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< 返回 “蔚来中心” 阿姆斯特丹店 MVRDV 设计特色： 电动车制造商“蔚来”在阿姆斯特丹打造了其欧洲旗舰店“蔚来中心” NIO House，将一座19世纪的运河沿岸建筑改造为未来出行的前沿基地。MVRDV的翻新设计既怀旧又前卫，恰如其分地保留了建筑的丰富历史内涵，同时完美融入了“蔚来”的创新品牌体验。项目巧妙地将过去与现在融为一体，揭示了长期被遮蔽的原有细节，如宏伟的楼梯和1933年设计的经典玻璃顶棚。MVRDV的改造让曾经与公众隔绝的上层重新开放，设有活动空间、联合办公区、展览馆等，同时展示“蔚来”先进的产品。令人赞叹的是，从下往上，建筑内部装修材料的色调逐渐由接近大地的质朴色彩，过渡到充满天空气息的蔚蓝色调。创新的环保装饰构成了这一过程，如利用3D打印技术制成的回收饮料纸壳墙板，以及采用再生资源制成的石屑地板。与此同时，空中花园恢复了现代主义风格的原貌，成为举办时尚盛会的绝佳场所，城市全景尽收眼底。这款通往天空的空间体验，诠释了MVRDV对"从大地走向蓝天"理念的完美呈现，其很好地展示了电动出行的未来，并将历史文化与可持续创新完美融合。 Electric car manufacturer NIO has unveiled its European flagship, the NIO House Amsterdam, transforming a 19th century canal house into a future-forward hub for mobility. MVRDV's sensitive renovation celebrates the building's layered history while adapting it for NIO's pioneering brand experience. The project deftly merges past and present, revealing longobscured original details like the grand staircase and Gerrit Rietveld's iconic 1933 glass pavilion rooftop addition. MVRDV's intervention sees the formerly closed-off upper floors brought back to public life through a program of event spaces, co-working areas, exhibition galleries, and NIO's pioneering products. A standout design move sees the material palette progressively lighten from earthy tones on the lower levels to atmospheric sky blues in the rooftop pavilion. Innovative eco-friendly finishes line the journey, like 3D-printed recycled drink carton wall panels and terrazzo floors made from renewable resources. This vertical transition culminates in the faithfully preserved modernist pavilion, transformed into an exquisite events venue with panoramic city views – a light-filled conclusion to MVRDV's atmospheric concept of rising from ground to sky. NIO House encapsulates the future of mobility through an embrace of history and sustainable innovation. 设计团队： 来自荷兰的MVRDV建筑设计事务所由Winy Maas、Jacob van Rijs和Nathalie de Vries于1993年共同创立，如今已成为建筑界的先锋力量，为解决当代城市挑战提供创新方案。现由三位创始人与Frans de Witte、Fokke Moerel、Wenchian Shi、Jan Knikker和Bertrand Schippan领衔，这支拥有300多名建筑师、设计师和城市规划师的活力团队，在全球多个城市设有办公室。MVRDV以其研究导向、合作式的设计方法而闻名，他们的跨学科团队在创作初期就会让客户、利益相关者和各领域专家参与其中。这种严谨的方法催生了一系列卓越非凡、发人深思的项目，推动城市和景观朝着更美好的未来发展。他们拥有综合的内部专业能力，包括专门的气候团队，确保设计的可持续性和适应能力。MVRDV的作品展现了非凡的广度，从知名的鹿特丹马克塔尔多功能综合体，到开创性的博伊曼斯· 范· 伯宁恩博物馆公共艺术仓库，无不体现了他们的创新能力。他们在旧建筑改造、城市总体规划和临时性城市改造装置等领域同样精通。每一项目都彰显了MVRDV致力于打造创新、出人意料且充满活力的建筑体验，从而塑造未来城市的决心。 Founded in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, MVRDV has emerged as a vanguard in the architectural realm, pioneering innovative solutions to contemporary urban challenges. Now led by the three founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, this dynamic collective of over 300 architects, designers, and urbanists operates from a global network of studios. Renowned for their research-driven, collaborative approach, MVRDV's multidisciplinary teams engage stakeholders and experts early in the creative process. This rigorous methodology births exemplary, thought-provoking projects that propel cities and landscapes towards a better future. Their comprehensive in-house capabilities, including a dedicated Climate Team, ensure the sustainability and resilience of their visionary designs. MVRDV's portfolio showcases a remarkable breadth, from mixed-use developments like the iconic Markthal Rotterdam to cultural anchors such as the groundbreaking Depot Boijmans Van Beuningen art depot. Their adeptness spans adaptive reuse marvels, urban masterplans, and temporary transformative installations. Each undertaking exemplifies MVRDV's commitment to crafting innovative, unexpected, and joyful architectural experiences that shape the cities of tomorrow. 设计团队 旅游探访 2700 ㎡ 荷兰，阿姆斯特丹 2024年 前一项 后一项

< 返回 扎耶德国家博物馆 Foster + Partners 项目名称：扎耶德国家博物馆 地点：阿布扎比，阿联酋 设计团队：Foster + Partners 建筑面积：88870 m² 竣工时间：2025年 摄影：Nigel Young 设计特色： 项目 - 坐落于阿布扎比萨迪亚特文化区核心位置的扎耶德国家博物馆，是 Foster + Partners 设计的阿联酋国家博物馆，追溯了阿联酋的历史，从最早的人类居住证据到塑造其文化与身份的文明，以建筑的形式回应了在沙漠环境中维持生命的挑战以及阿联酋深厚的文化传统。 博物馆的五座轻质钢制翼状结构是自然通风系统的组成部分。塔楼顶部的通风口利用翼型背风侧的负压，将热空气从中庭抽出，同时借助翼尖热量积聚产生的热效应。经过深埋沙漠地下管道自然冷却的空气，通过低位通风系统流入中庭。翼状结构采用玻璃幕墙，将自然光引入下方展厅，每座翼状结构均可独立调节。 博物馆空间位于一座土丘之中，其纹理化的多面切割面板抽象呈现了阿联酋的地形地貌。土丘将室内空间与太阳辐射热隔离，形成保护屏障，防止热量进入建筑。当访客步入博物馆，他们进入光线充盈的中庭 Al Liwan，这里既是聚会空间也是导向空间，举办传统舞蹈和诗歌等表演活动。 六个永久展厅中，四个吊舱形展厅悬浮在 Al Liwan 上方，提供可控环境以保护展出的敏感文物。塔楼的三层夹胶玻璃调节进入大堂和展厅空间的日光量。玻璃幕墙包含高密度网格夹层，每个吊舱配有电致变色玻璃天窗，可根据外部光照水平改变透明度。 "扎耶德国家博物馆讲述了谢赫扎耶德创建阿联酋的故事以及其遗产的诸多方面，包括他绿化沙漠的愿景。建筑本身即是可持续性的表达，五座空气动力学翼状结构是环境系统不可或缺的组成部分，作为热烟囱发挥作用，将凉爽空气引入公共空间。它们也象征着谢赫扎耶德对传统猎鹰运动的热爱，已成为城市天际线的标志。" 诺曼·福斯特 | 创始人兼执行主席，Foster + Partners 每个吊舱形展厅策展呈现特定主题，而连接的节点空间提供将它们联系在一起的背景信息。访客可以选择自己的路线穿越不同展厅，通过雕塑般的螺旋楼梯或电梯前往上层。在地面层，博物馆入口附近还有两个永久展厅空间，以及一个临时展览空间、一家高级餐厅和一间咖啡厅。 在博物馆建筑外，谢赫扎耶德对自然的热爱通过 Al Masar 花园得以呈现，花园将建筑与海岸连接。花园整合了景观与遗产，旨在成为新的社区资产，提供社交、游戏和沉思的空间。访客还可以从地面层沿着遮荫路径前往土丘顶部的观景平台，平台位于钢制塔楼底座，提供周边区域的全景视野。 材料经过精心选择，以呼应当地环境并映射七个酋长国的历史建筑，这些建筑反映了不同地区沙子颜色的变化。基于这一传统，博物馆的外部和室内空间都映射了萨迪亚特岛独特的温暖白色沙色。该项目与阿布扎比文化旅游部密切合作交付。 设计团队 - Foster + Partners 由诺曼·福斯特于1967年创立，已发展成为全球可持续建筑、城市规划、工程设计及综合设计领域的领先事务所。五十余年间，这家事务所从 Foster Associates 演变为全球最具影响力的建筑公司之一，在全球13个工作室雇佣超过1,400名专业人员。 在创始人兼执行主席诺曼·福斯特的领导下，事务所采用独特的合伙人制度，所有合伙人均为股东，对项目交付和设计质量承担共同责任。设计委员会在各开发阶段审查每个项目，强化了协作机制，确保与事务所核心设计理念的一致性。 事务所的方法论以综合设计为核心，将建筑团队与结构工程、环境工程、可持续性咨询、城市规划、景观建筑、工业设计、工作场所策略及室内设计等专业部门整合。这种多学科框架能够从多元视角全面探索设计方案，项目从初步概念草图到战略设计发展，再到施工文件编制及竣工交付的过程无缝衔接。 Foster + Partners 的设计哲学自创立之初便根植于创新与可持续性，体现了从建筑先例中汲取经验、同时通过负责任的设计应对当代挑战的承诺，显著提升建成环境与城市体验品质。事务所因众多标志性项目获得广泛认可，包括香港国际机场一号客运大楼、汇丰总行大厦、德国国会大厦重建、大英博物馆伊丽莎白二世大中庭以及苹果园区，展现出在不同项目规模和类型上的持续卓越表现。 目前的设计团队由诺曼·福斯特担任创始人兼执行主席领导，合伙人制度确保了设计理念的延续性，同时为当代建筑实践带来创新视角。事务所保持着紧密的学术和研究联系，内部技术与研究团队推动建筑创新，同时通过全球工作室网络应对不同地域和文化语境的设计挑战。Foster + Partners 的作品始终展现出对环境响应、技术创新和场地特定条件的精妙处理，扎耶德国家博物馆项目充分体现了这些原则在极端气候条件下的应用。 设计团队 旅游探访 88870 m² 阿布扎比，阿联酋 2025 前一项 后一项

