Heim Balp Architekten transforms a roughly 150-year-old agricultural outbuilding in central Kriebitzsch into a 520 m² project and seminar house. A historic vault, continuous timber gallery, retained roof trusses and reused components support accommodation, gatherings and temporary communal living.

MVRDV and includi transform a former department store in central Essen into a 10,000 m², six-storey library. Red media villages, an activated timber façade, a central atrium and the top-floor Stadt Raum bring reading, play, study, meeting and city views into a civic living room shaped by everyday use.

12mm architects completes a 53 m² house on a wooded slope in Nagoya. A 7.28 m square one-room plan, 13 m² loft, grey plaster and silver metal shell bring collected furniture, seasonal light and woodland into one quiet framework for daily life.

fala completes House Around a Column on a skewed 60 m² plot in Porto. A striped marble facade, vertically changing column sections and a sculptural stair turn the compact 120 m², three-level dwelling into a precise geometric theatre.

Takato Tamagami Design completes a 197.26 m² ski-equipment rental shop at Ryuoo Mountain Resort in Nagano. Overlapping roofs, platforms derived from the sloping site and unfinished particleboard form a timber mountain room on the route to the slopes.

SUPRBLK Studio organises an approximately 317 m² mixed-use house in Halifax's North End as two gabled volumes containing a family home, architecture studio and independent apartment. Turquoise and silver metal, warm yellow cores and a sequence of courtyards mediate daylight, privacy and urban density.

Niko Design Studio shaped an 84.28 m² timber house in Fujisawa through a divided raft foundation and raised detached room. Retained soil enters an internal terrace, a broad engawa connects the garden, and the undercroft shelters dogs and visiting cats, making multispecies living a structural idea.

Volume Architecture Lisbon Studio reshapes a 125 m² urban house in Parede through carved corners. Garden-facing communal rooms, protected upper patios, warm lime render, Kâmbala timber and Trigaches limestone turn precise geometry into a tactile home.

Caceres + Tous organises a 304 m² four-bedroom retreat on a Lombok hilltop as a complete ring. Terracotta columns, a central courtyard, oval skylights and continuous glazing mediate light, privacy and sea views between sunrise and sunset.

Roberto Somlo Arquitetura strips back an existing Oscar Freire building for VEJA's 536 m² first Brazilian store, bringing exposed brick, board-formed concrete, full-height glazing and a cobbler's workshop into one three-level encounter with São Paulo's urban history.

Stantec and Gachot shape The Nora Hotel in West Palm Beach through Mediterranean loggias, cypress interiors, bespoke furniture and tropical light, turning more than 19,974 m² of new hospitality space into an accessible living room for the Nora District.

Masato Ashida Architects connects the city of Esaka with northern Osaka's Satoyama through a 120.30 m² single-storey timber hub. A cafe, workshop and lawn gather beneath a broad open frame, where locally sourced broadleaf logs become structural columns and support an ongoing cycle of materials, community participation and everyday public life.

Fettle renews Dallas landmark The Stoneleigh through walnut panelling, saturated pattern, bespoke furniture and retained historic material, restoring the spatial order of its public rooms and 176 guestrooms within the 14,056 m² hotel.

In Nakijin, Fuu reinterprets the traditional amahaji through two resort villas where deep eaves, pools, charred-timber ceilings and rainwater reuse respond to forest, sea and subtropical weather.

MABI ARCHITECTS preserves the curved pools, tiles and concrete framework of the 1983 Enmeiyu while adding a sauna, cold plunge, outdoor bath, lounge and bar, allowing the approximately 270 m² neighborhood bathhouse to serve contemporary life in Osaka.

Reigo & Bauer reshapes a 470 m² multilevel home in Kitchener around a curved white welded-steel stair, bringing rough stone, Italian limestone, wide-plank oak and bronze into a bright, restrained expression of quiet luxury.

In a 146.52 m² lodging renovation on Amami Oshima, Furuya Design Architect Office uses a layered timber facade, a double-height axis toward the bay and carefully framed views to place an existing house within coral-stone walls, bilou palms and a subtropical garden.

