< 返回 DoubleMint 住宅 large [medium] design office 项目名称：DoubleMint 住宅 设计团队：large [medium] design office 面积：215 m² 地点：加拿大，多伦多 设计特色： 项目 – 在多伦多市中心，一座三层楼的爱德华时期半独立式住宅已被改造成一件尊重历史根源的现代设计杰作。由LARGEmdo设计的DoubleMint 住宅巧妙地将两层后部扩建与现有结构无缝集成，打造出既实用又美观的生活空间。 扩建的焦点是二楼独具匠心的两间几乎一模一样的卧室设计，巧妙地为双胞胎兄弟量身定制。这些房间虽然在比例和窗户布置上相互呼应，但通过独特雕刻的天花板和不同色调的蓝色漆提供了微妙的个性化。这种精心的设计方法延伸到卧室尽头的狭长双层空间，增添了建筑趣味。 其最出人意料的特色是三楼的屋顶露台，弥补了因扩建而失去的地面绿地。这个私密的休憩空间被一个厚实的护栏环绕，既起到安全防护作用，又能保护隐私，已成为房主放松和娱乐的场所。 一楼的扩建与相邻住宅完美对齐，容纳了宽敞的餐厅和起居区。材料的巧妙搭配——包括西侧展示书籍和黑胶唱片的木制家具，以及东侧由白橡木板和氧化钢组成的构造——创造了旧与新之间的无缝过渡。整个空间沐浴在北面落地窗透进的柔和间接光线中，同时也便于自然通风。 DoubleMint 住宅成为了创新空间设计的典范，每一个元素都兼具多重功能。从引导光线的天窗到多功能的厚实护栏，这次改造证明，只要有创意思维，即使是最具挑战性的空间也能变身非凡。 团队 – LARGE [medium] 设计事务所（简称LARGEmdo）成立于2012年，迅速成为加拿大建筑设计行业的先锋，不断推动跨学科实践的边界。这家位于加拿大多伦多的精品事务所在整合建筑、室内设计、景观建筑和城市规划方面取得了重大进展，形成了一套完整的设计理念。 LARGEmdo由两位具有远见卓识的合伙人Nadia Cannataro和Francesco Martire领导，其领导团队拥有涵盖建筑、景观建筑和室内设计的令人印象深刻的资质。这种多元化的专业知识构成了他们整体方法的基石，使他们能够以独特的多焦点视角来处理项目。他们的方法论摒弃了传统的学科壁垒，而是采用流畅、互操作的过程，持续产生前卫的解决方案。 LARGEmdo的作品集是他们创新精神的见证，曾荣获多项荣誉，如2017年零售类别ARIDO优异奖（Mendocino: Yorkdale II项目）。他们的作品曾在《环球邮报》和《Designlines》等著名出版物中亮相，其中包括unCover/reCover House和Black in Back House等项目。 该事务所的理念建立在三个核心原则之上：工艺、创新和基于设计的研究。这三大支柱凸显了他们对定制解决方案的承诺，敏锐地回应场地特性、功能需求和社会经济背景。LARGEmdo的方法不仅满足功能需求，还能以前所未有的可能性激发客户的兴趣，在居住者与空间之间培养深厚的联系。 作为LEED认证的专业人士，并在被动房设计方面拥有专业知识，LARGEmdo处于可持续建筑的前沿。他们的跨学科模式，加上对尖端可持续实践的投入，使他们成为该领域真正的创新者，不断交付既环保又美观的项目。 Project：DoubleMint House Team：large [medium] design office Size：215 m² Location：Toronto, Canada Feature： Project - In the heart of Toronto, a three-story Edwardian semi-detached home has been transformed into a masterpiece of contemporary design while respecting its historical roots. The doubleMint House, a project by [architect's name], seamlessly integrates a two-storey rear addition with the existing structure, creating a living space that is both functional and aesthetically striking. The addition's focal point is the ingenious design of two nearly identical bedrooms on the second floor, cleverly tailored for twin brothers. These rooms, while mirroring each other in proportion and window placement, offer subtle individuality through uniquely sculpted ceilings and varying shades of blue paint. This thoughtful approach extends to a narrow double-height space at the end of the bedrooms, adding an element of architectural intrigue. Perhaps the most unexpected feature is the third-storey walkout roof deck, an urban oasis that compensates for the ground-level green space sacrificed to the extension. This private retreat, enveloped by a thick guard rail that doubles as a privacy screen, has become a cherished spot for the homeowners to unwind and entertain. The ground floor expansion aligns perfectly with the attached dwelling, housing an expansive dining and living area. A clever interplay of materials – including a western millwork piece showcasing books and vinyl, and an eastern composition of white oak panels and blackened steel – creates a seamless transition between old and new. The space is bathed in soft, indirect light from the north-facing window wall, which also facilitates natural ventilation. DoubleMint House stands as a testament to innovative spatial design, where every element serves a dual purpose. From the light-channeling skylight to the multifunctional thick guard rail, this renovation proves that with creative thinking, even the most challenging spaces can be transformed into something extraordinary. Design Team - Founded in 2012, LARGE [medium] design office (LARGEmdo) has rapidly established itself as a vanguard in the architectural design industry, pushing the boundaries of trans-disciplinary practice. Based in Toronto, Canada, this boutique firm has made significant strides in integrating architecture, interior design, landscape architecture, and urbanism into a cohesive design philosophy. Led by two visionary partners, LARGEmdo's leadership boasts an impressive array of credentials spanning architecture, landscape architecture, and interior design. This diverse expertise forms the cornerstone of their holistic approach, allowing them to navigate projects with a unique multi-focal perspective. Their methodology eschews traditional disciplinary silos, instead embracing a fluid, interoperable process that consistently yields avant-garde solutions. LARGEmdo's portfolio is a testament to their innovative spirit, garnering accolades such as the 2017 ARIDO Award of Merit in the Retail Category for the Mendocino: Yorkdale II project. Their work has been featured in prestigious publications, including The Globe and Mail and Designlines, highlighting projects like the unCover/reCover House and the Black in Back House. The firm's ethos is built upon three core principles: craft, innovation, and design-based research. This triad underpins their commitment to bespoke solutions that respond acutely to site specifics, programmatic requirements, and socio-economic contexts. LARGEmdo's approach not only satisfies functional needs but also excites clients with unprecedented possibilities, fostering a deep connection between inhabitant and space. As LEED AP certified professionals with expertise in Passive House design, LARGEmdo is at the forefront of sustainable architecture. Their trans-disciplinary model, coupled with a dedication to cutting-edge sustainable practices, positions them as true innovators in the field, consistently delivering projects that are as environmentally conscious as they are aesthetically striking. 设计团队 旅游探访 215 m² Toronto, Canada 2024 Previous Next

< 返回 Lib Earth House model B ogawaa design studio 项目名称：Lib Earth House模型B 地点：山鹿市，日本 设计团队：Lib Work株式会社 + Arup + ogawaa design studio + Studio QTN 建筑面积：98平方米 竣工时间：2025年 摄影：Akira Ito 设计特色： 由Lib Work株式会社、Arup、ogawaa design studio和Studio QTN联合设计的Lib Earth House模型B展现了如何通过大规模3D打印土墙技术与传统木结构框架的创新融合，将一座位于日本山鹿市的实验性住宅转化为体现环境可持续性与宜居性原则的当代建筑典范。 这座占地约100平方米的单层住宅戏剧性地挑战传统建造模式，呈现为对未来住宅建造方法、本地材料应用和生物可降解建筑系统融合的深刻探索。它通过精心的结构整合和材料优化，创造出一个完全由本地采购天然材料建造、与地球环境和谐共生的居住体验。 项目的绝妙之处在于对新兴建造技术与成熟施工实践的根本性整合与重新构想。面对开发可持续建筑系统同时保持空间品质和建造可行性的复杂挑战，建筑师采用混合结构系统作为住宅的组织策略，使3D打印土墙作为自承重结构独立运作，同时实现抗震安全性和设计灵活性。这种设计策略创造了建筑与环境性能需求的持续对话，实现了结构上的创新效果，使传统建造智慧与当代数字制造技术无缝衔接。 设计团队的建筑语言流利地表达着可持续建筑设计方言，运用战略性的曲线墙体配置和聚落式空间布局来重新定义人与自然关系中的居住体验。建筑以正交和45度轴线为基础的墙体配置，结合曲线段落创造唤起不同空间感知的内部体验。其形态呈现简洁而功能性的建筑表达，土墙与木框架相互独立又协调共生，传达整体的结构理性与环境责任。这种审慎的形式策略不仅确保了与传统木框架的结构兼容性，同时巧妙地适应了当代可持续居住对材料性能与空间舒适度的双重需求。 最引人瞩目的是，建筑师通过土壤、石灰和天然粘合剂的巧妙配比创造分层的墙体系统。每面墙厚约450毫米，由内外层通过填充物连接组成的双层系统构成。土墙在木框架竖立之前打印完成，这要求重新考虑构造细节和公差策略以适应当前3D打印系统较低的精度。墙体延伸至天花板和屋顶空间以吸收尺寸差异，便于保温并实现阁楼通风。这种结构设计被整合为建筑语言的一部分，在优先考虑环境性能的同时创造出建筑与自然材料特性协调对话的视觉效果。 住宅组织为聚落式平面布局。土墙作为连续的室内外隔断，战略性地设置开口和空隙，实现根据居住者需求定制的灵活空间配置。公共空间集中布置，包括起居室和厨房，通过木框架和玻璃围合。外部，户外空间渗透到房间之间，促进与自然紧密相连的生活方式。为缓解干燥收缩产生的开裂，根据土壤行为在经过计算的间隔处设置收缩缝，并持续监测其有效性。不同的空间配置使住宅感觉与自然环境持续对话，最大化自然采光和通风，体现环境友好的居住理念。 材料策略延续了这种建筑与生态责任和谐共生的设计理念。通过使用场地采购的土质涂料、植物染色实木地板和其他低影响建造方法强化与环境可持续性的整合。天然保温材料插入墙体空腔，通过嵌入式传感器持续监测环境性能。木质窗框使用专为该项目开发的定制五金件附着在土墙上，确保与木框架结构独立的同时保持水密性和气密性。项目以环境高效的建造方法展示了新兴技术与传统实践的整合，减少环境影响并强化长期宜居性，展示了设计团队对环境责任和建筑创新的承诺。 设计团队： ogawaa design studio作为当代日本建筑实践的杰出代表，由一级注册建筑师小川大志于2019年在大阪创立，自成立以来已确立其在可持续住宅设计、创新建造技术整合以及环境响应型建筑语言创新领域的先锋地位。这家立足大阪的事务所通过设计与技术协作的深度整合，重新定义当代日本建筑师在国际可持续设计话语中的角色。 主持建筑师小川大志为建筑实践带来了卓越的技术整合视角和对建造系统深刻理解。1971年出生于大阪府，1993年毕业于神户大学建筑学科，1995年完成神户大学硕士学位。在创立独立事务所之前，小川大志于1995年至2019年在NTT设施株式会社工作，积累了24年的综合技术专长和项目管理经验。作为日本建筑学会和日本建筑家协会的注册会员，他在所有项目交付中保持严格的专业标准。 该事务所因其将创新建造方法与环境可持续性和谐整合的承诺而获得认可，创造技术先进且生态负责的空间体验。其作品集涵盖实验性住宅原型、商业项目和机构建筑，展现多元化却连贯统一的设计方法论，每个项目都体现出对材料性能、结构创新和环境响应性的精心关注。 该事务所的设计哲学强调建筑应该超越传统建造限制，不仅仅是为了满足功能需求而设计，更是为了探索如何通过新兴技术推进可持续建筑系统。通过对场地特定条件认知和系统化研究方法的深度关注，开展从住宅到商业及机构项目的多元化作品，相信最好的建筑是通过精准的技术协调和深思熟虑的材料选择产生的环境响应式干预。ogawaa design studio相信建筑应该成为长期环境和谐的载体，通过策略性的跨学科协作和创新建造方法创造独特的建筑体验。 除实践外，通过与国际工程咨询公司和专业设计团队的协作框架、先进建造技术与传统工艺的深思熟虑结合、以及经过验证的可持续设计智慧，ogawaa design studio已确立自己作为当代日本可持续建筑话语重要贡献者的地位，创造出既具技术可行性又保持生态责任的作品。在小川大志的持续领导下，该事务所目前在日本建筑景观中占据独特地位，专注于创造通过材料创新、结构优化和环境性能整合来实现建筑品质的空间体验。 设计团队 旅游探访 98 m² 山鹿市，日本 2025 Previous Next

