< 返回 顺德云鹭湿地博物馆 Link-Arc 建筑事务所 项目名称： 顺德云鹭湿地博物馆 地点： 佛山市顺德区，中国 设计团队： Link-Arc 建筑事务所 建筑面积： 1800 m² 竣工时间： 2024年 摄影： 田方方, 存在建筑, 木析AlexanDENG, 郭诗雨 设计特色： 项目 - 在中国顺德的中心地带，云鹭湿地博物馆作为一个开创性的建筑干预项目脱颖而出，巧妙地平衡了人类观察与生态保护的需求。由Link-Arc建筑事务所设计的这座1800平方米的建筑，为野生动物观察建筑提供了革命性的方案，完美地融入了栖息着25000只鹭鸟的栖息地。 博物馆最引人注目的特征是由四个堆叠的混凝土筒体组成的结构，每个筒体都经过精确旋转，以获得周围湿地生态系统的最佳观察角度。这一创新设计在不同高度创造了建筑师所称的"取景框"，让访客能够从树根层次到树梢高度获得独特的自然视角。这些筒体战略性地位于现有的一排落羽杉林后面，使建筑从鹭岛观察时仿佛消失在亚热带森林中。 项目的起源故事为其增添了一层引人深思的意义——它始于26年前一位绰号"鸟叔"的本地环保主义者种植的一片竹林，他的奉献使这片区域转变为城市中的鹭鸟庇护所。博物馆现在作为这一传承的见证，随着当地政府将保护区面积扩大了13倍而愈发显得意义非凡。 使这座博物馆与众不同的是其精妙的结构解决方案。交叉的混凝土筒体通过布尔差分创造出一个三角形中庭，作为共同的观察点，访客可以同时观察到景观的多个视角。建筑外部采用松木模板现浇混凝土，创造出与周围森林呼应的自然纹理。最巧妙的是，屋顶覆盖着荷花池，有效地掩饰了建筑的第五立面，使其进一步融入湿地环境。 该项目通过对树木保护的细致关注展现了可持续建筑的典范。在对560棵现有树木进行测绘后，建筑师精心布置并旋转了每一层，以最大限度地减少对自然环境的影响，同时确保最佳的观鸟视角。这种对环境保护的深思熟虑为生态建筑设立了新标准，展示了建筑如何在服务人类需求的同时尊重并提升其自然环境。 团队 – Studio Link-Arc作为一家位于纽约的杰出国际建筑事务所，体现了全球设计思维与场地关联性的完美交汇。该事务所建立的宗旨是连接多元化的视角和资源，其名称本身就反映了在建筑设计、城市规划和空间艺术领域的协作精神。 在主持建筑师陆轶辰的带领下，与纽约区域的高级经理Letty Lau和Luis Ausin一起，并由上海和深圳的区域总监提供支持，事务所已发展成为一个多节点的设计强所。通过纽约、上海和深圳三个战略中心的运营，实现了东西方建筑范式的动态融合。 Link-Arc的项目组合涵盖了各种类型和规模，从文化机构到城市地标建筑。他们的设计方法论以严谨的场地环境研究和功能需求分析为特征，创造出超越纯粹功能性的有意义的空间体验。代表作品包括获奖的2015年米兰世博会中国馆、2022年亚洲建筑师协会金奖获得者南京湾艺术中心，以及华润档案馆。 事务所的建筑理念强调通过对场地关系和语境要素的精心考量来创造新的空间秩序。他们的作品以技术创新、文化敏感性和可持续实践的精妙整合为特色，使建筑能够深思熟虑地回应其直接环境和更广泛的社会需求。 Project Name: Shunde Cloud Egret Wetland Museum Location: Shunde District, Foshan, China Design Team: Link-Arc Architecture Building Area: 1,800 m² Completion Date: 2024 Photography: Tian Fangfang, EXISTENCE ARCHITECTURE, WoodX AlexanDENG, Guo Shiyu Principal Designer: Lu Yichen Project Leader: Guo Shiyu Project Team: Zhou Rui, Zhang Jiaqi, Zhong Zhenwei, Liu Zida, Cheng Jingbin, Luis Ausin, Yang Lingyun, Qi Feng, Xu Jiarui, Hua Xinning, Sarah Kenney, Li Zishi, Isabella Chong Executive Architect/MEP Design: Aoyi Architectural Engineering Design Co., Ltd. Structural Design: Shenzhen Xingjian Engineering Design Consulting Co., Ltd. Curtain Wall Consultant: Shenyang Zhengxiang Decoration Design Co., Ltd. Landscape Design: Chengji Landscape Interior Design: Yushe Design Lighting Consultant: Shanghai Gerui Lighting Design Co., Ltd. Construction: China Construction Fourth Engineering Bureau Co., Ltd., Beijing Yihui Da Qingshui Construction Engineering Co., Ltd. Client: China Resources Land, Foshan Shunde District Government Feature： Project - In the heart of Shunde, China, the Cloud Egret Wetland Museum emerges as a groundbreaking architectural intervention that masterfully balances human observation with ecological preservation. Designed by Link-Arc Architecture, this 1,800-square-meter structure represents a revolutionary approach to wildlife observation architecture, seamlessly integrating into a habitat that hosts 25,000 egrets. The museum's most striking feature is its composition of four stacked concrete tubes, each precisely rotated to capture optimal viewing angles of the surrounding wetland ecosystem. This innovative design creates what the architects call "viewing frames" at different heights, offering visitors a unique perspective of nature from root level to treetop. The tubes are strategically positioned behind an existing row of dawn redwood trees, allowing the building to virtually disappear into the subtropical forest when viewed from the egret island. The project's origin story adds a compelling layer of significance – it began with a single bamboo grove planted 26 years ago by a local conservationist nicknamed "Bird Uncle," whose dedication transformed the area into an urban sanctuary for egrets. The museum now stands as a testament to this legacy, with the local government expanding the protected area thirteenfold. What sets this museum apart is its sophisticated structural solution. The intersecting concrete tubes create a triangular central atrium through Boolean subtraction, serving as a shared viewpoint where visitors can simultaneously observe multiple perspectives of the landscape. The building's exterior features board-formed concrete using pine wood, creating a natural texture that resonates with the surrounding forest. Perhaps most ingeniously, the roof is covered with lotus pools, effectively camouflaging the building's fifth elevation and further integrating it into the wetland environment. The project exemplifies sustainable architecture through its meticulous attention to tree preservation. After mapping 560 existing trees, the architects carefully positioned and rotated each level to minimize the impact on the natural environment while maximizing optimal bird-watching vantage points. This thoughtful approach to environmental stewardship sets a new standard for ecological architecture, demonstrating how buildings can serve human needs while respecting and enhancing their natural context. Design Team - Studio Link-Arc, established in New York, stands as a distinguished international architectural practice that exemplifies the intersection of global design thinking and contextual sensitivity. Founded on the principle of connecting diverse perspectives and resources, the firm's name reflects its collaborative ethos in architectural design, urban planning, and spatial arts. Under the leadership of Principal Architect Yichen Lu, together with Senior Managers Letty Lau and Luis Ausin in New York, and supported by regional directors in Shanghai and Shenzhen, the practice has evolved into a multi-nodal design powerhouse since its inception. The firm operates through three strategic hubs - New York, Shanghai, and Shenzhen - allowing for a dynamic synthesis of Eastern and Western architectural paradigms. Link-Arc's portfolio spans various typologies and scales, from cultural institutions to civic landmarks. Their design methodology is characterized by a rigorous investigation of site context and programmatic elements, leading to architecture that transcends mere functionality to create meaningful spatial experiences. Notable projects include the award-winning China Pavilion at Milan Expo 2015, the Nanjing Bay Art Center (recipient of the 2022 Asian Architects Association Gold Award), and the China Resources Archive Library. The practice's architectural philosophy emphasizes the creation of new spatial orders through careful consideration of site relationships and contextual elements. Their work is distinguished by a sophisticated integration of technical innovation, cultural sensitivity, and sustainable practices, resulting in buildings that respond thoughtfully to both their immediate environment and broader societal needs. 设计团队 旅游探访 1800 m² 佛山市顺德区，中国 2024 Previous Next

< 返回 在水美术馆 石上纯也建筑事务所 设计特色： 项目 – 这座跨于湖面且长达1公里的水上美术馆，是日本建筑师石上纯也诗意设计理念的完美写照，成功化解了建筑与自然的界限。石上纯也力图打破自然环境的宽广与建筑之间的不平衡关系，他将纤细狭长的建筑形态蔓延至整个湖面，仿佛“轻轻触碰水面”。这种设计拒绝了传统上的那种与环境隔绝、防御性的建筑形式，而是深深拥抱周遭的环境，将其融入建筑之中。美术馆由玻璃柱廊组成，没入湖中，而转折多变的屋顶则如丝带一般漂浮飞扬。参观者仿若行走梦境，玻璃开口处构成画框，把景色和微风引入其中。与此同时，部分区域由广袤的展厅变为被水包围的狭窄陆地。这种水与天空、光与表面之间流动的感官对话，旨在营造建筑内部全新的自然氛围 —— 一个“友好的自然环境”。石上纯也力图通过消解传统二分法的方式，提升人的精神世界。这长长的、低矮的曲线呼应着悠远的地形，与当代建筑的疏离形成对比。美术馆轻轻降落在水面，几乎未侵扰地平线，与地形和谐一体，共融于时光。 团队 – 石上纯也建筑事务所由日本建筑师石上纯也（1974年生）于 2004 年在东京创立，现已成为日本最具创新性和远见的建筑设计公司之一。石上纯也在为普利兹克奖获得者妹岛和世 (Kazuyo Sejima) 的 SANAA 工作多年后，创立了自己的公司 ，并于 2009 年获得了日本建筑学会奖。随后又取得了进一步的成功，包括 2010 年威尼斯建筑双年展上的金狮奖。石上的实验性和受自然启发的设计方法消除了建筑、景观和环境之间的界限。其项目范围从概念装置到与周围环境无缝融合的建筑，以扩大可能性为指导。石上注重宁静、简约和透明，探求一种生活按照有机原则展开的建筑，其主要项目包括哥本哈根和平之家（2014年）、中国山谷教堂（2016年）和伦敦蛇形画廊（2019年）等。该公司的突破性设计探索使其成为享有盛誉的奥地利2024 Frederick Kiesler（弗雷德里克·基斯勒）建筑与艺术奖的获得者。 Feature： Project - Unveiled as a concept in 2016, this 1km-long art museum hovering over a lake in Rizhao, China manifests architect Junya Ishigami's poetic vision for a building that blurs the boundaries between architecture and nature. Aspiring to create a more equal relationship between construction and the vast environment of China, Ishigami stretches the narrow footprint across the entire expansive lake, enabling the structure to "gently touch the water surface." Rejecting isolated, defensive architecture, the design embraces the surroundings, pulling them inside. The museum's glass-infused colonnade sinks into the lake while the rippling roof floats above like a ribbon. The spectator moves through a dreamlike landscape, with glass openings framing views and letting in breezes. Sections morph from broad floors for exhibits to narrow landstrips bounded by water. This sensuous interplay between water and sky, light and surface aims to conjure a novel sense of nature within the building - a "friendly new natural environment." Ishigami seeks to uplift the human spirit by dissolving old dichotomies. The long, low curves respond to the languid topography, a counterpoint to the alienation of contemporary Chinese buildings. Alighting gently on the water without disrupting the horizon, the museum integrates harmoniously into the terrain. Design Team - Founded in Tokyo in 2004 by Junya Ishigami, junya.ishigami+associates has emerged as one of the most innovative and visionary architectural firms in Japan. Ishigami gained international acclaim following the completion of the Kanagawa Institute of Technology's KAIT Workshop in 2007, winning the Architectural Institute of Japan Prize in 2009. Further success followed, including the Golden Lion at the 2010 Venice Architecture Biennale. Ishigami's experimental and nature-inspired approach dissolves boundaries between architecture, landscape, and environment. Projects range from conceptual installations to buildings that integrate seamlessly with their surroundings, guided by a drive to expand possibilities. With a focus on tranquility, simplicity and transparency, Ishigami envisions an architecture where life unfolds according to organic principles. Major projects include the House of Peace in Copenhagen (2014), the Church in the Valley in China (2016), and the Serpentine Pavilion in London (2019). The firm's boundary-pushing explorations make it a worthy recipient of the prestigious Austrian Frederick Kiesler Prize for Architecture and the Arts in 2023. 设计团队 旅游探访 20220 m² 中国，山东日照 2023年 Previous Next