At a 589.6 m² timber commercial project within the Hiroshima Prefectural Government grounds, SUEP. and Tomoki Nagase Architects use low pavilions, a demountable SE structure, local timber and recycled oyster shells to turn a former car park into a civic landscape of trees, lawns, cafes and pedestrian routes.

In the 6,900 m² transformation of the Bilbao Fine Arts Museum, Foster + Partners and LM Uriarte Arkitektura suspend a 55-metre bridge gallery above the historic buildings and use a civic atrium to reconnect three architectural eras with the park and the cultural life of the city.

In a 69.28 m² hotel room on Japan's Oki Islands, Amane Architecture raises the bed platform, visually dissolves the window frame and establishes cross-ventilation, bringing sea, ridgeline and the homecoming wind known as Jinakachi into the experience of staying.

At a 484.64 m² retreat on Japan's Teshima Island, Tsubame Architects divides 12 rooms among four courtyard houses. Lanes, earthen passages, a shared living room, resident-donated plants and reclaimed Teshima stone turn a hotel stay into a slower encounter with everyday life in Ieura.

At an 8356 m² care residence in metropolitan Barcelona, Coll-Leclerc divides 108 rooms into nine household-scale communities. Indoor plazas, south-facing terraces and agricultural and riparian gardens turn an institutional programme into a legible neighbourhood for everyday life.

At a 400 m² visitor centre beside Iceland's Lake Mývatn, SP(R)INT STUDIO and Nissen Richards Studio use low timber displays, tactile exhibits, sound and film to connect volcanic geology, wetland ecology and birdlife while keeping the landscape itself at the centre of the experience.

At a 407.26 m² experiential farm in Ritto, RAA inserts a reciprocal bamboo frame, thatch, rammed earth and aquaponics into existing agricultural glasshouses, allowing an industrial shell and locally sourced materials to sustain one another.

At a 1,253.75 m² commercial precinct beside Jingumae Station in Nagoya, nanometer architecture and dddessin use three single-storey timber buildings, a 120-metre wave roof and inhabitable inverted-pyramid frames to turn a former large retail block into a walkable link between Atsuta Jingu, the shopping street and the station.

At a 724.05 m² cultural centre in Balsapintada, COR Architecture + Design unifies three existing volumes behind a pale perforated-metal skin, using a shaded portico, movable partitions and nearly zero-energy upgrades to return an ageing facility to the public life of the town square.

At a 2400 m² resort in Oliosi, Bricolo Falsarella restores two nineteenth-century stone farm buildings through 32 construction rules, using stone-set washed concrete, exposed junctions and crafted irregularity to root a new tower in the building culture of the Lake Garda hills.

At a 455 m² former guesthouse in Chiang Mai's Nimman district, EKAR Architects uses a curved brick wall to connect the street, three courtyards and an open stair facing Doi Suthep, renewing the hotel without adding rooms or floor area.

At a 571.14 m² forest guesthouse in Glengarriff, Ireland, Schemata Architects expands the link between two existing buildings and uses north light, south-facing photovoltaics and oak interiors to connect the stay with the long-term regeneration of an ancient woodland.

In a 130.41 m² house renovation on Awaji Island, ooc uses a north-south tubular load-bearing wall to join a 1948 traditional timber structure to a later addition, turning seismic reinforcement into a spatial experience guests can inhabit overnight.

At a 1,973 m² hotel in Ubud, Bali, PSA Studio retains and reorganizes parts of the existing built fabric. Layered roofs, planted courts and a meandering pool turn the ideas of forest and river into a spatial journey through the property.

In Sendai, Architectural Atelier DADA gathers a 162.91 m² timber house and its courtyard beneath one large roof, using Akiu stone, a slatted upper floor and high skylights to shape an evolving domestic environment of light, air and planting on an ordinary residential plot.

In Dudley, Napier Clarke Architects shapes a 1500 m² museum gateway from three staggered zinc-clad gables, connecting the tram circle, woodland and open-air exhibits through a cantilevered deck, a hillside lower level and naturally ventilated public interiors.

