< 返回 幸原村 STUDIO MONAKA 项目名称： 幸原村 (Sachibaru Village) 地点：南城市，日本 设计团队： STUDIO MONAKA 建筑面积： 142.42平方米 竣工时间： 2024年3月 摄影师： 井田佳明 设计特色： 项目 - 在冲绳南城市海岸附近的一片古老森林中，坐落着一个突破性的建筑项目——幸原村(Sachibaru Village)。STUDIO MONAKA建筑事务所通过这个项目巧妙地颠覆了"形式追随功能"的现代主义格言，创造出令人惊叹的建筑作品。 该项目最独特之处在于它刻意摒弃了预设的使用模式。响应业主对未定义用途的期望，建筑师们打造了他们称之为"第三空间"的场所——一个能够为儿童成长和学习提供自由画布的流动性环境。这种理念体现在设计中，与其历史环境和谐共存，巧妙地在现有的琉球石灰岩构造和百年古树之间穿行。 这座建筑面积为142平方米的建筑展现出卓越的环保意识，建筑师在建造过程中坚持不砍伐任何树木。相反，他们让场地的自然地形引导建筑的形态，在建筑干预与景观之间创造对话。这片标志着琉球王国时期古老农业梯田的场地，在保持其历史特征的同时，也融入了现代设计元素。 幸原村的与众不同之处在于其创新性地优先考虑室外空间，将室内区域仅作为补充要素。这种传统建筑层次的颠覆产生了一系列相互连接的空间，模糊了内外界限。该项目体现了独特的冲绳式空间营造方法，以开放性和包容性为特征，同时为重视自由性和自发性而非严格功能性的教育环境建立了新范式。 这座建成的建筑总占地面积为122.55平方米，分布在两层楼上，展示了当代建筑如何在尊重历史背景的同时，突破常规项目定义的界限。这个作品完美诠释了如何在保护自然环境的前提下，创造出具有前瞻性和创新性的建筑空间。 团队 – STUDIO MONAKA成立于2015年，总部位于日本京都，是一家突破传统设计界限的创新建筑事务所。由三位建筑师——冈山泰士、森田修平和仲本兼一郎（均出生于1987年）共同创立，事务所已发展成为一个多学科工作室，将建筑设计视为促进社区参与和环境和谐的催化剂。 事务所通过两个总部运营——位于京都历史悠久的船冈公园的主要工作室，以及2018年成立的冲绳分部。这种地理多样性使他们能够敏锐地应对城市和热带环境的设计挑战。他们的作品组合涵盖住宅、商业和公共领域项目，特别强调创造他们称之为"背景建筑"的空间——自然促进人际互动和环境联系的场所。 STUDIO MONAKA的设计理念以其独特的建筑规划方法而著称，通常在开发室内解决方案之前先进行外部空间规划。这种方法获得了广泛认可，包括2020年第六届冲绳建筑奖的优秀奖。事务所的专业领域包括总体规划、建筑设计、室内设计和环境咨询，特别注重社区驱动型项目。 在冈山、森田和仲本的领导下，加上包括注册建筑师和项目设计师在内的11名专业人员的支持，STUDIO MONAKA继续推动当代日本建筑的边界，同时保持对环境和文化敏感性的深度尊重。 Project Name: Sachibaru Village Location: Nanjo City, Okinawa, Japan Design Team: STUDIO MONAKA Total Floor Area: 142.42 m² Building Footprint: 122.55 m² Site Area: 584.39 m² Structure: Wooden construction, 2 stories above ground Design Period: January 2022 - January 2023 Construction Period: May 2023 - March 2024 Completion Date: March 2024 General Contractor: Arakaki Construction Structural Engineer: Ensake Structural Design / Ko Ensake Photographer: Yoshiaki Ida Feature： Project - Nestled in an ancient forest near the ocean in Nanjo City, Okinawa, Sachibaru Village emerges as a groundbreaking architectural project that challenges conventional design principles. STUDIO MONAKA, led by architects Yasushi Okayama, Shuhei Morita, and Kenichiro Nakamoto, has created a remarkable space that inverts the modernist dictum "form follows function" to spectacular effect. The project's most distinctive feature lies in its deliberate rejection of predetermined usage patterns. Responding to the client's desire for an undefined purpose, the architects crafted what they call a "third place" - a fluid environment that serves as a canvas for children's growth and learning. This philosophical approach manifests in a design that harmoniously integrates with its historic setting, carefully weaving between existing Ryukyu limestone formations and centuries-old trees. The 142-square-metre structure demonstrates exceptional environmental sensitivity, with the architects refusing to fell any trees during construction. Instead, they allowed the natural topography of the sloped site to guide the building's form, creating a dialogue between architectural intervention and landscape. The site, marked by ancient agricultural terraces dating back to the Ryukyu Kingdom period, retains its historical character while embracing contemporary design elements. What sets Sachibaru Village apart is its innovative prioritization of exterior spaces, with interior areas serving merely as complementary elements. This reversal of traditional architectural hierarchy results in a series of interconnected spaces that blur the boundaries between inside and out. The project exemplifies a distinctly Okinawan approach to space-making, characterized by generosity and openness, while establishing a new paradigm for educational environments that prioritize freedom and spontaneity over rigid functionality. The completed structure, with its modest footprint of 122.55 square metres spread across two floors, stands as a testament to how contemporary architecture can respect historical context while pushing the boundaries of conventional program definition. Design Team - STUDIO MONAKA, established in 2015 in Kyoto, Japan, stands as an innovative architectural practice that transcends conventional design boundaries. Founded by three visionary architects - Yasushi Okayama, Shuhei Morita, and Kenichiro Nakamoto - all born in 1987, the firm has evolved into a multidisciplinary studio that approaches architecture as a catalyst for community engagement and environmental harmony. The practice operates through dual headquarters - their main studio in Kyoto's historic Funaoka Park and a satellite office in Okinawa, established in 2018. This geographical diversity allows them to respond sensitively to both urban and tropical contextual challenges. Their portfolio spans residential, commercial, and public realm projects, with a particular emphasis on creating what they term "background architecture" - spaces that naturally foster human interaction and environmental connection. STUDIO MONAKA's design philosophy is distinguished by their unique approach to architectural programming, often beginning with exterior spatial planning before developing interior solutions. This methodology has garnered recognition, including the 6th Okinawa Architecture Award's Encouragement Prize in 2020. The firm's expertise encompasses master planning, architectural design, interior design, and environmental consulting, with a strong focus on community-driven projects. Under the leadership of Okayama, Morita, and Nakamoto, supported by a team of eleven professionals including certified architects and project designers, STUDIO MONAKA continues to push the boundaries of contemporary Japanese architecture while maintaining a deep respect for contextual and cultural sensitivities. 设计团队 旅游探访 142.42 m² 南城市，日本 2024 Previous Next

< 返回 沃克街88号酒店办公综合体fitzpatrick+partners 设计特色： 项目 – 这座耸立于北悉尼天际线、高达50层的酒店及办公综合塔楼，极富造诣地融合了历史与现代主义。该塔楼由澳大利亚Fitzpatrick+Partners建筑事务所设计，由两个精致弧面玻璃外立面体贴合而成，一个落地于地面层，而另一个悬挑在空中，与周边粗犷的高楼形成强烈对比。它大胆地悬于一幢历史悠久的消防站上方，并巧妙地结合了精品办公空间和252间客房。该项目充分优化了这个极具挑战性的场地，开辟了崭新的人行通道，贯穿北悉尼正在快速变迁的CBD区域，并精心的规划将酒店与办公功能融合成一个雕塑式的地标作品。与此同时，其斜柱使南侧体量能够悬挑于现有的酒吧上方，形成开阔的600平方米空中观景平台，更将疏散楼梯移至立面外部，内部则呈现无柱的办公空间，拥有360度开阔景观。一个充满活力的多层大厅立于地面层，室内外形成无缝连接。它追求五星级可持续评级，其动感流畅的面貌为这个快速发展的商业中心注入活力与特色。 团队 – 来自澳大利亚的Fitzpatrick+Partners建筑设计事务所成立于2001年，由James Fitzpatrick在2000年11月创立个人工作室发展而来。Paul Reidy和Rod Pindar在2018年成为Fitzpatrick+Partners的合伙人。Fitzpatrick+Partners堪称澳大利亚最引人注目的建筑设计事务所之一，其作品结合了创新与可持续发展理念，充分体现高质量的设计思维。事务所深知优秀的建筑需要多方合作与协调，“就如电影导演引领每个环节朝共同目标不断进步”。他们致力于将客户的愿景演绎成场地限制下的成功项目，并为用户创造具有吸引力的工作与生活空间。在积极采用可持续系统的同时，Fitzpatrick+Partners不断突破并寻找更佳方案，并坚信合理的设计与施工可以使建筑持续适应变化，并将设计质量置于产量之上。 Feature： Project - Rising 50 stories above the North Sydney skyline, the slender 88 Walker Hotel and Office Building masterfully integrates heritage and modernity. Australian practice fitzpatrick+partners designed the tower as two curved forms - one grounded, one hovering - that contrast with the robust proportions of neighboring highrises. Cantilevering dramatically over a historic fire station, the shard-like tower combines boutique offices and a 252-room hotel. The project optimizes the challenging site to forge new pedestrian connections through North Sydney's transforming CBD. Careful planning stitches together hotel and office programs into a singular sculptural expression. Angled columns enable the southern volume to cantilever over the existing pub, creating expansive 600 sqm floorplates. Further sculpture is found in the moving of exit stairs to the exterior, leaving column-free office interiors blessed by panoramic views. The ground plane features a lively multi-story lobby, a seamless fusion of interior and exterior worlds. Designed for a 5-star sustainability rating, the tower's dynamic contours bring distinction to the crowd of boxy towers in this fast-developing corporate hub. Design Team - Founded in 2001, Fitzpatrick+Partners has emerged as one of Australia’s leading architectural design firms, with projects that combine innovation and sustainability. Like a movie director, the practice recognizes that excellent architecture requires coordination across disciplines to progressively realize a common vision. They aim to translate clients’ aspirations into successful projects within site constraints, creating engaging spaces for users. While actively adopting sustainable systems, Fitzpatrick+Partners continually questions and searches for optimal solutions. Looking ahead, they believe thoughtful design and construction can enable buildings to adapt to change over time, prioritizing quality over quantity. 设计团队 旅游探访 24300 m² 澳大利亚，悉尼 2023 Previous Next

