< 返回 绍尔住宅 Measured Architecture 项目名称：Shor House 设计团队：Measured Architecture 面积：330 m² 地点：Vancouver, Canada 设计特色： 项目 – 坐落于加拿大BC省美丽如画的梅恩岛上，绍尔住宅（Shor House）悄然而起，成为可持续建筑和材料炼金术的典范。这座由Measured Architecture设计的滨水度假屋，将废弃木材蜕变成一个引人入胜的重生和智慧利用的故事。 该项目最引人注目的特点是其对回收利用的坚定承诺。原址建筑的回收木材构成了新房屋的骨架，而来自远方的再生材料-包括百年铁路枕木，在室内编织出丰富的历史感。这种"零取用"方法不仅仅是简单的重复使用；它是对废弃元素潜力的重新想象和创新实践。 从美学角度来看，绍尔住宅呈现出经典盐盒式建筑的现代诠释。为了延长使用寿命和可回收性而选用的耐候钢外观，与内部温暖的再生木材形成绝妙对比。大面积的玻璃窗墙将海峡的壮丽景色尽收眼底，模糊了室内外空间的界限。 室内设计摒弃了石膏板，转而采用威尼斯灰泥和外露的木质元素，营造出触感丰富、诚实朴实的内部空间。受唐纳德·贾德马尔法园区的启发，住宅布局强调极简主义和实用性，同时不失舒适感。 绍尔住宅不仅仅是一座普通的房子；它是可持续设计新时代的宣言，在这里，历史得到尊重，而新建筑如炼金术一般化腐朽为神奇。 团队 – 位于温哥华的Measured Architecture建筑事务所自2007年成立以来，已然成为加拿大西海岸建筑设计领域的重要力量。该事务所专注于现代设计、室内设计和景观设计，为公共和私人领域打造出令人耳目一新、与周围环境浑然一体的卓越空间。 由Clinton Cuddington创立，并于2009年迎来合伙人Piers Cunnington加入的Measured Architecture，多年来精心打造了一系列考究、创新且品质卓越的项目。他们独树一帜的"情境现代主义"设计理念，是一种以人为本、因地制宜的方法，将客户愿景、场地潜力以及市政规划、预算和工期等因素融会贯通。 Measured Architecture的设计哲学体现在对客户需求的深入理解上，创造出既实用高效又美观雅致的空间。他们的作品犹如精心编织的背景，与使用者的生活完美契合，突出了空间流动性和和谐感。 从住宅到商业项目，Measured Architecture的作品无不彰显其对环境敏感设计、可持续发展和创新材料运用的执着追求。他们屡获殊荣，包括多次荣膺《Western Living》杂志年度建筑设计师大奖，足见其在加拿大建筑界的重要地位。 Project：Shor House Team：Measured Architecture Size：330 m² Location：Vancouver, Canada Feature： Project - Nestled on the picturesque Mayne Island in British Columbia, Shor House stands as a testament to sustainable architecture and material alchemy. Designed by Measured Architecture, this waterfront retreat transforms discarded wood into a compelling narrative of rebirth and resourcefulness. The project's most striking feature is its unwavering commitment to recycling. Salvaged lumber from the site's original structures forms the backbone of the new house, while reclaimed materials from distant sources - including century-old railroad ties - weave a rich tapestry of history throughout the interior. This "zero-take approach" extends beyond mere reuse; it's an exercise in reimagining the potential of discarded elements. Aesthetically, Shor House presents a modern interpretation of the classic saltbox form. Its Corten steel exterior, chosen for longevity and recyclability, contrasts beautifully with the warmth of the repurposed wood within. Large glazed sections frame breathtaking views of Navy Channel, blurring the line between indoor and outdoor spaces. Inside, the absence of drywall in favor of Venetian plaster and exposed wooden elements creates a tactile, honest interior. The home's layout, inspired by Donald Judd's Marfa compound, emphasizes minimalism and practicality without sacrificing comfort. Shor House isn't just a home; it's a manifesto for a new era of sustainable design, where the past is honored, and waste becomes wonder. Design Team - Measured Architecture, founded in 2007 by Clinton Cuddington, has established itself as a leading force in Vancouver's architectural landscape. Specializing in modern design, interiors, and landscapes, the firm has consistently delivered exceptional public and private environments that are both stimulating to occupy and fundamental to their surroundings. The practice, led by Cuddington and Piers Cunnington, who joined in 2009, has cultivated a portfolio that showcases their ability to craft considered, innovative, and high-quality projects. Their unique approach, dubbed "situational modernism," is a subject-based, humanist methodology that carefully considers each project through the lens of client aspirations, site opportunities, and municipal, budgetary, and scheduling constraints. Measured Architecture's design philosophy is characterized by a meticulous understanding of client needs, resulting in spaces that are both functionally efficient and aesthetically pleasing. The firm's projects serve as thoughtful backdrops for their clients' lives, with an emphasis on flow and spatial harmony. From residential to commercial projects, Measured Architecture's work exemplifies a commitment to context-sensitive design, sustainability, and innovative use of materials. Their growing list of accolades, including multiple Western Living Magazine Architecture Designer of the Year awards, underscores their significant impact on the Canadian architectural scene. 设计团队 旅游探访 330 m² Vancouver, Canada 2022 Previous Next

< 返回 里亚斯海岸住宅 no.10 NOMURA Co., Ltd. 项目名称：里亚斯海岸住宅 地点：日本 设计团队：no.10 NOMURA Co., Ltd. 建筑面积：567 m² 竣工时间：2024年 摄影：Takumi Ota 设计特色： 项目 - 日本建筑工作室no.10 NOMURA Co., Ltd.在日本海沿岸完成了里亚斯海岸住宅项目，创造了一座巧妙回应戏剧性海岸环境的混凝土住宅，将日本里亚斯海岸的独特特征融入建筑设计的核心理念。该项目位于以复杂锯齿状海岸线和壮观"洞门"岩石构造而闻名的景观之中，俯瞰日本海的壮丽景色。 项目最引人注目的设计特色在于其对当地城市肌理的精妙重新诠释——建筑师巧妙地将该地区独特的"枡形"巷道配置直接融入建筑的首层平面设计中。这种传统的方形街道模式，具有弯曲的交叉口以抵御严酷的北风，被转化为建筑语言，创造了一个分段的建筑体量，既与周围的城镇景观和谐融合，又保持了功能上的连贯性。 建筑的形态以非凡的敏感度追随自然地形。在南侧立面，结构向上层逐步后退，创造出类似山丘的轮廓，确保与城市景观的视觉连续性。相反，北侧立面大胆地高于周围环境，形成三维几何介入，既服务于美学目的，也具有实用功能，将风流引导远离城市核心。 最引人注目的是建筑的材料表达策略，直接映射了海岸地质特征。下层采用露骨料混凝土饰面，唤起岩石海岸线的质感，而上层则展示用当地杉木板模板制作的木纹混凝土，代表着覆盖海岸悬崖顶部的茂密植被。这种双层材料策略无缝延伸到室内空间，在建筑表达与自然环境之间创造了前所未有的统一性。 骨料和杉木板模板材料均为当地可获得的材料，建筑师希望通过本土材料的表达将场地独特的景观编织到未来之中。通过对本土材料、传统城市模式和当代建筑语言的深思熟虑的综合，这座住宅成为情境设计的典范模型，增强而非破坏其非凡的环境设置。 设计团队 - no.10 NOMURA Co., Ltd.作为一家杰出的空间设计咨询公司，成立于2020年1月，作为日本最负盛名的建筑空间创造者和管理者之一——乃村工艺社的专业设计部门。该公司的创立愿景源于其前身设计团队onndo的卓越成绩，该团队曾与国际知名的Nendo Inc.设计工作室建立合作联盟。 在首席设计师青野恵太的创意指导下，no.10追求涵盖室内设计、建筑设计、产品设计和综合设计咨询服务的整体设计方法论。青野的多元文化背景——1975年出生于苏黎世，毕业于大阪艺术大学——为公司独特地将西方和东方设计理念融合成连贯空间叙事的能力提供了支撑。 公司的设计哲学以追求"从始至终的优雅简约"为核心，这一原则体现在以精致材料调色板、精确空间比例和情境敏感性为特征的项目中。no.10的作品集展现了在创造平衡功能性能与体验丰富性环境方面的持续卓越表现，确立了公司作为日本当代建筑话语重要贡献者的地位。 该事务所的设计思维围绕着对事物本质的探索，从项目的开始到结束都寻找平衡点和重心所在。通过室内设计、建筑设计、产品设计和设计咨询等综合专业服务，no.10致力于通过创新设计实践扩展乃村工艺社的全球影响力，在国际舞台上展现日本设计的精髓与创新。 Project Name: House on the Rias Coast Location: Japan Design Team: no.10 NOMURA Co., Ltd. Total Floor Area: 567 m² Completion: 2024 Photography: Takumi Ota Feature: Project - Japanese architecture studio no.10 NOMURA Co., Ltd. completed the House on the Rias Coast project along the Sea of Japan coastline, creating a striking concrete residence that ingeniously responds to its dramatic coastal setting, weaving the unique characteristics of Japan's Rias coastline into the very core of its architectural concept. The project is positioned within a landscape renowned for its intricate indented coastline and spectacular "cave gate" rock formations, overlooking the magnificent views of the Sea of Japan. The project's most compelling design feature lies in its sophisticated reinterpretation of the local urban fabric -- the architects masterfully incorporated the area's distinctive "Masu-gata" alley configuration directly into the building's ground floor plan design. This traditional square-shaped street pattern with cranked intersections designed to deflect harsh northerly winds has been transformed into architectural language, creating a fragmented building volume that harmoniously integrates with the surrounding townscape while maintaining functional coherence. The building's form follows the natural topography with remarkable sensitivity. On the south elevation, the structure steps back toward the upper floors, creating a hill-like silhouette that ensures visual continuity with the cityscape. Conversely, the north facade rises boldly above its surroundings, forming a three-dimensional geometric intervention that serves both aesthetic and practical purposes by channeling wind patterns away from the urban core. Most striking is the building's material expression strategy, which directly mirrors the coastal geological characteristics. The lower level features concrete with an exposed aggregate finish that evokes the rocky shoreline texture, while the upper floors showcase wood-grained concrete formed with local cedar planks, representing the lush vegetation that crowns the coastal cliffs. This two-tiered material strategy extends seamlessly into the interior spaces, creating an unprecedented unity between architectural expression and natural environment. Both the aggregate and cedar board formwork materials are locally sourced, with the architects hoping that the expression of local materials would weave the site's unique landscape into the future. Through this thoughtful synthesis of local materials, traditional urban patterns, and contemporary architectural language, the house stands as an exemplary model of contextual design that enhances rather than disrupts its extraordinary environmental setting. Design Team - no.10 NOMURA Co., Ltd. stands as a distinguished spatial design consultancy, established in January 2020 as the specialized design division of NOMURA Co., Ltd.—one of Japan's most prestigious creators and managers of architectural spaces. The founding vision of no.10 emerged from the proven track record of its predecessor design team, onndo, which operated in collaborative alliance with the internationally acclaimed Nendo Inc. design studio. Under the creative direction of Chief Designer Keita Aono, no.10 pursues a holistic design methodology that encompasses interior design, architectural design, product design, and comprehensive design consulting services. Aono's multicultural background—born in Zurich in 1975 and educated at Osaka University of Arts—informs the firm's unique ability to synthesize Western and Eastern design sensibilities into coherent spatial narratives. The firm's design philosophy centers on the pursuit of "elegant simplicity from start to finish," a principle that manifests in projects characterized by refined material palettes, precise spatial proportions, and contextual sensitivity. no.10's portfolio demonstrates consistent excellence in creating environments that balance functional performance with experiential richness, establishing the firm as a significant contributor to Japan's contemporary architectural discourse. The practice's design thinking revolves around exploring the essence of things, seeking balance points and centers of gravity from the beginning to the end of projects. Through comprehensive professional services including interior design, architectural design, product design, and design consulting, no.10 is committed to expanding NOMURA Co., Ltd.'s global presence through innovative design practices, showcasing the essence and innovation of Japanese design on the international stage. 设计团队 旅游探访 567 m² 日本 2024 Previous Next

