来的十多年里，篠崎弘之建筑设计事务所已获得多项荣誉，包括栃木县马罗尼埃建筑大奖（2020）和东京建筑师协会住宅建筑奖（2013）等。该事务所继续推进其"为所有人服务的建筑"愿景，通过精确、深思熟虑的设计创造提升日常人类体验的空间。 Project Name: NAGARAMI RESORT SOSA Location: Sosa City, Chiba Prefecture, Japan Design Team: Hiroyuki Shinozaki & Associates, Architects Total Floor Area: 476.48 m² Completion: 2024 Photography: Nakamura E, Hiroyuki Shinozaki & Associates Feature: Project - Situated behind sand dunes in Japan's Chiba Prefecture, NAGARAMI RESORT SOSA by Hiroyuki Shinozaki & Associates, Architects represents an innovative hospitality concept. This 476.48-square-meter resort development emerges as a compelling example of contextually responsive design that honors the primordial landscape while creating a distinctive architectural experience. The project's most distinctive feature is its "cruciform wall" system, which ingeniously divides the vast 1.2-hectare site into different zones rather than pursuing conventional high-rise construction to capture ocean views. This thoughtfully designed cross-shaped wall arrangement creates a series of gardens varying in size and degree of openness, enabling visitors to experience the primordial richness within the austere environment of sand, open sky, and wilderness. The roof design is equally remarkable, with square roofs positioned at wall intersections creating sophisticated divisions between interior, semi-exterior, and exterior spaces. This design reflects the project's goal of deeply integrating modern architectural language with the natural environment. Perhaps most innovative is the resort's spatial organization, with each area comprising one main building, two ancillary buildings, four gardens, and seven rooms, divided into four primary zones. This arrangement ensures the privacy required of a hotel while simultaneously creating a subtle shared experience, allowing different visitors to collectively experience the same natural phenomena. Through these innovative elements, the design team has crafted a unique environment that guides visitors to move between different times and orientations using the cruciform walls as reference points, experiencing the changing nature. NAGARAMI RESORT SOSA transcends its role as a conventional resort facility to become a genuine environmental mediator—a place that enables people to deeply sense the temporality and landscape of the earth, honoring the present while connecting to the eternal. Design Team - Hiroyuki Shinozaki & Associates, Architects was founded in 2009 as a Tokyo-based architectural practice by principal architect Hiroyuki Shinozaki, after completing his education at Tokyo University of the Arts and gaining experience at Toyo Ito & Associates. The firm's methodology centers on spatial clarity, material honesty, and a profound understanding of the relationship between built form and human experience. Under Shinozaki's leadership, the current design team—including key members Yuki Masuda, Takuya Tani, and Frans Jonathan—continues to push the boundaries of contemporary Japanese architecture. The practice's portfolio demonstrates remarkable versatility, encompassing residential, commercial, cultural, and educational typologies. Projects like NAGARAMI RESORT SOSA exemplify the firm's masterful manipulation of space, light, and form, with designs characterized by rigorously rational planning methodologies that nonetheless yield poetic spatial compositions. In over a decade since its inception, Hiroyuki Shinozaki & Associates has received numerous accolades, including the Maronie Architecture Grand Prize of Tochigi Prefecture (2020) and the Tokyo Architects Association Housing Architecture Award (2013). The firm continues to advance its vision of "architecture for all," creating spaces that elevate everyday human experience through precise, thoughtful design. 设计团队 旅游探访 476.48 m² 千叶县匝瑳市，日本 2024 Previous Next

< 返回 21-24 Nikkakjøkken餐厅 OFFICE INAINN 项目名称：21-24 Nikkakjøkken餐厅 地点：锡尔特，挪威 设计团队：OFFICE INAINN 建筑面积：127 m² 竣工时间：2025年 主持建筑师：Maksymilian Sawicki 设计特色： 项目 - 位于挪威锡尔特的21-24 Nikkakjøkken餐厅，由OFFICE INAINN设计，展现了当代介入如何在尊重建筑遗产的同时创造精致的用餐环境。这座127平方米的项目是可逆设计的典范，一个独立的木结构插入体为历史悠久的挪威谷仓注入新生命，同时完全保持其原有结构的完整性。 该设计最独特的特征是其创新的插入式设计哲学。建筑师没有选择重建或大规模改造，而是创造了一个自成体系的木质核心，在现有壳体内独立运作并提供完整的餐厅功能。这个轻量化模块被设计为可在未来拆卸而不损伤遗产结构，展现了对建筑保护和可持续性的深刻理解。服务设施、储藏空间和后勤功能巧妙地整合在插入体内，保持原有桁架结构的清晰性和空间流动的连贯性，让历史结构的韵律与比例成为空间的主角。 项目的建筑叙事通过精妙的材料克制策略展开，回应遗产保护与当代功能需求的统一。外部轮廓忠实于景观，现有开口经过精心调整而非扩大。所有新介入呈现为次要层次，采用干式、隐蔽的固定方式，尊重建筑的历史叙事。全部新增构造均使用木材，建立起材料的连续性，同时显著降低环境影响。这种材料选择不仅体现了斯堪的纳维亚设计传统，更展现了对场地特性和可持续建造的纯粹回应。 细部处理展现了创意执行力与历史敏感性的亲密关系。新地板精确呼应现有木板的不规则宽度，创造出新旧交织的无缝场域，在这里历史与当代以视觉和谐的方式共存。门槛和通风格栅被处理为细线条，确保裸露的结构框架和桁架下的韵律比例保持清晰可辨。这种对细节的极致关注不仅是技术上的成就，更是对建筑历史价值的尊重表达。 空间处理展现了经济性策略与环境责任的深度融合。作为改造项目，建筑师通过重复利用现有结构显著降低隐含碳排放。可拆卸的构造方式、有限的湿作业和分阶段实施策略既保留建筑身份，又确保维护符合当地能力。这种设计方法超越了单纯的美学追求，将可持续性理念深度整合到设计决策的每个层面。 项目的显著特色是其精心编排的保护策略和空间体验价值。21-24 Nikkakjøkken餐厅位于锡尔特，将历史谷仓转化为精致的当代用餐空间，同时完整保留其农业遗产特征。建筑师通过插入而非重建的策略，精确地回应了遗产保护与功能更新之间的复杂关系。这是一座为提升用餐体验而设计的建筑，证明了在历史建筑环境中，建筑可以通过深思熟虑的设计创造出丰富的空间体验和可持续价值。建筑与景观的联系在精致平衡的对话中无缝整合，创造了尊重过去同时拥抱未来的意义空间。这个项目成为可逆设计和文化遗产保护的典范，展示了如何在不损害历史结构的前提下实现当代功能需求。 设计团队 - OFFICE INAINN由建筑师Maksymilian Sawicki于2020年创立，是一家总部位于挪威奥勒松的独特建筑事务所，在设计、研究和环境敏感性的交汇点开展实践。如今，在创始人兼主持建筑师Sawicki的带领下，事务所保持着严谨而专注的团队结构，从奥勒松的基地开展植根于斯堪的纳维亚设计哲学的情境敏感介入实践。 在Sawicki的创意指导下，21-24 Nikkakjøkken餐厅项目体现了事务所核心的设计理念和方法论。Sawicki将建筑视为一门包含艺术探索和实践型研究的扩展学科，他的方法论涉及对空间关系的严格分析，解构建筑元素以理解其对人类体验和自然环境的根本影响。这一理论框架转化为以精细细部和材料精准为特征的建成作品，展现了从战略规划到材料细节各个尺度的设计控制力。 事务所的设计哲学聚焦于情境敏感性和环境责任，强调简约、功能性和对自然环境的深刻尊重。他们的设计方法论建立在人、自然和环境之间的对话基础上，每个项目都成为对景观、文化和日常生活之间复杂关系的回应。事务所的实践强调持久性和责任感，创造的不仅是功能性结构，更是以深思熟虑和尊重方式转化周边环境的介入。事务所的业务范围涵盖从战略规划到材料细节的全尺度设计，与挪威各地的市政当局和私人客户合作，在建筑、研究和艺术实践的交叉领域开展工作。 显著成就包括作品在国际知名平台上发表，包括Wallpaper、Architectural Digest和Dezeen等专业媒体。事务所与奥勒松市政府、峡湾市政府等公共机构以及多家私营企业建立合作关系，展现出对材料本质的深入理解、对空间品质的持续追求以及对可持续设计的坚定承诺。Sawicki在研究、长期合作和对情境的精确理解基础上建立的设计方法，确保每个项目都根植于其独特的场地条件和文化背景。 OFFICE INAINN通过涵盖建筑设计、实践型研究和理论探索的多样化作品集，在当代斯堪的纳维亚建筑领域建立了独特的立场，展现出将环境敏感性与设计卓越相结合、探索建筑如何以最小环境影响创造持久和谐空间的设计态度，致力于创造既回应情境又尊重自然的建筑介入。 设计团队 旅游探访 127 m² 锡尔特，挪威 2025 Previous Next

< 返回 纳闽巴霍 Ta'aktana 豪华度假酒店 ANP interior architecture 项目名称：纳闽巴霍Ta'aktana豪华度假酒店 设计团队：ANP interior architecture 面积：16 hectares / 70 keys 地点：弗洛勒斯岛，印度尼西亚 设计特色： 项目 – 万豪国际奢华精选酒店品牌在印尼弗洛雷斯岛揭幕了令人惊叹的全新度假村——纳闽巴霍Ta'aktana豪华度假酒店。这座注重生态的隐世天堂巧妙地将现代设计与丰富的本土传统融为一体，在传奇的科莫多国家公园咫尺之遥，为宾客打造无与伦比的奢华体验。 Ta'aktana坐落于16公顷原始风光之中，共有70间客房，其中包括7栋独特的水上别墅。巴厘岛设计团队ANP Interiors从当地特色的蜘蛛网状Lingko水稻田地和原住民曼加莱人的锥形小屋中汲取灵感。最终呈现出文化遗产与现代简约主义的和谐融合。 度假村的建筑语言以优雅的曲线轮廓和精心打造的天然木材、纤维特色为主。别墅中精美的编织天花板镶板尤为引人注目，展现了传统工艺的现代诠释。 Ta'aktana对可持续发展和社区参与的承诺随处可见。从Umasa餐厅的再生织物杯垫到庆祝曼加莱文化的工作坊，度假村无缝融入了负责任的旅游实践。 Di'a水疗中心受到岛上兰科和巴图切尔明洞穴的启发，提供独特的养生之旅，设计元素令人联想起自然地貌。餐饮选择包括五个不同概念餐厅选择，其中Taba的日式机器人料理和Umasa的农场直供印尼美食尤为出彩。 纳闽巴霍Ta'aktana豪华度假酒店成为了深思熟虑的设计、文化传承和至臻奢华的典范，为这个新兴的印尼旅游胜地树立了酒店业的新标杆。 团队 – 由设计师Alvin Jo于2014年创立的ANP室内建筑，迅速在东南亚设计领域确立了自己的重要地位。公司在巴厘岛和新加坡设有工作室，以其无缝融合建筑完整性和创新室内解决方案而闻名。 Alvin Jo毕业于新加坡莱佛士拉萨尔设计学院，现领导着一支多学科专业团队，每位成员都来自不同设计领域。这种协作方式使ANP能够承接从定制产品设计到大型酒店项目在内的各类项目，业务遍及印度尼西亚、新加坡、马来西亚和印度。 ANP的设计理念植根于对环境和传统的深刻尊重，同时不断推动空间设计的边界。ANP的作品集展示了对功能性、耐久性、舒适性和低调优雅的承诺。无论是私人住宅还是商业空间，每个项目都体现了公司致力于创造能在感官层面与客户和用户产生共鸣的环境。 Project：Ta’aktana Labuan Bajo Team：ANP interior architecture Size：16 hectares / 70 keys Location： Flores island, Indonesia Feature： Project - Marriott International's Luxury Collection unveils Ta'aktana, a stunning new resort nestled on the Indonesian island of Flores. This eco-conscious hideaway seamlessly blends contemporary design with rich local traditions, offering an unparalleled luxury experience just a stone's throw from the legendary Komodo National Park. Set across 16 hectares of pristine landscape, Ta'aktana boasts 70 keys, including seven exclusive overwater sea villas. Balinese firm ANP Interiors drew inspiration from the region's distinctive spider-web-shaped Lingko rice terraces and the conical huts of the indigenous Manggarai people. The result is a harmonious fusion of cultural heritage and modern minimalism. The resort's architectural language is defined by graceful curved silhouettes and meticulously crafted features utilizing natural wood and fibres. A standout element is the exquisite woven ceiling panels adorning the villas, showcasing a contemporary reinterpretation of traditional craftsmanship. Ta'aktana's commitment to sustainability and community engagement is evident throughout. From upcycled fabric coasters in the Umasa restaurant to workshops celebrating Manggarai culture, the resort seamlessly integrates responsible tourism practices. The Di'a Spa offers a unique wellness journey inspired by the island's Rangko and Batu Cermin caves, incorporating design elements that evoke natural formations. Culinary offerings span five distinct concepts, with Taba's Japanese robata cuisine and Umasa's farm-to-table Indonesian delights taking center stage. Ta'aktana Labuan Bajo emerges as a testament to thoughtful design, cultural preservation, and uncompromising luxury, setting a new standard for hospitality in this burgeoning Indonesian destination. Design Team - Founded in 2014 by visionary designer Alvin Jo, ANP Interior Architecture has rapidly established itself as a formidable presence in the Southeast Asian design landscape. With studios in Bali and Singapore, the firm has cultivated a reputation for seamlessly blending architectural integrity with innovative interior solutions. Jo, an alumnus of Raffles Lassalle (Singapore), leads a multidisciplinary team of professionals, each bringing expertise from various design disciplines. This collaborative approach enables ANP to tackle projects ranging from bespoke product design to large-scale hospitality ventures across Indonesia, Singapore, Malaysia, and India. ANP's design philosophy is rooted in a profound respect for context and tradition, while pushing the boundaries of spatial design. ANP's portfolio showcases a commitment to functionality, durability, comfort, and understated elegance. Each project, whether a private residence or a commercial space, reflects the firm's dedication to creating environments that resonate with both clients and users on a deeply sensory level. 设计团队 旅游探访 16 公顷 / 70间 弗洛勒斯岛，印度尼西亚 2024 Previous Next

