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< 返回 海口高兴里电影院 One Plus Partnership 项目名称：海口高兴里电影院 地点：海口，中国 设计团队：One Plus Partnership 面积：6000 m² 完工时间：2024年 摄影师：Jonathan Leijonhufvud 设计特色： 项目 - One Plus Partnership在中国海口打造了一座极具标志性的影院，通过雕塑般的砖石构造和起伏的表面，创造出一个受城市海洋环境启发的沉浸式建筑叙事空间。6000平方米的海口高兴里电影院-咖啡吧突破传统影院形态，通过材质与形态的精妙互动重新定义了观影空间。 设计团队没有采用常见的海洋蓝调，而是选择了一种非传统的方式来诠释海洋元素。设计团队以源自沙土的砖石作为主要设计元素，在概念上与海口的滨海特性建立联系，同时在整个空间中保持温暖的土色调。 影院最引人注目的特色是其动态的砖石装置，这些砖石经过精心排列，模拟出从多个视角都能欣赏到的波浪图案。这些建筑化的波浪贯穿于公共空间，转化为柜台和座椅等功能性元素。创新性的砖石运用超越了纯粹的美学考量——每块砖的尺寸和位置都经过精心设计，在表面肌理上营造出韵律变化。 自然光线在影院设计中通常被刻意避免，但在这里却成为了关键的设计元素，精心布置的窗户让阳光与砖石表面产生互动。这种光影效果配合隐藏式照明系统，既突出建筑的起伏变化，又满足了实用安全的需求。 放映厅进一步发展了海洋概念，采用非常规材料处理。第一个放映厅采用立体织物处理，营造出类木材质感，而第二个放映厅则使用了令人联想到萱草的暖色调面板。两个空间都融入了呼应公共区域波浪主题的曲线元素。 这个项目的与众不同之处在于它平衡了大胆的设计表现与功能性考量。流动的形态和材料选择具有双重目的——既创造出引人入胜的视觉叙事，又解决了访客安全和动线等实际问题。最终呈现的是一个将观影体验转化为建筑之旅的影院，让观众在电影开始前就已经踏上了一段奇妙旅程。 团队 - One Plus Partnership成立于2004年，在空间设计领域确立了开创性地位，尤其以其对影院环境的革新性设计方法而闻名。在联合创始人Virginia Lung和Ajax Law的引领下，这家总部位于香港的设计事务所已斩获660项国际荣誉，在全球设计领域奠定了重要地位。 事务所的设计理念聚焦于现象学的空间体验，以大胆的体量干预和以材料为导向的叙事手法为特征。他们的作品涵盖多元类型，包括零售环境、酒店空间和商业室内设计，尤其在影院建筑方面的专业造诣重新定义了当代观影体验。 Virginia Lung的成就包括享有盛誉的安德鲁·马丁国际室内设计师年度大奖和多项标志性设计大奖最佳奖。Ajax Law于2014年获选为香港十大杰出青年之一，为事务所带来技术精准性和创新的空间解决方案。 事务所的方法论强调通过迭代设计过程进行主题探索，创造出超越传统室内建筑的空间。他们的作品以构造表现、空间编排和叙事元素的成功整合而著称，体现了他们在体验式设计领域不断突破边界的决心。 Project Name: Gaoxingli Insun Cinema Location: Haikou, China Design Team: One Plus Partnership Lead Designers: Ajax Law & Virginia Lung Area: 6,000 m² Completion Year: 2024 Photographer: Jonathan Leijonhufvud Feature： Project - One Plus Partnership has unveiled a cinematic landmark in Haikou, China, where sculptural brick formations and undulating surfaces create an immersive architectural narrative inspired by the city's maritime context. The 6,000-square-metre Gaoxingli Insun Cinema reimagines the conventional movie theatre typology through a sophisticated interplay of materiality and form. Rather than defaulting to predictable oceanic blues, the design team, led by Ajax Law and Virginia Lung, opted for an unconventional approach to maritime references. The studio utilized brick – a material derived from sand – as the primary design element, creating a conceptual link to Haikou's coastal identity while maintaining a warm, earthy palette throughout the space. The cinema's most striking feature is its dynamic brick installations, which have been meticulously arranged to simulate wave patterns visible from multiple vantage points. These architectural waves cascade through the public spaces, transforming into functional elements such as countertops and seating arrangements. The innovative use of brick extends beyond mere aesthetics – each piece is deliberately sized and positioned to create rhythmic variations in the surface texture. Natural light, typically avoided in cinema design, becomes a crucial design element as carefully positioned windows allow sunlight to interact with the textured brick surfaces. This interplay is complemented by concealed lighting systems that highlight the architectural undulations while serving practical safety purposes. The auditoriums further develop the maritime concept through unconventional material choices. The first features dimensional fabric treatments that create wooden-like textures, while the second employs panels in warm hues reminiscent of tiger lilies. Both spaces incorporate curved elements that echo the wave motif established in the public areas. What sets this project apart is its ability to balance bold design gestures with functional considerations. The flowing forms and material choices serve dual purposes – creating an engaging visual narrative while addressing practical concerns such as visitor safety and circulation. The result is a cinema that transforms the movie-going experience into an architectural journey that begins long before the first frame appears on screen. Design Team - Founded in 2004, One Plus Partnership has established itself as a pioneering force in spatial design, particularly renowned for their revolutionary approach to cinematic environments. Under the visionary leadership of co-founders Virginia Lung and Ajax Law, the Hong Kong-based practice has garnered an impressive portfolio of 660 international accolades, cementing their position in the global design arena. The studio's design philosophy centers on phenomenological spatial experiences, characterized by bold volumetric interventions and materiality-driven narratives. Their portfolio spans diverse typologies, including retail environments, hospitality spaces, and commercial interiors, with a particular expertise in cinema architecture that has redefined the contemporary movie-going experience. Virginia Lung's achievements include the prestigious Andrew Martin International Interior Designer of the Year Award and multiple Best of Best Awards in the Iconic Design Awards. Ajax Law, recognized as one of JCI Hong Kong's Ten Outstanding Young Persons in 2014, brings technical precision and innovative spatial solutions to the practice. The firm's methodology emphasizes thematic exploration through iterative design processes, resulting in spaces that transcend conventional interior architecture. Their work is distinguished by its tectonic expressions, spatial choreography, and the successful integration of narrative elements into built form, exemplifying their commitment to pushing the boundaries of experiential design. 设计团队 旅游探访 6000 m² 海口，中国 2024 前一项 后一项

Design Studio MAOOM成立于2016年，已发展成为韩国最具创新力的建筑设计事务所之一，以其"Flexibility to change"（灵活求变）的设计理念和独特的空间设计方法而闻名。这家总部位于首尔的工作室由首席建筑师崔民奎（Minkyu Choi）、金延钟（Yeonjong Kim）和李正焕（Jeonghwan Lee）领衔，凭借将以人为本的设计原则与当代建筑元素的巧妙融合而获得国际认可。 < Back Design Studio MAOOM South Korea Design Studio MAOOM成立于2016年，已发展成为韩国最具创新力的建筑设计事务所之一，以其"Flexibility to change"（灵活求变）的设计理念和独特的空间设计方法而闻名。这家总部位于首尔的工作室由首席建筑师崔民奎（Minkyu Choi）、金延钟（Yeonjong Kim）和李正焕（Jeonghwan Lee）领衔，凭借将以人为本的设计原则与当代建筑元素的巧妙融合而获得国际认可。 该事务所专注于多元化的项目类型，涵盖商业空间、餐饮场所、住宅项目和展览空间等。他们的作品集展现了对空间构成、材料运用和照明设计的精湛理解，这一点在其备受赞誉的餐饮项目中尤为突出。MAOOM的作品特点在于能够创造超越纯功能性的氛围环境，着重打造富有意义的空间体验。 在现任领导团队的带领下，MAOOM设有空间设计、物品设计和品牌识别等专业部门，发展出强调空间和谐与材质触感的独特设计语言。他们的项目多次被ArchDaily、Frame和Interior Design Korea等权威建筑杂志报道，其中包括CUNN Coffee（2020年）、NAP Coffee Roasters（2018年）和最新的HORONG面包店（2023年）等标志性作品。 工作室的设计方法将严谨的建筑规划与对用户体验的敏锐洞察相结合，成功在美学品质与实用功能之间取得平衡。他们在建筑界日益增长的影响力通过不断扩大的高端项目组合和在国际设计领域的持续存在得到证明。 Founded in 2016, Design Studio Maoom is an innovative architectural practice guided by the philosophy of "Flexibility to change." Under the leadership of Principal Architects Minkyu Choi, Yeonjong Kim, and Jeonghwan Lee, the studio focuses on combining human-centric design with contemporary architectural innovation. The practice specializes in a comprehensive range of projects including commercial spaces, F&B establishments, offices, residential projects, and exhibition spaces, offering integrated services in spatial design, object design, and brand identity. Their work is renowned for precise control of spatial composition, materiality, and lighting design, receiving widespread recognition in international design media such as ArchDaily and Frame. The studio's methodology combines rigorous architectural planning with deep understanding of user experience, dedicated to creating emotional spatial experiences that transcend pure functionality. Through representative works such as NAP Coffee Roasters (2018) and CUNN Coffee (2020), the studio has demonstrated its unique ability to transform everyday spaces into meaningful environments. WEBSITE PROJECT

Atelier RZLBD由创始人Reza Aliabadi（RZLBD）在2000年代初从德黑兰迁至多伦多后成立，已发展成为一家以突破性住宅干预和理论探索而闻名的建筑事务所。该工作室在艺术、建筑和城市主义的交汇处运营，在回应场地要求的同时，打造挑战传统类型学的空间。 < Back Atelier RZLBD Canada Atelier RZLBD由创始人Reza Aliabadi（RZLBD）在2000年代初从德黑兰迁至多伦多后成立，已发展成为一家以突破性住宅干预和理论探索而闻名的建筑事务所。该工作室在艺术、建筑和城市主义的交汇处运营，在回应场地要求的同时，打造挑战传统类型学的空间。 该事务所的建筑哲学基础源自创始人的成长经历，包括他在德黑兰大学的建筑教育背景以及后来在麦吉尔大学的学术工作。通过一系列变革性的考察之旅——从加拿大北极到全球建筑朝圣之旅——工作室发展出其特有的空间构成方法，强调虚空与实体之间的对话。 在包括James Chungwon Park在内的核心设计团队的共同努力下，Atelier RZLBD凭借其极简主义美学和对城市限制的创新应对而获得国际认可。事务所的作品组合包括住宅、商业和文化项目，每个项目都体现了他们的理念——即建筑要积极贡献并挑战其所处环境。他们的作品已被广泛认可，并获得多项荣誉，使该工作室成为当代加拿大建筑界的重要声音。 Atelier RZLBD, established in Toronto following founder Reza Aliabadi's relocation from Tehran in the early 2000s, has evolved into a distinguished architectural practice known for its paradigm-shifting residential interventions and theoretical explorations. The studio, led by Aliabadi (RZLBD), operates at the intersection of art, architecture, and urbanism, crafting spaces that challenge conventional typologies while responding sensitively to contextual demands. The practice's philosophical foundation was shaped by Aliabadi's formative experiences, including his architectural education at the University of Tehran and subsequent scholarly work at McGill University. Through a series of transformative expeditions—from the Canadian Arctic to a global architectural pilgrimage—the studio developed its characteristic approach to spatial composition, emphasizing the dialogue between void and matter. Working with a core team of design professionals, including James Chungwon Park, Atelier RZLBD has garnered international recognition for its minimalist aesthetic and innovative response to urban constraints. The firm's portfolio spans residential, commercial, and cultural projects, each embodying their principle of "positive virus"—architecture that actively contributes to and challenges its context. Their work has been widely published and has received numerous awards, establishing the atelier as a significant voice in contemporary Canadian architecture. WEBSITE PROJECT