< 返回 沃伦之家 PLOTNONPLOT 项目名称：沃伦之家 设计团队：PLOTNONPLOT Architecture Inc. 面积：2700 ft² 地点：Ottawa, Canada 设计特色： 项目 – 坐落于渥太华韦斯特伯勒住宅区的沃伦住宅，由PLOTNONPLOT建筑事务所倾力打造，堪称颠覆传统家居理念的典范之作。这座刚竣工的定制住宅，巧妙借鉴了兔子洞穴的设计灵感，为家庭生活带来了温馨与安全感的独特诠释。 建筑师匠心独运，精心设计了一座游走于私密与开放之间的居所。最引人注目的设计特色是其半地下的布局，主要生活空间深嵌地下。这一创新手法不仅营造出庇护感，还让家的温暖由内而外、自下而上地辐射开来，为居住者打造出一个如茧的温馨氛围。 尽管面积不大，沃伦住宅的内部结构却别具匠心，颠覆了传统的楼层安排。住宅中央挖空形成的大型垂直空间成为了家的灵魂所在，让光线、声音和家人互动自然流淌。这个中心空间成为日常用餐、交谈、音乐和游戏的舞台，灵活多变的空间配置满足了家庭不断演变的需求。 建筑师对细节的精心考量体现在巧妙设计的动线、战略性布置的露台以及错落有致的开口上，模糊了室内外的界限。绿植屋顶更是将建筑与环境完美融合，而精心设计的角落则为独处与沉思提供了理想空间。 PLOTNONPLOT在材料选择上达到了永恒优雅与俏皮趣味的微妙平衡。木材、玻璃、亚麻布和混凝土构成了精致的背景，而精挑细选的瓷砖、墙纸和布艺织品则为空间注入了个性与魅力。外立面采用黑色钢材和木材包裹，如同保护壳，巧妙地遮掩或展示着内部的生机勃勃。“沃伦之家”住宅是创新型住宅设计力量的见证，为城市家庭生活提供了一个既接地气又令人振奋的全新视角。 团队 – 成立于2013年的PLOTNONPLOT建筑事务所，已成为加拿大建筑设计领域的重要力量。由联合创始人Rebecca Fernando和Grant Oikawa领衔的这家前卫事务所，通过对以人为本的建筑理念的坚持，正在重新定义当代设计的边界。 PLOTNONPLOT的核心理念深深植根于对人性尺度的深刻理解。事务所采用多学科交叉的方法，涵盖了从住宅、商业项目到定制家具设计和艺术装置等多元化的作品集。这种全方位的设计实力使团队能够打造出与个体使用者产生共鸣的空间，确保每个项目都成为居住者个性和需求的独特映射。 PLOTNONPLOT的设计哲学基于三大核心原则：将可持续性视为机遇而非约束、将创造力视为无所不在的驱动力、以及通过空间的叙事性进程来提升体验质量。事务所严谨的方法论将传统绘图技术与尖端数字工具相结合，培育出一个既具探索性又极其细致的设计过程。 PLOTNONPLOT的领导团队为每个项目都注入了丰富的专业知识。Rebecca Fernando以其精湛的传统绘图技巧和概念开发能力著称，引领着事务所的创意方向。Grant Oikawa贡献了超过20年的建筑经验，尤其专注于定制化制作和细节处理。作为事务所的建筑技术专家， Tim Derkatch则确保创意构想能够完美转化为技术上可行的方案。 随着PLOTNONPLOT持续塑造渥太华的建筑环境，他们对工艺、可持续性和以用户为中心的设计承诺，使他们在安大略省东部的建筑创新前沿占据了重要地位。每一个项目，他们都力求超越客户期望，同时实现自身的艺术和职业抱负，创造出不仅仅是建造，而是经过深思熟虑精心打造的空间。 Project：The Warren House Team：PLOTNONPLOT Architecture Inc. Size：2700 ft² Location：Ottawa, Canada Feature： Project - Nestled in the residential Westboro neighborhood of Ottawa, The Warren House by PLOTNONPLOT Architecture Inc. emerges as a paradigm-shifting dwelling that challenges conventional notions of family living. This 2,700 square foot home, completed in 2024, draws inspiration from the cozy confines of a rabbit's warren, offering a unique interpretation of domestic warmth and security. The architects have masterfully crafted a residence that playfully subverts expectations, creating a harmonious dialogue between privacy and openness. The home's most striking feature is its partially subterranean design, with main living spaces embedded into the ground. This innovative approach not only provides a sense of sanctuary but also allows the home's warmth to radiate upwards and outwards, creating a cocoon-like atmosphere for its inhabitants. Despite its modest footprint, The Warren House boasts a complex internal organization that defies traditional level arrangements. A large vertical space carved from the center of the home serves as its beating heart, facilitating a fluid interplay of light, sound, and familial interaction. This central void becomes a stage for the everyday joys of dining, conversation, music, and play, offering various spatial configurations to suit the family's evolving needs. The architects' meticulous attention to detail is evident in the thoughtful circulation paths, strategically placed terraces, and divergent openings that blur the boundaries between indoor and outdoor spaces. Vegetated roofs further integrate the structure with its environment, while clever nooks and crannies offer opportunities for solitude and reflection. PLOTNONPLOT's material palette strikes a delicate balance between timeless elegance and playful whimsy. Wood, glass, linen, and concrete form a sophisticated backdrop, while carefully chosen tiles, wallpapers, and textiles inject personality and charm. The exterior, clad in black steel and wood, acts as a protective shell, selectively revealing and concealing the vibrant life within. The Warren House stands as a testament to the power of innovative residential design, offering a fresh perspective on urban family living that is both grounded and uplifting. Design Team - Founded in 2013, PLOTNONPLOT Architecture Inc. has rapidly established itself as a dynamic force in Ottawa's architectural landscape. This avant-garde practice, helmed by co-founders Rebecca Fernando and Grant Oikawa, is redefining the boundaries of contemporary design through a steadfast commitment to human-centric architecture. At the core of PLOTNONPLOT's ethos lies a profound appreciation for the human scale. The firm's multidisciplinary approach encompasses a diverse portfolio, ranging from residential and commercial projects to bespoke furniture design and artistic installations. This versatility allows the team to craft spaces that resonate deeply with individual users, ensuring that each project becomes a unique reflection of its inhabitants' personalities and needs. PLOTNONPLOT's design philosophy is grounded in three key principles: sustainability as an opportunity rather than a constraint, creativity as an all-encompassing force, and the narrative procession through space as a means to enhance experiential quality. The firm's rigorous methodology combines traditional drawing techniques with cutting-edge digital tools, fostering a design process that is both exploratory and meticulous. The leadership trio of PLOTNONPLOT brings a wealth of expertise to every project. Rebecca Fernando, known for her prowess in traditional drawing and conceptual development, spearheads the firm's creative direction. Grant Oikawa contributes over two decades of architectural experience, with a particular focus on custom fabrication and detailing. Tim Derkatch, the firm's Architectural Technologist, ensures the seamless translation of creative visions into technically sound solutions. As PLOTNONPLOT continues to shape Ottawa's built environment, their commitment to craftsmanship, sustainability, and user-centric design positions them at the forefront of architectural innovation in Eastern Ontario. With each project, they strive to exceed client expectations while fulfilling their own artistic and professional aspirations, creating spaces that are not just built, but thoughtfully crafted. 设计团队 旅游探访 2700 ft² Ottawa, Canada 2024 Previous Next

< 返回 单柱住宅 Buero Wagner 项目名称：单柱住宅 地点：贝格，德国 设计团队：Buero Wagner 建筑面积：660 m² 竣工时间：2025年 摄影：Kim Fohmann 设计特色： 项目 ：德国Buero Wagner建筑工作室在贝格创造了一对引人注目的住宅建筑，通过激进的结构简洁性挑战了对居住空间的传统观念。单柱住宅代表了极简生活的大胆实验，每栋90平方米的住宅仅依靠底层的一根中心柱支撑。 这些炭化木材包覆的住宅位于施塔恩贝格湖畔，展示了建筑约束如何激发创意解决方案。该项目源于城市密集化策略，用两栋当代住宅取代了一栋衰败的1950年代房屋，在保护珍贵绿色空间的同时容纳了同一家庭的三代人。 建筑最具特色的特征在于其结构的大胆性——每层底层都由一个宽敞的无柱空间组成，仅由一根孤立的支撑柱点缀。这一工程壮举消除了传统的内墙，创造了厨房、餐厅和起居区无缝融合的流动空间。中心柱既是结构必需品又是设计特色，厨房台面直接浇筑在其上，将建筑转化为家具。 可持续性渗透到每一个设计决策中，从回收的拆除材料到无需化学处理的炭化木立面。这种黑化的木材覆层让人联想到传统的日式烧杉板，在自然防御天气和昆虫的同时创造出戏剧性的街道形象。圆形开口像超大舷窗一样穿透深色立面，提供了对远处树冠的窥探。 这些紧凑而宽敞的住宅证明，智能设计可以在最小化环境足迹的同时最大化空间影响，通过结构创新与材料真实性的结合，为可持续郊区生活建立了新的基准。 设计团队 ：Buero Wagner成立于2013年，由Prof. Dipl. Ing. Univ. Fabian A. Wagner创立，现已成为当代德国建筑领域的先锋力量，确立了将传统建造技术与激进空间概念相结合的独特实践方式。在Wagner的领导下，以及Louise Daussy和Edwin Hoffmann等核心合作者的协助下，这家总部位于慕尼黑的事务所因挑战传统建筑类型的创新材料应用和结构大胆性而获得国际认可。 该事务所的建筑哲学围绕智能使用原始、未加工材料展开——特别是炭化木材、裸露混凝土和耐候钢——创造出能够优雅老化同时最小化环境影响的建筑。Wagner的学术背景，包括他目前在凯泽斯劳滕应用科学大学的教授职位和著名的罗马奖学金(2022/2023)，为事务所的研究驱动设计方法提供了理论支撑。 事务所的作品组合涵盖从私密住宅改造到文化展亭，每个项目都展现出对建构细节和空间序列的精心关注。像单柱住宅这样的近期作品体现了他们对结构极简主义的承诺，将工程约束转化为生成性设计机遇，确立了Buero Wagner作为当代欧洲建筑重要声音的地位。 Project Name: Set Houses with One Pillar Location: Berg, Germany Design Team: Buero Wagner Total Floor Area: 660 m² Completion: 2025 Photography: Kim Fohmann Design Features: Project - Located on the shores of Lake Starnberg, the Set Houses with One Pillar project redefines residential space concepts through radical structural simplicity. Comprising two nearly identical dwellings, each with a modest floor area of just 90 square meters, the project creates spacious living experiences through a unique single-pillar support system. The buildings' most striking feature lies in their structural audacity—each ground floor consists of one expansive space supported by only a single central column. This engineering feat eliminates the constraints of traditional interior walls, creating fluid spaces where kitchen, dining, and living areas seamlessly merge. The central pillar serves not merely as a structural necessity but becomes a core design element—the kitchen worktop is cast directly onto the support column, transforming architectural components into functional furniture, embodying the perfect unity of structure and use. The building facades are clad in charred timber, employing the traditional Japanese shou sugi ban technique that gives the architecture its deep black appearance. The carbonization process naturally protects the wood from weather and insects without requiring chemical treatments. Circular openings in the facade function like oversized portholes, providing framed views of the surrounding tree canopy from within while creating an expressive architectural face toward the street. The project emerged from an urban densification strategy, replacing a single deteriorating 1950s building with two contemporary dwellings that accommodate three generations of the same family while preserving precious green space. Sustainability permeates every design decision, from recycled demolition materials to chemical-free carbonized timber facades, demonstrating innovative possibilities for environmentally conscious architecture. The basement and partially underground ground floor are constructed of solid concrete, with surfaces sandblasted to achieve a "soft" texture and floors ground and sealed. The upper level employs solid wood construction in keeping with regional building traditions, creating an intimate atmosphere with warm surfaces and small-scale private spaces. The building is heated by an air heat pump combined with photovoltaic systems and concrete core activation. These compact yet generous homes prove that intelligent design can maximize spatial impact while minimizing environmental footprint, establishing new benchmarks for sustainable suburban living through the marriage of structural innovation and material authenticity. Design Team - Buero Wagner, founded in 2013 by Prof. Dipl. Ing. Univ. Fabian A. Wagner, has emerged as a pioneering force in contemporary German architecture, establishing a distinctive practice that harmonizes traditional building techniques with radical spatial concepts. Under Wagner's leadership, alongside key collaborators Louise Daussy and Edwin Hoffmann, the Munich-based firm has garnered international recognition for projects that challenge conventional typologies through innovative material applications and structural audacity. The practice's architectural philosophy centers on the intelligent use of raw, unprocessed materials—particularly charred timber, exposed concrete, and weathering steel—creating buildings that age gracefully while minimizing environmental impact. Wagner's academic background, including his current professorship at Hochschule Kaiserslautern and prestigious Rome Prize fellowship (2022/2023), informs the firm's research-driven approach to design. Notable achievements include multiple BDA awards, Archdaily Building of the Year nominations, and features in leading architectural publications worldwide. The firm's portfolio spans from intimate residential interventions to cultural pavilions, each project demonstrating meticulous attention to tectonic detail and spatial sequence. Recent works like the Single Pillar Houses exemplify their commitment to structural minimalism, where engineering constraints become generative design opportunities, establishing Buero Wagner as a significant voice in contemporary European architecture. 设计团队 旅游探访 660 m² 贝格，德国 2025 Previous Next

< 返回 加尔松学校 Rosan Bosch Studio 项目名称：加尔松学校 地点：马南蒂亚莱斯，乌拉圭 设计团队：Rosan Bosch Studio 建筑面积：900 m² 竣工时间：2025年 摄影：Eleazar Cuadros 设计特色： 项目 - 坐落在乌拉圭马南蒂亚莱斯茂密桉树林中的加尔松学校，由Rosan Bosch Studio设计，代表了当代教育建筑的根本性突破。这座于2025年完工的900平方米校园项目，通过其创新的"学习世界"概念和亲生物设计原则，展现了教育空间设计的前沿思维和对自然环境的深度整合。 在Rosan Bosch的领导下，设计团队精心创造了一个消解室内外界限的学习环境，建立了"学校即公园，公园即学校"的革命性教育范式。校园被战略性地划分为六个不同的"学习世界"：山顶、洞穴、篝火、水源地、动手实践和运动，每个区域都旨在支持不同的学习模式并培养学生的自主性和创造力。 该项目的独特之处在于其村落式总体规划布局。学生们从受保护的森林核心区开始他们的学习之旅，然后随着自信心和意识的发展逐渐向外扩展探索。这种渐进式空间策略完美地反映了教育理念，创造了成长与发现的物理化呈现。 建筑材料的选择体现了对环境的深度敬意。所有建筑均采用当地采购的可持续木材建造，外立面运用传统日式烧杉板（Shou Sugi Ban）炭化技术，不仅提供了卓越的耐久性，还与周围森林环境形成了引人注目的视觉和谐。两个砖砌广场巧妙地致敬了乌拉圭传统建筑语汇，而本土植被和富有趣味性的木制元素进一步丰富了自然环境。 透明性和连通性定义了整体校园体验，所有空间都与环境实现持续的内外互动。景观设计围绕村落核心展开，创造了培养学生归属感和身份认同的区域，同时提供了聚会和游戏的多样化空间。微妙的色彩运用、自然光线和丰富的材质纹理共同营造了促进学生和教育者福祉的环境氛围。 通过将建筑学、自然环境和教育学的深思熟虑整合，加尔松学校体现了一种变革性的教育模式，为拉丁美洲树立了标杆，展示了如何通过设计创造学习自然繁荣、学生发展为自信有能力的变革者的空间。 团队 - Rosan Bosch Studio是一家成立于2011年的跨学科设计事务所，专门从事艺术、设计和建筑交叉领域的工作。事务所坚信物理环境对我们在世界中的行为方式产生决定性影响，因此将设计作为创造变革的积极工具——无论是教育环境、工作场所、医院还是展览空间。 在创始人Rosan Bosch的领导下，总部位于哥本哈根的团队专注于创造尊重人类天性中游戏精神的学习环境、工作空间和文化场所。事务所战略性地运用能够为新思想和变革创造空间的设计方法，发展出了独特的设计语言。 事务所的服务范围涵盖战略设计、流程咨询、工作坊协同、概念及详细室内设计、身份塑造和场所营造、展览和艺术介入以及创意启发等多个专业领域。每个项目都基于客户的具体挑战，为最终用户定制设计解决方案——毕竟他们才是日常生活中真正使用这些空间的人。 Rosan Bosch Studio的设计卓越性获得了国际认可，包括在2017年国际设计奖（IDA）中凭借阿联酋Sheikh Zayed私立学院的广泛学习环境设计荣获机构室内设计类别金奖，丹麦文化岛项目获得银奖。事务所还荣获了丹麦光奖、Architizer奖项、丹麦设计奖以及INSIDE奖等多项殊荣。 事务所的客户组合包括阿根廷教育部、北京西学园、维也纳国际学校、阿尔艾因教育集团、VELUX、Vittra、LEGO以及米德尔法特市政府等知名机构。在Rosan Bosch的指导下，事务所培养了注重透明度、诚实性和道德标准的企业文化，始终致力于创造支持不同学习方式的空间，并发展21世纪所需技能，使Rosen Bosch Studio成为当代教育环境设计领域的国际领导者。 Project Name: The Garzón School Location: Manantiales, Uruguay Design Team: Rosan Bosch Studio Total Floor Area: 900 m² Completion: 2025 Photography: Eleazar Cuadros Feature: Project - Nestled within a dense eucalyptus forest in Manantiales, Uruguay, The Garzón School designed by Rosan Bosch Studio represents a radical departure from traditional educational architecture. This 900-square-meter campus completed in 2025 showcases cutting-edge thinking in educational space design through its innovative "Learning Worlds" concept and comprehensive integration of biophilic design principles with natural environments. Under Rosan Bosch's leadership, the design team meticulously created a learning environment that dissolves indoor-outdoor boundaries, establishing a revolutionary educational paradigm where "the school is the park, and the park is the school." The campus is strategically divided into six distinct "Learning Worlds": Mountain Top, Cave, Campfire, Watering Hole, Hands-on, and Movement, each designed to support different learning modalities while fostering student autonomy and creativity. The project's distinctive feature lies in its village-like masterplan arrangement. Students begin their learning journey in the protected forest core, then gradually expand their exploration outward as they develop confidence and awareness. This progressive spatial strategy perfectly mirrors the educational philosophy, creating a physical manifestation of growth and discovery. The selection of architectural materials demonstrates profound respect for the environment. All buildings are constructed from locally sourced sustainable timber, with facades utilizing the traditional Japanese Shou Sugi Ban charring technique, providing exceptional durability while creating striking visual harmony with the surrounding forest environment. Two brick plazas thoughtfully reference Uruguayan vernacular architectural vocabulary, while native vegetation and playful wooden elements further enrich the natural setting. Transparency and connectivity define the overall campus experience, with all spaces achieving continuous indoor-outdoor environmental interaction. The landscape design unfolds around the village core, creating areas that foster students' sense of belonging and identity while providing diverse spaces for gathering and play. Subtle color applications, natural light, and rich material textures collectively create an environmental atmosphere that promotes the wellbeing of students and educators. "We wanted to create a space that moved away from traditional classroom boundaries while honoring the natural forest environment and fostering innovative learning experiences," said Rosan Bosch Studio. Through thoughtful integration of architecture, natural environment, and pedagogy, The Garzón School embodies a transformative educational model that serves as a benchmark for Latin America, demonstrating how design can create spaces where learning flourishes naturally and students develop into confident, capable change-makers. Design Team - Rosan Bosch Studio is an interdisciplinary design practice founded in 2011, working at the intersection of art, design, and architecture. The firm believes that physical environments make a decisive difference in how we act in the world, therefore using design as an active tool to create change—whether in educational environments, workplaces, hospitals, or exhibition spaces. Under founder Rosan Bosch's leadership, the Copenhagen-based team of 11-50 professionals focuses on creating learning environments, workspaces, and cultural venues that respect the innate playfulness of human beings. The studio strategically employs design approaches that create space for new thoughts and change, developing a distinctive design language. The firm's service range encompasses strategic design, process consultancy, workshop collaboration, concept and detailed interior design, identity and placemaking, exhibitions and artistic interventions, and creative inspiration across multiple professional domains. Each project is based on the client's specific challenges, customizing design solutions for end-users—after all, they are the ones who will use these spaces in their everyday lives. Rosan Bosch Studio's design excellence has garnered international recognition, including gold at the 2017 International Design Awards (IDA) for the comprehensive learning environment design at Sheikh Zayed Private Academy in the UAE, with the Danish Cultural Island project receiving silver. The studio has also been honored with the Danish Light Prize, Architizer Awards, Danish Design Award, and INSIDE Awards among multiple distinctions. The firm's client portfolio includes renowned institutions such as Argentina's Ministry of Education, Western Academy of Beijing, Vienna International School, Al Ain Educational, VELUX, Vittra, LEGO, and Middelfart Municipality. Under Rosan Bosch's guidance, the studio has cultivated a corporate culture emphasizing transparency, honesty, and ethical standards, consistently committed to creating spaces that support different ways of learning and developing 21st-century skills, establishing Rosan Bosch Studio as an international leader in contemporary educational environment design. 设计团队 旅游探访 900 m² 马南蒂亚莱斯，乌拉圭 2025 Previous Next