< 返回 太浩湖小屋 RO | ROCKETT DESIGN 设计特色： 项目 – 沿着内华达州因克莱恩村环境优美的水晶湾湖滨，RO | ROCKETT DESIGN的"太浩湖小屋"犹如明珠三朵，顺势镶嵌于起伏的地形之上，与大自然相互渗透、相浑相融。项目绝妙之处，在于将三座分立的建筑以一座玻璃廊桥串联，曲线流畅、行云流水，却又能"屈身"保留一块史前巨石的原始天成。这般布局，不仅营造出遵循地貌的序曲式观湖渡口，更令建筑群与山水相拥而生，相视相亲。自东面开阔的落地玻璃窗，远眺湖光潋滟，心旷神怡；体现"拥抱自然"的理念。而临崖的小天井则是静谧的避世之所，最低层则蕴藏着温泉以及伸向湖心的码头，将建筑作为通向湖光漪涟和星月交辉的引子。在这栋杰作中，人与自然的合壁共融达到了至高至纯的水准，这份对环境土地的致敬之礼，方显建筑师们的非凡构思。 团队 – 2011年创立的RO | ROCKETT 设计事务所，是一家全方位的建筑设计公司，办公室设立在美国的洛杉矶、旧金山及阿斯彭三地。这家公司追求打造出多重体验的空间、景观和环境，无论实用或带来纯粹欢悦，皆期望创作出让人愿意反复探访的场所。他们的设计理念核心在于，通过空间比例、自然采光的导入和材料质地的营造，动态地调节人们与周遭环境的亲密关系，无论近景还是远景。其设计团队的各办公室虽然地理上分布不同，但在实时工作上却无缝协作，对每一个项目都全力以赴，确保设计理念的贯彻统一。该事务所的两位主理人分别是Jason Ro与Zac Rockett，均为哈佛建筑学硕士，并且曾在伦佐·皮亚诺建筑工作室等知名设计事务所历练。他们集结了一批优秀的建筑师和设计师，竭诚以创造非凡的建筑作品为毕生追求。 Feature： Project - Nestled along the rugged Crystal Bay shoreline, the Lake Tahoe Cabins by RO | ROCKETT DESIGN exemplify an ingenious response to the complex lakefront terrain. The project comprises three discrete structures that traverse the landscape, each strategically positioned to forge distinct connections with the surrounding Tahoe scenery. A standout feature is the glazed bridge that links the cabins, artfully kinked to preserve a mass of prehistoric Sierra granite in its path. This unique arrangement creates recreational alcoves before approaching the waterfront. The structures' form follows function, with expansive east-facing facades that capture stunning lake vistas. On the second level, the great room and kitchen expand seamlessly onto a grand balcony, offering breathtaking panoramic views. An intimate hillside deck provides a cozy retreat from the cabin's spacious entertainment areas. Descending to the lowest level reveals a fire pit and oversized hot tub, leading to a pier that extends into the pristine waters. With its sensitive integration into the landscape and celebration of indoor-outdoor living, the Lake Tahoe Cabins manifest a remarkable synergy between architecture and nature. RO | ROCKETT DESIGN's thoughtful approach has sculpted a one-of-a-kind lakefront haven that pays homage to its awe-inspiring setting. Design Team - Founded in 2011, RO | ROCKETT DESIGN is a full-service architecture and design practice based across Los Angeles, San Francisco, and Aspen. The collaborative strives to create spaces, landscapes, and environments that provide a rich spectrum of experiences, from utility to simple joy. Their design philosophy centers around shaping spaces, light, and materials to dynamically mediate the occupant's relationship with the surrounding site context. With a keen focus on spatial proportions, the choreography of natural light, and the tactile character of materials, the firm aims to craft places that beckon visitors to return time and again. The seamlessly integrated studios operate interactively in real-time, ensuring a cohesive approach across all projects. RO | ROCKETT DESIGN is led by principals Jason Ro and Zac Rockett, both graduates of the Harvard Graduate School of Design. Ro, born in Cleveland and raised in Seoul, brings experience from practices like Weiss/Manfredi and Rogers Marvel Architects. Rockett, hailing from Oklahoma, has worked with Renzo Piano Building Workshop and Aidlin Darling Design. Together, they helm a talented team of architects and designers dedicated to crafting exceptional built environments. 设计团队 旅游探访 510 m² 美国，内华达州因克莱恩村 2023年 Previous Next

< 返回 潜望镜之家 Atelier RZLBD 项目名称： 潜望镜之家（Periscope House） 地点： 多伦多，加拿大 设计团队： Atelier RZLBD 项目面积： 122 m² 竣工时间： 2024年 摄影： Riley Snelling 结构工程： TEG Structures 施工管理： Maxamin Homes 暖通设备： Ramin Riahi 设计特色： 项目 – 加拿大建筑事务所Atelier RZLBD将一座单层平房改造成了一个充满活力的居住空间，其独特的形态源于疫情时期建筑成本带来的意外限制。这个名为"潜望镜之家"的翻新加建项目的特色在于部分建成的二层楼，在阶梯式天花板下创造出一系列引人入胜的挑高空间。 面对飙升的材料成本，建筑师没有在设计上妥协，而是通过创新地移除了原计划二层楼的一半来应对限制。这个策略性的调整造就了一个独特的建筑形态，酷似潜望镜或老式相机，使这座房子从典型的住宅加建项目中脱颖而出。 这座122平方米住宅最引人注目的特征是其对空间和光线的精妙处理。沿着阶梯式天花板间隔排列的三个高窗与前方的凸窗相互呼应，在一天中创造出动态的自然采光效果。这种精心设计的开口组合将室内空间转化为一个随着阳光移动而改变特性的光影变幻空间。 项目的空间布局同样经过精巧设计，公共区域安排在前部，私密空间位于后部。一个线性内置长凳壁龛优雅地解决了现有结构与新增建筑之间的宽度差异，同时将餐厅、客厅和起居室连接成一个流畅的空间。 建筑师展示了如何将建造限制转化为建筑创新，打造出一个挑战传统翻新方法的住宅。通过对预算限制和分区限制的创造性回应，潜望镜之家为可持续和个性化住宅建筑提供了新的视角，为多伦多城市肌理中的翻新加建项目建立了新样本。 团队 – Atelier RZLBD由创始人Reza Aliabadi（RZLBD）在2000年代初从德黑兰迁至多伦多后成立，已发展成为一家以突破性住宅干预和理论探索而闻名的建筑事务所。该工作室在艺术、建筑和城市主义的交汇处运营，在回应场地要求的同时，打造挑战传统类型学的空间。 该事务所的建筑哲学基础源自创始人的成长经历，包括他在德黑兰大学的建筑教育背景以及后来在麦吉尔大学的学术工作。通过一系列变革性的考察之旅——从加拿大北极到全球建筑朝圣之旅——工作室发展出其特有的空间构成方法，强调虚空与实体之间的对话。 在包括James Chungwon Park在内的核心设计团队的共同努力下，Atelier RZLBD凭借其极简主义美学和对城市限制的创新应对而获得国际认可。事务所的作品组合包括住宅、商业和文化项目，每个项目都体现了他们的理念——即建筑要积极贡献并挑战其所处环境。他们的作品已被广泛认可，并获得多项荣誉，使该工作室成为当代加拿大建筑界的重要声音。 Project Name: Periscope House Location: East York, Toronto, Canada Design Team: Atelier RZLBD Design Lead: Reza Aliabadi Design Assistant: James Chungwon Park Project Area: 122 m² Completion: 2024 Photography: Riley Snelling Structural Engineer: TEG Structures Construction Management: Maxamin Homes Mechanical Engineer: Ramin Riahi Feature： Project - Toronto-based Atelier RZLBD has transformed a single-story bungalow into a dynamic residential space that draws its distinctive form from the unexpected constraints of pandemic-era construction costs. Named Periscope House, the renovation-addition project features a partially built second floor that creates a series of compelling double-height spaces beneath a stepped ceiling. Rather than compromising on the design when faced with soaring material costs, the architects turned limitation into innovation by removing half of the planned second floor. This strategic reduction resulted in a unique architectural form resembling a periscope or vintage camera with an accordion bellows, setting the house apart from typical residential additions. The 122-square-metre home's most striking feature is its sophisticated interplay of volumes and light. Three clearstory windows, positioned at intervals along the stepped ceiling, work in concert with a front bay window to create dynamic natural lighting conditions throughout the day. This careful orchestration of openings transforms the interior into a light-modulated space that changes character with the sun's movement. The project's spatial arrangement is equally thoughtful, with public areas organized to the front and private spaces to the rear. A linear built-in bench niche elegantly resolves the width discrepancy between the existing structure and new addition, while simultaneously connecting the dining room, living room, and sitting room into one fluid space. The architects have demonstrated how building constraints can spark architectural innovation, creating a home that challenges conventional renovation approaches. Through its creative response to budget limitations and zoning restrictions, Periscope House offers a fresh perspective on sustainable and affordable residential architecture, establishing a new paradigm for renovation-addition projects in Toronto's urban fabric. Design Team - Atelier RZLBD, established in Toronto following founder Reza Aliabadi's relocation from Tehran in the early 2000s, has evolved into a distinguished architectural practice known for its paradigm-shifting residential interventions and theoretical explorations. The studio, led by Aliabadi (RZLBD), operates at the intersection of art, architecture, and urbanism, crafting spaces that challenge conventional typologies while responding sensitively to contextual demands. The practice's philosophical foundation was shaped by Aliabadi's formative experiences, including his architectural education at the University of Tehran and subsequent scholarly work at McGill University. Through a series of transformative expeditions—from the Canadian Arctic to a global architectural pilgrimage—the studio developed its characteristic approach to spatial composition, emphasizing the dialogue between void and matter. Working with a core team of design professionals, including James Chungwon Park, Atelier RZLBD has garnered international recognition for its minimalist aesthetic and innovative response to urban constraints. The firm's portfolio spans residential, commercial, and cultural projects, each embodying their principle of "positive virus"—architecture that actively contributes to and challenges its context. Their work has been widely published and has received numerous awards, establishing the atelier as a significant voice in contemporary Canadian architecture. 设计团队 旅游探访 122 m² 多伦多，加拿大 2024 Previous Next

< 返回 东急歌舞伎町塔 永山裕子+久米设计 设计特色： 项目 – 东京新落成的东急歌舞伎町塔是一座令人瞩目的综合体项目，颂扬了这个著名娱乐区的蓬勃活力与精神。由永山裕子建筑事务所、久米设计和Tokyu Architects & Engineers合作设计，这座48层高塔的外立面设计别出心裁，向曾经坐落于该址的喷泉致敬。设计团队采用了独一无二的手法，在塔楼上层安装了超过4000块印花玻璃，陶瓷点状图案象征着喷泉的活力水花。下方的玻璃幕墙则精心雕琢了波浪形纹路，令人联想到水流飞溅的动态景象。底层以类似青海波图案的铸铝框架建筑外表皮，融入了传统日式文化元素，其颜色来源于前米兰剧院的红棕色外墙，作为对过往岁月的一种致敬，构筑了半透明的外立面效果。整体设计远离了传统摩天大楼那种睥睨威严的表达，而是努力捕捉歌舞伎町自由奔放的生命活力，塑造了一种若即若离的飘渺之感。正如永山裕子所言:"这种流动的设计已成为当地全新的地标符号"。在室内设计上其延续了波浪的主题，天花板仿佛在起伏流动，部分玻璃幕墙更营造出漫流的水波之感，其他墙壁搭配金属材料如管状铝件组合，塑造出喷泉冰瀑等不同奇妙氛围。整个空间氛围赋予人们沉浸式的体验，如同投身于一处精心构筑的泉水中，让其感到暂时逃离现实的囹圄。 团队 – 永山裕子建筑事务所由日本建筑师永山裕子于2002年在东京创立，近年来迅速成为日本最富创意和雄心勃勃的建筑设计团队之一。该事务所以挑战传统、将传统元素重新诠释为当代建筑语言而著称。在永山裕子的领导下，事务所屡获殊荣，其富有诗意的Teshima Yokoo House于2014年获颁日本建筑师协会青年建筑师奖。著名地标Goddess of the Forest Central Garden更于2017年荣获山梨县建筑文化奖及2018年东京建筑奖卓越奖。最近其Jins Park Maebashi还获得2023年iF设计大奖。其设计团队巧妙融合了建筑、艺术及环境元素，无论是住宅、文化、商业还是公共建筑，均展现出大胆概念化的设计风格，通过赋予空间叙事性，升华使用者的体验。凭借无穷无尽的创意激情与精湛技艺，永山裕子建筑事务所持续开拓超越功能性需求，启发人与自然世界更深层连结的建筑创作之路。 Feature： Project - The newly completed Tokyu Kabukicho Tower in Tokyo is a striking mixed-use development that celebrates the iconic energy and spirit of the city's famous Kabukicho entertainment district. Designed by a team including Yuko Nagayama & Associates, KUME SEKKEI Co., and Tokyu Architects & Engineers, the 48-story tower features a distinct facade that pays homage to the fountain that once graced the site's public plaza. In a unique design move, over 4,000 printed glass panels adorn the tower's upper levels, their ceramic dot patterns representing the dynamic spray of the former fountain. Below, intricate wave patterns across the glazing and gradient window arches further evoke the sense of flowing water. The lower portion features a lace-like cast aluminum exterior incorporating traditional Japanese waveform motifs in a translucent veil. The design rejects the typical authoritarian expression of skyscrapers, instead aiming to capture the free-spirited vitality of Kabukicho through an ephemeral, almost phantom-like form. As Yuko Nagayama & Associates explains, "This wavering design has become a new symbol of the district." Inside, the wave-like motif continues in ceilings that appear to undulate and water-inspired features like chain-link glazing meant to mimic liquid flow. The immersive environment extends the fountain concept to provide an imaginative escape. Design Team - Founded in 2002 by principal architect Yuko Nagayama, YUKO NAGAYAMA & ASSOCIATES has rapidly emerged as one of Japan's most creative and ambitious architectural practices. Headquartered in Tokyo, the firm is renowned for its explorative designs that challenge conventions and reinterpret traditional elements into contemporary architectural language. Under Nagayama's visionary direction, the studio has garnered numerous accolades, including the prestigious 2014 JIA Young Architect Award for their poetic Teshima Yokoo House. Their landmark Goddess of the Forest Central Garden captured the 2017 Yamanashi Cultural Prize of Architecture and 2018 Tokyo Architecture Award for Excellence. Most recently, their JINS PARK Maebashi project received a 2023 iF Design Award. The firm's multidisciplinary team, including design principals Tomosuke Hanatsumi and Misaki Ide, seamlessly integrates architecture, art, and environment. Their diverse portfolio spans residential, cultural, commercial, and public projects unified by a bold, conceptual approach that elevates user experiences through evocative spatial narratives. With restless creativity and technical mastery, YUKO NAGAYAMA & ASSOCIATES continues pioneering architecture that transcends mere functional needs to inspire deeper connections between the built and natural worlds. 设计团队 旅游探访 87400 m² 日本，东京 2023年 Previous Next

