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< 返回 Mumo摩托车博物馆 DRAA 项目名称： Mumo摩托车博物馆 地点：奥克塔伊港 ， 智利 设计团队：DRAA 建筑面积：1200 m² 竣工时间：2024年 摄影：马科斯·泽格斯 设计特色： 项目 - 智利建筑工作室DRAA在奥克塔伊港完成了一座引人注目的木构博物馆，通过创新的结构设计和周到的场地整合来颂扬该国丰富的摩托车文化遗产。Mumo摩托车博物馆收藏着智利最大规模的企业化时代之前的复古摩托车藏品，彰显了传统工艺与当代工程技术的完美结合。 博物馆战略性地坐落在传奇的泛美公路沿线，毗邻阿根廷边境，这座面积1200平方米的建筑捕捉了摩托车文化的浪漫精神，同时向该地区的德国殖民遗产致敬。建筑最显著的特色在于其三个错落有致的木结构展馆，每个展馆都采用CNC加工的层压智利松木建造，并架设在沿自然坡地向朗基韦湖延伸的阶梯式混凝土基座上。 DRAA巧妙的结构解决方案消除了传统支撑柱对展览空间的阻碍。建筑师采用成对编织木梁，将每个屋顶面转化为刚性隔膜，通过巧妙伪装成天窗的钢环相互连接。这种结构诗学让自然光线洋溢展厅，同时保持了展示数百辆摩托车所必需的开放式布局灵活性。 博物馆外立面采用热处理智利松木包覆，营造出单色木质外壳，在智利南部气候中优雅地自然风化。分割而连续的展览空间在参观路径中创造了自然的停顿，避免疲劳感的同时让每辆摩托车的独特故事在更广阔的策展叙事中闪闪发光。 最值得注意的是，该项目通过用精密的Rothoblaas工程螺钉替代复杂的金属扣板，推进了木构建筑技术，展示了当代创新如何在尊重传统建造方法的同时推动木构建筑可能性的边界。 设计团队 - DRAA（Del Río Arquitectos Asociados）由建筑学硕士尼古拉斯·德尔里奥·洛佩兹于2012年在智利圣地亚哥创立，已确立其在当代拉丁美洲建筑领域的领军地位。在创始合伙人德尔里奥·洛佩兹（智利天主教大学2001年毕业，牛津布鲁克斯大学2011年硕士）和总监费利佩·卡穆斯·达维拉（智利天主教大学2007年毕业）的协作领导下，该事务所培养了严谨的设计方法论，优先考虑综合细部设计和材料完整性。 DRAA的建筑哲学专注于对多样化建筑类型学的深入研究，特别强调构造表达和结构创新。事务所的方法综合了比例分析、材料性研究和能效策略，创造出在技术性能和空间体验方面都有所突破的场所响应式建筑。这种跨学科方法论使该事务所在过去十二年中处于智利建筑话语的前沿。 工作室对研究驱动设计的承诺在其对木构建筑技术的系统性探索中得到体现，最近在Mumo摩托车博物馆项目中展现得淋漓尽致。在此项目中，DRAA对CNC制造层压木材装配系统和工程连接体系的掌握，充分体现了其在推进材料边界的同时尊重地域建造传统的执着追求。 DRAA在圣地亚哥和弗鲁蒂亚尔设有办公室，维持着由国际合作者组成的充满活力的团队，为事务所不断演进的设计话语做出贡献。这种协作结构使该事务所能够以本土敏感性和全球意识来应对复杂的建筑挑战，确立了DRAA作为智利乃至更广范围内当代建筑创作重要贡献者的地位。 Project Name: Mumo Museum of Motorcycles Location: Puerto Octay , Chile Design Team: DRAA Total Floor Area: 1200 m² Completion: 2024 Photography: Marcos Zegers Feature: Project - DRAA reimagined cultural exhibition space in southern Chile, creating the Mumo Museum of Motorcycles——a masterpiece practice in timber construction that transforms traditional craftsmanship into contemporary structural innovation. Located in Puerto Octay and completed in 2024, this 1200-square-meter project directly addresses the challenge of housing the country's largest collection of pre-corporate era vintage motorcycles while responding to the romantic cultural context along the Pan-American Highway. The project's genius lies in rejecting the enclosed forms of traditional museums, instead adopting a strategy of three staggered wooden pavilions. Lead architects Nicolás del Río and Felipe Camus chose not to fight against the site's slope, but carefully orchestrated exhibition spaces elevated on stepped concrete plinths that serve as both independent narrative units and continuous circulation flows. This creates what the architects describe as "segmented yet undivided exhibition halls"——allowing visitors to experience necessary narrative pauses within a continuous spatial experience. The design directly responds to the client's request for architecture rooted in local tradition, inheriting the legacy of German colonization in southern Chile from the mid-19th century. These historical elements are reinterpreted through contemporary timber construction techniques, most notably CNC-machined laminated pino insigne components that employ woven wooden beam systems to transform each roof plane into rigid diaphragms. These structural elements connect through steel rings disguised as skylights, creating structural poetry that bridges interior and exterior spaces. The Mumo Museum's spatial strategy transforms traditional exhibition typologies into more flexible forms. Multiple pavilions——from ground-level service spaces to elevated exhibition halls——capture spectacular views of Lake Llanquihue and Osorno Volcano while creating what the architects call "column-free exhibition spaces" that allow hundreds of motorcycles to be displayed freely. This structural innovation amplifies display possibilities beyond traditional museum constraints. The result is architecture as technological heritage——every construction detail reveals the technological distance between the original German settlers and contemporary Chilean society. Thermally treated pino insigne exterior cladding becomes the primary material expression, transitioning from natural wood tones through weathering processes to silver-gray surfaces, creating what the architects describe as "wooden buildings clad in wood"——a pure construction logic that maps the temporal layers of regional architectural culture. Design Team - Founded in 2012 by architect Nicolás del Río López in Santiago, Chile, DRAA has emerged as a pioneering force in contemporary Latin American architectural practice, consistently bridging rigorous design methodology with material innovation technologies. With offices in Santiago and Frutillar, the firm has established itself as a comprehensive architectural consultancy providing professional design services across diverse building typologies throughout Chile and the broader Latin American region. Del Río López, a graduate of Pontificia Universidad Católica de Chile (2001) with a Master's degree from Oxford Brookes University (2011), co-leads the practice with director Felipe Camus Dávila (PUC 2007), bringing international academic background to their work. The DRAA name reflects Del Río Arquitectos Asociados' foundational philosophy of achieving design excellence through collaboration——a principle that manifests throughout their comprehensive project methodology. The firm's design philosophy centers on thorough investigation of diverse building typologies, with particular emphasis on the outcomes of tectonic expression and structural innovation. This approach synthesizes proportional analysis, tectonics and structure, and responsible crossover with materials and energy efficiency, yielding significant works from timber museums to residential projects that demonstrate continuous advancement of contemporary architectural technical boundaries. DRAA's mastery of CNC-manufactured timber construction technologies and engineered connection systems, along with applications of advanced construction techniques such as Rothoblaas engineered screws, underscores their contribution to Chile's evolving architectural discourse, positioning them as thought leaders in contemporary material innovation practice——honoring regional construction traditions while embracing progressive technological methodologies. 设计团队 旅游探访 1200 m² 奥克塔伊港，智利 2024 前一项 后一项

IMPLMNT建筑事务所成立于2016年，总部位于立陶宛首都维尔纽斯，作为波罗的海地区最具创新力的建筑实践之一，他们在文化建筑和公共建筑领域展现出卓越的设计才能。这家精品建筑工作室虽然刻意保持着10人的精炼团队规模，但通过其对场地语境的方法论式解读和创新性的功能组织，在业界确立了独特的地位。 Founded in 2016 in Vilnius, Lithuania, IMPLMNT architects has rapidly emerged as one of the Baltic region's most innovative architectural practices, demonstrating exceptional prowess in cultural and public architecture. The boutique studio, while maintaining an intentionally compact team of 2-10 professionals, has established itself through its methodological approach to contextual design and programmatic innovation. < Back IMPLMNT architects 立陶宛（LITHUANIA） IMPLMNT建筑事务所成立于2016年，总部位于立陶宛首都维尔纽斯，作为波罗的海地区最具创新力的建筑实践之一，他们在文化建筑和公共建筑领域展现出卓越的设计才能。这家精品建筑工作室虽然刻意保持着10人的精炼团队规模，但通过其对场地语境的方法论式解读和创新性的功能组织，在业界确立了独特的地位。 他们最近完成的斯塔西斯博物馆项目充分展示了事务所在大型文化基础设施方面的设计实力。这座建筑面积达4130平方米的项目，体现了他们标志性的建筑叙事手法，即如何通过材料表达和空间编排来营造富有意义的城市公共空间。 作为扎根维尔纽斯的建筑事务所，IMPLMNT的设计理念核心在于建筑与城市和文化语境的细致融合。他们擅长将复杂的功能需求转化为连贯的建筑解决方案，这一特色在他们的公共和文化项目中尤为突出。 在现有领导团队的带领下，事务所采取精选项目的发展策略，确保每个项目都能获得深入的细节关注和概念探索。这种战略选择使IMPLMNT能够在立陶宛及更广泛的波罗的海地区发展中，开发出深思熟虑的建筑方案，同时保持与客户的紧密关系和精准的项目执行力。 Founded in 2016 in Vilnius, Lithuania, IMPLMNT architects has rapidly emerged as one of the Baltic region's most innovative architectural practices, demonstrating exceptional prowess in cultural and public architecture. The boutique studio, while maintaining an intentionally compact team of 2-10 professionals, has established itself through its methodological approach to contextual design and programmatic innovation. Their recent completion of the Stasys Museum (2023) in Panevėžys exemplifies the firm's capability to deliver sophisticated cultural infrastructure. The 4,130-square-meter project showcases their signature approach to architectural narratives, where materiality and spatial programming converge to create meaningful civic spaces. Operating from their headquarters in Vilnius, IMPLMNT's practice philosophy centers on the careful integration of architecture within its urban and cultural context. The firm specializes in translating complex programmatic requirements into coherent architectural solutions, particularly evident in their public and cultural projects. Under the current leadership, the studio maintains a selective portfolio approach, ensuring each project receives intensive attention to detail and conceptual rigor. This strategic decision has enabled IMPLMNT to develop deeply considered architectural solutions while maintaining close client relationships and precise project execution across Lithuania and the broader Baltic region. WEBSITE PROJECT

