< 返回 “设计师自宅” 尼克尔之家 Helen Agustine Studio 项目名称: 尼克尔之家 地点：南丹格朗，印度尼西亚 设计团队：Helen Agustine Studio 面积：278 平方米 年份：2024 摄影师：Arte Haus 设计特色： 项目 – 尼克尔之家由Helen Agustine Studio设计，重新诠释了印度尼西亚南丹格朗的热带生活。这个创新项目包括两座相互连接的房屋——一个家庭住宅和一个祖母的度假屋，通过一个宁静的内院相连。设计注重亲密感和空间体验，适度比例的房间促进了更紧密的家庭关系。 可持续性是核心，宽敞的窗户最大化了自然通风，而裸露的铁木等原始材料则拥抱自然老化的美感。一个无化学物质的迷你泳池增添了令人舒缓的水元素，而三维藤编等手工细节则展示了当地工艺。项目的突出特色是其无缝的室内外流动，体现在压缩-扩张的入口序列和连接两个生活空间的庭院中。 Agustine作为建筑师和房主的双重角色允许持续的实验，最终创造出一个庆祝材料之美和热带生活的永恒环境。 团队 – Helen Agustine Studio是一家总部位于印度尼西亚的建筑和室内设计公司，由首席建筑师Helen Agustine于2016年创立。该工作室最初名为Seniman Ruang，已发展成为一个充满活力的实践，无缝融合艺术和建筑。工作室注重平衡功能性和情感化设计元素，在项目方法上优先考虑质量而非数量。 工作室提供从概念开发到现场监督的全面服务，Helen的获奖作品展示了她将简单设计注入独特风格和叙事深度的能力。可持续性是一个关键焦点，体现在他们对材料和空间的创新使用上。 近期荣誉包括2024年Kinematic Pavilion项目获得的Arch Id最佳展台奖和2023年Honestree项目获得的BCI亚洲室内设计奖，凸显了该工作室在建筑设计行业日益增长的影响力。 Project Name: Nickhel Home Location: South Tangerang, Indonesia Design Team: Helen Agustine Studio Area: 278 m² Year: 2024 Photographer: Arte Haus Feature： Project - Nickhel Home, designed by Helen Agustine Studio, reimagines tropical living in South Tangerang, Indonesia. This innovative project features two interconnected houses – a family residence and a grandmother's retreat – linked by a serene inner courtyard. The design prioritizes intimacy and spatial experience, with modestly proportioned rooms fostering closer family relationships. Sustainability is at the core, with generous windows maximizing cross-ventilation and raw materials like exposed ironwood embracing natural aging. A chemical-free mini pool adds a soothing water element, while handcrafted details like 3D rattan weaving showcase local artistry. The project's standout feature is its seamless indoor-outdoor flow, epitomized by the compression-expansion entry sequence and the courtyard connecting both living spaces. Agustine's dual role as architect and homeowner allowed for continuous experimentation, resulting in a timeless environment that celebrates material beauty and tropical living. Design Team - Helen Agustine Studio, an architectural and interior design firm based in Indonesia, was founded in 2016 by principal architect Helen Agustine. Originally known as Seniman Ruang, the studio has evolved into a dynamic practice that seamlessly blends art and architecture. With a focus on balancing functional and emotional design elements, the firm prioritizes quality over quantity in its approach to projects. The studio offers comprehensive services from concept development to site supervision, with Helen's award-winning work showcasing her ability to infuse simple designs with unique twists and narrative depth. Sustainability is a key focus, reflecting in their innovative use of materials and space. Recent accolades include the 2024 Arch Id Best Booth Awards for the Kinematic Pavilion and the 2023 BCI Asia Interior Design Awards for Honestree, highlighting the studio's growing influence in the architectural design industry. 设计团队 旅游探访 278 m² 南丹格朗，印尼 2024 Previous Next

< 返回 EDGE Stadium 办公楼 Atelier PRO architects 设计特色： 项目 – 最近在阿姆斯特丹转型升级的EDGE Stadium 办公楼项目，通过对现有结构的再利用，为可持续办公设计树立了新的标准。该建筑最初建于2001年，现在由Atelier PRO建筑事务所对其进行了重新构想以满足当代的需求。在升级建筑性能的同时保留原设计本质尤为关键，重新设计的核心在于以人为本——提供灵活的工作空间以及邀请性的社交区域，以激发创造力。中庭的改造体现了这一目标，如今充满了丰富的植被和木质装饰，它形成了建筑充满活力的心脏。在技术上，项目也毫不逊色：这是阿姆斯特丹第一座获得 BREEAM “Excellent”优异评级 和 WELL Core & Shell Gold 黄金认证的建筑，并且在智能连接方面获得最高评级。随着现有结构的再利用，原有的地板采暖制冷系统得以保留并改进，这巩固了该项目的可持续信誉。该项目通过以人为本的设计理念和智能技术改造，使得现有建筑改造成鼓舞人心的健康工作空间。 团队 – 来自荷兰的Atelier PRO建筑事务所成立于1976年海牙，40多年来一直致力于以局地文化和场所精神为导向的前瞻性和社会意识形态的设计。当前由Dorte Kristensen（1963年生）领导的45人设计团队，设计了从学校、剧院到像EDGE Stadium这样注重可持续发展的翻新办公楼等功能性的公共建筑。为了通过优化环境来提升社区，Atelier PRO的公益组合集中在社会基础设施上。他们在对历史建筑环境的深刻认识指导下，对现有建筑进行再创造，在保护与创新之间取得平衡。Atelier PRO也注重面向未来——追求健康城市生活和可持续设计的创新。他们的远见卓识和开拓精神为他们赢得了开创性的可持续认证，推进了教育设施的新方向以及可以促进人类繁荣的充满活力的工作场所。 Feature： Project - The recently transformed Office EDGE Stadium in Amsterdam sets a new standard for sustainable office design through its adaptive reuse of an existing structure. Originally built in 2001 with progressive green features, the building has now been reimagined by Dutch firm Atelier PRO architects to meet contemporary needs. Preserving the original design’s essence while upgrading its performance was key. Central to the redesign is a focus on people – providing flexible work spaces alongside inviting social areas to stimulate creativity. The atrium’s transformation embodies this aim; now filled with abundant plants and timber finishes, it forms the vibrant heart of the building. Wellness is also prioritized, with excellent air quality, access to outdoor terraces, and use of natural materials. Technologically, EDGE Stadium doesn’t disappoint. It’s Amsterdam’s first building to achieve the high sustainability credentials of BREEAM Excellent and WELL Core & Shell Gold, plus a top rating in smart connectivity. The original in-slab heating and cooling system was retained and improved. Along with the reuse of existing structures, this cements the project’s sustainable credentials. Ultimately, EDGE Stadium shows that with a people-centric vision and smart technological enhancements, existing buildings can be adapted to provide inspiring and healthy workplaces. Atelier PRO’s design sets the benchmark for giving enduring structures renewed life in the 21st century. Design Team - Established in The Hague in 1976, Atelier PRO architects has spent over four decades pioneering context-driven and socially-conscious designs grounded in genius loci principles. Currently led by director Dorte Kristensen, the 45-person firm creates surprising yet functional public architecture, from schools and theaters to renovated office spaces like the sustainability-minded EDGE Stadium. Seeking to uplift communities by improving their environments, Atelier PRO's civic-minded portfolio concentrates on social infrastructure. They reimagine existing buildings guided by a deep appreciation of historic built fabric, balancing preservation with creative revitalization. Atelier PRO stays future-focused as well - pursuing innovation in healthy urban living and sustainable design. Their visionary thinking and entrepreneurial spirit have earned pioneering sustainability certifications, advancing new strategies for educational facilities, and vibrant workplaces that foster human flourishing. 设计团队 旅游探访 29221 m² 荷兰 阿姆斯特丹 2023 Previous Next

< 返回 反转住宅 TIMM建筑事务所 项目名称: 反转住宅 地点:第比利斯,格鲁吉亚 设计团队:TIMM建筑事务所 建筑面积:1010 m² 竣工时间:2025年 摄影:Grigoriy Sokolinsky 设计特色: 反转住宅由TIMM建筑事务所设计,位于格鲁吉亚首都第比利斯市郊Okrokana区,通过将房屋本身转化为保护性围墙,颠覆了传统郊区住宅模式,在消除传统围栏需求的同时创造了一个内向型庇护所。这座1010平方米的住宅以其独特的空间倒置逻辑和精妙的材料过渡,重新定义了密集郊区环境中的居住可能性。 该项目最引人注目的设计成就在于其对城市环境限制的创造性转化。Okrokana区以狭窄街道、小地块和高大围墙为特征,场地三面被邻舍围墙包围,第四面临街,导致完全缺乏外向视野和有限的日光获取。不同于试图向受限环境开放的传统做法,建筑师将这些条件视为提出替代住宅模型的机遇。建筑包裹在场地边缘,将所有主要生活空间朝向内部,从而实现建筑本身成为围护结构,而非置于围栏之后。 空间组织围绕两个花园展开,展现出卓越的空间层次性。内部庭院作为住宅的真正核心,所有主要居住空间,包括入口门厅、客厅和厨房,均朝向这一中央空隙。一个悬浮的游泳池横跨这一空隙,在下方创造出有顶的户外空间,同时在视觉上连接上层。外部花园则调节住宅与街道的关系。建筑沿街道略微后退,消除了独立围栏的需求,软化了公共与私人空间之间的边界。 剖面设计体现了精妙的空间策略和垂直组织。建筑在后部升至三层,而朝向街道则呈现为单层体量,这种变化实现了双层高客厅空间,并插入中间半层,产生渐进而流畅的空间序列。这种分层布局不仅最大化了空间体验的丰富性,还优化了每个功能区域与庭院的关系,确保自然光线和视觉连接贯穿整个住宅。 材料过渡强化了项目的倒置逻辑,创造出从外部到内核的空间非物质化序列。朝向街道的立面采用烧焦木材包层,这是一种历史上用于保护木材免受风化的传统技术,在此形成密实而保护性的外壳。进入庭院内部,这种深色外壳转变为自然、未经处理的木材,引入温暖、质感和触感。室内空间以白色饰面处理,使光线、比例和空间关系成为定义氛围的主导因素。这种从烧焦木材到自然木材再到抽象白色的渐进过渡,体现了从外部领域到内部核心的运动,强化了空间的层次感和私密性的递进。 项目的另一大特色是其对场地限制的创造性转化和高品质建筑实践。通过重新定义围栏作为可居住建筑的角色,该项目为密集郊区条件提出了新的居住类型学。住宅不是抵抗其限制,而是将其内化,将围护转化为空间资产。通过其内向定位、分层组织和材料过渡,项目构建了一个受保护但又宽敞的居住世界,从内部建立其丰富性。反转住宅证明了建筑限制如何在密集郊区环境中成为生成性设计机遇,在不牺牲空间品质、构造清晰性或居住舒适的前提下,创造出回应城市环境和气候的住宅建筑。 设计团队: TIMM代表无形人造建筑,作为一个国际合作伙伴网络运营,在第比利斯、伊斯坦布尔和米兰设有办公室。该事务所将建筑视为设计、研究和文化探索的综合体,认识到每个客户都有独特的目标和愿望,需要量身定制的解决方案。 在联合创始人Nikoloz Lekveishvili和Giorgi Pailodze以及首席执行官兼城市设计部门负责人Nutsa Kandelaki的领导下,TIMM已成为一家多学科实践机构,致力于通过创造性地整合人类需求、环境管理、价值创造、科学和艺术来提供卓越的设计。该事务所的协作方法鼓励专业团队研究替代方案、分享知识并构想创新方法来应对当代建筑挑战。 TIMM的多元化团队包括多个学科的专家,从3D扫描和室内设计到城市规划,反映了该事务所对综合设计解决方案的承诺。该实践保持强大的国际影响力,Malkhaz Lekveishvili领导3D扫描部门,Natia Lekveishvili主导室内设计项目,Jeff Radom管理美国业务,并得到Francesco Adorni、Liudmyla Bielashova、Ana Kipiani等建筑师以及遍布其网络各地的专家的支持。这种地理和学科多样性使TIMM能够通过文化知情、技术严谨的设计思维来处理复杂的建筑项目。 设计团队 旅游探访 1010 m² 第比利斯，格鲁吉亚 2025 Previous Next