< 返回 山顶Bunkie屋 Dubbeldam Architecture + Design 项目名称：山顶 Bunkie 屋 设计团队：Dubbeldam Architecture + Design 面积：93 m² 地点：加拿大，安大略省马斯科卡 设计特色： 项目 – 坐落于安大略省马斯科卡地区山顶之上，由Dubbeldam Architecture + Design打造的"山顶小屋"（Bunkie on the Hill）为传统A型框架木屋带来了一番现代诠释。这座93平方米的精巧别墅巧妙地融入了周围的森林环境，为一个多代同堂的家庭提供了一处宁静的避世之所。 小屋最引人注目的特色是其分叉的山形屋顶，巧妙地重新诠释了经典的A型框架轮廓。这一创新设计创造了两个相交的体量，使得窗户可以战略性地布置，框住树梢和下方湖泊的景致。其结果是整个室内光影的动态交织，增强了与自然的联系。 外立面采用了灰色木板包覆，顶部则是立缝金属屋面，与温暖的雪松木入口形成清凉对比。内部则巧妙地混搭了不同的木材品种——包括橡木、枫木和西部红雪松——以区分不同区域层次，创造出丰富的触感体验。 尽管面积不大，但"山顶小屋"通过内置储物角落和多功能空间最大化了实用性。可持续性设计贯穿始终，采用了被动式隔热技术、三层玻璃窗和FSC认证的木制品。 Dubbeldam Architecture + Design精心打造了这座不仅尊重环境，更提升了木屋类型的舒适度假屋，为加拿大野外的湖畔生活提供了全新视角。 团队 – Dubbeldam Architecture + Design成立于2002年，由Heather Dubbeldam创立。作为加拿大皇家建筑学会会员（FRAIC）、安大略省建筑师协会注册建筑师（OAA）、LEED认证专业人士和WELL认证专业人士，Heather带领事务所迅速成为加拿大可持续创新设计的先锋。这家总部位于多伦多的多学科设计工作室将环境和社会可持续性无缝融入其多元化的项目组合中，涵盖住宅、商业和公共领域项目。 事务所的设计方法以严谨的研究驱动型方法论为特色，致力于通过周到的设计提升人类体验。他们的作品范围广泛，从定制住宅和多单元开发项目到充满活力的工作空间和混合用途建筑，始终优先考虑宜居性、可持续性和社会影响。 其实践超越了常规界限，积极参与城市密集化和"中间层住房"的前沿研究。他们为解决住房短缺问题提出的创新方案以及对改善公共领域的承诺，为事务所赢得了90多个奖项，包括2024年加拿大皇家建筑学会建筑实践奖和多个加拿大绿色建筑奖。 事务所对建筑、室内和景观设计的整体方法，加上他们倡导社会和环境正义的努力，使他们在加拿大进步建筑实践的前沿占据重要地位。他们的作品在2023年威尼斯建筑双年展上展出，充分体现了事务所通过可持续的、以人为本的设计方案重新构想建成环境的决心。 Project：Bunkie on the Hill Team：Dubbeldam Architecture + Design Size：93 m² Location：Muskoka, Ontario, Canada Feature： Project - Perched atop a hill in Muskoka, Ontario, the Bunkie on the Hill by Dubbeldam Architecture + Design offers a contemporary twist on the traditional A-frame cabin. This compact 93-square-metre retreat seamlessly blends into its forested surroundings while providing a serene escape for a multi-generational family. The cabin's most striking feature is its split gabled roof, a clever reinterpretation of the classic A-frame silhouette. This innovative design creates two intersecting volumes, allowing for strategically placed windows that frame views of the treetops and the lake below. The result is a dynamic interplay of light and shadow throughout the interior, enhancing the connection to nature. Clad in greyed wood siding and topped with a standing-seam metal roof, the exterior presents a cool contrast to the warm cedar entryway. Inside, a thoughtful mix of wood species - including oak, maple, and Western red cedar - differentiates various planes, creating a rich, tactile experience. Despite its modest footprint, the Bunkie maximizes functionality through built-in storage nooks and multi-purpose spaces. Sustainability is at the forefront, with passive insulation techniques, triple-glazed windows, and FSC-rated wood products employed throughout. Dubbeldam Architecture + Design has crafted a retreat that not only respects its environment but elevates the cabin typology, offering a fresh perspective on lakeside living in the Canadian wilderness. Design Team - Founded in 2002 by Heather Dubbeldam, FRAIC, OAA, LEED AP, WELL AP, Dubbeldam Architecture + Design has established itself as a vanguard of sustainable and innovative design in Canada. This Toronto-based multi-disciplinary studio seamlessly integrates environmental and social sustainability into their diverse portfolio, spanning residential, commercial, and public realm projects. Led by Dubbeldam alongside Associate Principal Derek McCallum, OAA, and Associates Andrew Snow and Aaron Finbow, OAA, the firm's approach is characterized by rigorous research-driven methodologies and a commitment to enhancing the human experience through thoughtful design. Their work, ranging from bespoke homes and multi-unit developments to dynamic workspaces and mixed-use buildings, consistently prioritizes livability, sustainability, and social impact. Dubbeldam's practice extends beyond conventional boundaries, engaging in cutting-edge research on urban densification and missing middle housing. Their innovative solutions to housing shortages and commitment to public realm enhancement have garnered over 90 awards, including the 2024 RAIC Architectural Practice Award and multiple Canada Green Building Awards. The firm's holistic approach to architecture, interiors, and landscape design, coupled with their advocacy for social and environmental justice, positions them at the forefront of progressive architectural practice in Canada. Their work, featured in the 2023 Venice Architecture Biennale, exemplifies their dedication to reimagining the built environment through sustainable, people-centered design solutions. 设计团队 旅游探访 93 m² Muskoka, Ontario, Canada 2023 Previous Next

< 返回 无印良品代官山店 SANAA 项目名称： 无印良品代官山店 地点： 东京，日本 设计团队： SANAA 建筑面积： 498.24平方米 竣工时间： 2024年10月 设计特色： 项目 - 在东京时尚代官山区的中心，SANAA建筑师事务所的妹岛和世与西泽立卫将无印良品旗舰店改造成了一个革命性的零售空间，在这里，商品本身成为了建筑的一部分。这个于2024年10月完工的项目，代表了零售设计的彻底重新思考，商品超越了其商业角色，成为室内设计不可分割的组成部分。 旗舰店分为两个独特的空间：一个面向街道的服装区和一个略微后置的生活用品区。服装区最引人注目的特征是创新的天花板网格系统，由悬挂的环形装置组成，服装仿佛漂浮在空中。这种空灵的展示方式让服装可以从多个角度观赏，创造出一种近乎戏剧性的体验，让衣物在空间中成为动态雕塑。 在生活用品区，SANAA开发了一个引人入胜的空间叙事，将三面墙壁转变为从地板延伸到天花板的货架单元，只留下面向街道的立面保持透明。这种布置将展示的商品转化为定义空间本身的建筑元素。中央区域成为精心策划的舞台，展示精选商品供近距离观察，鼓励顾客与产品之间更亲密的互动。 两个空间都采用了大面积玻璃，消解了室内外的界限，创造出与街道的动态视觉关系。这种透明性不仅让路人可以观察商品，还能看到购物者在空间中移动的编排，将零售体验转变为一种公共表演。 该项目的独特之处在于能够通过建筑表达提升无印良品简约优质生活的理念。服装区和生活用品区的不同层高，使SANAA创造出既宏伟又亲密的空间体量，展示了周到的空间设计如何将日常购物转化为非凡体验。 团队 – SANAA（妹岛和世与西泽立卫事务所）由普利兹克奖获得者妹岛和世与西泽立卫于1995年创立，已经确立了其作为建筑界最具影响力的事务所之一的地位，以其在透明性、材料性和空间构成方面的创新方法而闻名。这家总部位于东京的事务所通过其独特的极简主义美学和突破性的结构解决方案，不断推动着当代建筑的边界。 他们的作品集展现了对光线、形式和空间的精湛操控，这在诸如洛桑联邦理工学院的如梦似幻的劳力士学习中心、托莱多艺术博物馆的水晶般的玻璃馆和纽约新当代艺术博物馆的雕塑般的建筑等标志性项目中得到了充分体现。该事务所的作品特点是通透的立面、流动的空间布局，以及对室内外空间关系的非凡关注。 SANAA的建筑语言虽然深深植根于现代主义原则，但通过创新使用透明材料和看似无重力的结构超越了传统界限。他们的设计经常采用超薄结构元素、无缝玻璃延展面和精心制作的细节，挑战传统的建筑层级。该事务所通过对空间、光线和人类体验的严谨探索，继续影响着全球建筑话语，保持着他们在当代建筑实践前沿的地位。 Project Name: MUJI Daikanyama Location: Tokyo, Japan Design Team: SANAA (Kazuyo Sejima, Ryue Nishizawa) Design Team Members: Junko Tanase, Mano Yagi, Miku Naganuma, Zhang Jiaqi Design Collaboration: Ryohin Keikaku Design Supervision Collaboration: HiP (Junji Minamino, Yuki Watanabe) Floor Area: 498.24 m² Apparel Section: 268.76 m² Household Goods Section: 229.48 m² Completion Date: October 2024 Lighting Design: Quilt Planning (Shozo Toyohisa, Harunobu Izumo) Construction: Nisso Kogei (Hironori Iwasaki) Furniture: Sankyo Tateyama (Masaki Kumode, Noriki Kakinuma, Keiko Yamakawa) HVAC: Kando (Makoto Furuya) Plumbing: Kando (Takehiko Takada) Electrical: Power Source (Ken Ide) Feature： Project - In the heart of Tokyo's trendy Daikanyama district, SANAA architects Kazuyo Sejima and Ryue Nishizawa have transformed MUJI's flagship store into a revolutionary retail space where products themselves become the architecture. The project, completed in October 2024, represents a radical rethinking of retail design, where merchandise transcends its commercial role to become an integral part of the interior design. The flagship store is split into two distinct spaces: an apparel section facing the street and a household goods area set slightly back. The most striking feature of the apparel space is an innovative ceiling grid system of suspended rings, from which clothing hangs as if floating in mid-air. This ethereal display method allows garments to be viewed from multiple angles, creating an almost theatrical experience where clothes become kinetic sculptures in space. In the household goods section, SANAA has developed a compelling spatial narrative by turning three walls into floor-to-ceiling shelving units, with only the street-facing facade remaining transparent. This arrangement transforms the displayed products into architectural elements that define the space itself. The central area becomes a carefully curated stage where selected items are presented for closer inspection, encouraging a more intimate interaction between customers and products. Both spaces feature generous glazing that dissolves the boundary between interior and exterior, creating a dynamic visual relationship with the street. This transparency allows passersby to observe not just the products, but also the choreography of shoppers moving through the space, turning the retail experience into a kind of public performance. The project's genius lies in its ability to elevate MUJI's philosophy of simplified, quality living through architectural expression. With ceiling heights of 4,275mm in the apparel section and 3,925mm in the household goods area, SANAA has created volumes that feel both monumental and intimate, demonstrating how thoughtful spatial design can transform everyday shopping into an extraordinary experience. Design Team - Founded in 1995 by Pritzker Prize laureates Kazuyo Sejima and Ryue Nishizawa, SANAA (Sejima and Nishizawa and Associates) has established itself as one of architecture's most influential practices, renowned for its innovative approach to transparency, materiality, and spatial composition. Based in Tokyo, the firm has consistently pushed the boundaries of contemporary architecture through their distinctive minimalist aesthetic and groundbreaking structural solutions. Their portfolio exemplifies a masterful manipulation of light, form, and space, evident in landmark projects such as the ethereal Rolex Learning Center at EPFL Lausanne, the crystalline Glass Pavilion at Toledo Museum of Art, and the sculptural New Museum in New York. The practice's work is characterized by diaphanous facades, fluid spatial arrangements, and an extraordinary attention to the relationship between interior and exterior spaces. SANAA's architectural language, while deeply rooted in modernist principles, transcends conventional boundaries through its innovative use of transparent materials and seemingly weightless structures. Their designs often feature ultra-thin structural elements, seamless glass expanses, and meticulously crafted details that challenge traditional architectural hierarchies. The firm continues to influence global architectural discourse through their rigorous exploration of space, light, and human experience, maintaining their position at the forefront of contemporary architectural practice. 设计团队 旅游探访 498.24 m² 东京，日本 2024 Previous Next

