< 返回 加拿大 La Cime 度假屋 NatureHumaine 设计特色： 坐落于魁北克圣贝亚特里克斯心脏地带的La Cime拉西姆木屋项目，堪称创新微型木屋设计的典范，巧妙地将建筑匠心与环保意识融为一体。这座仅46平方米的精巧杰作，架设在镀锌钢桩之上，为游客带来无与伦比的树顶体验，同时将对生态环境的影响降到最低。 该项目最引人注目的特点是其别具匠心的高架设计，将生活空间悬空于地面3.6米之上。这一巧妙的构思不仅保护了原有地貌，还营造出令人陶醉的漂浮感，让居住者仿佛置身于周围的树冠之中。木屋采用错层布局，巧妙地最大化了空间利用率，私密区域位于下层，公共空间则在上层，每个区域都经过精心设计，将德拉布勒河和茂密森林的壮丽景观尽收眼底。 La Cime对可持续发展的承诺体现在其获得的LEED金级认证以及对Novoclimat标准的严格遵守。预处理西松木外墙统一了建筑的外观，而内部则展现出白松木、抛光混凝土和编织绳索元素的和谐搭配。 Nestled in the heart of Sainte-Béatrix, Quebec, La Cime stands as a testament to innovative micro-chalet design, seamlessly blending architectural ingenuity with environmental consciousness. This compact 498 sq ft marvel, perched atop galvanized steel piles, offers an unparalleled treetop experience while minimizing its ecological footprint. The project's most striking feature is its thoughtful elevation, suspending the living spaces 12 feet above the ground. This ingenious design preserves the natural terrain and creates a mesmerizing floating sensation, immersing occupants in the surrounding canopy. The chalet's split-level layout cleverly maximizes space, with private areas below and communal spaces above, each carefully oriented to frame breathtaking views of the De la Boule River and dense forest beyond. La Cime's commitment to sustainability is evident in its LEED GOLD certification and adherence to novoclimat standards. Pre-aged western pine cladding unifies the structure's exterior, while the interior showcases a harmonious palette of white pine, polished concrete, and woven rope elements. Perhaps most intriguing is the chalet's tripartite composition: the main living volume, a suspended terrace with a circular hot bath, and a separate sauna, all interconnected by a sheltered walkway. This unique configuration and the openwork wooden slat shutter create a spa-like retreat that seamlessly integrates indoor and outdoor experiences. La Cime redefines micro-living, proving that limited square footage need not compromise luxury, sustainability, or connection to nature. 设计团队： 成立于2004年的NatureHumaine是一家位于加拿大蒙特利尔的建筑设计事务所，在魁北克的建筑界迅速崛起，成为创新设计的标杆。在首席合伙人Stéphane Rasselet的带领下，该事务所以创造沉浸式、精心打造的空间而闻名，巧妙地将建筑匠心与环保意识融为一体。 NatureHumaine的作品涵盖广泛，从微型木屋到城市住宅，再到商业空间和文化机构。他们的设计方法注重环境语境，对空间动态有敏锐的理解，并致力于可持续发展，这一点从他们多个LEED认证项目中可见一斑。该事务所屡获殊荣，包括多次荣获魁北克建筑师协会的卓越奖，以及在著名的Grands Prix du Design大奖中获得认可。 NatureHumaine的项目以巧妙的空间利用、创新的材料运用以及建筑形态与自然环境的和谐融合而著称。他们对建筑的整体性设计方法，考虑到城市、建筑和人类体验的生态系统，使NatureHumaine在当代加拿大设计的前沿占据一席之地，持续打造出不仅视觉上令人惊叹，而且深具宜居性和环境响应性的空间。 Founded in 2004, NatureHumaine is a Montreal-based architectural practice that has rapidly established itself as a beacon of innovative design in Quebec's architectural landscape. Led by principal partner Stéphane Rasselet, the firm has cultivated a reputation for creating immersive, thoughtfully crafted spaces that seamlessly blend architectural ingenuity with environmental consciousness. NatureHumaine's portfolio spans an impressive range of typologies, from micro-chalets to urban residences, commercial spaces, and cultural institutions. Their approach is characterized by a meticulous attention to context, a keen understanding of spatial dynamics, and a commitment to sustainability, as evidenced by their multiple LEED-certified projects. The firm's work has garnered numerous accolades, including multiple Awards of Excellence from the Ordre des Architectes du Québec and recognition in the prestigious Grands Prix du Design. NatureHumaine's projects are distinguished by their clever maximization of space, innovative use of materials, and a harmonious integration of built form with natural surroundings. Today, the practice continues to push boundaries under the leadership of Rasselet and a talented team of architects and designers. Their holistic approach to architecture, which considers the ecosystem of the city, the building, and the human experience, positions NatureHumaine at the forefront of contemporary Canadian design, consistently delivering spaces that are not just visually striking, but profoundly livable and environmentally responsive. 设计团队 旅游探访 498 ft² 加拿大，魁北克 2023年 Previous Next

< 返回 白砂之间 atelier SALAD 项目名称： 白砂之间 地点：鹿儿岛县指宿市，日本 设计团队：atelier SALAD 项目面积： 88㎡ 竣工时间： 2024年4月 施工： Design Office SHIROYAMA 照明设计： Filaments Inc. 平面设计： PRISMIC DESIGN 摄影： 长谷川健太 设计特色： 项目 – 在鹿儿岛指宿市这个宁静的海滨城市，来自atelier SALAD建筑事务所的建筑师将历史悠久的指宿白水馆旅馆的一个房间改造成了一处静思空间，向该地区独特的砂浴文化致敬。"白砂之间"（Hakusha-no-Ma）代表了一种精致的酒店奢华重塑，巧妙地将日本传统设计与现代健康理念融为一体。 这个88平方米的空间灵感来自指宿著名的砂浴，游客在这里会被埋在天然加热的火山砂中进行理疗。这种独特的当地传统启发了建筑师们在房间设计中创造出他们所描述的"回归生命本源"的感觉。最终呈现出的是一个流动的、多层次的环境，采用的材料和质地令人联想到沙子的触感，同时最大限度地利用了面向内海的宁静景观。 房间的创新空间布局包含几个独特而又相互连接的区域。"通土间"入口区域同时也是一个文化空间，设有内置书架，展示当地工艺品和文献。中央空间以一个雕塑般的床架为主，它不仅定义了睡眠区域，还创造了微妙的空间层次，并包含了一个巧妙集成的工作站，考虑到了现代旅行者的需求。稍微抬高的榻榻米区域"小上がり"提供了一个俯瞰海洋的冥想空间，而下沉的"离れ土間"则为晚间饮酒或清晨咖啡仪式提供了一个私密的环境。 这个项目的与众不同之处在于它对传统元素与现代需求的深思熟虑的整合。定制的推拉门将导轨嵌入天花板，可以将空间从私密转变为开放式布局，而其格栅设计巧妙地融入了"HAKU SHA"字母，形成了一个像灯笼般发光的艺术元素。这个项目代表了日本传统旅馆的一个重要时刻，展示了如何通过精湛的建筑设计重新诠释真实的文化体验，创造出一种新的注重心灵的奢华标准。 团队 – atelier SALAD建筑事务所成立于2021年，总部位于日本鹿儿岛，是由建筑师夫妇栫井寛子和徳永孝平领导的新锐建筑设计工作室。事务所的名称巧妙地代表了他们的理念：Social And Local Architecture Design（社会与本土建筑设计），强调他们致力于创造如同沙拉一般多样、新鲜且充满活力的空间。 工作室的主创团队为实践带来了丰富的国际经验。栫井寛子毕业于九州大学建筑系，在SUPPOSE DESIGN OFFICE积累了专业经验后共同创立了atelier SALAD。徳永孝平同样毕业于九州大学，拥有人类环境学硕士学位，在2015年至2020年期间在KMS上海工作，积累了丰富的经验。作为注册一级建筑师和日本建筑师协会青年会员，徳永为事务所的创意愿景带来了技术精准度。 该事务所迅速在日本建筑界获得认可，荣获多个奖项，包括2024年日本空间设计奖（因其薬師温泉和指宿白水馆白砂之间项目）以及2023年名古屋马赛克瓷砖设计奖。他们的设计方法超越传统的建筑服务范畴，涵盖从概念规划到竣工后跟进的整体性方法。事务所的理念核心是创造与周边环境建立深层联系的建筑，同时保持社会和环境意识。 Project Name: Hakusha-no-Ma (White Sand Room) Location: Ibusuki City, Kagoshima Prefecture, Japan Design Team: atelier SALAD Project Area: 88㎡ Completion: April 2024 Construction: Design Office SHIROYAMA Lighting Design: Filaments Inc. Graphic Design: PRISMIC DESIGN FFE and Book Selection: OWL Photography: Kenta Hasegawa Feature： Project - In the serene coastal city of Ibusuki, Kagoshima, architects Hiroko Kakoi and Kohei Tokunaga of atelier SALAD have transformed a room at the historic Ibusuki Hakusuikan inn into a contemplative retreat that pays homage to the region's unique sand bath culture. The "Hakusha-no-Ma" (White Sand Room) represents a sophisticated reimagining of luxury hospitality that bridges traditional Japanese design with contemporary wellness concepts. The 88-square-meter space draws inspiration from Ibusuki's famous sand baths, where visitors are buried in naturally heated volcanic sand for therapeutic purposes. This distinctive local practice informed the architects' approach to creating what they describe as "a sense of returning to life's origins" within the room's design. The result is a fluid, multi-level environment that employs materials and textures evoking the tactile quality of sand, while maximizing views of the serene inland sea. The room's innovative spatial organization features several distinct yet interconnected zones. The "Tori-doma" entrance area doubles as a cultural space, with built-in bookshelves showcasing local crafts and literature. The central space is anchored by a sculptural bed frame that does more than just define the sleeping area – it creates a subtle spatial hierarchy and includes a cleverly integrated workstation, acknowledging modern travelers' needs. A slightly elevated tatami area, "Koagari," offers a meditative space overlooking the ocean, while the sunken "Hanare-doma" provides an intimate setting for evening drinks or morning coffee rituals. What sets this project apart is its thoughtful integration of traditional elements with contemporary needs. Custom sliding doors with embedded rails in the ceiling can transform the space from private to open-plan, while their lattice design cleverly incorporates the letters "HAKU SHA" as an artistic element that glows like a lantern. This project represents a pivotal moment for traditional Japanese inns, demonstrating how authentic cultural experiences can be reinterpreted through sophisticated architectural design to create a new standard of mindful luxury. Design Team – Founded in 2021 in Kagoshima, Japan, atelier SALAD is an emerging architectural practice led by the husband-and-wife team of Hiroko Kakoi and Kohei Tokunaga. The firm's name cleverly represents their philosophy: Social And Local Architecture Design, emphasizing their commitment to creating spaces that are as diverse, fresh, and vibrant as a salad. The studio's principals bring rich international experience to their practice. Hiroko Kakoi, a graduate of Kyushu University's Architecture Department, honed her skills at SUPPOSE DESIGN OFFICE before co-founding atelier SALAD. Kohei Tokunaga, also a Kyushu University alumnus with a master's degree in Human-Environment Studies, contributed his expertise through work at KMS Shanghai from 2015 to 2020. As a registered first-class architect (License No. 383345) and Junior Member of the Japan Institute of Architects, Tokunaga brings technical precision to the firm's creative vision. The practice has quickly gained recognition in Japan's architectural scene, earning multiple accolades including two prestigious Japan Space Design Awards 2024 for their work on Yakushi Onsen and Ibusuki Hakusuikan Hakusha-no-Ma, as well as the Nagoya Mosaic Tile Design Award 2023. Their design methodology extends beyond traditional architectural services, encompassing a holistic approach from conceptual planning through post-completion engagement. The firm's philosophy centers on creating deeply contextual architecture that establishes meaningful relationships with its surroundings while remaining socially and environmentally conscious. 设计团队 旅游探访 88 m² 鹿儿岛县指宿市，日本 2024 Previous Next

