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  • 段段PARK 矢野青山建筑设计事务所 | Archicasting

    < 返回 段段PARK 矢野青山建筑设计事务所 项目名称:段段PARK 地点:爱媛县松山市,日本 设计团队:矢野青山建筑设计事务所 建筑面积:5386.52 m² 竣工时间:2023年 摄影:西川公朗 设计特色: 段段PARK由矢野青山建筑设计事务所设计,坐落于日本爱媛县松山市空港通り沿线,展现了建筑如何在应对汽车行业环境变化的同时创造出独特的公共空间体验。这座5386.52平方米的多功能建筑以其创新性的功能复合策略和富有地域性的阶梯形态,重新定义了汽车经销商建筑的空间可能性。 该项目最引人注目的设计成就在于其智能的功能复合布局策略。不同于传统汽车展厅,设计将餐饮、多功能大厅、儿童游乐区、共享办公空间与汽车展厅和服务设施整合在一起。这种多样化的功能组合创造了协同效应,吸引了更广泛的受众,将私营企业空间转化为真正的公共聚集场所。其结果是一座既服务商业需求又促进社区参与的建筑,最常使用的空间享有最佳户外环境,与城市景观建立特权关系。 建筑叙事通过精妙的阶梯形态展开,展现出卓越的地域文化回应性。五个错位的盒子以层叠的方式向上堆栈,参考了爱媛县标志性的蜜柑果园梯田景观。这些盒子通过纤细的钢柱和横梁与钢窗框一体化构成,地震力由后方的钢框架结构承担。逐层退台的体量创造出宽敞的户外露台,形成类似公园的空间,强化建筑与自然环境的对话。带肋理的钢结构暴露于外,将准工业地区的场地特质和汽车工业产品属性转化为设计表达。 材料选择体现了构造创新的实用性和环境管理的精致性。中央大厅立面创新性地使用了用螺栓固定在钢柱上的CLT(正交胶合木)抗震墙,将抗震元素转化为为设施增添色彩的设计亮点,超越其结构维度获得美学价值。露台通过楼梯连接,种植了当地小学生从松山城周围保护森林中收集的橡子培育的植物。这种处理手法不仅增强了构图的可读性,更将社区参与和环境管理融入项目的核心,强化了每一层次体量的独立性与地域联系。 立面处理展现了策略性空间组织的精致性。建筑的段段形态将体量逐层向后退台并绿化,创造良好的城市景观并提升回游性。"段段"在当地方言中意为"谢谢",体现了在室内外创造回馈地区场所的意图。"PARK"则蕴含停车场和公园的双重含义,各层露台不仅被营造为公园般的空间,还规划了坡道使车辆能够直达露台,拓展了场所的活力和使用广度。 项目的另一大特色是其对功能提案的创造性整合和高品质建筑实践。通过将餐饮空间靠近道路同时环绕绿化营造氛围,将儿童游乐区配置在三层架空层上无需考虑向下层传递振动且从前方道路清晰可见的位置,将共享办公空间面向屋顶展示场配置,整体布局在音环境控制下通过配置和设计的巧思实现各功能的共存与协同效应。一层主展厅与二层赛车运动区域之间设置大型阶梯式大厅,日常兼具动线和停留功能,活动时转化为观众席,配备升降座椅、可移动桌子、置物架和影像配信设备。段段PARK证明了设计能够将行业转型挑战转化为建筑机遇,在不牺牲空间品质、构造清晰性或使用舒适的前提下,创造出回应环境变化和社区需求的公共建筑。 设计团队: 矢野青山建筑设计事务所由矢野寿洋和青山惠理子于2013年创立并领导,如今已成为以综合性设计方法和地域振兴贡献着称的领先建筑实践机构。事务所于2018年完成法人化,总部位于日本爱媛县松山市,在东京设有分部,现已发展成为提供建筑设计、工程监理、工作坊、室内设计、家具设计及企划等全方位服务的综合设计公司。 在矢野寿洋和青山惠理子的创意指导下,事务所领导着充满活力的跨学科团队,包括建筑师矢野寿洋、青山惠理子、西山琳作为段段PARK的主创建筑师。矢野寿洋作为创始合伙人,持有东京大学工学部建筑学科学士学位和东京大学大学院工学系研究科建筑学专攻硕士学位,曾于2006年至2013年在新居千秋都市建筑设计事务所工作,2015年至2017年担任东京大学生产技术研究所特任研究员,2025年起担任爱媛大学副教授。青山惠理子持有日本大学艺术学部设计学科建筑课程学位,曾在中村高淑建筑设计事务所等机构工作。他们的协作方式兼具精品事务所的个性化关注与综合公司的运营效率。 事务所的设计哲学聚焦于创造回应环境与社区的建筑场所,将建筑计划与功能提案相结合。其设计方法论优先考虑硬件与软件的双重整合,通过功能复合产生协同效应,创造民间主导的公共性场所。建筑与景观无缝融合,地域特质用于提升空间认同度。对细节的精心关注和参与式设计成为每个项目的决定性特征。矢野青山建筑设计事务所的专业严谨性使其作品与单纯的功能主义保持距离,转而追求基于根本信念的持续性设计,即建成环境直接塑造社区体验并促进地域振兴。 矢野青山建筑设计事务所作为全方位服务的建筑实践机构,在多元建筑类型中展现专业能力,提供建筑设计、工程监理、工作坊引导、室内设计、家具设计和企划等服务。事务所最初专注于地域性建筑项目,后逐步拓展为综合设计公司。其作品集体现了对地域贡献的坚定承诺,始终如一地交付平衡创新性与实用性、空间品质与使用舒适的项目。这种方法获得了显着认可,包括2014年釜石市民会馆设计提案优秀奖、2019年爱媛县牙医师会馆设计提案最优秀奖、2022年爱媛县伊方町健康交流设施龟池温泉设计提案最优秀奖、2024年第76届全国植树祭御野立所最优秀奖、2024年优良设计奖最佳100(龟池温泉)、2024年优良设计奖及松山景观最高大奖(段段PARK)。自2025年起,随着矢野寿洋担任爱媛大学副教授,青山惠理子担任代表,矢野青山建筑设计事务所在推动地域建筑走向创新的同时,保持其对社区参与、环境回应和有意义建筑的基础原则。 设计团队 旅游探访 5386.52 m² 松山市,日本 2023 Previous Next

  • 加拿大呼啸风之岛 Akb Architects | Archicasting

    < 返回 加拿大呼啸风之岛 Akb Architects 设计特色: 坐落在多伦多北部三小时车程的Pointe Au Baril壮丽的淡水景观中,呼啸风岛(Whistling Wind Island)项目堪称在严苛环境中实现和谐设计的典范。Akb建筑事务所在这片远离大陆的乔治亚湾群岛上,巧妙打造了四座坡屋顶结构建筑群,与崎岖地形浑然一体。 这个于2024年竣工的项目包括一座主别墅、一间小木屋、桑拿房和船库。每栋建筑都覆以银灰色风化雪松木瓦,与周围褐灰色岩石相映成趣。这些建筑仿佛被风随意摆放,在特定光线下几乎与景观融为一体。 设计充分利用了其暴露于自然的位置特点,融入环绕式露台和三层可开启玻璃墙,不仅提供全景视野,还能自然调节室温。内部空间采用白色雪松木板,呼应水天相接的地平线,而当地的马斯科卡花岗岩则增添了粗犷优雅的质感。 可持续性是项目的核心理念。建筑均建在原有基址上,采用柴火壁炉取代机械系统。设计对环境的尊重还体现在最小化用水量和精心考虑的照明选择上,以保护夜空的美丽。 呼啸风岛项目堪称建筑艺术的杰作,它不仅能够抵御,更懂得如何赞颂其狂野的环境。 Nestled in the dramatic freshwater landscape of Pointe Au Baril, three hours north of Toronto, Whistling Wind Island emerges as a testament to harmonious design in challenging environments. Akb Architects have crafted a cluster of four pitch-roofed structures that blend seamlessly with the rugged terrain of this remote Georgian Bay archipelago. The project, completed in 2024, spans 3,130 square feet and comprises a main cottage, bunkie, sauna, and boat storage. Each building is clad in silver-weathered cedar shingles, creating a visual dialogue with the surrounding brownish-grey rocks. The structures appear to have been scattered by the wind, their forms barely discernible from the landscape in certain light conditions. Embracing its exposed location, the design incorporates wrap-around decks and triple-pane operable glass walls, offering panoramic views and natural thermal control. The interiors feature whitewashed cedar boards that echo the horizon line of water and sky, while local Muskoka granite adds a touch of rugged elegance. Sustainability is at the core of the project, with buildings constructed on existing footprints and woodburning fireplaces eliminating the need for mechanical systems. The design's respect for the environment extends to minimal water usage and considerate lighting choices that preserve the night sky's beauty. Whistling Wind Island stands as a masterful example of architecture that not only withstands but celebrates its wild surroundings. 设计团队: Akb建筑事务所成立于2004年,在Robert Kastelic和Kelly Buffey的领导下,已然成为多伦多顶尖的住宅建筑工作室。该事务所的设计理念体现了对细节的精雕细琢,将富有诗意的空间品质与严谨的概念完整性巧妙融合。 事务所的作品集展现了他们卓越的内外空间协调能力,创造出建筑环境与自然景观之间的无缝过渡。这种整体性方法在多个项目中得到充分体现,其中备受赞誉的呼啸风之岛就是一个典范,展示了他们在应对复杂场地条件时的高超技巧。 Akb的设计哲学着重于体量、光线、比例和材质的精心编排,打造出既宁静又引人入胜的空间。他们在马斯科卡湖畔别墅和故事小屋等项目中的工作,体现了对创新可持续策略的承诺,以及对材料属性(尤其是木材)的深刻理解。 工作室的成功源于一个平衡客户需求和设计卓越性的协作过程。这种方法为他们赢得了众多荣誉,包括2014年安大略建筑师协会最佳新锐实践奖,以及多次安大略建筑师协会卓越设计奖。 Kastelic和Buffey在建筑和室内设计方面的综合专长使Akb能够交付出具有非凡完整度和精致度的项目。他们的作品持续推动住宅建筑的边界,创造出不仅功能完善、优雅精致,而且与环境深度契合的空间。 Founded in 2004, Akb Architects has established itself as a preeminent Toronto-based residential architecture studio under the leadership of Robert Kastelic and Kelly Buffey. Their practice embodies a meticulous approach to design, blending poetic spatial qualities with rigorous attention to detail and conceptual integrity. The firm's portfolio showcases a remarkable ability to harmonize interior and exterior spaces, creating seamless transitions between built environments and natural landscapes. This holistic approach has resulted in projects like the award-winning Whistling Wind Island, which exemplifies their skill in crafting structures that respond sensitively to challenging site conditions. Akb's design philosophy prioritizes the orchestration of volume, light, proportion, and materiality to create tranquil and engaging spaces. Their work on projects such as the Muskoka Cottage and the Story Pod demonstrates a commitment to innovative sustainable strategies and a deep understanding of material properties, particularly in their use of wood. The studio's success is rooted in a collaborative process that balances client needs with design excellence. This approach has garnered numerous accolades, including the OAA Best Emerging Practice Award in 2014 and multiple Design Excellence recognitions from the Ontario Association of Architects. Kastelic and Buffey's combined expertise in architecture and interior design enables Akb to deliver projects with exceptional resolution and refinement. Their work continues to push boundaries in residential architecture, creating spaces that are functional, elegant, and deeply connected to their contexts. 设计团队 旅游探访 3130 ft² 加拿大,安大略 2024年 Previous Next

