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< 返回 杭州阿里巴巴达摩院南湖园区 Aedas 设计特色： 项目 – 阿里达摩院南湖园区新落成了，这座由 Aedas 主理设计的大型科研综合体,将东 方哲理与先锋科技完美结合。总建筑面积超过 50 万平米，由建筑师巧夺天工，布局仿 如一片"浮萍"漂浮在杭州南湖之上。透明晶莹的建筑朝四面八方伸展开来，娴雅重现了 传统中式庭院的层层相叠之美。条形办公楼东西并列，以蜿蜒的走廊和园景空间连接， 中心设有公共广场餐饮设施等。园区中央从南向北一条主轴，左右对称有序分布。行 走其间，宛如脉络纹理般蜿蜒盘曲，每个分支尽头皆是精巧庭院。办公空间灵活多变， 将敞开式协作区与独立会议室互相穿插，奉行"工作组团"理念。可根据需求将每层面积 划分为 500 到 4000 平米不等，玻璃幕墙以夹角设计，避免了单调视线遮挡。屋顶绿化 使得园区更显园林氛围。此项目获得多项商业及办公建筑设计大奖，Aedas 自豪地表 示:" 我们打造了一座微缩城市，将东方哲思与先进科技，糅合于建筑的形态与功能之 中。让建筑融入周边自然肌理，以生态可持续为本，创造未来办公场所样本。" 团队 – Aedas 由威尔士建筑师 Keith Griffiths 于 2002 年创立，是一家以国际实践和本 地专业知识为驱动力的全球建筑设计巨头。如今，在 Griffiths 以及 Andy Wen、Ken Wa 等卓有成就的董事团队的领导下，该公司在全球 11 个办公室拥有 1100 名创意设计 人才。Aedas 专门针对其所服务社区的独特社会和文化背景提供世界一流的建筑、室 内、城市设计和总体规划解决方案。该公司是新型城市化运动的先锋力量，促进可持 续和创新的设计响应更高的密度、连通性和效率需求。Aedas 拥有一支精通最新创新 的多元化全球团队，不断突破界限，并在其广泛的产品组合中应用尖端技术专业知识。 从大型综合用途商业中心和大型交通项目，到文化机构和城市复兴计划，Aedas 创造 出贴近环境且具有前瞻性的最高品质设计。 Feature： Project - Aedas has completed the new South Lake Campus for Alibaba's DAMO Academy, an ambitious research institute merging Eastern philosophy with cutting-edge technology. Designed by Ken Wai, the sprawling 500,000 sq m complex comprises smart offices, labs, a visitor centre and amenities arranged like a floating 'Bodhi leaf' on the waters of Hangzhou's South Lake. The crystalline buildings radiate outwards forming layered courtyards evocative of traditional Chinese architecture. Finger-like office blocks run east-to-west, bridged by landscaped walkways and centering on a public plaza with dining. Following the veined patterns of a leaf, pedestrian routes branch organically through the semi-enclosed garden spaces. The workspaces blend open collaborative areas with private meeting rooms based on a 'work cluster' concept. The modular office floors span 500-4,000 sq m and avoid sight lines between blocks through angled glass facades. Roof gardens promote connection with nature. "We've created a microcity fusing Eastern thought with advanced technology in architectural form and function," said Ken Wai. "The buildings merge with the surroundings sustainably, pioneering a new paradigm for future workplaces." Design Team - Founded in 2002 by Welsh architect Keith Griffiths, Aedas is a global architecture and design powerhouse driven by international practice and local expertise. Led today by Griffiths and a team of highly accomplished directors like Ken Wai, the firm's 1,100 creative minds span 11 offices worldwide. Aedas specializes in producing world-class architectural, interior, urban design and masterplanning solutions tailored to the unique social and cultural contexts of the communities they serve. The firm is a pioneering force in the new urbanization movement, facilitating sustainable and innovative design responses to greater density, connectivity and efficiency demands. With a diverse global team well-versed in the latest innovations, Aedas consistently pushes boundaries and applies cutting-edge technical expertise across its broad portfolio. From large-scale mixed-use commercial hubs and transportation megaprojects to cultural institutions and urban regeneration initiatives, Aedas creates contextually grounded yet forward-thinking designs of the highest quality. 设计团队 旅游探访 500000 m² 杭州，中国 2023年 前一项 后一项

< 返回 森林度假屋 Kariouk Architects 设计特色： 项目 – 坐落在安大略省乡村葱郁风景中的"森林度假屋"，由Kariouk建筑事务所设计，重新定义了当代加拿大乡间别墅的概念。这座令人印象深刻的住宅，建筑面积达957平方米，为一个希望重拾根源、沉浸于当地自然美景的家庭提供了宽敞的庇护所。 项目最引人注目的特色是其宏伟的铜质屋顶，延伸长达60米，与场地地形完美融合。这个帐篷般的结构不仅为住宅提供了视觉焦点，还创造了室内外空间的无缝衔接。建筑师巧妙地平衡了现代设计原则与温馨亲密感，避免了常见于当代建筑的冷淡盒状形态。 可持续性和环保意识是设计的核心。房屋战略性地位于一个现有的山顶空地上，保护了周围100英亩的森林、草地和湿地。这种方法不仅最大限度地减少了项目对生态的影响，还将房主转变为当地生态系统的守护者。 室内布局促进了家庭成员间的亲密互动，开放式设计鼓励交流，同时仍提供私密空间。悬挑的儿童卧室区域增添了建筑的趣味性，通过一条横跨中央空间的空中走廊可以到达。 通过采用本地材料和突出工艺技巧，"森林度假屋"为乡村风格提供了一种当代诠释，既传承了加拿大丰富的建筑传统，又拥抱了现代可持续技术。 团队 – 加拿大Kariouk Architects成立于2001年，已然成为加拿大建筑设计界的一支生机勃勃的力量。在主创建筑师保罗·卡里欧克（Paul Kariouk）的带领下，这家从纽约迁至渥太华的事务所，以其量身定制、以客户为中心的设计方案而声名鹊起，其作品风格多样，难以简单归类。 Kariouk Architects的作品集是其多元化和创新方法的有力证明。无论是商业还是住宅项目，每一个作品都是对客户需求、场地条件和环境因素的独特回应。这种定制化的方法为事务所赢得了诸多荣誉，其中包括美国建筑师协会国家奖和纽约建筑师协会优秀奖。 该事务所对可持续性的承诺体现在他们多次获得的加拿大木材委员会奖项上，而被Architizer评为国际top5小型事务所的排名则凸显了他们的全球影响力。Kariouk Architects的设计理念植根于严谨的探索和深入的客户沟通，将各种限制视为激发创意解决方案的催化剂。 建筑事务所注重全程参与项目，从初始概念到最终执行，优先考虑环境管理和空间效率。他们的建筑方法超越了单纯的美学追求，致力于创造智慧、有意义且经久不衰的设计，不仅让客户满意，也赢得了广大建筑界同仁的认可。 Feature： Project - Nestled in the verdant landscapes of rural Ontario, the Forest Retreat House by Kariouk Architects redefines the concept of a contemporary Canadian homestead. This impressive 10,300 square foot residence, completed in 2021, serves as a spacious sanctuary for a family seeking to reconnect with their roots and immerse themselves in the natural beauty of the region. The project's most striking feature is its expansive copper-clad roof, which extends for 60 meters and follows the site's topography. This tent-like structure not only provides a visual anchor for the home but also creates a seamless flow between indoor and outdoor spaces. The architects have masterfully balanced modern design principles with a sense of warmth and intimacy, avoiding the sterile box-like forms often associated with contemporary architecture. Sustainability and environmental consciousness are at the forefront of the design. The house is strategically positioned on an existing cleared hilltop, preserving the surrounding 100 acres of forest, meadows, and wetlands. This approach not only minimizes the project's ecological impact but also transforms the homeowners into custodians of the local ecosystem. The interior layout promotes family togetherness, with an open-plan design that encourages interaction while still providing private spaces. A dramatic suspended volume housing the children's bedrooms adds an element of architectural intrigue, accessible via a catwalk that traverses the home's central space. By incorporating locally sourced materials and celebrating craftsmanship, the Forest Retreat House offers a contemporary interpretation of rusticity that honors Canada's rich architectural heritage while embracing modern sustainable technologies. Design Team - Founded in 2001, Kariouk Architects has established itself as a dynamic force in the architectural landscape of Ottawa and beyond. Led by Principal Architect Paul Kariouk, who transitioned from New York City to Ottawa, the firm has cultivated a reputation for bespoke, client-centric design solutions that defy stylistic pigeonholing. Kariouk Architects' portfolio is a testament to their versatility and innovative approach. Each project, whether commercial or residential, emerges as a unique response to the client's needs, site conditions, and environmental considerations. This tailored methodology has garnered the firm numerous accolades, including a National American Institute of Architects Award and a New York American Institute for Architecture Merit Award. The firm's commitment to sustainability is evident in their multiple Canada Wood Council Awards, while their ranking among the Top Five Small Offices internationally by Architizer underscores their global impact. Kariouk's design philosophy is rooted in rigorous exploration and in-depth client engagement, embracing constraints as catalysts for creative solutions. With a focus on holistic project involvement, from initial concept to final execution, Kariouk Architects prioritizes environmental stewardship and spatial efficiency. Their approach to architecture transcends mere aesthetics, striving for intelligent, meaningful, and enduring designs that resonate with clients and the broader architectural community alike. 设计团队 旅游探访 10300 ft² 加拿大，卡利登 2022 前一项 后一项

< 返回 诺德斯塔玛格学校 Christensen & Co Architects 设计特色： 项目 – 位于丹麦哥本哈根的这座新学校被设计成一个开放而温馨的社区学习和交流中心。其关键特征是休闲区域与周围城市环境无缝融合，特色化楼梯既可作为休息座位又可作为健身平台。这种“休闲建筑”模糊了学校和城市的界限，邀请公众互动和使用。当人们登上外部楼梯时，一个高架的游乐场就会呈现，让人们从下面繁忙的街道中得到喘息的机会。景观树木和游乐区营造出一个户外绿洲，孩子们可以在这里玩耍，当地人也可以放松身心。这个区域通过游戏和社区联系促进学习。在内部，一楼设有健身房、工作室、创客空间和礼堂，供学生以及社区邻居一起进行课后活动。开放式平面和流动空间旨在实现动态的社交互动。一个带天井和华丽楼梯的中庭连接了楼层，引入光线的同时为低年龄学生提供隐私。这种垂直循环在空间上组织学习环境，较高年级的学生占据较高的僻静楼层。学校提倡健康、优质教育、平等、可持续发展、创新、强大的社区等等。该建筑以一种渐进但有吸引力的方式促进了学校作为教育和社区生活统一中心的角色。 团队 – Christensen & Co Architects (CCO) 成立于 2006 年，是一家屡获殊荣的丹麦设计公司，因其通过创新设计和密切合作创造的高品质、可持续建筑而闻名。 CCO 在创始合伙人 Michael Christensen 和执行合伙人 Vibeke Lydolph Lindblad 的领导下，在斯堪的纳维亚半岛、欧洲和北美开展工作，设计专注于用户体验的最先进的建筑。他们的 50 人创意设计团队擅长教育、文化、商业和住宅项目，致力于通过社会、经济和环境可持续发展实现长期价值。 CCO的协作方法整合了来自客户、用户和跨学科合作伙伴的观点，以开发灵活且具有未来可扩展性的建筑。从最初的概念设计到施工阶段，他们对项目质量和整体设计解决方案高度关注，迄今为止令他们完成了50多万平方米广受赞誉的建筑，对社会产生了积极影响。 Feature： Project - The new NORDØSTAMAGER SCHOOL in Copenhagen is designed as an open and inviting communal epicenter for learning and community engagement. A key feature is the leisure zone seamlessly integrated into the surrounding urban fabric with staircases doubling as seating and workout platforms. This "architecture of leisure" blurs the line between school and city, inviting the public to interact and take ownership. As one ascends the exterior stairs, an elevated playscape opens up, giving respite from the busy streets below. Full-size trees and play areas create an outdoor oasis where kids play and locals relax. The zone facilitates learning through play and community connections. Inside, the ground floor offers gym, workshops, maker spaces and an auditorium for after-school activities bringing together students, adults and neighbors. The open plan and flowing spaces are designed to enable dynamic social interactions. An atrium with a monumental staircase connects the floors, bringing light in while allowing the youngest students privacy. This vertical circulation spatially organizes learning environments, with higher grades occupying the upper secluded floors. The school promotes health, quality education, equality, sustainability, innovation, strong communities and more. The architecture facilitates the school's role as a unifying hub for education and community life in a progressive yet inviting way. Design Team - Founded in 2006, Christensen & Co Architects (CCO) is an award-winning Danish firm recognized for high-quality, sustainable architecture created through innovative design and close collaboration. Led by Founding Partner Michael Christensen and Managing Partner Vibeke Lydolph Lindblad, CCO works across Scandinavia, Europe and North America designing state-of-the-art buildings focused on user experience. Their 50-person creative team excels at educational, cultural, commercial and residential projects, driven by a commitment to long-term value through social, economic and environmental sustainability. CCO's collaborative approach integrates perspectives from clients, users and partners across disciplines to develop flexible, future-proof architecture tailored to each unique context. From initial concepts to construction, their focus on quality and integrated solutions has resulted in over 500,000 sqm of acclaimed buildings that make a positive impact. 设计团队 旅游探访 10592 m² 丹麦 哥本哈根 2023 前一项 后一项