< 返回 MORANDI 公寓 APOLLO 项目名称：MORANDI 地点：东京，日本 设计团队：APOLLO 建筑面积：185.44 m² 完成时间：2024 摄影：西川公朗 设计特色： 项目 - APOLLO一级建筑师事务所与著名产品设计师尼古拉·加利兹亚在东京港区的这个项目中，将储物系统从单纯的家具提升为空间的核心建筑元素。这个名为"MORANDI"的185平方米公寓翻新项目为当代住宅设计提供了一个创新的概念模型。 该项目的显着特点是其对储物设计的突破性方法——将意大利家具品牌莫尔泰尼(Molteni&C)的标志性系统单元转变为住宅的结构核心。设计团队没有将收纳系统作为事后考虑，而是精心编排了一系列无缝衔接的储物元素，这些元素不仅连接各个房间，同时也定义了整个空间的层次结构。 住宅的审美特点在于天然日出橡木柜门与深色橡木天花板面板之间的材质对话，在整个空间中创造出精确的视觉韵律。设计师通过精心挑选的艺术品和灯具引入了黄铜色调的点缀，而在湿区使用的银色travertine和Ceppo石纹理的陶瓷砖进一步强化了意大利奢华美学。 最引人入胜的设计元素是其经过精心编排的动线序列。当居住者穿越公寓时，他们体验到一段由连续储物系统引导的旅程，从公共区域到私人空间。这种建筑漫步揭示了意大利设计优雅与传统日本空间概念之间的平行性，即通过精心设计的元素温和地划分空间而非硬性分割。 兼作欢迎入口区的家庭室展示了这种方法，储物系统从客厅到餐厅再到厨房区域不间断流动，创造出一种舞台般的空间体验。这种连续性将日常生活活动转变为在精湛工艺背景下的一场精致表演。 MORANDI代表了一个重要的建筑声明，挑战了家具与空间之间的传统关系，展示了储物系统如何超越功能性，成为表达和体验空间的主要建筑语法。这一作品充分体现了设计团队对细节的关注以及将复杂设计概念转化为和谐生活环境的能力。 团队 - 由黑崎敏于2000年创立并于2008年注册成立的APOLLO一级建筑师事务所，专注于当代住宅设计。这家总部位于东京的事务所已经建立了令人印象深刻的作品集，特点是复杂的极简主义、创新的空间构图和对材料表达的细致关注。 在黑崎的领导下，该事务所通过众多享有盛誉的奖项获得了国际认可，包括多个iF设计奖、DNA巴黎设计奖和亚洲设计大奖。他们的项目被持续提名为年度建筑，其中近年来"TIMELESS"、"ESPRIT"和"LAXUS"等独特的住宅作品尤其受到赞誉。 该事务所拥有一支由首席建筑师藤井统领导的多元化人才团队，专业人员带来了来自早稻田大学、京都工艺纤维大学和多摩美术大学等知名机构的专业知识。这种国际视野与黑崎作为庆应义塾大学系统设计工学系前讲师的学术参与相辅相成。 作为注册的APEC建筑师和日本建筑师协会会员，黑崎及其设计团队的每个项目都代表了功能性、美学精炼和环境敏感性之间精心校准的平衡。 Project Name: MORANDI Location: Akasaka, Minato-ku, Tokyo, Japan Design Team: APOLLO Architects & Associates Total Floor Area: 185.44 m² Completion: 2024 Photography: Kimiou Nishikawa Feature: Project - APOLLO Architects & Associates, in collaboration with renowned product designer Nicola Gallizia, has elevated storage systems from mere furniture to the defining architectural element in this Tokyo residence. Completed in May 2024, the 185-square-meter apartment renovation named "MORANDI" presents an innovative conceptual model for contemporary residential design. The project's distinguishing characteristic is its revolutionary approach to storage design—transforming signature system units from Italian furniture brand Molteni&C into the structural core of the residence. Rather than treating storage as an afterthought, Satoshi Kurosaki and Gallizia orchestrated a seamless flow of storage elements that not only connect rooms but simultaneously define the spatial hierarchy throughout the home. The residence's aesthetic is characterized by a dialogue between natural sunrise oak cabinet doors and dark oak ceiling panels, creating a precise visual rhythm throughout the space. The designers introduced brass-toned accents through carefully selected artworks and lighting fixtures, while silver travertine and Ceppo stone-patterned ceramic tiles in wet areas further enhance the Italian luxury aesthetic. Perhaps the most compelling design element is the choreographed sequence of movement. As residents traverse the apartment, they experience a journey guided by the continuous storage system from public to private spaces. This architectural promenade reveals fascinating parallels between Italian design elegance and traditional Japanese spatial concepts, where spaces are gently delineated through thoughtfully designed elements rather than hard divisions. The family room, which doubles as a welcoming entrance area, exemplifies this approach with storage systems that flow uninterrupted from living to dining to kitchen zones, creating a theatrical spatial experience. This continuity transforms everyday domestic activities into a sophisticated performance set against a backdrop of meticulous craftsmanship. MORANDI represents a significant architectural statement that challenges conventional relationships between furniture and space, demonstrating how storage systems can transcend functionality to become the primary architectural syntax through which space is articulated and experienced. The work fully demonstrates Kurosaki's attention to detail and ability to translate complex design concepts into harmonious living environments. Design Team - Founded by Satoshi Kurosaki in 2000 and incorporated in 2008, APOLLO Architects & Associates has established itself as one of Japan's most distinguished architecture firms specializing in contemporary residential design. Based in Tokyo, the practice has built an impressive portfolio characterized by sophisticated minimalism, innovative spatial compositions, and meticulous attention to material expression. Under Kurosaki's leadership, the firm has garnered international recognition through numerous prestigious awards, including multiple iF Design Awards, DNA Paris Design Awards, and DFA Design for Asia Awards. Their projects have been consistently nominated for ArchDaily's Building of the Year, with their distinctive residential works "TIMELESS," "ESPRIT," and "LAXUS" receiving particular acclaim in recent years. The practice maintains a diverse team of talented architects led by Chief Architect Osamu Fujii, with specialists bringing expertise from renowned institutions including Waseda University, Kyoto Institute of Technology, and Tama Art University. This international perspective is complemented by Kurosaki's academic involvement as a former lecturer at Keio University's Department of System Design Engineering. As a registered APEC Architect and member of the Japan Institute of Architects, Kurosaki has positioned APOLLO as a leading voice in contemporary Japanese residential architecture, with each project representing a carefully calibrated balance between functionality, aesthetic refinement, and contextual sensitivity. 设计团队 旅游探访 185.44 m² 东京，日本 2024 前一项 后一项

Habitat Studio Architects 于 2010 年创立，总部位于澳大利亚黄金海岸伯利角，是一家在严谨设计思维与场地环境回应之间深度融合的精品多元化建筑事务所。事务所在首席建筑师兼总监 Wayne Greenland 的带领下，形成了以场地特定性、气候适应性与材料真实性为核心的设计哲学，致力于使每一个项目都能在其物质与文化语境中清晰表达出独特的场所精神。环境可持续性是事务所设计流程的内在组成部分，而非附加选项，贯穿于从初步构思到竣工落成的全部实践阶段。 < Back Habitat Studio Architects Australia Habitat Studio Architects 于 2010 年创立，总部位于澳大利亚黄金海岸伯利角，是一家在严谨设计思维与场地环境回应之间深度融合的精品多元化建筑事务所。事务所在首席建筑师兼总监 Wayne Greenland 的带领下，形成了以场地特定性、气候适应性与材料真实性为核心的设计哲学，致力于使每一个项目都能在其物质与文化语境中清晰表达出独特的场所精神。环境可持续性是事务所设计流程的内在组成部分，而非附加选项，贯穿于从初步构思到竣工落成的全部实践阶段。 作为澳大利亚建筑师协会认证的 A+ 级事务所，Habitat Studio 拥有涵盖高端住宅与海滨别墅、多户联排住宅与公寓、混合用途商业、酒店及室内设计的多元化项目类型。事务所迄今已完成包括 79 个独立住宅、51 个多户住宅、48 个商业及 129 个改建翻新在内的逾 300 个项目，项目版图沿澳大利亚东海岸延伸，从凯恩斯、艾尔利海滩、黄金海岸直至墨尔本，并拓展至新加坡与巴布亚新几内亚等国际市场。 事务所现由 Wayne Greenland 主持，核心团队由具备丰富跨类型实践经验的建筑师与设计师共同构成，包括建筑师 Cale Allan 与 Lauren Lovell、项目负责人 Florencia Henriquez，以及建筑学毕业生 Joshua Clark、Carina Soleckhan 与建筑制图师 Tomas Kavakama。事务所以其与客户、建筑师与建造方之间富有成效的协作机制著称，通过对细节的精准把控、材料的严谨遴选与空间组织的系统逻辑，持续交付在功能层面之上实现真正体验价值的建筑作品。 WEBSITE PROJECT

Brunner Architecture是一家位于加州的小型建筑设计事务所，在过去二十多年里,他们一直在科切拉谷和高沙漠地区留下了独特的印记。该公司于2019年由瑞士建筑师Martin Brunner创立,专注于设计能够与沙漠环境的独特挑战和迷人景观完美协调的住宅项目。 Nestled in the rugged beauty of Joshua Tree, California, Brunner Architecture is a small yet highly esteemed design firm that has been leaving an indelible mark on the Coachella Valley and High Desert region for over two decades. Founded in 2019 by Swiss-born architect Martin Brunner, the practice specializes in residential design that seamlessly harmonizes with the unique challenges and captivating landscapes of the desert environment. < Back Brunner Architecture 美国（USA） Brunner Architecture是一家位于加州的小型建筑设计事务所，在过去二十多年里,他们一直在科切拉谷和高沙漠地区留下了独特的印记。该公司于2019年由瑞士建筑师Martin Brunner创立,专注于设计能够与沙漠环境的独特挑战和迷人景观完美协调的住宅项目。 凭借在当地积累的60年从业经验,布鲁纳建筑团队(包括长期合作伙伴Jeff Bicknell 和 Stephen Gardner)对沙漠建筑的要求和复杂性了如指掌。他们从大地艺术运动和南加州标志性的现代主义建筑中汲取灵感,打造出既真挚又恰当的设计方案,充分体现对自然环境的深深敬意。 公司主导人Martin Brunner在90年代中期的一次建筑巡礼中首次发现了对沙漠的热爱。被约书亚树当地独特的简约美所吸引,他此后先后创立了多家屡获殊荣的科切拉谷办公室,最终在2019年创立了设计事务所,致力于提供真正体现他对这片土地深厚感情的优质设计服务。这支才华横溢的三人组合,创造了一系列将现代主义美学与粗犷沙漠环境完美融合的住宅项目,使Brunner Architecture成为科切拉谷杰出的设计事务所之一。 Nestled in the rugged beauty of Joshua Tree, California, Brunner Architecture is a small yet highly esteemed design firm that has been leaving an indelible mark on the Coachella Valley and High Desert region for over two decades. Founded in 2019 by Swiss-born architect Martin Brunner, the practice specializes in residential design that seamlessly harmonizes with the unique challenges and captivating landscapes of the desert environment. With a collective sixty years of experience working in the area, the Brunner Architecture team, which includes long-time collaborators Jeff Bicknell and Stephen Gardner, is intimately familiar with the requirements and complexities of desert construction. Drawing inspiration from the earth art movement and the iconic modernist architecture of Southern California, the firm crafts design solutions that are both honest and appropriate, reflecting a deep respect for the natural surroundings. Martin Brunner, the firm's principal, first discovered his passion for the desert while on an architectural pilgrimage across the United States in the mid-90s. Captivated by the simple beauty of the Joshua Tree landscape, he has since established multiple award-winning practices in the Coachella Valley, before founding Brunner Architecture with the goal of providing quality design services that truly embody his love for the region. Joining Martin are Jeff Bicknell, a fifth-generation Californian whose appreciation for nature and the local climate is evident in his work, and Stephen Gardner, an architect and designer with an impressive background in innovative, socially conscious design both domestically and internationally. Together, this talented trio has created a portfolio of residential projects that seamlessly blend modernist aesthetics with the rugged desert context, earning Brunner Architecture a reputation as one of the premier design firms in the Coachella Valley. WEBSITE PROJECT

