top of page

以空白搜尋找到 775 個結果

  • Chappe艺术馆 JKMM Architects | Archicasting

    < 返回 Chappe艺术馆 JKMM Architects 项目名称: Chappe艺术馆 (Chappe Art House) 地点: 塔米萨里,芬兰 设计团队: JKMM Architects 项目面积: 1210 m² 竣工时间: 2023年 摄影: Tuomas Uusheimo 设计特色: 项目 – JKMM建筑事务所在芬兰历史悠久的滨海小镇塔米萨里揭幕了Chappe艺术馆。这座1210平方米的建筑展现了现代建筑理念与传统芬兰工艺的完美融合。 这座由Albert de la Chapelle基金会委托建造的三层建筑,以其独特的黑云杉外墙引人注目,既向该地区丰富的木制建筑传统致敬,又彰显了其现代特色。建筑的独特形态创造了一个与18世纪城镇景观和谐共存的地标性建筑。 Chappe艺术馆的与众不同之处在于其创新的空间组织方式。建筑设计了具有大堂般开阔的空间,既可作为博物馆级别的展览场所,又能容纳社区活动。顶层设有主要展览馆,而地面层则设有宽敞的多功能门厅,与共享的博物馆花园相连,在物理和功能上与现有的拉塞堡博物馆建筑群形成联系。 在JKMM建筑事务所创始合伙人Asmo Jaaksi的带领下,建筑巧妙地将艺术装置融入建筑元素中,与芬兰艺术家Karin Widnäs和Petri Vainio等人展开合作。室内空间在上层展示了裸露的木结构,为展览环境增添温暖感和质感,同时保持着博物馆级别的环境控制以保护艺术品。 建筑的细致设计还体现在其与周围环境的关系上,精心设计的框景将海景和古城风貌尽收眼底。这种对环境的关注,加上其技术上的精湛和对无障碍设计的重视,使Chappe艺术馆成为该地区重要的文化催化剂,将这个传统的季节性目的地转变为全年运营的文化中心。该项目展示了当代文化建筑如何能够在创新设计方案中既尊重当地遗产,又通过创新设计推动社区活力。 团队 – JKMM建筑事务所成立于1998年的芬兰,已发展成为北欧地区最具影响力的建筑设计机构之一,以其整体设计方法和对社会责任的承诺而闻名。在创始合伙人Asmo Jaaksi的领导下,这家总部位于赫尔辛基的工作室现已拥有近100名设计师,他们共同致力于创造促进社会福祉的建筑作品。 该事务所的作品组合展现了在文化、市政和教育领域的非凡多样性,其中包括享誉国际的Amos Rex艺术博物馆和最近完成的Chappe艺术馆。他们的设计理念融合了六个核心原则:自然启发的形态、以人为本的方法、智慧简约、注重执行的方法论、定制化解决方案和整体性集成。 JKMM的专业领域涵盖建筑设计、室内建筑、城市设计和家具设计,使他们能够提供无缝融合不同尺度和学科的综合设计解决方案。他们对创新的承诺通过令人印象深刻的竞赛成绩得到证实,在100多个建筑竞赛中获奖,其中包括50多个一等奖,使其成为芬兰最成功的竞赛事务所。 该事务所的作品通过威尼斯双年展和芬兰建筑博物馆等重要展览获得全球认可,奠定了JKMM作为当代北欧建筑领军力量的地位。 Project Name: Chappe Art House Location: Ekenäs, Finland Design Team: JKMM Architects Area: 1,210 m² Completion: 2023 Photography: Tuomas Uusheimo Feature: Project - JKMM Architects has unveiled Chappe Art House, a striking contemporary cultural venue nestled in the historic coastal town of Tammisaari, Finland. The 1,210-square-metre building serves as a testament to the seamless integration of modern architectural principles with traditional Finnish craftsmanship. The three-storey structure, commissioned by the Albert de la Chapelle Foundation, stands out for its sophisticated black spruce cladding that pays homage to the region's rich timber architectural heritage while asserting its contemporary identity. The building's distinctive form creates a contextual landmark that harmoniously weaves into the fabric of the 18th-century townscape. What sets Chappe Art House apart is its innovative approach to spatial organization. The building features lofty, hall-like spaces that serve dual purposes – housing museum-grade galleries while accommodating community events. The top level houses the main exhibition galleries, while the ground floor opens into a generous multi-purpose foyer that connects to a shared museum garden, linking it physically and programmatically to the existing Raseborg Museum complex. JKMM Architects, led by founding partner Asmo Jaaksi, has masterfully integrated art installations as architectural elements, collaborating with Finnish artists such as Karin Widnäs and Petri Vainio. The interior spaces showcase exposed timber structure on the upper levels, introducing warmth and tactility to the gallery environments while maintaining museum-grade environmental controls for art preservation. The building's thoughtful design extends to its relationship with its surroundings, featuring carefully framed views of the sea and old town. This attention to context, combined with its technical sophistication and commitment to accessibility, positions Chappe Art House as a significant cultural catalyst for the region, transforming a traditionally seasonal destination into a year-round cultural hub. The project exemplifies how contemporary cultural architecture can both honor local heritage and drive community vitality through innovative design solutions. Design Team - JKMM Architects, established in 1998 in Finland, has emerged as one of the Nordic region's most influential architectural practices, renowned for their holistic approach to design and commitment to social responsibility. Led by founding partner Asmo Jaaksi, the Helsinki-based studio has grown to encompass nearly 100 designers who share a common vision of creating architecture that fosters societal well-being. The practice's portfolio demonstrates exceptional versatility across cultural, civic, and educational sectors, with notable projects including the internationally acclaimed Amos Rex Art Museum and the recent Chappe Art House. Their design philosophy interweaves six core principles: nature-inspired forms, human-centric approaches, intelligent simplicity, execution-focused methodology, bespoke solutions, and holistic integration. JKMM's expertise spans architecture, interior architecture, urban design, and furniture design, allowing them to deliver comprehensive design solutions that seamlessly blend different scales and disciplines. Their commitment to innovation is evidenced by their impressive track record of over 100 architectural competition wins, including more than 50 first prizes, making them Finland's most successful competition office. The firm's work has been recognized globally through prestigious awards and exhibitions, including the Venice Biennale and the Museum of Finnish Architecture, establishing JKMM as a leading force in contemporary Nordic architecture. 设计团队 旅游探访 1210 m² 塔米萨里,芬兰 2023 Previous Next

  • 带室内花园的住宅(鸟取之家) Hiroshi Kinoshita and Associates | Archicasting

    < 返回 带室内花园的住宅(鸟取之家) Hiroshi Kinoshita and Associates 设计特色: 项目 – 这座位于鸟取公园边上的小房子,是设计师通过将花园引入室内,打造出四季舒适的绿洲,无畏于当地严酷的气候。 住宅被木质网格结构包裹,通过巧妙的方位定位和开口设置,架起了公共领域和私人领域之间的桥梁。 其浑然天成的北立面迎接生态分明的景观和微风,与此相对,隔绝外界的南侧外墙则可避开夏日酷暑的侵袭。房子中心是一个巨大的双层高的室内庭院,由透光的半透明聚碳酸酯屋顶覆盖,洒下斑驳的阳光。室内木质感的空间氛围让人亲近,就像一个维多利亚风格的温室,是一个灵活多变的空间:室内花园和休憩阅读区域错落其间,怡人怡神。屋顶巧妙设置了可调节的遮阳和通风系统,居住者可以根据需要调节采光和通风。这座房子围绕室内花园,在严寒冬天和暴雨时提供了一个温馨的避风港湾。 团队 – Hiroshi Kinoshita and Associates成立于2018年,由日本建筑师Hiroshi Kinoshita本人领导主持,致力于与当地气候和社区谐和的建筑设计理念。他在鸟取多个设计公司积累了丰富的实践经验之后创立了自己的工作室。依托15年以上的设计经验,他精心组建项目团队,用心致力于不同规模的项目。其主要作品包括鸟取市政厅设计,及荣获奖项的“小图书馆之家”和“带室内花园的住宅” 等。贯彻该公司以人为本的设计理念,这些项目通过材料、光影和空间体验营造出针对场地的佳作。尽管体量较小,但项目展现出该工作室对环境系统的精湛运用,巧妙调和气候极端与使用舒适度。其最近获得建筑学会大奖,充分体现设计团队考量地域语言的设计方法,唤醒建筑与居住者之间的深层连结。 Feature: Project - Nestled beside a park in Tottori Prefecture, this diminutive dwelling by Hiroshi Kinoshita and Associates brings the garden inside to craft a year-round oasis undaunted by the region’s harsh climate. Wrapped in a lattice-like timber veil, the house bridges public and private realms through strategic orientation and placement of openings. While permeable northern façade invites verdant views and breezes, insulated southern flank averts summertime heat gain. At the heart lies a soaring double-height interior courtyard sealed by translucent polycarbonate roofs that flood the space with dappled sunlight. Reminiscent of a Victorian conservatory, this flexible venue accommodates lounging, reading nooks and children’s play areas amidst enveloping greenery. Strategically placed solar shading and operable skylights allow occupants to modulate light and ventilation. Enveloping this atrium, a ring of insulated rooms provides respite during severe winters and thunderstorms while still enabling cross-ventilation. By concentrating disparate functions within interconnected microclimates, the project reconciles seasonal extremes with user comfort. Beyond environmental attunement, these interlocking realms enrich everyday rituals with plays of light and shadow. Though compact, the dwelling's ingenious "matryoshka" configuration awakens the senses with the charm of the outdoors. Design Team - Founded in 2018, Hiroshi Kinoshita and Associates is led by its principal Hiroshi Kinoshita to realize architectural visions attuned to local climate and community. Kinoshita cut his teeth working at various firms in Tottori before establishing his own practice. Leveraging over 15 years of experience, he assembles bespoke teams to tackle projects of varying scale with custom care and ingenuity. Notable works include Tottori City Hall Design and the award-winning “Small Library House” and “House with an Inner Garden” residences. True to the firm’s human-centered ethos, these define site-specific oases crafted through material warmth, modulated light and unexpected spatial journeys that stimulate the senses. Though compact, the dwellings reveal the studio’s mastery of environmental systems to reconcile extreme seasonal shifts with user wellbeing. As exemplified by its recent JIA Architecture Award, Kinoshita’s contextual approach awakens profound connections between architecture and inhabitant. 设计团队 旅游探访 92 m² 日本 鸟取市 2023 Previous Next