  • 美的·和祐医院 BAIDI | Archicasting

    < 返回 美的·和祐医院 BAIDI 项目名称: 美的·和祐国际医院 地点: 佛山市顺德区,中国 设计团队: BAIDI 面积: 580000 m² 完工时间: 2024年 摄影师: 直译建筑摄影 设计特色: 项目 - 作为一个突破性的医疗与生物亲和设计的融合典范,位于中国佛山的美的·和祐国际医院,正在重新定义传统医院建筑的概念。这座由BAIDI建筑师事务所于2024年完成的58万平方米综合体,彻底改变了传统医疗机构的面貌,通过"花园医院"的理念,将自然疗愈作为核心设计原则。 项目选址于顺德水网密布的历史人文背景之中,医院最引人注目的特征是其沿南侧水岸蜿蜒展开的立面,仿佛自然生长而出。正如主创建筑师白宇所述,建筑形态直接汲取了岭南水乡纵横交错的河道特色,巧妙地将地域文化特征与现代医疗需求相融合。 建筑创新不仅体现在美学层面,还采用了精密的空间网壳结构系统,既满足功能需求又展现艺术价值。这种高科技手法呈现出通透且富有科技感的外观,既打造出独特的建筑轮廓,又最大化地引入自然光线。通过将参数化设计与节能解决方案相结合,突显了项目对可持续发展的承诺,包括采用低透射率中空玻璃与可调节张拉膜相结合,配合屋顶光感器优化室内舒适度的同时最小化能源消耗。 最具革新性的是,医院在容纳1500张住院床位和日均门诊量6500人次的同时,依然保持着疗愈花园的氛围。设计超越了传统的"以治疗为中心"理念,转向"以健康为中心"的理念,打造出具有治愈功能的空间环境。室内空间展现出精心设计的结构节点,既可作为夜间照明特色,同时屋顶将光伏系统与幕墙一体化设计,完美诠释了科技与自然元素的和谐统一。 这个雄心勃勃的项目为医疗建筑设立了新的标准,展示了医疗设施如何通过自然、建筑与人类福祉的根本联系,成为促进健康的城市绿洲。 团队 - BAI Design International(BAIDI)英国杰典国际建筑设计于2009年在伦敦成立,作为一家具有英国皇家建筑师协会(RIBA)特许资质的建筑事务所,在医疗建筑和可持续城市发展方面享有盛誉。在主创建筑师白宇(英国ARB注册建筑师、RIBA特许会员)的带领下,与Laura Zurbano Amo、Fabio Canni和Massimiliano Della Fognia等国际合伙人组成的团队,凭借其杰出的设计作品获得了众多国际荣誉。 BAIDI的设计理念将文化叙事与技术创新相融合,这一理念在其标志性项目美的·和祐国际医院中得到充分展现,该项目荣获2023年《财富》最佳设计奖等多项国际大奖。事务所专注于轨道交通导向开发(TOD)、医疗建筑、文化设施和大型城市规划领域,代表作品包括三星堆考古遗址博物馆和北京S1号线磁悬浮车站等。 事务所汇集了来自英国、意大利、西班牙和中国的专业人才,整合了多个国家注册建筑师的专业经验。这种多元文化背景体现在他们的建筑实践中,将地域文化特色与当代可持续发展解决方案完美结合。其作品先后获得建筑大师奖(Architecture MasterPrize)、世界建筑节奖(WAF)、世界建筑新闻奖(WAN)和德国ICONIC标志性建筑奖等权威奖项的认可,使BAIDI成为亚太地区当代建筑实践发展的重要推动者。 Project Name: Midea Heyou International Hospital Location: Shunde District, Foshan, China Design Team: BAIDI Area: 580,000 m² Completion Year: 2024 Photographer: Archi-Translator Feature: Project - In a groundbreaking fusion of healthcare and biophilic design, the Midea Heyou International Hospital in Foshan, China, emerges as a paradigm-shifting medical facility that challenges traditional hospital architecture. Completed in 2024 by BAIDI architects, this 580,000-square-meter complex represents a radical departure from conventional medical institutions, embodying a "garden hospital" concept that prioritizes healing through nature. Set against the historical backdrop of Shunde's waterway-rich landscape, the hospital's most striking feature is its sinuous façade that appears to rise organically from the southern waterfront. The building's form, as explained by lead architect Bai Yu, draws direct inspiration from the intricate network of canals that characterize the Lingnan water towns, creating a visual narrative that connects the region's cultural heritage with contemporary healthcare needs. The architectural innovation extends beyond mere aesthetics, employing a sophisticated dia-grid structure shell system that serves both functional and artistic purposes. This high-tech approach manifests in a transparent, technologically advanced exterior that creates a distinctive silhouette while maximizing natural light penetration. The integration of parametric design with energy-efficient solutions showcases the project's commitment to sustainability, featuring low-transmission double-glazing combined with adjustable tensile membranes and rooftop photosensors that optimize interior comfort while minimizing energy consumption. Perhaps most revolutionary is the hospital's capacity - accommodating 1,500 inpatient beds and handling up to 6,500 outpatients daily - while maintaining the ambiance of a healing garden. The design transcends the traditional "treatment-centered" approach to embrace a "health-centered" philosophy, creating spaces that function as therapeutic environments. Interior spaces reveal carefully detailed structural nodes that double as nighttime illumination features, while the roof integrates photovoltaic systems with the curtain wall, exemplifying the harmony between technological advancement and natural elements. This ambitious project sets a new benchmark for healthcare architecture, demonstrating how medical facilities can serve as urban wellness sanctuaries that promote healing through the fundamental connection between nature, architecture, and human well-being. Design Team - BAI Design International (BAIDI), established in 2009 in London as a RIBA Chartered Practice, has emerged as a leading force in contemporary architectural design, particularly recognized for its innovative approach to healthcare architecture and sustainable urban development. Under the leadership of Kevin Yu Bai, ARB registered architect and RIBA chartered member, alongside an international team of partners including Laura Zurbano Amo, Fabio Canni, and Massimiliano Della Fognia, the firm has garnered significant acclaim, evidenced by their impressive portfolio of international awards. BAIDI's design philosophy interweaves cultural narrative with technological innovation, exemplified by their award-winning Midea Heyou International Hospital project, which received the 2023 Fortune Best Designs and multiple international accolades. The practice specializes in Transit Oriented Development (TOD), healthcare architecture, cultural facilities, and large-scale urban planning, with notable projects including the Sanxingdui Archaeological Museum and Beijing S1 Line Maglev Rail Station. The firm's multicultural team combines British, Italian, Spanish, and Chinese expertise, bringing together registered architects from multiple jurisdictions. This diversity is reflected in their integrated approach to architecture, where local cultural contexts meet contemporary sustainable solutions. Their portfolio has been recognized by prestigious institutions, securing awards from the Architecture MasterPrize, WAF, WAN, and ICONIC Awards, positioning BAIDI as a significant contributor to the evolution of contemporary architectural practice, particularly in the Asia-Pacific region. 设计团队 旅游探访 580000 m² 佛山市顺德区,中国 2024 Previous Next

  • 尚泰那空沙旺购物中心 IF (Integrated Field) | Archicasting

    < 返回 尚泰那空沙旺购物中心 IF (Integrated Field) 项目名称:尚泰那空沙旺购物中心 地点:那空沙旺,泰国 设计团队:IF (Integrated Field) 建筑面积:77500 m² 完成时间:2024 摄影:W Workspace 设计特色: 项目 - 在泰国那空沙旺的中心地带,尚泰那空沙旺购物中心项目由IF (Integrated Field)设计,旨在创造一个融合现代设计与当地文化和自然美景的多功能空间。这个77500平方米的混合用途开发项目成为了背景敏感设计的杰出范例,既庆祝当地特色,又拥抱现代功能性。 该项目最独特的特点是其创新广场,巧妙地处理了3米的高度差,而没有采用传统的楼梯设计。这个经过精心设计的阶梯式景观创造了一个无缝、无障碍的公共领域,既保留了现有树木,又为各类访客提供了聚集、放松和娱乐的空间。 建筑的主门厅屋顶由层叠、弯曲的形状组成,灵感来自当地村庄房屋,软化了开放广场与室内空间之间的过渡。这种设计反映了项目将现代建筑与文化元素融合的目标。 最引人注目的是建筑双色中庭的设计,灵感来自南河和平河的汇合,整合了红色和绿色材料来代表汇合的水流。这个三层空间既是导航地标,又帮助访客划分商场的不同区域。 通过这些创新元素,设计团队打造了一个响应当代需求,同时保持深厚地方根基的多功能环境。尚泰那空沙旺购物中心超越了其作为购物目的地的角色,成为一个真正的社区资产——一个欢迎所有人的中心,既尊重过去又拥抱未来。 团队 - IF (Integrated Field)成立于2011年7月,是一家以泰国为基地的设计事务所,由建筑师、室内建筑师、景观建筑师和工业设计师组成,旨在尽可能多的领域共同工作,从整合的投入中创造作品,正如其核心理念所述:"IF在整合领域工作"。 IF的方法论以确定每个项目的特定问题为中心,通过严格的探究来理解其"核心",并在整个设计过程中基于该问题发展设计。事务所的跨学科结构使其能够超越传统学科界限,开展全面的设计过程,合成多领域的专业知识,开发既响应功能要求又考虑环境条件的精细空间解决方案。 事务所的作品集展示了非凡的多样性,涵盖住宅、商业和文化类型。像尚泰那空沙旺购物中心这样的项目展示了IF创造建筑上复杂空间的能力,这些空间平衡了形式创新与功能清晰度,同时敏感地回应当地文化叙事。 自成立以来的十多年里,IF已成为当代泰国建筑中的重要声音,持续提供以概念严谨、材料敏感和空间智能为特征的项目——这些品质使该事务所在该地区不断发展的设计话语中处于前沿地位。 Project Name: Central Nakhon Sawan Location: Nakhon Sawan, Thailand Design Team: IF (Integrated Field) Total Floor Area: 77,500 m² Completion: 2024 Photography: W Workspace Feature: Project - In the heart of Thailand's Nakhon Sawan province, the Central Nakhon Sawan project by IF (Integrated Field) aimed to create a multifunctional space that blends modern design with local culture and natural beauty. This 77,500-square-meter mixed-use development emerges as a compelling example of contextually sensitive design that celebrates local identity while embracing modern functionality. The project's most distinctive feature is its innovative plaza, which ingeniously navigates a 3-meter elevation change without resorting to conventional stairs. This thoughtfully terraced landscape creates a seamless, accessible public realm that preserves existing trees while providing space for gathering, relaxation, and recreation for visitors of all abilities. The roof of the main foyer, which connects the plaza to the building, consists of layered, curved forms inspired by local village houses, softening the transition between the open plaza and the interior. This design reflects the project's goal of merging modern architecture with cultural elements. Perhaps most captivating is the building's dramatic two-tone atrium, conceived as an architectural homage to the convergence of the Nan and Ping rivers, integrating red and green materials to represent the merging waters. This triple-volume space serves as both a navigational landmark and helps delineate different zones of the mall for visitors. Through these innovative elements, the design team has crafted a multifunctional environment that responds to contemporary needs while remaining deeply rooted in its context. Central Nakhon Sawan transcends its role as a shopping destination to become a genuine civic asset—a welcoming hub that honors the past while embracing the future. Design Team - IF (Integrated Field) was founded in July 2011 as a Thailand-based design office, formed by architects, an interior architect, a landscape architect and an industrial designer, intended to work together in as many fields as possible to create work from the integrated inputs as their core saying, "IF works in the Field of Integration." IF's methodology centers on identifying the specified question for each project through rigorous inquiry to understand its "core," and develop the design based on that issue throughout the whole process. The firm's interdisciplinary composition enables a holistic design process that transcends conventional disciplinary boundaries, synthesizing expertise across multiple fields to develop nuanced spatial solutions that respond to both programmatic requirements and contextual conditions. The practice's portfolio demonstrates remarkable versatility, encompassing residential, commercial, and cultural typologies. Projects like Central Nakhon Sawan exemplify IF's ability to create architecturally sophisticated spaces that balance formal innovation with functional clarity while responding sensitively to local cultural narratives. In just over a decade since its inception, IF has emerged as a significant voice in contemporary Thai architecture, consistently delivering projects characterized by conceptual rigor, material sensitivity, and spatial intelligence—qualities that have positioned the practice at the forefront of the region's evolving design discourse. 设计团队 旅游探访 77500 m² 那空沙旺,泰国 2024 Previous Next