WOS Architects创办于2019年，是一家坐落于曼谷的精品建筑工作室，由普策萨坤·科努顿和奥恩派林·丽拉斯里翁两位建筑师联袂领导。虽然规模不大，但WOS的作品有口皆碑，业务范围包括建筑设计、室内设计以及许多难以简单归类的创新项目。 Founded in 2019, WOS Architects is a boutique Bangkok-based practice helmed by the duo of Prueksakun Kornudom and Ornpailin Leelasiriwong. Kornudom received his architectural training at Assumption University, while Leelasiriwong holds degrees from Chulalongkorn University and ETH Zurich's prestigious MAS Urban Design program. < Back WOS Architects 泰国（THAILAND） WOS Architects 创办于 2019 年，是一家坐落于曼谷的精品建筑工作室，由普 策萨坤·科努顿和奥恩派林·丽拉斯里翁两位建筑师联袂领导。虽然规模不大，但 WOS 的作品有口皆碑，业务范围包括建筑设计、室内设计以及许多难以简单归类的创新项 目。该工作室的设计理念追求简约实用，同时也大胆拥抱模糊性。 WOS 将建筑视为营 造人与环境、主人与客人、人与自然之间的场所，他们的作品努力打破建筑与环境之 间的界限。 WOS 这个名字本身就体现了他们的多元设计哲学——它可被视为三个无意 义的英文字母，也可从泰语字母中解读为"足够"的含义。这种开放的解释性贯穿于他们 的建筑语言中，拒绝刻板约束,而是根据具体环境因地制宜。从像 JY 住宅这样的城市紧 凑型改造，到小 C 烘焙店这种更加宽阔的项目，WOS 都能娴熟地在各种约束条件下， 运用理性简约的手法。但他们也总能将微妙的模糊性融入其中，营造出引发新视角的 空间体验。 对于这个新兴工作室而言，创意源于探索可能性而非概率，他们的设计定 义为简单、理性，但同时也充满了别具一格的多元性。 Founded in 2019, WOS Architects is a boutique Bangkok-based practice helmed by the duo of Prueksakun Kornudom and Ornpailin Leelasiriwong. Kornudom received his architectural training at Assumption University, while Leelasiriwong holds degrees from Chulalongkorn University and ETH Zurich's prestigious MAS Urban Design program. Though small in size, WOS punches well above its weight class, with a portfolio encompassing architectural design, interiors, and innovative projects that defy simple categorization. The firm's design ethos prizes simplicity and practicality, but also actively embraces ambiguity. WOS conceives of architecture as crafting places not just for human dwellers, but for guests and nature as well - their work seeks to dissolve boundaries between building and environment. WOS's name itself exemplifies their multivalent approach - it can be read as three meaningless English letters, or interpreted from the Thai alphabet as meaning "enough." This openness to interpretation extends to their architectural language, which resists rigid codification in favor of nuanced, contextually-driven solutions. From compact urban renovations like the JY House to more expansive projects like the Little C Bakery Shop, WOS deftly navigates constraints with rational simplicity. Yet they also imbue each undertaking with a subtle ambiguity that provokes fresh perspectives. For this emerging studio, creativity arises from exploring possibility over probability - their practice is defined by simple, rational, yet delightfully multivalent outputs. WEBSITE PROJECT

< 返回 Alberni 公寓大楼 Kengo Kuma & Associates 设计特色： 项目 – 在加拿大温哥华市中心摩天大楼林立的天际线中，新落成的Alberni豪华公寓大楼的流线型曲面设计格外突出，成为温哥华新地标。这座43层的曲线造型建筑由日本建筑大师隈研吾操刀，开创了居住高层住宅建筑设计的新风尚。大楼采用了有机的曲面切口，一方面保留周边建筑的视野，另一方面为居民开辟出弧形的露台，与大自然融为一体。露台外延覆以木质饰面，犹如编织的竹简，配合玻璃和铝板材料，营造出像素风格的立面。建筑底层开辟有青苔植物花园和露天剧场广场，将自然景观融入城市生活。大楼内细节处处体现日本建筑匠人的细致匠心，从木质花格到大堂上空悬挂的木结构雕塑无不精益求精。作为隈研吾在北美的首个高层住宅建筑作品，这座Alberni公寓大楼开创了高密度居住区的新模式，完美结合文化、社区和设计于一体，是摩天大楼设计走向人性化和可持续发展的典范，其犹如一件现代雕塑艺术品矗立在温哥华天际线中，标志着这座城市迈向崭新居住时代的新一步。 团队 – 隈研吾建筑都市设计事务所（Kengo Kuma & Associates）成立于1990年，由日本知名建筑大师隈研吾（1954年生）创立与领导。30多年来，事务所始终秉持开放和创新理念，致力于自然、科技与设计的融合。如今，这个知名建筑设计团队已发展成为国际顶尖的建筑设计公司，其轻质建造和自然材料的应用开拓了建筑设计的新领域。 目前该公司拥有100多名专业设计人员，设计业务遍布40多个国家，并且在东京、巴黎、北京和上海设有设计办公室，持续推动可持续建筑的创新发展，打造顺应当地气候与文化的和谐空间。他们通过过滤光线、流体形态和触感丰富的材料，将建筑融入周边的自然与城市环境。从博物馆到体育场馆，隈研吾注重情境的设计彰显他人本主义理念，营造消解自然与建筑界限的启迪空间。隈研吾带领其设计团队以其敏锐而富诗意的建筑探索，成为当今建筑设计的探索先锋。 Feature： Project - Rising above the Vancouver skyline, Kengo Kuma's sculptural 43-storey Alberni tower ushers in a new wave of architectural design for residential high-rises. The Japanese architect, known for his nature-inspired approach, has created a unique curvilinear form that carves out sweeping arcs to preserve the surrounding views. These scooped-out balconies, lined with wood, create an organic rhythm along the façade and connect residents with the outdoors. At ground level, an open-air moss garden and amphitheatre form a welcoming green space that engages the community. The tower's pixelated exterior, featuring glass, aluminum and wood finishes, reflects and filters natural light in an ever-changing display. Every detail embodies Kuma's meticulous Japanese craftsmanship, from the intricate wooden soffits to the suspended kigumi-style sculpture above the lobby. The development sets a new standard for high-density living in Vancouver, seamlessly blending cultural amenities, communal greenspace, and elevated design. As Kuma's first North American residential high-rise, the project pioneers a human-centric approach to skyscrapers defined by connectivity, nature and artistic expression. Alberni tower stands as an iconic sculptural form on Vancouver's horizon, ushering in a new age of livability and sustainability for vertical communities. Design Team - Founded in 1990 by renowned Japanese architect Kengo Kuma, Kengo Kuma & Associates (KKAA) has grown into a leading international architecture practice with offices across Asia and Europe. Kuma established the firm on the principles of openness and creativity, seeking to fuse nature, technology and design. Over the past three decades, KKAA has completed major public and cultural projects around the world, pioneering Kuma's signature style of lightweight construction and extensive use of natural materials. Currently led by Kuma along with partners Yuki Ikeguchi, Masahiko Sato, and Balázs Bognár, KKAA has over 100 staff working on projects spanning over 40 countries. With studios in Tokyo, Paris, Beijing and Shanghai, the practice continues to push the boundaries of innovative sustainable architecture, designing spaces in harmony with local climate and culture. KKAA's sensitive approach integrates buildings with their natural and urban contexts through filtered light, fluid forms and a tactile material palette. From museums to stadiums, Kuma's contextual designs reflect his humanistic philosophy, creating uplifting spaces that dissolve boundaries between nature and architecture. 设计团队 旅游探访 29450 m² 加拿大，温哥华 2023年 前一项 后一项

ARKITITO建筑事务所作为当代巴西建筑实践的杰出代表，由手足建筑师尚塔尔·菲卡雷利和蒂托·菲卡雷利于2009年在圣保罗创立，自成立以来已确立其在当代住宅、商业和企业设计以及语境敏感型建筑语言创新领域的先锋地位。这家立足圣保罗的事务所通过设计与城市需求的协调整合，重新定义当代巴西建筑师在国际设计话语中的角色。 < Back ARKITITO Brazil ARKITITO建筑事务所作为当代巴西建筑实践的杰出代表，由手足建筑师尚塔尔·菲卡雷利和蒂托·菲卡雷利于2009年在圣保罗创立，自成立以来已确立其在当代住宅、商业和企业设计以及语境敏感型建筑语言创新领域的先锋地位。这家立足圣保罗的事务所通过设计与城市需求的协调整合，重新定义当代巴西建筑师在国际设计话语中的角色。 ARKITITO为建筑实践带来了卓越的空间优化设计视角和对建造智慧整合方法的深刻理解。该事务所因其将项目和谐融入功能需求与美学语境的承诺而获得认可，创造定制化的空间体验。其作品集涵盖城市住宅、商业和企业空间、翻新改造、适应性再利用项目以及历史建筑修复，展现多元化却连贯统一的设计方法论。 该事务所的设计哲学强调建筑应该超越传统限制，不仅仅是为了满足功能需求而设计，更是为了创造形式交流性和受控且充沛的自然光运用。通过对场地特定性认知和空间最大化的深度关注，开展从住宅到商业及企业项目的多元化作品，相信最好的建筑是通过精准和深思熟虑的建造过程产生的语境响应式干预。ARKITITO相信建筑应该成为居住者需求的载体，通过策略性的结构智慧和材料选择创造独特的建筑体验。 除实践外，通过对预制构件与现代建造方法的深思熟虑结合、结构解决方案和环境效率的运用、以及经过验证的可持续设计智慧，ARKITITO已确立自己作为当代巴西建筑话语重要贡献者的地位，创造出既具功能回应性又保持建筑卓越性的作品。在菲卡雷利姐弟的持续领导下，该事务所目前在圣保罗充满活力的建筑景观中占据独特地位，专注于创造通过空间优化、结构创新和形式交流性来实现建筑品质的空间体验。 WEBSITE PROJECT

