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以空白搜尋找到 775 個結果

  • 塞里马之家 TETRO Arquitetura | Archicasting

    < 返回 塞里马之家 TETRO Arquitetura 项目名称:塞里马之家 地点:贝洛奥里藏特,巴西 设计团队:TETRO Arquitetura 建筑面积:350 m² 竣工时间:2025年 摄影:Luisa Lage 设计特色: 项目 - 在贝洛奥里藏特郊外的田园中,TETRO Arquitetura打造了塞里马之家这一独具特色的建筑。要抵达这座住宅,访客需穿越一片山脉,这段旅程标志着一个转变过程。离开城市的喧嚣,访客进入一个宁静环境,与自然完全融为一体。 设计团队以诗意建筑为理念,创造了一个被黑色石墙蜿蜒分割的双重体验空间。这座350平方米的住宅所在位置展现两种截然不同的景观:一侧是山脉的广阔开放视野;另一侧是茂密的树林,充满绿意。在这种开阔景观与遮蔽庇护所的平衡之间,住宅和谐地融入其中。塞里马,这种当地典型的鸟类,在此处自由漫步,也因此成为这座住宅名称的灵感来源。 住宅最引人注目的特点是那条诗意的蜿蜒墙壁,它将房屋分为两个世界。一侧是欢迎空间:明亮、充满声音、音乐和活力,拥有山脉的开阔视野。另一侧是休憩空间:安静、内省、沉浸在森林的荫蔽中,专为休息和阅读而设计。 建筑材料加强了与景观的联系。蜿蜒的墙面覆盖着黑色石材,与白色石材地面形成鲜明对比。这座住宅既是庇护所,也是生活体验。单一材料——石材,定义了其本质。塞里马之家是时间、河流、山脉、洞穴的化身,更是诗意的具象表达。 团队 - TETRO Arquitetura成立于2001年,是一家总部位于巴西贝洛奥里藏特并在全球范围内活动的建筑设计事务所。由建筑师Carlos Maia、Débora Mendes和Igor Macedo领导,该事务所专注于将巴西现代主义建筑传统与创新设计方法相结合,重新诠释建筑与自然的关系。 事务所的设计方法基于对场地前提条件和客户需求的严谨研究,为每个项目提供独特且不可复制的解决方案。其设计特色包括与自然的融合、原材料的运用以及对空间虚实关系的精妙探索。团队以巴西现代主义建筑为出发点,重新思考其核心概念,以创新方式回应当代建筑挑战。 TETRO的多学科团队致力于各类项目,包括住宅、商业建筑、学校、医院、博物馆等。其作品获得众多国际认可,包括Architizer A+Awards、World Design Awards、Architecture & Design Collection Awards等奖项,并入选Architectural Digest的AD100榜单。该事务所被Architizer评为"巴西25家最佳建筑事务所"前10名,并参与了2021年和2023年的威尼斯双年展。 TETRO Arquitetura的设计理念将技术卓越性与文化遗产价值相结合,创造出既体现巴西建筑精神又具全球视野的作品。他们的住宅项目,如塞里马之家,展现了对自然环境的深刻理解和对建筑空间诗意表达的独特能力。 Project Name: Seriema House Location: Belo Horizonte, Brazil Design Team: TETRO Arquitetura Total Floor Area: 350 m² Completion: 2025 Photography: Luisa Lage Feature: Project - TETRO Arquitetura has completed their latest masterpiece - Seriema House, situated in a bucolic refuge on the outskirts of Belo Horizonte, Brazil. To access the residence, visitors must cross a mountain range, a journey that marks a transition. Leaving behind urban noise, one enters a serene environment fully integrated with nature. The design team created a 350-square-meter dwelling positioned between two distinct landscapes: on one side, a wide, open view of mountains; on the other, a dense forest full of trees. In this balance between expansive vistas and shaded refuge, the house fits harmoniously. Seriemas, birds typical to the region that roam freely around the property, inspired the residence's name. The project's most distinctive feature is its poetic, winding wall covered in black stone, which divides the house into two worlds. On one side lies the welcoming space: bright, filled with sounds, music, and movement, with open mountain views. On the other, the retreat space: silent, introspective, immersed in forest shadows, dedicated to rest and reading. Materiality reinforces the connection with the landscape. The sinuous black stone wall creates a dramatic contrast with the white stone flooring. Conceived as more than a home, the house was designed as a space for pause—a place to read, rest, contemplate the landscape, and share moments with friends. Seriema House embodies time, river, mountain, and cave. It is, above all, poetry in architectural form. Design Team - Founded in 2001, TETRO Arquitetura is an architectural practice based in Belo Horizonte, Brazil, working globally under the leadership of architects Carlos Maia, Débora Mendes, and Igor Macedo. The studio focuses on reinterpreting Brazilian modernist traditions through innovative design approaches that reimagine the relationship between architecture and nature. The practice's methodology is anchored in rigorous research of site conditions and client requirements, seeking unique and irreplicable solutions for each project. Their design language features integration with natural surroundings, the expressive use of raw materials, and sophisticated exploration of spatial voids. The team takes Brazilian modern architecture as a starting point, rethinking its core concepts to provide innovative responses to contemporary architectural challenges. TETRO's multidisciplinary team develops projects across various typologies, including residential, commercial buildings, schools, hospitals, and museums. Their work has received numerous international recognitions, including the Architizer A+Awards, World Design Awards, and Architecture & Design Collection Awards, alongside inclusion in Architectural Digest's AD100 list. The firm ranks among the top 10 in Architizer's "25 Best Architecture Firms in Brazil" and has participated in the Venice Biennale in both 2021 and 2023. TETRO Arquitetura's design philosophy combines technical excellence with cultural heritage values, creating works that embody Brazilian architectural spirit with global relevance. Their residential projects, such as Seriema House, demonstrate a profound understanding of natural context and a unique ability to express architectural poetry through spatial composition. 设计团队 旅游探访 350 m² 贝洛奥里藏特,巴西 2025 Previous Next

  • Orford 别墅住宅 Thellend Fortin Architectes | Archicasting

    < 返回 Orford 别墅住宅 Thellend Fortin Architectes 设计特色: 项目 – 坐落于魁北克东部地区核心地带的奥福德住宅,出自Thellend Fortin建筑事务所之手,是当代住宅设计与自然环境和谐共融的典范之作。这座于独栋住宅取代了原址上的旧建筑,同时巧妙地保留了场地的丰富历史底蕴和令人屏息的自然景观。 建筑师们成功地将传统元素与现代美学融为一体,呈现出一种对本土建筑的精妙诠释。双坡屋顶和木质外墙向当地建筑传统致敬,而简洁的线条和宽阔的玻璃立面则彰显了住宅的当代特质。 奥福德住宅的与众不同之处在于其对场地地形的巧妙利用。设计巧妙地利用了斜坡地势,创造出一种多层次的生活体验,仿佛模仿了森林的层次感。从贴近地面的花园层到仿佛置身树冠的顶层,整个住宅提供了一段独特的空间旅程,让人仿佛漫步林间。 项目对环境的敏感度体现在其紧凑的占地面积和对现有场地元素的充分利用上。大面积的落地窗将周围群山和森林的壮丽景色尽收眼底,模糊了室内外的界限。建筑与自然之间的这种和谐对话,创造出一个既彰显当代设计理念,又颂扬其优美环境的独特居所。 团队 – 成立于2007年的Thellend Fortin建筑事务所已然成为魁北克建筑界的领军力量。在Louis Thellend和Lisa-Marie Fortin这对充满活力的搭档的带领下,该事务所因其创新的设计方法而备受赞誉,尤其体现在其对环境语境的无缝融入和对生态敏感性的高度重视。 事务所的作品集涵盖了广泛的项目,从像奥福德住宅这样的住宅杰作到更大规模的公共建筑等。他们的设计理念植根于对当代生活模式的深刻理解,以及对当前建筑挑战的积极回应。 Thellend Fortin的作品以形式与功能的巧妙结合而著称,常常运用融合本地特色和现代美学的材料组合。事务所在因地制宜的解决方案上表现卓越,比如在奥福德住宅项目中对地形的巧妙利用和自然元素的融入就是明证。 两位主创为事务所带来了丰富的国际经验。Lisa-Marie Fortin在社区生态住宅开发方面的背景,以及Louis Thellend在大型公共建筑项目上的专长,为事务所的全方位建筑实践奠定了基础。 凭借众多奖项和荣誉,Thellend Fortin建筑事务所不断推动当代设计的边界,创造出不仅视觉上引人注目,而且深度回应环境和文化语境的空间作品。 Feature: Project - Nestled in the heart of Quebec's Eastern Townships, the Orford House by Thellend Fortin Architectes is a striking example of contemporary residential design that seamlessly integrates with its natural surroundings. This single-family dwelling, completed in 2022, replaces an older structure while maintaining a deep connection to the site's rich history and breathtaking landscape. The architects faced the challenge of blending traditional elements with modern aesthetics, resulting in a sophisticated interpretation of vernacular architecture. Double-sloped roofs and wood cladding nod to the region's heritage, while clean lines and expansive glazing anchor the home firmly in the present. What sets the Orford House apart is its thoughtful response to the site's topography. The design cleverly utilizes the sloping terrain to create a multi-level living experience that mimics the layers of the forest. From the garden level's grounded spaces to the canopy-like upper floor, the home offers a unique spatial journey that echoes the experience of walking through the woods. The project's commitment to environmental sensitivity is evident in its compact footprint and use of existing site elements. Large windows frame spectacular views of the surrounding mountains and forests, blurring the boundaries between interior and exterior. This harmonious dialogue between architecture and nature creates a retreat that is both a testament to contemporary design and a celebration of its picturesque setting. Design Team - Founded in 2007, Thellend Fortin Architectes has established itself as a leading force in Quebec's architectural landscape. Led by the dynamic duo of Louis Thellend and Lisa-Marie Fortin, the firm has garnered recognition for its innovative approach to design that seamlessly integrates with context and prioritizes environmental sensitivity. The practice's portfolio showcases a diverse range of projects, from residential masterpieces like the Orford House to larger-scale institutional works. Their design philosophy is rooted in a deep understanding of contemporary living patterns and a commitment to addressing current architectural challenges. Thellend Fortin's work is characterized by a sophisticated interplay of form and function, often employing a material palette that references local vernacular while embracing modern aesthetics. The firm excels in site-specific solutions, as evidenced by their skillful manipulation of topography and integration of natural elements in projects like the Orford House. The principals bring a wealth of international experience to their practice. Lisa-Marie Fortin's background in community-based ecological residential development and Louis Thellend's expertise in large-scale institutional projects contribute to the firm's holistic approach to architecture. With numerous awards and accolades to their name, Thellend Fortin Architectes continues to push the boundaries of contemporary design, creating spaces that are not only visually striking but also deeply responsive to their environmental and cultural contexts. 设计团队 旅游探访 600 m² Orford,Canada 2023 Previous Next

  • 暖居 御手洗龙建筑设计事务所 | Archicasting

    < 返回 暖居 御手洗龙建筑设计事务所 项目名称:暖居 地点:北轻井泽,日本 设计团队:御手洗龙建筑设计事务所 建筑面积:10平方米 竣工时间:2024年 摄影:中村絵 设计特色: 由建筑师御手洗龙领导的东京建筑事务所御手洗龙建筑设计事务所在群马县北軽井沢完成了一座非凡的木结构小屋,该项目作为筱原一男标志性作品"谷川さんの住宅"的附属建筑,重新定义了最小干预建筑与自然环境的关系。该项目展示了如何通过精准的场地响应和创新的结构策略,在保护既有生态系统的同时创造出深度沉浸式的空间体验。 该建筑位于一片成熟林地中,场地拥有四棵高大的水楢树,其粗壮的根系牢牢抓住大地。建筑师没有采用传统地基方式以避免对树木根系和土壤环境造成压迫,而是构思了一种革命性的树木固定构法,通过将定制锚栓嵌入树干,使整座建筑悬浮于地面上方1.5米处。 这座10平方米住宅的核心特征是其创新的螺旋式窗边空间配置。围绕中央薪柴炉,御手洗龙创造了四个高度各异、性格迥异的独特观景凹室,分别命名为"谷之窗"、"山之窗"、"巢之窗"和"木漏れ日之窗"。这些从身体尺度衍生的小型口袋空间以螺旋方式向上展开,每个空间都框取周围多样化环境的特定侧面,从远山景致到透过树冠洒落的斑驳光影。 各个窗户的形态与开启方式均由周围环境决定,赋予建筑如同穿脱衣物般调节环境的轻盈感。当中央火炉燃起时,高度差异产生显着的温热环境变化。微微开启窗户,森林和山谷的凉风便能流入身体,带来难以言喻的清凉感受。这种策略性设计创造了分层的感官体验,使小屋如同人体的延伸,仿佛穿戴着环境本身。 窗边空间与自然环境之间的相互作用产生了超越其谦逊占地面积的空间深度。建筑师通过对场地特定条件的细致观察,创造出既能在火焰燃烧时温暖身体,又能在非取暖时保持与自然联系的建筑。该项目展示了如何通过最小化建造干预和对环境的深度响应,创造出充满生命力且与场地共生的居住空间。 设计团队 :御手洗龙建筑设计事务所作为当代日本建筑实践的杰出代表,由建筑师御手洗龙于2013年在东京创立,自成立以来已确立其在当代建筑设计以及动态秩序建筑语言创新领域的先锋地位。这家立足东京目黒区的事务所通过设计回应波动自然环境的建筑,重新定义当代日本建筑师在设计话语中的角色。 御手洗龙为建筑实践带来了卓越的环境响应性设计视角和对身体感知空间的深刻理解。该事务所因其将项目和谐融入自然环境、创造唤起人类能动性空间体验的承诺而获得认可。御手洗龙1978年出生于东京,2002年从东京大学工学部建筑学科毕业后师从安藤忠雄,2004年于东京大学大学院工学系研究科建筑学专攻完成学业。随后在伊东豊雄建筑设计事务所工作九年,积累了丰富的实践经验,于2013年建立独立事务所。他的教学参与涵盖横滨国立大学大学院Y-GSA、东京大学、法政大学、日本女子大学和武藏野大学等知名院校的非常勤讲师职位。 该事务所的设计哲学强调建筑应该从"易于使用"转向"想要使用",通过刺激人的身体感觉和唤起能动性来创造生动的场所。事务所相信通过回应不断波动的自然环境,建筑能够创造出新的自然状态,从动态秩序中生成的建筑将产生丰富性。通过对场地特定性认知和空间连续性的深度关注,开展从住宅到公共建筑及室内设计的多元化作品。 该事务所在建筑界获得了显着认可,Grove项目荣获2024年住宅建筑赏、2024年日本建筑设计学会赏,并于2025年入选日本建筑学会奖作品类最终现场审查八选及学会作品选集。Miraton项目获得2024年东京建筑奖、2025年日本建筑学会作品选奨及2023年优良设计奖。事务所还在2022年以Grove项目获得SD Review鹿岛赏,并在多个重要建筑竞赛中入选最终提案。 除实践外,通过对空间尺度的精准把握、身体感知的深入研究以及环境响应性建筑的持续探索,御手洗龙建筑设计事务所已确立自己作为当代日本建筑话语重要贡献者的地位,创造出既具环境回应性又保持建筑卓越性的作品。在御手洗龙的持续领导下,该事务所目前在日本建筑景观中占据独特地位,专注于创造从动态秩序中生成、充满生命力的建筑空间。 设计团队 旅游探访 10 m² 北轻井泽,日本 2024 Previous Next