  • 民宅A 浜田晶则建筑事务所 | Archicasting

    < 返回 民宅A 浜田晶则建筑事务所 项目名称:民宅A 设计团队:浜田晶则建筑事务所 面积:76.45㎡ 地点:东京世田谷区,日本 设计特色: 项目 – 在东京世田谷区这片密集的城区中,滨田晶则建筑事务所打造了"民宅A",这座建筑巧妙地重新诠释了日本传统民居,精妙地在私密生活空间与公共互动之间架起了桥梁。这座两层木结构住宅为年轻家庭重新构想了"家"的概念,同时与城市环境展开了独特对话。 建筑师通过其创新手法提出了"家2.0"的理念,巧妙地运用一系列建筑装置,细致地模糊了传统私密空间与公共区域之间的界限。最引人注目的是面向街道的一面设计了一个大型垂直"物件展示墙",这是对传统町屋店面的现代演绎,让家族积累的记忆与物件自然地融入街景之中。 在这座建筑面积76.45平方米的住宅中央,矗立着一根极具分量的中心支柱:直径250毫米的吉野柏木主柱,不仅承担结构功能,更蕴含深刻的象征意义。这根主柱的选用颇具匠心,将业主在爱媛县和爱知县的家乡位置与建筑基地形成了富有诗意的三角关联。 建筑的空间布局在一层采用了传统的"田"字型平面,同时融入了现代元素,如灵活的工作空间,以及二层独特的"浴室起居"组合设计。建筑外观虽让人联想到传统藏屋,却又显露出鲜明的现代特质,特别是那个人字屋顶和向上开敞的屋檐,为街道增添了一抹含蓄而富有张力的建筑表情。 通过对传统元素与现代生活需求的精心调和,"民宅A"为当代城市生活提供了一个令人深思的范例,既传承了日本建筑文化精髓,又满足了现代生活的诉求。 团队 – 成立于2014年的浜田晶则建筑事务所(AHA)已迅速崛起为日本最具创新力的建筑事务所之一,其独特之处在于将计算化设计与日本传统空间概念进行开创性融合。事务所由毕业于东京大学建筑学研究生院的主持建筑师浜田晶则(1984年生)领衔,在东京日本桥区和富山县设有双工作室,这种布局使其能够同时深入把握城市与区域建筑语境。 事务所倡导的"超自然主义建筑"设计理念,巧妙地将以人为本的设计思维、环境意识和技术创新三者融为一体。这一理念在实践中取得显著成就,其代表作"綾瀬基板工厂"项目先后荣获2017年亚洲设计大奖优异奖(DFA Design for Asia Awards Merit Award)和2019年Iconic Award最佳设计奖等重要国际奖项。 目前,事务所拥有十一位专业建筑师的精英团队,成员来自立陶宛、阿根廷、澳大利亚和中国等多个国家,形成了独特的跨文化设计氛围。团队成员分别毕业于东京大学、墨尔本大学和南加州大学建筑学院等世界顶尖院校,这种多元化的学术背景使事务所能够在每个项目中实现全球视野与地方特色的完美结合。 浜田晶则建筑事务所立足于计算化设计与构造创新的前沿领域,以适应性(Adaptability)、元素性(Elementality)和个性化(Individuality)为核心设计原则,已然成为日本当代建筑界最具影响力的声音之一。 Project:House A Team:Akinori Hamada Architects Size:76.45㎡ Location: Setagaya, Tokyo, Japan Feature: Project - In Tokyo's densely packed Setagaya district, Aki Hamada Architects has crafted House A, a contemporary interpretation of traditional Japanese folk houses that masterfully bridges private living spaces with public engagement. This two-story wooden dwelling reimagines the concept of "home" for a young family while establishing a unique dialogue with its urban context. The architect's innovative approach manifests in what they call "Home 2.0," where the conventional boundaries between private and public spaces are thoughtfully blurred through a series of architectural devices. Most notably, a large vertical "display of things" faces the street, functioning as a modern interpretation of traditional merchant house storefronts, allowing the family's accumulated memories and objects to become part of the streetscape. At the heart of the 76.45-square-meter home stands a commanding centerpiece: a 250-millimeter-diameter Yoshino cypress pillar that serves both structural and symbolic purposes. This main pillar, chosen with careful consideration of the clients' hometown locations in Ehime and Aichi prefectures, creates a poetic triangulation with the site. The house's spatial organization follows a traditional "ta-no-ji" floor plan on the ground level, while incorporating contemporary elements such as a flexible workspace and a unique "bath-living" arrangement on the upper floor. The exterior, reminiscent of a traditional storehouse yet distinctly modern, features a gabled roof and upward-opening eaves that create a subtle but engaging street presence. Through its thoughtful mix of traditional elements and modern living requirements, House A presents a compelling vision for contemporary urban living that honors Japanese architectural heritage while embracing present-day needs. Design Team - Founded in 2014, Aki Hamada Architects (AHA) has rapidly emerged as one of Japan's most innovative architectural practices, distinguished by its pioneering approach to integrating computational design with traditional Japanese spatial concepts. Led by Principal Architect Aki Hamada, who holds a Master's degree from the University of Tokyo, the firm operates from dual locations in Tokyo's Nihonbashi district and Toyama Prefecture, enabling a unique perspective that bridges urban and regional architectural contexts. The practice's philosophy, centered on what they term "Hyper naturalism Architecture," represents a sophisticated fusion of human-centric design, environmental consciousness, and technological innovation. This approach has garnered international recognition, notably through their award-winning Substrate Factory Ayase project, which received the prestigious DFA Design for Asia Awards Merit Award (2017) and the Iconic Award Best of Best (2019). The firm's current team of eleven professionals brings together a remarkably diverse international expertise, including architects from Lithuania, Argentina, Australia, and China, creating a dynamic cross-cultural design environment. This multicultural perspective, combined with the team's varied academic backgrounds from institutions such as the University of Tokyo, Melbourne University, and USC School of Architecture, enables AHA to approach each project with a unique global-local synthesis. Operating at the intersection of computational design and tectonic innovation, AHA's work is characterized by their three core principles: Adaptability, Elementality, and Individuality, establishing them as a leading voice in contemporary Japanese architecture. 设计团队 旅游探访 76.45㎡ 东京世田谷区,日本 2023 Previous Next

  • 蒂芙尼斯图加特店 MVRDV | Archicasting

    < 返回 蒂芙尼斯图加特店 MVRDV 项目名称:蒂芙尼斯图加特店 地点:斯图加特,德国 设计团队:MVRDV建筑事务所 陶瓷构件数量:2829个 竣工时间:2024年 摄影师:Gionata Xerra Studio 设计特色: 项目 - 荷兰建筑事务所MVRDV日前重新构想了零售立面设计,通过令人着迷的陶瓷钻石屏幕,将建筑表面转变为充满活力的宝石般画布。蒂芙尼斯图加特店最新的非凡的立面设计,由2829个手工制作的陶瓷钻石似乎漂浮在店面上,创造出一种空灵的建筑美感,连接品牌认同感与创新设计。 受Louis Comfort Tiffany开发的 19世纪90年代传奇的法夫莱尔(Favrile)玻璃启发,设计团队精心构思了一个渐变色调,从蒂芙尼标志性的蓝色过渡到纯白。每个钻石都是使用与荷兰最古老的陶瓷制造商Koninklijke Tichelaar合作开发的专业技术,单独制模并釉彩,造就出随光线和视角变化而变化的彩虹色表面。 立面的真正独创性在于其同时吸引注意力并与周围多罗特恩区的中性建筑语境完美融合的能力。定制钢固定件使陶瓷构件可以在外部和内部安装,营造出一个梦幻般的环境,钻石似乎悬浮在空中。通过策略性地调整钻石密度,可以选择性地创造透明度,在保持迷人的视觉屏障的同时,让人们得以窥探店内。 MVRDV设计团队将这个设计描述为试图捕捉蒂芙尼品牌根本的"奇迹与魅力感"。通过将品牌的材料创新和珠宝工艺转译为建筑语言,这个设计创造了一个令人惊叹的视觉隐喻,将零售体验从单纯的商业空间提升为真正的建筑陈述。 团队 – MVRDV由Winy Maas, Jacob van Rijs, 和 Nathalie de Vries于1993年创立,现已发展成为全球具有影响力的建筑事务所。事务所现由创始合伙人与Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, 以及Bertrand Schippan共同领导超过300名专业人员的团队,在鹿特丹、上海、巴黎、柏林和纽约设有战略性布局的多个办公室。 事务所以其研究导向的设计方法论著称,强调与客户、利益相关者和跨学科专家的早期协作。其专门的内部气候团队确保可持续性在所有项目中的整合,而MVRDV NEXT则专注于计算设计和技术创新。这种全面的方法促成了从混合用途开发到文化机构和城市总体规划等突破性项目。 事务所的作品组合展示了各种规模和类型的创新建筑解决方案,包括享誉世界的鹿特丹Markthal、阿姆斯特丹自然启发的Valley项目,以及开创性的Depot Boijmans Van Beuningen。他们的作品始终展现对可持续城市发展、社会参与和技术进步的承诺,赢得了众多国际奖项,确立了MVRDV在当代建筑实践中的先驱地位。 Project Name: Tiffany & Co. Stuttgart Store Location: Stuttgart, Germany Design Team: MVRDV Architecture Office Number of Ceramic Elements: 2829 units Completion Year: 2024 Photographer: Gionata Xerra Studio Feature: Project - Dutch architecture firm MVRDV has reimagined the retail facade with a mesmerizing ceramic diamond screen that transforms architectural surfaces into a dynamic, jewel-like canvas. The Stuttgart Tiffany & Co. store now boasts an extraordinary facade featuring 2,829 hand-crafted ceramic diamonds that seemingly float across the storefront, creating an ethereal architectural intervention that bridges brand identity and innovative design. Inspired by Louis Comfort Tiffany's legendary Favrile glass from the 1890s, the design team developed a meticulously conceived gradient that transitions from Tiffany's iconic robin's egg blue to pristine white. Each diamond is individually slip-cast and glazed using a specialized technique developed in collaboration with Koninklijke Tichelaar, the Netherlands' oldest ceramics manufacturer, resulting in an iridescent surface that shifts dramatically with changing light and viewing angles. The facade's true ingenuity lies in its ability to simultaneously attract attention and integrate seamlessly with the surrounding Dorotheen Quartier's neutral architectural context. Custom steel fixings allow the ceramics to be mounted both externally and internally, creating a dreamlike environment where diamonds appear to hover weightlessly. Strategic variations in diamond density enable selective transparency, allowing glimpses into the store while maintaining an enchanting visual barrier. MVRDV's founding partner Jacob van Rijs describes the design as an attempt to capture the "sense of wonder and enchantment" fundamental to Tiffany & Co.'s brand legacy. By translating the brand's material innovation and jewellery craftsmanship into architectural language, the design creates a stunning visual metaphor that elevates the retail experience from mere commercial space to a true architectural statement. Design Team - MVRDV, established in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, has grown into a globally influential architecture practice. The firm now operates with a dynamic team of over 300 professionals led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, with offices strategically located in Rotterdam, Shanghai, Paris, Berlin, and New York. The practice is distinguished by its research-based design methodology, emphasizing early collaboration with clients, stakeholders, and multidisciplinary experts. Their dedicated in-house Climate Team ensures sustainability integration across all projects, while MVRDV NEXT specializes in computational design and technological innovation. This comprehensive approach has resulted in groundbreaking projects ranging from mixed-use developments to cultural institutions and urban masterplans. The firm's portfolio showcases innovative architectural solutions across various scales and typologies, including the world-renowned Markthal in Rotterdam, the nature-inspired Valley in Amsterdam, and the groundbreaking Depot Boijmans Van Beuningen. Their work consistently demonstrates a commitment to sustainable urban development, social engagement, and technological advancement, earning numerous international awards and establishing MVRDV as a pioneer in contemporary architectural practice. 设计团队 旅游探访 165 m² 斯图加特,德国 2024 Previous Next

  • JINS佐久平店 Ryuji Nakamura and Associates | Archicasting

    < 返回 JINS佐久平店 Ryuji Nakamura and Associates 设计特色: 项目 – 位于长野县东部山区的佐久盆地,中村竜治建筑设计事务所设计的JINS佐久平店呈现了一种对商业建筑非同寻常的方法。这块地的边界与邻近的餐厅、道路、停车场和公园无缝融合,使各个方向都能畅通无阻地进出。受到公园里独立休息亭和景观大树的启发,中村构思了一座全方位、无正面或背面的建筑。最终设计成为一座轻微扭曲的36边形平面,四周环绕着相同形状的窗户,将360度视野引入室内。中村解释说:"这些场地特征立即让人联想到公园里那些独立的大树或休息亭。我认为这种设计方式也适合商店这种类型的建筑。"循环式的布局避免了死角,使访客可以在温暖调性的木质室内自由走动,同时欣赏到环绕着群山的全景。这家店突破了一般零售店的环境营造,邀请人们驻足体验建筑与这片田园盆地环境的共生关系。 团队 – 中村竜治建筑设计事务所于2004年成立,已成为日本最备受关注的建筑设计团队之一。这家总部位于东京的事务所由日本建筑师中村竜治领军,以创新及富有概念性的设计而闻名,致力于超越传统类型。事务所的作品包括住宅、商业及公共项目,中村的作品展现了对形式、材料和空间实验的精通。里程碑式的作品如获奖无数的JINS京都寺町通店(2016年)和神戸市政厅大厅(2017年竞赛胜出)体现了事务所能营造沉浸式环境,消解室内外界限的能力。除了建筑,中村的跨领域作品还涵盖装置艺术、展览设计、家具以及与艺术家和剧团的合作。这种领域交叉合作渗透孕育出被休斯顿美术馆和旧金山现代美术馆等机构收藏的建筑导向作品。凭借包括JCD大奖和GOOD DESIGN AWARD BEST 100等殊荣,中村竜治建筑设计事务所将继续透过概念性及因地制宜的项目推动空间体验的探索,引领建筑对话。 Feature: Project - Nestled in the mountainous Saku Basin of eastern Nagano Prefecture, the JINS Sakudaira shop by Ryuji Nakamura Architects presents an unconventional approach to commercial architecture. The site boundaries seamlessly blend with adjacent restaurants, roads, parking lots, and a park, allowing unimpeded flow from all directions. Inspired by freestanding park pavilions and trees, Nakamura envisioned an omnidirectional building without defined front or back. The resulting design is a subtly squashed 36-sided polygon in plan, ringed by identically shaped windows that bring 360-degree views into the interior. "These site characteristics immediately brought to mind standalone large trees or all-directional pavilion-like structures found in parks," explains Nakamura. "I thought this approach would also suit a shop typology." The circular layout avoids dead ends, enabling visitors to freely circulate through the warm, wood-lined interior while taking in panoramic vistas of the encompassing mountain scenery. Transcending a typical retail environment, the shop invites passersby to linger and experience the architecture's symbiotic relationship with its bucolic basin setting. With an innovative form tailored to the unique terrain, JINS Sakudaira exemplifies how thoughtful design can dissolve boundaries between architecture and landscape. Design Team - Established in 2004, Ryuji Nakamura and Associates has emerged as one of Japan's most acclaimed architectural practices. Led by principal Ryuji Nakamura, the Tokyo-based firm is renowned for its innovative and conceptually rich designs that transcend traditional typologies. With a portfolio spanning residential, commercial, and public projects, Nakamura's work exhibits a mastery of form, materiality, and spatial experimentation. Landmark projects like the award-winning JINS Kyoto Teramachi-dori (2016) and the Kobe City Hall Lobby (2017 competition winner) showcase the firm's ability to craft immersive environments that dissolve boundaries between interior and exterior. Beyond architecture, Nakamura's multidisciplinary practice encompasses installations, exhibition design, furniture, and collaborations with artists and theater companies. This cross-pollination results in architecturally-informed pieces collected by institutions like the Museum of Fine Arts, Houston and SFMOMA. With accolades including the prestigious JCD Grand Prize and Good Design Award Best 100, Ryuji Nakamura and Associates continues to push the discourse through conceptually and contextually grounded projects that redefine spatial experiences. 设计团队 旅游探访 197 m² 日本,佐久市 2023年 Previous Next