< 返回 Winkelhaus住宅 estudio kmmk 项目名称：Winkelhaus 地点：温克尔，瑞士 设计团队：estudio kmmk 建筑面积：643 m² 竣工时间：2026年 摄影：Archibatch, Frederico Montanha 设计特色： 这座由estudio kmmk设计的弧形独栋住宅坐落于瑞士温克尔的坡地之上，展示了当代建筑如何通过形式与功能实现与自然的和谐共生。Winkelhaus是该工作室在瑞士的首个项目，呈现了一种从最初概念阶段就将景观、工程与设计融合的整体性方法。 住宅的核心特征是其流畅的弧形几何形态，使每个室内空间都朝向周围的森林和远处广阔的山谷。这一精心设计的形式策略确保居住者能够通过建筑与景观之间的持续对话，体验四季更迭。建筑仿佛从场地中有机生长而出，其景观整合营造出一种永久归属感，而非新近介入的痕迹。 材料选择强化了这种场所联系。质感丰富的青铜窗框随光线变化而改变色彩，呼应相邻森林的秋日色调，而手工加工的天然石板则致敬当地罗马遗迹，承认该地区的历史厚度。与之形成鲜明对比的是，室内空间拥抱克制美学：无缝白色地面、白色水洗木材表面和纯净的粉刷墙面，共同创造出宁静的背景，框取戏剧性的自然景观。 除了美学成就，Winkelhaus还通过完全能源自主开创了可持续生活方式。地热和太阳能系统完全为住宅供能，而半地下设计利用热质量实现全年自然气候调节。智能家居技术无缝优化能源消耗。 项目的创新延伸至建造方法。与苏黎世联邦理工学院研究人员的合作为户外厨房生产了3D打印模板，连接古老工艺与尖端机器人技术。手工雕刻的黏土模型经数字扫描后由机器人制造，将原始艺术表达与精密技术融合。这体现了estudio kmmk的理念：将巧妙设计与先进工程统一，创造尊重并回应自然语境的建筑。 设计团队： estudio kmmk成立于瑞士苏黎世，代表了两位杰出建筑师职业生涯的汇聚。由Angela Kurmann和Frederico Martins Montanha创立，该事务所是他们始于巴西的个人职业轨迹的自然融合与延续。作为家族运营的事务所，estudio kmmk为建筑带来了独特的人文主义方法，设计发展与客户及其愿景深度协同。 事务所的设计哲学以语境响应和场地特定性为核心。每个项目都针对其特定位置精心发展，具有双重目标：提升使用者生活质量的同时丰富场所本身的内在特质。这一承诺反映了事务所的理解，即每项委托既承担着对客户目标的责任，又提供了通过审慎设计干预为周边环境做出有意义贡献的机会。 在苏黎世设立基地之前，领导团队汲取了横跨巴西、澳大利亚和瑞士三大洲的丰富专业经验，培养出植根于尊重地方文化、传统和建造方法论的全球视野。建筑旅行仍是工作室DNA的核心组成部分，提供持续灵感并加深对个体和集体人类需求的理解。事务所坚持建筑构成一个持续的实验、进化和学习之旅，体现全球思考、地方行动的原则，对地域语境和技术可能性保持坚定尊重。 设计团队 旅游探访 643 m² 温克尔，瑞士 2026 Previous Next

< 返回 海口高兴里电影院 One Plus Partnership 项目名称：海口高兴里电影院 地点：海口，中国 设计团队：One Plus Partnership 面积：6000 m² 完工时间：2024年 摄影师：Jonathan Leijonhufvud 设计特色： 项目 - One Plus Partnership在中国海口打造了一座极具标志性的影院，通过雕塑般的砖石构造和起伏的表面，创造出一个受城市海洋环境启发的沉浸式建筑叙事空间。6000平方米的海口高兴里电影院-咖啡吧突破传统影院形态，通过材质与形态的精妙互动重新定义了观影空间。 设计团队没有采用常见的海洋蓝调，而是选择了一种非传统的方式来诠释海洋元素。设计团队以源自沙土的砖石作为主要设计元素，在概念上与海口的滨海特性建立联系，同时在整个空间中保持温暖的土色调。 影院最引人注目的特色是其动态的砖石装置，这些砖石经过精心排列，模拟出从多个视角都能欣赏到的波浪图案。这些建筑化的波浪贯穿于公共空间，转化为柜台和座椅等功能性元素。创新性的砖石运用超越了纯粹的美学考量——每块砖的尺寸和位置都经过精心设计，在表面肌理上营造出韵律变化。 自然光线在影院设计中通常被刻意避免，但在这里却成为了关键的设计元素，精心布置的窗户让阳光与砖石表面产生互动。这种光影效果配合隐藏式照明系统，既突出建筑的起伏变化，又满足了实用安全的需求。 放映厅进一步发展了海洋概念，采用非常规材料处理。第一个放映厅采用立体织物处理，营造出类木材质感，而第二个放映厅则使用了令人联想到萱草的暖色调面板。两个空间都融入了呼应公共区域波浪主题的曲线元素。 这个项目的与众不同之处在于它平衡了大胆的设计表现与功能性考量。流动的形态和材料选择具有双重目的——既创造出引人入胜的视觉叙事，又解决了访客安全和动线等实际问题。最终呈现的是一个将观影体验转化为建筑之旅的影院，让观众在电影开始前就已经踏上了一段奇妙旅程。 团队 - One Plus Partnership成立于2004年，在空间设计领域确立了开创性地位，尤其以其对影院环境的革新性设计方法而闻名。在联合创始人Virginia Lung和Ajax Law的引领下，这家总部位于香港的设计事务所已斩获660项国际荣誉，在全球设计领域奠定了重要地位。 事务所的设计理念聚焦于现象学的空间体验，以大胆的体量干预和以材料为导向的叙事手法为特征。他们的作品涵盖多元类型，包括零售环境、酒店空间和商业室内设计，尤其在影院建筑方面的专业造诣重新定义了当代观影体验。 Virginia Lung的成就包括享有盛誉的安德鲁·马丁国际室内设计师年度大奖和多项标志性设计大奖最佳奖。Ajax Law于2014年获选为香港十大杰出青年之一，为事务所带来技术精准性和创新的空间解决方案。 事务所的方法论强调通过迭代设计过程进行主题探索，创造出超越传统室内建筑的空间。他们的作品以构造表现、空间编排和叙事元素的成功整合而著称，体现了他们在体验式设计领域不断突破边界的决心。 Project Name: Gaoxingli Insun Cinema Location: Haikou, China Design Team: One Plus Partnership Lead Designers: Ajax Law & Virginia Lung Area: 6,000 m² Completion Year: 2024 Photographer: Jonathan Leijonhufvud Feature： Project - One Plus Partnership has unveiled a cinematic landmark in Haikou, China, where sculptural brick formations and undulating surfaces create an immersive architectural narrative inspired by the city's maritime context. The 6,000-square-metre Gaoxingli Insun Cinema reimagines the conventional movie theatre typology through a sophisticated interplay of materiality and form. Rather than defaulting to predictable oceanic blues, the design team, led by Ajax Law and Virginia Lung, opted for an unconventional approach to maritime references. The studio utilized brick – a material derived from sand – as the primary design element, creating a conceptual link to Haikou's coastal identity while maintaining a warm, earthy palette throughout the space. The cinema's most striking feature is its dynamic brick installations, which have been meticulously arranged to simulate wave patterns visible from multiple vantage points. These architectural waves cascade through the public spaces, transforming into functional elements such as countertops and seating arrangements. The innovative use of brick extends beyond mere aesthetics – each piece is deliberately sized and positioned to create rhythmic variations in the surface texture. Natural light, typically avoided in cinema design, becomes a crucial design element as carefully positioned windows allow sunlight to interact with the textured brick surfaces. This interplay is complemented by concealed lighting systems that highlight the architectural undulations while serving practical safety purposes. The auditoriums further develop the maritime concept through unconventional material choices. The first features dimensional fabric treatments that create wooden-like textures, while the second employs panels in warm hues reminiscent of tiger lilies. Both spaces incorporate curved elements that echo the wave motif established in the public areas. What sets this project apart is its ability to balance bold design gestures with functional considerations. The flowing forms and material choices serve dual purposes – creating an engaging visual narrative while addressing practical concerns such as visitor safety and circulation. The result is a cinema that transforms the movie-going experience into an architectural journey that begins long before the first frame appears on screen. Design Team - Founded in 2004, One Plus Partnership has established itself as a pioneering force in spatial design, particularly renowned for their revolutionary approach to cinematic environments. Under the visionary leadership of co-founders Virginia Lung and Ajax Law, the Hong Kong-based practice has garnered an impressive portfolio of 660 international accolades, cementing their position in the global design arena. The studio's design philosophy centers on phenomenological spatial experiences, characterized by bold volumetric interventions and materiality-driven narratives. Their portfolio spans diverse typologies, including retail environments, hospitality spaces, and commercial interiors, with a particular expertise in cinema architecture that has redefined the contemporary movie-going experience. Virginia Lung's achievements include the prestigious Andrew Martin International Interior Designer of the Year Award and multiple Best of Best Awards in the Iconic Design Awards. Ajax Law, recognized as one of JCI Hong Kong's Ten Outstanding Young Persons in 2014, brings technical precision and innovative spatial solutions to the practice. The firm's methodology emphasizes thematic exploration through iterative design processes, resulting in spaces that transcend conventional interior architecture. Their work is distinguished by its tectonic expressions, spatial choreography, and the successful integration of narrative elements into built form, exemplifying their commitment to pushing the boundaries of experiential design. 设计团队 旅游探访 6000 m² 海口，中国 2024 Previous Next

< 返回 平行间隙之家 LJL Architects 设计特色： 项目 – 这座新建别墅坐落在首尔市中心地区的山坡上，通过深思熟虑的朝向和立面设计，巧妙地平衡了私密性和景观视野。这座三层住宅由 LJL Architects 为寻求摆脱典型公寓生活的家庭设计，分为不同的区域，以满足父母、孩子和共享公共空间的需求。设计团队策略性地沿南侧道路排布建筑主体，为北侧庭院和其保留下来的柿树提供屏障。朝北的户外空间连接着一层的起居空间，并铺陈出空间以便业主享受南山的壮阔景观。整体砖砌体量并没有过度装饰，而是将功能投射到外部，水平向的窗户可以让人一睹周围的都市风情。在住宅内部，楼层之间的空隙增强了垂直连通性，而双层高的客厅则充当家庭的纽带：连接父母、孩子和自然环境。精心设计的露台和庭院贯穿始终，为孩子们的玩耍和家庭活动提供了充足的场地与机会。巧妙回应了客户需求、场地条件和周边环境，这座住宅展示了 LJL Architects塑造光影空间与建筑形式方面的敏锐洞察力和设计能力，同时其在首尔繁华密集的城市肌理中巧妙地平衡了私密性、社区环境和景观视野。 团队 – 来自韩国的LJL Architects 成立于 2019 年，在创始人 Seungjin Lee 的带领下，展示了一种深思熟虑的人文主义的建筑设计方法。Seungjin Lee毕业于京畿大学和汉阳大学的建筑专业，在创办自己的公司之前，他在 Samoo Architects 工作且磨练了自己的技能。 LJL致力于创造促进人与周围环境之间有意义联系的空间，在与客户密切合作的指导下，这家位于首尔的设计公司探索空间可能性，打造真实的日常建筑。其曾经的设计项目作品包括 Iljuk CC Clubhouse、Banmilak The Market 和 KLITZ 咖啡馆等，并获得了 2022 年韩国空间文化奖的总理奖等荣誉。作为一个新兴的设计力量，LJL Architects 的设计口碑和获奖作品标志着该设计团队的影响力日益增长。尽管成立只有5年，LJL 已经确立了以社区为导向、与用户产生共鸣的设计发展目标。 Feature： Project - Tucked into a hillside in the heart of Seoul, Rift House masterfully balances privacy and views through thoughtful orientation and facade articulation. Designed by LJL Architects for a family seeking respite from typical apartment living, the three-story residence divides into distinct zones catering to parents, children, and shared communal space. Strategically positioning the main volume along the southern road shields the interior courtyard and its majestic persimmon tree from sightlines. This north-facing outdoor room connects the ground floor living spaces and captures panoramic views of Namsan Mountain. Rather than over-ornamentation, the monolithic brickwork massing projects the program to the exterior, with horizontal windows offering glimpses of surrounding urbanity. Inside, voids between floors enhance vertical connectivity, while the double-height living room acts as the home's nexus - linking parents, children, and nature. Terraces and courtyards interject throughout provide ample opportunity for the children's play and activity. Rift House demonstrates LJL Architects' adeptness at sculpting space, form, and light in response to clients, site, and context. The resulting residence artfully balances privacy, community, and views within the dense urban fabric of Yongsan-gu. Design Team - Founded in 2019, LJL Architects demonstrates a thoughtful, humanistic approach to architecture under founding partner Seungjin Lee. A graduate of Kyonggi University and Hanyang University's architecture programs, Lee honed his skills at Samoo Architects before establishing his own firm. Alongside partners Joohyoung Lee and Gyoungnam Kwon, LJL creates spaces that foster meaningful connections between people and their surroundings. Guided by close client collaboration, the Seoul-based studio explores spatial possibilities to craft authentic, everyday architecture. Notable projects include the Iljuk CC Clubhouse, Banmilak The Market, and KLITZ, earning honors like the Prime Minister's Award at the 2022 Korea Spatial Culture Awards. As an emerging voice, LJL Architects' public commissions, academic roles, and award-winning work signal the firm's growing impact. Though only a few years old, LJL has established its commitment to community-oriented designs that resonate with users. 设计团队 旅游探访 772 m² 韩国，首尔 2023年 Previous Next