< 返回 ONE HUNDRED大楼 Studio Gang 项目名称：ONE HUNDRED大楼 地点：美国，圣路易斯 设计团队：Studio Gang 建筑面积：48308 m² (520,000 ft²) 完工时间：2020年 摄影：Tom Harris, Sam Fentress 设计特色： 项目 - ONE HUNDRED是一座位于圣路易斯的创新型住宅塔楼，体现了当代建筑设计对环境响应与用户体验的深度融合。这座380英尺高的地标性建筑通过其独特的"叶形"平面和层级式体量，在城市景观中创造出引人注目的视觉效果。 建筑最显著的特色是其四层一组的错层设计策略，每组住宅单元都配有延伸的户外空间。这种创新的立面设计不仅为四分之一的公寓提供了私密露台，还在裙楼绿色屋顶上创造了共享的社交空间。通过精心计算的角度设计，每个单元都能将西侧的森林公园和东侧的门户拱门的壮丽景观尽收眼底。 在环境性能方面，建筑的"叶形"平面和层级式体量不仅具有美学价值，更是基于对场地朝向和环境因素的深入分析。这种设计显著降低了建筑的整体能耗，同时提升了居住者的舒适度。外立面的几何构造既作为被动式遮阳系统，又创造出动态的光影效果，使建筑与自然环境形成和谐对话。 该项目因其对可持续设计的创新诠释而脱颖而出，将环境效能、用户体验和建筑美学完美融合，创造出一个既富有未来感又深度融入城市语境的居住空间。 团队 - Studio Gang由美国建筑师Jeanne Gang于1997年创立，现已发展成为一家在芝加哥、纽约、旧金山和巴黎具有战略布局的全球影响力建筑和城市设计事务所。事务所独特的设计方法整合了严谨的研究、材料创新和生态意识，不断推动可持续建筑和社会影响力的边界。事务所设计了一系列令人瞩目的项目，展现了他们致力于通过周到的设计干预将人们与环境联系起来的承诺。 事务所的方法论以其对生态系统的深度参与和创新材料应用而著称，这在Populus酒店和美国自然历史博物馆的Richard Gilder科学、教育和创新中心等项目中得到充分体现。他们的工作范围超越传统的建筑服务，涵盖研究计划和公共倡议，特别是在环境管理和社会公平领域。事务所对可持续发展和社区参与的综合方法为他们赢得了众多赞誉，包括库珀·休伊特国家设计建筑奖，以及《时代》杂志将Jeanne Gang评为世界最具影响力人物之一。 目前在Jeanne Gang和核心合伙人的领导下，事务所保持着强调知识共享和跨学科创新的协作工作室文化。他们对环境责任的承诺不仅体现在设计中，还体现在运营实践中，包括缩小性别工资差距和促进建筑实践多样性的倡议。Studio Gang的作品组合涵盖文化中心、教育设施、城市住宅开发和公共空间，每一个项目都展示了他们创造能够回应本地语境同时应对全球挑战的建筑的能力。他们的工作持续展示着建筑创新如何推动积极的社会和环境变革，确立了他们在环保意识和社会责任建筑领域的先驱地位。 Project Name: One Hundred Location: St. Louis, United States Design Team: Studio Gang Area: 48,308 m² (520,000 ft²) Year: 2020 Photographs: Tom Harris, Sam Fentress Feature： Project - One Hundred represents a groundbreaking approach to residential tower design, seamlessly integrating environmental responsiveness with user experience in contemporary architecture. Rising 380 feet above St. Louis, this landmark building creates a striking presence in the urban landscape through its distinctive leaf-shaped plan and tiered massing. The building's most remarkable feature is its four-story tier strategy, where each residential cluster is complemented by extended outdoor spaces. This innovative facade design provides private terraces for a quarter of the apartments while creating shared social spaces atop the green roof podium. Through carefully calculated angles, each unit maximizes views of Forest Park to the west and the Gateway Arch to the east. In terms of environmental performance, the building's leaf-shaped plan and tiered massing serve both aesthetic and functional purposes, resulting from deep analysis of site orientation and environmental factors. This design significantly reduces the overall energy load while enhancing occupant comfort. The geometric composition of the facade acts as a passive solar control system while creating dynamic light effects, establishing a harmonious dialogue between architecture and nature. The project stands out for its innovative interpretation of sustainable design, where environmental efficiency, user experience, and architectural aesthetics converge to create a living space that is both forward-looking and deeply connected to its urban context. Design Team - Studio Gang, established in 1997 by visionary architect Jeanne Gang, has evolved into a globally influential architecture and urban design practice with strategic presence in Chicago, New York City, San Francisco, and Paris. The firm's distinctive methodology integrates rigorous research, material innovation, and ecological awareness, consistently pushing the boundaries of sustainable architecture and social impact. Under Gang's leadership, the practice has developed a remarkable portfolio that demonstrates their commitment to connecting people with their environment through thoughtful design interventions. The firm's approach is characterized by its deep engagement with ecological systems and innovative material applications, as evidenced in projects like the Populus Hotel and the Richard Gilder Center for Science, Education, and Innovation at the American Museum of Natural History. Their work extends beyond traditional architectural services to encompass research initiatives and public advocacy, particularly in areas of environmental stewardship and social equity. The practice's integrated approach to sustainability and community engagement has earned them numerous accolades, including the Cooper Hewitt National Design Award in Architecture and TIME magazine's recognition of Jeanne Gang as one of the most influential people in the world. Currently led by Gang alongside key partners, the firm maintains a collaborative studio culture that emphasizes knowledge sharing and interdisciplinary innovation. Their commitment to environmental responsibility is reflected not only in their designs but also in their operational practices, including initiatives to close the gender wage gap and promote diversity in architectural practice. Studio Gang's portfolio spans cultural centers, educational facilities, urban residential developments, and civic spaces, each demonstrating their ability to create architecture that responds to local contexts while addressing global challenges. Their work consistently demonstrates how architectural innovation can drive positive social and environmental change, establishing them as pioneers in the field of environmentally conscious and socially responsible architecture. 设计团队 旅游探访 48308 m² 美国，圣路易斯 2020 Previous Next

< 返回 中野住宅 HOAA 项目名称：中野住宅 地点：东京，日本 设计团队：HOAA / 生沼广之建筑设计事务所 建筑面积：96.38 m² 竣工时间：2025年 摄影：关拓弥，生沼广之 设计特色： 项目 - 中野住宅由HOAA / 生沼广之建筑设计事务所设计，位于东京中野区住宅密集地，是一座展现卓越设计智慧的建筑师自邸。这座两层木结构住宅回应了在严苛城市条件下实现"庭院大窗"这一基本愿望的挑战，通过创新的空间策略在住宅密集的都市环境中创造出光明通透的居住空间。 该项目最独特的设计特征是其创新的"空中迂回线形露台"概念。建筑师面对场地北侧道路位置和周边建筑遮挡的双重限制，构思出一条从二层大窗延伸而出、沿着道路边界在空中迂回的线形露台，命名为"装饰花园"。这个空中结构以柔和的曲线主动寻找阳光，巧妙地避开建筑本身投下的阴影，为餐厅北向采光窗引入闪烁的光影变化，在城市街道与私人住宅之间创造出独特的过渡空间。装饰花园不仅解决了采光问题，更成为连接公共领域与私人生活的媒介，使个人住宅展现出对城市开放的公共姿态。 项目的建筑叙事通过精妙的空间组织展开，充分利用场地的地形条件。建筑师采用错层设计，利用场地高差创造出通往两个花园的多重视线，形成一笔画出的螺旋形动线系统。这种空间序列使居住者能够交替观赏街道侧的装饰花园和场地深处的后庭，创造出丰富的空间体验层次。室内动线被精心设计的陈列架环绕，展示着对业主具有特殊意义的器物、书籍、照片和植物，这些生活物品被视为过往生活的表征，赋予住宅类似小型美术馆般的精致氛围，同时激发对未来精致生活的向往。 材料选择体现了对结构体系与居住品质的双重考量。建筑采用木结构在来工法，在满足结构性能的同时保持了温暖宜人的居住氛围。装饰花园的实现依赖于对结构、材料和形式的细致推敲，确保这一空中元素既具有视觉轻盈感，又能承受实际使用需求。建筑整体的材料运用展现出当代设计的精致性，在经济性约束下仍然追求高品质的空间体验。 立面处理展现了"装饰"作为建筑元素的当代意义。装饰花园作为立面的主导元素，不同于新艺术运动或后现代主义那样在建筑本体上施加装饰表现，而是通过包含植物在内的"装饰物"创造人、住宅与城市之间的心理联系。当居住者从二层门走入装饰花园为植物浇水时，自然地与路过的行人产生交流，孩子们的欢笑声也随之响起。这种设计展示了建筑装饰的新形式和角色，为都市住宅生活增添色彩，使个人住宅成为对城市开放的公共器物。 项目的显著特色在于其对都市住宅困境的创造性回应和空间体验价值。中野住宅位于典型的东京住宅密集区，相邻住宅之间视线交错是常态，场地北侧道路位置使得仅依靠北向窗户难以获得充足采光。建筑师通过装饰花园这一创新元素，将不利条件转化为设计机遇，创造出既满足私密性需求又充满光明的居住空间。这是一座为提升日常生活质量而设计的建筑，证明了在严苛的城市条件下，建筑可以通过深思熟虑的设计创造出丰富的空间体验和情感共鸣。建筑通过"装饰"这一概念，重新定义了当代都市住宅中装饰的意义，展现出个人住宅作为城市公共器物的可能性，在私密性与开放性之间、在个人生活与城市生活之间，建立起精致而有力的对话关系。 设计团队 - HOAA（生沼广之建筑设计事务所）由生沼广之于2017年创立，并于2019年改组为股份公司，是一家位于东京的建筑事务所，致力于创造超越潮流和市场波动的持久建筑。事务所由主持建筑师生沼广之领导，他是一级注册建筑师和注册房地产交易师，工作室位于东京中野区。 生沼广之为事务所带来了丰富的专业经验，曾于2010年至2015年在安藤忠雄建筑研究所工作，2015年至2017年在日建住宅系统任职。他于2008年毕业于东京大学建筑学系，并于2010年在同一机构完成建筑学硕士学位。这种严格的学术基础和接触国际知名建筑方法论的经历，为事务所的设计方法提供了依据。 事务所的理念直接回应日本当代建筑面临的挑战，包括人口减少、建筑成本上涨以及对经济可行投资物业的需求。HOAA通过对细部、材料和形式策略的细致审视来应对这些限制。事务所相信，对每个设计元素的仔细考量能够创造出在情感上打动人心并跨越时间保持价值的建筑。 HOAA的作品集展示了跨建筑类型的多样性，从最近完成的中野住宅等私密住宅项目，到更大规模的商业项目，包括镰仓1570平方米的酒店和芝公园的八层办公楼。每个项目都体现了事务所在不牺牲空间品质或材料完整性的前提下优化成本效益的承诺，确立了HOAA作为一家能够平衡经济实用性与建筑抱负的事务所地位。 设计团队 旅游探访 96.38 m² 东京，日本 2025 Previous Next