  • 大森幕屋住宅 HUNE Architects | Archicasting

    < 返回 大森幕屋住宅 HUNE Architects 项目名称:大森幕屋住宅 地点:东京,日本 设计团队:HUNE Architects 建筑面积:77.85 m² 竣工时间:2025年 摄影:Yurika Takano 设计特色: 项目 -大森幕屋住宅由HUNE建筑事务所设计,坐落于东京品川区邻近JR铁路线的紧凑场地,展现了古代幕屋建筑智慧与当代家庭生活需求的完美融合。这座77.85平方米的两层木结构住宅以其独特的织物般屋顶形态,重新定义了紧凑都市空间内多代同堂家庭的居住体验。 该项目最引人注目的成就在于其智慧的离散空间堆叠策略。建筑为四口之家设计,每位成员拥有不同爱好并需要个人空间而不过度干扰彼此。HUNE的设计回应是将卧室以L型配置,半层错开以适应前方道路的上升坡度。在睡眠区之上,沿楼梯离散堆叠了低矮休憩区、家庭用餐空间和兴趣工作室,营造出超越场地有限尺寸的空间开阔感。 建筑叙事通过精妙的屋顶构造展开,展现出卓越的结构创新。决定性的建筑元素是那延展的白色屋顶,构思为轻柔地铺在整个组合之上的布料。中央立柱将屋顶向上推起形成屋脊,从中四片屋顶平面(包括曲面)向周边下降。这种配置创造了屋顶与地板层之间持续变化的关系,屋顶与地面的距离感随人的动线不断改变。从玄关沿楼梯上行时,空间逐渐在眼前展开,使居住者感知到通过屋顶距离和人的移动所带来的内外距离感变化。 材料选择体现了创新工程技术的实用性。弯曲屋顶采用创新的薄板层压结构,将15毫米杉木板弯曲成总厚度45毫米的三层组合,饰以白色涂料以在室内漫射光线。通过工厂和现场的MEMS加速度传感器测量面外振动,确认45毫米厚曲面集成板的固有振动频率比15毫米厚单板高约2.5倍,证实其具备相当于40毫米厚单板的面外弯曲刚度。建筑采用木结构框架体系,配备筏板基础,在6.744米的最大高度内实现了建筑面积40.62平方米、容积率93%的高效空间利用。 立面处理展现了策略性开窗设计的精致性。在屋顶各部分之间的缝隙中开凿的窗户引入自然光,从侧面照亮弯曲屋顶表面,将每个时刻变化的光色漫射到整个空间。这种精心编排的开口系统将周边都市环境转化为日常生活不断变化的背景幕布,同时柔软的屋顶在室内外之间保持适当距离,温柔地保护家庭免受铁路噪音和外界喧嚣的侵扰。 项目的另一大特色是其对幕屋原型的当代诠释和高性能建筑实践。幕屋是古代将布张开、撑起而形成空间的简易帐篷式小屋,既作为住居建造,也作为神的居所和人神相遇之地,甚至被视为人体本身的象征。设计通过将力量松弛的布料自然下垂形成场所的意象,以人类活动与自然力学的平衡创造临时幕屋空间,并将其转化为永久的居住建筑。设计团队设想家庭成员各自在布料下形成的空间中找到属于自己的居处,以各自喜欢的方式度过时光。大森幕屋住宅证明了设计能够在不牺牲空间品质、结构创新或居住舒适的前提下,实现传统建筑智慧的当代转译。 设计团队 - HUNE建筑事务所成立于2019年,由主持建筑师玉木浩太、李家懿和林盛领导,现已发展成为日本领先的建筑实践机构,以其在当代住宅和创新空间策略领域的前瞻性方法而闻名。事务所总部位于东京,业务延伸至日本各地项目,展现了卓越的设计实力。 在玉木浩太、李家懿和林盛的创意指导下,事务所领导着充满活力的跨学科团队,包括建筑师、设计师和研究人员。玉木浩太毕业于东京大学,曾在伊东豊雄建筑设计事务所工作并在野村不动产从事商业开发,于2006年获得东京大学辰野賞(最优秀毕业设计奖)。李家懿生于英国,毕业于巴斯大学和伦敦建筑联盟学院,拥有英国建筑师注册委员会和英国皇家建筑师协会注册建筑师资格,现任芝浦工业大学客座讲师。林盛拥有东京大学工学博士学位,现任东京都立大学准教授,其作品曾获得2019年北美照明学会奖和日本标识设计奖银奖。他们的协作方式体现了对建筑本质的深刻思考和对人性化环境的持续追求。 事务所的设计哲学聚焦于创造人类能够真正表现人性的环境。HUNE认为社会已演变为一个无缝连接的连续体,物理限制已经消解,人类正在获得新的身体感知。然而在这场技术革命中,事务所努力将人们带回其本质属性,持续探问何为真正的人类巢穴。他们的设计方法论强调超越传统建筑概念,以更自由的思维持续追问人类巢穴的本质,始终如一地交付平衡创新性与实用性、空间品质与居住舒适的项目。 HUNE建筑事务所作为全方位服务的建筑实践机构,在多元建筑类型中展现专业能力,涵盖住宅建筑、商业设施、文化建筑、结构创新研究和空间实验项目。事务所通过涵盖从实验性住宅到创新公共建筑的多样化作品集,在日本当代建筑领域建立了新的典范,展现出对创造真正人性化环境的持续承诺。其2024年优良设计奖获奖项目HAUN TABATA证明了事务所在当代日本建筑实践中的卓越地位。事务所相信建筑作为人类巢穴的本质价值,并在所有工作中注入对使人类生活真正回归本质的要素的奉献精神。 设计团队 旅游探访 77.85 m² 东京,日本 2025 Previous Next

  • 正向能源宅 众建筑 | Archicasting

    < 返回 正向能源宅 众建筑 设计特色: 众建筑事务所通过一种创新的三层表皮系统,将深圳一栋海滨别墅改造成了正向能源住宅。这个"正向能源宅"项目展示了如何以可持续的方式改造现有建筑,提高能源效率,而无需拆除重建。 改造策略巧妙地在原有结构外部增加了两层外皮。一层隔热气密皮肤提升了建筑的保温性能,而最外层由曲线形太阳能屋顶组成,用于发电。这些层叠的预制桁架结构不仅创造出了统一的建筑形态,还提供了遮阳效果,同时保持了通风和视线的通畅。 项目的一大亮点是在原建筑和新增保温外壳之间创造的中庭空间。这个缓冲区域设有可开启的窗户,有利于自然通风,还包含了一面四层高的攀岩墙,满足了业主对攀岩运动的热爱。 该项目证明了如何将老旧建筑升级改造,使其产生的能源超过消耗。设计师通过结合机械通风等主动技术与堆叠通风、高性能建筑围护结构等被动策略,创造了一个可持续改造的典范。 这种方法不仅降低了建筑对环境的负面影响,还积极促进了环境再生,为住宅建筑的能源正向改造设立了可复制的标准。 People's Architecture Office has transformed a seaside villa in Shenzhen into a net-positive energy home through an innovative three-layer envelope system. The Positive Energy House showcases a sustainable approach to renovating existing buildings for enhanced energy efficiency without resorting to demolition and reconstruction. The renovation strategy involved wrapping the original structure with two additional layers. An insulated, airtight skin improves thermal performance, while an outer layer of curvilinear solar roofs generates electricity. These stacked, prefabricated truss structures create a cohesive architectural form while providing shade and maintaining unobstructed views and airflow. A key feature is the interstitial atrium space created between the original building and the new insulated shell. This buffer zone incorporates operable windows for passive ventilation and a four-story climbing wall, catering to the owner's passion for rock climbing. The project demonstrates how older buildings can be upgraded to produce more energy than they consume. By combining active technologies like mechanical ventilation with passive strategies such as stack ventilation and high-performance building envelopes, the architects have created a model for sustainable renovation. This approach not only reduces the building's environmental impact but actively contributes to regeneration, setting a replicable standard for energy-positive retrofits in residential architecture. 设计团队: 众建筑事务所,这家由何哲、沈海恩和臧峰三位建筑师于2010年共同创立的国际设计机构,如今已在洛杉矶、北京和深圳设有办公室。作为一家跨领域的艺术设计工作室,众建筑以其促进社会互动、融合多元视角的作品而闻名业界。 众建筑的作品范围广泛,从微型介入到大尺度城市设计无所不包。他们的作品曾在威尼斯建筑双年展和伦敦设计博物馆等顶级场所展出。2018年,《快公司》将众建筑评为全球十大最具创新力的建筑公司之一,而《Domus》杂志则在2019年将其列为世界最佳建筑事务所之一。 事务所对经济适用房的执着探索促成了2020年"即插即用房屋公司"的成立,专注于开发低成本预制房屋产品。这一举措充分体现了众建筑通过设计解决社会迫切需求的决心。 联合创始人沈海恩曾任哈佛大学罗布研究员和麻省理工学院中国未来城市实验室创新研究员,他将学术界的严谨带入了实践。他在麻省理工和哈佛等顶尖院校的教学经验,为众建筑注入了研究驱动的建筑与城市设计方法论。众建筑的创新实践,正在重新定义中国乃至全球的建筑设计领域。 People's Architecture Office (PAO), founded in 2010 by James Shen, He Zhe, and Zang Feng, is an internationally acclaimed multidisciplinary design practice with offices in Los Angeles, Beijing, and Shenzhen. The firm has garnered global recognition for its innovative approach to architecture that prioritizes social interaction and diverse perspectives. PAO's portfolio spans a wide range of scales and typologies, from micro-interventions to large-scale urban designs. Their work has been exhibited at prestigious venues including the Venice Architecture Biennale and the London Design Museum. In 2018, Fast Company named PAO one of the world's ten most innovative architecture companies, while Domus recognized it as one of the best architecture firms of 2019. The practice's commitment to affordable housing solutions led to the spin-off of the Plugin House Company in 2020, specializing in low-cost prefabricated homes. This initiative exemplifies PAO's dedication to addressing pressing societal needs through design. Co-founder James Shen, a Loeb Fellow at Harvard and Innovation Fellow at MIT's China Future City Lab, brings academic rigor to the practice. His experience teaching at prestigious institutions like MIT and Harvard informs PAO's research-driven approach to architecture and urban design. 设计团队 旅游探访 505 ㎡ 中国,深圳 2024年 Previous Next

  • 波兹南奢华公寓 Studio GAB | Archicasting

    < 返回 波兹南奢华公寓 Studio GAB 项目名称:波兹南奢华公寓 地点:波兹南,波兰 设计团队:Studio GAB 建筑面积:107 m² 竣工时间:2025年 摄影:Oni Studio 设计特色: 项目 - 位于波兰波兹南的奢华公寓由Studio GAB设计,展现了当代都市居住的精致典范,以清晰、优雅和微妙的亲密感为设计理念。这套107平方米的公寓布局既拥抱开放性又保持私密性,创造出一个既宽敞又经过精巧设计分区的居住空间。 该项目最引人注目的设计成就在于其巧妙平衡开放性与私密性的空间策略。公寓核心是起居室与相邻厨房,通过隔墙巧妙分离。这一解决方案保持空间明亮通风,同时让厨房保持略微隐蔽,确保主要生活区域保持干净、整洁的氛围。卧室被构想为私人静修空间,配有独立浴室,提供舒适和隐私,而第三个房间作为灵活的客房空间。 室内设计的显著特色是对天然材料的运用。地面铺设优雅大理石,赋予奢华感和永恒性,而定制木质内装增添温暖和触觉品质,在精致与舒适之间取得平衡。这些元素共同创造出精致与自然简约之间的对话,塑造出既宁静又温馨的氛围。 材料表达体现了与空间的深度对话。Studio GAB的设计强调功能性而不牺牲美感。自然光线、精致纹理和克制的色彩搭配汇聚一起,将紧凑的都市公寓转变为和谐温馨的生活环境。这个项目体现了工作室的设计哲学:创造不仅在美学上引人注目,而且深度契合日常生活节奏的空间。 设计团队 - Studio GAB由Katarzyna Osipowicz-Grabowska和Piotr Grabowski于2016年创立,已确立其作为杰出建筑实践机构的地位,总部位于波兹南,通过屡获殊荣的住宅设计和深思熟虑的适应性改造项目确立了自身地位。工作室的首个项目——Nowa Górka住宅——荣获享有盛誉的SARP 2016奖项荣誉提名,为其致力于卓越建筑品质奠定了发展轨迹。 在Osipowicz-Grabowska和Grabowski的创意指导下,Studio GAB追求以居住者与建成环境之间基本关系为核心的设计方法论。工作室的设计起点是接受者与环境的关系——人与建筑以及周围环境的关系。其设计方法的关键是巧妙理解客户需求并将其转化为建筑运营方式。 工作室的设计哲学围绕"不仅解决空间问题"的理念展开,对地点、现有组织、项目和预算的理解使他们能够创造新的机会,发现潜力并为特定地点增添新价值。在环境意识和人口变化加深的时代,其项目基于最可能和理性的技术解决方案有意识地创建,使设计的建筑经久耐用并允许未来适应其他用途。 该实践理解建筑为个性化学科,每个案例都努力不重复以前获得的模式。两位主创均在波兹南理工大学建筑学院从事建筑教育,Katarzyna自2019年任教,Piotr自2020年任教。教学建立了更具反思性和分析性的态度,专业经验通过对自己项目更有意义的方法得到补充。著名作品包括获得SARP 2016奖项荣誉提名的Nowa Górka住宅、Czerniakowski港船员办公楼竞赛一等奖以及Burkietowicz集团办公楼投资竞赛一等奖。 设计团队 旅游探访 107 m² 波兹南,波兰 2025 Previous Next

