< 返回 WOWK芝公园 PERSIMMON HILLS architects 设计特色： 项目 – 位于东京港区一条狭窄街道旁的"WOWK 芝公园"办公楼，由柿木佑介+广冈周 平/PERSIMMON HILLS 建筑事务所设计，对传统办公建筑类型提出了别开生面的独到 诠释。作为一座追求现代社会新型办公方式的租赁办公楼，建筑师旨在营造促进交流 的空间氛围，打造"城市新景观"。设计大胆打破了单一、均质化的标准楼层平面的僵化 模式，通过巧妙布置疏散楼梯和雕塑般的建筑立面体块，每个楼层都被赋予了独特的 个性空间。边界的打破孕育出富有特色的空间，精心设计的开口、材料和体量为采光 需求作了应对。设计师着眼于周边小规模工作场所与步行流线交织而成的独特城市肌 理，试图将这种工作生活一体化的魅力延展为垂直景观。随着现代各类技术的发展， 小型组织和个体不再受制于规模，能够承担大型工作，他们需要一个能积极工作和交 流的动态场所，这正是本项目回应的现代需求。通过这一操作，他们构筑出了诗意盎 然的全新办公体验，让新旧语境在此交融激荡：展现出小型团队和个体能够聚集、互 动、并重塑城市未来面貌的愿景。这一极具创意的方案体现了创新的空间理念如何为 密集城市地区注入活力，使"WOWK 芝公园"办公楼成为真正开拓性的建筑力作。 团队 – PERSIMMON HILLS architects 是一家总部设在大阪的实验性建筑设计工作室， 由柿木佑介（1986 年生）和广冈周平（1985 年生）于 2016 年创立。该工作室致力于 概念性设计的探索，业务范围广泛，涵盖建筑、室内、产品设计和城市规划等。设计 团队根据场地条件创造定制解决方案，如住田町社区中心的设计理念，突显了当地文 化语境和传统工艺。他们的作品组合体现了可持续发展和面向社区的设计理念，如区 域振兴项目和灾后重建项目。该工作室凭借简约优雅、关注社会的作品，广受好评并 获得如日本商业环境设计协会“JCD 设计奖”以及日本建筑师学会优秀建筑评选等奖项。 Feature： Project - Nestled along a narrow street in Tokyo's Minato ward, the WOWK Shiba Koen building by Yusuke Kakinoki + Shuhei Hirooka / PERSIMMON HILLS architects is a refreshing reinterpretation of the conventional office typology. Designed as a rental office pursuing new ways of working befitting our modern society, the architects aimed to foster interaction and craft an architecture that becomes "a new urban landscape." Defying the monotony of stacked, generic floor plates, the daring design strategically positions the emergency stairwell and sculptural massing to disrupt the "standard floor" on each level. This breakdown of boundaries generates unique, characterful spaces with carefully modulated openings, materials, and volumes that respond to daylighting requirements. Inspired by the surrounding urban fabric of small-scale workplaces interwoven with pedestrian pathways, the architects sought to verticalize this appealing integrated work-live environment. By doing so, they crafted a novel workplace experience that poetically bridges old and new contexts - envisioning a future where tightknit teams and individuals can gather, interact dynamically, and shape the city's evolving identity. This ingenious scheme exemplifies how innovative spatial concepts can breathe new life into dense urban areas, making WOWK Shiba Koen a truly pioneering architectural statement. Design Team - Persimmon Hills Architects is an experimental Osaka-based studio founded in 2016 by Yusuke Kakinoki and Shuhei Hirooka. Dedicated to pursuing conceptual depth, the firm engages in diverse projects spanning architecture, interiors, product design and urban strategies. Persimmon Hills creates site-specific solutions, like the intricate wooden lattice of Community Center, that foreground local context and craftsmanship. Their portfolio reveals a commitment to sustainability and community-oriented design, evidenced in regional revitalization projects and disaster recovery initiatives. The studio has garnered awards from JCD Design Awards for their elegantly minimalist, socially-conscious work. As lecturers and guest critics, Kakinoki and Hirooka are active in fostering the next generation of Japanese architects. 设计团队 旅游探访 342.05 m² 日本，东京 2023年 Previous Next

< 返回 平衡之宅 Alexandre Chaguri Arquitetura 项目名称：平衡之宅 地点：巴西 设计团队：Alexandre Chaguri Arquitetura 建筑面积：777平方米 竣工时间：2022年 主持建筑师：Alexandre Chaguri 摄影：Favaro Jr. Fotografia 项目： 坐落于被保护森林环绕的巴西陡峭山坡上，Alexandre Chaguri Arquitetura设计的平衡之宅展示了当代建筑如何在应对复杂地形的同时保持精致的设计原则。这座为三口之家打造的非凡避暑别墅，通过其独特的倒置空间布局和大胆的结构悬挑，诠释了极简主义的优雅。 该项目的决定性特征是其戏剧性的10米悬挑上层体量，看似毫无重量地悬浮在透明的底层之上。这一大胆的建筑姿态创造了自然遮阳，同时在室内生活空间与周围景观之间建立了流动的联系。悬浮的卧室区块容纳了六间套房，捕捉到广阔的森林景观，而下方的社交区域则直接与花园和泳池互动。 智慧地回应倾斜的地形，住宅颠覆了传统的居住安排。设计师没有将卧室设置在较低楼层，而是将私密空间置于上方以最大化视野，把公共空间安排在底层，使其与户外设施无缝融合。这种配置同时优化了功能性和体验质量。 垂直木质遮阳板定义了上层体量的立面，兼具光线过滤和雕塑元素的双重功能，强化了住宅的极简美学。在入口层，反射性水景迎接访客，同时呼应通向社交区域的楼梯，立即建立起建筑与自然之间的对话。 贯穿这座777平方米住宅的落地玻璃促进了视觉连续性和自然通风，将客厅、餐厅和美食区域与泳池及翠绿的地平线相连。室内装饰采用克制的色调，融合当代家具和有机设计单品，颂扬自然光线的同时尊重森林环境。 游泳池作为建筑的镜面，映照着后立面，延续了这座在建筑形式与自然环境之间精心校准的平衡作品所散发的休闲氛围。 设计团队： Alexandre Chaguri Arquitetura成立于2005年，位于巴西圣保罗，已发展成为一家杰出的建筑事务所，专注于巴西各地的住宅和商业项目。在首席建筑师Alexandre Chaguri的带领下，该事务所建立了将功能精准性与精致美学融合的声誉。Chaguri毕业于圣保罗美术学院，并在PUC完成研究生学习。 该事务所的设计理念以创造定制化建筑解决方案为核心，既回应每位客户的独特需求，又保持对空间组织和材料完整性的严格关注。近二十年来，Alexandre Chaguri Arquitetura将作品集扩展至巴西多个地区，始终如一地展现出将概念愿景转化为建成现实的卓越能力。 工作室目前由Alexandre Chaguri与资深建筑师Luana Battino和Fellipe Barros共同领导，保持着强调技术熟练度和创新性问题解决的协作方式。Battino于2015年在Ceunsp完成建筑学教育和研究生学习，Barros则是2008年Ceunsp毕业生，两人在项目开发和执行方面贡献专业知识。 事务所的作品以简洁的当代线条、深思熟虑的场地整合以及精致的材料组合为特征，既认可本地语境又呼应国际设计话语。每个项目都体现了工作室对建筑卓越性的承诺，在平衡功能复杂性与空间清晰度的同时，以同等的严谨态度应对环境考量和客户期望。 设计团队 旅游探访 777 m² 巴西 2022 Previous Next

< 返回 莱科之家 OYO Architects 项目名称：Lyco House 地点：佩平恩, 比利时 设计团队：OYO Architects 建筑面积：312 m² 竣工时间：2024年 摄影：Karen Van der Biest 设计特色： 比利时建筑工作室OYO Architects设计的莱科之家（Lyco House）展现了如何通过大胆的建筑创新设计将历史谷仓转化为当代可持续住宅的典范。这座312平方米的住宅位于距离布鲁塞尔不到30公里的佩平恩乡村，以其独特的三角形切割干预重新定义了乡村适应性再利用的概念。 该项目的精彩之处在于其战略性的空间重构。建筑师通过移除建筑体量的一部分，创造了一个中央庭院，将原本黑暗封闭的空间转变为充满光线的避风港。这一巧妙的三角形切割不仅为室内带来了充足的自然光线，还在室内外空间之间产生了流畅的过渡，同时保持了传统谷仓的街道立面。 设计团队的空间编排通过精心安排的层次、夹层和双高空间展开，这些空间由Atelier Manus定制设计的几何绿色钢楼梯连接。这种垂直对话增强了紧凑占地面积内的空间感，将卧室与起居区、厨房与花园、客厅与高架露台连接起来，模糊了室内外的界限。 居住空间围绕厨房展开，鲑鱼粉色的大型岛台成为引人注目的焦点。天花板的浅色松木与抛光的灰色水泥形成对比，而Hout en Interieur定制的深色木制家具增添了温暖感。客厅位于厨房上方略高的层面，其富有暗示性的木质天花板和面向户外露台的大窗户营造出独特的氛围。 房屋的材料色调体现了对传统与创新的表达。精心挑选的中性色调家具配以绿色和陶土色的色彩点缀，在温暖平衡的环境中营造出柔和自然的氛围。为确保热舒适性、可持续性和能源效率，设计团队在建造过程中融入了生态和循环材料，完全翻新了旧石棉屋顶，并在房屋中安装了太阳能电池板和其他生态技术。 Denis Dujardin的景观设计通过使用当地植被，实现了与周围乡村景观的流畅和谐融合。此外，还开发了一个巧妙而谨慎的解决方案来管理该地区的多余雨水，将其引导到天然池塘中进行净化并逐渐过滤到地下。 这座住宅体现了不俗的适应性再利用方法，展示了如何在不牺牲原有本质和环境责任的情况下，将充满历史的谷仓转化为适应当代生活需求的现代住宅。 设计团队 - OYO Architects作为一家杰出的比利时建筑事务所，由Nigel Jooren、Eddy Soete、Veroniek Vanhaecke、Lies Willaert和Ferran Massip于2011年创立，现在根特和巴塞罗那设有办公室，十多年来，该事务所发展出涵盖住宅、社区开发和工业建筑类型学的创新解决方案口碑。 OYO Architects为事务所带来了卓越的多学科协作经验和对可持续建筑实践的深刻理解。在创始合伙人的领导下，以及包括25名设计师、建筑师、城市规划师和咨询专家在内的团队支持下，该事务所因其对生态系统思维的承诺和对工艺的执着而获得认可。这种整体方法与当代设计创新的结合，使OYO Architects在欧洲建筑景观中占据独特地位。 该事务所的设计哲学强调空间目的与建筑执行同等重要，不急于寻求标准化建筑解决方案，而是相信建筑应该是对社会、环境和经济可持续性透彻理解的结果。通过与客户的深度协作，他们定义项目的空间目的——即空间应对其居住者产生的积极影响。OYO Architects相信最好的空间为人们提供了发挥最佳状态的环境，他们致力于挑战传统，揭示空间的真正潜力。 通过对慷慨住宅、繁荣社区和再生工业的深思熟虑综合，OYO Architects已确立自己作为当代建筑话语重要贡献者的地位，创造出既扎根于地方又拥抱全球设计视野的建筑作品。 Project Name: Lyco House Location: Pepingen, Belgium Design Team: OYO Architects Total Floor Area: 312 m² Completion: 2024 Photography: Karen Van der Biest Feature: Belgian architecture studio OYO Architects completed the Lyco House project in Pepingen, creating a contemporary sustainable home that exemplifies how bold architectural intervention can transform historic barns into modern living spaces. The project is positioned within the green countryside less than 30 kilometers from Brussels, drawing inspiration from Belgium's rural heritage to create an architectural work that both celebrates agricultural building traditions and embodies innovative adaptive reuse strategies. The project's most compelling design feature lies in its strategic spatial reconfiguration through a dramatic triangular cut carved from the original barn volume. Rather than choosing conventional renovation approaches, the architects masterfully created a central courtyard that transforms the previously dark and enclosed space into a light-filled sanctuary. This ingenious triangular intervention not only floods the interior with natural light but also generates fluid transitions between indoor and outdoor spaces while maintaining the traditional barn facade that preserves the building's agricultural character. The building's spatial choreography unfolds through carefully orchestrated levels, mezzanines, and double-height spaces connected by a striking geometric green steel staircase custom-designed by Atelier Manus. This vertical dialogue enhances the sense of spaciousness within the compact footprint, connecting bedrooms with living areas, kitchen with garden, and living room with elevated terrace, effectively blurring the boundaries between interior and exterior environments. The living spaces center around the kitchen, where a large salmon pink island stands out as a bold focal point. The light pine wood ceiling contrasts with polished grey cement floors, while custom-made dark wood furniture by Hout en Interieur adds warmth and craftsmanship. The living room, positioned on a slightly higher level above the kitchen, features a suggestive wooden ceiling and large windows that open onto the outdoor terrace, creating a unique spatial experience. Material selection demonstrates exceptional sensitivity to heritage and innovation. Carefully selected furniture in neutral tones is complemented by chromatic accents in green and terracotta, generating a soft and natural atmosphere in a warm and balanced environment. To ensure thermal comfort, sustainability, and energy efficiency, OYO Architects incorporated ecological and circular materials during construction, completely renovating the old asbestos roof and installing solar panels and other eco-technologies throughout the house. Denis Dujardin's landscape design plays a crucial role in shaping the setting, achieving fluid and respectful integration with the surrounding rural landscape through the use of local vegetation. Additionally, an ingenious and discrete solution has been developed to manage the area's excess rainwater, channeling it into a natural pond where it is purified and gradually filtered into the ground. Lyco House represents a thoughtful adaptive reuse approach, demonstrating how historic agricultural buildings can be transformed to meet contemporary living needs while respecting their original essence and environmental responsibility. Design Team - OYO Architects stands as a distinguished Belgian architectural practice that has established an exceptional reputation in innovative sustainable design. Founded by Nigel Jooren, Eddy Soete, Veroniek Vanhaecke, Lies Willaert, and Ferran Massip in 2011 and based in Ghent and Barcelona, under the creative direction of founding partner Nigel Jooren and design direction of partner Ferran Massip, the firm has developed a reputation for creating innovative solutions across residential, community development, and industrial architecture typologies. OYO Architects brings exceptional multidisciplinary collaborative experience and deep understanding of sustainable building practices to the practice. Under the leadership of founding partners, supported by a 25-person team including designers, architects, urban planners, and consultative specialists, the practice has garnered recognition for its commitment to ecosystem thinking and dedication to craftsmanship. This combination of holistic approach with contemporary design innovation positions OYO Architects uniquely within Europe's architectural landscape. The firm's design philosophy emphasizes that spatial purpose is as important as architectural execution, not rushing to standardized architectural solutions but believing that architecture should be a result of thorough understanding of social, environmental, and economic sustainability. Through intensive collaboration with clients, they define the project's spatial purpose—the positive impact the space should have on those that inhabit it. OYO Architects believes that the best spaces provide the setting for people to be at their best, challenging convention to reveal the true potential of space. Through this thoughtful synthesis of generous homes, thriving communities, and regenerative industry, OYO Architects has established itself as a significant contributor to contemporary architectural discourse, creating architectural works that are both rooted in place and embrace global design vision. 设计团队 旅游探访 312 m² 佩平恩, 比利时 2024 Previous Next

