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  • KM 河口湖森林之家 山縣洋建築設計事務所 | Archicasting

    < 返回 KM 河口湖森林之家 山縣洋建築設計事務所 项目名称:KM 河口湖森林之家 地点:日本,山梨县南都留郡 设计团队:山縣洋建築設計事務所 建筑面积:143.54 m² 完工时间:2024年5月 摄影:Forward Stroke Inc. 设计特色: 项目 - KM河口湖森之家体现了建筑与自然地形的完美融合。这座位于富士山脚下的度假别墅,通过其独特的漂浮式设计,展现了对自然地貌的深刻理解和创新诠释。建筑采用简洁的长方体形态,以精妙的结构设计实现了与斜坡地形的和谐对话。 项目最显著的特色是其巧妙的错层设计和悬挑结构。二层木结构住宅空间在混凝土底层之上形成最大3.64米的悬挑,创造出引人注目的漂浮效果。建筑师通过精心设计的开窗布局和地面高差,在统一的开放空间中营造出多样化的空间体验。外部露台被巧妙地嵌入建筑体量之中,而非外突设计,既确保了私密性,又创造了舒适的半室外空间。 项目对环境的回应体现在其对原有地形的尊重。建筑通过采用与地形呼应的缓坡屋顶设计,以及最小化的地面接触面积,保持了场地原有的自然特质。精心控制的视线设计既保护了使用者的私密性,又充分利用周边自然景观,为室内空间提供丰富的视觉体验。 这座别墅展现了对材料运用的创新:一层采用钢筋混凝土结构,二层则采用木结构配合局部钢结构加强,完美平衡了结构需求与设计表达。项目成功展示了如何在严谨的技术约束下,创造富有诗意的建筑空间。 团队 - 山縣洋建築設計事務所成立于2002年,是一家立足于日本川崎市的建筑设计事务所。在创始人山縣洋的带领下,事务所以其对建筑与环境关系的深刻理解,以及在住宅、公共建筑等领域的创新设计而闻名。 山縣洋在1985年毕业于东京工业大学建筑学科后,积累了丰富的国际经验,包括在荷兰OMA建筑事务所的工作经历(1994-1996)。这些经历为其后来的建筑实践奠定了独特的视角和方法论基础。 事务所的设计理念强调每个项目的独特性,拒绝固定的设计风格。他们相信优秀的建筑源于建筑师、业主与场地之间的深入对话。事务所的实践范围广泛,涵盖建筑设计、室内设计、景观设计、城市规划等多个领域,反映了他们对建筑学科综合性的追求。 团队以其严谨的设计方法和对细节的专注而著称。他们特别擅长将建筑与自然环境巧妙融合,创造出既回应场地特征又满足使用需求的空间作品。事务所的作品获得多个重要奖项,并在日本建筑界享有不俗声誉。 Project Name: KM Lake Kawaguchi Forest House Location: Minamitsuru District, Yamanashi Prefecture, Japan Design Team: Yo Yamagata Architects Area: 143.54 m² Completion: May 2024 Photographs: Forward Stroke Inc. Feature: Project - The KM Lake Kawaguchi Forest House exemplifies the seamless integration of architecture with natural topography. Located at the foot of Mount Fuji, this vacation residence demonstrates an innovative interpretation of site-responsive design through its distinctive floating form. The building employs a simple rectangular volume that engages in a sophisticated dialogue with the sloping terrain through masterful structural design. The project's most striking feature is its clever split-level design and cantilever structure. The second-floor wooden living space creates dramatic overhangs of up to 3.64 meters above the concrete base, achieving a compelling floating effect. Through carefully orchestrated window placements and floor level variations, the architect creates diverse spatial experiences within a unified open plan. The exterior terrace is ingeniously carved into the building mass rather than projecting outward, ensuring privacy while creating comfortable semi-outdoor spaces. The building's environmental response is evident in its respect for the existing topography. Through the adoption of a gentle sloping roof that mirrors the terrain and minimized ground contact, the architecture maintains the site's natural character. Carefully controlled sightlines both protect user privacy and maximize engagement with the surrounding landscape, providing rich visual experiences for interior spaces. The villa showcases innovative material application: reinforced concrete for the first floor and wood construction with partial steel reinforcement for the second floor, perfectly balancing structural requirements with design expression. The project successfully demonstrates how to create poetic architectural spaces within rigorous technical constraints. Design Team - Yo Yamagata Architects, established in 2002 in Kawasaki, Japan, has earned recognition for its profound understanding of the relationship between architecture and environment, and its innovative designs across residential and public projects. Yo Yamagata, following his graduation from Tokyo Institute of Technology's Architecture Department in 1985, gained valuable international experience, including a significant tenure at OMA in the Netherlands (1994-1996). These experiences shaped his unique architectural perspective and methodology. The firm's design philosophy emphasizes the uniqueness of each project, rejecting predetermined stylistic approaches. They believe exceptional architecture emerges from deep dialogue between architect, client, and site. The practice spans a broad spectrum, encompassing architectural design, interior design, landscape architecture, and urban planning, reflecting their commitment to architecture's multidisciplinary nature. The team is renowned for their rigorous design methodology and attention to detail. They excel particularly in creating harmonious integrations between buildings and their natural contexts, producing spaces that both respond to site characteristics and fulfill user needs. The firm's work has garnered numerous significant awards and maintains a highly respected position within Japan's architectural community. 设计团队 旅游探访 143.54 m² 日本,山梨县南都留郡 2024 前一项 后一项

  • W住宅 Florian Busch Architects | Archicasting

    < 返回 W住宅 Florian Busch Architects 项目名称:House W 地点:北海道,日本 设计团队:Florian Busch Architects 建筑面积:163 m² 竣工时间:2024年 摄影:SGR 设计特色: 项目 - Florian Busch Architects通过W住宅项目挑战了传统的可持续性设计方法。这座能源正效益住宅突破了紧凑型设计原则,通过建筑体量的分解反而提升了能源效率。项目位于北海道富良野高原的西缘,展现了如何通过建筑分割来增强而非削弱能源效率。 这座建于2024年、面积为163平方米的住宅,通过巧妙整合自然资源和技术解决方案,年发电量几乎达到消耗量的两倍。建筑师没有遵循最小化表面积的常规做法,而是将建筑分成两个独特的体量,创造出一个中间空间,既作为气候调节器,又成为通向富良野滑雪场的观景廊道。 W住宅的与众不同之处在于它被构想为"与之共生的植物",而非勒·柯布西耶所说的"居住机器"。建筑与周围农业环境积极互动,利用全年稳定的天然水源供暖,并将光伏板作为"太阳能表皮"融入设计,而非事后添加。这个深色、统一的外表皮包裹着明亮的木质内部空间,在硬朗与柔和、技术与自然之间创造出对话。 项目选址在农业生产用地而非风景优美的乡村,体现了对乡村建筑的务实态度。设计回应了三个主要视角:东部的十胜山脉、西北部的丘陵地带和西南部的富良野西岳。通过旋转分割的体量,建筑师创造出完美朝向的立面,既最大化太阳能获取,又强化了与景观的视觉联系。 House W代表了可持续乡村发展的原型,表明乡村迁移可以与环保责任共存。该项目展示了乡村环境中的建筑创新如何在保持与城市生活的技术连接的同时,为城市化挑战提供解决方案。 团队 - Florian Busch Architects(FBA)成立于2009年东京,已发展成为当代建筑实践领域的重要力量,以其创新的空间关系处理方法和环境整合手法而闻名。事务所创始人Florian Busch在德国魏玛包豪斯大学和伦敦建筑联盟学院接受教育,并在伊东丰雄建筑事务所(2004-2008)工作后创立了这家融合德国建筑教育背景与日本设计敏感度的建筑事务所。 该事务所的作品展现了一种独特的方法论,挑战传统建筑范式,这一点在其可持续性策略和用户体验方面尤为突出。FBA的工作特点在于强调他们所称的"非精确建筑"(anexact architecture)——通过严谨的分析过程而非预设形式来演化设计。这一理念在北海道House W等项目中得到充分体现,该项目通过体量分解而非传统的紧凑设计重新诠释了能源效率建筑。 事务所总部位于涩谷,在保持全球顾问网络的同时,同时持有日本和德国的建筑师执照。在Busch的领导下,现有团队专注于创造与场地语境积极互动的建筑,通过环境策略和程序创新,从住宅到大型文化机构等不同尺度开展工作。 Project Name: House W Location: Nakafurano, Hokkaido, Japan Design Team: Florian Busch Architects Total Floor Area: 163 m² Completion: 2024 Photography: SGR Feature: Project - In a groundbreaking achievement for sustainable architecture, Florian Busch Architects (FBA) has created their first net-positive energy building in Hokkaido's Furano Plateau. House W challenges conventional wisdom by achieving energy efficiency through volumetric fragmentation rather than compactness. Located on former agricultural land, this 163-square-meter residence produces almost double the energy it consumes annually. The project's innovative approach lies in its deliberate breaking of a compact volume into two distinct parts, creating an interstitial space that serves both as a climate regulator and a viewing corridor toward Furano's ski slopes. The architecture actively engages with its environment through a sophisticated "solar skin" - a dark, homogeneous exterior integrating photovoltaic panels, which contrasts dramatically with the light, wooden interior spaces. What sets this project apart is its conception as a "plant for living with" rather than Le Corbusier's "machine for living in." The building responds dynamically to its surroundings, utilizing a year-round natural water source for heating and incorporating environmental strategies as core design elements rather than afterthoughts. This approach creates a prototype for sustainable rural development that maintains connections to urban life through technology. Design Team - Founded in Tokyo in 2009 by German architect Florian Busch, FBA has established itself as an innovative architectural practice that bridges European architectural theory with Japanese design sensibilities. Busch, who studied at Bauhaus University Weimar and the Architectural Association London, gained valuable experience working with Toyo Ito & Associates (2004-2008) before establishing his own practice. Operating as a licensed architectural firm in both Japan and Germany, FBA has developed a distinct methodology that challenges conventional architectural paradigms. The practice emphasizes what they term "anexact architecture" - designs that evolve through rigorous analytical processes rather than predetermined forms. Their work spans various scales, from residential projects to cultural institutions, consistently demonstrating their commitment to creating architecture that actively shapes the society it serves. 设计团队 旅游探访 163 m² 北海道,日本 2024 前一项 后一项

  • DOJO 柏林办公室总部 UNDPLUS | Archicasting

    < 返回 DOJO 柏林办公室总部 UNDPLUS 设计特色: 项目 – 坐落在柏林克罗伊茨堡区一座历史性旧教堂遗址之中,UNDPLUS 精心打造的全 新 DOJO 办公总部呈现出当代设计的非凡魅力。这个转型项目巧妙地将神圣存在的古 老建筑与现代极简主义美学完美融合,在过去与当下之间构筑了和谐的对话。办公空 间的核心是一处引人注目的立方体座椅区,黑色精致的软包覆盖,辉映着活力四射的 黄绿色点缀——这大胆的色彩设计正是对 DOJO 公司识别形象的巧妙呼应。这一中央 交流空间被对称的穹顶环绕,致敬建筑原有的神圣氛围,同时注入了当代时尚气息。 该项目最出色的设计亮点之一是厨房区域的巧妙分区,不仅提升了功能性,更优化了 声学效果。定制金属框架将时尚黑色厨房与独立的用餐和会议区隔开,而集成式隔音 板则为员工营造了宁静的工作氛围。UNDPLUS 出色的设计实力还体现在单色卫生设施 的处理上,那里的环氧树脂地板和活力四射的黄绿色瓷砖墙面,与黑色装饰形成了视 觉上的鲜明对比。照明设计是来自与 DOJO 广告代理合作的基辅设计品牌+kouple 的 产品,专门定制的黄绿色吊灯成为厨房区的亮点焦点。通过深思熟虑的材料选择、几 何造型和战略性色彩运用,UNDPLUS 打造了一个真正独特的办公环境,在向其历史环 境致敬的同时,采用了独特且极具标识性的当代设计语言。 团队 – UNDPLUS 于 2009 年在柏林成立,迅速成为建筑与室内设计领域内一支多元创 意力量。这一创新设计团队由柏林总部的 Jan Baumann 和 Arun Markus,以及慕尼黑 办事处的 Hanne Hallwaß 领导,将建筑、室内设计和品牌体验无缝地融合在一起。 UNDPLUS 的使命源于打造独一无二、功能实用且富有情感共鸣的空间环境,无论是为 人们抑或是品牌量身定制,无论是临时装置还是永久性建筑。他们的综合设计专长涵 盖办公室、室内空间、活动场地、展会展览、快闪店、旗舰店、餐饮项目和展示空间 等各种类型。UNDPLUS 在项目各个阶段均可担当合作伙伴,从构思草图到设计开发, 从细节规划到实施执行,再到最终交付,无一遗漏。他们的跨学科团队能驾驭复杂的 项目流程,并协调所有相关利益方。植根于城市文化和当代生活方式,UNDPLUS 巧妙 融合了建筑、设计、活动、现场传播、国际艺术和生活方式元素,从他们遍布全球的 资源网络中汲取灵感,策划出与时代精神共鸣的身临其境的空间体验。 Feature: Project - Nestled within the historic walls of a former church in Berlin's Kreuzberg district, the new DOJO Office Headquarter emerges as a contemporary design marvel by UNDPLUS. This transformative project seamlessly bridges the sacred existing architecture with a modern, minimalist aesthetic, forging a harmonious dialogue between past and present. At the heart of the office lies a striking cubic seating area adorned with sleek black upholstery and vibrant slime green accents - a bold nod to DOJO's corporate identity. This central gathering space is enveloped by a symmetrical dome, paying homage to the building's original sacred context while introducing a contemporary flair. One of the project's standout features is the ingenious zoning of the kitchen area, which not only enhances functionality but also improves acoustics. Custom-made metal frames delineate the sleek black kitchen from a separate dining and meeting zone, while integrated soundproof panels foster a tranquil working atmosphere for employees. UNDPLUS' design prowess extends to the monochromatic bathroom facilities, where epoxy flooring and tiled walls in a vibrant slime green hue create a visually arresting contrast against black accents. The lighting, a collaborative effort with the Kyiv-based design brand +kouple and DOJO, introduces a bespoke slime green pendant lamp, serving as an eyecatching centerpiece in the kitchen. Through thoughtful material choices, geometric forms, and strategic color accents, UNDPLUS has crafted a truly unique office environment that pays homage to its historic setting while embracing a distinctly contemporary design language. Design Team - Founded in Berlin in 2009, UNDPLUS has rapidly established itself as a multidisciplinary creative force in the architectural and design realm. Led by Jan Baumann and Arun Markus in Berlin, alongside Hanne Hallwaß spearheading the Munich office, this innovative practice seamlessly blends architecture, interior design, and brand experiences. UNDPLUS's mission is rooted in crafting unique, functional, and emotionally resonant spatial environments tailored for both people and brands, be it for temporary installations or permanent structures. Their comprehensive expertise spans offices, interiors, event venues, trade show exhibits, pop-ups, flagship stores, gastronomy projects, and showrooms, among other typologies. With a 360-degree approach, UNDPLUS excels as a partner through all project phases, from conceptual sketches and design development to detailed planning, execution, and final delivery. Their interdisciplinary team, comprising creative visionaries and architects, adeptly navigates complex project workflows while coordinating all stakeholders involved. Deeply rooted in urban culture and contemporary lifestyles, UNDPLUS deftly merges architecture, design, events, live communication, international art, and lifestyle influences, drawing inspiration from their well-established global network to curate immersive spatial experiences that resonate with today's zeitgeist 设计团队 旅游探访 200 m² 德国,柏林 2024年 前一项 后一项