< 返回 拉斯奈利住宅 Studio VAARO 项目名称：Rathnelly House 拉斯奈利住宅 地点：多伦多，加拿大 设计团队：Studio VAARO 建筑面积：340 m² 竣工时间：2024年 摄影：Félix Michaud 设计特色： Studio VAARO在多伦多市中心对一座爱德华时代的半独立式住宅进行了全面而富有表现力的改造，通过战略性结构干预在不扩展原有占地面积的情况下增加了140平方米的新空间。该项目荣获加拿大室内设计杂志2025年加拿大最佳设计奖，展示了智能空间重组如何在保持建筑优雅的同时显著提升功能性，为当代家庭生活创造了近60%的额外可用面积。 建筑最引人注目的特色是其雕塑化的内置元素语言，这些元素在塑造空间体验的同时发挥多重功能。一面弧形隔墙同时划分起居室和厨房区域、隐藏管道系统、支撑现场浇筑混凝土餐座、并与橱柜整合成为服务台面，完美体现了"形式服务于功能"的设计理念。标志性的单体式特色楼梯在上升过程中不断演变，从底层的混凝土基座中升起，随后转化为轻盈曲线的形态，将来自三层东向窗户的日光引入室内，创造出动态的垂直流动体验。 Studio VAARO在这座340平方米的住宅中巧妙运用了空间优化策略。通过将地下室地板下降1.2米、将底层降至仅高出地面一级台阶、并将狭窄的阁楼改造成拥有接近三米层高的宽敞第二卧室套房，项目为积极生活方式的专业夫妇及其年幼孩子创造了容纳大量运动器材的实用空间。开放式底层空间展开为一系列流畅而又独立的区域，视线、角度和曲线雕刻体积、反射光线并塑造动线，而现场浇筑的混凝土地面形成基座，雕塑般的元素从中升起。 项目的材料运用同样令人印象深刻，抛光混凝土、木材、石材和塔德拉克特灰泥等天然材料因其触觉丰富性和优雅的时间演变而被选用。定制的L形衣柜门紧贴圆润的混凝土台阶，带有弧形边角的大理石台面揭示下方的支撑木工结构，而为厨房设计的超大黑化黄铜水槽会随时间发展出铜绿，丰富了整体式木质岛台的材料质感。最值得注意的是，手工车制的橡木把手和拉手经染色处理后与周围木工结构无缝融合，营造出它们与表面融为一体的印象，这座建筑的细节关注如此精妙，以至于它不仅是居住空间，更是一个关于功能通过富有表现力的形式流动的诗意表达。 设计团队 由合伙人Aleris Rodgers和Francesco Valente-Gorjup创立的Studio VAARO是一家位于多伦多的建筑实践机构，将形式主义的严谨性与实验性、研究驱动的方法论相结合。两位主持建筑师均拥有超过十年的国际经验，曾在Herzog & de Meuron、Johnston Marklee和Renzo Piano Building Workshop等知名事务所工作，参与了洛杉矶、瑞士和香港的大型文化机构、博物馆和住宅塔楼项目，之后在加拿大建立了自己的实践。 该事务所的设计哲学以非凡的解决方案为核心，追求能够吸引并持久的设计，寻求清晰的形式理念，从大尺度体量到精细细节都保持连贯性。他们的方法植根于详尽的语境分析，研究当地建筑语汇和场地特定条件，以发展出对周围环境做出智能回应的清晰建筑愿景。事务所通过有意识地操控光影、体量与虚空来雕塑空间，创造提升功能性能和体验质量的美学时刻。 该事务所经验丰富的专业团队：由合伙人兼联合创始人Aleris Rodgers（纽约州注册建筑师、NCARB）和Francesco Valente-Gorjup（安大略省注册建筑师、OAA）领导，项目团队包括Shengjie Qiu和Liam Hall。Aleris拥有哈佛大学心理学学士学位和加州大学洛杉矶分校（UCLA）建筑学硕士学位，现任多伦多大学John H. Daniels建筑、景观与设计学院助理教授。Francesco拥有多伦多大学建筑与英国文学学士学位和加州大学洛杉矶分校（UCLA）建筑学硕士学位，现任多伦多大学John H. Daniels建筑、景观与设计学院讲师。 材料性在他们的作品中扮演核心角色，自然材料和触觉饰面强化更广泛的空间目标。他们的迭代性、探索性流程平等地应用于各种类型，从独栋住宅到多单元建筑、商业空间和定制家具。在安大略省和纽约州注册的Studio VAARO保持对战略性问题解决、清晰沟通和娴熟项目管理的坚定承诺，交付满足规划、时间和预算要求的项目，同时挑战传统建筑类型。 通过对形式主义研究与语境创新的深刻理解，以及对环境响应性、建造性和语境敏感性的把握，Studio VAARO已确立了其在当代建筑领域的重要地位，创造既植根于场所又拥抱全球设计标准的建筑作品。该实践因其对设计卓越的承诺而获得认可，确保每个项目都达到空间与体验整合的最高标准。 设计团队 旅游探访 340 m² 多伦多，加拿大 2024 圖庫外 前一项 后一项

< 返回 “自然仿生” 壳之家 Binishells Inc. 设计特色： 位于美国加州马里布的壳之家，由Binishells公司设计，是一个开创性的建筑项目，它挑战了传统的建造方法，重新构想了可持续生活的概念。这座面积约604平方米的住宅，展示了一种创新的设计和建筑技术方法，有望彻底改变建筑行业。 壳之家设计的核心是一种独特的"形态寻找功能性"方法，利用气压创造出不对称的薄壳结构。这种方法不仅加快了建造速度，还塑造出一个雕塑般的生活空间，与周围环境完美融合。建筑的正弦曲线轮廓自然地从景观中生长出来，提供流畅的室内空间，由宽大的有机开口框住，最大限度地利用了景观视野和自然光线。 建造过程采用了一种可重复使用的充气模板，将其充气到特定压力，然后在上面添加钢筋和混凝土。这种技术大大减少了材料浪费、人力需求和建造时间，同时产生了一个更具韧性和环保的结构。 壳之家的双曲面整体外壳具有令人印象深刻的结构效率和适应性。它由低碳地质聚合物混凝土制成，其蕴含的能量不到同等规模传统建筑的一半。无热桥设计和优异的保温性能使能源使用减少了惊人的65%。 这个项目不仅推动了建筑表现的边界，还为可持续和韧性设计树立了新标准，展示了未来建筑在各种规模和功能上的发展方向。 The Shell Home in Malibu, designed by Binishells Inc., is a groundbreaking architectural project that challenges conventional construction methods and reimagines sustainable living. This 6,500 square foot residence, completed in 2022, showcases an innovative approach to design and building technology that could revolutionize the industry. At the heart of the Shell Home's design is a unique 'Form Finding Functionality' that utilizes air pressure to create an asymmetrical thin shell structure. This method not only expedites construction but also results in a sculptural living space that seamlessly blends with its surroundings. The sinusoidal silhouette of the building emerges organically from the landscape, offering flowing interiors framed by generous organic openings that maximize views and natural light. The construction process employs a reusable pneumatic formwork, inflated to a specified pressure, onto which steel reinforcement and concrete are applied. This technique significantly reduces material waste, labor requirements, and construction timelines while producing a more resilient and environmentally friendly structure. The Shell Home's dual-curvature, monolithic envelope boasts impressive structural efficiency and adaptability. Made from low-carbon geopolymer concrete, it contains less than half the embodied energy of a traditional building of similar size. The thermal bridge-free design and superior insulation contribute to a remarkable 65% reduction in energy use. This project not only pushes the boundaries of architectural expression but also sets a new standard for sustainable and resilient design, offering a glimpse into the future of construction across various scales and programs. 设计团队： Binishells公司创立于60多年前，由Dante Bini博士创办，现已成为创新建筑技术的先驱。如今，在首席执行官兼总裁Nicoló Bini的领导下，公司已发展成为一家全方位的建筑设计和技术公司，引领可持续建筑实践的前沿。 Binishells提供独特的一体化项目交付方式，涵盖建筑和室内设计、技术转让、研发、施工监督和项目营销。他们突破性的建筑系统套件，经过六十年的精炼，针对当今行业的关键需求，在成本效益、结构完整性和环境性能方面提供显著优势。 公司的设计理念深深植根于仿生学，专注于受自然启发的力量流动和结构系统的高效设计。这种方法促成了他们标志性的薄壳结构，提供无热桥的建筑外壳和增强的建筑灵活性。 Binishells的领导团队汇集了多元化的专业知识。负责研发的Dante Bini博士持续创新其原创系统。工程副总裁Ignacio Barandiáran带来了ARUP的全球项目经验。团队还有Ian Hutchinson的企业顾问技能和Esthella Provas的前瞻性营销方法作为补充。 Binishells采用许可模式运营，而非直接施工，将技术转让给合格的承包商和开发商。这一战略允许他们的创新系统在全球范围内传播，同时为许可方提供持续支持和更新。 Binishells致力于可持续性、效率和卓越建筑设计，使其成为建筑行业的变革力量，既满足高端建筑市场的需求，又解决经济适用房和灾后重建等关键领域的需求。 Founded over 60 years ago by Dr. Dante Bini, Binishells has established itself as a pioneer in innovative construction technologies. The firm, now led by CEO/President Nicoló Bini, has evolved into a comprehensive architectural design and technology company at the forefront of sustainable building practices. Binishells offers a unique integrated project delivery approach, encompassing architectural and interior design, technology transfer, R&D, construction oversight, and project marketing. Their breakthrough suite of construction systems, refined over six decades, targets critical needs in today's industry, offering significant advantages in cost-efficiency, structural integrity, and environmental performance. The company's design philosophy is deeply rooted in biomimicry, focusing on the efficient flow of forces and structural systems inspired by nature. This approach has led to the development of their signature thin-shell structures, which provide thermal bridge-free building envelopes and enhanced architectural flexibility. Binishells' leadership team brings together diverse expertise. Dr. Dante Bini, heading R&D, continues to innovate on his original systems. Ignacio Barandiáran, VP Engineering, brings global project experience from ARUP. The team is complemented by Ian Hutchinson's corporate advisory skills and Esthella Provas' visionary marketing approach. Rather than constructing directly, Binishells operates on a licensing model, transferring technology to qualified contractors and developers. This strategy allows for the global diffusion of their innovative systems while providing ongoing support and updates to licensees. Binishells' commitment to sustainability, efficiency, and architectural excellence positions them as a transformative force in the construction industry, addressing both high-end architectural markets and critical needs in affordable housing and disaster relief. 设计团队 旅游探访 6500 ft² 美国，马里布 2023年 前一项 后一项