  • FA 206 办公楼 Tchoban Voss Architects | Archicasting

    < 返回 FA 206 办公楼 Tchoban Voss Architects 设计特色: 在柏林利希滕贝格区的中心,一座引人注目的新办公楼拔地而起,以其大胆的设计和周到的城市融合理念,挑战着当地的建筑景观。由Tchoban Voss Architekten设计的FA 206办公楼,巧妙地融合了历史工业美学与现代办公需求,成为建筑艺术的典范。 这座梯形建筑于2024年落成,占据了6000平方米的显眼转角地块,为周围后现代主义风格的民主德国时期建筑带来了耳目一新的对比。其最突出的特色是那引人注目的红砖外立面,既向20世纪初的工业建筑致敬,又彰显了自身的现代特色。 外立面精细的细节展现了肌理和图案的巧妙运用。建筑的底座包括地面层和一层,其水平砖浮雕让人联想到表现主义建筑。在此之上,平滑的熟料砖表面点缀着凸面纹理砖,与变幻的阳光相互呼应,营造出动感十足的视觉效果。 落地窗在每层微妙地错位排列,形成迷人的视觉韵律。这一设计不仅提升了建筑的美感,还为室内空间最大化引入自然光线。建筑的功能性延伸至其平屋顶,既作为蓄水系统,又设有观景露台,可俯瞰柏林地标建筑。 这座七层建筑荣获德国可持续建筑委员会金奖认证,堪称创新设计、历史传承和环保意识和谐融合的典范。 In the heart of Berlin's Lichtenberg district, a striking new office building has emerged, challenging the architectural landscape with its bold design and thoughtful urban integration. Designed by Tchoban Voss Architekten, the Office Building FA 206 stands as a testament to the fusion of historical industrial aesthetics and contemporary workplace needs. The trapezoidal structure, completed in 2024, occupies a prominent corner plot of 6000 square meters, introducing a refreshing contrast to the surrounding postmodern GDR-era buildings. Its most distinctive feature is the expressive rust-red clinker brick façade, which pays homage to early 20th-century industrial architecture while asserting its own modern identity. The façade's intricate detailing showcases a masterful play of textures and patterns. The building's plinth, encompassing the ground and first floors, boasts a horizontal clinker brick relief reminiscent of Expressionist architecture. Above, the smooth clinker brick surface is punctuated by convex textured bricks, creating a dynamic interplay with changing sunlight. Floor-to-ceiling windows shift subtly across each level, generating a captivating visual rhythm. This design not only enhances the building's aesthetic appeal but also maximizes natural light for the interior spaces. The structure's functionality extends to its flat roof, which doubles as a water retention system and hosts a panoramic terrace overlooking iconic Berlin landmarks. With its gold certification from the German Sustainable Building Council, this seven-story edifice exemplifies a harmonious blend of innovative design, historical reference, and environmental consciousness. 设计团队: 来自德国的Tchoban Voss Architekten是建筑创新和持久性的典范,自1931年成立以来一直在塑造建筑环境。该公司由赫伯特·施普罗特(Herbert Sprotte)和彼得·内夫(Peter Neve)在汉堡创立,现已发展成为设计卓越的翘楚,目前由谢尔盖·楚邦(Sergei Tchoban)和埃克哈德·沃斯(Ekkehard Voss)领导,二人于2015年成为公司的主要合伙人。 九十多年来,Tchoban Voss Architekten在多元化的项目组合中不断提供优质设计解决方案。他们的专业领域涵盖住宅和商业建筑、酒店场所、办公综合体、工业设施以及旧建筑改造项目。该公司的理念强调对环境敏感的设计,创造出巧妙回应城市环境的建筑叙事。 Tchoban Voss Architekten拥有180多名高素质的跨学科专业人才,在汉堡、柏林和德累斯顿设有办公室。这种地理分布使公司能够保持强大的区域影响力,同时精细地承接国际项目。 该事务所以其全面的设计方法而闻名,从外立面到室内细节都精心打造。这种综合方法确保每个项目都成为其环境中不可或缺的、富有特色的组成部分。Tchoban Voss Architekten对可持续性、功能性和美学卓越的承诺,使他们成为当代建筑的领军力量,不断打造能够优雅适应不断演变的城市需求的持久建筑。 Tchoban Voss Architekten, a paragon of architectural innovation and longevity, has been shaping the built environment since its inception in 1931. Founded by Herbert Sprotte and Peter Neve in Hamburg, the firm has evolved into a powerhouse of design excellence, now led by visionaries Sergei Tchoban and Ekkehard Voss, who became the company's leading partners in 2015. With a rich history spanning over nine decades, Tchoban Voss Architekten has consistently delivered cutting-edge solutions across a diverse portfolio. Their expertise encompasses residential and commercial structures, hospitality venues, office complexes, industrial facilities, and adaptive reuse projects. The firm's philosophy emphasizes context-sensitive design, creating architectural narratives that respond thoughtfully to their urban surroundings. Boasting a team of over 180 highly qualified, interdisciplinary professionals, Tchoban Voss Architekten operates from strategic locations in Hamburg, Berlin, and Dresden. This geographical spread allows the firm to maintain a strong regional presence while undertaking international projects with finesse. The practice is renowned for its holistic approach to design, meticulously crafting every aspect from façade to interior details. This comprehensive methodology ensures that each project becomes an integral, characterful component of its environment. Tchoban Voss Architekten's commitment to sustainability, functionality, and aesthetic excellence has positioned them as a leading force in contemporary architecture, consistently delivering enduring structures that gracefully adapt to evolving urban needs. 设计团队 旅游探访 23300 ㎡ 德国,柏林 2024年 Previous Next

  • 萨尔佐酒庄 Carmen Maurice Architecture | Archicasting

    < 返回 萨尔佐酒庄 Carmen Maurice Architecture 项目名称:萨尔佐酒庄 设计团队:Carmen Maurice Architecture 面积:496 m² 地点:法国,萨尔佐 设计特色: 项目 – 在现有建筑的大胆重塑中, Carmen Maurice Architecture 将法国萨尔佐的一座历史悠久的磨坊改造成一座令人惊叹的酒庄,巧妙地将工业功能性与手工艺魅力融为一体。这个于2024年竣工的项目,通过在翻新后的磨坊周围包裹一个半地下圆形结构,巧妙地解决了有限空间的挑战。 这个496平方米的综合体既是一个运营中的酒庄,又是一个文化中心,体现了葡萄酒生产的双重性——一个静谧发酵与欢聚分享并存的过程。这一理念反映在建筑的对比鲜明的立面上:东侧的保护墙为磨坊形成了新的"基座",而西侧则以两个翼状延伸向景观敞开怀抱。 设计最具创新性的方面或许是其与周围葡萄园的和谐融合。酒庄的圆形结构以中央的磨坊为中心向外辐射,犹如6公顷葡萄园中的一座灯塔。半地下的结构不仅将视觉影响降到最低,还巧妙地利用了地球的热惯性来造福酒窖。 材料在项目的设计美学中扮演着关键角色。内部采用裸露的砖墙和混凝土,呈现工业化外观,而外部则使用了一种含贝壳的定制灰泥——呼应了场地靠近海岸的特点。这种原始功能性与精心打造的艺术性的并置,完美诠释了现代酿酒的精髓,创造出一个既富有生产力又充满诗意的空间。 团队 – Carmen Maurice Architecture(CMA)由Carmen Maurice Haëntjens于2020年创立,迅速成为法国的先锋建筑设计团队。该事务所的理念浓缩为"思考、建造、居住"三部曲,体现了其对创造与景观和谐共鸣并拥抱传统工艺的建筑的深度承诺。 卡门·莫里斯是一位HMONP认证建筑师,她曾在Atelier Architecture Perraudin和隈研吾建筑都市设计事务所等知名公司工作,积累了丰富的经验。她的设计方法特别注重环境背景、材料性质和光线运用,创造出能在空间和时间中成为有意义地标的设计作品。 CMA的项目组合涵盖了各种规模和类型,从改造利用到新建工程,服务对象包括公共实体和私人开发商。该事务所的设计过程通过亲身材料实验和对现场动态的深入理解而不断丰富。 Project:Sarzeau Winery Team:Carmen Maurice Architecture Size:496 m² Location:Sarzeau, France Feature: Project - In a bold reimagining of rural architecture, Carmen Maurice Architecture has transformed a historic mill in Sarzeau, France, into a striking winery that seamlessly blends industrial functionality with artisanal charm. The project, completed in 2024, masterfully addresses the challenge of limited space by wrapping a semi-buried circular structure around the renovated mill. The 496-square-meter complex serves as both a working winery and a cultural hub, embodying the duality of wine production – a process of quiet maturation and convivial sharing. This concept is reflected in the building's contrasting facades: a protective eastern wall that forms a new "base" for the mill, and an inviting western side that opens up to the landscape with two wing-like extensions. Perhaps the most innovative aspect of the design is its harmonious integration with the surrounding vineyards. The winery's circular form radiates from the central mill, which stands like a lighthouse amidst the 6-hectare vineyard. The semi-buried structure not only minimizes visual impact but also cleverly utilizes the earth's thermal inertia to benefit the cellar. Materiality plays a crucial role in the project's aesthetic. While the interior embraces an industrial look with exposed brick and concrete, the exterior features a bespoke plaster containing shells – a nod to the site's coastal proximity. This juxtaposition of raw functionality and crafted artistry encapsulates the essence of modern winemaking, creating a space that is both productive and poetic. Design Team - Founded in 2020 by Carmen Maurice Haëntjens, CMA has quickly established itself as a visionary architectural practice based in Vannes, Brittany. The firm's philosophy, encapsulated in the triptych "Think, Build, Dwell," reflects a deep commitment to creating architecture that resonates with its landscape and embraces traditional craftsmanship. Carmen Maurice, an HMONP-certified architect, brings a wealth of experience from her work with renowned firms such as Atelier Architecture Perraudin and Kengo Kuma & Associates. Her approach is characterized by a keen sensitivity to context, materiality, and light, resulting in designs that serve as meaningful landmarks in both space and time. CMA's portfolio spans diverse scales and programs, from adaptive reuse to new construction, serving clients ranging from public entities to private developers. The firm's design process is enriched by hands-on material experimentation and a thorough understanding of on-site dynamics. 设计团队 旅游探访 496 m² Sarzeau, France 2024 Previous Next

  • 吉备高原N广场 隈研吾建筑都市设计事务所 | Archicasting

    < 返回 吉备高原N广场 隈研吾建筑都市设计事务所 设计特色: 在日本冈山县的中心地带,吉备高原N广场(Kibi Kogen N Square)作为一个开创性的多功能设施拔地而起,由著名的隈研吾建筑都市设计事务所(Kengo Kuma & Associates)倾力打造。这个创新项目于2024年竣工,重新诠释了区域交流和创意的概念,巧妙地将共享办公空间与充满活力的咖啡厅氛围融为一体。 这座585平方米的建筑的真正亮点在于其对CLT板的创新应用,彰显了冈山作为日本CLT生产领头羊的地位。隈研吾的设计突破了传统CLT建筑的界限,采用了宽2.2米、长35米、厚21厘米的巨型CLT板,以不同角度在场地内堆叠。这种巧妙的布局,在约4米的高度差中,创造出空间和开口的动态交织,打破了CLT结构常见的封闭和重复特性。 最终呈现出的是一个流动、开放的环境,完美体现了该设施倡导的社区协作和跨代际互动理念。CLT板的错落布置产生了一系列相互连接的空间,促进了意想不到的邂逅,鼓励思想的交流碰撞。这种建筑策略不仅展示了CLT的多样性,还成为项目实体-旨在架起行业内的产学之间的桥梁,其中本地的冈山大学也参与了共享办公空间的使用。 吉备高原N广场是隈研吾大师在协调创新设计与本地材料及社区需求方面卓越能力的见证,在日本乡村地区打造出一个真正独特的创意交流目的地。 In the heart of Okayama Prefecture, Japan, the Kibi Kogen N Square emerges as a groundbreaking mixed-use facility designed by the renowned Kengo Kuma & Associates. This innovative project, completed in 2024, reimagines the concept of regional exchange and creativity, seamlessly blending coworking spaces with a vibrant café atmosphere. The true marvel of this 585-square-meter structure lies in its innovative use of Cross Laminated Timber (CLT) panels, showcasing Okayama's position as Japan's leading CLT producer. Kuma's design pushes the boundaries of conventional CLT construction, employing massive 2.2m wide, 35m long, and 21cm thick panels stacked at varying angles across the site. This ingenious arrangement, with a height difference of approximately 4m, creates a dynamic interplay of spaces and openings that defies the typical closed and repetitive nature of CLT structures. The result is a fluid, open environment that perfectly embodies the facility's ethos of community collaboration and cross-generational interaction. The angular misalignment of the CLT panels generates a series of interconnected spaces, fostering unexpected encounters and encouraging the cross-pollination of ideas. This architectural strategy not only showcases the versatility of CLT but also serves as a physical manifestation of the project's goal to bridge industry-academia boundaries, with local Okayama University participating in the co-working space. Kibi Kogen N Square stands as a testament to Kengo Kuma's mastery in harmonizing innovative design with local materials and community needs, creating a truly unique destination for creativity and exchange in rural Japan. 设计团队: 1990年,著名日本建筑师隈研吾(1954年生)创立了隈研吾建筑都市设计事务所(Kengo Kuma and Associates,简称KKAA)。经过多年发展,该事务所已成为全球领先且富有经验的情境驱动设计公司,在东京、巴黎、北京和上海均设有办事处,在40多个国家完成了众多创新项目,巧妙融合建筑与自然环境。 隈研吾的设计理念强调与场地的深度联系,巧妙运用自然材料,通过细致入微的干预手法,打造出既尊重当地文化与生态,又能提升人文体验的建筑作品。从大型文化设施到尺度宜人的度假别墅,KKAA的作品涵盖多种尺度和类型,但无一例外地体现了可持续发展和对人与环境关系的深刻理解。 在隈研吾的带领下,KKAA不断推进当代建筑的边界,融合创新技术和传统工艺,实现了远见卓识的设计,重塑了建筑环境的角色定位。迈入第四个十年,KKAA凭借卓越的设计品质和持续的创新精神,已经成为建筑及设计行业的全球重要力量。 Founded in 1990 by renowned Japanese architect Kengo Kuma, Kengo Kuma and Associates (KKAA) has established itself as a global leader in thoughtful, context-driven design. With a team of highly skilled professionals across offices in Tokyo, Paris, Beijing, and Shanghai, the firm has completed innovative projects in over 40 countries, seamlessly blending architecture with the natural environment. Kuma's design philosophy emphasizes a deep connection to place, using natural materials and sensitive interventions to craft buildings that elevate the human experience while respecting local cultures and ecologies. From large-scale cultural institutions to intimate residential retreats, KKAA's portfolio showcases a mastery of scale and typology, united by a commitment to sustainability and an innate understanding of how architecture can foster meaningful relationships between people and their surroundings. With Kuma at the helm, KKAA continues to push the boundaries of contemporary architecture, integrating innovative technologies and traditional craftsmanship to realize visionary designs that redefine the role of the built environment. As the firm enters its fourth decade, its reputation for excellence and innovation continues to grow, solidifying its position as a global leader. 设计团队 旅游探访 585 m² 日本,冈山 2024年 Previous Next