  • 林科纳达住宅 Oioioi | Archicasting

    < 返回 林科纳达住宅 Oioioi 项目名称:House Rinconada 地点:马利纳尔科,墨西哥 设计团队:Oioioi 建筑面积:1110 m² 竣工时间:2024年 摄影:Cesar Belio 设计特色: 项目 - 坐落于墨西哥壮丽景观之中,Oioioi建筑事务所设计的林科纳达住宅呈现了一场关于建筑克制与环境和谐的精湛演绎。这座1110平方米的住宅展现了当代设计如何通过微妙的手法而非大胆的宣言来实现深刻的影响力。 该项目最引人注目的特色在于其水平构图——一系列单体石材体量以线性方式排列,顶部覆以看似无重量地悬浮于地形之上的混凝土浮板。这种建构编排创造出强烈的视觉韵律,同时保持着尊重自然地形的亲密尺度。 Oioioi的设计理念通过实体与虚空的精心互动得以体现。暴露的混凝土屋顶延伸至石墙之外,形成深邃的阴影,在提供自然降温的同时框定了周围景观的特定视野。这些体量间的中介空间发挥着双重作用:既控制光线渗透,又促进交叉通风,展现了建筑师对环境设计的深刻理解。 材料选择体现了耐久性与语境的双重考量。火山石砌筑技术根植于当地建筑传统,构成主要结构元素,而现浇混凝土则提供了优雅的水平对位。这种结合创造了古老工艺与当代建筑表达之间的对话。 最值得称道的是,景观策略将住宅视为现有生态系统的延伸,而非对其的强加。野生本土植物和精心定位的水景特色促进了生物多样性,同时仅需最少的维护——这是该项目对环境管理承诺的有力证明。 林科纳达住宅实现了罕见的成就:既具纪念性又保持谦逊,创造出既有庇护感又向自然世界开放的空间。 设计团队 - Oioioi作为一家杰出的建筑实践机构,位于墨西哥城,自2019年成立以来专业从事建筑设计与建造。在创始合伙人埃内斯托·佩雷斯·雷亚·洪卡(Ernesto Pérez Rea Juncá)和巴勃罗·赫尔梅诺斯·加西亚(Pablo Germenos García)的领导下,该事务所培养了独特的设计理念,通过多学科协作和持续实验挑战传统设计范式。 事务所的设计卓越性体现在其对建筑二元对立的质疑------物理与无形、历史与当代、整体与细节之间的界限。这种方法产生的建筑解决方案既抵制同质化,又保持严格的设计标准。Oioioi的跨学科理念超越了传统建筑服务范畴,既作为设计工作室又作为建造实践运营。 Oioioi的建筑方法论展现了对空间关系、材料属性和环境响应性的精深理解。其项目持续展现精湛的建构技艺、自然元素的深思熟虑整合,以及尊重当地建造传统同时拥抱前瞻设计原则的语境敏感性。该事务所以多学科精神和协作理念为核心,从团队合作的协同效应中汲取营养,使探索和持续学习成为实践的基石。 该事务所的设计思维围绕着寻求结合多元视角以重新构想建筑可能性的探索,每个项目都在持续反馈循环的响应中发展演进,证明了其对抵制同质化的承诺。通过建筑设计与建造等综合专业服务,Oioioi致力于通过创新设计实践挑战定义建筑范式的传统界限,在当代墨西哥建筑领域中彰显其独特的创新精神与环境敏感性。 Project Name: House Rinconada Location: Malinalco, Mexico Design Team: Oioioi Total Floor Area: 1110 m² Completion: 2024 Photography: Cesar Belio Design Features: Project - Mexican architecture studio Oioioi completed the House Rinconada project in Malinalco, creating a subtle dialogue between architecture, landscape, and living through this 1110-square-meter residence situated in a privileged natural setting. The project unfolds on a single level, prioritizing horizontality as a strategy to blend harmoniously with the land and surrounding garden, demonstrating how contemporary design can achieve profound impact through restraint rather than bold gestures. The project's most compelling design feature lies in its linear arrangement of stone volumes------a series of monolithic stone blocks arranged in linear succession, defined by walls of constant height that emphasize spatial and structural continuity. Above these volumes, horizontal planes of exposed concrete rest like floating roofs, generating deep shadows and framing specific views of the landscape. This tectonic gesture provides unity to the ensemble, while the intermediate voids allow for controlled entry of light and natural ventilation. Oioioi's masterful control of material expression seamlessly integrates traditional building techniques with contemporary architectural language. The construction system combines volcanic stone masonry and cast-in-place concrete, both low-maintenance materials with strong local roots. The material palette integrates harmoniously with the indigenous vegetation, reinforcing the sense of permanence and serenity throughout the composition. The relationship between architecture and landscape demonstrates a sophisticated understanding of environmental stewardship. The landscape design is envisioned as a natural extension of the field, with chosen species primarily consisting of wild plants and shallow bodies of water that promote biodiversity, reduce water consumption, and bring seasonal dynamism to the ensemble. The house does not impose itself on the site: it rests upon it. This thoughtful treatment of the interplay between mass and void creates an ever-changing spatial experience that blurs the boundaries between interior and exterior. The intermediate spaces not only control light penetration and facilitate cross-ventilation but also serve as spatial connectors linking different parts of the architecture. House Rinconada is more than just a residence------it becomes a spatial meditation on architectural humility, environmental sensitivity, and gentle reconnection with nature's essential rhythms. Design Team - Oioioi stands as a distinguished architectural practice located in Mexico City, specializing in architectural design and construction since its establishment in 2019. Under the leadership of founding principals Ernesto Pérez Rea Juncá and Pablo Germenos García, the firm has cultivated a distinctive design philosophy that challenges conventional design paradigms through multidisciplinary collaboration and continuous experimentation. The studio's design excellence manifests through its questioning of traditional architectural dichotomies------the boundaries between physical and intangible, historical and contemporary, holistic and detailed. This approach generates architectural solutions that resist uniformity while maintaining rigorous design standards. Oioioi's multidisciplinary ethos extends beyond conventional architectural services, functioning as both design studio and construction practice. Oioioi's architectural methodology demonstrates a sophisticated understanding of spatial relationships, material properties, and environmental responsiveness. Their projects consistently exhibit masterful tectonic craftsmanship, thoughtful integration of natural elements, and contextual sensitivity that respects local building traditions while embracing progressive design principles. The practice operates with a multidisciplinary spirit and collaborative approach, drawing nourishment from the synergy of teamwork, making exploration and continuous learning the cornerstone of their practice. The firm's design thinking revolves around seeking to combine diverse perspectives to reimagine what is possible in architecture, with each project evolving in response to continuous feedback loops, testimony to their commitment to resisting uniformity. Through comprehensive professional services including architectural design and construction, Oioioi is committed to challenging the traditional boundaries that define architectural paradigms through innovative design practices, demonstrating unique innovative spirit and environmental sensitivity within the contemporary Mexican architectural landscape. 设计团队 旅游探访 1110 m² 马利纳尔科,墨西哥 2024 前一项 后一项

  • 莫夏住宅 SAW | Archicasting

    < 返回 莫夏住宅 SAW 项目名称:莫夏住宅 地点:波托拉谷,加利福尼亚州,美国 设计团队:SAW 建筑面积:724 m² 竣工时间:2025年 摄影:Joe Fletcher 设计特色: 莫夏住宅坐落于加利福尼亚州北部的波托拉谷,由旧金山建筑事务所 SAW(Spiegel Aihara Workshop)为一个历经深重失去的家庭精心设计。它是一座关于哀伤、新生与时间流逝的建筑沉思。住宅以梵文中"从生死轮回中解脱"的概念命名,将这份厚重的情感意涵渗透进每一道建筑肌理之中,成为近年美国西海岸最具私人温度的居宅建筑之一。 这座面积达724平方米的主宅静伏于山坡之中。访客抵达时难以窥见全貌,随后在院落、悬挑体量与朝向旧金山湾的全景视野的层层展开中,建筑才逐渐显露自身。正交体量经过微妙旋转,以切割光影、框取地形,而维伦迪尔钢桁架与大截面胶合木构件则赋予建筑大跨悬挑的结构张力,使整个体量以清晰有力的姿态凌驾于山丘之上。 莫夏住宅最为鲜明的特质,在于其材料使用上的深刻智识。混凝土以定制锯齿板模浇筑,形成柔和的光影肌理,并加入高含量粉煤灰以降低碳足迹、同时提升蓄热性能与耐火性。上层结构以再生老龄红木覆盖,木材取自山火与滑坡倒伏的古树,随岁月侵蚀渐呈银灰光泽。地面铺设定制研磨的蓝桉木地板,材源自入侵物种清除项目,纹理深沉温润,步感踏实。 每一种材料的选择,均不只着眼于功能性能,更在于其随时间老去、积淀意义的能力。住宅于2025年春季竣工,是一座承载记忆、呼唤新生的建筑。其出售所得款项将捐赠斯坦福大学的癌症研究项目,是那个将这座房子带入世间的家庭留下的最后一份慷慨。 设计团队: SAW(Spiegel Aihara Workshop)于2014年在美国旧金山创立,是一家横跨建筑学、景观建筑学与城市设计三大领域的跨学科设计事务所。事务所由创始合伙人、注册建筑师 Dan Spiegel 与注册景观建筑师 Megumi Aihara 共同领衔,两人均毕业于哈佛大学设计研究生院,学术背景的深度契合为事务所奠定了坚实的理论根基。 事务所的核心方法论在于:将建筑思维与景观思维自项目设计之初便有机整合,而非将建筑与场地视为相互独立的专业范畴。SAW 致力于发掘不同学科交汇处的潜在设计契机,将场地特征、材料逻辑与空间功能作为不可分割的设计要素加以统筹考量。这一工作方式赋予事务所跨尺度、跨时间维度同步运作的能力,从材料节点的精细推敲,到场地的长周期生态性能,均在其设计视野之内。 在 Spiegel 与 Aihara 的领导下,事务所现由合伙人 Dustin Stephens 及建筑师 Jeremy Ferguson、景观设计师 Avery Sell 等核心团队共同推进实践。SAW 所积累的项目成果以材料严谨性、场地回应性以及研究驱动的协作设计过程著称,充分体现了事务所的一贯信念:建筑与景观若以整体性的方式构想,将对其所服务的社区产生真正深刻的空间转化力量。 设计团队 旅游探访 724 m² 波托拉谷,美国 2025 前一项 后一项