< 返回 海盐非物质文化遗产馆 零壹城市建筑事务所 项目名称： 海盐非物质文化遗产馆 地点： 嘉兴市海盐县，中国 设计团队： 零壹城市建筑事务所 建筑面积： 7211 m² 竣工时间： 2024年 摄影： 零壹城市 设计特色： 项目 - 零壹城市建筑事务所最近揭幕了海盐非物质文化遗产馆，这个精妙的改造项目为浙江省一座前电力仪表厂注入了新的生命力。该项目总建筑面积7211平方米，巧妙地平衡了展览空间、精品民宿和商业区域的需求，同时深情致敬了场地的工业历史。 项目最引人注目的特色是其创新的立面处理手法，弧形穿孔铝板创造出水平线条与垂直构件的韵律交织。这层现代表皮包裹着原有建筑，在新旧之间展开对话，凸显了项目的建筑理念。原有的工厂入口因其独特的工业特征得以保留，成为这座现代化综合体中的历史锚点。 在项目核心，设计师精心重现了"双池印景"，这是海盐历史上的重要文化景观。这处水景巧妙地融入了滚灯等非物质文化遗产元素，创造出步移景异的观景序列，呼应了中国古典园林的设计法则。 建筑师采用了涵盖"拆除、恢复、保留、更新与置入"的综合更新策略。特别值得一提的是底层设置的"历史环廊"，其设计灵感源自当地传统民居。这一建筑元素有效地连接了非遗馆、历史门头与精品民宿，通过连绵的山墙形式呼应了海盐的传统建筑特色。 项目位于文昌西路与绮园路的交汇处，周边毗邻绮园、张乐平纪念馆和海盐县博物馆等重要文化设施。这一战略性的位置强化了项目作为区域文化基础设施重要节点的角色，同时展现了如何通过深思熟虑的建筑干预，为当代文化目的激活工业遗产。 团队 – 零壹城市建筑事务所成立于2011年，已发展成为中国最具前瞻性的建筑事务所之一，被ArchDaily评选为中国十大新锐设计事务所之一，并荣获BUILD杂志最佳创新设计事务所称号。在创始人兼主持建筑师阮昊和合伙人詹远的领导下，事务所已发展成为一家跨学科的设计机构，在杭州和香港设有办公室，为全球40多个城市的客户提供服务。 事务所的设计理念聚焦于通过创新的空间解决方案应对高密度城市环境的复杂性。拥有超过100名专业人员的团队，零壹城市建筑事务所因其开创性项目而备受国际赞誉，其中包括在《纽约时报》上报道的中国首创小学屋顶环形跑道设计。他们的作品类型多样，涵盖改造更新、文化设施、商业综合体和教育机构等。 设计团队致力于可持续设计，其LEED和WELL认证的专业团队将环保策略融入每个项目中。他们以研究为导向的方法将严谨的技术专长与创造性探索相结合，推动当代建筑的创新边界。获得的重要奖项包括中国建筑学会青年建筑师奖、AD100中国最具影响力建筑室内设计精英榜和多项A+ Awards大奖。 事务所通过与高校和研究实验室的合作，保持着强有力的学术联系，专注于使用者行为研究、高密度城市建筑和材料创新。这种学术研究与实践专长相结合的方法，使他们在亚洲快速发展的城市景观中处于建筑创新的前沿。 Project Name: Haiyan Intangible Cultural Heritage Museum Location: Jiaxing City, China Design Team: LYCS Architecture Principal Designers: Ruan Hao, Zhan Yuan Collaborating Design Institute: Zhejiang Baoye Architectural Design and Research Institute Co., Ltd. Building Area: 7,211 m² Completion Date: 2024 Client: Haiyan Urban Construction Investment Development Co., Ltd. Photography: LYCS Feature： Project - In a remarkable fusion of industrial heritage and cultural preservation, LYCS Architecture has unveiled the Haiyan Intangible Cultural Heritage Museum, a sophisticated adaptive reuse project that breathes new life into a former power meter factory in Zhejiang Province, China. The 7,211-square-meter development masterfully balances exhibition spaces, boutique accommodation, and commercial areas while paying homage to the site's industrial past. The project's most striking feature is its innovative façade treatment, where curved perforated aluminum panels create a rhythmic interplay of horizontal lines and vertical elements. This contemporary skin wraps around the existing structure, initiating a dialogue between old and new that defines the project's architectural approach. The original factory entrance, preserved for its distinctive industrial character, serves as a historical anchor within the modernized complex. At the heart of the development, LYCS has meticulously reconstructed the historic "Double Pool Impression" landscape, a significant cultural landmark in Haiyan's history. This water feature is thoughtfully integrated with elements of intangible cultural heritage, such as traditional rolling lanterns, creating a dynamic sequence of views that draws inspiration from classical Chinese garden design principles. The architects employed a sophisticated "composite renewal strategy" encompassing demolition, restoration, preservation, and insertion. A particularly noteworthy addition is the "historical corridor" at ground level, which takes its cues from traditional local residences. This architectural element effectively connects the heritage museum, historic façades, and boutique accommodations while referencing the vernacular architecture of Haiyan through its continuous gabled walls. The project's location at the intersection of Wenchang West Road and Qiyuan Road positions it within a cultural cluster, adjacent to significant attractions including the Qiyuan Garden, the Zhang Leping Memorial Hall, and the Haiyan County Museum. This strategic setting reinforces the development's role as a crucial node in the area's cultural infrastructure, while demonstrating how thoughtful architectural intervention can revitalize industrial heritage for contemporary cultural purposes. Design Team - Founded in 2011, LYCS Architecture has established itself as one of China's most progressive architectural practices, earning recognition as one of ArchDaily's top emerging Chinese design firms and BUILD Magazine's Most Innovative Design Studio. Under the leadership of founding principal Ruan Hao and partner Zhan Yuan, the practice has evolved into a multidisciplinary powerhouse with offices in Hangzhou and Hong Kong, serving clients across 40 cities globally. The firm's design philosophy centers on addressing the complexities of high-density urban environments through innovative spatial solutions. With a team of over 100 professionals, LYCS has garnered international acclaim for its groundbreaking projects, including the first rooftop running track design for a Chinese elementary school, which was featured in The New York Times. Their portfolio spans diverse typologies, from adaptive reuse and cultural facilities to commercial complexes and educational institutions. LYCS's commitment to sustainable design is evidenced by their LEED and WELL-certified professionals who integrate environmentally conscious strategies into every project. Their research-driven approach combines rigorous technical expertise with creative exploration, resulting in designs that push the boundaries of contemporary architecture. Notable accolades include the China Architecture Society Young Architect Award, AD100 China's Most Influential Architecture and Interior Design Elite, and multiple A+ Awards. The practice maintains a strong academic connection through collaborations with universities and research laboratories, focusing on user behavior studies, high-density urban architecture, and material innovation. This scholarly approach, combined with their practical expertise, positions LYCS at the forefront of architectural innovation in Asia's rapidly evolving urban landscape. 设计团队 旅游探访 7211 m² 嘉兴市海盐县，中国 2024 Previous Next

< 返回 HORONG 面包店 Design Studio Maoom 项目名称：HORONG面包店 地点：首尔，韩国 设计团队：Design Studio Maoom 建筑面积：326 m² 竣工时间：2023年 摄影：Sungkee jin (soulgraph photography) 设计特色： 项目 - Design Studio Maoom 在韩国九老都新城的一个转角地带，通过HORONG面包店项目，打造了一处温暖静谧的庇护所。这座326平方米的空间巧妙地平衡了宏伟的建筑元素与温馨的舒适感，创造出一个突破传统面包店设计的独特餐饮场所。 设计团队以温和的灯笼光芒为灵感，精心打造了一个城市休憩空间，在这里，城市生活的喧嚣融化在柔和的米色调和精心布局的自然光线中。项目最引人注目的特色是其对结构柱的创新处理手法，将其重新构想为戏剧性的设计元素，在定义空间的同时又不显得过分突兀。这些立柱与天花板融入了循环往复的圆形图案，在日光的映照下营造出韵律感十足的光影变换。 室内建筑展现了对空间和谐的深刻理解，在宏大格局与人性化舒适度之间取得平衡。木质家具经过深思熟虑的布置，以岛屿般的构造为顾客提供私密空间。设计团队对顾客体验的细致考虑体现在临窗座位的布置上，既最大限度地利用自然光线，又创造出适合放松的私密视角。 HORONG面包店的与众不同之处在于它成功地将功能需求与诗意的设计灵感相融合。中央的面包展示区既满足了实用需求，又成为感官焦点，而统一的中性色调则为光线、阴影和建筑形态的持续对话创造了完美画布。这个项目代表了零售设计的重要成就，将建筑转化为在城市生活中创造停顿与思考时刻的媒介。 这不仅仅是一家面包店，更是一堂生动的课程，展示了周到的设计如何将日常空间转变为滋养身心的有意义环境，为韩国快速发展的城市景观中的餐饮设计树立了新标准。 团队 - Design Studio MAOOM成立于2016年，已发展成为韩国最具创新力的建筑设计事务所之一，以其"Flexibility to change"（灵活求变）的设计理念和独特的空间设计方法而闻名。这家总部位于首尔的工作室由首席建筑师崔民奎（Minkyu Choi）、金延钟（Yeonjong Kim）和李正焕（Jeonghwan Lee）领衔，凭借将以人为本的设计原则与当代建筑元素的巧妙融合而获得国际认可。 该事务所专注于多元化的项目类型，涵盖商业空间、餐饮场所、住宅项目和展览空间等。他们的作品集展现了对空间构成、材料运用和照明设计的精湛理解，这一点在其备受赞誉的餐饮项目中尤为突出。MAOOM的作品特点在于能够创造超越纯功能性的氛围环境，着重打造富有意义的空间体验。 在现任领导团队的带领下，MAOOM设有空间设计、物品设计和品牌识别等专业部门，发展出强调空间和谐与材质触感的独特设计语言。他们的项目多次被ArchDaily、Frame和Interior Design Korea等权威建筑杂志报道，其中包括CUNN Coffee（2020年）、NAP Coffee Roasters（2018年）和最新的HORONG面包店（2023年）等标志性作品。 工作室的设计方法将严谨的建筑规划与对用户体验的敏锐洞察相结合，成功在美学品质与实用功能之间取得平衡。他们在建筑界日益增长的影响力通过不断扩大的高端项目组合和在国际设计领域的持续存在得到证明。 Project Name: HORONG Bakery Location: Godeok New Town, Seoul, South Korea Design Team: Design Studio Maoom Total Floor Area: 326 m² Completion: 2023 Photography: Sungkee jin (soulgraph photography) Feature: Project - Design Studio Maoom has completed their latest project - HORONG Bakery in Godeok New Town, reinterpreting the concept of urban sanctuary through contemporary design approaches. This 326-square-meter structure serves both as a retail bakery and a thoughtfully crafted urban retreat. The project's most distinctive feature is its innovative treatment of structural columns. The design team transformed these essential elements into spatial protagonists through recurring circular details, creating an environment that is both monumental and gentle. These architectural elements interact with natural light to create rhythmic shadow patterns, adding dimensionality and vibrancy to the space. The spatial layout is carefully orchestrated, encompassing bakery display areas, resting zones, and window-side seating. The design creates a serene and warm atmosphere through unified beige tones and extensive glazing. Wooden furnishings are arranged in island-like configurations to provide independent relaxation spaces, while window-side seating maximizes natural light exposure to enhance spatial comfort. The project's uniqueness lies in its reconsideration of urban respite spaces. Drawing inspiration from the gentle glow of lanterns, the design team transformed the space into a warm sanctuary within urban life. Through careful orchestration of materials, light, and space, they created a tranquil haven where visitors can temporarily escape the city's bustle. Design Team - Founded in 2016, Design Studio Maoom is an innovative architectural practice guided by the philosophy of "Flexibility to change." Under the leadership of Principal Architects Minkyu Choi, Yeonjong Kim, and Jeonghwan Lee, the studio focuses on combining human-centric design with contemporary architectural innovation. The practice specializes in a comprehensive range of projects including commercial spaces, F&B establishments, offices, residential projects, and exhibition spaces, offering integrated services in spatial design, object design, and brand identity. Their work is renowned for precise control of spatial composition, materiality, and lighting design, receiving widespread recognition in international design media such as ArchDaily and Frame. The studio's methodology combines rigorous architectural planning with deep understanding of user experience, dedicated to creating emotional spatial experiences that transcend pure functionality. Through representative works such as NAP Coffee Roasters (2018) and CUNN Coffee (2020), the studio has demonstrated its unique ability to transform everyday spaces into meaningful environments. 设计团队 旅游探访 326 m² 首尔，韩国 2023 Previous Next

< 返回 Río住宅 LABarq 项目名称：Río住宅 地点：圣地亚哥德克雷塔罗，墨西哥 设计团队：LABarq 建筑面积：559平方米 竣工时间：2025年 摄影：Ariadna Polo 设计特色： LABarq设计的Río住宅展现了如何通过创新的V形构型策略和巧妙的地形响应设计哲学融合技术，将一座位于不规则梯形地块上的住宅转化为充满景观连续性和空间透明性的当代居住之家。 这座559平方米的住宅戏剧性地坐落在起伏地形之上，呈现为对当代墨西哥住宅生活方式、地形适应性和建筑轻盈感融合的深刻冥思。它通过精心的空间组织和材料选择，创造出一个将功能性与自然环境无缝交织的居住体验。 项目的绝妙之处在于对场地挑战的根本性回应与重新构想。面对不规则梯形地块的复杂条件，建筑师采用V形平面构型创造中心花园作为住宅的组织核心，同时框定周围自然景观的视野。这种设计策略创造了建筑与自然环境的持续对话，实现了空间上的消解效果，使建筑在树木间视觉后退。 LABarq的设计语言流利地表达着当代墨西哥建筑方言，运用战略性的立面对比和结构轻盈化来重新定义自然景观中的居住体验。前侧和侧面立面呈现庄重坚实的形态作为私密性屏障，而后侧则通过落地玻璃窗完全开放，消解室内外边界。这种大胆的二元性策略不仅增加了空间的私密性，同时巧妙地适应了当代家庭生活对开放性与私密性的双重需求。 最引人瞩目的是，建筑师通过纤细钢柱、钢板和金属拉索的巧妙操控创造轻盈的结构系统。第一个体量的侧墙悬浮于地面之上，强化了轻盈感和透明性的感知。在卧室中，金属拉索不仅调节阳光，还引导视线，增强与外部环境的连接。这种结构设计被整合为建筑语言的一部分，实现大跨度的同时创造出"建筑漂浮于景观之上"的视觉效果。 住宅组织为两个主要体量。第一个倾斜体量适应地形坡度，容纳社交空间，包括双层高客厅和餐厅、具有独立出入口的办公室以及扩大内部空间的夹层。外部设有泳池和火塘，在建筑与景观之间创造连续性。第二个体量在首层集中布置服务空间，包括厨房、电视室、露台和交通核心，以及设有储藏室和服务区的地下室。上层专门用于私密空间，主卧室配有步入式衣柜，三间次卧战略性地朝向西北立面开放，在不影响私密性的前提下实现可控视野。 材料策略延续了这种建筑与语境和谐共生的设计理念。通过使用本地资源强化与语境的整合，包括圣托马斯大理石、胡桃木饰面和仿木肋状镶板，与可控砾石的干旱花园和本土低耗水植被相互作用。项目以可持续景观替代传统草坪，减少环境影响并强化与地域的连接，展示了LABarq对环境责任和地域真实性的承诺。 设计团队 ：LABarq作为当代墨西哥建筑实践的杰出代表，由建筑师胡安·卡洛斯·凯利和建筑师宝琳娜·莫雷诺于2013年在克雷塔罗创立，自成立以来已确立其在当代住宅、商业和机构设计以及语境敏感型建筑语言创新领域的先锋地位。这家立足克雷塔罗的事务所通过设计与自然景观的协调整合，重新定义当代墨西哥建筑师在国际设计话语中的角色。 LABarq为建筑实践带来了卓越的地形响应性设计视角和对材料整合方法的深刻理解。该事务所因其将项目和谐融入周边形态与自然景观的承诺而获得认可，创造消解室内外界限的空间体验。其创新贡献获得了诸多重要奖项，包括墨西哥城亚里士多德235住宅综合体荣获的Obra大奖、Distrito Marqués项目获得的Interceramic奖，以及Lomas del Campanario Norte项目在Noldi Schreck奖中获得的第三名。 该事务所的设计哲学强调建筑应该超越形式限制，不仅仅是为了满足功能需求而设计，更是为了与周边环境和自然景观有机融合。通过对场地特定性认知和空间连续性的深度关注，开展从公寓、住宅到商业及机构项目的多元化作品，相信最好的建筑是通过精准和深思熟虑的过程产生的语境响应式干预。LABarq相信建筑应该成为居住者生活方式的载体，通过策略性的空间组织和本地材料选择创造独特的建筑体验。 除实践外，该事务所通过对本地材料与现代建造方法的深思熟虑结合、地形条件和结构创新的运用、以及经过验证的可持续景观智慧，LABarq已确立自己作为当代墨西哥建筑话语重要贡献者的地位，创造出既具环境回应性又保持建筑卓越性的作品。在凯利和莫雷诺的持续领导下，该事务所目前在墨西哥充满活力的建筑景观中占据独特地位，专注于创造通过材料整合、结构创新和语境敏感性来实现建筑品质的空间体验。 设计团队 旅游探访 559 m² 圣地亚哥德克雷塔罗，墨西哥 2025 Previous Next