< 返回 Villa W Architecture MR 项目名称：Villa W 地点：拉马萨纳，安道尔 设计团队：Architecture MR 建筑面积：1063 m² 竣工时间：2024年 摄影：Pablo Garcia Esparza 设计特色： Architecture MR在安道尔拉马萨纳创造了一座非凡的Villa W住宅，完美体现了情境建筑与自然环境深度融合的精湛设计。该项目位于这一山地景观的显著位置，将当代建筑创新与生态敏感设计无缝结合，建立了建筑师所描述的"与自然节律共同呼吸的生命有机体"。 项目最引人注目的设计特色在于其四层级联构成，巧妙地顺应从街道到森林的自然坡度。这种动态布局创造了每个空间与环境的独特对话关系，从较低楼层的社交区域到上层的夜间区域，通过面向南方的周边露台开放，使景观成为建筑的主角。这种韵律性构图不仅建立了强烈的空间层次，还引入了随时间变化的光影效果，将建筑转化为"活跃表面"。 建筑策略巧妙地通过双层高起居空间作为项目的核心枢纽。雕塑般的壁炉作为空间分隔元素，戏剧性地将室内功能与创新的多功能水景分离。这一中央水景既可作为游泳池使用，也可作为活动的舞台空间，水面反射的光线在室内创造出随日夜和季节变化而演进的迷人光影变化。 贯穿建筑的楼梯设计成为一次空间体验之旅，在上升过程中不断变化形状和材质，成为引导动线的主线。这不仅是功能性连接，更是在光线、阴影和质感之间过渡的空间体验。较低楼层容纳最具社交性的空间：客房区域、影院、互动车库以及连接垂直花园的多功能空间。 入口处的设计被挖掘到地下，保留了一块原始的板岩岩石，作为自然雕塑出现，提醒人们场地的原始状态，强化了建筑的永恒特征。項目通过使用当地材料和重新种植本土植被来强化建筑与景观之间的连接，使住宅能够随时间演变。每一个阴影、每一次反射、每一个季节性变化都成为生活体验的一部分，将建筑转化为适应、倾听并与周围环境融合的生命有机体。 设计团队 - Architecture MR作为安道尔的开拓性建筑实验室，由两位创始人于2006年创立，他们怀着雄心勃勃的理念：不相信小建筑的局限性。在主持建筑师Marc Rubi的持续领导下，这家多学科事务所已发展成为一个由独特价值观驱动的大家庭，每位成员都贡献自己的专业技能。 该事务所的设计理念坚信建筑模式在不忽视功能的同时必须传达感情和情感。他们与上世纪的理性主义运动高度一致，以Philip Johnson和Mies van der Rohe等建筑师为重要参考。本世纪初向标志性建筑的转变在许多方面抛弃了功能，导致建筑忽视了场所、成本或功能。 Architecture MR的技术团队包括从不同专业领域的专业人士，从创意设计到技术执行各个环节。他们相信最佳结果只能通过参与整个建筑过程来实现。团队成员涵盖建筑师、技术建筑师、室内设计师、建筑摄影师、结构工程师、岩土工程师和MEP工程师等多个专业领域。 近期荣誉包括多项国际设计认可，工作室的实践方法强调对场地的深入分析和与客户的协作，打造出成功平衡当代创新与永恒设计原则的建筑，同时促进人与空间的深层连接。Architecture MR的建筑语言建立在理性主义、情感表达与环境整合的价值观之上，通过设计创新的变革力量，创造既根植于场所又拥抱全球建筑设计标准的建筑作品。 设计团队 旅游探访 1063 m² 拉马萨纳，安道尔 2024 Previous Next

< 返回 Villa M R.E.A.D. & Architects 项目名称：Villa M 地点：长野县轻井泽町，日本 设计团队：R.E.A.D. & Architects 建筑面积：151.54 m² 竣工时间：2024年 摄影：DAICI ANO, Kosuke Ino 设计特色： R.E.A.D. & Architects设计的"Villa M"展现了如何通过创新的L形空间构型策略和巧妙的环境融合技术，将一个原始森林场地转化为充满诗意的当代别墅隐居之所。 这座151.54平方米的住宅戏剧性地坐落在轻井泽的原始林地中，呈现为对日式传统与现代生活方式融合的深刻沉思。它没有破坏现有的森林景观，而是通过精心的建筑干预，创造出一个将传统山小屋形态与当代空间需求无缝交织的居住体验。 项目的绝妙之处在于对传统别墅布局的根本性重新构想。建筑采用独特的"键ノ字状"（L形）平面构成，如飞机双翼般将主寝室和客房分别延伸至南北两端，中央的LDK空间作为社交核心连接两翼。这种折角形态不仅确保了主人与客人的隐私需求，同时创造了两个截然不同的庭园体验——北侧的自然高原植物入口庭园和南侧的精心设计的景观露台。 R.E.A.D. & Architects的设计语言流利地表达着对自然环境的深度敬意，运用科学化的色彩分析方法重新定义建筑与景观的关系。建筑师实地采集现有树木（橡树、水楢、枫树等）的树皮样本进行色彩研究，最终选用与树皮呼应的炭灰色粗面杉木板作为外墙材料。这种大胆的环境融合策略不仅让建筑在视觉上"消失"在森林冠层中，同时创造了建筑与自然的有机对话。 最引人注目的是，建筑师通过创新的结构技术在空间内创造情感层次。LDK空间采用日本传统的Home Connector工法，通过将登梁在顶部进行"く"字形刚接合并一体化连接，如肋骨般的结构系统实现了室内无柱大空间，营造出开阔而温馨的聚会氛围。 景观策略延续了这种建筑与自然共生的设计理念。建筑的折角形态将场地自然分隔为两个功能性庭园，北侧庭园保持轻井泽典型的高原野趣，南侧庭园则通过木制露台、草坪和标志性树木营造非日常的度假氛围。从北侧入口进入住宅的瞬间，南侧庭园的壮丽景色通过大面积玻璃窗映入眼帘，创造出戏剧性的空间序列体验。 设计团队 - R.E.A.D. & Architects作为当代日本建筑实践的杰出代表，由建筑师冈田一树于2017年12月在东京创立，自成立以来已确立其在住宅设计和环境融合建筑语言创新领域的先锋地位。这家立足东京的事务所通过建筑、景观、室内和展览设计的综合整合，重新定义当代日本建筑师在国际设计话语中的角色。 R.E.A.D. & Architects为建筑实践带来了卓越的文化建筑设计视角和对跨学科方法的深刻理解。该事务所因其将传统日本建造智慧与当代空间创新结合的承诺而获得认可，创始人冈田一树为京都工芸繊维大学的杰出毕业生并获得享有盛誉的近代建筑赏，曾在普利兹克奖得主谷口吉生领导的谷口建筑设计研究所受训长达8年（2009-2017）。冈田在谷口事务所期间参与了铃木大拙馆、京都国立博物馆平成知新馆等重要文化项目的设计，这种高端文化建筑经验与住宅设计的结合，使R.E.A.D. & Architects在日本建筑景观中占据独特地位。 该事务所的设计哲学强调建筑应该超越简单的遮蔽功能——通过细致解读场地的"关系性"（Relationship）和"环境"（Environment），运用"建筑"（Architecture）和"设计"（Design）创造新的空间关系和更优质的环境品质。通过可持续的环境保护和创新方法，开展从住宅、文化设施到展览空间的多元化项目，相信最好的建筑是通过精准分析和深思熟虑过程产生的精致干预。R.E.A.D. & Architects相信建筑应该成为人与自然关系的媒介，通过策略性的空间组织和材料选择创造独特的居住体验。 除实践外，该事务所通过其全方位的设计服务保持着强有力的项目整合能力，涵盖建筑设计、室内设计、景观设计、展示设计等领域。通过对传统日本工艺与现代建造方法的深思熟虑结合、本地材料的精心运用，以及经过时间验证的环境智慧，R.E.A.D. & Architects已确立自己作为当代日本建筑话语重要贡献者的地位，创造出既具地域特色又拥抱国际设计视野的建筑作品。该事务所已获得包括石川建筑赏、BCS赏、京都景観赏等多项重要奖项，冈田一树作为新生代日本建筑师代表在国内外建筑界获得广泛认可。 设计团队 旅游探访 151.54 m² 长野县轻井泽町，日本 2024 Previous Next

< 返回 JF住宅 KG Studio 项目名称：JF住宅 地点：圣何塞杜里奥普雷图，巴西 设计团队：KG Studio 建筑面积：600平方米 竣工时间：2024年 摄影：Miti Sameshima 设计特色： KG Studio设计的"JF住宅"展现了如何通过创新的结构性山墙整合策略和巧妙的室内外连续性设计哲学融合技术，将一座位于私人社区内的住宅转化为充满家庭凝聚力和社交功能的现代居住之所。 这座600平方米的住宅戏剧性地分布在约700平方米的地块上，呈现为对当代巴西住宅生活方式、自然材料和热带建筑传统融合的深刻冥思。它通过精心的空间组织和材料选择，创造出一个将功能性与诗意性无缝交织的居住体验。 项目的绝妙之处在于对传统住宅结构系统的根本性重新构想。两道纵向石材包覆的山墙不仅作为承重元素，更成为空间组织的核心，确保上层体量轻盈地栖息在底层基座上。这种结构策略创造了建筑与重力的持续对话，实现了视觉上的悬浮效果。 KG Studio的设计语言流利地表达着当代巴西建筑方言，运用天然材料如木材和石材的现代应用来重新定义居住体验。连续的白色橱柜系统被创新性地用于统一视觉语言，同时巧妙地隐藏服务区域和储存空间。这种大胆的整合策略不仅增加了空间的视觉连贯性，同时巧妙地适应了现代家庭生活的复杂功能需求。 最引人注目的是，建筑师通过光线和空间序列的巧妙操控在不同功能区域间创造情感过渡。位于内部花园上方的木制楼梯采用嵌入墙体的悬挑踏板，配以天窗开口让自然光充满双层挑高空间，而地面层则通过大面积玻璃幕墙与后花园建立直接连接，营造出室内外无缝过渡的氛围。 景观策略延续了这种建筑与自然和谐共生的设计理念。地面层花坛和上层阳台的种植盆相互呼应，垂吊植物强化了住宅与周围自然环境的整合。大面积开口促进交叉通风和充沛自然光线，确保清新宜人的居住环境——完美适合休闲和社交聚会。 设计团队 - KG Studio作为新一代巴西建筑实践的杰出代表，由Felipe Kilaris Gallani和Victória Lacerda Chaves于近年在坎皮纳斯创立，自成立以来已确立其在当代住宅设计和跨文化建筑语言创新领域的先锋地位。这家立足圣保罗州的事务所通过设计与施工的协调整合，重新定义当代巴西建筑师在国际设计话语中的角色。 KG Studio为建筑实践带来了卓越的多元文化设计视角和对跨学科方法的深刻理解。该事务所因其将传统巴西建筑智慧与当代国际现代主义结合的承诺而获得认可，两位创始人均为圣保罗大学和麦肯齐大学的杰出毕业生，并在米兰理工大学进行国际交流，曾在Triptyque Architecture、Isay Weinfeld、Jacobsen Arquitetura、Estudio Campana、Arthur Casas和Bernardes Arquitetura等知名实践中受训。 该事务所的设计哲学强调建筑应该超越功能限制——不仅仅是为了满足基本需求而设计，更是为了与居住者的生活方式和文化背景共同有机演进。通过对个体性认知和感官体验的深度关注，开展从住宅到商业空间的多元化项目，相信最好的建筑是通过精准和深思熟虑的过程产生的精致干预。KG Studio相信建筑应该成为个人身份和家庭记忆的载体，通过策略性的空间组织和材料选择创造独特的居住体验。 除实践外，该事务所通过与包括Atelier Carlos Motta、Augusta、Belcolore、Docol、Dpot等本地制造商的合作保持着强有力的产业整合。通过对天然材料与现代建造方法的深思熟虑结合、本地和国际设计元素的运用，以及经过时间验证的建筑智慧，KG Studio已确立自己作为当代巴西建筑话语重要贡献者的地位，创造出既具地方回应性又拥抱全球设计视野的建筑作品。该事务所目前拥有包括Gabrieli Cavalari、Gianni Caliari、Beatrice Vieira和Yasmin Rissatti在内的专业建筑师团队，在圣保罗州充满活力的建筑景观中占据独特地位。 设计团队 旅游探访 600 m² 圣何塞杜里奥普雷图，巴西 2024 Previous Next

< 返回 都市生活所 苏畅设计研究室 项目名称：Urban Living Lab 地点：香港，中国 设计团队：苏畅设计研究室 建筑面积：100 m² 竣工时间：2025年 摄影：Kris Provoost, Leon Xu Liang, Eugene Chan 设计特色： 苏畅设计研究室设计的"Urban Living Lab"（都市生活所）展现了如何通过创新的可持续材料技术和参与式设计策略将香港最稠密社区之一的闲置公共空间转化为充满活力的社区聚集场所。这座位于大角咀的社区展亭以其开创性的胶合竹结构系统和传统镀锌钢工艺的复兴重新定义了高密度都市环境中公共建筑的设计概念。 该项目的精彩之处在于其对极端城市条件的战略性响应。大角咀作为香港人口密度最高的社区之一，每1000平方米居住180人，是香港平均人口密度的6倍，但人均公共休憩空间仅有0.43平方米。建筑师巧妙地利用奥海城二期北侧的闲置空间，通过流体形态的"公共遮阳伞"设计创造了一个应对亚热带气候的社区聚集场所。建筑的几何形态围绕现有棕榈树精心设计，在最大化遮阴范围的同时促进自然通风。 设计团队的材料创新通过香港首座胶合竹结构建筑展开。这一突破性的建造系统实现了相比传统钢结构75%的内含碳减排，预计减少7吨二氧化碳排放。建筑师与本地金属工匠深度合作，复兴传统镀锌钢工艺，将其与现代制造方法相结合，创造出独特的竹钢混合建造体系。这种材料对话不仅致敬了大角咀作为重要船厂和避风塘的海事遗产，还建立了海陆之间独特材料文化的集体记忆。 空间设计充分考虑了亚热带季风气候条件。建筑整体形态有效遮挡夏季强烈的西南阳光，同时在冬季引入反射阳光。复合竹材料与镀锌钢板结合的壳体结构有利于雨水直接排放至周围透水砖广场，同时利用竹材料的低比热容特性提供自然舒适的休憩空间，与场地内棕榈树形成自然通风系统。 该项目体现了出色的循环设计理念。建筑采用模块化设计，可在不同阶段和地点重复使用。第一阶段作为催化剂和展示倡议，十二个月后将过渡到第二阶段，五个模块将被拆解、迁移并在面临类似城市更新挑战的新场地重新组装。这一创新策略旨在通过整合本地竹材料和传统钢铁工艺建立基于生物材料的负碳循环建造系统。 景观与社区融合通过广泛的利益相关者参与实现。设计过程包含会议、展览、工作坊和研讨会等多种形式的社区参与，收集来自社区的意见。深度研究、观察和调研显示，经常使用该场地的用户强调了遮阴的必要性，以激活这个位于市中心的空旷都市空间。 这座展亭体现了杰出的可持续设计方法，展示了如何在不牺牲现代都市生活功能性的情况下，将中国南方丰富的竹材培育、收获、加工和建造利用传统融入当代高密度都市建筑设计中。 设计团队 - 苏畅设计研究室作为新一代建筑实践的杰出代表，由主持建筑师苏畅和管理总监区卓勋领导，自创立以来已确立其在可持续设计和材料创新领域的先锋地位。这家立足香港和广州的事务所通过设计、研究和建造的无缝整合，重新定义建筑与环境的关系。 苏畅设计研究室为建筑实践带来了卓越的以水为中心的设计视角和对跨学科方法的深刻理解。该事务所因其对当代文化出发、将传统工艺与新技术结合的承诺而获得认可。这种整体方法与当代设计创新的结合，使苏畅设计研究室在亚洲建筑景观中占据独特地位。 该事务所的设计哲学强调动手、合作和开放的探索过程同等重要，以跨尺度、跨学科的方法开展设计，相信建筑应该是对清晰的建筑形式语言中注入丰富的物质性与生活感的结果。通过与当代艺术文化机构的深度设计合作，他们致力于探索新兴文化、新经济模式与可持续未来。苏畅设计研究室相信最好的建筑能够通过海陆之间的多元流动，以材料为线索探索小区空间活化、社会肌理再生等议题。 通过对传统工艺与新技术结合、本地材料和经时间验证的建造技术的运用，苏畅设计研究室已确立自己作为当代亚洲建筑话语重要贡献者的地位，创造出既探索日常之物的设计创新又拥抱全球设计视野的建筑作品。 设计团队 旅游探访 100 m² 香港，中国 2025 Previous Next

