< 返回 东京深川住宅 note architects 设计特色： “尽管生活空间狭小，但他们想要一种开放的生活方式，让他们感受到家人的存在，在一个可以接触自然的生活环境，比如阳光和风。” - note architects 在东京江东区的中心，一个令人瞩目的翻新项目为都市生活注入了新的活力。由note architects精心重塑的"深川住宅"，为紧凑型城市居住提供了全新视角。这个重新设计的高层公寓项目，展示了在城市建筑限制下创造和谐家庭空间的创新方法。 项目最突出的特色是其巧妙运用"半透明边界"来划分家居内不同区域。通过采用多样化的地板材料，以及设计放置定制立柱和玻璃门，设计师打造了一个让家庭成员能感受彼此存在，同时保持个人领地感的生活空间。设计的关键元素之一是沿周边墙壁精心布置的长桌。这一设计有双重目的：它引导居住者的注意力向外，促进与公寓界限之外自然世界的连接，同时创造了随一天中光线质量变化而响应的功能区域。 为室内选择的材料进一步加强了项目的审美。诸如和纸墙面、瓷砖厨房区域和柿漆处理的木材等质感表面，不仅增添了视觉趣味，还与光线美妙互动，创造出反映时间流逝和季节变迁的氛围。通过打开从入口和卫生间区域到阳台的视线，建筑师确保户外感投射到家的每个角落。这种设计策略有效地模糊了室内外之间的界限，让居住者感到与外部城市景观的息息相关。 深川住宅堪称在东京密集城市肌理中创造自然风情、以家庭为中心的生活空间的可能性的典范。它为传统日本空间概念提供了一个细致变化的重新诠释，同时适应现代城市生活，为当代都市居住空间设计提供了宝贵的启示。 In the heart of Tokyo's Koto Ward, a remarkable renovation project breathes new life into urban living. The " Fukagawa Housing," masterfully reimagined by Ryo Kamamatsu of note architects, offers a fresh perspective on compact city dwelling. This thoughtful redesign of an apartment in a high-rise complex showcases an innovative approach to creating a harmonious family space within the constraints of urban architecture. The project's standout feature is its ingenious use of "semi-transparent boundaries" to delineate different areas within the home. By employing varied flooring materials and strategic placement of custom-built columns and glass doors, Kamamatsu has crafted a living space that allows family members to sense each other's presence while maintaining a sense of individual territory. A key element of the design is the carefully positioned counter that runs along the perimeter walls. This architectural decision serves a dual purpose: it directs the occupants' attention outwards, fostering a connection with the natural world beyond the apartment's confines, while also creating functional zones that respond to the changing quality of light throughout the day. The materials chosen for the interiors further enhance the project's ethos. Textured surfaces such as washi-papered walls, tiled kitchen areas, and persimmon-tannin-treated lauan wood not only add visual interest but also interact beautifully with light, creating an ever-changing ambiance that reflects the passage of time and seasons. By opening up sightlines from the entrance and washroom areas to the balcony, the architects have ensured that a sense of the outdoors permeates every corner of the home. This design strategy effectively blurs the boundaries between interior and exterior, allowing residents to feel constantly connected to the urban landscape beyond. The Fukagawa Housing stands as a testament to the possibility of creating a nature-infused, family-centric living space within the dense urban fabric of Tokyo. It offers a nuanced reinterpretation of traditional Japanese spatial concepts, adapted for modern city life. 设计团队： 成立于2016年的note architects迅速崛起，成为东京建筑界的先锋力量。这家由建筑师鎌松亮（1985年生）创立的创新设计工作室总部位于东京江东区，以其创造充满活力、自由空间的新颖方法赢得瞩目，巧妙回应了当代社会不断演变的需求。事务所由鎌松亮领衔，他将独特的技术专长与创意视野融入每个项目。事务所的核心理念围绕着设计能够促进思想和行为自由的空间，打破工作、生活和休闲之间的传统界限。事务所的作品涵盖广泛，从住宅翻新到商业内装，每个项目都以对材质和空间流动的细致关注为特征。他们的设计过程独树一帜，同等注重空间布局和运营策略，创造出既美观又富有适应性的环境。 该事务所的作品尤其以创新运用"半透明边界"概念而著称，实现了不同功能区域之间的流畅过渡，同时保持个人领域感。深川公寓项目就是这一理念的典范，通过多样化的地板材料和战略性布置的定制元素，在城市建筑的限制下创造了和谐的家庭空间。事务所对可持续发展的承诺体现在他们对既有建筑的巧妙改造，以及对创造能随生活方式变化而演进的空间的重视。他们不仅致敬传统工艺，还打造出与自然光完美互动的室内环境，增强了使用者与环境的联系。 随着事务所不断突破建筑设计的界限，他们的作品成为深思熟虑、因地制宜的建筑在塑造未来城市生活的有力证明。每一个项目都再次确立了他们在业界的先锋地位，创造的不仅仅是建筑环境，更是催化更自由、更活跃生活方式的空间。 Founded in 2016 by Ryo Kamamatsu, note architects has rapidly emerged as a pioneering force in Tokyo's architectural landscape. This innovative design firm, headquartered in Koto Ward, has garnered attention for its fresh approach to creating vibrant, liberated spaces that respond to the evolving needs of contemporary society. At the helm of note architects, Kamamatsu, a graduate of Keio University's System Design Engineering department and former member of Kengo Kuma's research lab, brings a unique blend of technical expertise and creative vision to each project. The firm's core philosophy revolves around designing spaces that foster freedom of thought and action, transcending conventional boundaries between work, life, and leisure. note architects' portfolio showcases a diverse range of projects, from residential renovations to commercial interiors, each characterized by meticulous attention to materiality and spatial flow. Their design process is distinguished by a dual approach, focusing equally on spatial configuration and operational strategy to create environments that are both aesthetically pleasing and functionally adaptive. The firm's work is particularly notable for its innovative use of "semi-transparent boundaries," a concept that allows for fluid transitions between different functional areas while maintaining a sense of individual territory. This approach is exemplified in projects like the Fukagawa Residence, where varied flooring materials and strategically placed custom elements create a harmonious family space within the constraints of urban architecture. note architects' commitment to sustainability is evident in their thoughtful renovation of existing structures and their emphasis on creating spaces that can evolve with changing lifestyles. By integrating elements like washi-papered walls and persimmon-tannin-treated wood, they not only pay homage to traditional Japanese craftsmanship but also create interiors that interact beautifully with natural light, enhancing the user's connection to the environment. As note architects continues to push the boundaries of architectural design, their work stands as a testament to the power of thoughtful, context-responsive architecture in shaping the future of urban living. With each project, they reaffirm their position as a vanguard in the field, creating spaces that are not just built environments, but catalysts for a more liberated, vibrant way of life. 设计团队 旅游探访 53.92 m² 日本，东京 2024年 Previous Next

< 返回 Canyon View Residence Brunner Architecture 设计特色： 位于加利福尼亚州约书亚树镇的峡谷景观住宅由Brunner Architecture设计,是一个将现代主义设计与对周围景观的深深尊重完美融合的迷人作品。这座面积2100平方英尺的房屋是为一个寻求安静避世的家庭而建,巧妙地融入了苍凉壮丽的自然环境,俯瞰着莫哈维沙漠和邻近的约书亚树国家公园。 该项目的平面布局将注意力集中在令人叹为观止的南面景致上,这里被一座布满岩石的丘陵和古老的流域峡谷所主导。房屋的朝向和设计元素与干旱沙漠气候相协调,在冬季最大限度地利用被动太阳能供热,同时又能遮挡严酷的北风。 房屋布局体现了社交空间和私密空间的精心平衡。每个卧室都享有专属的庭院和对自然环境的直接接触,营造出一种独处与沉思的氛围。同时,主要生活区域巧妙地位于峡谷景观的有利位置,为家人聚会创造了一处宁静的绿洲。 设计团队在这个项目中的杰出设计手法体现在房屋的材质和形式如何完美融入粗犷的沙漠美学。自然材料如石头和经风化的木材的使用,使建筑与周围环境无缝融合,而简洁的线条和极简的细节赋予了当代气质。 这座住宅无疑是一个凸显设计力量增进人与自然联系的杰作。通过巧妙地将房屋融入令人叹为观止的环境中, Brunner Architecture打造了一处真正的卓越避世之所,庆祝着约书亚树景观的美丽与雄伟。 Nestled in the rugged beauty of Joshua Tree, California, the Canyon View Residence by Brunner Architecture is a captivating blend of modernist design and deep respect for the surrounding landscape. Commissioned by a family seeking a tranquil retreat, this 2,100-square-foot home seamlessly integrates with its dramatic natural setting, offering sweeping vistas of the Mojave Desert and the adjacent Joshua Tree National Park. The property's strategic placement prioritizes the breathtaking southern views, which are dominated by a boulder-strewn hillside and ancient watershed canyons. Embracing this unique topography, the home's orientation and design elements work in harmony with the arid desert climate, maximizing passive solar heating during the winter while shielding against the harsh northern winds. The home's layout reflects a thoughtful balance between communal and private spaces. Each bedroom enjoys its own dedicated patio and direct access to the natural surroundings, fostering a sense of solitude and reflection. Meanwhile, the primary living areas are strategically positioned to take advantage of the stunning canyon views, creating a serene oasis for family gatherings. Brunner Architecture's masterful approach to this project is evident in the way the home's materiality and form embrace the rugged desert aesthetic. The use of natural materials, such as stone and weathered wood, seamlessly blends the structure with its surroundings, while the clean lines and minimalist detailing lend an air of contemporary sophistication. The Canyon View Residence is a testament to the power of design to enhance our connection with the natural world. By thoughtfully integrating the home into its breathtaking setting, Brunner Architecture has crafted a truly exceptional retreat that celebrates the beauty and majesty of the Joshua Tree landscape. 设计团队： Brunner Architecture是一家位于加州的小型建筑设计事务所，在过去二十多年里,他们一直在科切拉谷和高沙漠地区留下了独特的印记。该公司于2019年由瑞士建筑师Martin Brunner创立,专注于设计能够与沙漠环境的独特挑战和迷人景观完美协调的住宅项目。 凭借在当地积累的60年从业经验,布鲁纳建筑团队(包括长期合作伙伴Jeff Bicknell 和 Stephen Gardner)对沙漠建筑的要求和复杂性了如指掌。他们从大地艺术运动和南加州标志性的现代主义建筑中汲取灵感,打造出既真挚又恰当的设计方案,充分体现对自然环境的深深敬意。 公司主导人Martin Brunner在90年代中期的一次建筑巡礼中首次发现了对沙漠的热爱。被约书亚树当地独特的简约美所吸引,他此后先后创立了多家屡获殊荣的科切拉谷办公室,最终在2019年创立了设计事务所,致力于提供真正体现他对这片土地深厚感情的优质设计服务。这支才华横溢的三人组合,创造了一系列将现代主义美学与粗犷沙漠环境完美融合的住宅项目,使Brunner Architecture成为科切拉谷杰出的设计事务所之一。 Nestled in the rugged beauty of Joshua Tree, California, Brunner Architecture is a small yet highly esteemed design firm that has been leaving an indelible mark on the Coachella Valley and High Desert region for over two decades. Founded in 2019 by Swiss-born architect Martin Brunner, the practice specializes in residential design that seamlessly harmonizes with the unique challenges and captivating landscapes of the desert environment. With a collective sixty years of experience working in the area, the Brunner Architecture team, which includes long-time collaborators Jeff Bicknell and Stephen Gardner, is intimately familiar with the requirements and complexities of desert construction. Drawing inspiration from the earth art movement and the iconic modernist architecture of Southern California, the firm crafts design solutions that are both honest and appropriate, reflecting a deep respect for the natural surroundings. Martin Brunner, the firm's principal, first discovered his passion for the desert while on an architectural pilgrimage across the United States in the mid-90s. Captivated by the simple beauty of the Joshua Tree landscape, he has since established multiple award-winning practices in the Coachella Valley, before founding Brunner Architecture with the goal of providing quality design services that truly embody his love for the region. Joining Martin are Jeff Bicknell, a fifth-generation Californian whose appreciation for nature and the local climate is evident in his work, and Stephen Gardner, an architect and designer with an impressive background in innovative, socially conscious design both domestically and internationally. Together, this talented trio has created a portfolio of residential projects that seamlessly blend modernist aesthetics with the rugged desert context, earning Brunner Architecture a reputation as one of the premier design firms in the Coachella Valley. 设计团队 旅游探访 2100 ft² Joshua Tree，USA 2024 Previous Next