< 返回 CHUK Heritage Cafe 6717 Studio 项目名称：CHUK Heritage Cafe 地点：胡志明市Thao Dien区，越南 设计团队：6717 Studio 建筑面积：350平方米 竣工时间：2024年 摄影：Hiroyuki Oki 设计特色： 建筑工作室6717 Studio在胡志明市Thao Dien区完成了CHUK Heritage Cafe项目，大型弧形屋顶受越南传统建筑启发环绕转角建筑布局，为访客营造出连接过去与现在的文化目的地空间。该项目展示了建筑如何在快速城市化进程与文化遗产保护之间建立平衡。 场地位于Street 38和Xuan Thuy交叉口，这一充满活力的区域以繁华的咖啡馆和餐厅闻名。CHUK Heritage Cafe作为独特的文化和美食目的地，整合了CHUK TEA & COFFEE和BÁNH MÌ ƠI两个品牌，提供越南茶、咖啡和越南法式面包。6717 Studio没有完全拆除现有结构，而是将改造项目构思为功能性与美学需求的全面转型，保留现有框架的同时引入大胆的建筑语言。 这一设计最显著的特征是其受传统越南建筑启发的扩展屋顶形态，通过优雅曲线发展而成。建筑屋顶在街角交叉口向外延伸，不仅作为建筑焦点，更连接室内外空间，吸引注意力并促进与街景的互动。这种建筑策略使屋顶连接至二层，形成通风的阳台，为访客提供灵活且清新的体验。 建筑策略延伸至传统元素的当代重新诠释层面。遮阳阳台、倒映水面和低矮座位等元素被融入设计，唤起怀旧感的同时为访客提供温暖友好的姿态。这不仅是对传统形式的象征性致敬，更体现了创新精神和更深层次的文化探索。 CHUK Heritage Cafe的独特之处在于6717 Studio通过自然材料和谐融合传统与现代的方法论。室内设计采用木材、水磨石、清水混凝土和手工陶瓷砖等天然材料，营造简约和熟悉感。镜面和玻璃元素被战略性布置以增强空间体验并模糊现有结构柱体，创造开放连贯的室内环境。延续阳台的弧形语汇，三层转变为宁静的私密工作空间，独特的拱形天花板和开放玻璃窗相结合，提供充满光线的当代氛围，创造出人类活动与自然环境和谐共存的多感官体验场所。 设计团队 - 6717 Studio成立于2010年代初，已发展成为胡志明市一家杰出的多学科建筑设计事务所，专业从事建筑设计、室内设计和土木建设。在首席建筑师黎越辉（Le Viet Hoi）的领导下，该事务所形成了精致的设计方法论，将越南本土传统与当代建筑语言相融合，创造出空间精湛且文化共鸣的建筑环境。 6717 Studio为建筑实践带来了卓越的文化敏感性设计视角和对可持续发展方法的深刻理解。该事务所因其将越南传统建筑元素与现代设计原则无缝整合、追求文化保护与当代创新平衡的承诺而获得认可。黎越辉作为事务所的领导者，培养了独特的设计理念，重视气候响应性、材料真实性和空间连续性。 该事务所的设计哲学强调建筑应该超越纯粹形式美学的限制，不仅仅是为了满足视觉需求而设计，更是为了与场所的文化背景和环境条件共同有机演进。通过对传统越南建筑元素如遮阳阳台、倒映水面和天然材料的深度关注，开展涵盖住宅、酒店和商业建筑类型的多元化项目，相信最好的设计是通过严谨的文化解读和语境敏感性产生的场所特定表达。6717 Studio相信设计应该成为文化遗产和当代创新的载体，通过策略性的材料选择和空间编排创造独特的体验环境。 除实践外，该事务所通过设计团队包括邓清宝（Dang Thanh Bao）和阮文东（Nguyen Van Dong）在内的协作方法保持着强有力的项目执行能力，技术团队由黎黄南（Le Hoang Nam）和阮玉天（Nguyen Ngoc Thien）组成。通过对文化传承与当代建筑形态的深思熟虑结合、自然材料的运用，以及经过实践验证的可持续建筑智慧，6717 Studio已确立自己作为当代越南建筑话语重要贡献者的地位，创造出既具文化回应性又拥抱现代设计视野的建筑作品。 该工作室的设计卓越性通过享有盛誉的奖项获得显著认可。其住宅设计专长凭借Khánh House项目荣获2018年国家建筑奖单户住宅类别铜奖。在酒店设计领域，Hoi An Ơi Villa获得2021年国家建筑奖酒店度假村类别铜奖，而Trúc Lâm Anh Retreat则荣获2021年科勒大胆设计奖旅游度假村类别奖项。该事务所代表作品展现了精密的文化分析能力、场地敏感性以及创新的结构解决方案，在快速城市化背景下保护越南建筑身份的同时回应当代设计命题，使该事务所成为国际舞台上当代越南建筑的领军力量。 设计团队 旅游探访 350 m² 胡志明市，越南 2024 Previous Next

< 返回 ASTILE广尾住宅 黑川智之建筑设计事务所 项目名称:ASTILE广尾住宅 地点:东京涉谷区,日本 设计团队:黑川智之建筑设计事务所 建筑面积:711.64 m² 竣工时间:2024年 摄影:中山保寛 设计特色: 项目 ：位于东京涉谷区成熟住宅地的ASTILE广尾,由黑川智之建筑设计事务所设计,展现了都市密度与宜居环境完美平衡的杰作表达。这座711.64平方米的集合住宅如精心编排的城市雕塑般矗立,重新定义了东京当代都市居住建筑的设计范式。 该设计最独特的特征是其创新的体量分节策略。建筑采用雁行式平面布局结合梯田状断面构成,将庞大的建筑体量分解为一系列相互关联的小型单元。这种分节手法创造了住宅地应有的人性尺度,使建筑能够与周围成熟社区的既有肌理建立和谐对话。通过将建筑斜向配置于基地,外周部产生了小型庭院空间,为居住者提供了自然渗透的场所,同时在视觉上减轻了高密度建筑对周边环境的压迫感。 建筑的核心设计理念体现在其对角线配置策略上。建筑相对于基地呈斜角布置,这一看似简单的手法产生了深远的空间效果。周边创造的小型庭院不仅确保了充足的采光与通风,更提供了视线的延伸与景观的开阔感。这些间隙绿地成为建筑与城市之间的缓冲带,创造出丰富的空间层次,让居住者在高密度都市环境中仍能感受到自然的存在。 立面处理展现了结构与环境的亲密关系。梯田状的退台设计使建筑随着高度逐层后退,每个单元都能获得充足的日照和开阔的视野。这种垂直层次结构不仅优化了每户的居住品质,更创造了动态的光影效果,使建筑在不同时刻呈现出丰富的表情变化。 项目的显着特色是其对当代生活方式的敏锐回应。一层设置了适合SOHO使用的长屋式住户,回应了在宅办公与多样化工作方式日益普及的社会趋势。这种职住一体的空间配置为居住者提供了灵活的生活可能性,同时也为街道层面带来了活力,增强了建筑与社区的互动关系。整个项目在追求高密度的同时,创造了让人能够感受自然、享受宁静的都市居住空间,实现了居住者舒适性与对地域开放姿态的双重目标。 设计团队 ：黑川智之建筑设计事务所成立于2012年,由黑川智之在东京创立,现已发展成为日本领先的建筑实践机构,以其在都市住宅设计和空间创新领域的卓越方法而闻名。事务所业务涵盖住宅、公共和商业项目,展现了卓越的设计实力。 在首席建筑师黑川智之的创意指导下,事务所领导着充满活力的设计团队。黑川智之生于1977年神奈川县,2001年毕业于东京工业大学工学部建筑学科,2003年完成东京工业大学大学院理工学研究科建筑学专攻硕士课程。他拥有丰富的国际经验,包括2008至2009年作为文化厅新进艺术家海外研修制度研修员在瑞士巴塞尔的赫尔佐格与德梅隆事务所工作,以及2010至2012年在隈研吾建筑都市设计事务所的实践经历。在此之前,他于2003至2008年在竹中工务店积累了扎实的建筑实践基础。 事务所的设计哲学聚焦于场所特性的精密解读与人性尺度的创造,超越单纯的功能性需求,追求创造与城市环境和谐共存的建筑生态。他们的设计方法论强调通过体量分节与空间层次的精心构建,在高密度都市中实现空间丰富性、自然光线、视野开阔与私密性的平衡,在居住者与环境之间建立深刻的情感联系。 显着成就包括2021年下马集合住宅获得优良设计奖,2022年大冈山集合住宅获得东京建筑奖集合住宅部门优秀奖,2023年KEITOKU大楼获得优良设计奖,以及2025年国立台地获得TECTURE奖建筑集合住宅类别第一名和优良设计奖,同年广尾集合住宅也获得优良设计奖,验证了他们对建筑创新的持续承诺。自2018年起,黑川智之担任一般社团法人日瑞建筑文化协会理事兼事务局长,并自2022年起在昭和女子大学环境设计学部担任非常勤讲师,2025年起在武藏野大学工学部建筑设计学科任教。目前,建筑事务所承接多个都市住宅项目,同时维持对建筑教育和文化交流的积极参与。黑川智之建筑设计事务所通过涵盖集合住宅、保育园和商业建筑的多样化作品集,在日本当代建筑领域建立了新的典范,展现出对环境敏感性和空间品质的持续承诺。 设计团队 旅游探访 711.64 m² 东京，日本 2024 Previous Next

< 返回 PYR 住宅 Cazú Zegers 项目名称：PYR House 地点：庞基普利，智利 设计团队：Cazú Zegers 项目面积：2024 m² 竣工时间：2024年 摄影：Marcos Zegers 设计特色： 项目 – 位于智利庞基普利的PYR住宅，是一座建筑杰作，通过创新设计和诗意想象，巧妙应对险峻地形。由著名建筑师卡苏·泽格斯（Cazú Zegers）设计，这座非凡住宅将地形限制转化为最引人注目的设计特色，在崎岖的自然环境中创造出一个富有雕塑感的建筑干预。 房屋的概念源于黄铁矿——"家的石头"——这一灵感既是隐喻，也是结构象征。一个以黄铁矿立方晶体结构为蓝本的几何楼梯，垂直连接了地产的不同高度，从悬崖顶到湖边，成为阐释项目空间复杂性的建筑脊梁。 泽格斯巧妙应对了场地的太阳方位和40英尺悬崖，通过一个精巧的三层体量，看似从岩石地形中有机生长。使用金属、木材和选择性混凝土这一精细的材料调色板构建的轻质建筑体量，在建筑形态与景观之间创造了动态相互作用。 结构智慧与诗意表达在这个项目中交汇，每一层都根据其特定的地形条件做出独特响应。其结果是一种超越传统建筑边界的住宅设计，将地理挑战转化为空间创新和感官体验的机遇。 PYR住宅是泽格斯建筑理念的见证——大胆重新想象建筑环境如何不仅仅占据，更要真正栖居于具有挑战性的景观中。 团队 – 1990年成立的卡苏·泽格斯建筑工作室已成为当代建筑实践中变革性力量，以其对与景观和文化背景深入对话的建筑的卓越承诺而著称。由瓦尔帕莱索天主教大学（PUCV）培养的建筑师卡苏·泽格斯领导的工作室，已发展出一种独特的建筑语言，将建筑形态与智利和拉丁美洲领土无缝融合。 工作室的设计理念超越传统建筑方法，专注于"低技术"方法，优先考虑对领土最小干预和对自然环境的深刻尊重。泽格斯的作品以其地理诗学方法为特征，探索从对地方、本地材料（尤其是木材）和原住民文化智慧的细致理解中产生的建筑解决方案。 在国际上备受肯定，泽格斯获得了包括凡尔赛大奖和国家地理独特旅舍世界奖在内的殊荣。她的实践曾入选ELLE Decor建筑A-List，并被福布斯杂志誉为突破性建筑事务所。 目前由泽格斯领导，工作室继续推动建筑边界，强调可持续设计、族裔建筑学，以及尊重生态和文化生态系统的整体地域介入方法。 Project Name: PYR House Location: Panguipulli, Chile Design Team: Cazú Zegers Project Area: 2,024 m² Completion Year: 2024 Photography: Marcos Zegers Feature： Project - Perched dramatically on the edge of a precipitous landscape in Panguipulli, Chile, the PYR House emerges as a architectural marvel that seamlessly negotiates challenging terrain through innovative design and poetic imagination. Conceived by renowned architect Cazú Zegers, this extraordinary residence transforms topographical constraints into its most compelling design feature, creating a sculptural intervention that dialogues intimately with its rugged natural context. The house's conceptual genesis lies in pyrite—the "stone of home"—which becomes both metaphorical inspiration and structural metaphor. A central geometric staircase, engineered with the cubic crystalline structure of pyrite, vertically connects the property's disparate elevations, from cliff top to lakeside, becoming the architectural spine that articulates the project's spatial complexity. Zegers masterfully addresses the site's challenging solar orientation and forty-foot cliff through a sophisticated three-story volume that appears to emerge organically from the rocky terrain. The lightweight architectural volumes, constructed using a nuanced material palette of metal, wood, and selective concrete, create a dynamic interplay between built form and landscape. Structural ingenuity meets poetic expression in this project, where each floor responds uniquely to its specific land condition. The result is a residential design that transcends conventional architectural boundaries, transforming geographical challenges into opportunities for spatial innovation and sensory experience. The PYR House stands as a testament to Zegers' architectural philosophy—a bold reimagining of how built environments can not just occupy, but truly inhabit challenging landscapes. Design Team - Founded in 1990, Cazú Zegers Architecture Studio has emerged as a transformative force in contemporary architectural practice, distinguished by its profound commitment to creating architecture that intimately dialogues with landscape and cultural context. Led by Cazú Zegers, an architect trained at the Pontifical Catholic University of Valparaíso (PUCV), the studio has developed a unique architectural language that seamlessly integrates built form with the Chilean and Latin American territories. The studio's design philosophy transcends conventional architectural approaches, focusing on a "Low Tech" methodology that prioritizes minimal territorial intervention and a deep respect for natural environments. Zegers' work is characterized by its geopoetic approach, exploring architectural solutions that emerge from a nuanced understanding of place, local materials—particularly wood—and indigenous cultural wisdom. Internationally recognized, Zegers has received prestigious accolades including the Grand Prix of Versailles and the National Geographic Unique Lodge of the World Award. Her practice has been featured in ELLE Decor's Architecture A-List and recognized by Forbes Magazine as a boundary-breaking architectural firm. Currently led by Zegers, the studio continues to push architectural boundaries, emphasizing sustainable design, ethnoarchitecture, and a holistic approach to territorial intervention that respects ecological and cultural ecosystems. 设计团队 旅游探访 2024 m² 庞基普利，智利 2024 Previous Next