< 返回 2025年大阪世博会英国馆 WOO建筑事务所 项目名称： 2025年大阪世博会英国馆 地点：大阪，日本 设计团队：WOO建筑事务所 建筑面积：1760 m² 完成时间：2025 摄影：Hufton + Crow 设计特色： 项目 - 由伦敦WOO建筑事务所设计的2025年大阪世博会英国馆将于2025年4月13日向公众开放。这个引人注目的展馆位于世博会场地南缘的优越位置，直接俯瞰水上广场，提供了无与伦比的湖景全景，为访客创造了欣赏水上和空中表演的理想空间。 该馆最具特色的元素是其粉末涂层铝制外立面，采用参数化设计形成动态像素化图案。折叠穿孔面板环绕结构，随着全天光线的变化而微妙地改变外观。夜幕降临后，建筑焕然一新，灯光使穿孔外立面生动起来，背后显现出英国国旗。动态编程使旗帜"栩栩如生"，创造出类似织物在风中飘动的波纹效果。 外立面的层叠、镶嵌式面纱灵感来自工业革命早期的创新。穿孔面板呼应了曾在纺织织机中使用的打孔卡片——一种早期的可编程技术，可以形成复杂的织物图案。这种精致的表皮致敬了推动英国和日本工业革命的纺织产业，将共同的创新传承与数字时代大胆愿景交织在一起。 设计考虑到未来使用，完全可重新定位的10米×10米模块化网格结构将在活动结束后重新利用，减少浪费并支持循环经济。ES Global使用其创新的全球模块化系统和轻量级基础系统交付展馆，优先考虑灵活性和可持续性。内部设计由WOO与Stuart Forbes Associates合作创建，包括各种各样的规划空间，如画廊、礼品店、会议空间、露台酒吧和茶室，以和谐精致的设计语言融合在一起。 展馆的核心是由Immersive International设计的"共建未来展览"。20分钟的参观之旅展示了英国的创意文化和创新。在地面层，展馆开放、通透且欢迎，鼓励参观者与花园和室内空间无缝连接。 展馆和花园充分利用宽阔的地块，创造出令人鼓舞和宁静的环境，反映了英国景观的精髓。融合自然美与简约，为参观者提供宁静而沉浸式的体验，是英国与日本之间深厚联系的自然见证。 团队 - WOO建筑事务所成立于2014年，总部位于伦敦国王十字区，迅速确立了自己作为专注于体育场馆、文化设施和大型活动基础设施的领先建筑实践地位。该公司的作品集展示了令人印象深刻的国际项目范围，横跨12多个国家，在设计10种不同的精英体育和17项重大体育赛事（包括奥运会、世界杯和欧洲锦标赛）方面具有显著专长。 在创始人兼首席执行官Kevin Owens的领导下，与包括Emma Owens（文化与新业务总监）、Peter Richardson（首席运营官兼体育总监）和Eddie Taylor（实践总监）在内的充满活力的董事团队一起，WOO培养了一种设计理念，以创造"超级适用"的空间为中心，这些空间无缝平衡创新与实用功能。 该事务所的方法以其参数化设计方法和对可持续性的承诺而独树一帜，特别体现在他们开发可重新定位和可拆卸结构方面。他们最近为2025年大阪世博会设计的英国馆就体现了这种专长，具有设计用于循环经济原则的模块化网格系统。 WOO的协作精神推动他们与客户的关系，打破顾问与客户之间的传统障碍，提供既有建筑意义又具商业可行性的解决方案。该公司拥有一支多学科团队，他们以所谓的"积极好奇心"对待每个项目，将约束视为创造建筑的机会，这些建筑不仅能容纳其预期功能，还能通过周到、便捷的设计积极增强用户体验，在不同文化背景下产生共鸣。 Project Name: UK Pavilion at Expo 2025 Osaka Location: Osaka, Japan Design Team: WOO Architects Total Floor Area: 1760 m² Completion: 2025 Photography: Hufton + Crow Feature: Project - The UK Government's Pavilion at World Expo 2025 Osaka, designed by London-based WOO architects, opens to the public on April 13th, 2025. This striking pavilion occupies a prime location at the southern edge of the Expo site directly overlooking the water plaza, providing unparalleled panoramic views of the lagoon and creating an ideal space for visitors to enjoy the water and air shows. The pavilion's most distinctive element is its powder-coated aluminum facade with a parametric design forming a dynamic, pixelated pattern. The folded perforated panels envelop the structure, subtly shifting in appearance throughout the day as light interacts with its surface. After dark, the building is transformed as light animates the perforated facade to reveal the Union Jack flag behind it. Dynamic programming brings the flag 'to life', creating a rippling effect reminiscent of fabric moving in the wind. The pavilion's layered, tessellated veil takes its cue from the early innovations of the Industrial Revolution. Perforated panels echo the punched cards once used in textile looms - an early form of programmable technology that shaped intricate fabric patterns. This delicate skin pays tribute to the textile industries that fuelled industrial revolutions in both the UK and Japan, weaving together a shared legacy of innovation with a bold, digital-age vision. Designed with future use in mind, the fully relocatable 10-meter x 10-meter modular grid structure will be repurposed after the event, reducing waste and supporting a circular economy. ES Global delivered the pavilion using its innovative Global Modular System and lightweight foundation system to prioritize flexibility and sustainability. The interior design, created by WOO in collaboration with Stuart Forbes Associates, includes a wide variety of programmed spaces including galleries, gift shops, conference spaces, terrace bar and tea rooms, brought together with a harmonious and refined design language. At the heart of the Pavilion is the "Come Build the Future Exhibition," designed by Immersive International. The 20-minute visitor journey showcases the UK's creative culture and innovation. At the ground level, the pavilion is open, permeable and welcoming, encouraging visitors to seamlessly connect with both the gardens and interior spaces. The pavilion and the gardens take full advantage of the wide plot creating an inspiring and tranquil setting, reflecting the essence of the British landscape. Blending natural beauty with simplicity, it offers visitors a serene and immersive experience and is a natural testament to the deep-rooted connection between the UK and Japan. Design Team - Founded in 2014 and headquartered in London's Kings Cross, WOO Architects has rapidly established itself as a leading architectural practice specializing in sports venues, cultural facilities, and major event infrastructure. The firm's portfolio showcases an impressive range of international projects spanning 12+ countries, with notable expertise in designing for 10 different elite sports and 17 major sporting events including Olympic Games, World Cups, and European Championships. Under the leadership of Founder and CEO Kevin Owens alongside a dynamic directorial team including Emma Owens (Director of Culture and New Business), Peter Richardson (COO & Director of Sport), and Eddie Taylor (Practice Director), WOO has cultivated a design philosophy centered on creating "super fit for purpose" spaces that seamlessly balance innovation with pragmatic functionality. The practice's approach is distinguished by its parametric design methodology and commitment to sustainability, particularly evident in their development of relocatable and demountable structures. Their recent UK Pavilion for Expo 2025 Osaka exemplifies this expertise, featuring a modular grid system designed for circular economy principles. WOO's collaborative ethos drives their client relationships, breaking traditional barriers between consultant and client to deliver architecturally significant yet commercially viable solutions. With a multi-disciplinary team, the firm approaches each project with what they describe as "active inquisitiveness," viewing constraints as opportunities to create buildings that not only accommodate their intended function but actively enhance user experiences through thoughtful, accessible design that resonates across diverse cultural contexts. 设计团队 旅游探访 1760 m² 大阪，日本 2025 Previous Next

< 返回 W House II IDIN Architects 项目名称：W House II 地点：奈曼，泰国 设计团队：IDIN Architects 建筑面积：300平方米 竣工时间：2024年 摄影：DOF Sky | Ground 设计特色： IDIN Architects设计的"W House II"展现了如何通过大胆的结构创新和精妙的空间组织策略，将单层住宅提升至全新高度，创造出一个悬浮于地面七米之上的当代生活之所。 这座300平方米的住宅建于泰国奈曼，作为原有W House I的延伸项目，回应了业主不断扩展的使用需求。业主希望搬入新居作为主要住所，并将原有的W House I转变为客房。设计挑战源于业主对单层住宅的渴望，希望家庭成员在全天活动中能够相互看见并共同参与，同时业主非常喜爱从原有住宅屋顶欣赏到的美丽山景，并希望保留空间供两头宠物牛行走和放牧。 项目的绝妙之处在于其创新的悬浮式设计策略。建筑师将单层住宅提升至七米高度，与原有住宅屋顶齐平，仿佛将房屋架设在高跷之上，创造出双层建筑的效果，同时将地面层保留为花园和供牛群使用的开放空间。这一设计手法巧妙地解决了看似矛盾的功能需求，在满足单层生活愿望的同时保留了屋顶景观体验。 IDIN Architects的设计语言流利地表达着结构诚实性与空间流动性。住宅上层设有环绕整栋建筑的阳台，可实现360度视野，让居住者在不同时刻漫步并欣赏景观。游泳池同样被提升至这一层面，将水景体验融入悬浮生活空间。建筑采用双层表皮系统设计：内层为玻璃，外层为可开合的板条甲板，提供隐私控制的灵活性。整个结构支撑在两面大跨度混凝土墙体之上，楼板采用华夫板构造，这一技术方案解决了工程挑战，同时为住宅增添了建筑趣味性。 材料策略贯穿W House II的内外空间。原始混凝土从外部延续至内部墙面，营造出连贯的物质性表达。住宅的氛围与色调强调温暖基调，木材采用自然色调，选用枫木以其独特的纹理图案及与混凝土的良好搭配性。厨房区域使用绿色印度石材，为住宅注入更具当代感的气质。中央起居区域设计了超大型沙发，允许灵活的座位安排以适应各种活动，使这一空间成为家庭成员全天聚集的核心场所。 空间组织策略优先考虑视觉连接与家庭互动。通过消除传统的楼层分隔，将所有主要生活功能置于单一平面上，同时通过建筑的抬升获得景观优势，W House II实现了一种独特的居住体验。环绕阳台不仅提供了多样化的户外空间，还强化了住宅与周边山景及天空的持续对话。这种设计手法创造出一个既具有强烈建筑特征又能唤起家庭温暖感的空间环境，将功能性、美学性和情感性需求综合为和谐的建筑整体。 设计团队 ：IDIN Architects是一家总部位于曼谷的建筑设计机构，由主持建筑师Jeravej Hongsakul于2004年创立，专注于将设计融入自然的理念。事务所名称是"Integrating Design Into Nature"的缩写，同时在泰语中，"idin"用于描述雨后土壤释放出美丽芬芳的自然现象，象征着泰国的热带气候，这是所有IDIN设计旨在回应的环境特征。 IDIN Architects以双重方式理解"自然"：首先，自然可定义为我们周围的生态环境；其次，它也可指不同的行为方式和个性特征。事务所的设计哲学和关注点在于将这种对周边环境和"本质"的感知融入建筑美学。这种融合通过分析和优先排序每个项目的不同需求与要求的过程来实现。事务所的重点不仅放在美学上，还注重实用性，以适应这种热带环境。 IDIN Architects的创始人Jeravej Hongsakul先生于1998年获得泰国拉卡邦先皇技术学院建筑学学士学位，自2000年以来一直从事建筑领域实践。IDIN Architects在泰国建筑界声名鹊起始于2010年，当时"普吉岛门户"项目荣获ASA建筑设计奖。此后，事务所的众多项目持续获得国内外无数奖项，包括2016年和2020年泰国ASA建筑设计奖、2020年和2021年The Plan奖、2016年、2017年、2019年、2020年和2021年Architizer A+奖、2017年美国建筑奖、2016年、2018年、2020年和2021年亚洲建协建筑奖、2017年2A亚洲建筑奖、2020年和2021年亚洲设计大奖、2018年德国设计奖、2021年日本优良设计奖，以及2020年由联合国教科文组织和国际建筑师联盟颁发的凡尔赛奖南亚及太平洋地区奖。 在Hongsakul的持续领导下，IDIN Architects运用严谨的语境分析和务实的设计方案，在追求美学精致的同时优先考虑环境适应性。事务所的设计流程以对场地特定参数的响应性和技术精确性为特征，同时保持对材料真实性、空间清晰性和功能创新的承诺。IDIN Architects的作品涵盖酒店、住宅和商业建筑类型，展现出对多样环境条件和文化语境的适应能力，其设计始终致力于创造持久的空间环境，这些环境超越美学趋势，关注比例、光线、材料性和人类体验等永恒品质。 设计团队 旅游探访 300 m² 奈曼，泰国 2024 Previous Next

< 返回 PEBL Cabins Hello Wood 项目名称：PEBL Cabins 地点：纽约，美国 设计团队：Hello Wood 建筑面积：20.4 m² 竣工时间：2025年 摄影：György Palkó 设计特色： 项目 - 坐落于美国纽约的PEBL Cabins，由Hello Wood设计，展现了预制建筑革命性创新的诗意表达。这一模块化小屋系统位于娱乐场所屋顶露台，享有曼哈顿壮观全景，其独特的鹅卵石造型和未来主义美学成为设计的根本要素，突出了"低面数"设计语言在城市环境中的适应性表达。 该项目最引人注目的成就在于其革命性的三维壳体建造系统。建筑师们没有采用传统直角建筑规范，而是将有机形态作为概念起点，创造出一个融合高端舒适度与环境意识的胶囊状结构，提出对预制建筑潜力的全新解读。从最初的设计构思起，PEBL Grand就标定了概念起点：一座从复杂几何形态向外构建的小屋，每个功能区域都与这个创新建造技术保持直接关系。 建筑形态通过精妙的"低面数"造型语言组织，分布于紧凑而高效的空间配置中。内部为住宅的完整功能区域，围绕中央生活空间展开，与城市景观保持直接关系，寻求对周围环境的透明性和开放性。模块化设计朝向多功能应用，通过可扩展的PEBL单元配置与城市天际线融为一体。 立面轻盈而通透，通过可定制的外立面包覆材料强化体量的有机形状，为整体提供适应性和统一性。维护免费的外部材料选择，战略性地适应不同环境需求，标示着设计的适应性特质并强化了小屋的创新性格。 材料运用体现了与可持续性的深度对话。PEBL Cabins被构想为一个建筑创新，向预制技术、环境责任以及建成材料与自然之间的本质连接致敬，展现出当代匈牙利建筑在处理全球化项目需求时的成熟度和创新性。 设计团队 - Hello Wood于2010年创立，已确立其作为杰出设计建造建筑工作室的地位，超越传统学科界限，将建筑、产品设计、教育与可持续建造无缝整合为统一的设计解决方案。事务所总部位于匈牙利布达佩斯，业务延伸至全球多个国家，由首席执行官兼总建筑师András Huszár、联合创始人兼设计师Dávid Ráday以及董事长Krisztián Tóth领导。 在Huszár、Ráday和Tóth的创意指导下，Hello Wood追求解散建筑、教育、可持续设计与社会责任之间学科边界的整体设计方法论。每个项目都转化为复杂系统，不同层面形成创新性动态，体现了他们对全球协作和环境意识的承诺。 事务所的设计哲学围绕"跳出传统思维"的理念展开，这一原则体现在以创新技术、可持续材料和社区参与为特征的项目中。Hello Wood的作品集展现了在创造平衡功能性能与环境和谐的建筑方面的持续卓越，确立了事务所作为当代木构建筑和预制系统重要贡献者的地位。 该实践将建筑理解为扩展学科，涵盖跨文化实践、基于实践的研究和教育探索。通过建筑设计、产品开发、教育项目、CLT建造和设计咨询等综合专业服务，Hello Wood致力于通过创新的可持续设计实践重新定义建筑，在国际舞台上展现匈牙利设计的本质和创新。著名作品包括获奖的PEBL系列小屋、Hello Wood度假村、Jet House飞机造型小屋以及遍布全球的教育营地项目，每个项目都展现了事务所应对多样化功能要求和环境挑战的能力。 设计团队 旅游探访 20.4 m² 纽约，美国 2025 Previous Next