  • Buitenplaats Koningsweg 社区 MVRDV | Archicasting

    < 返回 Buitenplaats Koningsweg 社区 MVRDV 项目名称:Buitenplaats Koningsweg 社区 设计团队:MVRDV 面积:4932 m² 地点:荷兰,阿纳姆 设计特色: 项目 – 在荷兰阿纳姆郊区,一个令人惊叹的项目将历史与自然巧妙融合。MVRDV建筑事务所、Buro Harro景观设计工作室以及KondorWessels Projecten开发公司联手,将二战时期的德国军事基地华丽蜕变,赋予其全新生命。这个名为Buitenplaats Koningsweg的项目,巧妙地将居住空间、文化元素与弗卢韦森林完美结合,创造出一个独特的生活环境,既尊重其复杂的历史,又拥抱可持续发展的未来。 整体规划极具匠心,保留并改造了现有建筑,同时通过精心选择的材料,让新增建筑清晰可辨。原有的砖砌建筑经过细致修复,而重建的部分则采用独特的浅灰色外观。这种方法不仅尊重了场地的历史遗产,还让访客能直观地解读其丰富的历史层次。 MVRDV的贡献包括三座几乎完全相同的住宅楼,提供21套能源中和的"森林城镇别墅"。这些住宅高于地面,拥有最小限度的围合空间,与周围自然环境亲密相连。项目对可持续发展的承诺体现在木质框架、回收材料的使用以及面向未来的设计元素上。 最引人注目的或许是Buro Harro的景观设计,它"像毯子一样将弗卢韦景观覆盖在场地上"。这种方法模糊了建筑环境与自然环境之间的界限,营造出一种既恒久又与周围环境完美融合的宁静氛围。最终呈现的是一个真正独特的开发项目,为居民提供了在荷兰最珍贵的自然景观之一中和谐生活、工作和放松的难得机会。 团队 – MVRDV建筑事务所于1993年由维尼·马斯(Winy Maas)、雅各布·范赖斯(Jacob van Rijs)和娜塔莉·德弗里斯(Nathalie de Vries)共同创立,如今已成为创新建筑设计和城市规划领域的先锋。目前,除创始合伙人外,弗朗斯·德维特(Frans de Witte)、福克·莫雷尔(Fokke Moerel)、石文倩(Wenchian Shi)、扬·克尼克(Jan Knikker)和贝特朗·希潘(Bertrand Schippan)也加入领导团队。这家总部位于鹿特丹的公司已经在全球扩张,在上海、巴黎、柏林和纽约都设有办事处。 MVRDV的设计方法以严谨的研究、多学科协作和对可持续性的承诺为特征。他们内部的气候团队确保每个设计都符合生态环保理念,而MVRDV NEXT则不断推动计算机辅助设计和技术集成的边界。该公司的作品涵盖了令人印象深刻的多种建筑类型,从鹿特丹标志性的混合用途建筑Markthal到具有重要文化意义的项目,如博伊曼斯·范伯宁恩美术馆藏品库。MVRDV的作品经常挑战传统建筑规范,比如地拉那金字塔的改造项目和天津滨海图书馆等。 在300多名专业人士的努力下,MVRDV持续塑造着建筑和城市规划的未来。他们强调创意、功能性和社会责任的设计理念赢得了国际赞誉和众多奖项。通过其附属智库"未来工厂"(The Why Factory),MVRDV还为学术讨论做出贡献,构想未来城市,并不断推动建筑思想的边界。 Project:Buitenplaats Koningsweg Team:MVRDV Size:4932 m² Location:Arnhem, Netherlands Feature: Project - In a striking transformation of history and nature, MVRDV, Buro Harro, and KondorWessels Projecten have breathed new life into a former World War II German military base on the outskirts of Arnhem, Netherlands. The Buitenplaats Koningsweg project seamlessly blends residential spaces, cultural elements, and the lush Veluwe forest, creating a unique living environment that honors its complex past while embracing a sustainable future. The masterplan ingeniously preserves and repurposes existing structures, with new additions clearly delineated through thoughtful material choices. Original brick buildings are carefully restored, while reconstructed elements feature distinctive light grey finishes. This approach not only respects the site's heritage but also allows visitors to intuitively interpret its layered history. MVRDV's contribution includes three almost-identical residential buildings, offering 21 energy-neutral "townhouses in the forest." These homes, raised above ground level, boast minimal enclosures and intimate connections to the surrounding nature. The project's commitment to sustainability is evident in its use of timber frames, recycled materials, and future-ready design elements. Perhaps most striking is the landscape design by Buro Harro, which "pulls the Veluwe landscape over the site like a blanket." This rewilding approach blurs the boundaries between built and natural environments, creating a serene atmosphere that feels both timeless and perfectly integrated with its surroundings. The result is a truly unique development that offers residents the rare opportunity to live, work, and relax in harmony with one of the Netherlands' most precious natural landscapes. Design Team - Founded in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, MVRDV has established itself as a vanguard in innovative architectural design and urban planning. Now led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, this Rotterdam-based firm has expanded globally with offices in Shanghai, Paris, Berlin, and New York. MVRDV's approach is characterized by rigorous research, multidisciplinary collaboration, and a commitment to sustainability. Their in-house Climate Team ensures eco-conscious designs, while MVRDV NEXT pushes the boundaries of computational design and technology integration. The firm's portfolio spans an impressive range of typologies, from mixed-use developments like the iconic Markthal in Rotterdam to culturally significant projects such as the Depot Boijmans Van Beuningen. MVRDV's work often challenges conventional architectural norms, as seen in projects like the Pyramid of Tirana transformation and the Tianjin Binhai Library. With a team of over 300 professionals, MVRDV continues to shape the future of architecture and urbanism. Their design philosophy, which emphasizes creativity, functionality, and social responsibility, has garnered international acclaim and numerous awards. Through their associated think tank, The Why Factory, MVRDV also contributes to academic discourse, envisioning future cities and pushing the boundaries of architectural thought. 设计团队 旅游探访 4932 m² Arnhem, Netherlands 2024 Previous Next

  • M 酒店 Ho Khue Architects | Archicasting

    < 返回 M 酒店 Ho Khue Architects 项目名称: M Hotel 地点: 岘港,越南 设计团队: Ho Khue Architects 建筑面积: 23500 m² 竣工时间: 2023年 摄影: Hiroyuki Oki 设计特色: 项目 - 越南建筑师事务所Ho Khue Architects在岘港完成了一座25层高的酒店项目,通过将层叠的绿化与雕塑般的混凝土形态大胆结合,重新诠释了典型的滨海高层建筑,创造出他们所描述的"岩石山体表面上的流水"效果。 M酒店坐落于岘港备受追捧的海岸线上,对当前海滨开发项目中常见的重复性、刚性形态提出了批判。建筑师刻意突破常规,用蜿蜒的植被带环绕建筑的清水混凝土结构,沿立面向上延伸,柔化了建筑在天际线上的庞大体量。 这座拥有199间客房的酒店通过其渐进式的立面处理,展现了对环境设计的考量。面向海洋的房间采用大面积玻璃以充分利用海景视野,而面向城市的西侧房间则后退布置,在前方设置绿色花园空间,提供自然遮阴和被动式降温效果。这种策略性的布局不仅减少了能源消耗,还在城市环境中营造出私密的绿色空间。 该建筑最引人注目的是其对周边环境的回应方式。建筑师没有对相邻建筑呈现出空白的墙面,而是精心设计了四个戏剧性的空中花园,点缀着大楼的垂直进程。这些空间具有多重功能:它们在相邻建筑之间创造出呼吸的空间,为电梯大堂提供公共区域,并引入壮观的垂直花园,将原本可能是功能性空间转变为社交焦点。 这个项目代表着越南快速发展的沿海地区传统酒店设计的重大突破,为高密度城市开发如何更好地与自然系统融合提供了原型。通过将坚固的建筑形态与有机的生命元素相结合,M酒店为热带气候下的可持续高层建筑描绘了新方向。 团队 – Ho Khue Architects于2000年代初成立,在主创建筑师Ho Khue的带领下,已发展成为越南最具创新性的建筑事务所之一,特别以其可持续设计方法和将生物亲和元素融入当代建筑的手法而闻名。该事务所以ALPES Green Design & Build的名义运营,始终展现着将环境意识与精湛建筑解决方案相结合的卓越能力。 事务所的项目组合从精品酒店到文化设施不等,其中包括在2024年获得国际认可的Son Tra艺术展览中心和The Nest House等标志性项目。他们的设计理念强调建筑形态与自然元素的无缝融合,这在岘港的M酒店等项目中得到充分体现,其中垂直花园和可持续策略是建筑表达的根本要素。 在Ho Khue的领导下,事务所获得了众多享有盛誉的奖项,包括2024年ASHUI年度建筑奖、2A大陆奖金奖的认可。他们的作品以创新运用清水混凝土、战略性实施被动式设计原则,以及在城市环境中创造动态绿色空间为特色。 事务所对可持续建筑的承诺体现在其全面的设计-建造方法上,每个项目都被构思为对环境挑战的整体响应,同时保持美学卓越性和功能效率。这种方法使Ho Khue Architects在越南建筑演变的前沿占据重要地位,特别是在发展热带城市环境解决方案方面。 Project Name: M Hotel Location: Da Nang, Vietnam Architecture Team: Ho Khue Architects Building Area: 23,500 m² Completion Time: 2023 Photography: Hiroyuki Oki Feature: Project - Vietnamese architecture firm Ho Khue Architects has completed a 25-story hotel in Da Nang that reimagines the typical coastal high-rise through a bold integration of cascading greenery and sculptural concrete forms, creating what they describe as "a flowing stream on the surface of a rocky mountain." The M Hotel, spanning 23,500 square meters along Da Nang's coveted coastline, stands as a critique of the repetitive, rigid forms that typically characterize beachfront developments. The architects have deliberately broken from convention by wrapping the building's fair-faced concrete structure with sinuous bands of vegetation that wind their way up the façade, softening the building's monumental presence against the skyline. The 199-room property demonstrates a thoughtful approach to environmental design through its graduated facade treatment. Ocean-facing rooms feature expansive glazing to capitalize on sea views, while the west-facing city-side accommodations are set back behind verdant garden spaces that provide natural shading and passive cooling benefits. This strategic arrangement not only reduces energy consumption but also creates intimate green pockets within the urban context. Perhaps most striking is the building's response to its immediate context. Rather than presenting blank walls to neighboring properties, the architects have carved out four dramatic sky gardens that punctuate the vertical progression of the tower. These void spaces serve multiple functions: they create breathing room between adjacent structures, provide communal areas at elevator lobbies, and introduce spectacular vertical gardens that transform what could have been utilitarian spaces into social focal points. The project represents a significant departure from conventional hotel design in Vietnam's rapidly developing coastal regions, offering a prototype for how dense urban development might better integrate with natural systems. Through its marriage of robust architectural forms with organic, living elements, the M Hotel suggests a new direction for sustainable high-rise architecture in tropical climates. Design Team - Ho Khue Architects, established in the early 2000s and led by Principal Architect Ho Khue, has emerged as one of Vietnam's most innovative architectural practices, particularly renowned for their sustainable design approach and integration of biophilic elements in contemporary architecture. The firm, operating under ALPES Green Design & Build, has consistently demonstrated excellence in merging environmental consciousness with sophisticated architectural solutions. The practice's portfolio spans from boutique hotels to cultural facilities, with notable projects including the award-winning Son Tra Artistic Exhibition Center and The Nest House, both recognized internationally in 2024. Their design philosophy emphasizes the seamless integration of built form with natural elements, exemplified in projects like the M Hotel in Da Nang, where vertical gardens and sustainable strategies are fundamental to the architectural expression. Under Ho Khue's leadership, the firm has garnered numerous prestigious accolades, including the ASHUI Building of the Year Award 2024, Gold Medals at the 2A Continental Awards, and recognition from global platforms such as ArchDaily and Dezeen. Their work is characterized by the innovative use of fair-faced concrete, strategic implementation of passive design principles, and the creation of dynamic green spaces within urban contexts. The practice's commitment to sustainable architecture is evident in their comprehensive design-build approach, where each project is conceived as an integrated response to environmental challenges while maintaining aesthetic excellence and functional efficiency. This methodology has positioned Ho Khue Architects at the forefront of Vietnam's architectural evolution, particularly in developing solutions for tropical urban contexts. 设计团队 旅游探访 23500 m² 岘港,越南 2023 Previous Next