< 返回 reDEW 别墅 Splyce Design 设计特色： 在西温哥华的美景之中，reDEW别墅华丽重生-这座面积5900平方英尺的滨海住宅，原由Daniel Evan White于1969年设计，如今经过Splyce Design精心改造，在传承经典的同时，完美融入现代生活理念。 此次改造最引人注目之处，在于其对建筑本真的回归。设计师巧妙剥离多年来不当翻新的痕迹，重现建筑原有的灵魂。暴露在外的重型木质柱梁结构成为视觉焦点，在整个房屋的长轴上织就出一幅结构与空间交织的动人画卷。 新旧元素的巧妙融合是本案的点睛之笔。新增的悬浮式钢制楼梯轻盈挺拔，与粗犷的木质框架形成鲜明对比，又不失和谐。这座楼梯轻盈地悬于主入口和餐厅上方，是原有建筑与现代手法交融的绝佳范例。 改造后的建筑将海景视线发挥到极致。从北侧的私密空间到南侧的开阔区域，室内格局巧妙过渡。大面积推拉门模糊了内外界限，将起居空间无缝延伸至宽敞的露台和泳池区。 二层的主卧套房更是奢华典雅。从定制床架到精心布置的浴缸和淋浴间，每一处设计都以捕捉壮丽海景为出发点。这种周到的空间规划确保了从房间的每个角落都能尽情欣赏这座宅邸得天独厚的地理位置所带来的美景。 In a stunning revival of West Coast modernism, the reDEW House in West Vancouver stands as a testament to thoughtful architectural renovation. This 5,900 sq ft beachfront residence, originally designed by Daniel Evan White in 1969, has been meticulously reimagined to honor its roots while embracing contemporary living. The project's most striking feature is its return to architectural authenticity, stripping away years of misguided renovations to reveal the home's true character. The exposed heavy timber post and beam framing now takes center stage, creating a rhythmic dialogue between structure and space that spans the entire length of the house. A masterful interplay of old and new defines the design. The introduction of a suspended steel staircase serves as a lightweight counterpoint to the robust timber framework, delicately hovering over the main entry and dining area. This juxtaposition of materials and forms exemplifies the project's commitment to harmonizing original elements with modern interventions. The renovation prioritizes the site's ocean views, with carefully positioned living spaces that transition from intimate north-facing rooms to expansive south-facing areas. Large sliding doors blur the boundary between interior and exterior, extending the living space onto a generous patio, deck, and pool area. The upper floor showcases a luxurious primary suite where every element, from the custom-designed bed to the strategically placed bathtub and shower, is oriented to capture breathtaking water vistas. This thoughtful approach to spatial planning ensures that the home's privileged location is fully appreciated from every vantage point. Design：Nigel Parish, Tomas Machnikowski, Galo Oyarce Build：Powers Construction Structural：Aspect Structural Engineers Photography：Ema Peter Styling：Marcela Trejo 设计团队： 成立于2001年的Splyce Design，已然成为加拿大不列颠哥伦比亚省温哥华市的先锋建筑设计事务所之一，以其精致的现代美学和一丝不苟的细节处理而广受好评。事务所由加拿大建筑师Nigel Parish创立并领衔，以其巧妙融合形式与功能的空间设计理念进行创作。 Splyce Design的项目组合涵盖广泛，从住宅新建、翻新到定制家具和景观设计均有涉猎。事务所的设计理念核心在于空间的体验质量，强调那些能提升使用者生活品质的触觉和视觉元素。这种方法孕育出了一系列精心设计的作品，在保持鲜明现代感的同时，散发出温暖和舒适的氛围。 Splyce Design对工艺的执着体现在其严谨的设计过程中，他们优先考虑针对特定场地的解决方案和客户需求，而非追逐昙花一现的潮流。这种方法为Splyce Design赢得了多项荣誉，包括多次获得ADC国际建筑与设计大奖，以及Architizer A+大奖的认可。 设计团队采用全面的设计方法，从空间的整体概念构思到材料选择和装饰细节，都给予周密考虑。这种全方位的策略确保了每个项目，无论规模大小，都能彰显意义并保持持久的美感，巩固了Splyce Design在当代太平洋西北部建筑领域的先锋地位。 Founded in 2001, Splyce Design has emerged as a leading architectural firm in Vancouver, British Columbia, known for its sophisticated modern aesthetics and meticulous attention to detail. Led by principal architect Nigel Parish, who holds a Master of Architecture from the University of British Columbia, the studio has cultivated a reputation for creating thoughtfully designed spaces that seamlessly blend form and function. Splyce Design's portfolio encompasses a diverse range of projects, from residential new builds and renovations to custom furniture and landscape design. The firm's design philosophy centers on the experiential qualities of space, emphasizing tactile and visual elements that enhance the user's quality of life. This approach has resulted in a body of work characterized by highly articulated designs that exude warmth and comfort while maintaining a distinctly modern sensibility. The studio's commitment to craftsmanship is evident in their rigorous design process, which prioritizes site-specific solutions and client needs over fleeting trends. This methodology has garnered Splyce Design numerous accolades, including multiple ADC International Architecture & Design Awards and recognition from the Architizer A+ Awards. Parish and his team employ a holistic design approach, considering everything from the broader conceptual organization of spaces to the finest details of material selection and finishing. This comprehensive strategy ensures that each project, regardless of scale, is imbued with meaning and enduring beauty, solidifying Splyce Design's position as a vanguard in contemporary Pacific Northwest architecture. 设计团队 旅游探访 5900 ft² West Vancouver, Canada 2024 Previous Next

< 返回 Longbranch 度假别墅 mwworks 设计特色： 项目 – 坐落于华盛顿州凯斯湾的繁茂森林之中，由mwworks设计的Longbranch 度假别墅堪称建筑与自然和谐融合的典范。这座住宅重新定义了野奢别墅的概念，与周围的森林环境完美融为一体，同时提供豪华的生活体验。 该项目最引人注目的特色是其创新的场地融合方式。这座住宅并非主宰景观，反而似乎从景观中自然生长而出。其种植屋顶延伸了地平面，与周围的草地形成视觉上的连续性。这个绿色屋顶不仅增强了住宅的生态特性，还成为了当地野生动物繁荣的微型栖息地。 mwworks的设计理念在建筑形态与自然元素的微妙平衡中得到充分体现。住宅的结构巧妙地避开现有树木，采用销钉桩和地梁来保护森林地表。桥式的入口跨越了自然与建筑之间模糊的区域，创造出一种诗意的过渡，模糊了内外界限。 材料的运用在将住宅与环境相融合方面起到了关键作用。原始混凝土、深色雪松和当地采购的道格拉斯冷杉营造出与森林环境相呼应的色调。实体体量与透明间隙的交织模仿了周围景观中林间空地与茂密植被的韵律。 Longbranch 度假别墅是深思熟虑、因地制宜的建筑精品，它挑战了传统林中度假生活的概念，提供了一个精致而低调的庇护所，在享受自然环境的同时，为居住者及其众多动物伙伴提供了舒适、现代的生态家园。 团队 – mwworks这家2007年成立于美国西雅图的建筑设计工作室，在太平洋西北部的设计领域中开辟了独特的一席之地。在主创建筑师Steve Mongillo和Eric Walter的引领下，这家工作室持续为住宅和商业项目提供卓越设计，凭借其在情境设计和可持续建筑方面的创新方法赢得了广泛赞誉。 他们的设计理念深深植根于对场地特定条件、材料性质和工艺艺术的深刻理解。mwworks的作品集展示了他们将客户愿景与环境管理巧妙融合的非凡能力，创造出既具美学冲击力又符合生态责任的建筑。他们对可持续性的承诺并非浮于表面，而是深深融入设计过程的每个环节，涵盖从被动式太阳能策略到绿色屋顶系统，以及对回收材料的巧妙运用。 自成立以来，mwworks荣获多项享有盛誉的奖项，包括多次美国建筑师协会（AIA）全国荣誉奖，凸显了他们作为行业先锋的地位。2020年，他们的Whidbey Farm和Courtyard House项目双双获得AIA住宅奖，充分体现了事务所在住宅设计领域的卓越造诣。2016年获得AIA西北太平洋地区颁发的新锐设计团队奖，更是凸显了他们在建筑界的迅速崛起。 mwworks对设计的整体性方法不仅仅局限于美学层面，还包括对建筑科学和环境性能复杂性的深入探索。他们的项目以简洁的线条、诚实的材料运用以及室内外的无缝对话为特征，反映了对太平洋西北部本土建筑语言的深刻理解，同时推动了当代建筑的边界。随着不断发展，mwworks始终致力于创造经得起时间考验、宜居的空间，这些空间不仅与居住者产生共鸣，也与自然世界和谐共存。 Feature： Project - Nestled in the verdant landscape of Key Center, Washington, the Longbranch Residence by mwworks is a masterclass in harmonious integration of architecture and nature. This 3,100-square-foot home, completed in 2023, redefines the concept of a rural retreat, seamlessly blending into its forested surroundings while offering a luxurious living experience. The project's most striking feature is its innovative approach to site integration. Rather than dominating the landscape, the residence appears to emerge from it, with a planted roof that extends the ground plane and creates a visual continuity with the surrounding meadow. This green roof not only enhances the home's ecological footprint but has also become a thriving microhabitat for local wildlife. mwworks' design philosophy shines through in the delicate balance between built form and natural elements. The home's structure carefully navigates around existing trees, employing pin piles and grade beams to preserve the forest floor. A bridge-like entrance spans an ambiguous zone between nature and architecture, creating a poetic transition that blurs the boundaries between inside and out. Materiality plays a crucial role in anchoring the home to its context. Raw concrete, dark-stained cedar, and locally sourced Douglas Fir create a palette that resonates with the forest setting. The interplay of solid masses and transparent voids mimics the rhythm of clearings and dense vegetation found in the surrounding landscape. The Longbranch Residence is a testament to thoughtful, site-responsive architecture. It challenges conventional notions of rural living, offering a sophisticated yet understated sanctuary that celebrates its natural setting while providing a comfortable, contemporary home for its occupants and their menagerie of animals. Design Team - mwworks, a Seattle-based architectural powerhouse founded in 2007, has carved out a distinctive niche in the Pacific Northwest's design landscape. Under the visionary leadership of principals Steve Mongillo and Eric Walter, this boutique studio has consistently delivered exceptional residential and commercial projects, earning accolades for their innovative approach to contextual design and sustainable architecture. The firm's design philosophy is rooted in a profound respect for site-specific conditions, materiality, and the art of craftsmanship. mwworks' portfolio showcases a remarkable ability to synthesize client aspirations with environmental stewardship, resulting in structures that are both aesthetically striking and ecologically responsible. Their commitment to sustainability is not merely superficial; it is deeply integrated into their design process, encompassing everything from passive solar strategies to green roof systems and the thoughtful incorporation of recycled materials. Since its inception, mwworks has garnered numerous prestigious awards, including multiple AIA National Honor Awards, affirming their status as industry trailblazers. The 2020 AIA Housing Awards for both the Whidbey Farm and Courtyard House projects underscore the firm's mastery in residential design. Moreover, their recognition as an Emerging Firm by the AIA Northwest and Pacific Region in 2016 highlights their rapid ascension in the architectural realm. mwworks' holistic approach to design extends beyond mere aesthetics, embracing the complexities of building science and environmental performance. Their projects, characterized by clean lines, honest materials, and a seamless indoor-outdoor dialogue, reflect a deep understanding of the Pacific Northwest vernacular while pushing the boundaries of contemporary architecture. As they continue to evolve, mwworks remains committed to creating enduring, livable spaces that resonate with both their inhabitants and the natural world. 设计团队 旅游探访 3100 ft² Case Inlet, WA, USA 2023 Previous Next