< 返回 一间石基 StudioTiltedCircle 地点：横石基村，珠海，中国 设计团队：StudioTiltedCircle 面积：321 m² 建成时间：2026 图片版权：StudioTiltedCircle 设计特色： 一间石基SHIJI COMMONS位于珠海市金湾区三灶镇横石基村，由StudioTiltedCircle将两座传统石屋更新为一处321 m²的社区公共空间。项目没有把旧建筑封存在单一的历史表情中，而是从石墙之间重新寻找光、通行与聚集的位置，让村落记忆转化为可以继续被使用的日常场所。 原有石材被回收并重新嵌入分层浇筑的混凝土墙体，新的混凝土、金属与半透明构件则以清晰而克制的方式介入。旧石与新结构并不追求无缝伪装：粗粝石块、水平浇筑纹理和轻薄金属表皮彼此并置，使时间留下的差异成为立面可以被近距离阅读的内容。 两座石屋之间原本狭窄的间隙被发展为贯穿建筑的光之通道。线性天窗把日光引入中央过道，墙体的开口、院落与阶梯连续形成由街道进入室内的层次；水面、植物和触感鲜明的材料减缓了抵达节奏，也让空间在封闭石墙与开敞天空之间不断切换。 室内围绕社区活动、文化展示与咖啡功能保持开放。可折叠的聚碳酸酯门能够在通透与分隔之间转换，使同一空间适应展览、交流、休息和小型活动。咖啡区以石材、混凝土和金属建立统一的材料语汇，家具与照明保持轻盈，让公共生活成为旧石屋内部最鲜明的新层。 屋顶平台进一步把内部活动延伸到室外，在石墙、树冠与村落屋顶之间建立新的观看高度。SHIJI COMMONS的更新并非以完整复制过去为目标，而是借材料再利用、光线与可变边界延续传统乡村建筑的生命，让两座石屋重新成为横石基村可以相遇、停留与共同使用的空间。 设计团队： StudioTiltedCircle是一家立足中国的建筑与设计事务所，实践范围涵盖文化、景观与规划、住宅、商业及酒店等类型。团队以研究和持续推演为工作基础，根据场地语境、使用需求与地方文化寻找每个项目的具体回应。 事务所关注简洁、环境友好且具有当代性的设计方法，并将建筑从概念到落地的各阶段视为连续过程。其作品往往通过材料、结构和空间边界的精细调整，在清晰功能之外建立与既有环境及公共生活的联系。 设计团队 旅游探访 321 m² 珠海，中国 2026 前一项 后一项

< 返回 霍伊万根教堂 Henning Larsen + espen surnevik 项目名称：霍伊万根教堂（Højvangen Church） 地点：斯坎德堡 ， 丹麦 设计团队：Henning Larsen + espen surnevik 建筑面积：1500 m² 竣工时间：2024年 摄影：Rasmus Hjortshøj 设计特色： 项目 - 丹麦建筑事务所Henning Larsen在斯坎德堡完成了一座具有革命性意义的当代教堂建筑，通过创新的非方向性空间设计和精妙的光影操控来重新定义现代社会中教堂的角色。霍伊万根教堂（Højvangen Church）是该教区500多年来建造的第一座新教堂，在教堂关闭和世俗化加剧的时代背景下，这座新教堂的启用成为引人注目的例外。 教堂战略性地坐落在斯坎德堡郊区，这座面积1500平方米的建筑颂扬了丹麦建筑传统，同时拥抱当代社区和精神性理念。建筑最显著的特色在于其向心式布局设计，洗礼池位于建筑的绝对中心，而非传统的祭台末端位置。这种中心化布置使视野向四面八方开放——朝向森林、墓地、古老钟楼——强化了教堂作为"市民广场"而非方向性空间的理念。 Henning Larsen巧妙的空间解决方案挑战了传统教堂布局，创造了一个没有正式前后之分的灵活室内空间，既开放又私密神圣。周围的墙体在实墙和透明之间转换，形成私密空间，平衡开放性与亲密感，社区性与个人反思。这种适应性的"广场"可以容纳各种活动，旨在包容每一个人。 建筑外立面采用轻柔起伏的设计，在一天中引入变化的自然光线。可渗透的墙面过滤和塑造光线，创造出光影和氛围的动态互动，使建筑本身成为精神体验的一部分。砖石、橡木和黄铜等材料营造出温暖而永恒的氛围，从外观上看，教堂呈现为嵌入景观中的雕塑式展馆，通过部分地下走廊与现有教堂中心相连。 最值得注意的是，该项目将Henning Larsen's的设计理念延伸至家具设计领域，事务所与丹麦家具制造商Brdr. Krüger合作设计了名为Ekko的新型可堆叠教堂椅。这款椅子结合了优雅与耐用性，并通过欧盟最高标准(L2)的使用认证，标志着Henning Larsen时隔60年重返家具设计。 设计团队 - 由丹麦建筑师Henning Larsen于1959年创立，Henning Larsen已确立其在日光操控和可持续设计卓越性方面的国际声誉。在现任总经理Jacob Kurek的领导下——他于1997年以实习生身份加入并在近三十年间指导了事务所的全球扩张——Henning Larsen持续在建筑、景观、城市设计和室内设计等多个学科领域推进边界。 事务所的设计理念核心在于将日光视为有形材料进行操控，使创始人Henning Larsen在建筑界获得"光影大师"的美誉。这种以光为中心的设计方法，源于创始人在西日德兰半岛的童年经历，至今仍是该事务所当代作品的显著特征。建筑师在保持对细节的敏锐关注的同时，从不忽视宏观视野。 事务所在全球拥有超过600名员工，设计团队分布于八个国家的工作室。其作品集展现了卓越的多样性，涵盖文化机构、教育设施和城市总体规划，同时始终强调环境责任和社会影响。该事务所致力于在复杂的建成环境、生态系统和社会之间建立联系，通过共创、创新和培育来实现持久变革。 Henning Larsen的设计卓越性通过一系列权威奖项得到认可，包括2013年哈尔帕音乐厅获得的欧盟当代建筑奖——密斯·凡·德·罗奖，以及2019年欧洲年度建筑师奖。自2019年加入安博集团 (Ramboll)以来，Henning Larsen进一步强化了其跨学科合作和可持续创新的承诺——基于共同的北欧传统、对知识和社会责任的关注，以及打造人与自然和谐繁荣的可持续社会的使命。 Project Name: Højvangen Church Location: Skanderborg , Denmark Design Team: Henning Larsen + espen surnevik Total Floor Area: 1500 m² Completion: 2024 Photography: Rasmus Hjortshøj】 Engineering: Ramboll Studio Dreiseitl, Ramboll Landscape Architecture: Schul Landskab & Planlægning Client: Skanderborg Parish Feature: Project - Danish architecture studio Henning Larsen completed a revolutionary contemporary church building in Skanderborg, redefining the role of the church in modern society through innovative non-directional spatial design and sophisticated light manipulation. Højvangen Church marks the first new church built in the parish for over half a millennium, representing a striking exception in an era marked by church closures and increasing secularization. Strategically located on the outskirts of Skanderborg, Denmark, this 1500-square-meter building honors Danish architectural heritage while embracing contemporary ideas of community and spirituality. The church's most distinctive feature lies in its centripetal layout design, with the baptismal font positioned at the absolute center of the building rather than at the traditional altar end. This central placement allows views to open in all directions——toward the forest, cemetery, and old church tower——reinforcing the idea of the church as a "civic clearing" rather than a directional space. Henning Larsen's ingenious spatial solution challenges traditional church layouts, creating a flexible interior space without formal front or back that feels both open and intimate yet sacred. The surrounding walls shift between solid and transparent, forming pockets of privacy that balance openness with intimacy, and community with personal reflection. This adaptable "clearing" can accommodate a wide variety of events, designed to include everyone. The building's gently undulating façade invites in shifting natural light throughout the day. Permeable walls filter and shape this light to create a dynamic interplay of shadow and atmosphere, making the architecture itself part of the spiritual experience. Materials such as brick, oak, and brass create a warm, timeless atmosphere. From the outside, the church appears as a sculpted pavilion set into the landscape, connected to the existing church center by a partially underground corridor. Most notably, the project extends Henning Larsen's design philosophy into furniture design, with the studio partnering with Danish furniture maker Brdr. Krüger to design a new stackable church chair named Ekko. The chair combines elegance with durability and is certified to the highest EU standard (L2) for extreme use, marking Henning Larsen's return to furniture design after 60 years. Design Team - Founded in 1959 by Danish architect Henning Larsen, Henning Larsen has established its international reputation for mastery in daylight manipulation and sustainable design excellence. Under the current leadership of Managing Director Jacob Kurek——who began as an intern in 1997 and has guided the firm's global expansion for nearly three decades——Henning Larsen continues to push boundaries across architecture, landscape, urban design, and interiors. The studio's design philosophy centers on manipulating daylight as a tangible material, earning founder Henning Larsen recognition as "the master of light" within the architectural community. This light-centric approach, rooted in the founder's childhood experiences in Western Jutland, remains a defining characteristic of the practice's contemporary work. The architects maintain acute attention to detail whilst never losing sight of the bigger picture. The firm maintains a global presence with over 600 employees, with design communities spread across studios in eight countries. Their portfolio demonstrates exceptional versatility, spanning cultural institutions, educational facilities, and urban masterplans while consistently emphasizing environmental responsibility and social impact. The studio is committed to navigating the complex connections that bind together built environment, ecological systems, and societies at large, manifesting lasting change through co-creation, innovation, and cultivation. Henning Larsen's design excellence has been recognized through prestigious accolades including the 2012 Præmium Imperiale Architecture Laureate, the 2013 European Union Prize for Contemporary Architecture——Mies van der Rohe Award for Harpa Concert Hall, and the 2019 European Architect of the Year Award. Since joining the Ramboll Group in 2019, Henning Larsen has further strengthened its commitment to interdisciplinary collaboration and sustainable innovation——united by shared Nordic legacies, focus on knowledge and social responsibility, and mission to craft sustainable societies where people and nature flourish. 设计团队 旅游探访 1500 m² 斯坎德堡，丹麦 2024 前一项 后一项