< 返回 Veron the Shop商店 IOG Arhitectura 项目名称：Veron the Shop商店 地点：布加勒斯特，罗马尼亚 设计团队：IOG Arhitectura 建筑面积：22 m² 竣工时间：2024年 摄影：Sabin Prodan 设计特色： 项目 - Veron The Shop位于客户家族所拥有的一座中心建筑的前车库内。由于周边环境的退化，这个车库数十年来一直闲置未用。客户希望通过将这个闲置空间改造成一个销售配饰和时尚商品的精品店来重新激活它。这个22平方米的空间包括一个原本用于停车的主要房间，以及一个在设计方案中变成试衣间的小储藏室。挑战在于为这个虽然面向街道但由于位于地下室而不被路人看见的小商店创造一个现代身份。 设计方案包括用淡粉色瓷砖全面覆盖空间，根据位置使用不同的规格。墙壁被拉直以容纳10/10厘米的瓷砖规格，地板则铺设以人字形图案排列的矩形瓷砖，而中心岛和配饰展示台则使用5/5厘米的瓷砖。由于空间天花板高度较低，仅有230厘米，为了通过反射创造增高效果，天花板覆盖了与瓷砖颜色相似的有机玻璃。 为了保持流畅的氛围，金属家具与墙壁分离。服装架由波浪形金属杆制成，波浪形状规定了展示产品的最大数量，从而保持空间的清爽氛围。接待台由一块蓝色金属板制成，包裹着柜台并与墙壁分离。即使试衣间也是一个独立的元素，由一个独立的镜子组合和周围的窗帘组成。 唯一的固定元素是覆盖着5/5厘米陶瓷瓷砖的中心岛，以及放置在入口附近的配饰展示台。现有的明显退化的木质车库门并非原始门。因此，对于主入口，设计方案复制了原始金属车库门的设计，但使用透明玻璃代替不透明材料，以便自然光照亮内部空间并提供街道层面的可见性。这样，商店成为从建筑立面剪切出来的一幅框架画，增加了街道正面的深度。 在消除已损坏的通道坡道时，创造了一个小庭院，并通过使用地面高度差异来保护其免受人行道影响。这样，商店向社区开放，提供了一种熟悉的氛围。项目的主要成功在于重新激活了一个闲置空间，通过这次干预，它已成为充满活力的中心城市社区本地商业的一部分。 团队 - IOG Arhitectura是一家知名的罗马尼亚布加勒斯特设计事务所，由Omid Ghannadi和Ilinca Ghannadi于2010年创立。该事务所的实践理念是将建筑设计视为裁缝店般精细，注重那些使设计成为独一无二作品的细节。IOG的项目因其材料、颜色和纹理的独特组合而闻名并获奖，这些组合为使用者创造出沉浸式体验。 Omid Ghannadi负责设计过程管理和协调项目的整个设计过程。Ilinca Ghannadi拥有建筑理论博士学位，她主要负责概念开发和项目实施管理。Ana Georgescu是IOG Arhitectura的高级建筑师和合伙人，完成了事务所许多具代表性的项目。她在事务所的专长是概念开发和可视化过程。而另一位合伙人Teo Staicu不仅因办公室项目的实施质量而受到认可，也因在建筑设计过程和细节处理中的严谨规划而获得赞誉。 Project Name: Veron the Shop Location: Bucharest, Romania Design Team: IOG Arhitectura Total Floor Area: 22 m² Completion: 2024 Photography: Sabin Prodan Feature: Project - Veron The Shop is located in a former garage of a central building owned by the clients' family since its completion. Due to the successive layers of pavement added to the sidewalk and the degradation of the access ramp, the garage remained unused for decades. The client sought to revitalize the unused space by converting it into a small boutique for accessories and fashion items. The 22 sqm space consists of a main room that was intended for parking and a small storage room that, in the proposal, became the fitting room. The challenge was to create a contemporary identity for a small shop that, although street-facing, was not visible to passersby, as it is located in the basement level. The proposal involved fully covering the space with pale pink ceramic tiles, using different formats depending on their placement. The walls were straightened out to accommodate the 10/10 cm format, the floor was tiled with a rectangular format laid in a herringbone pattern, and 5/5 cm tiles were used for the central island and accessory pedestal. The space has a low ceiling height of 230 cm, so to create a heightening effect through reflection, the ceiling was covered with plexiglass in a colour similar to the tiling. To maintain the fluid atmosphere, the metal furniture was detached from the walls. The clothing racks are made of wavy metal bars, with the waves dictating a maximum number of displayed products, thus keeping the space's crisp ambiance. The reception desk is made from a blue metal sheet that wraps around the countertop and is detached from the walls. Even the fitting room is a detached element, consisting of a freestanding mirror ensemble surrounded by a curtain. The only fixed elements remain the central island, covered in 5/5 cm ceramic tiles, and a pedestal for accessories placed near the entrance. The existing visibly deteriorated wooden garage door was not the original one. So for the main entrance, the proposed door replicates the design of the original metal garage door, but using clear glass instead of opaque, to naturally light the interior space and provide street-level visibility. This way, the store becomes a framed picture cut out from the building's facade, contributing to the depth of the street front. When eliminating the destroyed access ramp, a small courtyard was created, framed by the existing garden planters and protected from the sidewalk by using the ground level difference. In this way, the store opens up to the neighbourhood, offering a familiar atmosphere. The main success of the project is the revitalization of an unused space, which, through this intervention, has become part of the local commerce of a vibrant central city neighbourhood. Design Team - IOG Arhitectura is a well-known Bucharest based design & architecture office, founded by Omid Ghannadi and Ilinca Ghannadi in 2010. The office practice is defined by the desire to make architecture like a tailor's shop, with attention to the details that make a design become one of a kind. IOG's projects are known and awarded for the uncanny mix of materials, colours and textures that make each design an immersive experience for its users. Omid Ghannadi is a founding partner of IOG Arhitectura and is credited for his contribution in the design process management and coordination of the entire design process of the projects. Ilinca Ghannadi is a founding partner of IOG Arhitectura, with a PhD in architecture theory, she is credited with concept development and implementation management of the projects. Ana Georgescu is a senior architect and partner at IOG Arhitectura, credited with the completion of many representative projects of the office. Her expertise in the office is concept development and visualisation process. Teo Staicu is a senior architect and partner at IOG Arhitectura, credited with the quality of the implementation process of the office projects but also for the rigorous planning of the design process in the architecture design process and detailing. 设计团队 旅游探访 22 m² 布加勒斯特，罗马尼亚 2024 Previous Next

< 返回 SOLASUNA酒店 axonometric 项目名称：SOLASUNA酒店 地点：福冈县行桥市，日本 设计团队：axonometric 建筑面积：853.4 m² 竣工时间：2023年11月 摄影：YASHIRO PHOTO OFFICE，REPOSHA Yuta Nishino 设计特色： 项目 - 在福冈县行桥市长井浜的海滨公园内，axonometric设计事务所打造了一个创新性的酒店项目SOLASUNA。这座853.4平方米的建筑巧妙地解决了公共与私人空间的界限问题，成为振兴这一曾经繁荣但后来衰落的海滨地区的催化剂。 设计团队以"公园与酒店的柔和融合"为理念，创造性地将现有的木质步道立体化扩展，形成一个覆盖整个建筑的巨大阶梯式结构。这一设计最引人注目的特色是其多功能性：阶梯不仅作为连接客房与海洋的自然流通路径，还提供了可供酒店客人和公园游客共同使用的宽敞露台，同时还作为百叶系统遮挡东方强烈的阳光和调节公园视线。从远处观看，整个结构宛如一座面向海洋的大型圆形剧场。 室内空间展现了对自然环境的深刻理解，在建筑与周围海滨公园之间创造出流畅的过渡。这座两层钢结构建筑占地459.50平方米，位于5,668.70平方米的场地内，通过其创新的阶梯式设计，成功地在公园的公共性与酒店的私密性之间取得了平衡。 SOLASUNA的独特之处在于它创造了一个"既不属于公园、建筑或自然，但又整合了所有这些元素的缓冲空间"。这个过渡区域的身份保持刻意的流动性和模糊性，使项目不仅仅占据其场地，而是改变了它，在公共娱乐、私人住宿和自然景观之间建立了新的关系，形成一个无缝而引人注目的整体。 团队 - axonometric成立于2021年，是一家以福冈为基地的创新建筑设计事务所，由首席建筑师佐々木慧（Kei Sasaki）领导，在日本国内外承接多样化项目。佐々木慧曾在著名的藤本壮介建筑设计事务所（SOU FUJIMOTO ARCHITECTS）工作，拥有丰富的专业经验，是一级建筑师及多所大学的客座讲师。 该事务所专注于全方位的空间设计，业务范围涵盖建筑设计、室内设计、家具设计、景观设计和城市规划等领域。团队由一群才华横溢的专业人士组成，包括董事仓员香织（Kaori Kurakazu）、多位建筑师和项目经理，他们共同为每个项目注入创新思维和专业精神。 axonometric的作品因其对空间的独特理解和创新方法而获得多项国际奖项，包括2024年DFA亚洲设计大奖金奖、亚太室内设计大奖（APIDA）金奖及评审团特别奖、日本优良设计奖2024特别奖等。他们的设计理念强调建筑与环境的和谐共存，在实用功能与美学体验之间取得平衡。 事务所的发展壮大反映了其对建筑创新的坚定承诺和在行业内日益增长的影响力，为日本当代建筑设计领域带来了新的视角和可能性。 Project Name: SOLASUNA Hotel Location: Yukuhashi City, Fukuoka Prefecture, Japan Design Team: axonometric Total Floor Area: 853.40 m² Completion: November 2023 Photography: YASHIRO PHOTO OFFICE, REPOSHA Yuta Nishino Feature: Project - Within a beachfront park in Nagai-hama, Yukuhashi City, Fukuoka Prefecture, architectural firm axonometric has created SOLASUNA, an innovative hotel project. This 853.40-square-meter structure ingeniously resolves the boundary between public and private space, serving as a catalyst for revitalizing this once-thriving but later declined coastal area. The design team, guided by the concept of "gentle integration between park and hotel," creatively expanded the existing wooden walkway into a three-dimensional form, creating a massive stepped structure that envelops the entire building. The most striking feature of this design is its multifunctionality: the steps not only serve as a natural circulation path connecting guest rooms to the sea, but also provide spacious terraces accessible to both hotel guests and park visitors, while simultaneously functioning as a louver system shielding from strong eastern sunlight and moderating views from the park. Viewed from a distance, the entire structure resembles a grand amphitheater facing the ocean. The interior spaces demonstrate a profound understanding of the natural environment, creating fluid transitions between the architecture and the surrounding beachfront park. This two-story steel structure occupies 459.50 square meters within a 5,668.70-square-meter site, successfully balancing the public nature of the park with the privacy of the hotel through its innovative stepped design. What distinguishes SOLASUNA is its creation of a "buffer space belonging to neither park, building, nor nature, yet integrating them all." This transitional zone maintains deliberately fluid and ambiguous identity, making the project not merely occupy its site but transform it, establishing new relationships between public recreation, private accommodation, and natural landscape in a seamless, compelling whole. Design Team - Founded in 2021, axonometric is an innovative architectural design firm based in Fukuoka, led by Principal Architect Kei Sasaki, undertaking diverse projects both within Japan and internationally. Sasaki previously worked at the renowned SOU FUJIMOTO ARCHITECTS, possessing rich professional experience as a first-class architect and guest lecturer at multiple universities. The firm focuses on comprehensive spatial design, with services encompassing architectural design, interior design, furniture design, landscape design, and urban planning. The team consists of a group of talented professionals including Managing Director Kaori Kurakazu, several architects and project managers, who collectively infuse each project with innovative thinking and professional spirit. axonometric's work has received multiple international awards for its unique understanding of space and innovative approaches, including the 2024 DFA Design for Asia Gold Award, Asia Pacific Interior Design Awards (APIDA) Gold Award and Jury's Special Prize, and the GOOD DESIGN AWARD 2024 Special Prize. Their design philosophy emphasizes the harmonious coexistence of architecture and environment, balancing practical functionality with aesthetic experience. The firm's growth and expansion reflect its firm commitment to architectural innovation and increasing influence in the industry, bringing new perspectives and possibilities to Japan's contemporary architectural design field. 设计团队 旅游探访 853.4 m² 福冈县行桥市，日本 2023 Previous Next