  • Verde 商业综合体 Studio Gang | Archicasting

    < 返回 Verde 商业综合体 Studio Gang 项目名称:Verde 商业综合体 设计团队:Studio Gang 面积:287000 ft² 地点:美国,旧金山 设计特色: 项目 – Studio Gang设计的Verde综合体塔楼2024年竣工完成,成为旧金山Mission Rock社区蓬勃发展的一道亮丽风景。这座23层的综合体建筑由著名建筑师Jeanne Gang匠心打造,将创新建筑与可持续设计理念完美融合,重新定义了都市生活的方式,在居民、自然和这座城市标志性海滨之间建立起和谐共生的纽带。 Verde最引人注目的特色是其雕塑般的外立面,翠绿色的釉面陶瓷幕墙在旧金山湾区特有的光线下熠熠生辉。塔楼的形态巧妙雕琢,营造出一系列层叠的露台,为住户提供令人屏息的美景,同时最大化日照并遮挡强风。这种"社区地貌"设计从建筑底部的高台式空间开始,一直延伸至顶部,在整个建筑中培育出浓厚的连接感。 这一设计高度重视可持续性和韧性,采用了中水回用系统,种植本地植物以支持城市生物多样性,并抬高了建筑基础以应对海平面上升。Verde提供254套住宅单元,其中59套为低于市场价的保障性住房,不仅满足了旧金山迫切的住房需求,还通过屋顶花园、健身中心等豪华配套设施,为居民带来高品质的生活体验。 作为Mission Rock首期开发的核心项目,Verde体现了Studio Gang对城市开发的整体性思考,与周围建筑无缝融合,共同打造出一个充满活力、和谐一致的社区。这一项目不仅彰显了旧金山独特的生活方式,更为可持续城市生活树立了新标杆。 团队 – Studio Gang建筑事务所,由建筑师Jeanne Gang于1997年创立,已成为当代建筑和城市设计领域的重要力量之一。总部位于芝加哥,在纽约、旧金山和巴黎设有分支机构,该事务所凭借其创新、生态敏感和具有社会责任感的设计方法赢得了国际赞誉。 在Jeanne Gang的领导下,事务所发展出了一种独特的方法论,将严谨的研究与大胆的实验相结合,成果是一系列跨越多种尺度和类型的多元化项目。从文化机构和教育设施到高层建筑和公共空间,Studio Gang的作品以其能够在人、社区和环境之间建立有意义的联系而著称。 事务所的跨学科团队由建筑师、设计师和城市规划师组成,他们与客户和各领域的专家密切合作,创造出不仅在美学上引人注目,而且具有高性能和可持续性的建筑和空间。代表作包括芝加哥波浪状的Aqua大厦、纽约美国自然历史博物馆充满自然灵感的Richard Gilder中心,以及最近竣工的阿肯色美术馆。 Studio Gang致力于"可行的理想主义",这一点在他们的研究计划和出版物中表露无遗,探讨了城市生态、气候适应性和建成环境中的社会公平等紧迫问题。这种前瞻性的方法为事务所赢得了众多荣誉,包括美国国家设计奖,以及《时代》杂志2019年将Jeanne Gang评为世界最具影响力人物之一。 Project:Verde mixed-use tower Team:Studio Gang Size:287000 ft² Location:San Francisco, USA Feature: Project - Studio Gang's Verde tower stands as a striking addition to San Francisco's evolving Mission Rock neighborhood, seamlessly blending innovative architecture with sustainable design principles. This 23-story mixed-use marvel, conceived by the renowned Jeanne Gang, redefines urban living by creating a harmonious connection between residents, nature, and the city's iconic waterfront. Verde's most distinctive feature is its sculpted façade, adorned with emerald-colored glazed ceramic cladding that shimmers in the Bay Area's unique light. The tower's form is artfully carved to create a series of cascading terraces, offering residents breathtaking views while maximizing sunlight and wind protection. This "community topography" begins at the building's base with a mesa-like space and continues upwards, fostering a sense of connection throughout the structure. The design prioritizes sustainability and resilience, incorporating graywater reuse systems, native plantings to support urban biodiversity, and an elevated foundation to combat rising sea levels. With 254 residential units, including 59 below-market-rate homes, Verde addresses San Francisco's pressing housing needs while providing a luxurious living experience complete with amenities like a rooftop garden and fitness center. As the centerpiece of Mission Rock's first phase, Verde exemplifies Studio Gang's holistic approach to urban development, seamlessly integrating with the surrounding buildings to create a vibrant, cohesive neighborhood that celebrates San Francisco's indoor-outdoor lifestyle and sets a new standard for sustainable urban living. Design Team - Studio Gang, founded in 1997 by visionary architect Jeanne Gang, FAIA, has emerged as a leading force in contemporary architecture and urban design. Headquartered in Chicago with offices in New York, San Francisco, and Paris, the firm has garnered international acclaim for its innovative, ecologically sensitive, and socially conscious approach to design. Under Gang's leadership, the practice has developed a distinctive methodology that marries rigorous research with bold experimentation, resulting in a diverse portfolio of projects that span multiple scales and typologies. From cultural institutions and educational facilities to high-rise towers and public spaces, Studio Gang's work is characterized by its ability to forge meaningful connections between people, communities, and the environment. The firm's interdisciplinary team of architects, designers, and urbanists collaborates closely with clients and specialists from various fields to create buildings and spaces that are not only aesthetically striking but also performative and sustainable. Notable projects include the undulating Aqua Tower in Chicago, the nature-inspired Richard Gilder Center at the American Museum of Natural History in New York, and the recently completed Arkansas Museum of Fine Arts. Studio Gang's commitment to "actionable idealism" is evident in their research initiatives and publications, which explore pressing issues such as urban ecology, climate resilience, and social equity in the built environment. This forward-thinking approach has earned the firm numerous accolades, including the Cooper Hewitt National Design Award in Architecture and TIME magazine's recognition of Jeanne Gang as one of the world's most influential people in 2019. 设计团队 旅游探访 287000 ft² San Francisco, USA 2024 Previous Next

  • 蒜山荞麦馆 STUDIO YY | Archicasting

    < 返回 蒜山荞麦馆 STUDIO YY 项目名称:蒜山荞麦馆 地点:冈山县真庭市,日本 设计团队:STUDIO YY 建筑面积:271.64平方米 竣工时间:2022年 摄影:秋田広树(エスエス) 设计特色: STUDIO YY完成了位于冈山县真庭市的蒜山荞麦馆,这是一座将传统建筑形式与现代木材技术相融合的当代荞麦面餐厅。该项目重建了一座因火灾而毁坏的深受喜爱的市营餐厅,将其转变为一个文化目的地,让访客既能体验当地荞麦文化,又能感受地域工艺。 最显着的特征是创新性地使用CLT(正交胶合木)板材来创造入母屋(日本传统歇山屋顶)的现代诠释。四块巨大的CLT板材相互倾斜支撑,形成无柱的室内空间,可不受阻碍地欣赏周围景观。这一结构方案代表了乡土建筑与来自真庭市自身林业的当代工程木材技术的卓越融合。24块互相连接的CLT板材(厚度150毫米,5层5层板)共同构成了能够承受积雪高度140厘米的大屋顶,客席区域梁间9.1米乘桁行12.74米的跨度完全无需中间支撑。 环绕主体结构的是一个精致的三维曲面檐篷,直接呼应远处蒜山山脉起伏的山脊线。这个优雅倾斜的屋檐不仅框取了山脉的全景视野,还能防止积雪,这在冬季积雪深度达140厘米的多雪地区尤为重要。檐篷由纤细的钢框架和木质化妆椽木构成,创造出类似缘侧的过渡空间,模糊了室内用餐区域与壮丽自然环境之间的界限。建筑师巧妙地将地震时水平力的大部分导向厨房侧,从而实现了客席部分的大开口,使建筑与周边环境形成无缝关系。 STUDIO YY在整个设计中融入了多种本地工艺传统。入口处的门帘描绘了蒜山标志性的三座山峰,采用附近胜山保存的传统染色技术制作。室内家具融入了组子细工,这是另一项地域特色工艺。建筑师参照了大宫踊,这是一种在入母屋屋顶下表演的非物质文化遗产舞蹈,在建筑形式与活态传统之间建立了连续性。低矮的檐篷和三个方向的大开口使访客既能欣赏蒜山夏季的山峦景色,又能享受冬季银白世界的美丽全景。 通过采用24块相互连接的CLT板材及外露接缝,并将结构创新与文化敏感性相结合,该项目展示了当代建筑如何在尊重地域特性的同时,创造灵活宜人的公共空间,既颂扬美食体验,又礼赞景观之美。建筑成功地将蒜山的文化、风景、传统、产业、技术和观光连接起来,成为地域振兴的重要节点。 设计团队: STUDIO YY由田中裕一和中本刚志于2015年创立,已成为一家创新型建筑事务所,将日本传统建筑文化与当代建造技术相融合。两位主持建筑师均拥有丰富的国际经验,田中裕一曾任职于NAP建筑设计事务所和荷兰NL Architects,而中本刚志则在纽约的知名事务所磨练专业技能,包括OMA、REX Architects和Asymptote。 这家东京建筑事务所因其对场地环境敏感的设计而获得广泛认可,这些设计整合了地域材料、本地工艺和文化遗产。其作品集在公共和文化设施领域展现出卓越水准,涵盖道路驿站、社区中心和教育建筑。蒜山荞麦馆和佐川町牧野道路驿站等代表作品展示了事务所运用工程木材系统,特别是CLT板材,重新诠释乡土建筑类型以适应当代使用的能力。 STUDIO YY的设计理念强调创造能够促进社区参与的建筑,同时颂扬特定的地理和文化特性。事务所在设计竞赛中持续获胜,展现了在满足复杂功能需求的同时保持建筑严谨性和场所敏感性的能力。其作品获得众多荣誉,包括2025年日本空间设计大奖年度大奖(最优秀赏)、2025年木材设计奖最优秀赏(环境大臣赏)、2024年日事连建筑奖一般建筑部门优秀赏、2024年优良设计奖以及2023年木材设计奖国际博览会担当大臣赏等。 田中裕一1982年出生于福岛县,2006年毕业于横滨国立大学工学部,2009年从横滨国立大学院建筑都市文化专攻Y-GSA毕业。在创立STUDIO YY之前,他曾在荷兰NL Architects工作,并在NAP建筑设计事务所担任职务至2014年。中本刚志1977年出生于鸟取县,2005年毕业于加州州立理工大学圣刘易斯奥比斯波分校建筑环境学部建筑学科。他在纽约积累了丰富的国际经验,先后在Asymptote、REX Architects和OMA工作,之后回到日本在NAP建筑设计事务所任职至2014年。 除实践外,通过对地域材料的创新运用、对场所特定性的深入研究以及对文化遗产的持续探索,STUDIO YY已确立自己作为当代日本建筑话语重要贡献者的地位,创造出既具环境回应性又保持建筑卓越性的作品。在田中裕一和中本刚志的持续领导下,该事务所目前在日本建筑景观中占据独特地位,专注于创造融合传统智慧与当代技术、充满生命力的建筑空间。 设计团队 旅游探访 271.64 m² 冈山县真庭市,日本 2022 Previous Next

