搜尋此網站

Akb Architects由Robert Kastelic和Kelly Buffey于2004年创立，是一家位于多伦多的住宅建筑工作室，以其对概念清晰度和材料精细化的严格承诺而著称。该事务所通过将建筑、室内设计和景观无缝整合为统一空间体验的整体性方法论，确立了自己在加拿大当代住宅设计领域的领先地位。 < Back Akb Architects CANADA Akb Architects由Robert Kastelic和Kelly Buffey于2004年创立，是一家位于多伦多的住宅建筑工作室，以其对概念清晰度和材料精细化的严格承诺而著称。该事务所通过将建筑、室内设计和景观无缝整合为统一空间体验的整体性方法论，确立了自己在加拿大当代住宅设计领域的领先地位。 Akb Architects为建筑实践带来了卓越的空间诗意性设计视角和对细节工艺的深刻理解。该事务所因其将务实性与创新性结合的承诺而获得认可，两位创始人均拥有建筑学和室内设计的双重资质，Buffey是加拿大皇家建筑学会会士及RAIC荣誉榜获得者，拥有多伦多大学建筑学硕士学位，Kastelic拥有滑铁卢大学建筑学学士学位和环境研究学士学位，并在建造工艺方面拥有卓越的理解能力。 该事务所的设计哲学强调建筑应该超越表面装饰，捕捉空间的诗意和难以言喻的品质。通过对体量、光线、比例和材料性的精心协调，开展从湖滨别墅到城市住宅的多元化项目，相信最好的建筑是通过严格的概念意图和对细节的关注产生的综合策略。Akb Architects相信建筑应该将短暂的体验转化为触觉的现实，通过战略性的空间组织和材料选择创造独特的环境响应式居住体验。 除实践外，该事务所通过对本地材料与现代建造方法的深思熟虑结合、当前可持续性策略的运用、以及经过时间验证的建筑智慧，Akb Architects已确立自己作为当代加拿大建筑话语重要贡献者的地位，创造出既具功能性又拥抱空间优雅与精致的建筑作品。该事务所目前在多伦多充满活力的建筑景观中占据独特地位，专注于创造温暖迷人、优雅且功能性的空间体验。 WEBSITE PROJECT

< 返回 玉山岚峰 Wutopia Lab 项目名称：玉山岚峰 正大太阳河咖啡小镇艺术中心 设计团队：Wutopia Lab 面积：2606 m² 地点：中国，海南万宁 设计特色： 项目 – 在海南万宁的中心地带，一座令人叹为观止的建筑精品悄然崛起，将昔日朴实的咖啡种植园蜕变成一座文化地标。由知名设计事务所Wutopia Lab精心打造的玉山岚峰-正大太阳河咖啡小镇艺术中心，不仅是人类韧性的见证，更是建筑创新的璀璨明珠。 这座2606平方米的杰作于2024年落成，彻底重新诠释了传统艺术中心的概念。设计灵感源自印尼华侨的传奇历史，巧妙地将自然元素、神话传说与现代建筑语汇融为一体，令人耳目一新。 项目的核心亮点在于对中国传统"一池三山"意象的大胆演绎。三座独特的建筑体被半透明的薄膜笼罩，仿佛三座神秘的山峰从人工湖面上拔地而起。这一视觉奇观不仅向那些在这片曾经荒蛮之地开疆拓土的先辈们致敬，更创造出光影交错的迷人景象。 Wutopia Lab创新性地运用了不同穿孔率的法拉利膜，巧妙营造出渐变效果，使建筑在强烈的海南阳光下仿佛在闪烁，逐渐消融于天际。这种空灵的质感将整个建筑群从冰冷的混凝土转化为富有生命力的有机体，与周围环境和谐共鸣。 室内空间的设计同样令人惊叹。精心编排的参观路线犹如登山之旅，引导访客层层攀升，感受空间的层次变化。从水波荡漾的一层大厅，到能俯瞰全景的屋顶咖啡花园，每一层都带来崭新的视角和体验。 当夜幕降临，艺术中心仿佛施了魔法般焕然一新。精心设计的灯光将半透明的"山峰"变成五彩斑斓的色彩万花筒，象征着社区多元的憧憬与理想。这种昼夜更迭、宁静与活力并存的双重性，正是该项目的精髓所在，架起了过去与未来、传统与创新之间的桥梁。 玉山岚峰不仅仅是一座建筑，更是一个用建筑语言讲述的故事，是对文化遗产的礼赞，更是对中国公共空间未来的大胆畅想。 团队 – Wutopia Lab，这个由俞挺和闵而妮这对才华横溢的建筑师夫妇于2013年创立的设计事务所，已然成为当代中国建筑界的一颗璀璨明星。扎根于上海这座国际大都市，Wutopia Lab以其独特的设计理念，在传统中华文化元素与前卫设计原则之间架起了一座桥梁，塑造出一种与21世纪中国时代精神共鸣的独特建筑语言。 其掌舵人俞挺，拥有清华大学建筑学博士学位，曾在中国最大的国有设计公司之一——华东建筑设计研究院（ECADI）积累了丰富的经验。事务所的设计哲学深深植根于"魔幻现实主义"概念，这一理念在他们的项目中体现为复杂性与简约性、传统与现代的和谐融合。 Wutopia Lab的作品涵盖了广泛的建筑类型，从文化场所到综合体开发项目无所不包。他们的代表作如"八分园"和"扬州慢新华书店"，充分展现了他们在创造多层次空间体验方面的卓越才能，不断挑战着传统建筑范式。事务所在材料运用上的创新，尤其是对半透明和穿孔外立面的探索，已成为他们设计方法的一大特色。 通过摒弃"偏执的极简主义"和"夸张的场景营造"，Wutopia Lab培育出了一种独特的建筑词汇，颂扬矛盾与并置的美学。他们的设计常常融入城市叙事元素，编织出反映上海丰富文化底蕴和当代城市动态的故事。这种方法使Wutopia Lab站在了中国建筑复兴的前沿，为建成环境提供了一种既扎根本土又具全球视野的全新视角。 Wutopia Lab的作品不仅仅是建筑，更是对中国当代城市生活的深刻诠释和大胆想象。他们以建筑为媒介，不断探索和推动着社会学层面的进步，为我们展现了一个充满活力、创新和文化自信的新时代中国。 Project：Flickering Peak Team：Wutopia Lab Size：2606 m² Location：Hainan, China Feature： Project - In the heart of Wanning, Hainan, a remarkable architectural marvel has emerged, transforming the landscape of a once-humble coffee plantation into a beacon of cultural significance. The Yushan Lanfeng Art Center, meticulously crafted by Wutopia Lab, stands as a testament to human resilience and artistic innovation. This 2,606-square-meter masterpiece, completed in 2024, reimagines the concept of a traditional art center. Drawing inspiration from the rich history of Indonesian-Chinese immigrants who cultivated the land, the design ingeniously weaves together elements of nature, mythology, and contemporary architecture. The centerpiece of the project is a striking reinterpretation of the classic Chinese "one pool, three mountains" motif. Three distinct structures, shrouded in semi-transparent membranes, emerge like mystical peaks from a serene artificial lake. This visual spectacle not only pays homage to the pioneers who forged a new life in this once-wild terrain but also creates a mesmerizing interplay of light and shadow. Wutopia Lab's innovative use of Ferrari membranes with varying perforation rates achieves a gradient effect, making the buildings appear to flicker and fade into the sky. This ethereal quality transforms the complex from mere buildings into living, breathing entities that respond to the intense Hainan sunlight. The interior spaces are equally captivating, with a masterful choreography of pathways that guide visitors through a journey of ascent, mimicking the experience of mountain climbing. From the ground-floor hall, where water seems to flow indoors, to the rooftop coffee garden offering panoramic views, each level unveils new perspectives and experiences. At night, the art center undergoes a magical metamorphosis. Carefully orchestrated lighting transforms the translucent peaks into a kaleidoscope of colors, symbolizing the diverse aspirations of the community. This duality of day and night, of serenity and vibrancy, encapsulates the project's essence as a bridge between past and future, tradition and innovation. The Yushan Lanfeng Art Center is more than just a building; it's a narrative etched in architecture, a celebration of cultural heritage, and a bold vision for the future of public spaces in China. Design Team - Founded in 2013 by the visionary duo Yu Ting and Min Erni, Wutopia Lab has rapidly emerged as a trailblazing force in contemporary Chinese architecture. Based in Shanghai, this innovative practice has carved out a unique niche by seamlessly blending traditional Chinese cultural elements with avant-garde design principles, creating a distinctive architectural language that resonates with the zeitgeist of 21st-century China. At the helm of Wutopia Lab, Yu Ting, armed with a doctorate from Tsinghua University, brings a wealth of experience from his tenure at the East China Architecture and Design Institute (ECADI). The firm's design philosophy is deeply rooted in the concept of "magical realism," which manifests in their projects as a harmonious fusion of complexity and simplicity, tradition and modernity. Wutopia Lab's portfolio is characterized by its diverse array of typologies, ranging from cultural institutions to mixed-use developments. Their projects, such as the Eight Tenths Garden and the Slow Yangzhou × Xinhua Bookstore, exemplify their mastery in creating multifaceted spatial experiences that challenge conventional architectural paradigms. The firm's innovative use of materials, particularly their exploration of translucent and perforated facades, has become a hallmark of their design approach. By rejecting both "obsessive minimalism" and "exaggerated scenes," Wutopia Lab has cultivated a unique architectural vocabulary that celebrates contradiction and juxtaposition. Their designs often incorporate elements of urban storytelling, weaving narratives that reflect Shanghai's rich cultural tapestry and contemporary urban dynamics. This approach has positioned Wutopia Lab at the forefront of China's architectural renaissance, offering a fresh perspective on the built environment that is both locally rooted and globally relevant. 设计团队 旅游探访 2606 m² Hainan, China 2024 前一项 后一项

< 返回 Natrium 研究大楼 Kanozi Arkitekter 设计特色： 项目 – 新落成的 Natrium 研究大楼坐落于哥德堡市中心，是该市学术景观中一颗瑰丽 的新星。这座由 Kanozi Arkitekter 建筑事务所设计的建筑杰作总面积达 3.2 万平方米, 巧妙地将前沿设计与功能卓越融为一体，营造出一个促进协作、创新和智力发展的环 境。该项目的一大亮点是致力于推动跨学科互动，通过将理学院七个系中的五个整合 在同一座大楼内，大楼鼓励学生、研究人员和员工之间自发的会面和讨论，促进了跨 越传统界限的思想交流活力。大楼的设计实现了当代美学与环境敏感性的和谐统一。 外立面采用砖石、古铜色金属板和玻璃，向现有环境的建筑风格致敬，而内部空间则 彰显开放与透明的氛围。令人向往的中庭成为社交核心，实验室和会议室均由玻璃墙 面向内部，营造出流动与视野的无缝融合。Natrium 研究大楼独特的布局见证了它对 灵活性和适应性的执著追求。凭借开阔通风的设计，大楼可以轻松应对不断变化的学 术研究需求，确保在未来多年内仍是相关而宝贵的资源。 团队 – 来自瑞典的 Kanozi Arkitekter 于 2001 年在哥德堡成立，现已成为瑞典杰出的建 筑设计团队之一。在设计总监兼创始人 Johan Norén、Johan Casselbrant 和首席执行 官 Lisa Jonsson 的领导下，这家跨学科公司由来自 20 多个国家的近 80 名建筑师、室 内设计师、工程师和专家组成。这个多元化的设计团队在全球 40 多所大学接受过培训， 体现了其对培育促进创新的包容性环境的承诺。该公司以人为本的方法首先通过分析 探究和设计思维方法深入了解每个客户的需求。这个迭代过程产生的建筑超越了单纯 的美学，通过可持续、民主和社区驱动的设计解决方案解决社会影响。 Kanozi Arkitekter 在哥德堡、马尔默和斯德哥尔摩设有工作室，在工作场所、住宅、交通、教 育和城市设计等领域交付了具有影响力的项目，始终致力于创造人们能够蓬勃发展的 环境。他们的“建筑以人为本”的精神通过令人印象深刻的项目组合得到了切实的体现， 其项目尊重情境结构，同时通过情境敏感、持久和对社会负责的设计大胆地提升人类体验。 Feature： Project - Nestled in the heart of Gothenburg, the newly completed Natrium University Building is a remarkable addition to the city's academic landscape. Spanning an impressive 32,000 square meters, this architectural masterpiece by Kanozi Arkitekter seamlessly blends cutting-edge design with functional excellence, creating an environment that fosters collaboration, innovation, and intellectual growth. One of the project's standout features is its commitment to promoting interdisciplinary interaction. By consolidating five of the Faculty of Science's seven departments under one roof, Natrium encourages spontaneous meetings and discussions among students, researchers, and staff, fostering a dynamic exchange of ideas that transcends traditional boundaries. The building's design is a harmonious fusion of contemporary aesthetics and contextual sensitivity. The façade, clad in brick, bronze-colored panels, and glass, pays homage to the existing architectural fabric of Medicinareberget, while the interior spaces exude a sense of openness and transparency. The inviting atrium serves as the social hub, where the laboratories and meeting rooms, adorned with glass walls, face inwards, creating a seamless flow of movement and visibility. Natrium's unique layout is a testament to its commitment to flexibility and adaptability. With its open and airy design, the building can effortlessly accommodate the ever-evolving needs of academic research, ensuring that it remains a relevant and invaluable resource for years to come. Design Team - Founded in Gothenburg in 2001, Kanozi Arkitekter has emerged as one of Sweden's preeminent architectural practices. Under the leadership of Design Directors and founders Johan Norén, Johan Casselbrant, and CEO Lisa Jonsson, the multidisciplinary firm comprises nearly 80 architects, interior designers, engineers, and specialists hailing from over 20 countries. This diverse team, trained at over 40 universities worldwide, exemplifies Kanozi's commitment to cultivating an inclusive environment that fosters innovation. The firm's human-centric approach begins by deeply understanding each client's needs through analytical inquiry and design thinking methodologies. This iterative process yields architecture that transcends mere aesthetics, addressing societal impacts through sustainable, democratic, and community-driven design solutions. With studios in Gothenburg, Malmö, and Stockholm, Kanozi has delivered influential projects across sectors like workplace, residential, mobility, education, and urban design - always striving to create environments where people can thrive. Their ethos of "Architecture for People" is tangibly expressed through an impressive portfolio that respects contextual fabrics while boldly advancing the human experience through contextually-sensitive, enduring, and socially responsible design 设计团队 旅游探访 32000 m² 瑞典，哥德堡 2024年 前一项 后一项