In Oulu, OPUS Architecture and Simon Mahringer connect a historic power station with two brick volumes, an open loggia and a museum square, shaping a 9,540 m² museum and science centre where science, urban memory and public life unfold along a shared path through time.

In Kuhsar, Iran, ZAV Architects extends a 200 m² weekend villa with graft-like curving vaults that grow through clearings in the orchard, bringing dwelling, tending, harvesting and movement into one continuous domestic landscape.

On the shore of Lake Geneva in Bellevue, atelier ba.le divides a 3,094 m² civic and hospitality programme between two pale, pitched-roof buildings, reconnecting village, park, harbour and lake through split levels, timber cladding and a central pedestrian passage.

Within a 19-hectare woodland in Vialonga, Portugal, Plano Humano Arquitectos uses 355 m² of timber structure and translucent polycarbonate to organise three scout facilities, placing changing, washing and camping support beneath continuous colonnades and gently curving roofs.

In Osaka Prefecture, ninkipen! and MuFF shape a 275.29 m² home with turning tiled roofs and deep eaves, opening its south-facing living room toward an underused garden and bringing it into the shared life of an existing estate.

At the 8,294 m² Sallarès Deu project in Sabadell, JAAS reopens the spaces between former textile sheds, using a greenhouse-like atrium, reversible timber insertions and daylight to support culinary education and civic life.

At a 794.99 m² coastal hotel in Chiba, Furuya Design Architect Office draws a curved plan from the Kujūkuri shoreline, using a slender concrete frame and a pool that cuts into the building to connect rooms, garden and sea.

In Wuhan, Wiki World uses a 20 m² prefabricated timber cabin to recast a woodland stay. A red shell, portholes and a picture window frame the trees at different scales, while a ladder, sleeping loft and skylight make the compact interior feel unexpectedly expansive.

At the Roman site of Clunia in Spain, Tejedor Linares Arquitectos embeds the 1,325 m² visitor center into the slope leading toward the theatre, using a planted roof, ochre concrete, a water court and horizontal views to turn arrival into a gradual passage from the present surface toward deeper history.

At the 2,650 m² Gisors Cultural Hub in France, richter architectes et associés links a three-screen cinema, media library and public park with an east-west riverside gallery, placing flood-resilient parking below so the River Epte can return to everyday urban life.

On a vineyard slope in Stäfa, Peter Moor Architects reimagines Restaurant Frohberg as two intersecting pitched-roof volumes, where weighty gables, open colonnades and folding larch shutters frame Lake Zurich and renew the site's tradition of dining, celebration and day trips.

On a 148 m² bamboo pier along Thailand's Pattani River, HAS design and research combines fishing operations, community life, direct contact with water and aquatic habitat restoration, returning work, faith and public life to the river's edge.

In a 2,173 m² public cultural complex in Sarlat-la-Canéda, Dominique Coulon & Associés uses a retained factory wall to connect a new media library with a renovated music school, shaping ochre concrete, a cliff-carved reading cave, courtyards and a public terrace into an inhabitable urban terrain.

At Tullie Museum in Carlisle, De Matos Ryan uses five high-street terraces, a Cumbrian red-stone portal and a step-free route to remake the entrance, while adaptable poplar displays return a once-hidden historic museum to the city's public life.

In an 85.61 m² timber house in Yugawara, Japan, yate and Maeda Koumuten place a ground-floor studio around a service core and raise the upper roof toward the sea, connecting close work, woodland light and distant views.

Inside a 40 m² São Paulo bookshop, ARCHITECTS OFFICE frames a continuous Klein-blue interior with a restrained off-white shell, using perimeter shelves, central displays and diffuse overhead light to turn a pause in the mall into an experience closer to a gallery.

Inside a 560.8 m² former villa in Ho Chi Minh City, studio anettai reorganises Pizza 4P's flagship through retention, stripping, returned earth and lightweight shade, allowing edible gardens, wetlands, old fabric and split levels to form an ecological setting that continues to grow.