< 返回 Steeplechase住宅 Brooks + Scarpa 项目名称：Steeplechase住宅 地点：北卡罗来纳州希尔斯伯勒，美国 设计团队：Brooks + Scarpa 建筑面积：2573平方英尺（约239 m²） 竣工时间：2024年 摄影：Mark Herboth 设计特色： 项目 - 坐落于北卡罗来纳州罗利达勒姆附近Eno河周边阿巴拉契亚山麓一片65英亩林地中，Steeplechase住宅由Brooks + Scarpa设计，超越了传统居所的定义，它是反思与宁静的展亭，是树林间与广阔自然环境相连的建筑宣言。项目直接受一位著名电影导演及其艺术家配偶的长期梦想启发而生，这对夫妇在好莱坞聚光灯下获得数十年成功后，决定回归更为宁静的生活方式，重温他们在加拿大蒙特利尔周边成长的记忆，建筑将其对自然联系和环境管理的深刻需求转化为革新性的空间组织。 该项目最引人注目的设计元素是两个高达31英尺的双山墙体量，配备大面积玻璃幕墙，使自然得以在视觉上与室内空间连接。这一建筑姿态不仅向地区传统山墙形式致敬，更创造出视觉深度和空间层次，仿佛整座住宅都在四季中与森林展开对话。反射性玻璃和黑色金属外立面赋予建筑不断变化的存在感，在夏日斑驳光影中隐退于森林，在冬雪中如灯塔般突显，而天然胶合板内饰则创造出温暖的聚集场所。 在这个核心空间内是住宅的组织规划：平面围绕两个开放式山墙体量组织，分别承载住宅的公共区域和私密区域。厨房/餐厅区域连接住宅两侧，形成透明的较低尺度画廊式门廊，两侧均为玻璃，在两个体量间移动时宛如漫步森林。这个过渡空间既分隔又连接住宅的两个不同区域，同时营造出空间性和逃离感。 周围的可持续性策略在功能上形成对比。该设计保留了场地98%的自然景观，近20英亩的土地从入侵物种恢复为本土植物群落，包括东部紫荆、野佛手柑、黑眼苏珊、小蓝茎草和乳草。这次生态修复为濒危的帝王蝶、东部蓝鸟、美国金翅雀和东部棉尾兔创造了重要栖息地。住宅本身采用100%回收金属和FSC认证木制品，实现了25.52的预测能源使用强度，几乎是基线要求44的一半。 战略性被动式设计原则最大化了建筑效率。现有树木在一天中最热时段阻挡直射阳光，最小化制冷需求。大面积窗户和天窗最大化自然采光和交叉通风，减少人工照明需求。高品质保温材料和节能玻璃进一步降低能源使用。能源之星MrCOOL 22.5 SEER热泵、Rheem ProTerra 65加仑智能热泵热水器（UEF评级3.85）以及飞利浦超高效LED照明（能耗比标准产品低50%，光效高达210流明/瓦）展现了全面的资源保护方法。低流量固定装置实现了比平均水平高38%的节水效果。 Steeplechase住宅因此成为超越传统建筑界限的建筑表达。它讲述着一个故事，在客户的生活方式、创新可持续解决方案与周围阿巴拉契亚环境之间建立敏感对话。一个适应性强而诗意的空间栖息于北卡罗来纳州乡村，对编织生活、自然与建筑环境艺术的静默致敬。 设计团队 - Brooks + Scarpa于1991年以Pugh + Scarpa之名创立，2010年更名为现名，总部位于美国，经过三十多年的专业卓越发展，已确立其作为美国最杰出设计事务所之一的地位。事务所由主持建筑师Angela Brooks, FAIA、Lawrence Scarpa, FAIA和Jeffrey Huber, FAIA领导，其专业实践建立在客户直接参与设计过程的信念基础上，始终寻求为每个项目提供有意义且深思熟虑的建筑解决方案。 结构创新作为空间催化剂、材料的创意运用和对环境管理的深刻承诺等基本原则是贯穿所有作品的特色。结合这些理念，团队的工作以可持续性最佳实践为起点，重新思考传统建筑形式，以创新方式回应建筑领域的当代问题。 事务所的设计方法论融合三项基本原则：工程解决方案与空间体验的无缝整合、可持续材料与技术的诚实表达，以及将适应性和被动式生存能力作为设计核心驱动力的战略性思考。这些核心理念贯穿每个项目类型，从单户住宅到多户住宅、经济适用房、商业、机构、教育和政府建筑。 Brooks + Scarpa的建筑手法深受创新和可持续性启发，同时挑战传统范式以应对当代环境挑战。事务所对设计卓越的坚持赢得了国际认可，包括史密森尼库珀休伊特国家设计奖、加州和全国美国建筑师协会事务所奖、加州建筑师协会终身成就奖以及多项AIA COTE十大绿色建筑奖。根据Architect杂志排名，该事务所在美国顶级建筑事务所中位列第二，在Design Intelligence全球排名中位列第333位。其项目体现了技术精通、创意与环境责任之间的精妙平衡，通过严谨的跨学科研究和数字技术，为当代可持续建筑树立了新的标杆。 设计团队 旅游探访 239 m² 希尔斯伯勒，美国 2024 Previous Next

< 返回 F住宅 Kamakura Studio 项目名称：F住宅 地点：千叶县流山市，日本 设计团队：Kamakura Studio 建筑面积：168.79 m² 竣工时间：2022年1月 摄影：TOREAL 藤井浩司，新建築社写真部 设计特色： 项目 -在千叶县流山市的F住宅是一座168.79平方米的住宅兼办公建筑杰作，体现了社区参与式建筑设计与日常生活无缝融合的精妙平衡。该项目坐落在一个75%居民在过去十年内搬入的新兴社区中，创造出一种建筑作为社区催化剂与邻里连接器的非凡社会功能。 该项目最具革命性的设计特色是其多功能底层空间配置：一个开放式办公空间同时作为半公共区域，邻居们可以自然聚集。这一创新的空间策略不仅允许建筑师将私人生活向社区延展，更创造了一个灵活转换的多功能场所——通过分享多煮的咖啡变成小型咖啡厅、通过社区图书馆功能成为文化交流中心、通过投影设备举办电影放映会。建筑实际上为社区互动在其核心空间的展开让出了位置。 鎌仓工作室的设计策略围绕着建筑边界模糊与空间连续性之间的核心平衡展开。连续的材料、设计元素和地面标高模糊了室内外的传统界限，创造出"无论在家里还是家外，都能共享某些东西"的空间感受。分离的屋顶与立体化的立面绿化系统相结合，在视觉上与周围环境融为一体，呼应了当地已发展至数十户家庭的植物分享网络。 主要立面作为社区界面发挥作用，将建筑的公共功能向街道展示，同时保持住宅的私密性。内部空间优先考虑功能的灵活性和适应性，房间配置被设计为可灵活使用并适应不断变化的社区活动需求。从咖啡分享、图书交流到工作坊、讲座和电影放映，建筑都能服务于多样化的社区功能需求。 立体绿化系统、自然通风设计、以及开放式空间布局显著提高了建筑的环境适应性，能够承受日本气候条件的外部材料进一步提高了建筑的耐久性和寿命。平面和剖面中交替出现的露台与室内空间创造出如同居住在森林树木间的丰富空间体验。 自建成以来，这座住宅已举办了众多社区活动，产生了建筑师所描述的"涟漪效应"，影响延伸到建筑本身之外。该项目展示了创新的住宅设计如何服务于社会连接的基础设施，为不断演变的现代社区建设提供了可复制的模式。 设计团队 - Kamakura Studio是一家专业从事创造促进社区连接并培养居民与所居场所之间深度关系的建筑设计的全方位服务事务所。在主持建筑师福井启介和森川启介的协作领导下，该事务所对场所营造和社区建设的关注体现了当代日本建筑实践中的前瞻性思维。 福井启介拥有扎实的建筑教育背景，2007年毕业于日本大学理工学部建筑学科，2010年于横浜国立大学大学院Y-GSA完成研究生学业。他曾在NAP建筑设计事务所积累实践经验，2012年成立个人事务所，2016年与森川启介共同创立鎌仓工作室。森川启介同样毕业于日本大学理工学部建筑学科，后于首都大学东京（现东京都立大学）完成硕士学位，曾在久米设计和北川原温建筑都市研究所工作，为事务所带来了丰富的设计经验。 该事务所的哲学基础以相信建筑应该促进社区内部对话为核心，使居民能够成为街区发展的"当事者"而不是"旁观者"。这一理念驱动了他们独特的"生活延展"方法论——一个将日常生活功能向社区开放的综合性设计过程，始于对每个社区想要成为什么样子的深刻理解，探索人口结构、社会需求、文化背景和未来发展潜力。 鎌仓工作室的多学科方法认识到住宅建筑位于私人与公共、个体与集体的交汇点，将创造性空间策略与严格的功能分析编织在一起，交付深思熟虑、鼓舞人心、可持续且真实的社区建筑。该事务所自成立以来已获得包括优良设计奖2022、IF设计奖、千叶县建筑文化奖在内的多项国内外奖项认可，体现了其在社区响应式建筑设计领域的专业水准和创新能力。 Project Name: HOUSE F Location: Ootakanomori, Nagareyama City, Chiba, Japan Design Team: Kamakura Studio Total Floor Area: 168.79 m² Completion: January 2022 Photography: TOREAL Koji Fujii, Shinkenchiku-sha Design Features: Project - Kamakura Studio's HOUSE F is a 168.79-square-metre residential and office masterpiece that embodies the sophisticated balance between community-engaged architectural design and seamless integration with daily life. The project is situated in an emerging neighborhood where 75% of residents have moved in within the past decade, creating an extraordinary social function where architecture serves as both community catalyst and neighborhood connector. The building's most revolutionary design feature lies in its multifunctional ground-floor spatial configuration: an open office space that simultaneously functions as a semi-public zone where neighbors can naturally gather. This innovative spatial strategy not only allowed the architects to extend private life toward the community, but also created a flexibly transforming multifunctional venue—becoming a small café through sharing extra coffee, serving as a cultural exchange center through community library functions, and hosting film screenings with projection equipment. The building literally makes space for community interaction to unfold at its core. Kamakura Studio's design strategy revolves around the central balance between blurred architectural boundaries and spatial continuity. Continuous materials, design elements, and floor levels blur traditional distinctions between interior and exterior, creating a spatial experience of "sharing something together, whether inside or outside the house." Separated roofs combined with a three-dimensional façade greening system visually integrate with the surrounding environment, responding to the local plant-sharing network that has developed across dozens of households. The principal façades operate as community interfaces, displaying the building's public functions to the street while maintaining residential privacy. Interior spaces prioritize functional flexibility and adaptability, with room configurations designed for flexible use and adaptation to evolving community activity needs. From coffee sharing and book exchanges to workshops, lectures, and film screenings, the architecture serves diverse community functional requirements. Three-dimensional greening systems, natural ventilation design, and open-plan spatial layouts significantly enhance the building's environmental adaptability. Exterior materials capable of withstanding Japanese climatic conditions further increase the building's durability and longevity. Terraces and interior spaces that alternate throughout both plan and section create rich spatial experiences reminiscent of living among forest trees. HOUSE F represents a paradigm of community-responsive residential architecture: an architectural language that prioritizes social connection, neighborhood interaction, and architecture as community infrastructure in perfect symbiosis between private residence and public function. Design Team - Kamakura Studio Co., Ltd. is a full-service, design-forward practice focused on creating architecture that fosters community connections and cultivates deep relationships between residents and the places they inhabit. Led by principal architects Keisuke Fukui and Keisuke Morikawa in collaborative leadership, the firm's focus on place-making and community building embodies forward-thinking approaches within contemporary Japanese architectural practice. Keisuke Fukui brings solid architectural educational foundation, graduating from Nihon University College of Science and Technology Department of Architecture in 2007, and completing graduate studies at Y-GSA (Yokohama National University Graduate School) in 2010. He gained practical experience at NAP Architectural Design Office, established his individual practice in 2012, and co-founded Kamakura Studio with Keisuke Morikawa in 2016. Keisuke Morikawa also graduated from Nihon University College of Science and Technology Department of Architecture, later completing his master's degree at Tokyo Metropolitan University, and worked at Kume Sekkei and Atsushi Kitagawara Architects, bringing rich design experience to the firm. The firm's philosophical foundation centers on the belief that architecture should facilitate dialogue within communities, enabling residents to become "stakeholders" in neighborhood development rather than "bystanders." This ethos drives their distinctive "Life Extension" methodology—a comprehensive design process that opens daily life functions to the community, beginning with profound understanding of what each community wants to become, exploring demographic structures, social needs, cultural contexts, and future development potential. Kamakura Studio's multidisciplinary approach recognizes that residential architecture exists at the intersection of private and public, individual and collective, weaving creative spatial strategies with rigorous functional analysis to deliver thoughtful, inspiring, sustainable, and authentic community architecture. Since its establishment, the firm has received multiple domestic and international awards including Good Design Award 2022, IF Design Award, and Chiba Prefecture Architectural Culture Award, demonstrating professional standards and innovative capabilities in community-responsive architectural design. 设计团队 旅游探访 168.79 m² 千叶县流山市，日本 2022 Previous Next