< 返回 Villa W Architecture MR 项目名称：Villa W 地点：拉马萨纳，安道尔 设计团队：Architecture MR 建筑面积：1063 m² 竣工时间：2024年 摄影：Pablo Garcia Esparza 设计特色： Architecture MR在安道尔拉马萨纳创造了一座非凡的Villa W住宅，完美体现了情境建筑与自然环境深度融合的精湛设计。该项目位于这一山地景观的显著位置，将当代建筑创新与生态敏感设计无缝结合，建立了建筑师所描述的"与自然节律共同呼吸的生命有机体"。 项目最引人注目的设计特色在于其四层级联构成，巧妙地顺应从街道到森林的自然坡度。这种动态布局创造了每个空间与环境的独特对话关系，从较低楼层的社交区域到上层的夜间区域，通过面向南方的周边露台开放，使景观成为建筑的主角。这种韵律性构图不仅建立了强烈的空间层次，还引入了随时间变化的光影效果，将建筑转化为"活跃表面"。 建筑策略巧妙地通过双层高起居空间作为项目的核心枢纽。雕塑般的壁炉作为空间分隔元素，戏剧性地将室内功能与创新的多功能水景分离。这一中央水景既可作为游泳池使用，也可作为活动的舞台空间，水面反射的光线在室内创造出随日夜和季节变化而演进的迷人光影变化。 贯穿建筑的楼梯设计成为一次空间体验之旅，在上升过程中不断变化形状和材质，成为引导动线的主线。这不仅是功能性连接，更是在光线、阴影和质感之间过渡的空间体验。较低楼层容纳最具社交性的空间：客房区域、影院、互动车库以及连接垂直花园的多功能空间。 入口处的设计被挖掘到地下，保留了一块原始的板岩岩石，作为自然雕塑出现，提醒人们场地的原始状态，强化了建筑的永恒特征。項目通过使用当地材料和重新种植本土植被来强化建筑与景观之间的连接，使住宅能够随时间演变。每一个阴影、每一次反射、每一个季节性变化都成为生活体验的一部分，将建筑转化为适应、倾听并与周围环境融合的生命有机体。 设计团队 - Architecture MR作为安道尔的开拓性建筑实验室，由两位创始人于2006年创立，他们怀着雄心勃勃的理念：不相信小建筑的局限性。在主持建筑师Marc Rubi的持续领导下，这家多学科事务所已发展成为一个由独特价值观驱动的大家庭，每位成员都贡献自己的专业技能。 该事务所的设计理念坚信建筑模式在不忽视功能的同时必须传达感情和情感。他们与上世纪的理性主义运动高度一致，以Philip Johnson和Mies van der Rohe等建筑师为重要参考。本世纪初向标志性建筑的转变在许多方面抛弃了功能，导致建筑忽视了场所、成本或功能。 Architecture MR的技术团队包括从不同专业领域的专业人士，从创意设计到技术执行各个环节。他们相信最佳结果只能通过参与整个建筑过程来实现。团队成员涵盖建筑师、技术建筑师、室内设计师、建筑摄影师、结构工程师、岩土工程师和MEP工程师等多个专业领域。 近期荣誉包括多项国际设计认可，工作室的实践方法强调对场地的深入分析和与客户的协作，打造出成功平衡当代创新与永恒设计原则的建筑，同时促进人与空间的深层连接。Architecture MR的建筑语言建立在理性主义、情感表达与环境整合的价值观之上，通过设计创新的变革力量，创造既根植于场所又拥抱全球建筑设计标准的建筑作品。 https://www.youtube.com/watch?v=tYsgp0o7gXQ 设计团队 旅游探访 1063 m² 拉马萨纳，安道尔 2024 前一项 后一项

< 返回 幸原村 STUDIO MONAKA 项目名称： 幸原村 (Sachibaru Village) 地点：南城市，日本 设计团队： STUDIO MONAKA 建筑面积： 142.42平方米 竣工时间： 2024年3月 摄影师： 井田佳明 设计特色： 项目 - 在冲绳南城市海岸附近的一片古老森林中，坐落着一个突破性的建筑项目——幸原村(Sachibaru Village)。STUDIO MONAKA建筑事务所通过这个项目巧妙地颠覆了"形式追随功能"的现代主义格言，创造出令人惊叹的建筑作品。 该项目最独特之处在于它刻意摒弃了预设的使用模式。响应业主对未定义用途的期望，建筑师们打造了他们称之为"第三空间"的场所——一个能够为儿童成长和学习提供自由画布的流动性环境。这种理念体现在设计中，与其历史环境和谐共存，巧妙地在现有的琉球石灰岩构造和百年古树之间穿行。 这座建筑面积为142平方米的建筑展现出卓越的环保意识，建筑师在建造过程中坚持不砍伐任何树木。相反，他们让场地的自然地形引导建筑的形态，在建筑干预与景观之间创造对话。这片标志着琉球王国时期古老农业梯田的场地，在保持其历史特征的同时，也融入了现代设计元素。 幸原村的与众不同之处在于其创新性地优先考虑室外空间，将室内区域仅作为补充要素。这种传统建筑层次的颠覆产生了一系列相互连接的空间，模糊了内外界限。该项目体现了独特的冲绳式空间营造方法，以开放性和包容性为特征，同时为重视自由性和自发性而非严格功能性的教育环境建立了新范式。 这座建成的建筑总占地面积为122.55平方米，分布在两层楼上，展示了当代建筑如何在尊重历史背景的同时，突破常规项目定义的界限。这个作品完美诠释了如何在保护自然环境的前提下，创造出具有前瞻性和创新性的建筑空间。 团队 – STUDIO MONAKA成立于2015年，总部位于日本京都，是一家突破传统设计界限的创新建筑事务所。由三位建筑师——冈山泰士、森田修平和仲本兼一郎（均出生于1987年）共同创立，事务所已发展成为一个多学科工作室，将建筑设计视为促进社区参与和环境和谐的催化剂。 事务所通过两个总部运营——位于京都历史悠久的船冈公园的主要工作室，以及2018年成立的冲绳分部。这种地理多样性使他们能够敏锐地应对城市和热带环境的设计挑战。他们的作品组合涵盖住宅、商业和公共领域项目，特别强调创造他们称之为"背景建筑"的空间——自然促进人际互动和环境联系的场所。 STUDIO MONAKA的设计理念以其独特的建筑规划方法而著称，通常在开发室内解决方案之前先进行外部空间规划。这种方法获得了广泛认可，包括2020年第六届冲绳建筑奖的优秀奖。事务所的专业领域包括总体规划、建筑设计、室内设计和环境咨询，特别注重社区驱动型项目。 在冈山、森田和仲本的领导下，加上包括注册建筑师和项目设计师在内的11名专业人员的支持，STUDIO MONAKA继续推动当代日本建筑的边界，同时保持对环境和文化敏感性的深度尊重。 Project Name: Sachibaru Village Location: Nanjo City, Okinawa, Japan Design Team: STUDIO MONAKA Total Floor Area: 142.42 m² Building Footprint: 122.55 m² Site Area: 584.39 m² Structure: Wooden construction, 2 stories above ground Design Period: January 2022 - January 2023 Construction Period: May 2023 - March 2024 Completion Date: March 2024 General Contractor: Arakaki Construction Structural Engineer: Ensake Structural Design / Ko Ensake Photographer: Yoshiaki Ida Feature： Project - Nestled in an ancient forest near the ocean in Nanjo City, Okinawa, Sachibaru Village emerges as a groundbreaking architectural project that challenges conventional design principles. STUDIO MONAKA, led by architects Yasushi Okayama, Shuhei Morita, and Kenichiro Nakamoto, has created a remarkable space that inverts the modernist dictum "form follows function" to spectacular effect. The project's most distinctive feature lies in its deliberate rejection of predetermined usage patterns. Responding to the client's desire for an undefined purpose, the architects crafted what they call a "third place" - a fluid environment that serves as a canvas for children's growth and learning. This philosophical approach manifests in a design that harmoniously integrates with its historic setting, carefully weaving between existing Ryukyu limestone formations and centuries-old trees. The 142-square-metre structure demonstrates exceptional environmental sensitivity, with the architects refusing to fell any trees during construction. Instead, they allowed the natural topography of the sloped site to guide the building's form, creating a dialogue between architectural intervention and landscape. The site, marked by ancient agricultural terraces dating back to the Ryukyu Kingdom period, retains its historical character while embracing contemporary design elements. What sets Sachibaru Village apart is its innovative prioritization of exterior spaces, with interior areas serving merely as complementary elements. This reversal of traditional architectural hierarchy results in a series of interconnected spaces that blur the boundaries between inside and out. The project exemplifies a distinctly Okinawan approach to space-making, characterized by generosity and openness, while establishing a new paradigm for educational environments that prioritize freedom and spontaneity over rigid functionality. The completed structure, with its modest footprint of 122.55 square metres spread across two floors, stands as a testament to how contemporary architecture can respect historical context while pushing the boundaries of conventional program definition. Design Team - STUDIO MONAKA, established in 2015 in Kyoto, Japan, stands as an innovative architectural practice that transcends conventional design boundaries. Founded by three visionary architects - Yasushi Okayama, Shuhei Morita, and Kenichiro Nakamoto - all born in 1987, the firm has evolved into a multidisciplinary studio that approaches architecture as a catalyst for community engagement and environmental harmony. The practice operates through dual headquarters - their main studio in Kyoto's historic Funaoka Park and a satellite office in Okinawa, established in 2018. This geographical diversity allows them to respond sensitively to both urban and tropical contextual challenges. Their portfolio spans residential, commercial, and public realm projects, with a particular emphasis on creating what they term "background architecture" - spaces that naturally foster human interaction and environmental connection. STUDIO MONAKA's design philosophy is distinguished by their unique approach to architectural programming, often beginning with exterior spatial planning before developing interior solutions. This methodology has garnered recognition, including the 6th Okinawa Architecture Award's Encouragement Prize in 2020. The firm's expertise encompasses master planning, architectural design, interior design, and environmental consulting, with a strong focus on community-driven projects. Under the leadership of Okayama, Morita, and Nakamoto, supported by a team of eleven professionals including certified architects and project designers, STUDIO MONAKA continues to push the boundaries of contemporary Japanese architecture while maintaining a deep respect for contextual and cultural sensitivities. 设计团队 旅游探访 142.42 m² 南城市，日本 2024 前一项 后一项