< 返回 杭州阿里巴巴达摩院南湖园区 Aedas 设计特色： 项目 – 阿里达摩院南湖园区新落成了，这座由 Aedas 主理设计的大型科研综合体,将东 方哲理与先锋科技完美结合。总建筑面积超过 50 万平米，由建筑师巧夺天工，布局仿 如一片"浮萍"漂浮在杭州南湖之上。透明晶莹的建筑朝四面八方伸展开来，娴雅重现了 传统中式庭院的层层相叠之美。条形办公楼东西并列，以蜿蜒的走廊和园景空间连接， 中心设有公共广场餐饮设施等。园区中央从南向北一条主轴，左右对称有序分布。行 走其间，宛如脉络纹理般蜿蜒盘曲，每个分支尽头皆是精巧庭院。办公空间灵活多变， 将敞开式协作区与独立会议室互相穿插，奉行"工作组团"理念。可根据需求将每层面积 划分为 500 到 4000 平米不等，玻璃幕墙以夹角设计，避免了单调视线遮挡。屋顶绿化 使得园区更显园林氛围。此项目获得多项商业及办公建筑设计大奖，Aedas 自豪地表 示:" 我们打造了一座微缩城市，将东方哲思与先进科技，糅合于建筑的形态与功能之 中。让建筑融入周边自然肌理，以生态可持续为本，创造未来办公场所样本。" 团队 – Aedas 由威尔士建筑师 Keith Griffiths 于 2002 年创立，是一家以国际实践和本 地专业知识为驱动力的全球建筑设计巨头。如今，在 Griffiths 以及 Andy Wen、Ken Wa 等卓有成就的董事团队的领导下，该公司在全球 11 个办公室拥有 1100 名创意设计 人才。Aedas 专门针对其所服务社区的独特社会和文化背景提供世界一流的建筑、室 内、城市设计和总体规划解决方案。该公司是新型城市化运动的先锋力量，促进可持 续和创新的设计响应更高的密度、连通性和效率需求。Aedas 拥有一支精通最新创新 的多元化全球团队，不断突破界限，并在其广泛的产品组合中应用尖端技术专业知识。 从大型综合用途商业中心和大型交通项目，到文化机构和城市复兴计划，Aedas 创造 出贴近环境且具有前瞻性的最高品质设计。 Feature： Project - Aedas has completed the new South Lake Campus for Alibaba's DAMO Academy, an ambitious research institute merging Eastern philosophy with cutting-edge technology. Designed by Ken Wai, the sprawling 500,000 sq m complex comprises smart offices, labs, a visitor centre and amenities arranged like a floating 'Bodhi leaf' on the waters of Hangzhou's South Lake. The crystalline buildings radiate outwards forming layered courtyards evocative of traditional Chinese architecture. Finger-like office blocks run east-to-west, bridged by landscaped walkways and centering on a public plaza with dining. Following the veined patterns of a leaf, pedestrian routes branch organically through the semi-enclosed garden spaces. The workspaces blend open collaborative areas with private meeting rooms based on a 'work cluster' concept. The modular office floors span 500-4,000 sq m and avoid sight lines between blocks through angled glass facades. Roof gardens promote connection with nature. "We've created a microcity fusing Eastern thought with advanced technology in architectural form and function," said Ken Wai. "The buildings merge with the surroundings sustainably, pioneering a new paradigm for future workplaces." Design Team - Founded in 2002 by Welsh architect Keith Griffiths, Aedas is a global architecture and design powerhouse driven by international practice and local expertise. Led today by Griffiths and a team of highly accomplished directors like Ken Wai, the firm's 1,100 creative minds span 11 offices worldwide. Aedas specializes in producing world-class architectural, interior, urban design and masterplanning solutions tailored to the unique social and cultural contexts of the communities they serve. The firm is a pioneering force in the new urbanization movement, facilitating sustainable and innovative design responses to greater density, connectivity and efficiency demands. With a diverse global team well-versed in the latest innovations, Aedas consistently pushes boundaries and applies cutting-edge technical expertise across its broad portfolio. From large-scale mixed-use commercial hubs and transportation megaprojects to cultural institutions and urban regeneration initiatives, Aedas creates contextually grounded yet forward-thinking designs of the highest quality. 设计团队 旅游探访 500000 m² 杭州，中国 2023年 前一项 后一项

Scott & Scott Architects是一家总部位于温哥华的建筑与室内设计事务所，由Susan Scott与David Scott于2012年联合创立。两位创始合伙人均毕业于达尔豪斯大学建筑学院，在创办事务所之前，已在多家西海岸重要建筑机构积累了共计十二年的从业经验。事务所设有专属工作坊，用于工业设计开发、材料研究与原型制作，使设计与建造的全过程得以在主创团队的直接参与下推进。主持建筑师Andrea Zittlau现与两位创始合伙人共同主导事务所的在手项目。 < Back Scott & Scott Architects Canada Scott & Scott Architects是一家总部位于温哥华的建筑与室内设计事务所，由Susan Scott与David Scott于2012年联合创立。两位创始合伙人均毕业于达尔豪斯大学建筑学院，在创办事务所之前，已在多家西海岸重要建筑机构积累了共计十二年的从业经验。事务所设有专属工作坊，用于工业设计开发、材料研究与原型制作，使设计与建造的全过程得以在主创团队的直接参与下推进。主持建筑师Andrea Zittlau现与两位创始合伙人共同主导事务所的在手项目。 事务所的创作实践以材料诚实、建构精确及对场地与功能特质的深度回应为核心。其设计语言的显著特征在于对区域性材料及耐久性材料的运用，多以原始或低度处理的方式呈现，赋予室内空间与建筑以随使用时间自然演化的物质质感。项目类型涵盖新建住宅、山地小屋、城市仓库改造及商业室内等多元尺度。 事务所于2016年荣获加拿大皇家建筑师学会青年建筑师奖，并于2017年入选纽约建筑联盟新兴声音奖，由此确立其作为加拿大当代最具严谨性与影响力的建筑实践之一的专业地位。 WEBSITE PROJECT

< 返回 静之汤福岛 MABI ARCHITECTS 地点：大阪市福岛区，日本 设计团队：MABI ARCHITECTS 面积：约270 m² 建成时间：2026 摄影：dig photograph 设计特色： 静之汤福岛位于大阪福岛站附近，由MABI ARCHITECTS将1983年建成的老浴场“延命汤”更新为男性专用温浴设施。原建筑由竹原义二在35岁时设计，曾连续服务社区四十余年。改造没有把历史当作表面装饰，而是从曲线浴池、通高空间、外露混凝土与瓷砖壁画中辨认出仍然有效的空间骨架，再把桑拿、水浴、露天浴、室内休息区和吧台嵌入其中。 浴场最具辨识度的弧形浴池被完整保留。白色小瓷砖沿圆润边缘连续铺展，深蓝水面与上方弯曲顶棚共同收束视线；新旧区域之间没有以明显造型切断，而是通过蓝、白、黄色瓷砖的尺度和图案变化，延续原浴场的视觉节奏。许多原有瓷砖留在洗浴区，使更新后的洁净感仍带着真实的时间纹理。 原本分隔男女使用的更衣与浴场空间被重新整合，动线因此获得更完整的尺度。木质储物柜、玻璃隔断与粗糙混凝土柱并置，入口、更衣、洗浴、桑拿和休息空间从明亮到幽暗逐层过渡。新增构件尽量服从旧建筑的圆角与轴线，让使用者在移动中持续感知原来的空间秩序。 桑拿室以深蓝釉面砖包覆，木质坐凳围绕炉体展开。送风与排风靠近炉体布置，新风在进入室内前被加热并带向整个空间；墙体和顶棚根据部位设置50—100毫米保温层，顶层坐凳距顶棚约1.1米。门高控制在约1.8米，坐凳高度与深度则围绕人体感受精细调整，让热量、湿度与坐卧尺度成为同一设计问题。 与高温桑拿相邻的水浴、露天浴和休息空间采用更克制的混凝土、石材与木材。低位照明擦过粗糙墙面和碎石地面，保留建筑施工痕迹，也为身体降温后的停留提供安静背景。吧台与室内休息区则把传统澡堂的交谈功能转化为当代社交场景，使洗浴之外的停留重新成为空间的一部分。 静之汤福岛的更新价值不在于把旧澡堂包装成怀旧消费，而在于让一套仍具力量的建筑语言继续工作。被保留的曲线、瓷砖和混凝土承担记忆，新加入的设备、保温和动线回应当代使用；两者在尺度与触感上彼此校准，使一座社区浴场以新的运营方式延续公共生活。 设计团队： MABI ARCHITECTS由马渕望梦与阿比留隆太于2025年共同创立，以东京和大阪为据点，主要从事住宅、桑拿和小尺度建筑设计。事务所名称取自Mabuchi与Abiru，也对应两位建筑师所重视的“间”与“美”：通过空间、时间和人与人之间的余白，追求不过度依赖潮流的建筑表达。 本项目由MABI ARCHITECTS负责改造设计；Yusuke Sakurai负责标识，Hiroaki Endo（NEWMAN Inc.）负责标志设计，Kikuchi Soken Co., Ltd.担任总承包。SCIENCE Inc.、Tile Capsule（BOWCS Inc.）与Nakamura Inc.参与协作。摄影由dig photograph完成。 设计团队 旅游探访 270 m² 大阪市福岛区，日本 2026 前一项 后一项