  • OZBE咖啡馆 KKOL Studio | Archicasting

    < 返回 OZBE咖啡馆 KKOL Studio 项目名称: OZBE Cafe 地点: 安东市,韩国 设计团队: KKOL Studio 项目面积: 495 m² 竣工时间: 2025年 施工单位: IAAP STUDIO 摄影: Donggyu Kim 设计特色: 项目 – 在韩国充满活力的咖啡馆文化中,由KKOL工作室设计的OZBE咖啡馆以工业美学与有机生命力的完美融合脱颖而出。这座建于2025年、面积495平方米的建筑,通过将高端水果市场与精致的休闲空间相结合,跨越四层精心打造的空间,重新定义了传统咖啡馆的类型学。 项目的概念基础源自一个独特的灵感:从混凝土缝隙中绽放的花朵。这种诗意的诠释贯穿整个空间,原始的混凝土表面刻意为新鲜水果和精心策划的植物展示创造了一个朴实的背景。KKOL工作室的设计方法挑战了工业材料与有机元素之间预期的不协调,而是构建了一种和谐的对话,增强了两者的特性。 空间规划反映了深思熟虑的垂直层级:一层设有水果市场,与街道层面的活动建立直接联系,而上层则过渡为更私密的休息空间。材料选择以裸露的混凝土和温暖的硬木之间的互动为主,创造了一个精致的基调,让色彩缤纷的农产品自然地融入室内设计方案中。 OZBE的与众不同之处在于其包容性的设计方法,满足了预期客户群的多样化需求。工作室开发了一系列定制家具,吸引多个年龄层的访客——从能引起年轻访客兴趣的曲线条板条长凳,到为成年顾客精心考虑的人体工程学座椅布置。这种对多代功能性的关注将空间从单纯的美学考虑提升为真正以用户为中心的环境。 最终呈现的是一个突破传统分类的革新性零售咖啡馆混合空间,在这里工业建筑成为展现自然丰富性的画布,每一个设计决策都强化了生命力从结构简朴中涌现的核心理念。 团队 – KKOL工作室成立于2021年7月的韩国,在当代空间设计领域迅速崭露头角。在创始合伙人Euisun Yoon和Hongbeom An的领导下,工作室以精品工作室的形式运营,为各种规模的建筑和室内设计项目带来精密的设计方法。 工作室的设计理念集中在空间品质的民主化,摒弃了传统的项目规模层级观念,转而采用更细腻的、以叙事为驱动的设计方法。他们的方法论特点是采用整体性的设计过程,将每个空间元素都视为整体建筑构成的重要组成部分。 自成立以来,KKOL工作室已经建立了涵盖零售、酒店和商业领域的独特项目组合。他们的作品以对材料性的深刻理解以及创造超越典型功能限制的沉浸式空间体验的能力而著称。工作室最近完成的OZBE咖啡馆项目充分展示了他们在平衡原始建筑元素与精致细节和周到规划方面的才能。 工作室通过慎重选择委托项目来保持其创作完整性,由四人核心设计团队负责监督设计过程的各个方面,从概念发展到材料规范和施工文件编制。这种亲力亲为的方法确保了所有项目都保持一致的质量标准和对细节的关注。 Project Name: OZBE Cafe Location: Andong,South Korea Design Team: KKOL Studio Project Area: 495 m² Completion Date: 2025 Construction: IAAP STUDIO Photography: Donggyu Kim Feature: Project - In a striking convergence of industrial aesthetics and organic vitality, OZBE Cafe by KKOL Studio emerges as a masterful exploration of contrast in Andong's vibrant cafe scene. This 495-square-meter establishment, completed in 2025, reimagines the conventional cafe typology by integrating a premium fruit market with sophisticated lounging spaces across four meticulously crafted floors. The project's conceptual foundation draws inspiration from an unlikely source: flowers emerging from concrete crevices. This poetic interpretation manifests throughout the space, where raw concrete surfaces create a deliberately austere backdrop for the vibrant display of fresh fruits and carefully curated vegetation. KKOL Studio's approach challenges the expected discord between industrial materials and organic elements, instead crafting a harmonious dialogue that enhances both. The spatial programming reflects a thoughtful vertical hierarchy: the ground floor houses the fruit market, establishing an immediate connection with street-level activity, while the upper floors transition into more intimate lounging spaces. The material palette is anchored by the interplay between exposed concrete and warm maple hardwood, creating a sophisticated foundation that allows the colorful produce to become an integral part of the interior design scheme. What sets OZBE apart is its inclusive design approach, addressing the diverse needs of its anticipated clientele. The studio has developed a series of bespoke furniture pieces that appeal to multiple generations – from playful curved benches with slatted details that intrigue younger visitors to ergonomically considered seating arrangements for mature patrons. This attention to multi-generational functionality elevates the space beyond mere aesthetic consideration into a truly user-centric environment. The result is a revolutionary retail-cafe hybrid that transcends conventional categorization, where industrial architecture serves as a canvas for celebrating natural abundance, and where every design decision reinforces the core concept of vital energy emerging from structural austerity. Design Team - KKOL Studio, established in July 2021 in South Korea, has rapidly emerged as a notable presence in contemporary spatial design. Under the leadership of founding partners Euisun Yoon and Hongbeom An, the practice operates as an intimate atelier-style studio, bringing a meticulous approach to architectural and interior interventions across various scales. The studio's design philosophy centers on the democratization of spatial quality, rejecting the conventional hierarchy of project scale in favor of a more nuanced, narrative-driven approach. Their methodology is characterized by a holistic design process that considers every spatial element as an integral part of the overall architectural composition. Since its inception, KKOL Studio has developed a distinctive portfolio that spans retail, hospitality, and commercial sectors. Their work is marked by a sophisticated understanding of materiality and an ability to create immersive spatial experiences that transcend typical programmatic constraints. The studio's recent completion of OZBE Cafe exemplifies their talent for balancing raw architectural elements with refined details and thoughtful programming. The practice maintains its creative integrity through a deliberately selective approach to commissions, operating with a core team of four designers who oversee all aspects of the design process, from conceptual development through to material specification and construction documentation. This hands-on methodology ensures a consistent level of quality and attention to detail across all projects. 设计团队 旅游探访 495 m² 安东,韩国 2025 Previous Next

  • 上海蒂芙尼太古里门店 MVRDV | Archicasting

    < 返回 上海蒂芙尼太古里门店 MVRDV 设计特色: 荷兰建筑事务所MVRDV为蒂芙尼在上海太古里前滩的最新力作,堪称奢华珠宝与建筑创新的完美融合。这家荷兰公司将店铺外立面打造成一道令人目眩神迷的景观,装饰了近7000颗手工制作的玻璃"钻石",向这个标志性珠宝品牌的传统致敬。 这个引人注目的外观在上海高端购物区的中心地带成为一个大胆的宣言。白天,外立面栩栩如生,每一个玻璃元素都反射并折射周围环境,创造出闪烁变幻的视觉效果。夜幕降临时,整合的变色LED照明系统让商店能够散发出多种色彩,包括品牌标志性的蒂芙尼蓝®。设计的精妙之处在于其看似简单却蕴含深意。MVRDV的方法将蒂芙尼的传统与前沿建筑技术完美结合,打造出一个吸引路人驻足的三维画布。精心设计的结构确保了可持续性,每个组件都考虑到了未来的拆解和回收利用。 通过汲取上海缤纷天际线的灵感,MVRDV为蒂芙尼的全球形象创造了一个本地化诠释。这个项目不仅提升了品牌的视觉形象,还为零售建筑设立了新标准,将艺术、技术和奢华完美融合,成为城市中一颗难忘的明珠。 MVRDV's latest creation for Tiffany & Co. in Shanghai's Taikoo Li Qiantan retail development is a dazzling testament to the fusion of luxury jewelry and architectural innovation. The Dutch firm has transformed the store's facade into a mesmerizing spectacle, adorning it with nearly 7,000 handcrafted glass "diamonds" that pay homage to the iconic jeweler's legacy. This striking exterior serves as a bold statement in the heart of Shanghai's high-end shopping district. During daylight hours, the facade comes alive as each glass element reflects and refracts its surroundings, creating a shimmering, ever-changing display. As night falls, the integration of color-changing LED lighting allows the store to radiate in a spectrum of hues, including the brand's signature Tiffany Blue®. The design's brilliance lies in its deceptive simplicity. MVRDV's approach marries Tiffany's heritage with cutting-edge architectural techniques, resulting in a three-dimensional canvas that captivates passersby. The carefully engineered structure ensures sustainability, with each component designed for future disassembly and recycling. By drawing inspiration from Shanghai's vibrant skyline, MVRDV has created a localized interpretation of Tiffany's global presence. This project not only elevates the brand's visual identity but also sets a new standard for retail architecture, seamlessly blending art, technology, and luxury in an unforgettable urban jewel. 设计团队: MVRDV建筑事务所于1993年由维尼·马斯(Winy Maas)、雅各布·范赖斯(Jacob van Rijs)和娜塔莉·德弗里斯(Nathalie de Vries)共同创立,如今已成为创新建筑设计和城市规划领域的先锋。目前,除创始合伙人外,弗朗斯·德维特(Frans de Witte)、福克·莫雷尔(Fokke Moerel)、石文倩(Wenchian Shi)、扬·克尼克(Jan Knikker)和贝特朗·希潘(Bertrand Schippan)也加入领导团队。这家总部位于鹿特丹的公司已经在全球扩张,在上海、巴黎、柏林和纽约都设有办事处。 MVRDV的设计方法以严谨的研究、多学科协作和对可持续性的承诺为特征。他们内部的气候团队确保每个设计都符合生态环保理念,而MVRDV NEXT则不断推动计算机辅助设计和技术集成的边界。该公司的作品涵盖了令人印象深刻的多种建筑类型,从鹿特丹标志性的混合用途建筑Markthal到具有重要文化意义的项目,如博伊曼斯·范伯宁恩美术馆藏品库。 MVRDV的作品经常挑战传统建筑规范,比如地拉那金字塔的改造项目和天津滨海图书馆等。在300多名专业人士的努力下,MVRDV持续塑造着建筑和城市规划的未来。他们强调创意、功能性和社会责任的设计理念赢得了国际赞誉和众多奖项。通过其附属智库"未来工厂"(The Why Factory),MVRDV还为学术讨论做出贡献,构想未来城市,并不断推动建筑思想的边界。 Founded in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, MVRDV has established itself as a vanguard in innovative architectural design and urban planning. Now led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, this Rotterdam-based firm has expanded globally with offices in Shanghai, Paris, Berlin, and New York. MVRDV's approach is characterized by rigorous research, multidisciplinary collaboration, and a commitment to sustainability. Their in-house Climate Team ensures eco-conscious designs, while MVRDV NEXT pushes the boundaries of computational design and technology integration. The firm's portfolio spans an impressive range of typologies, from mixed-use developments like the iconic Markthal in Rotterdam to culturally significant projects such as the Depot Boijmans Van Beuningen. MVRDV's work often challenges conventional architectural norms, as seen in projects like the Pyramid of Tirana transformation and the Tianjin Binhai Library. With a team of over 300 professionals, MVRDV continues to shape the future of architecture and urbanism. Their design philosophy, which emphasizes creativity, functionality, and social responsibility, has garnered international acclaim and numerous awards. Through their associated think tank, The Why Factory, MVRDV also contributes to academic discourse, envisioning future cities and pushing the boundaries of architectural thought. 设计团队 旅游探访 533 m² 中国,上海 2024年 Previous Next