< 返回 T-A-圣日尔曼图书馆 ACDF Architecture 设计特色： 坐落于魁北克圣亚森特市中心的T-A-St-Germain图书馆由ACDF建筑事务所设计，是城市更新和可持续设计的典范。这座文化枢纽将一栋废弃的办公楼改造成充满活力的社区空间，巧妙地融合了保护和创新理念。 该项目最引人注目的特点是其改造再利用的方法。ACDF没有选择拆除重建，而是决定为这座1987年后现代主义建筑注入新的生命力。这一决定不仅降低了项目的碳排放，还提出了一个独特的设计挑战:如何在原有建筑的限制下打造一个标志性的文化目的地。 ACDF的解决方案既优雅又实用。新增的玻璃外立面延伸部分与现有结构相得益彰，创造出新旧之间的和谐对话。这一新增部分提供了高耸、充满光线的空间，与原建筑更加私密的区域形成鲜明对比。最终呈现出的多样化室内景观满足了各种活动和用户偏好。 图书馆的设计不仅仅停留在美学层面。它作为城市复兴的催化剂，成为新滨水走廊的锚点，吸引人们重返圣亚森特的历史市中心。凭借其多功能的规划和富有吸引力的空间，T-A-St-Germain图书馆重新定义了现代文化机构的角色，同等程度地促进社区联系和智力成长。 Nestled in the heart of Saint-Hyacinthe, Quebec, the newly inaugurated T-A-St-Germain Library by ACDF Architecture stands as a testament to thoughtful urban renewal and sustainable design. This 52,200 square foot cultural hub transforms a once-vacant office building into a vibrant community space, seamlessly blending preservation with innovation. The project's most striking feature is its approach to adaptive reuse. Rather than demolition, ACDF chose to breathe new life into the 1987 postmodern structure. This decision not only reduced the project's carbon footprint but also presented a unique design challenge: creating an iconic cultural destination while working within the constraints of the original building. ACDF's solution is both elegant and pragmatic. A new glass-clad extension complements the existing structure, creating a harmonious dialogue between old and new. This addition provides soaring, light-filled spaces that contrast beautifully with the more intimate areas of the original building. The result is a diverse interior landscape that caters to a wide range of activities and user preferences. The library's design goes beyond mere aesthetics. It catalyzes urban regeneration, anchoring a new waterfront corridor and drawing people back to Saint-Hyacinthe's historic downtown. With its versatile programming and inviting spaces, the T-A-St-Germain Library redefines the role of a modern cultural institution, fostering community connection and intellectual growth in equal measure. 设计团队： ACDF建筑事务所成立于2006年，迅速成为加拿大建筑界的领军力量。这家总部位于蒙特利尔的事务所由合伙人Maxime-Alexis Frappier、Joan Renaud和Étienne Laplante Courchesne领导，凭借其创新的设计理念赢得了国际声誉，巧妙地将北美的务实主义与欧洲的华丽风格融为一体。 ACDF的作品涵盖多种类型，从文化机构、商业空间到大型综合开发项目。86人的精干团队运用清晰而大胆的设计语言，以精湛的细节处理和对材料的敏锐洞察力著称。这种方法为事务所赢得了众多荣誉，其中包括2010年获得的加拿大总督建筑奖章。 事务所的成功源于其对叙事驱动设计的执着追求。在Frappier的创意指导下，每个项目都围绕一个丰富的概念框架展开，巧妙回应场地环境和客户需求。这种设计理念，结合Renaud的整体性方法和Laplante Courchesne的项目管理专长，使ACDF能够打造出既富空间感又功能高效的建筑作品。 ACDF的作品以持续创新为特征，通过不断的研究和实验来推动发展。这种精神使事务所在当代建筑实践中始终处于领先地位，不断在形式和功能上突破界限。 Founded in 2006, ACDF Architecture has rapidly established itself as a leading force in the Canadian architectural landscape. The Montreal-based firm, led by partners Maxime-Alexis Frappier, Joan Renaud, and Étienne Laplante Courchesne, has gained international recognition for its innovative approach to design that seamlessly blends North American pragmatism with European flair. ACDF's portfolio spans a diverse range of typologies, from cultural institutions and commercial spaces to large-scale mixed-use developments. The firm's 86-strong team employs a clear and bold design language, characterized by sophisticated detailing and a keen attention to materiality. This approach has garnered numerous accolades, including the prestigious Governor General's Medal in Architecture in 2010. The firm's success is rooted in its commitment to narrative-driven design. Under Frappier's creative direction, each project is developed around a rich conceptual framework that responds thoughtfully to site context and client objectives. This design philosophy, coupled with Renaud's holistic approach and Laplante Courchesne's expertise in project management, enables ACDF to deliver spatially compelling and functionally efficient buildings. A constant drive marks ACDF's work for innovation, fostered through ongoing research and experimentation. This ethos has positioned the firm at the forefront of contemporary architectural practice, consistently pushing boundaries in both form and function. 设计团队 旅游探访 52200 ft² 加拿大，圣亚森特 2024年 前一项 后一项

< 返回 “鈴懸”麻布台之丘店 CASE-REAL 设计特色： 项目 – 最近在东京麻布台之丘新落成的“鈴懸”日式甜点店，是一次在设立独特空间意境的精彩演示与代表之作。 CASE-REAL设计的这家108平米店面，利用其双门布局特色，建立起两种截然不同却和谐统一的体验氛围。 当从内侧通道进入时，顾客首先遇到绵延的蛇纹石墙壁背景，为厨房部位提供视觉厚重感，也为店面前厅营造出一种庄严仪式感。材料选择巧妙地在奢华与克制间取得平衡——磨砂灰泥墙面、梣木嵌板、石灰岩台面允许色彩缤纷的“和果子“展示自身魅力的同时，也展现出独特的日式气息。 内凹的外侧通道门廊细致地过渡到一个更为私密小巧的前厅，烘托出日式传统建筑空间“缘侧”的意境设计细节。CASE-REAL灵敏的空间规划成功化解了双门入口可能产生的割裂感，打造出一个看似现代却源深流长的零售内景，恰如业主的日式“和果子”工艺本身。 凭借精彩的空间意境创造，这间奢华却低调的新店定会提升麻布台之丘购物中心的品位与体验。 团队 – CASE-REAL是由日本建筑师二俣公一（1975年生）在2000年于福冈创立的建筑&室内设计工作室，其敏锐地捕捉文化本质的空间创作在日本国内外获得广泛赞誉。工作室巧妙利用技术创新与艺术表达手段，擅长酒店、零售、工作空间以及住宅项目。如极富和风气韵的“鈴懸”和果子店和充满沉浸感的“Arts & Science 福冈”复合店等代表作充分展现了其对场境氛围塑造的独特才能。工作室现由二俣公一与有川靖、下平康一共同领导，近年连续进入Dezeen 和FRAME大奖决选名单，预示CASE-REAL正快速成长为亚太区最引人瞩目的设计新锐力量。 Feature： Project - The recently completed Suzukake wagashi store in Tokyo's Azabudai Hills is a masterclass in creating a retail space with a distinct sense of place. Designed by CASE-REAL, the 108 sqm shop leverages its unique dual-entrance layout to establish two distinct atmospheres that harmonize into a cohesive whole. Approaching from the internal pathway, visitors first encounter an ample serpentine stone-clad wall backdrop that provides visual weight to the kitchen and imbues the shopfront with a sense of ceremony. The material palette strikes a skillful balance between richness and restraint - washed plaster walls, ash wood built-ins, and limestone finishes allow the colorful wagashi displays to shine while still feeling distinctly Japanese. Considered details like the recessed doorway to the external pathway entrance transition visitors to a more intimate scaled vestibule with engawa-inspired details. CASE-REAL's sensitive spatial planning resolves the potentially disjointed dual access points into a retail interior that feels at once modern and deeply rooted in tradition - an apt reflection of the wagashi craft itself. The sumptuous yet serene store is sure to elevate the Azabudai Hills shopping experience for discerning visitors. Design Team - Founded in 2000 in Fukuoka by Koichi Futatsumata, CASE-REAL is an architectural and interior design studio making waves in Japan and abroad with its creative spaces attuned to cultural essence. Leveraging technological innovation and artistic expression, CASE-REAL's diverse portfolio includes hospitality, retail, workplace, and residential projects. Signatures like the soothing Suzukake wagashi shop and immersive Arts & Science Fukuoka hybrid store display the studio's knack for imbuing atmospheres with a distinct sense of place. Currently led by Koichi Futatsumata along with project heads Koichi Shimohira and Yasushi Arikawa, CASE-REAL continues to garner accolades with recent shortlistings for Dezeen and FRAME Awards testifying to its ascent as one of APAC’s leading emerging practices. 设计团队 旅游探访 108 m² 日本 东京 2023 前一项 后一项

< 返回 Longbranch 度假别墅 mwworks 设计特色： 项目 – 坐落于华盛顿州凯斯湾的繁茂森林之中，由mwworks设计的Longbranch 度假别墅堪称建筑与自然和谐融合的典范。这座住宅重新定义了野奢别墅的概念，与周围的森林环境完美融为一体，同时提供豪华的生活体验。 该项目最引人注目的特色是其创新的场地融合方式。这座住宅并非主宰景观，反而似乎从景观中自然生长而出。其种植屋顶延伸了地平面，与周围的草地形成视觉上的连续性。这个绿色屋顶不仅增强了住宅的生态特性，还成为了当地野生动物繁荣的微型栖息地。 mwworks的设计理念在建筑形态与自然元素的微妙平衡中得到充分体现。住宅的结构巧妙地避开现有树木，采用销钉桩和地梁来保护森林地表。桥式的入口跨越了自然与建筑之间模糊的区域，创造出一种诗意的过渡，模糊了内外界限。 材料的运用在将住宅与环境相融合方面起到了关键作用。原始混凝土、深色雪松和当地采购的道格拉斯冷杉营造出与森林环境相呼应的色调。实体体量与透明间隙的交织模仿了周围景观中林间空地与茂密植被的韵律。 Longbranch 度假别墅是深思熟虑、因地制宜的建筑精品，它挑战了传统林中度假生活的概念，提供了一个精致而低调的庇护所，在享受自然环境的同时，为居住者及其众多动物伙伴提供了舒适、现代的生态家园。 团队 – mwworks这家2007年成立于美国西雅图的建筑设计工作室，在太平洋西北部的设计领域中开辟了独特的一席之地。在主创建筑师Steve Mongillo和Eric Walter的引领下，这家工作室持续为住宅和商业项目提供卓越设计，凭借其在情境设计和可持续建筑方面的创新方法赢得了广泛赞誉。 他们的设计理念深深植根于对场地特定条件、材料性质和工艺艺术的深刻理解。mwworks的作品集展示了他们将客户愿景与环境管理巧妙融合的非凡能力，创造出既具美学冲击力又符合生态责任的建筑。他们对可持续性的承诺并非浮于表面，而是深深融入设计过程的每个环节，涵盖从被动式太阳能策略到绿色屋顶系统，以及对回收材料的巧妙运用。 自成立以来，mwworks荣获多项享有盛誉的奖项，包括多次美国建筑师协会（AIA）全国荣誉奖，凸显了他们作为行业先锋的地位。2020年，他们的Whidbey Farm和Courtyard House项目双双获得AIA住宅奖，充分体现了事务所在住宅设计领域的卓越造诣。2016年获得AIA西北太平洋地区颁发的新锐设计团队奖，更是凸显了他们在建筑界的迅速崛起。 mwworks对设计的整体性方法不仅仅局限于美学层面，还包括对建筑科学和环境性能复杂性的深入探索。他们的项目以简洁的线条、诚实的材料运用以及室内外的无缝对话为特征，反映了对太平洋西北部本土建筑语言的深刻理解，同时推动了当代建筑的边界。随着不断发展，mwworks始终致力于创造经得起时间考验、宜居的空间，这些空间不仅与居住者产生共鸣，也与自然世界和谐共存。 Feature： Project - Nestled in the verdant landscape of Key Center, Washington, the Longbranch Residence by mwworks is a masterclass in harmonious integration of architecture and nature. This 3,100-square-foot home, completed in 2023, redefines the concept of a rural retreat, seamlessly blending into its forested surroundings while offering a luxurious living experience. The project's most striking feature is its innovative approach to site integration. Rather than dominating the landscape, the residence appears to emerge from it, with a planted roof that extends the ground plane and creates a visual continuity with the surrounding meadow. This green roof not only enhances the home's ecological footprint but has also become a thriving microhabitat for local wildlife. mwworks' design philosophy shines through in the delicate balance between built form and natural elements. The home's structure carefully navigates around existing trees, employing pin piles and grade beams to preserve the forest floor. A bridge-like entrance spans an ambiguous zone between nature and architecture, creating a poetic transition that blurs the boundaries between inside and out. Materiality plays a crucial role in anchoring the home to its context. Raw concrete, dark-stained cedar, and locally sourced Douglas Fir create a palette that resonates with the forest setting. The interplay of solid masses and transparent voids mimics the rhythm of clearings and dense vegetation found in the surrounding landscape. The Longbranch Residence is a testament to thoughtful, site-responsive architecture. It challenges conventional notions of rural living, offering a sophisticated yet understated sanctuary that celebrates its natural setting while providing a comfortable, contemporary home for its occupants and their menagerie of animals. Design Team - mwworks, a Seattle-based architectural powerhouse founded in 2007, has carved out a distinctive niche in the Pacific Northwest's design landscape. Under the visionary leadership of principals Steve Mongillo and Eric Walter, this boutique studio has consistently delivered exceptional residential and commercial projects, earning accolades for their innovative approach to contextual design and sustainable architecture. The firm's design philosophy is rooted in a profound respect for site-specific conditions, materiality, and the art of craftsmanship. mwworks' portfolio showcases a remarkable ability to synthesize client aspirations with environmental stewardship, resulting in structures that are both aesthetically striking and ecologically responsible. Their commitment to sustainability is not merely superficial; it is deeply integrated into their design process, encompassing everything from passive solar strategies to green roof systems and the thoughtful incorporation of recycled materials. Since its inception, mwworks has garnered numerous prestigious awards, including multiple AIA National Honor Awards, affirming their status as industry trailblazers. The 2020 AIA Housing Awards for both the Whidbey Farm and Courtyard House projects underscore the firm's mastery in residential design. Moreover, their recognition as an Emerging Firm by the AIA Northwest and Pacific Region in 2016 highlights their rapid ascension in the architectural realm. mwworks' holistic approach to design extends beyond mere aesthetics, embracing the complexities of building science and environmental performance. Their projects, characterized by clean lines, honest materials, and a seamless indoor-outdoor dialogue, reflect a deep understanding of the Pacific Northwest vernacular while pushing the boundaries of contemporary architecture. As they continue to evolve, mwworks remains committed to creating enduring, livable spaces that resonate with both their inhabitants and the natural world. 设计团队 旅游探访 3100 ft² Case Inlet, WA, USA 2023 前一项 后一项