< 返回 NOT A HOTEL FUKUOKA axonometric + NKS2 architects 项目名称：NOT A HOTEL FUKUOKA 地点：福冈，日本 设计团队：axonometric + NKS2 architects 建筑面积：1259.42 m² 完工时间：2023年8月 摄影师：YASHIRO PHOTO OFFICE、小島康敬 设计特色： 项目 - 在福冈静谧的住宅区核心地带，一个革命性的酒店概念应运而生，挑战了传统的居住和旅行观念。由axonometric和NKS2 architects设计的NOT A HOTEL FUKUOKA，是一个颠覆性的城市住宿概念——一个模糊了临时停留与永久居住界限的"分布式酒店"。 该项目最引人注目的创新在于其雕塑般的垂直性，被构思为一个"三维城市"，八个概念各异的房间被精心堆叠，反映了当代生活方式的多样性。每个房间都是一个独特的生态系统，从配备宽敞办公桌的专用工作空间，到为私人厨师体验而设计的美食特色空间。 建筑地邻近公园，其设计与周边城市肌理进行了细致的对话。建筑师巧妙地分解了建筑体量，将体量分解至与周边独立住宅相近的尺度。这种方法创造了一个立面，既像一座小山，又如有机的城市景观，同时尊重并改造了其周边环境。 精妙的环境考量体现在精心设计的倾斜阳台上，每个阳台都被独特的植物环绕，并经过定位以减少视觉侵扰，同时保持开放的、面向绿色的方向。其结果是一个建筑干预，既与现有的城市生态系统无缝整合，又指向未来的生活范式。 凭借其灵活的技术基础设施，NOT A HOTEL FUKUOKA使用者能够重新想象旅行即生活方式——一种超越传统酒店边界的流动、互联的体验。 团队 – 在当代日本建筑实践中，axonometric作为一家具有前瞻性的设计事务所，突破了传统学科的界限。该事务所于2021年成立，总部位于日本福冈，通过整合建筑、室内设计、景观和城市规划的全面方法，迅速使自己脱颖而出。 由首席执行官兼创始合伙人佐々木慧领导，他是一位获得一级建筑师资格、拥有九州大学和东京艺术大学杰出学术背景的建筑师。佐々木在藤本壮介建筑设计事务所的工作经验显著地影响了公司的创新设计理念，其特点是对空间关系的细腻理解和对环境的敏感性。 该事务所的作品集，以NOT A HOTEL FUKUOKA等项目为代表，展示了对建筑干预的精妙理解。他们的设计方法不仅仅是简单的建造，而是专注于创造能够响应人类不断演变的体验的适应性环境。通过由建筑师、城市发展顾问和设计专业人员组成的多学科团队，axonometric已经获得了显著的认可，包括入选2025年日本世界博览会设计提案和国际竞赛的决赛入围者。 通过无缝地融合技术创新、环境意识和深刻的空间智慧，axonometric正在为21世纪重新定义建筑实践。 Project Name: NOT A HOTEL FUKUOKA Location: Fukuoka, Japan Design Team: axonometric + NKS2 architects Total Floor Area: 1,259.42 m² Completion Date: August 2023 Photographers: YASHIRO PHOTO OFFICE, Kosei Kojima Structural Design: Mika Araki Structural Design Office (now Graph Studio) Main Contractor: Matsuyama Construction Landscape Design: DESIGN NETWORK ASSOCIATES Interior Design: Nomura Kogei A.N.D. Mechanical Engineering: SEED Design Supervision: IMD Alliance + Orange and Partners Lighting Design: ModuleX Building Height: 19.92 meters Floors: 5 above ground Site Area: 530.20 m² Feature： Project - In the heart of Fukuoka's tranquil residential landscape, a revolutionary hospitality concept emerges that challenges traditional notions of living and travel. NOT A HOTEL FUKUOKA, designed by axonometric and NKS2 architects, stands as a radical reimagining of urban accommodation—a "distributed hotel" that blurs the boundaries between temporary stay and permanent residence. The project's most striking innovation lies in its sculptural verticality, conceived as a "three-dimensional city" where eight distinctly conceptualized rooms are meticulously stacked to reflect contemporary lifestyle diversity. Each room is a unique ecosystem, ranging from dedicated workspace configurations with expansive desks to culinary-focused spaces designed for private chef experiences. Strategically nestled adjacent to a park and shrine, the building's design demonstrates a nuanced dialogue with its surrounding urban fabric. The architects have masterfully fragmented the building's volume, breaking down the mass to echo the scale of neighboring detached houses. This approach creates a facade that resembles both a small mountain and an organic urban landscape, simultaneously respecting and transforming its context. Sophisticated environmental consideration is evident in the carefully angled terraces, each surrounded by distinctive plantings and positioned to mitigate visual intrusion while maintaining an open, green-facing orientation. The result is an architectural intervention that seamlessly integrates with the existing urban ecosystem while pointing towards future living paradigms. With its flexible technological infrastructure, NOT A HOTEL FUKUOKA enables users to reimagine travel as a lifestyle—a fluid, interconnected experience that transcends traditional hospitality boundaries. Design Team - In the dynamic landscape of contemporary architectural practice, axonometric emerges as a visionary design firm that transcends traditional disciplinary boundaries. Established in 2021 and headquartered in Fukuoka, Japan, the practice has rapidly distinguished itself through a holistic approach to spatial design that integrates architecture, interior design, landscape, and urban planning. Led by CEO and founding principal Kei Sasaki, a first-class architect with a distinguished academic background from Kyushu University and Tokyo University of Arts, axonometric represents a new generation of design thinking. Sasaki's prior experience at SOU FUJIMOTO ARCHITECTS has significantly influenced the firm's innovative design philosophy, characterized by nuanced spatial relationships and contextual sensitivity. The firm's portfolio, exemplified by projects like NOT A HOTEL FUKUOKA, demonstrates a sophisticated understanding of architectural intervention. Their design methodology goes beyond mere construction, focusing on creating adaptive environments that respond to evolving human experiences. With a multidisciplinary team of architects, urban development consultants, and design professionals, axonometric has already garnered significant recognition, including selection for the 2025 Japan World Exposition design proposals and finalist status in international competitions. By seamlessly blending technological innovation, contextual awareness, and profound spatial intelligence, axonometric is redefining architectural practice for the 21st century. 设计团队 旅游探访 1259.42 m² 福冈，日本 2023 Previous Next

< 返回 NUBIAN SAPPORO PARCO TORAFU建筑设计事务所 项目名称：NUBIAN SAPPORO PARCO 地点：北海道，日本 设计团队：TORAFU建筑设计事务所 建筑面积：265 m² 竣工时间：2025年 摄影：Daici Ano 设计特色： TORAFU建筑设计事务所为时尚精选店NUBIAN在札幌PARCO打造了一个颠覆常规的零售空间，通过将储藏室置于入口处重新构想传统店铺布局，创造出引人入胜的空间序列体验。这个265平方米的店铺位于商业设施二层，横跨主楼和副楼，是NUBIAN在北海道的首次亮相，也是继原宿、渋谷PARCO、名古屋PARCO和大阪之后在日本的第四个城市据点。 项目最卓越的设计在于其非常规的空间组织策略。建筑师大胆将通常隐藏的储藏室设置在前端区域，黑色墙面形成戏剧性门户，圆形照明装置勾勒出一条引导路径，将访客从功能性入口空间吸引至更深处的零售区域。这种反传统手法将储藏室转化为空间叙事的开篇，为接下来的购物体验营造期待感和探索欲。 主零售区域与深色入口形成鲜明视觉对比，采用白色和银色的克制色调，在粗犷工业元素与精致表面材料之间建立微妙平衡。裸露的天花板管道和结构构件保留了街头文化固有的原始粗糙感，而镜面和亚克力材料则引入多层次的光线反射与空间透明效果，创造出丰富的空间深度和精致氛围。 店铺形象的核心是两排象征性长挂架，顶部装配点状光盒装置，戏剧性地照亮陈列商品。沿建筑立面的展架背面采用冲孔金属材料，柔和过滤进入的自然光线，在室内营造渐变光影效果，增强整体空间的开放感。声学环境同样受到精心设计，扬声器被策略性整合在展示柜台上方、内部以及天花板分布点位，让音乐自然融入空间氛围，构建沉浸式听觉体验。 TORAFU的设计在保持NUBIAN品牌现有店铺连贯性的同时，引入了专属于札幌地域的独特空间表达方式。最终呈现的是一个简约而富有层次的购物环境，光线、声音和材料质感相互作用，创造出独特的零售氛围，成功融合了国际时尚美学与街头文化特质。 设计团队 - TORAFU建筑设计事务所由铃野浩一和秃真哉于2004年创立，已发展成为一家将建筑思维应用于多元设计领域的实践机构。事务所总部位于东京，业务涵盖建筑设计、室内设计、展览会场构成、产品设计、空间装置和影像制作等多个领域，在不同项目类型中始终贯彻以建筑学思考为基础的设计方法论。 在创始合伙人铃野浩一和秃真哉的持续领导下，TORAFU建筑设计事务所积累了丰富的设计成果，代表作品包括Template in Claska、NIKE 1LOVE、港北住宅、空气之器、Gulliver Table和Big T等。2011年为佳能在米兰设计周创作的装置"光之织机"荣获会期内最优秀展示的ELITA设计奖最优秀奖，而标志性产品空气之器于2015年被蒙特利尔美术馆认定为永久馆藏。 铃野浩一毕业于东京理科大学工学部建筑学科，后于横浜国立大学取得建筑学硕士学位，曾在Coelacanth K&H及澳大利亚墨尔本的Kerstin Thompson Architects工作。秃真哉毕业于明治大学理工学部建筑学科并取得硕士学位，曾在青木淳建筑计划事务所积累专业经验。两位主持建筑师均活跃于设计教育领域，担任多所大学的客座教授和非常勤讲师，铃野浩一同时担任优良设计奖审查委员。 TORAFU建筑设计事务所的设计理念强调概念清晰性和创新空间解决方案，累积了众多国际荣誉，包括多项优良设计奖、iF设计奖、红点最佳设计奖和亚洲设计奖等。事务所出版了多部专着记录其设计过程和理论方法，包括《空气之器的本》《TORAFU ARCHITECTS 2004-2011 TORAFU建筑设计事务所的理念与过程》《TORAFU的小小都市计划》以及《TORAFU建筑设计事务所 Inside Out》等，系统阐述了他们将建筑概念转化为跨尺度空间体验的独特方法论。 设计团队 旅游探访 265 m² 北海道，日本 2025 Previous Next

< 返回 Villa M R.E.A.D. & Architects 项目名称：Villa M 地点：长野县轻井泽町，日本 设计团队：R.E.A.D. & Architects 建筑面积：151.54 m² 竣工时间：2024年 摄影：DAICI ANO, Kosuke Ino 设计特色： R.E.A.D. & Architects设计的"Villa M"展现了如何通过创新的L形空间构型策略和巧妙的环境融合技术，将一个原始森林场地转化为充满诗意的当代别墅隐居之所。 这座151.54平方米的住宅戏剧性地坐落在轻井泽的原始林地中，呈现为对日式传统与现代生活方式融合的深刻沉思。它没有破坏现有的森林景观，而是通过精心的建筑干预，创造出一个将传统山小屋形态与当代空间需求无缝交织的居住体验。 项目的绝妙之处在于对传统别墅布局的根本性重新构想。建筑采用独特的"键ノ字状"（L形）平面构成，如飞机双翼般将主寝室和客房分别延伸至南北两端，中央的LDK空间作为社交核心连接两翼。这种折角形态不仅确保了主人与客人的隐私需求，同时创造了两个截然不同的庭园体验——北侧的自然高原植物入口庭园和南侧的精心设计的景观露台。 R.E.A.D. & Architects的设计语言流利地表达着对自然环境的深度敬意，运用科学化的色彩分析方法重新定义建筑与景观的关系。建筑师实地采集现有树木（橡树、水楢、枫树等）的树皮样本进行色彩研究，最终选用与树皮呼应的炭灰色粗面杉木板作为外墙材料。这种大胆的环境融合策略不仅让建筑在视觉上"消失"在森林冠层中，同时创造了建筑与自然的有机对话。 最引人注目的是，建筑师通过创新的结构技术在空间内创造情感层次。LDK空间采用日本传统的Home Connector工法，通过将登梁在顶部进行"く"字形刚接合并一体化连接，如肋骨般的结构系统实现了室内无柱大空间，营造出开阔而温馨的聚会氛围。 景观策略延续了这种建筑与自然共生的设计理念。建筑的折角形态将场地自然分隔为两个功能性庭园，北侧庭园保持轻井泽典型的高原野趣，南侧庭园则通过木制露台、草坪和标志性树木营造非日常的度假氛围。从北侧入口进入住宅的瞬间，南侧庭园的壮丽景色通过大面积玻璃窗映入眼帘，创造出戏剧性的空间序列体验。 设计团队 - R.E.A.D. & Architects作为当代日本建筑实践的杰出代表，由建筑师冈田一树于2017年12月在东京创立，自成立以来已确立其在住宅设计和环境融合建筑语言创新领域的先锋地位。这家立足东京的事务所通过建筑、景观、室内和展览设计的综合整合，重新定义当代日本建筑师在国际设计话语中的角色。 R.E.A.D. & Architects为建筑实践带来了卓越的文化建筑设计视角和对跨学科方法的深刻理解。该事务所因其将传统日本建造智慧与当代空间创新结合的承诺而获得认可，创始人冈田一树为京都工芸繊维大学的杰出毕业生并获得享有盛誉的近代建筑赏，曾在普利兹克奖得主谷口吉生领导的谷口建筑设计研究所受训长达8年（2009-2017）。冈田在谷口事务所期间参与了铃木大拙馆、京都国立博物馆平成知新馆等重要文化项目的设计，这种高端文化建筑经验与住宅设计的结合，使R.E.A.D. & Architects在日本建筑景观中占据独特地位。 该事务所的设计哲学强调建筑应该超越简单的遮蔽功能——通过细致解读场地的"关系性"（Relationship）和"环境"（Environment），运用"建筑"（Architecture）和"设计"（Design）创造新的空间关系和更优质的环境品质。通过可持续的环境保护和创新方法，开展从住宅、文化设施到展览空间的多元化项目，相信最好的建筑是通过精准分析和深思熟虑过程产生的精致干预。R.E.A.D. & Architects相信建筑应该成为人与自然关系的媒介，通过策略性的空间组织和材料选择创造独特的居住体验。 除实践外，该事务所通过其全方位的设计服务保持着强有力的项目整合能力，涵盖建筑设计、室内设计、景观设计、展示设计等领域。通过对传统日本工艺与现代建造方法的深思熟虑结合、本地材料的精心运用，以及经过时间验证的环境智慧，R.E.A.D. & Architects已确立自己作为当代日本建筑话语重要贡献者的地位，创造出既具地域特色又拥抱国际设计视野的建筑作品。该事务所已获得包括石川建筑赏、BCS赏、京都景観赏等多项重要奖项，冈田一树作为新生代日本建筑师代表在国内外建筑界获得广泛认可。 设计团队 旅游探访 151.54 m² 长野县轻井泽町，日本 2024 Previous Next