  • 东京芭蕾之家 佐野健太建筑设计事务所 | Archicasting

    < 返回 东京芭蕾之家 佐野健太建筑设计事务所 项目名称:东京芭蕾之家 地点:东京,日本 设计团队:佐野健太建筑设计事务所 面积:274.98 m² 完工时间:2024年 摄影:八木元春 设计特色: 日本建筑事务所佐野健太建筑设计事务所在东京丰岛区完成了一座集芭蕾舞学校与住宅于一体的建筑。在这里,致密的城市肌理化身为一座抬升舞台的观众席。 项目地处江户两大名园之一“六义园”附近,坐落于历史悠久的老住宅街区,街坊邻里间亲密的人情往来至今延续。无论何种类型的舞蹈工作室,通常都倾向于向内收闭,追求私密性与独立性,与街道之间自然形成一道屏障。面对这一惯常处境,佐野健太建筑设计事务所并未顺势接受,而是将其转化为一个值得深究的建筑命题:如何调停都市、住宅与工作室三者之间的关系。 在地面层,一处较街道标高下沉300毫米的露台以植栽带柔和环抱,在建筑与街道邻里之间营造出一道开放的过渡界面。其上,工作室以场地所能允许的最大占地面积铺展开来,净高设定为4.2米,以满足芭蕾舞一切大幅度动作的空间需求。楼板脱离地面悬起,下方容纳附属功能室与车库,其上叠置一座精巧的顶层住宅。几个体量之间的错位形成了空隙,化作出檐与露台,引入大量绿植。 整座建筑最具决定性的姿态出自戏剧逻辑。以建主长期以来对公演的高度重视为灵感起点,建筑师将北侧大开口比拟为镜框式舞台台口,织物垂帘化为舞台帷幕,街道之外的城市则展开为观众席。车库层高被刻意压缩至极限,令工作室地板尽可能贴近路面标高,最终消弭了表演者与街道之间的距离。 一位远道而来的结构工程师曾在参观后感叹,从室内望出去的风景极具东京气质,高楼、中层建筑与独栋住宅层层叠叠,构成这座城市特有的密度渐变图景。正是这种与城市之间不可割舍的连续性,赋予了这座建筑它的名字。 设计团队: 佐野健太建筑设计事务所由生于东京的建筑师佐野健太于2015年创立。他先后就读于早稻田大学与横滨国立大学,此后在伊东丰雄建筑设计事务所从事建筑实践长达十一年。事务所总部位于东京,项目类型涵盖住宅、酒店、文化设施及城市综合体等多个领域。 事务所的设计流程以对话协作为核心,将业主、结构工程师、设备顾问、照明设计师及施工方纳入设计共创的全过程,使各方成为项目真正意义上的共同作者,而非外围顾问。这一网络化的工作方式持续催生出空间逻辑严谨、材料语言细腻、与城市及生态环境深度关联的建筑作品。 事务所的核心设计理念,在于创造诉诸人体五感的人本尺度空间,致力于消弭室内与自然之间的边界,同时在形式层面保持创新性,在功能层面维持严密的逻辑推演。事务所尤其专注于具有公共属性的演出空间及复合功能住宅建筑。 现任团队由创始人兼首席执行官佐野健太主持设计事务,董事梯朔太郎协同统筹管理。设计团队现由林千絵、Sylvester Ch'ng Ying及成愿大志共同组成。事务所曾三度荣获优良设计奖,分别于2020年及2024年两度获此殊荣。 设计团队 旅游探访 274.98 m² 东京,日本 2024 前一项 后一项

  • 漂浮之家 Tigg + Coll Architects | Archicasting

    < 返回 漂浮之家 Tigg + Coll Architects 项目名称: 漂浮之家 地点: 伦敦,英国 设计团队: Tigg + Coll建筑事务所 建筑面积: 4米 x 20米 竣工时间: 2024年 摄影: James Retief 设计特色: TiggColl建筑事务所在伦敦西北部鲁伊斯利普的大联盟运河上完成了漂浮之家,这是一座创新的模块化水上住宅。这座宽敞且无障碍的家庭住宅将当代设计与先进技术相结合,突破了可持续水上生活的边界。客户委托TiggColl在水上设计一座全新的定制住宅,以取代他们现有的运河船屋,后者缺乏不断壮大的家庭所需的生活空间和无障碍通行条件,且家庭成员健康需求也在变化。未来的无障碍通行是设计要求的核心,同时要求住宅位于水面之上。与传统运河船屋不同,后者的室内地板标高低于水线,导致寒冷和潮湿的居住条件。至关重要的是,这个家庭希望继续留在汉普顿庄园农场的私人住宅停泊区,这是一个由35艘船屋组成的合作社区,位于一个美丽但空间有限的地点。 创造一个与自然相连的宽敞家庭住宅。在室内,漂浮之家提供了当代生活空间,经过精心设计以最大化空间利用和自然采光。宽阔的窗户提供了水面和周围景观的壮丽景致,营造出宁静而温馨的氛围,使家庭与水建立即时联系,同时保持私密性和安全性。漂浮之家的外立面采用水平向的Accoya木材板条包覆,这是一种可持续且耐用的材料,因其防水性能以及与相邻河岸自然风化的能力而被选用,呈现出与周围环境和谐共生的动态外观。 裸露的木质内部结构框架提供了连续性,将当代简约美学与温暖、平静、自然的感觉相结合。住宅配备了高品质、低调的材料和饰面,包括工程橡木地板、配有Dekton台面和Hacker电器的时尚黑色烤漆厨房。雄心勃勃的设计要求是在4米乘20米的地块尺寸内创造一个开放式家庭生活空间、一个主卧套房、两间儿童卧室和一间共用家庭浴室。这一尺寸由运河宽度、通行距离和停泊长度所决定。设计团队采用悬臂式凸窗在厨房内创造额外的台面空间,在儿童房内创造床铺空间。凸窗与集成通风板和遮阳系统相结合,定义了住宅临岸立面的表现力。 水上设计:预制和模块化设计。该地点的大联盟运河通行受到上下游低矮桥梁的限制。由于缺乏干船坞或码头,传统的维护方法,如用起重机移除船屋,并不可行。为此,TiggColl与海洋工程师和结构工程师密切合作,开发了一套独特的系统,由10个互锁钢制船体通过龙门架固定在一起。每个船体部分可以单独从龙门架上漂离并吊至运河岸边,使维护变得简单易行,无需大型基础设施。与Bucklands木材公司合作,TiggColl在整个船体中创建了一个表露的结构,遵循类似的系统化建造方法。一旦浮动底盘组装完成并下水,骨架结构框架便快速安装到位,最大限度减少了水上施工的需求以及对这个运河船屋社区的干扰。 创始合伙人David Tigg表示:"漂浮之家证明了创造性思维、创新技术和工程如何克服自然限制,满足家庭的特定需求。我们希望它能成为在难以到达的运河、河流或湖泊地点创造宜人且可持续生活环境的原型。" 创始合伙人Rachel Coll表示:"我们的目标是创造一个无障碍的家庭住宅,最大化利用有限的可用空间,同时确保船屋以轻盈感触及周围环境,尽可能将自然、反射性和阳光带到近处。这是一个旨在拥抱自然并促进现代家庭生活的水上之家。" 漂浮之家的业主Narinda Desrosiers表示:"我们希望拥有一个既美丽又实用的四口之家,也能满足我未来的健康需求。开始这个新建项目是一次巨大的信念飞跃,但我们从未放弃希望,相信我们的愿景是可以实现的。感谢TiggColl和参与该项目的工程师团队的坚定承诺,我们拥有了一个超越梦想的家:宁静、被自然环绕,拥有俯瞰水面的壮丽景致。" 设计团队: Tigg + Coll建筑事务所成立于2008年,现已成为伦敦领先的建筑设计工作室,致力于创造让人们感到更紧密联系、更快乐、更具人性化的建筑和空间。事务所由创始合伙人David Tigg和Rachel Coll领导,联合总监Manuel Gonzalez Nogueira共同管理,汇集了一支由30多名专业人士组成的协作团队,将富有想象力的设计思维与技术专长和成本效益解决方案相结合。 事务所的作品涵盖多种建筑类型,从屡获殊荣的定制住宅项目到共居、租赁住宅、私人租赁部门和学生公寓开发,以及社区、文化和办公空间项目。他们的设计理念以细心倾听、精湛工艺和探索建筑挑战的创新方法为核心。工作室位于西伦敦布莱斯路艾迪生工作室,TiggColl凭借将复杂限制转化为卓越设计机遇的能力建立了声誉。 事务所的多学科团队包括资深建筑师、项目建筑师和建筑助理,他们共同致力于追求高品质生活和创造提升日常体验的环境。这种协作方式,结合对技术严谨性和材料敏感性的执着,使工作室能够交付平衡美学抱负与实用功能的项目。通过开放包容、知识驱动的方法论,Tigg + Coll建筑事务所持续突破当代建筑的边界,同时始终专注于真正改善生活质量的以人为本设计。 团队成员包括创始合伙人David Tigg和Rachel Coll,联合总监Manuel Gonzalez Nogueira,资深助理Paul Colfer,助理Alex Antoniou,以及资深建筑师Gabrielle Greer、William Breislin、Melanie Rich和Will Field等经验丰富的专业人士。事务所总部位于伦敦艾迪生工作室,团队规模为11至50名员工,专注于建筑、室内设计、室内建筑、概念设计和可行性研究。 TiggColl相信建筑的核心是为生活而设计。他们致力于创造让人们生活得更好、感觉更连接、更人性化的空间。无论是获奖的独栋家庭住宅还是大型住宅开发项目,事务所始终保持对细节的关注、对创新的渴望以及对客户需求的深刻理解。他们的团队以开放的心态、丰富的想象力以及对知识和新理念的探索欲望为引领,是天生的倾听者和合作者,既关注工艺和技术专长,又理解成本效益的重要性。通过团队协作,他们创造出让生活更美好的场所。 设计团队 旅游探访 4m x 20m 伦敦,英国 2024 前一项 后一项

  • 蒂芙尼斯图加特店 MVRDV | Archicasting

    < 返回 蒂芙尼斯图加特店 MVRDV 项目名称:蒂芙尼斯图加特店 地点:斯图加特,德国 设计团队:MVRDV建筑事务所 陶瓷构件数量:2829个 竣工时间:2024年 摄影师:Gionata Xerra Studio 设计特色: 项目 - 荷兰建筑事务所MVRDV日前重新构想了零售立面设计,通过令人着迷的陶瓷钻石屏幕,将建筑表面转变为充满活力的宝石般画布。蒂芙尼斯图加特店最新的非凡的立面设计,由2829个手工制作的陶瓷钻石似乎漂浮在店面上,创造出一种空灵的建筑美感,连接品牌认同感与创新设计。 受Louis Comfort Tiffany开发的 19世纪90年代传奇的法夫莱尔(Favrile)玻璃启发,设计团队精心构思了一个渐变色调,从蒂芙尼标志性的蓝色过渡到纯白。每个钻石都是使用与荷兰最古老的陶瓷制造商Koninklijke Tichelaar合作开发的专业技术,单独制模并釉彩,造就出随光线和视角变化而变化的彩虹色表面。 立面的真正独创性在于其同时吸引注意力并与周围多罗特恩区的中性建筑语境完美融合的能力。定制钢固定件使陶瓷构件可以在外部和内部安装,营造出一个梦幻般的环境,钻石似乎悬浮在空中。通过策略性地调整钻石密度,可以选择性地创造透明度,在保持迷人的视觉屏障的同时,让人们得以窥探店内。 MVRDV设计团队将这个设计描述为试图捕捉蒂芙尼品牌根本的"奇迹与魅力感"。通过将品牌的材料创新和珠宝工艺转译为建筑语言,这个设计创造了一个令人惊叹的视觉隐喻,将零售体验从单纯的商业空间提升为真正的建筑陈述。 团队 – MVRDV由Winy Maas, Jacob van Rijs, 和 Nathalie de Vries于1993年创立,现已发展成为全球具有影响力的建筑事务所。事务所现由创始合伙人与Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, 以及Bertrand Schippan共同领导超过300名专业人员的团队,在鹿特丹、上海、巴黎、柏林和纽约设有战略性布局的多个办公室。 事务所以其研究导向的设计方法论著称,强调与客户、利益相关者和跨学科专家的早期协作。其专门的内部气候团队确保可持续性在所有项目中的整合,而MVRDV NEXT则专注于计算设计和技术创新。这种全面的方法促成了从混合用途开发到文化机构和城市总体规划等突破性项目。 事务所的作品组合展示了各种规模和类型的创新建筑解决方案,包括享誉世界的鹿特丹Markthal、阿姆斯特丹自然启发的Valley项目,以及开创性的Depot Boijmans Van Beuningen。他们的作品始终展现对可持续城市发展、社会参与和技术进步的承诺,赢得了众多国际奖项,确立了MVRDV在当代建筑实践中的先驱地位。 Project Name: Tiffany & Co. Stuttgart Store Location: Stuttgart, Germany Design Team: MVRDV Architecture Office Number of Ceramic Elements: 2829 units Completion Year: 2024 Photographer: Gionata Xerra Studio Feature: Project - Dutch architecture firm MVRDV has reimagined the retail facade with a mesmerizing ceramic diamond screen that transforms architectural surfaces into a dynamic, jewel-like canvas. The Stuttgart Tiffany & Co. store now boasts an extraordinary facade featuring 2,829 hand-crafted ceramic diamonds that seemingly float across the storefront, creating an ethereal architectural intervention that bridges brand identity and innovative design. Inspired by Louis Comfort Tiffany's legendary Favrile glass from the 1890s, the design team developed a meticulously conceived gradient that transitions from Tiffany's iconic robin's egg blue to pristine white. Each diamond is individually slip-cast and glazed using a specialized technique developed in collaboration with Koninklijke Tichelaar, the Netherlands' oldest ceramics manufacturer, resulting in an iridescent surface that shifts dramatically with changing light and viewing angles. The facade's true ingenuity lies in its ability to simultaneously attract attention and integrate seamlessly with the surrounding Dorotheen Quartier's neutral architectural context. Custom steel fixings allow the ceramics to be mounted both externally and internally, creating a dreamlike environment where diamonds appear to hover weightlessly. Strategic variations in diamond density enable selective transparency, allowing glimpses into the store while maintaining an enchanting visual barrier. MVRDV's founding partner Jacob van Rijs describes the design as an attempt to capture the "sense of wonder and enchantment" fundamental to Tiffany & Co.'s brand legacy. By translating the brand's material innovation and jewellery craftsmanship into architectural language, the design creates a stunning visual metaphor that elevates the retail experience from mere commercial space to a true architectural statement. Design Team - MVRDV, established in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, has grown into a globally influential architecture practice. The firm now operates with a dynamic team of over 300 professionals led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, with offices strategically located in Rotterdam, Shanghai, Paris, Berlin, and New York. The practice is distinguished by its research-based design methodology, emphasizing early collaboration with clients, stakeholders, and multidisciplinary experts. Their dedicated in-house Climate Team ensures sustainability integration across all projects, while MVRDV NEXT specializes in computational design and technological innovation. This comprehensive approach has resulted in groundbreaking projects ranging from mixed-use developments to cultural institutions and urban masterplans. The firm's portfolio showcases innovative architectural solutions across various scales and typologies, including the world-renowned Markthal in Rotterdam, the nature-inspired Valley in Amsterdam, and the groundbreaking Depot Boijmans Van Beuningen. Their work consistently demonstrates a commitment to sustainable urban development, social engagement, and technological advancement, earning numerous international awards and establishing MVRDV as a pioneer in contemporary architectural practice. 设计团队 旅游探访 165 m² 斯图加特,德国 2024 前一项 后一项