< 返回 THE LUC LIFESTYLE Atelier Generations Vasudeva Design 项目名称：THE LUC LIFESTYLE 地点：巴厘岛，印度尼西亚 设计团队：Atelier Generations Vasudeva Design 建筑面积：2500 m² 竣工时间：2023年 摄影：Indra Wiras 设计特色： THE LUC Lifestyle将当代建筑与巴厘岛本土特质相融合，在仓古打造了一座2500平方米的商业中心，重新定义了这一海滨区域不断演变的身份认同。该项目于2023年竣工，将餐饮、时尚零售、香氛精品店、美学牙科诊所和传统手工艺空间整合于一个建筑愿景之中，既彰显全球化的精致品味，又礼赞在地文化。 项目距贝拉瓦冲浪海滩仅三分钟步行路程，直接回应了仓古转型为巴厘岛最具活力目的地之一的现状，该地区现在每年吸引超过百万名访客。建筑通过开放的空间规划、室内外区域间流畅的过渡，以及植根于自然质感和简洁当代线条的材料选择来拥抱这种能量。宽敞的流线通道和景观区域映射出轻松的海滨生活方式，同时保持了现代城市设计的精炼结构清晰度。 THE LUC的独特之处在于其对可达性与氛围的刻意融合。项目距伍拉莱国际机场仅30分钟车程，既是岛屿的迎宾门户，也是居民和游客日常造访的精致目的地。设计摒弃了僵化的边界，转而创造可灵活适应的商业空间，有机地流入景观庭院和遮荫露台。这种渗透性使建筑与仓古的气候和文化共呼吸，促成自发的相遇和深度的参与。 建筑语言从周边语境中汲取灵感，包括国际学校、海滩俱乐部、有机市集和注重健康的咖啡馆。THE LUC并非与这种折衷肌理竞争，而是作为凝聚性的锚点，通过克制的几何形式提供视觉连贯性，同时通过多元化的功能规划来礼赞多样性。自然通风、热带植栽和精心推敲的体量尺度确保项目在商业属性之外仍保持亲密感，为巴厘岛快速发展的北部走廊树立了生活方式导向建筑的新标杆。 设计团队： Atelier Generations Vasudeva Design是一家位于巴厘岛的建筑设计实践机构，以其对原创性、创新性和体验式设计解决方案的承诺而著称，其作品对语境和文化做出了深思熟虑的回应。该事务所由创始创意总监I Putu Angga Prastika和Julius Saptian Gunawan领导，合伙人Sunaryo共同主持，将每个委托视为独特的问题解决情境，促进设计策略和执行的持续演进。 该实践的方法论植根于严谨的场地分析和协作对话。在形式生成开始之前，团队会质询关于场所、历史、功能需求和预算参数的基本问题。这一研究驱动的过程让客户、未来使用者、顾问和外部专家参与开放讨论，确保设计成果源于集体智慧而非单一愿景。由此产生的建筑作为紧凑而前瞻的陈述，平衡了体验品质与务实性能。 Atelier Generations Vasudeva Design有意将技术和创造力定位为互补力量。他们的作品表明，建筑的形式表达应反映其功能逻辑、空间体验和文化意义。事务所积极挑战常规边界，通过充满活力的合作与材料实验追求新的可能性。最终，他们的目标超越了美学成就，旨在生成可持续的空间条件，增强个体体验，促进社会互动，并为当代关于居住、工作和共同生活的问题提供深思熟虑的答案。 设计团队 旅游探访 2500 m² 巴厘岛，印度尼西亚 2023 前一项 后一项

< 返回 第二抚子幼儿园 川久保智康建筑设计事务所 项目名称：第二抚子幼儿园 地点：埼玉县熊谷市，日本 设计团队：川久保智康建筑设计事务所 建筑面积：1720.63平方米 竣工时间：2024年3月 摄影师：傍岛利浩 设计特色： 项目 - 在日本关东平原的中心地带，第二抚子幼儿园以其创新设计矗立于此，这座精心设计的教育设施巧妙地将建筑创新与环境意识融为一体。这个新落成的项目可容纳200多名儿童，在日本最炎热的城市熊谷，它完美地回应了教育需求与气候挑战。 建筑最引人注目的特征是其独特的屋顶线条，它诗意地映射了周围的山脉轮廓。从富士山到筑波山，建筑形态与这些标志性山峰展开视觉对话，将当地景观融入儿童的日常体验中。这一设计选择将建筑转化为记忆制造装置，让幼年经历与地域地理产生内在联系。 这座两层建筑采用钢筋混凝土与木材相结合的混合结构系统。底层容纳0-2岁儿童的设施，采用坚固的混凝土结构以承受活跃的游戏活动，而容纳3-5岁儿童的上层则采用更为轻盈的木质结构。尽管防火规范要求用耐火石膏板覆盖复杂的木框架，但这种结构组合使建筑标志性的自由形态屋顶得以实现。 为应对熊谷极端的炎热天气，建筑师实施了多重降温策略。建筑达到最高隔热等级（4级），二层的外部百叶窗提供必要的遮阳控制。设计包含有遮阳走廊、骑楼和檐廊，创造重要的阴凉区域，并配备创新的喷雾系统，利用蒸发制冷原理。 该设施与室外空间的关系特别值得关注。每间教室都与室外保持紧密联系，连接着精心设计的空间，包括安全的庭院、有顶广场和与周围乡村景观融为一体的开放式平台。这种布局让孩子们可以自由选择他们喜欢的环境，同时通过细心的监护确保他们的安全。 团队 – 川久保智康建筑设计事务所成立于2005年，是一家位于东京的建筑事务所，凭借其创新的住宅和商业项目在建筑界掀起波澜。在建筑师川久保智康的带领下，这个紧密团结的团队以全新的创造力面对每一个委托项目。 川久保智康最初在著名的矶崎新建筑事务所工作，随后于2002年开始独立执业。他对空间规划的精通和对细节的敏锐洞察力，在其设计中得到充分体现，既确保功能最大化，又表达出独特的美学视野。事务所的住宅作品，如获奖的藏前小住宅（Kuramae Small House）和西原联排住宅（Nishihara Row Houses），展现了他们在受限的城市场地中打造高度宜居空间的能力。 在川久保的领导下，事务所采用跨学科的方法，经常模糊建筑与产品设计之间的界限。这种交叉融合创造出引人入胜的环境，定制家具和装置与建筑理念完美融为一体。 除了设计创新建筑，事务所还深度参与建筑教育。川久保自2014年起在日本大学工学院任教，并担任客座研究员，致力于培养新一代人才。 通过获得国际赞誉的建成作品和对推进建筑行业的承诺，川久保智康建筑设计事务所已确立其作为日本最令人兴奋的新兴建筑事务所之一的地位。 Project Name: Dai 2 Nadeshiko Nursery School Location: Kumagaya City, Saitama Prefecture, Japan Design Team: Kawakubo Tomoyasu Architects Structural Design: Kume Hiroki Structural Engineers Construction: Ishikawa Construction Co., Ltd. Total Floor Area: 1,720.63 m² Site Area: 4,239.29 m² Structure: Reinforced Concrete + Partial Timber Construction Floors: 2 Stories Above Ground Design Period: June 2019 - February 2023 Construction Period: March 2023 - March 2024 Completion: March 2024 Photographer: Sobajima Toshihiro Feature： Project - In the heart of Japan's Kanto Plain, Dai 2 Nadeshiko Nursery School emerges as a thoughtfully designed educational facility that harmoniously blends architectural innovation with environmental consciousness. This newly completed project, accommodating over 200 children, represents a sophisticated response to both pedagogical needs and climatic challenges in Kumagaya, famously known as Japan's hottest city. The building's most striking feature is its distinctive roofline, which poetically mirrors the surrounding mountain ranges visible from the site. From Mount Fuji to Mount Tsukuba, the architectural form creates a visual dialogue with these iconic peaks, embedding the local landscape into the children's daily experience. This design choice transforms the building into a memory-making device, where early childhood experiences are intrinsically linked to the regional geography. The two-story structure employs a hybrid construction system that combines reinforced concrete and timber. The ground floor, housing facilities for children aged 0-2, utilizes robust concrete construction to withstand active play, while the upper level, dedicated to 3-5 year olds, features a more delicate wooden structure. Although fire regulations necessitate covering the complex wooden framework with fire-resistant plasterboard, this combination enables the creation of the building's signature free-form roof. In response to Kumagaya's extreme heat, the architects implemented multiple cooling strategies. The building achieves the highest insulation rating (Grade 4), while external blinds on the second floor provide essential solar control. The design incorporates covered walkways, pilotis, and eaves that create vital shade, complemented by an innovative mist system that leverages evaporative cooling. The facility's relationship with its outdoor spaces is particularly noteworthy. Each classroom maintains a strong connection to the exterior, opening onto a series of thoughtfully designed spaces including a secure courtyard, covered plaza, and open decks that merge with the surrounding rural landscape. This arrangement gives children the freedom to choose their preferred environment while ensuring their safety through careful oversight. Design Team - Founded in 2005, Kawakubo Tomoyasu Architects is a Tokyo-based architectural firm making waves with their innovative residential and commercial projects. Led by principal architect Tomoyasu Kawakubo, a first-class certified architect, the firm's tight-knit team approaches each commission with fresh creative energy. Kawakubo cut his teeth at the renowned Isozaki Arata & Associates before branching out on his own in 2002. His mastery of spatial planning and keen eye for detail shine through in designs that maximize functionality while expressing a distinct aesthetic vision. The firm's residential work, such as the award-winning Kuramae Small House and Nishihara Row Houses, demonstrates an ability to craft highly livable spaces on constrained urban sites. With Kawakubo at the helm, the practice embraces an interdisciplinary approach, often blurring the lines between architecture and product design. This cross-pollination results in compelling environments where customized furniture and fixtures seamlessly integrate with the architectural concepts. Beyond designing innovative buildings, the firm is deeply engaged in architectural education. Kawakubo has taught at Nihon University's College of Engineering since 2014 and serves as a visiting researcher, nurturing the next generation of talent. Through built works earning international acclaim and a commitment to advancing the profession, Kawakubo Tomoyasu Architecture & Associates has cemented its position as one of Japan's most exciting emerging practices. 设计团队 旅游探访 1720.63 m² 埼玉县熊谷市，日本 2024 前一项 后一项