< 返回 “晴耕雨读” 大地图书馆 NAP Architects 设计特色： 被冠以"地中图书馆"的名号，这个恬静的地下阅读天地将游客沉浸在一个赤土般、子宫般的空间之中，彰显了其所在地农场的农业根源。由中村拓志&NAP建筑设计事务所设计，这座半地下图书馆就像是大地上一个鼓胀的突起物，温柔地浮现于所占据的郁郁葱葱的山谷之中。一条刻意不起眼的路径悄然将人们引入雕塑般被草坪覆盖的地下走廊，两旁排列着书架。建筑设计被简化到了极致，摒弃了柱梁等构件，一个夸张的空心混凝土板单臂伸展，唯一依托为周边的土钉墙。平滑的泥土饰面与下垂的植被毛毡般融为一体，注入空间一丝湿润氛围。天花高度起伏跌宕，衍生出孩子们才能进入的矮小隐蔽空间和私密的读书角落。在最深处，一个环绕书架的阶梯状剧场区域为讲故事活动提供了场所，那里摆放着供当地农场工人和儿童阅读的书籍。40毫米厚的实木书架横桁向上延伸成为结构肋，相互支撑的荷载传递路径象征着创造社区空间所需要的相互依存。一面天窗将流动的云朵镶嵌于画框之中，宛如通向这个乡村净土所服务的更广阔世界的窗口。 Titled "Library in the Earth," this tranquil sunken reading retreat immerses visitors in an earthy, womb-like space celebrating the agricultural roots of its location within the KURKKUFIELDS farm in Kisarazu, Chiba Prefecture. Designed by Takushi Nakamura & NAP Architects, the subterranean library gently emerges from the verdant valley it occupies like a bulbous protrusion from the earth itself. An intentionally understated approach path subtly draws people into the sculpted, grassy underground corridor lined with bookshelves. The architecture is pared back, eschewing columns and beams, with a dramatically cantilevered concrete void slab resting only on perimeter retaining walls. The seamless soil-finished surfaces blend into a carpet of drooping vegetation that introduces a hushed humidity. The ceiling heights fluctuate to create hidden child-scaled spaces and intimate reading nooks. At the deepest point, a terraced amphitheater encircled by shelves houses a storytelling area filled with books for local farm workers and children. The 40mm thick wooden shelf slats extend upwards as structural ribs, their interconnected load paths representing the interdependence required to create resilient community spaces. An overhead skylight frames circling clouds like a portal to the wider world this rural oasis ultimately serves. 设计团队： 中村拓志&NAP建筑设计事务所成立于2002年，这家总部位于东京的工作室已然成为有机、因地制宜设计的佼佼者，他们巧妙地将建筑与自然和人性体验融合。该事务所采用"微观"手法，从自然现象、人类行为和情感体验中汲取设计灵感。他们的设计理念核心是在建筑环境、自然和人体之间营造有机关系。中村拓志旨在创造"只能在那里发现的建筑"，通过巧妙融入当地历史、文化、产业和材料等独特区域元素。近年来，该事务所从传统日式建筑和园林文化的精髓中获得设计理念的启迪，并将其积极重构于当代作品。中村拓志&NAP拥有40名建筑师和设计师团队，提供建筑设计、城市规划、产品设计、策略咨询、教育项目和研究计划等全方位服务。他们屡获殊荣的作品在众多享有声誉的竞赛和刊物中受到国际认可。 Established in 2002 by Hiroshi Nakamura, the Tokyo-based practice Hiroshi Nakamura & NAP has emerged as a leading voice in organic, contextual design thatharmonizes architecture with nature and human experiences. Led today by Nakamura and a team of directors including Soichiro Takai, Naoko Sumitani, Hirotoshi Koizumi, Masaki Hirakawa, Kohei Omori, Tomohiko Kimura, and Sadaharu Aoto, the firm takes a "microscopic" approach that draws inspiration from natural phenomena, human behavior, and emotional responses. Their design philosophy centers on fostering an organic relationship between the built environment, nature, and the human body. Nakamura aims to create "architecture that can only be found there" by thoughtfully responding to the unique regional context - incorporating local history, culture, industry, and materials. In recent years, the firm has looked to the essence of traditional Japanese architecture and garden design to inform their contemporary work. With a staff of 40 architects and designers, Hiroshi Nakamura & NAP offers full services including architectural design, urban planning, product design, strategic consulting, education programs, and research initiatives. Their award-winning projects have been internationally recognized across numerous prestigious competitions and publications. 设计团队 旅游探访 113.09 ㎡ 日本，木更津市 2023年 Previous Next

< 返回 GURUGURU SHAKASHAKA盐品店 Torafu Architects 项目名称：GURUGURU SHAKASHAKA 设计团队：Torafu Architects 面积：51.12 m² 地点：日本，东京 设计特色： 项目 – 在东京晴空街区的核心地带，一个全新的美食胜地正在重新定义调味艺术。GURUGURU SHAKASHAKA，这家由Torafu Architects设计的专业盐品店，将零售体验与互动美食学巧妙融合。这个50平方米的转角空间紧邻其姐妹店"立吃梅干屋"，邀请顾客在一个既实用又视觉震撼的环境中探索盐的广阔世界。 店铺的核心是一个宏大的L形柜台，战略性地布置以便从两个方向欢迎访客。在这里，顾客可以踏上一段感官之旅，一边在蓝色琼脂立方体上品尝各种盐，一边创造专属的盐混合物——这是对这种基本矿物质受海洋影响的巧妙隐喻。 柜台后方，令人目眩的600种混合盐的展示装饰面将墙壁变成了一个味道图书馆，既方便咨询，又展示了店铺广泛的产品范围。内部的色彩方案灵感来自盐本身，蓝染椴木胶合板装饰的固定装置唤起了结晶沉积物和深海的意象。 一个经过重新设计的理发店招牌被巧妙地改造成旋转的中心装置，突出展示原创盐混合物和相关产品，为空间增添了俏皮的一笔。而手绘插图中的店铺吉祥物"GURUGURU"和"SHAKASHAKA"为空间注入了魅力和个性。 设计的点睛之笔是霓虹"盐"字招牌，与邻近的梅干店的"梅"字招牌形成了视觉对话。这个深思熟虑的细节不仅提升了品牌辨识度，还将GURUGURU SHAKASHAKA确立为东京美食版图上的必访之地——在各方面成为一个真正物有所值的空间。 团队 – TORAFU ARCHITECTS（トラフ建築設計事務所）由铃野浩一和禿真哉于2004年共同创立，已成为建筑设计界的一股创新力量。这家总部位于东京的多元化事务所凭借其在建筑、室内设计、展览策划和产品设计方面的创新手法赢得了国际声誉。 该设计团队秉持以建筑思维为根基的理念，不断突破传统设计的界限。他们的作品集展现了惊人的多样性，涵盖从"港北住宅"等住宅项目到"NIKE 1LOVE"等商业空间，以及"空气之器"和"格列佛桌"等富有创意的产品设计。该事务所在创造沉浸式空间体验方面的专长，在2011年米兰设计周为佳能打造的"光之织机"装置中得到充分体现，并荣获ELITA设计大奖最佳展览奖。他们的作品屡获殊荣，包括多项优良设计奖和享有盛誉的红点设计大奖。 其设计方法特点在于对材料、空间效率和用户体验的敏锐关注。他们的项目经常以创新方式运用传统材料，打造既实用又美观的空间。该事务所在无缝融合室内外元素方面的能力尤为引人注目，最近项目中的"外部内化"概念就是很好的例证。 在两位创始人的持续领导下，TORAFU ARCHITECTS始终站在建筑创新的前沿，不断交付挑战认知、重新定义空间体验的项目。他们的作品持续影响着业界，为建筑设计领域的创造力和功能性树立了新标准。 Project：GURUGURU SHAKASHAKA Team：Torafu Architects Size：51.12 m² Location：Tokyo, Japan Feature： Project - In the heart of Tokyo Solamachi, a new culinary destination is redefining the art of seasoning. GURUGURU SHAKASHAKA, a specialty salt shop designed by Torafu Architects, offers a unique blend of retail experience and interactive gastronomy. This 50㎡ corner space, adjacent to its sister store TACHIGUI UMEBOSHI YA, invites patrons to explore the vast world of salt in a setting that is both functional and visually striking. The shop's centerpiece is an expansive L-shaped counter, strategically positioned to welcome visitors from two directions. Here, customers can embark on a sensory journey, creating bespoke salt blends while sampling varieties on blue agar cubes – a nod to the sea's influence on this essential mineral. Behind the counter, a mesmerizing display of 600 blended salts transforms the wall into a library of flavors, facilitating efficient consultations while showcasing the shop's extensive range. The interior's color palette draws inspiration from salt itself, with fixtures adorned in blue-dyed linden plywood, evoking images of crystalline deposits and ocean depths. A playful touch comes in the form of a customized barber sign, reimagined as a rotating centerpiece that highlights original salt blends and related products. Hand-drawn illustrations featuring the store's mascots, "GURUGURU" and "SHAKASHAKA," infuse the space with charm and personality. The design's pièce de résistance is the neon "SHIO" (Salt) sign, which creates a visual dialogue with the "Ume" sign of the neighboring UMEBOSHI shop. This thoughtful detail not only enhances brand recognition but also establishes GURUGURU SHAKASHAKA as a must-visit destination in Tokyo's culinary landscape – a space that is truly worth its salt. Design Team - TORAFU ARCHITECTS, founded in 2004 by Koichi Suzuno and Shinya Kamuro, has established itself as a visionary force in the architectural design industry. Based in Tokyo, this multidisciplinary firm has garnered international acclaim for its innovative approach to architecture, interior design, exhibition planning, and product design. With a philosophy rooted in architectural thinking, TORAFU ARCHITECTS consistently pushes the boundaries of conventional design. Their portfolio showcases a remarkable versatility, ranging from residential projects like the "Hongoku no Jutaku" to commercial spaces such as "NIKE 1LOVE" and inventive product designs like the "Air Vase" and "Gulliver Table." The firm's expertise in creating immersive spatial experiences is exemplified by their award-winning installation "Light Loom" for Canon at Milano Salone 2011, which received the ELITA Design Award for Best Exhibition. Their work has been recognized with numerous accolades, including multiple Good Design Awards and the prestigious Red Dot Award. A keen attention to materiality, spatial efficiency, and user experience characterizes TORAFU ARCHITECTS' approach. Their projects often feature innovative uses of traditional materials, creating functional and aesthetically striking spaces. The firm's ability to seamlessly blend interior and exterior elements is particularly noteworthy, as seen in their "OUTSIDE IN" concept for recent projects. Under the continued leadership of Suzuno and Kamuro, TORAFU ARCHITECTS remains at the forefront of architectural innovation, consistently delivering projects that challenge perceptions and redefine spatial experiences. Their work continues to influence the industry, setting new standards for creativity and functionality in architectural design. 设计团队 旅游探访 51.12 m² Tokyo, Japan 2024 Previous Next