< 返回 奄美之家 Sakai Architects 项目名称：AMAMI House 地点：鹿儿岛县奄美市，日本 设计团队：Sakai Architects 建筑面积：119.24 m² 竣工时间：2024年8月 摄影：石井紀久 设计特色： 日本建筑事务所Sakai Architects在奄美岛完成了一座完全脱离电网的家庭住宅，挑战了亚热带气候下可持续生活的传统观念。这座名为AMAMI House的住宅于2024年8月竣工，完全不依赖国家电网或空调系统运行，却能在日本最潮湿、气候条件最苛刻的地区之一，舒适地容纳一家四口。 这座单层木结构住宅总建筑面积119平方米，坐落在358平方米的场地上，通过五个独立体量的几何化布局，重新诠释了传统岛屿建筑。设计从该地区历史上的"分棟"多建筑布局中汲取灵感，每个结构体承担不同功能，包括沐浴、睡眠和储藏。这些体量之间的空间成为共享生活区域，无缝衔接至走廊和花园，消解了室内与户外、私密与公共之间的界限。 建筑师酒井和纪做出断电决定之前，已在附近山区地产上开发微型基础设施三年之久。尽管奄美的太阳辐射量出人意料地低，可与日本北部相比，该项目仍成功通过光伏板生成全部所需能源。其独特的屋顶形式重新诠释了当地波纹金属板和入母屋式歇山顶轮廓，整合多层隔热、通风和光线控制系统。 建筑如传统高仓粮仓般抬升，使结构能从各个方向实现穿堂风，而深远的屋檐则提供遮蔽，抵御强烈日照和热带暴雨。燃木桑拿房燃烧建筑废料，厨余垃圾堆肥后供给菜园，收获的农产品重返家庭餐桌，在整个场地内形成封闭的资源循环。 除技术创新外，这座住宅还复兴了奄美作为"纽带之岛"的文化身份。其开放、宽敞的空间自然地容纳超过八十位亲友和邻居的聚会，恢复了随现代化进程而消退的集体仪式。该项目证明，真正的可持续性不仅涵盖环境系统，也包括社会传统和集体协作精神的传承。 设计团队 - Sakai Architects（酒井建筑事务所）是一家杰出的日本建筑设计公司，成立于2014年，总部位于鹿儿岛县奄美岛，并在鹿儿岛市设有分所。该事务所由酒井萃于1979年创立的酒井建筑事务所发展而来，为当代设计挑战带来了超过四十年的建筑专业经验。 在首席执行官兼合伙人酒井一徳（一级注册建筑师）的领导下，事务所形成了植根于地域特性和环境响应性的独特设计理念。酒井一徳于2011年获得佛罗里达大学建筑学硕士学位，曾在天工人建筑工作室积累宝贵经验后加入家族事务所。他的国际教育背景结合对奄美文化与环境语境的深刻理解，使事务所成为可持续、气候响应式建筑的先行者。 事务所专注于建筑设计、室内设计、景观设计、改造项目和产品设计，尤其擅长适应亚热带条件的木结构建筑。在首席执行官兼合伙人酒井一徳以及包括酒井萃（代表取締役）、小野木透、畠中ゆかり和吉生寛在内的团队领导下，该事务所因其对细节的细致关注和对工艺的承诺而获得认可。 该事务所的设计哲学强调情境敏感性与建筑创新同等重要，不急于寻求标准化建筑解决方案，而是相信建筑应该是对环境条件、文化背景和项目要求透彻理解的结果。他们的建筑语言以精细的材料选择、精妙的体量构成以及与自然环境的无缝融合为特征。 通过对本土材料使用、传统空间逻辑理解和当代建筑语言的深思熟虑的综合，Sakai Architects已确立自己作为日本当代建筑话语重要贡献者的地位，创造出既扎根于地方又拥抱全球设计视野的建筑作品。该事务所获得了众多荣誉，包括多次荣获日本建筑学会九州建筑奖（2024年新人奖和2025年优秀奖），以及2025年鹿儿岛木造住宅竞赛知事奖，还有多项优良设计奖和地区性荣誉。 https://www.youtube.com/watch?v=jp6QfKVMTRw 设计团队 旅游探访 119.24 m² 奄美市，日本 2024 前一项 后一项

< 返回 De Kwekerij 公寓 Arons & Gelauff architecten 设计特色： 项目 –Arons & Gelauff建筑事务所在荷兰乌特勒支设计了一座充满活力的"微型森林"住宅塔群，为年轻专业人士和学生提供可持续和经济实惠的起步住房。这个创新的住房项目通过精心设计，最大限度地发挥了空间效益。与最初规划的几座庞大单体楼宇不同，建筑师构想了6座高度各异的纤细塔楼，更贴合共同体生活的理念。错落的楼层高度确保了每个住户单元都能接收到充足阳光。提高效率和可持续性是主要设计宗旨，这些高度合理化的塔楼内只有两种45平方米的重复型户型单元，将机电系统集中安置后，单元内就无需设备间。整体建筑采用预制构件如厨房和幕墙，只需嵌入现浇混凝土框架即可。多彩的立面外观灵感来自周边种植的花卉和树木，将生动的建筑群融入环绕的绿色景观。巧妙排列的体量不仅产生动态视觉效果，还确保了单元之间的私密性。在这片"微型森林"下，一处意料之外的设施令人瞩目——一座旧的核掩体的遗留地下空间被改造成储存雨水池，向这块土地过去的冷战史致敬。加上一体化的公共空间、自行车设施和即将开放的博物馆，这个新的住宅区无疑是经济实惠和注重社区生活的城市佳作。 团队 – 成立于1996年的Arons & Gelauff建筑事务所凭借创新和可持续发展理念，为复杂的城市问题提供独特而富有远见的解决方案。该事务所由Arnoud Gelauff、Floor Arons和Tjeerd Beemsterboer领衔，总部设立在荷兰的阿姆斯特丹，目前拥有约25名建筑师和设计师组成的跨学科团队。他们的设计作品完美融入环境脉络，以概念洞见和建筑工艺并重。通过与开发商、建筑商、政府和居民密切合作，Arons & Gelauff能够高效实现其雄心勃勃的规划。凭借丰富经验和专业知识，该团队将创新理念与现实操作性有机结合，打造经得起未来考验的建筑杰作。无论预算多少，Arons & Gelauff都能在实用性和创意之间巧妙权衡，为城市发展贡献智慧方案，他们用热情专业的工作态度，努力超越期望，交付质量卓越且与众不同的建筑设计作品。 Feature： Project - Arons & Gelauff Architecten has created a vibrant "Tiny Forest" of colorful residential towers for the De Kwekerij campus in Utrecht, Netherlands. The innovative housing development provides sustainable and affordable starter homes for young professionals and students through smart design moves. Rather than placing several large monolithic blocks as originally planned, the architects conceived a playful cluster of six slender towers that better capture the spirit of community living. The towers range from 4 to 7 stories tall, with their varying heights allowing optimal sunlight to reach all dwellings. A major design driver was maximizing efficiency and sustainability. The highly rationalized towers contain just two repeating apartment types of 45 square meters, with centralized mechanical systems eliminating the need for bulky utility spaces. Prefabricated components like kitchens and facades were simply slotted into the cast-in-place concrete frames. The façades are a kaleidoscope of cheerful hues inspired by the flowering trees planted around the buildings, blending the vivid architecture into the verdant landscape. Rotating the volumes creates a dynamic visual composition while ensuring privacy between units. Beneath this "Tiny Forest" lies an unexpected amenity - the remnants of an old atomic bunker repurposed as a rainwater storage pond, paying homage to the site's Cold War history. With integrated common spaces, bike facilities and upcoming museum, De Kwekerij is an exemplar of economical and community-focused urban living. Design Team - Founded in 1996, Arons & Gelauff architecten provides unique and visionary solutions to complex urban issues with innovative and sustainable development concepts. The firm is led by Arnoud Gelauff, Floor Arons and Tjeerd Beemsterboer, having a multidisciplinary team of around 25 architects and architectural technicians. Their design works seamlessly blend into the surrounding context, striking a balance between conceptual insight and architectural craftsmanship. Through close collaboration with developers, contractors, governments and residents, Arons & Gelauff is able to efficiently realize their ambitious plans. With extensive experience and expertise, the team organically combines innovative ideas with practical feasibility to create architectural masterpieces that stand the test of time. Regardless of the budget, Arons & Gelauff deftly navigates between functionality and creativity, contributing intelligent solutions for urban development. With a passionate and professional work ethic, they strive to exceed expectations by delivering exceptional and distinctive architectural designs of the highest quality. 设计团队 旅游探访 17750 m² 荷兰，乌得勒支 2024年 前一项 后一项

Alhumaidhi Architects 成立于1992年，总部位于科威特，是一家综合性建筑设计事务所，历经三十余年的持续深耕，在住宅与商业建筑领域构建起多元而卓越的项目档案，业务覆盖本地及海湾地区。事务所现由主持建筑师 Abdulaziz AlHumaidhi 领衔，他毕业于罗德岛设计学院，同时持有建筑学与美术双学位，凭借超过21年的从业经验，以其将当代设计语言与科威特文化传承及气候背景深度融合的能力，在区域建筑领域树立了鲜明的设计立场。 < Back Alhumaidhi Architects Kuwait Alhumaidhi Architects 成立于1992年，总部位于科威特，是一家综合性建筑设计事务所，历经三十余年的持续深耕，在住宅与商业建筑领域构建起多元而卓越的项目档案，业务覆盖本地及海湾地区。事务所现由主持建筑师 Abdulaziz AlHumaidhi 领衔，他毕业于罗德岛设计学院，同时持有建筑学与美术双学位，凭借超过21年的从业经验，以其将当代设计语言与科威特文化传承及气候背景深度融合的能力，在区域建筑领域树立了鲜明的设计立场。 事务所以设计即遗产作为核心哲学，将每一个项目视为对场地条件、文化语境与业主生活方式的精准回应。设计方法论强调从概念生成到施工落地的全周期介入，注重空间逻辑的清晰性与材料语言的严谨性，并将可持续策略纳入设计框架的最初阶段，以确保建筑在视觉品质、气候适应性与社会责任三个维度上达到高度统一。 在 Abdulaziz AlHumaidhi 的带领下，事务所将技术深度与探索性的设计态度相结合，持续推进以创新、精确与持久价值为核心的建筑实践。其项目档案涵盖定制豪宅及商业建筑等多种类型，每一件作品均是对所在场地与文化背景的定制化诠释，将功能合理性、文化相关性与美学卓越性融为一体，在海湾地区建筑设计领域持续彰显其不可忽视的专业地位。 WEBSITE PROJECT