< 返回 前桥商业廊综合体 平田晃久建筑设计事务所 设计特色： 在日本群马县前桥市的中心，一个突破性的建筑项目已经崛起，挑战了传统的城市生活和社区空间概念。由建筑师平田晃久设计的前桥画廊是一个多面体综合体，巧妙地融合了住宅单元、商业空间和充满活力的中央广场。该项目最引人注目的特点是其创新的结构构成。二十六个住宅单元，每个都拥有自己的花园，悬浮在地面之上，营造出一个漂浮村落的幻象。这种空中布局为下方创造了一个宽敞的公共广场，培育了私人和公共空间之间独特的共生关系。平田的设计灵感来自于绳文时代环状聚落的尺度，而非传统的西方广场。这一成果是构建一个亲密而开放的环境，吸引居民和访客与空间互动。住宅看似三角形的平面布局，配以斜向的墙壁，与各自的花园建立了流畅的连接，模糊了内部和外部的界限。前桥画廊超越了其作为混合用途开发项目的功能分类。它代表了一个大胆的建筑声明，重新构想了广场的概念，将一个曾经的停车场转变为充满活力的城市生态系统。通过将生活空间与公共设施交织在一起，该项目体现了前桥市"绿意萌发"的愿景，为深深植根于其环境、同时伸向天空的城市建筑提供了一种新的范例。 In the heart of Maebashi, Gunma Prefecture, a groundbreaking architectural project has emerged, challenging conventional notions of urban living and community spaces. The Maebashi Galleria, designed by renowned architect Akihisa Hirata, is a multifaceted complex that seamlessly integrates residential units, commercial spaces, and a vibrant central plaza. The project's most striking feature is its innovative structural composition. Twenty-six residential units, each with its own garden, are suspended above ground level, creating the illusion of a floating village. This aerial arrangement allows for an expansive public plaza beneath, fostering a unique symbiosis between private and communal spaces. Hirata's design draws inspiration from the scale of Jomon period circular settlements rather than traditional Western plazas. The result is an intimate yet open environment that invites both residents and visitors to engage with the space. The seemingly triangular floor plans of the apartments, featuring diagonal walls, establish a fluid connection with the individual gardens, blurring the boundaries between inside and outside. The Maebashi Galleria transcends its functional classification as a mixed-use development. It represents a bold architectural statement that reimagines the concept of a plaza, transforming a former parking lot into a dynamic urban ecosystem. By intertwining living spaces with public amenities, the project embodies Maebashi's aspiration to "sprout with greenery," offering a new paradigm for civic architecture that is deeply rooted in its context while reaching for the sky. 设计团队： 平田晃久建筑设计事务所成立于2005年，由日本建筑师平田晃久（1971年生）创立，这家位于东京的同名事务所一直在突破建筑设计的界限，模糊了自然环境与人造环境之间的界线。平田晃久自2015年起担任京都大学教授，他领导着一个跨学科设计团队，以对生态系统的深刻理解和对可持续设计原则的坚定承诺来处理每一个项目。该事务所的作品集展示了各种类型的项目，从私密的住宅设计到广阔的文化机构，所有作品都以其创新的空间布局和与周围景观的融合而著称。代表作包括荣获2018年村野藤吾奖和2022年日本建筑学会奖的太田市美术馆图书馆（2017年），以及体现了事务所"纠缠"概念的树状住宅（2017年）。"纠缠"概念是指结构、功能与自然之间充满活力的相互作用。该事务所的实验性设计方法在2012年第13届威尼斯国际建筑双年展上荣获金狮奖这一殊荣。通过重新构想建筑与其语境之间的关系，平田晃久建筑设计事务所持续影响着21世纪城市设计的全球话语，营造出既呼应生态又富有社会参与性的环境。 Founded in 2005 by visionary Japanese architect Akihisa Hirata, the eponymous Tokyo-based practice has consistently pushed the boundaries of architectural design, blurring the lines between the natural and built environments. Hirata, a professor at Kyoto University since 2015, leads a multidisciplinary team that approaches each project with a deep understanding of ecological systems and a commitment to sustainable design principles. The firm's portfolio showcases a diverse range of projects, from intimate residential designs to expansive cultural institutions, all characterized by their innovative spatial arrangements and integration with surrounding landscapes. Notable works include the award-winning Art Museum & Library in Ota (2017), recipient of the 2018 Murano Togo Prize and the 2022 Architectural Institute of Japan (AIJ) Prize, and the Tree-ness House (2017), which exemplifies the studio's concept of "tangling" - a dynamic interplay between structure, function, and nature. Hirata's theoretical framework, explored in publications such as "Tangling" (2011) and "Discovering New" (2018), has garnered international acclaim. The practice's experimental approach was recognized with the prestigious Golden Lion at the 13th International Architecture Exhibition - La Biennale di Venezia in 2012. By reimagining the relationship between architecture and its context, Akihisa Hirata Architecture Office continues to influence the global discourse on 21st-century urban design, fostering environments that are both ecologically responsive and socially engaging. 设计团队 旅游探访 2018.69 ㎡ 日本，前桥市 2023年 Previous Next

< 返回 Flying Fox别墅 George Banks Architecture 项目名称：Flying Fox别墅 地点：悉尼，澳大利亚 设计团队：George Banks Architecture 建筑面积：550 m² 竣工时间：2024年 摄影：Sebastian Mrugalski 设计特色： 项目 - George Banks Architecture在悉尼海湾区完成了一座层叠式住宅项目，重新构想了传统澳大利亚住宅布局。Flying Fox别墅不同于将休闲空间设在后院的常规做法，而是在前方打造了一个引人注目的户外区域，成为整个住宅的核心。 这座550平方米的住宅坐落在一个斜坡顶部，充分利用北面阳光照射和全景海湾景观。其标志性特色——一个悬挂于海湾之上的游泳池——作为广阔户外娱乐区的中心，配有户外厨房和休息区。 "我们想要挑战传统郊区住宅模式，"设计团队解释道。"通过颠覆典型布局，我们创造了一个前向的公共空间，同时满足了客户希望与室内生活区域和远处海湾建立联系的愿望。" 这座住宅的多层结构沿着场地自然坡度层叠而下，巧妙安排一系列空间，保持与周围景观的视觉连接。北立面的大型门窗最大限度地增加自然光线渗透，而可调节屋顶则为户外区域提供环境控制。 弧形建筑元素使该项目与众不同，软化了立面，并与粗犷的层叠岩石花园形成引人注目的对比。这些柔和的轮廓通过弧形天花板处理和凹槽细木装饰细节贯穿整个室内。 精致的材料组合包括橡木地板、羊毛地毯、石英岩和石灰石，营造出温暖、优雅的基调。据建筑师介绍，这些经客户偏好而考量的选择，营造出"宁静而舒适的环境"，增强了室内舒适度与壮观海滨环境之间的联系。 完工于2024年的Flying Fox别墅展示了战略性空间反转如何改变住宅建筑，优先考虑视野和太阳能朝向，同时在建筑形式与自然环境之间创造和谐对话。 团队 - 由建筑师Gorgi Gulevski于2020年创立，George Banks Architecture (GBA)迅速确立了自己作为悉尼特色设计工作室的地位，为澳大利亚建筑景观带来深思熟虑的材料运用和对环境的敏感性。该事务所的设计方法平衡了以客户为中心的功能性与研究驱动的创新，创造出对周围环境智能响应的空间明确的环境。 GBA的作品集主要包括定制住宅委托项目，其中包括获提名奖项的Flying Fox别墅，这体现了该公司在体量构成和场地融合方面的特色方法。随着业务扩展到商业和多住宅类型，其对空间规划和环境性能的严格考量在各种规模的项目中保持一致。 在Gulevski的指导下，工作室采用协作模式，由资深建筑师监督项目开发，而专业团队成员在适当的设计阶段贡献专业知识。这种结构框架确保了从概念到施工文件的视觉连续性。 "建筑从根本上塑造人类体验，"Gulevski指出。"我们的设计理念优先考虑创造持久的环境，通过精细的细节和对内部功能需求与外部环境因素的周到解决，实现和谐。" 该事务所致力于提供高度完善的建筑解决方案，使GBA成为悉尼最有前途的新兴工作室之一，致力于推进当代澳大利亚设计话语。 Project Name: Flying Fox House Location: Sydney, Australia Design Team: George Banks Architecture Total Floor Area: 550 m² Completion: 2024 Photography: Sebastian Mrugalski Feature: Project - George Banks Architecture has completed a cascading residential project in a bay-side Sydney suburb that reimagines the traditional Australian home layout. Rather than positioning recreational space in the backyard, Flying Fox House features a prominent front-facing outdoor area that becomes the heart of the dwelling. The 550-square-metre residence perches atop a sloped site, capitalizing on northern sunlight exposure and panoramic bay views. Its defining feature—a suspended swimming pool that dramatically overlooks the water—serves as the centerpiece of an expansive outdoor entertainment zone complete with alfresco kitchen and living areas. "We wanted to challenge the conventional suburban model," explains lead architect Gorgi Gulevski. "By inverting the typical arrangement, we created a front-facing communal space that simultaneously fulfills the client's desire for connection with both the interior living areas and the bay beyond." The home's multi-level structure cascades down the site's natural slope, orchestrating a sequence of spaces that maintain visual connectivity with the landscape. Large doors and windows along the northern elevation maximize natural light penetration, while an operable roof provides environmental control over the alfresco area. Curved architectural elements distinguish the project, softening the façade and creating a compelling juxtaposition against the rugged cascading rock garden beds. These gentle contours continue throughout the interior through curved ceiling treatments and fluted joinery details. The sophisticated material palette features oak flooring, wool carpeting, quartzite, and limestone, creating warm, elegant tones throughout. According to the architects, these selections, guided by client preferences, establish a "tranquil and calming environment" that enhances the connection between indoor comfort and the dramatic waterfront setting. Completed in 2024, Flying Fox House demonstrates how strategic spatial inversion can transform residential architecture, prioritizing views and solar orientation while creating a harmonious dialogue between built form and natural surroundings. Design Team - Founded in 2020 by registered architect Gorgi Gulevski, George Banks Architecture (GBA) has rapidly established itself as a distinctive Sydney-based atelier bringing thoughtful materiality and contextual sensitivity to Australia's architectural landscape. The practice's design methodology balances client-centered functionality with research-driven innovation, resulting in spatially articulate environments that respond intelligently to their surroundings. GBA's portfolio predominantly features bespoke residential commissions, including the award-nominated Flying Fox House, which exemplifies the firm's characteristic approach to volumetric composition and site integration. As the practice expands into commercial and multi-residential typologies, its rigorous consideration of spatial programming and environmental performance remains consistent across scales. Under Gulevski's direction, the studio employs a collaborative model where senior architects oversee project development while specialized team members contribute expertise during appropriate design phases. This structural framework ensures continuity of vision from concept through construction documentation. "Architecture fundamentally shapes human experience," notes Gulevski. "Our design philosophy prioritizes the creation of enduring environments that achieve harmony through meticulous detailing and thoughtful resolution of both internal programmatic requirements and external contextual forces." The practice's commitment to delivering highly resolved architectural solutions positions GBA among Sydney's most promising emerging studios dedicated to advancing contemporary Australian design discourse. 设计团队 旅游探访 550 m² 悉尼，澳大利亚 2024 Previous Next

< 返回 大阪桑拿DESSE OSTR 设计特色： 项目 – 一座崭新的桑拿设施"大阪桑拿 DESSE "最近在大阪市中心开业，由东京建筑师 双人组合 OSTR（太田翔和武井良祐）操刀设计。这个设施位于一座 11 层租赁大楼的 4 楼,在一个封闭且没有室外空间的环境中规划建造。设计师们旨在打造一种"延续日常生 活"的桑拿体验，采用"有如花园般的建筑"理念，营造出多条多样的动线。7间各具特色 的桑拿分散布置在整层空间，通过"如同河流般的景观"连接贯通。这些桑拿与"花园"的 距离各不相同，有的设有大窗以框景，有的可直接跃入"河中"泡浴，有的则设有堤坝般 的长椅座位。浴池与冷泉如一条持续的河流贯穿全层，桥梁、跳石、漂浮小屋和堤坝 等元素从中渐次生成，将"有如花园般的建筑"理念具象呈现。休息大堂区域只由简单的 地面高低起伏组成，让使用者可自由体验这个开放空间 - 思索接下来去哪间桑拿，或 随意坐下、将高起表面当作桌面使用，延续了城市本身的体验方式。通过在抵达 4 楼 时，由城市外部环境逐步过渡，这个新商业空间力求带来一种"美妙日常生活"的体验。 团队 – OSTR 建筑设计事务所成立于 2019 年，在大阪和东京两地设有办公室。该事务 所由两位日本建筑师太田翔和武井良祐领导，致力于打造充满欢乐的建筑，并为建筑 环境描绘全新的常态。OSTR 坚持从第一性原理出发，在客户需求的基线之上，仔细考 虑关于必要空间和功能的种种假设。他们的方案不止着眼于眼前需求，还将目光投向 建筑如何为长远价值服务。这家事务所精于成本管理，能够灵活应对复杂项目，并时 常亲临施工现场，指导项目朝最佳方向推进。OSTR 提供全方位服务，涵盖可行性研究、 概念设计、施工图纸绘制和施工现场管理，并精于将建筑、室内、景观和产品设计融 会贯通。他们的多元化项目组合包括住宅、商业、公共建筑和城市规划等领域，通过 全面的视野和严谨的技术执行予以实现。OSTR 重视建筑对社会的影响，积极参与社区 发展计划，并通过学术教学分享专业知识，同时为城市设计策略提供咨询。他们的以 人为本理念将设计视为推动更加丰富、可持续的集体体验的催化剂。 Feature： Project - A new sauna facility called Osaka Sauna DESSE has opened in the heart of Osaka, designed by the Tokyo architectural duo OSTR/Sho Ota and Ryosuke Takei. Located on the 4th floor of an 11-story tenant building, the facility was conceived within the constraints of a closed-off environment lacking outdoor space. The designers aimed to create a sauna experience as an "extension of daily life", adopting the concept of a "garden-like architecture" with diverse circulation paths. Seven distinctly characterized saunas are scattered across the floor, connected by a "river-like landscape". The saunas offer varying distances to this interpretive garden, with some featuring large windows framing scenery, others allowing one to plunge directly into a "river", and others with bench seating evocative of a riverbank. The baths and plunge pools traverse the rooms like a continuous waterway, with bridges, stepping stones, floating huts and embankments emerging to complete the riverine atmosphere resonating with the "garden-like architecture" concept. The lounge area is composed simply of level changes in the floor plane, leaving the space open for users to inhabit it freely - pondering which sauna to visit next, or casually sitting down or using surfaces as tables, continuing the experience of the city itself. By gradually transitioning from the urban exterior upon arriving at the 4th floor, Osaka Sauna DESSE aims to provide an experience of "wonderful daily life". Design Team - Founded in 2019, OSTR is an architectural design firm with offices in Osaka and Tokyo. Led by principals Sho Ohta and Ryosuke Takei, both licensed architects, the practice is dedicated to crafting joyful buildings and envisioning new norms for the built environment. OSTR takes a first-principles approach, rigorously questioning assumptions about necessary spaces and functions while keeping client needs as a baseline. Their proposals look beyond immediate requirements to how architecture can best serve long-term value. Adept at cost management, OSTR deftly navigates complex projects with flexibility, maintaining frequent construction site visits to guide projects towards optimal resolutions. With a full-service offering spanning feasibility studies, concept design, documentation, and construction administration, OSTR excels at integrating architecture, interiors, landscapes, and product design. Their diverse portfolio encompasses residential, commercial, institutional, and urban planning projects realized through comprehensive vision and rigorous technical execution. Championing architecture's societal impact, OSTR engages in community development initiatives, shares their knowledge through academic teaching, and consults on urban design strategy. Their human-centered approach elevates design as an catalyst for more vibrant, sustainable collective experiences. 设计团队 旅游探访 900 m² 日本，大阪 2024年 Previous Next