< 返回 禅室之屋 JAN TYRPEKL 设计特色： 项目 – 坐落于奥地利海因堡安德多瑙乡村的禅室之屋，是对极简主义和与自然相连的颂歌。该建筑由Jan Tyrpekl设计，30平方米的结构像一个鸟巢，悬浮在4米高的树木之间。透过其扩展的玻璃墙和通往阳台与果园的可完全打开的推拉门开口，居住空间实现了室内外无缝转换。这座房屋结构完全由木材建造，其简洁线条的材料配色与周围环境和谐共存而非自我张扬。室内的吧台、床具和壁炉等内置家具通过仔细考虑后的定位，统一于两个开口之间（这些开口引导视线和作为通道）。在强调生活于自然中的精神层面，禅室之屋提供了一个独特和意义非凡的体验，在这里的放松、睡眠和聚会活动获得了与众不同的感受提升。与此同时，尽管其使用了全面玻璃外立面，并置身树木之上，借助围栏、露台和附带的360度落地布帘，其设计还是设法提供了安全和隐私感，让人可以十分安心的与大自然共处。 团队 – Jan Tyrpekl设计工作室由 Jan Tyrpekl（1986年生） 于 2021 年在布拉格创立，对于设计其强调简单、概念清晰和成本效益。他们为客户提供从选址、可行性研究、规划设计到施工监理和工程竣工验收的全方位建筑设计服务。迄今为止，该工作室已获得多项奖项，包括BIG SEE的旅游设计奖和木设计奖，以及捷克建筑奖多项提名和入围。工作室的设计理念注重人与自然的和谐共处，这源于其创始人Jan Tyrpekl的背景。 Tyrpekl 毕业于利贝雷茨科技大学艺术与建筑学院，获得建筑与城市规划学位，通过海外经历和之前的工作经历，Tyrpekl 在木结构和景观设计方面建立了自己的设计方法论和美学理解，其作品有着不俗的个人风格。 Feature： Project - Nestled in the countryside of Hainburg an der Donau, Austria, the Zen House is an ode to minimalism and connection with nature. Designed by Jan Tyrpekl, the 30 sqm structure evokes a bird's nest perched high among the trees at 4 meters above ground. With expansive glass walls and HS portals opening onto the terrace and orchard, the living space enables a seamless transition between interiors and the outdoors. Built entirely of wood, the house features a clean-lined material palette of glued laminated spruce timber framing, larch timber terracing, and CLT wall panelling. The simple rectilinear form works in harmony with the surroundings rather than imposing itself. Inside, built-in furnishings of a bar, bed, and fireplace are unified through thoughtful positioning between two HS portals. The portals direct views and access out to the terrace or towards the orchard. With an almost spiritual emphasis on living amongst nature, the Zen House offers a unique and meaningful experience where relaxation, sleep and gathering take on an elevated significance. Its design manages to provide a sense of security and intimacy despite being surrounded by glass and nestled high up among the trees. Design Team - Founded in 2021 in Prague by Jan Tyrpekl, the design studio emphasizes simplicity, clarity of concept and cost efficiency. They provide clients with a full range of architectural design services from site selection, feasibility studies, planning and design to construction supervision and project completion acceptance. So far, the studio has won several awards, including the 2018 BIG SEE Tourism Design Award, the 2019 and 2022 BIG SEE Wood Design Awards, and multiple nominations and finalists for Czech Architecture Awards. The design philosophy of the studio focuses on harmonious coexistence between human and nature, which stems from the background of its founder Jan Tyrpekl. Tyrpekl graduated from the Faculty of Art and Architecture at the Technical University of Liberec with a degree in Architecture and Urban Planning, and once studied under Professor Marco Casagrande. Through his overseas experiences and previous employments, Tyrpekl has established his own design methodology and aesthetic understanding regarding wood construction and landscape design. 设计团队 旅游探访 30 m² 奥地利 多瑙河畔海恩堡 2023 Previous Next

< 返回 盛裕园区 Safdie Architects 设计特色： 项目 – Safdie Architects 最新力作：新加坡盛裕园区重新诠释了现代办公楼的建筑形式。 这一坐落于新加坡蓬勃发展的裕廊创新区的园区，摒弃了典型的内向式办公塔楼设计， 转而采用了更加开放、犹如公园般的环境，旨在促进员工的身心健康。整个园区由 10 栋不同高度的建筑构成，它们环绕中央人行步道而建，室内外界限变得模糊。通过将 建筑物抬高的设计，地面下的空间得以生长，将底层楼面笼罩在绿意之中，营造出"树 屋"般的效果。这一开创性的方法使园区无缝融入景观之中，为员工提供了充足的自然 采光、新鲜空气和绿色空间。项目获得了新加坡建设局颁发的环境可持续设计的最高 评级——绿色建筑标志铂金级超低能耗，可见其对于可持续性的高度重视。创新的被 动式设计策略和一体化建筑系统最大限度地减少了能源需求。但这个园区不仅仅止于 环保认证，它还定义了一种全新的以社区为中心的工作空间类型。开放式的中央步行 通道以及下沉式庭院、活动空间和 1000 个座位的多功能厅等公共设施，将整个园区变 成了区域内一个真正的社区广场。工作、自然和公共领域的巧妙融合，使盛裕园区成 为了人本设计理念在建筑领域的一个开拓性典范。 团队 – Safdie Architects 是一家享誉国际的顶级设计机构，由 Moshe Safdie 于 1964 年 创立，致力于创新与以人为本的场所营造理念。在 Moshe Safdie 先驱性的远见卓识和 事务所合伙人的共同引领下，工作室践行了"为大家营造花园"的人文主义设计理念。这 一理念视建筑为一种慷慨行为：塑造有意义的空间，将人与自然连接，同时催生活力 社区生活。Moshe Safdie 擅长在全球多元化环境中，将这种理想主义愿景化为实体建 筑，从经典的空中花园 Habitat 67，到举世闻名的“星耀樟宜”、新加坡滨海湾金沙综合 体这些地标性作品，重新定义了建筑形式，树立了与环境融合的新标杆。而近期的重 庆来福士广场更展现出其融合多种功能与公共空间于同一个有机整体的非凡能力。总 部位于波士顿的 Safdie Architects，在世界各地设有分支机构，以紧密协作的方式运作。 其巧妙兼顾人性需求与地方特色，用理想主义与务实主义的独特结合，在全球建筑界 展现持久深远的影响力。 Feature： Project - Safdie Architects has unveiled its newest masterpiece - the Surbana Jurong Campus, a sprawling 742,000-square-foot workplace that reimagines the traditional office building typology. Situated in Singapore's burgeoning Jurong Innovation District, the campus eschews the typical introverted office tower in favor of a more permeable, parklike environment designed to foster employee wellbeing. The campus comprises 10 pavilions of varying heights clustered around a central pedestrian spine, blurring the lines between interior and exterior. By elevating the structures off the ground, the terrain beneath is allowed to flourish, enveloping the lower floors in greenery to achieve a "treehouse effect." This pioneering approach integrates the campus seamlessly into the landscape, providing workers with abundant access to natural light, fresh air, and verdant spaces. Sustainability was paramount, with the project earning Singapore's highest Green Mark Platinum Super Low Energy rating. Innovative passive design strategies and integrated building systems minimize energy demands. But the campus transcends mere eco-friendly credibility - it defines a new community-centric workspace typology. The publicly-accessible spine and amenities like a sunken courtyard, event spaces, and a 1,000-seat multipurpose hall transform the campus into a literal town square for the district. This ingenious interweaving of workplace, nature, and public realm make Surbana Jurong Campus a trailblazing exemplar of architecture prioritizing human-centric design. Design Team - Safdie Architects is an internationally acclaimed design practice founded in 1964 by Moshe Safdie, driven by ideals of innovation and human-centric placemaking. Under Safdie's visionary guidance and that of the firm's principals, the studio has pioneered a humanistic design philosophy rooted in Safdie's powerful metaphor "For Everyone a Garden." This ethos sees architecture as a generous act - crafting meaningful spaces that connect people to nature while catalyzing vibrant community life. Safdie Architects excels at translating these utopian aspirations into built form across diverse global contexts. The firm's landmark works like Habitat 67, Yad Vashem Holocaust Memorial, and Marina Bay Sands have redefined typologies and raised the bar for integration with context. More recent gems like Jewel Changi Airport and Raffles City Chongqing showcase Safdie's mastery of united mixed-use programs and public realms within a single cohesive vision. With a headquarter in Boston complemented by offices worldwide, Safdie Architects operates as a close-knit design collaborative. United by a commitment to ethical, research driven design imbued with social responsibility, the team deftly delivers ingenious solutions responsive to human needs and local cultures. This rare alchemy of idealism and pragmatism defines Safdie Architects' enduring global impact. 设计团队 旅游探访 69000 m² 新加坡 2023年 Previous Next

< 返回 Maatulli 学校和幼儿园 Fors Arkitekter 项目名称：Maatulli学校和幼儿园 地点：芬兰，赫尔辛基 设计团队：Fors Arkitekter 建筑面积：10000 m² 完工时间：2024年 摄影：Tuomas Uusheimo 设计特色： 项目 - 位于赫尔辛基Tapulikaupunki区的Maatulli学校和幼儿园展现了教育建筑与自然环境的完美融合。这座创新的教育综合体由五座独立的木制建筑围绕一个名为"森林空地"的中央绿色庭院排列，为700名小学生和238名幼儿园学生提供了一个充满活力的学习环境。 建筑最显著的特色是其以学习者为中心的人性化设计理念。通过模块化的木结构建造，项目成为赫尔辛基首批采用大体量木结构的学校之一。设计团队精心打造了一个绿色且灵活的学习环境，支持学生的身心健康、专注力和创造力的发展。每个建筑单元都具有独特的特色，包含多样化的功能空间，从学习区域到食堂、体育馆、科技艺术设施等。 项目特别关注自然采光和户外连接，中央的圆形庭院不仅为建筑核心区域引入充足的自然光，还创造了宝贵的户外学习和社交空间。本地芬兰植物的运用进一步强化了与自然的联系，成为教学实践的重要组成部分。建筑外立面采用垂直构件的木质覆面，灵感来自周围公园的树木，创造出内外空间的动态互动。 该项目突出表现在其对可持续性的全面考虑：从材料选择到空间组织，从环境影响到社区价值，都体现了深思熟虑的设计策略。建筑不仅服务于教育功能，还在夜间和周末作为社区中心，展现了其作为城市公共空间的重要价值。 团队 - Fors Arkitekter成立于2020年，是一家总部位于哥本哈根的建筑设计事务所，在教育、文化和公共建筑领域享有盛誉。在创始人Sofia Fors的带领下，事务所发展成为斯堪的纳维亚地区最具创新力的建筑实践之一，以其对可持续设计和北欧建筑传统的深刻理解而闻名。 事务所的设计方法建立在对环境响应性、社会包容性和工艺精湛度的追求之上。团队特别擅长将建筑与景观设计整合，创造出与周边环境和谐共生的建筑作品。通过精心的材料选择和细节处理，他们的项目展现了对北欧建筑传统的现代诠释。 Sofia Fors及其团队已完成了众多备受赞誉的项目，从私人住宅到大型公共建筑。事务所的作品获得多个重要奖项，包括2024年芬兰木结构建筑奖提名以及2021年Maatulli学校公开设计竞赛冠军等。这些成就体现了事务所在可持续建筑设计和创新教育空间营造方面的卓越能力。 事务所始终致力于通过建筑设计改善人们的生活质量，特别注重创造支持学习、促进社交互动和强化环境意识的空间。他们的实践方法强调与客户、专家和最终用户的紧密协作，确保每个项目都能准确响应使用者需求，同时推动建筑设计的可持续发展。 Project Name: Maatulli School and Kindergarten Location: Helsinki, Finland Design Team: Fors Arkitekter Area: 10,000 m² Year: 2024 Photographs: Tuomas Uusheimo Feature： Project - The Maatulli School and Kindergarten in Helsinki's Tapulikaupunki district represents a groundbreaking approach to educational architecture that seamlessly integrates with its natural surroundings. This innovative educational complex, composed of five wooden buildings arranged around a central green courtyard known as "The Forest Glade," provides a dynamic learning environment for 700 school pupils and 238 kindergarteners. The building's most distinctive feature is its learner-centered, human-scale design approach. Constructed using modular mass-timber construction, the project stands as one of Helsinki's first schools to employ large-scale wooden structures. The design team has crafted a green and flexible learning environment that supports students' wellbeing, concentration, and creativity. Each building block possesses its unique character, housing diverse functional spaces from learning areas to canteens, sports halls, and science and art facilities. The project places special emphasis on natural lighting and outdoor connectivity, with the central circular courtyard not only bringing abundant natural light to the building's core areas but also creating valuable outdoor learning and social spaces. The use of local Finnish plants further strengthens the connection to nature, becoming an integral part of the pedagogical practice. The building's wood-clad façade with vertical mullions draws inspiration from the surrounding park's trees, creating a dynamic interplay between exterior and interior spaces. The project excels in its comprehensive approach to sustainability: from material choices to spatial organization, from environmental impact to community value, all reflect well-considered design strategies. The building serves not only its educational function but also acts as a community center during evenings and weekends, demonstrating its significance as an urban public space. Design Team - Fors Arkitekter, established in 2020, is a Copenhagen-based architectural practice renowned for its expertise in educational, cultural, and public buildings. Under the leadership of founder Sofia Fors, the firm has evolved into one of Scandinavia's most innovative architectural practices, known for its profound understanding of sustainable design and Nordic architectural traditions. The firm's design methodology is built upon the pursuit of environmental responsiveness, social inclusivity, and craftsmanship excellence. The team particularly excels in integrating architecture with landscape design, creating buildings that harmoniously coexist with their surroundings. Through careful material selection and attention to detail, their projects demonstrate a contemporary interpretation of Nordic architectural heritage. Sofia Fors and her team have completed numerous acclaimed projects over the past decade, ranging from private residences to major public buildings. The firm's work has garnered several significant awards, including a 2024 Finnish Wood Award nomination and the 2021 winner of the Maatulli School open competition. These achievements reflect the firm's excellence in sustainable architectural design and innovative educational space creation. The practice remains dedicated to improving people's lives through architectural design, with a particular focus on creating spaces that support learning, promote social interaction, and enhance environmental awareness. Their approach emphasizes close collaboration with clients, specialists, and end-users, ensuring each project accurately responds to user needs while advancing sustainable architectural development. 设计团队 旅游探访 10000 m² 芬兰，赫尔辛基 2024 Previous Next