At the 48,000 m² former US Embassy in London, David Chipperfield Architects restores Saarinen's Portland-stone facade and concrete diagrid, removes accumulated security boundaries, and introduces an atrium, public piano nobile and set-back crown to reconnect the hotel with Grosvenor Square.

At a 730 m² hotel restaurant on Lake Como, Herzog & de Meuron retains the existing greenhouse and extends five metres into the garden. An opening veranda, trellis shadows, cast-glass ceiling, walnut and two marbles reconnect the formerly enclosed dining rooms with lake light and the seasons.

At a 145.73 m² cafe and shared terrace in Yokohama, HAGISO uses a continuous 370 mm-high seating island to cross the boundary between tenancy and common space, combining coffee-ground plaster, layered plywood and floating ceiling volumes into a place of pause shaped by the city's changing flow.

At an existing RV campground in Three Rivers, California, Waechter Architecture uses a 724.64 m² clubhouse to connect parking, courtyard, pool, lawn, accommodation and the Kaweah River. A broad roof, four cedar-clad volumes and fully opening communal rooms turn the passage from highway to the Sierra foothills into a continuous guest experience.

At a 180 m² open-air gallery in Cabo San Lucas, Sordo Madaleno Arquitectos leads visitors four metres below grade along a 17-metre semi-covered ramp. Bush-hammered pigmented-concrete walls rising over five metres bring sky, wind, desert light and large-scale art into a shared field of view.

At a 199.08 m² hillside villa in Hannan, Osaka, Horibe Associates lifts the principal living floor roughly 3.5 metres on a reinforced-concrete base. A timber gabled roof, deep eaves, calibrated floor levels, teppanyaki kitchen and continuous sauna-bathing suite draw Osaka Bay, the lights of Kansai Airport and the changing seasons into a complete stay for one private group.

In a 712 m² South Tangerang residence, K-Thengono Design Studio splits and lifts the upper mass to connect an indoor theatre, rooftop pool, yoga terrace and planted roof, turning circulation into a domestic promenade through courtyards, light and tropical climate.

At an 860 m² flagship store in Fukuoka, TORAFU ARCHITECTS uses suspended light boxes and custom speakers below and an industrial aluminium grid above to shape two distinct sound fields, bringing light, audio, merchandise and movement into one spatial experience.

At a 321.90 m² house in Tokyo, and to Architects uses a U-shaped volume around a northern garden, spatial shifts from 2350 to 7050 mm and tactile materials including bamboo-board concrete to translate Noh cadence and the changing expression of a mask into an architecture of glimpses.

At a 550 m² visitor centre in Ardales, Spain, Luis Machuca Arquitectos abstracts the gorge through demountable glulam portals, combining off-grid photovoltaics, earth-tube cooling and a sequence from shadow to reservoir horizon as a prelude to the Caminito del Rey.

In a 2,400 m² hospitality residence in Kerobokan, Bali, UOS Architecture Studio uses brick screens, a shared pool, courtyards and staggered balconies to organise 20 apartments and five townhouses around ventilation, privacy and communal life.

At 1,600 metres above Colere, P2A Design transforms an existing 2,800 m² mountain building with Orobie stone, timber and continuous south-facing glazing, reorganising 28 rooms, dining, wellness and shared spaces as an all-season destination rather than a seasonal ski stop.

At the base of a ten-storey, 1,592.55 m² mixed-use building in Nihonbashi-Hamacho, Tokyo, Kubo Tsushima Architects uses layered roofs and ceilings to screen surrounding views and moderate natural ventilation, allowing the semi-open-air baths to retain a gentle sense of breeze, daylight and moving water within the dense city.

At a 110 m² off-grid house in Awaroa, New Zealand, Patchwork Architecture gathers compact timber rooms around a forest courtyard beneath one expansive roof, using deep eaves, screens and tent-ready verandas to let family life extend into camping.

In a 300 m² shop-house renovation in Batam, Kousou inserts a new frame within the existing concrete structure, reorganising three floors around a RAIN VOID where a long skylight, channelled rainwater and bankirai hardwood reconnect the brand's original home with the tropical climate.