< 返回 Dove 城市小屋 AGATHOM 设计特色： 项目 – 坐落于加拿大多伦多如画风景中的" Dove 住宅"，由本地设计团队AGATHOM设计，重新定义了现代住宅的概念，将建筑与自然完美融合。这座建于2021年、面积5000平方英尺的设计作品，摒弃了传统的房间布局，采用一系列相互连接的“帐篷”体量空间设计，创造出一种空间漫游体验，仿佛置身于安大略省的树林和草地之中。 这座L形住宅的设计理念以环境管理和仿生原则为中心，旨在培养居住者与周围环境的深度联系。建筑师巧妙地设计了一系列令人惊喜的空间变化，从高耸的天花高度过渡到温馨适宜的低矮空间。住宅的核心是壁炉，被包裹在独具气势的混凝土主体中，仿佛森林中的一片空地。 " Dove 住宅"的可持续发展特征同样令人印象深刻。该住宅利用地热能和太阳能，41块光伏板甚至能产生剩余电力。建筑物的保温性能通过绿色屋顶和全方位的隔热层得到了进一步提升。 受自然启发的材料选择包括耐候钢、白桦木和质感丰富的混凝土，创造出丰富的触觉体验。AGATHOM公司的整体设计方法还延伸到定制照明灯具、定制地毯和综合景观设计，最终呈现出建筑与环境的和谐融合，推动了住宅设计的愿景边界。 团队 – AGATHOM是一家屡获殊荣的加拿大建筑设计工作室，成立于2005年，位于多伦多，由充满活力的搭档Adam Thom和Katja Aga Sachse Thom领导，凭借其独特的设计理念和客户关系处理方式，在建筑界赢得了独特的地位。 该工作室的理念围绕着精心调校的协作流程，以丰富的技术专长和对工艺的坚定承诺为基础。AGATHOM的与众不同之处在于注重与客户、内部团队以及专业工匠建立深厚关系，从而实现卓越的项目管理和对客户需求的深入理解。 AGATHOM在处理多样化且相互关联的挑战方面表现出色，能够无缝整合规划、景观、室内细节和建筑设计。他们的作品以对场地背景的敏感度著称，并坚信建筑有能力提升居住者的幸福感，同时兼顾功能性和美学愉悦。 公司的作品涵盖住宅和商业项目、公共艺术装置和展览。他们富有创意的设计赢得了多项声望卓著的奖项，包括2016年Architizer A+奖和2009年OAA卓越奖等，与此同时，AGATHOM的作品多次被《Dwell》、《OBJEKT©International》和《Azure》等influential有影响力的出版物报道。 作为加拿大皇家建筑学会成员，Adam和Katja为每个项目带来丰富的经验和新颖的视角。他们在雕塑和北欧设计传统方面的背景，为建筑实践注入了艺术性、功能性和可持续解决方案的独特融合。随着对公共空间的日益关注，以及对富有远见、因地制宜的建筑设计的持续承诺，AGATHOM公司正在塑造加拿大设计的未来。 Feature： Project - Nestled in the picturesque landscape of Toronto, Canada, Dove Cottage by AGATHOM Co. redefines the concept of a modern residence, seamlessly blending architecture with nature. This 5,000 square-foot masterpiece, completed in 2021, eschews traditional room layouts in favor of a series of interconnected pavilions, creating an immersive journey through space that mimics a walk through Ontario's woods and meadows. The L-shaped home's design philosophy centers on environmental stewardship and biomorphic principles, fostering a deep connection between occupants and their surroundings. The architects have ingeniously crafted a succession of surprises, with spaces transitioning from soaring heights to intimate, low-ceilinged areas. At the heart of the home, back-to-back fireplaces encased in monolithic concrete trunks serve as a focal point, reminiscent of a clearing in the forest. Dove Cottage's sustainability features are as impressive as its design. The home harnesses geothermal energy and solar power, with 41 photovoltaic panels generating surplus electricity. The structure's thermal performance is enhanced by green roofs and a robust insulation envelope. The material palette, inspired by nature, includes weathering steel, white birch, and textured concrete, creating a rich tactile experience. AGATHOM Co.'s holistic approach extends to custom lighting fixtures, bespoke rugs, and integrated landscaping, resulting in a harmonious fusion of architecture and environment that pushes the boundaries of residential design. Design Team - AGATHOM Co., an award-winning architectural studio and workshop founded in 2005, stands at the forefront of innovative design in Toronto, Canada. Led by the dynamic duo of Adam Thom and Katja Aga Sachse Thom, the firm has carved a niche in the architectural landscape with its unique approach to design and client relationships. The studio's philosophy revolves around a finely-calibrated collaborative process, underpinned by extensive technical expertise and an unwavering commitment to craftsmanship. AGATHOM's distinctive approach lies in its focus on fostering deep relationships with clients, in-house team members, and skilled artisans, resulting in superior project management and a nuanced understanding of client needs. AGATHOM excels in projects that present a diverse array of interconnected challenges, seamlessly integrating planning, landscape, interior detailing, and building design. Their work is characterized by a sensitivity to site context and a belief in architecture's power to enhance occupant well-being while providing functionality and aesthetic delight. The firm's portfolio spans residential and commercial projects, public art installations, and exhibitions. Their innovative designs have garnered prestigious accolades, including the 2016 Architizer A+ Award and the 2009 OAA Award of Excellence. AGATHOM's work has been extensively featured in influential publications such as Dwell, OBJEKT©International, and Azure. As Fellows of the Royal Architectural Institute of Canada, Adam and Katja bring a wealth of experience and a fresh perspective to each project. Their backgrounds in sculpture and Nordic design traditions infuse their architectural practice with a unique blend of artistry, functionality, and sustainable solutions. With a growing focus on public spaces and a continued commitment to visionary, site-specific architecture, AGATHOM Co. is poised to shape the future of Canadian design. 设计团队 旅游探访 5000 ft² TORONTO, CANADA 2021 Previous Next

< 返回 Portlantis 游客体验中心 MVRDV 项目名称：Portlantis游客体验中心 地点：鹿特丹，荷兰 设计团队：MVRDV 建筑面积：3533 m² 竣工时间：2025年 摄影：Ossip van Duivenbode 设计特色： 项目 - Portlantis游客体验中心位于鹿特丹港最西端，由MVRDV设计，于2025年3月22日正式向公众开放。这座"没有藏品的博物馆"是为了展示鹿特丹与其港口之间的密切关系而建造的。该建筑采用了旋转堆叠式设计，由五个旋转展览空间组成，每个空间都通过精心定位的"世界之窗"朝向不同方向，提供了对北海、海岸线和港口设施的全景视角。 建筑中心是一个22米高的中庭，悬挂着黄色雕塑和动态装置，象征港口的永恒活动。展览区域由Kossmanndejong设计，从一楼展示鹿特丹当前的港口活动，二楼探索港口的历史影响，三楼则关注未来发展和全球角色，最后在四楼探讨环境挑战和可持续解决方案。每个楼层的展览内容与其窗外景观直接对应。 建筑外部以明亮的红色楼梯为特色，这些楼梯环绕建筑盘旋而上，提供免费的公共通道通往各层观景平台和屋顶。这一设计使Portlantis不仅成为展览中心，还成为公共观景塔，在景观中起到了灯塔般的存在。 可持续性是项目的核心，采用了可拆卸结构、循环经济原则和能源正效益运营，产生的能源比消耗的多30%。建筑采用从港口采购的耐用材料，能够承受海洋环境的严酷条件，体现了鹿特丹的工业精神和港口向可持续未来转型的雄心。 团队 - MVRDV于1993年由Winy Maas、Jacob van Rijs和Nathalie de Vries创立。现在，三位创始合伙人与Frans de Witte、Fokke Moerel、Wenchian Shi、Jan Knikker和Bertrand Schippan一起，领导着一支由300多名专业人员组成的充满活力和乐观的团队。该事务所总部位于鹿特丹，并在上海、巴黎、柏林和纽约设有办事处，业务范围覆盖全球，为世界各地的当代建筑和城市问题提供解决方案。 MVRDV采用高度协作、基于研究的设计方法，从创意过程的早期就让客户、利益相关者和来自各个领域的专家参与其中。事务所拥有内部气候团队，为整个公司的设计团队提供咨询，确保工作的可持续性和弹性。作为专家团队，MVRDV NEXT开发和实施计算工作流程和新技术，使设计更加合理化，加快流程，并使项目在面对变化时更加高效和适应性强。 MVRDV的作品在全球范围内展出和发表，并获得了众多国际奖项。事务所的独特设计方法产生了各种成果，包括各种类型和规模的建筑、城市规划和远景、众多出版物、装置和展览。事务所因设计创新、意想不到且充满活力的混合用途建筑而闻名，如鹿特丹的Markthal（住宅和零售的结合）、纽约市色彩鲜艳的Radio Hotel and Tower，以及阿姆斯特丹三座戏剧性、受自然启发、植物覆盖的Valley塔楼。 Project Name: Portlantis Visitor and Exhibition Center Location: Rotterdam, The Netherlands Design Team: MVRDV Total Floor Area: 3533 m² Completion: 2025 Photography: Ossip van Duivenbode Feature: Project - The Portlantis Visitor and Exhibition Center, designed by MVRDV and located at the westernmost point of the Port of Rotterdam, opened to the public on March 22nd, 2025. This "museum with no collection" was created to showcase the intimate relationship between Rotterdam and its port. The building takes the form of a stack of five rotated exhibition spaces, each strategically oriented to frame specific views of the surroundings through carefully positioned "windows to the world" that offer panoramic vistas of the North Sea, coastline, and port facilities. At the heart of the building is a 22-meter-tall atrium featuring suspended yellow sculptures and a kinetic installation that symbolizes the perpetual motion of port activities. The exhibition areas, designed by Kossmanndejong, unfold across the floors – beginning with Rotterdam's current port operations on the first level, exploring its historical significance on the second, focusing on future developments and global role on the third, and addressing environmental challenges and sustainable solutions on the fourth. Each level's exhibition content directly corresponds to the view framed by its window. The building's exterior is characterized by bright red staircases that twist their way up the structure, providing free public access to viewing platforms on each level and the rooftop. This design element transforms Portlantis into not just an exhibition center but also a public viewing tower, creating a beacon-like presence in the landscape. Sustainability anchors the project through demountable structures, circular economy principles, and energy-positive operations, generating 30 percent more energy than it consumes. Constructed from resilient, port-sourced materials designed to withstand maritime conditions, the building embodies both the industrial spirit of Rotterdam and the port's ambitious transition toward a sustainable future. Design Team - MVRDV was founded in 1993 by Winy Maas, Jacob van Rijs and Nathalie de Vries. Now, the three founding partners lead a dynamic and optimistic team of over 300 alongside partners Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan. Based in Rotterdam, Shanghai, Paris, Berlin, and New York, the firm has a global scope, providing solutions to contemporary architectural and urban issues in all regions of the world. MVRDV employs a highly collaborative, research-based design method that involves clients, stakeholders, and experts from a wide range of fields from early on in the creative process. The firm has an in-house Climate Team, which consults with design teams across the entire company to ensure the sustainability and resilience of their work. As a group of specialists, MVRDV NEXT develops and implements computational workflows and new technologies to rationalize designs, speed up processes, and make projects more efficient and adaptable in the face of change. The work of MVRDV is exhibited and published worldwide and has received numerous international awards. The products of the firm's unique approach to design vary, ranging from buildings of all types and sizes, to urban plans and visions, numerous publications, installations, and exhibitions. The firm has a reputation for designing innovative, unexpected, and joyful mixed-use buildings such as the Markthal, a combination of housing and retail in Rotterdam, Radio Hotel and Tower, a brightly colored leisure and office tower complex in New York City, and Valley, three dramatic, nature-inspired, plant-covered towers in Amsterdam. 设计团队 旅游探访 3533 m² 鹿特丹，荷兰 2025 Previous Next