< 返回 林科纳达住宅 Oioioi 项目名称：House Rinconada 地点：马利纳尔科，墨西哥 设计团队：Oioioi 建筑面积：1110 m² 竣工时间：2024年 摄影：Cesar Belio 设计特色： 项目 - 坐落于墨西哥壮丽景观之中，Oioioi建筑事务所设计的林科纳达住宅呈现了一场关于建筑克制与环境和谐的精湛演绎。这座1110平方米的住宅展现了当代设计如何通过微妙的手法而非大胆的宣言来实现深刻的影响力。 该项目最引人注目的特色在于其水平构图——一系列单体石材体量以线性方式排列，顶部覆以看似无重量地悬浮于地形之上的混凝土浮板。这种建构编排创造出强烈的视觉韵律，同时保持着尊重自然地形的亲密尺度。 Oioioi的设计理念通过实体与虚空的精心互动得以体现。暴露的混凝土屋顶延伸至石墙之外，形成深邃的阴影，在提供自然降温的同时框定了周围景观的特定视野。这些体量间的中介空间发挥着双重作用：既控制光线渗透，又促进交叉通风，展现了建筑师对环境设计的深刻理解。 材料选择体现了耐久性与语境的双重考量。火山石砌筑技术根植于当地建筑传统，构成主要结构元素，而现浇混凝土则提供了优雅的水平对位。这种结合创造了古老工艺与当代建筑表达之间的对话。 最值得称道的是，景观策略将住宅视为现有生态系统的延伸，而非对其的强加。野生本土植物和精心定位的水景特色促进了生物多样性，同时仅需最少的维护——这是该项目对环境管理承诺的有力证明。 林科纳达住宅实现了罕见的成就：既具纪念性又保持谦逊，创造出既有庇护感又向自然世界开放的空间。 设计团队 - Oioioi作为一家杰出的建筑实践机构，位于墨西哥城，自2019年成立以来专业从事建筑设计与建造。在创始合伙人埃内斯托·佩雷斯·雷亚·洪卡（Ernesto Pérez Rea Juncá）和巴勃罗·赫尔梅诺斯·加西亚（Pablo Germenos García）的领导下，该事务所培养了独特的设计理念，通过多学科协作和持续实验挑战传统设计范式。 事务所的设计卓越性体现在其对建筑二元对立的质疑------物理与无形、历史与当代、整体与细节之间的界限。这种方法产生的建筑解决方案既抵制同质化，又保持严格的设计标准。Oioioi的跨学科理念超越了传统建筑服务范畴，既作为设计工作室又作为建造实践运营。 Oioioi的建筑方法论展现了对空间关系、材料属性和环境响应性的精深理解。其项目持续展现精湛的建构技艺、自然元素的深思熟虑整合，以及尊重当地建造传统同时拥抱前瞻设计原则的语境敏感性。该事务所以多学科精神和协作理念为核心，从团队合作的协同效应中汲取营养，使探索和持续学习成为实践的基石。 该事务所的设计思维围绕着寻求结合多元视角以重新构想建筑可能性的探索，每个项目都在持续反馈循环的响应中发展演进，证明了其对抵制同质化的承诺。通过建筑设计与建造等综合专业服务，Oioioi致力于通过创新设计实践挑战定义建筑范式的传统界限，在当代墨西哥建筑领域中彰显其独特的创新精神与环境敏感性。 Project Name: House Rinconada Location: Malinalco, Mexico Design Team: Oioioi Total Floor Area: 1110 m² Completion: 2024 Photography: Cesar Belio Design Features: Project - Mexican architecture studio Oioioi completed the House Rinconada project in Malinalco, creating a subtle dialogue between architecture, landscape, and living through this 1110-square-meter residence situated in a privileged natural setting. The project unfolds on a single level, prioritizing horizontality as a strategy to blend harmoniously with the land and surrounding garden, demonstrating how contemporary design can achieve profound impact through restraint rather than bold gestures. The project's most compelling design feature lies in its linear arrangement of stone volumes------a series of monolithic stone blocks arranged in linear succession, defined by walls of constant height that emphasize spatial and structural continuity. Above these volumes, horizontal planes of exposed concrete rest like floating roofs, generating deep shadows and framing specific views of the landscape. This tectonic gesture provides unity to the ensemble, while the intermediate voids allow for controlled entry of light and natural ventilation. Oioioi's masterful control of material expression seamlessly integrates traditional building techniques with contemporary architectural language. The construction system combines volcanic stone masonry and cast-in-place concrete, both low-maintenance materials with strong local roots. The material palette integrates harmoniously with the indigenous vegetation, reinforcing the sense of permanence and serenity throughout the composition. The relationship between architecture and landscape demonstrates a sophisticated understanding of environmental stewardship. The landscape design is envisioned as a natural extension of the field, with chosen species primarily consisting of wild plants and shallow bodies of water that promote biodiversity, reduce water consumption, and bring seasonal dynamism to the ensemble. The house does not impose itself on the site: it rests upon it. This thoughtful treatment of the interplay between mass and void creates an ever-changing spatial experience that blurs the boundaries between interior and exterior. The intermediate spaces not only control light penetration and facilitate cross-ventilation but also serve as spatial connectors linking different parts of the architecture. House Rinconada is more than just a residence------it becomes a spatial meditation on architectural humility, environmental sensitivity, and gentle reconnection with nature's essential rhythms. Design Team - Oioioi stands as a distinguished architectural practice located in Mexico City, specializing in architectural design and construction since its establishment in 2019. Under the leadership of founding principals Ernesto Pérez Rea Juncá and Pablo Germenos García, the firm has cultivated a distinctive design philosophy that challenges conventional design paradigms through multidisciplinary collaboration and continuous experimentation. The studio's design excellence manifests through its questioning of traditional architectural dichotomies------the boundaries between physical and intangible, historical and contemporary, holistic and detailed. This approach generates architectural solutions that resist uniformity while maintaining rigorous design standards. Oioioi's multidisciplinary ethos extends beyond conventional architectural services, functioning as both design studio and construction practice. Oioioi's architectural methodology demonstrates a sophisticated understanding of spatial relationships, material properties, and environmental responsiveness. Their projects consistently exhibit masterful tectonic craftsmanship, thoughtful integration of natural elements, and contextual sensitivity that respects local building traditions while embracing progressive design principles. The practice operates with a multidisciplinary spirit and collaborative approach, drawing nourishment from the synergy of teamwork, making exploration and continuous learning the cornerstone of their practice. The firm's design thinking revolves around seeking to combine diverse perspectives to reimagine what is possible in architecture, with each project evolving in response to continuous feedback loops, testimony to their commitment to resisting uniformity. Through comprehensive professional services including architectural design and construction, Oioioi is committed to challenging the traditional boundaries that define architectural paradigms through innovative design practices, demonstrating unique innovative spirit and environmental sensitivity within the contemporary Mexican architectural landscape. 设计团队 旅游探访 1110 m² 马利纳尔科，墨西哥 2024 Previous Next

< 返回 罗斯玛丽·布朗娱乐中心 hcma architecture + design 项目名称：罗斯玛丽·布朗娱乐中心 地点：本拿比，加拿大 设计团队：hcma architecture + design 建筑面积：8547 m² 竣工时间：2024年 摄影：Ema Peter 设计特色： 项目 - hcma architecture + design在加拿大BC省本拿比市打造了罗斯玛丽·布朗娱乐中心，彻底重新定义了冰上竞技场的设计理念。这座耗资4950万加元的建筑抛弃了传统的无窗的钢桁架冰场结构，转而采用温暖的木材、自然光线和透明开放的布局，为市民与游客创造了丰富而动态的体验。 设计团队通过创新的结构方法，让北向天窗的自然光线充满冰场，同时不影响冰面质量。外露的大型木材屋顶创造了温暖宜人的空间，适合运动员和观众。这种非常规的设计需要混合钢木屋顶系统，利用木材作为关键组成部分，以提供几何灵活性、便捷的施工过程和温暖吸引人的美学效果。 在这个紧凑的城市场地上，两个NHL规格的冰场采用了非传统的L形布局安排，中央大厅位于它们的交汇处。这种构造不仅改善了大厅与冰场之间的连接性和开放性，还为街道和周围社区提供了友好生动的立面。 娱乐中心内的多功能房间和大厅空间可用于冰上运动以外的各种活动，从匹克球和普拉提到季后赛观看派对。二楼的观景廊为观众提供舒适、无障碍的观赏体验，而后面的非正式游戏区则允许儿童进行休闲的自主游戏。包容性设计贯穿设施的各个方面，包括由hcma设计团队创建的盲文和触觉标识，确保所有社区成员都感到受欢迎的氛围。 罗斯玛丽·布朗娱乐中心以一位开创性的加拿大社会正义与平等倡导者的名字命名，体现了她的精神，成为所有本拿比居民聚集、游戏和比赛的场所。现已向公众开放，这个中心将成为本拿比南门社区的重要设施，邀请未来几代人在这个友好的社区冰场建立持久的回忆。 团队 - hcma architecture + design成立于1976年，最初由Roger Hughes以"Roger Hughes Architects"的名称创立，如今已发展成为加拿大最具创新性的跨学科设计事务所之一。该事务所在温哥华、埃德蒙顿和维多利亚三个城市设有办公室，通过细致入微的建筑设计风格，在创造促进社区参与和社会联系的空间方面确立了领导地位。 在现任领导团队的带领下，hcma已超越传统的建筑服务范畴，采用整体方法，整合建筑、品牌策略、导向设计、场所营造和包容性设计。这种跨学科的方法使实践能够从多个角度解决复杂的空间和社会挑战，创造出既满足功能需求又回应更广泛社区需求的项目。 事务所的作品集展示了他们在公共建筑领域的专业知识，包括获奖的萨里Grandview Heights水上中心（2016年），其特色是创新的波浪形屋顶结构；温哥华奥运会/残奥会中心改造成的Hillcrest中心（2011年）；以及最近完成的本拿比罗斯玛丽·布朗娱乐中心（2024年），通过精密的混合钢木结构系统重新构想了冰场类型。 作为一家获得B型企业认证的公司，hcma展示了他们致力于将设计作为积极社会和环境影响力的承诺。他们的实践强调包容性无障碍设施、环境可持续性和社区参与，贯穿整个设计过程——从初步可行性研究和利益相关者咨询到详细的建筑文档和入住后评估。通过跨学科方法和对有意义社会成果的努力，hcma继续重新定义当代加拿大建筑实践的边界。 Project Name: Rosemary Brown Recreation Centre Location: Burnaby, Canada Design Team: hcma architecture + design Total Floor Area: 8,547 m² Completion: 2024 Photography: Ema Peter Feature: Project - hcma architecture + design has created the Rosemary Brown Recreation Centre in Burnaby, British Columbia, radically redefining the concept of ice arena design. This CDN $49.5 million facility abandons the traditional cold, windowless, steel-trussed ice arena structure in favor of warm wood, natural light, and a transparent, open layout, creating a rich, dynamic experience for visitors both on and off the ice. The design team implemented an innovative structural approach that floods the rinks with north-facing light without impacting ice quality. The exposed mass timber roof creates a warm and inviting space for both players and spectators. This unconventional approach necessitated a hybrid steel-timber roof system, utilizing wood as a key component for its geometric flexibility, ease of construction, and warm, inviting aesthetic. On this compact urban site, the two NHL-sized ice sheets adopt a non-traditional L-shaped arrangement with a central lobby positioned at their intersection. This configuration not only improves the interface and openness between the lobby and ice sheets but also provides a friendly, animated elevation to the street and community beyond. The recreation center offers multipurpose rooms and spaces within the lobby for activities beyond ice sports, from pickleball and Pilates to playoff watch parties. Second-floor warm-side viewing galleries provide spectators with comfortable, accessible viewing experiences, while informal play areas directly behind allow children to engage in casual, self-directed play. Inclusive design extends to every aspect of the facility, with braille and tactile signage created by hcma's Communication Design team, ensuring all community members feel welcome. Named in honor of Rosemary Brown—a trailblazing Canadian advocate for social justice and equality—the recreation center embodies her legacy as a place for all Burnaby residents to gather, play, and compete. Now open to the public, the center is set to be an essential fixture in Burnaby's Southgate community, inviting future generations to build lasting memories at their friendly neighborhood rink. Design Team - Founded in 1976 by Roger Hughes as "Roger Hughes Architects," hcma architecture + design has evolved into one of Canada's most innovative interdisciplinary design practices. Operating from offices in Vancouver, Edmonton, and Victoria, the firm has established itself as a leader in creating spaces that foster community engagement and social connection through thoughtful architectural interventions. Under the current leadership team, hcma has expanded beyond traditional architectural services to embrace a holistic approach that integrates architecture, brand strategy, wayfinding, placemaking, and inclusive design. This interdisciplinary methodology allows the practice to address complex spatial and social challenges from multiple perspectives, resulting in projects that respond meaningfully to both programmatic requirements and broader community needs. The firm's portfolio showcases their expertise in civic architecture, with notable projects including the award-winning Grandview Heights Aquatic Centre in Surrey (2016), featuring an innovative undulating roof structure; the adaptive reuse of the Vancouver Olympic/Paralympic Centre into the Hillcrest Centre (2011); and most recently, the Rosemary Brown Recreation Centre in Burnaby (2024), which reimagines the ice arena typology through a sophisticated hybrid steel-timber structural system. As a Certified B Corporation, hcma demonstrates their commitment to using design as a force for positive social and environmental impact. Their practice emphasizes inclusive accessibility, environmental sustainability, and community engagement throughout the design process—from initial feasibility studies and stakeholder consultation to detailed architectural documentation and post-occupancy evaluation. Through their interdisciplinary approach and dedication to meaningful social outcomes, hcma continues to redefine the boundaries of architectural practice in contemporary Canada. 设计团队 旅游探访 8547 m² 本拿比，加拿大 2024 Previous Next