Helen Agustine Studio是一家总部位于印度尼西亚的建筑和室内设计公司，由首席建筑师Helen Agustine于2016年创立。该工作室最初名为Seniman Ruang，已发展成为一个充满活力的实践，无缝融合艺术和建筑。工作室注重平衡功能性和情感化设计元素，在项目方法上优先考虑质量而非数量。 Helen Agustine Studio, an architectural and interior design firm based in Indonesia, was founded in 2016 by principal architect Helen Agustine. Originally known as Seniman Ruang, the studio has evolved into a dynamic practice that seamlessly blends art and architecture. With a focus on balancing functional and emotional design elements, the firm prioritizes quality over quantity in its approach to projects. < Back Helen Agustine Studio 印尼（INDONESIA） Helen Agustine Studio是一家总部位于印度尼西亚的建筑和室内设计公司，由首席建筑师Helen Agustine于2016年创立。该工作室最初名为Seniman Ruang，已发展成为一个充满活力的实践，无缝融合艺术和建筑。工作室注重平衡功能性和情感化设计元素，在项目方法上优先考虑质量而非数量。 工作室提供从概念开发到现场监督的全面服务，Helen的获奖作品展示了她将简单设计注入独特风格和叙事深度的能力。可持续性是一个关键焦点，体现在他们对材料和空间的创新使用上。 近期荣誉包括2024年Kinematic Pavilion项目获得的Arch Id最佳展台奖和2023年Honestree项目获得的BCI亚洲室内设计奖，凸显了该工作室在建筑设计行业日益增长的影响力。 Helen Agustine Studio, an architectural and interior design firm based in Indonesia, was founded in 2016 by principal architect Helen Agustine. Originally known as Seniman Ruang, the studio has evolved into a dynamic practice that seamlessly blends art and architecture. With a focus on balancing functional and emotional design elements, the firm prioritizes quality over quantity in its approach to projects. The studio offers comprehensive services from concept development to site supervision, with Helen's award-winning work showcasing her ability to infuse simple designs with unique twists and narrative depth. Sustainability is a key focus, reflecting in their innovative use of materials and space. Recent accolades include the 2024 Arch Id Best Booth Awards for the Kinematic Pavilion and the 2023 BCI Asia Interior Design Awards for Honestree, highlighting the studio's growing influence in the architectural design industry. WEBSITE PROJECT

< 返回 新加坡圣淘沙心之音 Serie Architects + Multiply Architects 项目名称：圣淘沙心之音 设计团队：Serie Architects + Multiply Architects 面积：13089 m² 地点：新加坡 设计特色： 项目 – 新加坡圣淘沙心之音项目作为引人瞩目设计新地标，将自然景观、科技创新与感官体验巧妙融为一体。这条由Serie建筑事务所与Multiply建筑事务所联合设计的350米步行连廊，成功将一处具有挑战性的山脊地形，打造成连接圣淘沙环球影城和南部海滩的无障碍感官之旅。 项目的核心亮点在于其开创性的双层步道系统，其中令人印象深刻的"吊床"式构造既是结构支撑，又巧妙地转化为公共休憩空间。最引人注目的设计特色是沿途点缀的6座感官花园，每座花园都由精密的斜交网格结构环抱，仿佛轻盈地漂浮于山脊之上。这些篮篾编织般的亭台，采用参数化设计手法，创造出光影、空间与自然的精妙交织。 每座感官花园都是多维感知体验的典范之作。从采用花瓣状预制混凝土元素打造的"触感藤架"，到终年散发芬芳的"香氛穹顶"，每处空间都带来独特的感官享受。"交响水景"别出心裁地设置了200个声频水桶，构成波澜壮阔的水景交响；而"光影花园"则在夜幕降临后，借助发光的"茎秆"构筑，幻化成璀璨迷人的夜景奇观。 心之音项目的卓越之处，在于它完美地将无障碍设计理念与大胆创新的建筑愿景融为一体。项目不仅克服了地形起伏带来的重重困难，打造出全程无台阶的通道，更为公共空间设计树立了全新标杆。作为圣淘沙和布拉尼岛总体规划的首期项目，它展现了休闲建筑的美好愿景——将无障碍设计、感官体验和环境意识融会贯通，营造出既壮观震撼又包容共享的公共空间。 团队 – Serie建筑事务所成立于2006年，由Christopher Lee与Kapil Gupta共同创立，现已发展成为当代最具学术深度与空间创新力的建筑设计事务所之一。事务所在伦敦、孟买和新加坡三地设有办公室，形成战略性的全球布局，其建筑实践以形式语言的精妙与环境语境的深刻诠释见长。 在现任哈佛大学设计研究生院Arthur Rotch设计讲席评论家Christopher Lee的带领下，事务所因其在建筑类型学创新和建筑传统当代诠释方面的卓越成就而备受国际瞩目。在合伙人Bolam Lee和Martin Jameson的协同下，事务所在公共建筑、文化设施和教育建筑等领域均展现出非凡的设计才能。 Serie的建筑成就可谓是突飞猛进，这一点从其众多国际竞赛的优胜以及含金量极高的奖项中可见一斑，其中包括2023年新加坡总统设计奖（获奖项目：新加坡国家法院）以及多项世界建筑节大奖。事务所的作品特点在于将严谨的几何探索与材料创新相结合的方法论，由此缔造出与文化和物理环境形成优雅对话的建筑作品。 作为一家以研究导向著称的建筑事务所，Serie在新加坡"绿洲平台"（Oasis Terraces）和迪拜贾米尔艺术中心（Jameel Arts Centre）等开创性项目中充分展现了这一特色。这些作品完美诠释了事务所将复杂的功能需求、气候因素与文化叙事融会贯通的能力，创造出既富有时代精神又深具场所共鸣的建筑杰作。 Project：Sentosa Sensoryscape Team：Serie Architects + Multiply Architects Size：13089 m² Location：Singapore Feature： Project - Sentosa Sensoryscape emerges as Singapore's latest architectural marvel, weaving together nature, technology, and sensory experience in an unprecedented way. This ambitious 350-meter pedestrian connector, designed by Serie Architects and Multiply Architects, transforms a challenging ridgeline site into an accessible sensory journey linking Resorts World Sentosa to the island's southern beaches. At its core, the project introduces an innovative dual-level walkway system, distinguished by its striking 'hammock' structures that double as public seating. The walkway's most remarkable feature is its series of six distinct sensory gardens, each housed within sophisticated diagrid structures that appear to float along the ridge. These basket-like pavilions, realized through parametric design, create an intricate interplay of light, space, and nature. The gardens themselves are masterpieces of multisensory design. From the 'Tactile Trellis' with its petal-like precast concrete elements to the 'Scented Sphere' with its year-round aromatic plantings, each space offers a unique sensory experience. The 'Symphony Streams' introduces an unprecedented acoustic element with its 200-pail polyphonic water fountain, while the 'Glow Garden' transforms the nighttime experience with illuminated 'stalk' structures. What sets Sensoryscape apart is its seamless integration of universal accessibility with ambitious architectural vision. The project not only overcomes significant topographical challenges to create a step-free corridor but also establishes a new paradigm for public space design. As the first phase of a broader masterplan for Sentosa and Pulau Brani, it represents a bold statement about the future of leisure architecture – one where accessibility, sensory engagement, and environmental consciousness converge to create spaces that are both spectacular and inclusive. Design Team - Serie Architects, established in 2006 by Christopher Lee and Kapil Gupta, has emerged as one of the most intellectually rigorous and spatially innovative architectural practices of its generation. With offices strategically positioned in London, Mumbai, and Singapore, the practice has cultivated a distinctive approach to architecture that marries formal sophistication with contextual sensitivity. Under the leadership of Christopher Lee, who serves as the Arthur Rotch Design Critic in Architecture at Harvard Graduate School of Design, the firm has garnered international recognition for its typological innovations and creative interpretation of architectural precedents. The practice's portfolio, strengthened by partners Bolam Lee and Martin Jameson, demonstrates exceptional versatility across civic, cultural, and educational sectors. Serie's meteoric rise in the architectural sphere is evidenced by their numerous competition victories and prestigious accolades, including the 2023 President's Design Award for the Singapore State Courts and multiple World Architecture Festival awards. Their work is characterized by a methodological approach that combines rigorous geometric exploration with material innovation, resulting in buildings that respond eloquently to their cultural and physical contexts. The practice's commitment to research-driven design is reflected in their groundbreaking projects such as the Oasis Terraces in Singapore and the Jameel Arts Centre in Dubai. These works exemplify Serie's ability to synthesize complex programmatic requirements with climatic considerations and cultural narratives, creating architecture that is both contemporary and contextually resonant. 设计团队 旅游探访 13089 m² 圣淘沙，新加坡 2024 前一项 后一项