< 返回 蒂芙尼斯图加特店 MVRDV 项目名称：蒂芙尼斯图加特店 地点：斯图加特，德国 设计团队：MVRDV建筑事务所 陶瓷构件数量：2829个 竣工时间：2024年 摄影师：Gionata Xerra Studio 设计特色： 项目 - 荷兰建筑事务所MVRDV日前重新构想了零售立面设计，通过令人着迷的陶瓷钻石屏幕，将建筑表面转变为充满活力的宝石般画布。蒂芙尼斯图加特店最新的非凡的立面设计，由2829个手工制作的陶瓷钻石似乎漂浮在店面上，创造出一种空灵的建筑美感，连接品牌认同感与创新设计。 受Louis Comfort Tiffany开发的 19世纪90年代传奇的法夫莱尔（Favrile）玻璃启发，设计团队精心构思了一个渐变色调，从蒂芙尼标志性的蓝色过渡到纯白。每个钻石都是使用与荷兰最古老的陶瓷制造商Koninklijke Tichelaar合作开发的专业技术，单独制模并釉彩，造就出随光线和视角变化而变化的彩虹色表面。 立面的真正独创性在于其同时吸引注意力并与周围多罗特恩区的中性建筑语境完美融合的能力。定制钢固定件使陶瓷构件可以在外部和内部安装，营造出一个梦幻般的环境，钻石似乎悬浮在空中。通过策略性地调整钻石密度，可以选择性地创造透明度，在保持迷人的视觉屏障的同时，让人们得以窥探店内。 MVRDV设计团队将这个设计描述为试图捕捉蒂芙尼品牌根本的"奇迹与魅力感"。通过将品牌的材料创新和珠宝工艺转译为建筑语言，这个设计创造了一个令人惊叹的视觉隐喻，将零售体验从单纯的商业空间提升为真正的建筑陈述。 团队 – MVRDV由Winy Maas, Jacob van Rijs, 和 Nathalie de Vries于1993年创立，现已发展成为全球具有影响力的建筑事务所。事务所现由创始合伙人与Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, 以及Bertrand Schippan共同领导超过300名专业人员的团队，在鹿特丹、上海、巴黎、柏林和纽约设有战略性布局的多个办公室。 事务所以其研究导向的设计方法论著称，强调与客户、利益相关者和跨学科专家的早期协作。其专门的内部气候团队确保可持续性在所有项目中的整合，而MVRDV NEXT则专注于计算设计和技术创新。这种全面的方法促成了从混合用途开发到文化机构和城市总体规划等突破性项目。 事务所的作品组合展示了各种规模和类型的创新建筑解决方案，包括享誉世界的鹿特丹Markthal、阿姆斯特丹自然启发的Valley项目，以及开创性的Depot Boijmans Van Beuningen。他们的作品始终展现对可持续城市发展、社会参与和技术进步的承诺，赢得了众多国际奖项，确立了MVRDV在当代建筑实践中的先驱地位。 Project Name: Tiffany & Co. Stuttgart Store Location: Stuttgart, Germany Design Team: MVRDV Architecture Office Number of Ceramic Elements: 2829 units Completion Year: 2024 Photographer: Gionata Xerra Studio Feature： Project - Dutch architecture firm MVRDV has reimagined the retail facade with a mesmerizing ceramic diamond screen that transforms architectural surfaces into a dynamic, jewel-like canvas. The Stuttgart Tiffany & Co. store now boasts an extraordinary facade featuring 2,829 hand-crafted ceramic diamonds that seemingly float across the storefront, creating an ethereal architectural intervention that bridges brand identity and innovative design. Inspired by Louis Comfort Tiffany's legendary Favrile glass from the 1890s, the design team developed a meticulously conceived gradient that transitions from Tiffany's iconic robin's egg blue to pristine white. Each diamond is individually slip-cast and glazed using a specialized technique developed in collaboration with Koninklijke Tichelaar, the Netherlands' oldest ceramics manufacturer, resulting in an iridescent surface that shifts dramatically with changing light and viewing angles. The facade's true ingenuity lies in its ability to simultaneously attract attention and integrate seamlessly with the surrounding Dorotheen Quartier's neutral architectural context. Custom steel fixings allow the ceramics to be mounted both externally and internally, creating a dreamlike environment where diamonds appear to hover weightlessly. Strategic variations in diamond density enable selective transparency, allowing glimpses into the store while maintaining an enchanting visual barrier. MVRDV's founding partner Jacob van Rijs describes the design as an attempt to capture the "sense of wonder and enchantment" fundamental to Tiffany & Co.'s brand legacy. By translating the brand's material innovation and jewellery craftsmanship into architectural language, the design creates a stunning visual metaphor that elevates the retail experience from mere commercial space to a true architectural statement. Design Team - MVRDV, established in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, has grown into a globally influential architecture practice. The firm now operates with a dynamic team of over 300 professionals led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, with offices strategically located in Rotterdam, Shanghai, Paris, Berlin, and New York. The practice is distinguished by its research-based design methodology, emphasizing early collaboration with clients, stakeholders, and multidisciplinary experts. Their dedicated in-house Climate Team ensures sustainability integration across all projects, while MVRDV NEXT specializes in computational design and technological innovation. This comprehensive approach has resulted in groundbreaking projects ranging from mixed-use developments to cultural institutions and urban masterplans. The firm's portfolio showcases innovative architectural solutions across various scales and typologies, including the world-renowned Markthal in Rotterdam, the nature-inspired Valley in Amsterdam, and the groundbreaking Depot Boijmans Van Beuningen. Their work consistently demonstrates a commitment to sustainable urban development, social engagement, and technological advancement, earning numerous international awards and establishing MVRDV as a pioneer in contemporary architectural practice. 设计团队 旅游探访 165 m² 斯图加特，德国 2024 Previous Next

< 返回 JINS佐久平店 Ryuji Nakamura and Associates 设计特色： 项目 – 位于长野县东部山区的佐久盆地，中村竜治建筑设计事务所设计的JINS佐久平店呈现了一种对商业建筑非同寻常的方法。这块地的边界与邻近的餐厅、道路、停车场和公园无缝融合，使各个方向都能畅通无阻地进出。受到公园里独立休息亭和景观大树的启发，中村构思了一座全方位、无正面或背面的建筑。最终设计成为一座轻微扭曲的36边形平面，四周环绕着相同形状的窗户，将360度视野引入室内。中村解释说:"这些场地特征立即让人联想到公园里那些独立的大树或休息亭。我认为这种设计方式也适合商店这种类型的建筑。"循环式的布局避免了死角，使访客可以在温暖调性的木质室内自由走动，同时欣赏到环绕着群山的全景。这家店突破了一般零售店的环境营造，邀请人们驻足体验建筑与这片田园盆地环境的共生关系。 团队 – 中村竜治建筑设计事务所于2004年成立，已成为日本最备受关注的建筑设计团队之一。这家总部位于东京的事务所由日本建筑师中村竜治领军，以创新及富有概念性的设计而闻名，致力于超越传统类型。事务所的作品包括住宅、商业及公共项目，中村的作品展现了对形式、材料和空间实验的精通。里程碑式的作品如获奖无数的JINS京都寺町通店(2016年)和神戸市政厅大厅(2017年竞赛胜出)体现了事务所能营造沉浸式环境，消解室内外界限的能力。除了建筑，中村的跨领域作品还涵盖装置艺术、展览设计、家具以及与艺术家和剧团的合作。这种领域交叉合作渗透孕育出被休斯顿美术馆和旧金山现代美术馆等机构收藏的建筑导向作品。凭借包括JCD大奖和GOOD DESIGN AWARD BEST 100等殊荣，中村竜治建筑设计事务所将继续透过概念性及因地制宜的项目推动空间体验的探索，引领建筑对话。 Feature： Project - Nestled in the mountainous Saku Basin of eastern Nagano Prefecture, the JINS Sakudaira shop by Ryuji Nakamura Architects presents an unconventional approach to commercial architecture. The site boundaries seamlessly blend with adjacent restaurants, roads, parking lots, and a park, allowing unimpeded flow from all directions. Inspired by freestanding park pavilions and trees, Nakamura envisioned an omnidirectional building without defined front or back. The resulting design is a subtly squashed 36-sided polygon in plan, ringed by identically shaped windows that bring 360-degree views into the interior. "These site characteristics immediately brought to mind standalone large trees or all-directional pavilion-like structures found in parks," explains Nakamura. "I thought this approach would also suit a shop typology." The circular layout avoids dead ends, enabling visitors to freely circulate through the warm, wood-lined interior while taking in panoramic vistas of the encompassing mountain scenery. Transcending a typical retail environment, the shop invites passersby to linger and experience the architecture's symbiotic relationship with its bucolic basin setting. With an innovative form tailored to the unique terrain, JINS Sakudaira exemplifies how thoughtful design can dissolve boundaries between architecture and landscape. Design Team - Established in 2004, Ryuji Nakamura and Associates has emerged as one of Japan's most acclaimed architectural practices. Led by principal Ryuji Nakamura, the Tokyo-based firm is renowned for its innovative and conceptually rich designs that transcend traditional typologies. With a portfolio spanning residential, commercial, and public projects, Nakamura's work exhibits a mastery of form, materiality, and spatial experimentation. Landmark projects like the award-winning JINS Kyoto Teramachi-dori (2016) and the Kobe City Hall Lobby (2017 competition winner) showcase the firm's ability to craft immersive environments that dissolve boundaries between interior and exterior. Beyond architecture, Nakamura's multidisciplinary practice encompasses installations, exhibition design, furniture, and collaborations with artists and theater companies. This cross-pollination results in architecturally-informed pieces collected by institutions like the Museum of Fine Arts, Houston and SFMOMA. With accolades including the prestigious JCD Grand Prize and Good Design Award Best 100, Ryuji Nakamura and Associates continues to push the discourse through conceptually and contextually grounded projects that redefine spatial experiences. 设计团队 旅游探访 197 m² 日本，佐久市 2023年 Previous Next