  • 维尔纽斯住宅 G.Natkevicius & Partners | Archicasting

    < 返回 维尔纽斯住宅 G.Natkevicius & Partners 项目名称:维尔纽斯住宅 地点:维尔纽斯,立陶宛 设计团队:Architectural Bureau G.Natkevicius & Partners 建筑面积:214 m² 竣工时间:2024年 摄影:Lukas Mykolaitis 设计特色: 项目 -位于维尔纽斯郊区,坐落在自然环境中,这座单层住宅以其大胆挑战传统形式的建筑设计脱颖而出。建筑的核心是一个出人意料却精确执行的三角形平面,这成为整个建筑构成和空间体验的关键。 这种锐利的几何形态不仅体现在平面上,还微妙地表现在建筑体量中——一个强调水平动态的单层体量,仿佛切入周围环境。平屋顶向南略微上升,赋予形态微妙的动感,同时也在功能上引导排水。关键的垂直元素是一个富有表现力的线性天窗,如同刀锋般切穿主走廊上方的屋顶平面。这一光线切口不仅戏剧化地强调了入口区域,还在视觉上将其轴线延伸至建筑结构深处。 立面设计基于对比原则,反映内部功能逻辑。面向入口的北立面几乎全封闭、整体化,其主要表现为质感丰富的混凝土饰面。这堵封闭的墙创造出神秘感并确保隐私,其坚实感仅被凹入式入口玻璃幕墙所打断,似乎邀请人们窥探内部。 西南和东部立面则创造了截然不同的氛围。在这里,建筑通过宽阔的玻璃幕墙向周围环境开放,其框架为优雅、图形化的深色铝型材。这些玻璃幕墙不仅让自然光充满室内,还在视觉上将生活空间延伸至户外,消解了内外界限。极简的立面材料组合——混凝土、玻璃和深色金属——强调了形态的纯粹性和几何的重要性。 建筑对细节的关注不仅体现在立面上,也体现在内部解决方案中,极简主义美学在这里得以延续。 这个项目展示了大胆的几何解决方案如何能成为功能和美学上成熟建筑的基础。这里,三角形态不仅是形式上的游戏,更是创造动态空间序列和独特特性的工具。建筑师通过极简的表现手段、精致的细节处理和敏感的材料运用,巧妙地处理了复杂几何,创造出概念上连贯且视觉上引人注目的建筑作品。 团队 - Architectural Bureau G.Natkevicius & Partners(也称为G. Natkevicius ir partneriai)成立于1992年,位于立陶宛考纳斯,是该国最具影响力的建筑事务所之一。在Gintautas Natkevičius的领导下,该事务所持续创作出获奖设计,以前卫感和非传统空间解决方案为特征。 该事务所由E. Samuolis和Natkevičius本人等主要建筑师领导,已发展出独特的设计语言,平衡形式实验与严谨功能性。他们的作品展示了全面处理建筑挑战的非凡能力,创造出既实用、体验丰富又视觉独特的空间。 该事务所擅长将建筑看作整体,创造功能性、易用且易于识别的空间和建筑。他们的设计理念体现了对当代生活的深刻理解,创造出能适应各种居住方式的环境,既能促进社交互动,又能提供宁静的退隐之所。 三十年来,G.Natkevicius & Partners不断推动立陶宛建筑的边界,持续交付超越传统类型的项目,同时保持最高标准的技术执行和空间表达。他们的作品代表了波罗的海建筑话语的进步前沿。 Project Name: Residence in Vilnius Location: Vilnius, Lithuania Design Team: Architectural Bureau G.Natkevicius & Partners Total Floor Area: 214 m² Completion: 2024 Photography: Lukas Mykolaitis Feature: Project - On the outskirts of Vilnius, nestled within a natural setting, rises a single-story residential house whose architecture boldly challenges conventional forms. Central to the building is an unexpected yet precisely executed triangular plan, which becomes the key to the entire architectural composition and spatial experience. This sharp-edged geometry extends beyond the plan. It is subtly articulated in the building's volume as well – a single-story mass emphasizing horizontal dynamics that seems to cut into its surroundings. The flat roof rises slightly towards the south, lending the form subtle movement while also functionally directing water drainage. The key vertical accent is an expressive linear skylight, cutting through the roof plane above the main corridor like a blade. This incision of light not only dramatizes the entrance zone but also visually extends its axis deeper into the building's structure. The design of the facades is based on the principle of contrast, reflecting the internal functional logic. The northern facade, facing the approach, is almost blind and monolithic, its primary expression being a textured concrete finish. This closed wall creates intrigue and ensures privacy, its solidity interrupted only by the recessed entrance vitrine, seemingly inviting a glimpse inside. A completely opposite atmosphere is created on the southwestern and eastern facades. Here, the building opens up to its surroundings with expansive glass vitrines, framed in elegant, graphic dark aluminum profiles. These vitrines not only flood the interior with natural light but also visually extend the living spaces outdoors, dissolving the boundary between inside and out. The minimalist facade palette – concrete, glass, and dark metal – emphasizes the purity of form and the importance of geometry. Architectural attention to detail is evident not only in the facades but also in the interior solutions, where the minimalist aesthetic continues. This project serves as an example of how a bold geometric solution can form the basis for functionally and aesthetically mature architecture. Here, the triangular form is not merely formal play but a tool for creating a dynamic spatial sequence and a distinct character. The architects have masterfully handled the complex geometry through minimal means of expression, refined detailing, and sensitive materiality, creating a conceptually coherent and visually compelling work of architecture. Design Team - Architectural Bureau G.Natkevicius & Partners (also known as G. Natkevicius ir partneriai), founded in 1992 in Kaunas, Lithuania, has established itself as one of the country's most influential architectural practices. Under the visionary leadership of Gintautas Natkevičius, the firm has consistently produced award-winning designs characterized by avant-garde sensibilities and unconventional spatial solutions. The practice, comprising a team of professionals and led by principal architects including E. Samuolis and Natkevičius himself, has developed a distinctive design language that balances formal experimentation with rigorous functionality. Their portfolio demonstrates a remarkable ability to approach architectural challenges holistically, creating spaces that are simultaneously pragmatic, experientially rich, and visually distinctive. The firm excels at viewing architecture as a whole, creating functional, user-friendly, and easily recognizable spaces and buildings. Their design philosophy reflects a profound understanding of contemporary living, creating environments that adapt to various modes of habitation, whether encouraging social interaction or providing quiet retreat. For three decades, G.Natkevicius & Partners has pushed the boundaries of Lithuanian architecture, consistently delivering projects that transcend conventional typologies while maintaining the highest standards of technical execution and spatial articulation. Their work represents the progressive edge of Baltic architectural discourse. 设计团队 旅游探访 214 m² 维尔纽斯,立陶宛 2024 Previous Next

  • 生物气候当代住宅 INDY ARCHITECTES | Archicasting

    < 返回 生物气候当代住宅 INDY ARCHITECTES 设计特色: 坐落在伊泽尔河谷高处的"生物气候当代住宅"是法国INDY建筑事务所的又一力作,巧妙地将可持续设计理念与现代美学融为一体。这个项目于2023年竣工,将一座老旧的葡萄园小屋改造成了一栋176平方米的精品住宅,与周围自然环境浑然一体。 建筑师面临的挑战是打造一个既能欣赏贝勒多纳山脉全景,又能实现高能效的家园。他们创新的生态气候设计方案巧妙平衡了业主对大面积玻璃幕墙的需求与建筑的热效率,堪称绝妙。 设计的一大亮点是将部分建筑结构融入场地斜坡,不仅降低了对环境的影响,还充分利用了地热惯性。采用压印混凝土的长挡土墙犹如构造性的景观褶皱,呼应了地基的岩层纹理,将建筑牢牢锚定在这片土地上。 上层楼面布置了卧室等夜间区域,巧妙地设计成悬浮的"皇冠",犹如一个巨大的遮阳棚,为下方的玻璃空间提供了关键的遮阳保护。这一楼层周围还环绕着木质遮阳板保护的走廊,开口位置经过精心布置,既保留了直接的景观视线,又不影响室内的热舒适性。 最引人注目的莫过于主要起居区域的多变性。大型滑动玻璃门框可以让立面完全敞开,模糊了室内外的界限。这种灵活性使得房子既可以成为一个保护性的静思空间,也可以根据季节变化,与花园完美融合成开放式的生活区域。 Nestled in the picturesque heights of the Isère Valley, the Bioclimatic Contemporary House by INDY ARCHITECTES is a masterful fusion of sustainable design and modern aesthetics. This ambitious project, completed in 2023, transforms an old vineyard house into a stunning 176-square-meter residence that seamlessly integrates with its natural surroundings. The architects, Josselin GUILLO and Nicolas DULAURENT, faced the challenge of creating a home that offers panoramic views of the Belledonne mountain chain and achieves significant energy performance. Their innovative approach to bioclimatic design compensates for the extensive glazing desired by the clients, striking a perfect balance between visual openness and thermal efficiency. A key feature of the design is the partial integration of the structure into the site's slope, minimizing environmental impact while leveraging the earth's thermal inertia. The long retaining wall in stamped raw concrete serves as a tectonic and landscape fold, evoking the rock strata of the underlying terrain and anchoring the building to its site. The upper floor, housing bedrooms and night areas, is ingeniously designed as a suspended crown that acts as a large awning, providing crucial sun protection for the glazed spaces below. This volume is encircled by a wooden sunshade-protected passageway, with strategically placed openings that maintain direct landscape views without compromising thermal comfort. Perhaps the most striking element is the main living area's transformative nature. Large sliding glass frames allow for a complete opening of the facades, blurring the lines between interior and exterior. This adaptability enables the house to function as a protective, contemplative shelter or an open, garden-integrated living space, depending on the season. 设计团队: 法国INDY建筑事务所由Nicolas Dulaurent和Josselin Guillo两位建筑师于2019年在法国格勒诺布尔创立,短短几年间已跻身可持续和生态气候设计领域的翘楚。该事务所以创新空间设计见长,善于将建筑与环境和谐共融,同时保证功能性和美学的最高标准。 事务所的核心理念将建筑视为一项基本权利,在住宅设计领域不断突破,为标准化住宅方案提供别具一格的替代选择。INDY建筑事务所擅长优化每个项目场地的生态气候、建筑和技术特性,确保充分发挥潜力的同时将环境足迹降到最低。 事务所的两位创始人实力雄厚:Nicolas毕业于格勒诺布尔国立高等建筑学院,在大型公共、文化和商业项目方面经验丰富;Josselin则专精于生态气候和生物基建筑设计。Nicolas在BIM项目管理方面的专业知识与Josselin在可持续住宅领域的专长相得益彰,成为推动事务所创新方法的强大引擎。 INDY建筑事务所的作品涵盖广泛,从文化空间、教育设施到住宅开发项目无所不包。他们对环境保护的承诺体现在对能源效率和材料选择的一丝不苟上。事务所的整体方法不仅体现了卓越的技术实力,更将人际关系作为设计过程的基石。 凭借日益增长的高品质、环保建筑声誉,INDY建筑事务所正蓄势待发,有望在建筑环境中产生重大影响。他们提供的设计解决方案不仅回应了现代社会不断变化的需求,还尊重了生态方面的迫切要求。 INDY ARCHITECTES, founded in 2019 by Nicolas DULAURENT and Josselin GUILLO, is a dynamic architectural practice based in Grenoble, France. The firm has quickly established itself as a leader in sustainable and bioclimatic design, with a particular focus on creating innovative spaces that harmonize with their environment while meeting the highest standards of functionality and aesthetics. The practice's core philosophy revolves around the concept of architecture as a fundamental right, pushing boundaries in residential design to offer alternatives to standardized housing solutions. INDY ARCHITECTES excels in optimizing the bioclimatic, architectural, and technical aspects of each site, ensuring that every project maximizes its potential while minimizing its environmental footprint. Led by DULAURENT, an ENSAG graduate with extensive experience in large-scale public, cultural, and tertiary projects, and GUILLO, who brings expertise in bioclimatic and bio-sourced building design, the firm offers a unique blend of skills. DULAURENT's proficiency in BIM project management complements GUILLO's specialization in sustainable housing, creating a synergy that drives the firm's innovative approach. INDY ARCHITECTES' portfolio spans a diverse range of projects, from cultural spaces and educational facilities to residential developments. Their commitment to environmental stewardship is evident in their meticulous attention to energy efficiency and material selection. The firm's holistic approach extends beyond mere technical prowess, emphasizing human relationships as a cornerstone of their design process. With a growing reputation for delivering high-quality, environmentally conscious architecture, INDY ARCHITECTES is poised to make a significant impact on the built environment, offering tailored solutions that respond to the evolving needs of modern society while respecting ecological imperatives. 设计团队 旅游探访 176 m² 法国,格勒诺布尔 2023年 Previous Next

  • Ágnes-Heller 大楼 mohr niklas architekten | Archicasting

    < 返回 Ágnes-Heller 大楼 mohr niklas architekten 设计特色: 项目 – 因斯布鲁克大学的阿格尼丝·赫勒楼(Ágnes-Heller-Haus)通过紧凑的设计,腾出了宝贵的公共绿地空间。这座由mohr niklas architekten建筑事务所设计的地标性建筑,体现了活跃的校园生活和自由理念。将建筑体量集中在因恩河大道沿线,建筑师们腾出了广阔的校园绿地,形成了一个连通因恩河畔步道的生机勃勃的绿色休闲空间。这一大胆的城市规划举措,不仅塑造了建筑物的引人注目的立方体造型,也丰富了周围地区的特色。13000平方米的建筑内部包括600个座位的礼堂、200个座位的大型讲堂、餐厅、图书馆、办公室和学习区,这些功能空间都围绕着一个中央中庭组织。这个充满自然光的中心区为建筑提供了方向感,并促进了偶遇交流,成为建筑内部功能多样性的民主纽带。大门入口的砖拱廊由奥地利艺术家Peter Sandbichler设计,将学府的学术内涵与城市肌理巧妙地融合。总的来说,阿格尼丝·赫勒楼展现了如何通过适度密集的空间布局来释放宝贵的公共领域,将环境和社会可持续性置于校园体验的核心。 团队 – 作为一家奥地利公司,mohr niklas architekten经过多年的发展,已经成长为一家极为出色的建筑设计事务所,现由Günter Mohr和Markus Niklas领导,凭借在各类建筑类型方面的丰富经验,该事务所以周到的语境化方法著称,巧妙地平衡了功能需求与创意设计,他们携手组建了一支精英团队,成员包括建筑师、工程师和专家,共同秉持卓越和创新的理念。mohr niklas architekten的作品涵盖住宅、教育、交通和文化等领域,无一例外都体现出对细节、用户体验和可持续原则的严谨把握。值得一提的项目包括位于因斯布鲁克的Ágnes-Heller 大楼和莱萨河畔布鲁克火车站,均获得了业内的众多荣誉。凭借富有协作精神和概念深度的设计方法,该事务所不断推动奥地利乃至全球建筑事业的发展。 Feature: Project - In the heart of Innsbruck, Austria, mohr niklas architekten have delivered a landmark new university building that strategically condenses the campus footprint to create valuable public greenery. Named after Hungarian philosopher Ágnes Heller, the Ágnes-Heller-Haus embodies her principles of vibrant community and unfettered freedom through its design. By compressing the building volume along the Innrain street edge, the architects have liberated a generous, publicly accessible campus green at the center of the site. This creates a verdant oasis and recreational space that connects the university precinct to the popular Inn River promenade. It's a bold urban planning move that not only shapes the building's striking cubic form, but also enhances the character of the surrounding area. Inside, the 13,000 sq m facility houses a 600-seat auditorium, 200-person lecture hall, canteen, library, offices and learning zones - all organized around a central atrium. This light-filled heart provides orientation and facilitates chance encounters, operating as a democratic interface between the building's diverse functions. Referencing Innsbruck's historic arcades, the main entrance portal by artist Peter Sandbichler bridges the university's academic program with the fabric of the city. Overall, the Ágnes-Heller-Haus demonstrates how measured density can unlock valuable public realms, placing environmental and social sustainability at the core of the campus experience. Design Team - Established in Dornbirn, Austria, mohr niklas architekten has evolved over the decades into a highly accomplished architectural design firm, now led by principals Günter Mohr and Markus Niklas. With extensive expertise across a range of building typologies, the practice is celebrated for its thoughtful, contextual approach that deftly balances functional demands with inspired design. Günter Mohr obtained his architecture degree from the Graz University of Technology and the Royal Danish Academy of Fine Arts, before gaining valuable experience at renowned local firms. Markus Niklas, born in 1990, brings a younger perspective having trained at the Vienna University of Technology and Aalto University in Helsinki. Together, they have assembled an accomplished team of architects, engineers and specialists who share a commitment to excellence and innovation. Mohr niklas architekten's portfolio spans residential, educational, transportation and cultural projects, all distinguished by a meticulous attention to detail, user experience and sustainable principles. Notable works include the Ágnes-Heller-Haus university building in Innsbruck and the Bruck an der Leitha train station, which have earned numerous accolades from industry juries. Driven by a collaborative spirit and conceptual rigor, the studio continues to elevate architectural discourse in Austria and beyond. 设计团队 旅游探访 13000 m² 奥地利,因斯布鲁克 2023年 Previous Next