< 返回 卡萨·瓦比蘑菇馆 OMA / 重松象平 项目名称：卡萨·瓦比蘑菇馆 地点：普埃尔托·埃斯孔迪多，墨西哥 设计团队：OMA / 重松象平 建筑面积：200 m² 竣工时间：2026年 摄影：Rafael Gamo 设计特色：OMA合伙人重松象平在墨西哥普埃尔托·埃斯孔迪多的卡萨·瓦比基金会完成了蘑菇馆的建造，这是OMA在墨西哥落成的首个建筑作品。项目坐落于基金会占地65英亩的自然景观之中，背靠马德雷山脉，面朝瓦哈卡州太平洋海岸线，在一项具体的农业功能中注入了对生长、社群与时间的建筑思考。 建筑的核心形态是一个纯粹的椭球体。这一几何选择以建筑逻辑的方式回应了蘑菇培育所需的室内环境条件：穹顶内部被划分为出菇室、培育室与储藏室三个功能区间，三者围绕中心集会空间布置。空间下半段如圆形剧场般层层退台，兼作阶梯状陈列架，用于摆放由当地工匠手工烧制的赤陶蘑菇培育罐。退台结构与椭圆平面相结合，产生出全景监视般的视觉体验，使蘑菇种植的全过程得以在单一视点中一览无余。 顶部圆形天窗将自然光引入洞穴般的室内，周边设置的辅助开口实现被动式自然通风。最高处平台层的框景门洞越过原生低矮灌木，将无遮挡的海岸全景纳入视野。建筑体量在地面处向内收束，将占地面积压缩至最小，以此保全场地内原生瓜亚坎树木的自然生长。 混凝土外壳采用现场浇筑工艺，以镘刀抹平表面，外侧压印麻布纹理，使其吸附场地中富含铁质的水分。这种对自然侵蚀的主动让渡，意味着建筑将随时间推移逐渐生锈，外观持续演变，成为一座字面意义上仍在生长的建筑。 设计团队：OMA（大都会建筑事务所）由雷姆·库哈斯、马德隆·弗里森多普、埃利亚·曾赫利斯与佐伊·曾赫利斯于1975年共同创立，历经半个世纪的发展，已成为当代建筑领域兼具思想深度与形式创造力的顶尖实践机构之一。事务所的设计跨越多种建筑尺度，涵盖市政基础设施、文化机构、商业综合体及住宅项目，在建筑学的传统边界内持续以批判性视角审视形塑建成环境的社会、政治与城市条件。 事务所现由七位合伙人共同主持：雷姆·库哈斯、雷尼尔·德格拉夫、重松象平、伊亚德·阿尔萨卡、克里斯·范·迪金、贾森·朗，以及执行合伙人建筑师大卫·贾诺滕。OMA在鹿特丹、纽约、香港与布里斯班均设有办公室，在六大洲承接文化、住宅、商业及基础设施等多种建筑类型项目，形成覆盖全球的多元实践版图。蘑菇馆所在的卡萨·瓦比基金会项目，标志着OMA在墨西哥的首个建成作品，也是事务所拉丁美洲实践版图的重要延伸。 作为建成实践的延伸，OMA设立了研究与设计工作室AMO，将建筑学的工作方法拓展至展览设计、视觉识别、城市政策与策展实践等跨界领域。OMA与AMO共同构建了一种批判性研究与物质性生产相互嵌合的实践范式，使建筑设计兼具智识根基与空间雄心。 设计团队 旅游探访 200 m² 普埃尔托·埃斯孔迪多，墨西哥 2026 前一项 后一项

< 返回 Monologue Café SOSOKKI ANAC 项目名称：Monologue Café 地点：江原道洪川郡，韩国 设计团队：SOSOKKI ANAC 建筑面积：455 平方米 竣工时间：2025 年 摄影：Seokgue Hong 设计特色： 由韩国建筑事务所 SOSOKKI ANAC 设计的 Monologue Café 坐落于江原道洪川郡的林木之间，是2025年韩国建筑领域中最具沉静力量的空间作品之一。项目总面积455平方米，彻底颠覆了商业餐饮空间的设计惯例，将自身定位为一件植根于神话、记忆与物质性的思辨建筑。 设计的出发点大胆而富有想象力：若某个远古文明曾在文明重置之前建造过一座修道院，而后又从历史中彻底消失，那么这座建筑会呈现出怎样的形态？这种虚构的考古学赋予了建筑一种超越时间的躁动气质。主持建筑师郑基泰从《权力的游戏》中的“长城”汲取灵感，将其作为文明边界与时间断裂的象征意象，转化为一系列折叠砖面与锋利几何体量，使建筑同时散发出远古与当代的双重气息。 Monologue 最令人印象深刻之处，在于它拒绝提供任何单一的观看方式。建筑没有固定的正立面，而是随着访客在其周围移动而逐渐展开，每一个视角都呈现出不同的雕塑轮廓，与树林形成不断变化的对话。巨大的三角形开口穿透厚重的砖墙，将周围的森林景观框入视野，并将流动的自然光引入室内，那种空间氛围更接近于神圣场所，而非普通咖啡馆。 整个空间刻意营造出修道院般的克制感。裸砖、厚重的建筑体量与对装饰性元素的彻底摒弃，要求来访者放慢脚步，专注于当下的感知体验。建筑、室内设计、艺术与品牌形象在统一的叙事框架下融为一体，使 Monologue 不仅仅是一处饮咖啡的场所，而成为一个专为沉思与感官深度而设计的完整文化环境。这是一个关于日常空间如何承载虚构历史之重量的严肃追问。 设计团队： SOSOKKI ANAC 成立于2004年，是隶属于 SOSOKKI 集团旗下、总部位于首尔的建筑与室内设计事务所。二十余年间，事务所始终秉持以人为核心的空间设计理念，主张空间并非容纳人类活动的容器，而是提升人类感知能力与生活品质的媒介，并以此为设计实践的根本出发点。 事务所现由郑基泰主持，他同时担任 SOSOKKI 集团首席技术官、汉阳大学兼任教授及 SOSOKKI ANAC 设计总监，跨越学术与职业实践的双重身份为事务所的设计方法论提供了严谨的知识框架。在其主导下，事务所积累了丰富的国际及国内奖项，包括2023年德国 iF 设计奖，以及韩国室内建筑家协会、韩国黄金尺度设计奖、亚洲设计奖等多项重要荣誉。 SOSOKKI ANAC 将每一个项目视为对空间氛围与材料体验的深度探索，将建筑设计、室内设计、品牌形象与艺术创作整合于统一的概念框架之内。事务所的作品持续抵制程式化的商业美学，致力于营造能够激活感官、引发沉思、并对场所精神、文化语境与人类栖居方式做出真诚回应的空间环境。本项目由郑基泰担任主持建筑师，全程深度介入。 设计团队 旅游探访 455 m² 江原道洪川郡，韩国 2025 前一项 后一项

< 返回 绿色山谷 La Vallée Verte MVRDV 项目名称：La Vallée Verte 地点：波尔多，法国 设计团队：MVRDV 建筑面积：5250 m² 竣工时间：2024年 图片版权：MVRDV 设计特色： 荷兰建筑事务所MVRDV在波尔多新兴的巴斯蒂德·尼埃尔街区完成了住宅项目"绿色山谷"（La Vallée Verte）。这座拥有70套住宅的建筑群以一副克制的白色外壳示人，内里却藏着一片郁郁葱葱、层叠而上的绿意世界。 项目位于加龙河右岸凯里码头旁的三角形地块，其法语名意为"绿色山谷"，由三栋相互咬合的楼栋共同界定出一处圆形中庭。面向街道的立面以浅灰色瓷砖贴覆，轮廓流畅，受控于MVRDV为整个街区制定的参数化"日切"总规，这一设计方法确保144个地块内的每栋建筑全年均能获得充足的直射阳光。转向内侧，立面语言随之一变：通高的落地开口面向私密的阳廊敞开，绿植从地面一路攀援至屋顶，不曾中断。 种植阳廊的设计绝非流于形式。每处廊边排列着大小不一的花盆，汇聚了开花灌木、小乔木、常绿与落叶植物等多个品种，并按不同高度分层布置，以再现自然山谷的生态层次。为确保这片绿色景观的长期健康，建筑还专门为职业园丁设计了一条贯穿建筑周长的维护通道：结构墙体上开设若干出入口，以钢门隔断相邻住户的阳廊空间。每个开口与钢门均被裁切成人形剪影，头顶宽檐帽的造型无声点明园丁身份，为这处实用装置赋予了一丝俏皮的温度。 MVRDV将这片中庭形容为"一个几乎与街区其他部分隔绝的秘密世界"，以另一种方式实现了总规所追求的亲密感，不再依赖狭窄街巷，而是借助一场被围合的自然爆发。 项目已通过法国"生态街区"认证，同时接入地区供热网络，配置光伏板，并将底层住宅抬高以应对加龙河洪泛区的潜在风险。 设计团队： MVRDV是一家总部位于荷兰鹿特丹的建筑与城市规划事务所，由维尼·马斯（Winy Maas）、雅各布布·范·里斯（Jacob van Rijs）与纳塔莉·德弗里斯（Nathalie de Vries）于1993年共同创立。事务所目前在鹿特丹、上海、巴黎、柏林及纽约设有工作室，拥有逾250名建筑师、规划师与设计师，是当今国际上最具影响力的建筑实践之一。 事务所的业务跨越多个尺度，涵盖总体规划与城市设计、单体建筑、室内设计及研究项目。MVRDV长期致力于将建筑与数据分析深度融合，以自主研发的VOXEL体素建模方法对城市密度、日照条件及功能分布进行数字化模拟推演，为设计决策提供量化依据。这一方法论贯穿于事务所的众多标志性项目之中，包括鹿特丹马克塔尔市场、哥本哈根Sky Village住宅塔楼，以及全球首座向公众开放的艺术储藏设施波伊曼斯·范伯宁恩库房美术馆。 三位创始合伙人在形式探索、技术研究与社会及环境责任之间形成互补合力，引领着事务所独特的设计方向。波尔多巴斯蒂德·尼埃尔总规项目充分体现了MVRDV塑造城市新区的整体能力，而拉·瓦莱·韦尔特正是这一愿景的具体实现。 设计团队 旅游探访 5250 m² 波尔多，法国 2024 前一项 后一项