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< 返回 克拉克住宅 Austin Maynard Architects 项目名称：克拉克住宅 地点：墨尔本，澳大利亚 设计团队：Austin Maynard Architects 建筑面积：206 m² 竣工时间：2025年 摄影：Derek Swalwell 设计特色： 项目 - 澳大利亚建筑事务所Austin Maynard Architects将墨尔本诺斯科特(Northcote)区一座狭小的木板平房改造成一个经过精心分区的家庭住宅，在这里，室内外的传统界限逐渐消融。这个项目于2025年初完工，充分体现了该工作室将日常必需品转化为设计资产的理念。 Clarke House的改造始于一个看似简单的设计要求：创造允许家庭成员"独处而共存"的空间。建筑师没有采用典型的盒状扩建方式，而是设计了一个阶梯式、相互交叠的形态，由木质格栅屏幕统一起来，这一设计服务于多种功能——提供遮阳、确保隐私，并创造了将整体构成联系在一起的视觉语言。 "问题即机遇"是该工作室的信条，这一点在设计如何将自行车存放、垃圾桶和机械设备等平凡必需品直接融入建筑结构中得到了体现。沿着东侧边界，各种设备被隐藏在滑动屏风后面，而之前未充分利用的侧边小巷现在成为了自行车和垃圾桶的存放处。 室内布局引入了一系列口袋花园和采光井，战略性地布置以便为整个房子带来自然光线和通风，最大限度地减少对机械冷却的依赖，并创造了与绿色空间意想不到的视觉连接。最引人注目的是，传统上用于外部的木板外墙延续到了室内，模糊了新旧、内外之间的界限。 为了家中的青少年，建筑师在上层创造了一个半自主的"公寓"，配有通过隐藏门进入的秘密手工艺室——这一俏皮的设计满足了个人需求，同时保持了家庭的凝聚力。休息区如亭子般伸向花园，带有可完全收回的角落窗户，消除了生活空间与景观之间的界限。 这些设计干预以对可持续性的承诺为基础——该住宅采用100%电力运行，配备太阳能电池板、水暖供暖、高性能玻璃窗和全面隔热，体现了该工作室负责任设计的理念，既不牺牲创造力，也不影响宜居性。 团队 - Austin Maynard Architects成立于2002年，当时Andrew Maynard荣获亚太设计大奖的最高奖项。如今，该事务所已发展成为澳大利亚最具创新力的建筑实践之一。作为被Dezeen评为"年度建筑工作室"和被Archello评为"年度小型事务所"的设计团队，他们创造的建筑既具有概念上的雄心，又能对环境做出响应。 在联合总监Mark Austin（澳大利亚皇家建筑师学会会士FRAIA）和Andrew Maynard（FRAIA），以及执行总监Sophie Whittakers的领导下，这家总部位于墨尔本和霍巴特的工作室将每个项目视为独特的空间挑战，而非局限于类型学约束。他们的作品组合涵盖住宅、商业和概念性作品，特点是形式实验和材料创新。 该事务所采用理性的设计方法论，通过与客户的协作参与，解决宜居性、社区连接和可持续发展等问题。这种方法为他们赢得了享有盛誉的堪培拉奖章，使他们跻身于澳大利亚国家美术馆和国会大厦等杰出获奖者之列。 Austin Maynard Architects对环境责任的承诺体现在高性能建筑外壳、被动式设计策略和创新材料应用中。他们的作品证明，建筑的趣味性可以与技术精确性共存，创造出既实用、可持续又概念丰富的空间——这是建筑能力应对当代环境和社会挑战的见证。 Project Name: Clarke House Location: Northcote, Melbourne, Australia Design Team: Austin Maynard Architects Total Floor Area: 206 m² Completion: 2025 Photography: Derek Swalwell Feature: Project - Clarke House is the renovation and extension of a single-storey weatherboard cottage in Melbourne's Northcote district, once void of light, definition, separation, and all hope of personal space. Inspired by their year living in Japan, the owners (work-from-home professionals and their two teenage daughters) asked for more considered and purposeful space. "Something different" guided the design—modern but not stark or boxy, bright and open but also cosy and comfortable, areas to come together and entertain, and private spaces suited to each individual. In realising all aspects of the brief and embedding the solutions into the language of the building, the extension became an unusual stepping and overlapping shape. To unify, a batten screen is set over, providing shade and privacy (to both the owners and their neighbours) and bringing together new and old in a simple meeting of forms. The structural design is ingeniously configured with a new side entry, to bypass private space and reorient access into the centre of the house. The gate opens into the first of three pocket garden/light wells, inviting air flow and views of greenery, penetrating through to the laundry and the home office on each side. Off the entry, a perforated steel staircase leads directly up to the 'apartment', comprising two bedrooms, a central bathroom 'box', a secret pink craft room, and a study/TV/retreat, with a generous hammock utilising the high ceiling. To define the original part of the house with respect to the addition, the external materiality of painted weatherboards is continued internally. Not typically used as an interior wall finish, its application draws the exterior inside, creating visual and spatial separation between the old and newly built, and confusing the perception of inside and out. Bluestone paving is used as internal flooring inside the entry to further reinforce the intent. In strategically avoiding the expansive open-plan living from feeling as the owners feared, "too cavernous" the lounge room extends off the main entertaining zone. Providing just the right amount of space, the form sits slightly raised and protrudes, like a pavilion, sitting within the garden. Design Team - Austin Maynard Architects was established in 2002 when Andrew Maynard won the Asia Pacific Design Award's grand prize. The practice is led by Co-Directors Mark Austin and Andrew Maynard, both Fellows of the Royal Australian Institute of Architects (FRAIA), with Managing Director Sophie Whittakers overseeing daily operations. This Melbourne and Hobart-based studio employs a deliberative design methodology, addressing issues of liveability, community connection, and sustainable development through collaborative client engagement. Their work has been recognized as Architecture Studio of the Year by Dezeen and Small Firm of The Year by Archello, and they are recipients of the prestigious Canberra Medallion, placing them alongside notable buildings like the National Gallery of Australia, The Australian High Court, and Parliament House. The firm is characterized by regarding problems as opportunities, forging creative solutions to turn everyday necessities into design assets. For the Clarke House project, Kathryne Houchin worked alongside Andrew Maynard and Mark Austin as part of the project team, demonstrating their commitment to sustainable architecture—the project is fossil fuel free, 100% electric, with a 6.6KW solar system, electric heat pump hot water system and electric heat pump hydronic heating system, and comprehensive insulation throughout. Austin Maynard Architects' work demonstrates that architectural playfulness can coexist with technical precision, creating spaces that are simultaneously functional, sustainable, and conceptually rich—a testament to architecture's capacity to address contemporary environmental and social challenges. 设计团队 旅游探访 206 m² 墨尔本，澳大利亚 2025 Previous Next

< 返回 Hakuhodo Kettle办公室 OpenA 项目名称：Hakuhodo Kettle办公室 地点：东京，日本 设计团队：OpenA 建筑面积：512.45㎡（改修部分），2850.39㎡（整体） 竣工时间：2023年8月 摄影：楠瀬友将 设计特色： 项目 - 在对工作空间设计的大胆重构中，建筑事务所 OpenA 将东京赤坂地区的一家前传统日式料亭改造为广告公司 Hakuhodo Kettle 的革命性办公空间，不仅对传统的公司等级制度提出了有力的挑战，也回应了后疫情时代工作文化的演变。 这座两层建筑位于赤坂繁华街道之外的一条静谧小巷中，改造刻意颠覆了料亭原本封闭、私密的特性——料亭传统上是进行私下商务洽谈的场所。建筑师巧妙地在建筑封闭的结构中“打孔”，打造出开放流动的空间，以建筑幽默的方式象征性地解构旧有权力结构。 项目的核心是一张醒目的圆形桌，位于穿过传统暖帘（noren）后一个圆形、解构式的入口空间内。圆形这一形态天然排斥等级制度，并自公司创立以来便成为其理念基石。这一设计不仅是公司扁平化组织结构和自由创意交流承诺的具象体现，更赋予了办公空间新的象征意义。 该项目的独特之处在于它彻底颠覆了传统玻璃与钢筋的办公高楼模式。相较于向天空发展，这一办公空间刻意与街道层面产生互动，鼓励自发的交流，并挑战公共与私人空间的界限。改造既保留了建筑的历史元素，又融入了现代设计手法，在传统与创新之间营造出张力与平衡。 这座改造项目代表了后疫情时代办公空间设计的新范式——一个以人与人之间的联系和创意协作优先于传统公司规制的工作场所。通过这一富有深意的改造，OpenA 不仅打造了一间办公室，更塑造了一份关于未来工作的空间宣言。 团队 – Open A有限公司由建筑师馬場正尊（Masataka Baba）于2003年创立，已发展成为一家突破传统建筑实践界限的领先建筑设计事务所。总部位于东京日本桥历史区，并在大阪和墨田设有分支机构，该公司已发展成为一个将建筑卓越性与社会创新相结合的多领域专业团队。 在馬場正尊、创意总监大橋一隆（Kazutaka Ohashi）和董事橋本誠二（Seiji Hashimoto）的领导下，Open A培育了独特的建筑设计方法，强调建筑改造再利用、城市更新和文化场所营造。公司的项目组合涵盖从城市规模开发到创新临时建筑等多样化项目，近期代表作品包括"Slit Park YURAKUCHO"（2022年）和"iti SETOUCHI"（2022年）。 该事务所的专业领域包括建筑设计与监理、室内建筑设计、城市规划和房地产开发，特别注重创造对社会需求具有响应性的环境。他们的开创性项目包括"东京R不动产"和"INN THE PARK"，展现了他们对重新构想公共空间和城市功能的承诺。 作为一家注册一级建筑师事务所（东京都知事登录第53091号），Open A汇集了超过30位专业人才，包括建筑师、城市规划师和创意专家，他们都致力于在应对当代社会挑战的同时，推动建筑可能性的边界。 Project Name: Hakuhodo Kettle Office Location:Tokyo, Japan Design Team: OpenA Construction: Design Art Center Total Floor Area: 512.45㎡ (renovated area), 2,850.39㎡ (entire building) Design Period: October 2022 – March 2023 Construction Period: April 2023 – August 2023 Completion: August 2023 Photography: Tomomasa Kusunose Feature： Project - In a bold reimagining of workspace design, architecture firm OpenA has transformed a former traditional Japanese restaurant (ryotei) in Tokyo's Akasaka district into a revolutionary office space for advertising agency Hakuhodo Kettle. The project, led by Masanori Baba and Kazutaka Ohashi, stands as a powerful statement against conventional corporate hierarchies while addressing the evolving nature of post-pandemic work culture. Nestled in a quiet alley away from Akasaka's bustling streets, the two-story renovation deliberately subverts the secretive nature of its former life as a ryotei – traditionally a space for private business dealings behind closed doors. The architects have ingeniously "punctured" the building's enclosed structure, creating an open, flowing environment that symbolically dismantles old power structures through architectural humor. The project's centerpiece is a striking circular table positioned in a round, deconstructed entrance space beyond the traditional noren curtains. This circular motif, a shape that inherently rejects hierarchy, has been a cornerstone of the company's philosophy since its inception. The design serves as a physical manifestation of their commitment to flat organizational structure and free-flowing creative exchange. What sets this project apart is its radical departure from the typical glass-and-steel office tower. Instead of retreating into the sky, the workspace deliberately engages with street level, inviting spontaneous interactions and challenging the boundary between public and private space. The renovation maintains the building's historical elements while introducing contemporary interventions, creating a dynamic tension between preservation and innovation. The 512.45-square-meter renovation, completed in August 2023, represents a new paradigm for post-pandemic workplace design – one that prioritizes human connection and creative collaboration over traditional corporate formality. Through this thoughtful transformation, OpenA has created more than just an office; they've designed a spatial manifesto for the future of work. Design Team - Founded in 2003 by visionary architect Masataka Baba, Open A Ltd. has established itself as a leading architectural design firm that transcends traditional boundaries of architectural practice. Based in Tokyo's historic Nihonbashi district, with additional offices in Osaka and Sumida, the firm has evolved into a multidisciplinary powerhouse that combines architectural excellence with social innovation. Under the leadership of President Masataka Baba, Creative Director Kazutaka Ohashi, and Director Seiji Hashimoto, Open A has cultivated a distinctive approach to architectural design that emphasizes adaptive reuse, urban regeneration, and cultural placemaking. The firm's portfolio encompasses a diverse range of projects, from urban-scale developments to innovative temporary structures, exemplified in recent notable works such as "Slit Park YURAKUCHO" (2022) and "iti SETOUCHI" (2022). The practice's expertise spans architectural design and supervision, interior architecture, urban planning, and real estate development, with a particular focus on creating socially responsive environments. Their pioneering projects include "Tokyo R Real Estate" and "INN THE PARK," demonstrating their commitment to reimagining public spaces and urban functionality. Operating as a registered first-class architectural firm (Tokyo Governor Registration No. 53091), Open A has assembled a talented team of over 30 professionals, including architects, urban planners, and creative specialists, all dedicated to pushing the boundaries of architectural possibility while addressing contemporary social challenges. 设计团队 旅游探访 512.45 m² 东京，日本 2023 Previous Next