< 返回 Aster by Joshua Paris餐厅 RooMoo Design Studio 项目名称：Aster 地点：上海，中国 设计团队：RooMoo Design Studio 建筑面积：309 m² 竣工时间：2025年 摄影：Wen Studio 设计特色： 项目 - 位于上海的Aster餐厅，由英国主厨Joshua Paris领衔，RooMoo Design Studio设计，呈现了一次将植物几何学转译为沉浸式空间体验的创新表达。这座309平方米的餐厅以其同名花卉紫菀为灵感，紫菀在希腊语中意为"星"，设计将花朵的自然结构——中心花盘被辐射花瓣环绕——转化为空间体验，邀请宾客在花心相聚，于星光下用餐。 该设计最独特的特征是其创新的"花冠"装置设计概念。头顶由39片模块化框架以15度为间距顺时针螺旋排列而成，每个框架承载一片由回收宣纸制成的半透明紫色花瓣。夜幕降临时，周边灯光从外向内扫掠花瓣边缘，将天花板转化为漂移的星云。这种三维起伏的装置与可持续性设计相结合，花瓣可以重新染色，框架可重复使用，在保有仪式感的同时兼顾维护与环保。 项目的建筑叙事通过精妙的空间层次展开，遵循"中心、放射、层叠"的设计手法。空间以中央环形吧台和环抱开放式厨房的就餐吧台为核心，形成花心，建立连续的360度服务半径。吧台作为社交中枢与出品舞台，环厨就餐席位将宾客置于烹饪现场的触手可及之处，实现与主厨的直接互动。吧台底部柔和的光晕与头顶装置相呼应，汇成自内而外的光场。这种垂直构图创造了动态的氛围体验，同时保持了空间的功能性与亲密感。 材料选择体现了当代设计的精致性与手工艺承诺。吧台及开放厨房就坐区采用手工塑形黏土固化而成的"岩面"肌理，呈现土壤断面的层理与时间感，将根性安放在可触摸之处。人字形橡木地板从中央吧台向外辐射，如同根系在土壤中延展。石材和木材边缘经过圆角处理确保舒适性,而裸露的混凝土结构为温暖的表面提供对比，橡木、石材与混凝土的材料组合如同花萼轻轻兜住的萼片。 立面处理展现了结构与装饰的亲密关系。沿窗布置的分层吊灯延续花卉主题,每一盏均以空间混凝土梁中心线为基准对齐,将结构节奏转译成可见的光序。装饰层内外高度呈细微级差,让每组吊灯各具特色,像花脉朝窗边渐次舒展。每组装饰灯底部同轴嵌入精确的下照单元,确保氛围光与功能光在桌面温柔重逢。 项目的显著特色是其精心编排的空间分层策略和社交价值。沿开放厨房侧廊拾级而上的夹层区域,以胡桃木与绒面营造私密氛围。为化解层高限制,顶面引入古铜色镜面天篷,以抽象花形图案分割,既拉伸垂直感又控制眩光。转入包间,上方"星尘"装置以半透明烟紫花瓣串联成星群,材质从硬到软形成梯度——石与木过渡到软包与织物。该项目由上海锐思派餐饮有限公司委托开发,RooMoo Design Studio负责整体室内设计,上海速霁装饰工程有限公司承担施工,上海佰姿照明工程设计有限公司担任照明顾问,上海逸筑装饰工程有限公司提供定制家具与灯具,展现了多方协作如何提升餐饮空间的美学品质与功能性。建筑通过引人注目的设计确保为上海餐饮文化做出有价值的长期贡献,证明了精致工艺与空间叙事可以在高密度都市环境中共存。这是一座为提升用餐体验而设计的空间,同时保持与可持续设计实践的强烈承诺。空间与城市的联系在精致平衡的对话中无缝整合,创造了用餐和社交互动的意义场所。 主厨Joshua Paris - 英国籍主厨Joshua Paris为Aster带来19年全球烹饪经验。16岁起远赴新西兰开启厨艺之路,足迹遍及新西兰、英国、澳大利亚与中国。曾在上海文华东方酒店58度扒房与名厨Richard Ekkebus共事,亦参与深圳柏悦酒店开业。此后加入法国名厨Paul Pairet的传奇餐厅UV,在极致、精准、无妥协的厨房训练中彻底重塑其料理哲学。他的烹饪信念极为鲜明:始终问"为什么",并将每一道菜磨炼至无法再改进。这种不妥协的精神,正是Aster的灵魂。 设计团队 - RooMoo Design Studio由张韬、张睿和Marine Bois于2017年在上海创立,现已确立其作为国际室内设计领域标杆之一的地位。如今,三位创始创意总监共同领导着一支充满活力的多元文化团队,在上海和法国蒙彼利埃附近设有工作室。 在创始合伙人张韬、张睿和Marine Bois的创意指导下,Aster项目设计团队包括Gino Wang。事务所的高度协作、基于研究的设计方法在创意过程早期整合客户愿景、在地文化和材料工艺。 事务所的设计哲学聚焦于将工业化与手工艺相结合,超越传统餐饮空间限制,追求创造具有情感共鸣和独特体验的空间。他们的设计方法论强调将每个项目视为全新探索,对材料进行深思熟虑的重新定义,为项目量身打造定制家具与灯具,通过设计巧思在功能性和美学之间建立平衡,实现可持续性和视觉卓越。工作室对可持续性和环境保护的承诺,以及对在地化手工艺的重视与尊重,体现在每一次设计构思之中。 显著成就包括荣获Dezeen Awards最佳餐厅室内设计的上海崃州吧,获得多项RBDA Awards的深圳B3餐酒馆和上海光晕餐酒馆,以及获得Dezeen Awards高度赞誉和DFA Awards铜奖的上海松慢民宿等标志性项目。在餐饮空间领域,RooMoo以西安大公鸡小酒馆、杭州大公鸡小酒馆和上海新天地大公鸡小酒馆等项目闻名,展现了工作室在创造品牌连贯性的同时赋予每个空间独特身份的能力。 RooMoo Design Studio通过涵盖酒店、餐厅、酒吧和商业空间的多样化作品集,在全球接待类空间设计领域建立了新的典范,展现出对创新、美学、手工艺和可持续性的持续承诺。工作室经验丰富的设计师团队和项目管理团队致力于在整个项目过程中提供完整且优秀的服务,每个项目皆由创意总监监督与管理,目标是不仅满足客户需求并且超越期待。 设计团队 旅游探访 309 m² 上海，中国 2025 Previous Next

< 返回 房中之房 Jesper Kusk Arkitekter 项目名称：房中之房 地点：比尔克罗德，丹麦 设计团队：Jesper Kusk Arkitekter 面积：220 m² 完工时间：2024年 摄影师：Lars Rolfsted Mortensen 合作方：THKR、Regnestuen (工程)、LoBe Landskab (景观)、Iben Winther Orton (照明) 制造商：DS Stålprofil, In-Sign, Krone, Krone Vinduer A/S, Lindab, The Greenery 设计特色： 项目 - 在丹麦盛行的拆除重建风潮中，Jesper Kusk建筑事务所选择了一条不同寻常的道路，他们在比尔克罗德(Birkerød)将一座建于1967年的现代主义住宅改造成了一个光线充沛的庇护所，展现了可持续性保护的典范。这个名为"房中之房"的项目通过一系列相互连接的空间体量重新诠释了独立住宅的概念，挑战了新建才能满足现代生活的传统观念。 这次改造为建筑师Steffen Hougaard的原始设计注入了新的生命力，同时增加了一个独特的扩建部分，既能与原有建筑形成呼应，又保持着鲜明的对比。新增的绿色木质外立面展现出新旧之间的对话，在保持建筑整体和谐的同时又彰显出自己的特色。 在这座220平方米的住宅中，最引人注目的是其创新的空间概念：每个房间都设计了尖顶天花板，创造出宛如独立小屋嵌套于大房子中的独特感受。这种建筑手法不仅向传统住宅的原型致敬，还营造出随日光变化而变幻的动态室内空间。 项目的环保理念体现在每一个细节中。经过精心设计的天窗穿透新屋顶，建立起自然通风道路，让日光倾泻入室。隐藏在地下的雨水收集系统为冲厕提供水源，而精心挑选的生物性材料——包括竹地板和桦木胶合板墙面——显著降低了改造过程中的碳足迹。 最引人注目的特色是室内外空间的无缝融合。定制的家具，包括延伸至花园的宽敞窗座，创造出沉思的空间，模糊了建筑与自然之间的界限。经过精心策划的视线通廊和与景观的连接，将日常生活转变为与自然环境的持续对话。 在丹麦每年约有1100座独立住宅被拆除的背景下，这个项目堪称建筑更新利用的典范案例，展示了如何在不诉诸拆除的情况下重新构想丹麦现有的住宅存量。这次改造证明，通过创新的设计思维，昨日的建筑可以转变为满足明日需求的住所，同时保留了原有建筑的碳排放和建筑遗产价值。 团队 - Jesper Kusk Arkitekter成立于2019年，总部位于丹麦哥本哈根，在当代北欧建筑领域迅速崭露头角，专注于可持续设计和适应性改造。创始人Jesper Kusk此前曾在Nordic建筑事务所和Lundgaard & Tranberg建筑事务所等知名公司累积近二十年的专业经验，为事务所带来了丰富的建筑实践经验。 事务所的设计理念立足于创造超越时间界限的持久建筑，强调生物亲和性设计原则和碳意识方法论。在Jesper Kusk的带领下（他自2023年起担任丹麦建筑师协会竞赛委员会主席），工作室发展出了独特的项目组合，以其精致的材料配置和对木构建筑的重视而著称。 事务所位于历史悠久的Fæstningens Materialgård，以其严谨的分析过程和协作式设计方法而闻名。他们的作品以精心整合自然采光、自然通风和创新空间规划而独树一帜。事务所对可持续性的承诺超越了单纯的能源效率，涵盖了更广泛的社会和环境责任，这体现在他们对材料生命周期和适应性再利用策略的精细关注上。 Project Name: Houses Within the House Location: Birkerød, Denmark Design Team: Jesper Kusk Arkitekter Area: 220 m² Completion: 2024 Photography: Lars Rolfsted Mortensen Main Materials: Wood, Bamboo, Birch Plywood Collaborators: THKR, Regnestuen (Engineering), LoBe Landskab (Landscape), Iben Winther Orton (Lighting) Manufacturers: DS Stålprofil, In-Sign, Krone, Krone Vinduer A/S, Lindab, The Greenery Feature： Project - In a bold rejection of Denmark's demolition culture, Jesper Kusk Arkitekter has transformed a 1967 modernist residence in Birkerød into a luminous sanctuary that champions sustainable preservation. The "Houses Within the House" project reimagines a single-family home through a series of interconnected volumes, challenging the notion that new construction is the only path to contemporary living. The renovation breathes new life into architect Steffen Hougaard's original design while adding a distinctive extension that both complements and contrasts with its predecessor. The addition, clad in green-painted timber, creates a compelling dialogue between old and new, setting itself apart while maintaining a harmonious architectural conversation with the existing structure. At the heart of the 220-square-metre dwelling lies an innovative spatial concept where each room features a pitched ceiling, creating the sensation of individual houses nestled within the larger structure. This architectural gesture not only pays homage to the archetypal house form but also generates dynamic interior volumes that play with light and shadow throughout the day. The project's environmental consciousness is evident in every detail. Strategic skylights pierce the new roof, establishing natural ventilation pathways and flooding the interiors with daylight. A sophisticated rainwater harvesting system, concealed beneath the ground, supplies water for toilet flushing, while the careful selection of biogenic materials – including bamboo flooring and birch plywood wall cladding – significantly reduces the renovation's carbon footprint. Perhaps the most striking feature is the seamless integration of interior and exterior spaces. Custom-built furniture, including a generous window-seat that extends toward the garden, creates contemplative moments that blur the boundaries between architecture and nature. The thoughtfully orchestrated sightlines and connections to the landscape transform everyday living into a continuous dialogue with the natural environment. This project serves as a compelling case study in architectural upcycling, demonstrating how Denmark's existing housing stock can be reimagined for contemporary life without resorting to demolition. In a country where approximately 1,100 single-family homes are razed annually, this renovation stands as a testament to the potential of adaptive reuse, proving that with innovative design thinking, yesterday's architecture can be transformed to meet tomorrow's needs while preserving embodied carbon and architectural heritage. Design Team - Jesper Kusk Arkitekter, established in 2019 in Copenhagen, Denmark, has rapidly emerged as a significant voice in contemporary Nordic architecture, specializing in sustainable design and adaptive reuse. Founded by Jesper Kusk, who brings nearly two decades of expertise from prestigious firms including Nordic - Office of Architecture and Lundgaard & Tranberg Arkitekter, the practice has garnered recognition for its innovative approach to environmental stewardship and contextual sensitivity. The firm's design philosophy centers on creating enduring architecture that transcends temporal boundaries, emphasizing biophilic design principles and carbon-conscious methodologies. Under Kusk's leadership, who serves as the Chairman of the Competition Committee at the Danish Association of Architects since 2023, the studio has developed a distinctive portfolio characterized by its sophisticated material palette and emphasis on timber construction. Operating from their headquarters in the historic Fæstningens Materialgård, the practice has cultivated a reputation for thorough analytical processes and collaborative design approaches. Their work is distinguished by a careful integration of daylight, natural ventilation, and innovative spatial programming. The firm's commitment to sustainability extends beyond mere energy efficiency to encompass broader social and environmental responsibilities, reflected in their meticulous attention to material lifecycle and adaptive reuse strategies. 设计团队 旅游探访 220 m² 比尔克罗德，丹麦 2024 Previous Next