< 返回 东京国分寺住宅 森田悠纪建筑设计事务所 设计特色： 坐落在东京一处密集的社区中，森田悠纪建筑师事务所设计的 "国分寺住宅"打造了一处宁静的避风港,重新与街景相连。建筑师们着手解决了确立居家与城市之间适当"距离"的挑战，先是雕刻出一处幽静的空间，随后重新建立视觉联系。 当 一进入，门厅便表明要暂离喧嚣的都市。漫长的路径最终通向起居区，通过巧妙设置的窗户重新与周边环境视觉相连。这种层次体验旨在为居所注入更深层次的空间感。场地的限制性退线导致了坡屋顶的形式，建筑师将其视为本土风貌的一种体现。然而，室内空间体验却与典型的郊区大相径庭。 一个开阔的双层高空间成为平面的重心，二楼天花板高度从1.8米到3.6米戏剧性地变化。倾斜的黄梨木天花板营造了视觉连续性，同时界定了这处家园的私密领域。细致入微的细节设计与业主的复古家具收藏产生了共鸣，促进了建筑与居者之间的有机联系。通过精心编排视觉连接、路径序列和材质肌理，建筑师们塑造了一种宁静而动态的居住氛围。 Nestled in a dense Tokyo neighborhood, House in Kokubunji by Yuki Morita Architect & Associates creates a tranquil refuge that reconnects with the streetscape. The architects tackled the challenge of establishing an appropriate "distance" between home and city by carving out a secluded haven before reestablishing a connection. On approach, the entryway denotes leaving the urban realm behind. A lengthy path culminates in the living areas, which reestablish visual links to the surroundings through strategically framed apertures. This layered experience aims to imbue the home with a deeper sense of spatial dimension. The site's restrictive setbacks prompted a gabled roof form, which the architects embraced as a contextual vernacular. However, the interior spatial experience defies typical suburban norms. An expansive double-height volume anchors the plan, with ceiling heights dramatically varying from 1.8m to 3.6m upstairs. The sloping lauan plywood ceilings create visual continuity while delineating the home's private realm. Intricate detailing resonates with the homeowners' vintage furniture collection, fostering an organic relationship between architecture and inhabitation. By choreographing visual connections, path sequencing, and material textures, the architects manifest a tranquil yet dynamic living atmosphere. 设计团队： 森田悠纪建筑设计事务所于2015年在东京创立，是一支备受赞誉的建筑设计团队，由首席建筑师森田悠纪（1984年生）领衔。该事务所的设计理念围绕美学、功能性和原创性，因其巧妙打造出提升日常生活品质的定制住宅和公共项目而广受赞誉。森田的作品完美融合了实用性和愉悦体验，旨在让居住者对建筑本身的使用充满喜悦。除了满足功能需求外，他敏锐的设计通过精心编排的细节、丰富的材质,以及能唤起共鸣的空间，增强了使用者的体验享受。 该事务所远离流行趋势，而是专注于每个项目独特的场地、客户愿景和语境影响，以此反哺出与众不同的定制化建筑设计。森田以定制裁缝般专注的心态对待设计，将每个委托项目的独特性质注入独一无二的建筑作品。其建筑作品在每个项目中和谐地实现了美学、实用性和个性化精神的整体性设计，达至设计完整性。无论是住宅还是公共建筑，他的作品都体现了一种永恒而当代的理念，提升了人居环境品质。 Founded in 2015, Yuki Morita Architects is an acclaimed Tokyo-based architectural practice led by principal Yuki Morita. With a design philosophy centered on beauty, functionality, and originality, the firm has garnered praise for crafting thoughtful, bespoke residences and public projects that elevate the everyday. Morita's buildings seamlessly blend utility with delight, aiming to imbue the act of inhabiting architecture with joy. Beyond just fulfilling programmatic needs, his sensitive designs enhance users' experiential enjoyment through carefully choreographed details, material richness, and spaces that nurture emotional resonance. The firm eschews passing fads, instead concentrating on distilling each project's unique site, client vision, and contextual influences into a singularly tailored architectural response. Morita approaches design with the attentive mentality of a bespoke tailor, channeling every commission's specificity into a one-of-a-kind built work. Yuki Morita's architecture achieves a holistic design integrity by harmoniously synthesizing beauty, purposefulness, and an individualized spirit across each project. From residences to civic buildings, his compositions manifest a timeless yet contemporary ethos that elevates the human condition. With a practice grounded in discovery and an uncompromising pursuit of comprehensive architectural quality, Yuki Morita Architects continues pushing boundaries while enriching the lived experiences of their buildings' inhabitants. 设计团队 旅游探访 79.01 ㎡ 日本，东京 2023年 前一项 后一项

< 返回 嬬恋别墅G-Spiral 秋山立花 项目名称：嬬恋别墅G-Spiral 地点：群马县嬬恋村 ， 日本 设计团队：秋山立花 建筑面积：44.71 m² 竣工时间：2024年 摄影：东涌宏和 设计特色： 项目 -秋山立花在群马县构思了一座非凡的度假建筑，超越了传统假日建筑的概念。嬬恋别墅G-Spiral从一个曾经繁荣的度假村开发区中诞生，如今正静静地向时间投降，建筑师在此打造了他所描述的跨越世界的"舞台装置"。 这座44.71平方米的卓越建筑坐落在浅间山火山景观的戏剧性背景下，以哲学的精确性回应其环境。设计师没有与火山活动雕刻的火成岩地形的严峻美感对抗，而是拥抱它，创造出体现被自然力量燃烧的森林焦炭残余的建筑。这座建筑见证了自然的多样表达——不是预期的翠绿度假胜地，而是对由火焰和地质剧变塑造的景观的冥想。 别墅最引人注目的特征在于其概念上的二元性：两个完全相同的空间以完美的线性对称排列，每个空间尺寸相同，共享相同的结构系统，却服务于截然不同的目的。一个空间作为纯粹的虚无存在——铺满地毯的空旷，没有功能，被建筑师描述为"虚空空间"。另一个空间像井一样向下延伸，容纳一个下沉式浴室，邀请使用者向下进入沉思的深处。 这种二元构成创造了设计师所称的跨界体验，访客在"虚空空间"和"风呂空间"之间移动，仿佛在平行世界间穿越。设计哲学从村上春树对可渗透现实的文学探索中汲取灵感，将建筑定位为超越的导管。 该项目的动人之处在于对场地历史的回应——将废弃的泡沫时代开发区转变为内省的舞台。曾经网球场举办周末狂欢的地方，现在寂静占据主导，为建筑师的形而上学抱负创造了理想条件。通过最少的手段和最大的概念深度，嬬恋别墅挑战了建筑惯例，提供了对场所、记忆和世界间空间的深刻冥想。 设计团队 - 由主持建筑师秋山怜史于2008年创立的秋山立花，已成为一家超越传统设计边界的先锋建筑事务所。这家总部位于横滨的事务所，作为神奈川县注册的一级建筑士事务所，在过去15年多的时间里，发展出以为社会和个人生活创造新可能性为核心的独特方法论。 在秋山的领导下，事务所秉承每一个新选择的创造都会指数级丰富社会的基本信念。这一理念驱动着他们在空间设计方面的综合性方法，涵盖建筑企划、监理、景观建筑、室内设计、家具制作和城市规划倡议。事务所的方法论围绕三个核心协作原则构建：共感、共创和共有，培育解决当代社会挑战的创新方案。 主持建筑师秋山怜史为事务所带来了卓越的学术和专业资历，曾担任横浜国立大学、东京都立大学和东洋大学的非常勤讲师。他的专业知识通过在京都市社会创新研究所担任研究员以及长野县立大学社会创新中心咨询委员的角色，超越了传统建筑界限。值得注意的是，秋山担任全国单亲家庭居住支援机构的代表理事，体现了事务所通过设计思维解决社会问题的承诺。 事务所在横滨和京都设有双重运营基地，战略性地定位于日本最具活力的城市环境中。秋山立花的作品组合涵盖住宅、商业和机构项目，每个项目都体现了他们创造增进人类体验空间同时促进更广泛社会转型的承诺。这种建筑卓越性与社会创新的独特整合，使事务所成为日本不断发展的设计领域的领导者。 Project Name: Tsumagoi Villa G-Spiral Location: Tsumagoi Village, Gunma Prefecture , Japan Design Team: Akiyama Tachibana Total Floor Area: 44.71 m² Completion: 2024 Photography: Hirokazu Totsuka Feature: Project - Akiyama Tachibana completed a striking philosophical retreat project in the heart of Gunma Prefecture, transforming forgotten bubble-era resort heritage through innovative metaphysical architecture and thoughtful site meditation. The Tsumagoi Villa G-Spiral converts a abandoned resort development into a vibrant contemplative destination, demonstrating the perfect synthesis of traditional Japanese spatial concepts with contemporary philosophical thinking. The villa is strategically positioned on volcanic terrain near Mount Asama, this 44.71-square-meter complex captures the innovative spirit of transcendental architecture while paying homage to the region's geological memory. The project's most distinctive feature lies in its binary spatial system that transforms the original concept of vacation retreat into an enclosed meditation space, creating a new existential order through what the architect describes as a "stage device for crossing between worlds." Akiyama's ingenious design solution unifies two identical spaces with perfect linear symmetry yet radically different functions. The architect employed minimal material palette, chosen for its capacity to record the passage of time and spiritual contemplation. This spatial strategy creates dual realms that mediate between physical existence and metaphysical experience, generating architectural poetry through presence-void dialogue. The villa's programming encompasses two essential spaces: the "void space" featuring carpeted emptiness devoid of function, and the "bath space" descending like a well into contemplative depths. The former workers' dormitory sites have been transformed into sites of introspection, while the charred landscape serves as backdrop for philosophical journey. Segmented yet continuous experiences create natural narrative pauses within the meditation path, allowing each spatial realm to shine within the broader existential narrative. Most notably, the project transforms what was once a bustling bubble-era resort area into a contemplative sanctuary centered around silence and reflection, drawing inspiration from Haruki Murakami's literary explorations of parallel realities. This demonstrates how contemporary retreat architecture can push the boundaries of spiritual renewal possibilities while respecting historical memory and geological context. Design Team - Founded in 2008 by principal Rei Akiyama in Yokohama, Japan, Akiyama Tachibana has established itself as a pioneering force in contemporary Japanese socially-conscious architectural practice, consistently bridging rigorous design methodology with social innovation technologies. With headquarters in Yokohama and secondary base in Kyoto, the firm has established itself as a comprehensive interdisciplinary consultancy providing professional design services across diverse building typologies throughout Japan and broader social initiatives. Rei Akiyama, a graduate of Tokyo Metropolitan University (Bachelor of Architecture in Engineering) and licensed first-class architect, leads the practice with a philosophy of creating new choices for society and individual lives through architectural intervention. The Akiyama Tachibana name reflects the foundational philosophy of honoring ancestral heritage while creating innovative futures------a principle that manifests throughout their comprehensive project methodology combining paternal Akiyama lineage with maternal Tachibana heritage. The firm's design philosophy centers on thorough investigation of architecture as social catalyst, with particular emphasis on addressing contemporary societal challenges through spatial innovation. This approach synthesizes professional architectural expertise with social responsibility, yielding significant works from philosophical retreats to social housing projects that demonstrate continuous advancement of socially-responsive architecture that breaks through in both cultural heritage and modern functionality. Akiyama's mastery of metaphysical architectural language and spatial philosophy methodologies, along with applications of advanced social intervention techniques, underscores their contribution to Japan's evolving socially-conscious architectural discourse. Their recent work on the Tsumagoi Villa G-Spiral project exemplifies their persistent pursuit of pushing design boundaries while exploring existential questions------positioning them as thought leaders in contemporary cross-disciplinary architectural practice. Akiyama Tachibana maintains headquarters in Yokohama with additional base in Kyoto, supported by a vibrant interdisciplinary team composed of architects, social workers, and academics contributing to the firm's continuously evolving social architectural discourse. Rei Akiyama simultaneously serves as adjunct lecturer at multiple universities including Yokohama National University, Tokyo Metropolitan University, and Toyo University, while serving as Representative Director of the National Single Parent Housing Support Organization, establishing Akiyama Tachibana as an important contributor to contemporary socially-responsible architectural creation in Japan and beyond. 设计团队 旅游探访 44.71 m² 群马县嬬恋村，日本 2024 前一项 后一项