In a 98.33 m² single-storey timber house in Oiso, ISO architects & associates pairs an almost equally sized living-dining-kitchen space and inner courtyard, using an engawa, deep eaves, an earthen terrace, rising beams and a continuous cedar wall to draw light, breeze and material change into life after retirement.

In a 269 m² three-storey cafe in Maros, Indonesia, INS Studio links a social ground floor, an upper coworking level and a rooftop garden, using local andesite, terracotta screens, a moss wall and natural ventilation to turn an everyday visit into a gradual ascent toward Bukit Cenrana.

In a 90 m² jewellery boutique in Jingumae, Tokyo, Fumihiko Sano Studio uses a freestanding frame of octagonal cedar posts and beams to organise reception and three guest rooms, bringing marble ceilings, French herringbone flooring, Kyo Karakami paper, Nishijin textiles and a Rokko-stone display into a restrained dialogue between Japanese and French culture.

At a 158 m² timber holiday house in Rågeleje, Denmark, Jesper Kusk Arkitekter uses a north-south longhouse to connect a narrow hillside plot with the public beach, while sheltered east-west terraces, ridge skylights and Danish oak surfaces allow the sea to unfold gradually through arrival and everyday life.

At a 380.41 m² shared villa in Karuizawa, KAMIYA ARCHITECTS uses an inverted-conical roof and curved corridor to mediate collective and private life, while a 15-by-12-metre living room, reflective white ceiling and three-tonne stone fireplace give brief stays a lasting sense of belonging within the seasonal forest.

At a 321 m² community venue in Hengshiji Village, Zhuhai, StudioTiltedCircle renews two traditional stone houses with reclaimed masonry, layered concrete and lightweight metal, using a central light-filled passage, folding polycarbonate doors and a roof terrace to support cultural events, a café and everyday village life.

At a 390.71 m² headquarters for Fukuchiyama chicken restaurant Torinago in Kyoto, Japan, ninkipen! combines a tiled roof, charred-timber walls and a raised watchtower to connect the castle town, the Yura River and surrounding mountains with kitchen, office, terrace and forecourt spaces.

At a 1,700 m² winery in Los Chacayes, Argentina, González Olsina & Vega Arquitectos use a central axis, Corten steel and darkened concrete to shape a contemporary temple facing the vineyards and the Andes, turning winemaking into an experience of volume, light and shadow.

TORAFU ARCHITECTS transforms a 238.14 m² concept store in Osaka’s Shinsaibashi district into a tactile account of walking, using earth-infused washi, hovering timber pieces, a hand-stitched leather rail and facing mirrors to extend the route beyond its physical limits.

In the transformation of Arles’ former Église Sainte-Croix, Charles Zana uses retained masonry, a bronze-toned lattice entrance, corrugated aluminium ceilings, a terracotta stairwell and locally crafted terrazzo to organise three levels of galleries, keeping the building’s accumulated history in active dialogue with the contemporary programme of Fonds Bustamante.

In the approximately 12,000 m² renewal of the 63 Building podium on Seoul’s Yeouido Island, Wilmotte & Associés uses a 150-metre curved-glass box of light, a daylit central hall, sculpture garden and paired exhibition zones to turn a former commercial-events base into a public cultural frontage linking art, the Han River and everyday city life.

At an approximately 8,919 m² presidential library in North Dakota, Snøhetta combines an accessible prairie roof, a nearly mile-long boardwalk, local rammed earth and a timber-steel structure to turn architecture, exhibition and Badlands ecology into one continuous public experience.

Across a 13,500 m² renewal of Île de Bendor in France, Hardel Le Bihan Architectes, Niez Studio and Zannier Hotels reconnect the harbour settlement, Mediterranean ecology and public island life through repair, restrained additions, landscape recovery and varied hospitality spaces.

At a 2,150 m² woodland concert hall in Évian-les-Bains, PCA-STREAM combines oval seating, a conical acoustic shell, graded plaster relief and an oculus, shaping a reverberation time of about 1.8 seconds into an inhabitable instrument of sound and daylight.