< 返回 M住宅 左通右达建筑工作室 项目名称： M住宅 地点：北京 ， 中国 设计团队：左通右达建筑工作室 建筑面积：600 m² 竣工时间：2025年 摄影：朱雨濛 设计特色： 项目 - 左通右达建筑工作室重新构想了一座场地现状受限的北京住宅，创造出M住宅——这是一次水平扩展的杰作实践，将黑暗转化为渐变的光线。该项目位于北京东部，于2025年竣工，面积600平方米，直面高墙围合带来的挑战，此前大部分生活空间都被困在阴影中。 项目的天才之处在于拒绝垂直限制，转而采用水平分层策略。主持建筑师王旎没有与既有约束对抗，而是精心编排了五个不同尺度的庭院，它们既是视觉目的地，也是流线节点。这创造了建筑师所描述的"空间之间的视觉连接"——让家庭成员在保持私密性的同时，能够在整个住宅中保持视线联系。 设计直接回应了业主对于低层建筑、树影过滤的光线和水磨石地面的世代记忆。这些怀旧元素通过当代材料重新诠释，最引人注目的是定制的有色混凝土，采用粗骨料浇筑成垂直肋状梯形板，规格为900x2200毫米的预制板。这些预制构件在室内外空间之间创造了触觉连续性。 M住宅的空间策略将传统四合院类型学转化为更具动态性的形式。多重庭院——从前院到屋顶露台——捕捉自然光的日常变化，同时创造建筑师所称的"故意留出的空隙"，允许在区域间产生窥视关系。这种多孔性放大了超越物理约束的感知尺度。 结果是建筑作为情感考古学——每个空间都在不需要身体移动的情况下揭示新的视角。光线成为主要的组织元素，从黑暗通过渐变的灰色过渡到明亮的庭院时刻，创造了建筑师所描述的"循环体验"，映射着多代同堂家庭生活的节奏。 设计团队 - 由建筑师王旎于2013年创立的左通右达建筑工作室，已成为中国当代建筑实践的先锋力量，始终致力于将东方哲学原理与西方现代主义理念相融合。工作室位于北京朝阳区，已确立其作为综合设计咨询机构的地位，在中国各主要都市中心提供建筑、室内、景观、家具及装置等全方位专业设计服务。 王旎，1984年出生于成都，通过在澳大利亚悉尼大学获得建筑学本科及硕士学位的国际教育背景，为其实践带来了国际化视野。工作室名称源于中国古典文献《千字文》，体现了其通过全面理解实现平衡的基础哲学——这一原理在其整体设计方法论中得以体现。 工作室的设计理念专注于提取日常之美，并将其转化为当代通感体验，探索东西方文明如何启发现代生活方式实践。这一方法孕育了包括雄安华润大学总部、W之家、Apartment 55和犬之家在内的重要项目，展现了从机构建筑群到私密住宅干预等不同类型的设计多样性。 左通右达建筑工作室在《安邸AD》中国AD100榜单中的持续入选（2015、2017、2019、2023年），彰显了其对中国不断发展的建筑话语的贡献，确立其作为当代空间实践思想领袖的地位——既尊重文化传承，又拥抱前瞻性设计方法论。 Project Name: House M Location: Beijing , China Design Team: Atelier About Architecture Total Floor Area: 600 m² Completion: 2025 Photography: Yumeng Zhu Feature: Project - Atelier About Architecture created House M in eastern Beijing, a multi-story residence that thoughtfully responds to the homeowner's deeply embedded memories of home—low-rise buildings, windows opening directly onto greenery, sunlight with towering bookshelves, dark terrazzo floors, and flickering shadows of trees on red brick walls. These generational image memories have crystallized into the family's character, establishing an emotional and nostalgic foundation for this 600-square-meter architectural space—a unique temperament weaving together the new and the old. The project's most distinctive design feature lies in its innovative response to existing site constraints. The original building was enclosed by high walls with a central courtyard serving as the sole light source, trapping most interior spaces in shadow. Facing vertical development limitations, the architects employed a horizontal layering strategy, introducing five courtyards of varying scales. Atelier About Architecture's design philosophy centers on establishing "a new spatial system submerged beneath tall enclosing walls." Both large and small courtyards can be viewed and traversed, creating visual connections between different spatial units regardless of one's position, perfectly echoing the daily life of a multigenerational household. Spaces interconnect in myriad ways, with intentional gaps left between zones to allow glimpses across them, enabling the eye to continuously capture new information while wandering. The project's core highlight lies in its masterful manipulation of light. By altering spatial configurations and window orientations to guide light, the residence creates spatial experiences that capture the continuous daily changes of natural light. Front yard, side yard, terraces, rooftop, and atriums each correspond to different aspects of daily life, collectively offering rich plays of light and shadow. The spatial porosity between multiple courtyards amplifies visual perception beyond physical constraints, transforming darkness into gradations of shifting grays. In material selection, the architects categorized and synthesized the natural aging of original building materials, creating customized materials for the residence—pigmented concrete with coarse aggregate, cast into vertically ridged trapezoidal shapes prefabricated as 900x2200mm dry-hung panels. The roof utilizes natural titanium zinc metal roofing, connecting to terraces with integrally cast fine terrazzo flooring. These constructions and materials weave together to form physical experiences that permeate both interior and exterior spaces. By combining cultural memory, emotional retrospection, and contemporary architectural design, Atelier About Architecture created a modern sanctuary that transcends traditional residential functions, authentically expressing an architectural reflection on individual emotion and memory. Design Team - Founded in 2013 by architect Wang Ni, Atelier About Architecture has emerged as a pioneering force in contemporary Chinese architectural practice, consistently bridging Eastern philosophical principles with Western modernist sensibilities. Based in Beijing's Chaoyang District, the firm has established itself as a comprehensive design consultancy offering architectural, interior, landscape, furniture, and installation services across China's major metropolitan centers. Wang Ni, born in Chengdu in 1984, brings international perspective to her practice through her architectural education at the University of Sydney, where she earned both bachelor's and master's degrees. The studio's name, derived from the classical Chinese text "Thousand Character Classic," reflects its foundational philosophy of achieving balance through comprehensive understanding—a principle that manifests in their holistic design methodology. The firm's design philosophy centers on extracting quotidian beauty and transforming it into synesthetic contemporary experiences, exploring how Eastern and Western civilizations inform modern lifestyle practices. This approach has yielded notable projects including China Resources University headquarters in Xiong'an, W House, Apartment 55, and The Dog House, demonstrating versatility across typologies from institutional complexes to intimate residential interventions. Atelier About Architecture's consistent recognition in Architectural Digest China's AD100 listings (2015, 2017, 2019, 2023) underscores their contribution to China's evolving architectural discourse, positioning them as thought leaders in contemporary spatial practice that honors cultural heritage while embracing progressive design methodologies. 设计团队 旅游探访 600 m² 北京，中国 2025 前一项 后一项

< 返回 安徽艺术学院美术馆 TJAD + DCA 地点：合肥，中国 设计团队：同济大学建筑设计研究院（集团）有限公司（TJAD） + 上海道辰建筑师事务所（DCA） 面积：9314 ㎡ 建成时间：2025年 摄影：吴青山 设计特色： 安徽艺术学院美术馆坐落在合肥校区东南侧的湖岸，临近美术学院，是校园视觉艺术展示与对外交流的重要场所。专业美术馆通常依赖封闭外墙、人工照明和连续展墙形成可控的“黑箱”，但校园日常教学、师生交流与湖岸景观又要求建筑保持开放。项目由此把封闭与开放之间的矛盾，转化为整体空间构成的起点。 建筑由地上两层与结合下沉庭院的地下一层组成。设计团队将通常被集中在单一体量中的展厅拆分为若干单元，再通过搭接、串联与偏转重新组织为一个整体，以减轻约九千平方米体量对湖岸的压迫感。黑色单坡屋顶、白色墙体与木质格栅共同形成具有当代感的“艺术聚落”，抽象回应徽州传统聚落层层错落的屋顶。 自由形态建立在严密的几何秩序之上。建筑体量、庭院、天窗与楼梯均受到边长4米的等边三角形系统控制，墙体因此以60°角持续转折，却并非任意生成。中央门厅呈平行四边形，由一根22米长的斜向钢梁强化空间方向；尽端两片墙体以60°相交并框取景观，通过反透视关系延长视觉深度。 中央庭院被大小展厅围合，水景、树木与山石组成的主题庭院则插入各展厅之间，形成“展厅—庭院—展厅”的循环序列。首层墙片彼此脱开，让视线和步行路径不断穿向湖面与庭院；二层则借由连续墙体将展厅重新围合，形成“上实下虚、似分似合”的对照。墙既承担结构，也是展陈界面、空间塑形工具与设备管线的隐藏容器。 二层展厅通过阶梯状室外展场通往屋顶平台，展览动线由室内继续延伸到建筑上方。水岸、庭院、坡顶与远处校园在不同高度被重新框取，使美术馆既是一座展陈建筑，也是一条可被漫游的立体路径。项目以9314平方米的建成规模，把徽州聚落的层次、园林式游走与当代美术馆的功能要求压缩进同一套空间结构。 设计团队： 同济大学建筑设计研究院（集团）有限公司（TJAD）成立于1958年，总部位于上海，是依托同济大学学术传统发展起来的大型综合设计咨询机构。其专业体系覆盖建筑、规划、景观、室内、结构、机电与工程咨询等领域，并以多专业协作的方式参与文化、教育、公共建筑及复杂城市项目。 TJAD的实践强调设计、工程与研究之间的连续关系：建筑构想并不止于形式表达，而是在结构、设备、建造和长期使用的共同推演中被落实。安徽艺术学院美术馆延续了这一工作方法，以精确网格统筹复杂平面，又让展厅、庭院、屋顶与湖岸景观形成开放的空间网络。 联合设计团队： 上海道辰建筑师事务所（DCA）成立于2008年，由陈强、陈剑如、付娜与郑英玉共同主持。事务所具有国际化的观察视角，同时持续关注当代中国社会的具体处境，希望通过建筑回应地域文化与时代经验，并在独创性、艺术性和可持续性之间寻找平衡。 本项目由陈强担任主创建筑师，陈剑如、陈洁、叶雯、白庆韬与周明旭组成设计团队；金刚、李熙、周游、徐志臻、汪晴与沈嘉瑜负责工程专业协作。两家联合设计团队将徽州聚落的文化意象转化为可建造的几何秩序，使传统线索不止停留在屋顶形态，而是进入展厅、庭院、墙体与参观路径的组织之中。 设计团队 旅游探访 9314 ㎡ 合肥，中国 2025 前一项 后一项

< 返回 苏州当代美术馆 BIG 项目名称：苏州当代美术馆 地点：苏州市 ， 中国 设计团队：BIG，ARTS Group Co., Ltd., Front Inc. 建筑面积：60000 m² 竣工时间：2026年 摄影：Ye Jianyuan，StudioSZ Photo / Justin Szeremeta 设计特色： BIG为苏州当代美术馆打造了一座60000平方米的文化地标，沿金鸡湖畔而建，在中国历史悠久的园林之城重新诠释传统中国园林建筑。该美术馆由BIG与ARTS Group和Front Inc.合作设计，其建筑语言源自廊，这是苏州数百年园林传统中的基本元素，即带顶的走廊。 项目最卓越的设计在于其村落式构成，十二个相互连接的展馆统一在连续、轻柔起伏的屋顶之下，呼应着传统瓦檐的轮廓。目前已完成十座展馆，其余两座将在2026年延伸至金鸡湖上，并通过有顶走道连接。这种亭台与庭院的配置使美术馆能够穿梭于相邻的苏州摩天轮支柱之间，创造出创始人比亚克·英格尔斯所描述的根茎结构，连接城市与滨水区。 建筑的立面采用波纹曲面玻璃和暖色调不锈钢，映射着周围的天空、水面和园林，消解了建筑与景观之间的界限。从上方，特别是从摩天轮吊舱观看时，不锈钢屋瓦形成了英格尔斯所称的真正的第五立面，在湖泊映衬下呈现出优雅的锥形轮廓。 室内四座展馆容纳主要画廊空间，其他展馆则设有宏伟入口、多功能厅、剧院和餐厅。自然光线通过高侧窗和天窗渗入，以变幻的阴影和反射为展览注入活力。桥梁和隧道在地上和地下连接各个展馆，提供灵活的流线路线，可适应季节变化和不同的展览方案。 景观设计从访客中心附近的硬质铺装逐渐过渡到绿化，最终到达湖边的水生植物区，创造了从城市肌理到自然滨水区的无缝衔接。该美术馆按照中国绿色建筑评价标准二星级认证进行设计，整合了被动遮阳、自然通风和本地采购的材料。 美术馆以物质主义展览开幕，这是由BIG策划的展览，探索塑造当代建筑的十种材料。该展览扩展了比亚克·英格尔斯在意大利设计杂志Domus担任客座主编期间的工作，每期聚焦一种材料。展览通过BIG总部、丹麦海事博物馆、谷歌Bay View和The Plus等20个项目的大型模型，邀请观众体验定义BIG作品的触感和空间特质。 设计团队 BIG (Bjarke Ingels Group)由比亚克·英格尔斯于2006年创立，已发展成为全球最具创新精神的建筑实践之一，在哥本哈根、纽约、伦敦、巴塞罗那、深圳、奥斯陆、洛杉矶、苏黎世和不丹设有九个办公室。截至2023年，该事务所拥有超过700名员工，由创始人兼创意总监比亚克·英格尔斯领导，与包括Catherine Huang、Kai-Uwe Bergmann、Jakob Lange和Sheela Maini Sogaard在内的24位合伙人共同管理。 BIG的设计理念以务实的乌托邦主义为核心，将斯堪的纳维亚传统建筑价值观中的经济性与极简主义与当代空间实验相结合。该事务所通过挑战传统类型学的项目脱颖而出，同时回应场地、气候和功能需求。代表性的已建成作品包括哥本哈根带有人工滑雪坡的垃圾发电厂Amager Bakke、曼哈顿的庭院式塔楼VIA 57 West、挪威基斯特福斯雕塑公园的扭曲桥博物馆，以及加州的谷歌Bay View园区。 该事务所的作品组合涵盖文化机构、住宅开发、商业塔楼和城市基础设施，遍布六大洲。BIG的项目获得了众多荣誉，包括2021年世界建筑节年度最佳建筑奖(Amager Bakke)、多项CTBUH高层建筑奖项以及美国建筑师协会的认可。该事务所在持续扩大全球影响力的同时，始终坚守可持续设计原则和建筑创新的承诺。 苏州现代美术馆项目由负责合伙人比亚克·英格尔斯和Catherine Huang领导，项目经理Molly Hsiao Rou Huang统筹，项目建筑师包括Tyrone Cobcroft、Kekoa Charlot和Tseng-Hsuan Wei，设计负责人为Matteo Pavanello。团队汇集了来自全球的建筑专业人才，与当地合作方ARTS Group Co., Ltd.、Front Inc.以及上海水石景观设计公司共同完成这一标志性文化项目。 设计团队 旅游探访 60000 m² 苏州市，中国 2026 前一项 后一项