< 返回 南昌保利大剧院 PES-Architects 项目名称： 南昌保利大剧院 地点： 南昌，中国 设计团队： PES-Architects 建筑面积： 45000 m² 完工时间： 2024年 摄影师： Yuhao Ding，Virgile Bertrand 设计特色： 项目 - 由芬兰PES建筑事务所设计的南昌保利大剧院正式落成，这座位于江西省省会的标志性文化建筑以其独特的透光陶瓷表皮惊艳亮相。这座总建筑面积达45000平方米的文化综合体坐落于风景优美的九龙湖畔，作为南昌市南部新城快速发展区域的文化地标，展现出令人瞩目的建筑魅力。 建筑最显著的特色在于其创新性的立面系统——以中国白瓷为灵感的陶瓷遮阳百叶帘立面。这种经过先进结构模拟设计、由钢索支撑的精密外表皮系统，巧妙地诠释了当地著名的透光米瓷工艺传统。该设计不仅在空间的内外渗透中营造出动态的视觉效果，同时也具备实用的遮阳功能。 项目由1600座的歌剧厅、450座的多功能厅以及文化中心三大功能板块构成，通过一条贯穿建筑的中央公共通廊有机串联。这条具有传统中国街巷特质的公共空间不仅强化了建筑与周边环境的联系，更通过咖啡厅、展览和各类文化活动为建筑注入持续的活力。 室内设计彰显出传统与创新的完美融合。演艺空间采用防火处理的染色竹材包覆，其中主歌剧厅的有机曲面设计不仅确保了最佳声学效果，其灵感源自九龙湖的涟漪，与竹材和陶土色调的内饰相得益彰，营造出温润质感的空间氛围。 可持续性贯穿整个设计过程，从陶瓷立面的被动式降温功能，到屋顶太阳能收集系统与雨水回收利用装置，无不体现出对环境的深度考量。作为2024年竣工的重点文化项目，南昌保利大剧院成功实现了文化象征、环境意识与建筑创新的完美统一，为中国当代表演艺术场馆树立了新的范式。 团队 - 成立于1968年的PES建筑事务所由Pekka Salminen教授在赫尔辛基创立，现已发展成为芬兰最具国际影响力的建筑设计机构之一。在萨米宁教授的远见卓识引领下，事务所凭借其在复杂建筑挑战方面的创新方法获得了全球认可，特别是在表演场馆和文化设施领域的卓越成就。 事务所的项目组合展现了跨类型的非凡创造力，从荣获中国土木工程詹天佑奖的福州海峡文化艺术中心，到技术先进的赫尔辛基机场航站楼扩建工程。他们的作品以精湛的材料应用著称，这一点在其开创性的陶瓷系统运用和可持续设计解决方案中得到充分体现。 总部位于赫尔辛基的PES建筑事务所拥有超过100名来自不同国际背景的专业人士，并于2011年在上海成立了子公司，成功架起了欧亚建筑传统的桥梁。事务所采用综合设计方法，涵盖建筑设计、室内设计、城市规划、结构工程和项目管理，特别注重建筑信息模型（BIM）和可持续技术的应用。 近期代表作包括南昌保利大剧院（2024年）和无锡大剧院，这些项目都充分展现了事务所在文化建筑领域的专长，成功实现了场地语境敏感性与技术创新的和谐统一。他们的项目始终展现出对表演空间声学、可持续建筑系统和创新材料应用的深刻理解。 Project Name: Nanchang Grand Theatre Location: Nanchang, Jiangxi Province, China Design Team: PES-Architects Building Area: 45,000 m² Completion Date: 2024 Photographers: Yuhao Ding, Virgile Bertrand Feature： Project - Finnish architecture firm PES-Architects has unveiled the Nanchang Grand Theatre, a striking cultural complex in China's Jiangxi Province that masterfully blends traditional materials with contemporary design. The 45,000-square-metre structure stands as a translucent ceramic-clad cube beside the scenic Jiulong Lake, serving as the cultural heart of Nanchang's rapidly developing South New City district. The building's most distinctive feature is its innovative facade system - a delicate "veil" of China White ceramic louvers that draws inspiration from the region's celebrated rice porcelain tradition. This sophisticated exterior envelope, engineered through advanced structural modeling and supported by steel cables, creates a dynamic interplay between interior and exterior spaces while providing practical solar shading. Housing a 1,600-seat opera hall, a 450-seat multipurpose venue, and a cultural centre, the complex is organized around a central public passage that functions like a traditional Chinese street. This thoroughfare not only connects the building to its surroundings but also animates the space with cafes, exhibitions, and events throughout the day. The interior spaces showcase a thoughtful material palette that combines tradition with innovation. The performance venues are clad in fireproof stained bamboo, with the main opera hall featuring organically shaped, acoustically optimized surfaces inspired by Jiulong Lake's rippling waters. This careful attention to materiality extends throughout the project, where bamboo and terracotta finishes create warm, tactile environments. Sustainability is integrated into every aspect of the design, from the ceramic facade's passive cooling properties to rooftop solar collectors and rainwater harvesting systems. Completed in 2024, the Nanchang Grand Theatre represents a sophisticated fusion of cultural symbolism, environmental consciousness, and architectural innovation, establishing itself as a new paradigm for contemporary performing arts venues in China. Design Team - Founded in 1968 by Professor Pekka Salminen in Helsinki, PES-Architects has established itself as one of Finland's most internationally acclaimed architectural practices. Under Salminen's visionary leadership, the firm has garnered worldwide recognition for its innovative approach to complex architectural challenges, particularly in performance venues and cultural facilities. The practice's portfolio demonstrates exceptional versatility across typologies, from the award-winning Fuzhou Strait Culture and Arts Center - recipient of the prestigious China Civil Engineering Zhan Tianyou Award - to the technologically advanced Helsinki Airport Terminal expansions. Their work is characterized by sophisticated material applications, as evidenced in their pioneering use of ceramic systems and sustainable design solutions. With headquarters in Helsinki employing over 100 professionals from diverse international backgrounds, and a wholly-owned subsidiary established in Shanghai in 2011, PES-Architects has successfully bridged European and Asian architectural traditions. The firm's integrated design approach encompasses architecture, interior design, urban planning, structural engineering, and project management, with a particular emphasis on Building Information Modeling (BIM) and sustainable technologies. Notable recent works include the Nanchang Grand Theatre (2024) and Wuxi Grand Theater, both exemplifying the firm's commitment to cultural architecture that harmoniously blends contextual sensitivity with technical innovation. Their projects consistently demonstrate a sophisticated understanding of performance space acoustics, sustainable building systems, and innovative material applications. 设计团队 旅游探访 45000 m² 南昌，中国 2024 Previous Next

< 返回 Rockbound 住宅 Omar Gandhi Architects 项目名称：Rockbound 住宅 设计团队：Omar Gandhi Architects 面积：380 m² 地点：加拿大，新斯科舍省哈伯兹 设计特色： 项目 – 坐落于新斯科舍省崎岖海岸线上的"岩石之屋"(Rockbound House)，是加拿大Omar Gandhi建筑事务所的又一力作。这座位于马斯科多博伊特港(Musquodoboit Harbour)的380平方米海滨别墅，完美诠释了该事务所在粗犷环境中打造和谐建筑的卓越才能。 "岩石之屋"外墙采用雪松木板铺就，随着岁月流逝将呈现出与周围景观浑然一体的沧桑之美。两个相互交错的建筑体量巧妙布局，将大西洋壮丽海景尽收眼底。落地窗将室内外空间完美融合，让人仿佛置身于海天一色之中。 然而，"岩石之屋"的真正创新之处并非仅在其优雅外表。建筑师们在施工过程中意外发现了岩层中的沉积缝隙，随即设计了独特的微型桩基系统，确保了建筑在恶劣海岸环境中的稳固性。这一工程壮举，加上能够抵御飓风的钢木结构框架，充分体现了项目对耐久性和适应性的追求。 其室内设计同样令人惊叹。温暖的瓷砖和白橡木营造出宜人氛围，与周围海景的冷灰蓝色调形成绝妙对比。室内外空间的无缝衔接，包括半遮盖的大露台和悬挑空中的楼上阳台，进一步彰显了这座住宅与其狂野、多风环境的亲密联系。 "岩石之屋"不仅是一座建筑，更是人类与自然和谐共生的生动写照，在这片蛮荒之地谱写着建筑与环境的动人乐章。 团队 – Omar Gandhi Architects （OGA），成立于2010年加拿大，短短十余年间已跻身全球建筑设计的翘楚行列。该事务所的作品横跨创新住宅、城市更新到大型公共工程等多个领域，始终站在加拿大当代建筑设计的最前沿，荣获众多国际殊荣，彰显其卓越实力。 事务所的设计理念深植于对场域特性的深刻理解和建筑类型的创新演绎，塑造了一系列享誉全球的标志性建筑。OGA的建筑哲学超越了单纯的形式追求，致力于创造与环境共鸣、挑战使用者空间体验的建筑作品。这一理念体现在他们对地形、材料和细节的精心考量中。 OGA在多伦多和哈利法克斯设有设计工作室，通过协作性和研究导向的方法开展项目。事务所在构造表现力、材料创新和环境分析方面的专长，使其能够创造出前沿的、性能导向的建筑作品。 在首席建筑师Omar Gandhi的带领下，OGA的作品完美融合了加拿大传统建造方法与现代设计语言，不仅视觉冲击力强，还兼具高度功能性和环境适应性。从不列颠哥伦比亚省的施洛特费尔特住宅到新斯科舍省的峡谷小屋，OGA展现了将现代建筑与自然地貌和谐共生的卓越才能。 OGA曾获加拿大艺术委员会专业罗马奖和加拿大总督建筑奖章等重要奖项，进一步巩固了其在当代建筑实践中的领先地位。这种独特的艺术视野与技术实力的结合，使OGA持续引领北美建筑设计的创新潮流。 Project：Rockbound House Team：Omar Gandhi Architects Size：380 m² Location：Hubbards, Canada Feature： Project - Perched on the rugged coastline of Nova Scotia, Rockbound House by Omar Gandhi Architects stands as a testament to resilient design and harmonious integration with nature. This 380-square-meter coastal retreat in Musquodoboit Harbour showcases the firm's mastery in crafting architecture that not only withstands but embraces its challenging environment. The house's striking cedar cladding, designed to age gracefully, mirrors the surrounding landscape's weathered beauty. Two interlocking volumes, strategically positioned to maximize breathtaking views of the Atlantic Ocean, form the core of this sophisticated dwelling. Floor-to-ceiling windows frame the coastal panorama, blurring the boundaries between interior and exterior spaces. Rockbound House's true innovation lies beneath its elegant exterior. An ingenious system of micropiles, necessitated by an unexpected sedimentary seam discovered during construction, ensures the structure's stability against the harsh coastal elements. This engineering feat, coupled with a steel and timber frame designed to withstand hurricane-force winds, exemplifies the project's commitment to durability and adaptability. Inside, a warm palette of tiles and white oak creates a welcoming atmosphere, contrasting beautifully with the cool greys and blues of the surrounding seascape. The seamless flow between indoor and outdoor spaces, including a semi-covered terrace and floating upper-floor balcony, further emphasizes the home's intimate connection with its wild, windswept setting. Design Team - Founded in 2010, Omar Gandhi Architects (OGA) has rapidly established itself as a vanguard in contemporary Canadian architecture. With design studios in Toronto and Halifax, the firm has cultivated a portfolio that spans from innovative residential projects to large-scale public works, each embodying a unique dialogue between site-specificity and architectural ingenuity. OGA's design philosophy is rooted in a deep engagement with context, where each project becomes an evolution or abstraction of familiar architectural typologies. The firm's approach involves a meticulous unraveling of client briefs, coupled with an astute analysis of site conditions, resulting in boldly reimagined forms that challenge conventional spatial experiences. Under the leadership of Principal Omar Gandhi, alongside Associates Jeff Shaw, Stephanie Hosein, and Jordan Rice, the practice has garnered international acclaim. Notable projects like the Schlotfeldt Residence in British Columbia and the Rabbit Snare Gorge cabin in Nova Scotia exemplify OGA's mastery in harmonizing modern interventions with rugged landscapes. The firm's work is characterized by its tectonic expressiveness, materiality, and attention to detail. OGA's designs often feature a juxtaposition of robust forms with delicate architectural refinements, creating spaces that are at once striking and intimately connected to their environment. Recognized with prestigious accolades including the Canada Council for the Arts Professional Prix de Rome and the Canadian Governor General's Medal in Architecture, OGA continues to push the boundaries of architectural discourse, cementing its position as a formidable force in contemporary design. Design architect: :Omar Gandhi Architects Architect of record: :Omar Gandhi Architects Landscape design: Omar Gandhi Architects Builders: MRB Contracting Structural engineering: Blackwell Structural Engineers Civil engineering: Stantec & Harbourside Geotechnical Consultants Photography: Ema Peter Photography 设计团队 旅游探访 380 m² Hubbards, Canada 2024 Previous Next