  • Villa S Andersson & Stare | Archicasting

    < 返回 Villa S Andersson & Stare 项目名称: Villa S 地点:奥鲁斯特岛,瑞典 设计团队:Andersson & Stare 建筑面积:195 m² 完成时间:2023 摄影:James Silverman 设计特色: 项目 - 坐落于奥鲁斯特岛崎岖的花岗岩之上,Andersson & Stare 设计的 Villa S 代表了当代建筑干预与北欧原始景观之间的巧妙对话。这座195平方米的住宅俯瞰下方峡湾的全景,同时与其戏剧性的自然环境保持着尊重的对话。 设计工作室通过错位体量的构图策略,应对建筑法规与地形复杂性之间的内在张力,这一精妙的结构解决方案表面看似简单。两个矩形体量相互错位,一个体量更靠近山地地形,为跨越不同高度的另一个体量提供平衡。这种建筑编排创造了受保护的外部空间,同时打造了不断演变的空间体验序列。 项目的材料选择成为决定性的设计特色,统一的木质外墙经过特殊处理,与周围的岩石构造和本土松树林和谐融合。雨水排放系统等技术元素隐藏在外立面后,强化了建筑的整体性存在感——与其说是对景观的强加,不如说是一种抽象的地质涌现。 室内规划直接响应体量布局,私人和社交功能分布在错位的形体中。入口体验展现出刻意的克制,从入口到社交区域的过渡通过精心编排的视线轴线进行,立即将居住者与壮观的峡湾景观联系起来。客厅区域的山墙窗精确地框定了海岸全景,而宽敞的滑动门则消解了建筑与环境之间的界限。 或许最引人注目的是项目对流通路线的关注,既作为实用需求又作为诗意体验。一条砾石车道蜿蜒向上,穿过建筑而不损伤周围地形,而曲折的小径和楼梯则沿陡峭的场地级联而下,通向下方的私人码头和船库。这种在整个物业中对运动模式的整体整合,将具有挑战性的场地条件转变为项目的标志性特征。 Villa S 证明,卓越的住宅建筑无需在戏剧性的形式姿态与环境敏感性之间做出妥协——在这里,它们成为同一严谨设计理念的相互强化的表达。 团队 - ANDERSSON & STARE是一家成立于2019年的建筑事务所,由Julius Andersson和Oskar Stare共同创立,位于瑞典哥德堡。他们的专业领域遍及整个斯堪的纳维亚地区,执行各种项目,包括度假屋和私人别墅。Julius和Oskar最初在艺术学校相识,但他们的合作关系是在查尔姆斯理工大学的学习期间形成的,并随着时间的推移日益巩固。 事务所的设计理念植根于以可持续和前瞻性的方式提供能够提升人们日常生活的卓越建筑。每个项目都根据其独特位置经过深思熟虑,创造出强有力、美观且协调一致的设计。他们对材料和细节的关注在每个项目中都有所体现,确保最高水平的质量。 ANDERSSON & STARE的方法论以对场所的现象学理解为中心,每一次干预都通过密集的场地分析和功能解读有机地产生。他们完成的作品——主要是住宅类型,包括度假屋和私人别墅——展示了复杂的材料敏感性和构造精准度,提升了日常的空间体验。 该事务所的独特之处在于他们对建筑既作为文化产物又作为环境回应的承诺。他们的项目将可持续策略无缝地融入前瞻性的形式语言中,通过细致的体量表达和材料真实性创造构图上的清晰度。事务所的作品始终展示出卓越的细节处理,建筑组合既具技术创新又有美学精炼。 Project Name: Villa S Location: Orust, Sweden Design Team: Andersson & Stare Total Floor Area: 195 m² Completion: 2023 Photography: James Silverman Feature: Project - Villa S is perched on top of a mountain on the island of Orust, offering panoramic views of the fjord below. The property includes a private dock with a boat slip and boathouse, accessible via winding paths and stairways that lead down the steep mountainside. The plot is dramatically contoured and characterized by the wild Nordic landscape with raw granite outcrops, heather, and pine trees that give the site a genuine and untouched natural atmosphere. The main challenge was to position the house at the top of the mountain while preserving the natural surroundings and adhering to strict building regulations. The solution took the form of two offset volumes, one placed higher and closer to the mountain surface, balancing the other, which bridges a greater height difference. This composition not only creates protected outdoor spaces but also generates varied spatial experiences both inside and out. A central part of the design process was to create a house that would blend into its surroundings. The house is therefore clad entirely in a uniform wooden paneling, treated to harmonize with the surrounding rock and pine trees. Rainwater drainage is discreetly integrated behind the cladding, and the pure, minimalist form gives the house a modern and abstract character like a monolith emerging from the mountain. A gravel driveway winds itself up and through the house, making the house accessible by car without disrupting the landscape. The interior layout is distributed across the two volumes, with one housing private spaces and the other serving the social functions. From the main entrance, you step directly into the social areas and are immediately met with a clear sightline through the house and out toward the fjord. The gable window in the living room frames the view of the fjord, and a large sliding door opens directly onto the terrace that blends effortlessly into the mountain. The large openings bring nature closer and add serenity to the spatial experience. The private part of the home is more enclosed but features a master bedroom with the same breathtaking panoramic view of the fjord and direct access to the terrace here as well. Design Team - ANDERSSON & STARE is an architecture firm established in 2019 by Julius Andersson and Oskar Stare, located in Gothenburg, Sweden. Their expertise extends throughout Scandinavia, executing a diverse range of projects including vacation homes and private villas. Julius and Oskar first met at art school but their partnership was forged during their studies at Chalmers University of Technology, and has only grown stronger through the years. Their approach is rooted in delivering exceptional architecture that enhances the daily lives of people in a sustainable and progressive manner. Each project is thoughtfully considered in relation to its unique location, resulting in powerful, beautiful and coherent designs. Their attention to materiality and detail is evident in every project, ensuring the highest level of quality. The practice's methodology centers on a phenomenological understanding of place, where each intervention emerges organically from intensive site analysis and programmatic interpretation. Their completed works—predominantly residential typologies including vacation retreats and private villas—demonstrate a sophisticated material sensibility and tectonic precision that elevates everyday spatial experiences. What distinguishes ANDERSSON & STARE is their commitment to architecture as both cultural artifact and environmental response. Their projects seamlessly integrate sustainable strategies within a progressive formal language, creating compositional clarity through careful volumetric articulation and material authenticity. The practice's work consistently demonstrates exceptional detailing, where construction assemblies are resolved with both technical ingenuity and aesthetic refinement. 设计团队 旅游探访 195 m² 奥鲁斯特岛,瑞典 2023 Previous Next

  • Riva Vista 河滨度假酒店 IDIN Architects | Archicasting

    < 返回 Riva Vista 河滨度假酒店 IDIN Architects 设计特色: 项目 – 坐落于泰国清莱府湄公河畔的Riva Vista河滨度假酒店,巧妙地融合了现代与传统元素。这个拥有61间客房的度假村由IDIN Architects设计,精心捕捉了兰纳建筑的本质,同时又融入了当代技术和设计美学。度假村横跨被一条道路分隔的两个地块,将其餐饮空间和酒店主套房置于河滨一侧的建筑内,以最大限度地利用迷人的水景。一个细长而延伸的走廊确保每间客房都俯瞰河滨景致,而中间的缝隙保留了对巨大雨树的观赏视野,并将客人与河滨长廊连接起来。地块上的第二座建筑以L形包围主泳池,室内直通泳池取代了这里没有河滨景观的补偿。这座建筑将入住大堂、会议设施、健身房和水疗中心组合在一个内部庭院周围,并且可举办私人活动。建筑内外弥漫着对比,呼应了现代与本土融合的概念。清爽的白色形体与实体和开放量体并列,而内部则融合了传统的泰国北部元素,如木制平台、悬挂式储物柜和装饰架等。定制家具展示了传统的细木工工艺,让兰纳的影响渗透到当代设计中。通过其创造性的新旧融合,Riva Vista河滨度假村提供了一个独特的度假体验,深深植根于泰国北方富有文化底蕴的地方。 团队 – 来自泰国的IDIN Architects由Jeravej Hongsakul在2004年创立,其名称寓意“Integrating Design Into Nature”(设计融入自然)。设计团队以两种方式理解“自然”:第一,自然可以定义为我们周围的生态;第二,它也可以指不同的举止和个性。IDIN的设计理念和关注点是将这种环境意识,这种“本质”融入建筑美学。这种融合是通过分析和优先考虑每个项目的不同需求和要求的过程实现的。此外,泰语“idin”一词也用于描述雨后土壤释放出美妙芬芳的自然现象。这象征着泰国的热带气候,这也是IDIN所有设计努力响应的对象。因此,设计团队的重点不仅仅放在美学上,也放在实用性上,以适应这种温和的环境。其创始人Jeravej Hongsakul于1998年在泰国的先皇技术学院 (King Mongkut's Institute of Technology Ladkrabang)获得建筑学学士学位,并从2000年开始执业。自2010年“普吉门户”( Phuket Gateway)项目获得ASA建筑设计大奖以来,IDIN architects在泰国建筑界已倍受瞩目,目前为止他们的项目在国际上都不断获得众多奖项。 Feature: Project - Nestled on the banks of the Kok River in Chiang Rai, Thailand, the Riva Vista Riverfront Resort masterfully blends modern and traditional elements. Designed by IDIN Architects, the 61-key hotel artfully captures the essence of Lanna architecture while incorporating contemporary techniques and aesthetics. Divided across two plots separated by a road, the resort places its all-day dining and main suites in a riverside building to capitalize on the captivating water views. An elongated single corridor guarantees every room overlooks the river, while a gap in the middle preserves sightlines to a giant raintree and connects guests to the riverfront promenade. The second building on the inland plot wraps around the main pool in an L-shape, with private pool access compensating for the lack of river frontage. This structure combines the lobby, seminar facilities, gym and spa around an internal courtyard that can host private events. Echoing the concept of fusing modern and vernacular, contrast pervades the architecture inside and out. Crisp white forms juxtapose solid and open volumes, while interiors integrate traditional Northern Thai elements like wooden platforms, hanging storage and decorative shelving. Custom furnishings exhibit traditional joinery, allowing Lanna influences to permeate the contemporary design. With its creative hybrid of old and new, the Riva Vista Riverfront Resort delivers a unique resort experience steeped in the rich culture of Northern Thailand. Design Team - Established in The Hague in 1976, Atelier PRO architects has spent over four decades pioneering context-driven and socially-conscious designs grounded in genius loci principles. Currently led by directors Hans Kalkhoven and Dorte Kristensen, the 45-person firm creates surprising yet functional public architecture, from schools and theaters to renovated office spaces like the sustainability-minded EDGE Stadium. Seeking to uplift communities by improving their environments, Atelier PRO's civic-minded portfolio concentrates on social infrastructure. They reimagine existing buildings guided by a deep appreciation of historic built fabric, balancing preservation with creative revitalization. Atelier PRO stays future-focused as well - pursuing innovation in healthy urban living and sustainable design. Their visionary thinking and entrepreneurial spirit have earned pioneering sustainability certifications, advancing new strategies for educational facilities, and vibrant workplaces that foster human flourishing. 设计团队 旅游探访 5530 m² 泰国 清莱 2024 Previous Next