  • 索莱姆森林住宅 MORFEUS arkitekter | Archicasting

    < 返回 索莱姆森林住宅 MORFEUS arkitekter 项目名称:Solem Forest House 索莱姆森林住宅 地点:奥斯陆,挪威 设计团队:MORFEUS arkitekter 建筑面积:170平方米 竣工时间:2024年 摄影:Finn Ståle Felberg 设计特色: MORFEUS arkitekter设计的索莱姆森林住宅展现了如何通过创新的屋顶体量嵌入策略和巧妙的室内外边界消解技术,将一座破旧的1946年木结构住宅转化为与森林环境和谐共生的当代居所。 这座170平方米的住宅戏剧性地坐落于奥斯陆郊区的缓坡山脊上,呈现为对场地响应式建筑、可持续设计实践和斯堪的纳维亚生活方式融合的探索。它没有完全抛弃原有的砖石基础,而是通过精心的干预,创造出一个将深色木质外表与明亮内核无缝交织的居住体验。 项目的巧妙于对传统住宅屋顶系统的根本性重新构想。交叉山墙屋顶系统巧妙地将二层嵌入屋顶体量中,最小化建筑的视觉高度以符合当地建筑规范并响应周边建筑尺度。这种建筑策略确保从每个房间都能通过战略性布置的屋顶窗户看到充足自然光和周围松树林的景观,创造了建筑与自然的持续对话。 设计师运用从周围松树汲取的灵感来重新定义居住体验。外部采用深色木材包覆,如同树干般融入森林环境,而内部则打造浅色实木空间。这种大胆的对比不仅增加了空间的触觉温暖感和优良室内气候调节,同时巧妙地呼应了自然界外暗内明的有机逻辑。 设计师通过多层次空间和精心考虑的视线在不同功能区域间创造情感过渡。多变的屋檐创造出部分遮蔽的户外空间,多个出入口和门窗视线使居住者能够轻松走出户外,同时将季节变化和天气变化作为室内体验的一部分。首层采用无障碍设计并可容纳来访的朋友和家人,而定制化内置储物解决方案则为户外活动生活方式提供实用支持。 景观策略延续了这种最小化场地干扰的设计理念。场地的自然轮廓、表土和裸露山体区域得以保留,所有外部表面均可渗透,雨水在本地渗透。现有植被、灌木和树木在很大程度上保持原状,使住宅温和地融入场地环境,体现了对奥斯陆水源集水区严格管控规定的深刻尊重。 设计团队 : MORFEUS arkitekter作为当代斯堪的纳维亚建筑实践的杰出代表,由建筑师Caroline Støvring和Cecilie Wille于2007年在奥斯陆创立,自成立以来已确立其在场地响应式住宅设计和永恒建筑语言创新领域的先锋地位。这家立足奥斯陆的事务所通过直觉与理性相结合的设计方法论,重新定义北欧建筑师在当代设计话语中的角色。 MORFEUS arkitekter为建筑实践带来了卓越的跨学科设计视角和对协作过程的深刻理解。该事务所因其将每个委托项目视为本质上独特存在的承诺而获得认可,两位创始人均为经验丰富的执业建筑师,Støvring毕业于奥斯陆建筑学院(1996年)并完成Glenn Murcutt国际大师班进修(2005年),Wille毕业于挪威科技大学(1993年)并获得哥伦比亚大学建筑规划与保护研究生院理学硕士学位(1997年)。两位合伙人均曾在Kari Nissen Brodtkorb建筑事务所等知名实践中受训,并积极参与挪威建筑界的公共话语,Støvring曾担任奥斯陆建筑协会主席(2015至2017年),Wille曾担任挪威建筑师协会副主席(2010至2012年)。 该事务所的设计哲学强调建筑应该超越时间限制,不仅仅是为了持久存在而设计,更是为了响应场地、功能和客户愿景创造独特解决方案。通过可持续设计实践和创新方法,开展从私人住宅、商业开发住宅到幼儿园、景观装置和展览的多元化项目,相信最好的建筑是通过精准和深思熟虑的协作过程产生的精致干预。MORFEUS arkitekter相信建筑应该成为场地特定品质和文化传承的载体,通过策略性的空间组织和材料选择创造永恒的居住体验。 除实践外,该事务所通过有限的团队规模保持着强有力的协作工作流程,使项目能够在内部共同推进,并在项目各个阶段与客户、建筑工程师、顾问和承包商保持外部对话。通过对传统斯堪的纳维亚工艺与现代建造方法的深思熟虑结合、本地材料的运用,以及经过时间验证的场地敏感性,MORFEUS arkitekter已确立自己作为当代挪威建筑话语重要贡献者的地位,创造出既具地方回应性又拥抱永恒设计价值的建筑作品。该事务所已获得多项荣誉,包括2018年北挪威建筑奖、2018年混凝土奖、2019年奥斯陆市建筑奖入围以及2012年和2018年贝鲁姆建筑奖提名,作品广泛发表于国内和国际建筑期刊。 设计团队 旅游探访 170 m² 奥斯陆,挪威 2024 Previous Next

  • Kornmarktplatz 酒店公寓 Herzog & de Meuron | Archicasting

    < 返回 Kornmarktplatz 酒店公寓 Herzog & de Meuron 设计特色: 赫尔佐格和德梅隆为布雷根茨历史建筑注入新生命,他们的最新建筑杰作巧妙地融合了传统与现代风格。坐落于这座奥地利城市文化中心的Kornmarktplatz 酒店公寓(联排别墅),彰显了深思熟虑的城市更新和创新设计理念。 这座五层楼的奇迹之作包含了一家精品酒店、一个多功能文化活动空间和一套私人公寓,同时保留了其新巴洛克风格的立面。建筑师们巧妙地保留了建筑的历史本质,同时注入了现代功能。该建筑最引人注目的特征是其桶状屋顶和统一的白色金属外表皮,与现有的浅蓝色和白色装饰立面相得益彰,创造出一种协调的美感。这种巧妙的整合使得它能够与城市环境和谐共处,同时又彰显其独特的建筑特性。宽敞的玻璃窗提供了康斯坦茨湖和普芬德山的壮丽景色,将室内空间与周围景观紧密相连。中央垂直通道核心和屋顶露台配有天窗,为建筑的中心区域带来充足的自然光线。 赫尔佐格和德梅隆的设计巧妙地处理了公共空间到私密空间的过渡,北面朝向广场的一侧展现出公共形象,而南面朝向庭院的一侧则营造出更为私密的氛围。这种细致入微的空间规划确保了这座建筑既能成为充满活力的文化中心,又能作为宁静的城市休憩之所。 Herzog & de Meuron breathes new life into a historic Bregenz building, seamlessly blending heritage and modernity in their latest architectural gem. The Kornmarktplatz Townhouse, nestled in the cultural heart of the Austrian city, stands as a testament to thoughtful urban renewal and innovative design. This five-story marvel houses a boutique hotel, a versatile cultural event space, and a private apartment, all while preserving its neo-baroque façade. The architects have masterfully retained the building's historical essence while infusing it with contemporary functionality. The structure's most striking feature is its barrel-shaped roof and uniform white metal cladding, creating a cohesive aesthetic that complements the existing light blue and white ornamented façade. This clever integration allows the townhouse to sit harmoniously within its urban context while asserting its own architectural identity. Generous glazing offers breathtaking views of Lake Constance and the Pfänder mountain, connecting interior spaces with the surrounding landscape. A central vertical access core and roof terrace, complete with a skylight, flood the building's heart with natural light. Herzog & de Meuron's design deftly navigates the transition from public to private spaces, with the north-facing square-side exuding a public presence, while the south-facing courtyard offers a more intimate atmosphere. This nuanced approach to spatial planning ensures the Kornmarktplatz Townhouse serves as both a vibrant cultural hub and a tranquil urban retreat. 设计团队: 赫尔佐格和德梅隆建筑事务所自1978年成立以来,已成为当代建筑界的先锋力量。这家总部位于巴塞尔的事务所由雅克·赫尔佐格和皮埃尔·德梅隆领衔,已发展成为一个国际性的建筑设计巨擘,拥有来自50个国家的500多名专业设计人员,在40个国家承接各类项目。 该事务所的设计方法以注重场景语境和创新性而著称,突破了传统界限。他们的作品范围广泛,从小型私密建筑到大规模城市总体规划,始终展现出对场地特性和文化相关性的敏锐洞察力。 赫尔佐格和德梅隆的作品以其对材料性、构造表现力和可持续实践的强调而独树一帜。事务所的设计理念将尖端技术与工匠精神相结合,打造出既视觉震撼又功能完善的建筑。他们的代表作,如伦敦泰特现代美术馆和汉堡易北爱乐音乐厅,充分展示了他们重新诠释现有建筑结构的同时创造大胆新颖的建筑语言的能力。事务所对研究和创新的承诺体现在他们对新型材料和施工技术的探索中。 作为普利兹克奖等众多荣誉的获得者,赫尔佐格和德梅隆凭借其深思熟虑、革新性的设计和城市规划方法,持续塑造着全球建筑景观。 Founded in 1978, Herzog & de Meuron has established itself as a contemporary architecture pioneer. This Basel-based practice, led by Jacques Herzog and Pierre de Meuron, has grown into an international powerhouse with over 500 professionals from 50 countries, tackling diverse projects across 40 nations. The firm's approach is characterized by a commitment to contextualized, innovative design that transcends conventional boundaries. Their portfolio spans from intimate structures to expansive urban masterplans, consistently demonstrating a keen sensitivity to site-specificity and cultural relevance. Herzog & de Meuron's work is distinguished by its emphasis on materiality, tectonic expression, and sustainable practices. The firm's design philosophy integrates cutting-edge technology with artisanal craftsmanship, resulting in buildings that are both visually striking and functionally sophisticated. Their projects, such as the Tate Modern in London and the Elbphilharmonie in Hamburg, exemplify their ability to reimagine existing structures while creating bold new architectural statements. The practice's commitment to research and innovation is evident in its exploration of novel materials and construction techniques. Recognized with numerous accolades, including the Pritzker Prize in 2001, Herzog & de Meuron continues to shape the global architectural landscape with their thoughtful, transformative approach to design and urban planning. 设计团队 旅游探访 1140 m² 奥地利,布雷根茨 2024年 Previous Next