< 返回 普拉亚多福特住宅 Vereda Arquitetos 项目名称：普拉亚多福特住宅 地点：普拉亚多福特，巴西 设计团队：Vereda Arquitetos 建筑面积：630 m² 竣工时间：2023年 摄影：Nelson Kon 设计特色： 项目 - 在距离海滩仅300米的1260平方米平坦地块上，Vereda Arquitetos打造了这座与巴西"restinga"海岸生态系统和谐共存的当代住宅。这座630平方米的住宅采用纵向设计，最大限度地欣赏周围受保护区域的独特区域植物景观。 住宅被精心组织为三个独立的功能区块：社交区块将客厅、餐厅和厨房通过可伸缩的玻璃窗与户外完全融合，将空间转变为一览泳池和日光浴平台的大型阳台；主卧室区块包含一楼的主卧室和浴室，以及二楼的书房和工作室，分别拥有相对的景观视角；第三区块容纳其他卧室（包括业主女儿的房间）、客房和服务区域，同样分布在两层，拥有前后景观视野。 这三个区块通过中央循环轴连接，楼层呈半层错落状。这意味着从泳池层到下层或上层仅需半层楼梯。这种设计使下层卧室部分下沉，创造出与上层卧室相比更舒适多样的氛围，而中间层的社交区则提供扩展视野和便捷通道。 建筑采用石材、混凝土和木材的分层构造：基座由当地天然石材打造，形成日光浴平台、泳池、入口花园和卧室挡土墙；石材基座上建有钢筋混凝土结构，由六面长达3米高的混凝土墙界定功能区块，这些墙面延伸至室内空间之外，为各区域形成花园。20厘米厚的混凝土墙采用外露混凝土饰面，配以防水剂保护，支撑着上层楼板、立面花槽，并在中轴形成大型雨水收集槽；最后一层为由木材制成的屋顶和遮阳百叶，由混凝土结构支撑，瓦片屋顶的斜面将雨水引导至中央排水槽。 作为坐落在马塔德圣若昂海岸景观的当代贡献，这座海滨住宅展现了Vereda Arquitetos对环境敏感性与建筑创新的卓越平衡。 团队 -成立于2013年，Vereda Arquitetos专注于开发融合创新能力、建造可行性、可持续性和建筑卓越性的建筑项目，通过严谨细致的项目开发过程实现这一目标。工作室视建筑为一种能够促进知识进步的活动；认识到尽管当前城市规模和复杂性不断增长，建筑仍在城市生产中扮演着根本性角色，特别是通过其象征意义和理念构建。 Vereda Arquitetos总部位于圣保罗，涉足多个领域，从家具设计到大型建筑项目。其建筑师在大学中有着深厚的学术参与，他们将这种参与视为工作室知识生产的基础，也是为新一代建筑师培养和推动学科发展做出贡献的方式。通过其知识和建成项目的双重产出，Vereda致力于促进城市转型：使城市成为个人充分实现和表达最佳集体理想的场所。 工作室由创始合伙人João Paulo Meirelles de Faria领导，他于2002年毕业于圣保罗大学建筑与城市规划学院(FAU USP)，2012年获得哈佛设计研究生院硕士学位，目前在圣保罗大学攻读博士学位(2023-2026)。他曾在Escola da Cidade和圣犹达大学教授建筑与城市规划课程。团队中的建筑师Bruno Manso于2017年毕业于圣犹达大学(USJT)，2022年获得FAU USP硕士学位，自2015年起与Vereda合作，2022年成为合伙人。 这种学术与实践的结合为Vereda的工作创造了富有成效的张力，使每个项目成为知识探索的载体，同时保持建筑实用性。工作室的设计理念旨在通过细致的建筑干预，将城市转变为表达集体理想并促进个人成就的空间。 Project Name: House in Praia do Forte Location: Praia do forte, Brazil Design Team: Vereda Arquitetos Total Floor Area: 630 m² Completion: 2023 Photography: Nelson Kon Feature: Project - Vereda Arquitetos has completed the House in Praia do Forte, situated on a 1260 m² flat plot just 300 meters from the beach in Brazil's coastal 'restinga' ecosystem. This 630-square-meter residence employs a longitudinal design that maximizes views of the surrounding protected areas with their unique regional flora. The house is meticulously organized into three independent program blocks: The social block integrates the living room, dining area, and kitchen with the outdoors through retractable glass windows, transforming the space into a large veranda overlooking the pool and solarium; the master bedroom block includes the master bedroom and bathroom on the ground floor, with a study room and atelier on the upper floor, each offering opposing views; the third block accommodates additional bedrooms (for the owners' daughters), guest rooms, and service areas, organized over two levels with front and rear property views. These three blocks are connected by a central circulation axis with levels offset by half-flights of stairs. This innovative arrangement means that from the pool level, only half a flight of stairs is needed to reach either the lower or upper levels. The design creates partially sunken lower-level bedrooms that offer a more comfortable and diverse ambiance compared to the upper-level accommodations, while the intermediate-level social block provides expanded views and convenient access. The construction employs a layered material strategy: a base of local natural stone forms the solarium, pool, entrance gardens, and retaining walls; a reinforced concrete structure built upon this stone base consists of six 3-meter-high concrete walls that define the program blocks and extend beyond interior spaces to form gardens; these 20-centimeter-thick walls with exposed concrete finish support upper-floor slabs, facade planters, and a central rainwater collection gutter; the final layer comprises wooden roofs and shading louvers, with shingle roof planes directing rainwater to the central gutter. As a contemporary contribution to the coastal landscape of Mata de São João, this beach house demonstrates Vereda Arquitetos' excellent balance of environmental sensitivity and architectural innovation. Design Team - Founded in 2013, Vereda Arquitetos develops architectural projects that combine inventive capacity, constructive viability, sustainability, and architectural excellence through a rigorous and attentive project development process. The studio views architecture as an activity that can contribute to the advancement of knowledge; recognizing that despite the scale and complexity of our cities, architecture still plays a fundamental role in their production, especially through its symbolic role and the construction of ideas. Vereda Arquitetos is based in São Paulo and undertakes projects across diverse fields, from furniture design to larger architectural projects. Its architects maintain strong academic engagement, understanding this participation as fundamental to the intellectual production of the studio and as a way to contribute to the formation of new architects and the advancement of the discipline. Through both intellectual and built project production, Vereda aims to contribute to the transformation of cities: to make them places of full personal realization and expression of our best collective ideals. The studio is led by founding partner João Paulo Meirelles de Faria, who graduated from the University of São Paulo's Faculty of Architecture and Urbanism (FAU USP) in 2002, obtained a Master's degree from Harvard Graduate School of Design in 2012, and is currently pursuing doctoral studies at FAU USP (2023-2026). He has taught Architecture and Urbanism courses at Escola da Cidade and São Judas University. The team includes architect Bruno Manso, who graduated from São Judas Tadeu University (USJT) in 2017, earned a Master's degree from FAU USP in 2022, and has collaborated with Vereda since 2015, becoming an associate in 2022. This integration of academia and practice creates a productive tension in Vereda's work, where each project becomes a vehicle for intellectual inquiry while remaining grounded in architectural pragmatism. The studio's design philosophy aims to transform cities into spaces that express collective ideals while fostering personal fulfillment through thoughtful architectural interventions. 设计团队 旅游探访 630 m² 普拉亚多福特，巴西 2023 Previous Next

< 返回 板桥两庭院住宅 June Architects 设计特色： 项目 – 这栋位于韩国城南市繁华城市环境中的板桥两庭院住宅，由June Architects设计，巧妙地在联通自然与私密性之间取得平衡。这栋297平方米的住宅，通过雕塑般优美的混凝土形式，划出两个下沉的庭院。入口对面有一个庭院，展开了一个宽敞的双层高空间，让自然光充满了房屋；另一个则紧邻生活空间。住宅的中心是中央庭院的八米半高的墙壁，由封闭式混凝土建造而成，提供了大胆而广阔的背景。这个宏伟而高大的庭院将错层住宅缝合在一起，成为居民聚集的统一场所。毗邻的庭院提供了一个更加隐蔽的下沉式私人花园，沿着它的周边，有纹理的混凝土隔断升起，优雅地与景观陪衬，并通过不规则的空隙将日光过滤到家庭的公共生活区。经过深思熟虑的布局，通过将厨房和洗衣房聚集在一起，同时又为私人空间保有私密性。通过考虑材质和朝向来调节外部可见度，这座住宅实现了与自然界充满活力的连接以及优雅的私密感的统一。 团队 – 成立于2012年，June Architects由韩国建筑师金贤石（김현석）创立与领导，以其富有创造力和回应性的设计而被大众认识。他拥有十多年的国际设计经验，曾在法国和韩国学习和工作。他独特的美学平衡了雕塑式的形式和整体的秩序，创造出既强大又优雅的空间。作为一家追求建筑意义和认同感的设计公司，June Architects的设计顺应地点和环境，他们为空间带来光线和与自然的联系，同时为居住者提供便利和舒适，之前如平昌洞砖屋住宅这样的优质项目展示了他们通过材料和布局将传统形式现代化的能力。在“六月”这个象征生命和成长的月份的英语名字的指引下，这家公司将通过他们熟练的设计团队继续创造有意义的设计，并坚持智慧的解决方案来满足用户的需求和环境因素，提供舒适、可持续的建筑。 Feature： Project - Set amidst the bustling urban environment of Seongnam-si, South Korea, the Pangyo Two Courtyards House by June Architects adeptly balances a connection to nature with privacy. The 297 sqm residence orchestrates a sculptural composition of graceful concrete forms which carve out two sunken courtyards. One courtyard sits opposite the entrance, unfolding an expansive double-height void which floods the home with natural light. The other nestles intimately alongside the living spaces. At the heart of the home is the central courtyard’s eight-and-a-half-metre tall wall constructed from a closed form concrete that offers a bold and expansive backdrop. This grand and lofty courtyard stitches together the split-level home, serving as a unifying locale where inhabitants can gather. The adjoining courtyard provides a more sheltered, private garden, sunk into the ground plane. Along its perimeter, textured concrete partitions rise up, elegantly curating views and filtering daylight into the home’s communal living areas via irregular voids. The thoughtful layout provides convenience by grouping the kitchen and laundry while still allowing for privacy in the personal quarters. By tempering external visibility via considered materiality and orientations, the Pangyo House delivers the dynamism of connection with nature alongside a refined intimacy. Design Team - Established in 2012, June Architects is led by Principal Architect 김현석, an award-winning architect recognized for his creative and responsive designs. Kim brings over a decade of international experience, having studied and practiced in France as well as South Korea. His distinguishable aesthetic balances sculptural forms with an overarching order to create spaces that are powerful yet elegant. As a firm seeking meaning and identity within architecture, June Architects pursues designs attuned to locale and context. They infuse spaces with light and connection to nature while providing convenience and comfort for inhabitants. Past projects like the Pyeong Chang Dong Brick House showcase their ability to modernize traditional forms through materiality and layout. Guided by the energy of June, the namesake month symbolizing life and growth, the firm continues to create meaningful designs through their skilled architects. June Architects upholds clever solutions that address user needs and environmental factors to provide enjoyable, sustainable buildings. 设计团队 旅游探访 297.3 m² 韩国，城南市 2023年 Previous Next

< 返回 五月天咖啡厅 SPACE DOT 项目名称：五月天咖啡厅 地点：骊州 ， 韩国 设计团队：SPACE DOT 建筑面积：330 m² 竣工时间：2022年 摄影：SPACE DOT 设计特色： 项目 - SPACE DOT在韩国骊州太平里这个历史悠久的村庄中创建了一座静谧的咖啡厅，这里曾是学者们前往首都途中艰难旅程的歇脚之地。这座330平方米的五月天咖啡厅将这个具有文化意义的场所转化为城市居民寻求远离都市生活喘息的现代圣地。 该项目最独特的特色在于其对一棵名为"오월이"（意为"五月"）高大雪松的建筑回应。这棵雄伟的树木从单一主干向天空分叉成两臂，直接启发了咖啡厅的双建筑配置。建筑师将A栋定位为厨房和服务区域，而B栋则通过四面落地窗全景开放，提供山脊线的无遮挡视野。 SPACE DOT的设计理念围绕创造一个"拥抱天空的空间"，呼应雪松向上伸展的形态。建筑物战略性地位于村庄的最高点，最大化室内与景观的连接。戏剧性的入口序列沿着令人印象深刻的石墙展开，让人联想到传统韩式庄园建筑，在揭示咖啡厅宁静庭院之前营造期待感。 材料选择致敬了场地被破坏的地形——这是开发对山地地形造成创伤的后果。石材和木材饰面原产于原始景观，既是美学选择也是环境纪念。建筑两侧宁静的反射池捕捉不断变化的天空，而温暖木材与白色空间空隙的相互作用创造出深刻宁静的氛围。 这种文化记忆、自然灵感和当代酒店设计的整合，使五月天咖啡厅不仅仅是一个商业空间——它成为韩国传统旅行者歇脚点的现代诠释。 团队 - SPACE DOT成立于2021年，由李胜元（Seungwon Lee）和金京一（Kyung Il Kim）共同创立。该事务所专注于酒店和商业建筑设计，以其对空间基础主义的独特理解而闻名——认为建筑始于汇聚成线条、表面，最终形成连贯空间体验的单个点。 事务所的代表作品体现了其对语境响应式设计的承诺，在短短几年内获得了国际认可，包括2024年联合国教科文组织主办的凡尔赛建筑奖餐厅类别、2025年世界三大设计奖项之一的iF设计奖室内建筑类别，以及2024年全球餐厅与酒吧设计奖亚洲咖啡厅类别。 在李胜元和金京一的持续领导下，SPACE DOT已确立了其在韩国新兴建筑实践中的地位。该事务所的设计方法论超越了传统的美学考量，优先考虑感官和情感参与，同时保持功能性能。他们在适应性场地策略、材料真实性和生物亲和性设计整合方面展现出特殊的专业能力。 SPACE DOT的创作理念强调每个项目都应承载独特的品牌叙事，将场所的文化意义与当代功能需求相结合。他们相信空间是最贴近我们生活的艺术形式，因此致力于创造不仅在视觉上令人印象深刻，更能在感官和情感层面与使用者产生共鸣的建筑体验。五月天咖啡厅项目充分展现了他们将品牌概念转化为建筑体验的卓越能力。 Project Name: MAY DAY CAFE Location: Yeoju-si, South Korea Design Team: SPACE DOT Total Floor Area: 330 m² Completion: 2022 Photography: Courtesy of SPACE DOT Feature: Project - SPACE DOT transformed a site in the historic village of Taepyeong-ri, Yeoju into May Day Cafe. Completed in 2022, the project fully embodies the core philosophy of providing "complete rest" spaces for urban dwellers. Taepyeong-ri has historically been a place where scholars traveling to Hanyang for civil service examinations would pause to rest, named for its peaceful and harmonious energy. The design of May Day Cafe began with a clear concept: creating a space that could "embrace the sky." The architects were inspired by a towering cedar tree named "Owol-i" (May) at the center of the site, whose form—branching skyward from a single trunk into two arms—directly influenced the cafe's twin-building configuration. The architects positioned Building A to house the kitchen and staff areas, while Building B opens panoramically through floor-to-ceiling windows on all four sides, offering unobstructed views of the mountain ridgeline. The core highlight of the project is its sensitive response to the site's disrupted topography from development. To conceal the incongruous retaining walls created by construction, Building A was strategically arranged as a screen, while Building B, positioned at the village's highest point, maximizes connection with the natural landscape. The architects chose stone and wood as primary materials—elements once native to the land—as a gesture of homage to the nature lost to development. In terms of material selection, the architects deliberately chose elements that echo the site's original natural state. Stone and wood finishes serve not only as aesthetic choices but also as environmental memorials. Tranquil reflecting pools on either side of the building capture the ever-changing colors of the sky as they shift with wind, while a large window beneath the grand roof fully frames the sky and scenery of Taepyeong-ri, and lower side windows bring in natural light that transforms with the seasons. The lighting design emphasizes the seasonal variations of natural light, with the interplay of warm timber and overall white spatial voids creating a soothing and serene atmosphere. The central cedar "Owol-i" serves not only as the source of design inspiration but also becomes a key element symbolizing the cafe's identity—a space providing May-like warmth, comfort, and stability for rest. By combining cultural memory, natural inspiration, and contemporary architectural design, SPACE DOT created a modern sanctuary that transcends traditional commercial spaces, authentically expressing a contemporary interpretation of Korea's traditional rest stops, providing a place of tranquility and restoration for weary urban travelers. Design Team - SPACE DOT was established in 2021 by Seungwon Lee and Kyung Il Kim. The firm specializes in hospitality and commercial architecture design, known for its unique understanding of spatial fundamentalism—believing that architecture begins with individual points that aggregate into lines, surfaces, and ultimately cohesive spatial experiences. The firm's representative works demonstrate their commitment to contextually responsive design, gaining international recognition within just a few years, including the UNESCO Prix Versailles 2024 for Restaurants, the iF Design Award 2025 in Interior Architecture (one of the world's top three design awards), and the Restaurant & Bar Design Awards 2024 Asia-Café category. Under the continued leadership of Seungwon Lee and Kyung Il Kim, SPACE DOT has established its position among Korea's emerging architectural practices. The firm's design methodology transcends conventional aesthetic considerations, prioritizing sensory and emotional engagement while maintaining functional performance. They demonstrate particular expertise in adaptive site strategies, material authenticity, and biophilic design integration. SPACE DOT's creative philosophy emphasizes that each project should carry unique brand narratives, combining the cultural significance of place with contemporary functional requirements. They believe space is the art form closest to our lives, therefore committed to creating architectural experiences that not only impress visually but also resonate with users on sensory and emotional levels. The May Day Cafe project fully demonstrates their exceptional ability to transform brand concepts into architectural experiences. 设计团队 旅游探访 330 m² 骊州，韩国 2022 Previous Next