  • 浙江舟山白沙港村托老所 line+建筑事务所 | Archicasting

    < 返回 浙江舟山白沙港村托老所 line+建筑事务所 设计特色: line+建筑事务所以非凡的创意和社会责任感,将一座废弃的学校改造成了舟山柴山岛上充满活力的托老所。这个面积799平方米、于2024年竣工的项目,通过创新设计和巧妙改造,重新定义了乡村养老概念。 设计灵感源自岛屿的海洋传统,托老所的轮廓宛如一艘漂浮的船只,其弧形底部和悬挑式结构创造出强烈的视觉意象。这一设计不仅致敬了岛民的渔业背景,更唤起了他们的记忆和情感共鸣。建筑师巧妙地应对了原有建筑的挑战,最大化公共空间并引入一系列由坡道相连的屋顶露台。这种垂直延展的公共区域促进了社交互动,减少了孤独感。 改造后的首层完全用于公共功能,包括临终关怀室、共享食堂和多功能厅,向全岛居民开放。项目特别注重适老化细节,加宽楼梯、增设扶手、实现全面无障碍通行。将生活空间朝向阳光面的调整大大改善了自然采光和通风条件。 通过融入当地色彩和材料,如水洗石涂料和钢柱,设计与周围环境形成了和谐对话。这次精心的改造不仅提高了96位老年居民的生活质量,更成为乡村振兴的标杆,证明了富有同理心、因地制宜的设计能为被遗忘的空间和社区注入新的生机。 In a groundbreaking fusion of architectural ingenuity and social responsibility, line+ Studio has transformed an abandoned school into a vibrant elderly care center on Chaishan Island, Zhoushan. This 799-square-meter project, completed in 2024, reimagines rural elderly care through innovative design and thoughtful repurposing. Drawing inspiration from the island's maritime heritage, the center's striking silhouette evokes a floating ship, its curved underside and cantilevered form creating a powerful visual metaphor. This design not only pays homage to the residents' fishing backgrounds but also serves as a catalyst for memory and emotional connection. The architects have masterfully addressed the challenges of the existing structure, maximizing public spaces and introducing a series of rooftop terraces connected by ramps. This vertical expansion of communal areas fosters social interaction and combats isolation. The ground floor, now entirely dedicated to public functions, includes end-of-life care rooms, a shared dining hall, and multipurpose spaces open to all islanders. Particular attention has been paid to age-friendly details, with widened staircases, additional handrails, and barrier-free access throughout. The reorientation of living spaces towards the sun-facing side significantly improves natural light and ventilation. By integrating local color palettes and materials, such as washed stone coatings and steel columns, the design creates a harmonious dialogue with its surroundings. This thoughtful renovation not only enhances the quality of life for 96 elderly residents but also stands as a beacon of rural revitalization, proving that sensitive, context-driven design can breathe new life into forgotten spaces and communities. 设计团队: 2017年底,孟凡浩和朱培栋两位建筑师在杭州携手创立了gad · line+工作室,迅速在建筑设计界崭露头角,成为引领市场需求的"创意工坊"。line+工作室的核心理念是打破界限。其名称中的"line"代表建筑设计的基础,而"+"则彰显了他们跨界创新的决心。这种独特的方法使工作室能够完美融合规划、建筑、室内、产品设计、运营和景观建筑等多个领域。 在孟凡浩的带领下,line+工作室屡获殊荣,其中包括2021年享有盛誉的英国皇家建筑师协会(RIBA)国际奖。工作室的作品涵盖城市公共空间、高端住宅项目、乡村振兴计划等多个领域。line+工作室的设计哲学植根于批判性思维和对环境的敏锐洞察。通过在城市和乡村参与之间寻求平衡,在本土文化研究和商业可行性之间找到契合点,工作室成功地在文化传承和当代市场需求之间搭建了桥梁。 随着在杭州和上海的业务不断扩张,line+工作室持续突破传统实践的界限。他们通过专业设计提升空间品质,以创新推动价值创造的承诺,巩固了他们作为建筑行业变革力量的地位。 Founded in late 2017, gad · line+ studio emerged as a pioneering force in Hangzhou's architectural landscape under the visionary leadership of Meng Fanhao and Zhu Peidong. This innovative design atelier has rapidly established itself as a "creative factory" at the forefront of market-driven architectural solutions. At its core, line+ studio embodies the concept of boundary transcendence. The "line" in their name represents the architectural foundation, while the "+" signifies their commitment to cross-disciplinary innovation. This unique approach allows the firm to seamlessly integrate planning, architecture, interiors, product design, operations, and landscape architecture. Led by Meng Fanhao, a recipient of the prestigious 2021 RIBA International Prize, line+ studio has garnered numerous accolades for its cutting-edge designs. The firm's portfolio showcases a diverse range of projects, from urban public spaces to high-end residential developments and rural revitalization initiatives. line+ studio's design philosophy is rooted in critical thinking and contextual sensitivity. By balancing urban sophistication with rural engagement, and local cultural research with commercial viability, the firm has positioned itself as a crucial mediator between cultural heritage and contemporary market demands. With a growing presence in Hangzhou and Shanghai, line+ studio continues to push the envelope of traditional practice. Their commitment to spatial quality through professional expertise and value creation through innovation solidifies their position as a transformative force in the architectural industry. 设计团队 旅游探访 799 ㎡ 中国,舟山 2024年 Previous Next

  • CHUK Heritage Cafe 6717 Studio | Archicasting

    < 返回 CHUK Heritage Cafe 6717 Studio 项目名称:CHUK Heritage Cafe 地点:胡志明市Thao Dien区,越南 设计团队:6717 Studio 建筑面积:350平方米 竣工时间:2024年 摄影:Hiroyuki Oki 设计特色: 建筑工作室6717 Studio在胡志明市Thao Dien区完成了CHUK Heritage Cafe项目,大型弧形屋顶受越南传统建筑启发环绕转角建筑布局,为访客营造出连接过去与现在的文化目的地空间。该项目展示了建筑如何在快速城市化进程与文化遗产保护之间建立平衡。 场地位于Street 38和Xuan Thuy交叉口,这一充满活力的区域以繁华的咖啡馆和餐厅闻名。CHUK Heritage Cafe作为独特的文化和美食目的地,整合了CHUK TEA & COFFEE和BÁNH MÌ ƠI两个品牌,提供越南茶、咖啡和越南法式面包。6717 Studio没有完全拆除现有结构,而是将改造项目构思为功能性与美学需求的全面转型,保留现有框架的同时引入大胆的建筑语言。 这一设计最显著的特征是其受传统越南建筑启发的扩展屋顶形态,通过优雅曲线发展而成。建筑屋顶在街角交叉口向外延伸,不仅作为建筑焦点,更连接室内外空间,吸引注意力并促进与街景的互动。这种建筑策略使屋顶连接至二层,形成通风的阳台,为访客提供灵活且清新的体验。 建筑策略延伸至传统元素的当代重新诠释层面。遮阳阳台、倒映水面和低矮座位等元素被融入设计,唤起怀旧感的同时为访客提供温暖友好的姿态。这不仅是对传统形式的象征性致敬,更体现了创新精神和更深层次的文化探索。 CHUK Heritage Cafe的独特之处在于6717 Studio通过自然材料和谐融合传统与现代的方法论。室内设计采用木材、水磨石、清水混凝土和手工陶瓷砖等天然材料,营造简约和熟悉感。镜面和玻璃元素被战略性布置以增强空间体验并模糊现有结构柱体,创造开放连贯的室内环境。延续阳台的弧形语汇,三层转变为宁静的私密工作空间,独特的拱形天花板和开放玻璃窗相结合,提供充满光线的当代氛围,创造出人类活动与自然环境和谐共存的多感官体验场所。 设计团队 - 6717 Studio成立于2010年代初,已发展成为胡志明市一家杰出的多学科建筑设计事务所,专业从事建筑设计、室内设计和土木建设。在首席建筑师黎越辉(Le Viet Hoi)的领导下,该事务所形成了精致的设计方法论,将越南本土传统与当代建筑语言相融合,创造出空间精湛且文化共鸣的建筑环境。 6717 Studio为建筑实践带来了卓越的文化敏感性设计视角和对可持续发展方法的深刻理解。该事务所因其将越南传统建筑元素与现代设计原则无缝整合、追求文化保护与当代创新平衡的承诺而获得认可。黎越辉作为事务所的领导者,培养了独特的设计理念,重视气候响应性、材料真实性和空间连续性。 该事务所的设计哲学强调建筑应该超越纯粹形式美学的限制,不仅仅是为了满足视觉需求而设计,更是为了与场所的文化背景和环境条件共同有机演进。通过对传统越南建筑元素如遮阳阳台、倒映水面和天然材料的深度关注,开展涵盖住宅、酒店和商业建筑类型的多元化项目,相信最好的设计是通过严谨的文化解读和语境敏感性产生的场所特定表达。6717 Studio相信设计应该成为文化遗产和当代创新的载体,通过策略性的材料选择和空间编排创造独特的体验环境。 除实践外,该事务所通过设计团队包括邓清宝(Dang Thanh Bao)和阮文东(Nguyen Van Dong)在内的协作方法保持着强有力的项目执行能力,技术团队由黎黄南(Le Hoang Nam)和阮玉天(Nguyen Ngoc Thien)组成。通过对文化传承与当代建筑形态的深思熟虑结合、自然材料的运用,以及经过实践验证的可持续建筑智慧,6717 Studio已确立自己作为当代越南建筑话语重要贡献者的地位,创造出既具文化回应性又拥抱现代设计视野的建筑作品。 该工作室的设计卓越性通过享有盛誉的奖项获得显著认可。其住宅设计专长凭借Khánh House项目荣获2018年国家建筑奖单户住宅类别铜奖。在酒店设计领域,Hoi An Ơi Villa获得2021年国家建筑奖酒店度假村类别铜奖,而Trúc Lâm Anh Retreat则荣获2021年科勒大胆设计奖旅游度假村类别奖项。该事务所代表作品展现了精密的文化分析能力、场地敏感性以及创新的结构解决方案,在快速城市化背景下保护越南建筑身份的同时回应当代设计命题,使该事务所成为国际舞台上当代越南建筑的领军力量。 设计团队 旅游探访 350 m² 胡志明市,越南 2024 Previous Next