< 返回 旗帜屋 studio mk27 设计特色： 项目 – 巴西现代主义与加拿大惠斯勒的雪山完美融合，Studio MK27设计的"旗帜屋"（Flag House）在2023年Wallpaper*设计大奖中荣获最佳滑雪度假屋奖。这座独特的建筑坐落于惠斯勒白雪皑皑的山峰之间，巧妙地将巴西现代主义与高山建筑风格相结合。 来自圣保罗的Studio MK27以其热带别墅设计闻名，此次他们成功地将其标志性的室内外连接理念转化到了寒冷的环境中。结果令人惊叹：一个透明的庇护所，仿佛漂浮在雪景之上，既邀请自然进入室内，又为住户提供了一个温暖舒适的避风港。 "旗帜屋"最引人注目的特点是其悬挑的上层——一个被大面积玻璃包裹的主层空间。这个通透的体量看似轻盈地悬浮在混凝土基座之上，与崎岖的地形形成戏剧性的对比。室内精心策划的陈设融合了现代主义和当代家具，营造出极简主义背景，为不断变化的自然景观提供了完美的画框。 这座创新型度假屋的设计不仅仅停留在美学层面，还巧妙地融入了高山生活方式。住户可以直接滑雪进入房屋，模糊了户外冒险与家居生活的界限。通过这种开创性的设计手法，Studio MK27打造了一个不仅尊重环境，更是共享自然的家园，为奢华滑雪度假屋提供了全新的诠释。 团队 – Studio MK27作为巴西现代主义建筑的先锋，自20世纪70年代末由建筑师马西奥·科甘（Marcio Kogan）创立以来，一直引领着全球设计潮流。这家位于充满活力的圣保罗的设计工作室，如今已发展成为拥有56名成员的强大团队，并拥有广泛的国际合作网络。 Marcio Kogan本人是美国建筑师协会（AIA）的荣誉会员和米兰理工大学的教授，他领导着一个由四位总监组成的核心团队，负责管理三个专业部门。长期合作伙伴戴安娜·拉多米斯勒（Diana Radomysler）主管室内设计团队，而雷纳塔·弗拉内托（Renata Furlanetto）和苏珊娜·格洛戈夫斯基（Suzana Glogowski）则领导建筑设计团队。玛丽安娜·西马斯（Mariana Simas）作为执行总监，负责管理新项目和日常运营。 工作室的设计理念深深扎根于巴西现代主义传统，但他们通过当代手法不断演绎这一传统。他们的作品以形式简洁和极致细节著称，赢得了包括世界建筑节奖（WAF）、《建筑评论》奖和《Wallpaper》设计大奖在内的250多项设计荣誉。 Studio MK27的影响力远超建成作品。他们在2012年威尼斯双年展上的亮相，以及在皇家艺术学院和耶鲁大学等机构的演讲，凸显了他们作为建筑思想领袖的地位。这家总部位于圣保罗的事务所不断突破界限，创造出完美融合现代主义原则与前沿设计的空间，巩固了他们作为21世纪建筑界中坚力量的地位。 Feature： Project - Nestled in the snow-capped peaks of Whistler, Canada, Flag House by Studio MK27 emerges as a masterful fusion of Brazilian modernism and alpine architecture. This striking retreat, winner of Best Ski Retreat at the 2023 Wallpaper* Design Awards, challenges conventional notions of winter residences with its bold, glass-encased design. Marcio Kogan's São Paulo-based practice, renowned for its tropical villas, has adeptly translated its signature indoor-outdoor connection to a frosty canvas. The result is a transparent sanctuary that seems to float above the snowy landscape, inviting nature in while providing a cozy refuge from the elements. The home's most distinctive feature is its cantilevered upper level – a grand piano nobile wrapped in expansive glazing. This transparent volume appears to hover weightlessly above its concrete base, creating a dramatic juxtaposition with the rugged terrain. Inside, carefully curated interiors blend modernist and contemporary furnishings, forming a minimalist backdrop that frames the ever-changing views. Flag House's innovative design extends beyond aesthetics, seamlessly integrating with the alpine lifestyle. Residents can ski directly into the home, blurring the lines between adventure and domesticity. With its groundbreaking approach to mountain living, Studio MK27 has created a home that not only respects its environment but celebrates it, offering a new perspective on luxury ski retreats. Design Team - Studio MK27, a vanguard of Brazilian modernist architecture, has been shaping the global design landscape since its inception in the late 1970s by visionary architect Marcio Kogan. Nestled in the vibrant chaos of São Paulo, this atelier has grown into a powerhouse of 56 members, with an extensive network of international collaborators. At the helm, Kogan, an AIA honorary member and Politecnico di Milano professor, leads a quartet of directors overseeing three specialized divisions. Diana Radomysler, a longtime partner, spearheads the interior design team, while Renata Furlanetto and Suzana Glogowski direct the architectural squad. Mariana Simas, as executive director, manages new projects and operations. The studio's ethos is deeply rooted in the Brazilian modernist tradition, yet it constantly evolves this legacy through contemporary reinterpretation. Their portfolio is characterized by formal simplicity and meticulous attention to detail, earning them over 250 prestigious accolades including WAF, Architectural Review, and Wallpaper Design Awards. Studio MK27's influence extends beyond built works. Their presence at the 2012 Venice Biennale and lectures at institutions like the Royal Academy of Arts and Yale University underscore their role as thought leaders in architectural discourse. This São Paulo-based practice continues to push boundaries, creating spaces that seamlessly blend modernist principles with cutting-edge design, cementing their status as a formidable force in 21st-century architecture. 设计团队 旅游探访 1130 m² Whistler, Canada 2022 Previous Next

< 返回 福田中学校园设计 reMIX 临界工作室 设计特色： 项目 – 位于深圳福田区高密度区域的这所中学校园由reMIX临界工作室设计。它打破了传统校园设计的框框，将校园与周边环境无缝融合，成为一座"城中之城"。受到周围高耸入云的摩天大楼的影响，设计团队不得不重新思考学校这一建筑类型。通过将运动场抬升、开放地面层供公众使用，校园变得更加通透、渗透性强，鼓励学校与社区之间的互动交流。一系列桥梁和平台组成的"环路"将各建筑物连接起来，形成一个立体的交通系统，减少了垂直流动，促进了师生之间的偶然碰撞。除了功能性，设计还重视生态考量。校园内融入了丰富的绿色空间和景观元素，转化为一个对鸟类友好、海绵质感的环境，以应对这种高密度的城市语境。总的来说，福田中学校园设计代表了一种创新的学校设计方法，将教育、社交和环境优先事项巧妙结合，打造出一个真正融合的校园体验。 团队 – reMIX 临界工作室创立于2012年，是一家位于北京的跨界设计实践,涉及建筑、景观及城市设计等领域。该工作室由三位合伙人 - 陈忱、Federico Ruberto和Nicola Saladino共同创立，他们分别拥有不同的学术和专业背景。reMIX 临界工作室秉持整体性、跨学科的理念，探索塑造建成环境的复杂动态系统。他们的设计注重生态可持续性，融合自然和人工元素，创造出适应性强、响应性高的空间解决方案。该工作室的项目涵盖从小型装置到大型总体规划等多个尺度，始终体现出对创新的追求，以及对社会环境背景的深入思考。reMIX 临界工作室的设计获得了美国景观建筑学会优胜奖、国际景观建筑联盟设计大奖以及克拉科夫建筑三年展设计大奖等多个重要国际奖项。他们的作品广泛发表和展出，包括威尼斯建筑双年展，鹿特丹建筑国际双年展及法国建筑年度设计展，在整合性、可持续性设计领域十分引人注目。 Feature： Project - Located in the densely populated Futian District of Shenzhen, this high school campus by reMIX studio breaks the mold of traditional school design. Challenging the norm of schools as isolated urban islands, the project seamlessly integrates the campus with its surrounding context, becoming a "city within the city." The high-density site, surrounded by towering skyscrapers, prompted the designers to rethink the school typology. By elevating the sports fields and opening up the ground level to the public, the campus becomes a porous, permeable space that encourages interaction between the school and the community. A network of bridges and terraces, dubbed "The Loop," connects the various buildings, creating a three-dimensional circulation system that reduces vertical movement and fosters spontaneous encounters. Beyond just functionality, the design also prioritizes ecological considerations. The campus incorporates a variety of green spaces and landscaping elements, transforming it into a bird-friendly, sponge-like environment that mitigates the effects of the dense urban context. Overall, Futian High School Campus represents a innovative approach to school design, seamlessly blending educational, social, and environmental priorities to create a truly integrated campus experience. Design Team - Founded in 2012, reMIX Studio is a Beijing-based design practice that operates at the intersection of architecture, landscape, and urban design. The studio was established by three partners - Chen Chen, Federico Ruberto, and Nicola Saladino - each bringing diverse academic and professional backgrounds to the team. Driven by a holistic, interdisciplinary approach, reMIX Studio explores the complex, dynamic systems that shape the built environment. Their design work emphasizes ecological sustainability, the integration of natural and artificial elements, and the creation of adaptive, responsive spatial solutions. The studio's portfolio spans a range of project scales, from small-scale installations to large-scale master plans, consistently demonstrating a commitment to innovation and a critical engagement with the social and environmental contexts of their work. reMIX Studio's designs have been recognized with prestigious international awards, including ASLA Honor Awards, IFLA Design Awards, and prizes from the Krakow Architecture Triennial. Their work has been widely published and exhibited globally, establishing the practice as a leading voice in the field of integrated, sustainable design. 设计团队 旅游探访 120774 m² 中国，深圳 2023年 Previous Next