< 返回 折叠空间花园 RAD+ar 项目名称: 折叠空间花园 地点: 万隆，印度尼西亚 设计团队: RAD+ar 建筑面积: 600 m² 竣工时间: 2025年 摄影: Ernest Theofilus 设计特色: RAD+ar在印度尼西亚万隆完成了折叠空间花园项目，这是一个实验性住宅项目，通过彻底消除传统墙体来重新想象居住空间。这座600平方米的住宅采用了革命性的连续折叠概念，地板、天花板和屋顶融合为单一的整体平面，在紧凑的城市场地中起伏流动。 设计不依赖垂直隔断来分隔空间，而是利用高程变化和策略性折叠来创造不同的私密性和活动区域。这种建构手法模糊了建筑与景观之间的界限，将住宅转变为有机响应自然地形的流动空间序列。 住宅在两个主要层面展开。上层折叠区容纳公共和半私密功能，包括一间与起居和用餐区相连的榻榻米式卧室，所有空间都抬高以捕捉前花园的全景视野并最大化交叉通风。下方的下层折叠区包含下沉的睡眠区，直接通向私人泳池和半户外浴室，被阴凉的竹林环抱，营造出亲密内向的氛围。 住宅入口通过一个悬浮的种植池进行调节，作为灵活的门槛，过滤从混乱城市环境到僻静居住庇护所的过渡。这个多孔边界体现了项目在实体与虚空、建筑形式与开放空间之间的精妙对话。 除了形式实验，折叠空间花园还解决了紧迫的环境问题。设计保持70%的可渗透绿地面积，优先考虑现场雨水收集，为印度尼西亚密集的城市规划挑战提供了关键应对方案。建筑师将这座紧凑别墅设想为生态城市主义的原型，展示了小规模私人开发项目如何作为分散的绿色节点发挥作用，在提供建筑创新生活环境的同时，积极促进城市水文健康。 设计团队: RAD+ar(Research Artistic Design + architecture)是一家印度尼西亚建筑事务所，将设计定位为对空间、文化和可持续性的挑战性探索。该事务所由Antonius Richard Rusli创立，在建筑、城市主义、研究和发展的交汇处运作，将每个项目视为挑战传统方法和拓展建筑可能性边界的机会。 在Dadi Prasojo和Antonius Richard的领导下，RAD+ar认为，应对当代挑战需要建筑成为最严谨的探索领域之一。该事务所倡导基于热带建筑原则和乌托邦研究方法的更可持续、更公平的建筑环境愿景。 RAD+ar的作品集展示了其在不同尺度和类型上的实验承诺，从紧凑的城市干预到更广泛的景观策略。该事务所连接历史和文化叙事，探索建筑在全球化与本土化之间进行调解的能力。通过多学科协作和在每个项目阶段的系统整合，RAD+ar始终如一地交付创新作品，重新定义超越空间和建筑传统概念的建筑价值，使该事务所成为当代印度尼西亚建筑领域的进步声音。 设计团队 旅游探访 600 m² 万隆，印度尼西亚 2025 Previous Next

< 返回 淡路岛狗狗别墅 1110建筑设计事务所 项目名称： 淡路岛狗狗别墅 地点： 兵库县淡路岛，日本 设计团队： 1110建筑设计事务所 建筑面积： 185.49㎡ 竣工时间： 2024年11月 摄影： 笹仓洋平 设计特色： 项目 - 由1110建筑设计事务所设计的这座度假别墅，是对淡路岛北部快速变化的景观的一种回应。随着以娱乐为中心的再开发改变着周围环境，这座宠物友好型度假别墅在私密性和与岛上持久自然美景的连接之间取得了微妙的平衡。 设计师拒绝了传统的二元方法——要么完全封闭，要么完全拥抱不断演变的环境。相反，他们追求所谓的"弱化庭院住宅"类型——这是对传统内向型建筑的复杂重新构想，同时保持了与远处山脉、樱花树和星空的重要连接。 "我们追求一种既不排斥也不盲目接受不确定周围环境的适度建筑存在，"设计师解释道。这一理念体现在别墅独特的形式上：各种大小的房间连续排列，形成"项链式"构造，环绕着中央庭院。这个适合狗狗的户外空间受到保护，但通过精心校准的开口与景观在感知上保持连接。 外观采用无檐的屋顶墙一体化设计，使用耐盐的镀锌钢板——这是对强烈海风的实用回应。从发展密集的北侧看，红褐色外立面与传统淡路街景和谐统一；而从南侧看，可见的雪松包裹表面呼应了公园的绿色和山脉的景观。 室内设计采用一系列温和的错层楼板，逐渐将居住者提升到过往交通之上，创造出既独特又相互连接的区域，让人类和狗狗能够自然共存。建筑师没有顺应现有地形，而是塑造了景观本身，利用挖掘的土壤在庭院内创造了一座与室内层次对齐的缓坡小丘。 巧妙的环形动线引导访客顺时针从入住到退房，通过精心框定的视角揭示淡路岛的多样特性。每个空间都成为建筑师所描述的"具有厚度的边界"，外部环境通过这些边界安静地渗透到庭院和内部房间，在私密性与开放性、传统与变革之间创造出微妙的对话。 团队 - 1110建筑设计事务所成立于2017年，并于2018年3月正式注册，迅速崛起成为日本最具思想深度的建筑事务所之一。这家位于大阪西区充满活力地区的一级建筑师事务所，由首席建筑师川口裕人领导，致力于空间创新与环境敏感性的交汇点。 该事务所的设计理念核心是在独特特性与前瞻性设计方法之间寻求微妙平衡。这种方法论已产生令人印象深刻的作品组合，涵盖住宅、商业和适应性再利用项目，每个项目都展现出对材料、空间序列和环境融合的精细关注。 川口裕人持有工学硕士学位，是注册一级建筑师，从他在竹中工务店大阪设计部门的前期任职（2009-2017）中积累了丰富经验。他的学术背景包括在大阪市立大学的学习，在法国凡尔赛国立高等建筑学院的交换项目，以及在京都工艺纤维大学的研究生工作。 该工作室的多学科能力不仅限于建筑设计，还包括土地利用规划、设施和环境战略咨询、城市教育计划和工业设计。他们的作品通过在知名平台上的发表以及在威尼斯双年展上的展览，获得了国际认可。 Project Name: Awaji Island Dog Villa Location: Awaji Island, Hyogo, Japan Design Team: 1110 Architectural Design Office Total Floor Area: 185.49㎡ Completion: November 2024 Photography: Yohei Sasakura Feature: Project - Nestled in a developing area of Awaji Island in Hyogo Prefecture, the Dog Villa by 1110 Architectural Design Office emerges as a masterful exercise in balancing privacy with natural connectivity. Spanning 185.49 square meters, this contemporary vacation rental challenges traditional notions of inward-facing architecture through an innovative "weakened courtyard house" concept. The project's core philosophy revolves around finding equilibrium within uncertain surroundings, neither rejecting nor uncritically accepting the changing landscape. Architect Hiroto Kawaguchi has crafted a dwelling that functions not merely as a residence but as a mediator between interior and exterior environments. The villa arranges variously sized rooms in a "necklace-like" configuration that encircles a central dog-friendly courtyard, creating a spatial experience that is both protected and connected to the surrounding vistas. Innovative sustainability is evident in the exterior choices. Responding to strong coastal winds and salt damage, the design employs seamless roof-wall construction using salt-resistant galvanized steel panels. Its reddish-brown facade harmonizes with the traditional Awaji streetscape, while visible cedar interior elements respond to the nearby park greenery and distant mountain scenery. The interior is characterized by gentle skip floors that gradually elevate living spaces, diminishing the impact of road traffic while creating interconnected zones where humans and dogs can naturally coexist. Rather than conforming to existing topography, the villa shaped the landscape itself, creating a gentle hill within the courtyard using excavated soil that perfectly aligns with interior levels. More than just a vacation house, the Awaji Island Dog Villa is a meditation on how contemporary architecture can coexist harmoniously with nature—a modern sanctuary that allows inhabitants to maintain privacy while establishing profound connections with Awaji Island's varied natural scenery. Design Team - Founded in 2017 by Hiroto Kawaguchi and formally established in March 2018, 1110 Architectural Design Office has rapidly emerged as one of Japan's most thoughtful architectural practices. Located in Osaka's vibrant Minami-Horie district in Nishi Ward, this licensed first-class architectural firm has distinguished itself through a philosophy that balances distinct character with innovative design approaches. Recognized for its profound integration of inherent qualities with forward-thinking design, the firm has garnered international recognition with publications in prestigious platforms. The office's design philosophy centers on creating architectural spaces that respect site specificity while introducing progressive thinking, responding critically to urban transformation and environmental challenges. Led by founding principal Hiroto Kawaguchi, the practice has developed a robust portfolio of residential, commercial, and adaptive reuse projects. Kawaguchi holds a Master of Engineering degree and is a registered first-class architect (No. 359038) with extensive experience gained at Takenaka Corporation's Osaka design division (2009-2017). His work is characterized by meticulous attention to materiality, spatial sequence, and environmental integration. With multidisciplinary capabilities—including architectural design, land use planning, strategic consulting, and industrial design—1110 Architectural Design Office continues to push the boundaries of contemporary architectural practice, offering integrated design solutions that are both environmentally responsive and deeply attuned to human experience. As a practicing academic, Kawaguchi concurrently serves as a lecturer at Osaka Metropolitan University, Kindai University, and Setsunan University, ensuring the firm's theoretical approaches remain at the forefront of architectural discourse. 设计团队 旅游探访 185.49 m² 兵库县淡路岛，日本 2024 Previous Next