< 返回 大森幕屋住宅 HUNE Architects 项目名称：大森幕屋住宅 地点：东京，日本 设计团队：HUNE Architects 建筑面积：77.85 m² 竣工时间：2025年 摄影：Yurika Takano 设计特色： 项目 -大森幕屋住宅由HUNE建筑事务所设计，坐落于东京品川区邻近JR铁路线的紧凑场地，展现了古代幕屋建筑智慧与当代家庭生活需求的完美融合。这座77.85平方米的两层木结构住宅以其独特的织物般屋顶形态，重新定义了紧凑都市空间内多代同堂家庭的居住体验。 该项目最引人注目的成就在于其智慧的离散空间堆叠策略。建筑为四口之家设计，每位成员拥有不同爱好并需要个人空间而不过度干扰彼此。HUNE的设计回应是将卧室以L型配置，半层错开以适应前方道路的上升坡度。在睡眠区之上，沿楼梯离散堆叠了低矮休憩区、家庭用餐空间和兴趣工作室，营造出超越场地有限尺寸的空间开阔感。 建筑叙事通过精妙的屋顶构造展开，展现出卓越的结构创新。决定性的建筑元素是那延展的白色屋顶，构思为轻柔地铺在整个组合之上的布料。中央立柱将屋顶向上推起形成屋脊，从中四片屋顶平面（包括曲面）向周边下降。这种配置创造了屋顶与地板层之间持续变化的关系，屋顶与地面的距离感随人的动线不断改变。从玄关沿楼梯上行时，空间逐渐在眼前展开，使居住者感知到通过屋顶距离和人的移动所带来的内外距离感变化。 材料选择体现了创新工程技术的实用性。弯曲屋顶采用创新的薄板层压结构，将15毫米杉木板弯曲成总厚度45毫米的三层组合，饰以白色涂料以在室内漫射光线。通过工厂和现场的MEMS加速度传感器测量面外振动，确认45毫米厚曲面集成板的固有振动频率比15毫米厚单板高约2.5倍，证实其具备相当于40毫米厚单板的面外弯曲刚度。建筑采用木结构框架体系，配备筏板基础，在6.744米的最大高度内实现了建筑面积40.62平方米、容积率93%的高效空间利用。 立面处理展现了策略性开窗设计的精致性。在屋顶各部分之间的缝隙中开凿的窗户引入自然光，从侧面照亮弯曲屋顶表面，将每个时刻变化的光色漫射到整个空间。这种精心编排的开口系统将周边都市环境转化为日常生活不断变化的背景幕布，同时柔软的屋顶在室内外之间保持适当距离，温柔地保护家庭免受铁路噪音和外界喧嚣的侵扰。 项目的另一大特色是其对幕屋原型的当代诠释和高性能建筑实践。幕屋是古代将布张开、撑起而形成空间的简易帐篷式小屋，既作为住居建造，也作为神的居所和人神相遇之地，甚至被视为人体本身的象征。设计通过将力量松弛的布料自然下垂形成场所的意象，以人类活动与自然力学的平衡创造临时幕屋空间，并将其转化为永久的居住建筑。设计团队设想家庭成员各自在布料下形成的空间中找到属于自己的居处，以各自喜欢的方式度过时光。大森幕屋住宅证明了设计能够在不牺牲空间品质、结构创新或居住舒适的前提下，实现传统建筑智慧的当代转译。 设计团队 - HUNE建筑事务所成立于2019年，由主持建筑师玉木浩太、李家懿和林盛领导，现已发展成为日本领先的建筑实践机构，以其在当代住宅和创新空间策略领域的前瞻性方法而闻名。事务所总部位于东京，业务延伸至日本各地项目，展现了卓越的设计实力。 在玉木浩太、李家懿和林盛的创意指导下，事务所领导着充满活力的跨学科团队，包括建筑师、设计师和研究人员。玉木浩太毕业于东京大学，曾在伊东豊雄建筑设计事务所工作并在野村不动产从事商业开发，于2006年获得东京大学辰野賞（最优秀毕业设计奖）。李家懿生于英国，毕业于巴斯大学和伦敦建筑联盟学院，拥有英国建筑师注册委员会和英国皇家建筑师协会注册建筑师资格，现任芝浦工业大学客座讲师。林盛拥有东京大学工学博士学位，现任东京都立大学准教授，其作品曾获得2019年北美照明学会奖和日本标识设计奖银奖。他们的协作方式体现了对建筑本质的深刻思考和对人性化环境的持续追求。 事务所的设计哲学聚焦于创造人类能够真正表现人性的环境。HUNE认为社会已演变为一个无缝连接的连续体，物理限制已经消解，人类正在获得新的身体感知。然而在这场技术革命中，事务所努力将人们带回其本质属性，持续探问何为真正的人类巢穴。他们的设计方法论强调超越传统建筑概念，以更自由的思维持续追问人类巢穴的本质，始终如一地交付平衡创新性与实用性、空间品质与居住舒适的项目。 HUNE建筑事务所作为全方位服务的建筑实践机构，在多元建筑类型中展现专业能力，涵盖住宅建筑、商业设施、文化建筑、结构创新研究和空间实验项目。事务所通过涵盖从实验性住宅到创新公共建筑的多样化作品集，在日本当代建筑领域建立了新的典范，展现出对创造真正人性化环境的持续承诺。其2024年优良设计奖获奖项目HAUN TABATA证明了事务所在当代日本建筑实践中的卓越地位。事务所相信建筑作为人类巢穴的本质价值，并在所有工作中注入对使人类生活真正回归本质的要素的奉献精神。 设计团队 旅游探访 77.85 m² 东京，日本 2025 Previous Next

< 返回 正向能源宅 众建筑 设计特色： 众建筑事务所通过一种创新的三层表皮系统，将深圳一栋海滨别墅改造成了正向能源住宅。这个"正向能源宅"项目展示了如何以可持续的方式改造现有建筑，提高能源效率，而无需拆除重建。 改造策略巧妙地在原有结构外部增加了两层外皮。一层隔热气密皮肤提升了建筑的保温性能，而最外层由曲线形太阳能屋顶组成，用于发电。这些层叠的预制桁架结构不仅创造出了统一的建筑形态，还提供了遮阳效果，同时保持了通风和视线的通畅。 项目的一大亮点是在原建筑和新增保温外壳之间创造的中庭空间。这个缓冲区域设有可开启的窗户，有利于自然通风，还包含了一面四层高的攀岩墙，满足了业主对攀岩运动的热爱。 该项目证明了如何将老旧建筑升级改造，使其产生的能源超过消耗。设计师通过结合机械通风等主动技术与堆叠通风、高性能建筑围护结构等被动策略，创造了一个可持续改造的典范。 这种方法不仅降低了建筑对环境的负面影响，还积极促进了环境再生，为住宅建筑的能源正向改造设立了可复制的标准。 People's Architecture Office has transformed a seaside villa in Shenzhen into a net-positive energy home through an innovative three-layer envelope system. The Positive Energy House showcases a sustainable approach to renovating existing buildings for enhanced energy efficiency without resorting to demolition and reconstruction. The renovation strategy involved wrapping the original structure with two additional layers. An insulated, airtight skin improves thermal performance, while an outer layer of curvilinear solar roofs generates electricity. These stacked, prefabricated truss structures create a cohesive architectural form while providing shade and maintaining unobstructed views and airflow. A key feature is the interstitial atrium space created between the original building and the new insulated shell. This buffer zone incorporates operable windows for passive ventilation and a four-story climbing wall, catering to the owner's passion for rock climbing. The project demonstrates how older buildings can be upgraded to produce more energy than they consume. By combining active technologies like mechanical ventilation with passive strategies such as stack ventilation and high-performance building envelopes, the architects have created a model for sustainable renovation. This approach not only reduces the building's environmental impact but actively contributes to regeneration, setting a replicable standard for energy-positive retrofits in residential architecture. 设计团队： 众建筑事务所，这家由何哲、沈海恩和臧峰三位建筑师于2010年共同创立的国际设计机构，如今已在洛杉矶、北京和深圳设有办公室。作为一家跨领域的艺术设计工作室，众建筑以其促进社会互动、融合多元视角的作品而闻名业界。 众建筑的作品范围广泛，从微型介入到大尺度城市设计无所不包。他们的作品曾在威尼斯建筑双年展和伦敦设计博物馆等顶级场所展出。2018年，《快公司》将众建筑评为全球十大最具创新力的建筑公司之一，而《Domus》杂志则在2019年将其列为世界最佳建筑事务所之一。 事务所对经济适用房的执着探索促成了2020年"即插即用房屋公司"的成立，专注于开发低成本预制房屋产品。这一举措充分体现了众建筑通过设计解决社会迫切需求的决心。 联合创始人沈海恩曾任哈佛大学罗布研究员和麻省理工学院中国未来城市实验室创新研究员，他将学术界的严谨带入了实践。他在麻省理工和哈佛等顶尖院校的教学经验，为众建筑注入了研究驱动的建筑与城市设计方法论。众建筑的创新实践，正在重新定义中国乃至全球的建筑设计领域。 People's Architecture Office (PAO), founded in 2010 by James Shen, He Zhe, and Zang Feng, is an internationally acclaimed multidisciplinary design practice with offices in Los Angeles, Beijing, and Shenzhen. The firm has garnered global recognition for its innovative approach to architecture that prioritizes social interaction and diverse perspectives. PAO's portfolio spans a wide range of scales and typologies, from micro-interventions to large-scale urban designs. Their work has been exhibited at prestigious venues including the Venice Architecture Biennale and the London Design Museum. In 2018, Fast Company named PAO one of the world's ten most innovative architecture companies, while Domus recognized it as one of the best architecture firms of 2019. The practice's commitment to affordable housing solutions led to the spin-off of the Plugin House Company in 2020, specializing in low-cost prefabricated homes. This initiative exemplifies PAO's dedication to addressing pressing societal needs through design. Co-founder James Shen, a Loeb Fellow at Harvard and Innovation Fellow at MIT's China Future City Lab, brings academic rigor to the practice. His experience teaching at prestigious institutions like MIT and Harvard informs PAO's research-driven approach to architecture and urban design. 设计团队 旅游探访 505 ㎡ 中国，深圳 2024年 Previous Next

< 返回 波兹南奢华公寓 Studio GAB 项目名称：波兹南奢华公寓 地点：波兹南，波兰 设计团队：Studio GAB 建筑面积：107 m² 竣工时间：2025年 摄影：Oni Studio 设计特色： 项目 - 位于波兰波兹南的奢华公寓由Studio GAB设计，展现了当代都市居住的精致典范，以清晰、优雅和微妙的亲密感为设计理念。这套107平方米的公寓布局既拥抱开放性又保持私密性，创造出一个既宽敞又经过精巧设计分区的居住空间。 该项目最引人注目的设计成就在于其巧妙平衡开放性与私密性的空间策略。公寓核心是起居室与相邻厨房，通过隔墙巧妙分离。这一解决方案保持空间明亮通风，同时让厨房保持略微隐蔽，确保主要生活区域保持干净、整洁的氛围。卧室被构想为私人静修空间，配有独立浴室，提供舒适和隐私，而第三个房间作为灵活的客房空间。 室内设计的显著特色是对天然材料的运用。地面铺设优雅大理石，赋予奢华感和永恒性，而定制木质内装增添温暖和触觉品质，在精致与舒适之间取得平衡。这些元素共同创造出精致与自然简约之间的对话，塑造出既宁静又温馨的氛围。 材料表达体现了与空间的深度对话。Studio GAB的设计强调功能性而不牺牲美感。自然光线、精致纹理和克制的色彩搭配汇聚一起，将紧凑的都市公寓转变为和谐温馨的生活环境。这个项目体现了工作室的设计哲学：创造不仅在美学上引人注目，而且深度契合日常生活节奏的空间。 设计团队 - Studio GAB由Katarzyna Osipowicz-Grabowska和Piotr Grabowski于2016年创立，已确立其作为杰出建筑实践机构的地位，总部位于波兹南，通过屡获殊荣的住宅设计和深思熟虑的适应性改造项目确立了自身地位。工作室的首个项目——Nowa Górka住宅——荣获享有盛誉的SARP 2016奖项荣誉提名，为其致力于卓越建筑品质奠定了发展轨迹。 在Osipowicz-Grabowska和Grabowski的创意指导下，Studio GAB追求以居住者与建成环境之间基本关系为核心的设计方法论。工作室的设计起点是接受者与环境的关系——人与建筑以及周围环境的关系。其设计方法的关键是巧妙理解客户需求并将其转化为建筑运营方式。 工作室的设计哲学围绕"不仅解决空间问题"的理念展开，对地点、现有组织、项目和预算的理解使他们能够创造新的机会，发现潜力并为特定地点增添新价值。在环境意识和人口变化加深的时代，其项目基于最可能和理性的技术解决方案有意识地创建，使设计的建筑经久耐用并允许未来适应其他用途。 该实践理解建筑为个性化学科，每个案例都努力不重复以前获得的模式。两位主创均在波兹南理工大学建筑学院从事建筑教育，Katarzyna自2019年任教，Piotr自2020年任教。教学建立了更具反思性和分析性的态度，专业经验通过对自己项目更有意义的方法得到补充。著名作品包括获得SARP 2016奖项荣誉提名的Nowa Górka住宅、Czerniakowski港船员办公楼竞赛一等奖以及Burkietowicz集团办公楼投资竞赛一等奖。 设计团队 旅游探访 107 m² 波兹南，波兰 2025 Previous Next