< 返回 Kakapo Creek儿童花园 Smith Architects 项目名称：Kakapo Creek儿童花园 地点：奥克兰，新西兰 设计团队：Smith Architects 建筑面积：450 m² 竣工时间：2022年 摄影：Mark Scowen 设计特色： Smith建筑事务所在奥克兰Mairangi Bay打造了一座典范性的早期学习中心，通过创新的圆形设计重新定义儿童教育理念。Kakapo Creek儿童花园证明了建筑如何在体现文化价值的同时，为下一代开创可持续实践的先河。 建筑最引人注目的特色是其独特的曲线造型，灵感来源于界定场地北侧边界的邻近溪流。这种有机几何形态创造出一个强有力的中央庭院，四间全玻璃教室围绕其布置，体现了毛利文化中"Nga Hau E Wha"（四风）的理念——代表团结与文化交融。圆形平面将传统学校走廊转化为动态的聚会场所，让100名儿童能够聚集、学习并跨越文化界限建立联系。 Smith建筑事务所在这座450平方米的设施中巧妙融入了亲生物设计原则。优雅的木质胶合梁和胶合板屋顶天篷创造出无缝的室内外连接，而活体绿色屋顶不仅将雨水径流减少超过50%，还帮助建筑与自然环境和谐融合。大面积的本土景观设计增强了当地生物多样性，强化了该中心对环境管理的承诺。 项目的可持续发展资质同样令人印象深刻，通过自然通风、节能热泵和全面的LED照明系统实现近零碳运营。最大化的日光照明消除了日间人工照明需求，而高性能玻璃和卓越保温材料超越了建筑规范要求。最值得注意的是，这座建筑的适应性设计在建筑学上如此精妙，以至于当地居民最初将其误认为餐厅——这证明了优秀的早期学习环境如何能够提升社区期望并创造持久的建筑遗产。 这个前瞻性项目证明，教育建筑能够同时颂扬文化遗产、推进环境责任，并通过精巧的设计启发年轻心灵。 设计团队 - 由Phil Smith和Tiffany Smith于2007年创立，Smith建筑事务所已发展成为一家屡获殊荣的国际建筑实践机构，总部位于新西兰奥克兰，致力于通过创意、精致和关怀创造美丽的人居空间。在创始人兼总监Phil Smith和联合创始人兼总经理Tiffany Smith的领导下，该事务所已在多种建筑类型领域建立了提供创新、可持续且符合语境响应建筑的声誉。 该事务所的设计理念围绕建筑的变革力量展开，从新西兰独特的地域特色中汲取灵感，同时应对当代全球挑战。Smith建筑事务所的综合方法整合了多学科协作、先进技术工具和严格的可持续性原则，以打造超越客户期望并丰富其居住环境的空间。 该事务所经验丰富的专业团队——包括高级建筑师Akash Kumar、首席高级建筑设计师Michael Wang和高级建筑设计师Madeline Woodd——汇集了涵盖住宅、教育和城市开发项目的集体专业知识。他们的协作方法确保从概念设计到施工管理的无缝项目交付。 Smith建筑事务所对设计卓越的承诺通过其多元化的项目组合得到证明，展现了各个尺度的建筑创新。通过平衡美学精致性与功能性能和环境管理，该事务所创造持久的建筑解决方案，连接人与场所，并在尊重新西兰设计传统的同时预见未来需求。 设计团队 旅游探访 450 m² 奥克兰，新西兰 2022 Previous Next

< 返回 萨尔佐酒庄 Carmen Maurice Architecture 项目名称：萨尔佐酒庄 设计团队：Carmen Maurice Architecture 面积：496 m² 地点：法国，萨尔佐 设计特色： 项目 – 在现有建筑的大胆重塑中， Carmen Maurice Architecture 将法国萨尔佐的一座历史悠久的磨坊改造成一座令人惊叹的酒庄，巧妙地将工业功能性与手工艺魅力融为一体。这个于2024年竣工的项目，通过在翻新后的磨坊周围包裹一个半地下圆形结构，巧妙地解决了有限空间的挑战。 这个496平方米的综合体既是一个运营中的酒庄，又是一个文化中心，体现了葡萄酒生产的双重性——一个静谧发酵与欢聚分享并存的过程。这一理念反映在建筑的对比鲜明的立面上：东侧的保护墙为磨坊形成了新的"基座"，而西侧则以两个翼状延伸向景观敞开怀抱。 设计最具创新性的方面或许是其与周围葡萄园的和谐融合。酒庄的圆形结构以中央的磨坊为中心向外辐射，犹如6公顷葡萄园中的一座灯塔。半地下的结构不仅将视觉影响降到最低，还巧妙地利用了地球的热惯性来造福酒窖。 材料在项目的设计美学中扮演着关键角色。内部采用裸露的砖墙和混凝土，呈现工业化外观，而外部则使用了一种含贝壳的定制灰泥——呼应了场地靠近海岸的特点。这种原始功能性与精心打造的艺术性的并置，完美诠释了现代酿酒的精髓，创造出一个既富有生产力又充满诗意的空间。 团队 – Carmen Maurice Architecture（CMA）由Carmen Maurice Haëntjens于2020年创立，迅速成为法国的先锋建筑设计团队。该事务所的理念浓缩为"思考、建造、居住"三部曲，体现了其对创造与景观和谐共鸣并拥抱传统工艺的建筑的深度承诺。 卡门·莫里斯是一位HMONP认证建筑师，她曾在Atelier Architecture Perraudin和隈研吾建筑都市设计事务所等知名公司工作，积累了丰富的经验。她的设计方法特别注重环境背景、材料性质和光线运用，创造出能在空间和时间中成为有意义地标的设计作品。 CMA的项目组合涵盖了各种规模和类型，从改造利用到新建工程，服务对象包括公共实体和私人开发商。该事务所的设计过程通过亲身材料实验和对现场动态的深入理解而不断丰富。 Project：Sarzeau Winery Team：Carmen Maurice Architecture Size：496 m² Location：Sarzeau, France Feature： Project - In a bold reimagining of rural architecture, Carmen Maurice Architecture has transformed a historic mill in Sarzeau, France, into a striking winery that seamlessly blends industrial functionality with artisanal charm. The project, completed in 2024, masterfully addresses the challenge of limited space by wrapping a semi-buried circular structure around the renovated mill. The 496-square-meter complex serves as both a working winery and a cultural hub, embodying the duality of wine production – a process of quiet maturation and convivial sharing. This concept is reflected in the building's contrasting facades: a protective eastern wall that forms a new "base" for the mill, and an inviting western side that opens up to the landscape with two wing-like extensions. Perhaps the most innovative aspect of the design is its harmonious integration with the surrounding vineyards. The winery's circular form radiates from the central mill, which stands like a lighthouse amidst the 6-hectare vineyard. The semi-buried structure not only minimizes visual impact but also cleverly utilizes the earth's thermal inertia to benefit the cellar. Materiality plays a crucial role in the project's aesthetic. While the interior embraces an industrial look with exposed brick and concrete, the exterior features a bespoke plaster containing shells – a nod to the site's coastal proximity. This juxtaposition of raw functionality and crafted artistry encapsulates the essence of modern winemaking, creating a space that is both productive and poetic. Design Team - Founded in 2020 by Carmen Maurice Haëntjens, CMA has quickly established itself as a visionary architectural practice based in Vannes, Brittany. The firm's philosophy, encapsulated in the triptych "Think, Build, Dwell," reflects a deep commitment to creating architecture that resonates with its landscape and embraces traditional craftsmanship. Carmen Maurice, an HMONP-certified architect, brings a wealth of experience from her work with renowned firms such as Atelier Architecture Perraudin and Kengo Kuma & Associates. Her approach is characterized by a keen sensitivity to context, materiality, and light, resulting in designs that serve as meaningful landmarks in both space and time. CMA's portfolio spans diverse scales and programs, from adaptive reuse to new construction, serving clients ranging from public entities to private developers. The firm's design process is enriched by hands-on material experimentation and a thorough understanding of on-site dynamics. 设计团队 旅游探访 496 m² Sarzeau, France 2024 Previous Next

< 返回 Set N Rise巴厘岛餐厅 Studio Kota Architecture 项目名称：Set N Rise巴厘岛餐厅 地点：巴厘岛，印度尼西亚 设计团队：Studio Kota Architecture 建筑面积：309 m² 竣工时间：2025年 摄影：Indra Wiras 设计特色： 项目 - Studio Kota Architecture在巴厘岛打造了一座引人注目的半开放式餐厅，将传统梯田用餐概念转化为建筑诗学。Set N Rise坐落在佩雷雷南宁静的景观中，距离繁华的仓古区仅几分钟路程，从巴厘岛古老的梯田系统中汲取深刻灵感，创造出既颂扬当地文化又体现当代设计的沉浸式美食体验。 餐厅最独特的特色在于对充满挑战性的狭窄倾斜地块的巧妙回应，该地块具有戏剧性的五米高差。设计师没有与自然地形对抗，而是拥抱它，打造出一座沿地形层叠而下的建筑，分为四个错落有致的平台，每个平台都提供独特的空间体验，同时通过中央坡道环路系统保持无缝可达性。 三角形平面图策略性地朝向东南开放，最大化自然采光和周围稻田的全景视野。这种深思熟虑的朝向确保每个用餐层都与景观保持亲密联系，模糊了内外空间的边界。建筑立面展示了水平木条，从鸟瞰角度参考稻田梯田的等高线，既起到被动气候控制作用，又具有视觉隐喻意义。 材料选择体现了对场所和气候的卓越敏感性。彩色水泥地板、粗糙质感的混凝土和当地采购的木材创造出触觉对话，映射了周围景观的自然纹理。木条提供必要的遮阳和防雨保护，同时允许热带微风流通，增强了在巴厘岛湿润气候中的环境性能。 项目在梯田圆形剧场花园中达到高潮，让食客与稻田平视，创造与巴厘岛农业遗产的真实联系。这一创新设计典型地展示了当代建筑如何在提供现代酒店服务体验的同时尊重传统空间逻辑，营造出既扎根又广阔的感觉。 设计团队 - Studio Kota Architecture作为一家杰出的雅加达建筑事务所，在创新的印度尼西亚设计领域已建立了卓越声誉。在设计总监Erick Kristanto的创意指导下，该事务所发展出涵盖文化、住宅、商业和城市设计类型学的创新解决方案声誉。 Erick Kristanto为事务所带来了卓越的国际经验，他毕业于芝加哥伊利诺伊理工学院建筑学硕士学位，并曾在雷姆·库哈斯的OMA香港办公室和比亚克·英格尔斯集团(BIG)纽约办公室担任项目负责人。这种全球视野与深度本土理解的结合，使Studio Kota在印尼建筑景观中占据独特地位。 该事务所的设计哲学强调概念构建与建筑执行同等重要，不急于寻求建筑解决方案，而是相信建筑应该是对语境透彻理解的结果。通过与客户的对话，他们制定项目的主要要素，然后提供专业知识将想法转化为现实。Studio Kota相信新鲜的想法来自与客户和其他学科的协作，他们热爱挑战自己并进一步推动设计边界，创新是保持业务运行的关键。 通过对本土材料使用、传统空间逻辑理解和当代建筑语言的深思熟虑的综合，Studio Kota已确立自己作为印尼当代建筑话语重要贡献者的地位，创造出既扎根于地方又拥抱全球设计视野的建筑作品。 Project Name: Set N Rise Bali Restaurant Location: Mengwi, Indonesia Design Team: Studio Kota Architecture Total Floor Area: 309 m² Completion: 2025 Photography: Indra Wiras Feature: Project - Indonesian architecture studio Studio Kota Architecture completed the Set N Rise restaurant project in Pererenan, Bali, creating a semi-open-air Asian grill restaurant that ingeniously weaves the unique terraced landscapes of Bali into the very core of its architectural concept. The project is positioned within a calm and understated neighborhood just minutes from the bustling Canggu area, drawing inspiration from terasering—the traditional Balinese rice terrace system. The project's most compelling design feature lies in its sophisticated response to a challenging narrow, sloping site—the architects masterfully handled the terrain conditions with a dramatic 5-meter elevation drop from front to back. The building is carefully shaped to follow the natural contours of the land, rather than imposing a singular gesture, the architecture steps down gradually with the terrain, creating a spatial sequence that mirrors the layered character of the surrounding rice fields. The building's triangular footprint opens toward the east and south, optimizing exposure to natural daylight and maximizing views of the terraced landscape. This orientation ensures that nearly every part of the building maintains a strong visual connection to the outdoors, reinforcing a seamless relationship between interior space and nature. Inside the restaurant, the dining areas unfold across four staggered platforms, each aligned with the site's natural topography. A central ramp acts as the main circulation spine, allowing guests to move fluidly through the space while maintaining accessibility across all levels. Most striking is the building's material expression strategy, which demonstrates a commitment to locality, sustainability, and sensory experience. Pigmented cement defines the floors of each platform, while rough-textured concrete and locally sourced timber create a tactile dialogue between mass and warmth. The facade is wrapped in horizontal timber fins, referencing the contour lines of rice terraces as seen from above. These slats function as passive shading and rain protection while allowing daylight and breeze to filter through, enhancing the building's environmental performance in Bali's tropical climate. Design Team - Studio Kota Architecture stands as a distinguished Jakarta-based architectural practice that has established an exceptional reputation in innovative Indonesian design. Under the creative direction of design principal Erick Kristanto, the firm has developed a reputation for creating innovative solutions across cultural, residential, commercial, and urban design typologies. Kristanto brings exceptional international experience to the practice, having earned his Master of Architecture degree from Illinois Institute of Technology, Chicago, and previously serving as project leader at Rem Koolhaas's OMA Hong Kong and Bjarke Ingels Group (BIG) New York. This global perspective, combined with deep local understanding, positions Studio Kota uniquely within Indonesia's architectural landscape. The firm's design philosophy emphasizes that constructing a concept is as important as executing a building, not rushing to architectural solutions but believing that architecture should be a result of thorough understanding of the context. Through dialogue with clients, they formulate the main ingredients for the project then offer their expertise to transform ideas into reality. Studio Kota believes that fresh ideas come from collaboration with clients and other disciplines, they love to challenge themselves and push the design boundary further, with innovation being the key to keeping their business running. Through this thoughtful synthesis of local material usage, understanding of traditional spatial logic, and contemporary architectural language, Studio Kota has established itself as a significant contributor to Indonesia's contemporary architectural discourse, creating architectural works that are both rooted in place and embrace global design vision. 设计团队 旅游探访 309 m² 巴厘岛，印度尼西亚 2025 Previous Next