< 返回 KM 河口湖森林之家 山縣洋建築設計事務所 项目名称：KM 河口湖森林之家 地点：日本，山梨县南都留郡 设计团队：山縣洋建築設計事務所 建筑面积：143.54 m² 完工时间：2024年5月 摄影：Forward Stroke Inc. 设计特色： 项目 - KM河口湖森之家体现了建筑与自然地形的完美融合。这座位于富士山脚下的度假别墅，通过其独特的漂浮式设计，展现了对自然地貌的深刻理解和创新诠释。建筑采用简洁的长方体形态，以精妙的结构设计实现了与斜坡地形的和谐对话。 项目最显著的特色是其巧妙的错层设计和悬挑结构。二层木结构住宅空间在混凝土底层之上形成最大3.64米的悬挑，创造出引人注目的漂浮效果。建筑师通过精心设计的开窗布局和地面高差，在统一的开放空间中营造出多样化的空间体验。外部露台被巧妙地嵌入建筑体量之中，而非外突设计，既确保了私密性，又创造了舒适的半室外空间。 项目对环境的回应体现在其对原有地形的尊重。建筑通过采用与地形呼应的缓坡屋顶设计，以及最小化的地面接触面积，保持了场地原有的自然特质。精心控制的视线设计既保护了使用者的私密性，又充分利用周边自然景观，为室内空间提供丰富的视觉体验。 这座别墅展现了对材料运用的创新：一层采用钢筋混凝土结构，二层则采用木结构配合局部钢结构加强，完美平衡了结构需求与设计表达。项目成功展示了如何在严谨的技术约束下，创造富有诗意的建筑空间。 团队 - 山縣洋建築設計事務所成立于2002年，是一家立足于日本川崎市的建筑设计事务所。在创始人山縣洋的带领下，事务所以其对建筑与环境关系的深刻理解，以及在住宅、公共建筑等领域的创新设计而闻名。 山縣洋在1985年毕业于东京工业大学建筑学科后，积累了丰富的国际经验，包括在荷兰OMA建筑事务所的工作经历（1994-1996）。这些经历为其后来的建筑实践奠定了独特的视角和方法论基础。 事务所的设计理念强调每个项目的独特性，拒绝固定的设计风格。他们相信优秀的建筑源于建筑师、业主与场地之间的深入对话。事务所的实践范围广泛，涵盖建筑设计、室内设计、景观设计、城市规划等多个领域，反映了他们对建筑学科综合性的追求。 团队以其严谨的设计方法和对细节的专注而著称。他们特别擅长将建筑与自然环境巧妙融合，创造出既回应场地特征又满足使用需求的空间作品。事务所的作品获得多个重要奖项，并在日本建筑界享有不俗声誉。 Project Name: KM Lake Kawaguchi Forest House Location: Minamitsuru District, Yamanashi Prefecture, Japan Design Team: Yo Yamagata Architects Area: 143.54 m² Completion: May 2024 Photographs: Forward Stroke Inc. Feature： Project - The KM Lake Kawaguchi Forest House exemplifies the seamless integration of architecture with natural topography. Located at the foot of Mount Fuji, this vacation residence demonstrates an innovative interpretation of site-responsive design through its distinctive floating form. The building employs a simple rectangular volume that engages in a sophisticated dialogue with the sloping terrain through masterful structural design. The project's most striking feature is its clever split-level design and cantilever structure. The second-floor wooden living space creates dramatic overhangs of up to 3.64 meters above the concrete base, achieving a compelling floating effect. Through carefully orchestrated window placements and floor level variations, the architect creates diverse spatial experiences within a unified open plan. The exterior terrace is ingeniously carved into the building mass rather than projecting outward, ensuring privacy while creating comfortable semi-outdoor spaces. The building's environmental response is evident in its respect for the existing topography. Through the adoption of a gentle sloping roof that mirrors the terrain and minimized ground contact, the architecture maintains the site's natural character. Carefully controlled sightlines both protect user privacy and maximize engagement with the surrounding landscape, providing rich visual experiences for interior spaces. The villa showcases innovative material application: reinforced concrete for the first floor and wood construction with partial steel reinforcement for the second floor, perfectly balancing structural requirements with design expression. The project successfully demonstrates how to create poetic architectural spaces within rigorous technical constraints. Design Team - Yo Yamagata Architects, established in 2002 in Kawasaki, Japan, has earned recognition for its profound understanding of the relationship between architecture and environment, and its innovative designs across residential and public projects. Yo Yamagata, following his graduation from Tokyo Institute of Technology's Architecture Department in 1985, gained valuable international experience, including a significant tenure at OMA in the Netherlands (1994-1996). These experiences shaped his unique architectural perspective and methodology. The firm's design philosophy emphasizes the uniqueness of each project, rejecting predetermined stylistic approaches. They believe exceptional architecture emerges from deep dialogue between architect, client, and site. The practice spans a broad spectrum, encompassing architectural design, interior design, landscape architecture, and urban planning, reflecting their commitment to architecture's multidisciplinary nature. The team is renowned for their rigorous design methodology and attention to detail. They excel particularly in creating harmonious integrations between buildings and their natural contexts, producing spaces that both respond to site characteristics and fulfill user needs. The firm's work has garnered numerous significant awards and maintains a highly respected position within Japan's architectural community. 设计团队 旅游探访 143.54 m² 日本，山梨县南都留郡 2024 Previous Next

< 返回 BIJOUPIKO Fukui珠宝首饰店 Oniki Design Studio 项目名称：BIJOUPIKO Fukui 设计团队：Oniki Design Studio 面积：299.33 m² 地点：福井市，日本 设计特色： 项目 – 在日本福井郊区，ODS建筑事务所打造了一座突破传统零售设计的珠宝店。BIJOUPIKO福井店以其精妙的空间序列设计脱颖而出，将建筑本身转化为一场充满探索欲的奇妙之旅。 这座作品最引人注目的特点在于其精巧的建筑构图，巧妙地在截然不同的空间体验之间营造和谐对话。建筑核心是一个双层零售区，以温暖的棕色调墙面打造出私密氛围——这一精心的设计选择为婚戒的挑选提供了理想环境。 中心区域的两侧是双层挑高的开放空间，呈现出完全不同的空间品质。这些通透的展示区采用纯净的白色装修，北立面采用整面落地玻璃，东西两侧则巧妙设置了高窗，确保空间内充满柔和而持续的自然光线，将过渡空间升华为超凡脱俗的体验场所。 为应对当地气候特点，建筑采用了实用的人字坡屋顶以抵御大雪，同时融入了一处可从室内欣赏的枯山水花园。这种将户外元素巧妙整合的手法扩展了视觉体验的边界。 这座建筑面积达299平方米，于2024年4月竣工，位于福井新干线站延伸段开通后约15分钟车程处。它开创了零售建筑的新典范，通过精心编排的空间序列提升购物体验。BIJOUPIKO福井店展现了建筑叙事如何能够升华珠宝选购的仪式感，让顾客在光线、空间与材质中展开一段难忘的探索体验。 团队 – Oniki Design Studio（ODS）由Koichiro Oniki于2015年创立，现已发展成为日本最具创新力的建筑设计事务所之一。该事务所专注于突破传统界限的空间设计，并于2017年正式改制为股份公司。事务所的业务范畴横跨建筑设计、室内设计和展览设计领域，其作品以精妙的空间序列和卓越的体验品质著称。 主创建筑师Koichiro Oniki 1977年生于东京，童年时期在英国度过，这段经历为其注入了独特的国际视角。在早稻田大学完成建筑学业后，他首先加入了日本顶尖建筑设计公司日建设计（Nikken Sekkei）。随后在全球知名设计工作室nendo担任首席空间设计总监长达十年，主导了众多国际项目，这段经历深刻塑造了事务所现今的设计理念。 目前为止，事务所斩获了诸多重要奖项，包括2023年ELLE DECO设计大奖之日本最佳室内设计奖、多次荣获Sky设计大奖金奖（2020-2023年），以及2017年Architizer A+大奖评委会奖等。事务所的作品组合涵盖零售空间、文化场所和定制室内设计，每一个项目都完美诠释了他们对打造沉浸式建筑体验的不懈追求。 现任核心设计团队通过跨学科的设计方法和对细节的精益求精，持续推动着空间设计的边界。该事务所以其精准的设计语言、细腻的空间营造和对使用者体验的深入思考在业界备受推崇。其作品不仅展现了对建筑空间的深刻理解，更体现了当代日本设计美学的精髓。 Project：BIJOUPIKO Fukui Team：Oniki Design Studio Size：299.33 m² Location：Fukui City, Japan Feature： Project - In the suburban landscape of Fukui, Japan, architect Koichiro Oniki of ODS has crafted a jewelry store that transcends conventional retail design. BIJOUPIKO Fukui emerges as a masterful exploration of spatial sequencing, where the architecture itself becomes an invitation to wander and discover. The project's most striking feature lies in its thoughtful architectural composition, which orchestrates a harmonious dialogue between contrasting spatial experiences. At its core, a sophisticated two-story volume houses the main retail area, characterized by its warm brown-toned walls and intimate atmosphere – a deliberate choice that creates an ideal environment for the considered selection of bridal rings. This central space is flanked by double-height voids that introduce an entirely different spatial quality. These light-filled galleries, finished in pristine white, feature full-height glazing on the northern façade and carefully positioned clerestory windows on the east and west elevations. This configuration ensures a constant, diffused natural illumination that transforms these transitional spaces into ethereal volumes. Responding to the local climate, the building adopts a practical gabled roof designed to withstand heavy snowfall, while incorporating a contemplative rock garden visible from the interior. This thoughtful integration of exterior elements extends the visual journey beyond the building's confines. The 299-square-meter structure, completed in April 2024, represents a new typology in retail architecture where the shopping experience is elevated through a carefully choreographed sequence of spaces. Located just 15 minutes by car from the newly extended Shinkansen station at Fukui, BIJOUPIKO demonstrates how architectural narrative can enhance the ritual of jewelry selection, creating a memorable journey through light, space, and material. Design Team - Founded in 2015 by Koichiro Oniki, ODS (Oniki Design Studio) has established itself as one of Japan's most innovative architectural practices, specializing in spatial design that transcends conventional boundaries. The studio, which reorganized as a corporation in 2017, operates at the intersection of architecture, interior design, and exhibition design, delivering projects characterized by their sophisticated spatial sequences and attention to experiential quality. Principal architect Koichiro Oniki, born in 1977 in Tokyo, brings a unique international perspective to the practice, shaped by his formative years in the United Kingdom. Following his architectural studies at Waseda University, Oniki honed his expertise at Nikken Sekkei, one of Japan's leading architectural firms. His decade-long tenure as Chief Spatial Design Director at nendo, where he spearheaded numerous international projects, significantly influenced the studio's current design philosophy. Under Oniki's leadership, the firm has garnered prestigious accolades, including the 2023 ELLE DECO Design Awards for Best Japanese Interior Design, multiple Sky Design Awards Gold Prizes (2020-2023), and the 2017 Architizer A+ Award Jury Winner. The practice's portfolio spans retail environments, cultural spaces, and bespoke interiors, each exemplifying their commitment to creating immersive architectural experiences. The current design team, including key members Keisuke Fujiki, Hiroyuki Tanimoto, and Sakura Itazaki, continues to push the boundaries of spatial design through their interdisciplinary approach and meticulous attention to detail. 设计团队 旅游探访 299.33 m² 福井市，日本 2024 Previous Next

< 返回 蜂巢当代艺术中心 槃达建筑 项目名称：蜂巢当代艺术中心 地点：北京，中国 设计团队：槃达建筑 面积：3300平方米 竣工时间：2024年11月 摄影师：董琳、夏至 设计特色： 项目 - 在北京798艺术区的核心地带，槃达建筑重新构想了蜂巢当代艺术中心，将其转变为一个超越工业原貌的纯白色圣地。在建筑师孙大勇的带领下，这3300平方米的改造项目标志着艺术空间"3.0版本"的关键时刻。 该项目大胆地剥离了建筑的工业遗迹，用明亮的、极简主义的环境取代了原始工厂的美学，优先考虑艺术和精神体验。汲取万神殿和现代主义大师如阿道夫·路斯 (Adolf Loos)等建筑大师的灵感，设计将空间提炼到最纯粹的本质。 孙大勇的概念围绕三个定义性的"W"展开：白色（White）、重量（Weight）和意志（Will）。全白色的内部创造了一个中性画布，让艺术作品成为焦点，而入口处灵感来自卡尔纳克神庙的戏剧性柱廊，增添了建筑的庄重感。主展厅中的网格状屋顶结构进一步强化了这种秩序感，精心放置的发光薄膜营造出一种空灵、庙宇般的氛围。 这次的设计不仅仅是美学上的改造，还以细致入微的细节重新构想了功能空间。二楼的走廊充当景观桥梁，为参观者提供独特的内部视角，而像大厅和阅读区这样的开放空间，彰显了艺术中心对公共参与的承诺。 通过将一个前工业空间转变为当代艺术殿堂，槃达建筑不仅仅创造了一个画廊，更是开辟了一段穿越光线、空间和艺术表达的精神之旅。 团队 – 2013年成立的槃达建筑（Penda China Architecture），是一家具有前瞻性思维的建筑实践机构，巧妙地融合了创新、可持续性和艺术表达。总部位于北京，槃达建筑以其“LESS IS LOVE”的设计理念而闻名。这一理念强调生态价值，以及人类环境与建筑空间之间的和谐关系。 在联合创始人孙大勇和Chris Precht的领导下，槃达建筑不断在不同类型的项目中突破建筑设计的界限。从文化机构到住宅和商业空间，槃达建筑以创造超越传统设计范式的变革性建筑体验而享有盛誉。 槃达建筑的设计方法以多学科融合为特点，将建筑、景观和室内设计有机结合，并专注于生态可持续性。他们的作品集中体现了当代设计的时代精神，与知名品牌合作，并屡获国际认可。 值得一提的是，槃达建筑多次入选《AD100》榜单，2016年荣获Architizer+国际新兴设计事务所奖，还多次被提名Dezeen Awards等国际大奖。事务所对创新设计的执着追求，使其在全球建筑领域中占据了重要地位，展现了中国当代建筑不断发展的新面貌。 槃达建筑以超越传统建筑形式的视野为指引，持续挑战常规设计理念，创造出既具思想深度又以人为本的空间。 Project Name: Hive Center for Contemporary Art Location: Beijing, China Design Team: Penda China Architecture Renovation Area: 3,300 square meters Completion Time: November 2024 Photographers: Dong Lin, Xia Zhi Feature： Project - In the heart of Beijing's 798 Art District, Penda China Architecture has reimagined the Hive Center for Contemporary Art as a pristine white sanctuary that transcends its industrial origins. Led by architect Sun Dayong, the 3,300-square-meter renovation represents a pivotal moment in the district's evolution, marking what the design team calls the "3.0 version" of the art space. The project boldly strips away the building's industrial heritage, replacing raw factory aesthetics with a luminous, minimalist environment that prioritizes art and spiritual experience. Drawing inspiration from architectural icons like the Pantheon and the philosophies of modernist masters such as Adolf Loos, the design distills space to its purest essence. Dayong's concept revolves around three defining "W"s: White, Weight, and Will. The all-white interior creates a neutral canvas that allows artworks to take center stage, while a dramatic colonnade at the entrance—inspired by the Karnak Temple—introduces a sense of architectural gravitas. A grid-like roof structure in the main exhibition hall further reinforces this sense of order, with carefully placed luminous films creating an ethereal, temple-like atmosphere. The renovation goes beyond aesthetics, reimagining functional spaces with meticulous attention to detail. A second-floor corridor acts as a landscape bridge, offering visitors unique perspectives of the interior, while open areas like the lobby and reading spaces emphasize the center's commitment to public engagement. By transforming a former industrial space into a contemporary art haven, Penda China Architecture has created more than just a gallery—it's a spiritual journey through light, space, and artistic expression. Design Team - Founded in 2013, Penda China Architecture has emerged as a forward-thinking architectural practice that seamlessly blends innovation, sustainability, and artistic expression. Headquartered in Beijing, the firm has distinguished itself through a commitment to what they term "LESS IS LOVE" – a design philosophy that prioritizes ecological values and harmonious relationships between human environments and architectural spaces. Led by co-founders Sun Dayong and Chris Precht, the practice has consistently pushed the boundaries of architectural design across diverse project typologies. From cultural institutions to residential and commercial spaces, Penda has developed a reputation for creating transformative architectural experiences that transcend traditional design paradigms. The firm's approach is characterized by a multidisciplinary methodology, integrating architectural, landscape, and interior design with a keen focus on ecological sustainability. Their portfolio demonstrates an extraordinary ability to capture the zeitgeist of contemporary design, collaborating with prestigious brands and receiving international recognition. Notably, Penda has been repeatedly selected for the AD100 list, received the Architizer+ Awards for Emerging International Design Firm in 2016, and has been nominated for prestigious awards including the Dezeen Awards. The practice's commitment to innovative design has positioned them as a significant voice in the global architectural discourse, representing the evolving landscape of Chinese contemporary architecture. With a vision that extends beyond mere built form, Penda China Architecture continues to challenge conventional design paradigms, creating spaces that are both intellectually provocative and deeply human-centric. 设计团队 旅游探访 3300 m² 北京，中国 2024 Previous Next