< 返回 De Kwekerij 公寓 Arons & Gelauff architecten 设计特色： 项目 –Arons & Gelauff建筑事务所在荷兰乌特勒支设计了一座充满活力的"微型森林"住宅塔群，为年轻专业人士和学生提供可持续和经济实惠的起步住房。这个创新的住房项目通过精心设计，最大限度地发挥了空间效益。与最初规划的几座庞大单体楼宇不同，建筑师构想了6座高度各异的纤细塔楼，更贴合共同体生活的理念。错落的楼层高度确保了每个住户单元都能接收到充足阳光。提高效率和可持续性是主要设计宗旨，这些高度合理化的塔楼内只有两种45平方米的重复型户型单元，将机电系统集中安置后，单元内就无需设备间。整体建筑采用预制构件如厨房和幕墙，只需嵌入现浇混凝土框架即可。多彩的立面外观灵感来自周边种植的花卉和树木，将生动的建筑群融入环绕的绿色景观。巧妙排列的体量不仅产生动态视觉效果，还确保了单元之间的私密性。在这片"微型森林"下，一处意料之外的设施令人瞩目——一座旧的核掩体的遗留地下空间被改造成储存雨水池，向这块土地过去的冷战史致敬。加上一体化的公共空间、自行车设施和即将开放的博物馆，这个新的住宅区无疑是经济实惠和注重社区生活的城市佳作。 团队 – 成立于1996年的Arons & Gelauff建筑事务所凭借创新和可持续发展理念，为复杂的城市问题提供独特而富有远见的解决方案。该事务所由Arnoud Gelauff、Floor Arons和Tjeerd Beemsterboer领衔，总部设立在荷兰的阿姆斯特丹，目前拥有约25名建筑师和设计师组成的跨学科团队。他们的设计作品完美融入环境脉络，以概念洞见和建筑工艺并重。通过与开发商、建筑商、政府和居民密切合作，Arons & Gelauff能够高效实现其雄心勃勃的规划。凭借丰富经验和专业知识，该团队将创新理念与现实操作性有机结合，打造经得起未来考验的建筑杰作。无论预算多少，Arons & Gelauff都能在实用性和创意之间巧妙权衡，为城市发展贡献智慧方案，他们用热情专业的工作态度，努力超越期望，交付质量卓越且与众不同的建筑设计作品。 Feature： Project - Arons & Gelauff Architecten has created a vibrant "Tiny Forest" of colorful residential towers for the De Kwekerij campus in Utrecht, Netherlands. The innovative housing development provides sustainable and affordable starter homes for young professionals and students through smart design moves. Rather than placing several large monolithic blocks as originally planned, the architects conceived a playful cluster of six slender towers that better capture the spirit of community living. The towers range from 4 to 7 stories tall, with their varying heights allowing optimal sunlight to reach all dwellings. A major design driver was maximizing efficiency and sustainability. The highly rationalized towers contain just two repeating apartment types of 45 square meters, with centralized mechanical systems eliminating the need for bulky utility spaces. Prefabricated components like kitchens and facades were simply slotted into the cast-in-place concrete frames. The façades are a kaleidoscope of cheerful hues inspired by the flowering trees planted around the buildings, blending the vivid architecture into the verdant landscape. Rotating the volumes creates a dynamic visual composition while ensuring privacy between units. Beneath this "Tiny Forest" lies an unexpected amenity - the remnants of an old atomic bunker repurposed as a rainwater storage pond, paying homage to the site's Cold War history. With integrated common spaces, bike facilities and upcoming museum, De Kwekerij is an exemplar of economical and community-focused urban living. Design Team - Founded in 1996, Arons & Gelauff architecten provides unique and visionary solutions to complex urban issues with innovative and sustainable development concepts. The firm is led by Arnoud Gelauff, Floor Arons and Tjeerd Beemsterboer, having a multidisciplinary team of around 25 architects and architectural technicians. Their design works seamlessly blend into the surrounding context, striking a balance between conceptual insight and architectural craftsmanship. Through close collaboration with developers, contractors, governments and residents, Arons & Gelauff is able to efficiently realize their ambitious plans. With extensive experience and expertise, the team organically combines innovative ideas with practical feasibility to create architectural masterpieces that stand the test of time. Regardless of the budget, Arons & Gelauff deftly navigates between functionality and creativity, contributing intelligent solutions for urban development. With a passionate and professional work ethic, they strive to exceed expectations by delivering exceptional and distinctive architectural designs of the highest quality. 设计团队 旅游探访 17750 m² 荷兰，乌得勒支 2024年 前一项 后一项

< 返回 符腾堡州立图书馆附楼 LRO GmbH & Co. KG Free Architects BDA 设计特色： 项目 – LRO建筑事务所为斯图加特1960年代的符腾堡州立图书馆设计的新扩建副楼，在与原有的野兽派建筑实现完美融合的同时，打造出崭新的城市大道与地标。其新添的2万平方米附楼延续了原建筑的原始混凝土美学，采用复杂的手工制作木模板来浇铸新的混凝土外墙。这添加了有机的、栩栩如生的质感，与建筑内部的顺滑表面质感形成了出色的对比。四层高的建筑新体量沿原有图书馆线性延伸，直面繁忙的康拉德·阿登纳大街，重塑了庄严的城市边界。中庭在视觉上联通各层，引入柔和的天然光线。一层还设有新的咖啡厅空间，使建筑向城市开放。一层的人行天桥形成主入口,通向一个明亮的双层高大厅,设有查询服务台、展览空间和安检。建筑处处体现了设计师巧夺天工的智慧，如外立面的锯齿状混凝土及铜板装饰，与旧阅览室互相和谐呼应。室内空间则使用了轻质地毯和木材装饰，增添温暖调性。通过对环境、材料和用户体验的精心考虑，设计团队为这个重要的斯图加特设施创造了一个功能性的、引人入胜的新篇章。 团队 –来自德国的 LRO设计团队的历史可以追溯到其创始人Arno Lederer于1979年在斯图加特创立的建筑工作室。1985年Jórunn Ragnarsdóttir加入成为合伙人，1992年Marc Oei也加入成为合伙人。40多年来，事务所稳步发展壮大，现有约50名员工。LRO以其创建引人入胜的空间而闻名，通过丰富的材料和工艺来唤起人们的精神共鸣。事务所不断推动设计创作边界，重视建筑传统，同时保持对设计环境的质疑精神以打造崭新的当代设计形式。采用密集、整体的设计方法，其团队可以从设计竞赛到项目施工保持全程来保证项目落地。随着创始合伙人Lederer和Ragnarsdóttir在近年逐步退出管理层，新加入的合伙人Katja Pütter、Klaus Hildenbrand和Heiko Müller在2021年与Marc Oei一起掌舵，公司更名为LRO GmbH & Co. KG Freie Architekten BDA。新一代领导人在秉承LRO设计卓越的传统的同时，也发挥出自身的独特优势，始终如一地坚持那些将用户体验置于首位的人文主义价值观。 Feature： Project - The recent expansion of the 1960s Württemberg State Library in Stuttgart by Lederer Ragnarsdóttir Oei Architekten creates a new urban boulevard while seamlessly integrating with the existing Brutalist structure. The 20,300 square-metre annex sensitively continues the raw concrete aesthetic of the original building, with intricate hand-crafted wooden formwork used to cast the new exposed concrete façade. This adds an organic, lively texture, contrasting beautifully with the smooth interior surfaces. The four-storey volume extends the library’s linear form, directly addressing the busy Konrad-Adenauer-Straße to reform a stately urban edge. An atrium visually connects the levels, drawing daylight into the centre. The ground floor also houses a new café, opening the building to the city. The first floor pedestrian bridge forms the main entrance, leading into a bright double-height lobby with information, exhibition space and access control. The building’s zig-zagging white concrete façade, with intermittent copper panels, establishes visual harmony with the older reading room. Inside, amenities like light carpeting and wood cladding bring warmth. Through sensitivity to context, materiality and user experience, the architects have created a functional, inviting next chapter for this important Stuttgart institution. Design Team - LRO has its roots in the architecture office founded by Arno Lederer in Stuttgart in 1979. He was joined in partnership by Jórunn Ragnarsdóttir in 1985 and Marc Oei in 1992. Over the past four decades, the firm has steadily grown into an award-winning practice of around 50 staff. Known for creating spaces that engage the human spirit through rich materiality and craft, LRO continues to push creative boundaries. The office prizes both architectural tradition and the questioning of existing contexts to forge new contemporary forms. An intensive, holistic design approach sees small teams nurture projects from competitions through construction. As founding partners Lederer and Ragnarsdóttir stepped back from management in recent years, leadership transitioned seamlessly. Directors Katja Pütter, Klaus Hildenbrand and Heiko Müller joined Oei at the helm in 2021 when the firm became LRO GmbH & Co. KG Freie Architekten BDA. This new generation stewards LRO’s legacy of design excellence, implementing their own vision while remaining true to deeply rooted humanist values that put user experience first. 设计团队 旅游探访 20300 m² 德国，斯图加特 2023年 前一项 后一项