  • 顺德云鹭湿地博物馆 Link-Arc 建筑事务所 | Archicasting

    < 返回 顺德云鹭湿地博物馆 Link-Arc 建筑事务所 项目名称: 顺德云鹭湿地博物馆 地点: 佛山市顺德区,中国 设计团队: Link-Arc 建筑事务所 建筑面积: 1800 m² 竣工时间: 2024年 摄影: 田方方, 存在建筑, 木析AlexanDENG, 郭诗雨 设计特色: 项目 - 在中国顺德的中心地带,云鹭湿地博物馆作为一个开创性的建筑干预项目脱颖而出,巧妙地平衡了人类观察与生态保护的需求。由Link-Arc建筑事务所设计的这座1800平方米的建筑,为野生动物观察建筑提供了革命性的方案,完美地融入了栖息着25000只鹭鸟的栖息地。 博物馆最引人注目的特征是由四个堆叠的混凝土筒体组成的结构,每个筒体都经过精确旋转,以获得周围湿地生态系统的最佳观察角度。这一创新设计在不同高度创造了建筑师所称的"取景框",让访客能够从树根层次到树梢高度获得独特的自然视角。这些筒体战略性地位于现有的一排落羽杉林后面,使建筑从鹭岛观察时仿佛消失在亚热带森林中。 项目的起源故事为其增添了一层引人深思的意义——它始于26年前一位绰号"鸟叔"的本地环保主义者种植的一片竹林,他的奉献使这片区域转变为城市中的鹭鸟庇护所。博物馆现在作为这一传承的见证,随着当地政府将保护区面积扩大了13倍而愈发显得意义非凡。 使这座博物馆与众不同的是其精妙的结构解决方案。交叉的混凝土筒体通过布尔差分创造出一个三角形中庭,作为共同的观察点,访客可以同时观察到景观的多个视角。建筑外部采用松木模板现浇混凝土,创造出与周围森林呼应的自然纹理。最巧妙的是,屋顶覆盖着荷花池,有效地掩饰了建筑的第五立面,使其进一步融入湿地环境。 该项目通过对树木保护的细致关注展现了可持续建筑的典范。在对560棵现有树木进行测绘后,建筑师精心布置并旋转了每一层,以最大限度地减少对自然环境的影响,同时确保最佳的观鸟视角。这种对环境保护的深思熟虑为生态建筑设立了新标准,展示了建筑如何在服务人类需求的同时尊重并提升其自然环境。 团队 – Studio Link-Arc作为一家位于纽约的杰出国际建筑事务所,体现了全球设计思维与场地关联性的完美交汇。该事务所建立的宗旨是连接多元化的视角和资源,其名称本身就反映了在建筑设计、城市规划和空间艺术领域的协作精神。 在主持建筑师陆轶辰的带领下,与纽约区域的高级经理Letty Lau和Luis Ausin一起,并由上海和深圳的区域总监提供支持,事务所已发展成为一个多节点的设计强所。通过纽约、上海和深圳三个战略中心的运营,实现了东西方建筑范式的动态融合。 Link-Arc的项目组合涵盖了各种类型和规模,从文化机构到城市地标建筑。他们的设计方法论以严谨的场地环境研究和功能需求分析为特征,创造出超越纯粹功能性的有意义的空间体验。代表作品包括获奖的2015年米兰世博会中国馆、2022年亚洲建筑师协会金奖获得者南京湾艺术中心,以及华润档案馆。 事务所的建筑理念强调通过对场地关系和语境要素的精心考量来创造新的空间秩序。他们的作品以技术创新、文化敏感性和可持续实践的精妙整合为特色,使建筑能够深思熟虑地回应其直接环境和更广泛的社会需求。 Project Name: Shunde Cloud Egret Wetland Museum Location: Shunde District, Foshan, China Design Team: Link-Arc Architecture Building Area: 1,800 m² Completion Date: 2024 Photography: Tian Fangfang, EXISTENCE ARCHITECTURE, WoodX AlexanDENG, Guo Shiyu Principal Designer: Lu Yichen Project Leader: Guo Shiyu Project Team: Zhou Rui, Zhang Jiaqi, Zhong Zhenwei, Liu Zida, Cheng Jingbin, Luis Ausin, Yang Lingyun, Qi Feng, Xu Jiarui, Hua Xinning, Sarah Kenney, Li Zishi, Isabella Chong Executive Architect/MEP Design: Aoyi Architectural Engineering Design Co., Ltd. Structural Design: Shenzhen Xingjian Engineering Design Consulting Co., Ltd. Curtain Wall Consultant: Shenyang Zhengxiang Decoration Design Co., Ltd. Landscape Design: Chengji Landscape Interior Design: Yushe Design Lighting Consultant: Shanghai Gerui Lighting Design Co., Ltd. Construction: China Construction Fourth Engineering Bureau Co., Ltd., Beijing Yihui Da Qingshui Construction Engineering Co., Ltd. Client: China Resources Land, Foshan Shunde District Government Feature: Project - In the heart of Shunde, China, the Cloud Egret Wetland Museum emerges as a groundbreaking architectural intervention that masterfully balances human observation with ecological preservation. Designed by Link-Arc Architecture, this 1,800-square-meter structure represents a revolutionary approach to wildlife observation architecture, seamlessly integrating into a habitat that hosts 25,000 egrets. The museum's most striking feature is its composition of four stacked concrete tubes, each precisely rotated to capture optimal viewing angles of the surrounding wetland ecosystem. This innovative design creates what the architects call "viewing frames" at different heights, offering visitors a unique perspective of nature from root level to treetop. The tubes are strategically positioned behind an existing row of dawn redwood trees, allowing the building to virtually disappear into the subtropical forest when viewed from the egret island. The project's origin story adds a compelling layer of significance – it began with a single bamboo grove planted 26 years ago by a local conservationist nicknamed "Bird Uncle," whose dedication transformed the area into an urban sanctuary for egrets. The museum now stands as a testament to this legacy, with the local government expanding the protected area thirteenfold. What sets this museum apart is its sophisticated structural solution. The intersecting concrete tubes create a triangular central atrium through Boolean subtraction, serving as a shared viewpoint where visitors can simultaneously observe multiple perspectives of the landscape. The building's exterior features board-formed concrete using pine wood, creating a natural texture that resonates with the surrounding forest. Perhaps most ingeniously, the roof is covered with lotus pools, effectively camouflaging the building's fifth elevation and further integrating it into the wetland environment. The project exemplifies sustainable architecture through its meticulous attention to tree preservation. After mapping 560 existing trees, the architects carefully positioned and rotated each level to minimize the impact on the natural environment while maximizing optimal bird-watching vantage points. This thoughtful approach to environmental stewardship sets a new standard for ecological architecture, demonstrating how buildings can serve human needs while respecting and enhancing their natural context. Design Team - Studio Link-Arc, established in New York, stands as a distinguished international architectural practice that exemplifies the intersection of global design thinking and contextual sensitivity. Founded on the principle of connecting diverse perspectives and resources, the firm's name reflects its collaborative ethos in architectural design, urban planning, and spatial arts. Under the leadership of Principal Architect Yichen Lu, together with Senior Managers Letty Lau and Luis Ausin in New York, and supported by regional directors in Shanghai and Shenzhen, the practice has evolved into a multi-nodal design powerhouse since its inception. The firm operates through three strategic hubs - New York, Shanghai, and Shenzhen - allowing for a dynamic synthesis of Eastern and Western architectural paradigms. Link-Arc's portfolio spans various typologies and scales, from cultural institutions to civic landmarks. Their design methodology is characterized by a rigorous investigation of site context and programmatic elements, leading to architecture that transcends mere functionality to create meaningful spatial experiences. Notable projects include the award-winning China Pavilion at Milan Expo 2015, the Nanjing Bay Art Center (recipient of the 2022 Asian Architects Association Gold Award), and the China Resources Archive Library. The practice's architectural philosophy emphasizes the creation of new spatial orders through careful consideration of site relationships and contextual elements. Their work is distinguished by a sophisticated integration of technical innovation, cultural sensitivity, and sustainable practices, resulting in buildings that respond thoughtfully to both their immediate environment and broader societal needs. 设计团队 旅游探访 1800 m² 佛山市顺德区,中国 2024 Previous Next

  • 在水美术馆 石上纯也建筑事务所 | Archicasting

    < 返回 在水美术馆 石上纯也建筑事务所 设计特色: 项目 – 这座跨于湖面且长达1公里的水上美术馆,是日本建筑师石上纯也诗意设计理念的完美写照,成功化解了建筑与自然的界限。石上纯也力图打破自然环境的宽广与建筑之间的不平衡关系,他将纤细狭长的建筑形态蔓延至整个湖面,仿佛“轻轻触碰水面”。这种设计拒绝了传统上的那种与环境隔绝、防御性的建筑形式,而是深深拥抱周遭的环境,将其融入建筑之中。美术馆由玻璃柱廊组成,没入湖中,而转折多变的屋顶则如丝带一般漂浮飞扬。参观者仿若行走梦境,玻璃开口处构成画框,把景色和微风引入其中。与此同时,部分区域由广袤的展厅变为被水包围的狭窄陆地。这种水与天空、光与表面之间流动的感官对话,旨在营造建筑内部全新的自然氛围 —— 一个“友好的自然环境”。石上纯也力图通过消解传统二分法的方式,提升人的精神世界。这长长的、低矮的曲线呼应着悠远的地形,与当代建筑的疏离形成对比。美术馆轻轻降落在水面,几乎未侵扰地平线,与地形和谐一体,共融于时光。 团队 – 石上纯也建筑事务所由日本建筑师石上纯也(1974年生)于 2004 年在东京创立,现已成为日本最具创新性和远见的建筑设计公司之一。石上纯也在为普利兹克奖获得者妹岛和世 (Kazuyo Sejima) 的 SANAA 工作多年后,创立了自己的公司 ,并于 2009 年获得了日本建筑学会奖。随后又取得了进一步的成功,包括 2010 年威尼斯建筑双年展上的金狮奖。石上的实验性和受自然启发的设计方法消除了建筑、景观和环境之间的界限。其项目范围从概念装置到与周围环境无缝融合的建筑,以扩大可能性为指导。石上注重宁静、简约和透明,探求一种生活按照有机原则展开的建筑,其主要项目包括哥本哈根和平之家(2014年)、中国山谷教堂(2016年)和伦敦蛇形画廊(2019年)等。该公司的突破性设计探索使其成为享有盛誉的奥地利2024 Frederick Kiesler(弗雷德里克·基斯勒)建筑与艺术奖的获得者。 Feature: Project - Unveiled as a concept in 2016, this 1km-long art museum hovering over a lake in Rizhao, China manifests architect Junya Ishigami's poetic vision for a building that blurs the boundaries between architecture and nature. Aspiring to create a more equal relationship between construction and the vast environment of China, Ishigami stretches the narrow footprint across the entire expansive lake, enabling the structure to "gently touch the water surface." Rejecting isolated, defensive architecture, the design embraces the surroundings, pulling them inside. The museum's glass-infused colonnade sinks into the lake while the rippling roof floats above like a ribbon. The spectator moves through a dreamlike landscape, with glass openings framing views and letting in breezes. Sections morph from broad floors for exhibits to narrow landstrips bounded by water. This sensuous interplay between water and sky, light and surface aims to conjure a novel sense of nature within the building - a "friendly new natural environment." Ishigami seeks to uplift the human spirit by dissolving old dichotomies. The long, low curves respond to the languid topography, a counterpoint to the alienation of contemporary Chinese buildings. Alighting gently on the water without disrupting the horizon, the museum integrates harmoniously into the terrain. Design Team - Founded in Tokyo in 2004 by Junya Ishigami, junya.ishigami+associates has emerged as one of the most innovative and visionary architectural firms in Japan. Ishigami gained international acclaim following the completion of the Kanagawa Institute of Technology's KAIT Workshop in 2007, winning the Architectural Institute of Japan Prize in 2009. Further success followed, including the Golden Lion at the 2010 Venice Architecture Biennale. Ishigami's experimental and nature-inspired approach dissolves boundaries between architecture, landscape, and environment. Projects range from conceptual installations to buildings that integrate seamlessly with their surroundings, guided by a drive to expand possibilities. With a focus on tranquility, simplicity and transparency, Ishigami envisions an architecture where life unfolds according to organic principles. Major projects include the House of Peace in Copenhagen (2014), the Church in the Valley in China (2016), and the Serpentine Pavilion in London (2019). The firm's boundary-pushing explorations make it a worthy recipient of the prestigious Austrian Frederick Kiesler Prize for Architecture and the Arts in 2023. 设计团队 旅游探访 20220 m² 中国,山东日照 2023年 Previous Next

  • Villa W Architecture MR | Archicasting

    < 返回 Villa W Architecture MR 项目名称:Villa W 地点:拉马萨纳,安道尔 设计团队:Architecture MR 建筑面积:1063 m² 竣工时间:2024年 摄影:Pablo Garcia Esparza 设计特色: Architecture MR在安道尔拉马萨纳创造了一座非凡的Villa W住宅,完美体现了情境建筑与自然环境深度融合的精湛设计。该项目位于这一山地景观的显著位置,将当代建筑创新与生态敏感设计无缝结合,建立了建筑师所描述的"与自然节律共同呼吸的生命有机体"。 项目最引人注目的设计特色在于其四层级联构成,巧妙地顺应从街道到森林的自然坡度。这种动态布局创造了每个空间与环境的独特对话关系,从较低楼层的社交区域到上层的夜间区域,通过面向南方的周边露台开放,使景观成为建筑的主角。这种韵律性构图不仅建立了强烈的空间层次,还引入了随时间变化的光影效果,将建筑转化为"活跃表面"。 建筑策略巧妙地通过双层高起居空间作为项目的核心枢纽。雕塑般的壁炉作为空间分隔元素,戏剧性地将室内功能与创新的多功能水景分离。这一中央水景既可作为游泳池使用,也可作为活动的舞台空间,水面反射的光线在室内创造出随日夜和季节变化而演进的迷人光影变化。 贯穿建筑的楼梯设计成为一次空间体验之旅,在上升过程中不断变化形状和材质,成为引导动线的主线。这不仅是功能性连接,更是在光线、阴影和质感之间过渡的空间体验。较低楼层容纳最具社交性的空间:客房区域、影院、互动车库以及连接垂直花园的多功能空间。 入口处的设计被挖掘到地下,保留了一块原始的板岩岩石,作为自然雕塑出现,提醒人们场地的原始状态,强化了建筑的永恒特征。項目通过使用当地材料和重新种植本土植被来强化建筑与景观之间的连接,使住宅能够随时间演变。每一个阴影、每一次反射、每一个季节性变化都成为生活体验的一部分,将建筑转化为适应、倾听并与周围环境融合的生命有机体。 设计团队 - Architecture MR作为安道尔的开拓性建筑实验室,由两位创始人于2006年创立,他们怀着雄心勃勃的理念:不相信小建筑的局限性。在主持建筑师Marc Rubi的持续领导下,这家多学科事务所已发展成为一个由独特价值观驱动的大家庭,每位成员都贡献自己的专业技能。 该事务所的设计理念坚信建筑模式在不忽视功能的同时必须传达感情和情感。他们与上世纪的理性主义运动高度一致,以Philip Johnson和Mies van der Rohe等建筑师为重要参考。本世纪初向标志性建筑的转变在许多方面抛弃了功能,导致建筑忽视了场所、成本或功能。 Architecture MR的技术团队包括从不同专业领域的专业人士,从创意设计到技术执行各个环节。他们相信最佳结果只能通过参与整个建筑过程来实现。团队成员涵盖建筑师、技术建筑师、室内设计师、建筑摄影师、结构工程师、岩土工程师和MEP工程师等多个专业领域。 近期荣誉包括多项国际设计认可,工作室的实践方法强调对场地的深入分析和与客户的协作,打造出成功平衡当代创新与永恒设计原则的建筑,同时促进人与空间的深层连接。Architecture MR的建筑语言建立在理性主义、情感表达与环境整合的价值观之上,通过设计创新的变革力量,创造既根植于场所又拥抱全球建筑设计标准的建筑作品。 设计团队 旅游探访 1063 m² 拉马萨纳,安道尔 2024 Previous Next