< 返回 Glade House Ming Architects 地点：新加坡 设计团队：Ming Architects 面积：900 m² 建成时间：2024年 摄影：Studio Periphery 设计特色： Glade House坐落于新加坡市中心一处宽阔而平整的住宅地块，成熟雨树沿场地边界形成近似林缘的绿色围合。业主一家三代共同居住，包括三名子女与年长母亲；住宅既要为家庭成员保留各自的生活领域，也要容纳共同用餐、学习、娱乐和游泳等高频日常。面对宽阔临街面带来的暴露感，Ming Architects没有把建筑封闭起来，而是以层叠立面、庭院与水面，在街道和家庭生活之间建立逐层过渡。 一条25 m长的泳池是平面组织的起点。为了在满足泳池长度的同时保留花园和完整的居住空间，建筑采用L形布局：较短的一翼沿街展开，缓冲道路噪声与外部视线；较长的一翼向场地深处延伸，两组体量共同托住泳池与草地。水面在后部转折并包围餐厅与干厨房，使游泳不再是附加设施，而成为贯穿住宅主轴的空间介质，日常活动由此持续与水的反射、声音和微风相遇。 住宅的抵达被安排为两条不同路径。沿车棚坡道绕过前翼，泳池、花园与通高客餐厅会在转折后集中展开；从主入口进入，则首先抵达双层高门厅，隐藏式酒窖与祖母套房分置两侧，短廊随后把视线引向后方水景。三层高的橡木楼梯沿客厅一侧折返上升，开放式学习区俯瞰公共空间，父母可以在保持距离的同时照看孩子。空间层级并不依赖封闭走廊，而是在垂直挑空、长视线和家庭成员之间的可见联系中建立。 面向街道的可滑动铝制屏风与深挑檐共同构成热带气候策略。屏风调节隐私、日照与视线，宽檐则让门窗在强烈阳光和季风暴雨中仍能保持开启；泳池与花园一侧的大面积推拉玻璃进一步促成穿堂风。住宅因此没有成为依赖空调的密闭玻璃盒，而是通过遮阳、开口、风扇与可操作界面维持通风和热舒适，让室内外边界随天气和家庭活动持续变化。 材料选择强化了这种克制而温暖的热带居住感。保加利亚石灰岩赋予外墙稳定的触感，橡木饰面从外部延伸至客厅、楼梯和卧室，黑色铝屏在石材与木材之间形成轻薄对比；室内以沙漠米色大理石保持明亮基调，干厨房的Verde Alpi深绿色大理石则回应窗外植物。Glade House之名取自林间空地：建筑并未把成熟树木当作背景，而是让泳池、花园与被框取的树冠成为家庭生活的共同中心。 设计团队： Ming Architects由建筑师Tan Cher Ming于2015年在新加坡创立，专注于当代独立住宅的建筑与室内设计。Tan Cher Ming于2007年毕业于墨尔本大学，创立事务所前曾在Arc Studio、SCDA Architects与WOHA Architects等新加坡建筑事务所工作近十年，积累了住宅建筑、室内空间与热带环境设计经验。 事务所将建筑与室内视为不可分割的整体，强调为不同场地、家庭结构和生活方式建立专属回应。团队的住宅作品通常以充足日光、自然通风、自然景观和克制的触觉材料为共同线索，并通过挑空、庭院、天窗、可操作立面与被框取的视野，让现代主义的清晰体量适应新加坡的热带气候。 Tan Cher Ming是新加坡注册建筑师及新加坡建筑师学会会员，并亲自参与从概念草图到交付的完整过程。Glade House由他担任主创建筑师，Erica Chan担任项目建筑师；项目获得2025年International Excellence Awards铂金奖、ADC Awards住宅设计金奖及Houzee Awards独立住宅建筑金奖。事务所此前亦凭Carve House获得2022年Singapore Tatler Homes Design Awards最佳建筑概念奖。 设计团队 旅游探访 900 m² 新加坡 2024 前一项 后一项

位于温哥华的Measured Architecture建筑事务所自2007年成立以来，已然成为加拿大西海岸建筑设计领域的重要力量。该事务所专注于现代设计、室内设计和景观设计，为公共和私人领域打造出令人耳目一新、与周围环境浑然一体的卓越空间。 Measured Architecture, founded in 2007 by Clinton Cuddington, has established itself as a leading force in Vancouver's architectural landscape. Specializing in modern design, interiors, and landscapes, the firm has consistently delivered exceptional public and private environments that are both stimulating to occupy and fundamental to their surroundings. < Back Measured Architecture 加拿大（CANADA） 位于温哥华的Measured Architecture建筑事务所自2007年成立以来，已然成为加拿大西海岸建筑设计领域的重要力量。该事务所专注于现代设计、室内设计和景观设计，为公共和私人领域打造出令人耳目一新、与周围环境浑然一体的卓越空间。 由Clinton Cuddington创立，并于2009年迎来合伙人Piers Cunnington加入的Measured Architecture，多年来精心打造了一系列考究、创新且品质卓越的项目。他们独树一帜的"情境现代主义"设计理念，是一种以人为本、因地制宜的方法，将客户愿景、场地潜力以及市政规划、预算和工期等因素融会贯通。 Measured Architecture的设计哲学体现在对客户需求的深入理解上，创造出既实用高效又美观雅致的空间。他们的作品犹如精心编织的背景，与使用者的生活完美契合，突出了空间流动性和和谐感。 从住宅到商业项目，Measured Architecture的作品无不彰显其对环境敏感设计、可持续发展和创新材料运用的执着追求。他们屡获殊荣，包括多次荣膺《Western Living》杂志年度建筑设计师大奖，足见其在加拿大建筑界的重要地位。 Measured Architecture, founded in 2007 by Clinton Cuddington, has established itself as a leading force in Vancouver's architectural landscape. Specializing in modern design, interiors, and landscapes, the firm has consistently delivered exceptional public and private environments that are both stimulating to occupy and fundamental to their surroundings. The practice, led by Cuddington and Piers Cunnington, who joined in 2009, has cultivated a portfolio that showcases their ability to craft considered, innovative, and high-quality projects. Their unique approach, dubbed "situational modernism," is a subject-based, humanist methodology that carefully considers each project through the lens of client aspirations, site opportunities, and municipal, budgetary, and scheduling constraints. Measured Architecture's design philosophy is characterized by a meticulous understanding of client needs, resulting in spaces that are both functionally efficient and aesthetically pleasing. The firm's projects serve as thoughtful backdrops for their clients' lives, with an emphasis on flow and spatial harmony. From residential to commercial projects, Measured Architecture's work exemplifies a commitment to context-sensitive design, sustainability, and innovative use of materials. Their growing list of accolades, including multiple Western Living Magazine Architecture Designer of the Year awards, underscores their significant impact on the Canadian architectural scene. WEBSITE PROJECT