< 返回 国立露台 黑川智之建筑设计事务所 项目名称： 国立露台 地点： 东京都国立市，日本 设计团队： 黑川智之建筑设计事务所 建筑面积： 458.65 m² 完成时间： 2024年6月 摄影： 中山保寛 设计特色： 项目 - 在东京国立市历史悠久的住宅景观中，黑川智之建筑设计事务所打造了一个革命性的合作性住房项目，挑战了传统的多单元住宅设计。"国立露台"作为一个精妙的建筑作品，通过对花园类型的根本性重新想象，转变了共享生活空间的概念。 该项目坐落在以大正时代大面积土地划分为特征的地区，战略性地应对了该邻里环境日益减少的空间丰富性。与其建造另一个普通的公寓综合体，建筑师构想了一个生活系统，六个联排住宅单元通过动态的花园网络精巧地交织在一起。 设计最引人注目的创新在于其四种不同的花园类型：嵌入住宅之间的公共庭院、由建筑折叠外形创造的私人花园、高架的个人露台，以及提供不同隐私和互动层级的屋顶花园。这些空间不仅仅是美学上的点缀，而是活跃的生活环境，模糊了内部和外部、私密和集体之间的界限。 通过采用合作性住房模式，建筑师将潜在的限制转化为机遇。协作方法使居民能够主动参与设计和维护这些共享空间，创造了设计师所描述的"活的公共空间"——这与投机性住房开发有着根本的不同。 项目的建筑灵活性尤其值得注意。建筑师没有强加僵化的设计，而是建立了引导性原则，使花园和生活空间能够有机地演化。交叉跃层布局确保每个单元与周围环境都有独特的关系，使居民成为塑造生活景观的主动参与者。 最终，国立露台不仅仅是一个住宅项目。它是集体生活的大胆城市实验，展示了深思熟虑的建筑设计如何在当代东京再生和维持传统街区丰富的空间品质。 团队 - 黑川智之建筑设计事务所由黑川智之于2012年创立，是当代日本建筑设计的独特分支之一。黑川毕业于东京工业大学，曾在竹中工务店、赫尔佐格与德梅隆（Herzog & de Meuron）和隈研吾建筑都市设计事务所工作，积累了丰富的国际设计经验。 事务所以其在住宅、机构和公共空间设计方面的专业性而闻名，持续推动当代日本建筑话语的边界，提供能动态响应不断演变的城市景观和社会需求的复杂设计解决方案。黑川的设计哲学融合了结构创新与环境响应性，在多个建筑竞赛中屡获殊荣，包括优秀设计奖和建筑竞赛提名等。 Project Name: Kunitachi Terrace Location: Kunitachi, Tokyo, Japan Design Team: Tomoyuki Kurokawa Architects Total Floor Area: 458.65 m² Completion: June 2024 Photography: Yasuhiro Nakayama Design Feature: Project - Located in Kunitachi, Tokyo, the Kunitachi Terrace project represents a revolutionary cooperative housing concept meticulously designed by Tomoyuki Kurokawa Architects. Comprising six townhouse-style units, the project redefines collective living spaces through an innovative garden network. Situated in a historic residential district developed during the Taisho era, the project strategically addresses the diminishing spatial richness of the neighborhood. The architects envisioned a dynamic living system, intricately weaving residential units together through four distinct garden typologies: a communal courtyard surrounding the residences, private gardens created by the building's folded exterior, elevated personal terraces, and roof gardens offering graduated levels of privacy and interaction. These spaces are more than aesthetic additions—they are active living environments that blur the boundaries between interior and exterior, private and collective. By adopting a cooperative housing model, the architects transformed potential limitations into opportunities, enabling residents to actively participate in designing and maintaining shared spaces, creating what the designers describe as a "living common." The project's architectural flexibility is particularly noteworthy. Instead of imposing a rigid design, the architects established guiding principles allowing gardens and living spaces to evolve organically. Cross-mezzanine layouts ensure each unit has a unique relationship with its surrounding environment, making residents active participants in shaping their living landscape. Design Team - Founded in 2012 by Tomoyuki Kurokawa, the practice has emerged as a distinctive voice in contemporary Japanese architectural design. Kurokawa, a graduate of Tokyo Institute of Technology, brings extensive international design experience from prestigious practices including Takkenaka Corporation, Herzog & de Meuron, and Kengo Kuma's Urban Design Office. The firm is renowned for its expertise in residential, institutional, and public space design, continuously pushing the boundaries of contemporary Japanese architectural discourse. Kurokawa's design philosophy seamlessly integrates structural innovation with environmental responsiveness, earning multiple accolades in architectural competitions, including Good Design Awards and notable nominations. 设计团队 旅游探访 458.65 m² 东京都国立市，日本 2024 Previous Next

< 返回 十字交叉之家 察社办公室 项目名称：十字交叉之家 地点：北京，中国 设计团队：察社办公室 建筑面积：334 m² 竣工时间：2024年 摄影：朱雨蒙 设计特色： 项目 - 位于北京通州区的十字交叉之家是察社办公室对疫情后生活方式转变的回应，被设计为一个可以容纳三代人同时生活和工作的单层住宅。面对严格的建筑法规限制——住宅地块只允许建造单层结构，檐高不超过3米——设计团队将这些约束转化为创造性的机遇。 这座334平方米的住宅采用了创新的十字形布局，其各个翼部向不同方向延伸并在末端相连。为维持中央庭院的比例，侧翼被整合并从周边拉开，创造了后部的狭长次级庭院。同样，面向北方的主厅被向南移动，开辟了一个后院。每个翼部现在都享有双面自然采光，整个庭院受益于畅通无阻的视线。 结构上的独创性成为了一个显著特点——建筑框架向屋脊收缩，同时结构元素在剪力墙核心处汇聚，创造了建筑师所描述的"蘑菇状"支撑系统。这使得建筑周边不受结构约束，消解了室内外空间的界限。落地玻璃将生活空间与院落相连，创造出从"院落到房屋再到院落"的连续视线。尽管如此透明，设计通过将屋檐梁降至2.4米来保持私密性，使屋顶像保护性的帽檐一样向下延伸。这一解决方案在保持舒适的层高的同时，也创造了一种庇护感——无论是在阳光明媚还是大雨滂沱的日子，坐在窗边的人仿佛是栖息在蘑菇帽下的小生物，感到受保护和安心。 十字形的空间布局处理了多代同堂生活的需求，将私人空间设计在四个末端，提供了亲密性与分隔的平衡。祖父母、父母、孩子和客人各有隐私空间，而中心区域则自然成为家庭聚集和互动的公共区域。 十字交叉之家通过当代材料创造了一种既现代又根植于地域的建筑语言，展现了察社办公室对应对实际生活挑战而非追求抽象传统的设计理念。 团队 - 察社办公室由成直于2017年正式创立，其名称最初是作为平行于"基本联合工作室"的观察研究机构而设立的。每年承接约三个项目，长期保持小型工作室的规模，主要由成直一人主导，偶尔与年轻建筑师合作。 成直在2008年硕士毕业后，在都市实践北京办公室工作了六年，之后与大学同学创立了"基本联合工作室"，并在2017年转为独立设计机构。察社办公室的设计方法超越了常规的建筑实践，将设计视为多学科方法中的一个方面，包括研究、写作、纪录和理论探索。 工作室的设计特色在于对场地特定条件和隐藏空间秩序的回应，受到成直正在进行的研究项目如"无常几种"的影响——这是对城市中经久物随时间变化的考察。成直的设计方法将建筑与观察研究、阅读和写作平行进行，相互滋养，形成独特的设计视角。 察社办公室的项目展现了对法规约束、空间创新和环境敏感性的深思熟虑的调和，如北京通州区的十字交叉之家就是这种设计理念的典范。 Project Name: House of Cross Location: Beijing, China Design Team: Chaoffice Total Floor Area: 334 m² Completion: 2024 Photography: Zhu Yumeng Feature: Project - Located in Beijing's Tongzhou District, the House of Cross represents Chaoffice's response to post-pandemic lifestyle shifts, designed as a single-story residence that accommodates three generations living and working together. Facing strict building regulations—residential plots limited to single-story structures with eaves no higher than 3 meters—the design team transformed these constraints into creative opportunities. The 334-square-meter residence adopts an innovative cross-shaped layout with wings extending in different directions and joining at their ends. To maintain the proportions of the central courtyard, the side wings were consolidated and pulled away from the perimeter, creating a narrow secondary courtyard at the rear. Similarly, the north-facing main hall was shifted southward, opening up a backyard. Each wing now enjoys dual-sided natural light, while the entire courtyard benefits from uninterrupted sightlines. The building's structural framework ingeniously recedes toward the roof ridge, with structural elements converging at the shear wall cores to form a cross-shaped structural anchor. The house, much like a mushroom, is supported at its center while its eaves extend outward in all directions. Freeing the perimeter from structural constraints allows the façade to dissolve, merging interior and exterior spaces. The cross-shaped layout creates a view that moves from near to far—courtyard, house, courtyard again—revealing overlapping scenes of daily life. The connection between glass façade frames and eaves was carefully designed: the eaves beams were lowered to 2.4 meters, allowing the eaves to extend downward like the edge of a mushroom cap. This solution maintains a comfortable ceiling height while creating a sense of shelter—whether under bright sun or during heavy rain, those sitting by the window feel like small creatures nestled beneath a mushroom cap, protected and at ease. The cross-configuration spatial arrangement addresses the needs of multi-generational living, with private spaces positioned at the four terminal points, providing a balance of intimacy and separation. Grandparents, parents, children, and guests each have their private spaces, while the central areas naturally become public zones where the family gathers and interacts. House of Cross creates an architectural language that is both contemporary and rooted in place through the combination of materials like laminated eucalyptus plywood and bridge-cut-off aluminum alloy windows, demonstrating Chaoffice's design philosophy of addressing real-life challenges rather than pursuing abstract traditions. Design Team - Chaoffice was officially established by Cheng Zhi in 2017, initially named as an observation and research institution parallel to "OEU Studio." Taking on approximately three projects annually, it has maintained the scale of a small studio, primarily led by Cheng Zhi with occasional collaboration from junior architects. After obtaining his master's degree in 2008, Cheng Zhi worked at URBANUS Beijing for six years before founding "OEU Studio" with university classmates and transitioning to independent practice in 2017. Chaoffice's methodology transcends conventional architectural practice, positioning design as one facet of a multidisciplinary approach that includes research, writing, documentation, and theoretical exploration. The studio's work is characterized by its response to site-specific conditions and hidden spatial orders, informed by Cheng's ongoing research projects such as "Impermanence in Various Forms"—an investigation into enduring urban elements that transform over time, echoing Aldo Rossi's theories on urban permanences. Cheng's design approach places architecture in parallel with observational research, reading, and writing, which mutually nourish each other to form a unique design perspective. Chaoffice's projects demonstrate a thoughtful reconciliation of regulatory constraints, spatial innovation, and contextual sensitivity, as exemplified by the House of Cross in Beijing's Tongzhou District. 设计团队 旅游探访 334 m² 北京，中国 2024 Previous Next

< 返回 SKIN1004旗舰店 LMTLS 设计特色： 项目 – 这家位于首尔明洞中心的SKIN1004旗舰店，它粗犷的岩石立面与这个邻里典型的玻璃店面形成了强烈对比。项目空间巧妙地在城市环境中汲取“未被触碰的自然”的本质，使用代表“马达加斯加”未开垦景观的丰富的大地色调、有机形状和纹理。走进嶙峋的石头门脸，游客穿过芦苇环绕的“小径”，遇见飘动的巨幅多媒体自然场景，让人完全没入原生态的多感官体验。一楼展览区和二楼休息厅及零售区域之间精心制造的照明效果和视觉连通性加强了这两个空间的凝聚力，它们通过一个有机雕塑中心装置连接在一起。这一极具创新精神的设计由韩国LMTLS设计工作主导，它摆脱了对自然的老套描绘，以充满活力的沙质色调和粗粝质感掩盖了复杂而精心设计的天然灵感与当代风格的融合。这种具创造性的方法塑造了一个引人入胜又意想不到的避风港，与外面喧嚣的城市生活形成强烈对比，作为一个独特的零售环境存在让人神往- 就好像其产品是从地球原生环境提纯出来的一样。 团队 – LMTLS是一家总部位于纽约和首尔的建筑设计工作室，其三位共同创始人Daeho Lee、Beomki Lee和Jaeyual Lee在麻省理工学院(MIT)攻读建筑学硕士学位期间开始了合作。通过他们多年来的默契合作，目前已获得不俗的口碑，其致力于通过创新的设计推动变革，为每个项目找到最佳的设计方向。 Feature： Project - The new SKIN1004 flagship store in the heart of Myeong-dong, Seoul emerges as a striking presence with its textured rock façadecontrasting with the glass storefronts typical of the neighborhood. The space artfully brings the essence of “untouched nature” into the urban setting through rich earth tones, organic shapes and textures that reference the untamed landscapes of Madagascar. Upon entering the craggy stone frontage, visitors traverse reed-lined “trails” and encounter swaying video walls depicting natural scenes, fostering an immersive multisensory connection with raw, primordial nature. Carefully orchestrated lighting and visibility between the exhibition-focused ground floor and the product lounge and retail area above enhance the continuity between the spaces tied together by an organic sculptural centerpiece. The innovative scheme spearheaded by Korean firm LMTLS liberates the brand identity from clichéd representations of nature with vibrant sand-hued tones and rough-hewn textures belying the sophisticated blend of natural inspirations filtered through contemporary form. The creative approach shapes an intriguing and unexpected haven contrasting the teeming urban activity outside, standing as a distinctive retail environment where cosmetics emerge as if concentrated from the very essence of the earth. Design Team - LMTLS is a New York & Seoul based architectural design group whose three co-founders, Daeho Lee, Beomki Lee, and Jaeyual Lee, began their collaboration at the Massachusetts Institute of Technology (MIT) during their Master of Architecture studies. Founded in 2015, the firm is committed to catalyzing change through innovative design, navigating towards the optimal design direction for each project. As stated in their manifesto: "Beyond limits, our creative design thinking transcends constraints, weaving a tapestry of boundless possibilities. Embracing diverse approaches, free from stereotypes, we manifest an endless expression without boundaries." 设计团队 旅游探访 350 m² 韩国 首尔 2023 Previous Next