  • Villa M R.E.A.D. & Architects | Archicasting

    < 返回 Villa M R.E.A.D. & Architects 项目名称:Villa M 地点:长野县轻井泽町,日本 设计团队:R.E.A.D. & Architects 建筑面积:151.54 m² 竣工时间:2024年 摄影:DAICI ANO, Kosuke Ino 设计特色: R.E.A.D. & Architects设计的"Villa M"展现了如何通过创新的L形空间构型策略和巧妙的环境融合技术,将一个原始森林场地转化为充满诗意的当代别墅隐居之所。 这座151.54平方米的住宅戏剧性地坐落在轻井泽的原始林地中,呈现为对日式传统与现代生活方式融合的深刻沉思。它没有破坏现有的森林景观,而是通过精心的建筑干预,创造出一个将传统山小屋形态与当代空间需求无缝交织的居住体验。 项目的绝妙之处在于对传统别墅布局的根本性重新构想。建筑采用独特的"键ノ字状"(L形)平面构成,如飞机双翼般将主寝室和客房分别延伸至南北两端,中央的LDK空间作为社交核心连接两翼。这种折角形态不仅确保了主人与客人的隐私需求,同时创造了两个截然不同的庭园体验——北侧的自然高原植物入口庭园和南侧的精心设计的景观露台。 R.E.A.D. & Architects的设计语言流利地表达着对自然环境的深度敬意,运用科学化的色彩分析方法重新定义建筑与景观的关系。建筑师实地采集现有树木(橡树、水楢、枫树等)的树皮样本进行色彩研究,最终选用与树皮呼应的炭灰色粗面杉木板作为外墙材料。这种大胆的环境融合策略不仅让建筑在视觉上"消失"在森林冠层中,同时创造了建筑与自然的有机对话。 最引人注目的是,建筑师通过创新的结构技术在空间内创造情感层次。LDK空间采用日本传统的Home Connector工法,通过将登梁在顶部进行"く"字形刚接合并一体化连接,如肋骨般的结构系统实现了室内无柱大空间,营造出开阔而温馨的聚会氛围。 景观策略延续了这种建筑与自然共生的设计理念。建筑的折角形态将场地自然分隔为两个功能性庭园,北侧庭园保持轻井泽典型的高原野趣,南侧庭园则通过木制露台、草坪和标志性树木营造非日常的度假氛围。从北侧入口进入住宅的瞬间,南侧庭园的壮丽景色通过大面积玻璃窗映入眼帘,创造出戏剧性的空间序列体验。 设计团队 - R.E.A.D. & Architects作为当代日本建筑实践的杰出代表,由建筑师冈田一树于2017年12月在东京创立,自成立以来已确立其在住宅设计和环境融合建筑语言创新领域的先锋地位。这家立足东京的事务所通过建筑、景观、室内和展览设计的综合整合,重新定义当代日本建筑师在国际设计话语中的角色。 R.E.A.D. & Architects为建筑实践带来了卓越的文化建筑设计视角和对跨学科方法的深刻理解。该事务所因其将传统日本建造智慧与当代空间创新结合的承诺而获得认可,创始人冈田一树为京都工芸繊维大学的杰出毕业生并获得享有盛誉的近代建筑赏,曾在普利兹克奖得主谷口吉生领导的谷口建筑设计研究所受训长达8年(2009-2017)。冈田在谷口事务所期间参与了铃木大拙馆、京都国立博物馆平成知新馆等重要文化项目的设计,这种高端文化建筑经验与住宅设计的结合,使R.E.A.D. & Architects在日本建筑景观中占据独特地位。 该事务所的设计哲学强调建筑应该超越简单的遮蔽功能——通过细致解读场地的"关系性"(Relationship)和"环境"(Environment),运用"建筑"(Architecture)和"设计"(Design)创造新的空间关系和更优质的环境品质。通过可持续的环境保护和创新方法,开展从住宅、文化设施到展览空间的多元化项目,相信最好的建筑是通过精准分析和深思熟虑过程产生的精致干预。R.E.A.D. & Architects相信建筑应该成为人与自然关系的媒介,通过策略性的空间组织和材料选择创造独特的居住体验。 除实践外,该事务所通过其全方位的设计服务保持着强有力的项目整合能力,涵盖建筑设计、室内设计、景观设计、展示设计等领域。通过对传统日本工艺与现代建造方法的深思熟虑结合、本地材料的精心运用,以及经过时间验证的环境智慧,R.E.A.D. & Architects已确立自己作为当代日本建筑话语重要贡献者的地位,创造出既具地域特色又拥抱国际设计视野的建筑作品。该事务所已获得包括石川建筑赏、BCS赏、京都景観赏等多项重要奖项,冈田一树作为新生代日本建筑师代表在国内外建筑界获得广泛认可。 设计团队 旅游探访 151.54 m² 长野县轻井泽町,日本 2024 Previous Next

  • JF住宅 KG Studio | Archicasting

    < 返回 JF住宅 KG Studio 项目名称:JF住宅 地点:圣何塞杜里奥普雷图,巴西 设计团队:KG Studio 建筑面积:600平方米 竣工时间:2024年 摄影:Miti Sameshima 设计特色: KG Studio设计的"JF住宅"展现了如何通过创新的结构性山墙整合策略和巧妙的室内外连续性设计哲学融合技术,将一座位于私人社区内的住宅转化为充满家庭凝聚力和社交功能的现代居住之所。 这座600平方米的住宅戏剧性地分布在约700平方米的地块上,呈现为对当代巴西住宅生活方式、自然材料和热带建筑传统融合的深刻冥思。它通过精心的空间组织和材料选择,创造出一个将功能性与诗意性无缝交织的居住体验。 项目的绝妙之处在于对传统住宅结构系统的根本性重新构想。两道纵向石材包覆的山墙不仅作为承重元素,更成为空间组织的核心,确保上层体量轻盈地栖息在底层基座上。这种结构策略创造了建筑与重力的持续对话,实现了视觉上的悬浮效果。 KG Studio的设计语言流利地表达着当代巴西建筑方言,运用天然材料如木材和石材的现代应用来重新定义居住体验。连续的白色橱柜系统被创新性地用于统一视觉语言,同时巧妙地隐藏服务区域和储存空间。这种大胆的整合策略不仅增加了空间的视觉连贯性,同时巧妙地适应了现代家庭生活的复杂功能需求。 最引人注目的是,建筑师通过光线和空间序列的巧妙操控在不同功能区域间创造情感过渡。位于内部花园上方的木制楼梯采用嵌入墙体的悬挑踏板,配以天窗开口让自然光充满双层挑高空间,而地面层则通过大面积玻璃幕墙与后花园建立直接连接,营造出室内外无缝过渡的氛围。 景观策略延续了这种建筑与自然和谐共生的设计理念。地面层花坛和上层阳台的种植盆相互呼应,垂吊植物强化了住宅与周围自然环境的整合。大面积开口促进交叉通风和充沛自然光线,确保清新宜人的居住环境——完美适合休闲和社交聚会。 设计团队 - KG Studio作为新一代巴西建筑实践的杰出代表,由Felipe Kilaris Gallani和Victória Lacerda Chaves于近年在坎皮纳斯创立,自成立以来已确立其在当代住宅设计和跨文化建筑语言创新领域的先锋地位。这家立足圣保罗州的事务所通过设计与施工的协调整合,重新定义当代巴西建筑师在国际设计话语中的角色。 KG Studio为建筑实践带来了卓越的多元文化设计视角和对跨学科方法的深刻理解。该事务所因其将传统巴西建筑智慧与当代国际现代主义结合的承诺而获得认可,两位创始人均为圣保罗大学和麦肯齐大学的杰出毕业生,并在米兰理工大学进行国际交流,曾在Triptyque Architecture、Isay Weinfeld、Jacobsen Arquitetura、Estudio Campana、Arthur Casas和Bernardes Arquitetura等知名实践中受训。 该事务所的设计哲学强调建筑应该超越功能限制——不仅仅是为了满足基本需求而设计,更是为了与居住者的生活方式和文化背景共同有机演进。通过对个体性认知和感官体验的深度关注,开展从住宅到商业空间的多元化项目,相信最好的建筑是通过精准和深思熟虑的过程产生的精致干预。KG Studio相信建筑应该成为个人身份和家庭记忆的载体,通过策略性的空间组织和材料选择创造独特的居住体验。 除实践外,该事务所通过与包括Atelier Carlos Motta、Augusta、Belcolore、Docol、Dpot等本地制造商的合作保持着强有力的产业整合。通过对天然材料与现代建造方法的深思熟虑结合、本地和国际设计元素的运用,以及经过时间验证的建筑智慧,KG Studio已确立自己作为当代巴西建筑话语重要贡献者的地位,创造出既具地方回应性又拥抱全球设计视野的建筑作品。该事务所目前拥有包括Gabrieli Cavalari、Gianni Caliari、Beatrice Vieira和Yasmin Rissatti在内的专业建筑师团队,在圣保罗州充满活力的建筑景观中占据独特地位。 设计团队 旅游探访 600 m² 圣何塞杜里奥普雷图,巴西 2024 Previous Next

  • 都市生活所 苏畅设计研究室 | Archicasting

    < 返回 都市生活所 苏畅设计研究室 项目名称:Urban Living Lab 地点:香港,中国 设计团队:苏畅设计研究室 建筑面积:100 m² 竣工时间:2025年 摄影:Kris Provoost, Leon Xu Liang, Eugene Chan 设计特色: 苏畅设计研究室设计的"Urban Living Lab"(都市生活所)展现了如何通过创新的可持续材料技术和参与式设计策略将香港最稠密社区之一的闲置公共空间转化为充满活力的社区聚集场所。这座位于大角咀的社区展亭以其开创性的胶合竹结构系统和传统镀锌钢工艺的复兴重新定义了高密度都市环境中公共建筑的设计概念。 该项目的精彩之处在于其对极端城市条件的战略性响应。大角咀作为香港人口密度最高的社区之一,每1000平方米居住180人,是香港平均人口密度的6倍,但人均公共休憩空间仅有0.43平方米。建筑师巧妙地利用奥海城二期北侧的闲置空间,通过流体形态的"公共遮阳伞"设计创造了一个应对亚热带气候的社区聚集场所。建筑的几何形态围绕现有棕榈树精心设计,在最大化遮阴范围的同时促进自然通风。 设计团队的材料创新通过香港首座胶合竹结构建筑展开。这一突破性的建造系统实现了相比传统钢结构75%的内含碳减排,预计减少7吨二氧化碳排放。建筑师与本地金属工匠深度合作,复兴传统镀锌钢工艺,将其与现代制造方法相结合,创造出独特的竹钢混合建造体系。这种材料对话不仅致敬了大角咀作为重要船厂和避风塘的海事遗产,还建立了海陆之间独特材料文化的集体记忆。 空间设计充分考虑了亚热带季风气候条件。建筑整体形态有效遮挡夏季强烈的西南阳光,同时在冬季引入反射阳光。复合竹材料与镀锌钢板结合的壳体结构有利于雨水直接排放至周围透水砖广场,同时利用竹材料的低比热容特性提供自然舒适的休憩空间,与场地内棕榈树形成自然通风系统。 该项目体现了出色的循环设计理念。建筑采用模块化设计,可在不同阶段和地点重复使用。第一阶段作为催化剂和展示倡议,十二个月后将过渡到第二阶段,五个模块将被拆解、迁移并在面临类似城市更新挑战的新场地重新组装。这一创新策略旨在通过整合本地竹材料和传统钢铁工艺建立基于生物材料的负碳循环建造系统。 景观与社区融合通过广泛的利益相关者参与实现。设计过程包含会议、展览、工作坊和研讨会等多种形式的社区参与,收集来自社区的意见。深度研究、观察和调研显示,经常使用该场地的用户强调了遮阴的必要性,以激活这个位于市中心的空旷都市空间。 这座展亭体现了杰出的可持续设计方法,展示了如何在不牺牲现代都市生活功能性的情况下,将中国南方丰富的竹材培育、收获、加工和建造利用传统融入当代高密度都市建筑设计中。 设计团队 - 苏畅设计研究室作为新一代建筑实践的杰出代表,由主持建筑师苏畅和管理总监区卓勋领导,自创立以来已确立其在可持续设计和材料创新领域的先锋地位。这家立足香港和广州的事务所通过设计、研究和建造的无缝整合,重新定义建筑与环境的关系。 苏畅设计研究室为建筑实践带来了卓越的以水为中心的设计视角和对跨学科方法的深刻理解。该事务所因其对当代文化出发、将传统工艺与新技术结合的承诺而获得认可。这种整体方法与当代设计创新的结合,使苏畅设计研究室在亚洲建筑景观中占据独特地位。 该事务所的设计哲学强调动手、合作和开放的探索过程同等重要,以跨尺度、跨学科的方法开展设计,相信建筑应该是对清晰的建筑形式语言中注入丰富的物质性与生活感的结果。通过与当代艺术文化机构的深度设计合作,他们致力于探索新兴文化、新经济模式与可持续未来。苏畅设计研究室相信最好的建筑能够通过海陆之间的多元流动,以材料为线索探索小区空间活化、社会肌理再生等议题。 通过对传统工艺与新技术结合、本地材料和经时间验证的建造技术的运用,苏畅设计研究室已确立自己作为当代亚洲建筑话语重要贡献者的地位,创造出既探索日常之物的设计创新又拥抱全球设计视野的建筑作品。 设计团队 旅游探访 100 m² 香港,中国 2025 Previous Next