< 返回 One River North 住宅 MAD建筑事务所 项目名称：One River North 住宅 地点：美国，科罗拉多州，丹佛市河北艺术区（RiNo） 设计团队：MAD建筑事务所 面积：342,674平方英尺 / 16层，187个租赁单元 完成时间：2024年 摄影师：Iwan Baan, Parrish Ruiz de Velasco 设计特色： 项目 – One River North是MAD建筑事务所在丹佛河北艺术区(RiNo)打造的开创性住宅项目，巧妙地将自然景观与城市建筑融为一体。这座十六层玻璃塔楼最显著的特征是其戏剧性的"峡谷裂缝"立面，创造出一个贯穿建筑外部的四层垂直景观。这一创新设计方法通过在雕塑般的空隙中整合13,000平方英尺的景观露台、水景和空中花园，重新定义了传统的高层居住方式。 项目于2024年竣工，总建筑面积342,674平方英尺，包含187个租赁单元和9,000平方英尺的街层零售空间。建筑设计直接汲取科罗拉多州崎岖山地和壮观峡谷的灵感，在自然环境与建成环境之间创造出前所未有的对话。设计最具创新性的方面在于重新诠释了垂直发展中的公共空间，其中雕刻般的峡谷既是视觉奇观，也是促进社区互动和健康的功能性便利空间。 该项目体现了MAD建筑事务所致力于创造超越纯功能性的情感共鸣建筑的承诺。通过对材料、空间流动和环境整合的精心考虑，One River North在高密度城市住宅与生物亲和设计原则之间取得了显著的平衡。 团队 – MAD建筑事务所由马岩松于2004年创立，已发展成为一家以创新性地将有机形态与当代城市语境融合而闻名的全球建筑实践机构。在马岩松、党群和早野洋介的领导下，事务所不断突破建筑表达的边界，同时保持着与东方哲学和自然元素的深刻联系。 事务所的作品组合涵盖从文化机构到住宅开发等多样化类型，在北京、洛杉矶、罗马和嘉兴设有办公室。他们的开创性工作首次通过密西沙加“梦露大厦”项目（2006年）获得国际认可，成为首个设计海外地标建筑的中国建筑事务所。随后的重要文化项目包括洛杉矶卢卡斯叙事艺术博物馆和哈尔滨大剧院，每个项目都展现了MAD创造能够回应场地语境和文化叙事的建筑的能力。 MAD的设计理念以"山水城市"概念为核心，将建筑视为在城市环境中连接人与自然的媒介。这种方法为他们赢得了众多重要委托项目和荣誉，其作品被蓬皮杜艺术中心和M+博物馆等机构收藏，巩固了他们作为当代建筑话语先锋的地位。 Project Name: One River North Location: River North Art District (RiNo), Denver, Colorado, USA Architecture: MAD Architects Area: 342,674 square feet / 16 floors, 187 rental units Retail Space: 9,000 square feet Completion: 2024 Photographers: Iwan Baan, Parrish Ruiz de Velasco Feature： Project - One River North stands as a groundbreaking residential development in Denver's River North Art District (RiNo), where MAD Architects has masterfully merged natural landscapes with urban architecture. The sixteen-story glass tower's most distinctive feature is its dramatic "canyon-crack" façade, which creates a four-story vertical landscape that winds through the building's exterior. This innovative design approach transforms traditional high-rise living by integrating 13,000 square feet of landscaped terraces, water features, and aerial gardens within its sculptural void. Completed in 2024, the 342,674-square-foot development houses 187 rental units and 9,000 square feet of street-level retail space. The project's architectural expression draws direct inspiration from Colorado's rugged mountain terrain and dramatic canyons, creating an unprecedented dialogue between natural and built environments. The design's most innovative aspect lies in its reinterpretation of public space in vertical development, where the carved canyon serves as both a visual spectacle and a functional amenity space that promotes community interaction and wellness. The project exemplifies MAD Architects' commitment to creating emotionally resonant architecture that transcends mere functionality. Through careful consideration of materials, spatial flow, and environmental integration, One River North achieves a remarkable balance between high-density urban housing and biophilic design principles. Design Team - MAD Architects, founded in 2004 by Ma Yansong, has established itself as a global architectural practice known for its innovative fusion of organic forms with contemporary urban contexts. Under the leadership of Ma Yansong, Dang Qun, and Yosuke Hayano, the firm has consistently pushed the boundaries of architectural expression while maintaining a profound connection to eastern philosophy and natural elements. The practice's portfolio spans diverse typologies, from cultural institutions to residential developments, with offices in Beijing, Los Angeles, Rome, and Jiaxing. Their groundbreaking work first gained international recognition with the Absolute Towers in Mississauga (2006), marking them as the first Chinese architecture firm to design an overseas landmark building. This was followed by significant cultural projects including the Lucas Museum of Narrative Art in Los Angeles and the Harbin Opera House, each demonstrating MAD's ability to create architecture that responds to both site context and cultural narrative. MAD's design philosophy centers on the concept of "Shanshui City," which envisions architecture as a medium for connecting people with nature in urban environments. This approach has garnered numerous prestigious commissions and accolades, with their work being collected by institutions such as Centre Pompidou and M+ Museum, solidifying their position as pioneers in contemporary architectural discourse. 设计团队 旅游探访 342674 ft² 美国，丹佛市 2024 Previous Next

< 返回 哈德逊L住宅 Steven Holl建筑事务所 项目名称：Hudson L-House 地点：哈德逊，纽约州，美国 设计团队：Steven Holl建筑事务所 建筑面积：165平方米 竣工时间：2024年 摄影：Steven Holl建筑事务所 设计特色： Steven Holl建筑事务所设计的Hudson L-House展现了如何通过创新的L形构型策略和巧妙的城市肌理响应设计哲学融合技术，将一座位于空置地块上的住宅转化为充满光影互动和空间层次性的当代居住之家。 这座165平方米的住宅戏剧性地完善了哈德逊市的城市织理，呈现为对当代美式住宅生活方式、收藏展示功能和建筑可持续性融合的深刻思考。它通过精心的空间组织和材料选择，创造出一个将居住功能与工作画廊功能无缝交织的居住体验。 项目的绝妙之处在于对场地挑战的根本性回应与重新构想。面对空置城市地块的填充挑战，建筑师采用L形平面构型创造朝南绿色庭院作为住宅的组织核心，同时框定周围历史建筑的视野。这种设计策略创造了建筑与城市环境的持续对话，实现了空间上的连续效果，使建筑完美融入哈德逊市的精致城市肌理。 Steven Holl建筑事务所的设计语言流利地表达着当代可持续建筑方言，运用战略性的材料选择和结构轻盈化来重新定义城市居住体验。建筑表皮采用定制波纹铝板，这种"指宽"波纹铝材经粉末涂层处理，既经济实用又免维护，与阳光动态互动，创造不断变化的光影效果。L形内侧表面呈柔和天蓝绿色，外立面为白色，悬挑雨棚底部涂以柔和蓝色，向南方"幽灵蓝"传统致敬，据信可以驱除邪灵。 最引人瞩目的是，建筑师通过巧妙的几何操控创造富有玩味的空间体验。卫生间位于L形内角处，旋转45度，作为住宅公共区域与私密区域之间的几何铰链。门的直角布置和转角环绕窗强化了几何主题，而从天花板悬挂的磨砂玻璃板将此空间与外部窗户连接，增强开放性和光线层次。这种结构设计被整合为建筑语言的一部分，创造出空间戏剧性和功能灵活性的完美平衡。 住宅组织为清晰的功能分区。L形创造了朝西花园，在两端整合居住和工作空间。悬空走道通向弹出式天窗，引入额外光线，同时提供通往平屋顶的通道，可欣赏卡茨基尔山脉景观，向哈德逊河画派的光亮主义画家致敬。全木质内部接收来自各个方向的自然光，精心框定的视野包括朝南的睡眠区，通过拼接式画框窗俯瞰历史悠久的特里·吉列特豪宅。桦木胶合板铺陈开放式内部，作为业主马克·麦克唐纳和德韦恩·雷斯尼克精心策展的家具收藏的中性背景。 材料策略延续了这种建筑与历史和谐共生的设计理念。通过使用定制黄铜装置强化与建筑形态的整合，包括折叠体"Hudson L"灯具配备扩散LED照明，反映住宅的建筑形态。雕塑喷泉由两个折叠黄铜L形组成，在庭院池塘中循环雨水，强化自然元素的存在。项目配备最先进的地热供暖和制冷系统，通过500英尺深的地热井大幅减少能源消耗，超出能源规范要求13.7%。收集雨水的池塘进一步强化与自然水循环的连接，展示了Steven Holl建筑事务所对环境责任和建筑创新的承诺。 设计团队 ：Steven Holl建筑事务所作为国际公认的创新建筑与城市设计实践机构，由Steven Holl于1977年在纽约创立，自成立以来已确立其在当代文化建筑、教育设施和住宅设计以及概念驱动型建筑语言创新领域的先锋地位。这家在纽约市、哈德逊河谷和北京设有办公室的事务所通过设计与光线和空间的协调整合，重新定义当代建筑师在国际设计话语中的角色。 Steven Holl建筑事务所为建筑实践带来了卓越的场地敏感性设计视角和对概念驱动方法的深刻理解。该事务所因其将项目和谐融入周边语境的承诺而获得认可，创造满足精神需求和视觉需求的空间体验。其创新贡献获得了诸多重要奖项，包括建筑日光奖(2016年)、日本高松宫殿下纪念世界文化奖建筑奖(2014年)、美国建筑师协会金奖(2012年)、RIBA詹克斯奖(2010年)、BBVA基金会知识前沿奖(2009年)、法国建筑学院大金奖(2001年)以及阿尔瓦·阿尔托奖(1998年)。 该事务所的设计哲学强调建筑应该超越功能限制，不仅仅是为了满足实用需求而设计，更是为了与场地特质和文化语境有机融合。通过对概念驱动认知和空间连续性的深度关注，开展从极简住宅到混合城市模式的多元化作品，相信最好的建筑是通过精准和深思熟虑的过程产生的语境响应式干预。Steven Holl建筑事务所相信建筑应该成为人类共同性的深刻表达，通过策略性的光线操控和创新结构选择创造独特的建筑体验。 除实践外，该事务所通过对可持续性与场地敏感性的深思熟虑结合、光线条件和空间创新的运用、以及经过验证的概念驱动设计智慧，Steven Holl建筑事务所已确立自己作为当代国际建筑话语重要贡献者的地位，创造出既具环境回应性又保持建筑卓越性的作品。在Steven Holl、主持建筑师Dimitra Tsachrelia以及合伙人Noah Yaffe、Roberto Bannura和Olaf Schmidt的持续领导下，该事务所目前在国际充满活力的建筑景观中占据独特地位，由25名才华横溢的设计师组成的团队专注于创造通过光线塑造、结构创新和语境敏感性来实现建筑品质的空间体验。 设计团队 旅游探访 165 m² 哈德逊，美国 2024 Previous Next