< 返回 Steeplechase住宅 Brooks + Scarpa 项目名称：Steeplechase住宅 地点：北卡罗来纳州希尔斯伯勒，美国 设计团队：Brooks + Scarpa 建筑面积：2573平方英尺（约239 m²） 竣工时间：2024年 摄影：Mark Herboth 设计特色： 项目 - 坐落于北卡罗来纳州罗利达勒姆附近Eno河周边阿巴拉契亚山麓一片65英亩林地中，Steeplechase住宅由Brooks + Scarpa设计，超越了传统居所的定义，它是反思与宁静的展亭，是树林间与广阔自然环境相连的建筑宣言。项目直接受一位著名电影导演及其艺术家配偶的长期梦想启发而生，这对夫妇在好莱坞聚光灯下获得数十年成功后，决定回归更为宁静的生活方式，重温他们在加拿大蒙特利尔周边成长的记忆，建筑将其对自然联系和环境管理的深刻需求转化为革新性的空间组织。 该项目最引人注目的设计元素是两个高达31英尺的双山墙体量，配备大面积玻璃幕墙，使自然得以在视觉上与室内空间连接。这一建筑姿态不仅向地区传统山墙形式致敬，更创造出视觉深度和空间层次，仿佛整座住宅都在四季中与森林展开对话。反射性玻璃和黑色金属外立面赋予建筑不断变化的存在感，在夏日斑驳光影中隐退于森林，在冬雪中如灯塔般突显，而天然胶合板内饰则创造出温暖的聚集场所。 在这个核心空间内是住宅的组织规划：平面围绕两个开放式山墙体量组织，分别承载住宅的公共区域和私密区域。厨房/餐厅区域连接住宅两侧，形成透明的较低尺度画廊式门廊，两侧均为玻璃，在两个体量间移动时宛如漫步森林。这个过渡空间既分隔又连接住宅的两个不同区域，同时营造出空间性和逃离感。 周围的可持续性策略在功能上形成对比。该设计保留了场地98%的自然景观，近20英亩的土地从入侵物种恢复为本土植物群落，包括东部紫荆、野佛手柑、黑眼苏珊、小蓝茎草和乳草。这次生态修复为濒危的帝王蝶、东部蓝鸟、美国金翅雀和东部棉尾兔创造了重要栖息地。住宅本身采用100%回收金属和FSC认证木制品，实现了25.52的预测能源使用强度，几乎是基线要求44的一半。 战略性被动式设计原则最大化了建筑效率。现有树木在一天中最热时段阻挡直射阳光，最小化制冷需求。大面积窗户和天窗最大化自然采光和交叉通风，减少人工照明需求。高品质保温材料和节能玻璃进一步降低能源使用。能源之星MrCOOL 22.5 SEER热泵、Rheem ProTerra 65加仑智能热泵热水器（UEF评级3.85）以及飞利浦超高效LED照明（能耗比标准产品低50%，光效高达210流明/瓦）展现了全面的资源保护方法。低流量固定装置实现了比平均水平高38%的节水效果。 Steeplechase住宅因此成为超越传统建筑界限的建筑表达。它讲述着一个故事，在客户的生活方式、创新可持续解决方案与周围阿巴拉契亚环境之间建立敏感对话。一个适应性强而诗意的空间栖息于北卡罗来纳州乡村，对编织生活、自然与建筑环境艺术的静默致敬。 设计团队 - Brooks + Scarpa于1991年以Pugh + Scarpa之名创立，2010年更名为现名，总部位于美国，经过三十多年的专业卓越发展，已确立其作为美国最杰出设计事务所之一的地位。事务所由主持建筑师Angela Brooks, FAIA、Lawrence Scarpa, FAIA和Jeffrey Huber, FAIA领导，其专业实践建立在客户直接参与设计过程的信念基础上，始终寻求为每个项目提供有意义且深思熟虑的建筑解决方案。 结构创新作为空间催化剂、材料的创意运用和对环境管理的深刻承诺等基本原则是贯穿所有作品的特色。结合这些理念，团队的工作以可持续性最佳实践为起点，重新思考传统建筑形式，以创新方式回应建筑领域的当代问题。 事务所的设计方法论融合三项基本原则：工程解决方案与空间体验的无缝整合、可持续材料与技术的诚实表达，以及将适应性和被动式生存能力作为设计核心驱动力的战略性思考。这些核心理念贯穿每个项目类型，从单户住宅到多户住宅、经济适用房、商业、机构、教育和政府建筑。 Brooks + Scarpa的建筑手法深受创新和可持续性启发，同时挑战传统范式以应对当代环境挑战。事务所对设计卓越的坚持赢得了国际认可，包括史密森尼库珀休伊特国家设计奖、加州和全国美国建筑师协会事务所奖、加州建筑师协会终身成就奖以及多项AIA COTE十大绿色建筑奖。根据Architect杂志排名，该事务所在美国顶级建筑事务所中位列第二，在Design Intelligence全球排名中位列第333位。其项目体现了技术精通、创意与环境责任之间的精妙平衡，通过严谨的跨学科研究和数字技术，为当代可持续建筑树立了新的标杆。 设计团队 旅游探访 239 m² 希尔斯伯勒，美国 2024 前一项 后一项

< 返回 Blue Bottle Coffee 镰仓咖啡馆 ninkipen! 项目名称：Blue Bottle Coffee 镰仓咖啡馆 地点：镰仓市，日本 设计团队：ninkipen! 建筑面积：133.25 m² 竣工时间：2026年5月 摄影：河田弘树 设计特色： 日本建筑师今津康夫（ninkipen!）在神奈川县镰仓市完成了Blue Bottle Coffee镰仓咖啡馆项目，将一片不锈钢格天井悬挂于店内上方，呼应传统日式格天井的样式，又赋予其当代表达。 这座建筑面积133.25平方米的咖啡馆，坐落于连接热闹的小町通与樱花夹道的若宫大路之间的一条小径上，恰好位于镰仓站与鹤冈八幡宫的中间。建筑师希望为这座寺社林立、兼具山海魅力的古都，找到一处与之相称的咖啡空间。 天花板的设计灵感来自坂仓准三1951年设计的邻近作品镰仓文华馆鹤冈美术馆（原神奈川县立近代美术馆镰仓馆）。该建筑底层架空空间的天花板，曾映照出旁侧莲池水面粼粼的光影。今津康夫据此将不锈钢面板均匀悬吊，形成类似建长寺等日本传统建筑中常见的格天井样式。金属面板细腻地映出店内灯光与人们的举止，随时间静静变换表情，为身处其下的人们带来心地舒适的微微摇曳之感。 咖啡馆深处的长椅背墙采用手工和纸，以咖啡反复细致染制而成。悬于空间中央的定制吊灯，令人联想起鹤冈八幡宫的“雪洞祭”，其和纸灯罩中漉入了废弃的咖啡渣，二者皆被开发为源自咖啡本身的原创材料。吊灯的截面造型呈现出鹤冈八幡宫名称中“八”的形态，长椅织物则选用了象征镰仓初夏的绣球花色。 设计团队： ninkipen!是建筑师今津康夫主持的建筑与室内设计事务所，总部位于大阪箕面，于2005年创立。今津康夫1976年生于日本山口县，自幼在大阪长大，在大阪大学攻读建筑工学硕士期间与友人共同组建设计团队“pen!”，毕业后曾任职于远藤刚生建筑设计事务所，2001年至2005年间参与多个公共建筑与集合住宅项目的设计工作。 自创立ninkipen!以来，今津康夫的设计实践涵盖住宅、咖啡馆、面包店与服饰店铺，遍布尔日本各地，每一个项目都被视为对业主、预算、时代背景与场地脉络之间关系的解读。代表作品包括位于轻井泽的周末住宅“翠荘”、位于羽曳野的庭院住宅“钩之离”，以及位于京都的服饰店“camisimo”。 事务所的工作已获得国际关注，曾被英国设计媒体Dezeen报道，并获得东京中城设计大奖佐藤卓奖及“有屋顶的建筑作品竞赛”伊礼智奖等多项荣誉。今津康夫还曾在摄南大学、大阪大学、近畿大学及神户艺术工科大学担任兼职讲师，从事建筑教育工作。 设计团队 旅游探访 133.25 m² 镰仓市，日本 2026 前一项 后一项

< 返回 晓宅 YH2 Architecture 项目名称：Maison Aubé 地点：圣厄斯塔什，魁北克，加拿大 设计团队：YH2 Architecture 建筑面积：358.5 m² 竣工时间：2025年 摄影：Maxime Brouillet 总承包商：SMS Turcot Construction 景观建筑：Libre cour + LN Paysage 设计特色： 加拿大建筑事务所 YH2 Architecture 近日完成 Maison Aubé 项目，这是一座始建于 1811 年的历史民居的修复与当代扩建工程，坐落于魁北克省圣厄斯塔什市千岛河畔。该项目是一次对建筑记忆的深刻诠释，展示了历史与现代如何以敏锐而精准的方式和谐共存。 这座爱国者故居历经数十年零散改建，原有的建筑特质逐渐被遮蔽。同一家族世代居住于此，使这座建筑成为多代人共同生活与记忆的载体。YH2 Architecture 以严谨克制的态度介入项目，拆除历史积累的无序加建，将外立面还原至其本源的纯粹状态。窗洞比例的重新校正、雪松木瓦屋顶的复原，以及室内石墙与结构木梁的精心呈现，共同唤醒了岁月所掩埋的建筑真实性。一处新设的双层通高空间重组了主要起居区域，并为屋架结构提供了全新的视觉维度。 本项目最核心的设计手法，在于历史建筑本体与新建当代扩建体之间的关系处理。YH2 并未以强烈的对比姿态强行介入，而是将扩建体设计得刻意低调，使其自然楔入成熟的园林树丛之间，体量随地形起伏而收放，充分尊重原有的自然景观。以乌木色雪松木与深色木材为外饰，顶部铺设砾石屋面，扩建体与周围环境形成罕见的色调协调。沿地块自然坡度延伸的中央坡道组织着室内空间序列，使新建筑深深扎根于场地的地形之中。 连接新旧两座建筑的，是一条玻璃连廊。它如同一道透明的门槛，框定了历史遗产与当代生活之间的对话。最终呈现的，是一个作为整体运作的家园，建筑、景观与世代记忆在此交汇。Maison Aubé 并非以凝固的方式保存过去，而是允许它持续演进，让一段跨越两个世纪的家族传承得以被延续、被重新诠释，并传递至未来。 设计团队： YH2 Architecture 由建筑师 Marie-Claude Hamelin 与 Loukas Yiacouvakis 于 1994 年在蒙特利尔共同创立，历经三十年的深耕积淀，已成为魁北克省最具影响力的建筑设计事务所之一。事务所秉持"建筑是场所营造的艺术"这一核心理念，将每一次设计委托视为兼具创造性与变革性的实践，致力于通过严谨的空间思考重新诠释现实。 两位创始合伙人均毕业于蒙特利尔大学建筑系，拥有深厚的学术背景与专业积累。Hamelin 曾赴意大利参加由 Daniel Libeskind 主持的设计课程，并在以色列大学完成实习；Yiacouvakis 则师从极具影响力的建筑师 Melvin Charney，参与了圣劳伦郊区的城市研究项目。1994 年，两人共同创立 YH2，并持续领导事务所至今。 事务所的核心方法论在于对项目每一个维度的全面深入介入，涵盖场地融合、概念设计、施工图纸、建筑细部及室内设计的完整链条。YH2 有意将项目数量控制在合理规模之内，以确保每个委托均能获得两位创始合伙人的充分投入与专注。这种对精确性与设计意图的一贯坚守，使事务所在住宅、商业及历史遗产等多个类别中斩获了丰富的国内外奖项，包括魁北克建筑师协会优秀建筑奖、设计大奖赛金奖，以及多项建筑木材利用奖项等荣誉。 设计团队 旅游探访 358.5 m² 圣厄斯塔什，加拿大 2025 前一项 后一项