  • 旗帜屋 studio mk27 | Archicasting

    < 返回 旗帜屋 studio mk27 设计特色: 项目 – 巴西现代主义与加拿大惠斯勒的雪山完美融合,Studio MK27设计的"旗帜屋"(Flag House)在2023年Wallpaper*设计大奖中荣获最佳滑雪度假屋奖。这座独特的建筑坐落于惠斯勒白雪皑皑的山峰之间,巧妙地将巴西现代主义与高山建筑风格相结合。 来自圣保罗的Studio MK27以其热带别墅设计闻名,此次他们成功地将其标志性的室内外连接理念转化到了寒冷的环境中。结果令人惊叹:一个透明的庇护所,仿佛漂浮在雪景之上,既邀请自然进入室内,又为住户提供了一个温暖舒适的避风港。 "旗帜屋"最引人注目的特点是其悬挑的上层——一个被大面积玻璃包裹的主层空间。这个通透的体量看似轻盈地悬浮在混凝土基座之上,与崎岖的地形形成戏剧性的对比。室内精心策划的陈设融合了现代主义和当代家具,营造出极简主义背景,为不断变化的自然景观提供了完美的画框。 这座创新型度假屋的设计不仅仅停留在美学层面,还巧妙地融入了高山生活方式。住户可以直接滑雪进入房屋,模糊了户外冒险与家居生活的界限。通过这种开创性的设计手法,Studio MK27打造了一个不仅尊重环境,更是共享自然的家园,为奢华滑雪度假屋提供了全新的诠释。 团队 – Studio MK27作为巴西现代主义建筑的先锋,自20世纪70年代末由建筑师马西奥·科甘(Marcio Kogan)创立以来,一直引领着全球设计潮流。这家位于充满活力的圣保罗的设计工作室,如今已发展成为拥有56名成员的强大团队,并拥有广泛的国际合作网络。 Marcio Kogan本人是美国建筑师协会(AIA)的荣誉会员和米兰理工大学的教授,他领导着一个由四位总监组成的核心团队,负责管理三个专业部门。长期合作伙伴戴安娜·拉多米斯勒(Diana Radomysler)主管室内设计团队,而雷纳塔·弗拉内托(Renata Furlanetto)和苏珊娜·格洛戈夫斯基(Suzana Glogowski)则领导建筑设计团队。玛丽安娜·西马斯(Mariana Simas)作为执行总监,负责管理新项目和日常运营。 工作室的设计理念深深扎根于巴西现代主义传统,但他们通过当代手法不断演绎这一传统。他们的作品以形式简洁和极致细节著称,赢得了包括世界建筑节奖(WAF)、《建筑评论》奖和《Wallpaper》设计大奖在内的250多项设计荣誉。 Studio MK27的影响力远超建成作品。他们在2012年威尼斯双年展上的亮相,以及在皇家艺术学院和耶鲁大学等机构的演讲,凸显了他们作为建筑思想领袖的地位。这家总部位于圣保罗的事务所不断突破界限,创造出完美融合现代主义原则与前沿设计的空间,巩固了他们作为21世纪建筑界中坚力量的地位。 Feature: Project - Nestled in the snow-capped peaks of Whistler, Canada, Flag House by Studio MK27 emerges as a masterful fusion of Brazilian modernism and alpine architecture. This striking retreat, winner of Best Ski Retreat at the 2023 Wallpaper* Design Awards, challenges conventional notions of winter residences with its bold, glass-encased design. Marcio Kogan's São Paulo-based practice, renowned for its tropical villas, has adeptly translated its signature indoor-outdoor connection to a frosty canvas. The result is a transparent sanctuary that seems to float above the snowy landscape, inviting nature in while providing a cozy refuge from the elements. The home's most distinctive feature is its cantilevered upper level – a grand piano nobile wrapped in expansive glazing. This transparent volume appears to hover weightlessly above its concrete base, creating a dramatic juxtaposition with the rugged terrain. Inside, carefully curated interiors blend modernist and contemporary furnishings, forming a minimalist backdrop that frames the ever-changing views. Flag House's innovative design extends beyond aesthetics, seamlessly integrating with the alpine lifestyle. Residents can ski directly into the home, blurring the lines between adventure and domesticity. With its groundbreaking approach to mountain living, Studio MK27 has created a home that not only respects its environment but celebrates it, offering a new perspective on luxury ski retreats. Design Team - Studio MK27, a vanguard of Brazilian modernist architecture, has been shaping the global design landscape since its inception in the late 1970s by visionary architect Marcio Kogan. Nestled in the vibrant chaos of São Paulo, this atelier has grown into a powerhouse of 56 members, with an extensive network of international collaborators. At the helm, Kogan, an AIA honorary member and Politecnico di Milano professor, leads a quartet of directors overseeing three specialized divisions. Diana Radomysler, a longtime partner, spearheads the interior design team, while Renata Furlanetto and Suzana Glogowski direct the architectural squad. Mariana Simas, as executive director, manages new projects and operations. The studio's ethos is deeply rooted in the Brazilian modernist tradition, yet it constantly evolves this legacy through contemporary reinterpretation. Their portfolio is characterized by formal simplicity and meticulous attention to detail, earning them over 250 prestigious accolades including WAF, Architectural Review, and Wallpaper Design Awards. Studio MK27's influence extends beyond built works. Their presence at the 2012 Venice Biennale and lectures at institutions like the Royal Academy of Arts and Yale University underscore their role as thought leaders in architectural discourse. This São Paulo-based practice continues to push boundaries, creating spaces that seamlessly blend modernist principles with cutting-edge design, cementing their status as a formidable force in 21st-century architecture. 设计团队 旅游探访 1130 m² Whistler, Canada 2022 Previous Next

  • 福田中学校园设计 reMIX 临界工作室 | Archicasting

    < 返回 福田中学校园设计 reMIX 临界工作室 设计特色: 项目 – 位于深圳福田区高密度区域的这所中学校园由reMIX临界工作室设计。它打破了传统校园设计的框框,将校园与周边环境无缝融合,成为一座"城中之城"。受到周围高耸入云的摩天大楼的影响,设计团队不得不重新思考学校这一建筑类型。通过将运动场抬升、开放地面层供公众使用,校园变得更加通透、渗透性强,鼓励学校与社区之间的互动交流。一系列桥梁和平台组成的"环路"将各建筑物连接起来,形成一个立体的交通系统,减少了垂直流动,促进了师生之间的偶然碰撞。除了功能性,设计还重视生态考量。校园内融入了丰富的绿色空间和景观元素,转化为一个对鸟类友好、海绵质感的环境,以应对这种高密度的城市语境。总的来说,福田中学校园设计代表了一种创新的学校设计方法,将教育、社交和环境优先事项巧妙结合,打造出一个真正融合的校园体验。 团队 – reMIX 临界工作室创立于2012年,是一家位于北京的跨界设计实践,涉及建筑、景观及城市设计等领域。该工作室由三位合伙人 - 陈忱、Federico Ruberto和Nicola Saladino共同创立,他们分别拥有不同的学术和专业背景。reMIX 临界工作室秉持整体性、跨学科的理念,探索塑造建成环境的复杂动态系统。他们的设计注重生态可持续性,融合自然和人工元素,创造出适应性强、响应性高的空间解决方案。该工作室的项目涵盖从小型装置到大型总体规划等多个尺度,始终体现出对创新的追求,以及对社会环境背景的深入思考。reMIX 临界工作室的设计获得了美国景观建筑学会优胜奖、国际景观建筑联盟设计大奖以及克拉科夫建筑三年展设计大奖等多个重要国际奖项。他们的作品广泛发表和展出,包括威尼斯建筑双年展,鹿特丹建筑国际双年展及法国建筑年度设计展,在整合性、可持续性设计领域十分引人注目。 Feature: Project - Located in the densely populated Futian District of Shenzhen, this high school campus by reMIX studio breaks the mold of traditional school design. Challenging the norm of schools as isolated urban islands, the project seamlessly integrates the campus with its surrounding context, becoming a "city within the city." The high-density site, surrounded by towering skyscrapers, prompted the designers to rethink the school typology. By elevating the sports fields and opening up the ground level to the public, the campus becomes a porous, permeable space that encourages interaction between the school and the community. A network of bridges and terraces, dubbed "The Loop," connects the various buildings, creating a three-dimensional circulation system that reduces vertical movement and fosters spontaneous encounters. Beyond just functionality, the design also prioritizes ecological considerations. The campus incorporates a variety of green spaces and landscaping elements, transforming it into a bird-friendly, sponge-like environment that mitigates the effects of the dense urban context. Overall, Futian High School Campus represents a innovative approach to school design, seamlessly blending educational, social, and environmental priorities to create a truly integrated campus experience. Design Team - Founded in 2012, reMIX Studio is a Beijing-based design practice that operates at the intersection of architecture, landscape, and urban design. The studio was established by three partners - Chen Chen, Federico Ruberto, and Nicola Saladino - each bringing diverse academic and professional backgrounds to the team. Driven by a holistic, interdisciplinary approach, reMIX Studio explores the complex, dynamic systems that shape the built environment. Their design work emphasizes ecological sustainability, the integration of natural and artificial elements, and the creation of adaptive, responsive spatial solutions. The studio's portfolio spans a range of project scales, from small-scale installations to large-scale master plans, consistently demonstrating a commitment to innovation and a critical engagement with the social and environmental contexts of their work. reMIX Studio's designs have been recognized with prestigious international awards, including ASLA Honor Awards, IFLA Design Awards, and prizes from the Krakow Architecture Triennial. Their work has been widely published and exhibited globally, establishing the practice as a leading voice in the field of integrated, sustainable design. 设计团队 旅游探访 120774 m² 中国,深圳 2023年 Previous Next