Inside an 800 m² industrial water tower built in Nijmegen in 1929, Eek en Dekkers uses a vertical glazed incision, detached steel stair and timber insertions to organise a restaurant, meeting spaces and panoramic bar, making public life visible within the repaired concrete frame.

At a 214 m² woodland retreat in Wentworth-Nord, Atelier Carle uses three board-formed concrete walls, offset timber rooms and northern forest views to let two friends share one house while preserving the distance each needs.

In a 198 m² hillside residence in Yongin, Chiasmus Partners uses a circular courtyard, continuous walls and a shared roof to connect a parents' main house with their daughters' annex, balancing independence, family life and layered views of the wooded landscape.

Studio Maignan Architects transforms an approximately 353 m² 1930s brick house in Toronto through a kitchen and dining core that steps down to the garden, a frameless glazed corner, an exposed hemlock ceiling and a third-floor studio, reconnecting work, gathering and outdoor life.

In an 82.95 m² cafe in Harajuku, Tokyo, TEKI Design draws the alley into the interior through a continuous stainless-steel surface. Layered plaster walls, a pale blue reflective ceiling, and soft lighting create an inhabitable “slice of sky” between the surrounding buildings.

In a 60 m² space within São Paulo’s Galeria Metrópole, Estúdio Cajalima uses an open sandwich-making counter to connect sightlines between the ground floor and mezzanine. White ceramic tiles, red pigmented cement, blue perforated metal, and stainless steel transform this “library of flavours” into a visible theatre of preparation.

In a 307.14 m² narrow urban residence in Milwaukee, Johnsen Schmaling Architects uses progressively rotated wood-aluminium composite louvers to balance daylight, privacy, and solar shading on the south-facing facade, while reorganising three levels of family life around a linear courtyard.

In a 4,120 m² four-storey flagship in Beijing’s Sanlitun district, MVRDV brings together a colour-shifting aluminium-tile facade, seven moon-gate openings and six Bold Rooms to create a retail narrative that gradually transforms traditional forms into contemporary abstractions.

Atelier MEME arranges cubic volumes of varying sizes along a spiral plan for this 145.75 m² timber house in Nikko, Japan. Rooms are tucked into rock-like masses, while the living and dining areas unfold through the spaces between them. Small openings, shifting ceiling heights and an integrated waterproofing system respond to the mountain landscape, neighbouring privacy and the family's evolving way of life.

In a 900 m² residence in Singapore, Ming Architects arranges an L-shaped volume around a 25 m swimming pool and garden, using sliding aluminium screens, deep overhangs, cross-ventilation and mature rain trees to balance street-facing privacy with open tropical family life.

Urban Egg stands in Jeonpo-dong, Busanjin-gu, Busan, where a district of small factories and warehouses has gradually become the commercial and cultural quarter known as Jeollidan-gil. Confronted by narrow lanes, dense buildings and competing urban signals, U.GA Architects did not treat the 454 m² mixed-use facility as an isolated object. It is conceived instead as a refuge within the city: a layered concrete shell that makes room for pause, accommodation and recovery amid the surrounding intensity.

JNG House is a 446 m² private residence in Bangkok, developed by BodinChapa Architects through a long conversation with its owner. Complexity was never the point. The masterplan, circulation, atmosphere and material palette were refined around the family's routines and their capacity to change over time, with unnecessary elements gradually removed.

In an 88.42 m² two-storey timber pet hotel in Komae, Tokyo, miCo. layers colourful graphics in two line weights across the acrylic enclosures, creating abstract patterns at close range and, from a distance, a “village landscape” united by a shared facade.

On a hillside in Thornton, Victoria, JAK Architecture arranges two L-shaped volumes around a courtyard and swimming pool, using board-formed concrete, timber, and full-height glazing to respond to views of the Cathedral Ranges, cross-ventilation, and bushfire risk.

EcoNeo Summerhouse stands in Asnæs on the Danish island of Zealand. Within a compact 35-square-metre footprint, it accommodates the everyday rituals and holiday life of a family of four.