< 返回 La Vigilia 酒庄 González Olsina & Vega Arquitectos 地点：洛斯查卡耶斯，阿根廷 设计团队：González Olsina & Vega Arquitectos 面积：1700 m² 建成时间：2022年 摄影：Luis Abba 设计特色： La Vigilia 酒庄位于阿根廷门多萨省洛斯查卡耶斯的 The Vines of Mendoza 葡萄酒产区，由 González Olsina & Vega Arquitectos 以一座当代圣殿的姿态回应葡萄园、山谷与酿酒活动。体量、材质、光线与阴影共同构成从辽阔景观走向静谧内部的过渡，让酒庄不只是生产葡萄酒的场所，也成为一段可被身体感知的空间仪式。 酒庄的主建筑以强调几何和克制的纪念性语言从地面升起，Corten 钢与暗色混凝土以矿物般的色调和质地嵌入周围景观。锈红色屋面在远处与葡萄园和安第斯山脉形成柔和的水平关系，深色墙体则把建筑的重量压低，使其更像从土壤中缓慢显现的构筑物。 抵达序列沿中央轴线展开，连续的节奏把访客从户外引向建筑内部。正立面以具有构造感的重复构图打开中央入口，形成一处当代的 loggia；两侧体量向外延伸，固定整体的横向尺度，也让入口在光影之间保持一种既开放又内向的姿态。 进入室内后，光线被压缩为墙面、天花与玻璃之间的线性层次。起居和品酒空间以木材、深色界面、玻璃与低照度灯光组织停留，酿造空间则以成排的容器、橡木桶和连续灯带把生产过程纳入可观看的空间秩序。建筑并没有把技术设备隐藏起来，而是让材料和光线共同塑造对酿酒过程的感知。 La Vigilia 酒庄最终把葡萄酒生产转化为一套关于景观、时间与感官的空间叙事。建筑从远处呈现为葡萄园边缘的一条深色水平线，走近之后，中央轴线、厚重墙体和幽暗室内逐步展开，让饮酒与酿造都获得一种与土地、历史和自然相连的仪式感。 设计团队： González Olsina & Vega Arquitectos 是一家总部位于门多萨的建筑事务所，由 Charly González Olsina 与 Eduardo Vega主持设计。事务所的项目分布于阿根廷、乌拉圭和巴西，工作范围覆盖住宅、酒店、餐饮、葡萄酒设施及其他与地域景观密切相关的建筑类型。 事务所将建筑理解为一种有意识的创造行为，强调场所与居住者的本质，并把几何视为具有象征性和精神性的语言。设计过程在技术精确与感知经验之间展开，项目管理与整体执行则与 Integra CPM 协作完成。现任团队还包括项目设计、室内设计、施工协调、家具设计、项目管理及现场管理成员。La Vigilia 酒庄的结构设计由 Patricia Gamez 负责，灯光顾问为 Aspen Lumiere，项目管理由 Integra CPM 承担。 设计团队 旅游探访 1700 m² 洛斯查卡耶斯，阿根廷 2022 前一项 后一项

< 返回 尚泰那空沙旺购物中心 IF (Integrated Field) 项目名称：尚泰那空沙旺购物中心 地点：那空沙旺，泰国 设计团队：IF (Integrated Field) 建筑面积：77500 m² 完成时间：2024 摄影：W Workspace 设计特色： 项目 - 在泰国那空沙旺的中心地带，尚泰那空沙旺购物中心项目由IF (Integrated Field)设计，旨在创造一个融合现代设计与当地文化和自然美景的多功能空间。这个77500平方米的混合用途开发项目成为了背景敏感设计的杰出范例，既庆祝当地特色，又拥抱现代功能性。 该项目最独特的特点是其创新广场，巧妙地处理了3米的高度差，而没有采用传统的楼梯设计。这个经过精心设计的阶梯式景观创造了一个无缝、无障碍的公共领域，既保留了现有树木，又为各类访客提供了聚集、放松和娱乐的空间。 建筑的主门厅屋顶由层叠、弯曲的形状组成，灵感来自当地村庄房屋，软化了开放广场与室内空间之间的过渡。这种设计反映了项目将现代建筑与文化元素融合的目标。 最引人注目的是建筑双色中庭的设计，灵感来自南河和平河的汇合，整合了红色和绿色材料来代表汇合的水流。这个三层空间既是导航地标，又帮助访客划分商场的不同区域。 通过这些创新元素，设计团队打造了一个响应当代需求，同时保持深厚地方根基的多功能环境。尚泰那空沙旺购物中心超越了其作为购物目的地的角色，成为一个真正的社区资产——一个欢迎所有人的中心，既尊重过去又拥抱未来。 团队 - IF (Integrated Field)成立于2011年7月，是一家以泰国为基地的设计事务所，由建筑师、室内建筑师、景观建筑师和工业设计师组成，旨在尽可能多的领域共同工作，从整合的投入中创造作品，正如其核心理念所述："IF在整合领域工作"。 IF的方法论以确定每个项目的特定问题为中心，通过严格的探究来理解其"核心"，并在整个设计过程中基于该问题发展设计。事务所的跨学科结构使其能够超越传统学科界限，开展全面的设计过程，合成多领域的专业知识，开发既响应功能要求又考虑环境条件的精细空间解决方案。 事务所的作品集展示了非凡的多样性，涵盖住宅、商业和文化类型。像尚泰那空沙旺购物中心这样的项目展示了IF创造建筑上复杂空间的能力，这些空间平衡了形式创新与功能清晰度，同时敏感地回应当地文化叙事。 自成立以来的十多年里，IF已成为当代泰国建筑中的重要声音，持续提供以概念严谨、材料敏感和空间智能为特征的项目——这些品质使该事务所在该地区不断发展的设计话语中处于前沿地位。 Project Name: Central Nakhon Sawan Location: Nakhon Sawan, Thailand Design Team: IF (Integrated Field) Total Floor Area: 77,500 m² Completion: 2024 Photography: W Workspace Feature: Project - In the heart of Thailand's Nakhon Sawan province, the Central Nakhon Sawan project by IF (Integrated Field) aimed to create a multifunctional space that blends modern design with local culture and natural beauty. This 77,500-square-meter mixed-use development emerges as a compelling example of contextually sensitive design that celebrates local identity while embracing modern functionality. The project's most distinctive feature is its innovative plaza, which ingeniously navigates a 3-meter elevation change without resorting to conventional stairs. This thoughtfully terraced landscape creates a seamless, accessible public realm that preserves existing trees while providing space for gathering, relaxation, and recreation for visitors of all abilities. The roof of the main foyer, which connects the plaza to the building, consists of layered, curved forms inspired by local village houses, softening the transition between the open plaza and the interior. This design reflects the project's goal of merging modern architecture with cultural elements. Perhaps most captivating is the building's dramatic two-tone atrium, conceived as an architectural homage to the convergence of the Nan and Ping rivers, integrating red and green materials to represent the merging waters. This triple-volume space serves as both a navigational landmark and helps delineate different zones of the mall for visitors. Through these innovative elements, the design team has crafted a multifunctional environment that responds to contemporary needs while remaining deeply rooted in its context. Central Nakhon Sawan transcends its role as a shopping destination to become a genuine civic asset—a welcoming hub that honors the past while embracing the future. Design Team - IF (Integrated Field) was founded in July 2011 as a Thailand-based design office, formed by architects, an interior architect, a landscape architect and an industrial designer, intended to work together in as many fields as possible to create work from the integrated inputs as their core saying, "IF works in the Field of Integration." IF's methodology centers on identifying the specified question for each project through rigorous inquiry to understand its "core," and develop the design based on that issue throughout the whole process. The firm's interdisciplinary composition enables a holistic design process that transcends conventional disciplinary boundaries, synthesizing expertise across multiple fields to develop nuanced spatial solutions that respond to both programmatic requirements and contextual conditions. The practice's portfolio demonstrates remarkable versatility, encompassing residential, commercial, and cultural typologies. Projects like Central Nakhon Sawan exemplify IF's ability to create architecturally sophisticated spaces that balance formal innovation with functional clarity while responding sensitively to local cultural narratives. In just over a decade since its inception, IF has emerged as a significant voice in contemporary Thai architecture, consistently delivering projects characterized by conceptual rigor, material sensitivity, and spatial intelligence—qualities that have positioned the practice at the forefront of the region's evolving design discourse. 设计团队 旅游探访 77500 m² 那空沙旺，泰国 2024 前一项 后一项

< 返回 CM住宅 AtelierM + Nicolas Krause 项目名称：House CM 地点：布宜诺斯艾利斯，阿根廷 设计团队：AtelierM + Nicolas Krause 建筑面积：315 m² 竣工时间：2022年 摄影：AtelierM 设计特色： 项目 -- 坐落于阿根廷布宜诺斯艾利斯埃斯科瓦尔的House CM，由AtelierM与Nicolas Krause共同设计，展现了将规范限制转化为建筑创新的智慧表达。这座315平方米的住宅位于一个封闭社区最后可用地块之一，其独特的三体量配置和横向悬浮手法成为设计的根本要素，突出了传统住宅类型学在当代语境中的大胆重新诠释。 该项目最引人注目的成就在于其革命性的空间组织策略。建筑师们没有遵循严格的坡屋顶规范带来的传统形象，而是将法规要求作为概念起点，创造出一个融合典型形态与当代空间体验的建筑构成，提出对郊区住宅潜力的全新解读。从最初的设计构思起，三个简单的坡屋顶砖体量就标定了概念起点：一座从典型形态向外构建的住宅，每个功能区域都与创新的空间关系保持直接联系。 建筑形态通过精妙的体量编排组织，一个体量横向搁置在另外两个之上，分布于紧凑而高效的空间配置中。内部为住宅的完整功能区域，围绕开放的底层公共空间展开，与后方森林景观保持直接关系，寻求对自然环境的透明性和开放性。抬升设计朝向多功能应用，通过解放地平面与城市天际线和自然景观融为一体。 立面轻盈而连贯，通过单一砖材料强化体量的整体性，墙体、屋顶和结构元素无缝融合，为整体提供材料一致性和永恒性。维护免费的砖材选择，战略性地适应环境可持续性需求，标示着设计的耐久性特质并强化了住宅的创新性格。 材料运用体现了与可持续性的深度对话。House CM被构想为一个建筑重新诠释，向传统建造技术、环境责任以及建成材料与自然之间的本质连接致敬，通过交叉通风、自然采光控制和被动式热性能展现出当代阿根廷建筑在处理规范约束时的成熟度和创新性。 设计团队 -- AtelierM由Matias Mosquera于2020年在阿根廷布宜诺斯艾利斯创立，已确立其作为致力于循环经济原则和可持续设计创新的领先建筑实践地位。该工作室作为协作性创意工坊运作，在不同尺度和类型中进行持续实验，同时对环境责任和材料耐久性保持严格关注。 在Mosquera的指导下，在合伙人Camila Gianicolo、Francisco Gómez Paratcha、Cristian Grasso、Carolina Tobar和Milagros Vita的支持下，事务所因其前卫的当代建筑方法获得了国际认可。实践哲学以永恒探索为中心，将每个设计过程视为即兴创作，参数化技术与古老建造工艺相融合，生成出乎意料的场地特定解决方案。 AtelierM的方法论超越了传统可持续性指标，通过闭环系统追求事务所所称的"生产性建筑"，重新教育居住者行为，同时最小化对外部基础设施网络的依赖。这一承诺体现在优先考虑自然通风策略、被动式热性能和材料持久性的项目中，砖材、木材和区域性采购材料构成了工作室的建构词汇。 事务所的设计哲学围绕将限制转化为创新机遇的理念展开，这一原则体现在以材料一致性、环境被动策略和空间流动性为特征的项目中。AtelierM的作品集展现了在创造平衡功能性能与环境和谐的建筑方面的持续卓越，确立了事务所作为当代可持续住宅建筑重要贡献者的地位。 该实践将建筑理解为扩展学科，涵盖跨学科协作、材料实验和社会责任。事务所的作品获得了显著认可，包括2025年Architizer将其列为阿根廷最佳建筑和设计公司第七名、2024年CAPBA建成作品奖第二名，以及多次金特列齐尼奖荣誉提名。Mosquera自2018年起同时担任布宜诺斯艾利斯大学建筑设计教授，确保实践在专业创新之外保持学术严谨性。通过综合专业服务包括建筑设计、参数化技术应用和可持续建造咨询，AtelierM致力于通过创新的可持续设计实践重新定义住宅建筑，在国际舞台上展现阿根廷设计的本质和创新。著名作品包括获奖的House CM、ZigZag住宅、MeCa住宅以及遍布阿根廷的多个住宅和公共项目，每个项目都展现了事务所应对多样化功能要求和环境挑战的能力。 设计团队 旅游探访 315 m² 布宜诺斯艾利斯，阿根廷 2022 前一项 后一项