  • 大苏尔别墅 Field Architecture | Archicasting

    < 返回 大苏尔别墅 Field Architecture 项目名称:大苏尔别墅 地点:大苏尔海岸,加利福尼亚,美国 设计团队:FIELD建筑事务所 建筑面积:687 m² 竣工时间:2022年12月 摄影:Joe Fletcher 设计特色: 项目 - FIELD建筑事务所在加利福尼亚大苏尔海岸设计的别墅是一座687平方米的当代住宅杰作,体现了建筑谦逊与环境共生的精妙融合。该项目坐落在受构造运动、冬季风暴、极端太阳辐射、大气盐分和海浪持续运动等自然力量塑造的崎岖场地上,创造出一种建筑与壮观景观和谐对话的非凡视觉效果。 该项目最具革命性的设计特色是其分离式双体量配置:两个石质建筑体通过一座桥梁连接,桥下横跨一条修复的季节性峡谷。这一大胆的组织策略不仅允许建筑师复活一条将圣卢西亚山脉雨水输送至太平洋的原生水道,更创造了一条已经吸引野生动物回归的栖息地走廊。建筑实际上为自然在其心脏地带的流淌让出了空间。 FIELD建筑事务所的设计策略围绕着建筑韧性与景观整合之间的核心平衡展开。厚重的锥形石墙呼应着下方层状的悬崖面,其纤细的灰色砌层与地质结构形成视觉对话。在这些扎根元素之上,分离的屋顶通过巧妙的可操作天窗系统显得漂浮其中,在视觉上与地平线和相邻的蒙特利柏树林融为一体。 主立面作为精心设计的框架发挥作用,将周围的复杂生态环境转化为一系列生动的画面。内部空间优先考虑灵活性和适应性,房间配置被设计为可灵活使用并适应家庭需求的未来变化和演变。从亲密聚会到更包容的定期活动,建筑都能服务于家庭的各种功能需求。 优化的遮阳系统、大型石墙的热质量、天窗通风以及屋顶上的大型太阳能阵列显著降低了能耗。能够承受太阳、风、盐分和火灾暴露的外部材料进一步提高了建筑的耐久性和寿命。所有结构木材均通过FSC认证,其中大部分为再生工程木材。现场化粪池系统消除废物、回收水资源并自然补充地下水位。 大苏尔别墅代表了场地特定海岸现代主义的典范:一种优先考虑生态修复、环境韧性和建筑谦逊的建筑语言,实现了建筑与其壮观环境的完美共生。 设计团队 - FIELD建筑事务所是一家专业从事创造属于土地并促进个人与他们所爱场所之间连接的建筑设计的全方位服务事务所。在父子团队斯坦·菲尔德(Stan Field)和杰斯·菲尔德(Jess Field)的领导下,该事务所对场所营造的兴趣跨越了几代人和多个国家,体现了独特的建筑智慧传承。 斯坦·菲尔德拥有卓越的建筑血统,师从传奇建筑师路易·康(Louis Kahn),于1968年在宾夕法尼亚大学获得建筑学硕士学位。他拥有数十年的国际经验,曾担任耶路撒冷市首席建筑师,并在三个国家执业,其作品广受赞誉。杰斯·菲尔德出生于南非,从小就沉浸在建筑话语中,通过早期的素描和制图培养了设计流畅性,后来在加州大学伯克利分校以最高荣誉获得建筑学硕士学位,并获得艾斯纳创意成就最高奖。 该事务所的哲学基础以相信建筑应该促进与自然的对话为核心,使人类能够回归成为自然的"一部分"而不是"分离"于自然。这一理念驱动了他们独特的GROUNDSCAPE方法论——一个综合性场地解读过程,始于对每个场所想要成为什么的深刻尊重,探索场地条件、文化背景、可用资源和历史叙述。 FIELD建筑事务所的多学科方法认识到建筑位于艺术与科学、功能与形式的交汇点,将创造性洞察与严格的技术专业知识编织在一起,交付深思熟虑、鼓舞人心、可持续且真实的建成环境。该事务所由才华横溢的个人组成,协作实现每个项目的愿景,体现了丰富的材料敏感性、整体生态思维和工艺完整性的原则。 Project Name: Big Sur House Location: Big Sur Coast, California, USA Design Team: FIELD Architecture Total Floor Area: 687 m² Completion: December 2022 Photography: Joe Fletcher Design Features: Project - FIELD Architecture's Big Sur House is a 687-square-metre contemporary residential masterpiece that embodies the sophisticated fusion of architectural humility and environmental symbiosis. The project is situated on a rugged site shaped by tectonic action, heavy winter storms, extreme solar exposure, atmospheric salinity, and the constant motion of oceanic swells, creating an extraordinary visual dialogue between architecture and the spectacular landscape. The villa's most revolutionary design feature lies in its split pavilion configuration: two stone building masses connected by a bridge that spans a restored seasonal ravine. This bold organizational strategy not only allowed the architects to resurrect a native waterway that carries rainfall from the Santa Lucia mountains to the Pacific Ocean, but also created a habitat corridor that has already attracted returning wildlife. The building literally makes space for nature to flow through its heart. FIELD Architecture's design strategy revolves around the central balance between architectural resilience and landscape integration. Massive tapered stone walls echo the striated cliff faces below, their slender gray courses creating a visual dialogue with geological formations. Above these grounding elements, separated roofs appear to float through an ingenious operable clerestory system, visually merging with the horizon and adjacent Monterey cypress grove. The principal façades operate as carefully designed frames, transforming views of the surrounding complex ecological environment into a series of living tableaux. Interior spaces prioritize flexibility and adaptability, with room configurations designed for flexible use and future adaptation as family needs change and evolve. From intimate gatherings to more inclusive periodic events, the architecture serves the family across a range of functions. Optimized shading systems, thermal mass of large stone walls, clerestory venting, and a large solar array on the roof significantly reduce energy consumption. Exterior materials that can endure solar, wind, saline, and fire exposure further increase the building's durability and longevity. All structural timber is FSC certified, with the majority comprising recycled content engineered timber. An onsite septic system eliminates waste, recycles water, and naturally replenishes water tables. The Big Sur House represents a paradigm of site-specific coastal modernism: an architectural language that prioritizes ecological restoration, environmental resilience, and architectural humility in perfect symbiosis with its spectacular setting. Design Team - FIELD Architecture is a full-service, design-forward practice focused on creating architecture that belongs to the land and fosters connection between individuals and the places they love. Led by father-and-son team Stan Field and Jess Field, the firm's interest in place-making spans generations and countries, embodying a unique inheritance of architectural wisdom. Stan Field brings exceptional architectural pedigree, having studied under legendary architect Louis Kahn and earning his Master of Architecture from the University of Pennsylvania in 1968. He possesses decades of international experience, having served as Chief Architect to the City of Jerusalem and practiced in three countries where his work has been widely acclaimed. Jess Field, born in South Africa and immersed in architectural discourse from an early age, developed design fluency through early sketching and drafting, later earning his Master of Architecture from UC Berkeley with highest honors and winning the Eisner Prize for highest creative achievement. The firm's philosophical foundation centers on the belief that architecture should facilitate a conversation with nature, enabling humans to return to being "a part" of nature rather than "apart" from it. This ethos drives their distinctive GROUNDSCAPE methodology—a comprehensive site-reading process that begins with profound respect for what each place wants to become, exploring site conditions, cultural context, available resources, and historical narratives. FIELD Architecture's multidisciplinary approach recognizes architecture's position at the intersection of art and science, function and form, weaving creative insight with rigorous technical expertise to deliver thoughtful, inspiring, sustainable, and authentic built environments. The studio comprises talented individuals working collaboratively to realize the vision for each project, embodying principles of rich material sensibility, holistic ecological thinking, and integrity of craft. 设计团队 旅游探访 687 m² 加利福尼亚,美国 2022 前一项 后一项

  • 福冈匹诺曹幼儿园 INTERMEDIA | Archicasting

    < 返回 福冈匹诺曹幼儿园 INTERMEDIA 设计特色: 在福冈那珂川这座快速发展的城市中,福冈匹诺曹幼儿园如同一座创新教育设计的灯塔冉冉升起。这座由INTERMEDIA事务所精心构思的幼儿园和托儿所,以216名儿童的容量回应了该地区不断增长的人口需求,使其成为当地最大规模的早教中心之一。 该项目的建筑才华在于其促进不同年龄段儿童社交互动的精妙构思。设计引入了独特的"午餐室"概念,巧妙地将其置于教室之间,充当一个类公共空间。这个多功能区域不仅便于用餐,还可容纳各种活动和仪式,有效打破了不同班级之间的界限,鼓励形成丰富多彩的社交网络。 最引人注目的特色或许是中央庭院,INTERMEDIA事务所在这里巧妙地运用了高差设计,创造出地面层和一层之间的无缝流动。这种创新的空间利用允许儿童在不同层级间自由移动,促进身体活动,同时与底层年幼儿童的房间保持视觉连通。 虽然采用了坚固的钢筋混凝土结构,但整体建筑在稳重与轻盈之间达成了微妙的平衡。无梁楼板的使用和战略性布置的钢柱创造出一种通透的氛围,与空间的趣味性质相得益彰。 福冈匹诺曹幼儿园堪称建筑塑造教育体验力量的典范,为社区提供了一个与之共同成长的培育环境。 In the rapidly growing city of Nakagawa, Fukuoka, the Fukuoka Pinocchio Children's Garden emerges as a beacon of innovative educational design. Conceived by Sho Sasaki of INTERMEDIA, this nursery and kindergarten facility responds to the area's increasing population with a capacity for 216 children, making it one of the larger early education centers in the region. The architectural brilliance of the project lies in its thoughtful approach to fostering social interaction among children of different age groups. Sasaki's design introduces a unique "lunch room" concept, strategically placed between classrooms to serve as a pseudo-public space. This multifunctional area not only facilitates dining but also accommodates various activities and ceremonies, effectively breaking down barriers between different classes and encouraging a rich tapestry of social connections. Perhaps the most striking feature is the central courtyard, where Sasaki has masterfully manipulated level differences to create a seamless flow between the ground and first floors. This innovative use of space allows children to move freely between levels, promoting physical activity and visual connectivity with the rooms for younger children on the ground floor. The structure, while robust in its reinforced concrete construction, achieves a delicate balance between solidity and lightness. The use of void slabs and strategically placed steel columns creates an airy atmosphere that complements the playful nature of the space. Fukuoka Pinocchio Children's Garden stands as a testament to architecture's power to shape educational experiences, offering a nurturing environment that grows alongside the community it serves. 设计团队: INTERMEDIA建筑设计事务所由佐々木信明(Sasaki Nobuaki)于1989年创立,现已成为日本领先的建筑设计公司,尤其以其在教育和公共空间方面的创新设计而闻名。总部位于长崎的INTERMEDIA,三十多年来一直站在创造富有思考性、以社区为导向的建筑设计前沿。 INTERMEDIA不断突破建筑设计的界限,将功能性与美学完美融合。公司的作品集涵盖了广泛的项目,从前沿的教育设施到令人印象深刻的公共建筑,以及富有洞察力的城市干预项目。 INTERMEDIA的设计理念核心是创造能够促进人际互动并响应社会不断变化需求的空间。他们的设计方法特点是对环境语境的敏锐关注、对材料的创新运用以及对可持续性的承诺。该公司的作品常常呈现动态的空间布局、巧妙融入自然光线,以及内外空间的和谐关系。 团队的专业实力在众多获奖项目中得到充分体现,其中包括荣获2024年日本建筑学会新人奖(福冈匹诺曹幼儿园)。这个项目展示了INTERMEDIA通过建筑设计创造有利于儿童发展的培育环境的卓越能力。 凭借一支优秀的建筑师团队,以及与教育机构和地方政府成功合作的丰富经验,INTERMEDIA持续塑造着日本的建筑环境,为建筑卓越性和社会责任树立了新标准。 INTERMEDIA, founded in 1989 by Nobuaki Sasaki, has emerged as a leading architectural design firm in Japan, particularly renowned for its innovative approach to educational and public spaces. With its headquarters in Nagasaki, the firm has been at the forefront of creating thoughtful, community-oriented architecture for over three decades. Under the current leadership of Sho Sasaki and Shiho Nanri, INTERMEDIA has continually pushed the boundaries of architectural design, seamlessly blending functionality with aesthetics. The firm's portfolio showcases a diverse range of projects, from cutting-edge educational facilities to striking public buildings and sensitive urban interventions. INTERMEDIA's design philosophy centers on creating spaces that foster human interaction and respond to the evolving needs of society. Their approach is characterized by a keen attention to context, innovative use of materials, and a commitment to sustainability. The firm's work often features dynamic spatial arrangements, thoughtful integration of natural light, and a harmonious relationship between interior and exterior spaces. The team's expertise is evident in their numerous award-winning projects, including the Fukuoka Pinocchio Children's Garden, which received the Architectural Institute of Japan's New Architect Award in 2024. This project exemplifies INTERMEDIA's skill in creating nurturing environments that support child development through architectural design. With a talented team of architects and a track record of successful collaborations with educational institutions and local governments, INTERMEDIA continues to shape the built environment of Japan, setting new standards for architectural excellence and social responsibility. 设计团队 旅游探访 1829.85㎡ 日本,福冈 2023年 前一项 后一项