  • 深圳科技馆(新馆) 扎哈·哈迪德建筑事务所 | Archicasting

    < 返回 深圳科技馆(新馆) 扎哈·哈迪德建筑事务所 项目名称:深圳科技馆(新馆) 地点:深圳市,中国 设计团队:扎哈·哈迪德建筑事务所 建筑面积:128276 m² 完成时间:2025 摄影:Virgile Simon Bertrand 设计特色: 项目 - 作为一个前沿性的可持续设计典范,扎哈·哈迪德建筑事务所打造了深圳科技馆(新馆)——一座集科学探索与创新展示于一体的地标性建筑。这座128276平方米的建筑代表了可持续建筑领域的重大突破,是大湾区核心文化设施之一,展示科学探索、突破性研究以及技术的未来可能性。 深圳光明区的这一地标性项目展示了设计的核心创新:独特的"球形"外观,其外立面从深蓝色过渡到各种灰色调,唤起太空中天体运动的动态感。策略性地位于深圳地铁网光明站旁边,这座建筑以坚实的体量面向城市,定义了新科学园区的东南角,同时向西延伸并转变为一系列俯瞰公园的动态露台。 材料选择在这个项目中扮演着关键角色,特别是中国首次大规模应用的双色INCO技术。通过精确控制电解液配方和氧化时间,在钢材表面生成纳米级氧化膜,为外立面提供自我保护、自我清洁的微层,增强耐候性和耐腐蚀性,同时在不使用油漆的情况下为不锈钢带来精致的质感和色彩。 使深圳科技馆(新馆)区别于传统博物馆的是其全面的可持续性方法。项目旨在获得中国绿色建筑评价标准的最高三星级评级,将被动设计特性与运行高效系统的智能管理网络相结合,预计将建筑的年能耗降低至每平方米15.47公斤标准煤,并将电力需求产生的排放量降低至估计每年每平方米125.89千瓦时。 建筑内部的设计围绕壮观的中央中庭展开,多个展览厅从中庭的地面和墙壁中浮现或悬浮于上方,为参观者提供直观的导向。中庭配有面向公园的大型玻璃墙,模糊了内外空间的界限,将自然光、景观和人类无尽的好奇心引入建筑核心。 深圳科技馆(新馆)成为当代建筑实践的重要贡献——一个融合科学探索、建筑创新和环境管理的项目,证明可持续设计可同时保证建筑表现力和用户体验。 团队 - 扎哈·哈迪德建筑事务所是一家总部位于伦敦克莱肯威尔区的国际知名建筑设计公司,由已故建筑大师扎哈·哈迪德于1979年创立,在她2016年逝世后,现由首席合伙人帕特里克·舒马赫领导。 作为一家拥有500多名专业人员的公司,扎哈·哈迪德建筑事务所因其设计卓越性而享誉国际,目前参与遍布21个国家的项目。该事务所以其流动的几何形态和创新的结构解决方案著称,通过参数化设计方法和计算技术不断推动建筑表达的边界。 扎哈·哈迪德创造强大而动态的设计,推进新范式,如罗马MAXXI博物馆(2010年斯特林奖获奖作品)、巴库海达尔·阿利耶夫中心和广州歌剧院等标志性项目。近期,该事务所作品展示了可持续策略与其标志性形式语言的日益融合,如在阿联酋的BEEAH总部(2023年约翰逊控制公司未来蓝图奖)和广州无限极广场(2022年英国卓越设计奖)。 自成立以来,塑造前卫建筑一直是扎哈·哈迪德建筑事务所实践的核心。他们因其作品的形式和情感力量、技术精湛、可持续设计、对社区文化生活的重大贡献以及对物理环境的提升而备受赞誉。事务所的创新精神进一步体现在建立ZHAI(扎哈·哈迪德分析+洞见)专门内部单位,探索人工智能在建筑设计中的应用。 Project Name: Shenzhen Science & Technology Museum Location: Shenzhen, China Design Team: Zaha Hadid Architects Size: 128,276 m² Completion: 2025 Photography: Virgile Simon Bertrand Feature: Project - As a pioneering example of sustainable design excellence, Zaha Hadid Architects has created the Shenzhen Science & Technology Museum — a landmark facility that integrates scientific exploration with innovative exhibition spaces. The 128,276-square-meter structure represents a significant advancement in sustainable architecture, serving as a core cultural facility in the Greater Bay Area, showcasing scientific endeavor, ground-breaking research, and future possibilities of technology. The landmark Guangming District installation showcases the design's core innovation: a distinctive spherical form with a facade that transitions from deep blue to various shades of grey, evoking the dynamic movement of celestial bodies in space. Strategically positioned adjacent to Guangming Station of Shenzhen's metro network, the building responds to its location as a solid volume facing the city, defining the southeast corner of the new Science Park, while extending westwards and transforming into a dynamic sequence of terraces overlooking the park. Materiality plays a crucial role in the project, particularly the first large-scale application of dual color INCO technology in China. By precisely controlling an electrolyte formula and oxidation time, a nano-scale oxide film is generated on the surface of the steel, giving the facade a self-protecting, self-cleaning micro-layer that enhances resilience to weather and corrosion, while enriching the stainless steel with texture and color without any painting. What distinguishes the Shenzhen Science & Technology Museum from conventional museums is its comprehensive approach to sustainability. The project aims to achieve the highest three-star rating of China's Green Building Evaluation Standard, with passive design features combined with smart management networks operating high-efficiency systems projected to reduce the building's energy consumption to 15.47 kgce/sqm per year, subsequently lowering emissions from electricity demand to an estimated 125.89 kWh/sqm annually. The interior design revolves around a spectacular central atrium, with multiple galleries emerging from the floor and walls of the atrium or floating above it, providing intuitive direction for visitors. The atrium features a large glazed wall facing the park, blurring the boundary between inside and out, inviting natural light, landscapes, and human curiosity into the heart of the building. The Shenzhen Science & Technology Museum emerges as a significant contribution to contemporary architectural practice — a project that merges scientific discovery, architectural innovation, and environmental stewardship, proving that sustainable design need not compromise architectural expression and user experience. Design Team - Zaha Hadid Architects is an internationally-acclaimed practice based in London's Clerkenwell district, founded by the late architectural master Zaha Hadid in 1979, and led by Principal Patrik Schumacher following Hadid's passing in 2016. As a 500+ person company, Zaha Hadid Architects is internationally recognized for design excellence, currently engaged in projects across 21 countries. The firm is known for its fluid geometries and innovative structural solutions, consistently pushing the boundaries of architectural expression through parametric design methodologies and computational techniques. Zaha Hadid creates powerful and dynamic designs that advance new paradigms, as evidenced in landmark projects such as the MAXXI Museum in Rome (Stirling Prize winner, 2010), the Heydar Aliyev Center in Baku, and the Guangzhou Opera House. Recently, the firm's work demonstrates an increasing integration of sustainable strategies with their signature formal language, as seen in the BEEAH Headquarters in the UAE (Johnson Controls Blueprint of the Future Award, 2023) and the Infinitus Plaza in Guangzhou (UK Excellence in Design Award, 2022). Since its founding, shaping avant-garde architecture has been central to Zaha Hadid Architects' practice. They have been acclaimed for the formal and affective power of their work, for technical virtuosity, for sustainable design, for significant contributions to the cultural life of communities and the enhancement of physical environments. The firm's innovative spirit is further reflected in the establishment of ZHAI (Zaha Hadid Analytics + Insights), a dedicated internal unit exploring artificial intelligence applications in architectural design. 设计团队 旅游探访 128276 m² 深圳,中国 2025 Previous Next

  • 太浩湖小屋 RO | ROCKETT DESIGN | Archicasting

    < 返回 太浩湖小屋 RO | ROCKETT DESIGN 设计特色: 项目 – 沿着内华达州因克莱恩村环境优美的水晶湾湖滨,RO | ROCKETT DESIGN的"太浩湖小屋"犹如明珠三朵,顺势镶嵌于起伏的地形之上,与大自然相互渗透、相浑相融。项目绝妙之处,在于将三座分立的建筑以一座玻璃廊桥串联,曲线流畅、行云流水,却又能"屈身"保留一块史前巨石的原始天成。这般布局,不仅营造出遵循地貌的序曲式观湖渡口,更令建筑群与山水相拥而生,相视相亲。自东面开阔的落地玻璃窗,远眺湖光潋滟,心旷神怡;体现"拥抱自然"的理念。而临崖的小天井则是静谧的避世之所,最低层则蕴藏着温泉以及伸向湖心的码头,将建筑作为通向湖光漪涟和星月交辉的引子。在这栋杰作中,人与自然的合壁共融达到了至高至纯的水准,这份对环境土地的致敬之礼,方显建筑师们的非凡构思。 团队 – 2011年创立的RO | ROCKETT 设计事务所,是一家全方位的建筑设计公司,办公室设立在美国的洛杉矶、旧金山及阿斯彭三地。这家公司追求打造出多重体验的空间、景观和环境,无论实用或带来纯粹欢悦,皆期望创作出让人愿意反复探访的场所。他们的设计理念核心在于,通过空间比例、自然采光的导入和材料质地的营造,动态地调节人们与周遭环境的亲密关系,无论近景还是远景。其设计团队的各办公室虽然地理上分布不同,但在实时工作上却无缝协作,对每一个项目都全力以赴,确保设计理念的贯彻统一。该事务所的两位主理人分别是Jason Ro与Zac Rockett,均为哈佛建筑学硕士,并且曾在伦佐·皮亚诺建筑工作室等知名设计事务所历练。他们集结了一批优秀的建筑师和设计师,竭诚以创造非凡的建筑作品为毕生追求。 Feature: Project - Nestled along the rugged Crystal Bay shoreline, the Lake Tahoe Cabins by RO | ROCKETT DESIGN exemplify an ingenious response to the complex lakefront terrain. The project comprises three discrete structures that traverse the landscape, each strategically positioned to forge distinct connections with the surrounding Tahoe scenery. A standout feature is the glazed bridge that links the cabins, artfully kinked to preserve a mass of prehistoric Sierra granite in its path. This unique arrangement creates recreational alcoves before approaching the waterfront. The structures' form follows function, with expansive east-facing facades that capture stunning lake vistas. On the second level, the great room and kitchen expand seamlessly onto a grand balcony, offering breathtaking panoramic views. An intimate hillside deck provides a cozy retreat from the cabin's spacious entertainment areas. Descending to the lowest level reveals a fire pit and oversized hot tub, leading to a pier that extends into the pristine waters. With its sensitive integration into the landscape and celebration of indoor-outdoor living, the Lake Tahoe Cabins manifest a remarkable synergy between architecture and nature. RO | ROCKETT DESIGN's thoughtful approach has sculpted a one-of-a-kind lakefront haven that pays homage to its awe-inspiring setting. Design Team - Founded in 2011, RO | ROCKETT DESIGN is a full-service architecture and design practice based across Los Angeles, San Francisco, and Aspen. The collaborative strives to create spaces, landscapes, and environments that provide a rich spectrum of experiences, from utility to simple joy. Their design philosophy centers around shaping spaces, light, and materials to dynamically mediate the occupant's relationship with the surrounding site context. With a keen focus on spatial proportions, the choreography of natural light, and the tactile character of materials, the firm aims to craft places that beckon visitors to return time and again. The seamlessly integrated studios operate interactively in real-time, ensuring a cohesive approach across all projects. RO | ROCKETT DESIGN is led by principals Jason Ro and Zac Rockett, both graduates of the Harvard Graduate School of Design. Ro, born in Cleveland and raised in Seoul, brings experience from practices like Weiss/Manfredi and Rogers Marvel Architects. Rockett, hailing from Oklahoma, has worked with Renzo Piano Building Workshop and Aidlin Darling Design. Together, they helm a talented team of architects and designers dedicated to crafting exceptional built environments. 设计团队 旅游探访 510 m² 美国,内华达州因克莱恩村 2023年 Previous Next

  • 四座模块化幼儿园 SUMMARY | Archicasting

    < 返回 四座模块化幼儿园 SUMMARY 项目名称: 四座模块化幼儿园 地点: 里斯本,葡萄牙 设计团队:SUMMARY 总建筑面积: 760m² + 760m² + 570m² + 570m² (共2660m²) 竣工时间: 2023年 开发方: 里斯本市政府 摄影: Fernando Guerra FG+SG, Ana Gil 设计特色: 项目 - SUMMARY这家葡萄牙建筑工作室在里斯本推出了四座创新的模块化幼儿园,展示了一种将快速建造与周到设计相结合的预制教育建筑先进方法。 该项目于2023年完工,展示了标准化模块建造如何在保持建筑特色的同时,在城市多个位置创造出精致的教育空间。设计的核心是一个独特的"U"形钢筋混凝土模块系统,这些模块可以堆叠和互锁,创造出既实用又具有视觉冲击力的建筑语言。 这些幼儿园的与众不同之处在于其非常高效的建造时间表 - 所有四个设施在短短13个月内就在里斯本不同社区同时建成。这一成就得益于所有结构元素(包括地基)都在工厂受控条件下完成预制,然后再进行现场组装。 每所幼儿园面积从570到760平方米不等,布局围绕着中央走廊展开,这条走廊不仅用于人流流通,还巧妙地整合了基本的建筑设施。两层的布局最大限度地利用了有限的城市用地,同时确保所有活动室都能直接通向户外空间 - 无论是地面操场还是上层露台。 建筑物的外观自豪地展示了其模块化特征,清晰可见的接缝和构造表达展示了每个预制件如何连接成整体。这种诚实的建筑方法延伸到了钢筋混凝土的材料选择上,选择这种材料不仅是出于其耐久性和低维护要求,同时也满足了市政府在全市范围内打造可识别公共设施的要求。 该项目代表了预制教育建筑的重大进步,证明了标准化施工方法如何在最大程度减少建设过程中对社区干扰的同时,提供高质量的空间。它为快速城市教育基础设施发展提供了一个令人信服的模式,既不影响设计质量,也不影响使用体验。 团队 – SUMMARY公司成立于2015年,总部位于波尔图大学科技园,已成为预制建筑解决方案领域的先驱力量。在创始人Samuel Gonçalves的领导下,该公司开发出独特的模块化建筑方法,成功地将实用的建筑解决方案与建筑创新结合起来。 该公司目前拥有包括建筑师和项目经理在内的十名专业人员,凭借其系统化的预制方法获得了国际认可。他们的专业技术在最近完成的里斯本四所模块化幼儿园项目中得到充分展示,这些项目采用了他们标志性的"U"形钢筋混凝土模块系统。 SUMMARY在推进预制建筑方面的努力为他们赢得了诸多荣誉,包括Monocle设计奖的最佳建筑奖(2022年),ArchDaily的最佳新实践奖(2021年),以及Dezeen年度新锐建筑师公众投票奖(2020年)。该公司还积极参与学术交流,Samuel Gonçalves在代尔夫特理工大学建筑系担任客座研究员。 通过其研究驱动的方法,以及在加快建筑过程的同时保持设计质量的重点,SUMMARY已经确立了其在当代预制建筑领域的领先地位,特别是在机构和教育建筑领域。 Project Name: 4 Modular Kindergartens Location: Lisbon, Portugal Design Team: SUMMARY Total Floor Area: 760m² + 760m² + 570m² + 570m² (Total 2,660m²) Completion Year: 2023 Client: Municipality of Lisbon Photography: Fernando Guerra FG+SG, Ana Gil Feature: Project - Portuguese architecture studio has unveiled a pioneering set of four modular kindergartens in Lisbon, showcasing an innovative approach to prefabricated educational architecture that combines rapid construction with thoughtful design. The project, completed in 2023, demonstrates how standardized modular construction can create sophisticated educational spaces while maintaining architectural identity across multiple city locations. At the heart of the design is an ingenious system of "U"-shaped reinforced concrete modules that can be stacked and interlocked, creating a distinctive architectural language that is both functional and visually compelling. What sets these kindergartens apart is their remarkably efficient construction timeline – all four facilities were built simultaneously across different Lisbon neighborhoods in just 13 months. This achievement was made possible through the complete prefabrication of all structural elements, including foundations, under controlled factory conditions before on-site assembly. Each kindergarten, ranging from 570 to 760 square meters, is organized around a central circulation spine that houses not only movement flows but also cleverly integrates essential building services. The two-story layout maximizes the limited urban plots while ensuring all activity rooms maintain direct outdoor access – either to ground-level playgrounds or upper-floor terraces. The buildings' exteriors proudly display their modular DNA, with visible joints and clear tectonic expressions that reveal how each prefabricated piece connects to form the whole. This honest architectural approach extends to the material choice of reinforced concrete, selected for its durability and low maintenance requirements while fulfilling the municipality's brief for creating recognizable public facilities across the city. The project represents a significant advancement in prefabricated educational architecture, demonstrating how standardized construction methods can deliver high-quality spaces while minimizing community disruption during the building process. It offers a compelling model for rapid urban educational infrastructure development without compromising on design quality or user experience. Design Team - SUMMARY, established in 2015 at the Science and Technology Park of the University of Porto, has emerged as a pioneering force in prefabricated architectural solutions. Under the leadership of founder Samuel Gonçalves, the practice has developed a distinctive approach to modular construction that bridges the gap between pragmatic building solutions and architectural innovation. The firm, currently comprising ten professionals including architects and project managers, has gained international recognition for their systematic approach to prefabrication. Their expertise was notably demonstrated in the recent completion of four modular kindergartens in Lisbon, which showcased their signature "U"-shaped reinforced concrete modular system. SUMMARY's commitment to advancing prefabricated architecture has earned them prestigious accolades, including the Monocle Design Awards' Best in Construction (2022), ArchDaily's Best New Practices (2021), and Dezeen's Emerging Architect of the Year Public Vote Winner (2020). The practice has also engaged in significant academic discourse, with Samuel Gonçalves serving as a Visiting Guest Researcher at TU Delft's Department of Architecture. Through their research-driven approach and focus on accelerating construction processes while maintaining design quality, SUMMARY has established itself as a leading voice in contemporary prefabricated architecture, particularly in the institutional and educational sectors. 设计团队 旅游探访 2660m² 里斯本,葡萄牙 2023 Previous Next