< 返回 18-07度假别墅 OFFICE INAINN 项目名称：18-07度假别墅 地点：瓦尔达尔，挪威 设计团队：OFFICE INAINN 建筑面积：127 m² 竣工时间：2025年 摄影：ONI Studio 设计特色： 项目 - 坐落于挪威西海岸的峭壁之上，由OFFICE INAINN设计的18-07度假别墅展现了建筑敏感性的极致体现。这座127平方米的住宅于2025年4月竣工，将在陡峭岩石地形上建造的挑战转化为结构与景观创新对话的机遇。 该项目最引人注目的成就在于其对现有地形的尊重态度。建筑师们没有平整具有挑战性的山坡场地，而是拥抱自然轮廓，创造出两个微妙错位的体量，顺应坡地的有机节奏。这一决策消除了挡土墙的需求，同时产生天花板高度和空间体验的自然变化，营造出与场所真实连接的感受。 建筑叙事通过精心编排的运动序列展开。访客沿着岩层和建筑围护结构之间的狭窄路径前行，过渡到高大的线性走廊，它作为狂野海岸景观与温暖室内港湾之间的温和桥梁。光线成为动态设计元素，透过回应海岸色调变化的木质墙体过滤，最终在每个房间独特框景的峡湾景观中达到高潮。 材料选择体现了情境融合的哲学理念。本地采购和具有原生感的材料创造出触觉丰富、低调内敛的调色板，增强而非竞争自然环境。木质外墙回应海岸环境的情绪变化，而室内饰面保持与粗犷外部景观的连接。 这个OFFICE INAINN与深深植根于该地区的客户之间的合作项目，展示了当代建筑如何在提供现代功能性的同时尊重场所。其结果是一座仿佛从景观中生长出来的住宅，体现了自然应当引领建筑决策的指导原则。 设计团队 - 由建筑师马克西米利安·萨维茨基于2020年创立的OFFICE INAINN事务所，已成为当代斯堪的纳维亚建筑领域的独特声音，建立了一个超越传统学科边界的实践体系。总部位于挪威奥勒松的事务所，在建筑、艺术与实践型研究的关键交汇点运营，开发创新方法论以应对以用户为中心的设计与场地特定环境条件。 在萨维茨基的领导下，OFFICE INAINN将建筑实践重新定义为创造情境敏感空间干预的过程，深深植根于斯堪的纳维亚设计哲学。工作室的方法强调人、自然与建成环境之间的动态对话，每个项目都作为对景观地形学、文化语境与当代生活模式之间复杂关系的深思熟虑回应而产生。 事务所的设计方法论广泛汲取斯堪的纳维亚现代主义的基本原则——简洁性、功能性与环境管理——同时通过严谨的研究框架推进超越传统应用的实践。这种方法在项目中体现为对自然系统的深刻尊重，最小化生态影响的同时创造持久、可持续且和谐融合的建筑解决方案。 OFFICE INAINN的扩展学科方法涵盖跨多重尺度的战略规划、材料规格与详细施工文档。事务所对持久性与环境责任的承诺确保每项建筑干预不仅仅作为功能结构运作，而是通过尊重且可持续的设计策略对其直接语境进行深思熟虑的转化。 https://www.youtube.com/watch?v=y-AMZx3_Uzs 设计团队 旅游探访 127 m² 瓦尔达尔，挪威 2025 前一项 后一项

< 返回 红色潜水艇小屋 Wiki World 地点：武汉，中国 设计团队：Wiki World 面积：20 m² 建成时间：2026年 摄影：Xhot 设计特色： Wiki World在中国武汉的林地中建造一座20 m²的模块化木屋。鲜红色外壳、圆形舷窗与仿佛船舱的室内，使“潜水艇”不止停留在名称上；它更像一种转换视角的装置，让原本熟悉的树林在低矮门槛、圆窗和大幅玻璃之间变得忽远忽近。 小屋以胶合木为主要结构，构件与连接节点经过数字化设计，并在进场前完成预制。抬高的主体落在林地之上，保留周围树木与竹丛。红色体量在绿色背景里并不消隐，却借紧凑的占地和清楚的组装逻辑，把施工对场地的介入控制在较小范围。 内部并不试图把20 m²平均分成许多房间。起居空间朝向一扇大幅观景窗，床位被抬至阁楼，梯子把活动与休息压缩进同一立体剖面。圆形舷窗提供更私密、集中的林景；床上方的天窗则把视线从树干引向天空。不同形状的开口，让小屋在有限尺度里拥有几种截然不同的观看方式。 建筑的趣味并非依靠复杂形体，而是来自清晰的反差：外部如同可辨认的红色物件，内部则以木材的纹理和温度放慢节奏；巨大的方窗把树林铺展成背景，圆窗又把一段枝叶收束为近景。预制结构、架空底部与阁楼布局共同服务于这种轻巧而密集的居住体验。 项目介绍借用电影《陆上行舟》的冒险意象，描绘一处可以被带入自然的微型居所。真正值得阅读的，是这座小屋如何以有限面积重新安排身体与风景的关系：从林地走向红色外壳，再沿梯子抵达床位，森林始终在窗框中变换尺度。 设计团队： Wiki World是一家以模块化木构小屋为核心的设计团队，持续探索数字化设计、预制建造与自然场地之间的关系。团队将小屋视为可随场地变化的空间系统，而非一套固定外观；在本项目中，胶合木构件、定制连接节点与紧凑平面被共同推敲，使建造方式直接参与空间体验。项目页面列出的主创建筑师为Mu Wei、Feng Zhaoxian、Wu Baorong、He Wen、Xu Xiaodong、Liao Xiaotian、Wang Yuanying及Chen Liang。 设计团队 旅游探访 20 m² 武汉，中国 2026 前一项 后一项

Chiasmus Partners是一家国际建筑事务所，于2005年在纽约创立，现以首尔与北京为主要工作基地，并在建筑、室内与总体规划等领域展开实践。事务所的项目类型涵盖文化设施、教育建筑、商业空间、办公建筑与住宅，代表性实践包括庆熙大学SPACE21校园总体规划、仁川艺术中心，以及北京红钻剧场等。 < Back Chiasmus Partners South Korea Chiasmus Partners是一家国际建筑事务所，于2005年在纽约创立，现以首尔与北京为主要工作基地，并在建筑、室内与总体规划等领域展开实践。事务所的项目类型涵盖文化设施、教育建筑、商业空间、办公建筑与住宅，代表性实践包括庆熙大学SPACE21校园总体规划、仁川艺术中心，以及北京红钻剧场等。 事务所现由Hyunho Lee、Chika Nomura、James Wei Ke等合伙人与首尔团队共同推进设计。Hyunho Lee毕业于首尔大学，并取得密歇根大学建筑学硕士学位，早年曾在纽约Polshek Partnership Architects与Peter Marino Architect工作；Chika Nomura毕业于武藏野美术大学与普瑞特艺术学院，并长期参与建筑教育；James Wei Ke先后就读于加州大学伯克利分校与哥伦比亚大学，曾在纽约Polshek Partnership Architects及北京非常建筑工作。 Chiasmus Partners将每个项目视为汇集使用者生活故事与场地内在诗意的机会，并把矛盾条件作为建筑介入与创造的起点。圆庭之家延续了这一方法：坡地、视线、传统别栋关系与两代家庭的距离并未被简化为单一功能，而是被转译为庭院、曲墙、屋顶和高差之间持续变化的空间联系。 WEBSITE PROJECT