< 返回 杭州阿里巴巴达摩院南湖园区 Aedas 设计特色： 项目 – 阿里达摩院南湖园区新落成了，这座由 Aedas 主理设计的大型科研综合体,将东 方哲理与先锋科技完美结合。总建筑面积超过 50 万平米，由建筑师巧夺天工，布局仿 如一片"浮萍"漂浮在杭州南湖之上。透明晶莹的建筑朝四面八方伸展开来，娴雅重现了 传统中式庭院的层层相叠之美。条形办公楼东西并列，以蜿蜒的走廊和园景空间连接， 中心设有公共广场餐饮设施等。园区中央从南向北一条主轴，左右对称有序分布。行 走其间，宛如脉络纹理般蜿蜒盘曲，每个分支尽头皆是精巧庭院。办公空间灵活多变， 将敞开式协作区与独立会议室互相穿插，奉行"工作组团"理念。可根据需求将每层面积 划分为 500 到 4000 平米不等，玻璃幕墙以夹角设计，避免了单调视线遮挡。屋顶绿化 使得园区更显园林氛围。此项目获得多项商业及办公建筑设计大奖，Aedas 自豪地表 示:" 我们打造了一座微缩城市，将东方哲思与先进科技，糅合于建筑的形态与功能之 中。让建筑融入周边自然肌理，以生态可持续为本，创造未来办公场所样本。" 团队 – Aedas 由威尔士建筑师 Keith Griffiths 于 2002 年创立，是一家以国际实践和本 地专业知识为驱动力的全球建筑设计巨头。如今，在 Griffiths 以及 Andy Wen、Ken Wa 等卓有成就的董事团队的领导下，该公司在全球 11 个办公室拥有 1100 名创意设计 人才。Aedas 专门针对其所服务社区的独特社会和文化背景提供世界一流的建筑、室 内、城市设计和总体规划解决方案。该公司是新型城市化运动的先锋力量，促进可持 续和创新的设计响应更高的密度、连通性和效率需求。Aedas 拥有一支精通最新创新 的多元化全球团队，不断突破界限，并在其广泛的产品组合中应用尖端技术专业知识。 从大型综合用途商业中心和大型交通项目，到文化机构和城市复兴计划，Aedas 创造 出贴近环境且具有前瞻性的最高品质设计。 Feature： Project - Aedas has completed the new South Lake Campus for Alibaba's DAMO Academy, an ambitious research institute merging Eastern philosophy with cutting-edge technology. Designed by Ken Wai, the sprawling 500,000 sq m complex comprises smart offices, labs, a visitor centre and amenities arranged like a floating 'Bodhi leaf' on the waters of Hangzhou's South Lake. The crystalline buildings radiate outwards forming layered courtyards evocative of traditional Chinese architecture. Finger-like office blocks run east-to-west, bridged by landscaped walkways and centering on a public plaza with dining. Following the veined patterns of a leaf, pedestrian routes branch organically through the semi-enclosed garden spaces. The workspaces blend open collaborative areas with private meeting rooms based on a 'work cluster' concept. The modular office floors span 500-4,000 sq m and avoid sight lines between blocks through angled glass facades. Roof gardens promote connection with nature. "We've created a microcity fusing Eastern thought with advanced technology in architectural form and function," said Ken Wai. "The buildings merge with the surroundings sustainably, pioneering a new paradigm for future workplaces." Design Team - Founded in 2002 by Welsh architect Keith Griffiths, Aedas is a global architecture and design powerhouse driven by international practice and local expertise. Led today by Griffiths and a team of highly accomplished directors like Ken Wai, the firm's 1,100 creative minds span 11 offices worldwide. Aedas specializes in producing world-class architectural, interior, urban design and masterplanning solutions tailored to the unique social and cultural contexts of the communities they serve. The firm is a pioneering force in the new urbanization movement, facilitating sustainable and innovative design responses to greater density, connectivity and efficiency demands. With a diverse global team well-versed in the latest innovations, Aedas consistently pushes boundaries and applies cutting-edge technical expertise across its broad portfolio. From large-scale mixed-use commercial hubs and transportation megaprojects to cultural institutions and urban regeneration initiatives, Aedas creates contextually grounded yet forward-thinking designs of the highest quality. 设计团队 旅游探访 500000 m² 杭州，中国 2023年 Previous Next

< 返回 HOUSE X Tsutsumi & Associates 项目名称： HOUSE X 地点： 北京，中国 设计团队：堤由匡建筑设计工作室 面积： 235 m² 完工时间： 2024年5月 摄影师：Misae Hiromatsu / Ruijing Photo 设计特色： 项目 - 日本建筑事务所堤由匡建筑设计工作室（TSUTSUMI & ASSOCIATES）在北京完成了"HOUSE X"项目——一处经过精心改造的私人住宅。该项目通过自然采光和通风的视角重新诠释了无障碍设计的概念。这座面积为235平方米的住宅，突破了传统无障碍生活空间的设计方法，将阳光和气流视为通用设计的基本要素。 这个于2024年5月竣工的项目，将一个原本黑暗、带有欧式官邸风格台阶的住所，改造成了一个明亮流畅的空间，完美适应三代人的共同生活需求。这次改造是应一位50多岁的业主委托进行的，因为他与年迈的父母共同居住，这促使建筑师堤由匡开发出一种突破传统解决方案的创新无障碍设计方法。 "我们认为，让健康的光线和舒适的微风在室内自由流动，才是最终极的无障碍设计，"堤由匡如是解释。这一理念通过多种实用的设计干预得以实现，例如将客厅地面抬高30厘米以创造统一的生活空间水平面，同时巧妙地融入下沉式座椅区，使其兼具咖啡区功能。 项目最引人注目的特色或许是那个具有日式风格的户外浴场，它通过木质走廊与主卧浴室相连。浴场展现了设计工作室对隐私与开放性的细腻处理——下部保持开放，而腰部以上则用木质推拉门环绕。屋顶的倾斜百叶既能遮挡来自上方的视线，又保持了与天空的联系。 在整个项目中，传统的无障碍元素都被赋予了建筑学的优雅特质。扶手兼具照明功能，避免了辅助生活空间常见的机构化美学特征。推拉门的设计考虑到轮椅通行需求，而贯通式厕所则为未来的护理需求提供便利，同时不影响设计的完整性。 事务所对自然采光和通风的重视，直接回应了他们认为的住宅开发中的普遍问题——过分重视建筑面积而忽视环境品质。通过将所有浴室布置在外墙，并设置多个推拉门，设计确保日光可以深入渗透到生活空间，同时促进自然通风。 这种将无障碍设计与空间氛围质量相结合的整体性方法，显着区别于传统的无障碍建筑，为中国城市多代同堂的生活空间提供了一个新范式。 团队 - 堤由匡建筑设计工作室由堤由匡（1978年生）于2009年在北京创立，现已发展成为一家在东京和北京均设有办公室的国际知名建筑事务所。作为一级建筑师事务所，该事务所成功地在日本建筑精密性与中国当代城市发展之间架起了独特的桥梁。 堤由匡2003年毕业于东京大学建筑学科，随后在SAKO建筑设计工社（2004-2008）积累了丰富的专业经验，之后创立了自己的建筑事务所。事务所的发展轨迹标志性地经历了战略性扩张，先后于2020年在广岛开设办公室，并于2022年迁至东京。 事务所的作品获得了众多国际重要奖项的认可，包括日本JCD设计大奖金奖、银奖和西泽立卫奖，香港DFA大奖银奖，以及来自全球性竞赛的荣誉，如美国建筑大师奖（The Architecture MasterPrize）和意大利A' Design Award银奖。他们的作品以空间效率的精妙整合、文化敏感性和创新的无障碍解决方案著称，这些特点在其遍布亚洲的住宅和商业项目中尤为突出。 事务所现同时运营两个战略据点——位于板桥区的东京总部和位于朝阳区的北京办公室。堤由匡建筑设计工作室持续扩大其在全球建筑领域的影响力，专注于开发能够连接东西方建筑范式的场域响应式设计解决方案。 Project Name: HOUSE X - Universal Design Residence with an Outdoor Bath Location: Beijing, China Design Team: TSUTSUMI & ASSOCIATES Area: 235 m² Completion: May 2024 Photography: Misae Hiromatsu / Ruijing Photo Feature： Project - Japanese architecture firm TSUTSUMI & ASSOCIATES has completed HOUSE X, a thoughtfully renovated ground-floor apartment in Beijing that reimagines barrier-free design through the lens of natural light and ventilation. The 235-square-meter residence challenges conventional approaches to accessible living spaces by treating sunlight and airflow as fundamental aspects of universal design. The project, which was completed in May 2024, transforms a previously dark apartment with European mansion-inspired level changes into a luminous, fluid space that seamlessly accommodates three generations. The renovation was commissioned by a client in his 50s who lives with his elderly parents, prompting architect Yoshimasa Tsutsumi to develop an innovative approach to accessibility that goes beyond standard solutions. "We believe that healthy light and pleasant breezes moving freely within the home represent the ultimate form of barrier-free design," explains Tsutsumi. This philosophy manifests in practical interventions, such as raising the living room floor by 30 centimeters to create a unified level throughout the main living spaces, while cleverly incorporating a sunken seating area that doubles as a coffee space. The most striking feature is perhaps the Japanese-inspired outdoor bath, connected to the main bedroom's bathroom via a wooden corridor. The bathing area demonstrates the studio's nuanced approach to privacy and openness – its lower section remains open while wooden sliding doors enclose the space from waist height. Angled louvers in the roof structure shield from overlooking views while maintaining a sense of connection with the sky. Throughout the apartment, conventional accessibility elements are reimagined with architectural sophistication. Handrails double as lighting fixtures, avoiding the institutional aesthetic often associated with assisted living spaces. Sliding doors are designed to accommodate wheelchair access, while a walk-through toilet anticipates future caregiving needs without compromising on design integrity. The firm's emphasis on natural light and ventilation responds directly to what they identify as a common problem in Chinese residential developments – the tendency to prioritize floor area at the expense of environmental quality. By positioning all bathrooms along exterior walls and incorporating numerous sliding doors, the design ensures that daylight penetrates deep into the living spaces while facilitating cross-ventilation. This holistic approach to universal design, where accessibility meets atmospheric quality, represents a significant departure from conventional barrier-free architecture, offering a new paradigm for multi-generational living spaces in urban China. Design Team - Founded in 2009 in Beijing by Yoshimasa Tsutsumi (born 1978 in Fukuoka), TSUTSUMI & ASSOCIATES has evolved into a distinguished international architectural practice with offices in both Tokyo and Beijing. The practice, officially registered as a First-Class Architectural Firm (Tokyo Governor Registration No. 65108), represents a unique bridge between Japanese architectural precision and contemporary Chinese urban development. Tsutsumi, who graduated from the University of Tokyo's Department of Architecture in 2003, refined his expertise at SAKO Architects (2004-2008) before establishing his own practice. The firm's trajectory has been marked by strategic expansion, with the opening of a Hiroshima office in 2020 and relocation to Tokyo in 2022. The studio's portfolio has garnered international recognition through numerous prestigious awards, including the JCD Design Award Gold and Silver Medals and the Ryue Nishizawa Prize in Japan, the DFA Award Silver Prize in Hong Kong, and distinctions from global competitions such as The Architecture MasterPrize (USA) and A' Design Award Silver Prize (Italy). Their work is characterized by a sophisticated integration of spatial efficiency, cultural sensitivity, and innovative barrier-free solutions, particularly evident in residential and commercial projects across Asia. Operating from two strategic locations - their Tokyo headquarters in Itabashi and their Beijing office in Chaoyang District - TSUTSUMI & ASSOCIATES continues to expand its influence in the global architectural landscape, specializing in context-responsive design solutions that bridge Eastern and Western architectural paradigms. 设计团队 旅游探访 235 m² 北京，中国 2024 Previous Next