< 返回 林科纳达住宅 Oioioi 项目名称：House Rinconada 地点：马利纳尔科，墨西哥 设计团队：Oioioi 建筑面积：1110 m² 竣工时间：2024年 摄影：Cesar Belio 设计特色： 项目 - 坐落于墨西哥壮丽景观之中，Oioioi建筑事务所设计的林科纳达住宅呈现了一场关于建筑克制与环境和谐的精湛演绎。这座1110平方米的住宅展现了当代设计如何通过微妙的手法而非大胆的宣言来实现深刻的影响力。 该项目最引人注目的特色在于其水平构图——一系列单体石材体量以线性方式排列，顶部覆以看似无重量地悬浮于地形之上的混凝土浮板。这种建构编排创造出强烈的视觉韵律，同时保持着尊重自然地形的亲密尺度。 Oioioi的设计理念通过实体与虚空的精心互动得以体现。暴露的混凝土屋顶延伸至石墙之外，形成深邃的阴影，在提供自然降温的同时框定了周围景观的特定视野。这些体量间的中介空间发挥着双重作用：既控制光线渗透，又促进交叉通风，展现了建筑师对环境设计的深刻理解。 材料选择体现了耐久性与语境的双重考量。火山石砌筑技术根植于当地建筑传统，构成主要结构元素，而现浇混凝土则提供了优雅的水平对位。这种结合创造了古老工艺与当代建筑表达之间的对话。 最值得称道的是，景观策略将住宅视为现有生态系统的延伸，而非对其的强加。野生本土植物和精心定位的水景特色促进了生物多样性，同时仅需最少的维护——这是该项目对环境管理承诺的有力证明。 林科纳达住宅实现了罕见的成就：既具纪念性又保持谦逊，创造出既有庇护感又向自然世界开放的空间。 设计团队 - Oioioi作为一家杰出的建筑实践机构，位于墨西哥城，自2019年成立以来专业从事建筑设计与建造。在创始合伙人埃内斯托·佩雷斯·雷亚·洪卡（Ernesto Pérez Rea Juncá）和巴勃罗·赫尔梅诺斯·加西亚（Pablo Germenos García）的领导下，该事务所培养了独特的设计理念，通过多学科协作和持续实验挑战传统设计范式。 事务所的设计卓越性体现在其对建筑二元对立的质疑------物理与无形、历史与当代、整体与细节之间的界限。这种方法产生的建筑解决方案既抵制同质化，又保持严格的设计标准。Oioioi的跨学科理念超越了传统建筑服务范畴，既作为设计工作室又作为建造实践运营。 Oioioi的建筑方法论展现了对空间关系、材料属性和环境响应性的精深理解。其项目持续展现精湛的建构技艺、自然元素的深思熟虑整合，以及尊重当地建造传统同时拥抱前瞻设计原则的语境敏感性。该事务所以多学科精神和协作理念为核心，从团队合作的协同效应中汲取营养，使探索和持续学习成为实践的基石。 该事务所的设计思维围绕着寻求结合多元视角以重新构想建筑可能性的探索，每个项目都在持续反馈循环的响应中发展演进，证明了其对抵制同质化的承诺。通过建筑设计与建造等综合专业服务，Oioioi致力于通过创新设计实践挑战定义建筑范式的传统界限，在当代墨西哥建筑领域中彰显其独特的创新精神与环境敏感性。 Project Name: House Rinconada Location: Malinalco, Mexico Design Team: Oioioi Total Floor Area: 1110 m² Completion: 2024 Photography: Cesar Belio Design Features: Project - Mexican architecture studio Oioioi completed the House Rinconada project in Malinalco, creating a subtle dialogue between architecture, landscape, and living through this 1110-square-meter residence situated in a privileged natural setting. The project unfolds on a single level, prioritizing horizontality as a strategy to blend harmoniously with the land and surrounding garden, demonstrating how contemporary design can achieve profound impact through restraint rather than bold gestures. The project's most compelling design feature lies in its linear arrangement of stone volumes------a series of monolithic stone blocks arranged in linear succession, defined by walls of constant height that emphasize spatial and structural continuity. Above these volumes, horizontal planes of exposed concrete rest like floating roofs, generating deep shadows and framing specific views of the landscape. This tectonic gesture provides unity to the ensemble, while the intermediate voids allow for controlled entry of light and natural ventilation. Oioioi's masterful control of material expression seamlessly integrates traditional building techniques with contemporary architectural language. The construction system combines volcanic stone masonry and cast-in-place concrete, both low-maintenance materials with strong local roots. The material palette integrates harmoniously with the indigenous vegetation, reinforcing the sense of permanence and serenity throughout the composition. The relationship between architecture and landscape demonstrates a sophisticated understanding of environmental stewardship. The landscape design is envisioned as a natural extension of the field, with chosen species primarily consisting of wild plants and shallow bodies of water that promote biodiversity, reduce water consumption, and bring seasonal dynamism to the ensemble. The house does not impose itself on the site: it rests upon it. This thoughtful treatment of the interplay between mass and void creates an ever-changing spatial experience that blurs the boundaries between interior and exterior. The intermediate spaces not only control light penetration and facilitate cross-ventilation but also serve as spatial connectors linking different parts of the architecture. House Rinconada is more than just a residence------it becomes a spatial meditation on architectural humility, environmental sensitivity, and gentle reconnection with nature's essential rhythms. Design Team - Oioioi stands as a distinguished architectural practice located in Mexico City, specializing in architectural design and construction since its establishment in 2019. Under the leadership of founding principals Ernesto Pérez Rea Juncá and Pablo Germenos García, the firm has cultivated a distinctive design philosophy that challenges conventional design paradigms through multidisciplinary collaboration and continuous experimentation. The studio's design excellence manifests through its questioning of traditional architectural dichotomies------the boundaries between physical and intangible, historical and contemporary, holistic and detailed. This approach generates architectural solutions that resist uniformity while maintaining rigorous design standards. Oioioi's multidisciplinary ethos extends beyond conventional architectural services, functioning as both design studio and construction practice. Oioioi's architectural methodology demonstrates a sophisticated understanding of spatial relationships, material properties, and environmental responsiveness. Their projects consistently exhibit masterful tectonic craftsmanship, thoughtful integration of natural elements, and contextual sensitivity that respects local building traditions while embracing progressive design principles. The practice operates with a multidisciplinary spirit and collaborative approach, drawing nourishment from the synergy of teamwork, making exploration and continuous learning the cornerstone of their practice. The firm's design thinking revolves around seeking to combine diverse perspectives to reimagine what is possible in architecture, with each project evolving in response to continuous feedback loops, testimony to their commitment to resisting uniformity. Through comprehensive professional services including architectural design and construction, Oioioi is committed to challenging the traditional boundaries that define architectural paradigms through innovative design practices, demonstrating unique innovative spirit and environmental sensitivity within the contemporary Mexican architectural landscape. 设计团队 旅游探访 1110 m² 马利纳尔科，墨西哥 2024 前一项 后一项

< 返回 BIJOUPIKO Fukui珠宝首饰店 Oniki Design Studio 项目名称：BIJOUPIKO Fukui 设计团队：Oniki Design Studio 面积：299.33 m² 地点：福井市，日本 设计特色： 项目 – 在日本福井郊区，ODS建筑事务所打造了一座突破传统零售设计的珠宝店。BIJOUPIKO福井店以其精妙的空间序列设计脱颖而出，将建筑本身转化为一场充满探索欲的奇妙之旅。 这座作品最引人注目的特点在于其精巧的建筑构图，巧妙地在截然不同的空间体验之间营造和谐对话。建筑核心是一个双层零售区，以温暖的棕色调墙面打造出私密氛围——这一精心的设计选择为婚戒的挑选提供了理想环境。 中心区域的两侧是双层挑高的开放空间，呈现出完全不同的空间品质。这些通透的展示区采用纯净的白色装修，北立面采用整面落地玻璃，东西两侧则巧妙设置了高窗，确保空间内充满柔和而持续的自然光线，将过渡空间升华为超凡脱俗的体验场所。 为应对当地气候特点，建筑采用了实用的人字坡屋顶以抵御大雪，同时融入了一处可从室内欣赏的枯山水花园。这种将户外元素巧妙整合的手法扩展了视觉体验的边界。 这座建筑面积达299平方米，于2024年4月竣工，位于福井新干线站延伸段开通后约15分钟车程处。它开创了零售建筑的新典范，通过精心编排的空间序列提升购物体验。BIJOUPIKO福井店展现了建筑叙事如何能够升华珠宝选购的仪式感，让顾客在光线、空间与材质中展开一段难忘的探索体验。 团队 – Oniki Design Studio（ODS）由Koichiro Oniki于2015年创立，现已发展成为日本最具创新力的建筑设计事务所之一。该事务所专注于突破传统界限的空间设计，并于2017年正式改制为股份公司。事务所的业务范畴横跨建筑设计、室内设计和展览设计领域，其作品以精妙的空间序列和卓越的体验品质著称。 主创建筑师Koichiro Oniki 1977年生于东京，童年时期在英国度过，这段经历为其注入了独特的国际视角。在早稻田大学完成建筑学业后，他首先加入了日本顶尖建筑设计公司日建设计（Nikken Sekkei）。随后在全球知名设计工作室nendo担任首席空间设计总监长达十年，主导了众多国际项目，这段经历深刻塑造了事务所现今的设计理念。 目前为止，事务所斩获了诸多重要奖项，包括2023年ELLE DECO设计大奖之日本最佳室内设计奖、多次荣获Sky设计大奖金奖（2020-2023年），以及2017年Architizer A+大奖评委会奖等。事务所的作品组合涵盖零售空间、文化场所和定制室内设计，每一个项目都完美诠释了他们对打造沉浸式建筑体验的不懈追求。 现任核心设计团队通过跨学科的设计方法和对细节的精益求精，持续推动着空间设计的边界。该事务所以其精准的设计语言、细腻的空间营造和对使用者体验的深入思考在业界备受推崇。其作品不仅展现了对建筑空间的深刻理解，更体现了当代日本设计美学的精髓。 Project：BIJOUPIKO Fukui Team：Oniki Design Studio Size：299.33 m² Location：Fukui City, Japan Feature： Project - In the suburban landscape of Fukui, Japan, architect Koichiro Oniki of ODS has crafted a jewelry store that transcends conventional retail design. BIJOUPIKO Fukui emerges as a masterful exploration of spatial sequencing, where the architecture itself becomes an invitation to wander and discover. The project's most striking feature lies in its thoughtful architectural composition, which orchestrates a harmonious dialogue between contrasting spatial experiences. At its core, a sophisticated two-story volume houses the main retail area, characterized by its warm brown-toned walls and intimate atmosphere – a deliberate choice that creates an ideal environment for the considered selection of bridal rings. This central space is flanked by double-height voids that introduce an entirely different spatial quality. These light-filled galleries, finished in pristine white, feature full-height glazing on the northern façade and carefully positioned clerestory windows on the east and west elevations. This configuration ensures a constant, diffused natural illumination that transforms these transitional spaces into ethereal volumes. Responding to the local climate, the building adopts a practical gabled roof designed to withstand heavy snowfall, while incorporating a contemplative rock garden visible from the interior. This thoughtful integration of exterior elements extends the visual journey beyond the building's confines. The 299-square-meter structure, completed in April 2024, represents a new typology in retail architecture where the shopping experience is elevated through a carefully choreographed sequence of spaces. Located just 15 minutes by car from the newly extended Shinkansen station at Fukui, BIJOUPIKO demonstrates how architectural narrative can enhance the ritual of jewelry selection, creating a memorable journey through light, space, and material. Design Team - Founded in 2015 by Koichiro Oniki, ODS (Oniki Design Studio) has established itself as one of Japan's most innovative architectural practices, specializing in spatial design that transcends conventional boundaries. The studio, which reorganized as a corporation in 2017, operates at the intersection of architecture, interior design, and exhibition design, delivering projects characterized by their sophisticated spatial sequences and attention to experiential quality. Principal architect Koichiro Oniki, born in 1977 in Tokyo, brings a unique international perspective to the practice, shaped by his formative years in the United Kingdom. Following his architectural studies at Waseda University, Oniki honed his expertise at Nikken Sekkei, one of Japan's leading architectural firms. His decade-long tenure as Chief Spatial Design Director at nendo, where he spearheaded numerous international projects, significantly influenced the studio's current design philosophy. Under Oniki's leadership, the firm has garnered prestigious accolades, including the 2023 ELLE DECO Design Awards for Best Japanese Interior Design, multiple Sky Design Awards Gold Prizes (2020-2023), and the 2017 Architizer A+ Award Jury Winner. The practice's portfolio spans retail environments, cultural spaces, and bespoke interiors, each exemplifying their commitment to creating immersive architectural experiences. The current design team, including key members Keisuke Fujiki, Hiroyuki Tanimoto, and Sakura Itazaki, continues to push the boundaries of spatial design through their interdisciplinary approach and meticulous attention to detail. 设计团队 旅游探访 299.33 m² 福井市，日本 2024 前一项 后一项