< 返回 BMO 会议中心 Populous 设计特色： 作为加拿大西部的新地标，卡尔加里BMO会议中心的扩建项目犹如一座创新建筑和经济繁荣的灯塔冉冉升起。这一宏伟工程新增了52490平方米的空间，将现有设施提升为一级国际会展综合体，为该地区的集会空间树立了全新标准。由Stantec、Populous和S2 Architecture三大顶尖设计团队合力打造，扩建后的BMO中心颠覆了传统会展建筑的固有观念。 其前卫设计不仅为卡尔加里塑造了标志性建筑，更是通过关注宾客体验和灵活性，重新定义了会展体验。这座雄心勃勃的建筑与其服务社区的承诺相得益彰，与充满活力的文化娱乐区完美融合。扩建项目的独特之处在于将多功能性和用户体验放在首位，提供一系列迎合不同活动需求的空间，同时又不失亲密氛围。其美学特征以简洁线条和宽敞空间为主，映射出卡尔加里日新月异的城市风貌。 项目成功的关键在于平衡了恢宏气势与细致入微的细节，营造出令人印象深刻又倍感温馨的环境。作为城市复兴的催化剂，BMO中心扩建项目势必为卡尔加里经济注入新的生机，预计每年将创造约1亿加元的经济效益。这一建筑杰作不仅在国际舞台上彰显了卡尔加里的雄心，更证明了战略性设计如何改变一座城市的未来。 Soaring to new heights in Western Canada, Calgary's BMO Convention Centre expansion emerges as a beacon of architectural innovation and economic promise. This monumental project, spanning 565,000 square feet, has transformed the existing facility into a colossal one-million-square-foot Tier 1 convention powerhouse, setting a new standard for gathering spaces in the region. Designed by the visionary team of Stantec, Populous, and S2 Architecture, the expanded BMO Centre challenges conventional notions of exhibition architecture. Its avant-garde design creates an iconic landmark for Calgary and redefines the convention experience with a focus on unparalleled guest comfort and flexibility. The facility's ambitious scale matches its commitment to community integration, seamlessly blending with the vibrant Culture + Entertainment District. The expansion's unique design features prioritize versatility and user experience, offering a range of spaces that cater to diverse events while maintaining an intimate atmosphere. Its aesthetic, characterized by clean lines and expansive volumes, reflects the dynamism of Calgary's evolving cityscape. The project's success lies in its ability to balance grand gestures with thoughtful details, creating an impressive and welcoming environment. As a catalyst for urban regeneration, the BMO Centre expansion is poised to inject new life into Calgary's economy, with projections of generating approximately $100 million annually. This architectural tour de force not only showcases Calgary's ambition on the global stage but also demonstrates how strategic design can transform a city's future. 设计团队： Populous（博普乐思）始创于1983年，当时为HOK Sport Venue Event ，并于2009年重塑品牌。作为全球建筑设计领域的翘楚，这家公司始终引领着体育和娱乐设施设计的创新潮流。在长达40多年的辉煌历程中，Populous以前瞻性的设计理念荣获了超过250项全球设计大奖，其作品遍布34个国家。 Populous的核心价值观体现在他们勇于开拓的企业家精神上，这种精神驱使他们不断挑战传统，在建筑设计领域开辟新天地。从掀起复古球场风潮的里程碑项目金莺公园卡姆登球场，到举世闻名的温布利大球场，再到尖端科技与人文关怀并重的悉尼国际会议中心（ICC Sydney），Populous的雄心壮志在每一个标志性项目中得到淋漓尽致的展现。 其于2000年进入中国市场，协助北京市编写奥运申办报告。此后陆续设计了诸如南京奥体中心、珠海横琴网球中心等多个大型体育场馆。目前拥有800多名遍布全球、跨越文化的精英团队，Populous不断推动沉浸式、可持续性和因地制宜的场馆设计发展，并斩获34项美国建筑师协会奖、15项国际体育休闲设施协会奖，以及来自英国皇家建筑师学会（RIBA）和澳大利亚皇家建筑师协会（RAIA）的奖项，其立足行业前沿，以每一个开创性的设计引领体育和娱乐建筑的发展方向。 Founded in 1983 as HOK Sport Venue Event and reborn in 2009 as Populous, this global architectural powerhouse has consistently redefined the boundaries of sports and entertainment design. With a legacy spanning over four decades, Populous has cultivated a reputation for pioneering innovation, resulting in more than 250 global design awards across 34 countries. At the core of Populous's ethos lies an entrepreneurial spirit that propels the firm to challenge conventions and explore uncharted territories in architectural design. This ambition is evident in their portfolio of seminal projects, from the paradigm-shifting Oriole Park at Camden Yards, which sparked the retro-ballpark movement, to the iconic Wembley Stadium and the state-of-the-art ICC Sydney. The firm's success is deeply rooted in its people—a diverse team of over 800 professionals spanning continents and cultures. Led by a cadre of visionary partners, Populous continues to push the envelope in creating immersive, sustainable, and context-responsive venues. Their interdisciplinary approach, combining architecture, planning, interior design, and branding, ensures a holistic solution to every project. Accolades such as 34 American Institute of Architects awards, 15 International Association for Sports and Leisure Facilities awards, and prestigious recognitions from RIBA and RAIA underscore Populous's commitment to excellence. As they forge ahead, Populous remains at the vanguard of the industry, shaping the future of sports and entertainment architecture with each groundbreaking design. 设计团队 旅游探访 565000 ft² 加拿大，卡尔加里 2023年 Previous Next

< 返回 2025大阪世博会沙特阿拉伯馆 福斯特建筑事务所 项目名称：2025大阪世博会沙特阿拉伯馆 地点：大阪，日本 设计团队：福斯特建筑事务所 建筑面积：3542.54 m² 完成时间：2025 摄影：Nigel Young 设计特色： 项目 - 位于日本大阪梦洲海滨的沙特阿拉伯王国馆由福斯特建筑事务所设计，为2025世博会打造了一个独特的文化体验空间。这座展馆创造了一种空间体验，回应了沙特阿拉伯城镇与城市的探索，同时为游客提供了一个沉浸式环境，让他们能够与沙特阿拉伯王国的未发现奇迹建立联系。 展馆的外形轮廓令人联想到传统沙特村落的有机形态，设计团队通过计算流体动力学模拟精心打造了建筑形态，使夏季高温时西面的凉风能够流入街道。在较冷的四月和十月，前庭的景观设计则作为屏障，保护展馆免受更为强烈的北风影响。 游客通过种植有沙特本土植物的前庭进入，沿着狭窄的街道行进，这些街道通向沙特中庭，这里是整个方案的核心。中庭在白天提供静思的空间，夜晚则转变为表演和活动的场所。从这里，游客被邀请探索一个"村落"，其中蜿蜒的街道上有窗户和门户，通向一系列沉浸式空间，这些空间是与Journey（59 Productions和Squint/Opera）密切合作设计的。 通过精心的材料选择和空间组织，展馆不仅尊重了沙特的建筑文化传统，唤起了场所感，还为游客提供了一瞥其街道日常生活和城市肌理的机会。作为一个高度可持续和包容性的展馆，它被设计为实现运营零碳排放，并获得了日本绿色建筑评级系统的最高级别（CASBEE S）。 这座展馆是沙特与日本文化交流的重要平台，每天可接待23100名游客，展示了沙特阿拉伯如何平衡传统与现代技术，形成了自己的城市微观世界，反映了其正在进行的国家转型。 团队 - 福斯特建筑事务所是一家全球性的可持续建筑、城市规划、工程和设计工作室，由诺曼·福斯特爵士于1967年创立。自成立以来，该事务所就建立在创新、可持续性和设计的哲学基础上，不断从过去中学习，创造性地迎接未来的挑战，坚信良好的设计能够带来改变。 作为股东的合伙人是事务所的核心。他们对所有项目负责，这些项目分布在各个建筑工作室中。设计委员会负责维护事务所的设计理念，审查每个项目的各个阶段。日常管理由管理委员会负责，其成员来自更广泛的高级合伙人和合伙人群体。合伙人委员会则监督整个事务所的战略方向。 福斯特建筑事务所相信，优秀、负责任的设计只有在不同学科的重要贡献下才能实现。这使他们能够从多个角度快速探索广泛的解决方案。建筑团队从最早的草图到战略设计、施工图纸和完工，设计并交付项目。他们在整个过程中与专业设计团队密切合作，以实现统一的愿景。这些团队包括结构和环境工程、可持续性、城市和景观设计、工业设计、工作场所和室内设计，以及自己的技术和研究团队。 福斯特建筑事务所是英国最大的建筑公司，在全球拥有超过1400名员工。该事务所设计了许多备受关注的建筑，获得多项史特灵奖。通过对环境因素、技术进步和生态考量的细致关注，福斯特建筑事务所持续打造超越建筑本身的作品——创造既增强人类体验又解决紧迫全球挑战的空间。 Project Name: KSA Pavilion Expo 2025 Osaka Location: Yumeshima, Osaka, Japan Design Team: Foster + Partners Total Floor Area: 3,542.54 m² Completion: 2025 Photography: Nigel Young Feature: Project - Located on the Yumeshima waterfront in Osaka, Japan, the Kingdom of Saudi Arabia Pavilion designed by Foster + Partners creates a unique cultural experience for Expo 2025. The pavilion creates a spatial experience that echoes the exploration of Saudi Arabian towns and cities, while providing a setting for immersive engagement that connects visitors with the undiscovered wonders of the Kingdom. The pavilion's massing recalls the organic shapes of traditional Saudi villages. The design has been carefully crafted using computational fluid dynamics simulations to allow cool winds from the west into the streets during the height of summer. In the cooler months of April and October, the landscaped forecourt acts as a barrier to protect the pavilion from harsher northerly winds. Visitors enter the Pavilion through the forecourt, planted with native Saudi Arabian flora, and travel through narrow streets that lead to the Saudi Courtyard, which is the beating heart of the scheme. The Courtyard allows for moments of quiet reflection during the day and transforms into a venue for performances and events at night. From here, visitors are invited to explore a 'village' of meandering streets, with windows and doorways into a series of immersive spaces, designed in close collaboration with Journey (59 Productions and Squint/Opera). Through careful material selection and spatial organization, the pavilion honors Saudi's architectural heritage, evokes a sense of place, and provides visitors with a glimpse into the daily life and urban fabric of the Kingdom's streets. As a highly sustainable and inclusive pavilion, it has been designed to be net-zero operational carbon and aims to achieve the Japanese green building rating system's highest level (CASBEE S). The pavilion serves as an important platform for cultural exchange between Saudi Arabia and Japan, with capacity for 23,100 visitors per day, showcasing how Saudi Arabia balances tradition and heritage with modern technologies, forming its own urban microcosm that reflects the national transformation of the Kingdom. Design Team - Foster + Partners is a global studio for sustainable architecture, urbanism, engineering and design, founded by Norman Foster in 1967. From the very beginning, the practice was founded on a philosophy of innovation, sustainability and design, continuing to learn from the past and creatively embracing the challenges of the future, with a firm belief that good design makes a difference. The partners, who are all shareholders, are the core of the practice. They take responsibility for all projects, which are shared amongst architectural studios. The Design Board reviews every project at all its different stages, maintaining the design ethos of the practice. Day-to-day management is provided by the Management Board, which is drawn from the wider group of senior partners and partners. The Partnership Board oversees the strategic direction of the entire practice. Foster + Partners believes that good, responsible design is only possible with significant contributions from different disciplines. This allows them to rapidly explore a wide range of solutions from many points of view. Their architectural teams design and deliver projects from the earliest sketch through to strategic design, construction drawings and completion. They work closely with specialist design teams throughout the process to deliver an integrated vision. These teams include structural and environmental engineering, sustainability, urban and landscape design, industrial design, workplace and interior design together with their own technology and research teams. Foster + Partners is the largest architectural firm in the UK with over 1,400 employees worldwide. The firm has designed numerous high-profile buildings and received multiple Stirling Prizes. Through meticulous attention to contextual factors, technological advancements, and ecological considerations, Foster + Partners continues to produce architecture that transcends mere building—creating spaces that enhance human experience while addressing pressing global challenges. 设计团队 旅游探访 3542.54 m² 大阪，日本 2025 Previous Next