< 返回 玻璃屋脊之家 OWIU Design 项目名称：Glass Ridge House 地点：洛杉矶，美国 设计团队：OWIU Design 建筑面积：3728 平方英尺 竣工时间：2024年 摄影：Pablo Veiga Photography 设计特色： OWIU Design设计的"Glass Ridge House"（玻璃屋脊之家）展现了如何通过创新的水元素整合策略和巧妙的东西方设计哲学融合技术，将一座被遗弃30年的雷·卡普1973年现代主义住宅转化为充满文化深度的静修圣地。 这座3728平方英尺的住宅戏剧性地栖息在洛杉矶郊区的山丘中，呈现为对多元文化传承、自然元素和当代加州生活方式融合的深刻冥思。它没有完全抛弃原有的现代主义框架，而是通过精心的干预，创造出一个将亚洲哲学与南加州室内外生活方式无缝交织的居住体验。 项目的绝妙之处在于对传统住宅水景整合的根本性重新构想。室内外空间通过前所未有的水元素连接，包括穿过改造后阳光房的玻璃封闭溪流，以及环绕入口的锦鲤池配以极简主义日式枯山水。这条水的纽带确保从每个房间都能看到水景、树木或山丘的景观，创造了建筑与自然的持续对话。 OWIU Design的设计语言流利地表达着跨文化方言，运用传统日本榻榻米工艺的现代应用来重新定义居住体验。来自Kuboki榻榻米（自1740年经营的家族专业店）的榻榻米材料，被创新性地用于包裹下沉式客厅和定制床架，而非传统地板应用。这种大胆的重新诠释不仅增加了空间的温暖感和真实性，同时巧妙地适应了亚洲席地而坐的文化习俗。 最引人注目的是，建筑师通过光线和材质的巧妙操控在不同功能区域间创造情感过渡。厨房空间拥有高挑天花板和大面积玻璃墙，让自然光充满整个空间并突出浅色木质表面，而相邻的餐厅则采用低垂的深红木镶板天花板和熏黑木质吧台，营造出更为厚重和亲密的氛围对比。 景观策略延续了这种室内外无缝过渡的设计理念。一度弯曲的泳池被重新设计为与景观更加和谐的形态，使人们能够在水中享受远山树林的景色。艺术家Tomonari Hashimoto定制的陶瓷瓷砖为专门的茶吧区域奠定基调，反映了居住者的日常仪式，每个设计元素都承载着个人记忆、故事和深层原因。 设计团队 - OWIU Design作为新一代亚裔美国建筑实践的杰出代表，由新加坡建筑师阿曼达·古纳万和乔尔·王于2018年在洛杉矶创立，自成立以来已确立其在当代住宅设计和跨文化建筑语言创新领域的先锋地位。这家立足洛杉矶的事务所通过设计、建造和产品开发的垂直整合，重新定义亚裔美国建筑师在当代设计话语中的角色。 OWIU Design为建筑实践带来了卓越的多元文化设计视角和对跨学科方法的深刻理解。该事务所因其将传统亚洲工艺与当代加州现代主义结合的承诺而获得认可，两位创始人均为南加州建筑学院(SCI-Arc)的杰出毕业生并获得享有盛誉的优秀毕业设计奖，曾在普利兹克奖得主汤姆·梅恩领导的Morphosis建筑事务所等知名实践中受训。古纳万还具备新加坡市区重建局的城市规划经验，这种国际化经验与美国建筑教育的结合，使OWIU Design在洛杉矶建筑景观中占据独特地位。 该事务所的设计哲学强调建筑应该超越时间限制——不仅仅是为了持久存在而设计，更是为了与居住者共同有机演进。通过可持续发展的保护和创新方法，开展从住宅、商业到酒店和公共空间的多元化项目，相信最好的建筑是通过精准和深思熟虑的过程产生的精致干预。OWIU Design相信建筑应该成为文化记忆和个人叙事的载体，通过策略性的空间组织和材料选择创造独特的居住体验。 除实践外，该事务所通过其子公司OWIU Goods（陶瓷和家居用品线）和Inflexion Builds（持牌建筑公司）保持着强有力的垂直整合。通过对传统工艺与现代建造方法的深思熟虑结合、本地和国际材料的运用，以及经过时间验证的文化智慧，OWIU Design已确立自己作为当代亚裔美国建筑话语重要贡献者的地位，创造出既具地方回应性又拥抱全球设计视野的建筑作品。该事务所已完成90多个项目预订，获得超过60项国际媒体报道，古纳万入选Prestige Asia 40岁以下40人榜单和《建筑文摘》10位AAPI设计师名单。 设计团队 旅游探访 3728 ft² 洛杉矶，美国 2024 Previous Next

< 返回 武汉甘露山国际滑雪场 CLOU Architects 项目名称：武汉甘露山国际滑雪场 地点：武汉，中国 设计团队：CLOU Architects 建筑面积：178000 m² 完工时间：2024年 摄影师：存在建筑、须然建筑摄影 设计特色： 项目 - 在武汉的中心，CLOU柯路建筑（CLOU Architects）重新构想了滑雪场的概念，将其从简单的运动设施转变为革命性的24小时城市娱乐综合体。这个创新项目为中国的综合休闲目的地设立了新标准，无缝融合了室内冬季运动、零售体验和景观设计。 该度假区最引人注目的特点是其长达半公里、高达100米的室内滑雪道，外部包裹着开创性的像素化多媒体立面。这座建筑奇迹远远超越了传统滑雪设施，创造了一个令人沉浸的环境，消除了室内和室外空间的界限。设计师巧妙地围绕中央湖区布置各种娱乐、体育和零售设施，打造了一个充满活力的"城市客厅"，全天候焕发能量。 受北京冬奥会带来的雪上运动在年轻一代中日益流行的文化浪潮的推动，该项目不仅仅是一个滑雪场，而是一个包含滑雪学校、俱乐部、专业体育场地、酒店和主题公园的全面娱乐生态系统。由层叠的三维像素组成的模块化立面系统，创造了一个独特的视觉识别，反映了这个复合体的多面性，将黄陂区转变为庆祝运动和休闲的当代地标。 这座滑雪场不仅仅是一个建筑项目，更是一种生活方式的表达。它体现了中国城市空间发展的新趋势：将运动、娱乐、商业和社交完美融合，创造多功能、高度互动的城市景观。通过其创新的设计理念，武汉甘露山国际滑雪场不仅满足了人们对冬季运动的渴望，还提供了一个全新的社交和休闲平台。 团队 – 由德国建筑师Jan Clostermann创立的柯路建筑，已成为一个超越传统建筑界限的富有远见的设计实践。该事务所以全球视野建立，在北京、上海和里斯本设有国际工作室，拥有一支由70多位富有创新精神的建筑师和设计师组成的动态团队，致力于创造世界级的社交空间。 柯路的建筑理念以通过智能、整体的设计解决方案，将普通空间转化为非凡环境为中心。该事务所专注于复杂的城市发展、商业目的地和大型综合项目，展现了将经济、社会和环境考量融合成连贯建筑叙事的卓越能力。 该事务所的设计方法以细致的方法论为特征，结合深入的研究、分析严谨性和创造性概念化。通过理解每个项目的独特背景挑战，柯路制定定制的设计策略，不仅满足功能需求，还能生成有意义的空间体验，催化社交互动。 在Jan Clostermann的带领下，这个多学科团队汇集了国际专业知识，将先进的计算设计技术与以人为本的设计理念相结合。他们的项目组合展示了卓越的创新能力，能够敏感地回应当代城市条件，同时推动建筑表达的边界。 以可持续、以背景为驱动的设计为承诺，柯路继续将自己确立为一个在创造充满活力、社会参与的空间环境方面处于前沿的进步性建筑事务所。 Project Name: Wuhan Ski Resort Location: Wuhan, China Design Team: CLOU Architects Building Area: 178,000 m² Completion Year: 2024 Photographers: Arch Exist, Shrimp Studio Lead Architect: Jan Clostermann Landscape Design: Waterlily Design Studio Client: Wuhan Urban Construction Group Design Team Members: Jan Clostermann, Zhi Zhang, Sebastian Loaiza, Zihao Ding, Liang Hao, Yiqiao Zhao, Christopher Biggin, Principia Wardhani, Artur Nitribitt, Jing Shuang Zhao, Liu Liu, Yinuo Zhou, Yuan Yuan Sun, Haiwei Xie Collaborating Design Institute: China Construction Shenzhen Decoration Co., Ltd Feature： Project - In the heart of Wuhan, CLOU Architects has reimagined the concept of a ski resort, transforming it from a simple sporting facility into a revolutionary 24-hour urban entertainment complex. Spanning an impressive 178,000 square meters, this innovative project sets a new standard for integrated leisure destinations in China, seamlessly blending indoor winter sports, retail experiences, and landscape design. The resort's most striking feature is its half-kilometer-long indoor ski slope, soaring 100 meters high and wrapped in a groundbreaking pixelated multi-media façade. This architectural marvel goes far beyond traditional ski facilities, creating an immersive environment that dissolves boundaries between indoor and outdoor spaces. The design strategically arranges various entertainment, sports, and retail facilities around a central lake, creating a dynamic "urban living room" that pulses with energy throughout the day and night. Driven by the growing popularity of snow sports among younger generations in China, the project responds to the cultural momentum sparked by the Beijing Winter Olympics. It's not just a ski resort, but a comprehensive entertainment ecosystem that includes ski schools, clubs, professional sports venues, hotels, and themed parks. The modular façade system, composed of terraced three-dimensional pixels, creates a unique visual identity that reflects the complex's multifaceted nature, transforming the Huangpi district into a contemporary landmark that celebrates both sport and leisure. Design Team - Founded by German architect Jan Clostermann, CLOU Architects has emerged as a visionary design practice that transcends traditional architectural boundaries. Established with a global perspective, the firm maintains international studios in Beijing, Shanghai, and Lisbon, comprising a dynamic team of over seventy innovative architects and designers dedicated to creating world-class social spaces. CLOU's architectural philosophy centers on transforming ordinary spaces into extraordinary environments through intelligent, holistic design solutions. Specializing in complex urban developments, commercial destinations, and large-scale mixed-use complexes, the practice demonstrates an exceptional ability to synthesize economic, social, and environmental considerations into cohesive architectural narratives. The firm's design approach is characterized by a meticulous methodology that combines in-depth research, analytical rigor, and creative conceptualization. By understanding each project's unique contextual challenges, CLOU develops bespoke design strategies that not only meet functional requirements but also generate meaningful spatial experiences that catalyze social interactions. Led by Jan Clostermann, the multidisciplinary team brings together international expertise, integrating advanced computational design techniques with a human-centric design philosophy. Their portfolio showcases a remarkable capacity to deliver innovative projects that respond sensitively to contemporary urban conditions while pushing the boundaries of architectural expression. With a commitment to sustainable, context-driven design, CLOU continues to establish itself as a progressive architectural practice at the forefront of creating dynamic, socially engaged spatial environments. 设计团队 旅游探访 178000 m² 武汉，中国 2004 Previous Next

