鸟瞰显示连续金属屋面围合中央庭院，住宅落在成熟森林中的既有空地上。 An aerial view shows the continuous metal roof enclosing the central courtyard within an existing forest clearing. Courtesy of Patchwork Architecture

从海岸方向俯瞰林地与住宅，项目位于亚伯塔斯曼国家公园边界的森林深处。 Seen from the coast, the house sits deep within the forest at the boundary of Abel Tasman National Park. Courtesy of Patchwork Architecture

庭院火光与室内暖光并置，开放中心成为森林夜晚中的家庭聚点。 Firelight and the warm interior meet in the courtyard, turning the open centre into a family gathering place after dark. Courtesy of Patchwork Architecture

正面外观显示三层体量与陶砖格栅的整体关系，首层咖啡入口嵌在较为厚重的基座之中。 The frontal exterior shows the three-storey volume and its terracotta screen, with the cafe entrance set into a more solid ground-floor base. © Akasa Rana

从街道斜向观看，陶砖格栅沿二层与屋顶展开，并以不同高度回应建筑内部的露台和花园。 Seen obliquely from the street, the terracotta grid rises across the upper levels, its changing height corresponding to terraces and the rooftop garden. © Akasa Rana

横向剖面显示砖格立面如何遮挡早晨直射光，并将自然通风引入工作区与屋顶空间。 The cross-section shows how the perforated facade filters morning sun and draws natural ventilation through the coworking and rooftop levels. © INS Studio

从东南侧俯瞰，逆圆锥屋顶沿森林边缘展开，弧形体量顺应场地的扇形平地。 From the southeast, the inverted-conical roof follows the forest edge and the fan-shaped plateau. © Takumi Ota

从东北侧看向露台，屋面向森林抬升，在室内外之间形成宽阔边界。 From the northeast, the roof rises toward the forest and shelters a broad threshold around the terrace. © Takumi Ota

剖面图说明单坡断面如何沿圆弧旋转，并形成面向森林的逆圆锥屋顶。 The section explains how a mono-pitched profile rotates along the arc to form the inverted-conical roof. © KAMIYA ARCHITECTS

从入口路径望向酒庄主体，层层铺开的庭院与低矮体量把建筑置于葡萄园和安第斯山景之间。 From the arrival path, the winery is framed by layered courts, low volumes, vineyards and the Andes beyond. © Luis Abba

从高处俯瞰酒庄、葡萄园与道路，建筑成为大片种植地中的一处深色节点。 Seen from above, the winery, vineyards and road form a dark architectural node within the broader cultivated landscape. © Luis Abba

细部设计图以剖切和局部构造呈现入口、墙体与室内空间的连接。 A detail drawing uses section and local construction to show the connection between entrance, walls and interior space. © González Olsina & Vega Arquitectos

从汉江一侧观看63大厦基座，横向展开的白色美术馆以低矮“光之带”回应塔楼的垂直尺度。 Seen from the Han River side, the low white museum forms a horizontal band of light beneath the vertical mass of the 63 Building. © Wilmotte & Associés SA

从城市街角远望，美术馆的半透明体量嵌入高层建筑之间，树木与退台缓和了大型裙房的边界。 From a city corner, the translucent museum sits among taller buildings, with trees and setbacks softening the edge of the large podium. © Wilmotte & Associés SA

礼堂采用深色座席与均匀线性照明，为讲座、放映和公共项目提供相对独立的活动空间。 The auditorium combines dark seating with even linear lighting, providing a focused setting for talks, screenings and public programmes. © 2026 Hanwha Foundation of Culture

新旧两座音乐厅在森林中并置，低矮木玻璃门厅连接La Source Vive的铜质壳体与La Grange au Lac。 The two halls sit together in the woodland, joined by a low timber-and-glass foyer between La Source Vive’s copper shell and La Grange au Lac. © Salem Mostefaoui for PCA-STREAM

透过树干望向共享门厅，连续玻璃界面把园区步道、室内灯光与两座演出空间联系起来。 Seen through the trees, the shared glazed foyer links the woodland path, interior activity and both performance halls. © Salem Mostefaoui for PCA-STREAM

横剖面解释阶梯座席、混凝土声学内壳、木结构外壳与顶部天窗之间的多层构造。 The transverse section explains the layered relationship between tiered seating, concrete acoustic shell, timber outer structure and oculus. © PCA-STREAM

住宅以独立车棚作为街道界面，白色两层体量在低矮围墙和金属门之间形成克制而清晰的整体外观。 A detached carport defines the street edge, while the restrained white two-storey volume rises behind a low wall and metal gate. © Witsawarut Kekina

从街道近看入口一侧，圆润转角、深檐与抬高台阶共同引导访客从车棚转入住宅内部。 At close range, rounded corners, deep eaves and raised steps guide movement from the carport into the house. © Witsawarut Kekina

二层平面图呈现私密房间围绕庭院布置的方式，并标明楼梯、通高空间与下层公共区域的联系。 The second-floor plan shows private rooms arranged around the courtyard and their relationship to the stair, void and shared spaces below. © BodinChapa Architects