< 返回 MORANDI 公寓 APOLLO 项目名称：MORANDI 地点：东京，日本 设计团队：APOLLO 建筑面积：185.44 m² 完成时间：2024 摄影：西川公朗 设计特色： 项目 - APOLLO一级建筑师事务所与著名产品设计师尼古拉·加利兹亚在东京港区的这个项目中，将储物系统从单纯的家具提升为空间的核心建筑元素。这个名为"MORANDI"的185平方米公寓翻新项目为当代住宅设计提供了一个创新的概念模型。 该项目的显着特点是其对储物设计的突破性方法——将意大利家具品牌莫尔泰尼(Molteni&C)的标志性系统单元转变为住宅的结构核心。设计团队没有将收纳系统作为事后考虑，而是精心编排了一系列无缝衔接的储物元素，这些元素不仅连接各个房间，同时也定义了整个空间的层次结构。 住宅的审美特点在于天然日出橡木柜门与深色橡木天花板面板之间的材质对话，在整个空间中创造出精确的视觉韵律。设计师通过精心挑选的艺术品和灯具引入了黄铜色调的点缀，而在湿区使用的银色travertine和Ceppo石纹理的陶瓷砖进一步强化了意大利奢华美学。 最引人入胜的设计元素是其经过精心编排的动线序列。当居住者穿越公寓时，他们体验到一段由连续储物系统引导的旅程，从公共区域到私人空间。这种建筑漫步揭示了意大利设计优雅与传统日本空间概念之间的平行性，即通过精心设计的元素温和地划分空间而非硬性分割。 兼作欢迎入口区的家庭室展示了这种方法，储物系统从客厅到餐厅再到厨房区域不间断流动，创造出一种舞台般的空间体验。这种连续性将日常生活活动转变为在精湛工艺背景下的一场精致表演。 MORANDI代表了一个重要的建筑声明，挑战了家具与空间之间的传统关系，展示了储物系统如何超越功能性，成为表达和体验空间的主要建筑语法。这一作品充分体现了设计团队对细节的关注以及将复杂设计概念转化为和谐生活环境的能力。 团队 - 由黑崎敏于2000年创立并于2008年注册成立的APOLLO一级建筑师事务所，专注于当代住宅设计。这家总部位于东京的事务所已经建立了令人印象深刻的作品集，特点是复杂的极简主义、创新的空间构图和对材料表达的细致关注。 在黑崎的领导下，该事务所通过众多享有盛誉的奖项获得了国际认可，包括多个iF设计奖、DNA巴黎设计奖和亚洲设计大奖。他们的项目被持续提名为年度建筑，其中近年来"TIMELESS"、"ESPRIT"和"LAXUS"等独特的住宅作品尤其受到赞誉。 该事务所拥有一支由首席建筑师藤井统领导的多元化人才团队，专业人员带来了来自早稻田大学、京都工艺纤维大学和多摩美术大学等知名机构的专业知识。这种国际视野与黑崎作为庆应义塾大学系统设计工学系前讲师的学术参与相辅相成。 作为注册的APEC建筑师和日本建筑师协会会员，黑崎及其设计团队的每个项目都代表了功能性、美学精炼和环境敏感性之间精心校准的平衡。 Project Name: MORANDI Location: Akasaka, Minato-ku, Tokyo, Japan Design Team: APOLLO Architects & Associates Total Floor Area: 185.44 m² Completion: 2024 Photography: Kimiou Nishikawa Feature: Project - APOLLO Architects & Associates, in collaboration with renowned product designer Nicola Gallizia, has elevated storage systems from mere furniture to the defining architectural element in this Tokyo residence. Completed in May 2024, the 185-square-meter apartment renovation named "MORANDI" presents an innovative conceptual model for contemporary residential design. The project's distinguishing characteristic is its revolutionary approach to storage design—transforming signature system units from Italian furniture brand Molteni&C into the structural core of the residence. Rather than treating storage as an afterthought, Satoshi Kurosaki and Gallizia orchestrated a seamless flow of storage elements that not only connect rooms but simultaneously define the spatial hierarchy throughout the home. The residence's aesthetic is characterized by a dialogue between natural sunrise oak cabinet doors and dark oak ceiling panels, creating a precise visual rhythm throughout the space. The designers introduced brass-toned accents through carefully selected artworks and lighting fixtures, while silver travertine and Ceppo stone-patterned ceramic tiles in wet areas further enhance the Italian luxury aesthetic. Perhaps the most compelling design element is the choreographed sequence of movement. As residents traverse the apartment, they experience a journey guided by the continuous storage system from public to private spaces. This architectural promenade reveals fascinating parallels between Italian design elegance and traditional Japanese spatial concepts, where spaces are gently delineated through thoughtfully designed elements rather than hard divisions. The family room, which doubles as a welcoming entrance area, exemplifies this approach with storage systems that flow uninterrupted from living to dining to kitchen zones, creating a theatrical spatial experience. This continuity transforms everyday domestic activities into a sophisticated performance set against a backdrop of meticulous craftsmanship. MORANDI represents a significant architectural statement that challenges conventional relationships between furniture and space, demonstrating how storage systems can transcend functionality to become the primary architectural syntax through which space is articulated and experienced. The work fully demonstrates Kurosaki's attention to detail and ability to translate complex design concepts into harmonious living environments. Design Team - Founded by Satoshi Kurosaki in 2000 and incorporated in 2008, APOLLO Architects & Associates has established itself as one of Japan's most distinguished architecture firms specializing in contemporary residential design. Based in Tokyo, the practice has built an impressive portfolio characterized by sophisticated minimalism, innovative spatial compositions, and meticulous attention to material expression. Under Kurosaki's leadership, the firm has garnered international recognition through numerous prestigious awards, including multiple iF Design Awards, DNA Paris Design Awards, and DFA Design for Asia Awards. Their projects have been consistently nominated for ArchDaily's Building of the Year, with their distinctive residential works "TIMELESS," "ESPRIT," and "LAXUS" receiving particular acclaim in recent years. The practice maintains a diverse team of talented architects led by Chief Architect Osamu Fujii, with specialists bringing expertise from renowned institutions including Waseda University, Kyoto Institute of Technology, and Tama Art University. This international perspective is complemented by Kurosaki's academic involvement as a former lecturer at Keio University's Department of System Design Engineering. As a registered APEC Architect and member of the Japan Institute of Architects, Kurosaki has positioned APOLLO as a leading voice in contemporary Japanese residential architecture, with each project representing a carefully calibrated balance between functionality, aesthetic refinement, and contextual sensitivity. 设计团队 旅游探访 185.44 m² 东京，日本 2024 Previous Next

< 返回 W住宅 Florian Busch Architects 项目名称：House W 地点：北海道，日本 设计团队：Florian Busch Architects 建筑面积：163 m² 竣工时间：2024年 摄影：SGR 设计特色： 项目 - Florian Busch Architects通过W住宅项目挑战了传统的可持续性设计方法。这座能源正效益住宅突破了紧凑型设计原则，通过建筑体量的分解反而提升了能源效率。项目位于北海道富良野高原的西缘，展现了如何通过建筑分割来增强而非削弱能源效率。 这座建于2024年、面积为163平方米的住宅，通过巧妙整合自然资源和技术解决方案，年发电量几乎达到消耗量的两倍。建筑师没有遵循最小化表面积的常规做法，而是将建筑分成两个独特的体量，创造出一个中间空间，既作为气候调节器，又成为通向富良野滑雪场的观景廊道。 W住宅的与众不同之处在于它被构想为"与之共生的植物"，而非勒·柯布西耶所说的"居住机器"。建筑与周围农业环境积极互动，利用全年稳定的天然水源供暖，并将光伏板作为"太阳能表皮"融入设计，而非事后添加。这个深色、统一的外表皮包裹着明亮的木质内部空间，在硬朗与柔和、技术与自然之间创造出对话。 项目选址在农业生产用地而非风景优美的乡村，体现了对乡村建筑的务实态度。设计回应了三个主要视角：东部的十胜山脉、西北部的丘陵地带和西南部的富良野西岳。通过旋转分割的体量，建筑师创造出完美朝向的立面，既最大化太阳能获取，又强化了与景观的视觉联系。 House W代表了可持续乡村发展的原型，表明乡村迁移可以与环保责任共存。该项目展示了乡村环境中的建筑创新如何在保持与城市生活的技术连接的同时，为城市化挑战提供解决方案。 团队 - Florian Busch Architects（FBA）成立于2009年东京，已发展成为当代建筑实践领域的重要力量，以其创新的空间关系处理方法和环境整合手法而闻名。事务所创始人Florian Busch在德国魏玛包豪斯大学和伦敦建筑联盟学院接受教育，并在伊东丰雄建筑事务所（2004-2008）工作后创立了这家融合德国建筑教育背景与日本设计敏感度的建筑事务所。 该事务所的作品展现了一种独特的方法论，挑战传统建筑范式，这一点在其可持续性策略和用户体验方面尤为突出。FBA的工作特点在于强调他们所称的"非精确建筑"（anexact architecture）——通过严谨的分析过程而非预设形式来演化设计。这一理念在北海道House W等项目中得到充分体现，该项目通过体量分解而非传统的紧凑设计重新诠释了能源效率建筑。 事务所总部位于涩谷，在保持全球顾问网络的同时，同时持有日本和德国的建筑师执照。在Busch的领导下，现有团队专注于创造与场地语境积极互动的建筑，通过环境策略和程序创新，从住宅到大型文化机构等不同尺度开展工作。 Project Name: House W Location: Nakafurano, Hokkaido, Japan Design Team: Florian Busch Architects Total Floor Area: 163 m² Completion: 2024 Photography: SGR Feature: Project - In a groundbreaking achievement for sustainable architecture, Florian Busch Architects (FBA) has created their first net-positive energy building in Hokkaido's Furano Plateau. House W challenges conventional wisdom by achieving energy efficiency through volumetric fragmentation rather than compactness. Located on former agricultural land, this 163-square-meter residence produces almost double the energy it consumes annually. The project's innovative approach lies in its deliberate breaking of a compact volume into two distinct parts, creating an interstitial space that serves both as a climate regulator and a viewing corridor toward Furano's ski slopes. The architecture actively engages with its environment through a sophisticated "solar skin" - a dark, homogeneous exterior integrating photovoltaic panels, which contrasts dramatically with the light, wooden interior spaces. What sets this project apart is its conception as a "plant for living with" rather than Le Corbusier's "machine for living in." The building responds dynamically to its surroundings, utilizing a year-round natural water source for heating and incorporating environmental strategies as core design elements rather than afterthoughts. This approach creates a prototype for sustainable rural development that maintains connections to urban life through technology. Design Team - Founded in Tokyo in 2009 by German architect Florian Busch, FBA has established itself as an innovative architectural practice that bridges European architectural theory with Japanese design sensibilities. Busch, who studied at Bauhaus University Weimar and the Architectural Association London, gained valuable experience working with Toyo Ito & Associates (2004-2008) before establishing his own practice. Operating as a licensed architectural firm in both Japan and Germany, FBA has developed a distinct methodology that challenges conventional architectural paradigms. The practice emphasizes what they term "anexact architecture" - designs that evolve through rigorous analytical processes rather than predetermined forms. Their work spans various scales, from residential projects to cultural institutions, consistently demonstrating their commitment to creating architecture that actively shapes the society it serves. 设计团队 旅游探访 163 m² 北海道，日本 2024 Previous Next