< 返回 W‐Mission 总部 Behet Bondzio Lin Architekten 设计特色： W-Mission在首尔城东区圣水洞的新总部大楼，由Behet Bondzio Lin Architekten设计，堪称创新建筑的典范，巧妙融合了传统与现代元素。这座建筑灵感源自纺织品的流畅性和海浪的韵律，其最引人注目的特色是波浪起伏的砖砌立面，不仅是视觉上的盛宴，更兼具实用功能。 由建筑师林友寒领衔的设计团队运用了高度复杂的算法，打造出外墙的波浪效果。立面由520层砖块构成，波浪幅度从底部的0厘米逐渐增加到屋顶线的170厘米。这独特的砖砌外墙不仅致敬了首尔悠久的砖建筑传统，还巧妙容纳了服务设施和垂直交通系统。内部空间被划分为三个明确的区域：面向街道的社区区域、开放式办公空间，以及顶层的行政区。一个三层挑高的中庭将这些空间串联起来，引入自然光线，营造出令人联想到哥特式大教堂的冥想氛围。项目的亮点包括对哥特式拱门的创新诠释，将其从内部翻转到外部，以及通过相互连通的户外空间和内部庭院打造的垂直社区。 这种富有创意的企业建筑设计不仅为首尔的城市景观增添了一道亮丽的风景线，还为W-Mission的员工和访客营造出强烈的社区感和幸福感。这座建筑无疑是当代建筑设计的一座丰碑，体现了对传统工艺的尊重和对创新技术的追求。它不仅是W-Mission公司的标志性总部，更成为了首尔新兴设计区的城市地标，展现了韩国在全球创意产业中的领先地位。 W-Mission's new headquarters in Seoul's Seongsu-dong district, designed by Behet Bondzio Lin Architekten, is a striking example of innovative architecture that seamlessly blends tradition with modernity. Inspired by the fluidity of textiles and ocean waves, the building features a remarkable undulating brick facade that serves as both a visual spectacle and a functional element. The design team, led by architect You-Han Lin, employed a sophisticated algorithmic approach to create the wave-like effect on the exterior. The facade comprises 520 layers of bricks, with the wave amplitude gradually increasing from 0 to 170 cm at the roofline. This unique brick curtain wall pays homage to Seoul's rich brick-building heritage and houses service facilities and vertical circulation. Internally, the building is organized into three distinct zones: a community facing the street, an open-plan office space, and an executive area at the top. A three-story atrium connects these spaces, infusing the interior with natural light and creating a contemplative atmosphere reminiscent of Gothic cathedrals. The project's standout features include its reinterpration of Gothic arches, inverting them from interior to exterior, and the creation of a vertical community through interconnected outdoor spaces and internal courtyards. This innovative approach to corporate architecture not only provides a striking addition to Seoul's urban landscape but also fosters a sense of community and well-being for W-Mission's employees and visitors alike. 设计团队： Behet Bondzio Lin Architekten成立于2000年，是一家跨学科的建筑设计公司，总部位于德国明斯特和莱比锡。该事务所由马丁·贝赫特、罗兰·邦齐奥和林友寒三位主创建筑师领衔，已然成为创新设计和智能建造的典范。事务所的设计理念核心在于打造量身定制的建筑方案，将高度美学品质与功能完美融合。他们的设计过程特点是与客户进行深入对话、细致的场地分析以及全面的调研，即使面对复杂的建筑挑战，也能创造出富有独特性和感性的项目。事务所的作品涵盖多种类型，展现了他们的多元化实力和专业知识。 该事务所以对细节的关注而闻名，从概念设计到项目执行的每个环节都精益求精，确保每个项目都成为他们追求卓越的见证。三位主创建筑师为事务所带来了丰富的国际经验。这种多元专业知识的融合使得事务所能够以独特而全面的视角来处理每个项目，持续交付既能契合环境又富有前瞻性的建筑方案。在当今快速发展的建筑行业中，他们的作品无疑代表了德国乃至全球建筑设计的一流水准。 Founded in 2000, Behet Bondzio Lin Architekten is an interdisciplinary architectural practice with offices in Münster and Leipzig, Germany. The firm, led by principals Martin Behet, Roland Bondzio, and Yu-Han Michael Lin, has established itself as a paragon of innovative design and intelligent construction. The practice's philosophy centers on creating bespoke architectural solutions that seamlessly blend high aesthetic quality with functional intelligence. Their design process is characterized by intensive dialogue with clients, meticulous site analysis, and thorough research, resulting in projects that exude identity and sensuality even in complex architectural challenges. Behet Bondzio Lin Architekten's portfolio spans a diverse range of typologies, showcasing their versatility and expertise. The firm is renowned for its attention to detail, from conceptual design through to execution, ensuring each project is a testament to its commitment to excellence. The principals bring a wealth of international experience to the practice. Martin Behet's background includes work with notable firms such as Gatermann, Schossig & Partner, while Roland Bondzio has collaborated with Enric Miralles and held teaching positions at various institutions. Yu-Han Michael Lin, with his Harvard GSD education, contributes a global perspective, having worked in Taiwan and Germany. This fusion of diverse expertise allows Behet Bondzio Lin Architekten to approach each project with a unique, holistic vision, consistently delivering architectural solutions that are both contextually sensitive and forward-thinking. 设计团队 旅游探访 9483 m² 韩国，首尔 2024年 前一项 后一项

< 返回 阿那亚金山岭荒野植物园 大于建筑 项目名称：阿那亚金山岭荒野植物园 地点：承德市，河北省，中国 设计团队：大于建筑 建筑面积：199 m² 完工时间：2024年 摄影师：刘松恺 设计特色： 项目 - 大于建筑完成了阿那亚金山岭荒野植物园项目，这座融合混凝土与木材的深思熟虑之作坐落于中国承德崎岖的山景之中，既是教育设施，也是本土植物物种的庇护所。 这座建于2024年、面积199平方米的建筑从其山地环境中优雅地展现，展示了建筑干预与自然野趣之间的精妙互动。由郭宇辰、杨思齐和詹孛迪领衔的设计团队精心打造了一个有意模糊建筑形态与有机环境界限的空间。 "项目的核心使命是创造一个不仅展示自然，更积极参与自然保护的空间，同时促进人与荒野之间更深层次的联系，"建筑师如是解释。 建筑最引人注目的特征是其环绕中央庭院的U形布局。落地窗经过战略性布置，既捕捉自然光线，又与室内植物形成动态的光影演绎。经过重新设计的北侧入口引导访客穿行于巨石与本土植被之间，营造出精心策划的体验旅程。 这座两层建筑在一层设有展览空间，而以其慷慨的层高和充足天窗著称的上层则用作植物教育和手工艺活动的工作室空间。这种垂直的功能布局创造了一个从观察到主动参与自然的叙事旅程。 材料的选择着重考虑了其优雅老化的特性以及与周边景观的和谐统一。原始的混凝土步道和结构元素与古老的石块形成当代对比，而美松木板和回收老木则为室内空间注入温暖和质感。 最值得注意的是，该项目在细节处理上表现出非凡的克制。建筑师摒弃了装饰性元素，而选择让材料的固有美感和自然光线来定义空间，创造了他们所描述的"一个让荒野不仅被观察，更成为日常生活不可分割部分的庇护所"。 团队 - STUDIO YUDA（大于建筑）成立于2016年，在上海和纳什维尔设有双总部，是一家迅速崭露头角的多学科设计事务所，以其在建筑设计、景观设计、室内设计和装置艺术领域的创新方法而备受瞩目。该事务所由四位富有远见的建筑师共同创立：郭宇辰、詹孛迪、杨思齐和Alex Darsinos，他们共同为实践带来了多元的国际视角。 事务所的设计理念深深植根于通过材料性、色彩构成和构造表达来探索空间叙事。他们的作品展现了对建筑话语中短暂性与永恒性辩证关系的深刻理解，在推动当代设计边界的同时，始终保持对场所语境和人文体验的深切尊重。 STUDIO YUDA跨越不同尺度和类型进行设计实践，已经发展出一个独特的作品集，其特点是形式、功能和现象学考量的巧妙整合。事务所对实验性设计方法的追求，加上对施工细节的严谨关注，使其成为中国新兴建筑领域中具有影响力的声音。 事务所位于上海历史悠久的徐汇区，通过协作式的设计方法持续拓展其实践范围，促进东西方建筑传统之间的对话。 Project Name: Aranya Jinshanling Wilderness Botanical Garden Location: Chengde City, Hebei Province, China Design Firm: STUDIO YUDA Area: 199 m² Completion Year: 2024 Photographer: Liu Songkai Feature： Project - STUDIO YUDA has completed the Aranya Jinshanling Wilderness Botanical Garden, a contemplative concrete and timber structure nestled within the rugged landscape of Chengde, China, that serves as both an educational facility and a sanctuary for native plant species. The 199-square-meter building, completed in 2024, emerges from its mountainous context as a sophisticated interplay between architectural intervention and natural wilderness. The design team, led by Guo Yuchen, Yang Siqi, and Zhan Bodi, has crafted a space that deliberately blurs the boundaries between built form and organic environment. "The project's core mission was to create a space that doesn't merely display nature but actively participates in its preservation while fostering a deeper human connection with the wilderness," explained the architects. The building's most striking feature is its U-shaped layout, which wraps around a central courtyard. Floor-to-ceiling windows have been strategically positioned to capture natural light and create dynamic shadow play with interior plantings, while the relocated northern entrance guides visitors through a carefully choreographed journey past monolithic rocks and indigenous vegetation. The two-story structure houses an exhibition space on the ground floor, while the upper level – distinguished by its generous height and abundant skylights – functions as a workshop space for botanical education and craft activities. This vertical programming creates a narrative journey from observation to active engagement with nature. Materials were chosen for their ability to age gracefully and complement the surrounding landscape. Raw concrete pathways and structural elements provide a contemporary counterpoint to ancient stone formations, while methadone pine boards and reclaimed timber introduce warmth and tactility to the interior spaces. Perhaps most notably, the project demonstrates remarkable restraint in its detailing. The architects have eschewed decorative elements in favor of allowing the inherent beauty of materials and natural light to define the space, creating what they describe as "a sanctuary where wilderness is not merely observed but experienced as an integral part of daily life." Design Team - STUDIO YUDA, established in 2016 with dual headquarters in Shanghai and Nashville, is an emerging multidisciplinary design practice that has rapidly gained recognition for its innovative approach to architectural design, landscape architecture, interior design, and installation art. The firm was co-founded by four visionary architects: Guo Yuchen, Zhan Bodi, Yang Siqi, and Alex Darsinos, who collectively bring diverse international perspectives to their practice. The studio's design philosophy is deeply rooted in the exploration of spatial narratives through materiality, chromatic composition, and tectonic expression. Their work demonstrates a sophisticated understanding of the dialectic between ephemerality and permanence in architectural discourse, consistently pushing the boundaries of contemporary design while maintaining a profound respect for context and human experience. Operating across various scales and typologies, STUDIO YUDA has developed a distinctive portfolio characterized by its thoughtful integration of form, function, and phenomenological considerations. The practice's commitment to experimental design methodologies, coupled with rigorous attention to construction detailing, has established them as an influential voice in China's emerging architectural scene. Based in Shanghai's historic Xuhui District, the studio continues to expand its practice through a collaborative approach to design, fostering dialogue between Eastern and Western architectural traditions. 设计团队 旅游探访 199 m² 承德市，河北省，中国 2024 前一项 后一项