Villa Suki stands in Pererenan, Bali, and was designed by Alexis Dornier. A perfect square is rotated 45 degrees within the near-rectangular plot, creating a family of triangular gardens between the house and its boundaries. Landscape is not treated as a leftover perimeter. Together, the central void and peripheral gardens establish the order of a tropical residence that looks outward while remaining anchored by a quiet interior core.

Nachan the Antique Courtyard Hotel stands in Chiang Khan, northeastern Thailand, near the Mekong River. Rather than concentrating its 1,200 square metres in a single resort building, PAVA architects breaks the programme into intimate timber units arranged around a series of triangular courtyards. The resulting cluster reads as a small village, forming a gradual transition between an urban pace of life and the stillness of the river landscape.

TOM WOOD SHIBUYA occupies a street-level space in Tokyo and is the Norwegian jewellery brand's second flagship store in Japan. In a district saturated with movement and visual information, the shop is not treated as a sealed display box. A portal-like frame gives the entrance a clear civic presence, allowing the street, the interior and the brand's restrained material language to meet in a single view.

The Art Museum of AHUA stands beside the lake at the south-eastern edge of the university campus in Hefei, close to the School of Fine Arts. A professional museum often depends on opaque walls, artificial lighting and uninterrupted display surfaces to create a controlled “black box”. Here, that enclosure conflicts with the openness of daily teaching, student exchange and an exceptional lakeside setting. The design turns this tension into the starting point for its spatial organisation.

Yuiichimi Processing Facility and Shop occupies part of an existing house in Nishinomiya, Hyogo, where FUMIASO ARCHITECT & ASSOCIATES created a small place for processing and selling chilli products. Rather than turning the whole residence into retail space, the project gives a family-run product a distinct public threshold within a timber house that is around two decades old.

Located on the main campus of the Technical University of Munich, TU Munich Kinderoase Daycare by Kéré Architecture and HK Architekten is conceived as a vertical kindergarten. On a compact and noisy urban site, the project creates a timber play environment for 60 children while offering a more humane link between work, research and family care.

Casa Co is located in Guadalajara, Mexico, with architecture by JDEstudio and interiors by Aagnes Studio. Although the project unfolds at the scale of a private house, it places beauty back at the center of architectural thinking: not as surface decoration, but as an ordering force for space, material, light, and the rhythm of domestic life.

PERMA Serifos Retreat is set into a rocky north-facing slope on Serifos Island, Greece. Designed by MOLD Architects, the project consists of five residences and is conceived less as a freestanding building than as a measured piece of terrain made habitable, embedded within the island's rugged ground, sea views and dry vegetation.

Terra Catarina House is located in the mountain landscape of Campo Alegre, Brazil. Designed by Nola Arquitetura, the 600-square-metre residence sits among dense araucaria forest and opens toward a valley shaped by a Permanent Preservation Area. History, memory, nature and architecture are brought together as the house becomes a countryside refuge for family life.

Cerdeiras House Hotel is located in the Labruja Mountain area of Ponte de Lima, Portugal. Designed by Tiago do Vale Arquitectos, the project transforms an 18th-century rural ensemble into a hotel, working with surviving granite and schist walls, a reconstructed granary, courtyards, terraces, and views toward the Labruja River valley and the nearby Sanctuary of Senhor do Socorro.

Located in Odense, Denmark, between an industrial district and the natural landscape around Glisholm Lake, Dymak's new headquarters by BIG - Bjarke Ingels Group is conceived as a circular building wrapped around a sheltered green courtyard. The 2,800-square-meter headquarters brings offices, showrooms, a photo studio, fitness facilities, and shared spaces into a daily environment shaped by daylight, landscape, and social interaction.

SNARK Inc. has completed NANZUKA TAKEN, a dining and bar space in Shibuya, Tokyo. Operated by the contemporary art gallery NANZUKA, the art bar was planned in collaboration with multiple artists, bringing together two sharply contrasting atmospheres: a main bar that evokes outer space, and a timber-lined VIP bar concealed beyond it.