  • 地拉那“大舞厅” MVRDV | Archicasting

    < 返回 地拉那“大舞厅” MVRDV 项目名称:The Grand Ballroom 地点:地拉那,阿尔巴尼亚 设计团队:MVRDV 建筑面积:90200 m² 竣工时间:2025年 – 待定 设计特色: 荷兰建筑事务所MVRDV赢得了阿尔巴尼亚地拉那新阿斯兰·鲁西体育宫的设计竞赛。这座90200平方米的综合体包含一座可容纳6000人的篮球和排球场馆,以及住宅公寓、酒店和地面零售空间,整体呈现为直径超过100米的球形。该项目名为"大舞厅",将成为该市独特建筑项目集合中的新成员,也是市民聚集的独特目的地。 球形体量的功能远超在连接机场与市中心的道路旁创造标志性建筑。通过将酒店和住宅功能叠加在场馆之上,该设计在相对较小的场地上容纳了大量功能。圆形建筑避免了产生忽视周边社区的"背面"立面。建筑底部向内收窄,为公共广场和户外体育设施创造了更多空间,供当地儿童使用。顶部向内收窄则为居民创造了露台,将体育和社区融合为一个统一的环境。 建筑功能按层次排列。球体与地面接触处在大地上留下印记,形成下沉楼层,台阶和看台向下通往环形的零售空间、咖啡馆和配套设施,为场馆活动提供支持。场馆本身位于上方,通过地面层的短桥进入,主场馆两侧是隐藏在看台下的两个额外训练场。酒店占据其上两层,为客人提供独特体验,可从酒店下层客房窗户观看比赛,也可从上层配套空间观赛,这些空间悬挑于看台上方,在场馆天花板上形成一个天窗。 天窗可以用厚玻璃层封闭,形成隔音屏障,同时保持上下空间的视觉联系。在此层之上,公寓被容纳在球体的双层外壳结构内,在内部形成一个巨大的半室外穹顶空间,几乎是碗状场馆的镜像。这个空间成为居民的庭院花园,种植成熟树木并设置休闲家具。在多个位置,公寓穹顶让位于穿透建筑外壳的三至四层矩形开口,允许自然通风并为居民创造额外的公共绿色空间,每个空间都有自己的主题。 球体外壳中的公寓包括朝外单元和双面采光单元的混合,不仅可以欣赏城市壮丽景色,还可以俯瞰内部穹顶、庭院花园,并通过天窗一瞥场馆内部。随着球体在顶部向内收窄,为居民创造了宽敞的露台。公寓的外墙在球体外壳内后退设置,确保上层楼板为公寓室内遮阳,同时强调这些露台的宽敞感。穹顶最顶部主要设置复式顶层公寓,每套都可进入私人屋顶露台,而这个上层环形的四分之一设置了双层通高的酒店天空酒吧,可俯瞰城市全景。第二个天窗可以用玻璃封闭或打开通风,完成整个球体。 "大舞厅将成为一座灯塔,旨在激励和鼓励人们参与和观看体育运动。一个游戏、相遇和庆祝的场所!我们如何表达这一点?"MVRDV创始合伙人Winy Maas评论道。"球形形状是对许多运动中使用的圆球的致敬。但它也让人联想到启蒙时代的神殿,从艾蒂安-路易·布雷的牛顿纪念堂到巴克敏斯特·富勒对技术乐观主义的致敬,即测地穹顶。地拉那市中心的这座巨大球体同样可以成为体育和社区的神殿。通过连接不同功能,它邀请建筑中的每个人成为活动的一部分。通过提供配备体育设施的公共空间,它成为社区的一部分。作为地标,它吸引来自全市及更远地方的人们聚集在一起庆祝。因此,它延续了地拉那不断增长的新建筑集合。" 设计团队 :MVRDV由Winy Maas、Jacob van Rijs和Nathalie de Vries于1993年创立,现已发展成为全球最具创新性的建筑实践之一,目前拥有超过300名专业人员组成的充满活力的团队,由三位创始合伙人以及Frans de Witte、Fokke Moerel、Wenchian Shi、Jan Knikker和Bertrand Schippan共同领导。该事务所在鹿特丹、上海、巴黎、柏林和纽约设有办公室,保持着全球化布局,应对各大洲当代建筑与城市挑战。 MVRDV的独特方法以高度协作、基于研究的设计理念为核心,从创意过程的最早阶段就让客户、利益相关者和跨学科专家参与其中。这种方法产生出推动城市和景观向可持续未来发展的典范项目。该事务所的综合气候团队确保所有项目的环境韧性,而MVRDV NEXT则实施计算工作流程和新兴技术,以优化设计效率和适应性。 该事务所因融合创新与社会责任的变革性项目而获得国际认可。代表作品包括鹿特丹的Markthal市场大厅,将住宅与壮观的食品市场相结合;Depot Boijmans Van Beuningen博物馆仓库,世界上第一个完全开放的艺术储藏设施;以及地拉那金字塔,将阿尔巴尼亚前独裁政权纪念碑改造为提供免费教育的文化中心。该事务所的作品组合涵盖多样类型,从阿姆斯特丹的Valley混合用途塔楼到首尔的Seoullo 7017空中花园等城市干预项目,展现出对创造充满欢乐、出人意料且具有社会参与性建筑的坚定承诺,重新构想城市的可能性。 设计团队 旅游探访 90200 m² 地拉那,阿尔巴尼亚 2025 - 待定 前一项 后一项

  • Azure住宅 Neo Architects | Archicasting

    < 返回 Azure住宅 Neo Architects 项目名称: House Azure 地点: 奥弗斯特兰德, 南非 设计团队: Neo Architects 项目面积: 326㎡ 竣工时间: 2024年 摄影: Perfect Hideaways 设计特色: 项目 – 南非建筑事务所Neo Architects最近完成了Azure住宅项目,这座当代住宅巧妙地将斯堪的纳维亚极简主义与Romansbaai Collection地区原生景观融为一体。 这座326平方米的住宅通过创新的"碎片化"设计方法,重新诠释了建筑形态与自然环境之间的关系。建筑师从当地普罗蒂亚芬博斯植被的结构模式汲取灵感,创造出一系列半独立的房间,让原生植物得以渗透建筑的外墙,有效地模糊了建筑与景观之间的界限。 戏剧性的入口设计奠定了整体基调,开放式天花板和全高玻璃墙将辽阔的海景尽收眼底。住宅的核心区域设有独立的铸铁壁炉,既能固定开放式生活空间,又保持了与海岸全景的视觉联系。 建筑师通过精妙的梯台策略应对场地的地形挑战,确保四间卧室都能享有无遮挡的海景,同时不影响建筑的最小环境足迹。这种对地形高差的细致考量也帮助建筑自然地融入周边环境。 材料的选择在项目成功中发挥着关键作用,精心挑选的混凝土、木材和石材不仅能在海岸环境中保持耐久性,还能随时间优雅老化。现代谷仓式的美学风格通过木材外观得到强化,为当代形式增添了温暖感。 整个住宅战略性地布置天窗,在与天空保持对话的同时,让自然光充满室内空间。这种对自然采光的关注,结合创新的玻璃技术,在这个伫立于海岸环境中的建筑里,实现了全景视野需求与能源效率之间的微妙平衡。 团队 – Neo Architects(前身为Neo Dimensions Architects)成立于1988年,是南非最具影响力的建筑事务所之一,在比勒陀利亚和斯泰伦博斯设有办公室。该事务所在战略性品牌重塑后确立了现有名称,始终在非洲大陆上展现出在场地设计和可持续建筑领域的卓越表现。 在创始人Dries Verbeek和董事Marius Snyders、Jurie Swart以及Wim Verbeek的领导下,事务所发展出独特的设计理念,将本土建筑特性与当代建筑表现手法融为一体。他们的项目组合涵盖住宅、商业和机构建筑,特别注重场地特定性响应和环境整合。 该事务所的设计方法以严谨的空间规划、材料运用和环境性能处理为特征。这在他们最近完成的Azure住宅项目中得到充分体现,项目展示了他们在地形整合和生物亲和性设计原则方面的专业造诣。该项目展现了他们致力于创造对环境敏感回应的建筑,同时推动可持续设计边界的承诺。 Neo Architects在房地产开发领域获得了众多荣誉,尤其是在西开普省地区,他们在住宅建筑方面的创新方法为场地设计卓越树立了新标准。 Project Name: House Azure Location: Overstrand, South Africa Design Team: Neo Architects Lead Architects: Wim Verbeek, Jurie Swart Interior Design: NEO Architects Area: 326㎡ Completion Year: 2024 Contractor: OHB Construction Joinery: Prowell Kitchens Photography: Perfect Hideaways Feature: Project - South African architecture firm Neo Architects has completed House Azure, a contemporary residence that thoughtfully integrates Scandinavian minimalism with the indigenous Protea Fynbos landscape of Romansbaai Collection. The 326-square-metre dwelling reimagines the relationship between built form and natural environment through its innovative "fragmented" design approach. Drawing inspiration from the structural patterns of local Protea Fynbos vegetation, the architects created a series of semi-detached rooms that allow the native flora to permeate the building's exterior walls, effectively blurring the boundaries between architecture and landscape. A dramatic entrance sequence sets the tone, where open-rafter ceilings and full-height glazing frame expansive ocean views. The heart of the home features a freestanding cast-iron fireplace that anchors the open-plan living spaces while maintaining visual connections to the coastal panorama. The architects responded to the site's challenging topography through a sophisticated terracing strategy that ensures each of the four bedrooms captures unobstructed ocean views without compromising the building's minimal environmental footprint. This careful consideration of level changes also helps embed the structure naturally within its context. Materiality plays a crucial role in the project's success, with a refined palette of concrete, timber, and stone chosen for both their durability in the coastal environment and their ability to age gracefully. The modern barn-style aesthetic is enhanced through timber cladding that adds warmth to the contemporary form. Strategic placement of skylights throughout the residence creates a constant dialogue with the sky while flooding interior spaces with natural light. This attention to natural illumination, combined with innovative glazing technologies, achieves a delicate balance between the desire for panoramic views and the need for energy efficiency in this exposed coastal setting. Design Team - Neo Architects, established in 1988 as Neo Dimensions Architects, stands as one of South Africa's most influential architectural practices, with offices strategically located in Pretoria and Stellenbosch. The firm, which underwent a strategic rebranding to its current name, has consistently demonstrated excellence in contextual design and sustainable architecture across the African continent. Under the leadership of founder Dries Verbeek and directors Marius Snyders, Jurie Swart, and Wim Verbeek, the practice has developed a distinctive design philosophy that merges vernacular sensibilities with contemporary architectural expression. Their portfolio spans residential, commercial, and institutional projects, with a particular emphasis on site-specific responses and environmental integration. The firm's design methodology is characterized by a rigorous approach to spatial planning, materiality, and environmental performance. This is evident in their recent House Azure project, where the practice demonstrated their expertise in topographical integration and biophilic design principles. The project exemplifies their commitment to creating architecture that responds sensitively to its context while pushing the boundaries of sustainable design. Neo Architects has garnered numerous accolades for their work in the property development sector, particularly in the Western Cape region, where their innovative approach to residential architecture has set new standards for contextual design excellence. 设计团队 旅游探访 326 m² 奥弗斯特兰德, 南非 2024 前一项 后一项