< 返回 “金丝雀” 之家 Selgascano + Diego Cano 设计特色： 项目 – 由 Selgascano 和 Diego Cano 共同设计的 La Canaria House 坐落在洛杉矶华 盛顿山附近的山丘上，与这座城市标志性的日落美景和阳光环境形成了鲜明的对比。 这座个性化住宅无缝地将室内和室外生活融为一体，巧妙地拥抱了这一地区宜人的气 候。这个项目最显眼的特色，就是那道金色的铝制网格外壳，将整个内部空间和宽阔 的露台环绕其中。这种错综复杂的金属格栅不仅起到了优秀的遮阳作用，过滤了加州 强烈的阳光，同时也将从洛杉矶繁华市中心一直延伸到好莱坞山的 180 度广阔全景尽 收眼底。建筑师们的设计充分体现了内外空间的流动性，在建筑环境和大自然之间营 造了和谐的对话。这种开放式的网格结构为绿色植被的生长创造了条件，未来各种爬 山虎、灌木丛以及 10 棵 3 种不同品种的棕榈树将逐步占领这个鲜艳的金黄色"笼舍"， 使建筑与景观的界限变得模糊。在不损及工艺品质的同时，实现经济实惠是设计师的 另一重要考虑。他们对房屋的每个部件进行了精心的预制和运输安排，从而实现了高 效的现场装配。这种做法很好地保证了定制手工的质量，而且在这个以高房地产价格 著称的城市也保持了良好的成本效益，可谓是一个非凡的成就。 团队 – 由 José Selgas 和 Lucía Cano（两人均为 1965 年生）于 1998 年在马德里创立 的 SelgasCano 建筑事务所，已成为备受推崇的先锋建筑设计团队。这个西班牙设计工 作室因其在材料运用、色彩设计以及建筑与自然环境的和谐融合方面的创新做法，而 在全球范围内赢得了赞誉。在两位远见卓识的创始人的领导下，SelgasCano 勇于探索 非常规材料，并努力在建筑与周边景观之间营造出无缝对话。SelgasCano 的作品系列 展现了多元的杰出项目，包括音乐厅、会议中心、办公建筑和展览馆等，每一件作品 都彰显了该事务所对于突破常规、挑战建筑规范的执着追求。他们的设计作品以大胆 运用多种色彩、采用诸如 ETFE 和聚碳酸酯等材料打造的半透明外立面，以及对现有自 然环境的由衷尊重而闻名。凭借众多殊荣，包括德国柏林艺术学院艺术奖和德国品牌 设计委员会的"年度建筑师"大奖，SelgasCano 已稳稳站在当代建筑设计先锋的位置， 不断重新定义建筑与自然环境之间的关系。 Feature： Project - Nestled in the hills of Los Angeles' Mount Washington neighborhood, the La Canaria House by Selgascano and Diego Cano offers a remarkable response to the city's iconic sunset views and unrelenting sunshine. This residential gem seamlessly blends indoor and outdoor living, embracing the region's temperate climate with a ingenious design approach. The standout feature of the project is its striking golden aluminum mesh envelope, which envelops both the interior spaces and the expansive outdoor terrace. Acting as a visually arresting sunshade, this intricate lattice not only filters the intense California rays but also frames the breathtaking 180-degree panoramas that stretch from downtown LA to the Hollywood hills. Selgascano and Cano's design celebrates the fluidity between interior and exterior realms, creating a harmonious dialogue between the built environment and nature. The envelope's open structure invites verdant growth, with plans for various creepers, bushes, and ten different palm tree varieties to eventually colonize the vibrant canary-yellow cage, blurring the boundaries between architecture and landscape. Driven by a desire for affordability without compromising craftsmanship, the architects meticulously prefabricated and shipped the house's components, enabling efficient on-site assembly. This approach yielded a bespoke, handcrafted quality while maintaining costeffectiveness – a remarkable achievement in a city renowned for its high construction expenses. Design Team - Founded in Madrid in 1998 by José Selgas and Lucía Cano, SelgasCano has emerged as a pioneering architectural practice renowned for its innovative approach to materiality, color, and the harmonious integration of the built environment with nature. Led by the visionary duo, this Spanish atelier has garnered global acclaim for its creative exploration of unconventional materials and the seamless dialogue it fosters between architecture and its surrounding landscapes. SelgasCano's portfolio showcases a diverse array of remarkable projects, including auditoriums, congress centers, office buildings, and pavilions, each a testament to the firm's commitment to pushing boundaries and challenging conventional architectural norms. Their designs are characterized by a bold use of polychromy, translucent facades crafted from cutting-edge materials like ETFE and polycarbonate, and a profound respect for the existing natural context. With numerous accolades, including the Kunstpreis by the Akademie der Künste in Berlin and the Architects of the Year prize by the German Design Council, SelgasCano has solidified its position as a vanguard in the realm of contemporary architecture, continuously redefining the relationship between the built and natural environments. 设计团队 旅游探访 240 m² 美国，洛杉矶 2023年 Previous Next

< 返回 维也纳 Leopold Kohr-Straße 中小学 Franz&Sue 设计特色： Franz&Sue在维也纳设计并落成的Leopold Kohr-Straße 中小学，为当代教育环境树立了新的标杆。这所学校坐落在城北的"特兰斯达努比亚"地区，凭借其既回应周边环境又具创新性的设计，在该区域持续的城市发展中扮演了重要角色。 最引人注目的设计亮点，就是校园中布满宽敞的有顶棚遮阳平台，将建筑立面打造成一座立体花园。这些户外空间被巧妙规划为全年可使用的学习与休闲场所，内外空间界线模糊渗透。教室与开放性空间相间分布，每个教学群落都直接通往自有的遮阳平台，孩子们可以在这里自由探索学校的每个角落。 学校核心区是一个空间感十足的中央天井，镜面反射天桥元素赋予了整个区域动感与探索体验。这个中央导向枢纽将所有楼层与迷人的室外露台连接起来。即便是内部的阅览室，也能通过通高落地玻璃，望见郁郁葱葱的校内花园。 在休息时段，学生们可以漫步跨级阶梯或从高层滑梯迅速抵达户外园区。部分运动设施在课余时间也向社区居民开放，从而丰富了整个街区的公共设施。这所学校巧妙地将大自然、社区与教育空间融合，充分体现了前瞻性的教育设计理念。 Franz&Sue's recently completed Leopold-Kohr-Straße Primary and Secondary School in Vienna sets a new benchmark for contemporary learning environments. Situated in the city's northern "Transdanubia" district, the school anchors ongoing urban development with a design that responds innovatively to its surroundings. The standout feature is the abundance of spacious, covered terraces that transform the facade into a vertical garden. These outdoor spaces articulate areas for learning and leisure that can be used year-round, blurring the boundaries between inside and out. Classrooms alternate with open niches, and each classroom cluster has direct access to its own sheltered terrace, allowing children to playfully discover their school's nooks and crannies. At the heart of the all-day school, a soaring atrium with reflective bridge elements instills a sense of movement and discovery. This central orientation hub connects all levels to the inviting outdoor terraces. Even interior spaces like the library offer views to the verdant school garden through full-height glazing. On breaks, pupils can quickly escape to the gardens via large stairs and even a slide from upper floors. Some sports facilities remain open to the public after hours, enhancing the neighborhood's amenities. With its clever connectedness to nature and community, the school exemplifies forward-thinking educational design. 设计团队： Franz&Sue建筑设计事务所由两家原本独立的维也纳事务所于2017年合并而成。在创始合伙人Harald Höller, Michael Anhammer, Robert Diem, Erwin Stättner, 以及Christian Ambos的领导下,再加上2022年新晋合伙人Corinna Toell和Björn Haunschmid-Wakolbinger的加入，这家拥有90名来自18个国家的跨领域设计团队，迅速成为奥地利最成功、最具创新力的建筑设计力量之一。 该事务所的设计理念追求简洁高雅，工艺精湛，对质量的执著恪守令人钦佩。他们的优势项目类型包括教育、住宅和办公等，通过50多个竞赛的斩获，目前手头正在进行25个项目。这家事务所秉持"通过对话实现设计"的理念，他们力求打造可持续适应未来的作品，摒弃肤浅的装饰主义。 近年来，该事务所曾在2020年获得Lower Austrian Culture Prize建筑类别奖，以及奥地利国家建筑奖等，这彰显了他们勇于创新但同时立足大众的设计方法。他们的作品巧妙平衡了概念深度与人性化空间塑造，为文化地产注入新的活力与意义。 Founded in 2017 through the merger of two independent Viennese practices, Franz&Sue has swiftly risen as one of Austria's most successful and innovative architectural voices. Led by the core team of founding partners Harald Höller, Michael Anhammer, Robert Diem, Erwin Stättner, and Christian Ambos, along with new partners Corinna Toell and Björn Haunschmid-Wakolbinger since 2022, the firm's 90-person multidisciplinary staff represents 18 nationalities. Franz&Sue's design approach prioritizes clarity, reduction, and a steadfast commitment to quality. Their portfolio spans educational, residential, and office typologies, with over 50 competition wins translating to 25 projects currently underway. The practice's architectural language articulates a dialogue-driven ethos, eschewing superficiality in favor of designs that prove adaptable and self-sustaining over time. Recent accolades include the Lower Austrian Culture Prize for Architecture in 2020, exemplifying Franz&Sue's forward-thinking yet grounded methodology. The firm's work deftly balances conceptual rigor with an innate understanding of crafting spaces tailored for human experience and enduring cultural relevance. 设计团队 旅游探访 11551 ㎡ 奥地利，维也纳 2023年 Previous Next

< 返回 ID 住宅 Wahana Architects 设计特色： 项目 – 位于雅加达的住宅区内，新近完成的ID 住宅恰到好处地融合了室内外生活与促进家庭成员之间的互动和关系。其设计的中心理念是营造促进家庭成员之间联系的共享空间。从三层布局的巧妙空间安排中可见这一理念的体现，一个大型中庭贯通整个房屋，连接公共活动区域。这座别墅的三层布局各有分工：首层为开敞式设计，生活区和餐厅区域界限分明，与户外花园形成自然融洽的氛围。室内外无缝衔接营造出宁静祥和的环境。二层则设置了会客休息室、客房和书房，中庭空间将其与下方的家庭活动室和餐厅连接，增进家庭成员之间的互动。三层为私密休憩之所，整层属于主卧和子女卧室。这种空间分区提供家庭成员必要的私密空间，而下两层则保持公共活动和交流的功能。从室内外环境的和谐到悬浮建筑元素的精妙设计，这栋住宅完美诠释促进家人联系的建筑与空间美学。 团队 – Wahana Architects建筑事务所成立于 1995 年，由Rudy Kelana（1968年生）创立并领到至今，主要从事住宅、办公和商业项目。对于住宅项目，该设计团队的标志性设计风格是将自然元素作为应对气候变化的一种方式。其相信建筑不仅是形态，更是塑造生活的艺术。他们以人为本的设计理念，不将功能空间限制在僵化的规划中，而是通过流动的形式来满足使用者需求。这种考虑心理学的方法源自这样的信念：房屋若无法满足使用需求就失去其存在的意义。成功的建筑不在视觉美感，而在理解使用者，实现自我认同感，支持人际交流。当空间和使用者产生和谐共鸣时，真正的居住功能才得以实现。从初期构想到建造监管，他们提供全过程服务，将建筑有机地融入使用者生活。通过与客户深入合作，他们营造共振的空间，让使用者感受到理解、安心和隐私。这种精心呵护的建筑设计理念造就了他们屡获殊荣的获奖项目。 Feature： Project - Nestled within a housing complex in Yakarta, Indonesia, the recently completed ID House by Wahana Architects masterfully blends indoor and outdoor living across its 500 square meters. Guiding the design is a central goal - to create shared spaces that encourage connection between family members. This ethos manifests through thoughtful spatial arrangements across the home's three floors, culminated by a large central void that bridges communal areas. Split across tri-level floors, the home features an open-plan first floor that dissolves boundaries between living spaces and the outdoor garden. The seamless flow between interior and exterior creates a tranquil environment in harmony with nature. Upstairs, the second floor houses private bedrooms alongside a family room and home office connected by the open void. This impressive architectural feat forges cohesion between the family room below and dining area above, promoting togetherness. Crowning the home, the third floor provides quiet personal retreats with the master bedroom and children's bedrooms. Dedicated to relaxation and solitude, these rooms allow privacy while the lower levels remain communal. From its tranquil integration of indoor/outdoor to impressive floating architectural details, the ID House is a testament to design that connects. Design Team - Believing architecture transcends forms to shape lives, Wahana Architects places people at the heart of their humanistic design process. Rather than forcing inhabitable spaces to conform to rigid plans, the studio adapts flowing forms to satisfy user needs. This psychology-driven approach stems from a conviction that buildings failing user needs fail their very purpose. Success lies not in visual appeal alone but in understanding personalities, fulfilling identities, and enabling connections. Such harmony between spaces and inhabitants enables true dwelling. From initial concepts to supervised construction, Wahana Architects' holistic process attunes buildings to those they serve. Through intimate client collaboration, they craft resonant spaces where people feel understood, at home with themselves and others. Such thoughtfulness breathed life into their award-winning INDE Shortlisted and ArchDaily nominated projects. 设计团队 旅游探访 500 m² Yakarta, INDONESIA 2023 Previous Next