< 返回 Marhûs湖畔住宅 Lichtstad Architecten 项目名称：Marhûs湖畔住宅 地点：布尔恩兹瓦格，荷兰 设计团队：Lichtstad Architecten 建筑面积：450平方米 竣工时间：2025年 摄影：Bas Gijselhart | BASEphotography 设计特色： Lichtstad Architecten设计的"Marhûs湖畔住宅"展现了如何通过创新的多体量构成策略和精湛的木结构工艺设计哲学融合技术，将一座位于弗里斯兰湖畔的住宅转化为充满环境响应性和空间流动性的当代建筑杰作。 这座450平方米的住宅戏剧性地矗立在湖畔边缘，呈现为对当代可持续居住方式、被动式能源控制和传统木船建造工艺融合的深刻冥思。它通过精心的空间组织和材料选择，创造出一个将功能性与环境舒适性无缝交织的居住体验。 项目的绝妙之处在于对场地特质的根本性回应与重新构想。Marhûs这一名称源于弗里斯兰语，"Mar"意为湖泊，"hûs"意为居所，完美诠释其场地身份。建筑师将五个纤细延长的体量并置，每个体量具有独特的空间特质与朝向，创造了建筑与弗里斯兰景观的持续对话，实现了功能上的空间分层效果。 Lichtstad Architecten的设计语言流利地表达着当代木构建筑方言，运用战略性的体量编排和材料应用来重新定义滨水居住体验。面向街道，住宅呈现出与村庄肌理共鸣的谦逊低调轮廓，而面向湖泊，则以自信的姿态回应弗里斯兰辽阔地平线的宏大开放性。这种大胆的双面性策略不仅增加了空间的层次感，同时巧妙地适应了现代家庭生活的复杂需求。 建筑师通过曲线屋顶和垂直视觉连接的巧妙操控在不同体量间创造连续的空间体验。五个体量通过变化的长度、流动的屋顶线和精细雕琢的立面，生成分层且不断变化的视角，既来自室内，也来自立面本身投射的倒影。中央厨房起居区作为充满活力的社交核心，配以花园、港口和湖泊的全景视野，直接连接抬升的起居室、覆盖的滨水露台、健身区域和客房设施，营造出"建筑作为空间透镜不断揭示周边环境变化景观"的氛围。 材料策略延续了这种建筑与环境和谐共生的设计理念。整个结构完全由交错层积木材（CLT）构成，这种材料将结构性能与天然木材的感官温暖结合。曲线屋顶由船体记忆塑造，赋予建筑雕塑端部有机流动的特质，在此建筑、工艺与景观凝聚为和谐整体。流动的屋顶线强化形式与功能的统一，使Marhûs不仅是居住场所，更是空间旅程，建造、工艺与场地在永恒的雕塑姿态中汇聚。 可持续性贯穿整个设计。光伏板谨慎整合于较高的平屋顶中，从视线中隐藏却为能源效率优化朝向。地源热泵提供供暖与制冷，纤维素保温确保透气舒适的室内气候。立面与屋顶覆以未经处理的木材与锌板，这些材料优雅老化并自然融入景观。木质立面的纤细切口将日光过滤进室内，创造精致的光影变化。绿色屋顶增强生物多样性，改善水体保持，并促进热舒适。 室内设计与建筑构思为无缝整体。材料性、光线与空间节奏协同工作，创造克制而永恒的氛围。清晰的功能布局与精心策划的材料语言产生自然、建筑与工艺完美平衡的居所。屋顶曲线界定并强调空间分区，而柔和曲面的室内墙体创造房间间的温和过渡。在某些地方，它们以微妙的壁龛或视觉连接开放，在其他地方则界定门槛或赋予通道宁静的欢迎感。 面向湖泊，花园无缝流入弗里斯兰景观。简洁而开放，以草本植物与本土种植为特色，长码头连接住宅与水体。在更私密的角落，花卉与厨房花园依偎在面向东方的早餐露台旁，捕捉晨光，而主卧附近的荫蔽花园唤起更具沉思的氛围。轻微抬升的雕塑感种植床增添趣味性格，而街道侧花园反映村庄的谦逊尺度。 设计团队 ：Lichtstad Architecten作为荷兰当代建筑实践的杰出代表，由Rob van Vugt于2013年在埃因霍温创立，坐落于历史性的飞利浦老灯具厂内，自成立以来已确立其在当代住宅设计和环境响应式建筑语言创新领域的先锋地位。这家立足埃因霍温的事务所通过设计与环境的协调整合，重新定义当代荷兰建筑师在国际设计话语中的角色。 Lichtstad Architecten为建筑实践带来了卓越的总体视野设计方法和对跨学科协作的深刻理解。该事务所因其将精湛工艺与当代可持续建造原则结合的承诺而获得认可，创始人Rob van Vugt在多家知名建筑事务所积累丰富经验后，秉持"创意理念转化为现实，为永恒而设计"的信念创立事务所。核心团队包括建筑师Maron Vondeling，专注于循环建筑与场地潜力探索，曾在Wiel Arets Architects学习立面美学与建筑中的运动体验；建筑设计师Isis van der Vleuten，将实践与蒂尔堡建筑学院的硕士学习相结合；建筑设计师Micha Lambregts，拥有技术研究背景并正在蒂尔堡建筑学院发展设计技能；以及建筑设计师Tommy Wijkmans，正在埃因霍温理工大学攻读建筑学硕士，专注于使用者体验与概念性设计。 该事务所的设计哲学强调建筑应该超越风格限制，不仅仅是为了满足基本需求而设计，更是为了与居住者的生活方式和环境条件共同有机演进。正如创始人所言："建筑师如同导演，从倡议到实现守护愿景的人。"通过对场地特定性认知和感官体验的深度关注，开展从住宅到商业空间的多元化项目，相信最好的建筑是通过精准和深思熟虑的过程产生的，因为每个细节都很重要。 该事务所的工作方法包括三个整合阶段：概念阶段通过与客户的分析性对话建立愿景，挑战客户展望长远未来并超越常规路径思考；设计阶段将愿景转化为综合设计，从室内到城市规划方面，对每个细节的抱负与目标进行记录，强烈偏好摇篮到摇篮原则，因为可持续性为人类与环境提供机遇；建造阶段Lichtstad Architecten保持主动参与，通过指导与建筑咨询精心守护概述的愿景，每个项目具有独特特质并需要特定方法，根据项目需求引入建筑合作伙伴，当愿景转化为现实时，以评估结束建造阶段，知识保障居于核心。 除实践外，通过对天然材料与现代建造方法的深思熟虑结合、本地气候条件和国际设计元素的运用、以及对摇篮到摇篮循环经济原则的承诺，Lichtstad Architecten已确立自己作为当代荷兰建筑话语重要贡献者的地位，创造出既具环境回应性又拥抱全球设计视野的建筑作品。该事务所目前在荷兰充满活力的建筑景观中占据独特地位，专注于创造最大功能性与正确表达相互发现并强化的建筑，为最终使用者带来最优体验。 设计团队 旅游探访 450 m² 布尔恩兹瓦格，荷兰 2025 Previous Next

< 返回 WOWK芝公园 PERSIMMON HILLS architects 设计特色： 项目 – 位于东京港区一条狭窄街道旁的"WOWK 芝公园"办公楼，由柿木佑介+广冈周 平/PERSIMMON HILLS 建筑事务所设计，对传统办公建筑类型提出了别开生面的独到 诠释。作为一座追求现代社会新型办公方式的租赁办公楼，建筑师旨在营造促进交流 的空间氛围，打造"城市新景观"。设计大胆打破了单一、均质化的标准楼层平面的僵化 模式，通过巧妙布置疏散楼梯和雕塑般的建筑立面体块，每个楼层都被赋予了独特的 个性空间。边界的打破孕育出富有特色的空间，精心设计的开口、材料和体量为采光 需求作了应对。设计师着眼于周边小规模工作场所与步行流线交织而成的独特城市肌 理，试图将这种工作生活一体化的魅力延展为垂直景观。随着现代各类技术的发展， 小型组织和个体不再受制于规模，能够承担大型工作，他们需要一个能积极工作和交 流的动态场所，这正是本项目回应的现代需求。通过这一操作，他们构筑出了诗意盎 然的全新办公体验，让新旧语境在此交融激荡：展现出小型团队和个体能够聚集、互 动、并重塑城市未来面貌的愿景。这一极具创意的方案体现了创新的空间理念如何为 密集城市地区注入活力，使"WOWK 芝公园"办公楼成为真正开拓性的建筑力作。 团队 – PERSIMMON HILLS architects 是一家总部设在大阪的实验性建筑设计工作室， 由柿木佑介（1986 年生）和广冈周平（1985 年生）于 2016 年创立。该工作室致力于 概念性设计的探索，业务范围广泛，涵盖建筑、室内、产品设计和城市规划等。设计 团队根据场地条件创造定制解决方案，如住田町社区中心的设计理念，突显了当地文 化语境和传统工艺。他们的作品组合体现了可持续发展和面向社区的设计理念，如区 域振兴项目和灾后重建项目。该工作室凭借简约优雅、关注社会的作品，广受好评并 获得如日本商业环境设计协会“JCD 设计奖”以及日本建筑师学会优秀建筑评选等奖项。 Feature： Project - Nestled along a narrow street in Tokyo's Minato ward, the WOWK Shiba Koen building by Yusuke Kakinoki + Shuhei Hirooka / PERSIMMON HILLS architects is a refreshing reinterpretation of the conventional office typology. Designed as a rental office pursuing new ways of working befitting our modern society, the architects aimed to foster interaction and craft an architecture that becomes "a new urban landscape." Defying the monotony of stacked, generic floor plates, the daring design strategically positions the emergency stairwell and sculptural massing to disrupt the "standard floor" on each level. This breakdown of boundaries generates unique, characterful spaces with carefully modulated openings, materials, and volumes that respond to daylighting requirements. Inspired by the surrounding urban fabric of small-scale workplaces interwoven with pedestrian pathways, the architects sought to verticalize this appealing integrated work-live environment. By doing so, they crafted a novel workplace experience that poetically bridges old and new contexts - envisioning a future where tightknit teams and individuals can gather, interact dynamically, and shape the city's evolving identity. This ingenious scheme exemplifies how innovative spatial concepts can breathe new life into dense urban areas, making WOWK Shiba Koen a truly pioneering architectural statement. Design Team - Persimmon Hills Architects is an experimental Osaka-based studio founded in 2016 by Yusuke Kakinoki and Shuhei Hirooka. Dedicated to pursuing conceptual depth, the firm engages in diverse projects spanning architecture, interiors, product design and urban strategies. Persimmon Hills creates site-specific solutions, like the intricate wooden lattice of Community Center, that foreground local context and craftsmanship. Their portfolio reveals a commitment to sustainability and community-oriented design, evidenced in regional revitalization projects and disaster recovery initiatives. The studio has garnered awards from JCD Design Awards for their elegantly minimalist, socially-conscious work. As lecturers and guest critics, Kakinoki and Hirooka are active in fostering the next generation of Japanese architects. 设计团队 旅游探访 342.05 m² 日本，东京 2023年 Previous Next

< 返回 平衡之宅 Alexandre Chaguri Arquitetura 项目名称：平衡之宅 地点：巴西 设计团队：Alexandre Chaguri Arquitetura 建筑面积：777平方米 竣工时间：2022年 主持建筑师：Alexandre Chaguri 摄影：Favaro Jr. Fotografia 项目： 坐落于被保护森林环绕的巴西陡峭山坡上，Alexandre Chaguri Arquitetura设计的平衡之宅展示了当代建筑如何在应对复杂地形的同时保持精致的设计原则。这座为三口之家打造的非凡避暑别墅，通过其独特的倒置空间布局和大胆的结构悬挑，诠释了极简主义的优雅。 该项目的决定性特征是其戏剧性的10米悬挑上层体量，看似毫无重量地悬浮在透明的底层之上。这一大胆的建筑姿态创造了自然遮阳，同时在室内生活空间与周围景观之间建立了流动的联系。悬浮的卧室区块容纳了六间套房，捕捉到广阔的森林景观，而下方的社交区域则直接与花园和泳池互动。 智慧地回应倾斜的地形，住宅颠覆了传统的居住安排。设计师没有将卧室设置在较低楼层，而是将私密空间置于上方以最大化视野，把公共空间安排在底层，使其与户外设施无缝融合。这种配置同时优化了功能性和体验质量。 垂直木质遮阳板定义了上层体量的立面，兼具光线过滤和雕塑元素的双重功能，强化了住宅的极简美学。在入口层，反射性水景迎接访客，同时呼应通向社交区域的楼梯，立即建立起建筑与自然之间的对话。 贯穿这座777平方米住宅的落地玻璃促进了视觉连续性和自然通风，将客厅、餐厅和美食区域与泳池及翠绿的地平线相连。室内装饰采用克制的色调，融合当代家具和有机设计单品，颂扬自然光线的同时尊重森林环境。 游泳池作为建筑的镜面，映照着后立面，延续了这座在建筑形式与自然环境之间精心校准的平衡作品所散发的休闲氛围。 设计团队： Alexandre Chaguri Arquitetura成立于2005年，位于巴西圣保罗，已发展成为一家杰出的建筑事务所，专注于巴西各地的住宅和商业项目。在首席建筑师Alexandre Chaguri的带领下，该事务所建立了将功能精准性与精致美学融合的声誉。Chaguri毕业于圣保罗美术学院，并在PUC完成研究生学习。 该事务所的设计理念以创造定制化建筑解决方案为核心，既回应每位客户的独特需求，又保持对空间组织和材料完整性的严格关注。近二十年来，Alexandre Chaguri Arquitetura将作品集扩展至巴西多个地区，始终如一地展现出将概念愿景转化为建成现实的卓越能力。 工作室目前由Alexandre Chaguri与资深建筑师Luana Battino和Fellipe Barros共同领导，保持着强调技术熟练度和创新性问题解决的协作方式。Battino于2015年在Ceunsp完成建筑学教育和研究生学习，Barros则是2008年Ceunsp毕业生，两人在项目开发和执行方面贡献专业知识。 事务所的作品以简洁的当代线条、深思熟虑的场地整合以及精致的材料组合为特征，既认可本地语境又呼应国际设计话语。每个项目都体现了工作室对建筑卓越性的承诺，在平衡功能复杂性与空间清晰度的同时，以同等的严谨态度应对环境考量和客户期望。 设计团队 旅游探访 777 m² 巴西 2022 Previous Next