< 返回 Tangram住宅 TETRO Arquitetura 项目名称：Tangram住宅 地点：拉戈阿圣塔，巴西 设计团队：TETRO建筑事务所 建筑面积：1,450 m² 竣工时间：2025年 摄影：Manuel Sá 设计特色： Tangram住宅由TETRO建筑事务所设计，坐落于贝洛奥里藏特大都会区拉戈阿圣塔的湖畔缓坡地块上，展现了建筑如何通过几何精确性在建筑与景观之间创造流动连接的同时构建独特的空间体验。这座1450平方米的住宅以其独特的三角形屋顶结构和精妙的空间组织策略，重新定义了湖畔住宅的空间可能性。 该项目最引人注目的设计成就在于其源自中国古老七巧板游戏的三角形几何语言。这一几何母题在层压木屋顶中得到最突出的体现，一系列三角形平面创造出动态檐篷，发挥多重功能：既遮蔽内部免受街道暴露，又慷慨地向湖泊开放。屋顶结构作为大型庇护所运作，保护住宅私密性免受街道干扰，同时完全向湖泊敞开。光线通过切割天空的天窗进入，照亮上层的起居区域和流线空间。其结果是一座既谦逊又戏剧性的住宅，从街道看去呈现为微妙的水平线条，几乎消融于地平线，而内部则展现出向水域和植被的全面开放。 建筑叙事通过精妙的结构系统展开，展现出卓越的构造清晰性。混合结构系统将轻质层压木屋顶和阳台的轻盈感与混凝土板和墙体的坚固性相结合，与容纳场地坡度的石质挡土墙对话。这种构造方法创造出既实体又轻盈、既锚固又开放的住宅。下层体量的一部分嵌入挡土墙本身，其中设有后勤厨房、浴室和酒窖，在住宅与大地之间创造出可居住的厚度。 空间组织遵循清晰的垂直层级。下层集中所有社交空间：起居室、厨房、美食区、酒窖和泳池，均通过大面积玻璃幕墙和宽敞阳台面向湖泊。在这一楼层，与景观的接触是直接的：泳池的水面似乎延伸了湖泊的镜面，内部空间无明确界限地延伸至外部。上层的私密翼聚集起居区和五间卧室：主人套房、两间儿童房和两间客房。所有空间均向景观开放，受屋顶大檐口和与街道的距离保护。 立面处理展现了策略性视觉控制的精致性。从街道望去，住宅保持低调姿态，墙体、坡度和建筑体量本身构成朝向外部的视觉屏障。这种刻意的谦逊掩盖了内部戏剧性的湖畔朝向。进入后，街道完全消失：从住宅内部，仅能看见树木、草坪和水景。日常生活始终被自然框定，从不被城市交通框定。 项目的另一大特色是其对场地条件的创造性回应和高品质建筑实践。通过将住宅定位于地块最高点，设计确保了最佳景观视野和私密性。几何构图超越美学范畴，构建了光线、视野和空间体验在整个住宅中的展开方式。结构系统的精心设计允许大跨度开放空间和慷慨的悬挑，强化室内外之间的视觉和物理连续性。Tangram住宅证明了设计能够将几何精确性转化为建筑诗意，在不牺牲空间品质、构造清晰性或居住舒适的前提下，创造出回应场地和气候的住宅建筑，在此精确设计的结构与景观的柔和之间，住宅寻求成为一种通道而非物体：一座保护自身免受街道运动干扰以完全向湖泊和植被敞开的住宅，建筑的线条延伸地平线的线条，屋顶的三角形作为欢迎自然的姿态展开。 设计团队： TETRO建筑事务所创立于巴西贝洛奥里藏特，作为全球化建筑实践机构，由主持建筑师卡洛斯·迈亚、黛博拉·门德斯和伊戈尔·马塞多领导。事务所的方法论以严格的场地分析和客户特定需求编程为中心，产出拒绝复制的独特建筑回应。这种方法为工作室赢得了显著的国际认可，包括Architizer"巴西30家最佳建筑事务所"第三名，以及入选《建筑文摘》2023年度AD100权威榜单。 在迈亚、门德斯和马塞多的创意指导下，事务所领导着充满活力的跨学科团队，包括建筑师比安卡·卡瓦略、布鲁诺·邦坦波、布鲁娜·马西埃尔、绍洛·萨拉伊瓦、卡罗琳娜·阿马拉尔、安娜·弗拉维亚·科雷亚、萨布丽娜·弗雷塔斯、玛西亚·阿琳、马修斯·罗森多和路易莎·拉格作为Tangram住宅的项目团队成员。他们的协作方式兼具精品事务所的个性化关注与综合实践的专业严谨性。 事务所的设计哲学源于巴西现代主义建筑遗产，同时通过当代创新推进其原则。核心信条包括与自然景观的无缝整合、材料本真状态的诚实表达，以及对虚空间的策略性操控以构建空间体验。这些基本原则在作品集中持续体现，创造出回应多样化功能和语境条件的连贯建筑语言。事务所的专业实践基于对场地和客户呈现的前提条件的细致研究，始终为每个项目寻求独特且不可复制的解决方案。 事务所的专业成就展示了跨多个平台的持续卓越表现。显著荣誉包括2023年世界设计奖私人住宅建成类、2023年Architizer A+奖，以及2021、2022和2023年金特列齐尼奖的多重认可。TETRO于2021和2023年代表巴西建筑参展威尼斯建筑双年展，确立其在国际建筑话语中的地位。事务所在2023年建筑与设计收藏奖中获得银奖，在2023年世界建筑社区第43和44周期中获得顶级认可，以及2022年环形设计奖和2022年创意顶尖国际空间设计奖全球前五名等多项荣誉。在主持建筑师的持续领导下，TETRO在推进当代建筑创新的同时，保持其对简约、材料真实性和有意义建筑的基础原则，通过系统探索场地特定条件持续推进尊重现代主义传统同时应对当代空间、环境和体验挑战的建筑解决方案。 设计团队 旅游探访 1450 m² 拉戈阿圣塔，巴西 2025 Previous Next

< 返回 Willi Resettarits 维也纳教育园区 Kronaus Mitterer Architekten 项目名称： Willi Resettarits 维也纳教育园区 设计团队： Kronaus Mitterer Architekten 面积：15000 m² 地点：维也纳，奥地利 设计特色： 项目 – 奥地利建筑事务所Kronaus Mitterer Architekten在维也纳弗洛里斯多夫区完成了一座令人瞩目的教育园区项目，通过创新的"棋盘格"空间概念和雄心勃勃的可持续发展特色，重新诠释了传统校园建筑类型。 以著名维也纳歌手Willi Resettarits命名的教育园区，在同一座15000平方米的木混凝土混合结构建筑内，巧妙地整合了幼儿园、小学、中学、音乐学校和青少年活动中心等多个教育设施。 建筑的标志性外立面完美呈现了其内部空间组织逻辑，教育空间与多功能区域以交替网格模式排列，形成了建筑师所描述的"棋盘式"构图。这种体量在四层建筑中的系统性错动，不仅创造出富有动感的外部形象，还实现了内部学习空间的灵活互联。 建筑师解释道："这种强韧的基础网格允许各个空间按层错落排布，赋予了这座教育建筑鲜明的特色和独特的身份认同。"设计通过大量露台和一体化绿化强调了与户外的联系，密集种植的立面和可达的屋顶花园有效缓解了城市热岛效应。 可持续发展理念贯穿项目的美学表达和技术方案，将实木结构与光伏发电、地下水利用和雨水管理等先进系统相结合。外立面甚至融入了本地野生动物的巢箱设计，展现了教育建筑如何积极促进城市生物多样性。 团队 – Kronaus Mitterer Architekten（KMA）成立于2021年，在短短几年间已迅速发展成为中欧地区最具活力的建筑设计机构之一，目前在维也纳和柏林设有办事处。在创始合伙人克里斯蒂安·克罗瑙斯博士（Dr. Christian Kronaus）和彼得·米特勒（Peter Mitterer）的领导下，与合伙人彼得·穆勒（Peter Müller）共同执掌，该事务所凭借其在公共建筑和混合功能开发项目上的创新手法赢得了广泛赞誉。 作为一家拥有60名专业人员的建筑设计团队，Kronaus Mitterer Architekten在大型公共项目竞赛中屡获殊荣，尤其在需要复杂多功能空间规划方案的项目中表现突出。该事务所的设计方法论强调从概念构思到最终建成的全过程整体性思维。 事务所的与众不同之处在于他们对设计卓越性的执着追求。其综合项目交付模式确保了从前期设计到竣工验收的全过程品质把控，特别注重可持续发展解决方案和技术创新。目前，事务所的作品集中展现了他们在教育设施、文化机构和复杂城市开发项目等领域的专业造诣。 通过维也纳总部和柏林分部的协同运作，Kronaus Mitterer Architekten已确立了其在当代欧洲建筑界的领军地位，为公共空间设计和机构建筑带来了全新的设计视角。 Project：Willi Resetarits Educational Campus Team：Kronaus Mitterer Architekten Size：15000 m² Location：Vienna, Austria Feature： Project - Austrian architecture firm Kronaus Mitterer Architekten has completed a striking educational campus in Vienna's Floridsdorf district that reimagines the traditional school typology through an innovative "checkerboard" spatial concept and ambitious sustainability features. The Willi Resetarits Educational Campus, named after the renowned Viennese singer, brings together multiple educational facilities – including kindergarten, elementary school, middle school, music school and youth center – within a single 15,000-square-metre hybrid timber-concrete structure. The building's distinctive facade reflects its internal organization, with educational spaces and multi-functional zones arranged in an alternating grid pattern that creates what the architects describe as a "chess-like" composition. This systematic shifting of volumes across four floors generates a dynamic exterior presence while enabling flexible interconnections between learning spaces inside. "The robust basic grid allows the rooms to be staggered floor by floor, giving the educational building a strong characteristic and its own identity," explain the architects. The design emphasizes connection to the outdoors through extensive terracing and integrated greenery, with intensively planted facades and accessible roof gardens helping to combat the urban heat island effect. Sustainability drives both the aesthetic and technical solutions, combining solid wood construction with advanced systems including photovoltaics, groundwater utilization, and rainwater management. The facade even incorporates nesting boxes for local wildlife, demonstrating how educational architecture can actively contribute to urban biodiversity. Design Team - Kronaus Mitterer Architekten (KMA), established in 2021, has rapidly emerged as one of Central Europe's most dynamic architectural practices, with offices strategically located in Vienna and Berlin. Under the leadership of founding partners Dr. Christian Kronaus and Peter Mitterer, alongside partner Peter Müller, the firm has garnered significant recognition for their innovative approach to public architecture and mixed-use developments. The practice, comprising a team of 60 professionals, has distinguished itself through numerous competition victories in large-scale public projects, particularly those demanding sophisticated solutions for multifunctional spatial programming. KMA's methodology is characterized by their holistic approach to architectural design and implementation, encompassing all project phases from initial concept to final execution. What sets KMA apart is their commitment to maintaining design excellence throughout the entire planning process. Their integrated project delivery method ensures seamless continuity from early design stages through to completion, with a particular emphasis on sustainable solutions and technological innovation. The firm's portfolio demonstrates their expertise in educational facilities, cultural institutions, and complex urban developments. Operating from their main studio in Vienna and their German headquarters in Berlin, KMA has established itself as a leading voice in contemporary European architecture, bringing fresh perspectives to the challenges of public space design and institutional architecture. 设计团队 旅游探访 15000 m² 维也纳，奥地利 2024 Previous Next

< 返回 克拉克住宅 Austin Maynard Architects 项目名称：克拉克住宅 地点：墨尔本，澳大利亚 设计团队：Austin Maynard Architects 建筑面积：206 m² 竣工时间：2025年 摄影：Derek Swalwell 设计特色： 项目 - 澳大利亚建筑事务所Austin Maynard Architects将墨尔本诺斯科特(Northcote)区一座狭小的木板平房改造成一个经过精心分区的家庭住宅，在这里，室内外的传统界限逐渐消融。这个项目于2025年初完工，充分体现了该工作室将日常必需品转化为设计资产的理念。 Clarke House的改造始于一个看似简单的设计要求：创造允许家庭成员"独处而共存"的空间。建筑师没有采用典型的盒状扩建方式，而是设计了一个阶梯式、相互交叠的形态，由木质格栅屏幕统一起来，这一设计服务于多种功能——提供遮阳、确保隐私，并创造了将整体构成联系在一起的视觉语言。 "问题即机遇"是该工作室的信条，这一点在设计如何将自行车存放、垃圾桶和机械设备等平凡必需品直接融入建筑结构中得到了体现。沿着东侧边界，各种设备被隐藏在滑动屏风后面，而之前未充分利用的侧边小巷现在成为了自行车和垃圾桶的存放处。 室内布局引入了一系列口袋花园和采光井，战略性地布置以便为整个房子带来自然光线和通风，最大限度地减少对机械冷却的依赖，并创造了与绿色空间意想不到的视觉连接。最引人注目的是，传统上用于外部的木板外墙延续到了室内，模糊了新旧、内外之间的界限。 为了家中的青少年，建筑师在上层创造了一个半自主的"公寓"，配有通过隐藏门进入的秘密手工艺室——这一俏皮的设计满足了个人需求，同时保持了家庭的凝聚力。休息区如亭子般伸向花园，带有可完全收回的角落窗户，消除了生活空间与景观之间的界限。 这些设计干预以对可持续性的承诺为基础——该住宅采用100%电力运行，配备太阳能电池板、水暖供暖、高性能玻璃窗和全面隔热，体现了该工作室负责任设计的理念，既不牺牲创造力，也不影响宜居性。 团队 - Austin Maynard Architects成立于2002年，当时Andrew Maynard荣获亚太设计大奖的最高奖项。如今，该事务所已发展成为澳大利亚最具创新力的建筑实践之一。作为被Dezeen评为"年度建筑工作室"和被Archello评为"年度小型事务所"的设计团队，他们创造的建筑既具有概念上的雄心，又能对环境做出响应。 在联合总监Mark Austin（澳大利亚皇家建筑师学会会士FRAIA）和Andrew Maynard（FRAIA），以及执行总监Sophie Whittakers的领导下，这家总部位于墨尔本和霍巴特的工作室将每个项目视为独特的空间挑战，而非局限于类型学约束。他们的作品组合涵盖住宅、商业和概念性作品，特点是形式实验和材料创新。 该事务所采用理性的设计方法论，通过与客户的协作参与，解决宜居性、社区连接和可持续发展等问题。这种方法为他们赢得了享有盛誉的堪培拉奖章，使他们跻身于澳大利亚国家美术馆和国会大厦等杰出获奖者之列。 Austin Maynard Architects对环境责任的承诺体现在高性能建筑外壳、被动式设计策略和创新材料应用中。他们的作品证明，建筑的趣味性可以与技术精确性共存，创造出既实用、可持续又概念丰富的空间——这是建筑能力应对当代环境和社会挑战的见证。 Project Name: Clarke House Location: Northcote, Melbourne, Australia Design Team: Austin Maynard Architects Total Floor Area: 206 m² Completion: 2025 Photography: Derek Swalwell Feature: Project - Clarke House is the renovation and extension of a single-storey weatherboard cottage in Melbourne's Northcote district, once void of light, definition, separation, and all hope of personal space. Inspired by their year living in Japan, the owners (work-from-home professionals and their two teenage daughters) asked for more considered and purposeful space. "Something different" guided the design—modern but not stark or boxy, bright and open but also cosy and comfortable, areas to come together and entertain, and private spaces suited to each individual. In realising all aspects of the brief and embedding the solutions into the language of the building, the extension became an unusual stepping and overlapping shape. To unify, a batten screen is set over, providing shade and privacy (to both the owners and their neighbours) and bringing together new and old in a simple meeting of forms. The structural design is ingeniously configured with a new side entry, to bypass private space and reorient access into the centre of the house. The gate opens into the first of three pocket garden/light wells, inviting air flow and views of greenery, penetrating through to the laundry and the home office on each side. Off the entry, a perforated steel staircase leads directly up to the 'apartment', comprising two bedrooms, a central bathroom 'box', a secret pink craft room, and a study/TV/retreat, with a generous hammock utilising the high ceiling. To define the original part of the house with respect to the addition, the external materiality of painted weatherboards is continued internally. Not typically used as an interior wall finish, its application draws the exterior inside, creating visual and spatial separation between the old and newly built, and confusing the perception of inside and out. Bluestone paving is used as internal flooring inside the entry to further reinforce the intent. In strategically avoiding the expansive open-plan living from feeling as the owners feared, "too cavernous" the lounge room extends off the main entertaining zone. Providing just the right amount of space, the form sits slightly raised and protrudes, like a pavilion, sitting within the garden. Design Team - Austin Maynard Architects was established in 2002 when Andrew Maynard won the Asia Pacific Design Award's grand prize. The practice is led by Co-Directors Mark Austin and Andrew Maynard, both Fellows of the Royal Australian Institute of Architects (FRAIA), with Managing Director Sophie Whittakers overseeing daily operations. This Melbourne and Hobart-based studio employs a deliberative design methodology, addressing issues of liveability, community connection, and sustainable development through collaborative client engagement. Their work has been recognized as Architecture Studio of the Year by Dezeen and Small Firm of The Year by Archello, and they are recipients of the prestigious Canberra Medallion, placing them alongside notable buildings like the National Gallery of Australia, The Australian High Court, and Parliament House. The firm is characterized by regarding problems as opportunities, forging creative solutions to turn everyday necessities into design assets. For the Clarke House project, Kathryne Houchin worked alongside Andrew Maynard and Mark Austin as part of the project team, demonstrating their commitment to sustainable architecture—the project is fossil fuel free, 100% electric, with a 6.6KW solar system, electric heat pump hot water system and electric heat pump hydronic heating system, and comprehensive insulation throughout. Austin Maynard Architects' work demonstrates that architectural playfulness can coexist with technical precision, creating spaces that are simultaneously functional, sustainable, and conceptually rich—a testament to architecture's capacity to address contemporary environmental and social challenges. 设计团队 旅游探访 206 m² 墨尔本，澳大利亚 2025 Previous Next