< 返回 OZBE咖啡馆 KKOL Studio 项目名称： OZBE Cafe 地点： 安东市，韩国 设计团队： KKOL Studio 项目面积： 495 m² 竣工时间： 2025年 施工单位： IAAP STUDIO 摄影： Donggyu Kim 设计特色： 项目 – 在韩国充满活力的咖啡馆文化中，由KKOL工作室设计的OZBE咖啡馆以工业美学与有机生命力的完美融合脱颖而出。这座建于2025年、面积495平方米的建筑，通过将高端水果市场与精致的休闲空间相结合，跨越四层精心打造的空间，重新定义了传统咖啡馆的类型学。 项目的概念基础源自一个独特的灵感：从混凝土缝隙中绽放的花朵。这种诗意的诠释贯穿整个空间，原始的混凝土表面刻意为新鲜水果和精心策划的植物展示创造了一个朴实的背景。KKOL工作室的设计方法挑战了工业材料与有机元素之间预期的不协调，而是构建了一种和谐的对话，增强了两者的特性。 空间规划反映了深思熟虑的垂直层级：一层设有水果市场，与街道层面的活动建立直接联系，而上层则过渡为更私密的休息空间。材料选择以裸露的混凝土和温暖的硬木之间的互动为主，创造了一个精致的基调，让色彩缤纷的农产品自然地融入室内设计方案中。 OZBE的与众不同之处在于其包容性的设计方法，满足了预期客户群的多样化需求。工作室开发了一系列定制家具，吸引多个年龄层的访客——从能引起年轻访客兴趣的曲线条板条长凳，到为成年顾客精心考虑的人体工程学座椅布置。这种对多代功能性的关注将空间从单纯的美学考虑提升为真正以用户为中心的环境。 最终呈现的是一个突破传统分类的革新性零售咖啡馆混合空间，在这里工业建筑成为展现自然丰富性的画布，每一个设计决策都强化了生命力从结构简朴中涌现的核心理念。 团队 – KKOL工作室成立于2021年7月的韩国，在当代空间设计领域迅速崭露头角。在创始合伙人Euisun Yoon和Hongbeom An的领导下，工作室以精品工作室的形式运营，为各种规模的建筑和室内设计项目带来精密的设计方法。 工作室的设计理念集中在空间品质的民主化，摒弃了传统的项目规模层级观念，转而采用更细腻的、以叙事为驱动的设计方法。他们的方法论特点是采用整体性的设计过程，将每个空间元素都视为整体建筑构成的重要组成部分。 自成立以来，KKOL工作室已经建立了涵盖零售、酒店和商业领域的独特项目组合。他们的作品以对材料性的深刻理解以及创造超越典型功能限制的沉浸式空间体验的能力而著称。工作室最近完成的OZBE咖啡馆项目充分展示了他们在平衡原始建筑元素与精致细节和周到规划方面的才能。 工作室通过慎重选择委托项目来保持其创作完整性，由四人核心设计团队负责监督设计过程的各个方面，从概念发展到材料规范和施工文件编制。这种亲力亲为的方法确保了所有项目都保持一致的质量标准和对细节的关注。 Project Name: OZBE Cafe Location: Andong，South Korea Design Team: KKOL Studio Project Area: 495 m² Completion Date: 2025 Construction: IAAP STUDIO Photography: Donggyu Kim Feature： Project - In a striking convergence of industrial aesthetics and organic vitality, OZBE Cafe by KKOL Studio emerges as a masterful exploration of contrast in Andong's vibrant cafe scene. This 495-square-meter establishment, completed in 2025, reimagines the conventional cafe typology by integrating a premium fruit market with sophisticated lounging spaces across four meticulously crafted floors. The project's conceptual foundation draws inspiration from an unlikely source: flowers emerging from concrete crevices. This poetic interpretation manifests throughout the space, where raw concrete surfaces create a deliberately austere backdrop for the vibrant display of fresh fruits and carefully curated vegetation. KKOL Studio's approach challenges the expected discord between industrial materials and organic elements, instead crafting a harmonious dialogue that enhances both. The spatial programming reflects a thoughtful vertical hierarchy: the ground floor houses the fruit market, establishing an immediate connection with street-level activity, while the upper floors transition into more intimate lounging spaces. The material palette is anchored by the interplay between exposed concrete and warm maple hardwood, creating a sophisticated foundation that allows the colorful produce to become an integral part of the interior design scheme. What sets OZBE apart is its inclusive design approach, addressing the diverse needs of its anticipated clientele. The studio has developed a series of bespoke furniture pieces that appeal to multiple generations – from playful curved benches with slatted details that intrigue younger visitors to ergonomically considered seating arrangements for mature patrons. This attention to multi-generational functionality elevates the space beyond mere aesthetic consideration into a truly user-centric environment. The result is a revolutionary retail-cafe hybrid that transcends conventional categorization, where industrial architecture serves as a canvas for celebrating natural abundance, and where every design decision reinforces the core concept of vital energy emerging from structural austerity. Design Team - KKOL Studio, established in July 2021 in South Korea, has rapidly emerged as a notable presence in contemporary spatial design. Under the leadership of founding partners Euisun Yoon and Hongbeom An, the practice operates as an intimate atelier-style studio, bringing a meticulous approach to architectural and interior interventions across various scales. The studio's design philosophy centers on the democratization of spatial quality, rejecting the conventional hierarchy of project scale in favor of a more nuanced, narrative-driven approach. Their methodology is characterized by a holistic design process that considers every spatial element as an integral part of the overall architectural composition. Since its inception, KKOL Studio has developed a distinctive portfolio that spans retail, hospitality, and commercial sectors. Their work is marked by a sophisticated understanding of materiality and an ability to create immersive spatial experiences that transcend typical programmatic constraints. The studio's recent completion of OZBE Cafe exemplifies their talent for balancing raw architectural elements with refined details and thoughtful programming. The practice maintains its creative integrity through a deliberately selective approach to commissions, operating with a core team of four designers who oversee all aspects of the design process, from conceptual development through to material specification and construction documentation. This hands-on methodology ensures a consistent level of quality and attention to detail across all projects. 设计团队 旅游探访 495 m² 安东，韩国 2025 Previous Next

< 返回 上海蒂芙尼太古里门店 MVRDV 设计特色： 荷兰建筑事务所MVRDV为蒂芙尼在上海太古里前滩的最新力作，堪称奢华珠宝与建筑创新的完美融合。这家荷兰公司将店铺外立面打造成一道令人目眩神迷的景观，装饰了近7000颗手工制作的玻璃"钻石"，向这个标志性珠宝品牌的传统致敬。 这个引人注目的外观在上海高端购物区的中心地带成为一个大胆的宣言。白天，外立面栩栩如生，每一个玻璃元素都反射并折射周围环境，创造出闪烁变幻的视觉效果。夜幕降临时，整合的变色LED照明系统让商店能够散发出多种色彩，包括品牌标志性的蒂芙尼蓝®。设计的精妙之处在于其看似简单却蕴含深意。MVRDV的方法将蒂芙尼的传统与前沿建筑技术完美结合，打造出一个吸引路人驻足的三维画布。精心设计的结构确保了可持续性，每个组件都考虑到了未来的拆解和回收利用。 通过汲取上海缤纷天际线的灵感，MVRDV为蒂芙尼的全球形象创造了一个本地化诠释。这个项目不仅提升了品牌的视觉形象，还为零售建筑设立了新标准，将艺术、技术和奢华完美融合，成为城市中一颗难忘的明珠。 MVRDV's latest creation for Tiffany & Co. in Shanghai's Taikoo Li Qiantan retail development is a dazzling testament to the fusion of luxury jewelry and architectural innovation. The Dutch firm has transformed the store's facade into a mesmerizing spectacle, adorning it with nearly 7,000 handcrafted glass "diamonds" that pay homage to the iconic jeweler's legacy. This striking exterior serves as a bold statement in the heart of Shanghai's high-end shopping district. During daylight hours, the facade comes alive as each glass element reflects and refracts its surroundings, creating a shimmering, ever-changing display. As night falls, the integration of color-changing LED lighting allows the store to radiate in a spectrum of hues, including the brand's signature Tiffany Blue®. The design's brilliance lies in its deceptive simplicity. MVRDV's approach marries Tiffany's heritage with cutting-edge architectural techniques, resulting in a three-dimensional canvas that captivates passersby. The carefully engineered structure ensures sustainability, with each component designed for future disassembly and recycling. By drawing inspiration from Shanghai's vibrant skyline, MVRDV has created a localized interpretation of Tiffany's global presence. This project not only elevates the brand's visual identity but also sets a new standard for retail architecture, seamlessly blending art, technology, and luxury in an unforgettable urban jewel. 设计团队： MVRDV建筑事务所于1993年由维尼·马斯（Winy Maas）、雅各布·范赖斯（Jacob van Rijs）和娜塔莉·德弗里斯（Nathalie de Vries）共同创立，如今已成为创新建筑设计和城市规划领域的先锋。目前，除创始合伙人外，弗朗斯·德维特（Frans de Witte）、福克·莫雷尔（Fokke Moerel）、石文倩（Wenchian Shi）、扬·克尼克（Jan Knikker）和贝特朗·希潘（Bertrand Schippan）也加入领导团队。这家总部位于鹿特丹的公司已经在全球扩张，在上海、巴黎、柏林和纽约都设有办事处。 MVRDV的设计方法以严谨的研究、多学科协作和对可持续性的承诺为特征。他们内部的气候团队确保每个设计都符合生态环保理念，而MVRDV NEXT则不断推动计算机辅助设计和技术集成的边界。该公司的作品涵盖了令人印象深刻的多种建筑类型，从鹿特丹标志性的混合用途建筑Markthal到具有重要文化意义的项目，如博伊曼斯·范伯宁恩美术馆藏品库。 MVRDV的作品经常挑战传统建筑规范，比如地拉那金字塔的改造项目和天津滨海图书馆等。在300多名专业人士的努力下，MVRDV持续塑造着建筑和城市规划的未来。他们强调创意、功能性和社会责任的设计理念赢得了国际赞誉和众多奖项。通过其附属智库"未来工厂"（The Why Factory），MVRDV还为学术讨论做出贡献，构想未来城市，并不断推动建筑思想的边界。 Founded in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, MVRDV has established itself as a vanguard in innovative architectural design and urban planning. Now led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, this Rotterdam-based firm has expanded globally with offices in Shanghai, Paris, Berlin, and New York. MVRDV's approach is characterized by rigorous research, multidisciplinary collaboration, and a commitment to sustainability. Their in-house Climate Team ensures eco-conscious designs, while MVRDV NEXT pushes the boundaries of computational design and technology integration. The firm's portfolio spans an impressive range of typologies, from mixed-use developments like the iconic Markthal in Rotterdam to culturally significant projects such as the Depot Boijmans Van Beuningen. MVRDV's work often challenges conventional architectural norms, as seen in projects like the Pyramid of Tirana transformation and the Tianjin Binhai Library. With a team of over 300 professionals, MVRDV continues to shape the future of architecture and urbanism. Their design philosophy, which emphasizes creativity, functionality, and social responsibility, has garnered international acclaim and numerous awards. Through their associated think tank, The Why Factory, MVRDV also contributes to academic discourse, envisioning future cities and pushing the boundaries of architectural thought. 设计团队 旅游探访 533 m² 中国，上海 2024年 Previous Next

< 返回 索莱姆森林住宅 MORFEUS arkitekter 项目名称：Solem Forest House 索莱姆森林住宅 地点：奥斯陆，挪威 设计团队：MORFEUS arkitekter 建筑面积：170平方米 竣工时间：2024年 摄影：Finn Ståle Felberg 设计特色： MORFEUS arkitekter设计的索莱姆森林住宅展现了如何通过创新的屋顶体量嵌入策略和巧妙的室内外边界消解技术，将一座破旧的1946年木结构住宅转化为与森林环境和谐共生的当代居所。 这座170平方米的住宅戏剧性地坐落于奥斯陆郊区的缓坡山脊上，呈现为对场地响应式建筑、可持续设计实践和斯堪的纳维亚生活方式融合的探索。它没有完全抛弃原有的砖石基础，而是通过精心的干预，创造出一个将深色木质外表与明亮内核无缝交织的居住体验。 项目的巧妙于对传统住宅屋顶系统的根本性重新构想。交叉山墙屋顶系统巧妙地将二层嵌入屋顶体量中，最小化建筑的视觉高度以符合当地建筑规范并响应周边建筑尺度。这种建筑策略确保从每个房间都能通过战略性布置的屋顶窗户看到充足自然光和周围松树林的景观，创造了建筑与自然的持续对话。 设计师运用从周围松树汲取的灵感来重新定义居住体验。外部采用深色木材包覆，如同树干般融入森林环境，而内部则打造浅色实木空间。这种大胆的对比不仅增加了空间的触觉温暖感和优良室内气候调节，同时巧妙地呼应了自然界外暗内明的有机逻辑。 设计师通过多层次空间和精心考虑的视线在不同功能区域间创造情感过渡。多变的屋檐创造出部分遮蔽的户外空间，多个出入口和门窗视线使居住者能够轻松走出户外，同时将季节变化和天气变化作为室内体验的一部分。首层采用无障碍设计并可容纳来访的朋友和家人，而定制化内置储物解决方案则为户外活动生活方式提供实用支持。 景观策略延续了这种最小化场地干扰的设计理念。场地的自然轮廓、表土和裸露山体区域得以保留，所有外部表面均可渗透，雨水在本地渗透。现有植被、灌木和树木在很大程度上保持原状，使住宅温和地融入场地环境，体现了对奥斯陆水源集水区严格管控规定的深刻尊重。 设计团队 : MORFEUS arkitekter作为当代斯堪的纳维亚建筑实践的杰出代表，由建筑师Caroline Støvring和Cecilie Wille于2007年在奥斯陆创立，自成立以来已确立其在场地响应式住宅设计和永恒建筑语言创新领域的先锋地位。这家立足奥斯陆的事务所通过直觉与理性相结合的设计方法论，重新定义北欧建筑师在当代设计话语中的角色。 MORFEUS arkitekter为建筑实践带来了卓越的跨学科设计视角和对协作过程的深刻理解。该事务所因其将每个委托项目视为本质上独特存在的承诺而获得认可，两位创始人均为经验丰富的执业建筑师，Støvring毕业于奥斯陆建筑学院（1996年）并完成Glenn Murcutt国际大师班进修（2005年），Wille毕业于挪威科技大学（1993年）并获得哥伦比亚大学建筑规划与保护研究生院理学硕士学位（1997年）。两位合伙人均曾在Kari Nissen Brodtkorb建筑事务所等知名实践中受训，并积极参与挪威建筑界的公共话语，Støvring曾担任奥斯陆建筑协会主席（2015至2017年），Wille曾担任挪威建筑师协会副主席（2010至2012年）。 该事务所的设计哲学强调建筑应该超越时间限制，不仅仅是为了持久存在而设计，更是为了响应场地、功能和客户愿景创造独特解决方案。通过可持续设计实践和创新方法，开展从私人住宅、商业开发住宅到幼儿园、景观装置和展览的多元化项目，相信最好的建筑是通过精准和深思熟虑的协作过程产生的精致干预。MORFEUS arkitekter相信建筑应该成为场地特定品质和文化传承的载体，通过策略性的空间组织和材料选择创造永恒的居住体验。 除实践外，该事务所通过有限的团队规模保持着强有力的协作工作流程，使项目能够在内部共同推进，并在项目各个阶段与客户、建筑工程师、顾问和承包商保持外部对话。通过对传统斯堪的纳维亚工艺与现代建造方法的深思熟虑结合、本地材料的运用，以及经过时间验证的场地敏感性，MORFEUS arkitekter已确立自己作为当代挪威建筑话语重要贡献者的地位，创造出既具地方回应性又拥抱永恒设计价值的建筑作品。该事务所已获得多项荣誉，包括2018年北挪威建筑奖、2018年混凝土奖、2019年奥斯陆市建筑奖入围以及2012年和2018年贝鲁姆建筑奖提名，作品广泛发表于国内和国际建筑期刊。 设计团队 旅游探访 170 m² 奥斯陆，挪威 2024 Previous Next