< 返回 Orford 别墅住宅 Thellend Fortin Architectes 设计特色： 项目 – 坐落于魁北克东部地区核心地带的奥福德住宅，出自Thellend Fortin建筑事务所之手，是当代住宅设计与自然环境和谐共融的典范之作。这座于独栋住宅取代了原址上的旧建筑，同时巧妙地保留了场地的丰富历史底蕴和令人屏息的自然景观。 建筑师们成功地将传统元素与现代美学融为一体，呈现出一种对本土建筑的精妙诠释。双坡屋顶和木质外墙向当地建筑传统致敬，而简洁的线条和宽阔的玻璃立面则彰显了住宅的当代特质。 奥福德住宅的与众不同之处在于其对场地地形的巧妙利用。设计巧妙地利用了斜坡地势，创造出一种多层次的生活体验，仿佛模仿了森林的层次感。从贴近地面的花园层到仿佛置身树冠的顶层，整个住宅提供了一段独特的空间旅程，让人仿佛漫步林间。 项目对环境的敏感度体现在其紧凑的占地面积和对现有场地元素的充分利用上。大面积的落地窗将周围群山和森林的壮丽景色尽收眼底，模糊了室内外的界限。建筑与自然之间的这种和谐对话，创造出一个既彰显当代设计理念，又颂扬其优美环境的独特居所。 团队 – 成立于2007年的Thellend Fortin建筑事务所已然成为魁北克建筑界的领军力量。在Louis Thellend和Lisa-Marie Fortin这对充满活力的搭档的带领下，该事务所因其创新的设计方法而备受赞誉，尤其体现在其对环境语境的无缝融入和对生态敏感性的高度重视。 事务所的作品集涵盖了广泛的项目，从像奥福德住宅这样的住宅杰作到更大规模的公共建筑等。他们的设计理念植根于对当代生活模式的深刻理解，以及对当前建筑挑战的积极回应。 Thellend Fortin的作品以形式与功能的巧妙结合而著称，常常运用融合本地特色和现代美学的材料组合。事务所在因地制宜的解决方案上表现卓越，比如在奥福德住宅项目中对地形的巧妙利用和自然元素的融入就是明证。 两位主创为事务所带来了丰富的国际经验。Lisa-Marie Fortin在社区生态住宅开发方面的背景，以及Louis Thellend在大型公共建筑项目上的专长，为事务所的全方位建筑实践奠定了基础。 凭借众多奖项和荣誉，Thellend Fortin建筑事务所不断推动当代设计的边界，创造出不仅视觉上引人注目，而且深度回应环境和文化语境的空间作品。 Feature： Project - Nestled in the heart of Quebec's Eastern Townships, the Orford House by Thellend Fortin Architectes is a striking example of contemporary residential design that seamlessly integrates with its natural surroundings. This single-family dwelling, completed in 2022, replaces an older structure while maintaining a deep connection to the site's rich history and breathtaking landscape. The architects faced the challenge of blending traditional elements with modern aesthetics, resulting in a sophisticated interpretation of vernacular architecture. Double-sloped roofs and wood cladding nod to the region's heritage, while clean lines and expansive glazing anchor the home firmly in the present. What sets the Orford House apart is its thoughtful response to the site's topography. The design cleverly utilizes the sloping terrain to create a multi-level living experience that mimics the layers of the forest. From the garden level's grounded spaces to the canopy-like upper floor, the home offers a unique spatial journey that echoes the experience of walking through the woods. The project's commitment to environmental sensitivity is evident in its compact footprint and use of existing site elements. Large windows frame spectacular views of the surrounding mountains and forests, blurring the boundaries between interior and exterior. This harmonious dialogue between architecture and nature creates a retreat that is both a testament to contemporary design and a celebration of its picturesque setting. Design Team - Founded in 2007, Thellend Fortin Architectes has established itself as a leading force in Quebec's architectural landscape. Led by the dynamic duo of Louis Thellend and Lisa-Marie Fortin, the firm has garnered recognition for its innovative approach to design that seamlessly integrates with context and prioritizes environmental sensitivity. The practice's portfolio showcases a diverse range of projects, from residential masterpieces like the Orford House to larger-scale institutional works. Their design philosophy is rooted in a deep understanding of contemporary living patterns and a commitment to addressing current architectural challenges. Thellend Fortin's work is characterized by a sophisticated interplay of form and function, often employing a material palette that references local vernacular while embracing modern aesthetics. The firm excels in site-specific solutions, as evidenced by their skillful manipulation of topography and integration of natural elements in projects like the Orford House. The principals bring a wealth of international experience to their practice. Lisa-Marie Fortin's background in community-based ecological residential development and Louis Thellend's expertise in large-scale institutional projects contribute to the firm's holistic approach to architecture. With numerous awards and accolades to their name, Thellend Fortin Architectes continues to push the boundaries of contemporary design, creating spaces that are not only visually striking but also deeply responsive to their environmental and cultural contexts. 设计团队 旅游探访 600 m² Orford，Canada 2023 前一项 后一项

< 返回 奈美大岛之家 酒井建筑事务所 项目名称：奈美大岛之家 地点：鹿儿岛县奈美市，日本 设计团队：酒井建筑事务所 建筑面积：119.24 m² 竣工时间：2024年 摄影：石井纪久 设计特色：酒井建筑事务所主持建筑师酒井一徳在日本鹿儿岛县奄美大岛完成了这座彻底脱离公共电网的家庭住宅。这座命名为“奄美大岛之家”的建筑完全依靠太阳能运转，作为一座可居住的自立循环实验室而存在，是建筑师为其自邸所做的一次关于自立型微型基础设施的大胆实验。 项目的起点是建筑师三年前购入的一块山地，他最初设想在那里建造一座能够抵御自然灾害、同时回应农村急速老龄化与消亡的自立小屋。然而，他最终选择以自己的住宅作为实验场地，并在开工仪式前十天做出决断，切断与市政电网的连接。 奄美大岛气候严苛，高温多湿、突发性暴雨频繁，而日照时长却出人意料地与日本东北地区相近，这些条件共同构成了设计的核心挑战。酒井从岛上传统的分栋建筑形式中汲取灵感，将卫生间、卧室、储藏等不同功能体量以几何方式分散布置，在五栋之间形成模糊内外界限、贯通家庭与地域的共享过渡空间。 屋顶形式参照奄美传统高仓的架构，使四面通风得以实现，深远的出檐有效遮挡强烈日射并抵御突发性暴雨，从而省去了空调的需求。场地内设置堆肥装置，将厨余转化为菜园肥料，建筑废料则被收集用作木柴桑拿的燃料，形成资源在建造方与居住者之间的内部循环。这是一座安静却彻底的建筑宣言，它质疑当代居住生活对基础设施的依赖，将“栖居”重新定义为一种生态与文化双重意义上的自觉承担。 设计团队：酒井建筑事务所（SAKAI ARCHITECTS）由酒井萃于1979年在日本鹿儿岛创立，历经逾四十年的持续深耕，发展为一家深度植根于日本南方地域景观、气候与文化传统的专业建筑设计机构。事务所于2014年正式完成法人化，现由创始主持建筑师、一级建筑士酒井萃与董事酒井一徳共同领导。酒井萃毕业于日本大学工学部建筑学科，早年任职于西松建设株式会社，其后走上独立执业之路。酒井一徳持有美国佛罗里达大学建筑学院建筑学硕士学位，曾先后执业于东京知名事务所Atelier TEKUTO及酒井建筑事务所。 事务所目前在奄美市与鹿儿岛市设有双办公室，业务范围涵盖建筑设计、室内设计、改造更新、景观及产品设计。事务所长期保持的设计品质获得了广泛的专业认可：先后两度荣获优良设计奖（2014年、2018年），多次斩获日本建筑学会九州建筑奖，并于2018年获得鹿儿岛市景观设计奖大奖。近年来，事务所持续在行业内取得重要认可，于2024年荣获建筑学会九州建筑奖新人奖，2025年相继获得福冈美丽城市建筑奖优秀奖及鹿儿岛木造住宅设计竞赛知事奖。上述奖项从多个维度印证了事务所在技术严谨性、环境回应性以及奄美群岛地域建筑传承方面的持续贡献。 设计团队 旅游探访 119.24 m² 奈美市，日本 2024 前一项 后一项

< 返回 盛裕园区 Safdie Architects 设计特色： 项目 – Safdie Architects 最新力作：新加坡盛裕园区重新诠释了现代办公楼的建筑形式。 这一坐落于新加坡蓬勃发展的裕廊创新区的园区，摒弃了典型的内向式办公塔楼设计， 转而采用了更加开放、犹如公园般的环境，旨在促进员工的身心健康。整个园区由 10 栋不同高度的建筑构成，它们环绕中央人行步道而建，室内外界限变得模糊。通过将 建筑物抬高的设计，地面下的空间得以生长，将底层楼面笼罩在绿意之中，营造出"树 屋"般的效果。这一开创性的方法使园区无缝融入景观之中，为员工提供了充足的自然 采光、新鲜空气和绿色空间。项目获得了新加坡建设局颁发的环境可持续设计的最高 评级——绿色建筑标志铂金级超低能耗，可见其对于可持续性的高度重视。创新的被 动式设计策略和一体化建筑系统最大限度地减少了能源需求。但这个园区不仅仅止于 环保认证，它还定义了一种全新的以社区为中心的工作空间类型。开放式的中央步行 通道以及下沉式庭院、活动空间和 1000 个座位的多功能厅等公共设施，将整个园区变 成了区域内一个真正的社区广场。工作、自然和公共领域的巧妙融合，使盛裕园区成 为了人本设计理念在建筑领域的一个开拓性典范。 团队 – Safdie Architects 是一家享誉国际的顶级设计机构，由 Moshe Safdie 于 1964 年 创立，致力于创新与以人为本的场所营造理念。在 Moshe Safdie 先驱性的远见卓识和 事务所合伙人的共同引领下，工作室践行了"为大家营造花园"的人文主义设计理念。这 一理念视建筑为一种慷慨行为：塑造有意义的空间，将人与自然连接，同时催生活力 社区生活。Moshe Safdie 擅长在全球多元化环境中，将这种理想主义愿景化为实体建 筑，从经典的空中花园 Habitat 67，到举世闻名的“星耀樟宜”、新加坡滨海湾金沙综合 体这些地标性作品，重新定义了建筑形式，树立了与环境融合的新标杆。而近期的重 庆来福士广场更展现出其融合多种功能与公共空间于同一个有机整体的非凡能力。总 部位于波士顿的 Safdie Architects，在世界各地设有分支机构，以紧密协作的方式运作。 其巧妙兼顾人性需求与地方特色，用理想主义与务实主义的独特结合，在全球建筑界 展现持久深远的影响力。 Feature： Project - Safdie Architects has unveiled its newest masterpiece - the Surbana Jurong Campus, a sprawling 742,000-square-foot workplace that reimagines the traditional office building typology. Situated in Singapore's burgeoning Jurong Innovation District, the campus eschews the typical introverted office tower in favor of a more permeable, parklike environment designed to foster employee wellbeing. The campus comprises 10 pavilions of varying heights clustered around a central pedestrian spine, blurring the lines between interior and exterior. By elevating the structures off the ground, the terrain beneath is allowed to flourish, enveloping the lower floors in greenery to achieve a "treehouse effect." This pioneering approach integrates the campus seamlessly into the landscape, providing workers with abundant access to natural light, fresh air, and verdant spaces. Sustainability was paramount, with the project earning Singapore's highest Green Mark Platinum Super Low Energy rating. Innovative passive design strategies and integrated building systems minimize energy demands. But the campus transcends mere eco-friendly credibility - it defines a new community-centric workspace typology. The publicly-accessible spine and amenities like a sunken courtyard, event spaces, and a 1,000-seat multipurpose hall transform the campus into a literal town square for the district. This ingenious interweaving of workplace, nature, and public realm make Surbana Jurong Campus a trailblazing exemplar of architecture prioritizing human-centric design. Design Team - Safdie Architects is an internationally acclaimed design practice founded in 1964 by Moshe Safdie, driven by ideals of innovation and human-centric placemaking. Under Safdie's visionary guidance and that of the firm's principals, the studio has pioneered a humanistic design philosophy rooted in Safdie's powerful metaphor "For Everyone a Garden." This ethos sees architecture as a generous act - crafting meaningful spaces that connect people to nature while catalyzing vibrant community life. Safdie Architects excels at translating these utopian aspirations into built form across diverse global contexts. The firm's landmark works like Habitat 67, Yad Vashem Holocaust Memorial, and Marina Bay Sands have redefined typologies and raised the bar for integration with context. More recent gems like Jewel Changi Airport and Raffles City Chongqing showcase Safdie's mastery of united mixed-use programs and public realms within a single cohesive vision. With a headquarter in Boston complemented by offices worldwide, Safdie Architects operates as a close-knit design collaborative. United by a commitment to ethical, research driven design imbued with social responsibility, the team deftly delivers ingenious solutions responsive to human needs and local cultures. This rare alchemy of idealism and pragmatism defines Safdie Architects' enduring global impact. 设计团队 旅游探访 69000 m² 新加坡 2023年 前一项 后一项