< 返回 肖峰美术馆 标准营造 项目名称：肖峰美术馆 地点：浙江省杭州市，中国 设计团队：标准营造 建筑面积：1298平方米 竣工时间：2025年 摄影：Sumin, DONG Image, Sheng Yang, Qingshan Wu, Arch Nago 设计特色： 标准营造在杭州西湖南侧大慈山脚下完成了这座献给画家夫妇的美术馆,通过蜿蜒的蛇形建筑结构和墨色混凝土外壳,重新诠释了中国传统文人园林的内省精神。"肖峰美术馆"解决了在历史文化景观中创造当代艺术空间的挑战,该场地毗邻著名的西湖风景区,要求建筑既根植于传统又面向未来。 从中国传统内向型文人园林中汲取灵感,建筑师将这座1298平方米的美术馆构思为有机环绕静思庭院的线性结构。建筑形态如蛇般盘绕,创造出一种呼吸般的韵律感。访客通过建筑桥梁下方进入位于内部庭院的入口,这一独特的抵达方式立即确立了美术馆的内省特质。 美术馆独特的展览动线遵循建筑的环形路径,空间在某些节点收缩变窄,在其他位置扩展为更大的体量,从而向外部空间开放。这种空间的戏剧性扩张与收缩创造了与艺术作品的多样化相遇,画廊时而收窄以营造亲密的观赏时刻,时而开敞成为宽阔的体量,框取外部景致。坡道连接不同标高的楼层,在建筑各种高度的部分中促成多面向的空间体验。 朝向内部庭院,多边形形态被突出的盒体打破,这些盒体通过全景窗向庭院开放,甚至允许从内部庭院透过建筑看到美术馆外的丘陵景观。这些建筑穿孔创造了视觉走廊,连接内部圣域与周围山丘,消解了室内沉思与外部景观之间的界限。 材料创新提升了这一建筑表达的力度。整个建筑外壳采用掺入黑色墨汁的混凝土并在现场加工完成。这种深色表面以微妙的复杂性吸收和反射光线,其材料的均质性与周围自然环境的有机肌理形成鲜明对比。自然光照条件和人工照明使材料的统一性与多边形的蛇形形态在与周围自然环境的对比中呈现出生动的活力。 可持续性与文化敏感性指导了关键设计决策,从建筑与场地地形的有机整合到对传统空间序列的当代重新诠释,展示了文化记忆与建筑创新如何共存。建筑通过坡道系统巧妙地适应了场地的自然坡度,在不同标高创造出层次丰富的空间体验,同时最小化对原有地形的干预。 设计团队 标准营造由张轲于2001年创立,已成为中国最受好评和最具创新性的设计实践之一。这家总部位于北京的事务所超越传统专业界限,以同等的专业水准从事城市规划、建筑设计、景观设计、室内设计和产品开发。 在张轲的领导下,工作室通过在历史和文化重要语境中进行理性严谨的介入而脱颖而出。标准营造并不追求轰动性的形式表达,而是保持克制专注,致力于实现植根于深刻语境理解的城市愿景。其作品涵盖北京历史核心区的胡同更新项目、西藏壮阔景观中的敏感介入,以及包括上海诺华园区办公楼和杭州肖峰美术馆在内的机构委托项目。 事务所的批判性方法获得国际认可,包括2017年阿尔瓦阿尔托奖、2016年阿卡汗建筑奖和2011年国际石造建筑奖等重要荣誉。张轲自2016年起担任哈佛大学设计研究生院客座教授,进一步强化了工作室对推进建筑学术讨论的承诺。 该事务所的设计哲学强调建筑应该超越表面形式,捕捉空间的文化深度和场所精神。通过对体量、光线、材料性和空间序列的精心协调,标准营造相信最好的建筑是通过严格的概念意图、对历史文化语境的深刻理解以及对细节的关注产生的综合策略。标准营造相信建筑应该将文化记忆转化为当代空间体验,通过战略性的空间组织和材料选择创造独特的场所响应式建筑作品。 除实践外,通过对传统空间智慧与现代建造方法的深思熟虑结合、当前可持续性策略的运用、以及经过时间验证的建筑原则,标准营造已确立自己作为当代中国建筑话语重要贡献者的地位,创造出既具功能性又拥抱空间诗意与文化深度的建筑作品。该事务所目前由张轲与方书君、Brad Hooks及国际团队共同领导,在中国当代建筑实践中占据独特地位,专注于创造根植于文化语境、优雅且富有创新性的空间体验。 设计团队 旅游探访 1298 m² 浙江省杭州市，中国 2025 Previous Next

< 返回 相机之屋 Leckie Studio Architecture + Design 项目名称:相机之屋 地点:彭伯顿谷地，加拿大 设计团队: Leckie Studio Architecture + Design 建筑面积:2650平方英尺 竣工时间:2022年 摄影:Ema Peter 设计特色: Leckie Studio建筑与设计事务所设计的"相机之屋"展现了如何通过精准的光学式空间策略和策展性视觉编排,将一座双卧室住宅转化为能够捕捉和引导自然光与景观体验的建筑装置。 这座2650平方英尺的住宅坐落于彭伯顿谷地一片倾斜的五英亩场地上,位于利卢埃特山脉山麓并被加里波第山脉环抱。住宅围绕泳池、户外用餐区和独立工作坊展开,将焦点引向太平洋西北地区丰富的自然环境。建筑不是通过传统的全景玻璃盒子来展现景观,而是通过光学式的空间框架,以相机般的精确度选择性地捕捉和呈现周围的荒野之美。 项目最引人注目的设计特色在于其受相机机械原理启发的概念性手法。建筑作为一种空间装置运作,捕捉并引导光线投向精心选择的表面。这种设计提供了对景观的策展性体验,既包括其戏剧性的尺度,也包括亲密的细节,让场地能够"透过镜头"被感知。这种刻意的选择性创造出比传统玻璃幕墙建筑更为深刻和沉思的景观关系。 Leckie Studio的设计语言流利地表达着空间分层的三焦距策略:前景、中景和背景。在南侧远处,加里波第山脉的峰峦,包括茨齐尔峰(2591米)、火盆峰(2603米)和格拉维尔峰(2802米),构成背景。猫头鹰岭(利尔瓦特,2073米)在东北方向升起,作为界定性的中景特征。前景则由成熟树木和苔藓覆盖的巨石标记,其中一些巨石已在场地上静置数千年。 最引人注目的是,建筑师通过四个相互咬合的体量在功能性和情感性上锚定了整个设计。每个体量均覆以坡屋顶,并配有朝向北侧和东侧的高侧窗。这些开口在特定与抽象的视觉走廊之间交替变换,有的框取猫头鹰岭,有的提供天空与树梢的片段景象。在室内,天花板经过雕琢,引导光线和视线穿越空间,创造出随日光和天气变化而氛围转变的室内环境。 空间组织策略贯穿整个设计过程。相机之屋将建筑转化为感知的工具,同时提供庇护和揭示,将注意力引向光线与景观的短暂特质。最终呈现的是一座深度契合其场地的住宅,体验在此时刻接时刻地被塑造,如同一幅逐渐聚焦的图像。每一个决策都旨在唤起对环境短暂性和戏剧性的敏锐意识。结果是一个紧凑的荒野静修所,将简单的居住功能转化为持续的观察行为,不是关于占据景观,而是关于通过建筑框架以新的方式感知景观。 设计团队 : Leckie Studio建筑与设计事务所成立于2015年,作为一个平台致力于创造独特、发人深省且富有想象力的建筑作品。工作室被构想为创意思辨的载体,结合建筑与创意创业精神,通过研究、客户委托和自主发起项目拓展传统建筑实践的边界。事务所从事跨越多种尺度和媒介的设计实践,包括建筑、室内、装置和产品设计。这是一个年轻而雄心勃勃的实践机构,致力于通过设计发起文化变革,挑战假设并寻求意想不到的成果。 事务所总部位于温哥华,在托菲诺设有现场工作室,体现出鲜明的太平洋西北地区,也即卡斯卡迪亚地区的特质。实践根植于这一区域,在边缘地带运作,其视角将工作定位于区域而非国家语境。在太平洋西北地区生活和实践始终让团队感到自己是在边缘实践,无论是字面意义还是比喻意义。从实践角度来看,事务所有意寻求非常规机会,有时通过实验性或自主发起的工作创造这些机会。非常规机会也往往隐藏在显而易见之处,即参与更广泛的建筑专业常常忽视的建成环境,例如多代同堂住宅、经济适用房、建筑适应性和自建施工。 Leckie Studio的方法论以过程驱动、亲身实践和高度协作为特征。团队严格探索理念,重视实验,并养成测试至失败的习惯。事务所自行完成所有数字可视化,建造实体模型,并制作等比例实物模型。工作室将建筑理解为一个框架,用以将人们更紧密地连接到环境体验和更广泛的社区意识。团队致力于创造能够激发宇宙奇迹感并启发场所感的建筑。事务所关注项目的物质性,尽可能从本地采购材料。从某种意义上说,工作室的早期作品可以被视为其朋友和合作者网络的体现,即那些在作品制作中贡献才华的人们。 工作室的项目组合在类型和尺度上都经过有意的多样化。创意过程的方法基于创造性问题解决和设计思维,理解清晰阐述设计问题是发展设计解决方案过程中的第一步。这种边缘定位被证明具有战略性成效,赢得重要认可,包括2025年世界建筑节已建成建筑类别住宅与别墅(城市/郊区)奖,2025年不列颠哥伦比亚建筑基金会(AFBC)Monos Vancouver项目设计卓越奖,2024年加拿大建筑师托菲诺渔码头优异奖,2023年加拿大建筑师Addapt项目优异奖,2023年不列颠哥伦比亚建筑基金会(AFBC)UBC艺术学生中心和相机之屋设计卓越奖,2022年建筑实录设计先锋奖,2021年不列颠哥伦比亚建筑基金会Full House项目不列颠哥伦比亚省副省长建筑奖,以及2021年加拿大皇家建筑师协会新兴建筑实践奖。 工作室的作品已在众多出版物中亮相,包括《FRAME》、《Arcade》、《Wallpaper》、《Azure》和《加拿大建筑师》等。Leckie Studio建筑与设计事务所的作品证明,当代建筑卓越不仅源自大都市中心,也来自深刻契合区域景观、物质性和以社区为中心的设计思维的实践。其作品集始终追求激发惊奇感的建筑,同时保持对工艺、环境和环境责任的严格关注。 设计团队 旅游探访 2650 ft² 彭伯顿谷地，加拿大 2022 Previous Next

< 返回 北京大学附属中学海口学校 Crossboundaries 设计特色： 在海南岛的心脏地带，一座开创性的教育设施正在重新定义现代学习环境的概念。由Crossboundaries设计的北京大学附属中学海口学校，是建筑创新与教育理念完美结合的典范。这座庞大校园可容纳3600名学生，巧妙地将前沿设计与海南岛郁郁葱葱的热带景观融为一体。 这座前卫复合体的核心是一个有机的、悬浮的"云"状学习中心，它锚定了一个蜿蜒的S形结构，巧妙地应对了场地复杂的地形挑战。这一大胆的建筑手法不仅考虑了风向模式和日照方向等实际问题，还在整个校园中营造出动态流动的氛围，促进了互联互通和社交互动。 设计团队的设计理念超越了单纯的美学追求，它拥抱了AI时代教育的精神内核。学校的布局摒弃了传统教室的等级体系，取而代之的是提供了一幅多样化学习环境的织锦。从创客空间和艺术中心到体育设施和宿舍综合体，每个区域都精心打造，旨在培养创造力、解决问题的能力和协作精神——这些都是我们在快速发展的数字化时代中至关重要的技能。 校园中心的"云"状建筑仿佛漂浮在图书馆和公共空间之上，成为师生互动的枢纽。这个中心节点与沿地形层叠而下的一系列"微环境"相得益彰，为学生提供了丰富多样的空间，供他们探索、学习和成长。 可持续性理念被巧妙地融入设计之中，融合了热带建筑概念和绿色科技。太阳能板和水循环系统减少了能源消耗，而对遮阳、空气循环和自然光照的精心考虑，则营造出舒适、环保的学习氛围。 这一富有远见的项目不仅为教育建筑设立了新标准，还与海南打造教育创新枢纽的雄心相契合。当我们进一步迈入AI时代，北京大学附属中学海口学校如同一座进步教育的灯塔，为学生们迎接未来世界的挑战和机遇做好准备。 In the heart of Haikou, China, a groundbreaking educational facility is redefining the concept of modern learning environments. The Peking University Affiliated High School Haikou, designed by Crossboundaries, is a testament to innovation in both architecture and pedagogy. This expansive 138,095 square meter campus, set to accommodate 3,600 students, seamlessly blends cutting-edge design with the lush tropical landscape of Hainan Island. The centerpiece of this avant-garde complex is an organic, elevated "cloud" learning center, anchoring a sinuous S-shaped structure that gracefully navigates the site's challenging topography. This bold architectural gesture not only responds to practical concerns such as wind patterns and solar orientation but also creates a dynamic flow throughout the campus, fostering interconnectivity and social engagement. Crossboundaries' design philosophy extends beyond mere aesthetics, embracing the ethos of education in the AI era. The school's layout eschews traditional classroom hierarchies, instead offering a tapestry of diverse learning environments. From maker spaces and art centers to sports facilities and dormitory complexes, each area is crafted to nurture creativity, problem-solving, and collaboration—skills paramount in our rapidly evolving digital landscape. The "cloud" at the heart of the campus appears to float above the library and public spaces, serving as a hub for student-teacher interactions. This central node is complemented by a series of "micro-environments" that cascade along the terrain, providing students with a rich variety of spaces to explore, learn, and grow. Sustainability is woven into the fabric of the design, with the incorporation of tropical building concepts and green technologies. Solar panels and water recycling systems reduce energy consumption, while careful consideration of shading, air circulation, and natural lighting creates a comfortable, eco-conscious learning atmosphere. This visionary project not only sets a new standard for educational architecture but also aligns with Hainan's ambition to become an educational innovation hub. As we step further into the AI age, the Peking University Affiliated High School Haikou stands as a beacon of progressive education, preparing students for the challenges and opportunities of tomorrow's world. 设计团队： Crossboundaries成立于2005年，是一家以设计为核心的多学科工作室，在建筑设计领域独树一帜。由董灏和蓝冰可（Binke Lenhardt）共同创立，该事务所如今已发展成为一支国际化团队，在北京和法兰克福设有办公室。 Crossboundaries的设计哲学体现在其名称中：跨越界限，促进不同领域间的对话。他们的项目范畴广泛，涵盖城市规划、建筑设计、室内设计，甚至延伸至平面设计、编程和教育活动策划。这种多元化的方法使得Crossboundaries能够不断创新，为当代社会的复杂需求提供全面的解决方案。 在教育建筑领域，Crossboundaries展现出独特的洞察力。他们的设计不仅考虑空间的功能性，还注重培养创造力、问题解决能力和协作精神。这种前瞻性的思维使他们的教育项目屡获殊荣，成为业界典范。 可持续性是Crossboundaries设计过程中的另一个关键考量。他们善于将绿色科技与本地气候特征相结合，创造出既环保又舒适的建筑环境。这种对可持续发展的承诺，使得Crossboundaries的作品在国际舞台上备受关注。 Crossboundaries的创新设计屡次获得国际认可，包括2022年Landezine国际景观奖、Architizer A+奖和设计教育奖等多项殊荣。他们的作品经常出现在知名建筑杂志和线上媒体中，并多次受邀参加威尼斯国际建筑双年展等重要展览。 Crossboundaries, founded in 2005 by Dong Hao and Binke Lenhardt in Beijing, has emerged as a trailblazing interdisciplinary design studio at the forefront of architectural innovation. With an additional office established in Frankfurt am Main, Germany in 2012 by Binke Lenhardt and Antje Voigt, the firm has cultivated a global perspective while maintaining a deep connection to local contexts. The studio's portfolio spans an impressive range of scales and typologies, from urban planning and architecture to interior design and programming. Crossboundaries' ethos is encapsulated in its name, emphasizing a commitment to transcending traditional boundaries between design disciplines. This approach has yielded a body of work that is both visually striking and functionally sophisticated. Under the leadership of partners Dong Hao, Binke Lenhardt, and Antje Voigt, Crossboundaries has garnered international acclaim for its innovative educational projects and community-centric designs. The firm's methodology is grounded in rigorous research and collaborative processes, ensuring that each project is tailored to its unique context and user needs. Crossboundaries' work is characterized by a keen sensitivity to human experience, often surpassing basic programmatic requirements to create spaces that foster interaction, learning, and social engagement. This human-centric approach is evident in their integration of sustainable strategies, from passive design principles to cutting-edge green technologies. The studio's commitment to excellence has been recognized with numerous accolades, including the 2022 Landezine International Landscape Award, multiple Architizer A+ Awards, and consistent features in prestigious architectural publications. 设计团队 旅游探访 138095 m² 中国，海口 2023 Previous Next