< 返回 东京公寓改造：材料之舞 ARED ARCHITECTS 设计特色： 项目 – Material Waltz是一处位于东京世田谷的公寓改造项目，设计团队从华尔兹创作过程中汲取灵感，试图在改造设计中表达空间与装饰的“材料之舞”。他们将现有公寓的规则视为“乐谱”，并沿着“倾斜的空间轴”构建新的“五线谱”，将材料当作“音符”，赋予它们超越功能的形式。这22度倾斜的空间轴线尊重并组织建筑内外的要素，营造出统一却不单调的氛围，具有独特个性——地面规划和布置蕴含音乐节奏与和声。该项目不仅在功能和美学上出色，更希望通过这种音乐手法唤起访客的情感和体验。建筑师集中称呼材料为“音符”，通过奇思妙想的设计赋予它们独特的“个性”，不仅体现现代实用性。老材料与新材料在这一室空间中彼此争辩，并且每种材料都会在一个房间的空间中开始做出自己的陈述，就像舞者随着生活中“早中晚”的朝夕晨昏这难以避免的“华尔兹三拍”翩翩起舞。 团队 – 日本建筑师赤池一仁（1990年生）于2023年创立了ARED ARCHITECTS。作为其主持设计师及日本一级注册建筑士，他拥有设计小体量住宅到大型综合体的经验，和从独创性理念到可靠细节的全面设计专长。他擅长独特的造型设计，在关注客户共鸣的同时，致力于让项目实现最大潜力。其设计工作室提供建筑、家具、产品设计以及创意指导等全方位服务。迄今为止，他已经与各种客户成功完成许多不同项目。 Feature： Project - Material Waltz is an apartment renovation in Setagaya, Tokyo designed by Akaike Kazuhito of ARED Architects. Taking inspiration from the creative process behind waltz compositions, the architects sought to express the "dance of decoration" within renovation design. They viewed the existing rules of the apartment as a "musical score" and constructed a new “sheet music” along “skewed spatial axes”, treating materials as “musical notes” and giving them form beyond function. The 22 degree angle spatial axes pay respect to and organize the elements inside and outside the building, creating a unified yet non-monotonic atmosphere with its own unique personality - one where floorplans and arrangements take on musical rhythm and harmony. Beyond functionalism and aesthetics, the architects hoped to appeal to visitors’ emotions and experiences through this musical approach. They gave the materials, viewed collectively as “notes”, distinct “personalities” with whimsical designs that convey more than just modern practicality. The old and new materials assert themselves within the one-room space, crossing brightly like dancers waltzing to the inevitable beats of morning, day and night. Design Team - ARED ARCHITECTS was founded in 2023 by Akaike Kazuhito, the Managing Director and a first-class architect. With professional experience at both top contractors and design studios, he is highly versed in architectural designs ranging from small houses to large complexes, and everything from innovative concepts to solid details. Skilled at one-of-a-kind sculptural design, he strives to unlock projects' fullest potential while emphasizing client empathy. The firm provides comprehensive services encompassing architecture, furniture, product design and creative direction. So far, ARED has successfully completed a diverse range of projects in close cooperation with various clients. 设计团队 旅游探访 84 m² 日本 東京 2023 Previous Next

< 返回 沙漠之家度假屋 Industry of All Nations 设计特色： 项目 – 这栋名为“着陆之家”的现代木结构度假屋深藏于加利福尼亚州约书亚树国家公园边界处莫哈韦沙漠的岩石地貌之间，与周围环境融为一体，可谓生态敏感型建筑的典范，其低矮的水平体量、对原生地形的融入、以及对当地材料的广泛运用，完美结合了可持续性和现代设计美学。沿着蜿蜒的400码长的道路前行，当地标志性的约书亚树和沙漠巨石把这栋单层住宅遮掩在沙漠尽头。两个简约形式建筑体量围绕一个泳池，大面积玻璃墙面模糊了室内外的界限，与以雪松为主的室内装修相呼应，与周围的沙漠色调产生共鸣。房屋的细节处处体现巧思：从其中一个卧室墙面上若隐若现的圆形窗，到巧妙隐藏在一处岩石群后作为瑜伽活动空间的角落。这个项目对环境影响的考量甚至延伸至地基处理——直接建造于石灰岩土层之上，避免了深度开挖。正如设计师们所说，“我们选择了非常简单、低维护的材料，包括混凝土、雪松和玻璃，它们会在周围环境中自然老化”，这个项目“完全源自大自然的景观建筑”，是人与自然和谐共生的生态建筑典范。 团队 – 来自美国加州洛杉矶的Industry of All Nations （IOAN）成立于2010年，由建筑师 Fernando Gerscovich和其伙伴们共同领导主持，是一家致力于重新思考消费品生产方法的设计和开发工作室，其致力于将制造业带回产品和材料的原产地，帮助创造更具竞争力的市场。他们推出与世界各地当地社区合作横向开发的日常用品，通过传统和创新的工业流程创造新颖的产品。IOAN 还在世界范围内寻找标志性产品，这些产品以不变的身份呈现给公众——处于潜在状态等待被发现的出色匿名设计。 Feature： Project - Nestled into the rugged Mojave Desert landscape on the edge of California's Joshua Tree National Park, The Landing House is a modern wood pavilion that masterfully blends sustainability and design. Created by Industry of All Nations, this desert retreat exemplifies eco-sensitive architecture through its modest horizontal form, integration with the natural terrain, and extensive use of regional materials. Upon approach along a winding 400-yard road, the home's low-slung profile surprises the eye, concealed until the last moment by the iconic Joshua trees and boulders native to the site. Two illuminated volumes connected by a central breezeway divide the house into dual wings that frame a plunge pool courtyard beyond. Floor-to-ceiling glazing blurs indoor/outdoor boundaries and complements the predominantly cedar interior finishes, echoing the surrounding desert hues. Thoughtful details abound, from the round window puncturing one bedroom to the yoga nook tucked discreetly behind a rock outcropping. And the project's sensitivity to environmental impact even extends to its very foundations – built directly upon the desert caliche to eliminate digging and disturbance. As the designers put it, "the landscape architecture is delivered courtesy of Mother Nature," a prime exemplar of humble, sustainable architecture in harmony with the land. Design Team - In April 2010, Industry of All Nations became a design and development office founded with a commitment to rethink methods of production for consumer goods. IOAN takes manufacturing back to the regions where products and materials originate, bringing unique local businesses to an international market. IOAN introduces everyday goods that are developed horizontally in collaboration with local communities around the world, creating novel products through traditional and innovative industrial processes. IOAN also searches the world for iconic products that are brought to the public with an identity unaltered - superb anonymous designs in a latent state waiting to be discovered. IOAN is determined to combine environmental and social awareness while promoting fair trade and open borders for all nations. 设计团队 旅游探访 850 ft² 美国 约书亚树国家公园 2023 Previous Next

< 返回 “眠豆腐”东京旗舰店 TORAFU ARCHITECTS 项目名称：SLEEPY TOFU HOUSE 地点：东京，日本 设计团队：TORAFU ARCHITECTS 建筑面积：105 m² 竣工时间：2025年4月 摄影：木寺紀雄 设计特色： 项目 - TORAFU ARCHITECTS将东京南青山区的一个零售空间改造成寝具品牌“眠豆腐”（"SLEEPY TOFU"）的日本首家旗舰店。这个项目于2025年4月完工，充分体现了该品牌"将日常生活变得更加柔软"的核心理念。 SLEEPY TOFU HOUSE的设计始于一个清晰的概念：创造一个能让访客体验"柔软生活"的空间。建筑师没有采用传统的产品展示方式，而是设计了一系列模拟真实居住场景的区域，包括玄关、客厅、餐厅、厨房、书房和卧室，这些空间通过精心规划的动线自然连接，让访客在自由行动中体验产品。 项目的核心亮点是位于中央的"TOFU ROOM"——一个造型如同豆腐般白色柔和的立体结构，它不仅起到了空间分隔的作用，还成为整个店铺的视觉焦点。这一独特元素既呼应了品牌名称，又具有实用功能：内部设有长椅和书桌，可作为儿童活动区，其开放式窗户让孩子们能够探头观察外部空间。 材料选择方面，建筑师特意选用能够呼应产品柔软质感的元素。枫木地板营造温暖基调，厨房收纳门板采用100%再生纤维废料压缩而成的环保面板，窗帘和地毯则选用来自丹麦纺织品牌Kvadrat的高质量产品。这些精心挑选的材料共同营造出与SLEEPY TOFU寝具产品和谐统一的温和氛围。 照明设计以间接光源为主，柔和的光线为空间增添深度和包裹感，同时突显TOFU ROOM的曲线轮廓。而TOFU ROOM正面雕刻的品牌标志性笑脸，则成为象征品牌世界观的关键视觉元素。 通过将住宅空间类型、精心选择的材料与标志性的豆腐造型核心结构相结合，设计团队创造了一个超越传统展示空间的品牌体验环境，真实地表达了"SLEEPY TOFU"致力于通过柔软度改变日常生活的品牌理念。 团队 - TORAFU ARCHITECTS成立于2004年，由鈴野浩一和禿真哉共同创立。该事务所的作品范围广泛，从建筑设计到室内设计、展览策划、产品设计、空间装置和多媒体制作，都以建筑思维为基础进行创作。 事务所的代表作品包括"港北住宅"、"NIKE 1LOVE"和"空气的器"等，其中"空气的器"于2015年被蒙特利尔美术馆永久收藏。他们为佳能公司在2011年米兰设计周创作的装置"光的织机"被评为展会最佳展示，荣获ELITA设计大奖最优秀奖。 在鈴野浩一和禿真哉的持续领导下，Torafu已获得多项国际认可，包括多次荣获日本优良设计奖、iF设计奖和红点设计奖。鈴野毕业于东京理科大学，曾在Shearwater K&H和澳大利亚Kerstin Thompson Architects工作；禿则毕业于明治大学，曾在青木淳建筑计划事务所工作，两人的互补背景为事务所带来了多元视角。 Torafu的设计方法论强调以过程为导向的创作方式，重新思考不同尺度下的空间关系，形成概念清晰、材料敏感且功能创新的作品风格。 Project Name: SLEEPY TOFU HOUSE Location: Minami-Aoyama, Tokyo, Japan Design Team: TORAFU ARCHITECTS Total Floor Area: 105 m² Completion: April 2025 Photography: Norio Kidera Feature: Project - SLEEPY TOFU HOUSE is the transformation of a retail space in Tokyo's upscale Minami-Aoyama district into the first Japanese flagship store for Taiwanese bedding brand "SLEEPY TOFU". Completed in April 2025, the project fully embodies the brand's core philosophy of "bringing softness to everyday life". The design of SLEEPY TOFU HOUSE began with a clear concept: creating a space where visitors could experience "soft living". Rather than adopting traditional product display methods, the architects designed a series of areas simulating actual living scenarios—entrance, living room, dining area, kitchen, study, and bedroom—connected naturally through carefully planned circulation, allowing visitors to experience products as they move through the space. The core highlight of the project is the centrally positioned "TOFU ROOM"—a white, softly contoured three-dimensional structure resembling tofu that not only serves as a spatial divider but also becomes the visual focal point of the entire store. This unique element both references the brand name and serves practical functions: the interior features benches and a desk that can function as a children's activity area, with openable windows allowing children to peek out and observe the external space. In terms of material selection, the architects deliberately chose elements that echo the soft texture of the products. Maple flooring creates a warm foundation, kitchen storage doors use environmentally friendly panels compressed from 100% recycled fiber waste, while curtains and rugs are selected from high-quality products by Danish textile brand Kvadrat. These carefully selected materials collectively create a gentle atmosphere that harmonizes with SLEEPY TOFU bedding products. The lighting design primarily uses indirect light sources, with soft illumination adding depth and a sense of envelopment to the space while highlighting the curved contours of the TOFU ROOM. The brand's iconic smiling face carved on the front of the TOFU ROOM becomes a key visual element symbolizing the brand's worldview. By combining residential space typologies, carefully selected materials, and the iconic tofu-shaped core structure, TORAFU has created a brand experience environment that transcends traditional display spaces, authentically expressing SLEEPY TOFU's brand philosophy of transforming daily life through softness. Design Team - TORAFU ARCHITECTS was established in 2004 by Koichi Suzuno and Shinya Kamuro. The firm's work spans a wide range, from architectural design to interior design, exhibition curation, product design, spatial installations, and multimedia production, all approached with architectural thinking as its foundation. Representative works include "Kohoku House," "NIKE 1LOVE," and "Air Vase," with the latter being permanently collected by the Montreal Museum of Fine Arts in 2015. Their installation "Loom of Light" created for Canon at Milan Design Week 2011 was evaluated as the best exhibition, winning the ELITA Design Award for excellence. Under the continued leadership of Koichi Suzuno and Shinya Kamuro, TORAFU has gained international recognition, including multiple Good Design Awards, iF Design Awards, and Red Dot Design Awards. Suzuno graduated from Tokyo University of Science and worked at Shearwater K&H and Australia's Kerstin Thompson Architects; Kamuro graduated from Meiji University and worked at Jun Aoki & Associates, their complementary backgrounds bringing diverse perspectives to the firm. TORAFU's design methodology emphasizes a process-oriented creative approach, rethinking spatial relationships at different scales, forming a work style characterized by conceptual clarity, material sensitivity, and functional innovation. Their ability to transform everyday necessities into design assets and translate brand concepts into architectural experiences is fully demonstrated in the SLEEPY TOFU HOUSE project. 设计团队 旅游探访 105 m² 东京，日本 2025 Previous Next