< 返回 Lighthouse 灯塔 3XN 项目名称： Lighthouse 灯塔 地点： 奥胡斯，丹麦 设计团队： 3XN建筑事务所 面积： 44600 m² 完工时间： 2023年 摄影师： Adam Mork 主创设计师： Kim Herforth Nielsen（创始人兼创意总监） 景观设计： Schönherr, Danjord 产品制造商： Kalzip（屋面系统） 设计特色： 项目 - 丹麦建筑事务所3XN在奥胡斯完成了丹麦最高的住宅建筑，该建筑具有独特的菱形轮廓和圆角设计，其参数化设计的立面反映了周围的滨水环境。 这座名为"灯塔"的建筑项目位于奥胡斯港的尖端位置，通过其创新的"自下而上"城市发展方法重新诠释了滨水生活的概念。与传统的建筑先行方式不同，该项目首先建立了社会基础设施——包括咖啡馆、水上运动设施和城市农业计划，让社区反馈参与塑造最终的设计方案。 作为丹麦最高建筑，这座塔楼的雕塑般外形既呼应了其海滨环境，又传承了城市的建筑遗产。建筑通过菱形几何体和两个圆角创造出优雅的轮廓，形成一个纤细的剪影，从不同角度观察呈现出不同的面貌，有效消除了传统建筑正面与背面的概念。 该项目最引人注目的特征是其精密的立面系统，灵感来自水纹和反光效果。这些预制构件不仅创造出视觉趣味，还在减轻建筑重量方面发挥实际作用，同时将高层建筑与其周围的中层建筑统一为一个整体。 这座44600平方米的综合体巧妙平衡了私人和公共空间。滨水长廊上设有餐厅、咖啡馆和零售空间，营造出充满活力的公共领域，而受保护的庭院则为居民提供了更私密的社区环境。项目包含私人住宅和社会住房单元，每个单元都经过精心设计，通过朝南的朝向和私人户外空间最大限度地利用景观和自然采光。 全年性的项目规划为开发项目增添了活力，其设施支持包括冬泳在内的传统丹麦活动。公共屋顶餐厅的加入让所有人都能欣赏到奥胡斯湾和城市的全景，使建筑的高度成为整个社区而非仅仅是住户的资产。 团队 - 3XN成立于1986年的丹麦奥胡斯，现已发展成为一家以可持续设计创新和以人为本的建筑理念而闻名的全球性建筑事务所。目前由包括创意总监Kim Herforth Nielsen在内的五人高级合伙人团队领导，公司在哥本哈根、斯德哥尔摩、伦敦、纽约和悉尼设有办事处，建立起强大的国际网络。 该事务所通过柏林丹麦大使馆（1999年）和阿姆斯特丹音乐厅（1997年）等标志性项目获得国际认可，为建筑的场地适应性和功能创新树立了新标准。其作品组合涵盖从文化机构到可持续高层建筑等多种类型，近期完工的代表作包括洛桑奥林匹克委员会总部大楼和屡获殊荣的悉尼码头区塔楼。 2007年，3XN成立了内部研发部门GXN，专注于绿色创新、材料技术和循环设计原则。这种将研究驱动的可持续性与建筑实践相结合的方式，体现了该事务所致力于通过循证设计方法推动行业发展的承诺。事务所在坚持其基本理念的同时继续推动可持续建筑的边界，即创造既能造福使用者又能改善城市环境的建筑设计。 Project Name: Lighthouse Building Location: Aarhus, Denmark Design Team: 3XN Architects Area: 44,600 m² Completion: 2023 Photographer: Adam Mork Principal Designer: Kim Herforth Nielsen (Founder and Creative Director) Landscape Architect: Schönherr, Danjord Manufacturer: Kalzip (Roof System) Feature： Project - Danish architecture firm 3XN has completed Denmark's tallest residential building in Aarhus, featuring a distinctive rhomboid form with rounded corners and a parametrically designed façade that reflects the surrounding waterfront. The Lighthouse development, which marks a prominent position at the tip of Aarhus Harbor, represents a bold reimagining of waterfront living through its innovative "upside-down" approach to urban development. Rather than beginning with architecture, the project established social infrastructure first – including cafés, water sports facilities, and urban farming initiatives – allowing community feedback to shape the final design. Standing as the country's highest building, the tower's sculptural form responds to both its maritime context and the city's architectural heritage. The structure's elegant profile, achieved through a rhomboid geometry with two rounded corners, creates a slender silhouette that appears different from every angle, effectively eliminating the notion of a front or back façade. The development's most striking feature is its sophisticated façade system, which draws inspiration from water patterns and reflections. These prefabricated elements not only create visual intrigue but also serve a practical purpose in weight reduction. The unified architectural language extends across the entire complex, binding the high-rise structure with its mid-rise companions into a cohesive whole. 3XN's founder and creative director Kim Herforth Nielsen describes the project as "a lighthouse in more than one sense," referring to both its landmark status and its role as a prototype for community-centered urban development. The 44,600-square-metre mixed-use complex ingeniously balances private and public spaces. A waterfront promenade activated by restaurants, cafés, and retail spaces creates a vibrant public realm, while a protected courtyard offers residents a more intimate community setting. The development includes both private and social housing units, each carefully designed to maximize views and natural light through south-facing orientations and private outdoor spaces. Year-round programming adds vitality to the development, with facilities supporting traditional Danish activities like winter bathing. The addition of a public rooftop restaurant democratizes access to panoramic views over Aarhus Bay and the city, making the building's height an asset for the entire community rather than just its residents. Through its thoughtful integration of social spaces, architectural innovation, and contextual sensitivity, the Lighthouse development sets a new standard for how tall buildings can contribute to urban life while maintaining a strong connection to their surroundings. Design Team - Founded in 1986 in Aarhus, Denmark, 3XN has evolved into a global architectural practice renowned for its innovative approach to sustainable design and human-centered architecture. Currently led by a senior partner group of five with Kim Herforth Nielsen as Creative Director, the firm maintains offices in Copenhagen, Stockholm, London, New York, and Sydney, establishing a robust international presence. The practice gained international recognition through seminal projects like the Danish Embassy in Berlin (1999) and the Muziekgebouw Concert Hall in Amsterdam (1997), setting benchmarks for contextual sensitivity and programmatic innovation. Their portfolio encompasses a diverse range of typologies, from cultural institutions to sustainable high-rises, exemplified by recent completions such as the Olympic House IOC Headquarters in Lausanne and the award-winning Quay Quarter Tower in Sydney. In 2007, 3XN established GXN, an internal research and development department focused on green innovation, material technology, and circular design principles. This integration of research-driven sustainability with architectural practice demonstrates the firm's commitment to advancing the field through evidence-based design methodologies. The practice continues to push boundaries in sustainable architecture while maintaining its foundational philosophy of building design that benefits both users and urban context. 设计团队 旅游探访 44600 m² 奥胡斯，丹麦 2023 Previous Next

< 返回 Goldwin 原宿大厦 Studio Hashimura 设计特色： 项目 – 这座Studio Hashimura设计的纤细建筑，座落在东京原宿中心明治大道的中心地带，作为户外运动服装公司Goldwin的总部。建筑师的设计意图是在现代主义建筑原型的基础上，叠加有机意象，来表达该品牌“功能极简主义”的本质。在这个狭小且不规则的场地限制下，立面成为建筑表达的唯一出口。对门窗间距和楼层高度的精细调节，营造了可扩展性和开放性的空间感觉。幕墙网格精准地将狭长的立面一分为三，边角间隙略有偏移，以达到视觉的均衡。越高楼层则更加宽敞的层高，暗喻了对更多阳光与空气的向往，就像植物向上生长一样。玻璃背后外露的室内空间，牢固的斜撑取代梁柱以减少视觉杂讯，实际上构成了立面的一部分。贯通的垂直空间将分割的零售楼层连接成统一的空间，最引人注目的是几乎没有地板向下挑空的入口层，同时也为人们准备了漂浮在广阔空气中的艺术装置。总体而言，相比较一般的封闭化设计，这种对立面和剖面细致的处理，让这栋紧凑的商业建筑在其密集的城市环境中，展现出宽广的通透和勇毅的轻盈，令人印象深刻。 团队 – Studio Hashimura 由日本建筑师桥村雄一于 2023 年创立（其前身是2015创立的Sawada Hashimura），是一家总部位于日本东京的建筑设计公司。 桥村雄一拥有十多年的国际经验，此前曾在伦敦的 Tony Fretton Architects 和 Carmody Groarke 等设计公司以及日本的新材料研究实验室工作。Studio Hashimura 承接的项目范围广泛，包括住宅、商业、办公和艺术设计相关委托。他们的作品组合涵盖新建、翻新和临时设施等。他们的设计方法的基础是致力于发掘每个项目中独特的空间潜力，不受风格限制，材料和形式总是由目的而不是偏好驱动。作为一家在东京注册的建筑事务所，Studio Hashimura提供包括建筑设计、项目管理和咨询在内的全面服务。无论是改造旧屋还是重新建造，设计团队都能敏感而精确地将创意愿景转化为功能性的建筑形式，尊重预算现实主义的同时积极突破界限，创造注重人类体验的丰富空间。 Feature： Project - Located along Meiji Dori in the heart of Harajuku, Tokyo, this slender building designed by Studio Hashimura serves as the headquarters for outdoor sportswear company Goldwin. The architectural intention was to express the brand's identity of “functional minimalism” while overlaying an organic imagery onto the modernist building archetype. Constrained on a small warped site, the facade became the sole outlet for architectural expression. Careful modulations in bay widths and floor heights give a sense of expandability and openness. The curtain wall grid divides the narrow frontage into accurate one-third segments, with slight deviations on the corner bays to achieve visual equality. The loftier ceilings on upper levels allude to the yearning for more light and air, not unlike the upward growth of plants. The exposed interior behind the glass, where sturdy braces replace beams to minimize visual clutter, essentially forms part of the layered facade. Vertical cut-through voids connect the split retail floors into singular spaces, most notably the entrance level which is left almost floorless, preparing visitors for an art installation floating in the voluminous air. Overall, rather than closing in, the sensitive treatment of the facade and section lends this compact building a valiant lightness against its dense urban surroundings. Design Team - Founded in 2023 by director Yuichi Hashimura, Studio Hashimura is an architectural design firm based in Tokyo, Japan. Hashimura brings over a decade of international experience, having previously worked at leading firms like Tony Fretton Architects and Carmody Groarke in London, as well as the New Material Research Laboratory in Japan. Studio Hashimura takes on projects across a wide range, including residential, commercial, office, and art-related commissions. Their portfolio covers new construction, renovations, and temporary installations. Underpinning their design approach is a commitment to uncover the unique spatial potential within each brief, free from stylistic limitations. Materials and forms are always driven by purpose rather than preference. As a Tokyo-registered architectural office, Studio Hashimura offers comprehensive services encompassing architectural design, project management, and consultancy. Whether adapting historical structures or building anew, Hashimura translates creative visions into functional built form with sensitivity and precision. The firm actively pushes boundaries while respecting budgetary realism, to create enriching spaces focused on human experience. 设计团队 旅游探访 392 m² 日本，东京 2022 Previous Next