< 返回 美的·和祐医院 BAIDI 项目名称： 美的·和祐国际医院 地点： 佛山市顺德区，中国 设计团队： BAIDI 面积： 580000 m² 完工时间： 2024年 摄影师： 直译建筑摄影 设计特色： 项目 - 作为一个突破性的医疗与生物亲和设计的融合典范，位于中国佛山的美的·和祐国际医院，正在重新定义传统医院建筑的概念。这座由BAIDI建筑师事务所于2024年完成的58万平方米综合体，彻底改变了传统医疗机构的面貌，通过"花园医院"的理念，将自然疗愈作为核心设计原则。 项目选址于顺德水网密布的历史人文背景之中，医院最引人注目的特征是其沿南侧水岸蜿蜒展开的立面，仿佛自然生长而出。正如主创建筑师白宇所述，建筑形态直接汲取了岭南水乡纵横交错的河道特色，巧妙地将地域文化特征与现代医疗需求相融合。 建筑创新不仅体现在美学层面，还采用了精密的空间网壳结构系统，既满足功能需求又展现艺术价值。这种高科技手法呈现出通透且富有科技感的外观，既打造出独特的建筑轮廓，又最大化地引入自然光线。通过将参数化设计与节能解决方案相结合，突显了项目对可持续发展的承诺，包括采用低透射率中空玻璃与可调节张拉膜相结合，配合屋顶光感器优化室内舒适度的同时最小化能源消耗。 最具革新性的是，医院在容纳1500张住院床位和日均门诊量6500人次的同时，依然保持着疗愈花园的氛围。设计超越了传统的"以治疗为中心"理念，转向"以健康为中心"的理念，打造出具有治愈功能的空间环境。室内空间展现出精心设计的结构节点，既可作为夜间照明特色，同时屋顶将光伏系统与幕墙一体化设计，完美诠释了科技与自然元素的和谐统一。 这个雄心勃勃的项目为医疗建筑设立了新的标准，展示了医疗设施如何通过自然、建筑与人类福祉的根本联系，成为促进健康的城市绿洲。 团队 - BAI Design International（BAIDI）英国杰典国际建筑设计于2009年在伦敦成立，作为一家具有英国皇家建筑师协会（RIBA）特许资质的建筑事务所，在医疗建筑和可持续城市发展方面享有盛誉。在主创建筑师白宇（英国ARB注册建筑师、RIBA特许会员）的带领下，与Laura Zurbano Amo、Fabio Canni和Massimiliano Della Fognia等国际合伙人组成的团队，凭借其杰出的设计作品获得了众多国际荣誉。 BAIDI的设计理念将文化叙事与技术创新相融合，这一理念在其标志性项目美的·和祐国际医院中得到充分展现，该项目荣获2023年《财富》最佳设计奖等多项国际大奖。事务所专注于轨道交通导向开发（TOD）、医疗建筑、文化设施和大型城市规划领域，代表作品包括三星堆考古遗址博物馆和北京S1号线磁悬浮车站等。 事务所汇集了来自英国、意大利、西班牙和中国的专业人才，整合了多个国家注册建筑师的专业经验。这种多元文化背景体现在他们的建筑实践中，将地域文化特色与当代可持续发展解决方案完美结合。其作品先后获得建筑大师奖（Architecture MasterPrize）、世界建筑节奖（WAF）、世界建筑新闻奖（WAN）和德国ICONIC标志性建筑奖等权威奖项的认可，使BAIDI成为亚太地区当代建筑实践发展的重要推动者。 Project Name: Midea Heyou International Hospital Location: Shunde District, Foshan, China Design Team: BAIDI Area: 580,000 m² Completion Year: 2024 Photographer: Archi-Translator Feature： Project - In a groundbreaking fusion of healthcare and biophilic design, the Midea Heyou International Hospital in Foshan, China, emerges as a paradigm-shifting medical facility that challenges traditional hospital architecture. Completed in 2024 by BAIDI architects, this 580,000-square-meter complex represents a radical departure from conventional medical institutions, embodying a "garden hospital" concept that prioritizes healing through nature. Set against the historical backdrop of Shunde's waterway-rich landscape, the hospital's most striking feature is its sinuous façade that appears to rise organically from the southern waterfront. The building's form, as explained by lead architect Bai Yu, draws direct inspiration from the intricate network of canals that characterize the Lingnan water towns, creating a visual narrative that connects the region's cultural heritage with contemporary healthcare needs. The architectural innovation extends beyond mere aesthetics, employing a sophisticated dia-grid structure shell system that serves both functional and artistic purposes. This high-tech approach manifests in a transparent, technologically advanced exterior that creates a distinctive silhouette while maximizing natural light penetration. The integration of parametric design with energy-efficient solutions showcases the project's commitment to sustainability, featuring low-transmission double-glazing combined with adjustable tensile membranes and rooftop photosensors that optimize interior comfort while minimizing energy consumption. Perhaps most revolutionary is the hospital's capacity - accommodating 1,500 inpatient beds and handling up to 6,500 outpatients daily - while maintaining the ambiance of a healing garden. The design transcends the traditional "treatment-centered" approach to embrace a "health-centered" philosophy, creating spaces that function as therapeutic environments. Interior spaces reveal carefully detailed structural nodes that double as nighttime illumination features, while the roof integrates photovoltaic systems with the curtain wall, exemplifying the harmony between technological advancement and natural elements. This ambitious project sets a new benchmark for healthcare architecture, demonstrating how medical facilities can serve as urban wellness sanctuaries that promote healing through the fundamental connection between nature, architecture, and human well-being. Design Team - BAI Design International (BAIDI), established in 2009 in London as a RIBA Chartered Practice, has emerged as a leading force in contemporary architectural design, particularly recognized for its innovative approach to healthcare architecture and sustainable urban development. Under the leadership of Kevin Yu Bai, ARB registered architect and RIBA chartered member, alongside an international team of partners including Laura Zurbano Amo, Fabio Canni, and Massimiliano Della Fognia, the firm has garnered significant acclaim, evidenced by their impressive portfolio of international awards. BAIDI's design philosophy interweaves cultural narrative with technological innovation, exemplified by their award-winning Midea Heyou International Hospital project, which received the 2023 Fortune Best Designs and multiple international accolades. The practice specializes in Transit Oriented Development (TOD), healthcare architecture, cultural facilities, and large-scale urban planning, with notable projects including the Sanxingdui Archaeological Museum and Beijing S1 Line Maglev Rail Station. The firm's multicultural team combines British, Italian, Spanish, and Chinese expertise, bringing together registered architects from multiple jurisdictions. This diversity is reflected in their integrated approach to architecture, where local cultural contexts meet contemporary sustainable solutions. Their portfolio has been recognized by prestigious institutions, securing awards from the Architecture MasterPrize, WAF, WAN, and ICONIC Awards, positioning BAIDI as a significant contributor to the evolution of contemporary architectural practice, particularly in the Asia-Pacific region. 设计团队 旅游探访 580000 m² 佛山市顺德区，中国 2024 Previous Next

< 返回 正向能源宅 众建筑 设计特色： 众建筑事务所通过一种创新的三层表皮系统，将深圳一栋海滨别墅改造成了正向能源住宅。这个"正向能源宅"项目展示了如何以可持续的方式改造现有建筑，提高能源效率，而无需拆除重建。 改造策略巧妙地在原有结构外部增加了两层外皮。一层隔热气密皮肤提升了建筑的保温性能，而最外层由曲线形太阳能屋顶组成，用于发电。这些层叠的预制桁架结构不仅创造出了统一的建筑形态，还提供了遮阳效果，同时保持了通风和视线的通畅。 项目的一大亮点是在原建筑和新增保温外壳之间创造的中庭空间。这个缓冲区域设有可开启的窗户，有利于自然通风，还包含了一面四层高的攀岩墙，满足了业主对攀岩运动的热爱。 该项目证明了如何将老旧建筑升级改造，使其产生的能源超过消耗。设计师通过结合机械通风等主动技术与堆叠通风、高性能建筑围护结构等被动策略，创造了一个可持续改造的典范。 这种方法不仅降低了建筑对环境的负面影响，还积极促进了环境再生，为住宅建筑的能源正向改造设立了可复制的标准。 People's Architecture Office has transformed a seaside villa in Shenzhen into a net-positive energy home through an innovative three-layer envelope system. The Positive Energy House showcases a sustainable approach to renovating existing buildings for enhanced energy efficiency without resorting to demolition and reconstruction. The renovation strategy involved wrapping the original structure with two additional layers. An insulated, airtight skin improves thermal performance, while an outer layer of curvilinear solar roofs generates electricity. These stacked, prefabricated truss structures create a cohesive architectural form while providing shade and maintaining unobstructed views and airflow. A key feature is the interstitial atrium space created between the original building and the new insulated shell. This buffer zone incorporates operable windows for passive ventilation and a four-story climbing wall, catering to the owner's passion for rock climbing. The project demonstrates how older buildings can be upgraded to produce more energy than they consume. By combining active technologies like mechanical ventilation with passive strategies such as stack ventilation and high-performance building envelopes, the architects have created a model for sustainable renovation. This approach not only reduces the building's environmental impact but actively contributes to regeneration, setting a replicable standard for energy-positive retrofits in residential architecture. 设计团队： 众建筑事务所，这家由何哲、沈海恩和臧峰三位建筑师于2010年共同创立的国际设计机构，如今已在洛杉矶、北京和深圳设有办公室。作为一家跨领域的艺术设计工作室，众建筑以其促进社会互动、融合多元视角的作品而闻名业界。 众建筑的作品范围广泛，从微型介入到大尺度城市设计无所不包。他们的作品曾在威尼斯建筑双年展和伦敦设计博物馆等顶级场所展出。2018年，《快公司》将众建筑评为全球十大最具创新力的建筑公司之一，而《Domus》杂志则在2019年将其列为世界最佳建筑事务所之一。 事务所对经济适用房的执着探索促成了2020年"即插即用房屋公司"的成立，专注于开发低成本预制房屋产品。这一举措充分体现了众建筑通过设计解决社会迫切需求的决心。 联合创始人沈海恩曾任哈佛大学罗布研究员和麻省理工学院中国未来城市实验室创新研究员，他将学术界的严谨带入了实践。他在麻省理工和哈佛等顶尖院校的教学经验，为众建筑注入了研究驱动的建筑与城市设计方法论。众建筑的创新实践，正在重新定义中国乃至全球的建筑设计领域。 People's Architecture Office (PAO), founded in 2010 by James Shen, He Zhe, and Zang Feng, is an internationally acclaimed multidisciplinary design practice with offices in Los Angeles, Beijing, and Shenzhen. The firm has garnered global recognition for its innovative approach to architecture that prioritizes social interaction and diverse perspectives. PAO's portfolio spans a wide range of scales and typologies, from micro-interventions to large-scale urban designs. Their work has been exhibited at prestigious venues including the Venice Architecture Biennale and the London Design Museum. In 2018, Fast Company named PAO one of the world's ten most innovative architecture companies, while Domus recognized it as one of the best architecture firms of 2019. The practice's commitment to affordable housing solutions led to the spin-off of the Plugin House Company in 2020, specializing in low-cost prefabricated homes. This initiative exemplifies PAO's dedication to addressing pressing societal needs through design. Co-founder James Shen, a Loeb Fellow at Harvard and Innovation Fellow at MIT's China Future City Lab, brings academic rigor to the practice. His experience teaching at prestigious institutions like MIT and Harvard informs PAO's research-driven approach to architecture and urban design. 设计团队 旅游探访 505 ㎡ 中国，深圳 2024年 Previous Next