< 返回 莱科之家 OYO Architects 项目名称：Lyco House 地点：佩平恩, 比利时 设计团队：OYO Architects 建筑面积：312 m² 竣工时间：2024年 摄影：Karen Van der Biest 设计特色： 比利时建筑工作室OYO Architects设计的莱科之家（Lyco House）展现了如何通过大胆的建筑创新设计将历史谷仓转化为当代可持续住宅的典范。这座312平方米的住宅位于距离布鲁塞尔不到30公里的佩平恩乡村，以其独特的三角形切割干预重新定义了乡村适应性再利用的概念。 该项目的精彩之处在于其战略性的空间重构。建筑师通过移除建筑体量的一部分，创造了一个中央庭院，将原本黑暗封闭的空间转变为充满光线的避风港。这一巧妙的三角形切割不仅为室内带来了充足的自然光线，还在室内外空间之间产生了流畅的过渡，同时保持了传统谷仓的街道立面。 设计团队的空间编排通过精心安排的层次、夹层和双高空间展开，这些空间由Atelier Manus定制设计的几何绿色钢楼梯连接。这种垂直对话增强了紧凑占地面积内的空间感，将卧室与起居区、厨房与花园、客厅与高架露台连接起来，模糊了室内外的界限。 居住空间围绕厨房展开，鲑鱼粉色的大型岛台成为引人注目的焦点。天花板的浅色松木与抛光的灰色水泥形成对比，而Hout en Interieur定制的深色木制家具增添了温暖感。客厅位于厨房上方略高的层面，其富有暗示性的木质天花板和面向户外露台的大窗户营造出独特的氛围。 房屋的材料色调体现了对传统与创新的表达。精心挑选的中性色调家具配以绿色和陶土色的色彩点缀，在温暖平衡的环境中营造出柔和自然的氛围。为确保热舒适性、可持续性和能源效率，设计团队在建造过程中融入了生态和循环材料，完全翻新了旧石棉屋顶，并在房屋中安装了太阳能电池板和其他生态技术。 Denis Dujardin的景观设计通过使用当地植被，实现了与周围乡村景观的流畅和谐融合。此外，还开发了一个巧妙而谨慎的解决方案来管理该地区的多余雨水，将其引导到天然池塘中进行净化并逐渐过滤到地下。 这座住宅体现了不俗的适应性再利用方法，展示了如何在不牺牲原有本质和环境责任的情况下，将充满历史的谷仓转化为适应当代生活需求的现代住宅。 设计团队 - OYO Architects作为一家杰出的比利时建筑事务所，由Nigel Jooren、Eddy Soete、Veroniek Vanhaecke、Lies Willaert和Ferran Massip于2011年创立，现在根特和巴塞罗那设有办公室，十多年来，该事务所发展出涵盖住宅、社区开发和工业建筑类型学的创新解决方案口碑。 OYO Architects为事务所带来了卓越的多学科协作经验和对可持续建筑实践的深刻理解。在创始合伙人的领导下，以及包括25名设计师、建筑师、城市规划师和咨询专家在内的团队支持下，该事务所因其对生态系统思维的承诺和对工艺的执着而获得认可。这种整体方法与当代设计创新的结合，使OYO Architects在欧洲建筑景观中占据独特地位。 该事务所的设计哲学强调空间目的与建筑执行同等重要，不急于寻求标准化建筑解决方案，而是相信建筑应该是对社会、环境和经济可持续性透彻理解的结果。通过与客户的深度协作，他们定义项目的空间目的——即空间应对其居住者产生的积极影响。OYO Architects相信最好的空间为人们提供了发挥最佳状态的环境，他们致力于挑战传统，揭示空间的真正潜力。 通过对慷慨住宅、繁荣社区和再生工业的深思熟虑综合，OYO Architects已确立自己作为当代建筑话语重要贡献者的地位，创造出既扎根于地方又拥抱全球设计视野的建筑作品。 Project Name: Lyco House Location: Pepingen, Belgium Design Team: OYO Architects Total Floor Area: 312 m² Completion: 2024 Photography: Karen Van der Biest Feature: Belgian architecture studio OYO Architects completed the Lyco House project in Pepingen, creating a contemporary sustainable home that exemplifies how bold architectural intervention can transform historic barns into modern living spaces. The project is positioned within the green countryside less than 30 kilometers from Brussels, drawing inspiration from Belgium's rural heritage to create an architectural work that both celebrates agricultural building traditions and embodies innovative adaptive reuse strategies. The project's most compelling design feature lies in its strategic spatial reconfiguration through a dramatic triangular cut carved from the original barn volume. Rather than choosing conventional renovation approaches, the architects masterfully created a central courtyard that transforms the previously dark and enclosed space into a light-filled sanctuary. This ingenious triangular intervention not only floods the interior with natural light but also generates fluid transitions between indoor and outdoor spaces while maintaining the traditional barn facade that preserves the building's agricultural character. The building's spatial choreography unfolds through carefully orchestrated levels, mezzanines, and double-height spaces connected by a striking geometric green steel staircase custom-designed by Atelier Manus. This vertical dialogue enhances the sense of spaciousness within the compact footprint, connecting bedrooms with living areas, kitchen with garden, and living room with elevated terrace, effectively blurring the boundaries between interior and exterior environments. The living spaces center around the kitchen, where a large salmon pink island stands out as a bold focal point. The light pine wood ceiling contrasts with polished grey cement floors, while custom-made dark wood furniture by Hout en Interieur adds warmth and craftsmanship. The living room, positioned on a slightly higher level above the kitchen, features a suggestive wooden ceiling and large windows that open onto the outdoor terrace, creating a unique spatial experience. Material selection demonstrates exceptional sensitivity to heritage and innovation. Carefully selected furniture in neutral tones is complemented by chromatic accents in green and terracotta, generating a soft and natural atmosphere in a warm and balanced environment. To ensure thermal comfort, sustainability, and energy efficiency, OYO Architects incorporated ecological and circular materials during construction, completely renovating the old asbestos roof and installing solar panels and other eco-technologies throughout the house. Denis Dujardin's landscape design plays a crucial role in shaping the setting, achieving fluid and respectful integration with the surrounding rural landscape through the use of local vegetation. Additionally, an ingenious and discrete solution has been developed to manage the area's excess rainwater, channeling it into a natural pond where it is purified and gradually filtered into the ground. Lyco House represents a thoughtful adaptive reuse approach, demonstrating how historic agricultural buildings can be transformed to meet contemporary living needs while respecting their original essence and environmental responsibility. Design Team - OYO Architects stands as a distinguished Belgian architectural practice that has established an exceptional reputation in innovative sustainable design. Founded by Nigel Jooren, Eddy Soete, Veroniek Vanhaecke, Lies Willaert, and Ferran Massip in 2011 and based in Ghent and Barcelona, under the creative direction of founding partner Nigel Jooren and design direction of partner Ferran Massip, the firm has developed a reputation for creating innovative solutions across residential, community development, and industrial architecture typologies. OYO Architects brings exceptional multidisciplinary collaborative experience and deep understanding of sustainable building practices to the practice. Under the leadership of founding partners, supported by a 25-person team including designers, architects, urban planners, and consultative specialists, the practice has garnered recognition for its commitment to ecosystem thinking and dedication to craftsmanship. This combination of holistic approach with contemporary design innovation positions OYO Architects uniquely within Europe's architectural landscape. The firm's design philosophy emphasizes that spatial purpose is as important as architectural execution, not rushing to standardized architectural solutions but believing that architecture should be a result of thorough understanding of social, environmental, and economic sustainability. Through intensive collaboration with clients, they define the project's spatial purpose—the positive impact the space should have on those that inhabit it. OYO Architects believes that the best spaces provide the setting for people to be at their best, challenging convention to reveal the true potential of space. Through this thoughtful synthesis of generous homes, thriving communities, and regenerative industry, OYO Architects has established itself as a significant contributor to contemporary architectural discourse, creating architectural works that are both rooted in place and embrace global design vision. 设计团队 旅游探访 312 m² 佩平恩, 比利时 2024 Previous Next

< 返回 LANTERN 艺术中心 OMA 设计特色： 项目 – OMA的首个底特律项目LANTERN，将一座破旧的商业面包房改造成了小村庄区的一处光芒四射的混合用途艺术中心。在资深合伙人Jason Long的带领下，这座占地2072平方米的综合体巧妙地将20世纪初的旧仓库重新定义，将其破损部分化为建筑自身的亮点。这栋建筑过去残破不堪、部分屋顶和墙体遗失，正是该项目设计理念的驱动力。OMA巧妙地在大楼中心植入一个2000平方米的中庭，作为充满活力的公共入口和社区聚集地。这一户外中心区域为所有租户(包括两家本地艺术非营利机构和进步艺术工作室集体)提供了主要入口和一个活跃而诱人的面貌。贯彻"开放城市"理念，设计将各种功能串联在一起，最大限度地提高了可及性和互动性。生产区和工作室为阿米蒂街景观增添活力；画廊环绕中庭，凸显其公共意义；零售和社区设施则集中在热闹的凯丘瓦大道沿线，将内部功能与街道生活融为一体。LANTERN凭借原始的工业风格和巧妙的再利用策略，成为底特律复兴创意力量中的全新艺术地标。 团队 – 1975年由雷姆·库哈斯创立的OMA(Office for Metropolitan Architecture,大都会建筑事务所)已发展成为一家享誉国际的先锋建筑设计机构，以其前卫设计和理论探索而著称。OMA总部位于鹿特丹，在纽约、香港和澳大利亚还设有分支办事处，在建筑与城市规划领域处于国际领军地位。在由8位合伙人领导下，OMA在全球范围内赢得赞誉, OMA的作品跨越多种建筑类型和规模,从文化机构、综合体到城市总体规划和基础设施项目，屡屡突破常规。OMA代表作包括西雅图中央图书馆、北京中央电视台新址大楼、米兰普拉达基金会和台北表演艺术中心等。OMA以批判性思维挑战学科界限，通过实体建筑和由其智囊AMO开展的学术研究，不断重新定义建筑话语。作为建筑创新的先锋，OMA的跨学科实践持续塑造着有关建筑环境演进的论述。 Feature： Project - OMA's first foray into Detroit, LANTERN, has transformed a dilapidated commercial bakery into a luminous mixed-use art hub in the city's Little Village neighborhood. Led by partner Jason Long, the 2,072 square meter complex adeptly reinvents the early 20th century warehouse, turning spaces of disrepair into architectural virtues. The building's former state of ruin, with sections of roof and walls missing, becomes the project's driving concept. OMA capitalizes on these voids by inserting a 2,000 square meter courtyard at the heart of the complex, serving as a vibrant public gateway and community condenser. This central outdoor space provides the primary entrance and frontage for all tenants including two local arts nonprofits - SignalReturn and Progressive Arts Studio Collective. Embracing an "open city" ethos, the design strings together various programs to maximize accessibility and interaction. Production zones and studios animate the Amity Street facade, while galleries line the courtyard reinforcing its public significance. Retail and community amenities consolidate along busy Kercheval Avenue, blending interior functions with streetlife. With raw industrial aesthetics and clever adaptive reuse strategies, LANTERN exemplifies an ingenious new arts anchor for Detroit's resurging creative fabric. Design Team - Founded in 1975 by Rem Koolhaas, OMA (Office for Metropolitan Architecture) has evolved into a leading international architectural practice renowned for its avant-garde designs and theoretical explorations. Headquartered in Rotterdam, with offices in New York, Hong Kong, and Australia, OMA operates at the vanguard of architecture and urbanism. Under the leadership of eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – OMA has garnered global acclaim for pioneering buildings that transcend conventional typologies. The firm's oeuvre encompasses a diverse array of architectural scales and programs, from cultural institutions and mixed-use developments to urban masterplans and infrastructural projects. OMA's repertoire is punctuated by iconic works such as the Seattle Central Library, CCTV Headquarters in Beijing, Fondazione Prada in Milan, and the Taipei Performing Arts Centre. With a critical approach that challenges disciplinary boundaries, OMA continuously redefines architectural discourse through built form and scholarly research undertaken by its think-tank AMO. As vanguards of architectural innovation, OMA's multidisciplinary practice continually shapes the discourse on the built environment's evolution. 设计团队 旅游探访 2072 ㎡ 美国，底特律 2023年 Previous Next