从南侧街道看Itsumo甜品店，纯白立面在连续店屋和傍晚车流之间只保留入口与发光标志。 Seen from the southern street at dusk, the white facade keeps only a recessed entrance and luminous emblem visible among the continuous shop-houses. © Kung Photograph

傍晚从街道靠近入口，低矮挑檐、混凝土台阶与玻璃门把明亮街景逐步收进室内。 Approaching at dusk, a low canopy, concrete steps and glazed door compress the transition from the bright street into the shop. © Kung Photograph

剖面与材料研究并列呈现空间高度、楼梯、天窗及灰黑材料层次的组织。 Section and material study bring together spatial height, stair, skylight and the layered grey-black palette. © kousou

从场地东侧看精品店所在建筑，深色门面将入口、织物界面与珠宝橱窗并置。 Seen from the east side of the site, the boutique's dark facade brings together its entrance, textile screen and jewellery window. © adhoc / Daisuke Shima

从外部透过开口看西阵织织物，纤细纹理在街道与室内之间形成半透明边界。 Viewed through the facade opening, the Nishijin textile forms a finely textured boundary between street and interior. © adhoc / Daisuke Shima

平面图显示入口、接待区、三间贵宾室和侧向庭院如何被自立木构与视觉边界连续组织。 The floor plan shows how entrance, reception, three guest rooms and the side garden are organised by the freestanding timber frame and its visual boundaries. © Fumihiko Sano Studio

沿街外观中，旧石、分层混凝土与新构件交织成连续立面，为村落街道建立新的公共界面。 Along the street, old stone, layered concrete and new construction form a continuous façade and a renewed civic edge for the village. © StudioTiltedCircle

建筑长立面以混凝土墙体和轻质金属屋面并置，在保留石屋尺度的同时显露当代介入。 Concrete walls and a lightweight metal roof define the long façade, retaining the scale of the stone houses while making the contemporary intervention legible. © StudioTiltedCircle

剖面图呈现屋面、线性天窗与中央通道之间的采光关系。 The section traces the relationship between the roofs, linear skylight and daylit central passage. © StudioTiltedCircle

从北侧道路望向店铺，通高玻璃在密集商业街景中展示两层连续的零售空间。 Seen from across the northern street, full-height glazing reveals the two retail floors as a continuous interior within the dense shopping district. © 阿野太一

日间入口贴近人行道展开，通透立面使首层和纸墙与原木作品成为街景的一部分。 The daytime entrance meets the pavement directly, allowing the washi walls and timber works on the ground floor to join the streetscape. © 阿野太一

二层平面图显示楼梯、卖场陈列、木作坐凳与尽端镜面沿纵向动线展开。 The second-floor plan shows the stair, displays, timber seating and mirrored end wall arranged along the longitudinal route. © TORAFU ARCHITECTS

从草原远望图书馆，低伏屋顶沿台地水平展开，建筑轮廓几乎消失在北达科他荒地的地平线上。 Seen across the prairie, the library’s low roof follows the butte and nearly disappears into the horizon of the North Dakota Badlands. © Nic Lehoux

从场地眺望周边荒地，沟壑、草坡与远方台地构成图书馆试图持续框取和修复的自然背景。 The view from the site takes in ravines, grass slopes and distant buttes, the living landscape the library seeks to frame and restore. © Nic Lehoux

年轻时代展厅以木屋顶、天窗和中央展柜连接人物叙事与建筑的连续室内语言。 The young-adulthood gallery links biographical storytelling to the building’s continuous interior language of timber roof, skylights and central cases. © Theodore Roosevelt Presidential Library

水塔从河岸草地与野花之后升起，保留的混凝土骨架、顶部砖环和NYMA字样共同维持旧厂区的城市标记。 Rising beyond riverside grass and wildflowers, the retained concrete frame, brick crown and NYMA lettering preserve the tower's identity within the former factory grounds. © Jannie Guo

从旧厂区入口望向水塔，竖向玻璃切口与外置钢梯成为历史塔身上最清晰的新介入。 Seen on arrival through the former factory grounds, the vertical glazed incision and detached steel stair register as the clearest new additions to the historic tower. © Jannie Guo

剖面图呈现垂直玻璃切口、层叠公共空间、顶部挑空与外置钢梯之间的立体关系。 The section explains the spatial relationship between the vertical glazed incision, stacked public rooms, upper void and external steel stair. © Eek en Dekkers

住宅面向宽阔街道展开，石灰岩基座、白色挑檐与黑色滑动屏风共同构成层叠而克制的整体立面。 The house addresses its broad street frontage through a layered composition of limestone base, white overhangs and black sliding screens. © Studio Periphery

从泳池花园远望L形住宅，两翼环抱水面与草地，成熟树冠成为家庭空间的绿色边界。 Seen across the pool garden, the L-shaped house cradles water and lawn while mature tree canopies form a green perimeter. © Studio Periphery