< 返回 单柱住宅 Buero Wagner 项目名称：单柱住宅 地点：贝格，德国 设计团队：Buero Wagner 建筑面积：660 m² 竣工时间：2025年 摄影：Kim Fohmann 设计特色： 项目 ：德国Buero Wagner建筑工作室在贝格创造了一对引人注目的住宅建筑，通过激进的结构简洁性挑战了对居住空间的传统观念。单柱住宅代表了极简生活的大胆实验，每栋90平方米的住宅仅依靠底层的一根中心柱支撑。 这些炭化木材包覆的住宅位于施塔恩贝格湖畔，展示了建筑约束如何激发创意解决方案。该项目源于城市密集化策略，用两栋当代住宅取代了一栋衰败的1950年代房屋，在保护珍贵绿色空间的同时容纳了同一家庭的三代人。 建筑最具特色的特征在于其结构的大胆性——每层底层都由一个宽敞的无柱空间组成，仅由一根孤立的支撑柱点缀。这一工程壮举消除了传统的内墙，创造了厨房、餐厅和起居区无缝融合的流动空间。中心柱既是结构必需品又是设计特色，厨房台面直接浇筑在其上，将建筑转化为家具。 可持续性渗透到每一个设计决策中，从回收的拆除材料到无需化学处理的炭化木立面。这种黑化的木材覆层让人联想到传统的日式烧杉板，在自然防御天气和昆虫的同时创造出戏剧性的街道形象。圆形开口像超大舷窗一样穿透深色立面，提供了对远处树冠的窥探。 这些紧凑而宽敞的住宅证明，智能设计可以在最小化环境足迹的同时最大化空间影响，通过结构创新与材料真实性的结合，为可持续郊区生活建立了新的基准。 设计团队 ：Buero Wagner成立于2013年，由Prof. Dipl. Ing. Univ. Fabian A. Wagner创立，现已成为当代德国建筑领域的先锋力量，确立了将传统建造技术与激进空间概念相结合的独特实践方式。在Wagner的领导下，以及Louise Daussy和Edwin Hoffmann等核心合作者的协助下，这家总部位于慕尼黑的事务所因挑战传统建筑类型的创新材料应用和结构大胆性而获得国际认可。 该事务所的建筑哲学围绕智能使用原始、未加工材料展开——特别是炭化木材、裸露混凝土和耐候钢——创造出能够优雅老化同时最小化环境影响的建筑。Wagner的学术背景，包括他目前在凯泽斯劳滕应用科学大学的教授职位和著名的罗马奖学金(2022/2023)，为事务所的研究驱动设计方法提供了理论支撑。 事务所的作品组合涵盖从私密住宅改造到文化展亭，每个项目都展现出对建构细节和空间序列的精心关注。像单柱住宅这样的近期作品体现了他们对结构极简主义的承诺，将工程约束转化为生成性设计机遇，确立了Buero Wagner作为当代欧洲建筑重要声音的地位。 Project Name: Set Houses with One Pillar Location: Berg, Germany Design Team: Buero Wagner Total Floor Area: 660 m² Completion: 2025 Photography: Kim Fohmann Design Features: Project - Located on the shores of Lake Starnberg, the Set Houses with One Pillar project redefines residential space concepts through radical structural simplicity. Comprising two nearly identical dwellings, each with a modest floor area of just 90 square meters, the project creates spacious living experiences through a unique single-pillar support system. The buildings' most striking feature lies in their structural audacity—each ground floor consists of one expansive space supported by only a single central column. This engineering feat eliminates the constraints of traditional interior walls, creating fluid spaces where kitchen, dining, and living areas seamlessly merge. The central pillar serves not merely as a structural necessity but becomes a core design element—the kitchen worktop is cast directly onto the support column, transforming architectural components into functional furniture, embodying the perfect unity of structure and use. The building facades are clad in charred timber, employing the traditional Japanese shou sugi ban technique that gives the architecture its deep black appearance. The carbonization process naturally protects the wood from weather and insects without requiring chemical treatments. Circular openings in the facade function like oversized portholes, providing framed views of the surrounding tree canopy from within while creating an expressive architectural face toward the street. The project emerged from an urban densification strategy, replacing a single deteriorating 1950s building with two contemporary dwellings that accommodate three generations of the same family while preserving precious green space. Sustainability permeates every design decision, from recycled demolition materials to chemical-free carbonized timber facades, demonstrating innovative possibilities for environmentally conscious architecture. The basement and partially underground ground floor are constructed of solid concrete, with surfaces sandblasted to achieve a "soft" texture and floors ground and sealed. The upper level employs solid wood construction in keeping with regional building traditions, creating an intimate atmosphere with warm surfaces and small-scale private spaces. The building is heated by an air heat pump combined with photovoltaic systems and concrete core activation. These compact yet generous homes prove that intelligent design can maximize spatial impact while minimizing environmental footprint, establishing new benchmarks for sustainable suburban living through the marriage of structural innovation and material authenticity. Design Team - Buero Wagner, founded in 2013 by Prof. Dipl. Ing. Univ. Fabian A. Wagner, has emerged as a pioneering force in contemporary German architecture, establishing a distinctive practice that harmonizes traditional building techniques with radical spatial concepts. Under Wagner's leadership, alongside key collaborators Louise Daussy and Edwin Hoffmann, the Munich-based firm has garnered international recognition for projects that challenge conventional typologies through innovative material applications and structural audacity. The practice's architectural philosophy centers on the intelligent use of raw, unprocessed materials—particularly charred timber, exposed concrete, and weathering steel—creating buildings that age gracefully while minimizing environmental impact. Wagner's academic background, including his current professorship at Hochschule Kaiserslautern and prestigious Rome Prize fellowship (2022/2023), informs the firm's research-driven approach to design. Notable achievements include multiple BDA awards, Archdaily Building of the Year nominations, and features in leading architectural publications worldwide. The firm's portfolio spans from intimate residential interventions to cultural pavilions, each project demonstrating meticulous attention to tectonic detail and spatial sequence. Recent works like the Single Pillar Houses exemplify their commitment to structural minimalism, where engineering constraints become generative design opportunities, establishing Buero Wagner as a significant voice in contemporary European architecture. 设计团队 旅游探访 660 m² 贝格，德国 2025 前一项 后一项

< 返回 伊万山附属住宅单元 Warren Techentin Architecture 项目名称: 伊万山附属住宅单元 地点: 洛杉矶 ， 美国 设计团队: Warren Techentin Architecture 建筑面积: 1152平方英尺(约107平方米) 竣工时间: 2024年 设计特色 | Design Feature 设计特色: Warren Techentin Architecture设计的伊万山附属住宅单元展现了如何通过碎片化体量策略和地形响应设计哲学,将一座位于银湖山坡地块上的双层附属住宅转化为充满几何对话和空间灵活性的当代居住杰作。 这座1152平方英尺的住宅戏剧性地坐落在洛杉矶银湖社区伊万山露台的街道一侧,呈现为对当代附属住宅单元类型学、材料表达和建筑体量策略融合的深刻探索。它通过精心的体量构成和空间组织,创造出一个将功能性、私密性与全景视野无缝交织的居住体验。 项目的绝妙之处在于对加州附属住宅单元标准尺寸限制的巧妙回应与最大化利用。面对山坡地形和现有主要住宅的复杂条件,建筑师采用碎片化策略,将功能空间分解为两个截然不同的几何体量,创造出一个探索尺度关系和建筑独立性的作品。这种设计策略创造了建筑形式的雕塑性,实现了体量的对话效果,使建筑在尊重1458平方英尺原有住宅尺度的同时展现出自身的建筑身份。 Warren Techentin Architecture的设计语言流利地表达着当代加州建筑方言,运用战略性的材料对比和错层空间连接来重新定义山坡地形中的附属住宅体验。住宅由两个主要体块组成:一个闪烁着海洋蓝光泽、包裹着波纹瓷砖的大型反射立方体,以及其对应体量,一个带有黑色直线窗框的阶梯式灰米色体块。住宅包含错落的楼板,形式遵循山坡地形,通过短跑楼梯连接双层附属住宅的各个层面。 建筑师通过主体量与配对"地形式"体量的巧妙操控创造诚实的材料系统和功能分区。容纳立方形起居室和厨房的主体量与容纳卧室的配对体量呈错位布局,其中一间卧室配有自己的小厨房。这种大胆的体量分离策略不仅在视觉上创造了建筑的雕塑特质,同时巧妙地适应了附属住宅单元需要同时容纳两组不同客人或派对的功能需求,在共享公共起居室的同时提供私密性。 虽然外部形式截然不同,但业主期望简洁中性的室内设计,全屋配有白色墙面和白橡木地板。色彩被节制地引入,体现在定制木工的蓝灰色调以及两个浴室中各种色调的海蓝色瓷砖上。材料策略延续了这种建筑与语境和谐共生的设计理念,通过使用原始材料强化与语境的整合,包括波纹瓷砖的触感质地、玻璃的透明性和混凝土的坚固性。 与户外的充分连接被融入建筑设计之中。灰米色体块上的屋顶露台和蓝色体块中的阳台提供向东眺望圣加布里埃尔山脉的壮丽景观。带有户外厨房的公共庭院充当主要住宅与附属住宅单元之间的中介空间。额外设施如14英尺高的大型健身器械、带水流推进器的小型泳池、干桑拿、举重垫和冷水浸浴池,丰富了围绕附属住宅单元的日常仪式和活动。 住宅为一个三口之家设计,作为第二居所或客房,这个家庭由一名医生、一名摄影师和他们六岁的女儿组成,经常接待来访的家人和朋友。该伊万山附属住宅单元几乎达到标准附属住宅单元的最大许可尺寸,能够同时容纳两组不同的客人或派对,在共享公共起居室的同时提供私密性。考虑到原有住宅1458平方英尺与附属住宅单元1152平方英尸之间在建筑面积上的相似性,Warren Techentin Architecture决定对附属住宅单元进行碎片化处理,将功能空间的体量分解为较小的形式,以强化其与原有住宅的从属关系。 项目战略性地组织体量和开口以捕捉山景视野,同时通过成熟植被提供自然遮蔽。附属住宅单元不是孤立地矗立在场地上,而是让自己与主要住宅和景观形成对话关系,展示了Warren Techentin Architecture对场地敏感性和功能整合的承诺。这种设计方法强化了建筑从公共街道到私密庭院的过渡,创造出建筑、自然与日常生活之间的无缝对话。 设计团队: Warren Techentin Architecture作为当代加州建筑实践的杰出代表,由美国建筑师协会会士Warren Techentin创立。在首席建筑师Warren Techentin以及核心团队成员Dana Lydon、Michaela Cho、Dylan Perkinson、Bryan Chen和Can Derman的领导下,已确立其在当代住宅设计、多户住宅以及跨学科设计方法创新领域的先锋地位。这家洛杉矶事务所通过设计与技术精确性的协调整合,重新定义当代加州建筑师在国际设计话语中的角色。 Warren Techentin Architecture为建筑实践带来了卓越的多样化设计视角和对新兴技术整合的深刻理解。该事务所因其将项目和谐融入场地语境与客户需求的承诺而获得认可,创造超越纯粹功能限制的空间体验。其设计方法展现了对城市主义、性能化基础设施和流行文化的深入研究,相信这些研究对建筑的形式、空间、色彩、可持续性和参与维度产生重要影响。 该事务所的设计哲学强调建筑应该超越形式限制,不仅仅是为了满足功能需求而设计,更是为了与场地条件、社区语境和环境责任有机融合。通过对场地特定性认知和空间连续性的深度关注,开展住宅类型学的创新探索,相信最好的建筑是通过精准和深思熟虑的过程产生的团队协作式干预。Warren Techentin Architecture相信建筑应该发掘场地的潜在可能性,创造富有氛围感、因地制宜且令人惊喜的建筑与环境。 该事务所的跨学科方法从材料、施工技术和技术中汲取灵感,并寻求将它们整合到建筑中的新方式,为形式和空间提供新鲜感,同时平衡当前和未来对能源、维护和升级的需求。Warren Techentin Architecture寻求外部与内部之间的连接,包括视觉、物理和文化层面,同时采用自然通风和采光的新方法以及被动式加热和冷却技术作为主要建筑元素。该事务所认识并促进建筑在其扩展语境中的相互依存关系,并提出关于建筑在社区生活中的角色以及长期可持续性的更广泛问题。 首席建筑师Warren Techentin出生于加利福尼亚州帕萨迪纳,是一名持证建筑师和美国建筑师协会会士。Warren的作品受到他对城市主义、性能化基础设施和流行文化的长期兴趣和研究的影响。他的设计专业知识包括独栋住宅、多户住宅、商业机构空间和教育项目。此外,他的设计过程寻求整合新技术以创造响应式环境、主动和被动通风策略以及可持续系统。Warren拥有加州大学伯克利分校建筑学学士学位、哈佛大学建筑学硕士学位和城市设计建筑学硕士学位,并担任南加州大学兼职副教授,教授多户住宅设计工作室、学位项目设计工作室、研究生综合设计工作室,并讲授城市主义课程。 核心团队成员Dana Lydon于2010年获得加州理工州立大学圣路易斯奥比斯波分校建筑学学士学位,2008至2009年在丹麦留学abroad研究所学习一年。她曾在Lorcan O'Herlihy Architects工作,专注于多户住宅项目。Dana对强大设计的热情和倡导是其工作各个层面的重要因素。Michaela Cho获得南加州建筑学院设计研究硕士学位和伊利诺伊理工学院建筑学学士学位,曾在巴塞罗那留学一年,培养了对艺术、文化和城市主义的热情。Dylan Perkinson获得南加州建筑学院建筑学硕士学位和克莱姆森大学建筑学学士学位及美术辅修学位。Bryan Chen于2021年获得南加州大学建筑学学士学位,曾在亚洲留学一个学期,对日本建筑中普遍存在的短暂本质和工艺专注产生了特别兴趣。Can Derman获得南加州大学建筑学学士学位,曾在芬兰、法国和土耳其的建筑设计事务所工作。 除实践外,通过对材料整合、新技术应用、被动式环境策略和可持续系统的深思熟虑,Warren Techentin Architecture已确立自己作为当代加州建筑话语重要贡献者的地位,创造出既具技术创新性又保持建筑卓越性的作品。该事务所获得了重要认可,包括2024年Mies Crown Hall美洲奖提名的蒙特雷共居公寓项目,以及美国建筑师协会在国家、州和地方层面的多项荣誉。在Warren Techentin及其团队的持续领导下,该事务所目前在加州充满活力的建筑景观中占据独特地位,专注于创造通过材料整合、空间创新和语境敏感性来实现建筑品质的空间体验。 多年来,Warren Techentin Architecture展现出卓越的多功能性,其作品集包括独栋住宅、多户住宅、商业机构空间和教育设施。每个项目都体现了对工艺和细节的承诺,从项目开始就强调协作团队合作。他们的代表作品,包括银湖附属住宅单元、蒙特雷共居公寓和埃利西安田野公寓,体现了他们平衡当代建筑语言与环境责任、社区需求和场地特定性的能力,确立了其作为洛杉矶最受尊敬和创新的建筑事务所之一的地位。 设计团队 旅游探访 1152 ft² 洛杉矶，美国 2024 前一项 后一项