SUMMARY公司成立于2015年，总部位于波尔图大学科技园，已成为预制建筑解决方案领域的先驱力量。在创始人Samuel Gonçalves的领导下，该公司开发出独特的模块化建筑方法，成功地将实用的建筑解决方案与建筑创新结合起来。 SUMMARY, established in 2015 at the Science and Technology Park of the University of Porto, has emerged as a pioneering force in prefabricated architectural solutions. Under the leadership of founder Samuel Gonçalves, the practice has developed a distinctive approach to modular construction that bridges the gap between pragmatic building solutions and architectural innovation. < Back SUMMARY 葡萄牙（Portugal） SUMMARY公司成立于2015年，总部位于波尔图大学科技园，已成为预制建筑解决方案领域的先驱力量。在创始人Samuel Gonçalves的领导下，该公司开发出独特的模块化建筑方法，成功地将实用的建筑解决方案与建筑创新结合起来。 该公司目前拥有包括建筑师和项目经理在内的十名专业人员，凭借其系统化的预制方法获得了国际认可。他们的专业技术在最近完成的里斯本四所模块化幼儿园项目中得到充分展示，这些项目采用了他们标志性的"U"形钢筋混凝土模块系统。 SUMMARY在推进预制建筑方面的努力为他们赢得了诸多荣誉，包括Monocle设计奖的最佳建筑奖（2022年），ArchDaily的最佳新实践奖（2021年），以及Dezeen年度新锐建筑师公众投票奖（2020年）。该公司还积极参与学术交流，Samuel Gonçalves在代尔夫特理工大学建筑系担任客座研究员。 通过其研究驱动的方法，以及在加快建筑过程的同时保持设计质量的重点，SUMMARY已经确立了其在当代预制建筑领域的领先地位，特别是在机构和教育建筑领域。 SUMMARY, established in 2015 at the Science and Technology Park of the University of Porto, has emerged as a pioneering force in prefabricated architectural solutions. Under the leadership of founder Samuel Gonçalves, the practice has developed a distinctive approach to modular construction that bridges the gap between pragmatic building solutions and architectural innovation. The firm, currently comprising ten professionals including architects and project managers, has gained international recognition for their systematic approach to prefabrication. Their expertise was notably demonstrated in the recent completion of four modular kindergartens in Lisbon, which showcased their signature "U"-shaped reinforced concrete modular system. SUMMARY's commitment to advancing prefabricated architecture has earned them prestigious accolades, including the Monocle Design Awards' Best in Construction (2022), ArchDaily's Best New Practices (2021), and Dezeen's Emerging Architect of the Year Public Vote Winner (2020). The practice has also engaged in significant academic discourse, with Samuel Gonçalves serving as a Visiting Guest Researcher at TU Delft's Department of Architecture. Through their research-driven approach and focus on accelerating construction processes while maintaining design quality, SUMMARY has established itself as a leading voice in contemporary prefabricated architecture, particularly in the institutional and educational sectors. WEBSITE PROJECT

< 返回 原野住宅 Group Projects Architecture 项目名称： 原野住宅 地点： 东北镇，纽约州，美国 设计团队： Group Projects Architecture 建筑面积： 2800 ft² 完工时间： 2024年 摄影师： Nicholas Venezia 设计特色： 项目 - 在纽约州北部的一片草地上，黑色人字形建筑体从地面升起，Group Projects Architecture事务所在这里设计了一座住宅，巧妙地处理了建筑干预与自然景观之间的对话。这座2800平方英尺的"原野住宅"展示了如何通过周到的场地定位来提升建筑功能性及居住者对周围环境的体验。 建筑师没有选择将建筑置于地块最高点，而是做出了战略性决定，将住宅安置在草地水平线上，紧依现有山脊底部。这一非常规选择不仅保留了场地上的成熟树木，还创造了天然的防风屏障，同时建立了一个引人入胜的空间叙事，随着访客从到达点下行而逐步展开。 项目最独特的特征是一个大胆的开挖设计：在山脊上切出一道100英尺长的切口，创造出一个由混凝土挡土墙围合的戏剧性庭院，作为广阔草地景观的私密对应空间。这个人工"室外房间"体现了项目对景观整合的精妙处理手法，建筑干预不是削弱而是增强了场地的自然特质。 建筑形态借鉴了乡村谷仓建筑的特点，但通过精确的材料运用将其提升到新的高度。外立面统一采用黑色波纹金属板，从墙面一直延续到屋顶，创造出整体性外观，材料的波纹图案和外露的彩绘椽子尾端为其增添了细微的动感。大面积玻璃开窗穿透这个深色外壳，提供战略性视野，同时为简洁的人字形轮廓增添了层次感。 室内，四个包裹着道格拉斯冷杉木皮的木作体量悬浮于开放平面中，既作为空间组织者也作为服务单元。内部色调克制而丰富，将白色表面与混凝土地面和铜色框架推拉门相结合。公共空间上方轻柔的拱形天花板为室内空间增添了如云般的柔和感，而私密区域较低的天花板则创造出更为亲密的空间氛围——展示了如何通过细微的空间调节来提升居住体验，同时不影响建筑的清晰性。 团队 - Group Projects于2018年在纽约布鲁克林成立，代表着当代建筑实践中一支新兴的力量，通过协作方法论展现了严谨的设计态度。这家建筑事务所虽然从机构时间线来看相对年轻，但充分利用了其创始合伙人在Gensler、SOM和LEVENBETTS等知名事务所积累的丰富经验。 事务所由三位资深建筑师领导：Andrew Feuerstein、Jonathan Man和Bret Quagliara。作为主创建筑师的Feuerstein在LEVENBETTS期间积累了丰富的机构建筑和住宅项目经验，并结合其在科罗拉多大学的环境设计背景和帕森斯设计学院的建筑深造。Man凭借伯克利的教育背景，带来了其在Gensler和SOM的全面经验，而Quagliara则增添了连接建筑与平面设计的跨学科视角。 事务所的设计理念强调项目交付的整体性方法，促进与客户、技术顾问、承包商和制造商之间的深度协作。这种综合方法使事务所能够开发出精确响应项目特定参数的定制建筑解决方案，同时在不同规模和类型的项目中保持高水平的技术执行和美学精炼。 Project Name: House in a Meadow Location: North East, New York, United States Design Team: Group Projects Architecture Floor Area: 2,800 ft² (approx. 260 m²) Completion Year: 2024 Photographer: Nicholas Venezia Feature： Project - Black-clad gabled volumes emerge from a meadow in upstate New York, where Group Projects Architecture has designed a residence that masterfully navigates the dialogue between architectural intervention and natural landscape. The 2,800-square-foot House in a Meadow demonstrates how thoughtful site positioning can enhance both the building's functionality and its inhabitants' experience of the surrounding environment. Rather than placing the structure at the property's highest point, the architects made the strategic decision to nestle the home at the meadow level along the base of an existing ridge. This unconventional choice not only preserved the site's mature trees but also created a natural windbreak and established a compelling spatial narrative that unfolds as visitors descend from the arrival point. The project's most distinctive feature is a bold excavation move: a 100-foot-long slice carved into the ridge creates a dramatic concrete-retained courtyard that serves as an intimate counterpoint to the expansive meadow views. This engineered "outdoor room" exemplifies the project's sophisticated approach to landscape integration, where architectural intervention enhances rather than diminishes the site's natural qualities. The building's form takes cues from vernacular barn architecture but elevates it through precise material execution. The exterior is unified by black corrugated metal that wraps continuously from facades to roof, creating a monolithic appearance that's subtly animated by the material's wave pattern and exposed painted rafter tails. Large glazed openings pierce this dark envelope, offering strategic views while adding depth to the simple gabled profile. Inside, four Douglas fir-clad millwork blocks float within the open plan, functioning as both spatial organizers and service elements. The interior palette is restrained yet rich, combining white surfaces with concrete floors and bronze-framed sliding doors. A gently vaulted ceiling above the communal spaces adds a cloud-like softness to the interior volume, while lower ceilings in private areas create more intimate zones – demonstrating how subtle spatial modulation can enhance the domestic experience without compromising architectural clarity. Design Team - Group Projects, established in 2018 in Brooklyn, represents an emerging force in contemporary architectural practice that exemplifies a rigorous approach to design through collaborative methodology. The practice, while relatively young in its institutional timeline, leverages the extensive expertise of its founding partners who bring experience from prestigious firms including Gensler, SOM, and LEVENBETTS. The firm is led by a triumvirate of accomplished architects: Andrew Feuerstein, Jonathan Man, and Bret Quagliara. Feuerstein, serving as the Lead Architect, brings significant institutional and residential expertise from his tenure at LEVENBETTS, complemented by his environmental design background from the University of Colorado and advanced architectural studies at Parsons. Man contributes his comprehensive experience from Gensler and SOM, backed by his Berkeley education, while Quagliara adds a multidisciplinary perspective that bridges architecture and graphic design. The practice's design philosophy emphasizes a holistic approach to project delivery, fostering intensive collaboration among clients, technical consultants, contractors, and fabricators. This integrated methodology enables the firm to develop bespoke architectural solutions that respond precisely to project-specific parameters while maintaining high standards of technical execution and aesthetic refinement across various scales and typologies. 设计团队 旅游探访 2800 ft² 东北镇，纽约州，美国 2024 前一项 后一项