< 返回 莱科之家 OYO Architects 项目名称：Lyco House 地点：佩平恩, 比利时 设计团队：OYO Architects 建筑面积：312 m² 竣工时间：2024年 摄影：Karen Van der Biest 设计特色： 比利时建筑工作室OYO Architects设计的莱科之家（Lyco House）展现了如何通过大胆的建筑创新设计将历史谷仓转化为当代可持续住宅的典范。这座312平方米的住宅位于距离布鲁塞尔不到30公里的佩平恩乡村，以其独特的三角形切割干预重新定义了乡村适应性再利用的概念。 该项目的精彩之处在于其战略性的空间重构。建筑师通过移除建筑体量的一部分，创造了一个中央庭院，将原本黑暗封闭的空间转变为充满光线的避风港。这一巧妙的三角形切割不仅为室内带来了充足的自然光线，还在室内外空间之间产生了流畅的过渡，同时保持了传统谷仓的街道立面。 设计团队的空间编排通过精心安排的层次、夹层和双高空间展开，这些空间由Atelier Manus定制设计的几何绿色钢楼梯连接。这种垂直对话增强了紧凑占地面积内的空间感，将卧室与起居区、厨房与花园、客厅与高架露台连接起来，模糊了室内外的界限。 居住空间围绕厨房展开，鲑鱼粉色的大型岛台成为引人注目的焦点。天花板的浅色松木与抛光的灰色水泥形成对比，而Hout en Interieur定制的深色木制家具增添了温暖感。客厅位于厨房上方略高的层面，其富有暗示性的木质天花板和面向户外露台的大窗户营造出独特的氛围。 房屋的材料色调体现了对传统与创新的表达。精心挑选的中性色调家具配以绿色和陶土色的色彩点缀，在温暖平衡的环境中营造出柔和自然的氛围。为确保热舒适性、可持续性和能源效率，设计团队在建造过程中融入了生态和循环材料，完全翻新了旧石棉屋顶，并在房屋中安装了太阳能电池板和其他生态技术。 Denis Dujardin的景观设计通过使用当地植被，实现了与周围乡村景观的流畅和谐融合。此外，还开发了一个巧妙而谨慎的解决方案来管理该地区的多余雨水，将其引导到天然池塘中进行净化并逐渐过滤到地下。 这座住宅体现了不俗的适应性再利用方法，展示了如何在不牺牲原有本质和环境责任的情况下，将充满历史的谷仓转化为适应当代生活需求的现代住宅。 设计团队 - OYO Architects作为一家杰出的比利时建筑事务所，由Nigel Jooren、Eddy Soete、Veroniek Vanhaecke、Lies Willaert和Ferran Massip于2011年创立，现在根特和巴塞罗那设有办公室，十多年来，该事务所发展出涵盖住宅、社区开发和工业建筑类型学的创新解决方案口碑。 OYO Architects为事务所带来了卓越的多学科协作经验和对可持续建筑实践的深刻理解。在创始合伙人的领导下，以及包括25名设计师、建筑师、城市规划师和咨询专家在内的团队支持下，该事务所因其对生态系统思维的承诺和对工艺的执着而获得认可。这种整体方法与当代设计创新的结合，使OYO Architects在欧洲建筑景观中占据独特地位。 该事务所的设计哲学强调空间目的与建筑执行同等重要，不急于寻求标准化建筑解决方案，而是相信建筑应该是对社会、环境和经济可持续性透彻理解的结果。通过与客户的深度协作，他们定义项目的空间目的——即空间应对其居住者产生的积极影响。OYO Architects相信最好的空间为人们提供了发挥最佳状态的环境，他们致力于挑战传统，揭示空间的真正潜力。 通过对慷慨住宅、繁荣社区和再生工业的深思熟虑综合，OYO Architects已确立自己作为当代建筑话语重要贡献者的地位，创造出既扎根于地方又拥抱全球设计视野的建筑作品。 Project Name: Lyco House Location: Pepingen, Belgium Design Team: OYO Architects Total Floor Area: 312 m² Completion: 2024 Photography: Karen Van der Biest Feature: Belgian architecture studio OYO Architects completed the Lyco House project in Pepingen, creating a contemporary sustainable home that exemplifies how bold architectural intervention can transform historic barns into modern living spaces. The project is positioned within the green countryside less than 30 kilometers from Brussels, drawing inspiration from Belgium's rural heritage to create an architectural work that both celebrates agricultural building traditions and embodies innovative adaptive reuse strategies. The project's most compelling design feature lies in its strategic spatial reconfiguration through a dramatic triangular cut carved from the original barn volume. Rather than choosing conventional renovation approaches, the architects masterfully created a central courtyard that transforms the previously dark and enclosed space into a light-filled sanctuary. This ingenious triangular intervention not only floods the interior with natural light but also generates fluid transitions between indoor and outdoor spaces while maintaining the traditional barn facade that preserves the building's agricultural character. The building's spatial choreography unfolds through carefully orchestrated levels, mezzanines, and double-height spaces connected by a striking geometric green steel staircase custom-designed by Atelier Manus. This vertical dialogue enhances the sense of spaciousness within the compact footprint, connecting bedrooms with living areas, kitchen with garden, and living room with elevated terrace, effectively blurring the boundaries between interior and exterior environments. The living spaces center around the kitchen, where a large salmon pink island stands out as a bold focal point. The light pine wood ceiling contrasts with polished grey cement floors, while custom-made dark wood furniture by Hout en Interieur adds warmth and craftsmanship. The living room, positioned on a slightly higher level above the kitchen, features a suggestive wooden ceiling and large windows that open onto the outdoor terrace, creating a unique spatial experience. Material selection demonstrates exceptional sensitivity to heritage and innovation. Carefully selected furniture in neutral tones is complemented by chromatic accents in green and terracotta, generating a soft and natural atmosphere in a warm and balanced environment. To ensure thermal comfort, sustainability, and energy efficiency, OYO Architects incorporated ecological and circular materials during construction, completely renovating the old asbestos roof and installing solar panels and other eco-technologies throughout the house. Denis Dujardin's landscape design plays a crucial role in shaping the setting, achieving fluid and respectful integration with the surrounding rural landscape through the use of local vegetation. Additionally, an ingenious and discrete solution has been developed to manage the area's excess rainwater, channeling it into a natural pond where it is purified and gradually filtered into the ground. Lyco House represents a thoughtful adaptive reuse approach, demonstrating how historic agricultural buildings can be transformed to meet contemporary living needs while respecting their original essence and environmental responsibility. Design Team - OYO Architects stands as a distinguished Belgian architectural practice that has established an exceptional reputation in innovative sustainable design. Founded by Nigel Jooren, Eddy Soete, Veroniek Vanhaecke, Lies Willaert, and Ferran Massip in 2011 and based in Ghent and Barcelona, under the creative direction of founding partner Nigel Jooren and design direction of partner Ferran Massip, the firm has developed a reputation for creating innovative solutions across residential, community development, and industrial architecture typologies. OYO Architects brings exceptional multidisciplinary collaborative experience and deep understanding of sustainable building practices to the practice. Under the leadership of founding partners, supported by a 25-person team including designers, architects, urban planners, and consultative specialists, the practice has garnered recognition for its commitment to ecosystem thinking and dedication to craftsmanship. This combination of holistic approach with contemporary design innovation positions OYO Architects uniquely within Europe's architectural landscape. The firm's design philosophy emphasizes that spatial purpose is as important as architectural execution, not rushing to standardized architectural solutions but believing that architecture should be a result of thorough understanding of social, environmental, and economic sustainability. Through intensive collaboration with clients, they define the project's spatial purpose—the positive impact the space should have on those that inhabit it. OYO Architects believes that the best spaces provide the setting for people to be at their best, challenging convention to reveal the true potential of space. Through this thoughtful synthesis of generous homes, thriving communities, and regenerative industry, OYO Architects has established itself as a significant contributor to contemporary architectural discourse, creating architectural works that are both rooted in place and embrace global design vision. 设计团队 旅游探访 312 m² 佩平恩, 比利时 2024 Previous Next

< 返回 Veron the Shop商店 IOG Arhitectura 项目名称：Veron the Shop商店 地点：布加勒斯特，罗马尼亚 设计团队：IOG Arhitectura 建筑面积：22 m² 竣工时间：2024年 摄影：Sabin Prodan 设计特色： 项目 - Veron The Shop位于客户家族所拥有的一座中心建筑的前车库内。由于周边环境的退化，这个车库数十年来一直闲置未用。客户希望通过将这个闲置空间改造成一个销售配饰和时尚商品的精品店来重新激活它。这个22平方米的空间包括一个原本用于停车的主要房间，以及一个在设计方案中变成试衣间的小储藏室。挑战在于为这个虽然面向街道但由于位于地下室而不被路人看见的小商店创造一个现代身份。 设计方案包括用淡粉色瓷砖全面覆盖空间，根据位置使用不同的规格。墙壁被拉直以容纳10/10厘米的瓷砖规格，地板则铺设以人字形图案排列的矩形瓷砖，而中心岛和配饰展示台则使用5/5厘米的瓷砖。由于空间天花板高度较低，仅有230厘米，为了通过反射创造增高效果，天花板覆盖了与瓷砖颜色相似的有机玻璃。 为了保持流畅的氛围，金属家具与墙壁分离。服装架由波浪形金属杆制成，波浪形状规定了展示产品的最大数量，从而保持空间的清爽氛围。接待台由一块蓝色金属板制成，包裹着柜台并与墙壁分离。即使试衣间也是一个独立的元素，由一个独立的镜子组合和周围的窗帘组成。 唯一的固定元素是覆盖着5/5厘米陶瓷瓷砖的中心岛，以及放置在入口附近的配饰展示台。现有的明显退化的木质车库门并非原始门。因此，对于主入口，设计方案复制了原始金属车库门的设计，但使用透明玻璃代替不透明材料，以便自然光照亮内部空间并提供街道层面的可见性。这样，商店成为从建筑立面剪切出来的一幅框架画，增加了街道正面的深度。 在消除已损坏的通道坡道时，创造了一个小庭院，并通过使用地面高度差异来保护其免受人行道影响。这样，商店向社区开放，提供了一种熟悉的氛围。项目的主要成功在于重新激活了一个闲置空间，通过这次干预，它已成为充满活力的中心城市社区本地商业的一部分。 团队 - IOG Arhitectura是一家知名的罗马尼亚布加勒斯特设计事务所，由Omid Ghannadi和Ilinca Ghannadi于2010年创立。该事务所的实践理念是将建筑设计视为裁缝店般精细，注重那些使设计成为独一无二作品的细节。IOG的项目因其材料、颜色和纹理的独特组合而闻名并获奖，这些组合为使用者创造出沉浸式体验。 Omid Ghannadi负责设计过程管理和协调项目的整个设计过程。Ilinca Ghannadi拥有建筑理论博士学位，她主要负责概念开发和项目实施管理。Ana Georgescu是IOG Arhitectura的高级建筑师和合伙人，完成了事务所许多具代表性的项目。她在事务所的专长是概念开发和可视化过程。而另一位合伙人Teo Staicu不仅因办公室项目的实施质量而受到认可，也因在建筑设计过程和细节处理中的严谨规划而获得赞誉。 Project Name: Veron the Shop Location: Bucharest, Romania Design Team: IOG Arhitectura Total Floor Area: 22 m² Completion: 2024 Photography: Sabin Prodan Feature: Project - Veron The Shop is located in a former garage of a central building owned by the clients' family since its completion. Due to the successive layers of pavement added to the sidewalk and the degradation of the access ramp, the garage remained unused for decades. The client sought to revitalize the unused space by converting it into a small boutique for accessories and fashion items. The 22 sqm space consists of a main room that was intended for parking and a small storage room that, in the proposal, became the fitting room. The challenge was to create a contemporary identity for a small shop that, although street-facing, was not visible to passersby, as it is located in the basement level. The proposal involved fully covering the space with pale pink ceramic tiles, using different formats depending on their placement. The walls were straightened out to accommodate the 10/10 cm format, the floor was tiled with a rectangular format laid in a herringbone pattern, and 5/5 cm tiles were used for the central island and accessory pedestal. The space has a low ceiling height of 230 cm, so to create a heightening effect through reflection, the ceiling was covered with plexiglass in a colour similar to the tiling. To maintain the fluid atmosphere, the metal furniture was detached from the walls. The clothing racks are made of wavy metal bars, with the waves dictating a maximum number of displayed products, thus keeping the space's crisp ambiance. The reception desk is made from a blue metal sheet that wraps around the countertop and is detached from the walls. Even the fitting room is a detached element, consisting of a freestanding mirror ensemble surrounded by a curtain. The only fixed elements remain the central island, covered in 5/5 cm ceramic tiles, and a pedestal for accessories placed near the entrance. The existing visibly deteriorated wooden garage door was not the original one. So for the main entrance, the proposed door replicates the design of the original metal garage door, but using clear glass instead of opaque, to naturally light the interior space and provide street-level visibility. This way, the store becomes a framed picture cut out from the building's facade, contributing to the depth of the street front. When eliminating the destroyed access ramp, a small courtyard was created, framed by the existing garden planters and protected from the sidewalk by using the ground level difference. In this way, the store opens up to the neighbourhood, offering a familiar atmosphere. The main success of the project is the revitalization of an unused space, which, through this intervention, has become part of the local commerce of a vibrant central city neighbourhood. Design Team - IOG Arhitectura is a well-known Bucharest based design & architecture office, founded by Omid Ghannadi and Ilinca Ghannadi in 2010. The office practice is defined by the desire to make architecture like a tailor's shop, with attention to the details that make a design become one of a kind. IOG's projects are known and awarded for the uncanny mix of materials, colours and textures that make each design an immersive experience for its users. Omid Ghannadi is a founding partner of IOG Arhitectura and is credited for his contribution in the design process management and coordination of the entire design process of the projects. Ilinca Ghannadi is a founding partner of IOG Arhitectura, with a PhD in architecture theory, she is credited with concept development and implementation management of the projects. Ana Georgescu is a senior architect and partner at IOG Arhitectura, credited with the completion of many representative projects of the office. Her expertise in the office is concept development and visualisation process. Teo Staicu is a senior architect and partner at IOG Arhitectura, credited with the quality of the implementation process of the office projects but also for the rigorous planning of the design process in the architecture design process and detailing. 设计团队 旅游探访 22 m² 布加勒斯特，罗马尼亚 2024 Previous Next