< 返回 Purple品牌运营工作室 Scott & Scott Architects 项目名称：Purple品牌运营工作室 地点：温哥华，加拿大 设计团队：Scott & Scott Architects 建筑面积：1300 m² 完工时间：2025年 摄影：Andrew Latreille 设计特色： Scott & Scott Architects将温哥华芒特普莱森特工业区一座1973年建造的仓库改造为服装品牌Purple Brand的运营工作室，以对既有建筑的精准介入回应品牌对原始感与耐久性的美学追求。项目总面积1300平方米，涵盖运营、设计、档案存储、样衣陈列、摄影区及会议室等多元功能，是一座完整运转的时装工作坊。 设计的核心姿态是克制而非覆盖。建筑师保留原有外壳，以现浇混凝土为主要表达语言，新设计的混凝土桌面与中央楼梯从既有地坪的历史肌理中生长而出，新旧界面之间形成连贯的物质叙事。这道贯穿预制混凝土楼板的中央楼梯不仅是垂直交通，更在两层功能之间建立视觉与空间上的直接联系，将整体空间组织为一个连续的工作序列。 材料的选择贯彻了同一逻辑：染色胶合板家具与不锈钢挂轨系统收纳样衣与工作用布料，兼顾实用与秩序；镀锌格栅板悬于既有结构之上，整合设备管线、声学面板与间接照明，令原有木板屋顶得以保留且清晰可读。所有材料均以原始或染色状态呈现，设计预见其随时间使用而自然形成包浆，与空间共同老化。 这一策略与Purple Brand的品牌逻辑高度契合。该品牌以对复古与实用主义概念的重新演绎作为牛仔系列的创作基础，工作室的空间语言由此成为品牌身份的物质延伸，而非背景载体。Scott & Scott Architects在此呈现的，是一种将建筑改造、品牌叙事与材料诚实统一于同一空间逻辑之中的设计实践。 设计团队： Scott & Scott Architects是一家总部位于温哥华的建筑与室内设计事务所，由Susan Scott与David Scott于2012年联合创立。两位创始合伙人均毕业于达尔豪斯大学建筑学院，在创办事务所之前，已在多家西海岸重要建筑机构积累了共计十二年的从业经验。事务所设有专属工作坊，用于工业设计开发、材料研究与原型制作，使设计与建造的全过程得以在主创团队的直接参与下推进。主持建筑师Andrea Zittlau现与两位创始合伙人共同主导事务所的在手项目。 事务所的创作实践以材料诚实、建构精确及对场地与功能特质的深度回应为核心。其设计语言的显著特征在于对区域性材料及耐久性材料的运用，多以原始或低度处理的方式呈现，赋予室内空间与建筑以随使用时间自然演化的物质质感。项目类型涵盖新建住宅、山地小屋、城市仓库改造及商业室内等多元尺度。 事务所于2016年荣获加拿大皇家建筑师学会青年建筑师奖，并于2017年入选纽约建筑联盟新兴声音奖，由此确立其作为加拿大当代最具严谨性与影响力的建筑实践之一的专业地位。 设计团队 旅游探访 1300 m² 温哥华，加拿大 2025 前一项 后一项

< 返回 罗伯特·戴科学中心 BIG 项目名称：罗伯特·戴科学中心 地点：克莱蒙特，美国 设计团队：BIG 建筑面积：135000平方英尺 竣工时间：2025年 摄影：Laurian Ghinitoiu 设计特色： 项目 - 坐落于加利福尼亚州克莱蒙特的罗伯特·戴科学中心，由BIG设计，展现了通过激进建筑几何重新构想跨学科学习的创新空间解决方案。这座135000平方英尺的设施位于克莱蒙特·麦肯纳学院校园东侧边缘，其设计理念源自促进计算机科学、数据科学和生命科学之间交流的愿景，突出了在现代高等教育环境中通过建筑打破传统学术壁垒的可能性。 该项目最引人注目的成就在于其革命性的"旋转堆叠体量"设计理念。建筑师没有采用常规的实验室配置，而是将每层相对下层旋转45度，创造出与各种学术环境产生关系的动态建筑。从项目构思之初，这种旋转就标定了概念起点：一座从内部向外构建的科学中心，每个开口都与协作空间和自然光保持直接关系。 建筑形态通过精妙的体量配置组织，分布于多个层次但具备丰富的空间体验。主体量的南侧设置屋顶露台和深挑檐，与校园景观保持直接关系，寻求对周围环境的透明性和开放性。中心通过全高中庭创造皮拉内西式的社交空间，将所有楼层的学生和教职员工视觉连接。 立面处理展现当代设计的精妙，简洁而有效，通过木纹玻璃纤维增强混凝土板强化旋转体量的功能性，为整体提供温暖质感同时确保耐久性和防火性能。开口的战略性布置，不仅满足采光通风需求，更提供视觉焦点，强化了科学中心的协作特质。 材料运用体现了与可持续发展的深度对话。罗伯特·戴科学中心被构想为一个建筑姿态，向加州气候以及建成材料与自然光影之间的本质连接致敬，展现出当代美国高等教育建筑在处理环境责任和学术创新时的成熟度和创新性。项目通过11000平方英尺的屋顶太阳能板促进可再生能源使用，年发电量约342兆瓦时，以LEED金级认证为目标。中庭设有连接前两层和咖啡厅的大型楼梯，创造活跃的中心枢纽。悬挂在30英尺高空的达米安·奥尔特加《磁场》雕塑由18个金属环和1476个鲜艳玻璃球组成，为高耸空间注入艺术活力。八个位于各"条形体量"角落的屋顶露台提供360度全景视野，可眺望北侧山脉、西侧校园和东侧体育设施，这些多功能空间种植本土植物，可用作户外教室、学习区域或会议场所。 设计团队 - BIG – 比亚克·英格斯集团于2006年由丹麦建筑师比亚克·英格斯在哥本哈根创立，已确立其作为全球性建筑实践机构的地位，在哥本哈根、纽约、伦敦、巴塞罗那、洛杉矶、奥斯陆、苏黎世、上海和不丹运营九个国际工作室。事务所目前由创始合伙人兼创意总监比亚克·英格斯与首席执行官希拉·迈尼·索加德共同领导，拥有超过500名建筑师、设计师、城市规划师、景观建筑师、室内和产品设计师、研究人员和发明家。 在比亚克·英格斯的创意指导下，事务所追求将看似矛盾的功能需求调和为统一建筑解决方案的整体设计方法论。每个项目都转化为复杂的创新系统，不同层面形成包容性动态，体现了事务所对可持续发展和社会影响的承诺。 事务所的设计哲学围绕"务实乌托邦主义"的理念展开，这一原则体现在以工程创新、环境可持续性和跨学科协作为特征的项目中。BIG的作品集展现了在创造平衡功能性能与形式创新和谐环境方面的持续卓越，确立了事务所作为全球当代建筑话语重要贡献者的地位。 该实践将建筑理解为扩展学科，通过BIG工程、BIG景观、BIG产品和BIG理念等专业化内部部门整合工程创新与环境可持续性。著名完成作品包括哥本哈根的CopenHill垃圾发电厂（带有可滑雪屋顶）、加州的谷歌Bay View园区（采用地热系统和光伏天篷，获LEED铂金认证）、纽约的The Spiral高层建筑（具有连续梯田绿色空间）以及挪威的The Twist可居住桥梁博物馆混合体。BIG的跨学科实践超越传统建筑，涵盖为Fritz Hansen和Artemide等制造商设计的家具、如拟建的Oceanix漂浮城市等城市基础设施，以及包括Virgin Hyperloop舱体在内的交通概念。罗伯特·戴科学中心作为BIG在洛杉矶的首个建成项目和罗伯茨校区总体规划的开篇之作，展现了事务所应对多样化教育需求和环境责任的能力，为克莱蒙特·麦肯纳学院建立了新的东部门户。 设计团队 旅游探访 12500 m² 克莱蒙特，美国 2025 前一项 后一项