< 返回 Blue Bottle Coffee Toyosu Park Cafe Schemata Architects 项目名称：蓝瓶咖啡 豊洲公园咖啡馆 地点：东京，日本 设计团队： Schemata Architects 建筑面积：279.37 m² 完工时间：2024年8月 摄影师：太田拓实 设计特色： 项目 - 坐落在东京湾畔的蓝瓶咖啡最新咖啡馆，重新构想了建筑、公共空间和城市景观之间的关系。由Schemata Architects设计，豊洲公园咖啡馆打破了传统的内外界限，创造了一种与周围公园环境无缝融合的流动空间体验。 这座300平方米的建筑通过其创新的尺度和连接方式，挑战了传统的咖啡馆设计。建筑师没有采用单一、庞大的体量，而是将咖啡馆构思为一簇人性化尺度的"小屋"，轻巧地嵌入开放的公园景观。这种有意的分割使建筑既感到亲密又开阔，模糊了建筑形态和公共空间之间的界限。 一个关键的设计策略在于空间体验的渐变方法。建筑师将整个公园转变为潜在的咖啡馆环境，通过精心设计的过渡空间，在户外、半户外和室内区域之间创造流动。大量使用玻璃和FRP（玻璃纤维增强塑料）创造了一个半透明的外壳，既保持了对东京湾的无遮挡视野，又使内部空间笼罩在柔和的漫射光中。 内部设计同样细致，通过不同的天花板高度创造了支持不同社交互动的区域。高天花板的咖啡区设有社区餐桌，鼓励社交互动，而天花板较低的另一咖啡区则提供更加私密的座位，可以欣赏公园和大海的全景。 材料在设计中扮演着关键角色，砖石延伸到室内外，消除空间边界。悬臂式的FRP桌子连接到结构柱，进一步模糊了建筑和家具之间的界限，体现了一种积极推动联系和流动性的整体设计方法。 这个项目不仅仅是一个咖啡馆，更是对城市公共空间如何与建筑互动的深刻思考。通过将建筑融入周围环境，创造出灵活、开放的空间，蓝瓶咖啡豊洲公园咖啡馆展示了建筑如何能够成为城市生活中的有机连接器。 团队 – 长坂常于1998年从东京艺术大学毕业后创立的スキーマ建築計画（Schemata Architects），已发展成为日本最具创新力的建筑事务所之一。事务所通过独特的设计方法论，将概念性思维与实体材料性相结合，不断突破空间设计的边界。 事务所总部位于东京，从创立之初就发展成为一个多学科的设计重镇，统筹处理建筑、室内和家具设计等多领域项目。事务所秉持1:1比例思维的理念运营——这种方法将每个项目，无论规模大小，都以同等严谨的态度对待空间关系和细节处理。 在长坂常的领导下，事务所因其改建项目和零售环境设计而获得国际认可，其中最著名的包括遍布全球的Blue Bottle Coffee店铺和创新的DESCENTE BLANC零售概念店。事务所的作品组合展现出非凡的多样性，从私人住宅如极简主义的Sayama Flat，到机构项目如武藏野艺术大学16号楼等。 其作品以材料诚实性、空间流动性和创新的功能解决方案为特征。事务所的设计方法常常涉及实验性的材料应用和创造性的空间规划策略，创造出既挑战传统建筑范式又保持功能完整性的环境。这种方法为他们赢得了来自全球文化机构、零售品牌和私人客户的众多委托，使Schemata Architects成为当代建筑话语中的突出声音。 Project Name: Blue Bottle Coffee Toyosu Park Cafe Location: Tokyo, Japan Design Team: Schemata Architects Size: 279.37 m² Completion Date: August 2024 Photographer: Takumi Ota Feature： Project - Nestled along the waterfront of Tokyo Bay, Blue Bottle Coffee's latest cafe reimagines the relationship between architecture, public space, and urban landscape. Designed by Jo Nagasaka of Schemata Architects, the Toyosu Park Cafe breaks down traditional boundaries between interior and exterior, creating a fluid spatial experience that seamlessly integrates with its surrounding park environment. The 300-square-meter structure challenges conventional cafe design through its innovative approach to scale and connectivity. Rather than imposing a singular, monolithic volume, the architects have composed the cafe as a cluster of human-scaled "huts" that nestle gently into the open park landscape. This deliberate fragmentation allows the building to feel both intimate and expansive, blurring the lines between built form and public space. A key design strategy lies in the gradational approach to spatial experience. The architects have transformed the entire park into a potential cafe environment, with carefully designed transitional spaces that flow between outdoor, semi-outdoor, and indoor zones. Extensive use of glass and FRP (Fiberglass Reinforced Plastic) creates a translucent envelope that allows uninterrupted views of Tokyo Bay while bathing the interior in soft, diffused light. The interior is equally thoughtful, with varying ceiling heights creating distinct zones that support different social interactions. The high-ceilinged Cafe 2 features community tables that encourage social engagement, while the lower-ceilinged Cafe 1 offers more intimate seating with panoramic views of the park and sea. Materiality plays a crucial role in the design, with bricks extending both inside and outside to eliminate spatial boundaries. Cantilevered FRP tables connected to structural columns further blur the distinction between architecture and furniture, creating a holistic design approach that celebrates connection and fluidity. Design Team - Schemata Architects, established in 1998 by visionary architect Jo Nagasaka, has emerged as one of Japan's most innovative architectural practices, consistently pushing the boundaries of spatial design through a distinctive methodology that bridges conceptual thinking with hands-on materiality. Founded upon graduating from Tokyo University of the Arts, Nagasaka's studio has evolved into a multidisciplinary powerhouse, orchestrating projects across architectural, interior, and furniture design. The practice, headquartered in Tokyo's Sendagaya district, operates under a philosophy that emphasizes 1:1 scale thinking—an approach that treats every project, regardless of scale, with the same rigorous attention to detail and spatial relationship. Under Nagasaka's leadership, the firm has garnered international recognition for its adaptive reuse projects and retail environments, notably the globally acclaimed Blue Bottle Coffee outlets and the innovative DESCENTE BLANC retail concept. The practice's portfolio demonstrates exceptional versatility, from private residences like the minimalist Sayama Flat to institutional projects such as the Musashino Art University Building No.16. Schemata's work is characterized by its material honesty, spatial fluidity, and innovative programming solutions. The firm's methodology often involves experimental material applications and creative space-planning strategies, resulting in environments that challenge conventional architectural paradigms while maintaining functional integrity. This approach has earned them numerous commissions for cultural institutions, retail brands, and private clients worldwide, establishing Schemata as a leading voice in contemporary architectural discourse. 设计团队 旅游探访 279.37 m² 东京，日本 2024 Previous Next

< 返回 每日互动（个推）总部 零壹城市建筑 设计特色： 项目 – 如出水的巨鲸般高高跃起，杭州每日互动（个推）总部大楼由零壹城市建筑事务所设计，可谓一座引人注目的地标性建筑。这座总部大楼建筑面积达87000平方米，集研发、办公、会议、展览、休闲娱乐等多功能于一体，最多可容纳5000名员工同时工作。以"巨鲸出水"为设计理念，建筑呈现出动态、造型感十足的形态。三座塔楼采用围合式布局，通过一个广阔的裙房连接在一起，营造出连续、灵活的室内协作环境。裙房起伏的屋顶则提供了丰富多样的社交和休闲空间，而三座塔楼错落有致的高低变化，也为城市天际线增添了视觉变化。受客户"鲸鱼"LOGO的启发，建筑立面采用了富有独特韵律感的斜向元素和梯形窗户，随着阳光角度的变化，散发出犹如鱼鳞般的生机勃勃的质感。“海洋文化”被融合进室内设计，得益于设计团队创新研发的"主题色天插系统"和巧妙设置的白板墙，室内空间洋溢着开放、融合的气息，营造出随时随地的讨论氛围。通过建筑、室内和景观的无缝融合，零壹城市为每日互动打造了一座充满活力、前卫创新的总部大楼，完美地体现了企业动感十足的文化，并增强了员工的归属感。 团队 – 零壹城市建筑事务所（LYCS Architecture）成立于2011年，随着项目渐渐广为人知，其目前已成为中国建筑先锋设计事务所中的佼佼者。该事务所被《BUILD》杂志评为"最具创新设计奖"，入选ArchDaily中国十大新锐设计事务所，以其创新和技术先进的建筑、室内和展览设计而闻名。其创始人为中国美术学院建筑艺术学院教授阮昊，领导着一个拥有国际视野和本土设计经验的专业团队，零壹城市擅长为高密度城市环境下的用户需求和行为特点创造出贴心的空间。他们采用以研究为驱动、高度协作的设计流程,汇聚各领域专家的智慧，交付超越当代设计范式的创意解决方案。该事务所的项目类型涵盖办公和总部、教育、住宅、酒店、文化、商业等领域，始终秉持为用户打造功能性与美学性兼备的空间，提升使用体验。通过应用先进技术和可持续设计策略，零壹城市正引领中国建筑和城市发展的未来。 Feature： Project - Soaring like a breaching whale, the Merit Interactive Headquarters in Hangzhou, China, is a striking landmark designed by LYCS Architecture. Spanning over 87,000 square meters, the office complex houses research and development, workspaces, conference facilities, exhibition halls, and leisure amenities for up to 5,000 occupants. The design concept of "the giant whale leaping out of the ocean" is evident in the building's dynamic, sculptural form. Three towers are arranged in a wraparound layout, connected by an expansive podium that creates a continuous, adaptable indoor environment for collaborative work. The podium's undulating roof provides a diverse array of social and recreational spaces, while the towers' staggered heights introduce visual interest to the skyline. Inspired by the client's "whale" logo, the facade features a distinctive pattern of diagonal elements and trapezoidal windows that shimmer with a fish-scale-like vitality as the sun's angle changes. Internal spaces are imbued with a sense of openness and integration, thanks to the design team's innovative "theme color sky insertion system" and the strategic placement of whiteboard walls for impromptu discussions. By seamlessly merging the building's architecture, interior, and landscape, LYCS Architecture has created a vibrant, forward-thinking headquarters that reflects Merit Interactive's dynamic company culture and enhances employee well-being. Design Team - Founded in 2011, LYCS Architecture has rapidly established itself as a leading multidisciplinary design firm in China. Recognized as the Best Innovative Design Firm by BUILD Magazine and one of ArchDaily's Top 10 Avant-garde Design Firms in China, the practice is known for its innovative and technologically advanced approach to architectural, interior, and exhibition design. Headed by a team of design professionals with international experience and a strong local design sensibility, LYCS Architecture excels at creating spaces that cater to the unique needs and behaviors of users in high-density urban environments. Their design process is research-driven and highly collaborative, drawing on expertise from various fields to deliver creative solutions that push the boundaries of contemporary design typologies. With a diverse portfolio spanning office and headquarters, education, residential, hospitality, cultural, and commercial projects, LYCS Architecture has consistently demonstrated its ability to create functional yet aesthetically engaging spaces that enhance the user experience. By applying advanced technologies and sustainable design strategies, the firm is at the forefront of shaping the future of architecture and urban development in China. 设计团队 旅游探访 87000 m² 中国，杭州 2023年 Previous Next

< 返回 费尔山奇趣建筑 Rever & Drage建筑事务所 项目名称：费尔山奇趣建筑 地点：阿斯克，挪威 设计团队：Rever & Drage建筑事务所 建筑面积：30 m² 竣工时间：2025年 摄影：Tom Auger 设计特色： 项目 - 挪威Rever & Drage建筑事务所在阿斯克创造了一座非凡的花园建筑小品，它超越了装饰性建筑的传统概念，在30平方米的结构中将诗意的空间叙事与功能性设计相结合，重新定义了装饰与实用之间的关系。 这座费尔山奇趣建筑战略性地位于一片狭长的花园地块内，毗邻一棵雄伟的橡树，既是建筑宣言也是过渡门槛，标志着从家庭喧嚣到田园宁静的旅程。该建筑最引人注目的特色是其双体量构成：主体结构内设有餐厅、厨房和带桑拿设施的豪华浴室，与之配对的是一个大胆倾斜的附属空间，在橡树冠下创造出亲密的休息区。 较小体量的戏剧性倾斜由锚固在主体基础上的25毫米纤细不锈钢杆支撑，挑战了结构惯例，同时唤起了童年时代树屋和秘密藏身处的记忆。这一建筑手法通过固定玻璃屋顶得到补充，框景上方蔓延的树枝，将空间转化为人们与自然交流的沉思静修所。 在材料层面，该项目通过精巧的质感和建造方法并置展现了精湛的工艺。当代木框架的优雅橡木包层与形成仪式性门户的坚固松木原木建造形成美妙对比，在精致与乡土建筑传统之间创造了对话。 建筑东立面呈现出明显的女性轮廓，当从西侧接近时逐渐转变为温暖拥抱的姿态，展示了建筑形式如何体现情感转换。通过将字面意义的门户整合到其东墙中，这座建筑超越了单纯装饰的范畴——它作为空间标点符号协调花园体验，同时为日常生活提供真正的喘息之所。 团队 - Rever & Drage建筑事务所是一家总部位于奥斯陆和弗莱克菲约德的建筑设计事务所，由三位杰出建筑师于近年创立：Eirik Lilledrange、Martin Beverfjord和Tom Auger。事务所已确立其在挪威当代建筑领域的领导地位，致力于将严谨的学术基础与创新设计方法论相结合，在多元建筑类型中交付具有建筑学深度的精湛项目。 事务所的跨学科专业能力涵盖复杂建筑项目、木结构建造系统、预制技术和立面构成。在创始合伙人Tom Auger、Martin Beverfjord和Eirik Lilledrange的现任领导下，事务所充分利用他们在建筑理论、建造技术和可持续建筑实践方面的互补专长，应对当代设计挑战。 这种协作结构使事务所能够跨越不同建筑类型和尺度提供全面的设计解决方案。Rever & Drage建筑事务所的项目组合展现出卓越的多样性，服务于包括Statens Vegvesen（挪威公共道路管理局）、Riksantikvaren和多个博物馆机构在内的知名机构客户，同时与酒店、水产养殖和海事行业进行私营部门合作。这一多元化的客户基础反映了事务所在维持设计卓越性的同时驾驭复杂项目要求的能力。 事务所的建筑哲学超越了纯粹的形式美学责任，拥抱其工作的社会和环境维度。他们坚信空间不仅应该具备功能性，更应该能够唤起情感、激发思考并增进居住者的福祉。这种理念体现在他们对传统建筑类型的挑战和对设计的注入——充满诗意、创新以及对空间心理学的深刻理解。通过将学术严谨性、实用建造知识和概念抱负转化为物理空间，Rever & Drage建筑事务所创造的不仅仅是建筑，而是真正能够与生活、文化和自然产生共鸣的有意义场所。 Project Name: Folly at Fair Hill Location: Asker, Norway Design Team: Rever & Drage Architects Total Floor Area: 30 m² Completion: 2025 Photography: Tom Auger Design Features: Project - Located in Asker, Norway, the Folly at Fair Hill designed by Rever & Drage Architects represents a revolutionary breakthrough in decorative architecture design, challenging conventional garden building stereotypes through its poetic spatial narratives and sophisticated functional programming integration. This 30-square-meter facility completed in 2025 transforms the typical ornamental structure into what the architects describe as "an architectural statement that transcends conventional garden structures" --- a functional space where practical utility replaces pure decorative purpose, embodying the design philosophy that "follies should possess both aesthetic value and serve genuine practical functions." The building's most striking feature is its audacious dual-volume composition, where the primary structure contrasts with a dramatically leaning annex that appears to grow gracefully from beneath the shelter of a magnificent oak tree. These fluid forms create a deliberate harmony with the building's carefully orchestrated interior functional layout, establishing what the designers call "a perfect fusion of childhood memories with adult practicality" that effectively eliminates the functional deficiency and spatial waste typically associated with decorative architecture. Rather than simply occupying the site, the architecture emerges as a transitional threshold that marks the journey from domestic bustle to pastoral tranquility, defying simple categorization as traditional garden decoration. The folly's spatial organization demonstrates sophisticated understanding of spatial psychology, particularly in creating environments that facilitate transition from busy life to peaceful retreat. Following principles that combine landscape architecture with functional building design, the structure ensures visitors experience gradual emotional and psychological transformation as they traverse from east to west through thoughtful volume separation and material contrasts. The leaning lounge with its glass roof and the kitchen that opens completely to the garden extend the healing environment outdoors, providing users with direct contact with nature --- elements that hold significant therapeutic value for physical and mental relaxation. The architectural language skillfully merges elegant oak cladding with robust pine log construction, achieving balance between practicality and aesthetic depth. Interior spaces are carefully planned with full consideration of different functional zones' psychological needs, ensuring the dining room, kitchen, bathroom, and lounge all provide comfortable and relaxing experiences for users. This project represents an important component of Norway's "landscape-functional architecture integration" movement, demonstrating the country's efforts to balance traditional timber construction techniques with contemporary spatial design concepts. Design Team - Rever & Drage Architects is an architectural practice based in Oslo and Flekkefjord, founded in recent years by three accomplished architects: Eirik Lilledrange, Martin Beverfjord, and Tom Auger. The firm has established itself as a leading voice in contemporary Norwegian architecture, dedicated to combining rigorous academic foundations with innovative design methodologies to deliver architecturally sophisticated projects across diverse typologies. The practice's multidisciplinary expertise spans complex building programs, timber construction systems, prefabrication technologies, and facade composition. Under the current leadership of founding partners Tom Auger, Martin Beverfjord, and Eirik Lilledrange, the firm leverages their complementary specializations in architectural theory, construction technology, and sustainable building practices to address contemporary design challenges. This collaborative structure enables the firm to deliver comprehensive design solutions across diverse architectural typologies and scales. Rever & Drage Architects' portfolio demonstrates exceptional versatility, serving prestigious institutional clients including Statens Vegvesen (The Norwegian Public Roads Administration), Riksantikvaren, and multiple museum institutions, alongside private sector collaborations with hospitality, aquaculture, and maritime industries. This diverse client base reflects the firm's capacity to navigate complex programmatic requirements while maintaining design excellence. The firm's architectural philosophy transcends purely formal aesthetic responsibilities, embracing the social and environmental dimensions of their work. They believe that spaces should not only be functional but should evoke emotion, provoke thought, and enhance the well-being of those who inhabit them. This philosophy manifests in their challenge to conventional building typologies and infusion of design with poetry, innovation, and deep understanding of spatial psychology. By transforming academic rigor, pragmatic construction knowledge, and conceptual ambition into physical spaces, Rever & Drage Architects creates more than just buildings --- they craft meaningful places that truly resonate with life, culture, and nature. 设计团队 旅游探访 30 m² 阿斯克，挪威 2025 Previous Next