< 返回 Kornmarktplatz 酒店公寓 Herzog & de Meuron 设计特色： 赫尔佐格和德梅隆为布雷根茨历史建筑注入新生命，他们的最新建筑杰作巧妙地融合了传统与现代风格。坐落于这座奥地利城市文化中心的Kornmarktplatz 酒店公寓（联排别墅），彰显了深思熟虑的城市更新和创新设计理念。 这座五层楼的奇迹之作包含了一家精品酒店、一个多功能文化活动空间和一套私人公寓，同时保留了其新巴洛克风格的立面。建筑师们巧妙地保留了建筑的历史本质，同时注入了现代功能。该建筑最引人注目的特征是其桶状屋顶和统一的白色金属外表皮，与现有的浅蓝色和白色装饰立面相得益彰，创造出一种协调的美感。这种巧妙的整合使得它能够与城市环境和谐共处，同时又彰显其独特的建筑特性。宽敞的玻璃窗提供了康斯坦茨湖和普芬德山的壮丽景色，将室内空间与周围景观紧密相连。中央垂直通道核心和屋顶露台配有天窗，为建筑的中心区域带来充足的自然光线。 赫尔佐格和德梅隆的设计巧妙地处理了公共空间到私密空间的过渡，北面朝向广场的一侧展现出公共形象，而南面朝向庭院的一侧则营造出更为私密的氛围。这种细致入微的空间规划确保了这座建筑既能成为充满活力的文化中心，又能作为宁静的城市休憩之所。 Herzog & de Meuron breathes new life into a historic Bregenz building, seamlessly blending heritage and modernity in their latest architectural gem. The Kornmarktplatz Townhouse, nestled in the cultural heart of the Austrian city, stands as a testament to thoughtful urban renewal and innovative design. This five-story marvel houses a boutique hotel, a versatile cultural event space, and a private apartment, all while preserving its neo-baroque façade. The architects have masterfully retained the building's historical essence while infusing it with contemporary functionality. The structure's most striking feature is its barrel-shaped roof and uniform white metal cladding, creating a cohesive aesthetic that complements the existing light blue and white ornamented façade. This clever integration allows the townhouse to sit harmoniously within its urban context while asserting its own architectural identity. Generous glazing offers breathtaking views of Lake Constance and the Pfänder mountain, connecting interior spaces with the surrounding landscape. A central vertical access core and roof terrace, complete with a skylight, flood the building's heart with natural light. Herzog & de Meuron's design deftly navigates the transition from public to private spaces, with the north-facing square-side exuding a public presence, while the south-facing courtyard offers a more intimate atmosphere. This nuanced approach to spatial planning ensures the Kornmarktplatz Townhouse serves as both a vibrant cultural hub and a tranquil urban retreat. 设计团队： 赫尔佐格和德梅隆建筑事务所自1978年成立以来，已成为当代建筑界的先锋力量。这家总部位于巴塞尔的事务所由雅克·赫尔佐格和皮埃尔·德梅隆领衔，已发展成为一个国际性的建筑设计巨擘，拥有来自50个国家的500多名专业设计人员，在40个国家承接各类项目。 该事务所的设计方法以注重场景语境和创新性而著称，突破了传统界限。他们的作品范围广泛，从小型私密建筑到大规模城市总体规划，始终展现出对场地特性和文化相关性的敏锐洞察力。 赫尔佐格和德梅隆的作品以其对材料性、构造表现力和可持续实践的强调而独树一帜。事务所的设计理念将尖端技术与工匠精神相结合，打造出既视觉震撼又功能完善的建筑。他们的代表作，如伦敦泰特现代美术馆和汉堡易北爱乐音乐厅，充分展示了他们重新诠释现有建筑结构的同时创造大胆新颖的建筑语言的能力。事务所对研究和创新的承诺体现在他们对新型材料和施工技术的探索中。 作为普利兹克奖等众多荣誉的获得者，赫尔佐格和德梅隆凭借其深思熟虑、革新性的设计和城市规划方法，持续塑造着全球建筑景观。 Founded in 1978, Herzog & de Meuron has established itself as a contemporary architecture pioneer. This Basel-based practice, led by Jacques Herzog and Pierre de Meuron, has grown into an international powerhouse with over 500 professionals from 50 countries, tackling diverse projects across 40 nations. The firm's approach is characterized by a commitment to contextualized, innovative design that transcends conventional boundaries. Their portfolio spans from intimate structures to expansive urban masterplans, consistently demonstrating a keen sensitivity to site-specificity and cultural relevance. Herzog & de Meuron's work is distinguished by its emphasis on materiality, tectonic expression, and sustainable practices. The firm's design philosophy integrates cutting-edge technology with artisanal craftsmanship, resulting in buildings that are both visually striking and functionally sophisticated. Their projects, such as the Tate Modern in London and the Elbphilharmonie in Hamburg, exemplify their ability to reimagine existing structures while creating bold new architectural statements. The practice's commitment to research and innovation is evident in its exploration of novel materials and construction techniques. Recognized with numerous accolades, including the Pritzker Prize in 2001, Herzog & de Meuron continues to shape the global architectural landscape with their thoughtful, transformative approach to design and urban planning. 设计团队 旅游探访 1140 m² 奥地利，布雷根茨 2024年 Previous Next

< 返回 深圳科技馆（新馆） 扎哈·哈迪德建筑事务所 项目名称：深圳科技馆（新馆） 地点：深圳市，中国 设计团队：扎哈·哈迪德建筑事务所 建筑面积：128276 m² 完成时间：2025 摄影：Virgile Simon Bertrand 设计特色： 项目 - 作为一个前沿性的可持续设计典范，扎哈·哈迪德建筑事务所打造了深圳科技馆（新馆）——一座集科学探索与创新展示于一体的地标性建筑。这座128276平方米的建筑代表了可持续建筑领域的重大突破，是大湾区核心文化设施之一，展示科学探索、突破性研究以及技术的未来可能性。 深圳光明区的这一地标性项目展示了设计的核心创新：独特的"球形"外观，其外立面从深蓝色过渡到各种灰色调，唤起太空中天体运动的动态感。策略性地位于深圳地铁网光明站旁边，这座建筑以坚实的体量面向城市，定义了新科学园区的东南角，同时向西延伸并转变为一系列俯瞰公园的动态露台。 材料选择在这个项目中扮演着关键角色，特别是中国首次大规模应用的双色INCO技术。通过精确控制电解液配方和氧化时间，在钢材表面生成纳米级氧化膜，为外立面提供自我保护、自我清洁的微层，增强耐候性和耐腐蚀性，同时在不使用油漆的情况下为不锈钢带来精致的质感和色彩。 使深圳科技馆（新馆）区别于传统博物馆的是其全面的可持续性方法。项目旨在获得中国绿色建筑评价标准的最高三星级评级，将被动设计特性与运行高效系统的智能管理网络相结合，预计将建筑的年能耗降低至每平方米15.47公斤标准煤，并将电力需求产生的排放量降低至估计每年每平方米125.89千瓦时。 建筑内部的设计围绕壮观的中央中庭展开，多个展览厅从中庭的地面和墙壁中浮现或悬浮于上方，为参观者提供直观的导向。中庭配有面向公园的大型玻璃墙，模糊了内外空间的界限，将自然光、景观和人类无尽的好奇心引入建筑核心。 深圳科技馆（新馆）成为当代建筑实践的重要贡献——一个融合科学探索、建筑创新和环境管理的项目，证明可持续设计可同时保证建筑表现力和用户体验。 团队 - 扎哈·哈迪德建筑事务所是一家总部位于伦敦克莱肯威尔区的国际知名建筑设计公司，由已故建筑大师扎哈·哈迪德于1979年创立，在她2016年逝世后，现由首席合伙人帕特里克·舒马赫领导。 作为一家拥有500多名专业人员的公司，扎哈·哈迪德建筑事务所因其设计卓越性而享誉国际，目前参与遍布21个国家的项目。该事务所以其流动的几何形态和创新的结构解决方案著称，通过参数化设计方法和计算技术不断推动建筑表达的边界。 扎哈·哈迪德创造强大而动态的设计，推进新范式，如罗马MAXXI博物馆（2010年斯特林奖获奖作品）、巴库海达尔·阿利耶夫中心和广州歌剧院等标志性项目。近期，该事务所作品展示了可持续策略与其标志性形式语言的日益融合，如在阿联酋的BEEAH总部（2023年约翰逊控制公司未来蓝图奖）和广州无限极广场（2022年英国卓越设计奖）。 自成立以来，塑造前卫建筑一直是扎哈·哈迪德建筑事务所实践的核心。他们因其作品的形式和情感力量、技术精湛、可持续设计、对社区文化生活的重大贡献以及对物理环境的提升而备受赞誉。事务所的创新精神进一步体现在建立ZHAI（扎哈·哈迪德分析+洞见）专门内部单位，探索人工智能在建筑设计中的应用。 Project Name: Shenzhen Science & Technology Museum Location: Shenzhen, China Design Team: Zaha Hadid Architects Size: 128,276 m² Completion: 2025 Photography: Virgile Simon Bertrand Feature: Project - As a pioneering example of sustainable design excellence, Zaha Hadid Architects has created the Shenzhen Science & Technology Museum — a landmark facility that integrates scientific exploration with innovative exhibition spaces. The 128,276-square-meter structure represents a significant advancement in sustainable architecture, serving as a core cultural facility in the Greater Bay Area, showcasing scientific endeavor, ground-breaking research, and future possibilities of technology. The landmark Guangming District installation showcases the design's core innovation: a distinctive spherical form with a facade that transitions from deep blue to various shades of grey, evoking the dynamic movement of celestial bodies in space. Strategically positioned adjacent to Guangming Station of Shenzhen's metro network, the building responds to its location as a solid volume facing the city, defining the southeast corner of the new Science Park, while extending westwards and transforming into a dynamic sequence of terraces overlooking the park. Materiality plays a crucial role in the project, particularly the first large-scale application of dual color INCO technology in China. By precisely controlling an electrolyte formula and oxidation time, a nano-scale oxide film is generated on the surface of the steel, giving the facade a self-protecting, self-cleaning micro-layer that enhances resilience to weather and corrosion, while enriching the stainless steel with texture and color without any painting. What distinguishes the Shenzhen Science & Technology Museum from conventional museums is its comprehensive approach to sustainability. The project aims to achieve the highest three-star rating of China's Green Building Evaluation Standard, with passive design features combined with smart management networks operating high-efficiency systems projected to reduce the building's energy consumption to 15.47 kgce/sqm per year, subsequently lowering emissions from electricity demand to an estimated 125.89 kWh/sqm annually. The interior design revolves around a spectacular central atrium, with multiple galleries emerging from the floor and walls of the atrium or floating above it, providing intuitive direction for visitors. The atrium features a large glazed wall facing the park, blurring the boundary between inside and out, inviting natural light, landscapes, and human curiosity into the heart of the building. The Shenzhen Science & Technology Museum emerges as a significant contribution to contemporary architectural practice — a project that merges scientific discovery, architectural innovation, and environmental stewardship, proving that sustainable design need not compromise architectural expression and user experience. Design Team - Zaha Hadid Architects is an internationally-acclaimed practice based in London's Clerkenwell district, founded by the late architectural master Zaha Hadid in 1979, and led by Principal Patrik Schumacher following Hadid's passing in 2016. As a 500+ person company, Zaha Hadid Architects is internationally recognized for design excellence, currently engaged in projects across 21 countries. The firm is known for its fluid geometries and innovative structural solutions, consistently pushing the boundaries of architectural expression through parametric design methodologies and computational techniques. Zaha Hadid creates powerful and dynamic designs that advance new paradigms, as evidenced in landmark projects such as the MAXXI Museum in Rome (Stirling Prize winner, 2010), the Heydar Aliyev Center in Baku, and the Guangzhou Opera House. Recently, the firm's work demonstrates an increasing integration of sustainable strategies with their signature formal language, as seen in the BEEAH Headquarters in the UAE (Johnson Controls Blueprint of the Future Award, 2023) and the Infinitus Plaza in Guangzhou (UK Excellence in Design Award, 2022). Since its founding, shaping avant-garde architecture has been central to Zaha Hadid Architects' practice. They have been acclaimed for the formal and affective power of their work, for technical virtuosity, for sustainable design, for significant contributions to the cultural life of communities and the enhancement of physical environments. The firm's innovative spirit is further reflected in the establishment of ZHAI (Zaha Hadid Analytics + Insights), a dedicated internal unit exploring artificial intelligence applications in architectural design. 设计团队 旅游探访 128276 m² 深圳，中国 2025 Previous Next