< 返回 索莱姆森林住宅 MORFEUS arkitekter 项目名称：Solem Forest House 索莱姆森林住宅 地点：奥斯陆，挪威 设计团队：MORFEUS arkitekter 建筑面积：170平方米 竣工时间：2024年 摄影：Finn Ståle Felberg 设计特色： MORFEUS arkitekter设计的索莱姆森林住宅展现了如何通过创新的屋顶体量嵌入策略和巧妙的室内外边界消解技术，将一座破旧的1946年木结构住宅转化为与森林环境和谐共生的当代居所。 这座170平方米的住宅戏剧性地坐落于奥斯陆郊区的缓坡山脊上，呈现为对场地响应式建筑、可持续设计实践和斯堪的纳维亚生活方式融合的探索。它没有完全抛弃原有的砖石基础，而是通过精心的干预，创造出一个将深色木质外表与明亮内核无缝交织的居住体验。 项目的巧妙于对传统住宅屋顶系统的根本性重新构想。交叉山墙屋顶系统巧妙地将二层嵌入屋顶体量中，最小化建筑的视觉高度以符合当地建筑规范并响应周边建筑尺度。这种建筑策略确保从每个房间都能通过战略性布置的屋顶窗户看到充足自然光和周围松树林的景观，创造了建筑与自然的持续对话。 设计师运用从周围松树汲取的灵感来重新定义居住体验。外部采用深色木材包覆，如同树干般融入森林环境，而内部则打造浅色实木空间。这种大胆的对比不仅增加了空间的触觉温暖感和优良室内气候调节，同时巧妙地呼应了自然界外暗内明的有机逻辑。 设计师通过多层次空间和精心考虑的视线在不同功能区域间创造情感过渡。多变的屋檐创造出部分遮蔽的户外空间，多个出入口和门窗视线使居住者能够轻松走出户外，同时将季节变化和天气变化作为室内体验的一部分。首层采用无障碍设计并可容纳来访的朋友和家人，而定制化内置储物解决方案则为户外活动生活方式提供实用支持。 景观策略延续了这种最小化场地干扰的设计理念。场地的自然轮廓、表土和裸露山体区域得以保留，所有外部表面均可渗透，雨水在本地渗透。现有植被、灌木和树木在很大程度上保持原状，使住宅温和地融入场地环境，体现了对奥斯陆水源集水区严格管控规定的深刻尊重。 设计团队 : MORFEUS arkitekter作为当代斯堪的纳维亚建筑实践的杰出代表，由建筑师Caroline Støvring和Cecilie Wille于2007年在奥斯陆创立，自成立以来已确立其在场地响应式住宅设计和永恒建筑语言创新领域的先锋地位。这家立足奥斯陆的事务所通过直觉与理性相结合的设计方法论，重新定义北欧建筑师在当代设计话语中的角色。 MORFEUS arkitekter为建筑实践带来了卓越的跨学科设计视角和对协作过程的深刻理解。该事务所因其将每个委托项目视为本质上独特存在的承诺而获得认可，两位创始人均为经验丰富的执业建筑师，Støvring毕业于奥斯陆建筑学院（1996年）并完成Glenn Murcutt国际大师班进修（2005年），Wille毕业于挪威科技大学（1993年）并获得哥伦比亚大学建筑规划与保护研究生院理学硕士学位（1997年）。两位合伙人均曾在Kari Nissen Brodtkorb建筑事务所等知名实践中受训，并积极参与挪威建筑界的公共话语，Støvring曾担任奥斯陆建筑协会主席（2015至2017年），Wille曾担任挪威建筑师协会副主席（2010至2012年）。 该事务所的设计哲学强调建筑应该超越时间限制，不仅仅是为了持久存在而设计，更是为了响应场地、功能和客户愿景创造独特解决方案。通过可持续设计实践和创新方法，开展从私人住宅、商业开发住宅到幼儿园、景观装置和展览的多元化项目，相信最好的建筑是通过精准和深思熟虑的协作过程产生的精致干预。MORFEUS arkitekter相信建筑应该成为场地特定品质和文化传承的载体，通过策略性的空间组织和材料选择创造永恒的居住体验。 除实践外，该事务所通过有限的团队规模保持着强有力的协作工作流程，使项目能够在内部共同推进，并在项目各个阶段与客户、建筑工程师、顾问和承包商保持外部对话。通过对传统斯堪的纳维亚工艺与现代建造方法的深思熟虑结合、本地材料的运用，以及经过时间验证的场地敏感性，MORFEUS arkitekter已确立自己作为当代挪威建筑话语重要贡献者的地位，创造出既具地方回应性又拥抱永恒设计价值的建筑作品。该事务所已获得多项荣誉，包括2018年北挪威建筑奖、2018年混凝土奖、2019年奥斯陆市建筑奖入围以及2012年和2018年贝鲁姆建筑奖提名，作品广泛发表于国内和国际建筑期刊。 设计团队 旅游探访 170 m² 奥斯陆，挪威 2024 Previous Next

< 返回 井之头连通住宅 Moriyoshi Naotake Atelier 设计特色： 项目 – 置身于东京三鹰市区内密集的城市结构中，“连接单元，创造舒适”这一充满创意的集体住宅设计项目，通过其创新格局巧妙地解决了集体住宅生活中常见的隐私、社区、绿地和空间开放性等方面的挑战。将三个住宅单元分隔成独立的体块，并在每个结构之间引入专用的花园露台，促进了隐私保护；而共享的后方二楼露台和细致考量的窗户设计则使斜向社区的联系成为可能。通过区分开的开放空间的丰富互动，建立了室内私密空间与邻里之间亲密而又通透的关系。材料的运用进一步增强了住宅的心理扩展性。通风的金属网格包覆着建筑背立面，构成了室内和室外之间的半透膜，同时将外部景观纳入视野，围绕着生机勃勃的绿意。环保意识的解决方案延伸至结构工程和装饰设计，在主要采用钢筋混凝土建造中融入木材，不仅降低了项目的碳足迹，还为室内带来视觉暖意。通过以有意识的设计干预重新构思紧凑的城市住房条件，将亲密关系、社区、自然和视觉联系融入其中，“连接单元，创造舒适”为当代化和人性化的高密度住宅设计提供了巧妙的创新模式。 团队 – Moriyoshi Naotake Atelier由日本建筑师森吉直刚（1967年生）于2001年创立，其工作室位于日本东京，设计作品简约现代，注重可持续发展，屡获住宅和建筑设计大奖。建筑设计工作室汇聚了富有激情的专业人才，致力于通过木材、光和自然元素营造舒适优雅的生活空间。工作室设计理念与可持续发展和地方文化紧密相连，传承和启发当代生活美学。 Feature： Project - Nestled within the dense urban fabric of Tokyo’s Mitaka City, the ingeniously designed collective housing project “Creating Comfort by Connecting Tenements” overcomes common challenges faced by apartment living through an innovative configuration prioritizing privacy, community, greenspace, and spatial openness. Segregating the three dwelling units into separate volumes and introducing dedicated garden terraces between each structure fosters privacy while a shared rear second-story terrace and strategically aligned windows enable oblique community connections. The rich interplay of partitioned open spaces similarly forges an intimate yet porous relationship between interior private spheres and the neighborhood beyond. Materiality further enhances the psychologically expansive nature of the dwellings. Airy metal mesh clads the exterior rear façade, forming a semi-permeable screen between interior and exterior realms while framing outward views towards enveloping greenery. Environmentally conscious solutions carry over into structural engineering and finishes. The integration of wood within the predominantly reinforced concrete build not only reduces the project’s carbon footprint but brings visual warmth to the interiors. By reconceiving compact urban housing conditions as an opportunity to weave intimacies, community, nature, and visual connectedness through conscious design interventions, “Creating Comfort by Connecting Tenements” offers an ingenious model for contemporizing and humanizing higher-density dwelling. Design Team - Moriyoshi Naotake Atelier was founded by the Japanese architect Naotake Moriyoshi (born in 1967) in 2001. Based in Tokyo, Japan, the studio specializes in minimalist modern design with a focus on sustainability, consistently receiving accolades for residential and architectural designs. The architectural design studio gathers passionate professionals committed to creating comfortable and elegant living spaces through the use of wood, light, and natural elements. Their design philosophy intertwines closely with sustainability and local culture, aiming to inherit and inspire contemporary aesthetics in daily life. 设计团队 旅游探访 271 m² Mitaka, JAPAN 2023 Previous Next

< 返回 Lighthouse 灯塔 3XN 项目名称： Lighthouse 灯塔 地点： 奥胡斯，丹麦 设计团队： 3XN建筑事务所 面积： 44600 m² 完工时间： 2023年 摄影师： Adam Mork 主创设计师： Kim Herforth Nielsen（创始人兼创意总监） 景观设计： Schönherr, Danjord 产品制造商： Kalzip（屋面系统） 设计特色： 项目 - 丹麦建筑事务所3XN在奥胡斯完成了丹麦最高的住宅建筑，该建筑具有独特的菱形轮廓和圆角设计，其参数化设计的立面反映了周围的滨水环境。 这座名为"灯塔"的建筑项目位于奥胡斯港的尖端位置，通过其创新的"自下而上"城市发展方法重新诠释了滨水生活的概念。与传统的建筑先行方式不同，该项目首先建立了社会基础设施——包括咖啡馆、水上运动设施和城市农业计划，让社区反馈参与塑造最终的设计方案。 作为丹麦最高建筑，这座塔楼的雕塑般外形既呼应了其海滨环境，又传承了城市的建筑遗产。建筑通过菱形几何体和两个圆角创造出优雅的轮廓，形成一个纤细的剪影，从不同角度观察呈现出不同的面貌，有效消除了传统建筑正面与背面的概念。 该项目最引人注目的特征是其精密的立面系统，灵感来自水纹和反光效果。这些预制构件不仅创造出视觉趣味，还在减轻建筑重量方面发挥实际作用，同时将高层建筑与其周围的中层建筑统一为一个整体。 这座44600平方米的综合体巧妙平衡了私人和公共空间。滨水长廊上设有餐厅、咖啡馆和零售空间，营造出充满活力的公共领域，而受保护的庭院则为居民提供了更私密的社区环境。项目包含私人住宅和社会住房单元，每个单元都经过精心设计，通过朝南的朝向和私人户外空间最大限度地利用景观和自然采光。 全年性的项目规划为开发项目增添了活力，其设施支持包括冬泳在内的传统丹麦活动。公共屋顶餐厅的加入让所有人都能欣赏到奥胡斯湾和城市的全景，使建筑的高度成为整个社区而非仅仅是住户的资产。 团队 - 3XN成立于1986年的丹麦奥胡斯，现已发展成为一家以可持续设计创新和以人为本的建筑理念而闻名的全球性建筑事务所。目前由包括创意总监Kim Herforth Nielsen在内的五人高级合伙人团队领导，公司在哥本哈根、斯德哥尔摩、伦敦、纽约和悉尼设有办事处，建立起强大的国际网络。 该事务所通过柏林丹麦大使馆（1999年）和阿姆斯特丹音乐厅（1997年）等标志性项目获得国际认可，为建筑的场地适应性和功能创新树立了新标准。其作品组合涵盖从文化机构到可持续高层建筑等多种类型，近期完工的代表作包括洛桑奥林匹克委员会总部大楼和屡获殊荣的悉尼码头区塔楼。 2007年，3XN成立了内部研发部门GXN，专注于绿色创新、材料技术和循环设计原则。这种将研究驱动的可持续性与建筑实践相结合的方式，体现了该事务所致力于通过循证设计方法推动行业发展的承诺。事务所在坚持其基本理念的同时继续推动可持续建筑的边界，即创造既能造福使用者又能改善城市环境的建筑设计。 Project Name: Lighthouse Building Location: Aarhus, Denmark Design Team: 3XN Architects Area: 44,600 m² Completion: 2023 Photographer: Adam Mork Principal Designer: Kim Herforth Nielsen (Founder and Creative Director) Landscape Architect: Schönherr, Danjord Manufacturer: Kalzip (Roof System) Feature： Project - Danish architecture firm 3XN has completed Denmark's tallest residential building in Aarhus, featuring a distinctive rhomboid form with rounded corners and a parametrically designed façade that reflects the surrounding waterfront. The Lighthouse development, which marks a prominent position at the tip of Aarhus Harbor, represents a bold reimagining of waterfront living through its innovative "upside-down" approach to urban development. Rather than beginning with architecture, the project established social infrastructure first – including cafés, water sports facilities, and urban farming initiatives – allowing community feedback to shape the final design. Standing as the country's highest building, the tower's sculptural form responds to both its maritime context and the city's architectural heritage. The structure's elegant profile, achieved through a rhomboid geometry with two rounded corners, creates a slender silhouette that appears different from every angle, effectively eliminating the notion of a front or back façade. The development's most striking feature is its sophisticated façade system, which draws inspiration from water patterns and reflections. These prefabricated elements not only create visual intrigue but also serve a practical purpose in weight reduction. The unified architectural language extends across the entire complex, binding the high-rise structure with its mid-rise companions into a cohesive whole. 3XN's founder and creative director Kim Herforth Nielsen describes the project as "a lighthouse in more than one sense," referring to both its landmark status and its role as a prototype for community-centered urban development. The 44,600-square-metre mixed-use complex ingeniously balances private and public spaces. A waterfront promenade activated by restaurants, cafés, and retail spaces creates a vibrant public realm, while a protected courtyard offers residents a more intimate community setting. The development includes both private and social housing units, each carefully designed to maximize views and natural light through south-facing orientations and private outdoor spaces. Year-round programming adds vitality to the development, with facilities supporting traditional Danish activities like winter bathing. The addition of a public rooftop restaurant democratizes access to panoramic views over Aarhus Bay and the city, making the building's height an asset for the entire community rather than just its residents. Through its thoughtful integration of social spaces, architectural innovation, and contextual sensitivity, the Lighthouse development sets a new standard for how tall buildings can contribute to urban life while maintaining a strong connection to their surroundings. Design Team - Founded in 1986 in Aarhus, Denmark, 3XN has evolved into a global architectural practice renowned for its innovative approach to sustainable design and human-centered architecture. Currently led by a senior partner group of five with Kim Herforth Nielsen as Creative Director, the firm maintains offices in Copenhagen, Stockholm, London, New York, and Sydney, establishing a robust international presence. The practice gained international recognition through seminal projects like the Danish Embassy in Berlin (1999) and the Muziekgebouw Concert Hall in Amsterdam (1997), setting benchmarks for contextual sensitivity and programmatic innovation. Their portfolio encompasses a diverse range of typologies, from cultural institutions to sustainable high-rises, exemplified by recent completions such as the Olympic House IOC Headquarters in Lausanne and the award-winning Quay Quarter Tower in Sydney. In 2007, 3XN established GXN, an internal research and development department focused on green innovation, material technology, and circular design principles. This integration of research-driven sustainability with architectural practice demonstrates the firm's commitment to advancing the field through evidence-based design methodologies. The practice continues to push boundaries in sustainable architecture while maintaining its foundational philosophy of building design that benefits both users and urban context. 设计团队 旅游探访 44600 m² 奥胡斯，丹麦 2023 Previous Next