  • 时光塔 OPEN Architecture | Archicasting

    < 返回 时光塔 OPEN Architecture 项目名称:时光塔 地点:烟台,中国 设计团队:OPEN建筑事务所 面积:4960 m² 完工时间:2024年 摄影师:Iwan Baan, Jonathan Leijonhufvud 设计特色: 项目 - OPEN建筑事务所最新揭幕的"时光塔"项目坐落于中国东部海岸线,这座雕塑般的文化中心将天体运动和自然现象融入建筑设计中,以当代手法诠释了古老的日光崇拜传统。 这座位于烟台开发区海滨的建筑达到4960平方米,以白色混凝土贝壳状结构矗立于海边,融合了户外剧场、数字展览空间,以及一个仿佛悬浮于海面之上的图书馆。 塔楼最独特的特征在于其几何形态,每一个角度都经过精密计算,与全年特定的太阳运行轨迹相呼应。建筑北侧边缘与春秋分日正午阳光平行,户外剧场的轴线则指向夏至日在芝罘岛上的日出方向,而入口通道的设计则对应冬至日落的位置。 OPEN建筑事务所创始人李虎和黄文菁解释道:"我们希望打造一座文化'灯塔',将古老智慧与当代城市生活连接起来。这座建筑将无形的自然能量转化为可感知的体验。" 建筑由两层主要贝壳状结构组成——外层起保护作用,内层则为凹面设计,能够收集和放大海浪声。这两层结构之间,是一条蜿蜒向上的环形通道,用于数字展览;建筑顶部设有图书馆和"现象空间"——这是一个半露天的中空区域,配有中央天窗和水池,每小时都会产生一次迷人的涡流效果。 值得注意的是,该项目着重强调被动式环境策略,大量减少空调使用,转而采用自然通风技术。设计使用地道制冷、热质量和烟囱效应等手法来维持室内舒适度,同时最大限度地减少能源消耗。 建筑坐落在一个贝壳形状的广场之上,这个广场同时也是一个精密的计时装置。以中心点向外辐射的同心椭圆环,在春秋分期间可通过塔影在水渠上的投射来显示时间。广场外环设有喷泉,与中国农历二十四节气相呼应,并与海潮涨落同步。 通过创新地融合天文定位、环保意识和文化功能,时光塔成为一座现代丰碑,诠释了人类与自然循环和天体韵律之间永恒的联系。 团队 - OPEN建筑事务所由李虎和黄文菁于2003年在纽约创立,并于2008年在北京设立工作室,已发展成为中国最具创新力的建筑设计机构之一。该事务所因其将文化敏感性与环境意识无缝融合的前瞻性建筑理念而获得国际认可。 创始合伙人李虎和黄文菁均毕业于著名学府(清华大学、普林斯顿大学和莱斯大学),在他们的带领下,OPEN打造了一系列突破传统建筑范式的开创性项目。其作品涵盖文化、教育和公共领域,代表作包括UCCA沙丘美术馆、山谷音乐厅等。 事务所的设计理念核心在于通过他们所称的"激进诗意"——将大胆的概念思维与诗意的空间品质相结合,在建筑、自然和人文体验之间创造有意义的联结。这一理念为他们赢得了众多荣誉,包括美国建筑师协会国际设计奖、英国Civic Trust Awards,以及2022年Wallpaper*中国年度设计师等。 目前,OPEN由五位理事协助创始合伙人工作,通过研究导向的方法论和对可持续性的承诺,持续推动建筑设计的边界。他们的作品始终展现着建筑如何能够在城市发展与环境管理之间起到调和作用,同时创造促进人际互动和文化交流的空间。 Project Name: Sun Tower Location: Yantai, China Design Team: OPEN Architecture Area: 4,960 m² Completion Year: 2024 Photographers: Iwan Baan, Jonathan Leijonhufvud Feature: Project - OPEN Architecture has unveiled Sun Tower, a sculptural cultural center on China's eastern coastline that harnesses celestial movements and natural phenomena to create a contemporary interpretation of ancient sun-worshipping traditions. Located in Yantai's seafront development zone, the 4,960-square-metre building rises as a striking composition of white concrete shells, featuring an outdoor amphitheater, digital exhibition spaces, and a library that appears to float above the ocean. The tower's most distinctive feature is its geometry, which has been meticulously calculated to align with specific solar events throughout the year. The building's northern edge parallels the equinox noon sunlight, while its outdoor theater axis points towards sunrise over Zhifu Island during the summer solstice. Even the entrance tunnel has been positioned to capture the winter solstice sunset. "We wanted to create a cultural 'lighthouse' that bridges ancient wisdom with contemporary urban life," explained OPEN Architecture founders Li Hu and Huang Wenjing. "The building transforms invisible natural energies into tangible experiences." The structure comprises two primary shells – an outer protective layer and an inner concave surface that functions as an acoustic collector, amplifying the sound of waves. Between these shells, a zigzagging circulation path houses digital exhibitions, while the summit contains a library and the "Phenomena Space" – a semi-outdoor void featuring a central oculus and a pool that creates a mesmerizing water vortex every hour. Notably, the project emphasizes passive environmental strategies, largely avoiding air conditioning in favor of natural ventilation techniques. The design incorporates tunnel cooling, thermal mass, and chimney effects to maintain comfort while minimizing energy consumption. The building sits atop a seashell-shaped plaza that doubles as a sophisticated timekeeper. Concentric elliptical rings radiate from the center, with the tower's shadow tracking time along a water channel during equinoxes. The plaza's outer ring features fountains coordinated with the 24 Solar Terms of the Chinese lunar calendar and synchronizes with ocean tides. Through its innovative fusion of astronomical alignments, environmental consciousness, and cultural programming, Sun Tower stands as a contemporary monument that celebrates humanity's enduring connection to natural cycles and celestial rhythms. Design Team - OPEN Architecture, founded in New York in 2003 by Li Hu and Huang Wenjing, has emerged as one of China's most innovative architectural practices, establishing its Beijing office in 2008. The firm has garnered international recognition for its progressive approach to architecture that seamlessly integrates cultural sensitivity with environmental consciousness. Led by founding partners Li Hu and Huang Wenjing, both graduates of prestigious institutions (Tsinghua University, Princeton University, and Rice University), OPEN has cultivated a portfolio of groundbreaking projects that challenge conventional architectural paradigms. Their work spans cultural, educational, and public realm interventions, with notable projects including the UCCA Dune Art Museum, Chapel of Sound, Sun Tower, and Tank Shanghai. The practice's design philosophy centers on creating meaningful connections between architecture, nature, and human experience through what they term "radical poetry" - combining bold conceptual thinking with poetic spatial qualities. This approach has earned them numerous accolades, including AIA International Design Awards, the Civic Trust Awards, and recognition as Wallpaper* China Designers of the Year 2022. Currently structured with five directors supporting the founding partners, OPEN continues to push boundaries in architectural design through their research-driven methodology and commitment to sustainability. Their work consistently demonstrates how architecture can mediate between urban development and environmental stewardship while creating spaces that enhance human interaction and cultural exchange. 设计团队 旅游探访 4960 m² 烟台,中国 2024 Previous Next

  • 小石川住宅 铃木雅也建筑设计事务所 | Archicasting

    < 返回 小石川住宅 铃木雅也建筑设计事务所 项目名称:小石川住宅 地点:东京都文京区,日本 设计团队:铃木雅也建筑设计事务所 建筑面积:111.57 m² 竣工时间:2025年9月 摄影:铃木研一 设计特色: 小石川住宅由铃木雅也建筑设计事务所设计,坐落于东京文京区一座拥有50年历史的公寓住宅内,展现了预算约束与空间品质的完美平衡以及创新采光策略的精妙运用。这座111.57平方米的住户改造项目以其独特的三级分层改造策略和几何化镜面配置,重新定义了长条形公寓空间内的光线分布与空间体验。 该项目最引人注目的成就在于其智慧的分区改造策略。建筑面临两大核心挑战:超过100平方米的宽敞面积带来的施工成本压力,以及南北狭长平面形态导致的采光分布不均问题。铃木雅也的设计回应是将整个平面划分为三个不同工程规模的区域:简易改造、部分改造和全面改造。这种策略性分区不仅优化了预算分配,更将工程规模与空间用途、功能需求以及未来变化紧密关联。 建筑叙事通过精妙的空间分层展开,展现出卓越的功能整合。简易改造范围设置为由玄关土间分隔的独立区域,作为即将离家子女的房间,墙面采用芥子色和岩井茶等日本传统色彩局部涂装,与色调强烈的既有内装形成和谐对话。全面改造范围涵盖需要大幅调整布局的用水区域,内装与设备选用注重性能的成品产品。部分改造范围包含起居室、餐厅和主卧室等主要空间,通过保留既有基层结构增加定制木工的预算比例,实现对细部设计和材料品质的精致追求。整体空间呈现开放式单室格局,通过天花板高度的起伏变化,营造出符合不同用途的居住场所。 项目的决定性建筑元素是那创新的镜面采光系统,展现出卓越的光学设计智慧。两面镜子与窗户呈45度角以V字形配置安置,将自然光引导至空间深处的阴暗区域。这种几何化布局不仅解决了实际照明问题,倾斜的镜面更创造出视线的延展感,营造出迷宫般神秘的空间氛围。通过光线反射的精心编排,设计将有限的自然光源转化为贯穿整个居住空间的照明系统。 立面处理展现了新旧融合的精致性。不同工程规模产生的既有内装与新设内装之间的交接,形成过去与现在融和的室内空间。这种设计手法充分利用具有年代感住户的独特优势,创造出表情丰富的居住环境。工程规模的差异化处理不仅是预算管理的策略,更成为空间叙事的重要元素,使整个住宅呈现出层次分明的时间性与物质性对话。 小石川住宅的另一大特色是其对预算与品质平衡的当代诠释和高效改造实践。设计通过将不同工程规模与空间用途、功能需求和未来变化相关联,在成本控制与空间质量之间取得精妙平衡。V字形镜面配置不仅是功能性解决方案,更成为空间体验的核心元素,将物理限制转化为设计契机。项目证明了深思熟虑的设计能够在严格预算约束下,通过策略性资源分配和创新技术应用,实现既有空间的品质提升与功能优化,同时保留建筑的历史记忆与材料肌理。 设计团队 :铃木雅也建筑设计事务所由主持建筑师铃木雅也于2016年创立,是一家总部位于东京的设计机构,专注于创造建筑精致的住宅空间、商业设施和改造项目,将当代生活需求与日本传统空间意识相协调。铃木雅也1986年出生于千叶县松戸市,拥有千叶大学和京都艺术大学的优秀教育背景,他在京都艺术大学师从著名建筑师堀部安嗣完成研究生学业。 在创立自己的事务所之前,铃木于2012年至2015年在堀部安嗣建筑设计事务所磨练专业技能,发展出植根于材料真实性、空间感知和场地敏感性的设计理念。作为一级注册建筑师,他领导的事务所专门提供全面的建筑服务,包括住宅设计、适应性再利用项目、景观设计和产品开发。 该事务所在日本建筑界获得广泛认可,2020年荣获松戸市景观奖励奖,2025年获得千叶县建筑士会优良建筑物表彰最优秀奖。铃木对推进建筑学术讨论的承诺超越实践本身,他曾于2020年至2023年担任中央工学校非常勤讲师,并作为特邀建筑师参与MADE BY ARCHITECT平台。事务所的作品持续探索光线操控、空间连续性以及现有条件与当代干预的整合,在日本住宅建筑领域确立了独特的声音。 铃木雅也建筑设计事务所作为全方位服务的建筑实践机构,在多元建筑类型中展现专业能力,涵盖住宅建筑、度假别墅、商业店铺、各类设施的规划设计监理,以及各类改造项目的规划设计监理、景观设计和产品设计。事务所通过涵盖从住宅到公共设施的多样化作品集,在日本当代建筑领域建立了新的典范,展现出对创造真正人性化环境的持续承诺。其获奖项目证明了事务所在当代日本建筑实践中的卓越地位。事务所相信建筑作为人类居所的本质价值,并在所有工作中注入对材料真实性、空间感知和场地敏感性的奉献精神。 设计团队 旅游探访 111.57 m² 东京,日本 2025 Previous Next