  • KM 河口湖森林之家 山縣洋建築設計事務所 | Archicasting

    < 返回 KM 河口湖森林之家 山縣洋建築設計事務所 项目名称:KM 河口湖森林之家 地点:日本,山梨县南都留郡 设计团队:山縣洋建築設計事務所 建筑面积:143.54 m² 完工时间:2024年5月 摄影:Forward Stroke Inc. 设计特色: 项目 - KM河口湖森之家体现了建筑与自然地形的完美融合。这座位于富士山脚下的度假别墅,通过其独特的漂浮式设计,展现了对自然地貌的深刻理解和创新诠释。建筑采用简洁的长方体形态,以精妙的结构设计实现了与斜坡地形的和谐对话。 项目最显著的特色是其巧妙的错层设计和悬挑结构。二层木结构住宅空间在混凝土底层之上形成最大3.64米的悬挑,创造出引人注目的漂浮效果。建筑师通过精心设计的开窗布局和地面高差,在统一的开放空间中营造出多样化的空间体验。外部露台被巧妙地嵌入建筑体量之中,而非外突设计,既确保了私密性,又创造了舒适的半室外空间。 项目对环境的回应体现在其对原有地形的尊重。建筑通过采用与地形呼应的缓坡屋顶设计,以及最小化的地面接触面积,保持了场地原有的自然特质。精心控制的视线设计既保护了使用者的私密性,又充分利用周边自然景观,为室内空间提供丰富的视觉体验。 这座别墅展现了对材料运用的创新:一层采用钢筋混凝土结构,二层则采用木结构配合局部钢结构加强,完美平衡了结构需求与设计表达。项目成功展示了如何在严谨的技术约束下,创造富有诗意的建筑空间。 团队 - 山縣洋建築設計事務所成立于2002年,是一家立足于日本川崎市的建筑设计事务所。在创始人山縣洋的带领下,事务所以其对建筑与环境关系的深刻理解,以及在住宅、公共建筑等领域的创新设计而闻名。 山縣洋在1985年毕业于东京工业大学建筑学科后,积累了丰富的国际经验,包括在荷兰OMA建筑事务所的工作经历(1994-1996)。这些经历为其后来的建筑实践奠定了独特的视角和方法论基础。 事务所的设计理念强调每个项目的独特性,拒绝固定的设计风格。他们相信优秀的建筑源于建筑师、业主与场地之间的深入对话。事务所的实践范围广泛,涵盖建筑设计、室内设计、景观设计、城市规划等多个领域,反映了他们对建筑学科综合性的追求。 团队以其严谨的设计方法和对细节的专注而著称。他们特别擅长将建筑与自然环境巧妙融合,创造出既回应场地特征又满足使用需求的空间作品。事务所的作品获得多个重要奖项,并在日本建筑界享有不俗声誉。 Project Name: KM Lake Kawaguchi Forest House Location: Minamitsuru District, Yamanashi Prefecture, Japan Design Team: Yo Yamagata Architects Area: 143.54 m² Completion: May 2024 Photographs: Forward Stroke Inc. Feature: Project - The KM Lake Kawaguchi Forest House exemplifies the seamless integration of architecture with natural topography. Located at the foot of Mount Fuji, this vacation residence demonstrates an innovative interpretation of site-responsive design through its distinctive floating form. The building employs a simple rectangular volume that engages in a sophisticated dialogue with the sloping terrain through masterful structural design. The project's most striking feature is its clever split-level design and cantilever structure. The second-floor wooden living space creates dramatic overhangs of up to 3.64 meters above the concrete base, achieving a compelling floating effect. Through carefully orchestrated window placements and floor level variations, the architect creates diverse spatial experiences within a unified open plan. The exterior terrace is ingeniously carved into the building mass rather than projecting outward, ensuring privacy while creating comfortable semi-outdoor spaces. The building's environmental response is evident in its respect for the existing topography. Through the adoption of a gentle sloping roof that mirrors the terrain and minimized ground contact, the architecture maintains the site's natural character. Carefully controlled sightlines both protect user privacy and maximize engagement with the surrounding landscape, providing rich visual experiences for interior spaces. The villa showcases innovative material application: reinforced concrete for the first floor and wood construction with partial steel reinforcement for the second floor, perfectly balancing structural requirements with design expression. The project successfully demonstrates how to create poetic architectural spaces within rigorous technical constraints. Design Team - Yo Yamagata Architects, established in 2002 in Kawasaki, Japan, has earned recognition for its profound understanding of the relationship between architecture and environment, and its innovative designs across residential and public projects. Yo Yamagata, following his graduation from Tokyo Institute of Technology's Architecture Department in 1985, gained valuable international experience, including a significant tenure at OMA in the Netherlands (1994-1996). These experiences shaped his unique architectural perspective and methodology. The firm's design philosophy emphasizes the uniqueness of each project, rejecting predetermined stylistic approaches. They believe exceptional architecture emerges from deep dialogue between architect, client, and site. The practice spans a broad spectrum, encompassing architectural design, interior design, landscape architecture, and urban planning, reflecting their commitment to architecture's multidisciplinary nature. The team is renowned for their rigorous design methodology and attention to detail. They excel particularly in creating harmonious integrations between buildings and their natural contexts, producing spaces that both respond to site characteristics and fulfill user needs. The firm's work has garnered numerous significant awards and maintains a highly respected position within Japan's architectural community. 设计团队 旅游探访 143.54 m² 日本,山梨县南都留郡 2024 Previous Next

  • BIJOUPIKO Fukui珠宝首饰店 Oniki Design Studio | Archicasting

    < 返回 BIJOUPIKO Fukui珠宝首饰店 Oniki Design Studio 项目名称:BIJOUPIKO Fukui 设计团队:Oniki Design Studio 面积:299.33 m² 地点:福井市,日本 设计特色: 项目 – 在日本福井郊区,ODS建筑事务所打造了一座突破传统零售设计的珠宝店。BIJOUPIKO福井店以其精妙的空间序列设计脱颖而出,将建筑本身转化为一场充满探索欲的奇妙之旅。 这座作品最引人注目的特点在于其精巧的建筑构图,巧妙地在截然不同的空间体验之间营造和谐对话。建筑核心是一个双层零售区,以温暖的棕色调墙面打造出私密氛围——这一精心的设计选择为婚戒的挑选提供了理想环境。 中心区域的两侧是双层挑高的开放空间,呈现出完全不同的空间品质。这些通透的展示区采用纯净的白色装修,北立面采用整面落地玻璃,东西两侧则巧妙设置了高窗,确保空间内充满柔和而持续的自然光线,将过渡空间升华为超凡脱俗的体验场所。 为应对当地气候特点,建筑采用了实用的人字坡屋顶以抵御大雪,同时融入了一处可从室内欣赏的枯山水花园。这种将户外元素巧妙整合的手法扩展了视觉体验的边界。 这座建筑面积达299平方米,于2024年4月竣工,位于福井新干线站延伸段开通后约15分钟车程处。它开创了零售建筑的新典范,通过精心编排的空间序列提升购物体验。BIJOUPIKO福井店展现了建筑叙事如何能够升华珠宝选购的仪式感,让顾客在光线、空间与材质中展开一段难忘的探索体验。 团队 – Oniki Design Studio(ODS)由Koichiro Oniki于2015年创立,现已发展成为日本最具创新力的建筑设计事务所之一。该事务所专注于突破传统界限的空间设计,并于2017年正式改制为股份公司。事务所的业务范畴横跨建筑设计、室内设计和展览设计领域,其作品以精妙的空间序列和卓越的体验品质著称。 主创建筑师Koichiro Oniki 1977年生于东京,童年时期在英国度过,这段经历为其注入了独特的国际视角。在早稻田大学完成建筑学业后,他首先加入了日本顶尖建筑设计公司日建设计(Nikken Sekkei)。随后在全球知名设计工作室nendo担任首席空间设计总监长达十年,主导了众多国际项目,这段经历深刻塑造了事务所现今的设计理念。 目前为止,事务所斩获了诸多重要奖项,包括2023年ELLE DECO设计大奖之日本最佳室内设计奖、多次荣获Sky设计大奖金奖(2020-2023年),以及2017年Architizer A+大奖评委会奖等。事务所的作品组合涵盖零售空间、文化场所和定制室内设计,每一个项目都完美诠释了他们对打造沉浸式建筑体验的不懈追求。 现任核心设计团队通过跨学科的设计方法和对细节的精益求精,持续推动着空间设计的边界。该事务所以其精准的设计语言、细腻的空间营造和对使用者体验的深入思考在业界备受推崇。其作品不仅展现了对建筑空间的深刻理解,更体现了当代日本设计美学的精髓。 Project:BIJOUPIKO Fukui Team:Oniki Design Studio Size:299.33 m² Location:Fukui City, Japan Feature: Project - In the suburban landscape of Fukui, Japan, architect Koichiro Oniki of ODS has crafted a jewelry store that transcends conventional retail design. BIJOUPIKO Fukui emerges as a masterful exploration of spatial sequencing, where the architecture itself becomes an invitation to wander and discover. The project's most striking feature lies in its thoughtful architectural composition, which orchestrates a harmonious dialogue between contrasting spatial experiences. At its core, a sophisticated two-story volume houses the main retail area, characterized by its warm brown-toned walls and intimate atmosphere – a deliberate choice that creates an ideal environment for the considered selection of bridal rings. This central space is flanked by double-height voids that introduce an entirely different spatial quality. These light-filled galleries, finished in pristine white, feature full-height glazing on the northern façade and carefully positioned clerestory windows on the east and west elevations. This configuration ensures a constant, diffused natural illumination that transforms these transitional spaces into ethereal volumes. Responding to the local climate, the building adopts a practical gabled roof designed to withstand heavy snowfall, while incorporating a contemplative rock garden visible from the interior. This thoughtful integration of exterior elements extends the visual journey beyond the building's confines. The 299-square-meter structure, completed in April 2024, represents a new typology in retail architecture where the shopping experience is elevated through a carefully choreographed sequence of spaces. Located just 15 minutes by car from the newly extended Shinkansen station at Fukui, BIJOUPIKO demonstrates how architectural narrative can enhance the ritual of jewelry selection, creating a memorable journey through light, space, and material. Design Team - Founded in 2015 by Koichiro Oniki, ODS (Oniki Design Studio) has established itself as one of Japan's most innovative architectural practices, specializing in spatial design that transcends conventional boundaries. The studio, which reorganized as a corporation in 2017, operates at the intersection of architecture, interior design, and exhibition design, delivering projects characterized by their sophisticated spatial sequences and attention to experiential quality. Principal architect Koichiro Oniki, born in 1977 in Tokyo, brings a unique international perspective to the practice, shaped by his formative years in the United Kingdom. Following his architectural studies at Waseda University, Oniki honed his expertise at Nikken Sekkei, one of Japan's leading architectural firms. His decade-long tenure as Chief Spatial Design Director at nendo, where he spearheaded numerous international projects, significantly influenced the studio's current design philosophy. Under Oniki's leadership, the firm has garnered prestigious accolades, including the 2023 ELLE DECO Design Awards for Best Japanese Interior Design, multiple Sky Design Awards Gold Prizes (2020-2023), and the 2017 Architizer A+ Award Jury Winner. The practice's portfolio spans retail environments, cultural spaces, and bespoke interiors, each exemplifying their commitment to creating immersive architectural experiences. The current design team, including key members Keisuke Fujiki, Hiroyuki Tanimoto, and Sakura Itazaki, continues to push the boundaries of spatial design through their interdisciplinary approach and meticulous attention to detail. 设计团队 旅游探访 299.33 m² 福井市,日本 2024 Previous Next

  • 蜂巢当代艺术中心 槃达建筑 | Archicasting

    < 返回 蜂巢当代艺术中心 槃达建筑 项目名称:蜂巢当代艺术中心 地点:北京,中国 设计团队:槃达建筑 面积:3300平方米 竣工时间:2024年11月 摄影师:董琳、夏至 设计特色: 项目 - 在北京798艺术区的核心地带,槃达建筑重新构想了蜂巢当代艺术中心,将其转变为一个超越工业原貌的纯白色圣地。在建筑师孙大勇的带领下,这3300平方米的改造项目标志着艺术空间"3.0版本"的关键时刻。 该项目大胆地剥离了建筑的工业遗迹,用明亮的、极简主义的环境取代了原始工厂的美学,优先考虑艺术和精神体验。汲取万神殿和现代主义大师如阿道夫·路斯 (Adolf Loos)等建筑大师的灵感,设计将空间提炼到最纯粹的本质。 孙大勇的概念围绕三个定义性的"W"展开:白色(White)、重量(Weight)和意志(Will)。全白色的内部创造了一个中性画布,让艺术作品成为焦点,而入口处灵感来自卡尔纳克神庙的戏剧性柱廊,增添了建筑的庄重感。主展厅中的网格状屋顶结构进一步强化了这种秩序感,精心放置的发光薄膜营造出一种空灵、庙宇般的氛围。 这次的设计不仅仅是美学上的改造,还以细致入微的细节重新构想了功能空间。二楼的走廊充当景观桥梁,为参观者提供独特的内部视角,而像大厅和阅读区这样的开放空间,彰显了艺术中心对公共参与的承诺。 通过将一个前工业空间转变为当代艺术殿堂,槃达建筑不仅仅创造了一个画廊,更是开辟了一段穿越光线、空间和艺术表达的精神之旅。 团队 – 2013年成立的槃达建筑(Penda China Architecture),是一家具有前瞻性思维的建筑实践机构,巧妙地融合了创新、可持续性和艺术表达。总部位于北京,槃达建筑以其“LESS IS LOVE”的设计理念而闻名。这一理念强调生态价值,以及人类环境与建筑空间之间的和谐关系。 在联合创始人孙大勇和Chris Precht的领导下,槃达建筑不断在不同类型的项目中突破建筑设计的界限。从文化机构到住宅和商业空间,槃达建筑以创造超越传统设计范式的变革性建筑体验而享有盛誉。 槃达建筑的设计方法以多学科融合为特点,将建筑、景观和室内设计有机结合,并专注于生态可持续性。他们的作品集中体现了当代设计的时代精神,与知名品牌合作,并屡获国际认可。 值得一提的是,槃达建筑多次入选《AD100》榜单,2016年荣获Architizer+国际新兴设计事务所奖,还多次被提名Dezeen Awards等国际大奖。事务所对创新设计的执着追求,使其在全球建筑领域中占据了重要地位,展现了中国当代建筑不断发展的新面貌。 槃达建筑以超越传统建筑形式的视野为指引,持续挑战常规设计理念,创造出既具思想深度又以人为本的空间。 Project Name: Hive Center for Contemporary Art Location: Beijing, China Design Team: Penda China Architecture Renovation Area: 3,300 square meters Completion Time: November 2024 Photographers: Dong Lin, Xia Zhi Feature: Project - In the heart of Beijing's 798 Art District, Penda China Architecture has reimagined the Hive Center for Contemporary Art as a pristine white sanctuary that transcends its industrial origins. Led by architect Sun Dayong, the 3,300-square-meter renovation represents a pivotal moment in the district's evolution, marking what the design team calls the "3.0 version" of the art space. The project boldly strips away the building's industrial heritage, replacing raw factory aesthetics with a luminous, minimalist environment that prioritizes art and spiritual experience. Drawing inspiration from architectural icons like the Pantheon and the philosophies of modernist masters such as Adolf Loos, the design distills space to its purest essence. Dayong's concept revolves around three defining "W"s: White, Weight, and Will. The all-white interior creates a neutral canvas that allows artworks to take center stage, while a dramatic colonnade at the entrance—inspired by the Karnak Temple—introduces a sense of architectural gravitas. A grid-like roof structure in the main exhibition hall further reinforces this sense of order, with carefully placed luminous films creating an ethereal, temple-like atmosphere. The renovation goes beyond aesthetics, reimagining functional spaces with meticulous attention to detail. A second-floor corridor acts as a landscape bridge, offering visitors unique perspectives of the interior, while open areas like the lobby and reading spaces emphasize the center's commitment to public engagement. By transforming a former industrial space into a contemporary art haven, Penda China Architecture has created more than just a gallery—it's a spiritual journey through light, space, and artistic expression. Design Team - Founded in 2013, Penda China Architecture has emerged as a forward-thinking architectural practice that seamlessly blends innovation, sustainability, and artistic expression. Headquartered in Beijing, the firm has distinguished itself through a commitment to what they term "LESS IS LOVE" – a design philosophy that prioritizes ecological values and harmonious relationships between human environments and architectural spaces. Led by co-founders Sun Dayong and Chris Precht, the practice has consistently pushed the boundaries of architectural design across diverse project typologies. From cultural institutions to residential and commercial spaces, Penda has developed a reputation for creating transformative architectural experiences that transcend traditional design paradigms. The firm's approach is characterized by a multidisciplinary methodology, integrating architectural, landscape, and interior design with a keen focus on ecological sustainability. Their portfolio demonstrates an extraordinary ability to capture the zeitgeist of contemporary design, collaborating with prestigious brands and receiving international recognition. Notably, Penda has been repeatedly selected for the AD100 list, received the Architizer+ Awards for Emerging International Design Firm in 2016, and has been nominated for prestigious awards including the Dezeen Awards. The practice's commitment to innovative design has positioned them as a significant voice in the global architectural discourse, representing the evolving landscape of Chinese contemporary architecture. With a vision that extends beyond mere built form, Penda China Architecture continues to challenge conventional design paradigms, creating spaces that are both intellectually provocative and deeply human-centric. 设计团队 旅游探访 3300 m² 北京,中国 2024 Previous Next