CPLUS是一家总部位于北京的建筑设计事务所，由程艳春和李楠于2014年共同创立。在过去十年间，事务所已发展成为中国最具创新力的建筑实践之一，以其对传统文化的深刻理解和对当代建筑语言的创新运用而闻名。 CPLUS is a Beijing-based architectural practice founded in 2014 by Cheng Yanchun and Li Nan. Over the past decade, the firm has evolved into one of China's most innovative architectural practices, renowned for its profound understanding of traditional culture and innovative application of contemporary architectural language. < Back CPLUS 中国（CHINA） CPLUS是一家总部位于北京的建筑设计事务所，由程艳春和李楠于2014年共同创立。在过去十年间，事务所已发展成为中国最具创新力的建筑实践之一，以其对传统文化的深刻理解和对当代建筑语言的创新运用而闻名。 事务所的设计方法建立在"理性的设计逻辑导向建筑的感性与诗意"的理念之上，特别擅长将东方自然哲学与现代建筑技术相结合。团队采用跨学科协作方式，整合规划、建筑、景观及室内设计等多个专业领域，为项目提供全面的设计解决方案。 在创始合伙人程艳春和李楠的带领下，事务所完成了众多备受瞩目的项目。程艳春具有日本早稻田大学建筑博士学位，专注于聚落和住宅研究；李楠则在法国ENSA-PVS接受建筑教育，负责事务所运营管理。这种东西方文化的交融为事务所带来了独特的设计视角。 CPLUS在建筑设计领域获得多项重要奖项，包括2022年Architizer A+Awards"最佳年轻事务所"入围奖等。事务所的实践范围涵盖文化、教育、商业办公、文化旅游等多个领域，并积极参与城市更新与乡村振兴项目。他们的作品特别注重空间体验与环境互动，致力于通过建筑设计创造新的生活可能性。 CPLUS is a Beijing-based architectural practice founded in 2014 by Cheng Yanchun and Li Nan. Over the past decade, the firm has evolved into one of China's most innovative architectural practices, renowned for its profound understanding of traditional culture and innovative application of contemporary architectural language. The firm's design methodology is built upon the principle that "rational design logic guides architectural sensibility and poetry," particularly excelling in combining Eastern natural philosophy with modern architectural technology. The team adopts a cross-disciplinary collaborative approach, integrating planning, architecture, landscape, and interior design to provide comprehensive design solutions for projects. Under the leadership of founding partners Cheng Yanchun and Li Nan, the firm has completed numerous acclaimed projects. Cheng Yanchun holds a Ph.D. in Architecture from Waseda University, focusing on settlement and housing research, while Li Nan, educated at ENSA-PVS in France, manages the firm's operations. This fusion of Eastern and Western cultural perspectives brings a unique design approach to the firm. CPLUS has garnered several significant awards in architectural design, including being shortlisted for the 2022 Architizer A+Awards "Best Young Firm." The practice's work spans cultural, educational, commercial office, and cultural tourism projects, with active involvement in urban renewal and rural revitalization initiatives. Their work particularly emphasizes spatial experience and environmental interaction, striving to create new living possibilities through architectural design. WEBSITE PROJECT

Jesper Kusk Arkitekter成立于2019年，总部位于丹麦哥本哈根，在当代北欧建筑领域迅速崭露头角，专注于可持续设计和适应性改造。创始人Jesper Kusk此前曾在Nordic建筑事务所和Lundgaard & Tranberg建筑事务所等知名公司累积近二十年的专业经验，为事务所带来了丰富的建筑实践经验。 Jesper Kusk Arkitekter, established in 2019 in Copenhagen, Denmark, has rapidly emerged as a significant voice in contemporary Nordic architecture, specializing in sustainable design and adaptive reuse. Founded by Jesper Kusk, who brings nearly two decades of expertise from prestigious firms including Nordic - Office of Architecture and Lundgaard & Tranberg Arkitekter, the practice has garnered recognition for its innovative approach to environmental stewardship and contextual sensitivity. < Back Jesper Kusk Arkitekter 丹麦（DANMARK） Jesper Kusk Arkitekter成立于2019年，总部位于丹麦哥本哈根，在当代北欧建筑领域迅速崭露头角，专注于可持续设计和适应性改造。创始人Jesper Kusk此前曾在Nordic建筑事务所和Lundgaard & Tranberg建筑事务所等知名公司累积近二十年的专业经验，为事务所带来了丰富的建筑实践经验。 事务所的设计理念立足于创造超越时间界限的持久建筑，强调生物亲和性设计原则和碳意识方法论。在Jesper Kusk的带领下（他自2023年起担任丹麦建筑师协会竞赛委员会主席），工作室发展出了独特的项目组合，以其精致的材料配置和对木构建筑的重视而著称。 事务所位于历史悠久的Fæstningens Materialgård，以其严谨的分析过程和协作式设计方法而闻名。他们的作品以精心整合自然采光、自然通风和创新空间规划而独树一帜。事务所对可持续性的承诺超越了单纯的能源效率，涵盖了更广泛的社会和环境责任，这体现在他们对材料生命周期和适应性再利用策略的精细关注上。 Jesper Kusk Arkitekter, established in 2019 in Copenhagen, Denmark, has rapidly emerged as a significant voice in contemporary Nordic architecture, specializing in sustainable design and adaptive reuse. Founded by Jesper Kusk, who brings nearly two decades of expertise from prestigious firms including Nordic - Office of Architecture and Lundgaard & Tranberg Arkitekter, the practice has garnered recognition for its innovative approach to environmental stewardship and contextual sensitivity. The firm's design philosophy centers on creating enduring architecture that transcends temporal boundaries, emphasizing biophilic design principles and carbon-conscious methodologies. Under Kusk's leadership, who serves as the Chairman of the Competition Committee at the Danish Association of Architects since 2023, the studio has developed a distinctive portfolio characterized by its sophisticated material palette and emphasis on timber construction. Operating from their headquarters in the historic Fæstningens Materialgård, the practice has cultivated a reputation for thorough analytical processes and collaborative design approaches. Their work is distinguished by a careful integration of daylight, natural ventilation, and innovative spatial programming. The firm's commitment to sustainability extends beyond mere energy efficiency to encompass broader social and environmental responsibilities, reflected in their meticulous attention to material lifecycle and adaptive reuse strategies. WEBSITE PROJECT

< 返回 观云·钱塘城 Aedas 项目名称：观云·钱塘城 地点：杭州，中国 设计团队：Aedas 建筑面积：334057 m² 竣工时间：2024年 摄影：Arch-Exist 设计特色： 项目 - Aedas在杭州钱江世纪城奥体博览城区域揭幕了观云·钱塘城，确立了该地区的地标性商务综合体。这座334,057平方米的建筑群响应了杭州作为长三角世界级城市群副中心城市的中央商务区发展需求，位于钱江世纪城与钱江新城连接的战略区域。 其独特设计以"扬帆起航"为灵感，将五座塔楼融入地块和江河之中，呈现帆船形态，象征乘风破浪、蓬勃发展之势。这些塔楼以不同高度和层叠设计创造了充满活力的轮廓，犹如风帆捕捉风力的动态姿态，与周围环境相呼应，沿钱塘江形成独特天际线。 塔楼象征风帆与风的结合，配合错落有致的玻璃幕墙。裙楼的曲线反映了流动的江水，共同营造出高耸轻盈的建筑轮廓，与沿岸绿化和谐融合，呈现自然和谐之美。 项目整体规划强调与自然的连接。五座塔楼的巧妙布局确保了通透性并最大限度地利用钱塘江景观。通过步行道等公共空间，观云·钱塘城与自然环境紧密相连，创造了多维度的滨水广场和阶梯式绿地。 该项目地理位置优越，西侧毗邻钱塘江，拥有极佳的一线江景及城市展示面。南侧俯瞰奥体博览中心，西侧有新先锋河经过，景观资源优越。周边临近规划中的地铁6号线及2号线，另有三条通道可快速直达对岸的钱江新城。 团队 - Aedas Aedas是国际知名的建筑设计公司，在全球拥有多个办公室。公司以创新、前沿的设计理念和多元化的建筑形态而闻名，在全球范围内完成了众多标志性项目。 在观云·钱塘城项目中，设计团队由全球设计总监温子先博士和执行董事刘燕领导。温子先表示："观云·钱塘城是一座融合文化背景的地标性商业建筑，为城市提供独特体验。"刘燕则指出："观云·钱塘城展现了独特的建筑形式和以人为本的体验，提供与城市沉浸式互动的机会。" 该项目荣获多项国际奖项，包括2022年缪斯设计大奖商业建筑类白金奖、2021年IDA国际设计奖建筑类商业建筑项目荣誉奖、2021年杰出建筑奖建筑设计商业建筑优胜奖、2021年亚太房地产大奖中国办公楼建筑优胜奖以及2020年REARD全球地产设计大奖商办类建筑铜奖。 Project Name: Guanyun Qiantang City Location: Hangzhou, China Design Team: Aedas Total Floor Area: 334,057 m² Completion: 2024 Photography: Arch-Exist Feature: Project - Aedas In the Olympic Sports Expo City area of Qiantang Century City in Hangzhou, Aedas has unveiled Guanyun Qiantang City, establishing a landmark commercial complex in the region. This 334,057-square-meter development responds to Hangzhou's development needs as the central business district of a world-class urban cluster sub-center in the Yangtze River Delta, strategically positioned in the connecting area between Qiantang Century City and Qianjiang New City. Its unique design draws inspiration from the concept of "setting sail," integrating five towers into the plot and river in a sailboat form, symbolizing riding the waves of prosperity and vigorous development. These towers feature varying heights and overlapping layers that create a vibrant silhouette, resembling the dynamic posture of sails catching the wind, echoing the surrounding environment and forming a distinctive skyline along the Qiantang River. The towers symbolize the combination of sail and wind, complemented by staggered glass curtain walls. The curves of the podium reflect the flowing river currents, together creating a tall and lightweight architectural silhouette that harmoniously blends with the waterfront greenery, presenting a beauty of natural harmony. The overall planning emphasizes connection with nature. The ingenious layout of the five towers ensures permeability and maximizes views of the Qiantang River. Through public spaces such as pedestrian paths, Guanyun Qiantang City is closely connected with the natural environment, creating multi-dimensional waterfront plazas and terraced green spaces. The project enjoys an excellent location, adjacent to the Qiantang River on the west with premium riverfront views and urban visibility. It overlooks the Olympic Sports Expo Centre to the south, with Xinxianfeng River passing on the west, offering superior landscape resources. The surrounding area is near the planned Metro Lines 6 and 2, with three passages providing quick access to Qianjiang New City across the river. Design Team - Aedas Aedas is an internationally renowned architectural design firm with offices worldwide. The company is known for its innovative, cutting-edge design concepts and diverse architectural forms, having completed numerous iconic projects globally. In the Guanyun Qiantang City project, the design team was led by Dr. Andy Wen, Global Design Principal, and Nicole Liu, Executive Director. Andy Wen states: "Guanyun Qiantang City is a landmark commercial building that integrates cultural context, offering a unique experience for the city." Nicole Liu points out: "Guanyun Qiantang City showcases a distinctive architectural form and a people-centric experience, offering an immersive engagement with the city." The project has won multiple international awards, including the 2022 Muse Design Awards Platinum Award in Commercial Architecture, the 2021 IDA International Design Awards Honorary Award in Commercial Architecture Projects, the 2021 Outstanding Architecture Award in Commercial Building Design, the 2021 Asia Pacific Property Awards for Chinese Office Building Architecture, and the 2020 REARD Global Real Estate Design Awards Bronze Award in Commercial Architecture. 设计团队 旅游探访 334057 m² 杭州，中国 2024 前一项 后一项