< 返回 Uncloud Coffee 咖啡馆 Unknown Surface Studio 设计特色： 项目 – 这家坐落在泰国春武里府考林路旁的Uncloud Coffee咖啡馆，堪称一座将形式与环境完美融合的建筑杰作。其位于三角形地块，一侧临近通往邦盛的主干道，营造出遥望群山的绝佳景致。Unknown Surface Studio的设计师们巧妙利用了这一独特的地形，将建筑沿路一路延伸，巧分三大核心区域-迎宾式主入口结合酒吧与休息区、一处环绕青翠庭院的户外休闲空间，以及宁静的内部就餐和工作区。设计师们直接汲取了北极光那迷人缥缈的光影为灵感，通过抽象的手法重新诠释。 建筑流畅曲折的外形刻画出极光闪现时那活力盎然的光影图腾，其拱形结构婉转依路而建，与环境自然地水乳交融。无间断的流线型曲线既内敛又外扩，，将全部内外空间紧紧相连，孕育出一种完整统一的建筑体验。为应对临路而建带来的干扰问题，设计巧妙地植入了多项人性化措施。面向街道的不规则立面叠加着高挺的弧形屏障，以精心计算的角度打开，最大限度地维持着山景视野，同时阻隔噪音和阳光直射的困扰。这一设置不仅增强了声学舒适度，也帮助室内保持清凉宜人的环境。庭院的位置经过精心设计，以确保日照和通景，让日光全天自然地注入室内。园林绿地和硬质景观元素的融入，以其浑圆有机的外形缓慢流动，和建筑形式呼应递进。景观树木有侧重地分布在建筑边缘，既起到天然隔声的作用，又为室内遮荫蔽阳，令室内室外完美衔接，建筑与自然界融会贯通。 团队 – 成立于2020年的Unknown Surface Studio是一家新兴的泰国建筑设计事务所，总部位于曼谷。该工作室的设计理念巧妙地将环境情境和动态流畅的设计形式融为一体，灵活回应周边环境。工作室最新的春武里咖啡馆就彰显了他们将建筑与环境无缝结合的非凡能力。这家工作室擅长打造让人身临其境的空间体验，巧妙融合建筑与自然元素。他们的建筑语言运用流畅的曲线和有机几何造型，在使用者与环境之间建立深层连接。工作室对环境影响也素有高度重视，创造出可持续的绿色设计，在追求美学舒适性的同时亦兼顾资源节约。凭借创新的语境化设计理念，，这家充满前景的工作室孕育出一系列卓越的建筑佳作，提升人居体验的同时亦惜护生态平衡。Unknown Surface Studio正是源于泰国，却彰显国际水准的优秀本土建筑设计力量。 Feature： Project - Nestled along Thailand's Khao Lam Road in Chonburi Province, Uncloud Coffee emerges as an architectural marvel that seamlessly blends form and environment. Occupying a sharply triangular site adjacent to the main artery from Bang Saen, the cafe presents a stunning backdrop of majestic mountains. The designers at Unknown Surface Studio have masterfully exploited the site's geometry, extending the building along the roadside in three core zones - a welcoming entrance merging bar and seating areas, an outdoor lounge encapsulated within a lush courtyard, and a serene internal space for dining and work. Inspired by the ethereal allure of the Aurora Borealis, the design reinterprets these celestial light displays through an abstract lens. The building's sinuous form echoes the dynamism of the northern lights, with its arching structure gracefully hugging the roadway, melding effortlessly into its surroundings. Sweeping, uninterrupted lines interconnect all interior and exterior spaces, fostering a cohesive architectural narrative. Addressing challenges posed by its roadside location, the design ingeniously mitigates noise and thermal intrusion. The street-facing facade features towering, curved barriers that open strategically at select angles, maximizing mountain vistas while minimizing noise and heat transmission. Beyond acoustic comfort, this innovative system maintains a cooler indoor climate. The courtyard's strategic positioning channels unobstructed daylight and sky views into the interior, bathing the spaces in natural illumination throughout the day. The seamless integration of landscaping elements, including strategically placed large trees, serves as natural sound buffers while providing shade, blurring the boundaries between built and natural environments. Design Team - Founded in 2020, Unknown Surface Studio is an emerging Thai architectural practice based in Bangkok. The firm's design approach seamlessly blends contextual narratives with dynamic, flowing forms that respond fluidly to their environments. Unknown Surface Studio's recent Uncloud Coffee project exemplifies their mastery of integrating architecture with its surroundings. Situated on a triangular site in Chonburi, the cafe's sinuous form echoes the atmospheric patterns of the Aurora Borealis. Strategically oriented openings frame stunning mountain vistas while mitigating noise and heat intrusion. Sensitively positioned courtyards channel natural illumination throughout the interior spaces. The studio excels at crafting immersive spatial experiences that harmonize built and natural elements. Their architectural language employs sweeping curves and organic geometries that forge profound connections between users and context. With an acute awareness of environmental impacts, Unknown Surface Studio creates sustainable designs that minimize resource consumption while maximizing comfort and aesthetics. Through their innovative and contextually grounded approach, this promising practice delivers superlative architectural solutions that elevate the human experience while respecting the ecological balance. Unknown Surface Studio exemplifies architectural excellence rooted in Thailand. 设计团队 旅游探访 400 m² 泰国，春武里府 2023年 前一项 后一项

< 返回 沃克街88号酒店办公综合体fitzpatrick+partners 设计特色： 项目 – 这座耸立于北悉尼天际线、高达50层的酒店及办公综合塔楼，极富造诣地融合了历史与现代主义。该塔楼由澳大利亚Fitzpatrick+Partners建筑事务所设计，由两个精致弧面玻璃外立面体贴合而成，一个落地于地面层，而另一个悬挑在空中，与周边粗犷的高楼形成强烈对比。它大胆地悬于一幢历史悠久的消防站上方，并巧妙地结合了精品办公空间和252间客房。该项目充分优化了这个极具挑战性的场地，开辟了崭新的人行通道，贯穿北悉尼正在快速变迁的CBD区域，并精心的规划将酒店与办公功能融合成一个雕塑式的地标作品。与此同时，其斜柱使南侧体量能够悬挑于现有的酒吧上方，形成开阔的600平方米空中观景平台，更将疏散楼梯移至立面外部，内部则呈现无柱的办公空间，拥有360度开阔景观。一个充满活力的多层大厅立于地面层，室内外形成无缝连接。它追求五星级可持续评级，其动感流畅的面貌为这个快速发展的商业中心注入活力与特色。 团队 – 来自澳大利亚的Fitzpatrick+Partners建筑设计事务所成立于2001年，由James Fitzpatrick在2000年11月创立个人工作室发展而来。Paul Reidy和Rod Pindar在2018年成为Fitzpatrick+Partners的合伙人。Fitzpatrick+Partners堪称澳大利亚最引人注目的建筑设计事务所之一，其作品结合了创新与可持续发展理念，充分体现高质量的设计思维。事务所深知优秀的建筑需要多方合作与协调，“就如电影导演引领每个环节朝共同目标不断进步”。他们致力于将客户的愿景演绎成场地限制下的成功项目，并为用户创造具有吸引力的工作与生活空间。在积极采用可持续系统的同时，Fitzpatrick+Partners不断突破并寻找更佳方案，并坚信合理的设计与施工可以使建筑持续适应变化，并将设计质量置于产量之上。 Feature： Project - Rising 50 stories above the North Sydney skyline, the slender 88 Walker Hotel and Office Building masterfully integrates heritage and modernity. Australian practice fitzpatrick+partners designed the tower as two curved forms - one grounded, one hovering - that contrast with the robust proportions of neighboring highrises. Cantilevering dramatically over a historic fire station, the shard-like tower combines boutique offices and a 252-room hotel. The project optimizes the challenging site to forge new pedestrian connections through North Sydney's transforming CBD. Careful planning stitches together hotel and office programs into a singular sculptural expression. Angled columns enable the southern volume to cantilever over the existing pub, creating expansive 600 sqm floorplates. Further sculpture is found in the moving of exit stairs to the exterior, leaving column-free office interiors blessed by panoramic views. The ground plane features a lively multi-story lobby, a seamless fusion of interior and exterior worlds. Designed for a 5-star sustainability rating, the tower's dynamic contours bring distinction to the crowd of boxy towers in this fast-developing corporate hub. Design Team - Founded in 2001, Fitzpatrick+Partners has emerged as one of Australia’s leading architectural design firms, with projects that combine innovation and sustainability. Like a movie director, the practice recognizes that excellent architecture requires coordination across disciplines to progressively realize a common vision. They aim to translate clients’ aspirations into successful projects within site constraints, creating engaging spaces for users. While actively adopting sustainable systems, Fitzpatrick+Partners continually questions and searches for optimal solutions. Looking ahead, they believe thoughtful design and construction can enable buildings to adapt to change over time, prioritizing quality over quantity. 设计团队 旅游探访 24300 m² 澳大利亚，悉尼 2023 前一项 后一项