  • 玻璃屋脊之家 OWIU Design | Archicasting

    < 返回 玻璃屋脊之家 OWIU Design 项目名称:Glass Ridge House 地点:洛杉矶,美国 设计团队:OWIU Design 建筑面积:3728 平方英尺 竣工时间:2024年 摄影:Pablo Veiga Photography 设计特色: OWIU Design设计的"Glass Ridge House"(玻璃屋脊之家)展现了如何通过创新的水元素整合策略和巧妙的东西方设计哲学融合技术,将一座被遗弃30年的雷·卡普1973年现代主义住宅转化为充满文化深度的静修圣地。 这座3728平方英尺的住宅戏剧性地栖息在洛杉矶郊区的山丘中,呈现为对多元文化传承、自然元素和当代加州生活方式融合的深刻冥思。它没有完全抛弃原有的现代主义框架,而是通过精心的干预,创造出一个将亚洲哲学与南加州室内外生活方式无缝交织的居住体验。 项目的绝妙之处在于对传统住宅水景整合的根本性重新构想。室内外空间通过前所未有的水元素连接,包括穿过改造后阳光房的玻璃封闭溪流,以及环绕入口的锦鲤池配以极简主义日式枯山水。这条水的纽带确保从每个房间都能看到水景、树木或山丘的景观,创造了建筑与自然的持续对话。 OWIU Design的设计语言流利地表达着跨文化方言,运用传统日本榻榻米工艺的现代应用来重新定义居住体验。来自Kuboki榻榻米(自1740年经营的家族专业店)的榻榻米材料,被创新性地用于包裹下沉式客厅和定制床架,而非传统地板应用。这种大胆的重新诠释不仅增加了空间的温暖感和真实性,同时巧妙地适应了亚洲席地而坐的文化习俗。 最引人注目的是,建筑师通过光线和材质的巧妙操控在不同功能区域间创造情感过渡。厨房空间拥有高挑天花板和大面积玻璃墙,让自然光充满整个空间并突出浅色木质表面,而相邻的餐厅则采用低垂的深红木镶板天花板和熏黑木质吧台,营造出更为厚重和亲密的氛围对比。 景观策略延续了这种室内外无缝过渡的设计理念。一度弯曲的泳池被重新设计为与景观更加和谐的形态,使人们能够在水中享受远山树林的景色。艺术家Tomonari Hashimoto定制的陶瓷瓷砖为专门的茶吧区域奠定基调,反映了居住者的日常仪式,每个设计元素都承载着个人记忆、故事和深层原因。 设计团队 - OWIU Design作为新一代亚裔美国建筑实践的杰出代表,由新加坡建筑师阿曼达·古纳万和乔尔·王于2018年在洛杉矶创立,自成立以来已确立其在当代住宅设计和跨文化建筑语言创新领域的先锋地位。这家立足洛杉矶的事务所通过设计、建造和产品开发的垂直整合,重新定义亚裔美国建筑师在当代设计话语中的角色。 OWIU Design为建筑实践带来了卓越的多元文化设计视角和对跨学科方法的深刻理解。该事务所因其将传统亚洲工艺与当代加州现代主义结合的承诺而获得认可,两位创始人均为南加州建筑学院(SCI-Arc)的杰出毕业生并获得享有盛誉的优秀毕业设计奖,曾在普利兹克奖得主汤姆·梅恩领导的Morphosis建筑事务所等知名实践中受训。古纳万还具备新加坡市区重建局的城市规划经验,这种国际化经验与美国建筑教育的结合,使OWIU Design在洛杉矶建筑景观中占据独特地位。 该事务所的设计哲学强调建筑应该超越时间限制——不仅仅是为了持久存在而设计,更是为了与居住者共同有机演进。通过可持续发展的保护和创新方法,开展从住宅、商业到酒店和公共空间的多元化项目,相信最好的建筑是通过精准和深思熟虑的过程产生的精致干预。OWIU Design相信建筑应该成为文化记忆和个人叙事的载体,通过策略性的空间组织和材料选择创造独特的居住体验。 除实践外,该事务所通过其子公司OWIU Goods(陶瓷和家居用品线)和Inflexion Builds(持牌建筑公司)保持着强有力的垂直整合。通过对传统工艺与现代建造方法的深思熟虑结合、本地和国际材料的运用,以及经过时间验证的文化智慧,OWIU Design已确立自己作为当代亚裔美国建筑话语重要贡献者的地位,创造出既具地方回应性又拥抱全球设计视野的建筑作品。该事务所已完成90多个项目预订,获得超过60项国际媒体报道,古纳万入选Prestige Asia 40岁以下40人榜单和《建筑文摘》10位AAPI设计师名单。 设计团队 旅游探访 3728 ft² 洛杉矶,美国 2024 Previous Next

  • 武汉甘露山国际滑雪场 CLOU Architects | Archicasting

    < 返回 武汉甘露山国际滑雪场 CLOU Architects 项目名称:武汉甘露山国际滑雪场 地点:武汉,中国 设计团队:CLOU Architects 建筑面积:178000 m² 完工时间:2024年 摄影师:存在建筑、须然建筑摄影 设计特色: 项目 - 在武汉的中心,CLOU柯路建筑(CLOU Architects)重新构想了滑雪场的概念,将其从简单的运动设施转变为革命性的24小时城市娱乐综合体。这个创新项目为中国的综合休闲目的地设立了新标准,无缝融合了室内冬季运动、零售体验和景观设计。 该度假区最引人注目的特点是其长达半公里、高达100米的室内滑雪道,外部包裹着开创性的像素化多媒体立面。这座建筑奇迹远远超越了传统滑雪设施,创造了一个令人沉浸的环境,消除了室内和室外空间的界限。设计师巧妙地围绕中央湖区布置各种娱乐、体育和零售设施,打造了一个充满活力的"城市客厅",全天候焕发能量。 受北京冬奥会带来的雪上运动在年轻一代中日益流行的文化浪潮的推动,该项目不仅仅是一个滑雪场,而是一个包含滑雪学校、俱乐部、专业体育场地、酒店和主题公园的全面娱乐生态系统。由层叠的三维像素组成的模块化立面系统,创造了一个独特的视觉识别,反映了这个复合体的多面性,将黄陂区转变为庆祝运动和休闲的当代地标。 这座滑雪场不仅仅是一个建筑项目,更是一种生活方式的表达。它体现了中国城市空间发展的新趋势:将运动、娱乐、商业和社交完美融合,创造多功能、高度互动的城市景观。通过其创新的设计理念,武汉甘露山国际滑雪场不仅满足了人们对冬季运动的渴望,还提供了一个全新的社交和休闲平台。 团队 – 由德国建筑师Jan Clostermann创立的柯路建筑,已成为一个超越传统建筑界限的富有远见的设计实践。该事务所以全球视野建立,在北京、上海和里斯本设有国际工作室,拥有一支由70多位富有创新精神的建筑师和设计师组成的动态团队,致力于创造世界级的社交空间。 柯路的建筑理念以通过智能、整体的设计解决方案,将普通空间转化为非凡环境为中心。该事务所专注于复杂的城市发展、商业目的地和大型综合项目,展现了将经济、社会和环境考量融合成连贯建筑叙事的卓越能力。 该事务所的设计方法以细致的方法论为特征,结合深入的研究、分析严谨性和创造性概念化。通过理解每个项目的独特背景挑战,柯路制定定制的设计策略,不仅满足功能需求,还能生成有意义的空间体验,催化社交互动。 在Jan Clostermann的带领下,这个多学科团队汇集了国际专业知识,将先进的计算设计技术与以人为本的设计理念相结合。他们的项目组合展示了卓越的创新能力,能够敏感地回应当代城市条件,同时推动建筑表达的边界。 以可持续、以背景为驱动的设计为承诺,柯路继续将自己确立为一个在创造充满活力、社会参与的空间环境方面处于前沿的进步性建筑事务所。 Project Name: Wuhan Ski Resort Location: Wuhan, China Design Team: CLOU Architects Building Area: 178,000 m² Completion Year: 2024 Photographers: Arch Exist, Shrimp Studio Lead Architect: Jan Clostermann Landscape Design: Waterlily Design Studio Client: Wuhan Urban Construction Group Design Team Members: Jan Clostermann, Zhi Zhang, Sebastian Loaiza, Zihao Ding, Liang Hao, Yiqiao Zhao, Christopher Biggin, Principia Wardhani, Artur Nitribitt, Jing Shuang Zhao, Liu Liu, Yinuo Zhou, Yuan Yuan Sun, Haiwei Xie Collaborating Design Institute: China Construction Shenzhen Decoration Co., Ltd Feature: Project - In the heart of Wuhan, CLOU Architects has reimagined the concept of a ski resort, transforming it from a simple sporting facility into a revolutionary 24-hour urban entertainment complex. Spanning an impressive 178,000 square meters, this innovative project sets a new standard for integrated leisure destinations in China, seamlessly blending indoor winter sports, retail experiences, and landscape design. The resort's most striking feature is its half-kilometer-long indoor ski slope, soaring 100 meters high and wrapped in a groundbreaking pixelated multi-media façade. This architectural marvel goes far beyond traditional ski facilities, creating an immersive environment that dissolves boundaries between indoor and outdoor spaces. The design strategically arranges various entertainment, sports, and retail facilities around a central lake, creating a dynamic "urban living room" that pulses with energy throughout the day and night. Driven by the growing popularity of snow sports among younger generations in China, the project responds to the cultural momentum sparked by the Beijing Winter Olympics. It's not just a ski resort, but a comprehensive entertainment ecosystem that includes ski schools, clubs, professional sports venues, hotels, and themed parks. The modular façade system, composed of terraced three-dimensional pixels, creates a unique visual identity that reflects the complex's multifaceted nature, transforming the Huangpi district into a contemporary landmark that celebrates both sport and leisure. Design Team - Founded by German architect Jan Clostermann, CLOU Architects has emerged as a visionary design practice that transcends traditional architectural boundaries. Established with a global perspective, the firm maintains international studios in Beijing, Shanghai, and Lisbon, comprising a dynamic team of over seventy innovative architects and designers dedicated to creating world-class social spaces. CLOU's architectural philosophy centers on transforming ordinary spaces into extraordinary environments through intelligent, holistic design solutions. Specializing in complex urban developments, commercial destinations, and large-scale mixed-use complexes, the practice demonstrates an exceptional ability to synthesize economic, social, and environmental considerations into cohesive architectural narratives. The firm's design approach is characterized by a meticulous methodology that combines in-depth research, analytical rigor, and creative conceptualization. By understanding each project's unique contextual challenges, CLOU develops bespoke design strategies that not only meet functional requirements but also generate meaningful spatial experiences that catalyze social interactions. Led by Jan Clostermann, the multidisciplinary team brings together international expertise, integrating advanced computational design techniques with a human-centric design philosophy. Their portfolio showcases a remarkable capacity to deliver innovative projects that respond sensitively to contemporary urban conditions while pushing the boundaries of architectural expression. With a commitment to sustainable, context-driven design, CLOU continues to establish itself as a progressive architectural practice at the forefront of creating dynamic, socially engaged spatial environments. 设计团队 旅游探访 178000 m² 武汉,中国 2004 Previous Next

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