< 返回 吉卜力公园“魔女之谷” Studio Ghibli + NIHON SEKKEI 吉卜力公园“魔女之谷” 地点：爱知县，日本 设计团队：Studio Ghibli + NIHON SEKKEI 园内面积：2.9公顷 竣工时间：2024年 摄影：J-LIGHTS / Koichiro Itamura, Kawasumi・Kobayashi Kenji Photograph Office 设计特色： 项目 - Studio Ghibli与NIHON SEKKEI在日本爱知县共同打造了吉卜力公园"魔女之谷"，作为五大园区中的最后一个开放区域。这个项目继承了2005年爱知世博会的理念，旨在"向自然机制学习，解决全球问题，创造可持续社会"。设计团队摒弃了传统主题公园的做法，转而采用融合欧洲建筑风格与奇幻元素的方法，将《魔女宅急便》、《哈尔的移动城堡》和《安雅与魔女》中的标志性场景具体化为三维空间体验。 整个设计基于三大理念：向时间学习、思考人文关怀、培育环境可持续性。项目融合了传统建筑技术与现代科技，包括空心砖砌筑、干砌石工艺、半木结构和曲拱桁架等历史建筑方法，精心选择石材、砖块、木材、铁、铜、石膏和瓷砖等材料，创造出能够激发游客想象力并调动全部感官体验的空间。 魔女之谷的中心是令人叹为观止的20米高哈尔移动城堡复制品，这一建筑每小时不定期喷发白烟，部分结构会定时旋转。城堡内部细致还原了电影中的场景，包括客厅、卡西法的壁炉和哈尔的卧室等空间。园区还引入了吉卜力公园首个电动游乐设施——旋转木马和飞行游乐项目，同时保持与周围自然环境的和谐融合。 园区的景观设计巧妙融入现有地形，保留自然环境的同时增强了体验的沉浸感。整个区域被构建为一个连贯的城镇景观，包括苏菲的帽子店、琪琪的面包店和安雅的魔女住所，以及各类特色建筑，如飞行烤箱和飞行员塔等。这种现实与幻想之间边界模糊的设计创造了梦幻般的环境，让游客能够自由穿梭于吉卜力世界与现实之间。 由于其在建筑领域的创新成就和对公众建筑兴趣的扩大，吉卜力公园"魔女之谷"荣获了"2025年日本建筑奖"的特别奖。 团队 - 吉卜力工作室（Studio Ghibli）成立于1985年6月15日，由导演宫崎骏、高畑勋、制片人铃木敏夫和德间康快共同创立，经过近四十年的发展，已从一家动画工作室发展成为对空间叙事和建筑想象力有深远影响的创意力量。工作室位于东京都小金井市，在动画行业拥有强大影响力，同时将作品范围扩展到多种媒体形式。 在现任荣誉主席宫崎骏、主席铃木敏夫、社长福田博之及导演宫崎吾朗的领导下，Studio Ghibli持续模糊幻想与建筑环境之间的界限。"魔女之谷"项目由宫崎吾朗监督，他是多部吉卜力电影的导演，也是这个项目的领导者。设计过程中，他的草图与设计师的方案经过精心审核和持续反馈，确保忠实实现构想的世界。整个开发过程围绕"为什么不能做到？"和"我们如何使它成为可能？"等问题展开讨论，从规划到完成的对话代表了项目的最大挑战。 作为一家专注于创造促进想象力和社会联系的空间的机构，Studio Ghibli通过三鹰市的吉卜力美术馆（2001年）和全面的吉卜力公园开发（2022-2024年）展示了其在保持叙事完整性的同时创造功能性、可建造空间方面的卓越技能，将动画中的幻想世界以物理和建筑的形式呈现给观众。 Ghibli Park Valley of Witches Location: Aichi Prefecture, Japan Design Team: Studio Ghibli + NIHON SEKKEI Area: 2.9 ha Completion: 2024 Photography: J-LIGHTS / Koichiro Itamura, Kawasumi・Kobayashi Kenji Photograph Office Feature: Project - Studio Ghibli and NIHON SEKKEI have collaboratively created the "Valley of Witches" in Ghibli Park, Aichi Prefecture, as the final area to open among the park's five zones. This project inherits the philosophy of the 2005 Aichi Expo, aiming to "learn from the mechanism of nature, solve global issues, and create a sustainable society." The design team departed from conventional theme park approaches, instead adopting a method that fuses European architectural styles with fantastical elements to transform iconic scenes from "Kiki's Delivery Service," "Howl's Moving Castle," and "Earwig and the Witch" into three-dimensional spatial experiences. The entire design is founded on three concepts: Learning from Time, Thinking of People, and Nurturing Environmental Sustainability. The project integrates traditional construction techniques with modern technology, employing historical building methods such as hollow-core brick masonry, dry-stone construction, half-timber framing, and cruck truss structures. Materials including stone, brick, wood, iron, copper, plaster, and tiles were meticulously selected to create spaces that stimulate visitors' imagination and engage all sensory faculties. At the center of the Valley stands an awe-inspiring 20-meter-tall replica of Howl's Moving Castle, which periodically emits white smoke and features rotating structural elements. The castle interior faithfully recreates scenes from the film, including the living room, Calcifer's hearth, and Howl's bedroom. The area also introduces Ghibli Park's first electric attractions—a carousel and flying ride—while maintaining harmony with the surrounding natural environment. The landscape design thoughtfully integrates with the existing topography, preserving the natural setting while enhancing the immersive quality of the experience. The entire area is structured as a cohesive townscape featuring Sophie's hat shop, Kiki's bakery, and Earwig's witch residence, along with distinctive structures such as the Flying Oven and the Tower of Aviators. This design, which deliberately blurs the boundaries between reality and fantasy, creates a dreamlike environment allowing visitors to step freely between Ghibli's world and reality. For its innovative achievements in architecture and expansion of public interest in the field, the Ghibli Park "Valley of Witches" was awarded a Special Prize in the "2025 Japan Architecture Award." Design Team - Founded on June 15, 1985, by directors Hayao Miyazaki, Isao Takahata, producer Toshio Suzuki, and Yasuyoshi Tokuma, Studio Ghibli has evolved over nearly four decades from an animation studio into a creative force with profound influence on spatial narrative and architectural imagination. Based in Koganei, Tokyo, the studio maintains a strong presence in the animation industry while expanding its portfolio across various media formats. Under the current leadership of Honorary Chairman Hayao Miyazaki, Chairman Toshio Suzuki, President Hiroyuki Fukuda, and Director Gorō Miyazaki, Studio Ghibli continues to blur the boundaries between fantasy and built environment. The "Valley of Witches" project was supervised by Gorō Miyazaki, director of several Studio Ghibli films and leader of this project. Throughout the design process, his sketches combined with designers' proposals underwent meticulous review and continuous feedback to ensure faithful realization of the envisioned world. Discussions throughout the development centered around questions such as "Why can't it be done?" and "How can we make it possible?"—ongoing dialogues that represented some of the project's greatest challenges. As an institution focused on creating spaces that foster imagination and social connection, Studio Ghibli has demonstrated exceptional skill in preserving narrative integrity while creating functional, buildable spaces through the Ghibli Museum in Mitaka (2001) and the comprehensive Ghibli Park development (2022-2024), presenting animated fantasy worlds to audiences in physical, architectural form. 设计团队 旅游探访 2.9公顷 爱知县，日本 2024 前一项 后一项

< 返回 Sunburst 住宅 Toll Brothers 设计特色： 在亚利桑那州斯科茨代尔市，Toll Brothers的Sunburst住宅如同现代沙漠生活的灯塔般崛起。这座5547平方英尺(约515平方米)的杰作荣获2024年美国金块奖（Gold Nugget Awards）的年度住宅大奖，以其创新设计和室内外空间的无缝融合，重新定义了单层豪宅的概念。 住宅的H形平面布局巧妙地编织出功能性与美学的交响乐。中心位置是挑高天花板的宽敞起居室，成为整个住宅的核心，两侧则是经过精心设计的私密区域。建筑特色通过双重多片式推拉门得以展现，模糊了室内舒适与亚利桑那荒野美景之间的界限。 这座住宅的一大亮点在于其对烹饪艺术的致敬。厨房配备双中岛台面和早餐吧台，无缝过渡到备餐厨房——这本身就是一件艺术品。这个美食中心延伸到户外，与室外厨房和娱乐区相连，体现了沙漠待客之道的精髓。 主卧套房将个人庇护所的概念提升到新高度，拥有宫殿般的步入式衣帽间和堪比高端水疗中心的豪华浴室。其直接通往私密户外水疗区的设计进一步彰显了这座住宅对奢华生活的追求。 Toll Brothers的远见在每一个细节中闪耀，从战略性布置的泳池最大化山景视野，到增添多功能性的独立多代同堂套房。Sunburst住宅树立了现代沙漠建筑的新标杆，在这里，奢华与功能性完美融合，风格与实用性和谐共存。 团队 – 美国Toll Brothers成立于1967年，已经成为豪华住宅建筑和开发领域的翘楚。这家行业领军企业已跻身《财富》500强,半个多世纪以来一直在塑造美国住宅景观,巧妙平衡美学吸引力和功能设计。 该公司的业务版图横跨24个州，覆盖60多个市场,令人印象深刻。其专业不仅限于独栋住宅,还包括总体规划社区、高尔夫球场开发和城市高层建筑。这种多元化展示了他们在满足不同人群需求方面的适应能力,从首次购房者到空巢族都能找到心仪之选。 Toll Brothers 公司内部设有建筑、工程和景观设计工作室,确保各个项目的愿景和执行保持一致。他们对创新的承诺体现在旗下智能家居技术子公司上，不断推动现代生活的边界。 该公司对卓越的追求得到了广泛认可。托尔兄弟荣获《Builder》和《Professional Builder》杂志评选的"年度建筑商"称号。连续十年入选《财富》世界最受赞赏公司榜单，凸显了他们在质量和创新方面的卓越声誉。 Toll Brothers 不断重新定义豪华生活，将永恒的建筑原则与尖端的可持续发展实践和技术集成融为一体，致力于打造不仅满足，而且超越美国各地挑剔业主不断变化期望的住宅。 Feature： Project - In the heart of Scottsdale, Arizona, the Sunburst model by Toll Brothers emerges as a beacon of contemporary desert living. This 5,547-square-foot masterpiece, crowned as the 2024 Gold Nugget Home of the Year, redefines single-story luxury with its innovative design and seamless integration of indoor and outdoor spaces. The Sunburst's H-shaped floor plan orchestrates a symphony of functionality and aesthetics. At its core, an expansive great room with soaring ceilings serves as the home's centrepiece, flanked by thoughtfully designed wings housing private retreats. The architectural narrative unfolds through dual multi-slide pocket doors, blurring the boundaries between interior comfort and the rugged beauty of the Arizona landscape. A standout feature is the home's commitment to culinary excellence. The kitchen, with its dual centre islands and breakfast bar, transitions effortlessly into a prep kitchen – a showpiece in its own right. This culinary hub extends outdoors, connecting to an alfresco kitchen and entertainment area, embodying the essence of desert hospitality. The primary suite elevates the concept of personal sanctuary, boasting a palatial walk-in closet and a lavish bathroom that rivals high-end spas. Its direct access to a secluded outdoor spa area further emphasizes the home's dedication to luxurious living. Toll Architecture's vision shines through in every detail, from the strategically placed pool that maximizes mountain vistas to the detached multigenerational suite that adds a layer of versatility to the property. The Sunburst stands as a testament to modern desert architecture, where luxury meets functionality in a harmonious blend of style and substance. Design Team - Founded in 1967, Toll Brothers has established itself as a preeminent force in luxury residential architecture and development. Now a Fortune 500 company, this industry leader has been shaping the American housing landscape for over five decades, expertly balancing aesthetic appeal with functional design. The firm's portfolio spans an impressive 24 states, encompassing over 60 markets. Toll Brothers' expertise extends beyond single-family homes to include master-planned communities, golf course developments, and urban high-rises. This diversification showcases their adaptability in addressing various demographic needs, from first-time homebuyers to empty-nesters. Toll Brothers stands out for its vertically integrated approach. The company maintains in-house architectural, engineering, and landscape design studios, ensuring cohesive vision and execution across projects. Their commitment to innovation is evident in their smart home technology subsidiary, pushing the boundaries of modern living. The firm's dedication to excellence has not gone unnoticed. Toll Brothers has garnered numerous accolades, including being named Builder of the Year by both Builder and Professional Builder magazines. Their consistent presence on Fortune's World's Most Admired Companies list for a decade underscores their reputation for quality and innovation. Led by a team of seasoned professionals, Toll Brothers continues to redefine luxury living, blending timeless architectural principles with cutting-edge sustainability practices and technological integration. As they move forward, the firm remains committed to crafting residences that not only meet but exceed the evolving expectations of discerning homeowners across the United States. 设计团队 旅游探访 5547 ft² Scottsdale, USA 2024 前一项 后一项