  • Teshima Factory Schemata Architects | Archicasting

    < 返回 Teshima Factory Schemata Architects 项目名称:Teshima Factory 地点:香川县小豆郡,日本 设计团队: Schemata Architects 建筑面积:364.8 m² 完工时间:2025年 摄影:长谷川健太 设计特色: 日本建筑师长坂常(Jo Nagasaka)旗下的スキーマ建筑计画,将濑户内海豊岛上一座废弃的铁工所,改造为一处兼具餐厅与食品生产功能的复合设施,在保留建筑工业记忆的同时,亦深切回应了岛屿本身的生态特质。 项目名为Teshima Factory,由娱乐公司Amuse委托设计,是其推动农业观光振兴计划的首个落点,旨在重新激活豊岛延续数百年的无农药梯田农业传统。豊岛曾因非法工业废弃物倾倒事件背负"垃圾岛"的污名,而此次项目以食物、手工艺与社群连结为媒介,悄然承载着重写这段历史叙事的抱负。 总建筑面积364.8平方米的旧铁工所被分为两个独立部分。一侧保留既有石棉瓦屋顶,以遮光方式维持工业氛围,改造为酿造所;另一侧则铺设波浪形聚碳酸酯板,将自然光大量引入室内,作为餐厅使用。两个体量如同彼此的镜像,共同围绕建筑原有的大型对称入口展开布局。长坂常将这一入口识别为建筑空间中最具决定性的要素,并将其确立为整体设计的组织轴线。 这种以既有建筑特征为出发点而非将其覆盖的设计判断,赋予了Teshima Factory从容而内敛的气质。室内以裸露钢结构的暖调色彩为基调,统领所有家具与造作的用色。球形吊灯将从周边海域打捞而来的海洋塑料废弃物重新构成为发光材料,以此将环境损耗转化为叙事肌理。餐厅内的椅子由荷兰艺术家Sander Wassink与岛民共同制作,将社会协作的过程直接编织进空间的物质构成之中。 最终呈现的,是一座不强加于场地、而是倾听场地的建筑,也正因如此,它成为了真正属于这片土地的存在。 设计团队: スキーマ建筑计画(Schemata Architects)由长坂常(Jo Nagasaka)于1998年自东京艺术大学毕业后即刻创立,历经二十余年的持续深耕,已成为日本建筑设计领域中形式逻辑最为严谨、设计立场最为鲜明的事务所之一。事务所设于东京北参道,业务范畴横跨建筑设计、室内设计与家具设计,项目类型涵盖住宅、商业、酒店及公共建筑等多种用途。 在长坂常作为代表董事的持续主导下,事务所逐步建立起一套以既有环境的批判性再审视为核心的设计方法论。"减法""误用""知识更新""无形发展"以及"半建筑"等一系列设计概念的提出,使スキーマ建筑计画在规避表面化创新的同时,对材料性、尺度感与空间体验展开了更具深度的探讨。无论项目规模大小或功能类型如何,事务所始终以1:1的实体尺度关系作为设计意图与建成现实之间的核心衡量标准。 事务所已完成的代表性项目涵盖Blue Bottle Coffee、Aesop、HAY、DESCENTE BLANC等国际知名品牌委托,以及武蔵野美术大学16号馆等机构性建筑项目,充分展示了其在商业与公共建筑领域中同等从容的设计能力与专业积累。 设计团队 旅游探访 364.8 m² 丰岛,日本 2025 前一项 后一项

  • 科大讯飞人工智能总部园区(一期) line+ studio | Archicasting

    < 返回 科大讯飞人工智能总部园区(一期) line+ studio 项目名称:科大讯飞人工智能总部园区(一期) 地点: 合肥,中国 设计团队: line+ studio 面积: 84627 m² 完工时间: 2024年 摄影师: Arch-Exist, AOGVISION, line+ 设计特色: 项目 - 中国建筑事务所line+ studio在合肥完成了科大讯飞人工智能总部的第一期工程,打造了一个84627平方米的园区,重新诠释了传统企业总部的概念,将其转变为一个融合可持续设计特色的面向公众的城市公园。 这个最终将扩展至400000平方米并容纳15000名员工的总部,提出了"超级细胞"的创新理念——这一组织方法受到生物系统和人工智能网络的启发。这一概念使园区能够作为一个自我生长、相互联系的有机体,在城市肌理中适应和扩展。 "该项目通过优先考虑公共可达性和环境融合,挑战了传统企业建筑的概念," line+ studio解释道。"我们首先规划了一个城市公园,然后才在其中建造总部。" 设计工作室强调垂直发展与水平连接相结合,特色是由高架步道和公共空间连接的一系列塔楼。建筑以连续的露台和屋顶步道为特征,模糊了办公环境与园林之间的界限,创造了建筑师所说的"园中总部,总部中园"的体验。 建筑群的一个显著特征是其精密的立面系统,采用双重方法:外部使用阳极氧化铝板和彩釉玻璃呈现高科技感的美学,而内部则与小尺度生态园林相融合。立面的水平线性语言与创新的BIPV(建筑集成光伏)系统相得益彰,将太阳能板无缝集成到建筑设计中。 在建筑内部,工作空间设计突破传统办公布局,将功能组织为四个不同的模块:工作、会议、充电和交流。室内空间包括北侧中庭的"共享剧场"和南侧中庭的"共生广场",营造出促进协作和创造力的校园般的氛围。 项目的可持续特征不仅限于太阳能集成,设计还包含了广泛的绿地、自然通风系统和节能材料。园区承担着多重角色:作为公共城市公园、创意工作场所,以及line+所描述的科大讯飞员工的"精神家园"。 通过将技术创新与生态敏感性和公共可及性相结合,line+ studio为企业建筑创造了一个新范式,响应了环境关切和科技领域不断变化的工作动态。 团队 - 2017年底,孟凡浩和朱培栋两位建筑师在杭州携手创立了gad · line+工作室,迅速在建筑设计界崭露头角,成为引领市场需求的"创意工坊"。line+工作室的核心理念是打破界限。其名称中的"line"代表建筑设计的基础,而"+"则彰显了他们跨界创新的决心。这种独特的方法使工作室能够完美融合规划、建筑、室内、产品设计、运营和景观建筑等多个领域。 在孟凡浩的带领下,line+工作室屡获殊荣,其中包括2021年享有盛誉的英国皇家建筑师协会(RIBA)国际奖。工作室的作品涵盖城市公共空间、高端住宅项目、乡村振兴计划等多个领域。line+工作室的设计哲学植根于批判性思维和对环境的敏锐洞察。通过在城市和乡村参与之间寻求平衡,在本土文化研究和商业可行性之间找到契合点,工作室成功地在文化传承和当代市场需求之间搭建了桥梁。 随着在杭州和上海的业务不断扩张,line+工作室持续突破传统实践的界限。他们通过专业设计提升空间品质,以创新推动价值创造的承诺,巩固了他们作为建筑行业变革力量的地位。 Project Name: iFLYTEK AI Headquarters Campus (Phase I) Location: Hefei, China Design Team: line+ studio Area: 84,627 m² Completion: 2024 Photography: Arch-Exist, AOGVISION, line+ Feature: Project - Chinese architecture firm line+ studio has completed the first phase of iFLYTEK's AI headquarters in Hefei, creating a sprawling 84,627-square-metre campus that reimagines the traditional corporate headquarters as a public-facing urban park integrated with sustainable design features. The headquarters, which will eventually span 400,000 square metres and house 15,000 employees, introduces the innovative concept of a "supercell" - an organizational approach inspired by biological systems and artificial intelligence networks. This concept allows the campus to function as a self-growing, interconnected organism that can adapt and expand within the urban fabric. "The project challenges conventional notions of corporate architecture by prioritizing public accessibility and environmental integration," explained line+ studio. "We first planned a city park, and only then constructed the headquarters within it." The studio's design emphasizes vertical development paired with horizontal connectivity, featuring a series of towers linked by elevated walkways and public spaces. The buildings are characterized by continuous terraces and rooftop tracks that blur the boundary between office environment and parkland, creating what the architects call a "headquarters in the park, park within the headquarters" experience. A distinguishing feature of the complex is its sophisticated facade system, which employs a dual approach: the exterior presents a tech-forward aesthetic using anodized aluminum panels and colored glazed glass, while the interior interfaces with small-scale ecological gardens. The facade's horizontal linear language is complemented by an innovative BIPV (Building-Integrated Photovoltaics) system that incorporates solar panels seamlessly into the architectural design. Inside, the workspace design moves away from traditional office layouts, organizing functions into four distinct modules: work, meetings, recharge, and communication. The interior spaces include a "shared theater" in the northern atrium and a "cohabitation square" in the southern atrium, fostering a campus-like atmosphere that promotes collaboration and creativity. The project's sustainable features extend beyond its solar integration, with the design incorporating extensive green spaces, natural ventilation systems, and energy-efficient materials. The campus serves multiple roles: as a public urban park, a creative workplace, and what line+ describes as a "spiritual home" for iFLYTEK employees. By combining technological innovation with ecological sensitivity and public accessibility, line+ studio has created a new paradigm for corporate architecture that responds to both environmental concerns and changing workplace dynamics in the tech sector. Design Team - Founded in late 2017, gad · line+ studio emerged as a pioneering force in Hangzhou's architectural landscape under the visionary leadership of Meng Fanhao and Zhu Peidong. This innovative design atelier has rapidly established itself as a "creative factory" at the forefront of market-driven architectural solutions. At its core, line+ studio embodies the concept of boundary transcendence. The "line" in their name represents the architectural foundation, while the "+" signifies their commitment to cross-disciplinary innovation. This unique approach allows the firm to seamlessly integrate planning, architecture, interiors, product design, operations, and landscape architecture. Led by Meng Fanhao, a recipient of the prestigious 2021 RIBA International Prize, line+ studio has garnered numerous accolades for its cutting-edge designs. The firm's portfolio showcases a diverse range of projects, from urban public spaces to high-end residential developments and rural revitalization initiatives. line+ studio's design philosophy is rooted in critical thinking and contextual sensitivity. By balancing urban sophistication with rural engagement, and local cultural research with commercial viability, the firm has positioned itself as a crucial mediator between cultural heritage and contemporary market demands. With a growing presence in Hangzhou and Shanghai, line+ studio continues to push the envelope of traditional practice. Their commitment to spatial quality through professional expertise and value creation through innovation solidifies their position as a transformative force in the architectural industry. 设计团队 旅游探访 84627 m² 合肥,中国 2024 前一项 后一项

  • 21-24 Nikkakjøkken餐厅 OFFICE INAINN | Archicasting

    < 返回 21-24 Nikkakjøkken餐厅 OFFICE INAINN 项目名称:21-24 Nikkakjøkken餐厅 地点:锡尔特,挪威 设计团队:OFFICE INAINN 建筑面积:127 m² 竣工时间:2025年 主持建筑师:Maksymilian Sawicki 设计特色: 项目 - 位于挪威锡尔特的21-24 Nikkakjøkken餐厅,由OFFICE INAINN设计,展现了当代介入如何在尊重建筑遗产的同时创造精致的用餐环境。这座127平方米的项目是可逆设计的典范,一个独立的木结构插入体为历史悠久的挪威谷仓注入新生命,同时完全保持其原有结构的完整性。 该设计最独特的特征是其创新的插入式设计哲学。建筑师没有选择重建或大规模改造,而是创造了一个自成体系的木质核心,在现有壳体内独立运作并提供完整的餐厅功能。这个轻量化模块被设计为可在未来拆卸而不损伤遗产结构,展现了对建筑保护和可持续性的深刻理解。服务设施、储藏空间和后勤功能巧妙地整合在插入体内,保持原有桁架结构的清晰性和空间流动的连贯性,让历史结构的韵律与比例成为空间的主角。 项目的建筑叙事通过精妙的材料克制策略展开,回应遗产保护与当代功能需求的统一。外部轮廓忠实于景观,现有开口经过精心调整而非扩大。所有新介入呈现为次要层次,采用干式、隐蔽的固定方式,尊重建筑的历史叙事。全部新增构造均使用木材,建立起材料的连续性,同时显著降低环境影响。这种材料选择不仅体现了斯堪的纳维亚设计传统,更展现了对场地特性和可持续建造的纯粹回应。 细部处理展现了创意执行力与历史敏感性的亲密关系。新地板精确呼应现有木板的不规则宽度,创造出新旧交织的无缝场域,在这里历史与当代以视觉和谐的方式共存。门槛和通风格栅被处理为细线条,确保裸露的结构框架和桁架下的韵律比例保持清晰可辨。这种对细节的极致关注不仅是技术上的成就,更是对建筑历史价值的尊重表达。 空间处理展现了经济性策略与环境责任的深度融合。作为改造项目,建筑师通过重复利用现有结构显著降低隐含碳排放。可拆卸的构造方式、有限的湿作业和分阶段实施策略既保留建筑身份,又确保维护符合当地能力。这种设计方法超越了单纯的美学追求,将可持续性理念深度整合到设计决策的每个层面。 项目的显著特色是其精心编排的保护策略和空间体验价值。21-24 Nikkakjøkken餐厅位于锡尔特,将历史谷仓转化为精致的当代用餐空间,同时完整保留其农业遗产特征。建筑师通过插入而非重建的策略,精确地回应了遗产保护与功能更新之间的复杂关系。这是一座为提升用餐体验而设计的建筑,证明了在历史建筑环境中,建筑可以通过深思熟虑的设计创造出丰富的空间体验和可持续价值。建筑与景观的联系在精致平衡的对话中无缝整合,创造了尊重过去同时拥抱未来的意义空间。这个项目成为可逆设计和文化遗产保护的典范,展示了如何在不损害历史结构的前提下实现当代功能需求。 设计团队 - OFFICE INAINN由建筑师Maksymilian Sawicki于2020年创立,是一家总部位于挪威奥勒松的独特建筑事务所,在设计、研究和环境敏感性的交汇点开展实践。如今,在创始人兼主持建筑师Sawicki的带领下,事务所保持着严谨而专注的团队结构,从奥勒松的基地开展植根于斯堪的纳维亚设计哲学的情境敏感介入实践。 在Sawicki的创意指导下,21-24 Nikkakjøkken餐厅项目体现了事务所核心的设计理念和方法论。Sawicki将建筑视为一门包含艺术探索和实践型研究的扩展学科,他的方法论涉及对空间关系的严格分析,解构建筑元素以理解其对人类体验和自然环境的根本影响。这一理论框架转化为以精细细部和材料精准为特征的建成作品,展现了从战略规划到材料细节各个尺度的设计控制力。 事务所的设计哲学聚焦于情境敏感性和环境责任,强调简约、功能性和对自然环境的深刻尊重。他们的设计方法论建立在人、自然和环境之间的对话基础上,每个项目都成为对景观、文化和日常生活之间复杂关系的回应。事务所的实践强调持久性和责任感,创造的不仅是功能性结构,更是以深思熟虑和尊重方式转化周边环境的介入。事务所的业务范围涵盖从战略规划到材料细节的全尺度设计,与挪威各地的市政当局和私人客户合作,在建筑、研究和艺术实践的交叉领域开展工作。 显著成就包括作品在国际知名平台上发表,包括Wallpaper、Architectural Digest和Dezeen等专业媒体。事务所与奥勒松市政府、峡湾市政府等公共机构以及多家私营企业建立合作关系,展现出对材料本质的深入理解、对空间品质的持续追求以及对可持续设计的坚定承诺。Sawicki在研究、长期合作和对情境的精确理解基础上建立的设计方法,确保每个项目都根植于其独特的场地条件和文化背景。 OFFICE INAINN通过涵盖建筑设计、实践型研究和理论探索的多样化作品集,在当代斯堪的纳维亚建筑领域建立了独特的立场,展现出将环境敏感性与设计卓越相结合、探索建筑如何以最小环境影响创造持久和谐空间的设计态度,致力于创造既回应情境又尊重自然的建筑介入。 设计团队 旅游探访 127 m² 锡尔特,挪威 2025 前一项 后一项