< 返回 养正图书馆 SAKO建筑设计工社 设计特色： 项目 – 日本建筑师迫庆一郎和他领导的SAKO建筑设计工社，打造了一座极具特色的公共图书馆，这也是中国首个实现碳中和的文化设施。这个公益项目由SOHO中国的董事长潘石屹先生发起，这座位于甘肃省天水市潘集寨村的养正图书馆，完美融合了建筑与自然环境。这座约800平方米的图书馆改造自一座百年历史的祖宅原址，被设计成一个充满活力的社区中心，承载着家庭聚会、教育培训等多种功能。设计师巧妙处理了这个"杂乱环境"的场地，通过最小化外围窗户来确保内部的静谧，同时在中央庭院用无框玻璃实现大开敞。图书馆的正方形平面和立面设计，灵感源自曼陀罗，营造出一种清静有序的空间体验。不断变幻的天空景象，随着光线、云朵和雨水的变化而起伏，给阅读空间注入一种冥想般的氛围。模块化的书架也呼应了这种几何语汇，与建筑外观自然融合。除了出色的被动式设计策略，包括出色的隔热性能、现场太阳能和风力发电以及地源热泵供暖等，这座公益图书馆还是中国可持续乡村振兴的先驱性范例，不仅丰富了当地社区生活，也为这个区域树立了绿色地标。 团队 – SAKO建筑设计工社创立于2004年，其创始人迫庆一郎以独特的视角，打造了众多富有洞见的可持续建筑作品，已成长为业界翘楚。自在北京设立首个境外分所后，公司陆续在东京和福冈开设办事处，足迹遍布中国、日本、韩国、蒙古国和西班牙，完成了160余个项目。迫庆一郎此前曾在山本理显（2024年普利兹建筑奖获得者）的事务所任职，积累了丰富的设计经验，为SAKO建筑设计工社赋予了多样化的设计语汇。该所涵盖私人住宅、商业零售、养老设施、公共图书馆等各类型项目，并在建筑、室内和城市规划层面提供全面的整体解决方案。SAKO建筑设计工社屡获殊荣，包括日本的Good Design奖以及JCD设计奖，美国的Vanceva World of Color Awards 2020年大奖等等，在中国也曾被选入《在中国最有影响力的10位建筑家》。迫庆一郎还担任了日本人在海外企业家团体《WAOJE》( World Association of Overseas Japanese Entrepreneurs )的第一任代表理事，展现了非凡的领导力。SAKO建筑设计工社不断推动创新，丰富社区生活，其持续努力正将梦想化为精心雕琢的现实。 设计团队 旅游探访 772 m² 中国，甘肃天水 2024年 Previous Next

< 返回 广州美国人外籍人员子女学校 Perkins&Will 设计特色： 项目 – 这座由 Perkins&Will 设计的广州美国人外籍人员子女学校校区扩建项目，重新 定义了未来学习环境的理念。作为 1981 年中国南方第一所这类国际学校，其 38823 平 方米的全新校园在开拓者的基础上搭建了一流的教育设施。设计的亮点是动态课堂， 它们设有可折叠隔断和模块化家具，无缝切换协作项目与独立学习的空间形态。活动 隔墙使课室可延伸至走廊区域，将其改造为分组学习的突破性空间，激发师生探索创 意的广阔视野。校园核心是一个采光优异的中庭区，它兼具多媒体图书馆的功能，配 备录音室、讨论区和数字媒体工作室，营造跨学科创新学习的理念氛围。连接学术、 艺术文化、运动娱乐三大区域的天桥，通过其透明玻璃借景临近荔枝林的自然风貌。 项目注重可持续性，充分复用现有基础框架以减少碳足迹。屋顶运动场所提供优良隔 热，当地植被、透水地面和原有树木巩固了环境的弹性。分阶段的翻新策略使校园内 学生的学习在施工期间得以持续，展现了这所 21 世纪国际教育设施杰作的卓越智慧。 团队 – Perkins&Will 建筑设计公司由 Lawrence Perkins 和 Philip Will Jr.于 1935 年在芝 加哥创立，如今已成为全球建筑界的翘楚。自 2006 年以来，公司一直由首席执行官 Phil Harrison 领导，旗下拥有逾 2500 名专业人士，分布于全球 28 个办公室。2022 年 Perkins&Will 创收 5.7 亿美元，稳居美国第二大建筑设计公司。该公司因其创新和可持 续设计而赢得了广泛赞誉，拥有比任何其他北美建筑设计事务所更多的 LEED 认证专业 人士。获得 LEED 铂金认证的 Dockside Green Phase II 综合体和 VanDusen 植物园游 客中心等开创性项目，彰显了公司在环保建筑方面的杰出造诣。涉足教育、商业、医 疗和公共等多个领域，这家跨领域建筑设计巨头不断突破建筑界限，代表作包括波音 国际总部大楼和普利司通大厦等，展现了公司在创作贴合当地语境、技术先进的建筑 杰作方面的非凡能力，推动了建筑语言的新高度。 Feature： Project - Redefining the future of learning environments, the newly reconstructed and expanded American International School of Guangzhou Science Park Campus by Perkins&Will offers a forward-thinking interdisciplinary space tailored for diverse learning styles. As the first international school of its kind established in southern China in 1981, the revamped 38,823 square meter campus builds upon its pioneering legacy with world-class educational facilities. The standout design features dynamic classrooms with folding partitions and modular furnishings that enable easy adaptation from collaborative projects to independent study sessions. Retractable walls allow classrooms to expand into corridor areas, transforming them into breakout spaces that empower teachers and students to explore creative horizons through a wide range of learning experiences. At the heart of the campus lies a luminous atrium that doubles as a multimedia library hub equipped with recording studios, discussion areas, and digital media suites - fostering an innovative atmosphere of interdisciplinary learning. A skyway bridge with transparent glass walls connects the academic, arts/culture, and athletics/recreation clusters while framing views of the adjacent lychee forest. Sustainability was paramount, with much of the existing infrastructure reused to reduce carbon footprint. The rooftop recreation areas provide robust insulation, while native vegetation, permeable paving, and preserved trees enhance environmental resilience. A phased renovation strategy ensured uninterrupted learning during construction on this ingenious campus that epitomizes 21st century international education. Design Team - Founded in 1935 in Chicago by Lawrence Perkins and Philip Will Jr., Perkins&Will has emerged as a global powerhouse in the architectural realm. Led by CEO Phil Harrison since 2006, the multidisciplinary practice boasts a workforce exceeding 2,500 professionals across 28 offices worldwide. In 2022, Perkins&Will's revenue of $572.47 million solidified its position as the second-largest architecture firm in the United States. The firm has garnered widespread acclaim for its innovative and sustainable designs, claiming more LEED-accredited professionals than any other North American practice. Pioneering projects like the LEED Platinum Dockside Green Phase Two complex and the VanDusen Botanical Garden Visitor Centre exemplify Perkins&Will's expertise in environmentally conscious architecture. With a rich portfolio spanning educational, commercial, healthcare, and civic typologies, the multidisciplinary giant continues to push boundaries. Notable works include the iconic Crow Island School, the Boeing International Headquarters, and Bridgestone Tower, showcasing the firm's prowess in crafting contextually responsive and technically advanced built environments that redefine the architectural discourse. 设计团队 旅游探访 38823 m² 中国，广州 2024年 Previous Next

< 返回 OZBE咖啡馆 KKOL Studio 项目名称： OZBE Cafe 地点： 安东市，韩国 设计团队： KKOL Studio 项目面积： 495 m² 竣工时间： 2025年 施工单位： IAAP STUDIO 摄影： Donggyu Kim 设计特色： 项目 – 在韩国充满活力的咖啡馆文化中，由KKOL工作室设计的OZBE咖啡馆以工业美学与有机生命力的完美融合脱颖而出。这座建于2025年、面积495平方米的建筑，通过将高端水果市场与精致的休闲空间相结合，跨越四层精心打造的空间，重新定义了传统咖啡馆的类型学。 项目的概念基础源自一个独特的灵感：从混凝土缝隙中绽放的花朵。这种诗意的诠释贯穿整个空间，原始的混凝土表面刻意为新鲜水果和精心策划的植物展示创造了一个朴实的背景。KKOL工作室的设计方法挑战了工业材料与有机元素之间预期的不协调，而是构建了一种和谐的对话，增强了两者的特性。 空间规划反映了深思熟虑的垂直层级：一层设有水果市场，与街道层面的活动建立直接联系，而上层则过渡为更私密的休息空间。材料选择以裸露的混凝土和温暖的硬木之间的互动为主，创造了一个精致的基调，让色彩缤纷的农产品自然地融入室内设计方案中。 OZBE的与众不同之处在于其包容性的设计方法，满足了预期客户群的多样化需求。工作室开发了一系列定制家具，吸引多个年龄层的访客——从能引起年轻访客兴趣的曲线条板条长凳，到为成年顾客精心考虑的人体工程学座椅布置。这种对多代功能性的关注将空间从单纯的美学考虑提升为真正以用户为中心的环境。 最终呈现的是一个突破传统分类的革新性零售咖啡馆混合空间，在这里工业建筑成为展现自然丰富性的画布，每一个设计决策都强化了生命力从结构简朴中涌现的核心理念。 团队 – KKOL工作室成立于2021年7月的韩国，在当代空间设计领域迅速崭露头角。在创始合伙人Euisun Yoon和Hongbeom An的领导下，工作室以精品工作室的形式运营，为各种规模的建筑和室内设计项目带来精密的设计方法。 工作室的设计理念集中在空间品质的民主化，摒弃了传统的项目规模层级观念，转而采用更细腻的、以叙事为驱动的设计方法。他们的方法论特点是采用整体性的设计过程，将每个空间元素都视为整体建筑构成的重要组成部分。 自成立以来，KKOL工作室已经建立了涵盖零售、酒店和商业领域的独特项目组合。他们的作品以对材料性的深刻理解以及创造超越典型功能限制的沉浸式空间体验的能力而著称。工作室最近完成的OZBE咖啡馆项目充分展示了他们在平衡原始建筑元素与精致细节和周到规划方面的才能。 工作室通过慎重选择委托项目来保持其创作完整性，由四人核心设计团队负责监督设计过程的各个方面，从概念发展到材料规范和施工文件编制。这种亲力亲为的方法确保了所有项目都保持一致的质量标准和对细节的关注。 Project Name: OZBE Cafe Location: Andong，South Korea Design Team: KKOL Studio Project Area: 495 m² Completion Date: 2025 Construction: IAAP STUDIO Photography: Donggyu Kim Feature： Project - In a striking convergence of industrial aesthetics and organic vitality, OZBE Cafe by KKOL Studio emerges as a masterful exploration of contrast in Andong's vibrant cafe scene. This 495-square-meter establishment, completed in 2025, reimagines the conventional cafe typology by integrating a premium fruit market with sophisticated lounging spaces across four meticulously crafted floors. The project's conceptual foundation draws inspiration from an unlikely source: flowers emerging from concrete crevices. This poetic interpretation manifests throughout the space, where raw concrete surfaces create a deliberately austere backdrop for the vibrant display of fresh fruits and carefully curated vegetation. KKOL Studio's approach challenges the expected discord between industrial materials and organic elements, instead crafting a harmonious dialogue that enhances both. The spatial programming reflects a thoughtful vertical hierarchy: the ground floor houses the fruit market, establishing an immediate connection with street-level activity, while the upper floors transition into more intimate lounging spaces. The material palette is anchored by the interplay between exposed concrete and warm maple hardwood, creating a sophisticated foundation that allows the colorful produce to become an integral part of the interior design scheme. What sets OZBE apart is its inclusive design approach, addressing the diverse needs of its anticipated clientele. The studio has developed a series of bespoke furniture pieces that appeal to multiple generations – from playful curved benches with slatted details that intrigue younger visitors to ergonomically considered seating arrangements for mature patrons. This attention to multi-generational functionality elevates the space beyond mere aesthetic consideration into a truly user-centric environment. The result is a revolutionary retail-cafe hybrid that transcends conventional categorization, where industrial architecture serves as a canvas for celebrating natural abundance, and where every design decision reinforces the core concept of vital energy emerging from structural austerity. Design Team - KKOL Studio, established in July 2021 in South Korea, has rapidly emerged as a notable presence in contemporary spatial design. Under the leadership of founding partners Euisun Yoon and Hongbeom An, the practice operates as an intimate atelier-style studio, bringing a meticulous approach to architectural and interior interventions across various scales. The studio's design philosophy centers on the democratization of spatial quality, rejecting the conventional hierarchy of project scale in favor of a more nuanced, narrative-driven approach. Their methodology is characterized by a holistic design process that considers every spatial element as an integral part of the overall architectural composition. Since its inception, KKOL Studio has developed a distinctive portfolio that spans retail, hospitality, and commercial sectors. Their work is marked by a sophisticated understanding of materiality and an ability to create immersive spatial experiences that transcend typical programmatic constraints. The studio's recent completion of OZBE Cafe exemplifies their talent for balancing raw architectural elements with refined details and thoughtful programming. The practice maintains its creative integrity through a deliberately selective approach to commissions, operating with a core team of four designers who oversee all aspects of the design process, from conceptual development through to material specification and construction documentation. This hands-on methodology ensures a consistent level of quality and attention to detail across all projects. 设计团队 旅游探访 495 m² 安东，韩国 2025 Previous Next