< 返回 中国美术学院良渚校区一期 非常建筑 设计特色： 项目 – 中国美术学院良渚校区一期是非常建筑用心挑战传统教育模式的设计作品。整个18万平米校园区，秉承亲身体验式教学理念，将“工坊”与“学舍”空间紧密融合，体现"活学活用"的创新理念。长长的工坊以及其拱券屋顶，打破私密同公共空间的界限。内部光线好，作为多功能场所，不但平常使用作设计评审会、展览或表演，有时还举行各类活动。学生宿舍就安排工坊上面，方便下楼即达。整个建筑群体现"开放性"理念，空间可随需随时调整改造。图书馆由9座塔楼构成：其中8座用作学习和研究，另设有1座独立研究塔楼，供人冥想；体育馆适合举办各类庆典活动；工坊内部则设有独特的错视画设计，凸显艺术特性。最与众不同的是，校园里处处可见师生创作介入的痕迹，如学生拍的投影片、现场装置等，呈现建筑与教学内容的互动对话。非常建筑设计团队正是希望透过这份用户参与感，不断重新探讨建筑空间的可能性。 团队 – 非常建筑由张永和（1956年生）与鲁力佳（1960年生）于1993年在美国创立，从一个注重研究和创新的个人工作室发展成一个国际知名的建筑设计事务所。近30年来，非常建筑在建筑、文化艺术和设计领域产生了深远的影响，其坚持建造工艺创新的研究导向为其荣获众多重要奖项。从吉首美术馆、舍得文化中心到上海当代艺术博物馆，非常建筑展现了极富前瞻性的视野、丰富的经验和独特的创造力。无论是桥梁艺术馆、重新诠释乡土语汇还是在博物馆内嵌“店面”，非常建筑的实验精神和对场地的敏锐把握孕育出令人难忘的空间，提升了城市生活品质，他们大胆的再创造为中国快速发展的建筑文化注入活力。 Feature： Project - Challenging conventional education models, the recently completed CAA Liangzhu Campus Phase I by Atelier FCJZ pioneers an innovative living-learning environment that intertwines academic and residential spaces. The 180,000 sqm campus in Hangzhou embraces hands-on pedagogy and an open, flexible architectural approach that prioritizes user participation. The stretching studio spaces, topped by vaulted arches, dissolve boundaries between private and public realms. Designed for multifunctionality, these light-filled volumes host design reviews, exhibitions, performances and even sports activities alongside daily creative work. Dormitories are stacked atop the studios, allowing students to transition seamlessly between living and learning. Openness is a driving concept, with the architects designing changeable spaces that can adapt to evolving needs. The vertically-organized library comprises research towers and a "view-finder" for meditation. The gymnasium's simplicity enables diverse events, while trompe l'oeil window frames in studios blur the lines between 2D and 3D. Exemplifying the vision of architecture shaped by its users, interventions and installations by students and faculty activate spaces across the campus. This dynamic interplay showcases the dialogue Atelier FCJZ has fostered between the built environment and CAA's pioneering educational approach. Design Team - Founded in 1993 by Yonghe Zhang and Lijia Lu, Atelier FCJZ has grown from an innovative research studio into an internationally renowned firm. For over 20 years, FCJZ has made significant impacts in architecture, arts and design, garnering prestigious awards for their research-driven approach focused on construction innovation. Key projects like the Jishou Art Museum, Shedian Culture Center and Shanghai PS1 demonstrate FCJZ's forward-thinking vision, rich experience and unique creativity across disciplines. Whether building an art bridge, reimagining vernacular forms or inserting boxed "storefronts" into a museum, FCJZ's experimental spirit and contextual sensitivity yield engaging spaces that enhance urban life. Their bold reinventions anchor cultural vibrancy in China's rapid development. 设计团队 旅游探访 180000 m² 中国，杭州良渚 2023年 Previous Next

< 返回 微风礼堂 是所设计 项目名称： 微风礼堂 地点： 虹口区，上海市，中国 设计团队： 是所设计 建筑面积： 680 m² 完工时间： 2024年 摄影师： 朱润资，吕晓斌，DONG建筑影像，撒尼夫，叶建源 设计特色： 项目 - 坐落于上海标志性的鲁迅公园内，由是所设计打造的微风礼堂成为现代建筑与自然和谐共生的典范之作。这座680平方米的礼堂，将公园一隅曾被遗忘的角落转化为一处光影流转的庄重空间，既服务于庄重仪式，又满足多样化的公共活动需求。 建筑最引人注目的特征是其羽翼般的钢结构框架，轻盈地悬浮于景观基座之上。建筑师在结构设计上达到了卓越的效率：仅用100x150毫米的纤细工字钢柱，就支撑起了长42米、宽15米、高12米的开敞空间。这一工程壮举通过精心设计的双层穿孔板屋顶系统得到升华，构筑出一个随天气变化而呈现不同氛围的环境过滤器。 项目的成功源于对两大关键挑战的巧妙应对：在有限预算和工期内实现高品质建造，同时打造具有地标性的精神建筑，并使其与周边环境和谐共处。解决方案体现在建筑的双重性格中——上部是高耸的仪式空间，下部则是与景观完美融合的地形基座，通过台阶、观景平台和水景等元素实现无缝衔接。 建筑的参观路线设计格外引人深思。访客需穿过古朴的条石台阶和竹林，循序渐进地感知建筑的存在，这一进程逐步将人们从城市的喧嚣中抽离。这段旅程最终到达戏剧性的主空间，为婚礼、展览等各类公共活动提供了一个理想的场所。 环境友好的理念贯穿整个设计。低矮的屋檐过滤了临近商业街的噪声，而建筑的形态则通过烟囱效应促进自然通风，即使在上海潮湿闷热的夏季也能营造出习习凉风。特意保持自然状态的水池已然成为本地野生动物的栖息地，使这座建筑意外地成为了城市生态系统的一部分。 投入使用的短短半年内，微风礼堂已然成为文化催化剂，举办了从花市到国际时装发布会等形式多样的活动，在社交媒体上累积超过3000万的阅读量。通过将庄重仪式感与人性化细节的巧妙结合，这个项目开创了公共建筑的新类型——既能承载城市生活中的重要时刻，又能服务于日常的静谧节奏。 团队 - 是所设计创立于2023年，总部设于上海，代表着中国当代建筑实践的新浪潮，在现象学敏感性与构造创新之间架起桥梁。由建筑师撒尼夫和长山共同创立的工作室，凭借其对材料性与空间叙事的细腻处理方式，迅速崛起为亚洲建筑领域的重要声音，获得了国际范围内的广泛认可。 事务所的设计理念植根于他们所定义的"真实构造学"——这一方法论强调建造逻辑的诚实表达，同时对场所精神保持深刻敬意。尽管成立时间尚短，其作品集却展现出跨越尺度的非凡多样性，从城市规划到室内细部，践行着"从城市到勺子"的现代主义整体设计理想。 在撒尼夫和长山的领导下，是所发展出独特的设计语言，将现象学体验与构造清晰性融为一体。他们的作品获得了包括Wallpaper*、Dezeen和ArchDaily等国际知名出版物的关注，确立了他们作为当代建筑话语中新兴力量的地位。 事务所对材料真实性和空间诗意的追求，在诸如微风礼堂（2024）等项目中得到充分体现，结构表现主义与沉思性的空间营造在其中完美融合。这种设计方法使是所跻身于中国新一代建筑师的前列，他们正在重新定义传统空间概念与当代建筑表达之间的关系。 Project Name: Breeze Auditorium Location: Hongkou District, Shanghai, China Design Team: SHISUO Design Office Building Area: 680 m² Completion: 2024 Photographers: Zhu Runzi, Lv Xiaobin, DONG Architecture Photography, Sa Nifu, Ye Jianyuan Feature： Project - Nestled within Shanghai's historic Lu Xun Park, the Breeze Auditorium by SHISUO Design emerges as a masterful synthesis of contemporary architecture and natural harmony. This 680-square-meter pavilion transforms a formerly forgotten corner of the park into a luminous sanctuary that serves both as a ceremonial space and a vital public amenity. The structure's most striking feature is its wing-like steel framework that appears to float above a landscaped base. The architects achieved remarkable structural efficiency using slender I-beam columns—measuring just 100x150mm—to support an impressive span of 42 meters in length, 15 meters in width, and 12 meters in height. This engineering feat is enhanced by a sophisticated double-layer perforated roof system that acts as an environmental filter, creating subtly different atmospheric conditions depending on the weather. The project's success lies in its response to two critical challenges: achieving high-quality construction within budget and time constraints, while creating a landmark spiritual architecture that harmonizes with its surroundings. The solution manifests in the building's dual nature—a soaring ceremonial space above and a topographic plinth below that seamlessly integrates with the landscape through a series of steps, viewing platforms, and water features. The careful choreography of approach is particularly noteworthy. Visitors traverse ancient stone steps and bamboo groves before encountering the hall's presence, creating a processional experience that gradually separates them from the urban bustle. This journey culminates in a dramatic main space that serves as a blank canvas for various public events, from weddings to exhibitions. Environmental sensitivity is evident throughout the design. The low eaves filter noise from nearby commercial streets, while the building's form facilitates natural ventilation through stack effect, creating a microclimate of gentle breezes even during Shanghai's humid summers. The water pool, deliberately left untreated, has become a sanctuary for local wildlife, transforming the structure into an unexpected urban ecosystem. In its first six months, Breeze Auditorium has already established itself as a cultural catalyst, hosting events ranging from flower markets to international fashion shows, accumulating over 30 million social media impressions. Through its thoughtful integration of ceremonial grandeur and human-scale details, the project represents a new typology of public architecture—one that celebrates both the extraordinary moments and the quiet daily rhythms of urban life. Design Team - SHISUO Design Office, established in 2023 in Shanghai, represents a new wave of contemporary Chinese architectural practice that bridges phenomenological sensitivity with tectonic innovation. Founded by architects Sa Nifu and Chang Shan, the studio has rapidly emerged as a significant voice in Asia's architectural landscape, gaining international recognition for their nuanced approach to materiality and spatial narrative. The firm's design philosophy is anchored in what they term "authentic tectonics" - a methodology that emphasizes the honest expression of construction logic while maintaining deep respect for genius loci. Their portfolio, though young, demonstrates remarkable versatility across scales, from urban planning to interior detailing, embracing the modernist ideal of total design "from city to spoon." Under the leadership of Sa Nifu and Chang Shan, SHISUO has developed a distinctive design language that synthesizes phenomenological experience with constructional clarity. Their work has garnered attention from prestigious international publications including Wallpaper*, Dezeen, and ArchDaily, establishing them as a emerging force in contemporary architectural discourse. The practice's commitment to material authenticity and spatial poetry is evident in projects like the Breeze Auditorium (2024), where structural expressionism meets contemplative space-making. This approach has positioned SHISUO at the forefront of a new generation of Chinese architects who are redefining the relationship between traditional spatial concepts and contemporary architectural expression. 设计团队 旅游探访 680 m² 上海，中国 2024 Previous Next

< 返回 Cycle Cycle巡游亭 F.O.G.建筑事务所 设计特色： Cycle Cycle巡游亭是一座可移动的巧夺天工的流动面包咖啡店，由F.O.G.建筑事务所精心设计。项目用建筑的语言巧妙探索了食物、土地和人之间的相互关联。这座移动面包房的朴素美学灵感来自传统农舍和乡村民居風格。外立面由叠放的布袋构筑而成，将砖块的造型与粮袋的质地巧妙融合，视觉上给人以坚固耐用但又亲和有好感的效果。布袋墙身上开有细长的窗洞，让人一窥其内制作烘焙的景象，同时又将设备等道具隐藏其后，营造出"前台"和"后台"的神秘感。Cycle Cycle 最与众不同之处，在于它注重促进人与人之间的互动和连结。十分接地气的座位设计源自农村常见的矮板凳，让使用者贴近地面、亲密体会空间的尺度比例。人们也可掀开遮阳板和拉开帘幕，打造出半私密的聚会临时空间。这个项目巧妙融合了农事意象、体贴入微的空间布局和互动元素，令人细细体会到人与食物生产及土地之间天然而深层的连结。这虽只是一座简朴的小型面包店，却饶有深意地探究了我们社会的根源所在。 Cycle Cycle is a delightfully whimsical pop-up café and bakery that takes the form of a movable pavilion. Designed by F.O.G. Architecture, the project thoughtfully explores the interconnected relationship between food, land, and people through an architectural lens. The mobile bakehouse's rustic aesthetic draws inspiration from traditional barn structures and rural vernacular. Its facades are crafted from stacked cloth bags, blending the shapes of bricks with the texture of grain sacks to create a visually sturdy yet approachable effect. Elongated openings punctuate the sack walls, allowing glimpses of the baking activities inside while concealing equipment to maintain a "backstage" mystery. What makes Cycle Cycle truly unique is its emphasis on facilitating interaction and fostering connections. Low slung seating evocative of rural stools encourages users to experience the space at an intimate, human scale close to the ground. A temporary rest area can be created by propping up sunshade panels and curtains, carving out a semi-private gathering zone. Through its clever fusion of agricultural motifs, thoughtful spatial cues, and interactive elements, Cycle Cycle subtly reminds us of the deep, intrinsic bonds between people, food production, and the land itself. It's a humble yet profound exploration of society's roots manifested as a humble baked goods kiosk. 设计团队： F.O.G.建筑事务所于2018年在伦敦创立，秉承着"卓越的空间应充满情感，与人建立永恒的连结"这一信念。这一理念促使该事务所迅速成长为一个拥有伦敦、上海和重庆分所的国际化设计团队。F.O.G.注重探索定义空间的运作逻辑，将每个项目视为探索材料、设计和美学本质的机会。他们追求唤醒空间内在的情感潜能，赋予空间崇高的稳定感。通过不断审视材料、光线、景观、功能和文化语境带来的多重感官体验，F.O.G.致力于以结构化的方式凝练"体验"和"感受"，由此让形式和空间自然流露。事务所由两位创始合伙人郑宇（驻上海）和詹迪（驻重庆）领衔，在他们的带领下，F.O.G.一直走在富有情感、植根于语境的卓越设计的前沿。 Founded in London in 2018, F.O.G. Architecture operates under the belief that truly great spaces transcend physicality by evoking emotion and forming a timeless connection with their occupants. This guiding philosophy has propelled the practice's rapid growth into an international design team with studios spanning London, Shanghai, and Chongqing. F.O.G. Architecture focuses intently on the operational logic that defines spaces, committing to view each project as an opportunity to explore the essence of materials, design, and aesthetics through an inquisitive lens. The firm seeks to unlock the emotional potential inherent within the built environment while endowing a sublime sense of stability and permanence. Through a continuous examination of the multi-sensory experiences elicited by materials, light, landscape, function, and cultural context, F.O.G. aspires to solidify "experience" and "feeling" into structured, tangible form. This allows the resulting architectural realizations to emerge as spaces of remarkable depth and resonance. The firm is led by founding partners Zheng Yu, RIBA, AA Diploma based in Shanghai, and Zhan Di, RIBA, AA Diploma, BA(Hons) in Chongqing. Under their direction, F.O.G. Architecture operates at the vanguard of emotional, contextually grounded design excellence. 设计团队 旅游探访 18 ㎡ 中国，杭州 2023年 Previous Next