< 返回 太浩湖小屋 RO | ROCKETT DESIGN 设计特色： 项目 – 沿着内华达州因克莱恩村环境优美的水晶湾湖滨，RO | ROCKETT DESIGN的"太浩湖小屋"犹如明珠三朵，顺势镶嵌于起伏的地形之上，与大自然相互渗透、相浑相融。项目绝妙之处，在于将三座分立的建筑以一座玻璃廊桥串联，曲线流畅、行云流水，却又能"屈身"保留一块史前巨石的原始天成。这般布局，不仅营造出遵循地貌的序曲式观湖渡口，更令建筑群与山水相拥而生，相视相亲。自东面开阔的落地玻璃窗，远眺湖光潋滟，心旷神怡；体现"拥抱自然"的理念。而临崖的小天井则是静谧的避世之所，最低层则蕴藏着温泉以及伸向湖心的码头，将建筑作为通向湖光漪涟和星月交辉的引子。在这栋杰作中，人与自然的合壁共融达到了至高至纯的水准，这份对环境土地的致敬之礼，方显建筑师们的非凡构思。 团队 – 2011年创立的RO | ROCKETT 设计事务所，是一家全方位的建筑设计公司，办公室设立在美国的洛杉矶、旧金山及阿斯彭三地。这家公司追求打造出多重体验的空间、景观和环境，无论实用或带来纯粹欢悦，皆期望创作出让人愿意反复探访的场所。他们的设计理念核心在于，通过空间比例、自然采光的导入和材料质地的营造，动态地调节人们与周遭环境的亲密关系，无论近景还是远景。其设计团队的各办公室虽然地理上分布不同，但在实时工作上却无缝协作，对每一个项目都全力以赴，确保设计理念的贯彻统一。该事务所的两位主理人分别是Jason Ro与Zac Rockett，均为哈佛建筑学硕士，并且曾在伦佐·皮亚诺建筑工作室等知名设计事务所历练。他们集结了一批优秀的建筑师和设计师，竭诚以创造非凡的建筑作品为毕生追求。 Feature： Project - Nestled along the rugged Crystal Bay shoreline, the Lake Tahoe Cabins by RO | ROCKETT DESIGN exemplify an ingenious response to the complex lakefront terrain. The project comprises three discrete structures that traverse the landscape, each strategically positioned to forge distinct connections with the surrounding Tahoe scenery. A standout feature is the glazed bridge that links the cabins, artfully kinked to preserve a mass of prehistoric Sierra granite in its path. This unique arrangement creates recreational alcoves before approaching the waterfront. The structures' form follows function, with expansive east-facing facades that capture stunning lake vistas. On the second level, the great room and kitchen expand seamlessly onto a grand balcony, offering breathtaking panoramic views. An intimate hillside deck provides a cozy retreat from the cabin's spacious entertainment areas. Descending to the lowest level reveals a fire pit and oversized hot tub, leading to a pier that extends into the pristine waters. With its sensitive integration into the landscape and celebration of indoor-outdoor living, the Lake Tahoe Cabins manifest a remarkable synergy between architecture and nature. RO | ROCKETT DESIGN's thoughtful approach has sculpted a one-of-a-kind lakefront haven that pays homage to its awe-inspiring setting. Design Team - Founded in 2011, RO | ROCKETT DESIGN is a full-service architecture and design practice based across Los Angeles, San Francisco, and Aspen. The collaborative strives to create spaces, landscapes, and environments that provide a rich spectrum of experiences, from utility to simple joy. Their design philosophy centers around shaping spaces, light, and materials to dynamically mediate the occupant's relationship with the surrounding site context. With a keen focus on spatial proportions, the choreography of natural light, and the tactile character of materials, the firm aims to craft places that beckon visitors to return time and again. The seamlessly integrated studios operate interactively in real-time, ensuring a cohesive approach across all projects. RO | ROCKETT DESIGN is led by principals Jason Ro and Zac Rockett, both graduates of the Harvard Graduate School of Design. Ro, born in Cleveland and raised in Seoul, brings experience from practices like Weiss/Manfredi and Rogers Marvel Architects. Rockett, hailing from Oklahoma, has worked with Renzo Piano Building Workshop and Aidlin Darling Design. Together, they helm a talented team of architects and designers dedicated to crafting exceptional built environments. 设计团队 旅游探访 510 m² 美国，内华达州因克莱恩村 2023年 Previous Next

< 返回 四座模块化幼儿园 SUMMARY 项目名称： 四座模块化幼儿园 地点： 里斯本，葡萄牙 设计团队：SUMMARY 总建筑面积： 760m² + 760m² + 570m² + 570m² (共2660m²) 竣工时间： 2023年 开发方： 里斯本市政府 摄影： Fernando Guerra FG+SG, Ana Gil 设计特色： 项目 - SUMMARY这家葡萄牙建筑工作室在里斯本推出了四座创新的模块化幼儿园，展示了一种将快速建造与周到设计相结合的预制教育建筑先进方法。 该项目于2023年完工，展示了标准化模块建造如何在保持建筑特色的同时，在城市多个位置创造出精致的教育空间。设计的核心是一个独特的"U"形钢筋混凝土模块系统，这些模块可以堆叠和互锁，创造出既实用又具有视觉冲击力的建筑语言。 这些幼儿园的与众不同之处在于其非常高效的建造时间表 - 所有四个设施在短短13个月内就在里斯本不同社区同时建成。这一成就得益于所有结构元素（包括地基）都在工厂受控条件下完成预制，然后再进行现场组装。 每所幼儿园面积从570到760平方米不等，布局围绕着中央走廊展开，这条走廊不仅用于人流流通，还巧妙地整合了基本的建筑设施。两层的布局最大限度地利用了有限的城市用地，同时确保所有活动室都能直接通向户外空间 - 无论是地面操场还是上层露台。 建筑物的外观自豪地展示了其模块化特征，清晰可见的接缝和构造表达展示了每个预制件如何连接成整体。这种诚实的建筑方法延伸到了钢筋混凝土的材料选择上，选择这种材料不仅是出于其耐久性和低维护要求，同时也满足了市政府在全市范围内打造可识别公共设施的要求。 该项目代表了预制教育建筑的重大进步，证明了标准化施工方法如何在最大程度减少建设过程中对社区干扰的同时，提供高质量的空间。它为快速城市教育基础设施发展提供了一个令人信服的模式，既不影响设计质量，也不影响使用体验。 团队 – SUMMARY公司成立于2015年，总部位于波尔图大学科技园，已成为预制建筑解决方案领域的先驱力量。在创始人Samuel Gonçalves的领导下，该公司开发出独特的模块化建筑方法，成功地将实用的建筑解决方案与建筑创新结合起来。 该公司目前拥有包括建筑师和项目经理在内的十名专业人员，凭借其系统化的预制方法获得了国际认可。他们的专业技术在最近完成的里斯本四所模块化幼儿园项目中得到充分展示，这些项目采用了他们标志性的"U"形钢筋混凝土模块系统。 SUMMARY在推进预制建筑方面的努力为他们赢得了诸多荣誉，包括Monocle设计奖的最佳建筑奖（2022年），ArchDaily的最佳新实践奖（2021年），以及Dezeen年度新锐建筑师公众投票奖（2020年）。该公司还积极参与学术交流，Samuel Gonçalves在代尔夫特理工大学建筑系担任客座研究员。 通过其研究驱动的方法，以及在加快建筑过程的同时保持设计质量的重点，SUMMARY已经确立了其在当代预制建筑领域的领先地位，特别是在机构和教育建筑领域。 Project Name: 4 Modular Kindergartens Location: Lisbon, Portugal Design Team: SUMMARY Total Floor Area: 760m² + 760m² + 570m² + 570m² (Total 2,660m²) Completion Year: 2023 Client: Municipality of Lisbon Photography: Fernando Guerra FG+SG, Ana Gil Feature： Project - Portuguese architecture studio has unveiled a pioneering set of four modular kindergartens in Lisbon, showcasing an innovative approach to prefabricated educational architecture that combines rapid construction with thoughtful design. The project, completed in 2023, demonstrates how standardized modular construction can create sophisticated educational spaces while maintaining architectural identity across multiple city locations. At the heart of the design is an ingenious system of "U"-shaped reinforced concrete modules that can be stacked and interlocked, creating a distinctive architectural language that is both functional and visually compelling. What sets these kindergartens apart is their remarkably efficient construction timeline – all four facilities were built simultaneously across different Lisbon neighborhoods in just 13 months. This achievement was made possible through the complete prefabrication of all structural elements, including foundations, under controlled factory conditions before on-site assembly. Each kindergarten, ranging from 570 to 760 square meters, is organized around a central circulation spine that houses not only movement flows but also cleverly integrates essential building services. The two-story layout maximizes the limited urban plots while ensuring all activity rooms maintain direct outdoor access – either to ground-level playgrounds or upper-floor terraces. The buildings' exteriors proudly display their modular DNA, with visible joints and clear tectonic expressions that reveal how each prefabricated piece connects to form the whole. This honest architectural approach extends to the material choice of reinforced concrete, selected for its durability and low maintenance requirements while fulfilling the municipality's brief for creating recognizable public facilities across the city. The project represents a significant advancement in prefabricated educational architecture, demonstrating how standardized construction methods can deliver high-quality spaces while minimizing community disruption during the building process. It offers a compelling model for rapid urban educational infrastructure development without compromising on design quality or user experience. Design Team - SUMMARY, established in 2015 at the Science and Technology Park of the University of Porto, has emerged as a pioneering force in prefabricated architectural solutions. Under the leadership of founder Samuel Gonçalves, the practice has developed a distinctive approach to modular construction that bridges the gap between pragmatic building solutions and architectural innovation. The firm, currently comprising ten professionals including architects and project managers, has gained international recognition for their systematic approach to prefabrication. Their expertise was notably demonstrated in the recent completion of four modular kindergartens in Lisbon, which showcased their signature "U"-shaped reinforced concrete modular system. SUMMARY's commitment to advancing prefabricated architecture has earned them prestigious accolades, including the Monocle Design Awards' Best in Construction (2022), ArchDaily's Best New Practices (2021), and Dezeen's Emerging Architect of the Year Public Vote Winner (2020). The practice has also engaged in significant academic discourse, with Samuel Gonçalves serving as a Visiting Guest Researcher at TU Delft's Department of Architecture. Through their research-driven approach and focus on accelerating construction processes while maintaining design quality, SUMMARY has established itself as a leading voice in contemporary prefabricated architecture, particularly in the institutional and educational sectors. 设计团队 旅游探访 2660m² 里斯本，葡萄牙 2023 Previous Next