< 返回 Y住宅 小松隼人建筑设计事务所 设计特色： 项目 – House Y座落于西日本一处环绕林木的宽阔平地上，建筑师巧妙运用了放射状布局，使这座住宅能够从多个角度与秀美的自然环境互动。这片隐蔽的地点北西侧可远眺瀬户内海的落日余晖，东南方则可欣赏雄伟的群山环抱。建筑并未孤立地屹立在这片辽阔景致之中，而是采用了“树干与枝桠”的造型理念。中央的起居空间扮演“树干”的角色，卧室则如树枝般向四周延伸。沿这些"枝干"的宽阔段落，成为了内外交融的休闲区。离开主起居空间，走向卧室，空间渐趋私密，天花板也逐步降低，这种若有若无的压迫感反而加强了漫步其间的体验感。放射状分支上一路的落地玻璃，将沿途变换多端的自然景观尽收眼底。户外区域精心划分为数个小天地，各自将不同的景致入画入框——有的是日落的写照、有的是海景；有的则是在晨光中恣意伸展，还有对山色的专注凝视。住户可以在这片世外桃源中闲逛，随着季节和时间的变换体会它的新颖与变化。Y住宅以其创新的分支式设计布局，诗意地将建筑与景观融为一体，构筑了一场持续展开的多元体验。 团队 – 小松隼人建筑设计事务所由日本建筑师小松隼人（1979年生）于2009年在广岛创立，迅速成为日本最具创新力的建筑设计事务所之一。这家事务所跨足建筑、室内、景观和产品等多个领域，推崇综合性设计方法。在小松隼人的领导下，该事务所凭借坚实的工艺和巧妙融合建筑与环境景观的作品，赢得了广泛赞誉。这家事务所的设计理念是寻找位于建筑这片"黑"与自然环境这抹"白"之间的"灰色地带"。他们屡获殊荣的住宅建筑巧妙地协调边界感，在营造舒适生活空间的同时，赋予空间敞开朗通与环境背景的视觉连接。小松隼人事务所精致而富温度的现代主义作品也经常发布于权威建筑杂志上，基于多元综合的设计手法，以及对场地环境的敏锐把握，其不断呈现出巧妙融合人工与自然景观的杰作，将人居体验提升到全新层次。 Feature： Project - Set amidst a lush woodland on a vast, flat plot in western Japan, House Y by Hayato Komatsu Architects adopts an innovative radial plan that allows the dwelling to engage with its picturesque surroundings from multiple vantage points. The secluded site offers tranquil views of the Seto Inland Sea to the northwest and dramatic mountains capes to the southeast. Rather than situating the house in isolation amid this expansive landscape, the architects devised a branching layout inspired by the form of a tree. A central living pavilion anchors the plan, with private bedroom wings radiating outward like boughs. Wider sections along these wings create lounge areas that blur the boundaries between indoors and out. The further one moves from the main living space toward the bedrooms, the more intimate and compressed the spaces become through lowered ceilings. This subtle compression and release heightens the sense of journey. Floor-to-ceiling glazing along the radiating wings frames shifting perspectives of the natural scenery with each step. Exterior spaces are delicately subdivided into a series of gardens tailored to distinct views - one framing the sunset, another the sea, a courtyard catching morning light, and so on. Residents can wander this secluded paradise, discovering anew its varied charms with each season and time of day. Through its innovative branching form, House Y poetically intertwines architecture and landscape into a unified, constantly unfolding experience. Design Team - Founded in 2009 by Hayato Komatsu, the eponymous HAYATO KOMATSU ARCHITECTS has emerged as one of Japan's most innovative architectural practices. Based in Hiroshima, the firm takes a multidisciplinary approach, offering services in architecture, interior design, landscape, and product design. Under Komatsu's leadership as Principal Architect, along with Directors Ryoko Komatsu, Shinmei Chono, Shinro Ueki, Naoji Natsume, Suzumi Nishihara, and Shuguma Tanaka, the firm has gained worldwide recognition for its sleek, site-specific designs that poetically interweave the built and natural environments. Guided by a philosophy of finding the "gray" between architectural black and environmental white, their award-winning residential works skillfully negotiate boundaries while fostering comfortable living spaces imbued with a sense of openness and connection to context. HAYATO KOMATSU ARCHITECTS' refined yet warm modernism has earned publication in numerous prestigious journals. With their diverse, integrated approach and commitment to contextual sensitivity, this Hiroshima-based firm continues to produce architecture that elevates the human experience through its seamless blending of the manmade and organic worlds. 设计团队 旅游探访 462.62 m² 日本，濑户内海 2023年 Previous Next

< 返回 大馆住宅 W 项目名称：大馆住宅 地点：秋田县大馆市，日本 设计团队：W 建筑面积：128.49平方米 竣工时间：2023年 摄影：Daisuke Kondo 设计特色： 由渡部光树和渡部梨华领导的东京建筑事务所W在秋田县大馆市完成了一座引人注目的住宅,该项目对日本地方建筑的传统方法提出了挑战。该项目细致回应了地方发展的独特条件,在那些建筑规范较为宽松的地区,往往导致杂乱无章、缺乏联系的城市肌理。 该场地位于大馆站附近一个时间仿佛停滞的前矿业小镇,坐落在空地和老化建筑散落的景观之中。建筑师没有屈从于这种分散的特征,而是构思了一座通过精妙的庭院策略来明确定义其与外部空间关系的住宅。 这座128平方米住宅的核心特征是其创新的双庭院配置。通过在20米乘10米场地的周边布置建筑体量,W创造了两个具有对比性格的独特户外空间,由一座横贯中央虚空的透明起居室桥梁统一在一起。北侧体量高达两层,以最大化起居空间的自然采光,而包含实用功能的紧凑单层翼楼固定了南侧边缘。 东侧庭院作为半公共门槛空间,可从入口和车库进入,逐渐演变为绿意盎然的宾客聚集场所。西侧庭院在挑空式屋顶的庇护下,提供了邻近厨房的私密半室内空间,供家庭用餐和休闲。这种策略性的划分创造了分层的私密性,同时保持了整个场地的视觉和空间联系。 这些户外空间与玻璃墙起居室之间的相互作用产生了显著的空间深度。故意设计的复杂动线路径鼓励在房屋中漫游,使感知尺度超越了其谦逊的占地面积。该项目展示了在那些监管自由往往导致建筑漠然的地区,如何通过对外部空间的有意识互动来创造密集而有意义的生活环境。 设计团队 ：W作为当代日本建筑实践的杰出代表，由建筑师渡部光树和建筑师渡部梨华于2021年在东京创立，自成立以来已确立其在当代住宅设计以及语境敏感型建筑语言创新领域的先锋地位。这家立足东京国立市和秋田县的事务所通过设计与场地特性的协调整合，重新定义当代日本地方建筑师在设计话语中的角色。 W为建筑实践带来了卓越的场地响应性设计视角和对空间组织方法的深刻理解。该事务所因其将项目和谐融入地方语境与自然景观的承诺而获得认可，创造重层的空间体验。渡部光树1979年出生于秋田，在ISSEI KATOH设计事务所工作近十年后，于2014年成立独立事务所。他的教育基础涵盖千叶大学的设计研究和秋田建筑专门学校的专业建筑培训。渡部梨华同样出生于秋田，1983年出生，2014年加入事务所，随后于2017年至2019年在武藏野美术大学小泉诚研究室攻读研究生课程，丰富了其设计视野。 该事务所的设计哲学强调建筑应该超越形式限制，不仅仅是为了满足功能需求而设计，更是为了与地方环境和外部空间有机融合。通过对场地特定性认知和空间连续性的深度关注，开展从住宅到改造及家具设计的多元化作品，相信最好的建筑是通过精准和深思熟虑的过程产生的语境响应式干预。W相信建筑应该成为居住者生活方式的载体，通过策略性的空间组织和复杂动线设计创造超越面积限制的建筑体验。 除实践外，该事务所通过对木造建造方法的深思熟虑运用、地方建设特征和空间创新的理解、以及经过验证的庭院空间智慧，W已确立自己作为当代日本地方建筑话语重要贡献者的地位，创造出既具环境回应性又保持建筑卓越性的作品。在渡部光树和渡部梨华的持续领导下，该事务所目前在日本建筑景观中占据独特地位，专注于创造通过空间组织、动线设计和语境敏感性来实现建筑品质的空间体验。 设计团队 旅游探访 128.49 m² 秋田县大馆市，日本 2023 Previous Next