< 返回 多伦多劳力士精品店 Partisans 设计特色： 多伦多布鲁尔街迎来了一座令人瞩目的建筑杰作，它巧妙地将尖端科技与永恒优雅融为一体。加拿大建筑设计团队Partisans为劳力士精品店打造了一个突破性的立面设计，为这条高端购物街增添了一道引人注目的视觉地标。 这个项目最出彩的特色是其起伏波动的石灰岩店面，这是先进参数化建模技术的结晶。这个雕塑般的立面包裹着一座现有高楼的底层，以其流畅、有机的形态重塑了街道景观。设计巧妙地呼应了劳力士著名的钟表设计，石柱的节奏仿佛手表表带的图案，弧形元素则唤起了奢华钟表制作的精密感。 Partisans与Arturo Tedeschi的合作，成就了一个既美观动人又技术创新的立面。通过数字化制造方法精心塑造的石灰岩板，在上方刚硬的现代主义结构与新的、富有动感的街道层面之间创造了和谐的对话。 这个项目展现了石材作为当代建筑材料的优雅复兴。通过利用3D扫描和数控技术，Partisans在将新立面与现有建筑融合方面达到了前所未有的精准度。这种对细节的关注延伸到了石材与玻璃的交界处，形成了材料的无缝融合，提升了整体设计的连贯性。 夜晚，内置的嵌灯将立面变成了柔和发光的雕塑，进一步强调了其曲线和质感。建筑的东立面还刻有复杂的参数化构图，为这一非凡的建筑成就增添了另一层视觉魅力。 Toronto's Bloor Street has been graced with a stunning architectural marvel that seamlessly blends cutting-edge technology with timeless elegance. Architecture studio Partisans has unveiled a new Rolex boutique that pushes the boundaries of facade design, creating a striking visual landmark in the city's upscale shopping district. The project's standout feature is its undulating limestone storefront, a result of advanced parametric modelling techniques. This sculptural facade wraps the ground floor of an existing high-rise, transforming the streetscape with its fluid, organic forms. The design ingeniously references Rolex's renowned timepieces, with the rhythm of stone columns echoing watch band patterns and curved elements evoking the precision of luxury watchmaking. Partisans' collaboration with computational designer Arturo Tedeschi has yielded a facade that is both aesthetically captivating and technically innovative. The limestone panels, carefully shaped using digital fabrication methods, create a harmonious dialogue between the rigid modernist structure above and the new, dynamic street-level presence. The project exemplifies a renaissance in stone as a contemporary building material. By leveraging 3D scanning and CNC technology, Partisans has achieved unprecedented levels of accuracy in integrating the new facade with the existing architecture. This attention to detail extends to the interface between stone and glass, resulting in a seamless fusion of materials that enhances the overall design coherence. At night, integrated cove lighting transforms the facade into a softly glowing sculpture, further emphasizing its curves and textures. The eastern elevation features an intricately etched parametric composition, adding another layer of visual intrigue to this remarkable architectural achievement. 设计团队： PARTISANS建筑设计事务所，由Alex Josephson和Pooya Baktash于2012年在多伦多创立，迅速崛起为加拿大最具创新精神和突破性的建筑工作室之一。目前由Josephson领导的这家事务所，凭借其前卫大胆的设计理念，将尖端科技与艺术视野完美融合,赢得了国际声誉。 PARTISANS以其将复杂挑战转化为开创性建筑方案的能力而闻名，在加拿大的建筑环境中留下了不可磨灭的印记。他们的作品涵盖了令人印象深刻的多个尺度和类型，从精雕细琢的Bar Raval室内设计，到雄心勃勃的Innisfil Orbit城市总体规划。 PARTISANS的设计理念植根于突破建筑学科界限的承诺，经常运用参数化建模和数字制造技术来实现他们富有远见的概念。多伦多劳力士精品店起伏的石灰岩立面就是这种方法的典范，巧妙地将计算设计与传统工艺相融合。 PARTISANS的作品以对材料、形态和文化语境的深入探索而著称。他们的项目,如Grotto Sauna和安大略广场的改造，展现了创造既具功能创新又富美学吸引力空间的卓越能力。 PARTISANS荣获多项殊荣，包括2020年加拿大皇家建筑学会(RAIC)新锐建筑实践奖。他们持续重新定义建筑在塑造我们的城市肌理和文化景观中的角色，为建筑界注入新的活力和创意。 PARTISANS, founded in 2012 by Alex Josephson and Pooya Baktash, has rapidly emerged as one of Toronto's most innovative and boundary-pushing architecture studios. Currently led by Josephson, the firm has garnered international acclaim for its avant-garde approach to design, seamlessly integrating cutting-edge technology with artistic vision. Renowned for their ability to transform complex challenges into groundbreaking architectural solutions, PARTISANS has left an indelible mark on Canada's built environment. Their portfolio spans an impressive range of scales and typologies, from the intimate, sculpted interiors of Bar Raval to the ambitious urban planning of the Innisfil Orbit masterplan. The studio's design philosophy is rooted in a commitment to push the boundaries of architectural discourse, often employing parametric modeling and digital fabrication techniques to realize their visionary concepts. This approach is exemplified in projects like the undulating limestone facade of the Rolex Boutique in Toronto, which seamlessly merges computational design with traditional craftsmanship. A deep engagement with materiality, form, and cultural context characterizes PARTISANS' work. Their projects, such as the Grotto Sauna and the revitalization of Ontario Place, demonstrate a keen ability to create spaces that are both functionally innovative and aesthetically captivating. Recognized with numerous awards, including the 2020 RAIC Emerging Architectural Practice Award, PARTISANS continues redefining architecture's role in shaping our urban fabric and cultural landscapes. 设计团队 旅游探访 150 m² 加拿大，多伦多 2024年 Previous Next

< 返回 Kliphuis 山谷品酒体验馆 Slee & Co Architects 设计特色： 坐落在南非斯泰伦博斯美丽的班胡克山谷中，"石屋"（Kliphuis）项目堪称因地制宜建筑设计的典范。这座由Slee & Co建筑事务所设计的423平方米建筑，与其令人惊叹的自然环境完美融合，展现了建筑形态与自然景观之间的和谐对话。 项目最突出的特点是其对本地材料和传统建造技术的巧妙运用。建筑的基础由延伸现有梯田墙形成，采用就地取材的石块，以非正式的手工方式砌筑。这种做法不仅将建筑牢固地锚定在其所在地，还向该地区的建筑传统致敬。 全部来自农场外来树种清除工程的木材在整个项目中扮演着主角。从屋顶结构到地板、墙壁，甚至定制家具，这些当地采伐的木材的使用营造出温暖、富有质感的体验，呼应着外部的自然世界。 设计对环境的敏感度还体现在低矮的深色波纹屋顶上，它们仿佛漂浮在石墙之上。大型可收缩玻璃门模糊了内外界限，使品酒区域自然延伸到宽敞的门廊。这种室内外的连接不仅最大限度地展现了西蒙斯山和德拉肯斯坦山脉的美景，还通过将访客沉浸在赋予卡彭西斯葡萄酒独特品质的风土中，提升了品酒体验。 Nestled in the picturesque Banhoek Valley of Stellenbosch, South Africa, the Kliphuis for Capensis Wines emerges as a testament to thoughtful, site-specific architecture. Designed by Slee & Co Architects, this 423-square-meter structure seamlessly blends into its breathtaking surroundings, offering a harmonious dialogue between built form and natural landscape. The project's standout feature is its commitment to utilizing local materials and traditional construction techniques. The building's foundation is formed by extending existing terrace walls, using stone harvested on-site and laid in an informal, handcrafted manner. This approach anchors the structure to its location and pays homage to the region's architectural heritage. Timber, sourced entirely from alien deforestation efforts on the farm, plays a starring role throughout the project. From the roof structure to the floors, walls, and even custom furniture, the use of this locally harvested wood creates a warm, tactile experience that echoes the natural world outside. The low-slung, dark corrugated roofs that seem to float above the stone walls further exemplify the design's sensitivity to its environment. Large, retractable glazed doors blur the boundaries between inside and out, allowing the tasting area to flow seamlessly onto a generous stoep. This indoor-outdoor connection maximizes views of the Simonsberg and Drakenstein mountain ranges and enhances the wine-tasting experience by immersing visitors in the terroir that gives Capensis wines their unique character. 设计团队： 始创于1986年的Slee & Co.建筑事务所，由Johann Slee创立，已成为南非建筑设计界的一支重要力量。该事务所最初位于约翰内斯堡，17年前迁至斯泰伦博斯，在历史悠久的多普街设立工作室。他们在多普街101号的项目荣获2011年开普建筑学会奖，充分展现了他们将现代设计巧妙融入历史环境的能力。 该事务所的设计理念聚焦于创造一种本土建筑，既尊重客户的愿景和当地文化，又善用先进技术。他们的建筑色彩灵感源自大地，采用柔和的色调和质感丰富的表面处理，呼应南非充沛的阳光。在过去的几十年里，Slee & Co.专注于高端住宅项目、度假屋和精选商业工程，在管理复杂设计和整合精密服务系统方面积累了丰富经验。 可持续性是他们实践的基石，设计充分考虑场地条件和气候特征。事务所采用被动式设计策略来调节热得与热损，并辅以热交换器和太阳能加热等创新系统，打造节能建筑。他们的作品多次获得南非建筑师协会等权威机构的奖项，彰显了他们在住宅和商业设计领域的卓越表现。 在Johann Slee的带领下，事务所保持着一个精干而经验丰富的核心团队，必要时辅以外部服务。这种精简的结构使得项目管理更加灵活，能为客户提供个性化服务，巩固了Slee & Co.作为南非环境敏感型、可持续建筑设计领导者的声誉。 Slee & Co. Architects, founded in 1986 by principal partner Johann Slee, has established itself as a prominent force in South African architecture. Originally based in Johannesburg, the firm relocated to Stellenbosch 17 years ago, setting up studio in the historic Dorp Street. Their 2011 Cape Institute of Architecture Award-winning infill project at 101 Dorp Street exemplifies their skillful integration of contemporary design within historical contexts. The firm's design philosophy centers on creating a vernacular architecture that respects client aspirations and local heritage while embracing advanced technologies. Their architectural palette draws inspiration from the earth, featuring muted colors and textured finishes that respond to the abundant South African sunlight. Specializing in high-end residential projects, holiday homes, and select commercial work, Slee & Co. has honed their expertise in managing complex designs and intricate service integrations over the past quarter-century. Sustainability is a cornerstone of their practice, with designs that respond effectively to site conditions and climate. The firm employs passive design strategies to manage heat gain and loss, complemented by innovative systems like heat exchangers and solar heating to create energy-efficient buildings. Their portfolio boasts numerous awards from prestigious institutions such as the South African Institute of Architects, showcasing their consistent excellence in residential and commercial design. Led by Johann Slee, the practice maintains a small, highly experienced core team, supplemented by outsourced services when necessary. This lean structure allows for agile project management and personalized client attention, solidifying Slee & Co.'s reputation as a leader in contextually sensitive, sustainable architecture in South Africa. 设计团队 旅游探访 423 ㎡ 南非，斯泰伦博斯 2024年 Previous Next