  • 西町住宅 TYdo architects | Archicasting

    < 返回 西町住宅 TYdo architects 设计特色: 项目 – 坐落于静冈县磐田市一个热爱举办庆祝活动的社区中,西町住宅巧妙地将社区 庆典与现代生活完美融合。这栋由日本建筑师高塚陽介设计的两层木造住宅,精心照 应了住宅主人希望拥有聚会空间,同时保有家人私密空间的需求。其突出特点是半室 外生活沙龙兼停车区和家庭起居室的无缝集成,中间由庭院隔开。这种创新的布局允 许空间通过百叶窗灵活分区或组合,既可以容纳持续到深夜的节日聚会,也可以转换 为亲密的家庭时光。这栋住宅外观与周遭环境有着鲜明对比,与周围融合了旧住宅和 新开发项目的周围环境不同,其采取分层方盒造型设计,外墙层层递进,从开放式社 交区一路到私密的私人空间,赋予建筑雕塑般的视觉张力。高塚陽介敏锐地捕捉当地 庆典文化及社区脉络,以现代住宅手法诠释了磐田市这片土地上独有的人文传统。西 町住宅是一次优秀的设计尝试,展现了深具慧根的建筑创作,如何在现代住宅中巧妙 传承悠久的生活习俗。 团队 – TYdo architects 成立于 2016 年,是一家总部设于东京的设计公司,由首席建筑 师高塚陽介领衔。凭借将建筑与相关创意学科巧妙融合的独到眼光,该事务所开创了 独树一帜的营运模式,提供跨足平面设计、网页开发、品牌行销等综合协调性服务。 在高塚陽介的领导下,TYdo 全力展现将客户构想精准付诸实现、精心打造的高超能力。 他们超越学科疆界的建筑设计手法,透过缜密的问题解决方式和富创意的概念塑造, 追求最佳解决方案。该事务所的作品巧妙融入当地脉络与社区纽带,如西町住宅这件 作品充分展现了对磐田市传统庆典文化的体现。TYdo 对在地人文着墨甚深,创作出扎 根当地却极具创意的现代建筑。作为不断推进创意的设计团队,创新的建筑设计风格 以及多元化的服务,使其成为日本建筑界的优质设计先锋。 Feature: Project - Nestled in a vibrant festival district of Iwata City, Shizuoka, the Nishimachi Residence brilliantly fuses community celebration with modern living. Designed by Yosuke Kodatsuka of TYdo architects, this two-story wooden abode ingeniously caters to the client's desire for a gathering space while preserving family privacy. The standout feature is the seamless integration of a semi-outdoor living room cum parking area and a family living room, separated by a courtyard. This innovative layout allows the spaces to be flexibly partitioned or combined via blinds, accommodating both festive gatherings that extend late into the night as well as intimate family time. Conceptually distinct from its surroundings which blend old residences with new developments, the residence's sculptural form takes on a layered box aesthetic. This visually striking facade articulates four zones transitioning from the welcoming communal areas to the most private quarters. Kodatsuka's sensitive approach taps into the region's festival heritage and communal fabric, offering a contemporary take on Iwata's rich locality. The Nishimachi Residence exemplifies how thoughtful architecture can foster age-old traditions within a modern residential setting. Design Team - Founded in 2016, TYdo architects is a Tokyo-based design firm helmed by principal architect Yosuke Takatsuka. With a keen eye for integrating architecture with allied creative disciplines, the practice has carved a unique niche by offering comprehensive coordination services spanning graphic design, web development, branding, and more. Under Takatsuka's leadership, TYdo has amassed an impressive portfolio showcasing their adept ability to translate client visions into tangible, thoughtfully-crafted solutions. Their architectural approach transcends disciplinary boundaries, seeking optimal resolutions through meticulous problem-solving and inventive conceptualization. The firm's work deftly navigates context and community, exemplified by projects like the Nishimachi Residence which celebrates the festival heritage of Iwata City. With a keen awareness of locality, TYdo creates architecture that is sensitively grounded yet uncompromisingly contemporary. As an architectural design consultancy pushing creative frontiers, TYdo architects epitomizes professionalism backed by a passionate, multidisciplinary ethos. Their innovative buildings and diverse services position them as vanguards within Japan's architectural vanguard 设计团队 旅游探访 156.99 m² 日本,磐田市 2024年 Previous Next

  • “六个花园” 东京下马民宿 ESPAD | Archicasting

    < 返回 “六个花园” 东京下马民宿 ESPAD 设计特色: 项目 –在东京世田谷区的中心地带,一座令人惊叹的住宅杰作拔地而起,挑战着公共和私密空间之间的界限。由ESPAD环境建筑研究所设计的"下馬民宿",重新定义了都市中宾客住所的概念。 这座建筑巧妙地融合了三个独特功能:一个热情好客的高尔夫休息室、一个企业接待空间,以及私人生活区。坐落于小山丘之巅,这座住宅不仅俯瞰周边邻里,更在繁华都市中捕捉风、光、天空等自然元素的精髓。 设计中最引人入胜的特色是其创新运用的六个独特庭院,巧妙地分割了建筑体量。这一精妙构思使光线和空气能够渗透到房子的每个角落,营造出室内外空间的和谐交融。每个房间都经过精心布置,至少面向一个庭院,包括内庭、天井和禅意石庭等多种风格。 建筑立面是一道令人着迷的镂空砖墙,兼具实用性和美学价值。这层多孔的外部屏障能够适应季节和日夜变化,将自然光线和环境元素巧妙地引入室内。立面的曲线形态,加上逐渐变化的镂空图案,不仅调节阳光,更成为一个象征性的门户,引导访客步入非凡体验的境界。 这个项目堪称建筑创新力量的典范,打造出一个既向周围环境开放,又沉浸在自身宁静优雅世界中的庇护所。 团队 – ESPAD环境建筑研究所,由藤江通昌于1979年创立,是日本建筑界创新设计的一座灯塔。这家总部位于东京的事务所拥有超过40年的丰富经验,始终在突破环境建筑的界限,巧妙地融合形式、功能和可持续性。 在父子档藤江通昌和藤江保高的协作下,ESPAD培育了独特的设计理念,强调建筑环境与自然环境的和谐融合。ESPAD的作品涵盖广泛,从城市规划项目到私密住宅设计无所不包。他们的作品屡获殊荣,包括享有盛誉的优良设计奖,以及日本建筑师协会对其环境建筑的认可。 事务所致力于可持续设计原则,加上他们在创造与环境契合的建筑方面的专业知识,使ESPAD在日本建筑界屡获好评。他们对建筑的整体性方法,同时考虑微观和宏观的环境影响,持续塑造着日本乃至更广泛地区的建筑景观。 Feature: Project - In the heart of Tokyo's Setagaya ward, a striking residential masterpiece emerges, challenging the boundaries between public and private spaces. The "Shimouma Annex," designed by Yasutaka Fujie of ESPAD Environmental Architecture Institute in collaboration with Tomoaki Todome, redefines the concept of a guest house in an urban setting. This architectural gem seamlessly integrates three distinct functions: a welcoming golf lounge for guests, a corporate hospitality space, and the owner's private living quarters. Perched atop a small hill, the residence offers breathtaking views of the surrounding neighborhood while harnessing the natural elements of wind, light, and sky in the midst of the bustling metropolis. The design's most captivating feature is its innovative use of six unique gardens that segment the building's volume. This clever composition allows light and air to permeate every corner of the house, creating a harmonious blend of interior and exterior spaces. Each room is thoughtfully positioned to face at least one garden, with varying styles including inner gardens, light wells, and zen-inspired stone gardens. The façade, a mesmerizing array of perforated brickwork, serves as both a functional and aesthetic marvel. This porous exterior shield adapts to seasonal and diurnal changes, filtering natural light and environmental elements into the interior. The curved form of the façade, with its gradually changing perforation pattern, not only regulates sunlight but also acts as a symbolic gateway, ushering visitors into a realm of extraordinary experiences. This project stands as a testament to the power of architectural ingenuity, offering a sanctuary that is at once open to its surroundings and cocooned in its own world of tranquility and elegance. Design Team - ESPAD Environmental Architecture Institute, founded in 1979 by Michimasa Fujie, stands as a beacon of innovative design in Japan's architectural landscape. With over four decades of experience, this Tokyo-based firm has consistently pushed the boundaries of environmental architecture, seamlessly blending form, function, and sustainability. Led by the father-son duo of Michimasa and Yasutaka Fujie, ESPAD has cultivated a unique design philosophy that emphasizes the harmonious integration of built environments with their natural surroundings. Michimasa Fujie, a graduate of Tokyo University of the Arts, brings a wealth of international experience, including a stint at the University of Melbourne and work with renowned firms like Raymond Architects and EGGLESTON MACDONALD ARCHITECTS PLANNERS. Yasutaka Fujie, joining the firm in 2017 after a significant tenure at Maki and Associates, infuses contemporary perspectives into ESPAD's established ethos. His academic background, including studies at the State Academy of Fine Arts Stuttgart, contributes to the firm's global outlook. ESPAD's portfolio showcases a diverse range of projects, from urban planning initiatives to intimate residential designs. Their work has garnered numerous accolades, including the prestigious Good Design Award and recognition from the Japan Institute of Architects for environmental architecture. The firm's commitment to sustainable design principles, coupled with their expertise in creating context-sensitive structures, positions ESPAD at the forefront of Japan's architectural vanguard. Their holistic approach to architecture, considering both the micro and macro environmental impacts, continues to shape the built landscape of Japan and beyond. 设计团队 旅游探访 409.34 m² Tokyo, Japan 2023 Previous Next

  • Mr.Forest私人露营体验地 TAAO+ swarm Inc. | Archicasting

    < 返回 Mr.Forest私人露营体验地 TAAO+ swarm Inc. 项目名称: Mr.Forest 地点: 栃木县那须郡,日本 设计团队: TAAO+ swarm Inc. 施工:高野建设株式会社 结构设计:MAY设计事务所 建筑面积:42.47 m² 结构形式: 木结构,地上一层 竣工时间: 2022年8月 摄影: 长谷川健太 设计特色: 项目 – 坐落于栃木县那须的森林中,Mr.Forest通过创新的建筑方法重新诠释了私人露营体验,在赞颂自然原始之美的同时提供必要的现代便利。该项目由TAAO和Swarm Inc.设计,占地1600平方米,每天仅接待一组访客,让游客能够与自然生态进行亲密的对话。 这个项目最引人注目的特征是其受传统竖穴式住居启发的半地下结构。这种建筑选择既服务于实用性也体现了设计理念 - 通过将建筑物部分下沉至平台水平以下750毫米,设计师们创造了一个既能最大限度减少对景观视觉影响,又能抵御那须严酷气候的庇护所。倾斜的屋顶采用7/10的坡度,由倾斜3/10角度的柱子支撑,让人联想到帐篷和防水布等原始形态,在当代建筑与露营的根源之间创造了一种对话。 该设施的布局巧妙地回应了地形环境。建筑物背靠城镇道路位于小山丘上,向南延伸出一个宽敞的露台作为主要露营区。场地西侧有一条天然溪流,建筑师在溪流旁设置了一个桶式桑拿房,配备冷水淋浴、冷水池和露天休息区 - 在大自然中营造出一系列健康体验空间。 尽管建筑面积仅有42.47平方米,Mr.Forest巧妙地整合了更衣室、淋浴间、卫生间和户外厨房等必要设施,同时保持了与景观"融为一体"的承诺。这种功能性和环境敏感性之间的微妙平衡,展示了建筑如何在不喧宾夺主的情况下提升户外体验,让自然之美真正成为主角。 团队 – TAAO (Toshihisa Aida Architecture&design Office)是由会田伦久于2021年创立的新锐日本建筑事务所,其设计范畴跨越从家具到大型建筑项目的各种规模,为空间设计带来独特的视角。自成立以来,该事务所已在日本当代建筑领域确立了其显著地位。 会田伦久1987年生于东京,在创立TAAO之前,他在东京工业大学获得硕士学位后于2013年至2021年期间就职于Schema建筑事务所(スキーマ建築計画),积累了丰富的专业经验。在Schema期间,他的作品获得多项重要奖项,包括"お米や"(Okomeya)项目获得的2015年JCD银奖和服部滋树奖,以及"桑原商店"和"武藏野美术大学16号馆"项目获得的2021年优良设计奖。 在会田伦久的带领下,TAAO迅速获得了业界认可,以其对环境的敏感度和创新的空间解决方案而闻名。事务所近期的代表作品包括荣获2023年优良设计奖和日本建筑美术工艺协会奖的"Slit Park YURAKUCHO"、"大手町森林项目"以及"Mr.Forest"等。他们的作品特点在于对材料运用的精准把控、与既有环境的巧妙融合,以及体现当代日本建筑话语的精细化功能空间组织方式。 Project Name: Mr.Forest Location: Nasu District, Tochigi Prefecture, Japan Design Team: TAAO + swarm Inc. Construction: Takano Construction Co., Ltd. Structural Design: MAY Design Office Building Area: 44.71 m² Total Floor Area: 42.47 m² Site Area: 1,654 m² Structure: Wood construction, single story Design Period: September 2021 - April 2022 Completion: August 2022 Photography: Kenta Hasegawa Feature: Project - Nestled in the forests of Nasu, Tochigi Prefecture, Mr.Forest reimagines the private camping experience through an innovative architectural approach that celebrates the raw beauty of nature while providing essential modern comforts. Designed by Michihisa Aida of TAAO and Kaito Hidaka of Swarm Inc., this exclusive retreat spans 1,600 square meters and accommodates just one group per day, offering an intimate communion with the wilderness. The project's most striking feature is its semi-underground structure, inspired by traditional pit dwellings. This architectural choice serves both practical and philosophical purposes – by partially submerging the building 750mm below the deck level, the designers have created a shelter that simultaneously minimizes its visual impact on the landscape while providing protection from Nasu's harsh climate. The slanting roof, set at a 7/10 pitch and supported by columns tilted at a 3/10 angle, evokes the primordial forms of tents and tarps, creating a dialogue between contemporary architecture and camping's ancestral roots. The facility's layout thoughtfully responds to its topographical context. Positioned on a small hill backing onto a town road, the structure extends southward with a generous deck that serves as the main camping area. The western edge of the site is blessed with a natural stream, beside which the architects have placed a barrel sauna complemented by cold showers, a plunge pool, and an open-air relaxation space – creating a sequence of wellness experiences immersed in nature. Despite its modest 42.47-square-meter footprint, Mr.Forest ingeniously incorporates essential amenities including changing rooms, showers, toilets, and an outdoor kitchen, all while maintaining its commitment to "hiding" within the landscape. This delicate balance between functionality and environmental sensitivity demonstrates how architecture can enhance the outdoor experience without overshadowing the natural world it seeks to celebrate. Design Team – TAAO (Toshihisa Aida Architecture&design Office) is an emerging Japanese architectural practice founded in 2021 by Toshihisa Aida, who brings a distinctive approach to spatial design across various scales, from furniture to large-scale architectural projects. Since its inception, the firm has established itself as a noteworthy presence in Japan's contemporary architectural landscape. Prior to establishing TAAO, Aida, born in 1987 in Tokyo, cultivated his expertise at Schema Architects (2013-2021) after completing his master's degree at Tokyo Institute of Technology. His tenure at Schema was marked by significant achievements, including the JCD Award Silver Prize and Shigeki Hattori Prize for "Okomeya" (2015), and Good Design Awards for both "Kuwabara Shoten" and "Musashino Art University Building 16" (2021). Under Aida's leadership, TAAO has quickly gained recognition for its contextual sensitivity and innovative spatial solutions. The studio's recent portfolio includes notable projects such as "Slit Park YURAKUCHO," which received both the Good Design Award and the Japan Architectural Art and Craft Association Award in 2023, "Otemachi Forest Project," and "Mr.Forest." Their work is characterized by a meticulous attention to materiality, thoughtful integration with existing contexts, and a refined approach to program organization that reflects contemporary Japanese architectural discourse. 设计团队 旅游探访 42.47 m² 栃木县那须郡,日本 2022 Previous Next