  • 兰亭 CCA | Archicasting

    < 返回 兰亭 CCA 设计特色: 项目 – 墨西哥埃斯孔迪多港近海与群山之间郁郁葱葱的风景中,新揭幕的兰花亭提供了一个宁静的圣地来保存当地的兰花物种。这座优雅的木结构由墨西哥城CCA为Casa Wabi基金会设计,体现了简洁和本地工艺的精髓。CCA的设计专注于为来自瓦哈卡州海岸的兰花创造理想的生长条件,兰亭的形式和细节都集成了湿度、荫凉和通风功能。12个定制的金字塔形陶瓷容器嵌在框架中,收集并缓慢释放水分来灌溉下方的兰花,无需人工浇水。本地木材为室内提供温暖调性,而开敞的屏风允许微风和斑驳的光线渗透进来。参观者走进下沉式地面空间,沉浸式近距离观察不同种类的兰花。CCA旨在提供一个放松和沉思的空间,远离日常生活的喧嚣——唤起生活意义感,表达日本概念ikigai的认知。简约而富诗意的兰亭延续了基金会通过艺术和建筑促进社会发展的精神实质,其对传统技艺和材料的关注也呼应了日本哲学中在简单和不完美中寻找美感的侘寂精神。这座亭阁与区内日渐增多的造型精良的建筑群相融,统一的优雅地体现了场域语境化设计。 团队 – Centro de Colaboración Arquitectónica(CCA)成立于2008年的墨西哥城,作为一支年轻的实践先锋设计团队,他们以研究驱动的作品推动着设计界限。CCA的领导人Bernardo Quinzaños(生于1984年)毕业于伊比利亚美洲大学, 将CCA打造成一个以社会影响为导向的跨学科设计工作室。从酒厂到学校,CCA的项目类型广泛,但都体现了实验性的方案和协作的过程。CCA获得的荣誉包括2019年纽约建筑联盟(Architectural League of New York)青年建筑师奖(Emerging Voices)等,Bernardo Quinzaños和2016年加入的合伙人Santiago Vélez带领团队在墨西哥不同地区开展项目,通过其富有创意、鼓舞社区的空间塑造当代墨西哥建筑。 Feature: Project - Tucked into the lush landscape between the sea and mountains near Puerto Escondido, Mexico, the newly unveiled Orchid Pavilion provides a serene sanctuary for preserving native orchid species. Designed by Mexico City-based CCA Centro de Colaboración Arquitectónica for Casa Wabi Foundation, the graceful wooden structure embraces simplicity and local craftsmanship. CCA's design focuses on creating the ideal growing conditions for orchids from the Oaxacan coast, with humidity, shade, and ventilation integrated into the pavilion's form and details. Twelve custom pyramid-shaped ceramic vessels nestled in the frame collect and slowly release water to irrigate the orchids below without the need for manual watering. Local wood warms the interiors, while slatted screens allow breezes and dappled light to permeate. The meditative experience continues for visitors, who descend to the ground level to observe the diverse orchids up-close. CCA aimed to provide a space for relaxation and contemplation amidst the noise of daily life - evoking a sense of ikigai, the Japanese concept of finding joy and purpose in being. As Casa Wabi's latest addition, the understated yet poetic Orchid Pavilion continues the Foundation's ethos of fostering social development through art and architecture. Its focus on traditional techniques and materials also ties back to the Japanese philosophy of wabi-sabi, finding beauty in imperfection and simplicity. The pavilion joins a growing ensemble of well-crafted structures on the grounds, united by their elegant interpretation of contextual design. Design Team - Founded in Mexico City in 2008, Centro de Colaboración Arquitectónica (CCA) has rapidly emerged as a leading young practice pushing boundaries through research-driven work. Led by Bernardo Quinzaños, a graduate of Universidad Iberoamericana, CCA operates as an interdisciplinary studio focused on social impact. Their diverse projects range from wineries to schools, unified by an experimental approach and collaborative process. CCA has garnered honors including the Architectural League of New York’s Emerging Voices award in 2019. Other accolades recognize their angular timber Community Center, brutalist concrete Children’s Club, and sensitive hillside Casa Moulat. Partners Quinzaños and Santiago Vélez, who joined in 2016, lead a dynamic team tackling projects across Mexico. CCA continues shaping contemporary Mexican architecture through inventive spaces encouraging community. 设计团队 旅游探访 40 m² 墨西哥 埃斯孔迪多港 2023 前一项 后一项

  • Schlotfeldt 住宅 Omar Gandhi Architect | Archicasting

    < 返回 Schlotfeldt 住宅 Omar Gandhi Architect 项目名称:Schlotfeldt 住宅 设计团队:Omar Gandhi Architects 面积:1450 ft² 地点:加拿大,奥卡纳根山谷 设计特色: 项目 – 耸立于加拿大奥卡纳根山谷之中,一座耐候钢包裹的住宅如同一艘陆地航船,傲然屹立于苍茫山间景致之中。这座由 Omar Gandhi Architects 设计的建筑精品,巧妙地将前卫设计与环境适应性融为一体,创造出一个既挑战又协调周遭环境的独特项目。 这座住宅最引人注目的特征是其对严酷山地气候的创新应对。宽大的悬挑为建筑提供了抵御极端天气的庇护,而地面层无玻璃开口的设计则有效防御潜在的山火威胁。一组镂空钢梯通向同样通透的入口平台,为坚固的外观注入了一丝轻盈感。 步入室内,建筑的真正匠心随即显现。中央天窗和采光井将自然光引入生活空间的核心,营造出温暖而迷人的氛围。箭头状平面将主要起居区域抬高,提供了对山谷和周围山脉无遮挡的270度全景视野。 这座建于2021年、面积1450平方英尺的杰作坐落于11.33英亩的广袤地块之上。它完美诠释了设计团队"创造演变或抽象"的理念,挑战了建筑与环境之间的传统关系。最终呈现的不仅是一座住宅,更是一件颂扬其壮丽地理位置的艺术品。 目前,这座双卧室+双浴室的独一无二野奢住宅以375万加元的价格挂牌出售,为品味之士提供了拥有一段建筑史的难得机会。它的存在证明了即便在最具挑战性的环境中,奢华生活与自然和谐共存也是可能的。 团队 – Omar Gandhi Architects (OGA),成立于2010年加拿大,短短十余年间已跻身全球建筑设计的翘楚行列。该事务所的作品横跨创新住宅、城市更新到大型公共工程等多个领域,始终站在加拿大当代建筑设计的最前沿,荣获众多国际殊荣,彰显其卓越实力。 事务所的设计理念深植于对场域特性的深刻理解和建筑类型的创新演绎,塑造了一系列享誉全球的标志性建筑。OGA的建筑哲学超越了单纯的形式追求,致力于创造与环境共鸣、挑战使用者空间体验的建筑作品。这一理念体现在他们对地形、材料和细节的精心考量中。 OGA在多伦多和哈利法克斯设有设计工作室,通过协作性和研究导向的方法开展项目。事务所在构造表现力、材料创新和环境分析方面的专长,使其能够创造出前沿的、性能导向的建筑作品。 在首席建筑师Omar Gandhi的带领下,OGA的作品完美融合了加拿大传统建造方法与现代设计语言,不仅视觉冲击力强,还兼具高度功能性和环境适应性。从不列颠哥伦比亚省的施洛特费尔特住宅到新斯科舍省的峡谷小屋,OGA展现了将现代建筑与自然地貌和谐共生的卓越才能。 OGA曾获加拿大艺术委员会专业罗马奖和加拿大总督建筑奖章等重要奖项,进一步巩固了其在当代建筑实践中的领先地位。这种独特的艺术视野与技术实力的结合,使OGA持续引领北美建筑设计的创新潮流。 Project:Schlotfeldt Residence Team:Omar Gandhi Architects Size:1450 ft² Location:Okanagan Valley, Canada Feature: Project - Perched high above the Okanagan Valley, a striking corten-clad residence emerges from the rugged mountain landscape like a sophisticated land ship. This architectural marvel, designed by the renowned Omar Gandhi Architects, seamlessly blends cutting-edge design with environmental resilience, creating a structure that both challenges and harmonizes with its surroundings. The home's most distinctive feature is its innovative response to the harsh mountain climate. Large overhangs shelter the structure from extreme weather conditions, while the absence of ground-level glazing acts as a defense against potential wildfires. A set of perforated steel stairs leads to an equally permeable landing, adding an element of lightness to the robust exterior. Inside, the home reveals its true genius. A central skylight and light tunnel funnel natural illumination into the heart of the living space, creating a warm and inviting atmosphere. The truncated, arrow-shaped plan elevates the main living areas, offering an uninterrupted 270-degree panorama of the valley and surrounding mountain ranges. This 1,450-square-foot masterpiece, completed in 2021, sits on an expansive 11.33-acre lot. It exemplifies Omar Gandhi Architects' philosophy of creating "evolutions or abstractions" that challenge conventional relationships between buildings and their environment. The result is a home that is not just a shelter, but a work of art that celebrates its breathtaking location. Currently on the market for $3,750,000, this two-bedroom, two-bathroom residence offers a unique opportunity to own a piece of architectural history. It stands as a testament to the possibility of luxurious living in harmony with nature, even in the most challenging of environments. Design Team - Founded in 2010, Omar Gandhi Architects (OGA) has rapidly established itself as a vanguard in contemporary Canadian architecture. With design studios in Toronto and Halifax, the firm has cultivated a portfolio that spans from innovative residential projects to large-scale public works, each embodying a unique dialogue between site-specificity and architectural ingenuity. OGA's design philosophy is rooted in a deep engagement with context, where each project becomes an evolution or abstraction of familiar architectural typologies. The firm's approach involves a meticulous unraveling of client briefs, coupled with an astute analysis of site conditions, resulting in boldly reimagined forms that challenge conventional spatial experiences. Under the leadership of Principal Omar Gandhi, alongside Associates Jeff Shaw, Stephanie Hosein, and Jordan Rice, the practice has garnered international acclaim. Notable projects like the Schlotfeldt Residence in British Columbia and the Rabbit Snare Gorge cabin in Nova Scotia exemplify OGA's mastery in harmonizing modern interventions with rugged landscapes. The firm's work is characterized by its tectonic expressiveness, materiality, and attention to detail. OGA's designs often feature a juxtaposition of robust forms with delicate architectural refinements, creating spaces that are at once striking and intimately connected to their environment. Recognized with prestigious accolades including the Canada Council for the Arts Professional Prix de Rome and the Canadian Governor General's Medal in Architecture, OGA continues to push the boundaries of architectural discourse, cementing its position as a formidable force in contemporary design. 设计团队 旅游探访 1450 ft² Okanagan Valley, Canada 2021 前一项 后一项