< 返回 郑州黄河国家博物馆 gmp建筑师事务所 项目名称：郑州黄河国家博物馆 地点：郑州市 ， 中国 设计团队：gmp建筑师事务所 建筑面积：100300 m² 竣工时间：2025年 摄影：Marcus Bredt 设计特色： 项目 - 德国gmp建筑师事务所在中国郑州市北郊完成了黄河国家博物馆项目，创造了一座蜿蜒曲折的建筑，其形态忠实地追随着这条5000公里长河流的蜿蜒路径。该项目不仅探索了黄河的文化意义，更深入研究了其在塑造景观中的作用，将新博物馆建筑与周围公园融为一体，形成了自然与文明之间的物理和概念桥梁。 该项目最引人注目的特色是与景观的无缝融合——绿色屋顶延伸至40米高的观景台，创造出连续的地形，模糊了建筑与自然的界限。蜿蜒的屋顶步道引导游客穿行于原生植被环境、野餐区和露天剧场，提供北望黄河、南眺郑州市区的全景视野。 建筑的核心是一个雕塑般的中庭，可通过瀑布水幕进行戏剧性增强，成为博物馆体验的光线充足的核心空间。多边形结构温和地起伏，跨越公园内的水道，在交汇点形成了建筑的光明核心。 立面展示了天然石材的模块化幕墙系统，垂直韵律质感呼应河流的流动模式。公共区域通过细长的垂直窗户引入自然光，而展览空间则避免直射光线。北侧三扇大窗参照了黄河标志性的窑洞民居，框取了广阔的景观视野。 主入口位于建筑南侧最高点下方，是一个玻璃开口，仿佛直接从巨大体量中雕刻而出。这个切口以其微妙闪烁的黄色调黄铜包层给人留下深刻印象，从立面延续到天花板，并在室内延续：弯曲的墙面如同侵蚀的岩石，柔和反射的淡黄色天花板引导游客进入博物馆。 该项目位于黄河国家文化公园的核心位置，博物馆以流线型形态从起伏的河滨景观中升起，将周围的绿色空间连接成一个整体。作为公共公园的延伸，博物馆体现了黄河作为中华文明摇篮的深刻文化象征意义。 设计团队 - 由迈因哈德·冯·格康(Meinhard von Gerkan)和福尔克温·马格(Volkwin Marg)于1965年在汉堡创立的gmp建筑师事务所，已发展成为拥有超过50年经验的全球知名建筑设计机构。该事务所采用通才模式，在汉堡、柏林、亚琛、慕尼黑、北京、上海、深圳和河内设有八个国际办公室，承接从住宅开发到城市规划的各种规模项目。 gmp的设计哲学围绕四个核心原则：简洁性、多样性中的统一、独特性和结构秩序。他们称之为"对话设计"的方法论，在建筑概念与场地特定参数之间建立了互动式设计方法。事务所对功能优化的承诺意味着建筑通过功能相关性、构造逻辑、材料适宜性和环境响应性进行评估。 该事务所的综合作品集涵盖文化机构、交通基础设施、商业开发和体育设施，项目遍布各大洲。近期成就包括因广州中建科工科技创新大厦获得多项CTBUH奖项，以及北京中国传统文化博物馆等项目的认可。 gmp的整体可持续发展方法优先考虑气候适应性建造标准和适应性再利用策略，确保建筑的长期相关性超越临时的风格趋势。他们的辩证设计过程将理念转化为建成现实，同时保持对环境背景和社会需求的敏感性。 Project Name: Yellow River National Museum Location: Zhengzhou , China Design Team: gmp Architects Total Floor Area: 100,300 m² Completion: 2025 Photography: Marcus Bredt Feature: Project - German architecture firm gmp Architects completed the Yellow River National Museum in Zhengzhou, China, creating a sinuous structure that literally follows the meandering path of the 5,000-kilometer-long river. The project explores not only the river's cultural significance but also its role in shaping the landscape, with both the new museum building and surrounding park tracing the river's course to form a physical and conceptual bridge between nature and civilization. The museum's most striking feature is its seamless integration with the landscape – the green roof extends upward to a 40-meter observation deck, creating a continuous topography that blurs the boundaries between architecture and nature. Winding rooftop paths lead visitors through native vegetation environments, picnic areas, and an open-air theater, offering panoramic views of both the Yellow River to the north and Zhengzhou city to the south. At the building's heart lies a sculptural atrium that can be dramatically enhanced with a cascading water curtain, serving as the light-filled core of the museum experience. The polygonal structure gently rises and falls as it bridges a watercourse within the park, with the crossing point forming the luminous heart of the building. The façade showcases a modular curtain wall system of natural stone with vertical rhythmic texturing that echoes the river's flow patterns. Public zones are punctuated by slender vertical windows that admit natural light, while exhibition spaces are shielded from direct illumination. Three large north-facing windows reference the Yellow River's iconic cave dwellings while framing sweeping landscape views. The main entrance, positioned beneath the building's tallest southern point, appears as a glazed opening carved directly from the massive volume. This cutout impresses with its subtly shimmering yellow-toned brass cladding along the façade and ceiling, which continues on the inside: curved walls resembling eroded rock and softly reflective yellowish ceilings guide visitors into the museum. Located at the heart of the Yellow River National Cultural Park, the museum rises from the rolling riverside landscape in a streamlined form, connecting the surrounding green spaces into a cohesive whole. As an extension of the public park, the museum embodies the profound cultural symbolism of the Yellow River as the cradle of Chinese civilization. Design Team - Founded in Hamburg in 1965 by Meinhard von Gerkan and Volkwin Marg, gmp Architects has evolved into a globally recognized architectural practice with over 50 years of experience in delivering contextually responsive design solutions. The firm operates on a generalist approach across eight international offices in Hamburg, Berlin, Aachen, Munich, Beijing, Shanghai, Shenzhen, and Hanoi, tackling projects at all scales from residential developments to urban planning initiatives. gmp's design philosophy centers on four core principles: simplicity, unity in diversity, uniqueness, and structural order. Their approach, termed "designing in dialogue," establishes an interactive methodology between architectural concepts and site-specific parameters. The firm's commitment to functional optimization means buildings are evaluated through programmatic relevance, constructional logic, material appropriateness, and contextual responsiveness. The practice's comprehensive portfolio spans cultural institutions, transportation infrastructure, commercial developments, and sports facilities across all continents. Recent achievements include multiple CTBUH Awards for the CSCEC Science and Innovation Building in Guangzhou and recognition for projects like the Chinese Traditional Culture Museum in Beijing. gmp's holistic sustainability approach prioritizes climate-aware construction standards and adaptive reuse strategies, ensuring long-term architectural relevance beyond temporary stylistic trends. Their dialectical design process transforms ideas into built reality while maintaining sensitivity to environmental contexts and societal requirements. 设计团队 旅游探访 100300 m² 郑州市，中国 2025 Previous Next

< 返回 Buitenplaats Koningsweg 社区 MVRDV 项目名称：Buitenplaats Koningsweg 社区 设计团队：MVRDV 面积：4932 m² 地点：荷兰，阿纳姆 设计特色： 项目 – 在荷兰阿纳姆郊区，一个令人惊叹的项目将历史与自然巧妙融合。MVRDV建筑事务所、Buro Harro景观设计工作室以及KondorWessels Projecten开发公司联手，将二战时期的德国军事基地华丽蜕变，赋予其全新生命。这个名为Buitenplaats Koningsweg的项目，巧妙地将居住空间、文化元素与弗卢韦森林完美结合，创造出一个独特的生活环境，既尊重其复杂的历史，又拥抱可持续发展的未来。 整体规划极具匠心，保留并改造了现有建筑，同时通过精心选择的材料，让新增建筑清晰可辨。原有的砖砌建筑经过细致修复，而重建的部分则采用独特的浅灰色外观。这种方法不仅尊重了场地的历史遗产，还让访客能直观地解读其丰富的历史层次。 MVRDV的贡献包括三座几乎完全相同的住宅楼，提供21套能源中和的"森林城镇别墅"。这些住宅高于地面，拥有最小限度的围合空间，与周围自然环境亲密相连。项目对可持续发展的承诺体现在木质框架、回收材料的使用以及面向未来的设计元素上。 最引人注目的或许是Buro Harro的景观设计，它"像毯子一样将弗卢韦景观覆盖在场地上"。这种方法模糊了建筑环境与自然环境之间的界限，营造出一种既恒久又与周围环境完美融合的宁静氛围。最终呈现的是一个真正独特的开发项目，为居民提供了在荷兰最珍贵的自然景观之一中和谐生活、工作和放松的难得机会。 团队 – MVRDV建筑事务所于1993年由维尼·马斯（Winy Maas）、雅各布·范赖斯（Jacob van Rijs）和娜塔莉·德弗里斯（Nathalie de Vries）共同创立，如今已成为创新建筑设计和城市规划领域的先锋。目前，除创始合伙人外，弗朗斯·德维特（Frans de Witte）、福克·莫雷尔（Fokke Moerel）、石文倩（Wenchian Shi）、扬·克尼克（Jan Knikker）和贝特朗·希潘（Bertrand Schippan）也加入领导团队。这家总部位于鹿特丹的公司已经在全球扩张，在上海、巴黎、柏林和纽约都设有办事处。 MVRDV的设计方法以严谨的研究、多学科协作和对可持续性的承诺为特征。他们内部的气候团队确保每个设计都符合生态环保理念，而MVRDV NEXT则不断推动计算机辅助设计和技术集成的边界。该公司的作品涵盖了令人印象深刻的多种建筑类型，从鹿特丹标志性的混合用途建筑Markthal到具有重要文化意义的项目，如博伊曼斯·范伯宁恩美术馆藏品库。MVRDV的作品经常挑战传统建筑规范，比如地拉那金字塔的改造项目和天津滨海图书馆等。 在300多名专业人士的努力下，MVRDV持续塑造着建筑和城市规划的未来。他们强调创意、功能性和社会责任的设计理念赢得了国际赞誉和众多奖项。通过其附属智库"未来工厂"（The Why Factory），MVRDV还为学术讨论做出贡献，构想未来城市，并不断推动建筑思想的边界。 Project：Buitenplaats Koningsweg Team：MVRDV Size：4932 m² Location：Arnhem, Netherlands Feature： Project - In a striking transformation of history and nature, MVRDV, Buro Harro, and KondorWessels Projecten have breathed new life into a former World War II German military base on the outskirts of Arnhem, Netherlands. The Buitenplaats Koningsweg project seamlessly blends residential spaces, cultural elements, and the lush Veluwe forest, creating a unique living environment that honors its complex past while embracing a sustainable future. The masterplan ingeniously preserves and repurposes existing structures, with new additions clearly delineated through thoughtful material choices. Original brick buildings are carefully restored, while reconstructed elements feature distinctive light grey finishes. This approach not only respects the site's heritage but also allows visitors to intuitively interpret its layered history. MVRDV's contribution includes three almost-identical residential buildings, offering 21 energy-neutral "townhouses in the forest." These homes, raised above ground level, boast minimal enclosures and intimate connections to the surrounding nature. The project's commitment to sustainability is evident in its use of timber frames, recycled materials, and future-ready design elements. Perhaps most striking is the landscape design by Buro Harro, which "pulls the Veluwe landscape over the site like a blanket." This rewilding approach blurs the boundaries between built and natural environments, creating a serene atmosphere that feels both timeless and perfectly integrated with its surroundings. The result is a truly unique development that offers residents the rare opportunity to live, work, and relax in harmony with one of the Netherlands' most precious natural landscapes. Design Team - Founded in 1993 by Winy Maas, Jacob van Rijs, and Nathalie de Vries, MVRDV has established itself as a vanguard in innovative architectural design and urban planning. Now led by the founding partners alongside Frans de Witte, Fokke Moerel, Wenchian Shi, Jan Knikker, and Bertrand Schippan, this Rotterdam-based firm has expanded globally with offices in Shanghai, Paris, Berlin, and New York. MVRDV's approach is characterized by rigorous research, multidisciplinary collaboration, and a commitment to sustainability. Their in-house Climate Team ensures eco-conscious designs, while MVRDV NEXT pushes the boundaries of computational design and technology integration. The firm's portfolio spans an impressive range of typologies, from mixed-use developments like the iconic Markthal in Rotterdam to culturally significant projects such as the Depot Boijmans Van Beuningen. MVRDV's work often challenges conventional architectural norms, as seen in projects like the Pyramid of Tirana transformation and the Tianjin Binhai Library. With a team of over 300 professionals, MVRDV continues to shape the future of architecture and urbanism. Their design philosophy, which emphasizes creativity, functionality, and social responsibility, has garnered international acclaim and numerous awards. Through their associated think tank, The Why Factory, MVRDV also contributes to academic discourse, envisioning future cities and pushing the boundaries of architectural thought. 设计团队 旅游探访 4932 m² Arnhem, Netherlands 2024 Previous Next