< 返回 Aurinkokallio 日托中心 Verstas Architects 项目名称： Aurinkokallio Daycare Center 地点：赫尔辛基，芬兰 设计团队：Verstas Architects 建筑面积：2270 平方米 竣工时间：2025 年 摄影：Niclas Mäkelä 设计特色： 赫尔辛基卡内尔马基街区，Verstas Architects 设计的 Aurinkokallio 日托中心以三层体量静静嵌入坡地之上，以一种克制而精准的姿态，在既有住宅楼群与受保护的森林公园之间确立起自身的建筑坐标。项目于 2025 年竣工，以 2270 平方米的面积，取代了建于 1970 年代的旧有设施，为 210 名儿童提供了一处光线充盈、空间灵活且与自然深度连接的成长环境。 建筑最具辨识度的设计特质，在于其对场地地形的悉心应对。设计团队刻意保留了地块北侧现存的树木与自然地貌，并尊重毗邻的历史防御工事遗址，将这份对场地记忆的敬意转化为景观设计的内在逻辑。倾斜的屋顶轮廓与低矮的屋檐，将柔和的自然光引导至户外游乐场，使室内舒适与户外探索之间的边界趋于消弭。 浅色砖墙因多样的砌筑手法而富于变化，与木质覆面立面相互映衬，整体色调回应周边建筑肌理，却不流于简单模仿。室内空间延续了这一材料叙事：木质饰面与开阔灵活的房间共同营造出温暖而清晰的使用环境，而那部云杉绿色的主楼梯，则如同将室外林间小径的气息引入建筑内核，成为整座建筑中最具诗意的空间表达。街道层面的醒目雨篷标示出公共入口，外廊连接上层楼面与操场，建筑由此在日常使用的每一个层面，积极托举着童年的探索与欢欣。 设计团队： Verstas Architects 由 Väinö Nikkilä、Jussi Palva、Riina Palva 与 Ilkka Salminen 于 2006 年共同创立于赫尔辛基，现已跻身芬兰最具声望的建筑事务所之列。事务所的名称 Verstas 在芬兰语中意为"工坊"，精准地概括了其以业主与设计团队紧密协作为核心的工作方法，确保每一个项目均具备高度的场所针对性与设计定制性。事务所汇聚了建筑师、城市设计师及室内与景观建筑师，团队具备跨尺度的综合设计能力，从城市总体规划到精细化材料节点，均可独立完成。 事务所长期专注于具有挑战性的复杂地块与文化敏感场所，以人本主义为核心设计立场，持续推进兼具永续性与场所精神的建筑实践。其代表作品横跨教育、文化与公共建筑等多个类型，涵盖坐落于奥塔涅米标志性校园内的阿尔托大学 Väre 综合体、赫尔辛基劳塔萨里教堂的精细修缮工程，以及近期竣工的劳马 Kari 校园多功能教育综合体。事务所曾于 2015 年荣获芬兰国家建筑奖，多次入围芬兰建筑奖提名，并在国内外多项建筑竞赛中斩获桂冠。 事务所目前由四位创始合伙人 Ilkka Salminen、Väinö Nikkilä、Jussi Palva 与 Riina Palva 共同主持，持续以人文关怀、空间精准与材料诚实为核心语汇，推进当代芬兰建筑设计实践的边界探索。Aurinkokallio 日托中心项目的建筑设计负责人为 Tuula Mäkiniemi，设计团队成员包括 Aleksis Kilpeläinen、Johanna Ruusu、Laura Lammert 与 Sanni Sipilä，充分体现了事务所跨学科、多层次的协作设计能力。 设计团队 旅游探访 2270 m² 赫尔辛基，芬兰 2025 前一项 后一项

< 返回 Y住宅 小松隼人建筑设计事务所 设计特色： 项目 – House Y座落于西日本一处环绕林木的宽阔平地上，建筑师巧妙运用了放射状布局，使这座住宅能够从多个角度与秀美的自然环境互动。这片隐蔽的地点北西侧可远眺瀬户内海的落日余晖，东南方则可欣赏雄伟的群山环抱。建筑并未孤立地屹立在这片辽阔景致之中，而是采用了“树干与枝桠”的造型理念。中央的起居空间扮演“树干”的角色，卧室则如树枝般向四周延伸。沿这些"枝干"的宽阔段落，成为了内外交融的休闲区。离开主起居空间，走向卧室，空间渐趋私密，天花板也逐步降低，这种若有若无的压迫感反而加强了漫步其间的体验感。放射状分支上一路的落地玻璃，将沿途变换多端的自然景观尽收眼底。户外区域精心划分为数个小天地，各自将不同的景致入画入框——有的是日落的写照、有的是海景；有的则是在晨光中恣意伸展，还有对山色的专注凝视。住户可以在这片世外桃源中闲逛，随着季节和时间的变换体会它的新颖与变化。Y住宅以其创新的分支式设计布局，诗意地将建筑与景观融为一体，构筑了一场持续展开的多元体验。 团队 – 小松隼人建筑设计事务所由日本建筑师小松隼人（1979年生）于2009年在广岛创立，迅速成为日本最具创新力的建筑设计事务所之一。这家事务所跨足建筑、室内、景观和产品等多个领域，推崇综合性设计方法。在小松隼人的领导下，该事务所凭借坚实的工艺和巧妙融合建筑与环境景观的作品，赢得了广泛赞誉。这家事务所的设计理念是寻找位于建筑这片"黑"与自然环境这抹"白"之间的"灰色地带"。他们屡获殊荣的住宅建筑巧妙地协调边界感，在营造舒适生活空间的同时，赋予空间敞开朗通与环境背景的视觉连接。小松隼人事务所精致而富温度的现代主义作品也经常发布于权威建筑杂志上，基于多元综合的设计手法，以及对场地环境的敏锐把握，其不断呈现出巧妙融合人工与自然景观的杰作，将人居体验提升到全新层次。 Feature： Project - Set amidst a lush woodland on a vast, flat plot in western Japan, House Y by Hayato Komatsu Architects adopts an innovative radial plan that allows the dwelling to engage with its picturesque surroundings from multiple vantage points. The secluded site offers tranquil views of the Seto Inland Sea to the northwest and dramatic mountains capes to the southeast. Rather than situating the house in isolation amid this expansive landscape, the architects devised a branching layout inspired by the form of a tree. A central living pavilion anchors the plan, with private bedroom wings radiating outward like boughs. Wider sections along these wings create lounge areas that blur the boundaries between indoors and out. The further one moves from the main living space toward the bedrooms, the more intimate and compressed the spaces become through lowered ceilings. This subtle compression and release heightens the sense of journey. Floor-to-ceiling glazing along the radiating wings frames shifting perspectives of the natural scenery with each step. Exterior spaces are delicately subdivided into a series of gardens tailored to distinct views - one framing the sunset, another the sea, a courtyard catching morning light, and so on. Residents can wander this secluded paradise, discovering anew its varied charms with each season and time of day. Through its innovative branching form, House Y poetically intertwines architecture and landscape into a unified, constantly unfolding experience. Design Team - Founded in 2009 by Hayato Komatsu, the eponymous HAYATO KOMATSU ARCHITECTS has emerged as one of Japan's most innovative architectural practices. Based in Hiroshima, the firm takes a multidisciplinary approach, offering services in architecture, interior design, landscape, and product design. Under Komatsu's leadership as Principal Architect, along with Directors Ryoko Komatsu, Shinmei Chono, Shinro Ueki, Naoji Natsume, Suzumi Nishihara, and Shuguma Tanaka, the firm has gained worldwide recognition for its sleek, site-specific designs that poetically interweave the built and natural environments. Guided by a philosophy of finding the "gray" between architectural black and environmental white, their award-winning residential works skillfully negotiate boundaries while fostering comfortable living spaces imbued with a sense of openness and connection to context. HAYATO KOMATSU ARCHITECTS' refined yet warm modernism has earned publication in numerous prestigious journals. With their diverse, integrated approach and commitment to contextual sensitivity, this Hiroshima-based firm continues to produce architecture that elevates the human experience through its seamless blending of the manmade and organic worlds. 设计团队 旅游探访 462.62 m² 日本，濑户内海 2023年 前一项 后一项

< 返回 哥谭公寓 Plan:b arquitectos 设计特色： 项目 – Plan:b arquitectos 建筑师事务所在麦德林市完成了哥谭公寓这一标志性的租赁 公寓楼。该项目巧妙地在狭窄的市区地块上最大限度地利用自然采光和通风。五层高 的建筑每层设有一个单元，通过端部的阳台和露台，实现了良好的通风和日照。最引 人注目的是立面处理手法，六个结构混凝土拱门在正面营造了一种矩形和弧形开口的 韵律感。这种大胆的正面造型不仅为建筑赋予了独特的视觉形象，也实实在在地让大 量日光照入室内。室内布局将起居空间布置在东侧，卧室在西侧，确保主要房间分别 获得清晨和夕阳的自然光线。阳台则为每个单元提供了宝贵的户外空间。顶层的复式 公寓享有私家露台，凉亭环绕下可欣赏麦德林市的壮丽城景。设计团队通过原始混凝 土结构元素，营造了明亮与内外贯通的氛围。哥谭公寓凭借大胆的街道立面造型和对 环境的精心应对，很好地展示了如何在高密度市区规划中打造通透、明亮的优质住宅。 团队 – Plan:b arquitectos 创立于 2000 年，总部位于哥伦比亚城市麦德林，由同为建 筑师的兄弟二人组 Felipe Mesa 和 Federico Mesa 领导，是一支 10 多人的小型设计工 作室团队。两人设计理念独到，注重与周边环境的和谐共生，追求"渗透式构造"，积极 回应所面临的生态社会约束。在过去 15 年里，Plan:b 已完成 40 多个跨领域建筑项目， 涵盖公共空间、体育场馆、教育设施、酒店、办公楼、住宅以及艺术装置等类型。他 们对场地语境极为敏锐，设计思路兼顾传统但始终保持前瞻视野，其项目与设计研究 多次入选出版物，研究主题包括"部分协议"、"等待中的建筑"和"反向建筑"等。在两位建筑师兄弟的领导下，Plan:b 不断推陈出新，通过研究和创新实践重新定义建筑与场 所的关系。 Feature： Project - Plan:b arquitectos has completed Gotham House, a striking rental apartment building in Medellín, Colombia that skilfully maximizes natural light and ventilation on a narrow urban site. The five-story development contains one apartment per floor, each benefitting from a deep plan with balconies and terraces at either end to enable effective cross-breezes and sun exposure. A standout element is the façade treatment which sees six structural concrete arches create a cadence of rectangular and curved openings across the front elevation. This arresting frontage gives the building a striking visual identity while pragmatically allowing ample daylight to penetrate deep into the floor plates. Internally, the apartments are planned with open-plan living spaces to the east and bedrooms to the west, ensuring the principal rooms receive morning and evening light respectively. Intermediate spaces like balconies provide coveted outdoor amenity for each residence. On the uppermost level, the penthouse enjoys a private roof terrace with pergolas framing views out over Medellín's cityscape. Throughout, Plan:b has created a sense of luminosity and permeability by expressing the raw concrete structural elements. With its bold street presence and intelligent environmental response, Gotham House represents an exemplary example of how to design generous, light-filled homes within the constraints of dense urban plots. Design Team - Founded in 2000 in Medellín, Colombia, Plan:b arquitectos is an acclaimed architectural practice led by principals Felipe Mesa and Federico Mesa. The fraternal duo bring a nuanced and environmentally-attuned design approach focused on creating "permeable configurations" that positively respond to surrounding eco-social constraints. Over the past 15 years, Plan:b has realized over 40 built works across diverse typologies including public spaces, sports venues, educational facilities, hotels, offices, residences, and art installations. Their contextually-sensitive yet forward-thinking projects have been widely published across five books investigating themes like "partial agreements", "awaiting architecture", and "architecture in reverse." Felipe Mesa, holding a Master's in Architecture: Critique and Project from UPC Barcelona, is currently an Assistant Professor at Arizona State University's Design School. Federico Mesa, also with a Master's focused on Critique and Project, serves as an Assistant Professor at Universidad Pontificia Bolivariana's Architecture and Design Faculty in their home city. Under their insightful leadership, Plan:b arquitectos continues pushing boundaries through research and innovative built works redefining architecture's relationship to place. 设计团队 旅游探访 985 m² 哥伦比亚，麦德林 2023年 前一项 后一项