< 返回 Verde 商业综合体 Studio Gang 项目名称：Verde 商业综合体 设计团队：Studio Gang 面积：287000 ft² 地点：美国，旧金山 设计特色： 项目 – Studio Gang设计的Verde综合体塔楼2024年竣工完成，成为旧金山Mission Rock社区蓬勃发展的一道亮丽风景。这座23层的综合体建筑由著名建筑师Jeanne Gang匠心打造，将创新建筑与可持续设计理念完美融合，重新定义了都市生活的方式，在居民、自然和这座城市标志性海滨之间建立起和谐共生的纽带。 Verde最引人注目的特色是其雕塑般的外立面，翠绿色的釉面陶瓷幕墙在旧金山湾区特有的光线下熠熠生辉。塔楼的形态巧妙雕琢，营造出一系列层叠的露台，为住户提供令人屏息的美景，同时最大化日照并遮挡强风。这种"社区地貌"设计从建筑底部的高台式空间开始，一直延伸至顶部，在整个建筑中培育出浓厚的连接感。 这一设计高度重视可持续性和韧性，采用了中水回用系统，种植本地植物以支持城市生物多样性，并抬高了建筑基础以应对海平面上升。Verde提供254套住宅单元，其中59套为低于市场价的保障性住房，不仅满足了旧金山迫切的住房需求，还通过屋顶花园、健身中心等豪华配套设施，为居民带来高品质的生活体验。 作为Mission Rock首期开发的核心项目，Verde体现了Studio Gang对城市开发的整体性思考，与周围建筑无缝融合，共同打造出一个充满活力、和谐一致的社区。这一项目不仅彰显了旧金山独特的生活方式，更为可持续城市生活树立了新标杆。 团队 – Studio Gang建筑事务所，由建筑师Jeanne Gang于1997年创立，已成为当代建筑和城市设计领域的重要力量之一。总部位于芝加哥，在纽约、旧金山和巴黎设有分支机构，该事务所凭借其创新、生态敏感和具有社会责任感的设计方法赢得了国际赞誉。 在Jeanne Gang的领导下，事务所发展出了一种独特的方法论，将严谨的研究与大胆的实验相结合，成果是一系列跨越多种尺度和类型的多元化项目。从文化机构和教育设施到高层建筑和公共空间，Studio Gang的作品以其能够在人、社区和环境之间建立有意义的联系而著称。 事务所的跨学科团队由建筑师、设计师和城市规划师组成，他们与客户和各领域的专家密切合作，创造出不仅在美学上引人注目，而且具有高性能和可持续性的建筑和空间。代表作包括芝加哥波浪状的Aqua大厦、纽约美国自然历史博物馆充满自然灵感的Richard Gilder中心，以及最近竣工的阿肯色美术馆。 Studio Gang致力于"可行的理想主义"，这一点在他们的研究计划和出版物中表露无遗，探讨了城市生态、气候适应性和建成环境中的社会公平等紧迫问题。这种前瞻性的方法为事务所赢得了众多荣誉，包括美国国家设计奖，以及《时代》杂志2019年将Jeanne Gang评为世界最具影响力人物之一。 Project：Verde mixed-use tower Team：Studio Gang Size：287000 ft² Location：San Francisco, USA Feature： Project - Studio Gang's Verde tower stands as a striking addition to San Francisco's evolving Mission Rock neighborhood, seamlessly blending innovative architecture with sustainable design principles. This 23-story mixed-use marvel, conceived by the renowned Jeanne Gang, redefines urban living by creating a harmonious connection between residents, nature, and the city's iconic waterfront. Verde's most distinctive feature is its sculpted façade, adorned with emerald-colored glazed ceramic cladding that shimmers in the Bay Area's unique light. The tower's form is artfully carved to create a series of cascading terraces, offering residents breathtaking views while maximizing sunlight and wind protection. This "community topography" begins at the building's base with a mesa-like space and continues upwards, fostering a sense of connection throughout the structure. The design prioritizes sustainability and resilience, incorporating graywater reuse systems, native plantings to support urban biodiversity, and an elevated foundation to combat rising sea levels. With 254 residential units, including 59 below-market-rate homes, Verde addresses San Francisco's pressing housing needs while providing a luxurious living experience complete with amenities like a rooftop garden and fitness center. As the centerpiece of Mission Rock's first phase, Verde exemplifies Studio Gang's holistic approach to urban development, seamlessly integrating with the surrounding buildings to create a vibrant, cohesive neighborhood that celebrates San Francisco's indoor-outdoor lifestyle and sets a new standard for sustainable urban living. Design Team - Studio Gang, founded in 1997 by visionary architect Jeanne Gang, FAIA, has emerged as a leading force in contemporary architecture and urban design. Headquartered in Chicago with offices in New York, San Francisco, and Paris, the firm has garnered international acclaim for its innovative, ecologically sensitive, and socially conscious approach to design. Under Gang's leadership, the practice has developed a distinctive methodology that marries rigorous research with bold experimentation, resulting in a diverse portfolio of projects that span multiple scales and typologies. From cultural institutions and educational facilities to high-rise towers and public spaces, Studio Gang's work is characterized by its ability to forge meaningful connections between people, communities, and the environment. The firm's interdisciplinary team of architects, designers, and urbanists collaborates closely with clients and specialists from various fields to create buildings and spaces that are not only aesthetically striking but also performative and sustainable. Notable projects include the undulating Aqua Tower in Chicago, the nature-inspired Richard Gilder Center at the American Museum of Natural History in New York, and the recently completed Arkansas Museum of Fine Arts. Studio Gang's commitment to "actionable idealism" is evident in their research initiatives and publications, which explore pressing issues such as urban ecology, climate resilience, and social equity in the built environment. This forward-thinking approach has earned the firm numerous accolades, including the Cooper Hewitt National Design Award in Architecture and TIME magazine's recognition of Jeanne Gang as one of the world's most influential people in 2019. 设计团队 旅游探访 287000 ft² San Francisco, USA 2024 Previous Next

< 返回 乔斯林艺术博物馆 Snøhetta + APMA 项目名称：乔斯林艺术博物馆 设计团队：Snøhetta + APMA 面积：42000 ft² 地点：美国，奥马哈 设计特色： 项目 – 在当代设计与历史传承的精妙融合中，Snøhetta携手本地设计团队Alley Poyner Macchietto Architecture，为美国奥马哈市的乔斯林美术馆打造了令人瞩目的扩建方案。这个雄心勃勃的项目为这座文化地标注入了新的生命力，巧妙地将美术馆丰富的建筑遗产与前瞻性的空间理念无缝衔接。 扩建的核心是一个42000平方英尺的新馆区，仿佛悬浮于景观之上，其水平线条呼应了内布拉斯加广阔的天际。这座新翼不仅增加了光线充足的展厅，扩大了美术馆的展览容量，还在艺术、建筑和自然环境之间创造了一场对话。 Snøhetta对公共空间的标志性处理在重新构想的场地中显露无遗。超过3英亩的花园和户外装置消解了室内外的界限。设计团队精心打造了全新的入口秩序空间，引导参观者穿越精心策划的景观体验，最终抵达戏剧性的新主入口。 扩建部分的立面是对现有装饰艺术风格建筑的现代诠释，预制面板中微妙的粉色骨料呼应了1931年原建筑的乔治亚粉红大理石。这一细心的材料选择在近一个世纪的建筑演变中创造了视觉的连贯性。 室内设计中一个高耸的中庭成为新旧交融的枢纽，为游客提供了欣赏历史立面的绝佳视角，同时通过一个缓缓上升的中央楼梯将他们引向上方。这个空间体现了项目的核心理念：尊重历史，同时大胆迈向文化互动的未来。 团队 – 来自挪威的著名的斯诺赫塔建筑事务所（Snøhetta）成立于1989年，已发展成为全球设计领域的榜样之一，巧妙地融合了建筑、景观设计、室内设计等多个创意领域。这家总部位于奥斯陆的事务所，以挪威著名山峰命名，凭借其对环境敏感性和文化参与度的高度重视而声名鹊起。 在创始合伙人谢蒂尔·特雷达尔·托尔森（Kjetil Trædal Thorsen）的带领下，斯诺赫塔的作品范围从精巧的装置艺术到大型城市开发项目无所不包。他们的突破性项目——埃及亚历山大图书馆为后续的标志性作品奠定了基础，如奥斯陆挪威国家歌剧院和芭蕾舞剧院，以及纽约世贸中心911纪念博物馆。 斯诺赫塔的设计理念强调对话驱动的过程和可持续创新。他们对建筑的方法是整体性的，既考虑人类也考虑非人类栖息地，并融入先进的可持续技术。事务所对环境管理的承诺在诸如特隆赫姆的Powerhouse Brattørkaia（一座能源正效益建筑）等项目中得到充分体现。 斯诺赫塔在全球九个办公室拥有来自40个国家的350多名员工，保持着非层级化的组织结构，促进创造力和协作。他们的作品赢得了众多荣誉，包括阿加汗建筑奖和密斯·凡·德罗奖，巩固了他们在当代建筑实践前沿的地位。 Project：Joslyn Art Museum Team：Snøhetta + APMA Size：42000 ft² Location：Omaha, Nebraska, USA Feature： Project - The Joslyn Art Museum's expansion in Omaha, Nebraska, designed by Snøhetta and Alley Poyner Macchietto Architecture, exemplifies a seamless integration of modern design with historical reverence. This transformative project revitalizes the museum while respecting its architectural legacy. Central to the expansion is a striking 42,000-square-foot wing, appearing to float above the landscape. Its elongated, horizontal form reflects the expansive Nebraskan sky, providing new, light-filled galleries that enhance the museum’s exhibition capabilities and foster a connection between art, architecture, and nature. The redesign extends beyond the building's interior. Snøhetta's renowned approach to public spaces is evident in the reimagined outdoor areas, featuring over three acres of gardens and installations that blur the lines between interior and exterior spaces. A new entry sequence takes visitors through a curated landscape, leading them to the museum's newly designed entrance. The façade of the addition is a modern interpretation of the original 1931 Art Deco structure, utilizing precast panels with pink aggregates that subtly echo the museum’s historic Georgia Pink marble. Inside, a grand atrium links the old and new spaces, with views of the original building’s façade and a gently sloping staircase that leads visitors upwards. This space encapsulates the project’s goal: to honor the museum’s rich history while creating a bold new chapter in its cultural evolution. Design Team - Founded in 1989, Snøhetta has emerged as a global leader in transdisciplinary design, seamlessly integrating architecture, landscape architecture, interior design, and various other creative disciplines. This Oslo-based firm, named after a prominent Norwegian mountain, has built its reputation on a foundation of environmental sensitivity and cultural engagement. Led by founding partner Kjetil Trædal Thorsen, Snøhetta's portfolio spans from intimate installations to large-scale urban developments. Their breakthrough project, the Bibliotheca Alexandrina in Egypt, set the stage for subsequent iconic works such as the Norwegian National Opera and Ballet in Oslo and the National September 11 Memorial Museum Pavilion in New York City. Snøhetta's design philosophy emphasizes dialogue-driven processes and sustainable innovation. Their approach to architecture is holistic, considering both human and non-human habitats, and integrating advanced sustainable technologies. The firm's commitment to environmental stewardship is evident in projects like the Powerhouse Brattørkaia, a net-positive energy building in Trondheim. With over 350 employees from 40 nations across nine global studios, Snøhetta maintains a non-hierarchical structure that fosters creativity and collaboration. Their work has garnered numerous accolades, including the Aga Khan Award for Architecture and the Mies van der Rohe Award, cementing their position at the forefront of contemporary architectural practice. 设计团队 旅游探访 42000 ft² Omaha, Nebraska, USA 2024 Previous Next