< 返回 顺德云鹭湿地博物馆 Link-Arc 建筑事务所 项目名称： 顺德云鹭湿地博物馆 地点： 佛山市顺德区，中国 设计团队： Link-Arc 建筑事务所 建筑面积： 1800 m² 竣工时间： 2024年 摄影： 田方方, 存在建筑, 木析AlexanDENG, 郭诗雨 设计特色： 项目 - 在中国顺德的中心地带，云鹭湿地博物馆作为一个开创性的建筑干预项目脱颖而出，巧妙地平衡了人类观察与生态保护的需求。由Link-Arc建筑事务所设计的这座1800平方米的建筑，为野生动物观察建筑提供了革命性的方案，完美地融入了栖息着25000只鹭鸟的栖息地。 博物馆最引人注目的特征是由四个堆叠的混凝土筒体组成的结构，每个筒体都经过精确旋转，以获得周围湿地生态系统的最佳观察角度。这一创新设计在不同高度创造了建筑师所称的"取景框"，让访客能够从树根层次到树梢高度获得独特的自然视角。这些筒体战略性地位于现有的一排落羽杉林后面，使建筑从鹭岛观察时仿佛消失在亚热带森林中。 项目的起源故事为其增添了一层引人深思的意义——它始于26年前一位绰号"鸟叔"的本地环保主义者种植的一片竹林，他的奉献使这片区域转变为城市中的鹭鸟庇护所。博物馆现在作为这一传承的见证，随着当地政府将保护区面积扩大了13倍而愈发显得意义非凡。 使这座博物馆与众不同的是其精妙的结构解决方案。交叉的混凝土筒体通过布尔差分创造出一个三角形中庭，作为共同的观察点，访客可以同时观察到景观的多个视角。建筑外部采用松木模板现浇混凝土，创造出与周围森林呼应的自然纹理。最巧妙的是，屋顶覆盖着荷花池，有效地掩饰了建筑的第五立面，使其进一步融入湿地环境。 该项目通过对树木保护的细致关注展现了可持续建筑的典范。在对560棵现有树木进行测绘后，建筑师精心布置并旋转了每一层，以最大限度地减少对自然环境的影响，同时确保最佳的观鸟视角。这种对环境保护的深思熟虑为生态建筑设立了新标准，展示了建筑如何在服务人类需求的同时尊重并提升其自然环境。 团队 – Studio Link-Arc作为一家位于纽约的杰出国际建筑事务所，体现了全球设计思维与场地关联性的完美交汇。该事务所建立的宗旨是连接多元化的视角和资源，其名称本身就反映了在建筑设计、城市规划和空间艺术领域的协作精神。 在主持建筑师陆轶辰的带领下，与纽约区域的高级经理Letty Lau和Luis Ausin一起，并由上海和深圳的区域总监提供支持，事务所已发展成为一个多节点的设计强所。通过纽约、上海和深圳三个战略中心的运营，实现了东西方建筑范式的动态融合。 Link-Arc的项目组合涵盖了各种类型和规模，从文化机构到城市地标建筑。他们的设计方法论以严谨的场地环境研究和功能需求分析为特征，创造出超越纯粹功能性的有意义的空间体验。代表作品包括获奖的2015年米兰世博会中国馆、2022年亚洲建筑师协会金奖获得者南京湾艺术中心，以及华润档案馆。 事务所的建筑理念强调通过对场地关系和语境要素的精心考量来创造新的空间秩序。他们的作品以技术创新、文化敏感性和可持续实践的精妙整合为特色，使建筑能够深思熟虑地回应其直接环境和更广泛的社会需求。 Project Name: Shunde Cloud Egret Wetland Museum Location: Shunde District, Foshan, China Design Team: Link-Arc Architecture Building Area: 1,800 m² Completion Date: 2024 Photography: Tian Fangfang, EXISTENCE ARCHITECTURE, WoodX AlexanDENG, Guo Shiyu Principal Designer: Lu Yichen Project Leader: Guo Shiyu Project Team: Zhou Rui, Zhang Jiaqi, Zhong Zhenwei, Liu Zida, Cheng Jingbin, Luis Ausin, Yang Lingyun, Qi Feng, Xu Jiarui, Hua Xinning, Sarah Kenney, Li Zishi, Isabella Chong Executive Architect/MEP Design: Aoyi Architectural Engineering Design Co., Ltd. Structural Design: Shenzhen Xingjian Engineering Design Consulting Co., Ltd. Curtain Wall Consultant: Shenyang Zhengxiang Decoration Design Co., Ltd. Landscape Design: Chengji Landscape Interior Design: Yushe Design Lighting Consultant: Shanghai Gerui Lighting Design Co., Ltd. Construction: China Construction Fourth Engineering Bureau Co., Ltd., Beijing Yihui Da Qingshui Construction Engineering Co., Ltd. Client: China Resources Land, Foshan Shunde District Government Feature： Project - In the heart of Shunde, China, the Cloud Egret Wetland Museum emerges as a groundbreaking architectural intervention that masterfully balances human observation with ecological preservation. Designed by Link-Arc Architecture, this 1,800-square-meter structure represents a revolutionary approach to wildlife observation architecture, seamlessly integrating into a habitat that hosts 25,000 egrets. The museum's most striking feature is its composition of four stacked concrete tubes, each precisely rotated to capture optimal viewing angles of the surrounding wetland ecosystem. This innovative design creates what the architects call "viewing frames" at different heights, offering visitors a unique perspective of nature from root level to treetop. The tubes are strategically positioned behind an existing row of dawn redwood trees, allowing the building to virtually disappear into the subtropical forest when viewed from the egret island. The project's origin story adds a compelling layer of significance – it began with a single bamboo grove planted 26 years ago by a local conservationist nicknamed "Bird Uncle," whose dedication transformed the area into an urban sanctuary for egrets. The museum now stands as a testament to this legacy, with the local government expanding the protected area thirteenfold. What sets this museum apart is its sophisticated structural solution. The intersecting concrete tubes create a triangular central atrium through Boolean subtraction, serving as a shared viewpoint where visitors can simultaneously observe multiple perspectives of the landscape. The building's exterior features board-formed concrete using pine wood, creating a natural texture that resonates with the surrounding forest. Perhaps most ingeniously, the roof is covered with lotus pools, effectively camouflaging the building's fifth elevation and further integrating it into the wetland environment. The project exemplifies sustainable architecture through its meticulous attention to tree preservation. After mapping 560 existing trees, the architects carefully positioned and rotated each level to minimize the impact on the natural environment while maximizing optimal bird-watching vantage points. This thoughtful approach to environmental stewardship sets a new standard for ecological architecture, demonstrating how buildings can serve human needs while respecting and enhancing their natural context. Design Team - Studio Link-Arc, established in New York, stands as a distinguished international architectural practice that exemplifies the intersection of global design thinking and contextual sensitivity. Founded on the principle of connecting diverse perspectives and resources, the firm's name reflects its collaborative ethos in architectural design, urban planning, and spatial arts. Under the leadership of Principal Architect Yichen Lu, together with Senior Managers Letty Lau and Luis Ausin in New York, and supported by regional directors in Shanghai and Shenzhen, the practice has evolved into a multi-nodal design powerhouse since its inception. The firm operates through three strategic hubs - New York, Shanghai, and Shenzhen - allowing for a dynamic synthesis of Eastern and Western architectural paradigms. Link-Arc's portfolio spans various typologies and scales, from cultural institutions to civic landmarks. Their design methodology is characterized by a rigorous investigation of site context and programmatic elements, leading to architecture that transcends mere functionality to create meaningful spatial experiences. Notable projects include the award-winning China Pavilion at Milan Expo 2015, the Nanjing Bay Art Center (recipient of the 2022 Asian Architects Association Gold Award), and the China Resources Archive Library. The practice's architectural philosophy emphasizes the creation of new spatial orders through careful consideration of site relationships and contextual elements. Their work is distinguished by a sophisticated integration of technical innovation, cultural sensitivity, and sustainable practices, resulting in buildings that respond thoughtfully to both their immediate environment and broader societal needs. 设计团队 旅游探访 1800 m² 佛山市顺德区，中国 2024 前一项 后一项

< 返回 厦门九牧创新中心 OMA 项目名称：厦门九牧创新中心 地点：厦门市，中国 设计团队：OMA 建筑面积：25000 m² 竣工时间：2025年 摄影：夏至、陈颢 设计特色： OMA在厦门揭幕了引人注目的九牧新总部，这一变革性项目通过创新的建筑综合手法挑战了传统办公塔楼类型学。该项目位于城市密集高层区与原始森林山丘的关键交汇点，为中国领先的卫浴制造商打造的企业园区代表了对工作场所建筑的大胆重新想象。 建筑最显著的特色在于其连续的雕塑形态，将基座与塔楼无缝融合为统一的建筑表达。这一设计策略直接回应了场地固有的二重性——通过单一流畅的姿态同时拥抱城市密度和自然景观，挑战传统企业建筑惯例。 在OMA合伙人克里斯·范杜恩的领导下，该项目体现了事务所对重新诠释中国主流塔楼类型学的承诺，这一类型学主导了近年来的城市扩张。总部超越了典型办公建筑的局限性，在统一的功能框架内整合公共和企业功能，创造出既服务公司需求又促进社区参与的空间。 立面通过白色陶瓷条纹的构成创造出韵律感的视觉肌理，既呼应传统工艺又体现当代高科技生产方法——这些都是九牧品牌标识和厦门文化遗产的核心元素。这一材料选择强化了建筑作为连接过去与现在、工艺与技术桥梁的作用。 25000平方米的已竣工总部标志着九牧向全球品牌演进的关键时刻，同时为中国快速发展城市的企业建筑树立了新的标杆。该项目展示了设计如何在尊重环境约束的同时创造大胆前瞻的环境，激发创新与协作。 这一建筑成就将九牧总部定位为未来企业发展的催化剂，证明了办公建筑既可以在功能上精密复杂，又可以在雕塑感上引人入胜。 设计团队 - OMA建筑事务所作为一家杰出的国际建筑实践机构，由雷姆·库哈斯于1975年创立，现位于鹿特丹，在创始人的创意指导下，该事务所发展出突破传统建筑边界的先锋多学科实践声誉。该事务所以"建筑思维"为基础运营，将严谨的空间逻辑应用于建筑与城市主义的传统边界内。 目前由七位合伙人领导——雷姆·库哈斯、雷尼尔·德·格拉夫、重松象平、伊亚德·阿尔萨卡、克里斯·范杜恩、杰森·隆和管理合伙人兼建筑师大卫·吉亚诺滕——OMA在鹿特丹、纽约、香港和澳大利亚设有办公室。在创始合伙人的领导下，该事务所培养了独特的设计方法论，无缝整合概念严谨性与空间创新。他们的作品集涵盖了北京央视大楼（2012）、西雅图中央图书馆（2004）、波尔多西蒙娜·韦伊桥（2024）等地标项目，以及国际知名的各类建筑作品。该事务所的实验性建筑设计方法通过众多获奖项目得到体现，这些作品获得了享有盛誉的国际建筑奖项。 该事务所的设计哲学强调跨学科协作与建筑精确性同等重要，不急于寻求标准化建筑解决方案，而是相信建筑应该是对空间条件、文化背景和项目要求透彻理解的结果。通过与客户的深入对话，他们制定项目的核心要素，然后提供专业知识将创意构想转化为建筑现实。OMA建筑事务所相信卓越的设计来自与专业顾问和工匠的协作，他们热爱挑战自己并进一步推动设计边界，创新是保持其实践活力的关键。 通过对当代建筑语言、传统空间逻辑理解和前卫设计手法的深思熟虑的综合，OMA建筑事务所已确立自己作为国际当代建筑话语重要贡献者的地位，创造出既扎根于地方文化又拥抱全球设计视野的建筑作品。他们的作品屡获殊荣，包括多项国际建筑奖项，体现了其将大胆概念构想转化为有形建筑成就的能力。 Project Name: JOMOO Headquarters Location: Xiamen City, China Design Team: OMA Total Floor Area: 25,000 m² Completion: 2025 Photography: Xia Zhi, Chen Hao Feature: The JOMOO Headquarters stands as a milestone achievement in corporate architecture, where OMA has created an architectural masterpiece that seamlessly bridges urban density with natural landscape on the edge of Xiamen's central business district. This project, serving as the first office campus for China's largest sanitaryware manufacturer JOMOO Group, exemplifies the architects' profound understanding and innovative reinterpretation of contemporary Chinese tower typology. The design philosophy centers on "duality" as the core guiding principle, manifesting through carefully orchestrated architectural form that achieves perfect expression. The continuous sculptural building volume integrates traditional base and tower concepts into a unified whole, creating a unique architectural language that responds to both urban high-rise density and embraces forested hills. The architects skillfully transformed contrasting environmental conditions into design advantages, creating revolutionary architectural expression that transcends conventional office typology. The space's central design element is the fluid architectural form that serves as a spatial anchor within the complex urban context, while establishing powerful architectural drama within the 25,000-square-meter scale. The facade features white ceramic stripes that cast rhythmic visual effects, not only transforming the monotonous nature of traditional office buildings but also making the architecture stand out in the urban skyline, creating a captivating visual experience. Most striking is the building's integration of public and corporate functions, whose unified programmatic framework provides diverse possibilities for spatial use. Traditional craft and high-tech production elements overlap and interweave, creating a unique atmosphere that embodies both JOMOO's brand mission and reflects Xiamen's cultural characteristics. These elements interact with carefully designed spatial sequences, generating multi-layered spatial experiences that elevate the corporate office experience far beyond conventional office buildings. The architects demonstrate exceptional attention to environmental response details, through the continuous flowing architectural form that allows employees and visitors to immediately perceive significant changes in spatial atmosphere when entering this tranquil office environment from the city's busy streets. This design approach reflects the architects' profound understanding of user experience, creating what the architects describe as "a corporate space that merges tradition with modernity, quietly amplifying the innovative power of the JOMOO brand." Design Team - OMA stands as a distinguished international architectural practice founded by Rem Koolhaas in 1975, based in Rotterdam, under the creative direction of the founder, the firm has developed a reputation for pioneering multidisciplinary practice that transcends conventional architectural boundaries. The practice operates on the foundation of "architectural thinking," applying rigorous spatial logic within the traditional boundaries of architecture and urbanism. Currently led by seven partners—Rem Koolhaas, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten—OMA maintains offices in Rotterdam, New York, Hong Kong, and Australia. Under the leadership of founding partners, the practice has cultivated a distinctive design methodology that seamlessly integrates conceptual rigor with spatial innovation. Their portfolio encompasses landmark projects such as CCTV Headquarters in Beijing (2012), Seattle Central Library (2004), Simone Veil Bridge in Bordeaux (2024), and internationally acclaimed architectural works. The firm's experimental approach to architectural design has been exemplified through numerous award-winning projects that have received prestigious international architectural awards. The firm's design philosophy emphasizes that cross-disciplinary collaboration is as important as architectural precision, not rushing to standardized architectural solutions but believing that architecture should be a result of thorough understanding of spatial conditions, cultural contexts, and programmatic requirements. Through in-depth dialogue with clients, they formulate the core elements of the project then offer their expertise to transform creative concepts into architectural reality. OMA believes that exceptional design comes from collaboration with specialized consultants and artisans, they love to challenge themselves and push the design boundary further, with innovation being the key to maintaining their practice vitality. Through this thoughtful synthesis of contemporary architectural language, understanding of traditional spatial logic, and avant-garde design approaches, OMA has established itself as a significant contributor to international contemporary architectural discourse, creating architectural works that are both rooted in local culture and embrace global design vision. Their work has been recognized with numerous international awards, demonstrating their ability to transform bold conceptual ideas into tangible architectural achievements. 设计团队 旅游探访 25000 m² 厦门市，中国 2025 前一项 后一项