  • Río住宅 LABarq | Archicasting

    < 返回 Río住宅 LABarq 项目名称:Río住宅 地点:圣地亚哥德克雷塔罗,墨西哥 设计团队:LABarq 建筑面积:559平方米 竣工时间:2025年 摄影:Ariadna Polo 设计特色: LABarq设计的Río住宅展现了如何通过创新的V形构型策略和巧妙的地形响应设计哲学融合技术,将一座位于不规则梯形地块上的住宅转化为充满景观连续性和空间透明性的当代居住之家。 这座559平方米的住宅戏剧性地坐落在起伏地形之上,呈现为对当代墨西哥住宅生活方式、地形适应性和建筑轻盈感融合的深刻冥思。它通过精心的空间组织和材料选择,创造出一个将功能性与自然环境无缝交织的居住体验。 项目的绝妙之处在于对场地挑战的根本性回应与重新构想。面对不规则梯形地块的复杂条件,建筑师采用V形平面构型创造中心花园作为住宅的组织核心,同时框定周围自然景观的视野。这种设计策略创造了建筑与自然环境的持续对话,实现了空间上的消解效果,使建筑在树木间视觉后退。 LABarq的设计语言流利地表达着当代墨西哥建筑方言,运用战略性的立面对比和结构轻盈化来重新定义自然景观中的居住体验。前侧和侧面立面呈现庄重坚实的形态作为私密性屏障,而后侧则通过落地玻璃窗完全开放,消解室内外边界。这种大胆的二元性策略不仅增加了空间的私密性,同时巧妙地适应了当代家庭生活对开放性与私密性的双重需求。 最引人瞩目的是,建筑师通过纤细钢柱、钢板和金属拉索的巧妙操控创造轻盈的结构系统。第一个体量的侧墙悬浮于地面之上,强化了轻盈感和透明性的感知。在卧室中,金属拉索不仅调节阳光,还引导视线,增强与外部环境的连接。这种结构设计被整合为建筑语言的一部分,实现大跨度的同时创造出"建筑漂浮于景观之上"的视觉效果。 住宅组织为两个主要体量。第一个倾斜体量适应地形坡度,容纳社交空间,包括双层高客厅和餐厅、具有独立出入口的办公室以及扩大内部空间的夹层。外部设有泳池和火塘,在建筑与景观之间创造连续性。第二个体量在首层集中布置服务空间,包括厨房、电视室、露台和交通核心,以及设有储藏室和服务区的地下室。上层专门用于私密空间,主卧室配有步入式衣柜,三间次卧战略性地朝向西北立面开放,在不影响私密性的前提下实现可控视野。 材料策略延续了这种建筑与语境和谐共生的设计理念。通过使用本地资源强化与语境的整合,包括圣托马斯大理石、胡桃木饰面和仿木肋状镶板,与可控砾石的干旱花园和本土低耗水植被相互作用。项目以可持续景观替代传统草坪,减少环境影响并强化与地域的连接,展示了LABarq对环境责任和地域真实性的承诺。 设计团队 :LABarq作为当代墨西哥建筑实践的杰出代表,由建筑师胡安·卡洛斯·凯利和建筑师宝琳娜·莫雷诺于2013年在克雷塔罗创立,自成立以来已确立其在当代住宅、商业和机构设计以及语境敏感型建筑语言创新领域的先锋地位。这家立足克雷塔罗的事务所通过设计与自然景观的协调整合,重新定义当代墨西哥建筑师在国际设计话语中的角色。 LABarq为建筑实践带来了卓越的地形响应性设计视角和对材料整合方法的深刻理解。该事务所因其将项目和谐融入周边形态与自然景观的承诺而获得认可,创造消解室内外界限的空间体验。其创新贡献获得了诸多重要奖项,包括墨西哥城亚里士多德235住宅综合体荣获的Obra大奖、Distrito Marqués项目获得的Interceramic奖,以及Lomas del Campanario Norte项目在Noldi Schreck奖中获得的第三名。 该事务所的设计哲学强调建筑应该超越形式限制,不仅仅是为了满足功能需求而设计,更是为了与周边环境和自然景观有机融合。通过对场地特定性认知和空间连续性的深度关注,开展从公寓、住宅到商业及机构项目的多元化作品,相信最好的建筑是通过精准和深思熟虑的过程产生的语境响应式干预。LABarq相信建筑应该成为居住者生活方式的载体,通过策略性的空间组织和本地材料选择创造独特的建筑体验。 除实践外,该事务所通过对本地材料与现代建造方法的深思熟虑结合、地形条件和结构创新的运用、以及经过验证的可持续景观智慧,LABarq已确立自己作为当代墨西哥建筑话语重要贡献者的地位,创造出既具环境回应性又保持建筑卓越性的作品。在凯利和莫雷诺的持续领导下,该事务所目前在墨西哥充满活力的建筑景观中占据独特地位,专注于创造通过材料整合、结构创新和语境敏感性来实现建筑品质的空间体验。 设计团队 旅游探访 559 m² 圣地亚哥德克雷塔罗,墨西哥 2025 前一项 后一项

  • 消失的村落客栈 本瀬斋田建筑设计事务所 | Archicasting

    < 返回 消失的村落客栈 本瀬斋田建筑设计事务所 设计特色: 在富山县南砺市的中心地带,一场令人瞩目的设计蜕变为一个荒废的山村注入了新的生命力。由本瀬斋田建筑设计事务所设计的"消失村落中的客栈"项目,巧妙地将一个几乎被遗忘的村落变成一个前卫的美食胜地和精品住宿体验。这个项目坐落在一个被河流雕琢而成的半岛状悬崖上,沿着山谷提供令人惊叹的景观。建筑师们巧妙地将新建筑与现有景观融为一体,保留了古老的石墙,并利用自然地形创造出新旧和谐共存的画面。 项目最突出的特色是其应对极端天气条件的创新方法。考虑到这里的降雪量超过3米,餐厅区域及其入口被提升到二楼,确保全年都能欣赏到无遮挡的美景,同时保持了村落的低调。分散布局的小木屋住宿区向原有村庄格局致敬,让客人能够沉浸在周围的花草和雪景中。可持续性和本地融合是这个设计的核心。建筑师们融入了传统的屋顶元素,如"雪割"(分雪构件),并重新利用了现有房屋的材料。为了呼应当地做法,项目还利用了山涧溪水,与居民合作维护这一传统。 这个富有远见的项目不仅重振了一个被遗忘的村落,还创造了一个独特的体验目的地,在这里,前卫料理与传统日本山村生活相遇,为可持续的乡村振兴提供了一个典范。 In the heart of Nanto City, Toyama Prefecture, a remarkable transformation has breathed new life into an abandoned mountain village. The "Auberge in a Vanishing Village" project, designed by Motose Saita Architects, reimagines a deserted settlement as a cutting-edge culinary destination and boutique lodging experience. Perched on a peninsula-like cliff carved by a river, the site offers breathtaking views along the valley. The architects have masterfully integrated the new structures with the existing landscape, preserving ancient stone walls and utilizing the natural topography to create a harmonious blend of old and new. The project's standout feature is its innovative approach to extreme weather conditions. With snowfall exceeding 3 meters, the dining area and its approach are elevated to the second floor, ensuring unobstructed views year-round while maintaining the village's modest scale. The cottage accommodations, arranged in a dispersed layout, pay homage to the original settlement pattern and allow guests to immerse themselves in the surrounding flora and snow-covered scenery. Sustainability and local integration are at the core of this design. The architects have incorporated traditional roof elements like "yukiwari" (snow-splitting components) and repurposed materials from existing houses. In a nod to local practices, the project utilizes mountain stream water, collaborating with residents to maintain this heritage. This visionary project revitalizes a forgotten village and creates a unique destination where avant-garde cuisine meets traditional Japanese mountain life, offering a model for sustainable rural rejuvenation. 设计团队: 本瀬斋田建筑设计事务所成立于2015年,迅速成为日本建筑界的一支开拓性力量。由齋田武亨和本瀬あゆみ两位建筑师领衔,事务所汇聚了来自隈研吾建筑都市设计事务所和藤本壮介建筑设计事务所等知名事务所的丰富经验。该工作室的设计理念深深植根于对环境的敏感度和可持续设计原则,其获奖项目"消失村落中的客栈"就是最好的证明。这个项目展示了他们在重振废弃乡村地区的同时,尊重当地传统和环境条件的卓越能力。 本瀬斋田建筑设计事务所在各类项目中都表现出色,从公共设施到住宅设计无所不包。他们的作品以创新应对场地特定挑战而著称,如极端天气条件和地形限制。事务所在将传统日本建筑元素与当代设计相融合方面的专长赢得了广泛认可,包括荣获茨城建筑文化奖和北陸建筑文化奖等殊荣。 事务所在富山和东京都设有办公室,同时与乡村和城市环境保持紧密联系。他们对教育事业的投入体现在在东京艺术大学和金泽工业大学等知名院校的教学岗位上。作为日本建筑学会的成员,并参与建筑师职业责任保险计划,本瀬斋田建筑设计事务所展现了他们在建筑领域追求专业卓越和职业道德的决心。 Founded in 2015, Motose Saita Architects (本瀬齋田建築設計事務所) has quickly established itself as a pioneering force in Japan's architectural landscape. Led by Takeyuki Saita and Ayumi Motose, both certified first-class architects (一級建築士), the firm brings a wealth of experience from prestigious practices such as Kengo Kuma and Associates and Sou Fujimoto Architects. The studio's approach is deeply rooted in contextual sensitivity and sustainable design principles, as evidenced by their award-winning project "Auberge in a Vanishing Village." This project exemplifies their ability to breathe new life into abandoned rural areas while respecting local traditions and environmental conditions. Motose Saita Architects excels in various projects, from public facilities to residential designs. Innovative responses to site-specific challenges, such as extreme weather conditions and topographical constraints characterize their work. The firm's expertise in integrating traditional Japanese architectural elements with contemporary design has garnered recognition, including the Ibaraki Architecture Culture Award and the Hokuriku Architecture Culture Award. With offices in Toyama and Tokyo, the practice maintains a strong connection to both rural and urban contexts. Their commitment to education is evident through teaching positions at prestigious institutions like Tokyo University of the Arts and Kanazawa Institute of Technology. As members of the Architectural Institute of Japan and participants in professional liability insurance programs, Motose Saita Architects demonstrates a dedication to professional excellence and ethical practice in the field of architecture. 设计团队 旅游探访 868.35 m² 日本,南砺市 2024年 前一项 后一项

  • Goldwin 原宿大厦 Studio Hashimura | Archicasting

    < 返回 Goldwin 原宿大厦 Studio Hashimura 设计特色: 项目 – 这座Studio Hashimura设计的纤细建筑,座落在东京原宿中心明治大道的中心地带,作为户外运动服装公司Goldwin的总部。建筑师的设计意图是在现代主义建筑原型的基础上,叠加有机意象,来表达该品牌“功能极简主义”的本质。在这个狭小且不规则的场地限制下,立面成为建筑表达的唯一出口。对门窗间距和楼层高度的精细调节,营造了可扩展性和开放性的空间感觉。幕墙网格精准地将狭长的立面一分为三,边角间隙略有偏移,以达到视觉的均衡。越高楼层则更加宽敞的层高,暗喻了对更多阳光与空气的向往,就像植物向上生长一样。玻璃背后外露的室内空间,牢固的斜撑取代梁柱以减少视觉杂讯,实际上构成了立面的一部分。贯通的垂直空间将分割的零售楼层连接成统一的空间,最引人注目的是几乎没有地板向下挑空的入口层,同时也为人们准备了漂浮在广阔空气中的艺术装置。总体而言,相比较一般的封闭化设计,这种对立面和剖面细致的处理,让这栋紧凑的商业建筑在其密集的城市环境中,展现出宽广的通透和勇毅的轻盈,令人印象深刻。 团队 – Studio Hashimura 由日本建筑师桥村雄一于 2023 年创立(其前身是2015创立的Sawada Hashimura),是一家总部位于日本东京的建筑设计公司。 桥村雄一拥有十多年的国际经验,此前曾在伦敦的 Tony Fretton Architects 和 Carmody Groarke 等设计公司以及日本的新材料研究实验室工作。Studio Hashimura 承接的项目范围广泛,包括住宅、商业、办公和艺术设计相关委托。他们的作品组合涵盖新建、翻新和临时设施等。他们的设计方法的基础是致力于发掘每个项目中独特的空间潜力,不受风格限制,材料和形式总是由目的而不是偏好驱动。作为一家在东京注册的建筑事务所,Studio Hashimura提供包括建筑设计、项目管理和咨询在内的全面服务。无论是改造旧屋还是重新建造,设计团队都能敏感而精确地将创意愿景转化为功能性的建筑形式,尊重预算现实主义的同时积极突破界限,创造注重人类体验的丰富空间。 Feature: Project - Located along Meiji Dori in the heart of Harajuku, Tokyo, this slender building designed by Studio Hashimura serves as the headquarters for outdoor sportswear company Goldwin. The architectural intention was to express the brand's identity of “functional minimalism” while overlaying an organic imagery onto the modernist building archetype. Constrained on a small warped site, the facade became the sole outlet for architectural expression. Careful modulations in bay widths and floor heights give a sense of expandability and openness. The curtain wall grid divides the narrow frontage into accurate one-third segments, with slight deviations on the corner bays to achieve visual equality. The loftier ceilings on upper levels allude to the yearning for more light and air, not unlike the upward growth of plants. The exposed interior behind the glass, where sturdy braces replace beams to minimize visual clutter, essentially forms part of the layered facade. Vertical cut-through voids connect the split retail floors into singular spaces, most notably the entrance level which is left almost floorless, preparing visitors for an art installation floating in the voluminous air. Overall, rather than closing in, the sensitive treatment of the facade and section lends this compact building a valiant lightness against its dense urban surroundings. Design Team - Founded in 2023 by director Yuichi Hashimura, Studio Hashimura is an architectural design firm based in Tokyo, Japan. Hashimura brings over a decade of international experience, having previously worked at leading firms like Tony Fretton Architects and Carmody Groarke in London, as well as the New Material Research Laboratory in Japan. Studio Hashimura takes on projects across a wide range, including residential, commercial, office, and art-related commissions. Their portfolio covers new construction, renovations, and temporary installations. Underpinning their design approach is a commitment to uncover the unique spatial potential within each brief, free from stylistic limitations. Materials and forms are always driven by purpose rather than preference. As a Tokyo-registered architectural office, Studio Hashimura offers comprehensive services encompassing architectural design, project management, and consultancy. Whether adapting historical structures or building anew, Hashimura translates creative visions into functional built form with sensitivity and precision. The firm actively pushes boundaries while respecting budgetary realism, to create enriching spaces focused on human experience. 设计团队 旅游探访 392 m² 日本,东京 2022 前一项 后一项

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