< 返回 SOLASUNA酒店 axonometric 项目名称：SOLASUNA酒店 地点：福冈县行桥市，日本 设计团队：axonometric 建筑面积：853.4 m² 竣工时间：2023年11月 摄影：YASHIRO PHOTO OFFICE，REPOSHA Yuta Nishino 设计特色： 项目 - 在福冈县行桥市长井浜的海滨公园内，axonometric设计事务所打造了一个创新性的酒店项目SOLASUNA。这座853.4平方米的建筑巧妙地解决了公共与私人空间的界限问题，成为振兴这一曾经繁荣但后来衰落的海滨地区的催化剂。 设计团队以"公园与酒店的柔和融合"为理念，创造性地将现有的木质步道立体化扩展，形成一个覆盖整个建筑的巨大阶梯式结构。这一设计最引人注目的特色是其多功能性：阶梯不仅作为连接客房与海洋的自然流通路径，还提供了可供酒店客人和公园游客共同使用的宽敞露台，同时还作为百叶系统遮挡东方强烈的阳光和调节公园视线。从远处观看，整个结构宛如一座面向海洋的大型圆形剧场。 室内空间展现了对自然环境的深刻理解，在建筑与周围海滨公园之间创造出流畅的过渡。这座两层钢结构建筑占地459.50平方米，位于5,668.70平方米的场地内，通过其创新的阶梯式设计，成功地在公园的公共性与酒店的私密性之间取得了平衡。 SOLASUNA的独特之处在于它创造了一个"既不属于公园、建筑或自然，但又整合了所有这些元素的缓冲空间"。这个过渡区域的身份保持刻意的流动性和模糊性，使项目不仅仅占据其场地，而是改变了它，在公共娱乐、私人住宿和自然景观之间建立了新的关系，形成一个无缝而引人注目的整体。 团队 - axonometric成立于2021年，是一家以福冈为基地的创新建筑设计事务所，由首席建筑师佐々木慧（Kei Sasaki）领导，在日本国内外承接多样化项目。佐々木慧曾在著名的藤本壮介建筑设计事务所（SOU FUJIMOTO ARCHITECTS）工作，拥有丰富的专业经验，是一级建筑师及多所大学的客座讲师。 该事务所专注于全方位的空间设计，业务范围涵盖建筑设计、室内设计、家具设计、景观设计和城市规划等领域。团队由一群才华横溢的专业人士组成，包括董事仓员香织（Kaori Kurakazu）、多位建筑师和项目经理，他们共同为每个项目注入创新思维和专业精神。 axonometric的作品因其对空间的独特理解和创新方法而获得多项国际奖项，包括2024年DFA亚洲设计大奖金奖、亚太室内设计大奖（APIDA）金奖及评审团特别奖、日本优良设计奖2024特别奖等。他们的设计理念强调建筑与环境的和谐共存，在实用功能与美学体验之间取得平衡。 事务所的发展壮大反映了其对建筑创新的坚定承诺和在行业内日益增长的影响力，为日本当代建筑设计领域带来了新的视角和可能性。 Project Name: SOLASUNA Hotel Location: Yukuhashi City, Fukuoka Prefecture, Japan Design Team: axonometric Total Floor Area: 853.40 m² Completion: November 2023 Photography: YASHIRO PHOTO OFFICE, REPOSHA Yuta Nishino Feature: Project - Within a beachfront park in Nagai-hama, Yukuhashi City, Fukuoka Prefecture, architectural firm axonometric has created SOLASUNA, an innovative hotel project. This 853.40-square-meter structure ingeniously resolves the boundary between public and private space, serving as a catalyst for revitalizing this once-thriving but later declined coastal area. The design team, guided by the concept of "gentle integration between park and hotel," creatively expanded the existing wooden walkway into a three-dimensional form, creating a massive stepped structure that envelops the entire building. The most striking feature of this design is its multifunctionality: the steps not only serve as a natural circulation path connecting guest rooms to the sea, but also provide spacious terraces accessible to both hotel guests and park visitors, while simultaneously functioning as a louver system shielding from strong eastern sunlight and moderating views from the park. Viewed from a distance, the entire structure resembles a grand amphitheater facing the ocean. The interior spaces demonstrate a profound understanding of the natural environment, creating fluid transitions between the architecture and the surrounding beachfront park. This two-story steel structure occupies 459.50 square meters within a 5,668.70-square-meter site, successfully balancing the public nature of the park with the privacy of the hotel through its innovative stepped design. What distinguishes SOLASUNA is its creation of a "buffer space belonging to neither park, building, nor nature, yet integrating them all." This transitional zone maintains deliberately fluid and ambiguous identity, making the project not merely occupy its site but transform it, establishing new relationships between public recreation, private accommodation, and natural landscape in a seamless, compelling whole. Design Team - Founded in 2021, axonometric is an innovative architectural design firm based in Fukuoka, led by Principal Architect Kei Sasaki, undertaking diverse projects both within Japan and internationally. Sasaki previously worked at the renowned SOU FUJIMOTO ARCHITECTS, possessing rich professional experience as a first-class architect and guest lecturer at multiple universities. The firm focuses on comprehensive spatial design, with services encompassing architectural design, interior design, furniture design, landscape design, and urban planning. The team consists of a group of talented professionals including Managing Director Kaori Kurakazu, several architects and project managers, who collectively infuse each project with innovative thinking and professional spirit. axonometric's work has received multiple international awards for its unique understanding of space and innovative approaches, including the 2024 DFA Design for Asia Gold Award, Asia Pacific Interior Design Awards (APIDA) Gold Award and Jury's Special Prize, and the GOOD DESIGN AWARD 2024 Special Prize. Their design philosophy emphasizes the harmonious coexistence of architecture and environment, balancing practical functionality with aesthetic experience. The firm's growth and expansion reflect its firm commitment to architectural innovation and increasing influence in the industry, bringing new perspectives and possibilities to Japan's contemporary architectural design field. 设计团队 旅游探访 853.4 m² 福冈县行桥市，日本 2023 Previous Next

< 返回 GURUGURU SHAKASHAKA盐品店 Torafu Architects 项目名称：GURUGURU SHAKASHAKA 设计团队：Torafu Architects 面积：51.12 m² 地点：日本，东京 设计特色： 项目 – 在东京晴空街区的核心地带，一个全新的美食胜地正在重新定义调味艺术。GURUGURU SHAKASHAKA，这家由Torafu Architects设计的专业盐品店，将零售体验与互动美食学巧妙融合。这个50平方米的转角空间紧邻其姐妹店"立吃梅干屋"，邀请顾客在一个既实用又视觉震撼的环境中探索盐的广阔世界。 店铺的核心是一个宏大的L形柜台，战略性地布置以便从两个方向欢迎访客。在这里，顾客可以踏上一段感官之旅，一边在蓝色琼脂立方体上品尝各种盐，一边创造专属的盐混合物——这是对这种基本矿物质受海洋影响的巧妙隐喻。 柜台后方，令人目眩的600种混合盐的展示装饰面将墙壁变成了一个味道图书馆，既方便咨询，又展示了店铺广泛的产品范围。内部的色彩方案灵感来自盐本身，蓝染椴木胶合板装饰的固定装置唤起了结晶沉积物和深海的意象。 一个经过重新设计的理发店招牌被巧妙地改造成旋转的中心装置，突出展示原创盐混合物和相关产品，为空间增添了俏皮的一笔。而手绘插图中的店铺吉祥物"GURUGURU"和"SHAKASHAKA"为空间注入了魅力和个性。 设计的点睛之笔是霓虹"盐"字招牌，与邻近的梅干店的"梅"字招牌形成了视觉对话。这个深思熟虑的细节不仅提升了品牌辨识度，还将GURUGURU SHAKASHAKA确立为东京美食版图上的必访之地——在各方面成为一个真正物有所值的空间。 团队 – TORAFU ARCHITECTS（トラフ建築設計事務所）由铃野浩一和禿真哉于2004年共同创立，已成为建筑设计界的一股创新力量。这家总部位于东京的多元化事务所凭借其在建筑、室内设计、展览策划和产品设计方面的创新手法赢得了国际声誉。 该设计团队秉持以建筑思维为根基的理念，不断突破传统设计的界限。他们的作品集展现了惊人的多样性，涵盖从"港北住宅"等住宅项目到"NIKE 1LOVE"等商业空间，以及"空气之器"和"格列佛桌"等富有创意的产品设计。该事务所在创造沉浸式空间体验方面的专长，在2011年米兰设计周为佳能打造的"光之织机"装置中得到充分体现，并荣获ELITA设计大奖最佳展览奖。他们的作品屡获殊荣，包括多项优良设计奖和享有盛誉的红点设计大奖。 其设计方法特点在于对材料、空间效率和用户体验的敏锐关注。他们的项目经常以创新方式运用传统材料，打造既实用又美观的空间。该事务所在无缝融合室内外元素方面的能力尤为引人注目，最近项目中的"外部内化"概念就是很好的例证。 在两位创始人的持续领导下，TORAFU ARCHITECTS始终站在建筑创新的前沿，不断交付挑战认知、重新定义空间体验的项目。他们的作品持续影响着业界，为建筑设计领域的创造力和功能性树立了新标准。 Project：GURUGURU SHAKASHAKA Team：Torafu Architects Size：51.12 m² Location：Tokyo, Japan Feature： Project - In the heart of Tokyo Solamachi, a new culinary destination is redefining the art of seasoning. GURUGURU SHAKASHAKA, a specialty salt shop designed by Torafu Architects, offers a unique blend of retail experience and interactive gastronomy. This 50㎡ corner space, adjacent to its sister store TACHIGUI UMEBOSHI YA, invites patrons to explore the vast world of salt in a setting that is both functional and visually striking. The shop's centerpiece is an expansive L-shaped counter, strategically positioned to welcome visitors from two directions. Here, customers can embark on a sensory journey, creating bespoke salt blends while sampling varieties on blue agar cubes – a nod to the sea's influence on this essential mineral. Behind the counter, a mesmerizing display of 600 blended salts transforms the wall into a library of flavors, facilitating efficient consultations while showcasing the shop's extensive range. The interior's color palette draws inspiration from salt itself, with fixtures adorned in blue-dyed linden plywood, evoking images of crystalline deposits and ocean depths. A playful touch comes in the form of a customized barber sign, reimagined as a rotating centerpiece that highlights original salt blends and related products. Hand-drawn illustrations featuring the store's mascots, "GURUGURU" and "SHAKASHAKA," infuse the space with charm and personality. The design's pièce de résistance is the neon "SHIO" (Salt) sign, which creates a visual dialogue with the "Ume" sign of the neighboring UMEBOSHI shop. This thoughtful detail not only enhances brand recognition but also establishes GURUGURU SHAKASHAKA as a must-visit destination in Tokyo's culinary landscape – a space that is truly worth its salt. Design Team - TORAFU ARCHITECTS, founded in 2004 by Koichi Suzuno and Shinya Kamuro, has established itself as a visionary force in the architectural design industry. Based in Tokyo, this multidisciplinary firm has garnered international acclaim for its innovative approach to architecture, interior design, exhibition planning, and product design. With a philosophy rooted in architectural thinking, TORAFU ARCHITECTS consistently pushes the boundaries of conventional design. Their portfolio showcases a remarkable versatility, ranging from residential projects like the "Hongoku no Jutaku" to commercial spaces such as "NIKE 1LOVE" and inventive product designs like the "Air Vase" and "Gulliver Table." The firm's expertise in creating immersive spatial experiences is exemplified by their award-winning installation "Light Loom" for Canon at Milano Salone 2011, which received the ELITA Design Award for Best Exhibition. Their work has been recognized with numerous accolades, including multiple Good Design Awards and the prestigious Red Dot Award. A keen attention to materiality, spatial efficiency, and user experience characterizes TORAFU ARCHITECTS' approach. Their projects often feature innovative uses of traditional materials, creating functional and aesthetically striking spaces. The firm's ability to seamlessly blend interior and exterior elements is particularly noteworthy, as seen in their "OUTSIDE IN" concept for recent projects. Under the continued leadership of Suzuno and Kamuro, TORAFU ARCHITECTS remains at the forefront of architectural innovation, consistently delivering projects that challenge perceptions and redefine spatial experiences. Their work continues to influence the industry, setting new standards for creativity and functionality in architectural design. 设计团队 旅游探访 51.12 m² Tokyo, Japan 2024 Previous Next