< 返回 Rarin婚礼场地 ASWA建筑事务所 项目名称： Rarin婚礼场地 地点：曼谷，泰国 设计团队：ASWA建筑事务所 建筑面积：2000 m² 完成时间：2025 摄影：SkyGround architectural film & photography 设计特色： 项目 - 总部位于曼谷的建筑工作室ASWA完成了一座引人注目的滨河婚礼场地，将象征性的婚戒转化为一种精致的建筑声明。2000平方米的Rarin婚礼场地坐落于湄南河（昭披耶河）畔，通过其独特的圆形设计为婚礼空间提供了当代诠释。 "圆形设计不仅仅是美学考量——它代表着婚姻的永恒纽带，"设计团队解释道，"我们希望创造一个空间，让这种象征主义在客人穿行于交织的庭院时得到实体体验。" 建筑流畅连续的曲线创造了两个相互连接的圆形庭院，它们服务于不同功能，同时保持视觉上的统一。抵达时，访客会遇到一个被自然光充满的封闭椭圆形庭院，光线从戏剧性的通顶中庭倾泻而下——这一空间揭示的瞬间奠定了场地的氛围特质。 一座雕塑般的螺旋楼梯成为这个入口庭院的焦点，引领至二楼的订婚空间和一个可重新配置用于活动的80座餐厅。这一上层空间拥有令人印象深刻的湄南河180度全景视野，将私密的室内体验与曼谷标志性的水道相连接。 一层环形的流线设计通过微妙照明的路径引导客人走向主庆典大厅，平衡了宽敞与亲密的氛围。在后方，一个宽敞的户外庭院配以柔和的景观设计，为在开阔天空下举行的典礼或招待会提供多功能性。 该场地于2025年完工，今年晚些时候将增设屋顶酒吧，完善ASWA对全方位庆典空间的愿景，让客人从婚礼仪式到派对庆祝，全程体验统一的建筑概念，通过精心安排的空间序列和象征性设计提升婚礼体验。 团队 - ASWA（Architectural Studio of Work - Aholic）由Phuttipan Aswakool和Chotiros Techamongklapiwat于2013年创立，总部位于曼谷，已迅速确立自己作为概念最严谨的设计事务所之一的地位。该工作室采用现象学方法，优先考虑材料性、形式与自然光线的相互作用，以创造对环境语境敏感回应的空间动态环境。 在Phuttipan Aswakool（1982年生于曼谷，2005年毕业于朱拉隆功大学，2008年毕业于纽约哥伦比亚大学）和Chotiros Techamongklapiwat（1986年生于曼谷，2009年毕业于朱拉隆功大学）的领导下，ASWA开发了一种独特的设计方法论，始于详尽的场地分析。这一语境基础塑造了他们的建筑词汇，形成了以构造清晰性和功能创新为特征的项目。 该事务所的方法以其在材料、建筑形式和内部空间特性方面的实验精神而独树一帜，这些特性与自然光的使用保持平衡。对于ASWA来说，设计源于对每个项目周围环境的深入分析，然后转化为其建筑语言。 工作室继续突破传统类型学边界，通过其以研究为导向的设计过程和材料实验，确立了自身作为泰国当代建筑话语的重要贡献者地位。 Project Name: Rarin Wedding Venue Location: Bangkok, Thailand Design Team: ASWA Total Floor Area: 2000 m² Completion: 2025 Photography: SkyGround architectural film & photography Feature: Project - The riverside wedding venue, The Rarin, designed by ASWA, features a distinctive round architectural design that beautifully symbolizes the unity and harmony of a wedding ring. The exterior showcases smooth, flowing curves, creating a striking visual impact while evoking a sense of continuity. These curves seamlessly connect two intricately entwined courtyards, serving as picturesque frames for the venue. Upon arrival, guests enter through the grand main entrance and are greeted by the warm embrace of an elegant, enclosed oval courtyard. This inviting sanctuary is bathed in natural sunlight, streaming through the expansive void that stretches from the ground to the sky, creating an uplifting and serene atmosphere. The brilliant illumination enhances the venue's beauty and invites guests to pause and appreciate their surroundings. Centrally located within the courtyard, a magnificent spiral staircase gracefully ascends to the second floor. This courtyard is a captivating focal point with its intricate design and as a practical passageway, effortlessly guiding visitors to the upper levels for additional festivities or quiet moments in the engagement space. Adjacent to the engagement room is an 80-seat restaurant, which can be converted into additional event space, offering a stunning 180-degree panoramic view of the Chao Phraya River. On the ground level, guests navigate through the ring-shaped entrance, guided by a pattern of ceiling lighting that subtly illuminates the path toward the main hall. The hall's design is spacious and enchanting, providing ample room for dining and dancing while maintaining an intimate atmosphere that makes each celebration feel unique and special. At the venue's rear lies a generously proportioned outdoor courtyard, a stunning setting that can host beautiful ceremonies or elegant receptions under the open sky. This space, enhanced by soft lawn landscaping and thoughtfully placed seating, complements the interior's charm, seamlessly transitioning from indoor elegance to outdoor allure. Meanwhile, the rooftop plans to complete the after-party rooftop bar, which is expected to be completed at the end of 2025. The shape and space of this wedding venue have been meticulously crafted with love and intention, ensuring that each couple's experience is as comfortable and memorable as possible. From its symbolic architectural form, the wedding ring, to its spacious space, this venue serves as a sanctuary for celebrating love, where every corner invites joy and connection among family and friends. Design Team - ASWA (Architectural Studio of Work - Aholic) was established in 2013 by Phuttipan Aswakool and Chotiros Techamongklapiwat, and has rapidly established itself as one of Bangkok's most conceptually rigorous design practices. The studio's phenomenological approach prioritizes the interplay between materiality, form, and natural illumination to create spatially dynamic environments that respond sensitively to their contexts. Under the leadership of Phuttipan Aswakool (born in Bangkok in 1982, graduated from Chulalongkorn University in 2005, and Columbia University, NY, USA in 2008) and Chotiros Techamongklapiwat (born in Bangkok in 1986, graduated from Chulalongkorn University in 2009), ASWA has developed a distinctive design methodology that begins with exhaustive site analysis. This contextual foundation informs their architectural vocabulary, resulting in projects characterized by tectonic clarity and programmatic innovation. The practice's approach is distinguished by its experimentation with materials, architectural forms, and characteristics of interior spaces that correspond in equilibrium with the use of natural light. For ASWA, a design is conceived from a thorough analysis of each project's surrounding context before being translated into its architectural language. Operating from their office at 31/1 Phaholyothin Soi 2, Samsennai Phayathai, Bangkok, the studio continues to push beyond conventional typological boundaries, establishing themselves as significant contributors to Thailand's contemporary architectural discourse through their research-driven design process and material experimentation. 设计团队 旅游探访 2000 m² 曼谷，泰国 2025 前一项 后一项

青木真研究室（Shin Aoki & Partners）成立于2021年，是一家位于东京的新锐建筑事务所，致力于空间创新与以人为本的设计交汇。主持建筑师青木真在隈研吾建筑都市设计事务所（2019-2024）的工作经历为其带来了宝贵的经验，使事务所迅速在日本当代建筑领域确立了其独特的思考声音。 Founded in 2021, Shin Aoki & Partners (SAAP) is an emerging Tokyo-based architectural practice that sits at the intersection of spatial innovation and human-centric design. Led by Principal Architect Shin Aoki, who brings valuable experience from his tenure at Kengo Kuma & Associates (2019-2024), the studio has rapidly established itself as a thoughtful voice in Japan's contemporary architectural scene. < Back Shin Aoki & Partners 日本（JAPAN） 青木真研究室（Shin Aoki & Partners）成立于2021年，是一家位于东京的新锐建筑事务所，致力于空间创新与以人为本的设计交汇。主持建筑师青木真在隈研吾建筑都市设计事务所（2019-2024）的工作经历为其带来了宝贵的经验，使事务所迅速在日本当代建筑领域确立了其独特的思考声音。 事务所的设计方法论深深植根于建筑现象学方法，在应对当代社会和环境挑战的同时，强调空间的体验品质。在东京大学接受教育并在国际知名事务所实习后，青木真发展出了一套独特的设计理念，将日本空间传统与当代功能需求融为一体。 跨学科团队包括平面设计师饭塚大和和木工匠人西村俊贵，通过严谨的研究和原型设计来处理每个项目。他们的作品特点是对材料的细致考量、创新的空间序列设计，以及对环境性能的敏锐关注。其作品集展现了他们致力于创造超越纯功能需求的建筑的承诺，通过对触觉品质、自然光线和空间流动的细致关注，专注于打造提升用户体验的空间。 Founded in 2021, Shin Aoki & Partners (SAAP) is an emerging Tokyo-based architectural practice that sits at the intersection of spatial innovation and human-centric design. Led by Principal Architect Shin Aoki, who brings valuable experience from his tenure at Kengo Kuma & Associates (2019-2024), the studio has rapidly established itself as a thoughtful voice in Japan's contemporary architectural scene. The practice's methodology is deeply rooted in phenomenological approaches to architecture, emphasizing the experiential quality of spaces while addressing contemporary social and environmental challenges. Following his education at The University of Tokyo and international experience at firms including Vo Trong Nghia Architects and Moreau Kusunoki Architects, Aoki has developed a distinctive design philosophy that merges Japanese spatial traditions with contemporary programmatic needs. The interdisciplinary team, including graphic designer Yamato Iizuka and master carpenter Toshiki Nishimura, approaches each project through rigorous research and prototyping. Their work is characterized by a careful consideration of materiality, innovative spatial sequences, and an acute awareness of environmental performance. SAAP's portfolio demonstrates their commitment to creating architecture that transcends mere functional requirements, instead focusing on crafting spaces that enhance user experience through careful attention to tactile qualities, natural light, and spatial flow. WEBSITE PROJECT

< 返回 石之花园住宅 EASTERN Design Office 设计特色： 项目 – EASTERN Design Office在日本创造了一处非凡的住宅庇护所，将建筑塑造为纪念碑式的原始形态。石园住宅是一件雕塑般的混凝土杰作，其特色是两面长达47米的延伸长墙，其中开窗。这种大胆减少装饰的做法，让几何分明的长方体量自成宏论。通过剔除多余细节，建筑师塑造了一种深具力量与简单本质的作品，宛若远古遗址般于自然环境中耸立。建筑外形坚硬朴素之际，偶尔点缀些许优雅抒情 - 曲线长墙流动如行星軌迹，地坪高低起伏营造起伏地形。庭园中巨石的陈设进一步强化这原始野性，凭借沉稳威严的气质与大地色彩，石园住宅让人联想到沙漠的博大空旷、海平线的穹壤无垠、天体的孤寂漂泊。这是一个追溯本质的场所，供人于自然永恒循环中静静思索。 团队 – EASTERN Design Office由中村安奈和神野太阳于2003年在日本京都创立，迅速成为日本最具发人深思及哲理探索的先锋建筑设计事务所。其作品演绎了广阔的范畴，囊括住宅、商业建筑、城市规划等。从备受赞誉的"裂缝之家"(2005年)到近期个性十足的"黑忍者酒店"(2019年)，他们的作品淬铸了朴素而富诗意的极简主义风格，将建筑还原为初始雕塑般的本质。该设计工作室在知名设计竞赛中屡获肯定，足见其理念严谨,包括早年就在中国天津的重大项目中获奖。他们的作品亦曾在世界建筑节获取肯定。在Nakamura和Jinno的领导下，设计团队继续推陈出新，让建筑成为形而上探索的载体，每一作品都成为对人类存在本质的空间、光影、材料与造型的有趣剖析与思索。 Feature： Project - EASTERN Design Office has crafted an extraordinary residential sanctuary in Japan that distills architecture down to its most monolithic and primordial forms. The Stone Garden Residence is a tour-de-force of sculpted concrete, characterized by two elongated walls that stretch 47 meters across the site, punctuated only by a solitary towering aperture. This daring exercise in reduction eschews ornament, allowing the robust geometry of the rectilinear volumes to speak for itself. By stripping away extraneous detail, the architects have produced a work of profound simplicity and power that seems to emerge from the landscape itself like a ancient remnant. The austerity of the architectural forms is counterbalanced by moments of elegant lyricism - gently curved walls suggest planetary contours, while subtle changes in paving level imbue the hardscape with a sense of undulating terrain. Massive boulders situated in the garden further reinforce the primeval quality. With its commanding presence and remarkable mineral palette, the Stone Garden Residence conjures the sublime emptiness of the desert, oceanic horizons, and celestial bodies. This is an environment distilled to its essence - a place for contemplation amidst the eternal cycles of nature. Design Team - Founded in 2003 by principals Anna Nakamura and Taiyo Jinno, EASTERN Design Office has emerged as one of Japan's most provocative and philosophical architecture practices. Headquartered in the cultural capital of Kyoto, the firm challenges conventional notions of spatial experience through highly conceptual and formally experimental works. EASTERN's portfolio showcases an impressive range, spanning residences, commercial buildings, urban interventions and speculative proposals. From the celebrated Slit House (2005) to recent works like the cavernous Hotel Ninja Black (2019), their designs manifest a stark yet poetic minimalism that distills architecture to its most primordial and sculptural essence. The studio's intellectual rigor is evidenced by their recognition in prestigious competitions, including prizes for major projects in Tianjin, China early in their tenure. Their output has also garnered acclaim through the World Architecture Festival Awards. Under Nakamura and Jinno's design leadership, EASTERN continues to push boundaries and posit architecture as a vehicle for metaphysical exploration. Each built work becomes a profound meditation on fundamental aspects of human existence through space, light, material and form. 设计团队 旅游探访 235 m² 日本 2023年 前一项 后一项