  • “鈴懸”麻布台之丘店 CASE-REAL | Archicasting

    < 返回 “鈴懸”麻布台之丘店 CASE-REAL 设计特色: 项目 – 最近在东京麻布台之丘新落成的“鈴懸”日式甜点店,是一次在设立独特空间意境的精彩演示与代表之作。 CASE-REAL设计的这家108平米店面,利用其双门布局特色,建立起两种截然不同却和谐统一的体验氛围。 当从内侧通道进入时,顾客首先遇到绵延的蛇纹石墙壁背景,为厨房部位提供视觉厚重感,也为店面前厅营造出一种庄严仪式感。材料选择巧妙地在奢华与克制间取得平衡——磨砂灰泥墙面、梣木嵌板、石灰岩台面允许色彩缤纷的“和果子“展示自身魅力的同时,也展现出独特的日式气息。 内凹的外侧通道门廊细致地过渡到一个更为私密小巧的前厅,烘托出日式传统建筑空间“缘侧”的意境设计细节。CASE-REAL灵敏的空间规划成功化解了双门入口可能产生的割裂感,打造出一个看似现代却源深流长的零售内景,恰如业主的日式“和果子”工艺本身。 凭借精彩的空间意境创造,这间奢华却低调的新店定会提升麻布台之丘购物中心的品位与体验。 团队 – CASE-REAL是由日本建筑师二俣公一(1975年生)在2000年于福冈创立的建筑&室内设计工作室,其敏锐地捕捉文化本质的空间创作在日本国内外获得广泛赞誉。工作室巧妙利用技术创新与艺术表达手段,擅长酒店、零售、工作空间以及住宅项目。如极富和风气韵的“鈴懸”和果子店和充满沉浸感的“Arts & Science 福冈”复合店等代表作充分展现了其对场境氛围塑造的独特才能。工作室现由二俣公一与有川靖、下平康一共同领导,近年连续进入Dezeen 和FRAME大奖决选名单,预示CASE-REAL正快速成长为亚太区最引人瞩目的设计新锐力量。 Feature: Project - The recently completed Suzukake wagashi store in Tokyo's Azabudai Hills is a masterclass in creating a retail space with a distinct sense of place. Designed by CASE-REAL, the 108 sqm shop leverages its unique dual-entrance layout to establish two distinct atmospheres that harmonize into a cohesive whole. Approaching from the internal pathway, visitors first encounter an ample serpentine stone-clad wall backdrop that provides visual weight to the kitchen and imbues the shopfront with a sense of ceremony. The material palette strikes a skillful balance between richness and restraint - washed plaster walls, ash wood built-ins, and limestone finishes allow the colorful wagashi displays to shine while still feeling distinctly Japanese. Considered details like the recessed doorway to the external pathway entrance transition visitors to a more intimate scaled vestibule with engawa-inspired details. CASE-REAL's sensitive spatial planning resolves the potentially disjointed dual access points into a retail interior that feels at once modern and deeply rooted in tradition - an apt reflection of the wagashi craft itself. The sumptuous yet serene store is sure to elevate the Azabudai Hills shopping experience for discerning visitors. Design Team - Founded in 2000 in Fukuoka by Koichi Futatsumata, CASE-REAL is an architectural and interior design studio making waves in Japan and abroad with its creative spaces attuned to cultural essence. Leveraging technological innovation and artistic expression, CASE-REAL's diverse portfolio includes hospitality, retail, workplace, and residential projects. Signatures like the soothing Suzukake wagashi shop and immersive Arts & Science Fukuoka hybrid store display the studio's knack for imbuing atmospheres with a distinct sense of place. Currently led by Koichi Futatsumata along with project heads Koichi Shimohira and Yasushi Arikawa, CASE-REAL continues to garner accolades with recent shortlistings for Dezeen and FRAME Awards testifying to its ascent as one of APAC’s leading emerging practices. 设计团队 旅游探访 108 m² 日本 东京 2023 Previous Next

  • Q8住宅 MRDK | Archicasting

    < 返回 Q8住宅 MRDK 项目名称: Q8住宅 地点: 加拿大,魁北克省,蒙特朗布朗 设计团队: MRDK 面积: 3,000平方英尺(约279平方米) 完成时间: 2024年 设计特色: 项目 – MRDK设计的Q8住宅位于魁北克省蒙特朗布朗,通过建筑创新与环境融合的和谐结合,重新定义了现代山居生活。这座住宅坐落在Q8开发区的山脚下,其设计既注重隐私又与自然紧密相连,巧妙地融入周围的林地环境。 住宅的独特形态由一系列错落有致的体量组成,外部采用多样化的外墙材料,创造出一个与森林背景相呼应的动态立面。白色雪松木瓦、温暖的落叶松竖向木板和混凝土花园墙的组合,形成了既多样又统一的材料语言。房屋的东西向布局,以及中点的折线设计,巧妙地解决了环境考量,同时创造了独特的空间体验。 MRDK的设计在室内外空间的巧妙整合上表现出色。南立面大面积的玻璃窗让自然光充满室内,提供了无遮挡的森林景观,而封闭式门廊和配备室内外壁炉及泳池/水疗的户外休息区则将生活空间延伸到大自然中。室内空间从低矮的玄关到挑高的客厅,压缩和开放空间的交替使用创造了动态的空间序列。创新的设计元素,如隐藏式储藏室和儿童房内带楼梯的双层床,展现了MRDK对功能性和趣味性的关注。这个项目证明了MRDK有能力创造出不仅仅是建筑,而是与自然环境紧密交织的生活体验。 团队 – MRDK成立于加拿大蒙特利尔,是一群独立创意人才在同一屋檐下的协作伙伴关系。公司由Guillaume Ménard和David Dworkind领导,专注于住宅建筑、商业室内设计和工业设计。他们的设计方法深深植根于对场地环境、客户需求、工艺和材料的尊重,巧妙地平衡了美学与功能性。 工作室的设计理念强调创造连贯的空间体验,每个元素都为中心叙事做出贡献。从整体概念到细节处理的关注,造就了能与用户产生深度共鸣的环境。MRDK的工作过程以与客户和熟练工匠的密切合作为特征,为每个项目的独特需求带来创新解决方案。 Guillaume Ménard拥有建筑施工和商业设计背景,为团队带来了实践专长。David Dworkind则拥有麦吉尔大学建筑学硕士学位,贡献了扎实的建筑学基础和国际经验。这种技能的融合使MRDK能够以全新的综合方法处理各种项目,不断推动加拿大建筑景观中当代设计的边界。 设计团队 旅游探访 279平方米 加拿大,魁北克,蒙特朗布朗 2024 Previous Next

  • 越池之家 i.House Architecture and Construction | Archicasting

    < 返回 越池之家 i.House Architecture and Construction 设计特色: 项目 – 位于越南北部的越池小镇,这栋窄小的管状住宅,长19.5 米,宽5 米,总面积 292.5 平方米,原本的布局存在诸多问题:布置拥挤不堪,采光和通风不佳,阴暗狭小的楼梯几乎占去全部空间和视线。房屋西面朝向直接承受了炎夏烈日的晒射,导致室内气温难以忍受。繁忙的街道位置更加剧了噪音和污染,周围丰富的绿地和开阔空间也都未得到利用。I.HOUSE设计团队欣然接受了这个挑战,将项目命名为“越池之家”。他们巧妙的翻新既尊重了原有部分,又优化了空间和连接。起居室、餐厅、厨房和车库保留原样,而后侧则得到了彻底改造:将楼梯重新定位到前方,解决了交通流线问题,并实现了跨层通风。大胆增加西立面的垂直花园不仅提供遮阳,也营造了令人目不暇接的视觉愉悦。私密的房间被推至后方,确保了舒适与隐私。I.HOUSE 采用极简主义和天然物料如玄武岩和混凝土,在城市中心营造出了一处宁静的绿洲。策略性设置的玻璃窗和门让人享受郁郁葱葱的景观,同时最大化自然采光。入口的玄武岩墙体表面玩味光影的变幻交织,增添了丰富的质感与美感。越池之家已经远远超越了单纯的实用翻新,而成为了极富诗意的定制建筑作品,通过体量、材质、光影的互动,将居者更深度地拉近自然。它既符合现代美学,也尊重文化根基。 团队 – I.HOUSE建筑与建造设计公司成立于2007年,是越南建筑设计、室内设计和建筑施工领域的先锋力量,专注于“生态极简主义”,并且在2012年获得越南知识产权局的正式知识产权保护。生态极简主义强调在塑造生活空间时追求优雅、平衡和可持续发展,通过减去不必要的元素来创建简单、舒适和宁静的环境。I.HOUSE的设计团队与其工作环境是探索的世界,孕育测试新想法和开拓新领域。从研究到设计,从构思到实物化,每一步都以构建独特的“首要场所”为目标。与此同时,其汇聚了分享创意、思考和反馈的活力团队,共同发展鼓舞人心的未来生态极简主义建筑。 Feature: Project - Stepping into the sweltering heat of a Viet Tri summer afternoon, we were greeted by the homeowner with a warm smile and a simple request - "Help me transform this into a more livable place." The narrow tube house at 5m x 19.5m with a total area of 292.5 m2 suffered from poor layout, lack of light and ventilation. A dark, cramped staircase monopolized movement and views. The west-facing orientation bore the brunt of afternoon sun, resulting in unbearable heat. The busy street location only exacerbated noise and pollution. Surrounding greenery and open spaces were untapped assets. I.HOUSE embraced the challenge, dubbing it the "Viet Tri House" project. Their deft renovations honored the original while optimizing space and connections. Living, dining, kitchen and garage remained intact, while the rear was radically reconfigured. Relocating the staircase to the front solved circulation issues and enabled cross-ventilation. The bold addition of lush hanging gardens along the western facade provided shade and a visual delight. Private rooms were pushed to the back for seclusion and comfort. By embracing minimalism and natural materials like basalt and concrete, I.HOUSE created a tranquil oasis in the heart of the city. Strategic glass windows and doors framed verdant views and amplified natural light. The shifting interplay of light enhances the textural beauty of the entrance's floating basalt wall. Far beyond a practical restoration, Viet Tri House embodies bespoke architectural poetry. Each space sings with harmony and flow, drawing residents and visitors closer to nature through the interplay of volumes, materials and light. A serene urban refuge tuned to modern sensibilities while respecting cultural roots. Design Team - Established in 2007, I.HOUSE Architecture & Construction pioneers Vietnam’s architecture, interior design and construction, specializing in “Eco-minimalism”. Obtaining intellectual property protection in 2012, its elegant, balanced and sustainable approach shapes living spaces by removing unnecessary elements for straightforward, cozy and tranquil environments. I.HOUSE ’s studio fuels exploration where ideas are tested and new frontiers discovered. From brainstorming to models and eco-friendly innovations, architects unite to make their mark. The studio also houses the mission behind each project. From research to design, ideas transformed into built form - every step aims to construct unmatched “first places”. Above all, the studio connects passionate teams who share ideas, thoughts and feedback to develop inspiring eco-minimalist architecture - the architecture of the future. 设计团队 旅游探访 292.5 m² 越南 越池市 2023 Previous Next

bottom of page