< 返回 普拉亚多福特住宅 Vereda Arquitetos 项目名称：普拉亚多福特住宅 地点：普拉亚多福特，巴西 设计团队：Vereda Arquitetos 建筑面积：630 m² 竣工时间：2023年 摄影：Nelson Kon 设计特色： 项目 - 在距离海滩仅300米的1260平方米平坦地块上，Vereda Arquitetos打造了这座与巴西"restinga"海岸生态系统和谐共存的当代住宅。这座630平方米的住宅采用纵向设计，最大限度地欣赏周围受保护区域的独特区域植物景观。 住宅被精心组织为三个独立的功能区块：社交区块将客厅、餐厅和厨房通过可伸缩的玻璃窗与户外完全融合，将空间转变为一览泳池和日光浴平台的大型阳台；主卧室区块包含一楼的主卧室和浴室，以及二楼的书房和工作室，分别拥有相对的景观视角；第三区块容纳其他卧室（包括业主女儿的房间）、客房和服务区域，同样分布在两层，拥有前后景观视野。 这三个区块通过中央循环轴连接，楼层呈半层错落状。这意味着从泳池层到下层或上层仅需半层楼梯。这种设计使下层卧室部分下沉，创造出与上层卧室相比更舒适多样的氛围，而中间层的社交区则提供扩展视野和便捷通道。 建筑采用石材、混凝土和木材的分层构造：基座由当地天然石材打造，形成日光浴平台、泳池、入口花园和卧室挡土墙；石材基座上建有钢筋混凝土结构，由六面长达3米高的混凝土墙界定功能区块，这些墙面延伸至室内空间之外，为各区域形成花园。20厘米厚的混凝土墙采用外露混凝土饰面，配以防水剂保护，支撑着上层楼板、立面花槽，并在中轴形成大型雨水收集槽；最后一层为由木材制成的屋顶和遮阳百叶，由混凝土结构支撑，瓦片屋顶的斜面将雨水引导至中央排水槽。 作为坐落在马塔德圣若昂海岸景观的当代贡献，这座海滨住宅展现了Vereda Arquitetos对环境敏感性与建筑创新的卓越平衡。 团队 -成立于2013年，Vereda Arquitetos专注于开发融合创新能力、建造可行性、可持续性和建筑卓越性的建筑项目，通过严谨细致的项目开发过程实现这一目标。工作室视建筑为一种能够促进知识进步的活动；认识到尽管当前城市规模和复杂性不断增长，建筑仍在城市生产中扮演着根本性角色，特别是通过其象征意义和理念构建。 Vereda Arquitetos总部位于圣保罗，涉足多个领域，从家具设计到大型建筑项目。其建筑师在大学中有着深厚的学术参与，他们将这种参与视为工作室知识生产的基础，也是为新一代建筑师培养和推动学科发展做出贡献的方式。通过其知识和建成项目的双重产出，Vereda致力于促进城市转型：使城市成为个人充分实现和表达最佳集体理想的场所。 工作室由创始合伙人João Paulo Meirelles de Faria领导，他于2002年毕业于圣保罗大学建筑与城市规划学院(FAU USP)，2012年获得哈佛设计研究生院硕士学位，目前在圣保罗大学攻读博士学位(2023-2026)。他曾在Escola da Cidade和圣犹达大学教授建筑与城市规划课程。团队中的建筑师Bruno Manso于2017年毕业于圣犹达大学(USJT)，2022年获得FAU USP硕士学位，自2015年起与Vereda合作，2022年成为合伙人。 这种学术与实践的结合为Vereda的工作创造了富有成效的张力，使每个项目成为知识探索的载体，同时保持建筑实用性。工作室的设计理念旨在通过细致的建筑干预，将城市转变为表达集体理想并促进个人成就的空间。 Project Name: House in Praia do Forte Location: Praia do forte, Brazil Design Team: Vereda Arquitetos Total Floor Area: 630 m² Completion: 2023 Photography: Nelson Kon Feature: Project - Vereda Arquitetos has completed the House in Praia do Forte, situated on a 1260 m² flat plot just 300 meters from the beach in Brazil's coastal 'restinga' ecosystem. This 630-square-meter residence employs a longitudinal design that maximizes views of the surrounding protected areas with their unique regional flora. The house is meticulously organized into three independent program blocks: The social block integrates the living room, dining area, and kitchen with the outdoors through retractable glass windows, transforming the space into a large veranda overlooking the pool and solarium; the master bedroom block includes the master bedroom and bathroom on the ground floor, with a study room and atelier on the upper floor, each offering opposing views; the third block accommodates additional bedrooms (for the owners' daughters), guest rooms, and service areas, organized over two levels with front and rear property views. These three blocks are connected by a central circulation axis with levels offset by half-flights of stairs. This innovative arrangement means that from the pool level, only half a flight of stairs is needed to reach either the lower or upper levels. The design creates partially sunken lower-level bedrooms that offer a more comfortable and diverse ambiance compared to the upper-level accommodations, while the intermediate-level social block provides expanded views and convenient access. The construction employs a layered material strategy: a base of local natural stone forms the solarium, pool, entrance gardens, and retaining walls; a reinforced concrete structure built upon this stone base consists of six 3-meter-high concrete walls that define the program blocks and extend beyond interior spaces to form gardens; these 20-centimeter-thick walls with exposed concrete finish support upper-floor slabs, facade planters, and a central rainwater collection gutter; the final layer comprises wooden roofs and shading louvers, with shingle roof planes directing rainwater to the central gutter. As a contemporary contribution to the coastal landscape of Mata de São João, this beach house demonstrates Vereda Arquitetos' excellent balance of environmental sensitivity and architectural innovation. Design Team - Founded in 2013, Vereda Arquitetos develops architectural projects that combine inventive capacity, constructive viability, sustainability, and architectural excellence through a rigorous and attentive project development process. The studio views architecture as an activity that can contribute to the advancement of knowledge; recognizing that despite the scale and complexity of our cities, architecture still plays a fundamental role in their production, especially through its symbolic role and the construction of ideas. Vereda Arquitetos is based in São Paulo and undertakes projects across diverse fields, from furniture design to larger architectural projects. Its architects maintain strong academic engagement, understanding this participation as fundamental to the intellectual production of the studio and as a way to contribute to the formation of new architects and the advancement of the discipline. Through both intellectual and built project production, Vereda aims to contribute to the transformation of cities: to make them places of full personal realization and expression of our best collective ideals. The studio is led by founding partner João Paulo Meirelles de Faria, who graduated from the University of São Paulo's Faculty of Architecture and Urbanism (FAU USP) in 2002, obtained a Master's degree from Harvard Graduate School of Design in 2012, and is currently pursuing doctoral studies at FAU USP (2023-2026). He has taught Architecture and Urbanism courses at Escola da Cidade and São Judas University. The team includes architect Bruno Manso, who graduated from São Judas Tadeu University (USJT) in 2017, earned a Master's degree from FAU USP in 2022, and has collaborated with Vereda since 2015, becoming an associate in 2022. This integration of academia and practice creates a productive tension in Vereda's work, where each project becomes a vehicle for intellectual inquiry while remaining grounded in architectural pragmatism. The studio's design philosophy aims to transform cities into spaces that express collective ideals while fostering personal fulfillment through thoughtful architectural interventions. 设计团队 旅游探访 630 m² 普拉亚多福特，巴西 2023 Previous Next

< 返回 板桥两庭院住宅 June Architects 设计特色： 项目 – 这栋位于韩国城南市繁华城市环境中的板桥两庭院住宅，由June Architects设计，巧妙地在联通自然与私密性之间取得平衡。这栋297平方米的住宅，通过雕塑般优美的混凝土形式，划出两个下沉的庭院。入口对面有一个庭院，展开了一个宽敞的双层高空间，让自然光充满了房屋；另一个则紧邻生活空间。住宅的中心是中央庭院的八米半高的墙壁，由封闭式混凝土建造而成，提供了大胆而广阔的背景。这个宏伟而高大的庭院将错层住宅缝合在一起，成为居民聚集的统一场所。毗邻的庭院提供了一个更加隐蔽的下沉式私人花园，沿着它的周边，有纹理的混凝土隔断升起，优雅地与景观陪衬，并通过不规则的空隙将日光过滤到家庭的公共生活区。经过深思熟虑的布局，通过将厨房和洗衣房聚集在一起，同时又为私人空间保有私密性。通过考虑材质和朝向来调节外部可见度，这座住宅实现了与自然界充满活力的连接以及优雅的私密感的统一。 团队 – 成立于2012年，June Architects由韩国建筑师金贤石（김현석）创立与领导，以其富有创造力和回应性的设计而被大众认识。他拥有十多年的国际设计经验，曾在法国和韩国学习和工作。他独特的美学平衡了雕塑式的形式和整体的秩序，创造出既强大又优雅的空间。作为一家追求建筑意义和认同感的设计公司，June Architects的设计顺应地点和环境，他们为空间带来光线和与自然的联系，同时为居住者提供便利和舒适，之前如平昌洞砖屋住宅这样的优质项目展示了他们通过材料和布局将传统形式现代化的能力。在“六月”这个象征生命和成长的月份的英语名字的指引下，这家公司将通过他们熟练的设计团队继续创造有意义的设计，并坚持智慧的解决方案来满足用户的需求和环境因素，提供舒适、可持续的建筑。 Feature： Project - Set amidst the bustling urban environment of Seongnam-si, South Korea, the Pangyo Two Courtyards House by June Architects adeptly balances a connection to nature with privacy. The 297 sqm residence orchestrates a sculptural composition of graceful concrete forms which carve out two sunken courtyards. One courtyard sits opposite the entrance, unfolding an expansive double-height void which floods the home with natural light. The other nestles intimately alongside the living spaces. At the heart of the home is the central courtyard’s eight-and-a-half-metre tall wall constructed from a closed form concrete that offers a bold and expansive backdrop. This grand and lofty courtyard stitches together the split-level home, serving as a unifying locale where inhabitants can gather. The adjoining courtyard provides a more sheltered, private garden, sunk into the ground plane. Along its perimeter, textured concrete partitions rise up, elegantly curating views and filtering daylight into the home’s communal living areas via irregular voids. The thoughtful layout provides convenience by grouping the kitchen and laundry while still allowing for privacy in the personal quarters. By tempering external visibility via considered materiality and orientations, the Pangyo House delivers the dynamism of connection with nature alongside a refined intimacy. Design Team - Established in 2012, June Architects is led by Principal Architect 김현석, an award-winning architect recognized for his creative and responsive designs. Kim brings over a decade of international experience, having studied and practiced in France as well as South Korea. His distinguishable aesthetic balances sculptural forms with an overarching order to create spaces that are powerful yet elegant. As a firm seeking meaning and identity within architecture, June Architects pursues designs attuned to locale and context. They infuse spaces with light and connection to nature while providing convenience and comfort for inhabitants. Past projects like the Pyeong Chang Dong Brick House showcase their ability to modernize traditional forms through materiality and layout. Guided by the energy of June, the namesake month symbolizing life and growth, the firm continues to create meaningful designs through their skilled architects. June Architects upholds clever solutions that address user needs and environmental factors to provide enjoyable, sustainable buildings. 设计团队 旅游探访 297.3 m² 韩国，城南市 2023年 Previous Next