< 返回 Torrey View 生物科技园区 Flad Architects 设计特色： 坐落于圣地亚哥如画风景中的Torrey View 生物科技园区，由Flad Architects设计，重新定义了现代生命科学园区的概念。该项目计划于2024年夏季开放，大胆融合了前沿设计与环保意识，提供总计515000平方英尺的尖端科研工作场所和配套设施。 这个开发项目最引人注目的特征是其动感十足的镶嵌式外立面，灵感源自场地的地质层状结构。陡峭的坡度窗户面板创造出一个凹槽状的外观，不仅视觉效果惊艳，还最大化了能源效率和室内自然采光。这种创新的建筑表皮设计使托里维尤在科研办公建筑领域独树一帜。 建筑师们巧妙利用场地的斜坡地形，打造了一个步行友好的园区。通过将停车场设置在地下，他们腾出了空间建造了一个向公众开放的景观广场，成为整个园区的核心。这个中心"台地"不仅统一了整个园区，还为员工提供了重要的户外联系，提升了整体的工作环境。 项目对可持续发展的承诺体现在其获得的LEED金级认证以及正在申请的Fitwel认证上。其中一个亮点是配套设施楼的绿色屋顶，不仅减少了热量吸收，管理了雨水径流，还为上层楼座提供了赏心悦目的景观。 Torrey View 生物科技园区代表了自然与科技的和谐对话，在提供太平洋壮丽景观的同时，还为生物科技公司提供了灵活、充满自然光的室内空间，满足其严格的需求。这个开发项目为生命科学园区树立了新标准，证明了严格的科研要求可以与鼓舞人心、注重健康的设计和谐共存。 Nestled in the picturesque landscape of San Diego, the Torrey View Campus by Flad Architects redefine the concept of a modern life science campus. Set to open in summer 2024, this ambitious project seamlessly blends cutting-edge design with environmental consciousness, offering 515,000 square feet of state-of-the-art scientific workplaces and amenities. The development's most striking feature is its dynamic, tessellated facade, inspired by the site's layered geologic formations. Steeply graded window panels create a coffered exterior that serves as a visual spectacle and maximizes energy efficiency and interior daylighting. This innovative approach to the building envelope sets Torrey View apart in the realm of scientific workplace design. Flad Architects have used the site's sloping terrain to create a pedestrian-friendly campus. By tucking parking below grade, they've liberated space for a publicly accessible, landscaped plaza that serves as the heart of the development. This central mesa unifies the campus and provides a crucial connection to the outdoors, enhancing the overall work environment. The project's commitment to sustainability is evident in its LEED Gold certification and pursuit of Fitwel certification. A standout feature is the amenity building's green roof, which not only reduces heat gain and manages rainwater runoff but also offers an appealing vista from the upper levels. Torrey View represents a harmonious dialogue between nature and technology, offering exceptional views of the Pacific Ocean while providing flexible, daylight-infused interiors that cater to the exacting needs of biotechnology firms. This development sets a new standard for life science campuses, proving that rigorous scientific requirements can coexist with inspiring, wellness-focused design. 设计团队： 自1927年创立以来， Flad Architects一直是建筑创新设计的领军力量，不断重新定义综合规划和设计的格局。这家国际化设计事务所凭借近百年的辉煌历史，持续推动着各个领域人类潜能提升环境的设计边界。 在总裁兼首席执行官劳拉·塞雷宾（Laura Serebin）的领导下，Flad Architects在设计尖端医疗设施、世界级教育机构和创新科研中心方面巩固了其领先地位。塞雷宾女士是美国建筑师协会会员和LEED认证专业人士，她富有远见的方法强调了空间的适应性，能够随需求变化和新技术的出现而进化，这是事务所持续成功的关键因素。 Flad Architects的作品集展示了他们对复杂功能需求的精湛掌控，这在获奖项目如加州大学戴维斯分校教学与研究酿酒厂和印第安纳大学跨学科科学楼中尤为明显。这些设施完美诠释了事务所将先进研究能力与可持续设计原则无缝融合的能力。 该事务所对可持续发展的承诺进一步体现在其对LEED标准的早期采用上，他们在2001年设计了首批获得LEED金级认证的研究设施之一。这种开拓精神延伸到Flad Architects在先进能源研究领域的工作中，以石溪大学先进能源研究与技术中心等项目为代表。 凭借协作精神和遍布全国十个办事处的多元化团队，Flad Architects持续塑造着建筑环境，创造的空间不仅满足当前需求，更预见了医疗、教育和科学发现领域的未来创新。 As a leading force in architectural innovation since its founding in 1927, Flad Architects has continually redefined the landscape of integrated planning and design. With a century-long legacy, this national firm has consistently pushed the boundaries of creating environments that enhance human potential across various sectors. Under the leadership of President and CEO Laura Serebin, AIA, LEED AP, Flad has solidified its position at the forefront of designing cutting-edge healthcare facilities, world-class educational institutions, and innovative scientific research centers. Serebin's visionary approach emphasizes adaptive spaces that can evolve with changing needs and emerging technologies, a crucial factor in the firm's enduring success. Flad's portfolio showcases a mastery of complex programmatic requirements, evident in projects like the award-winning University of California, Davis Teaching and Research Winery, and the Indiana University Multidisciplinary Science Building. These facilities exemplify the firm's ability to seamlessly integrate advanced research capabilities with sustainable design principles. The firm's commitment to sustainability is further demonstrated by its early adoption of LEED standards, having designed one of the first research facilities to achieve LEED Gold certification in 2001. This pioneering spirit extends to Flad's work in advanced energy research, epitomized by projects such as the Stony Brook University Advanced Energy Research & Technology Center. With a collaborative ethos and a diverse team spread across ten offices nationwide, Flad Architects continues to shape the built environment, creating spaces that not only meet current needs but anticipate future innovations in healthcare, education, and scientific discovery. 设计团队 旅游探访 515000 ft² 美国，圣地亚哥 2024年 Previous Next

< 返回 在水美术馆 石上纯也建筑事务所 设计特色： 项目 – 这座跨于湖面且长达1公里的水上美术馆，是日本建筑师石上纯也诗意设计理念的完美写照，成功化解了建筑与自然的界限。石上纯也力图打破自然环境的宽广与建筑之间的不平衡关系，他将纤细狭长的建筑形态蔓延至整个湖面，仿佛“轻轻触碰水面”。这种设计拒绝了传统上的那种与环境隔绝、防御性的建筑形式，而是深深拥抱周遭的环境，将其融入建筑之中。美术馆由玻璃柱廊组成，没入湖中，而转折多变的屋顶则如丝带一般漂浮飞扬。参观者仿若行走梦境，玻璃开口处构成画框，把景色和微风引入其中。与此同时，部分区域由广袤的展厅变为被水包围的狭窄陆地。这种水与天空、光与表面之间流动的感官对话，旨在营造建筑内部全新的自然氛围 —— 一个“友好的自然环境”。石上纯也力图通过消解传统二分法的方式，提升人的精神世界。这长长的、低矮的曲线呼应着悠远的地形，与当代建筑的疏离形成对比。美术馆轻轻降落在水面，几乎未侵扰地平线，与地形和谐一体，共融于时光。 团队 – 石上纯也建筑事务所由日本建筑师石上纯也（1974年生）于 2004 年在东京创立，现已成为日本最具创新性和远见的建筑设计公司之一。石上纯也在为普利兹克奖获得者妹岛和世 (Kazuyo Sejima) 的 SANAA 工作多年后，创立了自己的公司 ，并于 2009 年获得了日本建筑学会奖。随后又取得了进一步的成功，包括 2010 年威尼斯建筑双年展上的金狮奖。石上的实验性和受自然启发的设计方法消除了建筑、景观和环境之间的界限。其项目范围从概念装置到与周围环境无缝融合的建筑，以扩大可能性为指导。石上注重宁静、简约和透明，探求一种生活按照有机原则展开的建筑，其主要项目包括哥本哈根和平之家（2014年）、中国山谷教堂（2016年）和伦敦蛇形画廊（2019年）等。该公司的突破性设计探索使其成为享有盛誉的奥地利2024 Frederick Kiesler（弗雷德里克·基斯勒）建筑与艺术奖的获得者。 Feature： Project - Unveiled as a concept in 2016, this 1km-long art museum hovering over a lake in Rizhao, China manifests architect Junya Ishigami's poetic vision for a building that blurs the boundaries between architecture and nature. Aspiring to create a more equal relationship between construction and the vast environment of China, Ishigami stretches the narrow footprint across the entire expansive lake, enabling the structure to "gently touch the water surface." Rejecting isolated, defensive architecture, the design embraces the surroundings, pulling them inside. The museum's glass-infused colonnade sinks into the lake while the rippling roof floats above like a ribbon. The spectator moves through a dreamlike landscape, with glass openings framing views and letting in breezes. Sections morph from broad floors for exhibits to narrow landstrips bounded by water. This sensuous interplay between water and sky, light and surface aims to conjure a novel sense of nature within the building - a "friendly new natural environment." Ishigami seeks to uplift the human spirit by dissolving old dichotomies. The long, low curves respond to the languid topography, a counterpoint to the alienation of contemporary Chinese buildings. Alighting gently on the water without disrupting the horizon, the museum integrates harmoniously into the terrain. Design Team - Founded in Tokyo in 2004 by Junya Ishigami, junya.ishigami+associates has emerged as one of the most innovative and visionary architectural firms in Japan. Ishigami gained international acclaim following the completion of the Kanagawa Institute of Technology's KAIT Workshop in 2007, winning the Architectural Institute of Japan Prize in 2009. Further success followed, including the Golden Lion at the 2010 Venice Architecture Biennale. Ishigami's experimental and nature-inspired approach dissolves boundaries between architecture, landscape, and environment. Projects range from conceptual installations to buildings that integrate seamlessly with their surroundings, guided by a drive to expand possibilities. With a focus on tranquility, simplicity and transparency, Ishigami envisions an architecture where life unfolds according to organic principles. Major projects include the House of Peace in Copenhagen (2014), the Church in the Valley in China (2016), and the Serpentine Pavilion in London (2019). The firm's boundary-pushing explorations make it a worthy recipient of the prestigious Austrian Frederick Kiesler Prize for Architecture and the Arts in 2023. 设计团队 旅游探访 20220 m² 中国，山东日照 2023年 Previous Next

< 返回 THE CASE 川嶋洋平建筑设计事务所 项目名称：THE CASE 地点：长崎县云仙市，日本 设计团队：川嶋洋平建筑设计事务所 建筑面积：115 m² 竣工时间：2025年3月 摄影：Koji Fujii / TOREAL 设计特色： 川嶋洋平建筑设计事务所近日完成位于长崎县云仙市的多目的空间项目THE CASE。该项目以一个115平方米的商业租户单元为载体，通过精心的室内设计规划，将展览活动、咖啡休闲与服装零售三种截然不同的使用功能融于一体，呈现出一处兼具开放性与运营效率的当代生活场所。 项目的核心设计理念源于对业主特质的深入观察。这位长期在云仙市经营咖啡馆的独立运营者，以善于与街道行人随性交流而着称。建筑师将这一人际互动的特质转化为空间语言，沿临街立面布置大尺度吧台，使店主始终处于与街道空间对话的位置，从根本上模糊了室内运营与公共领域之间的边界。这一看似简单的操作，实则是对场所精神与使用者性格的精准回应。 吧台的定位经过严密的功能推敲。它不仅朝向街道，更被置于能够统摄整个空间平面的视线交汇点，使单人运营者得以同时兼顾前端的咖啡服务区、中部的精选服装区及后端的弹性活动空间，实现了运营逻辑与空间体验的高度统一。空间内部并未以硬性隔断区分功能，而是以一种流动连续的方式组织各区域，引导访客以自由漫游的姿态在不同体验之间转换。整体设计证明，精密的功能布局与温润的空间氛围并无冲突，二者可在同一场所中共存并相互强化。 设计团队： 株式会社川嶋洋平建筑设计事务所由主持建筑师川嶋洋平于2014年创立，总部位于东京都台东区。川嶋洋平1983年出生于静冈县，2008年完成武藏野美术大学研究生院学业，随后在永山佑子建筑设计事务所积累了长达六年的实践经验，系统磨炼了其空间叙事与材料语言的设计判断力。他持有日本一级建筑士执照，事务所以株式会社形式注册于东京都知事管辖范围之内，现由川嶋洋平率领团队主导全部设计工作。 事务所的设计作品横跨多种建筑类型，涵盖精品零售室内、酒店与度假设施、住宅集合公寓、学生宿舍及城市复合功能建筑，项目分布遍及日本全国。这一广泛的类型积累，折射出事务所无论面对何种功能或规模委托，始终坚守场所回应性设计立场的核心方法论。事务所有意将项目规模控制在合理范围之内，以确保每项委托均能获得主持建筑师的充分介入与专注。 2016年，川嶋洋平凭借以多样光线为主题的玻璃建筑方案，在U-35建筑设计竞技中荣获最优秀奖，在业界确立了鲜明的学术声望与创作识别度。同年，事务所入选东京建筑Collection，进一步彰显其在日本新锐建筑实践领域的重要位置。事务所目前正积极扩充团队规模，以回应持续增长的全国性新建项目委托，现行项目涵盖酒店、集合住宅、大学宿舍及综合商业租户设施等多个类型的新建设计。 设计团队 旅游探访 115 m² 长崎县云仙市，日本 2025 Previous Next