< 返回 波纹之屋酒店 monotrum 设计特色： 项目 – 日本monotrum建筑事务所巧妙地将一座20世纪60年代先锋住宅改造成别具一格的精品酒店。这座"波纹之屋酒店"延续Kenji Kawai在1965年的实验性结构——使用了波浪状金属板创作自己的居所，并因其现代主义风格而被DOCOMOMO组织纳入名录。monotrum并未将其当作静态的陈列品加以保护，而是让游客能亲身体验这座标志性建筑的魅力。原有的波浪金属管构筑而成的通道般空间，被精心加建了隔断墙，勾勒出客房和公共设施。新添的深色木质护墙为钢铁结构平添一抹温馨。床、桌台以及空调机罩等家具均采用相同的木材色调，与内部环境和谐统一。一套由现成支架定制而成的活动架和灯具系统，巧妙地融入了原有波浪管道框架。最引人注目的是南立面上重现生机的椭圆形天窗。这个原本因过于炫目而被封闭的采光孔，如今内嵌有蜂窝状光雕装置，光线透过聚碳酸酯墙板，在客房内外铺陆成空间的亮点。通过在古老骨架上巧妙叠加新的功能植入物，monotrum成功将其演绎成沉浸式的创新住宿体验。这一改造再利用项目诗意地保留了建筑精神，同时亦引入了当代舒适感。 团队 – monotrum是一家2018年成立的新锐日本建筑设计工作室，由北里暢彦和石井卓也两位创始人领导。凭借跨建筑、城市规划和工业设计等多领域的综合背景，这对组合为工作室注入了多元创意视角。两人同为1983年出生，北里先后在安宅研太郎建筑规划事务所和graf等单位工作与历练。与此同时，石井也曾在河辺哲雄建筑都市设计事务所和ETLAdesign任职。这种影响力的交叉孕育了monotrum独树一帜的创作方法，巧妙地将概念构思和技术精湛完美结合。该工作室的作品不仅展现了在住宅、商业和酒店等不同类型项目中娴熟运用材料、空间策略和语境响应的能力。monotrum在大阪和东京都设有工作室，体现了新一代设计思想家擅长在平凡情景中发掘非凡潜能的风格。他们的作品启发人们重新审视事物，同时始终立足于实用主义和功能性。 Feature： Project - Japanese architecture firm monotrum has breathed new life into a pioneering 1960s residence by transforming it into a distinctive boutique hotel. The Corrugated House cleverly adapts the experimental corrugated pipe structure, originally designed by Kenji Kawai as his own home and recognized by DOCOMOMO for its Modernist significance. Rather than preserving it as a static museum piece, monotrum's renovation allows visitors to intimately experience the iconic architecture through an overnight stay. The building's original tunnel-like space made of exposed corrugated steel pipes has been thoughtfully reimagined with new partitions to carve out guest rooms and amenities. Newly constructed dark wood-paneled walls provide a warm contrast against the industrial rawness of the structure. Furniture pieces like beds, desktops and air conditioning covers were crafted from matching timber tones to harmonize the interiors. An ingenious movable shelving and lighting system was custom fabricated to integrate with the existing pipe framework. A standout feature is the revitalized oval skylight on the south facade. Originally sealed due to excessive brightness, the aperture now houses a honeycomb-patterned light installation visible from the guest quarters through polycarbonate wall panels. By thoughtfully layering new functional insertions onto the vintage bones, monotrum has transformed the Corrugated House into an immersive hospitality experience. The adaptive reuse project poetically preserves the architectural spirit while introducing contemporary comforts. Design Team - Established in 2018, monotrum is an emerging Japanese practice spearheaded by principals Nobuhiko Kitazato and Takuya Ishii. With multi-disciplinary backgrounds encompassing architecture, urban planning and industrial design, the duo brings a diversified creative lens to their work. Kitazato cut his teeth at esteemed firms like Kentaro Ataka Architectural Design and graf after completing his master's at Hyogo Prefectural University. Meanwhile, Ishii honed his skills at Tetsuo Kawabe Architectural City Planning Office and ETLA inc. following his studies at Aoyama Technical College and Kyoto University of Art and Design. This cross-pollination of influences manifests in monotrum's innovative approach that deftly straddles conceptual vigor and technical precision. The firm's portfolio showcases an adroit handling of materials, spatial strategies and contextual responsiveness across residential, commercial and hospitality typologies. With studios in Osaka and Tokyo, monotrum exemplifies a new generation of design thinkers adept at uncovering the extraordinary potential latent within ordinary circumstances. Their work elicits fresh perspectives while remaining firmly rooted in pragmatism and functionality. 设计团队 旅游探访 134 m² 日本，爱知县 2023年 Previous Next

< 返回 West Glow 办公零售大楼 Society of Architecture 设计特色： 项目 – 这座由建Society of Architecture设计的West Glow 办公零售大楼，坐落于首尔历史悠久的紫霞门路，将透明度与匠心工艺巧妙融合，成为城市肌理中一段怡人的对话。这座522平方米的建筑于2023年竣工，优雅地介入不断演变的都市景观，为城市天际线带来全新诠释。大楼的立面设计可谓匠心独运，在与街道持续景观融为一体的同时，亦突出其独特个性。建筑师运用了对位手法，将流动的玻璃表皮与内里坚实的框架结构制造出交响乐般的复调，透明与不透明的视觉张力营造出光影熠熠的节奏感，引人驻足探寻这件分层立体之作的设计奥秘。该建筑最与众不同之处，在于其对细节和工艺的不懈追求。曲面玻璃板以渐变液态陶瓷镀层勾勒出波浪般的肌理，宛如吹玻璃师傅在工作室里熟练吹制玻璃管的优美身姿，将建筑物从单纯的功能性结构提升为应该被仔细欣赏的艺术品。除了视觉冲击力，其本身亦饱含对街坊生活设施的谦逊理解，为这座城市日益增长的混合空间需求提供一份睿智回应。大楼巧妙融合了商业零售与办公功能，在其内壁间孕育出工作、休闲与社区的和谐共生。 团队 – Society of Architecture (SoA)是2010年在首尔创立的充满活力的建筑设计团队，正逐步打破建筑设计的界限。这个年轻团队由姜叙麟和李智勋两位主理人带领，他们以调查研究的方式出发，深入分析建筑与城市主义的社会环境，从中汲取灵感，实践多元且跨尺度的创作。SoA团队对现代生活方式有着深刻的理解，他们不断探寻新的可能性，希望通过建筑思维拓展建筑环境的内涵，将之运用于家具、室内、公共艺术、研究、出版等多个领域。他们的实践还与城市社会学、政治地理学、历史学、艺术等不同学科开展了丰富的跨界合作。SoA凭借创新的作品，曾获得诸多殊荣，包括2020韩国设计大奖、2020首尔建筑大奖及2023年韩国建筑史学会设计大奖等。除了在威尼斯双年展、光州设计双年展、MAXXI、国立现代美术馆、首尔市立美术馆等知名场馆举办展览，SoA还曾担任2017年"首尔建筑与城市主义双年展"的"生产城市"策展人，并受邀参加2023年威尼斯双年展韩国馆。一直以来，Society of Architecture以其超越传统的跨领域求知欲和参与度，成为当代建筑设计团队中充满创新活力的新生代先锋。 Feature： Project - Nestled along the historic Jahamun-ro street in Seoul, South Korea, the West Glow Office and Retail Building by Society of Architecture emerges as a captivating dialogue between transparency and craftsmanship. Completed in 2023, this 522- square-meter edifice gracefully intervenes in the ever-evolving urban fabric, offering a fresh interpretation of the cityscape. The building's façade, a true masterpiece, seamlessly blends into the continuous streetscape while asserting its unique identity. Employing a counterpoint approach, the architects have created a polyphonic symphony by juxtaposing an undulating glass skin with the solid framework beneath. This interplay of transparency and opacity generates a rhythmic play of light and shadow, inviting passersby to explore the depths of its layered surfaces. What truly sets West Glow apart is its meticulous attention to detail and craftsmanship. The curved glass panels, adorned with a gradient of liquid ceramic coating, exhibit a wave-like pattern that evokes the delicate artistry of glassblowing. This commitment to craftsmanship elevates the building from a mere functional structure to a work of art that demands appreciation. Beyond its visual allure, West Glow embraces its role as a neighborhood living facility, offering a humble yet thoughtful response to the city's ever-growing need for mixeduse spaces. By gracefully integrating commercial and office functions, the building fosters a harmonious coexistence of work, leisure, and community within its walls. Design Team - Founded in 2010 in Seoul, Society of Architecture (SoA) is a dynamic collective pushing the boundaries of architectural practice. Led by principals Yerin Kang and Chihoon Lee, this young firm takes an investigative approach, analyzing the social conditions of architecture and urbanism to inform their diverse, multi-scalar work. With a deep understanding of modern lifestyles, SoA searches for new possibilities to enrich the built environment through architectural thinking applied across furniture, interiors, public art, research, publications, and more. Their practice is enriched by collaborations spanning urban sociology, political geography, history, and art. SoA's inventive work has earned significant recognition, including the 2015 Young Architects Project award for Upo Nature Library, The Rabbit, and the Gender Equality Policy Expert Library. They were winners of the 2015 Young Architects Program organized by MMCA, MoMA, and Hyundai Card, later nominated as 2016 AR Emerging Architecture finalists for Roof Sentiment. With an impressive array of awards, exhibitions at prestigious venues like the Venice Biennale, and thought-provoking publications, SoA exemplifies an architectural practice transcending traditional boundaries through its multidisciplinary curiosity and engagement. 设计团队 旅游探访 522 m² 韩国，首尔 2023年 Previous Next