< 返回 五月天咖啡厅 SPACE DOT 项目名称：五月天咖啡厅 地点：骊州 ， 韩国 设计团队：SPACE DOT 建筑面积：330 m² 竣工时间：2022年 摄影：SPACE DOT 设计特色： 项目 - SPACE DOT在韩国骊州太平里这个历史悠久的村庄中创建了一座静谧的咖啡厅，这里曾是学者们前往首都途中艰难旅程的歇脚之地。这座330平方米的五月天咖啡厅将这个具有文化意义的场所转化为城市居民寻求远离都市生活喘息的现代圣地。 该项目最独特的特色在于其对一棵名为"오월이"（意为"五月"）高大雪松的建筑回应。这棵雄伟的树木从单一主干向天空分叉成两臂，直接启发了咖啡厅的双建筑配置。建筑师将A栋定位为厨房和服务区域，而B栋则通过四面落地窗全景开放，提供山脊线的无遮挡视野。 SPACE DOT的设计理念围绕创造一个"拥抱天空的空间"，呼应雪松向上伸展的形态。建筑物战略性地位于村庄的最高点，最大化室内与景观的连接。戏剧性的入口序列沿着令人印象深刻的石墙展开，让人联想到传统韩式庄园建筑，在揭示咖啡厅宁静庭院之前营造期待感。 材料选择致敬了场地被破坏的地形——这是开发对山地地形造成创伤的后果。石材和木材饰面原产于原始景观，既是美学选择也是环境纪念。建筑两侧宁静的反射池捕捉不断变化的天空，而温暖木材与白色空间空隙的相互作用创造出深刻宁静的氛围。 这种文化记忆、自然灵感和当代酒店设计的整合，使五月天咖啡厅不仅仅是一个商业空间——它成为韩国传统旅行者歇脚点的现代诠释。 团队 - SPACE DOT成立于2021年，由李胜元（Seungwon Lee）和金京一（Kyung Il Kim）共同创立。该事务所专注于酒店和商业建筑设计，以其对空间基础主义的独特理解而闻名——认为建筑始于汇聚成线条、表面，最终形成连贯空间体验的单个点。 事务所的代表作品体现了其对语境响应式设计的承诺，在短短几年内获得了国际认可，包括2024年联合国教科文组织主办的凡尔赛建筑奖餐厅类别、2025年世界三大设计奖项之一的iF设计奖室内建筑类别，以及2024年全球餐厅与酒吧设计奖亚洲咖啡厅类别。 在李胜元和金京一的持续领导下，SPACE DOT已确立了其在韩国新兴建筑实践中的地位。该事务所的设计方法论超越了传统的美学考量，优先考虑感官和情感参与，同时保持功能性能。他们在适应性场地策略、材料真实性和生物亲和性设计整合方面展现出特殊的专业能力。 SPACE DOT的创作理念强调每个项目都应承载独特的品牌叙事，将场所的文化意义与当代功能需求相结合。他们相信空间是最贴近我们生活的艺术形式，因此致力于创造不仅在视觉上令人印象深刻，更能在感官和情感层面与使用者产生共鸣的建筑体验。五月天咖啡厅项目充分展现了他们将品牌概念转化为建筑体验的卓越能力。 Project Name: MAY DAY CAFE Location: Yeoju-si, South Korea Design Team: SPACE DOT Total Floor Area: 330 m² Completion: 2022 Photography: Courtesy of SPACE DOT Feature: Project - SPACE DOT transformed a site in the historic village of Taepyeong-ri, Yeoju into May Day Cafe. Completed in 2022, the project fully embodies the core philosophy of providing "complete rest" spaces for urban dwellers. Taepyeong-ri has historically been a place where scholars traveling to Hanyang for civil service examinations would pause to rest, named for its peaceful and harmonious energy. The design of May Day Cafe began with a clear concept: creating a space that could "embrace the sky." The architects were inspired by a towering cedar tree named "Owol-i" (May) at the center of the site, whose form—branching skyward from a single trunk into two arms—directly influenced the cafe's twin-building configuration. The architects positioned Building A to house the kitchen and staff areas, while Building B opens panoramically through floor-to-ceiling windows on all four sides, offering unobstructed views of the mountain ridgeline. The core highlight of the project is its sensitive response to the site's disrupted topography from development. To conceal the incongruous retaining walls created by construction, Building A was strategically arranged as a screen, while Building B, positioned at the village's highest point, maximizes connection with the natural landscape. The architects chose stone and wood as primary materials—elements once native to the land—as a gesture of homage to the nature lost to development. In terms of material selection, the architects deliberately chose elements that echo the site's original natural state. Stone and wood finishes serve not only as aesthetic choices but also as environmental memorials. Tranquil reflecting pools on either side of the building capture the ever-changing colors of the sky as they shift with wind, while a large window beneath the grand roof fully frames the sky and scenery of Taepyeong-ri, and lower side windows bring in natural light that transforms with the seasons. The lighting design emphasizes the seasonal variations of natural light, with the interplay of warm timber and overall white spatial voids creating a soothing and serene atmosphere. The central cedar "Owol-i" serves not only as the source of design inspiration but also becomes a key element symbolizing the cafe's identity—a space providing May-like warmth, comfort, and stability for rest. By combining cultural memory, natural inspiration, and contemporary architectural design, SPACE DOT created a modern sanctuary that transcends traditional commercial spaces, authentically expressing a contemporary interpretation of Korea's traditional rest stops, providing a place of tranquility and restoration for weary urban travelers. Design Team - SPACE DOT was established in 2021 by Seungwon Lee and Kyung Il Kim. The firm specializes in hospitality and commercial architecture design, known for its unique understanding of spatial fundamentalism—believing that architecture begins with individual points that aggregate into lines, surfaces, and ultimately cohesive spatial experiences. The firm's representative works demonstrate their commitment to contextually responsive design, gaining international recognition within just a few years, including the UNESCO Prix Versailles 2024 for Restaurants, the iF Design Award 2025 in Interior Architecture (one of the world's top three design awards), and the Restaurant & Bar Design Awards 2024 Asia-Café category. Under the continued leadership of Seungwon Lee and Kyung Il Kim, SPACE DOT has established its position among Korea's emerging architectural practices. The firm's design methodology transcends conventional aesthetic considerations, prioritizing sensory and emotional engagement while maintaining functional performance. They demonstrate particular expertise in adaptive site strategies, material authenticity, and biophilic design integration. SPACE DOT's creative philosophy emphasizes that each project should carry unique brand narratives, combining the cultural significance of place with contemporary functional requirements. They believe space is the art form closest to our lives, therefore committed to creating architectural experiences that not only impress visually but also resonate with users on sensory and emotional levels. The May Day Cafe project fully demonstrates their exceptional ability to transform brand concepts into architectural experiences. 设计团队 旅游探访 330 m² 骊州，韩国 2022 Previous Next

< 返回 折叠空间花园 RAD+ar 项目名称: 折叠空间花园 地点: 万隆，印度尼西亚 设计团队: RAD+ar 建筑面积: 600 m² 竣工时间: 2025年 摄影: Ernest Theofilus 设计特色: RAD+ar在印度尼西亚万隆完成了折叠空间花园项目，这是一个实验性住宅项目，通过彻底消除传统墙体来重新想象居住空间。这座600平方米的住宅采用了革命性的连续折叠概念，地板、天花板和屋顶融合为单一的整体平面，在紧凑的城市场地中起伏流动。 设计不依赖垂直隔断来分隔空间，而是利用高程变化和策略性折叠来创造不同的私密性和活动区域。这种建构手法模糊了建筑与景观之间的界限，将住宅转变为有机响应自然地形的流动空间序列。 住宅在两个主要层面展开。上层折叠区容纳公共和半私密功能，包括一间与起居和用餐区相连的榻榻米式卧室，所有空间都抬高以捕捉前花园的全景视野并最大化交叉通风。下方的下层折叠区包含下沉的睡眠区，直接通向私人泳池和半户外浴室，被阴凉的竹林环抱，营造出亲密内向的氛围。 住宅入口通过一个悬浮的种植池进行调节，作为灵活的门槛，过滤从混乱城市环境到僻静居住庇护所的过渡。这个多孔边界体现了项目在实体与虚空、建筑形式与开放空间之间的精妙对话。 除了形式实验，折叠空间花园还解决了紧迫的环境问题。设计保持70%的可渗透绿地面积，优先考虑现场雨水收集，为印度尼西亚密集的城市规划挑战提供了关键应对方案。建筑师将这座紧凑别墅设想为生态城市主义的原型，展示了小规模私人开发项目如何作为分散的绿色节点发挥作用，在提供建筑创新生活环境的同时，积极促进城市水文健康。 设计团队: RAD+ar(Research Artistic Design + architecture)是一家印度尼西亚建筑事务所，将设计定位为对空间、文化和可持续性的挑战性探索。该事务所由Antonius Richard Rusli创立，在建筑、城市主义、研究和发展的交汇处运作，将每个项目视为挑战传统方法和拓展建筑可能性边界的机会。 在Dadi Prasojo和Antonius Richard的领导下，RAD+ar认为，应对当代挑战需要建筑成为最严谨的探索领域之一。该事务所倡导基于热带建筑原则和乌托邦研究方法的更可持续、更公平的建筑环境愿景。 RAD+ar的作品集展示了其在不同尺度和类型上的实验承诺，从紧凑的城市干预到更广泛的景观策略。该事务所连接历史和文化叙事，探索建筑在全球化与本土化之间进行调解的能力。通过多学科协作和在每个项目阶段的系统整合，RAD+ar始终如一地交付创新作品，重新定义超越空间和建筑传统概念的建筑价值，使该事务所成为当代印度尼西亚建筑领域的进步声音。 设计团队 旅游探访 600 m² 万隆，印度尼西亚 2025 Previous Next

< 返回 淡路岛狗狗别墅 1110建筑设计事务所 项目名称： 淡路岛狗狗别墅 地点： 兵库县淡路岛，日本 设计团队： 1110建筑设计事务所 建筑面积： 185.49㎡ 竣工时间： 2024年11月 摄影： 笹仓洋平 设计特色： 项目 - 由1110建筑设计事务所设计的这座度假别墅，是对淡路岛北部快速变化的景观的一种回应。随着以娱乐为中心的再开发改变着周围环境，这座宠物友好型度假别墅在私密性和与岛上持久自然美景的连接之间取得了微妙的平衡。 设计师拒绝了传统的二元方法——要么完全封闭，要么完全拥抱不断演变的环境。相反，他们追求所谓的"弱化庭院住宅"类型——这是对传统内向型建筑的复杂重新构想，同时保持了与远处山脉、樱花树和星空的重要连接。 "我们追求一种既不排斥也不盲目接受不确定周围环境的适度建筑存在，"设计师解释道。这一理念体现在别墅独特的形式上：各种大小的房间连续排列，形成"项链式"构造，环绕着中央庭院。这个适合狗狗的户外空间受到保护，但通过精心校准的开口与景观在感知上保持连接。 外观采用无檐的屋顶墙一体化设计，使用耐盐的镀锌钢板——这是对强烈海风的实用回应。从发展密集的北侧看，红褐色外立面与传统淡路街景和谐统一；而从南侧看，可见的雪松包裹表面呼应了公园的绿色和山脉的景观。 室内设计采用一系列温和的错层楼板，逐渐将居住者提升到过往交通之上，创造出既独特又相互连接的区域，让人类和狗狗能够自然共存。建筑师没有顺应现有地形，而是塑造了景观本身，利用挖掘的土壤在庭院内创造了一座与室内层次对齐的缓坡小丘。 巧妙的环形动线引导访客顺时针从入住到退房，通过精心框定的视角揭示淡路岛的多样特性。每个空间都成为建筑师所描述的"具有厚度的边界"，外部环境通过这些边界安静地渗透到庭院和内部房间，在私密性与开放性、传统与变革之间创造出微妙的对话。 团队 - 1110建筑设计事务所成立于2017年，并于2018年3月正式注册，迅速崛起成为日本最具思想深度的建筑事务所之一。这家位于大阪西区充满活力地区的一级建筑师事务所，由首席建筑师川口裕人领导，致力于空间创新与环境敏感性的交汇点。 该事务所的设计理念核心是在独特特性与前瞻性设计方法之间寻求微妙平衡。这种方法论已产生令人印象深刻的作品组合，涵盖住宅、商业和适应性再利用项目，每个项目都展现出对材料、空间序列和环境融合的精细关注。 川口裕人持有工学硕士学位，是注册一级建筑师，从他在竹中工务店大阪设计部门的前期任职（2009-2017）中积累了丰富经验。他的学术背景包括在大阪市立大学的学习，在法国凡尔赛国立高等建筑学院的交换项目，以及在京都工艺纤维大学的研究生工作。 该工作室的多学科能力不仅限于建筑设计，还包括土地利用规划、设施和环境战略咨询、城市教育计划和工业设计。他们的作品通过在知名平台上的发表以及在威尼斯双年展上的展览，获得了国际认可。 Project Name: Awaji Island Dog Villa Location: Awaji Island, Hyogo, Japan Design Team: 1110 Architectural Design Office Total Floor Area: 185.49㎡ Completion: November 2024 Photography: Yohei Sasakura Feature: Project - Nestled in a developing area of Awaji Island in Hyogo Prefecture, the Dog Villa by 1110 Architectural Design Office emerges as a masterful exercise in balancing privacy with natural connectivity. Spanning 185.49 square meters, this contemporary vacation rental challenges traditional notions of inward-facing architecture through an innovative "weakened courtyard house" concept. The project's core philosophy revolves around finding equilibrium within uncertain surroundings, neither rejecting nor uncritically accepting the changing landscape. Architect Hiroto Kawaguchi has crafted a dwelling that functions not merely as a residence but as a mediator between interior and exterior environments. The villa arranges variously sized rooms in a "necklace-like" configuration that encircles a central dog-friendly courtyard, creating a spatial experience that is both protected and connected to the surrounding vistas. Innovative sustainability is evident in the exterior choices. Responding to strong coastal winds and salt damage, the design employs seamless roof-wall construction using salt-resistant galvanized steel panels. Its reddish-brown facade harmonizes with the traditional Awaji streetscape, while visible cedar interior elements respond to the nearby park greenery and distant mountain scenery. The interior is characterized by gentle skip floors that gradually elevate living spaces, diminishing the impact of road traffic while creating interconnected zones where humans and dogs can naturally coexist. Rather than conforming to existing topography, the villa shaped the landscape itself, creating a gentle hill within the courtyard using excavated soil that perfectly aligns with interior levels. More than just a vacation house, the Awaji Island Dog Villa is a meditation on how contemporary architecture can coexist harmoniously with nature—a modern sanctuary that allows inhabitants to maintain privacy while establishing profound connections with Awaji Island's varied natural scenery. Design Team - Founded in 2017 by Hiroto Kawaguchi and formally established in March 2018, 1110 Architectural Design Office has rapidly emerged as one of Japan's most thoughtful architectural practices. Located in Osaka's vibrant Minami-Horie district in Nishi Ward, this licensed first-class architectural firm has distinguished itself through a philosophy that balances distinct character with innovative design approaches. Recognized for its profound integration of inherent qualities with forward-thinking design, the firm has garnered international recognition with publications in prestigious platforms. The office's design philosophy centers on creating architectural spaces that respect site specificity while introducing progressive thinking, responding critically to urban transformation and environmental challenges. Led by founding principal Hiroto Kawaguchi, the practice has developed a robust portfolio of residential, commercial, and adaptive reuse projects. Kawaguchi holds a Master of Engineering degree and is a registered first-class architect (No. 359038) with extensive experience gained at Takenaka Corporation's Osaka design division (2009-2017). His work is characterized by meticulous attention to materiality, spatial sequence, and environmental integration. With multidisciplinary capabilities—including architectural design, land use planning, strategic consulting, and industrial design—1110 Architectural Design Office continues to push the boundaries of contemporary architectural practice, offering integrated design solutions that are both environmentally responsive and deeply attuned to human experience. As a practicing academic, Kawaguchi concurrently serves as a lecturer at Osaka Metropolitan University, Kindai University, and Setsunan University, ensuring the firm's theoretical approaches remain at the forefront of architectural discourse. 设计团队 旅游探访 185.49 m² 兵库县淡路岛，日本 2024 Previous Next