Unknown Surface Studio成立于2020年，是一家在亚太地区迅速崭露头角的创新建筑事务所。由各具设计专长的三人组合：Cievanard Nattabowonphal、Piyanat Songkhroh和Nonglak Boonsaeng共同创立，事务所通过其参数化设计方法和生物形态建筑语言在当代设计领域确立了独特地位。 < Back Unknown Surface Studio 泰国（Thailand） Unknown Surface Studio成立于2020年，是一家在亚太地区迅速崭露头角的创新建筑事务所。由各具设计专长的三人组合：Cievanard Nattabowonphal、Piyanat Songkhroh和Nonglak Boonsaeng共同创立，事务所通过其参数化设计方法和生物形态建筑语言在当代设计领域确立了独特地位。 事务所的设计理念深深植根于计算设计方法论与有机造型的融合，这得益于创始人们在MAD建筑事务所等知名机构积累的丰富国际经验。他们的作品以流畅的几何形态、创新的空间构造和对环境语境的深刻理解为特征。 在创始合伙人的领导下，Unknown Surface Studio已经建立起一个独特的项目组合，强调先进数字制造技术与可持续设计原则的整合。从餐饮场所到公共装置，他们的项目展现了突破传统建筑表现形式界限的决心。 事务所的设计方法以其标志性的"unknown yet（尚未知的）"方法论为特色，通过实验性的形态生成过程和参数化优化来挑战传统建筑范式。这种创新立场在Uncloud Coffee & Dining和Curvy Dining等项目中得到充分体现，展示了他们创造功能sophisticated且美学先进的空间的能力。 总部位于曼谷的事务所持续扩大其在东南亚的影响力，将其独特的计算设计专长与有机建筑表现相结合，不断挑战更具雄心的项目。 Unknown Surface Studio, established in 2020, is an innovative architectural practice that has rapidly emerged as a significant force in contemporary design, particularly within the Asia-Pacific region. Founded by the visionary trio of Cievanard Nattabowonphal, Piyanat Songkhroh, and Nonglak Boonsaeng, the firm has distinguished itself through its parametric design approach and biomorphic architectural language. The practice's design philosophy is deeply rooted in the synthesis of computational design methodologies and organic form-making, informed by the founders' diverse international experience, including tenures at prestigious firms such as MAD Architects. Their work is characterized by fluid geometries, innovative spatial configurations, and a sophisticated understanding of environmental context. Under the leadership of its founding partners, Unknown Surface Studio has developed a distinctive portfolio that emphasizes the integration of advanced digital fabrication techniques with sustainable design principles. Their projects, ranging from hospitality venues to public installations, showcase a commitment to pushing the boundaries of conventional architectural expression. The studio's approach to design is marked by their signature "unknown yet" methodology, which challenges traditional architectural paradigms through experimental form-finding processes and parametric optimization. This innovative stance has garnered attention for projects like Uncloud Coffee & Dining and Curvy Dining, which exemplify their ability to create spaces that are both functionally sophisticated and aesthetically progressive. With offices in Bangkok, the firm continues to expand its influence across Southeast Asia, bringing their unique blend of computational design expertise and organic architectural expression to increasingly ambitious projects. WEBSITE PROJECT

< 返回 浮空酒店 MORE Architecture 设计特色： 项目 – MORE Architecture这家荷兰建筑事务所在中国乡村落成了一座与竹林峰峦浑然一体、宛如凌空漂浮的别致酒店。这座酒店被命名为"浮空酒店"，抬高的建筑使住客能够沉浸在自然景观中，尽赏极致美景。这座6000平方米的度假胜地坐落于湖州安吉县，18间客房均隐匿于锌板折角式斜顶之下。将这抽象造型的屋顶抬离地面,使密集的竹林能够在建筑之下自在延伸。设计团队受到'建筑浮于竹林之上'的理念启发，将酒店抬高，，让环境景观绿意盎然地延续其下。三座玻璃活动亭分别用于瑜珈、用餐和其他活动，巧妙隐匿于蜿蜒屋顶之下。客房的设计则致力于加强与周遭环境的联系。"走廊式"长房提供全景视野，而角落套房则能同时俯瞰两个视角。通高落地玻璃营造了内外空间的无缝过渡，直接通往环绕式木质露台。钢柱将酒店抬高8米，底层形成一个巨大空间，容纳户外游泳池。温馨的木质内装和定制家具，打造出一个舒适迷人的氛围。 团队 – 在阿姆斯特丹和上海两地联动的MORE Architecture建筑事务所，是一家于2013年由荷兰建筑师Daan Roggeveen和华裔美籍建筑师Robert Chen创立的研究导向型设计实践工作室。该工作室跨建筑、室内设计和城市规划战略等多个领域，采用多元化融合的设计手法。其在两地办公室均拥有精干的高水平建筑师和设计师团队，专注于打造经过深思熟虑且可持续发展的环境。该事务所的作品包罗文化、酒店、办公和展览等多种空间类型，追求创造动态、包容且注重社区的设计。核心团队成员包括创始合伙人Roggeveen和Chen，以及阿姆斯特丹合伙人Ties Kweekel和Chloe Oosterwoud，上海团队则由合伙人Pey Lung和Mae Sszto领衔。MORE Architecture广泛开展城市研究，结合总体规划和因地制宜的细致设计，开发以人为本的解决方案，巧妙融合欧陆和中华元素。该事务所的作品秉承混合功能、提升可及性和营造公共领域的理念，旨在建构新的集体认同感。 Feature： Project - Dutch firm More Architecture has realized a striking bamboo-lined boutique hotel in rural China that seems to levitate ethereally above the mountainous terrain. Named Floating Hotel, the elevated building offers guests an immersive relationship with nature while framing dramatic vistas. Situated in the bucolic Dachangping region near Shanghai, the 6,000-square-metre retreat contains 18 guest suites sheltered beneath an angular folded roof clad in weathered zinc. Raising the sculptural roof volume off the ground allows the lush bamboo forest to flow uninterrupted underneath. "We took the idea of a building 'floating above the bamboo' as inspiration to elevate the hotel, letting the landscape continue beneath it," explained partner Daan Roggeveen. Three glazed amenity pavilions for yoga, dining and events are tucked under the zigzagging roofline. The rooms themselves are designed to heighten the connection with their surroundings. Elongated "corridor" rooms offer panoramic vistas, while corner suites take advantage of dual aspectS. Floor-to-ceiling glazing blurs the transition between inside and out onto a wraparound wood-decked terrace. Steel columns elevate the hotel 8 metres off the ground, creating a cavernous space underneath for an outdoor pool. Warm wood lines the interiors and custom furniture to foster an inviting atmosphere. Design Team - Based in Amsterdam and Shanghai, MORE Architecture is a researchdriven design practice founded in 2013 by Dutch architect Daan Roggeveen and Chinese-American architect Robert Chen. The studio takes an interdisciplinary approach that spans architecture, interior design, and urban planning and strategy. With a lean team of highly skilled architects and designers across both offices, MORE Architecture focuses on creating considered and sustainable environments. The firm's portfolio showcases a range of cultural, hospitality, workplace, and exhibition projects that strive for dynamic, inclusive, and community-oriented designs. Key team members lending their expertise include founding partners Roggeveen and Chen, along with Amsterdam partners Ties Kweekel and Chloe Oosterwoud. The Shanghai office is led by partners Pey Lung and Mae Sszto, with Xiangcheng Xing also serving as a skilled project architect. Combining extensive urban research with masterplanning and sensitive contextual design, MORE Architecture develops human-centered solutions that blend European and Chinese influences. The practice's work is guided by principles of mixing uses, promoting accessibility, and establishing public realms that foster a new sense of collective identity. 设计团队 旅游探访 6000 ㎡ 中国，湖州市安吉县 2023年 前一项 后一项

< 返回 Armoua住宅 Fabian Tan Architect 项目名称：Armoua住宅 地点：吉隆坡，马来西亚 设计团队：Fabian Tan Architect 建筑面积：678平方米 竣工时间：2025年 摄影：Bricksbegin 设计特色： Fabian Tan Architect设计的Armoua住宅展现了如何通过大胆的结构表达和温暖材料性策略，将一座位于吉隆坡端头地段排屋场地的住宅转化为融合古代建筑智慧与当代空间品质的建筑典范。 这座678平方米的住宅戏剧性地挑战传统住宅建造模式，呈现为对当代马来西亚都市生活方式、结构诚实性和生态整合融合的深刻冥思。它通过精心的结构展露和材料选择，创造出一个将垂直生活序列与水平空间扩展无缝交织的居住体验。 项目的绝妙之处在于对意外机遇的根本性回应与重新构想。面对在施工期间收购相邻单元并将两个独立住宅合并为一体的独特挑战，建筑师采用暴露柱梁系统作为住宅的组织策略，同时实现空间连续性和卓越的自然采光及通风效果。这种设计策略创造了建筑与功能需求的持续对话，实现了结构上的表达效果，使建筑呈现整体雕塑般的天空城堡气质。 Fabian Tan的设计语言流利地表达着当代东南亚建筑方言，运用战略性的结构暴露和材料分层来重新定义城市语境中的居住体验。建筑以简洁几何元素，暴露深梁如建筑肋骨般延伸，创造唤起不同空间感知的内部体验。其形态呈现几乎整体的雕塑感，通过粉色调着色混凝土，传达温暖大地般的质感。这种大胆的形式策略不仅强化了建筑的视觉识别度，同时巧妙地适应了当代都市家庭生活对私密性与开放性的双重需求。 最引人瞩目的是，建筑师通过暴露结构框架的巧妙操控创造分层的空间系统。在原有单元中，暴露深梁垂直于立面向外延伸，如同结构脊柱般将内部深度感延展至外部。在扩建单元中，梁从前至后纵向贯穿，创造对比微妙的对话。这种结构设计被整合为建筑语言的一部分，实现空间深度优先的同时创造出建筑永久开放的视觉效果。 住宅组织为三个垂直功能层级。底层适应场地条件，容纳实用空间。首层集中布置卧室空间，提供私密居住环境。顶层包含主要生活空间，包括起居室、厨房和娱乐区域，通过新引入的中央庭院组织。这个庭院成为扩大平面的锚点，将日光和通风引入原本深邃的内部空间。夜晚时分，梁和天花板平面被柔和照明，使表达性结构从街道保持可见。屋顶层提供开放露台，种植果树，呈现天际线的全景视野。 材料策略延续了这种建筑与环境可持续性和谐共生的设计理念。通过使用温暖粉色调着色混凝土替代典型灰色，赋予住宅如同天空中的整体城堡般的温暖大地品质。密集周边种植作为自然缓冲带环绕场地周界，提供私密性，降低热量，并整合业主积极维护的可食用植物。太阳能板、雨水收集和自动灌溉等可持续系统支撑生态设计方法，展示了Fabian Tan对环境责任和建筑创新的承诺。 设计团队： Fabian Tan Architect作为当代马来西亚建筑实践的杰出代表，由主持建筑师Fabian Tan于2012年在吉隆坡创立，业务延伸至槟城，自成立以来已确立其在当代住宅设计以及语境敏感型建筑语言创新领域的先锋地位。这家立足吉隆坡的事务所通过设计精炼与场地响应的协调整合，重新定义当代东南亚建筑师在国际设计话语中的角色。 Fabian Tan为建筑实践带来了卓越的空间精炼设计视角和对建造整体性整合方法的深刻理解。Fabian Tan的建筑基础奠定于南澳大利亚大学，1997年以荣誉学位获得建筑学学士。在创立同名事务所之前，他在吉隆坡和墨尔本的知名建筑事务所积累了11年全面经验，发展出涵盖住宅、机构、商业和室内类型的专业能力。这一形成期同时伴随着艺术、家具设计和装置的平行探索，这些追求最终催化了他启动独立实践的决定。事务所因其将项目和谐融入语境特定需求与美学精炼的承诺而获得认可，创造定制化的空间体验。其作品集在亚洲和欧洲获得奖项和好评出版，展现连贯统一的设计方法论。 该事务所的设计哲学强调建筑应该超越传统限制，通过演进和灵活性的方法，不仅仅是为了满足功能需求而设计，更是为了创造场地响应式解决方案和整体空间品质运用。通过对场地特定性认知和空间组成要素整合的深度关注，包括光线、材料、体量和关系层级，开展从住宅到商业项目的多元化作品，相信最好的建筑是通过严格重新评估建筑常规产生的语境响应式干预。Fabian Tan相信建筑应该体现空间的本质和连贯性，通过策略性的克制和精炼创造独特的建筑体验。 除实践外，通过对结构诚实性与材料温暖性的深思熟虑结合、空间整体性和环境效率的运用、以及经过验证的可持续设计智慧，Fabian Tan Architect已确立自己作为当代东南亚建筑话语重要贡献者的地位，创造出既具功能回应性又保持微妙美感的作品。在Fabian Tan的持续领导下，该事务所目前在马来西亚充满活力的建筑景观中占据独特地位，专注于创造通过克制精炼、结构表达和空间整体性来实现建筑品质的空间体验。在这个急躁和过度复杂的时代，克制和精炼作为其指导哲学，创造具有微妙美感的建筑。 设计团队 旅游探访 678 m² 吉隆坡，马来西亚 2025 前一项 后一项