< 返回 Mohegan Trail住宅 Bates Masi + Architects 项目名称：Mohegan Trail Residence 地点：新肖勒姆，美国 设计团队：Bates Masi + Architects 建筑面积：2400 ft² (223 m²) 竣工时间：2023年 摄影：Bates Masi + Architects 设计特色： 项目 - 坐落于美国东北海岸布洛克岛的Mohegan Trail住宅，由Bates Masi + Architects设计，展现了将物流限制转化为建筑创新的典范。这座2400平方英尺的海滨住宅位于没有货船通道的偏远岛屿上，所有设备和材料必须通过客运渡轮在严格的尺寸和重量限制下运输，这一极端建造条件成为设计的根本驱动力。 该项目最引人注目的成就在于其革命性的外露结构系统设计理念。建筑师们采用密集间隔的规格木材，仅使用短跨度的2x8和2x6木材，无需桁架或钢构件，创造出可手工组装的框架系统。这种原始而富有触感的结构表达建立了诚实的建筑语言，直接呼应建筑的实用主义起源，同时成为住宅的主要美学特征。 建筑形态通过精妙的盐盒形式组织，采用当地规范规定的45英尺见方平面。这一源于东北地区乡土建筑的传统形式，在当代语境中获得新生。其延伸屋顶在东北立面倾斜至地面，形成抵御猛烈海岸风暴的耐候屏障，展现出对极端气候条件的智慧回应。 材料运用体现了与场所和气候的深度对话。雪松木瓦覆层提供防潮和防虫性能，榫槽板替代传统胶合板护板以防止分层。框架外侧安装的六英寸硬质保温层创造连续热保护，同时保持内部结构构件可见。铜质泛水包裹建筑底座保护最脆弱的立面部分，未上釉陶土砖铺地呼应岛屿的自然地质沉积。 建筑系统同样拥抱简洁性原则。手动遮阳、线电压照明配以局部控制、无内置影音系统以及燃木炉的配置，消除了复杂的机械依赖。细木工同样精简，采用实木以匹配外露框架，通常仅由坚固的开放式搁架组成。 Mohegan Trail住宅被构想为一个建筑姿态，向场所、气候以及基本建造原则致敬，展现出当代美国海滨建筑在处理极端限制条件时的成熟度和创新性。通过回归核心设计原则、乡土形式和经过验证的材料，该项目最小化维护需求的同时最大化居住者与布洛克岛崎岖自然之美的连接。 设计团队 - Bates Masi + Architects创立六十余年，已确立其作为杰出全方位建筑实践机构的地位，在纽约市和长岛东端拥有双重根基。该事务所目前由合伙人Paul Masi和Harry Bates领导，在东汉普顿和曼哈顿设有专门设计的办公室。 在Harry Bates和Paul Masi的创意指导下，Bates Masi + Architects追求以广泛研究为基础的设计方法论，涵盖相关建筑领域、材料、工艺和环境，为客户创造独特解决方案。事务所的关注点既非项目规模也非类型，而是丰富生活和提升环境的机会。 Harry Bates在曼哈顿私人执业十七年并在Skidmore, Owings & Merrill事务所工作十年后，于1980年将事务所迁至长岛东端的南安普敦，带来严谨的技术专长。Paul Masi于1998年加入，此前曾在Richard Meier & Partners事务所任职，在哈佛大学设计研究生院深造期间磨练出精致的现代主义敏感性。 事务所的设计哲学围绕"对所有设计元素的关注"展开，这一原则体现在以情境敏感性、材料创新和工艺卓越为特征的项目中。Bates Masi + Architects的作品集涵盖美国、中美洲和加勒比地区的城市和郊区住宅、学校、办公室、酒店、餐厅、零售和家具设计。 该实践将建筑理解为扩展学科，每个项目都植根于对场地、气候和客户需求的深入研究。自2003年以来，事务所已获得250多个设计奖项，包括州级和国家级AIA荣誉、多项Wood Design & Building表彰，以及《建筑实录》、《室内设计》、《住宅建筑师》等专业出版物的认可。2013年，Bates Masi入选室内设计名人堂，Harry Bates于2018年荣获《汉普顿别墅与花园》年度创新者称号。专著《定制家园》和《场所建筑》记录了事务所对场地响应性、工艺驱动设计卓越性的持续承诺，展现了当代美国建筑在海滨环境中的创新实践。 设计团队 旅游探访 2400 ft² 新肖勒姆，美国 2023 前一项 后一项

< 返回 厦门九牧创新中心 OMA 项目名称：厦门九牧创新中心 地点：厦门市，中国 设计团队：OMA 建筑面积：25000 m² 竣工时间：2025年 摄影：夏至、陈颢 设计特色： OMA在厦门揭幕了引人注目的九牧新总部，这一变革性项目通过创新的建筑综合手法挑战了传统办公塔楼类型学。该项目位于城市密集高层区与原始森林山丘的关键交汇点，为中国领先的卫浴制造商打造的企业园区代表了对工作场所建筑的大胆重新想象。 建筑最显著的特色在于其连续的雕塑形态，将基座与塔楼无缝融合为统一的建筑表达。这一设计策略直接回应了场地固有的二重性——通过单一流畅的姿态同时拥抱城市密度和自然景观，挑战传统企业建筑惯例。 在OMA合伙人克里斯·范杜恩的领导下，该项目体现了事务所对重新诠释中国主流塔楼类型学的承诺，这一类型学主导了近年来的城市扩张。总部超越了典型办公建筑的局限性，在统一的功能框架内整合公共和企业功能，创造出既服务公司需求又促进社区参与的空间。 立面通过白色陶瓷条纹的构成创造出韵律感的视觉肌理，既呼应传统工艺又体现当代高科技生产方法——这些都是九牧品牌标识和厦门文化遗产的核心元素。这一材料选择强化了建筑作为连接过去与现在、工艺与技术桥梁的作用。 25000平方米的已竣工总部标志着九牧向全球品牌演进的关键时刻，同时为中国快速发展城市的企业建筑树立了新的标杆。该项目展示了设计如何在尊重环境约束的同时创造大胆前瞻的环境，激发创新与协作。 这一建筑成就将九牧总部定位为未来企业发展的催化剂，证明了办公建筑既可以在功能上精密复杂，又可以在雕塑感上引人入胜。 设计团队 - OMA建筑事务所作为一家杰出的国际建筑实践机构，由雷姆·库哈斯于1975年创立，现位于鹿特丹，在创始人的创意指导下，该事务所发展出突破传统建筑边界的先锋多学科实践声誉。该事务所以"建筑思维"为基础运营，将严谨的空间逻辑应用于建筑与城市主义的传统边界内。 目前由七位合伙人领导——雷姆·库哈斯、雷尼尔·德·格拉夫、重松象平、伊亚德·阿尔萨卡、克里斯·范杜恩、杰森·隆和管理合伙人兼建筑师大卫·吉亚诺滕——OMA在鹿特丹、纽约、香港和澳大利亚设有办公室。在创始合伙人的领导下，该事务所培养了独特的设计方法论，无缝整合概念严谨性与空间创新。他们的作品集涵盖了北京央视大楼（2012）、西雅图中央图书馆（2004）、波尔多西蒙娜·韦伊桥（2024）等地标项目，以及国际知名的各类建筑作品。该事务所的实验性建筑设计方法通过众多获奖项目得到体现，这些作品获得了享有盛誉的国际建筑奖项。 该事务所的设计哲学强调跨学科协作与建筑精确性同等重要，不急于寻求标准化建筑解决方案，而是相信建筑应该是对空间条件、文化背景和项目要求透彻理解的结果。通过与客户的深入对话，他们制定项目的核心要素，然后提供专业知识将创意构想转化为建筑现实。OMA建筑事务所相信卓越的设计来自与专业顾问和工匠的协作，他们热爱挑战自己并进一步推动设计边界，创新是保持其实践活力的关键。 通过对当代建筑语言、传统空间逻辑理解和前卫设计手法的深思熟虑的综合，OMA建筑事务所已确立自己作为国际当代建筑话语重要贡献者的地位，创造出既扎根于地方文化又拥抱全球设计视野的建筑作品。他们的作品屡获殊荣，包括多项国际建筑奖项，体现了其将大胆概念构想转化为有形建筑成就的能力。 Project Name: JOMOO Headquarters Location: Xiamen City, China Design Team: OMA Total Floor Area: 25,000 m² Completion: 2025 Photography: Xia Zhi, Chen Hao Feature: The JOMOO Headquarters stands as a milestone achievement in corporate architecture, where OMA has created an architectural masterpiece that seamlessly bridges urban density with natural landscape on the edge of Xiamen's central business district. This project, serving as the first office campus for China's largest sanitaryware manufacturer JOMOO Group, exemplifies the architects' profound understanding and innovative reinterpretation of contemporary Chinese tower typology. The design philosophy centers on "duality" as the core guiding principle, manifesting through carefully orchestrated architectural form that achieves perfect expression. The continuous sculptural building volume integrates traditional base and tower concepts into a unified whole, creating a unique architectural language that responds to both urban high-rise density and embraces forested hills. The architects skillfully transformed contrasting environmental conditions into design advantages, creating revolutionary architectural expression that transcends conventional office typology. The space's central design element is the fluid architectural form that serves as a spatial anchor within the complex urban context, while establishing powerful architectural drama within the 25,000-square-meter scale. The facade features white ceramic stripes that cast rhythmic visual effects, not only transforming the monotonous nature of traditional office buildings but also making the architecture stand out in the urban skyline, creating a captivating visual experience. Most striking is the building's integration of public and corporate functions, whose unified programmatic framework provides diverse possibilities for spatial use. Traditional craft and high-tech production elements overlap and interweave, creating a unique atmosphere that embodies both JOMOO's brand mission and reflects Xiamen's cultural characteristics. These elements interact with carefully designed spatial sequences, generating multi-layered spatial experiences that elevate the corporate office experience far beyond conventional office buildings. The architects demonstrate exceptional attention to environmental response details, through the continuous flowing architectural form that allows employees and visitors to immediately perceive significant changes in spatial atmosphere when entering this tranquil office environment from the city's busy streets. This design approach reflects the architects' profound understanding of user experience, creating what the architects describe as "a corporate space that merges tradition with modernity, quietly amplifying the innovative power of the JOMOO brand." Design Team - OMA stands as a distinguished international architectural practice founded by Rem Koolhaas in 1975, based in Rotterdam, under the creative direction of the founder, the firm has developed a reputation for pioneering multidisciplinary practice that transcends conventional architectural boundaries. The practice operates on the foundation of "architectural thinking," applying rigorous spatial logic within the traditional boundaries of architecture and urbanism. Currently led by seven partners—Rem Koolhaas, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten—OMA maintains offices in Rotterdam, New York, Hong Kong, and Australia. Under the leadership of founding partners, the practice has cultivated a distinctive design methodology that seamlessly integrates conceptual rigor with spatial innovation. Their portfolio encompasses landmark projects such as CCTV Headquarters in Beijing (2012), Seattle Central Library (2004), Simone Veil Bridge in Bordeaux (2024), and internationally acclaimed architectural works. The firm's experimental approach to architectural design has been exemplified through numerous award-winning projects that have received prestigious international architectural awards. The firm's design philosophy emphasizes that cross-disciplinary collaboration is as important as architectural precision, not rushing to standardized architectural solutions but believing that architecture should be a result of thorough understanding of spatial conditions, cultural contexts, and programmatic requirements. Through in-depth dialogue with clients, they formulate the core elements of the project then offer their expertise to transform creative concepts into architectural reality. OMA believes that exceptional design comes from collaboration with specialized consultants and artisans, they love to challenge themselves and push the design boundary further, with innovation being the key to maintaining their practice vitality. Through this thoughtful synthesis of contemporary architectural language, understanding of traditional spatial logic, and avant-garde design approaches, OMA has established itself as a significant contributor to international contemporary architectural discourse, creating architectural works that are both rooted in local culture and embrace global design vision. Their work has been recognized with numerous international awards, demonstrating their ability to transform bold conceptual ideas into tangible architectural achievements. 设计团队 旅游探访 25000 m² 厦门市，中国 2025 前一项 后一项