< 返回 国立露台 黑川智之建筑设计事务所 项目名称： 国立露台 地点： 东京都国立市，日本 设计团队： 黑川智之建筑设计事务所 建筑面积： 458.65 m² 完成时间： 2024年6月 摄影： 中山保寛 设计特色： 项目 - 在东京国立市历史悠久的住宅景观中，黑川智之建筑设计事务所打造了一个革命性的合作性住房项目，挑战了传统的多单元住宅设计。"国立露台"作为一个精妙的建筑作品，通过对花园类型的根本性重新想象，转变了共享生活空间的概念。 该项目坐落在以大正时代大面积土地划分为特征的地区，战略性地应对了该邻里环境日益减少的空间丰富性。与其建造另一个普通的公寓综合体，建筑师构想了一个生活系统，六个联排住宅单元通过动态的花园网络精巧地交织在一起。 设计最引人注目的创新在于其四种不同的花园类型：嵌入住宅之间的公共庭院、由建筑折叠外形创造的私人花园、高架的个人露台，以及提供不同隐私和互动层级的屋顶花园。这些空间不仅仅是美学上的点缀，而是活跃的生活环境，模糊了内部和外部、私密和集体之间的界限。 通过采用合作性住房模式，建筑师将潜在的限制转化为机遇。协作方法使居民能够主动参与设计和维护这些共享空间，创造了设计师所描述的"活的公共空间"——这与投机性住房开发有着根本的不同。 项目的建筑灵活性尤其值得注意。建筑师没有强加僵化的设计，而是建立了引导性原则，使花园和生活空间能够有机地演化。交叉跃层布局确保每个单元与周围环境都有独特的关系，使居民成为塑造生活景观的主动参与者。 最终，国立露台不仅仅是一个住宅项目。它是集体生活的大胆城市实验，展示了深思熟虑的建筑设计如何在当代东京再生和维持传统街区丰富的空间品质。 团队 - 黑川智之建筑设计事务所由黑川智之于2012年创立，是当代日本建筑设计的独特分支之一。黑川毕业于东京工业大学，曾在竹中工务店、赫尔佐格与德梅隆（Herzog & de Meuron）和隈研吾建筑都市设计事务所工作，积累了丰富的国际设计经验。 事务所以其在住宅、机构和公共空间设计方面的专业性而闻名，持续推动当代日本建筑话语的边界，提供能动态响应不断演变的城市景观和社会需求的复杂设计解决方案。黑川的设计哲学融合了结构创新与环境响应性，在多个建筑竞赛中屡获殊荣，包括优秀设计奖和建筑竞赛提名等。 Project Name: Kunitachi Terrace Location: Kunitachi, Tokyo, Japan Design Team: Tomoyuki Kurokawa Architects Total Floor Area: 458.65 m² Completion: June 2024 Photography: Yasuhiro Nakayama Design Feature: Project - Located in Kunitachi, Tokyo, the Kunitachi Terrace project represents a revolutionary cooperative housing concept meticulously designed by Tomoyuki Kurokawa Architects. Comprising six townhouse-style units, the project redefines collective living spaces through an innovative garden network. Situated in a historic residential district developed during the Taisho era, the project strategically addresses the diminishing spatial richness of the neighborhood. The architects envisioned a dynamic living system, intricately weaving residential units together through four distinct garden typologies: a communal courtyard surrounding the residences, private gardens created by the building's folded exterior, elevated personal terraces, and roof gardens offering graduated levels of privacy and interaction. These spaces are more than aesthetic additions—they are active living environments that blur the boundaries between interior and exterior, private and collective. By adopting a cooperative housing model, the architects transformed potential limitations into opportunities, enabling residents to actively participate in designing and maintaining shared spaces, creating what the designers describe as a "living common." The project's architectural flexibility is particularly noteworthy. Instead of imposing a rigid design, the architects established guiding principles allowing gardens and living spaces to evolve organically. Cross-mezzanine layouts ensure each unit has a unique relationship with its surrounding environment, making residents active participants in shaping their living landscape. Design Team - Founded in 2012 by Tomoyuki Kurokawa, the practice has emerged as a distinctive voice in contemporary Japanese architectural design. Kurokawa, a graduate of Tokyo Institute of Technology, brings extensive international design experience from prestigious practices including Takkenaka Corporation, Herzog & de Meuron, and Kengo Kuma's Urban Design Office. The firm is renowned for its expertise in residential, institutional, and public space design, continuously pushing the boundaries of contemporary Japanese architectural discourse. Kurokawa's design philosophy seamlessly integrates structural innovation with environmental responsiveness, earning multiple accolades in architectural competitions, including Good Design Awards and notable nominations. 设计团队 旅游探访 458.65 m² 东京都国立市，日本 2024 Previous Next

< 返回 十字交叉之家 察社办公室 项目名称：十字交叉之家 地点：北京，中国 设计团队：察社办公室 建筑面积：334 m² 竣工时间：2024年 摄影：朱雨蒙 设计特色： 项目 - 位于北京通州区的十字交叉之家是察社办公室对疫情后生活方式转变的回应，被设计为一个可以容纳三代人同时生活和工作的单层住宅。面对严格的建筑法规限制——住宅地块只允许建造单层结构，檐高不超过3米——设计团队将这些约束转化为创造性的机遇。 这座334平方米的住宅采用了创新的十字形布局，其各个翼部向不同方向延伸并在末端相连。为维持中央庭院的比例，侧翼被整合并从周边拉开，创造了后部的狭长次级庭院。同样，面向北方的主厅被向南移动，开辟了一个后院。每个翼部现在都享有双面自然采光，整个庭院受益于畅通无阻的视线。 结构上的独创性成为了一个显著特点——建筑框架向屋脊收缩，同时结构元素在剪力墙核心处汇聚，创造了建筑师所描述的"蘑菇状"支撑系统。这使得建筑周边不受结构约束，消解了室内外空间的界限。落地玻璃将生活空间与院落相连，创造出从"院落到房屋再到院落"的连续视线。尽管如此透明，设计通过将屋檐梁降至2.4米来保持私密性，使屋顶像保护性的帽檐一样向下延伸。这一解决方案在保持舒适的层高的同时，也创造了一种庇护感——无论是在阳光明媚还是大雨滂沱的日子，坐在窗边的人仿佛是栖息在蘑菇帽下的小生物，感到受保护和安心。 十字形的空间布局处理了多代同堂生活的需求，将私人空间设计在四个末端，提供了亲密性与分隔的平衡。祖父母、父母、孩子和客人各有隐私空间，而中心区域则自然成为家庭聚集和互动的公共区域。 十字交叉之家通过当代材料创造了一种既现代又根植于地域的建筑语言，展现了察社办公室对应对实际生活挑战而非追求抽象传统的设计理念。 团队 - 察社办公室由成直于2017年正式创立，其名称最初是作为平行于"基本联合工作室"的观察研究机构而设立的。每年承接约三个项目，长期保持小型工作室的规模，主要由成直一人主导，偶尔与年轻建筑师合作。 成直在2008年硕士毕业后，在都市实践北京办公室工作了六年，之后与大学同学创立了"基本联合工作室"，并在2017年转为独立设计机构。察社办公室的设计方法超越了常规的建筑实践，将设计视为多学科方法中的一个方面，包括研究、写作、纪录和理论探索。 工作室的设计特色在于对场地特定条件和隐藏空间秩序的回应，受到成直正在进行的研究项目如"无常几种"的影响——这是对城市中经久物随时间变化的考察。成直的设计方法将建筑与观察研究、阅读和写作平行进行，相互滋养，形成独特的设计视角。 察社办公室的项目展现了对法规约束、空间创新和环境敏感性的深思熟虑的调和，如北京通州区的十字交叉之家就是这种设计理念的典范。 Project Name: House of Cross Location: Beijing, China Design Team: Chaoffice Total Floor Area: 334 m² Completion: 2024 Photography: Zhu Yumeng Feature: Project - Located in Beijing's Tongzhou District, the House of Cross represents Chaoffice's response to post-pandemic lifestyle shifts, designed as a single-story residence that accommodates three generations living and working together. Facing strict building regulations—residential plots limited to single-story structures with eaves no higher than 3 meters—the design team transformed these constraints into creative opportunities. The 334-square-meter residence adopts an innovative cross-shaped layout with wings extending in different directions and joining at their ends. To maintain the proportions of the central courtyard, the side wings were consolidated and pulled away from the perimeter, creating a narrow secondary courtyard at the rear. Similarly, the north-facing main hall was shifted southward, opening up a backyard. Each wing now enjoys dual-sided natural light, while the entire courtyard benefits from uninterrupted sightlines. The building's structural framework ingeniously recedes toward the roof ridge, with structural elements converging at the shear wall cores to form a cross-shaped structural anchor. The house, much like a mushroom, is supported at its center while its eaves extend outward in all directions. Freeing the perimeter from structural constraints allows the façade to dissolve, merging interior and exterior spaces. The cross-shaped layout creates a view that moves from near to far—courtyard, house, courtyard again—revealing overlapping scenes of daily life. The connection between glass façade frames and eaves was carefully designed: the eaves beams were lowered to 2.4 meters, allowing the eaves to extend downward like the edge of a mushroom cap. This solution maintains a comfortable ceiling height while creating a sense of shelter—whether under bright sun or during heavy rain, those sitting by the window feel like small creatures nestled beneath a mushroom cap, protected and at ease. The cross-configuration spatial arrangement addresses the needs of multi-generational living, with private spaces positioned at the four terminal points, providing a balance of intimacy and separation. Grandparents, parents, children, and guests each have their private spaces, while the central areas naturally become public zones where the family gathers and interacts. House of Cross creates an architectural language that is both contemporary and rooted in place through the combination of materials like laminated eucalyptus plywood and bridge-cut-off aluminum alloy windows, demonstrating Chaoffice's design philosophy of addressing real-life challenges rather than pursuing abstract traditions. Design Team - Chaoffice was officially established by Cheng Zhi in 2017, initially named as an observation and research institution parallel to "OEU Studio." Taking on approximately three projects annually, it has maintained the scale of a small studio, primarily led by Cheng Zhi with occasional collaboration from junior architects. After obtaining his master's degree in 2008, Cheng Zhi worked at URBANUS Beijing for six years before founding "OEU Studio" with university classmates and transitioning to independent practice in 2017. Chaoffice's methodology transcends conventional architectural practice, positioning design as one facet of a multidisciplinary approach that includes research, writing, documentation, and theoretical exploration. The studio's work is characterized by its response to site-specific conditions and hidden spatial orders, informed by Cheng's ongoing research projects such as "Impermanence in Various Forms"—an investigation into enduring urban elements that transform over time, echoing Aldo Rossi's theories on urban permanences. Cheng's design approach places architecture in parallel with observational research, reading, and writing, which mutually nourish each other to form a unique design perspective. Chaoffice's projects demonstrate a thoughtful reconciliation of regulatory constraints, spatial innovation, and contextual sensitivity, as exemplified by the House of Cross in Beijing's Tongzhou District. 设计团队 旅游探访 334 m² 北京，中国 2024 Previous Next

< 返回 SKIN1004旗舰店 LMTLS 设计特色： 项目 – 这家位于首尔明洞中心的SKIN1004旗舰店，它粗犷的岩石立面与这个邻里典型的玻璃店面形成了强烈对比。项目空间巧妙地在城市环境中汲取“未被触碰的自然”的本质，使用代表“马达加斯加”未开垦景观的丰富的大地色调、有机形状和纹理。走进嶙峋的石头门脸，游客穿过芦苇环绕的“小径”，遇见飘动的巨幅多媒体自然场景，让人完全没入原生态的多感官体验。一楼展览区和二楼休息厅及零售区域之间精心制造的照明效果和视觉连通性加强了这两个空间的凝聚力，它们通过一个有机雕塑中心装置连接在一起。这一极具创新精神的设计由韩国LMTLS设计工作主导，它摆脱了对自然的老套描绘，以充满活力的沙质色调和粗粝质感掩盖了复杂而精心设计的天然灵感与当代风格的融合。这种具创造性的方法塑造了一个引人入胜又意想不到的避风港，与外面喧嚣的城市生活形成强烈对比，作为一个独特的零售环境存在让人神往- 就好像其产品是从地球原生环境提纯出来的一样。 团队 – LMTLS是一家总部位于纽约和首尔的建筑设计工作室，其三位共同创始人Daeho Lee、Beomki Lee和Jaeyual Lee在麻省理工学院(MIT)攻读建筑学硕士学位期间开始了合作。通过他们多年来的默契合作，目前已获得不俗的口碑，其致力于通过创新的设计推动变革，为每个项目找到最佳的设计方向。 Feature： Project - The new SKIN1004 flagship store in the heart of Myeong-dong, Seoul emerges as a striking presence with its textured rock façadecontrasting with the glass storefronts typical of the neighborhood. The space artfully brings the essence of “untouched nature” into the urban setting through rich earth tones, organic shapes and textures that reference the untamed landscapes of Madagascar. Upon entering the craggy stone frontage, visitors traverse reed-lined “trails” and encounter swaying video walls depicting natural scenes, fostering an immersive multisensory connection with raw, primordial nature. Carefully orchestrated lighting and visibility between the exhibition-focused ground floor and the product lounge and retail area above enhance the continuity between the spaces tied together by an organic sculptural centerpiece. The innovative scheme spearheaded by Korean firm LMTLS liberates the brand identity from clichéd representations of nature with vibrant sand-hued tones and rough-hewn textures belying the sophisticated blend of natural inspirations filtered through contemporary form. The creative approach shapes an intriguing and unexpected haven contrasting the teeming urban activity outside, standing as a distinctive retail environment where cosmetics emerge as if concentrated from the very essence of the earth. Design Team - LMTLS is a New York & Seoul based architectural design group whose three co-founders, Daeho Lee, Beomki Lee, and Jaeyual Lee, began their collaboration at the Massachusetts Institute of Technology (MIT) during their Master of Architecture studies. Founded in 2015, the firm is committed to catalyzing change through innovative design, navigating towards the optimal design direction for each project. As stated in their manifesto: "Beyond limits, our creative design thinking transcends constraints, weaving a tapestry of boundless possibilities. Embracing diverse approaches, free from stereotypes, we manifest an endless expression without boundaries." 设计团队 旅游探访 350 m² 韩国 首尔 2023 Previous Next