  • 江海别墅 KAWAZOE JUNICHIRO ARCHITECTS | Archicasting

    < 返回 江海别墅 KAWAZOE JUNICHIRO ARCHITECTS 项目名称:江海别墅 地点:洲本市,日本 设计团队:川添纯一郎建筑设计事务所 建筑面积:4596 ft²(427 m²) 竣工时间:2021年 摄影:松村芳治 设计特色: 项目 - 坐落于日本兵库县洲本市河口附近的江海别墅,由川添纯一郎建筑设计事务所设计,不仅仅是一座度假住宅——它是将传统日本工艺与现代建筑语言完美融合的诗意表达。项目直接受其地理位置启发而生,这处连接河流与海洋的独特场地,住宅将传统乡土建筑的精髓转化为当代度假体验的建筑形式。 该项目最引人注目的设计元素是蜿蜒曲折的"小径",这条有机流线连接三个功能不同的建筑单元——入口楼、客房楼和主楼。这一建筑姿态不仅创造了从公共空间到私密空间的渐进过渡,更建立起室内外空间界限模糊的连续体验,仿佛整座建筑都是温柔地融入自然景观的有机体。 在这条小径的引导下,住宅呈现为三个水平延展的屋顶,轻盈地悬浮在弯曲墙体之上。上层空间容纳着社交区域:起居室、餐厅和休闲空间,这些空间的组织旨在促进内外一体的流动性,体现宁静而优雅的度假生活方式。 建筑的材料表达形成鲜明对比。外覆两万块淡路岛传统屋瓦制成的条形砖——一种具有强烈地域特色的材料——与当地灰泥装饰相结合,为建筑赋予深厚的文化底蕴。瓦片因烧制不均匀产生的微妙色彩变化被巧妙保留,在墙面上呈现出火焰与工艺的动态表情,强化了与淡路岛传统的深度连接。 江海别墅因此成为超越功能性的建筑表达。它讲述着一个关于传统与现代对话的故事,在居住者的度假体验、精选的地域材料与周围河海景观之间建立敏感对话。一个轻盈而诗意的建筑群体栖息于水岸之上——对缝合传统工艺、当代生活与自然空间艺术的静默致敬。 设计团队 - 川添纯一郎建筑设计事务所成立于2000年,总部位于日本神户,经过二十多年的专业卓越发展,已成为以永恒设计理念与环境敏感性融合而闻名的杰出建筑实践机构。事务所由主持建筑师川添纯一郎和合伙人川添一惠领导,其专业实践建立在对场地文脉和客户生活方式的仔细研究基础上,始终寻求为每个项目提供独特且富有文化内涵的解决方案。 与自然的和谐整合、传统材料的创新运用和室内外空间关系的精妙处理等基本原则是贯穿所有作品的特色。结合这些理念,团队的工作以日本传统建筑智慧为起点,重新思考其核心概念,以当代手法回应建筑领域的现代需求。 事务所的设计方法论融合三项基本原则:超越时间界限的永恒美学、通过精炼元素简化实现最大空间丰富性的极简表达,以及室内外空间关系的精妙整合。这些核心理念贯穿每个项目尺度,从豪华度假村和文化机构到住宅和福利设施。 川添纯一郎建筑设计事务所的建筑手法深受日本传统建筑启发,同时挑战传统范式以应对当代空间挑战。事务所对创新的坚持赢得了国际认可,包括格伦巴拉美术馆和江海别墅双双荣获国际设计大奖金奖、建筑大师奖以及A'设计奖银奖等多项殊荣。其度假建筑项目体现了文化传承与现代创新之间的精妙平衡,通过严谨的材料研究和空间探索,为日本当代建筑树立了新的标杆。 设计团队 旅游探访 427 m² 洲本市,日本 2021 Previous Next

  • 文歌画岭 100A associates | Archicasting

    < 返回 文歌画岭 100A associates 项目名称:文歌画岭 地点:首尔,韩国 设计团队:100A associates 建筑面积:360 m² 竣工时间:2024年 摄影:Jae-yoon Kim 设计特色: 100A associates在韩国江西区创造了一座突破性的文化度假住宅,重新定义了酒店建筑类型,将传统住宿概念转化为沉浸式艺术胜地。这个项目证明了建筑如何在体现"留白"(blank space)美学哲学的同时,为现代生活开创艺术与建筑融合的先河。 建筑最引人注目的特色是其独特的策展式空间规划语言,灵感来源于传统韩国美学与现代艺术展示理念的融合。这种有机整合创造出流动的功能空间边界,空间本身成为策展人,将业主的艺术收藏与建筑环境无缝融合,体现了建筑与艺术的"和谐对话"理念:代表文化传承与当代生活。策展式规划将传统酒店功能模式转化为动态的文化体验场所,让访客能够欣赏、放松并与艺术环境建立深层联系。 100A associates在这座360平方米的住宅中巧妙融入了"文歌画岭"设计原则——文字歌唱,画作低语。柔和质感和自然材料创造出真实的建筑表达,而周围的海景与岛屿景观不仅将自然美景融入日常生活,还帮助建筑与海岸环境和谐统一。战略性定位的双层空间设计增强了内外交融效果,强化了该住宅对场地响应性设计的承诺。 项目的艺术沉浸理念同样令人印象深刻,通过竹林入口序列、优化艺术接触和全面的感官体验策略实现宁静的文化环境。最大化的艺术接触消除了都市生活压力需求,而双层功能布局超越了传统酒店建筑的单一效果。最值得注意的是,这座建筑的策展式设计在建筑学上十分精妙,以至于它不仅是居住空间,更是一个关于艺术、自然与人类生活和谐共存的诗意表达。 设计团队 - 由安光日和朴率荷创立,100A associates已发展成为一家屡获殊荣的建筑设计事务所,总部位于韩国首尔,致力于通过情境化设计卓越创造富有生命力的建筑空间。在主持建筑师安光日和朴率荷的协作领导下,该事务所已在住宅和酒店建筑设计领域建立了提供创新、可持续且符合场地响应建筑的声誉。 该事务所的设计理念围绕"建筑留白"的变革力量展开,从韩国传统美学中汲取灵感,同时应对当代都市生活方式挑战。100A associates的综合方法整合了现象学设计策略、先进空间序列设计和严格的材料敏感性原则,以打造超越客户期望并丰富其居住环境的空间。 该事务所经验丰富的专业团队:包括主持建筑师安光日和朴率荷(专注于情境化设计和建筑与自然环境关系研究),汇集了涵盖住宅、酒店和文化项目的集体专业知识。他们的协作方法确保从概念设计到施工管理的无缝项目交付,创造出备受好评的项目作品,包括文歌画岭度假酒店项目(2024年)、韫林客栈(2020年)和慢宅(2020年)。 100A associates对设计卓越的承诺通过其多元化的项目组合得到证明,展现了各个尺度的建筑创新。通过平衡美学精致性与功能性能和环境管理,该事务所创造持久的建筑解决方案,连接人与场所,并在尊重韩国传统设计价值的同时预见未来需求,成为韩国建筑话语演进的重要贡献者。 设计团队 旅游探访 360 m² 首尔,韩国 2024 Previous Next

  • Rose des Vents学生公寓 ADHOC | Archicasting

    < 返回 Rose des Vents学生公寓 ADHOC 设计特色: 项目 –在蒙特利尔住房紧缺的大背景下,ADHOC建筑事务所推出的Rose des Vents学生公寓项目无疑是一针强心剂。这座坐落于充满活力的Angus Technopole科技园区的六层建筑,以其123套经济适用房单元,完美诠释了如何将可负担性、可持续发展和以社区为中心的设计理念融为一体。 项目最引人注目的设计元素是其动感十足的铝制网格外墙立面。这一创新应用不仅兼具遮阳和护栏的双重功能,还巧妙地展现了魁北克作为全球领先铝产地的工业底蕴。采用本地可回收材料,既增添了建筑外观的轻盈感,又彰显了设计师的环保理念。 Rose des Vents在可持续城市生活方面树立了新标杆。其能源效率比参考建筑高出35.5%,令人印象深刻。高性能外围护系统、绿色屋顶以及与区域创新能源循环系统的连接,共同促使温室气体排放减少51.5%。 该项目充分考虑了学生生活的特点,提供多种户型选择,包括巧妙利用层高的loft式公寓。连续的室外走廊和热闹的底层商业空间有效促进了社区互动。夜幕降临时,建筑立面仿佛被注入了新的生命,映射出学生生活的律动,成为城市中令人着迷的建筑奇观。 团队 – ADHOC由Jean-François St-Onge、François Martineau和Anna Rocki三位合伙人领衔,总部设立在蒙特利尔,理念核心是"创造超越自身界限的建筑"。他们独特的共创设计流程,不仅确保了设计过程的透明度,更深化了与客户的关系,最终呈现出真正反映使用者身份和愿景的空间。 翻阅ADHOC的作品集,从屡获殊荣的Village WVW项目到可持续发展的Rose des Vents学生公寓,无不彰显他们驾驭多元项目的能力。他们对LEED绿色建筑和BIM技术的精通,让人不由得想到全球在推进绿色建筑和智慧城市建设中面临的机遇与挑战。 ADHOC的30人跨学科团队组成了一个灵活的"特设"协作实验室,这种模式在竞争激烈的建筑市场中颇具启发性。他们能够根据每个项目的独特需求量身定制专业知识,从而游刃有余地应对从私密住宅到大型城市开发的各类挑战。 ADHOC事务所多次斩获Grand Prix du Design大奖的成就令人印象深刻。他们不断突破建筑卓越性的界限,创造出的不仅仅是建筑,更是深刻的体验,这种理念与我们追求的"人民城市人民建"不谋而合。 Feature: Project - In a bold response to Montreal's critical housing shortage, ADHOC architectes has unveiled Rose des Vents, a pioneering student residence that seamlessly blends affordability, sustainability, and community-centric design. Located in the vibrant Angus Technopole, this six-story complex offers 123 units of much-needed affordable housing for students. The project's standout feature is its dynamic aluminum mesh facade, which serves dual purposes as both sunshade and guardrail. This locally-sourced, recyclable material not only adds a touch of lightness to the building's aesthetic but also embodies Quebec's industrial heritage as a leading aluminum producer. Rose des Vents sets new standards in sustainable urban living, boasting an impressive 35.5% better energy performance than reference buildings. Its high-performance envelope system, green roofs, and connection to the district's innovative energy loop contribute to a 51.5% reduction in greenhouse gas emissions. The design thoughtfully caters to student life, offering a variety of unit types including loft-style apartments that maximize ceiling heights. Continuous outdoor galleries and a lively ground floor with local services foster a strong sense of community. As night falls, the building's facade transforms, mirroring the dynamic rhythm of student life and creating a captivating urban spectacle. Design Team - Founded in Montreal, ADHOC architectes has rapidly emerged as a vanguard in Quebec's architectural landscape. Led by partners Jean-François St-Onge, François Martineau, and Anna Rocki, this dynamic firm embodies a fresh approach to design that transcends conventional boundaries. ADHOC's philosophy centers on "architecture that resonates beyond its own walls," exemplified by their innovative co-creation process. This participatory approach not only ensures transparency but also enhances client relationships, resulting in spaces that truly reflect their users' identities and aspirations. The firm's portfolio showcases a versatile range of projects, from the award-winning Village WVW to the sustainable Rose des Vents student housing. Their mastery of LEED principles and BIM technology positions them at the forefront of sustainable and technologically advanced design practices in Quebec. ADHOC's interdisciplinary team of 30 professionals forms an "ad hoc" collaborative laboratory, tailoring their expertise to each project's unique demands. This flexibility allows them to tackle diverse challenges, from intimate residential spaces to large-scale urban developments. With numerous accolades, including multiple Grand Prix du Design awards, ADHOC architectes continues to push the boundaries of architectural excellence, creating spaces that are not just built, but deeply experienced. 设计团队 旅游探访 123 Units Montreal, Canada 2022 Previous Next

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