< 返回 旧金山 Visa 大楼 Henning Larsen 设计特色： VISA公司在旧金山Mission Rock社区的新大楼设计灵感源自加州标志性自然景观。这座由Henning Larsen事务所设计的13层塔楼是这个新兴混合使用发展区的核心项目，将其定位为一个工作、生活和娱乐的理想之地。这栋大楼的白色外立面让人联想到优胜美地国家公园著名的岩石奇观"魔鬼柱"。建筑师将巨型体块分割成较小的凹室，折棱预制混凝土立面在日光辉映下产生移风变幻的光影效果，赋予这座坐落于滨水地带的巨构活力无穷。 "我们从优胜美地的地质构造中汲取灵感，并将其精髓浓缩为'街区'尺度，将建筑体块雕琢成较小的凹室，体现旧金山传统街区的独特魅力。"Henning Larsen事务所合伙人兼设计总监丹尼尔·鲍曼解释道。从街道视角看，这座蜿蜒起伏的雕塑式建筑使人联想到旧金山著名的多峰起伏地形。户外露台从2-5层周遭环绕楼身，最顶层则是防风遮蔽的天空花园，可将旧金山天际线和海湾美景尽收眼底。 作为由铁狮门和旧金山巨人队合作打造的大型Mission Rock社区的一部分，VISA 大楼无疑成为整个新社区有力的建筑地标，汇集了住宅、办公、公园和各类配套设施。 Visa's striking new Building in San Francisco's Mission Rock neighborhood takes inspiration from California's iconic natural landscapes. Designed by Henning Larsen, the 13-story tower is a centerpiece of the new mixed-use development, establishing it as a place to work, live, and play. The building's ruggedly sculpted white facade evokes the basalt rock formations found in Yosemite National Park's Devils Postpile. Carved into smaller bays, the faceted precast concrete captures shifting light and shadows, giving the monolithic volume an ever-changing appearance befitting its waterfront location. "Drawing inspiration from the geologic formations of Yosemite, our design distills these influences into a 'neighborhood' scale by carving the massing into smaller bays, evoking the charm of San Francisco's traditional neighborhoods," explained Daniel Baumann, Partner and Design Director at Henning Larsen. The carved massing creates a dynamic formal expression from street level, reminiscent of the city's famous topography. Outdoor terraces wrap the tower from the second to fifth floors, crowned with wind-sheltered rooftop gardens offering views of the San Francisco skyline and bay. Part of the larger Mission Rock development by Tishman Speyer and the San Francisco Giants, the Visa building establishes an architectural centerpiece anchoring the new 28-acre neighborhood with residences, offices, parks and amenities. 设计团队： Henning Larsen建筑事务所源于1959年，由丹麦建筑师Henning Larsen创办。这位"光影大师"以精湛的手腕将自然光线融入设计之中，赢得了同行的赞誉。时至今日，事务所秉承创始人求知创新、体现人性化的设计理念，业务范畴遍及建筑、景观、城市规划和室内设计。 目前，事务所由拥有几十年资历的Mette Kynne Frandsen担任执行总监，Jacob Kurek则出任全球市场总监，二人领衔这个团队已逾六十载。在他们的领导下，Henning Larsen建筑事务所已发展成为拥有600余名员工、遍布八个国家的全球化设计机构。其作品着眼于细节，却着重宏观视角，能够在创新设计中体现长远影响力，缔造理想的未来。 他们屡获殊荣，包括著名的"密斯建筑奖"、“欧洲年度建筑师奖”、2021年"亚太区卓越地产奖"以及2023 年被 Fast Company 评为全球最具创新力的公司之一等。2019年，Henning Larsen建筑事务所加入安博集团 (Ramboll)，融合社会责任意识和北欧传统，共同打造人与自然和谐共生的未来家园。 Founded in 1959 by Danish architect Henning Larsen, the eponymous firm has carved out a reputation for masterfully blending daylight into their designs - earning Larsen himself the moniker "the master of light." Today, the internationally renowned practice continues championing Larsen's inquisitive and experiential approach across architecture, landscape, urban design and interiors. At the helm are Managing Director Mette Kynne Frandsen and Global Market Director Jacob Kurek, boasting over six decades of combined experience at Henning Larsen. Their leadership has been pivotal to the firm's growth into a global design community of over 600 employees spread across eight countries. Henning Larsen's portfolio showcases an acute attention to detail balanced with a holistic perspective, enabling them to manifest lasting change by innovating and cultivating desirable futures through design. Their prowess has garnered numerous accolades, including the prestigious Praemium Imperiale, the EU Prize for Contemporary Architecture, and the 2021 ULI Asia Pacific Award of Excellence. In 2019, the firm joined the Ramboll Group, furthering their ambition to spearhead sustainable solutions by synthesizing cross-disciplinary thinking, social responsibility, and a Nordic legacy of crafting societies where people and nature flourish. 设计团队 旅游探访 28810 ㎡ 美国，旧金山 2023年 前一项 后一项

< 返回 顺德云鹭湿地博物馆 Link-Arc 建筑事务所 项目名称： 顺德云鹭湿地博物馆 地点： 佛山市顺德区，中国 设计团队： Link-Arc 建筑事务所 建筑面积： 1800 m² 竣工时间： 2024年 摄影： 田方方, 存在建筑, 木析AlexanDENG, 郭诗雨 设计特色： 项目 - 在中国顺德的中心地带，云鹭湿地博物馆作为一个开创性的建筑干预项目脱颖而出，巧妙地平衡了人类观察与生态保护的需求。由Link-Arc建筑事务所设计的这座1800平方米的建筑，为野生动物观察建筑提供了革命性的方案，完美地融入了栖息着25000只鹭鸟的栖息地。 博物馆最引人注目的特征是由四个堆叠的混凝土筒体组成的结构，每个筒体都经过精确旋转，以获得周围湿地生态系统的最佳观察角度。这一创新设计在不同高度创造了建筑师所称的"取景框"，让访客能够从树根层次到树梢高度获得独特的自然视角。这些筒体战略性地位于现有的一排落羽杉林后面，使建筑从鹭岛观察时仿佛消失在亚热带森林中。 项目的起源故事为其增添了一层引人深思的意义——它始于26年前一位绰号"鸟叔"的本地环保主义者种植的一片竹林，他的奉献使这片区域转变为城市中的鹭鸟庇护所。博物馆现在作为这一传承的见证，随着当地政府将保护区面积扩大了13倍而愈发显得意义非凡。 使这座博物馆与众不同的是其精妙的结构解决方案。交叉的混凝土筒体通过布尔差分创造出一个三角形中庭，作为共同的观察点，访客可以同时观察到景观的多个视角。建筑外部采用松木模板现浇混凝土，创造出与周围森林呼应的自然纹理。最巧妙的是，屋顶覆盖着荷花池，有效地掩饰了建筑的第五立面，使其进一步融入湿地环境。 该项目通过对树木保护的细致关注展现了可持续建筑的典范。在对560棵现有树木进行测绘后，建筑师精心布置并旋转了每一层，以最大限度地减少对自然环境的影响，同时确保最佳的观鸟视角。这种对环境保护的深思熟虑为生态建筑设立了新标准，展示了建筑如何在服务人类需求的同时尊重并提升其自然环境。 团队 – Studio Link-Arc作为一家位于纽约的杰出国际建筑事务所，体现了全球设计思维与场地关联性的完美交汇。该事务所建立的宗旨是连接多元化的视角和资源，其名称本身就反映了在建筑设计、城市规划和空间艺术领域的协作精神。 在主持建筑师陆轶辰的带领下，与纽约区域的高级经理Letty Lau和Luis Ausin一起，并由上海和深圳的区域总监提供支持，事务所已发展成为一个多节点的设计强所。通过纽约、上海和深圳三个战略中心的运营，实现了东西方建筑范式的动态融合。 Link-Arc的项目组合涵盖了各种类型和规模，从文化机构到城市地标建筑。他们的设计方法论以严谨的场地环境研究和功能需求分析为特征，创造出超越纯粹功能性的有意义的空间体验。代表作品包括获奖的2015年米兰世博会中国馆、2022年亚洲建筑师协会金奖获得者南京湾艺术中心，以及华润档案馆。 事务所的建筑理念强调通过对场地关系和语境要素的精心考量来创造新的空间秩序。他们的作品以技术创新、文化敏感性和可持续实践的精妙整合为特色，使建筑能够深思熟虑地回应其直接环境和更广泛的社会需求。 Project Name: Shunde Cloud Egret Wetland Museum Location: Shunde District, Foshan, China Design Team: Link-Arc Architecture Building Area: 1,800 m² Completion Date: 2024 Photography: Tian Fangfang, EXISTENCE ARCHITECTURE, WoodX AlexanDENG, Guo Shiyu Principal Designer: Lu Yichen Project Leader: Guo Shiyu Project Team: Zhou Rui, Zhang Jiaqi, Zhong Zhenwei, Liu Zida, Cheng Jingbin, Luis Ausin, Yang Lingyun, Qi Feng, Xu Jiarui, Hua Xinning, Sarah Kenney, Li Zishi, Isabella Chong Executive Architect/MEP Design: Aoyi Architectural Engineering Design Co., Ltd. Structural Design: Shenzhen Xingjian Engineering Design Consulting Co., Ltd. Curtain Wall Consultant: Shenyang Zhengxiang Decoration Design Co., Ltd. Landscape Design: Chengji Landscape Interior Design: Yushe Design Lighting Consultant: Shanghai Gerui Lighting Design Co., Ltd. Construction: China Construction Fourth Engineering Bureau Co., Ltd., Beijing Yihui Da Qingshui Construction Engineering Co., Ltd. Client: China Resources Land, Foshan Shunde District Government Feature： Project - In the heart of Shunde, China, the Cloud Egret Wetland Museum emerges as a groundbreaking architectural intervention that masterfully balances human observation with ecological preservation. Designed by Link-Arc Architecture, this 1,800-square-meter structure represents a revolutionary approach to wildlife observation architecture, seamlessly integrating into a habitat that hosts 25,000 egrets. The museum's most striking feature is its composition of four stacked concrete tubes, each precisely rotated to capture optimal viewing angles of the surrounding wetland ecosystem. This innovative design creates what the architects call "viewing frames" at different heights, offering visitors a unique perspective of nature from root level to treetop. The tubes are strategically positioned behind an existing row of dawn redwood trees, allowing the building to virtually disappear into the subtropical forest when viewed from the egret island. The project's origin story adds a compelling layer of significance – it began with a single bamboo grove planted 26 years ago by a local conservationist nicknamed "Bird Uncle," whose dedication transformed the area into an urban sanctuary for egrets. The museum now stands as a testament to this legacy, with the local government expanding the protected area thirteenfold. What sets this museum apart is its sophisticated structural solution. The intersecting concrete tubes create a triangular central atrium through Boolean subtraction, serving as a shared viewpoint where visitors can simultaneously observe multiple perspectives of the landscape. The building's exterior features board-formed concrete using pine wood, creating a natural texture that resonates with the surrounding forest. Perhaps most ingeniously, the roof is covered with lotus pools, effectively camouflaging the building's fifth elevation and further integrating it into the wetland environment. The project exemplifies sustainable architecture through its meticulous attention to tree preservation. After mapping 560 existing trees, the architects carefully positioned and rotated each level to minimize the impact on the natural environment while maximizing optimal bird-watching vantage points. This thoughtful approach to environmental stewardship sets a new standard for ecological architecture, demonstrating how buildings can serve human needs while respecting and enhancing their natural context. Design Team - Studio Link-Arc, established in New York, stands as a distinguished international architectural practice that exemplifies the intersection of global design thinking and contextual sensitivity. Founded on the principle of connecting diverse perspectives and resources, the firm's name reflects its collaborative ethos in architectural design, urban planning, and spatial arts. Under the leadership of Principal Architect Yichen Lu, together with Senior Managers Letty Lau and Luis Ausin in New York, and supported by regional directors in Shanghai and Shenzhen, the practice has evolved into a multi-nodal design powerhouse since its inception. The firm operates through three strategic hubs - New York, Shanghai, and Shenzhen - allowing for a dynamic synthesis of Eastern and Western architectural paradigms. Link-Arc's portfolio spans various typologies and scales, from cultural institutions to civic landmarks. Their design methodology is characterized by a rigorous investigation of site context and programmatic elements, leading to architecture that transcends mere functionality to create meaningful spatial experiences. Notable projects include the award-winning China Pavilion at Milan Expo 2015, the Nanjing Bay Art Center (recipient of the 2022 Asian Architects Association Gold Award), and the China Resources Archive Library. The practice's architectural philosophy emphasizes the creation of new spatial orders through careful consideration of site relationships and contextual elements. Their work is distinguished by a sophisticated integration of technical innovation, cultural sensitivity, and sustainable practices, resulting in buildings that respond thoughtfully to both their immediate environment and broader societal needs. 设计团队 旅游探访 1800 m² 佛山市顺德区，中国 2024 圖庫外 前一项 后一项