< 返回 UCCA陶美术馆 隈研吾建筑都市设计事务所 项目名称：UCCA陶美术馆 地点：宜兴，中国 设计团队：隈研吾建筑都市设计事务所 面积：3437 m² 完工时间：2024年 摄影师：Fangfang Tian, Eiichi Kano 设计特色： 项目 - 日本建筑师隈研吾在中国宜兴揭幕了一座极具雕塑感的陶瓷博物馆，其起伏的建筑形态由手工釉面陶板包裹，向这片区域延续千年的陶艺传统致敬。UCCA宜兴陶艺馆于2024年竣工，从后工业语境中崛起，是对当地地貌与建筑特色的当代诠释。坐落于传统陶瓷工厂的旧址之上，这座建筑面积达3437平方米的场馆，架起了连接宜兴丰富陶瓷遗产与其作为艺术创新中心未来愿景之间的文化桥梁。 博物馆最引人注目的特征是其山形轮廓，这一设计灵感来自两个重要的在地元素：北宋文学作品中备受推崇的蜀山，以及在当地延续使用超过六个世纪的传统龙窑。这种双重指涉创造出强有力的建筑叙事，将建筑牢固地锚定在宜兴的自然与文化景观之中。 建筑复杂的几何形态通过创新的倒扣壳式屋顶实现，其特征是由虚拟球体切割的表面，由精密的四层木格构架支撑。这一工程解决方案不仅确保了结构的完整性，还创造出一系列戏剧性的内部空间，引导参观者穿行于展览之中。 外立面由与当地工匠密切合作开发，采用定制陶板配以变化的釉面工艺，创造出微妙的色彩渐变。这些面板会随光线变化产生动态视觉效果，映射出陶瓷烧制过程中的转化本质。建筑形体经过策略性的开窗处理，与周边环境建立有意义的联系，创造出通向相邻陶瓷工厂和运河的视觉通廊。外立面陶板温暖而略带质感的物质性，让人联想起传统中国茶器，将建筑表皮转化为一件大型陶器，承载并颂扬其所代表的工艺。 团队 - 1990年，著名日本建筑师隈研吾（1954年生）创立了隈研吾建筑都市设计事务所(Kengo Kuma and Associates，简称KKAA)。经过多年发展，该事务所已成为全球领先且富有经验的情境驱动设计公司，在东京、巴黎、北京和上海均设有办事处，在40多个国家完成了众多创新项目，巧妙融合建筑与自然环境。 隈研吾的设计理念强调与场地的深度联系，巧妙运用自然材料，通过细致入微的干预手法，打造出既尊重当地文化与生态，又能提升人文体验的建筑作品。从大型文化设施到尺度宜人的度假别墅，KKAA的作品涵盖多种尺度和类型，但无一例外地体现了可持续发展和对人与环境关系的深刻理解。 在隈研吾的带领下，KKAA不断推进当代建筑的边界，融合创新技术和传统工艺，实现了远见卓识的设计，重塑了建筑环境的角色定位。迈入第四个十年，KKAA凭借卓越的设计品质和持续的创新精神，已经成为建筑及设计行业的全球重要力量。 Project Name: UCCA Clay Museum Location: Yixing, China Design Team: Kengo Kuma & Associates Area: 3,437 m² Completion: 2024 Photographers: Fangfang Tian, Eiichi Kano Feature： Project - Japanese architect Kengo Kuma has unveiled a sculptural ceramics museum in Yixing, China, featuring an undulating form clad in hand-glazed terracotta panels that pays homage to the region's millennium-old pottery tradition. The UCCA Clay Museum, completed in 2024, emerges from its post-industrial context as a contemporary interpretation of both the local landscape and architectural vernacular. Situated on the former grounds of traditional pottery factories, the 3,437-square-metre structure serves as a cultural bridge between Yixing's rich ceramic heritage and its future as a hub for artistic innovation. The museum's most striking feature is its mountain-like silhouette, which draws inspiration from two significant local references: the historic Shushan Mountain, celebrated in Northern Song dynasty literature, and the traditional "dragon kilns" that have fired pottery in the region for over six centuries. This dual reference creates a powerful architectural narrative that anchors the building in both the physical and cultural landscape of Yixing. The structure's complex geometry is achieved through an innovative inverted shell roof, characterized by virtual sphere-carved surfaces supported by a sophisticated four-layer wooden lattice beam system. This engineering solution not only provides structural integrity but also creates a series of dramatic interior spaces that guide visitors through the museum's exhibitions. Developed in close collaboration with local artisans, the exterior is composed of custom-made ceramic panels featuring varied glazing techniques that create subtle color gradations. These panels respond dynamically to changing light conditions, producing an ever-shifting visual experience that mirrors the transformative nature of the ceramic firing process. The building's form is strategically punctured to establish meaningful connections with its surroundings, creating sight lines and physical links to the adjacent pottery factory and canal. The materiality of the facade panels – warm and slightly textured – offers a tactile experience reminiscent of traditional Chinese tea ware, transforming the building envelope into a large-scale ceramic vessel that houses and celebrates the very craft it represents. Design Team - Founded in 1990 by renowned Japanese architect Kengo Kuma, Kengo Kuma and Associates (KKAA) has established itself as a global leader in thoughtful, context-driven design. With a team of highly skilled professionals across offices in Tokyo, Paris, Beijing, and Shanghai, the firm has completed innovative projects in over 40 countries, seamlessly blending architecture with the natural environment. Kengo Kuma 's design philosophy emphasizes a deep connection to place, using natural materials and sensitive interventions to craft buildings that elevate the human experience while respecting local cultures and ecologies. From large-scale cultural institutions to intimate residential retreats, KKAA's portfolio showcases a mastery of scale and typology, united by a commitment to sustainability and an innate understanding of how architecture can foster meaningful relationships between people and their surroundings. With Kengo Kuma at the helm, KKAA continues to push the boundaries of contemporary architecture, integrating innovative technologies and traditional craftsmanship to realize visionary designs that redefine the role of the built environment. As the firm enters its fourth decade, its reputation for excellence and innovation continues to grow, solidifying its position as a global leader in the field. 设计团队 旅游探访 3437 m² 宜兴，中国 2024 前一项 后一项

< 返回 森之木露台 SUEP. + Tomoki Nagase Architects 地点：广岛，日本 设计团队：SUEP. + 永濑智基建筑设计事务所 面积：589.6 m² 建成时间：2025 摄影：Kai Nakamura 设计特色： 森之木露台位于广岛县厅建筑群内，场地原是一片来访者停车区。SUEP.与永濑智基建筑设计事务所以官民合作为起点，将封闭于行政功能中的城市余地改造为两座木结构平屋、草坪、树下小径与可穿行的檐下空间。项目没有以醒目的大型体量重塑县厅前景，而是降低建筑高度、保留并移植原有树木，让城市中心重新出现一片接近日常尺度的公共地景。 两座建筑围绕县厅之森分开布置，体量之间留下多条通往广场、骑楼和街道的路径。咖啡、餐饮与零售店面直接面向这些半室外空间，行政街区由此不再只是办理事务时才会抵达的目的地，也成为午间休息、散步、会面与小型活动可以自然发生的场所。成熟树冠越过低矮屋顶，建筑在视觉上退到绿荫之后，行人的移动反而成为空间主角。 项目必须回应约20年的事业周期。设计采用节点简洁、便于拆卸的SE木构体系，使构件未来能够移筑或重新利用；同时依据2019年修订后的日本建筑法规，以延烧防止建筑的方式处理防火区域中的木造商业建筑。外墙与檐底满足耐火条件，柱梁则以燃烧余量设计保持裸露，让木材的触感从室内连续到檐下。 材料进一步把广岛各地的生产与生活带入县厅核心。外墙竖向格栅使用县产木材，铺地、混凝土坐凳与种植池掺入当地生产和消费后回收的牡蛎壳；檐下展示窗则陈列并销售广岛工艺与产业产品。建筑不只借用地方材料的表面印象，而是让森林资源、海洋副产物、手工艺与商业运营共同进入公共空间。 从旅行者角度看，最值得观察的并非某一个造型瞬间，而是旧行政街区怎样被重新编织：树木、低屋顶、灰色铺地和连续檐廊把广岛城一带的城市漫步延伸到县厅内部。森之木露台把一项有期限的开发转化为可拆卸、可循环、也可被市民持续使用的公共建筑原型。 设计团队： SUEP.由建筑师末光阳子于2003年创立，末光弘和此后加入并共同主持事务所。团队在东京与福冈开展实践，长期围绕自然与建筑的共生展开研究，并将风、热、光与材料循环等环境模拟转化为空间和结构策略。末光弘和毕业于东京大学，曾在伊东丰雄建筑设计事务所工作；末光阳子毕业于广岛大学，曾任职于佐藤综合计划。事务所的项目从住宅、教育和文化设施延伸至公共空间与城市更新，曾获吉冈奖、芦原义信奖及优良设计奖金奖。 永濑智基建筑设计事务所由永濑智基于2023年创立。永濑于名古屋市立大学取得艺术工学博士学位，2015年加入SUEP.，2018年成为合伙人，随后开展独立实践。事务所关注人类使用与场地生态之间的相互影响，希望建筑不只改善居住者的生活，也使周边植物、动物和环境获得更丰富的关系。森之木露台延续了他在SUEP.时期积累的环境建筑经验，并于2025年获得日本优良设计奖。 设计团队 旅游探访 589.6 m² 广岛，日本 2025 前一项 后一项