< 返回 Bellerivestrasse 36 办公楼 C.F. Møller Architects 项目名称： Bellerivestrasse 36 办公楼 地点： 苏黎世，瑞士 设计团队： C.F. Møller Architects 项目面积： 27000㎡ 竣工时间： 2024年 设计特色： 项目 – 丹麦建筑事务所C.F. Møller将苏黎世湖畔一座1970年代的办公建筑改造成一个现代化的工作场所，成功地将可持续技术与社交空间完美融合，并获得了LEED铂金认证。 Bellerivestrasse 36号建筑的翻新工程在保留建筑原有建筑遗产的同时，引入了创新的能源效率解决方案。最引人注目的是，建筑师开发了一个独特的立面系统，整合了水平光伏板，这些面板不仅可以产生清洁能源，还能提供遮阳功能。这些面板巧妙地隐藏在经过颜色处理的玻璃后面，与金属外墙色调相配，创造出统一的美学效果，让建筑焕发现代气息。 在这座27000平方米建筑的核心处，一个全新的中庭形成了建筑的社交中心，促进了不同部门之间的互动，同时为室内空间带来充足的自然光线。这一改造将曾经封闭的办公环境转变为一个充满活力的协作工作空间，将用户福祉放在首位。 该项目对可持续发展的承诺不仅体现在其节能系统上。建筑师将原有的石质露台重新设计为绿地，与周围的公园完美融合。这些区域不仅为员工提供了宜人的户外空间，还有助于雨水管理和当地生物多样性的保护。 室内空间采用天然材料，电梯核心筒和地板大量使用木材，创造出温暖而富有吸引力的环境，与建筑技术感十足的外观形成对比。这种材质的运用，加上充足的自然光和苏黎世湖的景观，在室内外环境之间建立起强有力的联系。 这次改造工程展示了如何通过巧妙的建筑干预，在满足当代环境标准的同时为老化建筑注入新的生命力，为瑞士乃至全球的可持续办公建筑改造树立了典范。 团队 – C.F. Møller建筑事务所于1924年由C.F. Møller在哥本哈根创立，已发展成为斯堪的纳维亚地区最具影响力的建筑事务所之一，以其在可持续设计和北欧价值观方面的整体性方法而闻名。该事务所一个世纪以来的传承包括多个地标性项目，如奥胡斯大学（1931年）、伦敦自然历史博物馆达尔文中心，以及最近荣获殊荣的哥本哈根马士基大楼。 目前，在首席执行官Lone Bendorff的领导下，事务所采用合作伙伴制结构运营，主要合伙人包括建筑师Klaus Toustrup、Michael Kruse、Julian Weyer和Mads Mandrup。从丹麦奥胡斯的总部出发，公司已扩展到北欧各地设立战略办事处，包括哥本哈根、奥斯陆、斯德哥尔摩、马尔默和柏林，拥有约300名专业人员。 该事务所的设计理念将城市规划、景观建筑和建筑设计相结合，特别强调可持续性和社会责任。这种全面的方法促成了许多重要项目的完成，包括奥胡斯新大学医院等医疗设施和诺德港哥本哈根国际学校等教育机构。 最近的项目，如苏黎世Bellerivestrasse 36号的改造，展示了该事务所对可持续转型和适应性再利用的承诺，获得了LEED铂金认证等权威认证。通过其综合设计方法和对创新的关注，C.F. Møller建筑事务所在应对当代建筑和城市发展挑战的同时，继续塑造着建成环境。 Project Name: Bellerivestrasse 36 Office Building Renovation Location: Zürich, Switzerland Design Team: C.F. Møller Architects Collaborators: Burckhardt Architektur AG Landscape Design: Uniola AG Engineering: PZM AG (MEP) Contractor: Allrea Project Area: 27,000㎡ Completion: 2024 Photography: Mark Hadden, Peter Sikker Rasmussen Sustainability Certification: LEED Platinum, Swiss Minergie Certification Feature： Project - Danish architecture studio C.F. Møller has transformed a 1970s office building on the shores of Lake Zürich into a contemporary workplace that seamlessly integrates sustainable technology with social spaces, earning prestigious LEED Platinum certification. The renovation of Bellerivestrasse 36 maintains the building's architectural heritage while introducing innovative solutions for energy efficiency. Most notably, the architects developed a distinctive facade system that incorporates horizontal photovoltaic panels, which serve the dual purpose of generating clean energy and providing solar shading. These panels are cleverly concealed behind color-treated glass that matches the metal cladding, creating a cohesive aesthetic that modernizes the building's appearance. At the heart of the 27,000-square-metre structure, a new atrium forms the social core of the building, fostering interaction between different departments and flooding the interior with natural light. This intervention transforms what was once a closed-off office environment into a dynamic, collaborative workspace that prioritizes user well-being. The project's commitment to sustainability extends beyond its energy-efficient systems. The architects have reimagined the existing stone terraces as green spaces that integrate seamlessly with the surrounding park. These areas not only provide pleasant outdoor spaces for employees but also contribute to rainwater management and local biodiversity. Interior spaces feature natural materials, with wood prominently used in lift cores and flooring, creating warm and inviting environments that contrast with the building's technical exterior. This materiality, combined with the abundance of natural light and views of Lake Zürich, establishes a strong connection between the indoor and outdoor environments. The renovation demonstrates how thoughtful architectural intervention can breathe new life into aging buildings while meeting contemporary environmental standards, setting a precedent for sustainable office renovations in Switzerland and beyond. Design Team - Founded in 1924 by C.F. Møller in Copenhagen, C.F. Møller Architects has evolved into one of Scandinavia's most influential architectural practices, known for its holistic approach to sustainable design and Nordic values. The firm's century-long legacy encompasses landmark projects such as Aarhus University (1931), the Darwin Centre at London's Natural History Museum, and most recently, the award-winning Maersk Tower in Copenhagen. Currently led by CEO Lone Bendorff, the practice operates through a collaborative partnership structure, with key partners including architects Klaus Toustrup, Michael Kruse, Julian Weyer, and Mads Mandrup. From its headquarters in Aarhus, Denmark, the firm has expanded to establish strategic offices across Northern Europe, including Copenhagen, Oslo, Stockholm, Malmö, and Berlin, employing approximately 300 professionals. The practice's design philosophy integrates urban planning, landscape architecture, and building design with a strong emphasis on sustainability and social responsibility. This comprehensive approach has resulted in numerous significant commissions, including healthcare facilities like the New University Hospital in Aarhus and educational institutions such as Copenhagen International School in Nordhavn. Recent projects, such as the Bellerivestrasse 36 renovation in Zürich, demonstrate the firm's commitment to sustainable transformation and adaptive reuse, achieving prestigious certifications like LEED Platinum. Through its integrated design methodology and focus on innovation, C.F. Møller Architects continues to shape the built environment while addressing contemporary challenges in architecture and urban development. 设计团队 旅游探访 27000 m² 苏黎世，瑞士 2024 Previous Next

< 返回 Mumo摩托车博物馆 DRAA 项目名称： Mumo摩托车博物馆 地点：奥克塔伊港 ， 智利 设计团队：DRAA 建筑面积：1200 m² 竣工时间：2024年 摄影：马科斯·泽格斯 设计特色： 项目 - 智利建筑工作室DRAA在奥克塔伊港完成了一座引人注目的木构博物馆，通过创新的结构设计和周到的场地整合来颂扬该国丰富的摩托车文化遗产。Mumo摩托车博物馆收藏着智利最大规模的企业化时代之前的复古摩托车藏品，彰显了传统工艺与当代工程技术的完美结合。 博物馆战略性地坐落在传奇的泛美公路沿线，毗邻阿根廷边境，这座面积1200平方米的建筑捕捉了摩托车文化的浪漫精神，同时向该地区的德国殖民遗产致敬。建筑最显著的特色在于其三个错落有致的木结构展馆，每个展馆都采用CNC加工的层压智利松木建造，并架设在沿自然坡地向朗基韦湖延伸的阶梯式混凝土基座上。 DRAA巧妙的结构解决方案消除了传统支撑柱对展览空间的阻碍。建筑师采用成对编织木梁，将每个屋顶面转化为刚性隔膜，通过巧妙伪装成天窗的钢环相互连接。这种结构诗学让自然光线洋溢展厅，同时保持了展示数百辆摩托车所必需的开放式布局灵活性。 博物馆外立面采用热处理智利松木包覆，营造出单色木质外壳，在智利南部气候中优雅地自然风化。分割而连续的展览空间在参观路径中创造了自然的停顿，避免疲劳感的同时让每辆摩托车的独特故事在更广阔的策展叙事中闪闪发光。 最值得注意的是，该项目通过用精密的Rothoblaas工程螺钉替代复杂的金属扣板，推进了木构建筑技术，展示了当代创新如何在尊重传统建造方法的同时推动木构建筑可能性的边界。 设计团队 - DRAA（Del Río Arquitectos Asociados）由建筑学硕士尼古拉斯·德尔里奥·洛佩兹于2012年在智利圣地亚哥创立，已确立其在当代拉丁美洲建筑领域的领军地位。在创始合伙人德尔里奥·洛佩兹（智利天主教大学2001年毕业，牛津布鲁克斯大学2011年硕士）和总监费利佩·卡穆斯·达维拉（智利天主教大学2007年毕业）的协作领导下，该事务所培养了严谨的设计方法论，优先考虑综合细部设计和材料完整性。 DRAA的建筑哲学专注于对多样化建筑类型学的深入研究，特别强调构造表达和结构创新。事务所的方法综合了比例分析、材料性研究和能效策略，创造出在技术性能和空间体验方面都有所突破的场所响应式建筑。这种跨学科方法论使该事务所在过去十二年中处于智利建筑话语的前沿。 工作室对研究驱动设计的承诺在其对木构建筑技术的系统性探索中得到体现，最近在Mumo摩托车博物馆项目中展现得淋漓尽致。在此项目中，DRAA对CNC制造层压木材装配系统和工程连接体系的掌握，充分体现了其在推进材料边界的同时尊重地域建造传统的执着追求。 DRAA在圣地亚哥和弗鲁蒂亚尔设有办公室，维持着由国际合作者组成的充满活力的团队，为事务所不断演进的设计话语做出贡献。这种协作结构使该事务所能够以本土敏感性和全球意识来应对复杂的建筑挑战，确立了DRAA作为智利乃至更广范围内当代建筑创作重要贡献者的地位。 Project Name: Mumo Museum of Motorcycles Location: Puerto Octay , Chile Design Team: DRAA Total Floor Area: 1200 m² Completion: 2024 Photography: Marcos Zegers Feature: Project - DRAA reimagined cultural exhibition space in southern Chile, creating the Mumo Museum of Motorcycles——a masterpiece practice in timber construction that transforms traditional craftsmanship into contemporary structural innovation. Located in Puerto Octay and completed in 2024, this 1200-square-meter project directly addresses the challenge of housing the country's largest collection of pre-corporate era vintage motorcycles while responding to the romantic cultural context along the Pan-American Highway. The project's genius lies in rejecting the enclosed forms of traditional museums, instead adopting a strategy of three staggered wooden pavilions. Lead architects Nicolás del Río and Felipe Camus chose not to fight against the site's slope, but carefully orchestrated exhibition spaces elevated on stepped concrete plinths that serve as both independent narrative units and continuous circulation flows. This creates what the architects describe as "segmented yet undivided exhibition halls"——allowing visitors to experience necessary narrative pauses within a continuous spatial experience. The design directly responds to the client's request for architecture rooted in local tradition, inheriting the legacy of German colonization in southern Chile from the mid-19th century. These historical elements are reinterpreted through contemporary timber construction techniques, most notably CNC-machined laminated pino insigne components that employ woven wooden beam systems to transform each roof plane into rigid diaphragms. These structural elements connect through steel rings disguised as skylights, creating structural poetry that bridges interior and exterior spaces. The Mumo Museum's spatial strategy transforms traditional exhibition typologies into more flexible forms. Multiple pavilions——from ground-level service spaces to elevated exhibition halls——capture spectacular views of Lake Llanquihue and Osorno Volcano while creating what the architects call "column-free exhibition spaces" that allow hundreds of motorcycles to be displayed freely. This structural innovation amplifies display possibilities beyond traditional museum constraints. The result is architecture as technological heritage——every construction detail reveals the technological distance between the original German settlers and contemporary Chilean society. Thermally treated pino insigne exterior cladding becomes the primary material expression, transitioning from natural wood tones through weathering processes to silver-gray surfaces, creating what the architects describe as "wooden buildings clad in wood"——a pure construction logic that maps the temporal layers of regional architectural culture. Design Team - Founded in 2012 by architect Nicolás del Río López in Santiago, Chile, DRAA has emerged as a pioneering force in contemporary Latin American architectural practice, consistently bridging rigorous design methodology with material innovation technologies. With offices in Santiago and Frutillar, the firm has established itself as a comprehensive architectural consultancy providing professional design services across diverse building typologies throughout Chile and the broader Latin American region. Del Río López, a graduate of Pontificia Universidad Católica de Chile (2001) with a Master's degree from Oxford Brookes University (2011), co-leads the practice with director Felipe Camus Dávila (PUC 2007), bringing international academic background to their work. The DRAA name reflects Del Río Arquitectos Asociados' foundational philosophy of achieving design excellence through collaboration——a principle that manifests throughout their comprehensive project methodology. The firm's design philosophy centers on thorough investigation of diverse building typologies, with particular emphasis on the outcomes of tectonic expression and structural innovation. This approach synthesizes proportional analysis, tectonics and structure, and responsible crossover with materials and energy efficiency, yielding significant works from timber museums to residential projects that demonstrate continuous advancement of contemporary architectural technical boundaries. DRAA's mastery of CNC-manufactured timber construction technologies and engineered connection systems, along with applications of advanced construction techniques such as Rothoblaas engineered screws, underscores their contribution to Chile's evolving architectural discourse, positioning them as thought leaders in contemporary material innovation practice——honoring regional construction traditions while embracing progressive technological methodologies. 设计团队 旅游探访 1200 m² 奥克塔伊港，智利 2024 Previous Next