< 返回 上海蒂芙尼太古里门店 MVRDV 设计特色： 荷兰建筑事务所MVRDV为蒂芙尼在上海太古里前滩的最新力作，堪称奢华珠宝与建筑创新的完美融合。这家荷兰公司将店铺外立面打造成一道令人目眩神迷的景观，装饰了近7000颗手工制作的玻璃"钻石"，向这个标志性珠宝品牌的传统致敬。 这个引人注目的外观在上海高端购物区的中心地带成为一个大胆的宣言。白天，外立面栩栩如生，每一个玻璃元素都反射并折射周围环境，创造出闪烁变幻的视觉效果。夜幕降临时，整合的变色LED照明系统让商店能够散发出多种色彩，包括品牌标志性的蒂芙尼蓝®。设计的精妙之处在于其看似简单却蕴含深意。MVRDV的方法将蒂芙尼的传统与前沿建筑技术完美结合，打造出一个吸引路人驻足的三维画布。精心设计的结构确保了可持续性，每个组件都考虑到了未来的拆解和回收利用。 通过汲取上海缤纷天际线的灵感，MVRDV为蒂芙尼的全球形象创造了一个本地化诠释。这个项目不仅提升了品牌的视觉形象，还为零售建筑设立了新标准，将艺术、技术和奢华完美融合，成为城市中一颗难忘的明珠。 MVRDV's latest creation for Tiffany & Co. in Shanghai's Taikoo Li Qiantan retail development is a dazzling testament to the fusion of luxury jewelry and architectural innovation. The Dutch firm has transformed the store's facade into a mesmerizing spectacle, adorning it with nearly 7,000 handcrafted glass "diamonds" that pay homage to the iconic jeweler's legacy. This striking exterior serves as a bold statement in the heart of Shanghai's high-end shopping district. During daylight hours, the facade comes alive as each glass element reflects and refracts its surroundings, creating a shimmering, ever-changing display. As night falls, the integration of color-changing LED lighting allows the store to radiate in a spectrum of hues, including the brand's signature Tiffany Blue®. The design's brilliance lies in its deceptive simplicity. MVRDV's approach marries Tiffany's heritage with cutting-edge architectural techniques, resulting in a three-dimensional canvas that captivates passersby. The carefully engineered structure ensures sustainability, with each component designed for future disassembly and recycling. By drawing inspiration from Shanghai's vibrant skyline, MVRDV has created a localized interpretation of Tiffany's global presence. This project not only elevates the brand's visual identity but also sets a new standard for retail architecture, seamlessly blending art, technology, and luxury in an unforgettable urban jewel. 设计团队： MVRDV建筑事务所于1993年由维尼·马斯（Winy Maas）、雅各布·范赖斯（Jacob van Rijs）和娜塔莉·德弗里斯（Nathalie de Vries）共同创立，如今已成为创新建筑设计和城市规划领域的先锋。目前，除创始合伙人外，弗朗斯·德维特（Frans de Witte）、福克·莫雷尔（Fokke Moerel）、石文倩（Wenchian Shi）、扬·克尼克（Jan Knikker）和贝特朗·希潘（Bertrand Schippan）也加入领导团队。这家总部位于鹿特丹的公司已经在全球扩张，在上海、巴黎、柏林和纽约都设有办事处。 MVRDV的设计方法以严谨的研究、多学科协作和对可持续性的承诺为特征。他们内部的气候团队确保每个设计都符合生态环保理念，而MVRDV NEXT则不断推动计算机辅助设计和技术集成的边界。该公司的作品涵盖了令人印象深刻的多种建筑类型，从鹿特丹标志性的混合用途建筑Markthal到具有重要文化意义的项目，如博伊曼斯·范伯宁恩美术馆藏品库。 MVRDV的作品经常挑战传统建筑规范，比如地拉那金字塔的改造项目和天津滨海图书馆等。在300多名专业人士的努力下，MVRDV持续塑造着建筑和城市规划的未来。他们强调创意、功能性和社会责任的设计理念赢得了国际赞誉和众多奖项。通过其附属智库"未来工厂"（The Why Factory），MVRDV还为学术讨论做出贡献，构想未来城市，并不断推动建筑思想的边界。 Founded in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, MVRDV has established itself as a vanguard in innovative architectural design and urban planning. Now led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, this Rotterdam-based firm has expanded globally with offices in Shanghai, Paris, Berlin, and New York. MVRDV's approach is characterized by rigorous research, multidisciplinary collaboration, and a commitment to sustainability. Their in-house Climate Team ensures eco-conscious designs, while MVRDV NEXT pushes the boundaries of computational design and technology integration. The firm's portfolio spans an impressive range of typologies, from mixed-use developments like the iconic Markthal in Rotterdam to culturally significant projects such as the Depot Boijmans Van Beuningen. MVRDV's work often challenges conventional architectural norms, as seen in projects like the Pyramid of Tirana transformation and the Tianjin Binhai Library. With a team of over 300 professionals, MVRDV continues to shape the future of architecture and urbanism. Their design philosophy, which emphasizes creativity, functionality, and social responsibility, has garnered international acclaim and numerous awards. Through their associated think tank, The Why Factory, MVRDV also contributes to academic discourse, envisioning future cities and pushing the boundaries of architectural thought. 设计团队 旅游探访 533 m² 中国，上海 2024年 Previous Next

< 返回 Havenwood住宅 Atlas Architects 项目名称：Havenwood住宅 地点：布莱顿，澳大利亚 设计团队：Atlas Architects 建筑面积：334 m² 竣工时间：2025年 摄影：Tess Kelly 设计特色： 由Atlas Architects设计的Havenwood住宅竣工于2025年，坐落于布莱顿一处宁静的尽端路之中，建筑面积334平方米。这座住宅的诞生历经重重磨难，包括漫长的规划争议、维多利亚州民事与行政审裁处的审查程序，以及原施工方的中途破产。然而正是在这一系列挫折之后，一座极具思考深度的当代住宅得以最终成形，成为近年澳大利亚住宅建筑中令人瞩目的作品之一。 Havenwood最为突出之处，在于其对传统郊区住宅布局的根本性颠覆。大多数住宅选择背向街道，以围墙与树篱将自身封闭，而这座住宅则以开放的姿态面向公共领域。主要起居空间朝向经过精心设计的前庭花园，将街道上一棵成熟大树的身影纳入视野，与周边社区形成一种低调而温暖的对话。这一设计姿态既慷慨又睿智，在不扩大建筑占地的前提下，有效延展了空间的感知尺度。 建筑语言沉稳而具有说服力。悬浮感十足的上层体量以炭化木材包覆，赋予立面以质朴而经久的触感。室内延续这一材料基调，木质衬板与纹理丰富的石材饰面相互呼应，营造出兼具温度与层次的居住氛围。精心布置的开窗将树梢与天空收入画框，使上层空间脱离了周边郊区环境的喧嚣，更接近于一处远离都市的静谧山居。 功能性贯穿设计始终。底层围绕户外休闲空间展开布局，主卧套房、厨房与主要起居区域均设置于地面层，充分考量了多代同堂与居家养老的长期需求。上层则设有三间卧室、一处学习区及活动室，可随家庭结构的演变灵活调整使用方式。被动式太阳能朝向与自然通风的设计策略，在保障环境性能的同时，亦未对空间品质作出任何妥协。 项目的精细工艺同样令人称道。建筑师、施工方与各专项工程师之间的紧密协作，使每一处材料衔接与构造节点均得到精确实现。以入口超大尺度旋转门为例，其内外两侧均以相同材料包覆，使门扇在视觉上与实体墙面浑然一体，这种对细节的执着贯穿项目始终。Havenwood住宅证明了一件事：当逆境以坚定的设计信念加以回应，最终呈现的往往是一种更为纯粹、更为卓越的建筑。 设计团队： Atlas Architects由董事Aaron Neighbour与Ton Vu于2015年4月共同创立，是一家总部位于墨尔本的建筑设计事务所，设有Footscray与冲浪海岸（Surf Coast）两处工作室。事务所以"通过可持续、创新且务实的建筑设计提升社区生活品质"为核心愿景，深耕低层住宅领域，持续输出注重空间品质、环境性能与长期宜居性的建筑作品。 两位董事均以优异成绩获得皇家墨尔本理工大学（RMIT University）建筑学硕士学位，并同时持有被动房研究所（Passive House Institute）颁发的认证被动房设计师资格，使事务所在严谨的技术能力与成熟的设计思维之间形成了高度融合。Neighbour深耕建筑测量领域，精通澳大利亚国家建筑规范，尤其擅长将建筑形态与沿海及自然景观进行相互协调的整合设计。Vu则将其成长于西贡城市巷弄中所形成的空间敏感性与社区意识带入建筑实践，并长期于RMIT大学及墨尔本大学从事建筑与城市设计领域的学术研究与教学工作。 事务所以精简而协作的团队结构运营，确保在设计及施工文件编制的各个阶段均能与业主保持紧密沟通。事务所荣获2024年度澳大利亚By Design Cult大众评选奖，进一步确立了其在澳大利亚建筑设计行业中的专业地位。其作品体现出对材料选用、被动式环境策略与人本化居住空间组织的高度克制与严格把控，这些特质共同构成了Atlas Architects对技术完善且真正宜居建筑的一贯追求。 设计团队 旅游探访 334 m² 布莱顿，澳大利亚 2025 Previous Next

< 返回 Villa Sipat & Sauh Arkana Architects 项目名称：Villa Sipat & Sauh 地点：巴厘岛，印度尼西亚 设计团队：Arkana Architects 建筑面积：250平方米 竣工时间：2025年 摄影：Thomas Irsyad 设计特色： Arkana Architects设计的"Villa Sipat & Sauh"展现了如何通过颠覆性的空间序列和创新的材料应用策略，将紧凑型租赁别墅转化为具有深刻居家亲密感的建筑作品。 这座250平方米的住宅建于仅150平方米的紧凑场地上，跨越两层楼，呈现为对酒店设计传统的重新思考，优先考虑家庭温暖与空间亲密感而非传统的奢华表达。它没有遵循巴厘岛租赁市场常见的装饰性热带风格，而是通过材料真实性和建筑克制创造出一个既具有强烈建筑特征又能唤起居家舒适感的空间体验。 项目的绝妙之处在于其非常规的入口序列设计。访客首先被引入一个由玻璃砖框定并向天空开放的小型门厅，阳光在白天穿透而入，雨水偶尔渗入，创造出一个触觉性和诗意性的过渡时刻。与印度尼西亚住宅通常在入口处设置客厅的传统不同，访客首先遇到的是一个带有简约岛台的厨房，这一非常规的设计手法以亲密感取代了形式感，微妙地鼓励互动并营造出短期住宿中罕见的家庭舒适感。 Arkana Architects的设计语言流利地表达着材料诚实性，运用玻璃砖创造出鲜明的几何立面构图。这种材料选择同时实现了不透明性与视觉趣味性，表面在遮蔽室内直接视线的同时展现模糊的轮廓，从外部激发好奇心而不损害私密性。这种遮蔽与展示之间的相互作用成为定义性特征，使立面既具保护性又具表现力。 建筑师通过中央庭院与游泳池的设计在功能性和情感性上锚定了整个平面。这个露天核心在前部的公共区域与后部及上层的私密睡眠区域之间起到调节作用。泳池旁的楼梯提供了垂直连接，同时强化了穿越住宅的移动应始终与户外互动的理念。餐厅与客厅通过木材和凹槽玻璃制成的半透明隔断连接，模糊的边界界定了每个房间但未切断其视觉或空间联系，使光线和空气自由流动。 空间组织策略贯穿整个设计过程。Villa Sipat & Sauh通过垂直分层、过滤光线以及与绿植和天空的持续视觉联系，使这座紧凑的住宅感觉开阔。每一个决策都旨在唤起平静与归属感。最终呈现的是一个紧凑的城市静修所，将简单的租赁物业转化为有意义的空间体验，不是关于最宏大形式的奢华，而是关于宁静的舒适以及与光线、质感和时间共同生活的温和节奏。 设计团队 ：Arkana Architects是一家总部位于巴厘岛的建筑设计机构，创立于2016年，专注于当代热带建筑设计，将地域景观美学与创新空间规划相结合。事务所由一群才华横溢且思想开放的建筑师组成，不断为地产总体规划、建筑和景观设计创造突破常规的视角，致力于将梦想般的构想转化为现实。 在首席建筑师Gathi Subekti的带领下，事务所建立了一套协作式设计方法论，在从概念发展到施工监理的整个项目生命周期中优先考虑客户参与。工作室的业务范围涵盖总体规划、建筑设计和室内设计服务，在酒店及住宅类型方面具有专业优势，包括度假村、别墅、酒店和私人庄园。Arkana Architects的设计团队由主设计团队负责人Andika Surya Pramana、设计团队成员Marceanno Julio和技术团队负责人Putu Yoga Dananjaya组成，共同确保每个项目从设计到施工的全过程质量控制。 该事务所培育出一种独特的设计语言，既回应热带气候条件，又保持当代建筑原则。这种设计手法强调材料真实性、空间流动性和环境整合，而非表面化的风格装饰。Arkana Architects采用多学科框架，将建筑愿景与景观策略相结合，确保综合性场地开发能够在多个尺度上考虑环境关系。 自成立以来，事务所已在巴厘岛、龙目岛、苏门答腊、坦桑尼亚、马来西亚和马尔代夫等不同地理环境中执行项目，展现出对多样文化和环境条件的适应能力。工作室的设计流程以严谨的空间分析和技术精确性为特征，同时兼顾对客户需求和场地特定参数的响应性。Arkana Architects的激情建筑师深刻理解，需要结合多方思想才能为所有参与方创造最令人愉悦的成果，因此客户的观点和意见在实现完美最终产品时至关重要。 Arkana Architects认为，卓越的建筑源于艺术敏感性与功能性的综合。事务所致力于创造持久的空间环境，这反映出一种理解，即成功的设计超越美学趋势，转而关注比例、光线、材料性和人类体验等永恒品质。无论是度假村、别墅、酒店、住宅还是其他商业地产，事务所的目标始终如一，即通过结合所有创意并在执行时不掺杂虚假，为业主或住户创造最精致的避风港。 设计团队 旅游探访 250 m² 巴厘岛，印度尼西亚 2025 Previous Next