首层平面图显示L形体量、沿街缓冲翼、祖母套房、公共起居区以及25 m泳池和花园之间的关系。 The first-floor plan shows the L-shaped massing, street buffer, grandmother's suite, shared living spaces and the relationship between the 25 m pool and garden. © Ming Architects

从客厅看向厨房，登梁沿屋面抬升，为横向展开的公共空间带来温和节奏。 Looking from living toward the kitchen, rising beams follow the roof and give the broad communal room a gentle rhythm. © Tomomasa Kusunose

从东南侧看大磯之家，低伏的黑色木构体量沿街展开，坡屋顶在树木与天空之间保持克制的轮廓。 Seen from the southeast, the low dark timber volume extends along the street, its pitched roof held quietly between trees and sky. © Tomomasa Kusunose

纵向剖面呈现住宅贴近地面展开的尺度，以及室内、缘侧和庭院之间的连续关系。 The longitudinal section shows the house remaining close to the ground and the continuity between rooms, engawa and courtyard. © ISO architects & associates

北向海景立面以连续玻璃打开起居空间，宽阔木平台延伸至滨海草地。 The sea-facing north elevation opens the living room through continuous glazing, with a broad timber deck reaching into the coastal grass. © Hampus Berndtson

傍晚光线下，低伏屋面与透明起居空间在草地边缘形成清晰的海岸轮廓。 In the evening light, the low roof and transparent living room form a calm coastal silhouette at the edge of the grass. © Hampus Berndtson

檐口节点展示屋面板条、保温层、木结构与排水边缘的构造关系。 The eaves detail sets out the relationship between roof boards, insulation, timber structure and the drainage edge. © Jesper Kusk Arkitekter

外观，从东北侧看；瓦片大屋顶与烧杉外墙构成建筑面向城下町的第一印象。 Exterior, viewed from the northeast; the tiled roof and charred-timber walls establish the building’s first impression toward the castle town. © Hiroki Kawata

外观，从东侧道路看；建筑以大屋顶和深色外墙回应传统街景。 Exterior, viewed from the east road; the building responds to the historic streetscape through its large roof and dark walls. © Hiroki Kawata

屋顶平面图；图纸呈现大屋顶、侧向露台和建筑整体轮廓。 Roof plan; the drawing shows the large roof, lateral terraces and the overall building outline. © ninkipen!

旧圣十字教堂面向拉罗凯特街区安静展开，修复后的浅色立面保留原有轮廓，并以黄色竖向细节标记基金会的新身份。 The former Église Sainte-Croix meets the La Roquette neighbourhood with a restrained pale facade, while a vertical yellow detail signals its new life as an art foundation. © Fonds Bustamante

从阿尔勒街角观看，历史教堂的山墙、石墙与周边树木共同维持街区尺度，新的文化用途没有改变其城市轮廓。 Seen from an Arles street corner, the church gable, masonry and surrounding trees retain the scale of the neighbourhood without advertising the new cultural use through a dramatic silhouette. © Hervé Hôte adagp

地面作品与混凝土表面的接缝共同构成观看场景，呈现基金会强调作品、材料和空间相互回应的策展脉络。 Floor-based works and concrete joints share the visual field, illustrating the foundation’s curatorial interest in reciprocal relationships between art, material and space. © Fonds Bustamante

航拍展示约7公顷岛屿的整体格局，建筑集中于港湾一侧，步行路径沿海岸与植被串联各个片区。 The aerial view shows the seven-hectare island as a whole, with buildings gathered around the harbour and pedestrian paths linking the coast and planted areas. © Zannier Hotels

从海上望向更新后的本多尔岛，白色建筑沿地形层层展开，港口、松林与低矮屋面共同保持地中海聚落的尺度。 Seen from the water, the renewed Île de Bendor rises as a layered white settlement, with harbour, pines and low rooflines preserving its Mediterranean scale. © Schnepp Renou

施工阶段暴露的墙体、楼板与管线记录了既有建筑被拆解、修复并重新整合的过程。 Exposed walls, slabs and services during construction record how the existing building was opened up, repaired and integrated anew. © Schnepp Renou

住宅沿草坡展开，深色铁杉柱列与林地共同形成水平延伸的山居轮廓。 The house stretches along the grassy slope, its dark hemlock colonnade extending the horizontal line of the woodland retreat. © Félix Michaud

住宅低伏在岩石、草坡与成熟树木之间，水平屋顶保持对地形的克制回应。 Set behind rock, meadow and mature trees, the low roofline maintains a restrained presence within the terrain. © Félix Michaud

北立面图展开面向景观的木构柱列与玻璃界面，显示公共空间沿林缘连续布置。 The north elevation unfolds the timber colonnade and glazing toward the landscape, with shared rooms aligned along the forest edge. © Atelier Carle

Exterior curved glass facade set in the landscape, showing the circular volume facing its natural surroundings.

Aerial dusk view of the circular headquarters, central courtyard, and photovoltaic roof.

Cross section showing the rising roof, courtyard, interior levels, and structural profile.