< 返回 时光塔 OPEN Architecture 项目名称：时光塔 地点：烟台，中国 设计团队：OPEN建筑事务所 面积：4960 m² 完工时间：2024年 摄影师：Iwan Baan, Jonathan Leijonhufvud 设计特色： 项目 - OPEN建筑事务所最新揭幕的"时光塔"项目坐落于中国东部海岸线，这座雕塑般的文化中心将天体运动和自然现象融入建筑设计中，以当代手法诠释了古老的日光崇拜传统。 这座位于烟台开发区海滨的建筑达到4960平方米，以白色混凝土贝壳状结构矗立于海边，融合了户外剧场、数字展览空间，以及一个仿佛悬浮于海面之上的图书馆。 塔楼最独特的特征在于其几何形态，每一个角度都经过精密计算，与全年特定的太阳运行轨迹相呼应。建筑北侧边缘与春秋分日正午阳光平行，户外剧场的轴线则指向夏至日在芝罘岛上的日出方向，而入口通道的设计则对应冬至日落的位置。 OPEN建筑事务所创始人李虎和黄文菁解释道："我们希望打造一座文化'灯塔'，将古老智慧与当代城市生活连接起来。这座建筑将无形的自然能量转化为可感知的体验。" 建筑由两层主要贝壳状结构组成——外层起保护作用，内层则为凹面设计，能够收集和放大海浪声。这两层结构之间，是一条蜿蜒向上的环形通道，用于数字展览；建筑顶部设有图书馆和"现象空间"——这是一个半露天的中空区域，配有中央天窗和水池，每小时都会产生一次迷人的涡流效果。 值得注意的是，该项目着重强调被动式环境策略，大量减少空调使用，转而采用自然通风技术。设计使用地道制冷、热质量和烟囱效应等手法来维持室内舒适度，同时最大限度地减少能源消耗。 建筑坐落在一个贝壳形状的广场之上，这个广场同时也是一个精密的计时装置。以中心点向外辐射的同心椭圆环，在春秋分期间可通过塔影在水渠上的投射来显示时间。广场外环设有喷泉，与中国农历二十四节气相呼应，并与海潮涨落同步。 通过创新地融合天文定位、环保意识和文化功能，时光塔成为一座现代丰碑，诠释了人类与自然循环和天体韵律之间永恒的联系。 团队 - OPEN建筑事务所由李虎和黄文菁于2003年在纽约创立，并于2008年在北京设立工作室，已发展成为中国最具创新力的建筑设计机构之一。该事务所因其将文化敏感性与环境意识无缝融合的前瞻性建筑理念而获得国际认可。 创始合伙人李虎和黄文菁均毕业于著名学府（清华大学、普林斯顿大学和莱斯大学），在他们的带领下，OPEN打造了一系列突破传统建筑范式的开创性项目。其作品涵盖文化、教育和公共领域，代表作包括UCCA沙丘美术馆、山谷音乐厅等。 事务所的设计理念核心在于通过他们所称的"激进诗意"——将大胆的概念思维与诗意的空间品质相结合，在建筑、自然和人文体验之间创造有意义的联结。这一理念为他们赢得了众多荣誉，包括美国建筑师协会国际设计奖、英国Civic Trust Awards，以及2022年Wallpaper*中国年度设计师等。 目前，OPEN由五位理事协助创始合伙人工作，通过研究导向的方法论和对可持续性的承诺，持续推动建筑设计的边界。他们的作品始终展现着建筑如何能够在城市发展与环境管理之间起到调和作用，同时创造促进人际互动和文化交流的空间。 Project Name: Sun Tower Location: Yantai, China Design Team: OPEN Architecture Area: 4,960 m² Completion Year: 2024 Photographers: Iwan Baan, Jonathan Leijonhufvud Feature： Project - OPEN Architecture has unveiled Sun Tower, a sculptural cultural center on China's eastern coastline that harnesses celestial movements and natural phenomena to create a contemporary interpretation of ancient sun-worshipping traditions. Located in Yantai's seafront development zone, the 4,960-square-metre building rises as a striking composition of white concrete shells, featuring an outdoor amphitheater, digital exhibition spaces, and a library that appears to float above the ocean. The tower's most distinctive feature is its geometry, which has been meticulously calculated to align with specific solar events throughout the year. The building's northern edge parallels the equinox noon sunlight, while its outdoor theater axis points towards sunrise over Zhifu Island during the summer solstice. Even the entrance tunnel has been positioned to capture the winter solstice sunset. "We wanted to create a cultural 'lighthouse' that bridges ancient wisdom with contemporary urban life," explained OPEN Architecture founders Li Hu and Huang Wenjing. "The building transforms invisible natural energies into tangible experiences." The structure comprises two primary shells – an outer protective layer and an inner concave surface that functions as an acoustic collector, amplifying the sound of waves. Between these shells, a zigzagging circulation path houses digital exhibitions, while the summit contains a library and the "Phenomena Space" – a semi-outdoor void featuring a central oculus and a pool that creates a mesmerizing water vortex every hour. Notably, the project emphasizes passive environmental strategies, largely avoiding air conditioning in favor of natural ventilation techniques. The design incorporates tunnel cooling, thermal mass, and chimney effects to maintain comfort while minimizing energy consumption. The building sits atop a seashell-shaped plaza that doubles as a sophisticated timekeeper. Concentric elliptical rings radiate from the center, with the tower's shadow tracking time along a water channel during equinoxes. The plaza's outer ring features fountains coordinated with the 24 Solar Terms of the Chinese lunar calendar and synchronizes with ocean tides. Through its innovative fusion of astronomical alignments, environmental consciousness, and cultural programming, Sun Tower stands as a contemporary monument that celebrates humanity's enduring connection to natural cycles and celestial rhythms. Design Team - OPEN Architecture, founded in New York in 2003 by Li Hu and Huang Wenjing, has emerged as one of China's most innovative architectural practices, establishing its Beijing office in 2008. The firm has garnered international recognition for its progressive approach to architecture that seamlessly integrates cultural sensitivity with environmental consciousness. Led by founding partners Li Hu and Huang Wenjing, both graduates of prestigious institutions (Tsinghua University, Princeton University, and Rice University), OPEN has cultivated a portfolio of groundbreaking projects that challenge conventional architectural paradigms. Their work spans cultural, educational, and public realm interventions, with notable projects including the UCCA Dune Art Museum, Chapel of Sound, Sun Tower, and Tank Shanghai. The practice's design philosophy centers on creating meaningful connections between architecture, nature, and human experience through what they term "radical poetry" - combining bold conceptual thinking with poetic spatial qualities. This approach has earned them numerous accolades, including AIA International Design Awards, the Civic Trust Awards, and recognition as Wallpaper* China Designers of the Year 2022. Currently structured with five directors supporting the founding partners, OPEN continues to push boundaries in architectural design through their research-driven methodology and commitment to sustainability. Their work consistently demonstrates how architecture can mediate between urban development and environmental stewardship while creating spaces that enhance human interaction and cultural exchange. 设计团队 旅游探访 4960 m² 烟台，中国 2024 Previous Next

< 返回 小石川住宅 铃木雅也建筑设计事务所 项目名称：小石川住宅 地点：东京都文京区，日本 设计团队：铃木雅也建筑设计事务所 建筑面积：111.57 m² 竣工时间：2025年9月 摄影：铃木研一 设计特色： 小石川住宅由铃木雅也建筑设计事务所设计，坐落于东京文京区一座拥有50年历史的公寓住宅内，展现了预算约束与空间品质的完美平衡以及创新采光策略的精妙运用。这座111.57平方米的住户改造项目以其独特的三级分层改造策略和几何化镜面配置，重新定义了长条形公寓空间内的光线分布与空间体验。 该项目最引人注目的成就在于其智慧的分区改造策略。建筑面临两大核心挑战：超过100平方米的宽敞面积带来的施工成本压力，以及南北狭长平面形态导致的采光分布不均问题。铃木雅也的设计回应是将整个平面划分为三个不同工程规模的区域：简易改造、部分改造和全面改造。这种策略性分区不仅优化了预算分配，更将工程规模与空间用途、功能需求以及未来变化紧密关联。 建筑叙事通过精妙的空间分层展开，展现出卓越的功能整合。简易改造范围设置为由玄关土间分隔的独立区域，作为即将离家子女的房间，墙面采用芥子色和岩井茶等日本传统色彩局部涂装，与色调强烈的既有内装形成和谐对话。全面改造范围涵盖需要大幅调整布局的用水区域，内装与设备选用注重性能的成品产品。部分改造范围包含起居室、餐厅和主卧室等主要空间，通过保留既有基层结构增加定制木工的预算比例，实现对细部设计和材料品质的精致追求。整体空间呈现开放式单室格局，通过天花板高度的起伏变化，营造出符合不同用途的居住场所。 项目的决定性建筑元素是那创新的镜面采光系统，展现出卓越的光学设计智慧。两面镜子与窗户呈45度角以V字形配置安置，将自然光引导至空间深处的阴暗区域。这种几何化布局不仅解决了实际照明问题，倾斜的镜面更创造出视线的延展感，营造出迷宫般神秘的空间氛围。通过光线反射的精心编排，设计将有限的自然光源转化为贯穿整个居住空间的照明系统。 立面处理展现了新旧融合的精致性。不同工程规模产生的既有内装与新设内装之间的交接，形成过去与现在融和的室内空间。这种设计手法充分利用具有年代感住户的独特优势，创造出表情丰富的居住环境。工程规模的差异化处理不仅是预算管理的策略，更成为空间叙事的重要元素，使整个住宅呈现出层次分明的时间性与物质性对话。 小石川住宅的另一大特色是其对预算与品质平衡的当代诠释和高效改造实践。设计通过将不同工程规模与空间用途、功能需求和未来变化相关联，在成本控制与空间质量之间取得精妙平衡。V字形镜面配置不仅是功能性解决方案，更成为空间体验的核心元素，将物理限制转化为设计契机。项目证明了深思熟虑的设计能够在严格预算约束下，通过策略性资源分配和创新技术应用，实现既有空间的品质提升与功能优化，同时保留建筑的历史记忆与材料肌理。 设计团队 ：铃木雅也建筑设计事务所由主持建筑师铃木雅也于2016年创立，是一家总部位于东京的设计机构，专注于创造建筑精致的住宅空间、商业设施和改造项目，将当代生活需求与日本传统空间意识相协调。铃木雅也1986年出生于千叶县松戸市，拥有千叶大学和京都艺术大学的优秀教育背景，他在京都艺术大学师从著名建筑师堀部安嗣完成研究生学业。 在创立自己的事务所之前，铃木于2012年至2015年在堀部安嗣建筑设计事务所磨练专业技能，发展出植根于材料真实性、空间感知和场地敏感性的设计理念。作为一级注册建筑师，他领导的事务所专门提供全面的建筑服务，包括住宅设计、适应性再利用项目、景观设计和产品开发。 该事务所在日本建筑界获得广泛认可，2020年荣获松戸市景观奖励奖，2025年获得千叶县建筑士会优良建筑物表彰最优秀奖。铃木对推进建筑学术讨论的承诺超越实践本身，他曾于2020年至2023年担任中央工学校非常勤讲师，并作为特邀建筑师参与MADE BY ARCHITECT平台。事务所的作品持续探索光线操控、空间连续性以及现有条件与当代干预的整合，在日本住宅建筑领域确立了独特的声音。 铃木雅也建筑设计事务所作为全方位服务的建筑实践机构，在多元建筑类型中展现专业能力，涵盖住宅建筑、度假别墅、商业店铺、各类设施的规划设计监理，以及各类改造项目的规划设计监理、景观设计和产品设计。事务所通过涵盖从住宅到公共设施的多样化作品集，在日本当代建筑领域建立了新的典范，展现出对创造真正人性化环境的持续承诺。其获奖项目证明了事务所在当代日本建筑实践中的卓越地位。事务所相信建筑作为人类居所的本质价值，并在所有工作中注入对材料真实性、空间感知和场地敏感性的奉献精神。 设计团队 旅游探访 111.57 m² 东京，日本 2025 Previous Next

< 返回 “鈴懸”麻布台之丘店 CASE-REAL 设计特色： 项目 – 最近在东京麻布台之丘新落成的“鈴懸”日式甜点店，是一次在设立独特空间意境的精彩演示与代表之作。 CASE-REAL设计的这家108平米店面，利用其双门布局特色，建立起两种截然不同却和谐统一的体验氛围。 当从内侧通道进入时，顾客首先遇到绵延的蛇纹石墙壁背景，为厨房部位提供视觉厚重感，也为店面前厅营造出一种庄严仪式感。材料选择巧妙地在奢华与克制间取得平衡——磨砂灰泥墙面、梣木嵌板、石灰岩台面允许色彩缤纷的“和果子“展示自身魅力的同时，也展现出独特的日式气息。 内凹的外侧通道门廊细致地过渡到一个更为私密小巧的前厅，烘托出日式传统建筑空间“缘侧”的意境设计细节。CASE-REAL灵敏的空间规划成功化解了双门入口可能产生的割裂感，打造出一个看似现代却源深流长的零售内景，恰如业主的日式“和果子”工艺本身。 凭借精彩的空间意境创造，这间奢华却低调的新店定会提升麻布台之丘购物中心的品位与体验。 团队 – CASE-REAL是由日本建筑师二俣公一（1975年生）在2000年于福冈创立的建筑&室内设计工作室，其敏锐地捕捉文化本质的空间创作在日本国内外获得广泛赞誉。工作室巧妙利用技术创新与艺术表达手段，擅长酒店、零售、工作空间以及住宅项目。如极富和风气韵的“鈴懸”和果子店和充满沉浸感的“Arts & Science 福冈”复合店等代表作充分展现了其对场境氛围塑造的独特才能。工作室现由二俣公一与有川靖、下平康一共同领导，近年连续进入Dezeen 和FRAME大奖决选名单，预示CASE-REAL正快速成长为亚太区最引人瞩目的设计新锐力量。 Feature： Project - The recently completed Suzukake wagashi store in Tokyo's Azabudai Hills is a masterclass in creating a retail space with a distinct sense of place. Designed by CASE-REAL, the 108 sqm shop leverages its unique dual-entrance layout to establish two distinct atmospheres that harmonize into a cohesive whole. Approaching from the internal pathway, visitors first encounter an ample serpentine stone-clad wall backdrop that provides visual weight to the kitchen and imbues the shopfront with a sense of ceremony. The material palette strikes a skillful balance between richness and restraint - washed plaster walls, ash wood built-ins, and limestone finishes allow the colorful wagashi displays to shine while still feeling distinctly Japanese. Considered details like the recessed doorway to the external pathway entrance transition visitors to a more intimate scaled vestibule with engawa-inspired details. CASE-REAL's sensitive spatial planning resolves the potentially disjointed dual access points into a retail interior that feels at once modern and deeply rooted in tradition - an apt reflection of the wagashi craft itself. The sumptuous yet serene store is sure to elevate the Azabudai Hills shopping experience for discerning visitors. Design Team - Founded in 2000 in Fukuoka by Koichi Futatsumata, CASE-REAL is an architectural and interior design studio making waves in Japan and abroad with its creative spaces attuned to cultural essence. Leveraging technological innovation and artistic expression, CASE-REAL's diverse portfolio includes hospitality, retail, workplace, and residential projects. Signatures like the soothing Suzukake wagashi shop and immersive Arts & Science Fukuoka hybrid store display the studio's knack for imbuing atmospheres with a distinct sense of place. Currently led by Koichi Futatsumata along with project heads Koichi Shimohira and Yasushi Arikawa, CASE-REAL continues to garner accolades with recent shortlistings for Dezeen and FRAME Awards testifying to its ascent as one of APAC’s leading emerging practices. 设计团队 旅游探访 108 m² 日本 东京 2023 Previous Next