< 返回 House Y Mikazuki Architects 项目名称：House Y 地点：千叶县，日本 设计团队： Mikazuki Architects 面积：95.55 m² 完工时间：2025年9月 摄影：高木康広 设计特色： House Y 由三日月アーキテクツ的山口贵司设计，是建筑师本人的自宅，坐落于日本千叶县一处寻常的郊区住宅街。项目于2025年9月竣工，源于建筑师对一个根本性问题的深入探问：在一个乍看平淡无奇的环境中，何为真正丰盛的居住生活。 场地周边的街景由住宅、绿道、农田、杂木林、公园与庭院拼合而成，自然环境与人工物交织混杂，初看之下显得失衡。山口并未将这一现实视为局限，而是从中发现了可能性。他开始收集散落于周边街区的“风景的碎片”，并将这些碎片转化为建筑的形态、空间、素材与细部。 最终呈现的是一个开阔的通高单一空间，由两处贯通上下的吹拔组织而成。一条轴线穿越室内，如同一条小径从绿道穿过农田延伸至林间，将家人的各处生活场所在立体层面上彼此相连，也让光线、空气与景致得以在居所中自由流动。 House Y 最为打动人的，是其空间氛围的层次感。外部环境并非止步于门槛之外，而是渗入室内、在空间中循环流转，与各处散布的材料和景观印记交织融合，营造出一种既私密又向城市敞开的室内质感。山口贵司以这一作品说明，最具感染力的住宅建筑并不依赖戏剧性的场地或非凡的外部条件，它完全可以从对日常环境耐心而细腻的阅读中生长而来。 设计团队： 三日月アーキテクツ是一家注册建筑事务所，总部位于日本千叶县习志野市。事务所前身为主持人久保木亮太于2020年创立的久保木建筑，并于2022年正式更名为三日月アーキテクツ，完成品牌重建。事务所目前由三位持有日本一级建筑士资格的主持建筑师共同领导：久保木亮太、山口贵司与荒井亮藏。 三位主持设计师的职业轨迹各具侧重，形成互补。久保木亮太在大和房屋工业积累了丰富的大规模住宅开发实践经验，后自立门户。山口贵司曾任职于日本当代建筑的重要事务所NAP建筑设计事务所，2015年创立个人事务所，并于三日月アーキテクツ成立之初加入团队。荒井亮藏则先后在平田晃久建筑设计事务所与大宇根建筑设计事务所磨砺专业技能，在住宅与公共建筑领域积累了扎实的设计经验。 事务所的业务范围涵盖住宅与复合功能建筑的新建设计、集合住宅、商业室内设计、改造与装修工程、家具及产品设计，以及土地利用规划咨询。三位主持人均毕业于日本大学理工学部建筑学科，在共同的学术基础之上融入各自多元的执业经历，致力于以对日常环境的细腻观察为设计出发点，将场所的内在特质转化为兼具精确性与氛围感的空间体验。 设计团队 旅游探访 95.55 m² 千叶县，日本 2025 前一项 后一项

< Back HDR Apply Now Senior Project Architect, Healthcare Vancouver, BC, Canada Job Type Full Time Workspace On-Site About the Role About the Company At HDR, our employee-owners are fully engaged in creating a welcoming environment where each of us is valued and respected, a place where everyone is empowered to bring their authentic selves and novel ideas to work every day. As we work to weave diversity, equity, and inclusion into our work and foster a sense of belonging throughout the company and within our communities, we constantly ask ourselves: What is our impact on the world? Watch Our Story:' https://www.hdrinc.com/our-story' Each and every role throughout our organization makes a difference in our ability to change the world for the better. Read further to learn how you could help make great things possible not only in your community, but around the world. Apply Now

< 返回 2025 DFA亚洲设计大奖 截止日期：2025-6-30 享有盛誉的DFA亚洲设计大奖表彰提升亚洲生活品质的卓越设计，同时促进创新和跨境合作。2025年大赛欢迎来自六大设计领域的30个类别的参赛作品：传达设计、数码与动态设计、时装与配饰设计、产品与工业设计、服务与体验设计以及空间设计。 2023年1月至2025年5月期间在亚洲市场推出的设计项目均可参赛。提交截止日期为2025年6月30日，5月14日前报名可享受1100港币的早鸟优惠（50%折扣）。参赛作品将由国际设计专家根据创意、实用性、美学、可持续性、亚洲影响力和商业成功度进行评审。 立刻前往 前一项 后一项

< 返回 道路之家 诸江一纪建筑设计事务所 设计特色： 项目 – 这座位于爱知县丰田市尽端路口上的道路之家，由诸江一纪建筑设计事务所设计，将“街道”的概念融入了私人住宅。这一区域以其蜿蜒小巷而闻名，包括附近的古老街道路径。建筑师吸收了这些独特之处，在整个房屋内部设计了多个开敞式“街道”，以促进互动、采光和通风。在房屋的南北轴线上，一个带有泥土地台门廊的“业余爱好房间”正对街道，模糊了公共和私人空间的界限。这使居民可以与邻居进行互动，而阳光和微风也可以从内部庭院渗透到住宅后面。在东侧，另一个大型泥土地台门廊创造了一个室内外客厅，家庭生活可以溢出到后花园。建筑师期望如果所有的邻居都这样做，它将为每个人创造共享的空隙。在住宅内部，一个高架式的“街道”桥梁连接东西两翼。它就像一个城市小巷，提供了一定的隐私，同时又允许从街道上可以听到家庭活动的声音，并且流线型的循环路线调节了人与人之间的距离。这座独特的房屋将繁华、热情好客的街道概念转化为了住宅建筑的原型。 团队 – 诸江一纪建筑设计事务所由诸江一纪于2008年在日本爱知县创立。诸江早先毕业于东京都立大学研究生院，在Coelacanth and Associates工作过。在过去15年中,因其对本地语境的细致住宅设计而获得各种奖项，包括好日本建筑学会东海赏和爱知优质住宅奖。值得一提的是在2023年，诸江因为名古屋大学的大隈机械工学馆而获得了中部建筑赏。秉持可持续发展和社区理念，诸江一纪建筑设计事务所一直在进行设计从室内到城市景观不同尺度下以人为本的建筑。 Feature： Project - Nestled at the dead-end of a T-junction in Toyota City's Tendo neighborhood, the Michikari House designed by Kazuki Moroe Architects brings the concept of "streets" into a private residence. The area is known for its winding roads and alleyways, including the historic Iida Kaido path nearby. Embracing these idiosyncrasies, the architects incorporated multiple open-air "streets" throughout the house to foster interaction, sunlight, and ventilation. At the home's north-south axis, a hobby room with engawa porch fronts the street, blurring public and private space. This allows residents to engage with neighbors while enabling sunlight and breezes to permeate from the inner courtyard to the rear façade. On the east side, another large engawa creates an indoor-outdoor living room for family life to spill out towards the back garden. The architects hoped that if all neighbors did this, it would create communal voids benefitting everyone. Inside, an elevated bridge street connects the east and west wings. Acting like an urban lane, it provides some privacy while allowing family activities to be overheard from the street, with circulation routes modulating interpersonal distances. Ultimately, the house translates the concept of vibrant, welcoming streets into residential architecture. Design Team - Founded in 2008 by Kazuki Moroe, Kazuki Moroe Architects is an architectural design firm based in Aichi Prefecture, Japan. Kazuki Moroe previously studied at Tokyo Metropolitan University Graduate School and worked at Shirakansi Associates before establishing his own practice. Over the past 15 years, the firm has been recognized with various awards for its sensitive residential designs attuned to local contexts, including Good Design Awards and the Association for Aichi Quality Housing Awards. Notably, in 2023, Moroe was honored with the Chubu Architecture Award for the Okuma Machine Tool Engineering Building at Nagoya University. With a focus on sustainability and community, Kazuki Moroe Architects continues to produce human-centric architecture across scales from interiors to urban landscapes. 设计团队 旅游探访 123 m² 日本 爱知县丰田市 2023 前一项 后一项