85 Design has completed The TH Villa Hoi An in Vietnam, a coastal villa conceived as both a family retreat and a flexible hospitality-oriented residence. Located on Nguyen Phan Vinh Street in Tan Thanh, Hoi An, near the transition zone of the city’s heritage core, the 610-square-metre project sits within a seaside setting where domestic life, guest accommodation and the surrounding seascape are intended to coexist.

Fragmentos has completed Sublime Comporta Sand in Grândola, Portugal, a hotel project set within cork oak and umbrella pine forest in Comporta. Occupying a 51-hectare natural site, the project marks the next chapter of Sublime Comporta, one of Portugal’s most recognisable hospitality destinations. Rather than functioning as a simple extension, it establishes a new layer of resort experience through a more complete spatial organisation and a clearer relationship with the landscape.

EktraArhitectura has completed Laboratorium Coffee Shop in Cluj-Napoca, Romania, transforming a late 19th-century pharmacy into a contemporary coffee space. The project occupies the ground floor of Palatul Széki, a corner building in the heart of the city and the former home of Matia Corvin Pharmacy, once part of an important threshold into the historic centre.

Panamanian firm Mallol has completed El Arca, a single-storey residential pavilion built almost entirely from cedar harvested on its own site, on the slopes of Volcán Barú.

British practice WilkinsonEyre has completed the second phase of CIBC SQUARE, a 330,000-square-metre mixed-use development that bridges one of Toronto's busiest rail corridors with an elevated, one-acre sky park.

Osaka-based architect Yasuo Imazu of ninkipen! has completed a Blue Bottle Coffee café in Kamakura, Japan, suspending a ceiling of stainless steel panels above the room in a contemporary echo of traditional Japanese coffered ceilings.

Canadian studio Michael Taylor Architecture + Design has completed Percy Lake Cottage, a one-storey retreat dug into a granite slope above Ontario's Percy Lake that disappears from the road while opening fully toward the water.

MVRDV has completed Nieuw Bergen, a mixed-tenure residential development in the heart of Eindhoven comprising seven buildings that together redefine how density can coexist with daylight, greenery, and neighbourhood character.

OMA has completed Beymen Tersane, a new department store for Turkish luxury retailer the Beymen Group, housed within a cluster of former imperial shipbuilding halls along Istanbul's Golden Horn. The project marks the Dutch firm's first completed work in Turkey and stands as one of the most compelling examples of adaptive reuse in the country's recent architectural history.

Herzog & de Meuron has transformed a decommissioned Swiss Army antenna tower into a dramatic alpine landmark perched at over 3,000 metres above sea level on Mount Titlis, Switzerland.

Dutch architecture studio MVRDV has completed La Vallée Verte, a 70-unit residential complex in Bordeaux’s emerging Bastide Niel district, where a restrained white exterior conceals a wildly lush interior world of cascading greenery.

Perched on a sun-drenched slope in Kitasaku, Nagano, this family residence by Tokyo-based Yaita and Associate Co., Ltd. demonstrates how a single sweeping roof can transform a hillside into a place of profound spatial richness. Designed for a family relocating to the Karuizawa area, the house occupies a southeast-facing incline pitched at approximately thirty degrees. Rather than resist the gradient, architects Hisaaki Yaita and Naoko Yaita embraced it, draping a generous roof across the slope and orchestrating a layered sequence of interior and exterior space beneath it.

Thai studio Sitti Architects and Design has completed a healthy café and restaurant in Hat Yai that distils the owner’s brief — “simple yet truly outstanding” — into a striking architectural statement of curved concrete and open sky. Situated within a densely populated residential neighbourhood in southern Thailand, the 200-square-metre project was completed in 2026, deploying a bold circular plan to create an inward-looking sanctuary.

Perched on a forested hillside above the shimmering waters of Saanich Inlet in Willis Point, British Columbia, Layer House is a 6,477-square-foot waterfront residence designed by Vancouver-based studio W O V E N Architecture and Design. Completed in 2025, the project was conceived for a visual artist and craftsperson who sought a home that holds equally the demands of creative work and quiet contemplation.